AMC Aspects Magazine

3 /2 0 0 9

ÒÅËÅÊÎÌÓÍÈÊÀÖÈÈÒÅ ÏÐÅÄÈÇÂÈÊÀÒÅËÑÒÂÎ ÇÀ ÀÐÕÈÒÅÊÒÓÐÍÀÒÀ ÑÐÅÄÀ

Ïîâå÷å îò 150 ãîäèíè å ðîäîâàòà ñòðîèòåëíà òðàäèöèÿ íà àðõ. Ìèëîìèð Áîãäàíîâ - îò òðåâíåíåöà óñòà Èâàí Áîãàíîâ è ñòðîèòåëíèÿò ïðåäïðèåìà÷ Ìèí÷î Áîãäàíîâ äî áàùà ìó äîö. ä-ð èíæ. Ïåí÷î Áîãäàíîâ. Àðõ. ÌÈËÎÌÈÐ Ï. ÁÎÃÄÀÍΠå ðîäåí â Ñîôèÿ ïðåç 1963 ã. Çàâúðøâà àðõèòåêòóðà âúâ ÂÈÀÑ ïðåç 1992 ã. Äèïëîìèðà ñå â êàòåäðà “0áùåñòâåíè ñãðàäè è êîìïëåêñè” ñ ïðîåêò çà íîâî ìåæäóíàðîäíî ëåòèùå Ñîôèÿ. Ñïåöèàëèçèðà â ÑÀÙ (ÕþñòüíÒåêñàñ) - “Àðõèòåêòóðíî ïðîåêòèðàíå; ñòðîèòåëíè è êîìïþòúðíè òåõíîëîãèè è ñòàíäàðòè; öåíîâè àíàëèçè è ìàðêåòèíã è èíòåðíåò äèçàéí”. Çàâúðøâà òðèãîäèøíà ñïåöèàëèçàöèÿ ïî ìåæäóíàðîäíà èêîíîìèêà è ìàðêåòèíã â Òåõíè÷åñêèÿ óíèâåðñèòåò. Ïðîôåñèîíàëíàòà ñè ïðàêòèêà çàïî÷âà ïðåç 1985 ã. êàòî àñèñòåíòïðîåêòàíò â áþðîòî íà àðõ. Õð. Öâåòêîâ è ïðîô. àðõ. Â. Âúë÷àíîâ. Îò 1992 ã. îãëàâÿâà ñîáñòâåíî àðõèòåêòóðíî áþðî. Äúëãîãîäèøåí ïðåäñåäàòåë íà ñòîëè÷íî äðóæåñòâî è íà òâîð÷åñêè êëóá â Ñúþçà íà àðõèòåêòèòå â Áúëãàðèÿ, ñúó÷ðåäèòåë è ÷ëåí íà Êàìàðàòà íà àðõèòåêòèòå â Áúëãàðèÿ. Àðõ. Áîãäàíîâ ïå÷åëè íàãðàäè îò àðõèòåêòóðíè êîíêóðñíè, êîíêóðñè ïî ãðàôè÷åí äèçàéí è äð. Íåãîâè ñà ãðàôè÷íèòå ñèìâîëè íà Ñîôèéñêà àäâîêàòñêà êîëåãèÿ è íà Ôàêóëòåòà ïî êîìóíèêàöèîííà òåõíèêà è òåõíîëîãèè íà Òåõíè÷åñêèÿ óíèâåðñèòåò. Óäîñòîåí å ñ äèïëîì-ãðàìîòà “Çà ïðèíîñ â àðõèòåêòóðíîòî òâîð÷åñòâî” íà Ñúþçà íà àðõèòåêòèòå â Áúëãàðèÿ. Ïðúâ ëàóðåàò å íà íîâîó÷ðåäàíàòà ïðåç ìèíàëàòà ãîäèíà ñïåöèàëíà íàãðàäà íà ÊÀÁ çà àðõèòåêòóðíà ïóáëèöèñòèêà.

2

Îáåêò: Òåëåêîìóíèêàöèîíåí è áèçíåñ öåíòúð â Ñîôèÿ Ïðîåêòàíò: àðõ. Ìèëîìèð Áîãäàíîâ Èíâåñòèòîð: “ÅÑÒ” ÀÄ

Ïî ïðîåêò îáåêòúò ñú÷åòàâà ôóíêöèèòå íà òåëåêîìóíèêàöèîíåí öåíòúð ñ íàäçåìíà è ïîäçåìíà ÷àñò, òåõíîëîãè÷íè è ñêëàäîâî-ïðîèçâîäñòâåíè çîíè, äîñòúïíè çà êàìèîíè â ïîäçåìíîòî íèâî è íà êàíòîðñêà ñãðàäà ñ êàôåòà, ðåñòîðàíò, ìàãàçèíè, îôèñè è êîíôåðåíòíè çàëè, îòäàâàíè ïîä íàåì. Ñúîáðàçíî ïðîåêòíàòà ïðîãðàìà òóê íå e ïðîïóñíàòî íèùî - îò áàíêîâ êëîí äî ñòîìàòîëîãè÷åí êàáèíåò. Îñâåí ñëîæíèòå ôóíêöèè, äîïúëíèòåëíà îñîáåíîñò íà ñãðàäàòà å, ÷å ðåàëèçàöèÿòà é å òðÿáâàëî äà ñå îñúùåñòâè íà äâà åòàïà. Ïðè ïúðâèÿ ñå å ðàáîòèëî ñàìî èçâúí ïëîùòà, çàåòà îò ñúùåñòâóâàùèòå àíòåííè ïîëåòà, àïàðàòíè, îïòè÷íè è ñàòåëèòíè ñòàíöèè è êàáåëíè òðàñåòà, çà êîèòî (îñâåí ÷å ñà èçêëþ÷èòåëíî ñêúïè ñúîðúæåíèÿ) å íàïúëíî íåäîïóñòèìî äà ïðåêúñâàò ðàáîòà. Òîâà íàëîæèëî êîìïëåêñúò ôàêòè-

÷åñêè äà ñú÷åòàâà äâå ñãðàäè â åäèí îáåìíî-ïðîñòðàíñòâåí îáðàç. Âåäíúæ - âúâ âèñî÷èíà, è âòîðè ïúò - âñÿêà îò òÿõ äà ñå ñúñòîè îò äðóãè äâå ñãðàäè, êîèòî äà ñå èçãðàäÿò “íà êàëêàí”, ïîäîáíî íà æèà ñúùî è ïðÿêà âèçóàëíà âðúçêà ñ îêîëíàòà ñðåäà, íåîáõîäèìà çà ïñèõîëîãè÷åñêàòà èçäúðæëèâîñò íà çàåòèòå. Ïëàíèðîâú÷íîòî è êîíñòðóêòèâíîòî ðåøåíèå ñ áåçãðåäîâè ïëî÷è ñ òâúðäè ÿäðà è ìèíèìóì êîëîíè è øàéáè, îñèãóðÿâà íåîáõîäèìàòà êîðàâèíà è óñòîé÷èâîñò íà çåìåòðúñ. Òåçè êà÷åñòâà ñà ñú÷åòàíè ñ âúçìîæíîñòòà çà ñâîáîäíà ïåéçàæíà ïëàíèðîâêà è åêñïëîàòàöèîííà âàðèàíòíîñò â ðàçäåëÿíåòî íà åòàæíèòå ïëîùè ñïîðåä ðàçëè÷íèòå âèæäàíèÿ íà ïîëçâàòåëèòå èì. Âñåêè åòàæ ôàêòè÷åñêè ïðåäñòàâëÿâà åäíà ãîëÿìà çàëà, ñúîðúæå-

íà ñ íåîáõîäèìèòå ñåðâèçíè àíåêñè, ñ èíñòàëàöèîííè ïîäîâå è òàâàíè è ñ ìîáèëíè ñòåíè. Ïðèëîæåíè ñà àêòèâíè è ïàñèâíè åíåðãîñïåñòÿâàùè ìåðêè. Ïëàíèðîâú÷íî êîìïëåêñúò å ñ êúñèÿ ñè òåñåí ôðîíò êúì íåáëàãîïðèÿòíèòå ãåîãðàôñêè ïîñîêè. Ôàñàäíèòå ïîâúðõíèíè, ñïîðåä èçëîæåíèåòî ñè, ñà ñ êîíâåêñíè èëè ïðàâèëíè ôîðìè. Òàêà å ïîñòèãíàòî äîáëèæåíèå äî îâàëîèäåí ïëàí íà êîðïóñà, íàìàëÿâàù êîíòàêòíàòà ïîâúðõíîñò ñ âúíøíàòà ñðåäà. Äî ãîëÿìà ñòåïåí â åêñòåðèîðà ñà èçáÿãíàòè úãëè, ñïîñîáñòâàùè çà çàâèõðÿíå íà âúçäóøíèòå ïîòîöè, è å íàìàëåíî íåáëàãîïðèÿòíîòî âúçäåéñòâèå íà âÿòúðà âúðõó ñãðàäàòà. Ïðîåêòèðàíè ñà öÿëîñòíè ñëúíöåçàùèòíè êîíñòðóêöèè âúðõó þæíàòà è çàïàäíàòà ôàñà-

äè è õåëèîìàòè÷åí òèï îñòúêëÿâàíå, ïðåïÿòñòâàùî äèðåêòíîòî ïðîíèêâàíå íà ñëúí÷åâàòà ðàäèàöèÿ, íî îñèãóðÿâàùî äîáðà èíñóëàöèÿ. Êîìïëåêñúò ñå ñúîðúæàâà ñ åäèííà ñèòåìà çà êîíòðîë íà ñðåäàòà è åíåðãîåôåêòèâíîñò. Òÿ ïðåäîòâðàòÿâà èëè èçïîëçâà ïàðíèêîâèÿ åôåêò â àòðèóìà è ïîìåùåíèÿòà, êîìàíäâà åñòåñòâåíèÿ âúçäóõîîáìåí ÷ðåç îòâàðÿåìè êëàïè íà ïðîçîðöèòå. Îõëàæäàíåòî ñå ïîäñèëâà è ÷ðåç èçïîëçóâàíå íà äîáèâàíà ÷ðåç ñîíäà ñòóäåíà ïîäïî÷âåíà âîäà, çàõðàíâàùà ñåðïàíòèíè â òàâàíèòå. Ïðè îòîïëåíèå ñúùàòà âîäà ñå âêëþ÷âà öèðêóëàöèîííî â ïîäîâè ñåðïàíòèíè, êàòî ñå çàãðÿâà îò àêòèâíè ñîëàðíè è ôîòîñîëàðíè ïàíåëè, ìîíòèðàíè â ïîêðèâà íà ñãðàäàòà.

3

3 /2 0 0 9

Òîé, êàêòî è ãîðíèòå ñëüíöåçàùèòíè ñêàðè, ïðåâúðíàòè â ïåðãîëè, ñà áîãàòî îçåëåíåíè. Ïðåäâèäåíèòå ñúùî îçåëåíåíè òåðàñè, áàëêîíè è ëîäæèè, íåòèïè÷íè, íî íóæíè çà òàêúâ òèï ñãðàäè, ñà ðåøåíè êàòî ðåêðåàòèâíè ïðîñòðàíñòâà çà ìèíóòåí îòäèõ è âúçñòàíîâÿâàíå íà êîíöåíòðàöèÿòà íà ðàáîòåùèòå âúâ âèñîêèòå åòàæè. Òàêà å îñèãóðåíà âúçìîæíîñò çà èçëàç íà ÷èñò âúäóõ, áåç õîðàòà äà íàïóñêàò ñãðàäàòà. Ïðè ïëàíèðàíåòî ñà ñïàçåíè èçèñêâàíèÿòà çà èçãðàæäàíå íà äîñòúïíà ñðåäà çà õîðà ñ óâðåæäàíèÿ. Óòèëèòàðíàòà íåîáõîäèìîñò îò àíòåííè ïîëåòà è ïðîñòðàíñòâåíî ðåøåíèå çà òåëåêîìóíèêàöèîííèòå òåõíîëîãèè å èçâåäåíà äî ñèìâîë, âúïëúòåí â àðõèòåêòóðíèÿ îáðàç è ñèëóåòà íà êîìïëåêñà, âèäèì îòäàëå÷ è

4

çàïîìíÿù ñå êàòî âèçóàëåí ðåïåð íà âõîäà íà ñòîëèöàòà. Òîçè çíà÷èì ïðîåêò îáîãàòÿâà è âèðòóàëíîòî ïðîñòðàíñòâî íà áúëãàðñêàòà êóëòóðà â ãëîáàëíàòà ìðåæà, êúäåòî òîé å ïðåäñòàâåí çàåäíî ñ äðóãè ðàáîòè íà àâòîðà.  ïðîöåñà íà ñòðîèòåëíà ðåàëèçàöèÿ íÿêîè îò çàëåãíàëèòå â ïðîåêòà ðåøåíèÿ åñòåñòâåíî ñå å íàëîæèëî äà áúäàò ñúîáðàçåíè ñ òåõíîëîãè÷íèòå âúçìîæíîñòè ó íàñ è ñ äîïúëíèòåëíè îãðàíè÷åíèÿ, âúâåäåíè îò èíâåñòèòîðà. Íî êàòî öÿëî ñòãðàäàòà, êîÿòî íåîäàâíà ïîëó÷è ðàçðåøåíèå çà ïîëçâàíå è âå÷å å â åêñïëîàòàöèÿ, å âúïëúòèëà â äîñòàòú÷íà ñòåïåí âèæäàíèÿòà íà àâòîðà, êàêòî ñïîäåëÿ ñàìèÿò òîé.

Ñíèìêè: Àâòîð: Êðàñèìèðà ÈÂÀÍÎÂÀ

TELECOMMUNICATIONS AS PROFESSIONAL CHALLENGE FOR ARCHITECTURAL ENVIRONMENT

Project: Telecommunication and business center in Sofia Architect: Milomir Bogdanov Investor: “EST”

More than 150 years is the building tradition practiced in the family of arch. Milomir Bogdanov – from the master Ivan Bogdanov and the building entrepreneur Mincho Bogdanov to his father doctor eng.

Pencho Bogdanov.

Arch. Milomir P. Bogdanov is born in Sofia in 1963. He is graduated in Architecture in 1992. Later he obtains Master degree in the USA (Houston – Texas) “Architectural design, construction and computer technologies and standards, price analysis and marketing and internet design”.

He finished three-years specialization in international economy and marketing in the Technical university.

His professional practice begins in 1985 as assistant in the architecture studio of arch. Hr. Tsvetkov and prof. arch. V. Valchanov. From 1992 opens his own architectural studio.

Chairman of Sofia branch and art club in the Union of architects in Bulgaria, co-founder and member of the Chamber of architects in Bulgaria.

Arch. Bogdanov has been awarded on architectural contests, graphic design contest and others.

He was honored with diploma “Achivements in architectural work” of the Union of architects in Bulgaria.

He is the first laureate of the new special award of the Chamber of architects for writings on architecture.

This project combines the functions of telecommunication center with underground part, technological and storage zones

5

3 /2 0 0 9

accessible for trucks on the underground level and office building with cafes, restaurant, shops, and conference halls. Regarding the program in the project nothing has been missed here – from bank to dentist.

Except the complicated functions additional particularity in the building is that its realization had to be done on two stages. On the first has been working outside the area occupied by antenna poles, apparatus, optical and satellite stations and cable traces for whom (excluding the high price) is absolutely impossible to stop working. This necessitated the complex to be a combination of two buildings in one volume-space in the same image. Once – vertically and second time – each building contains two others that create the

6

whole.

The composition is developed in a way that it optically unites functionally the separate floors of the complex around one covered square and the different buildings coexist in the urban environment. There is an atrium bringing the sun-light not only in the building, but also to the underground levels. So the big disadvantages of the traditional decisions where these space are not cozy. Here is put that they should be comfortable as much as those over the ground, because from there the most of the inhabitants using vehicles will go in and go out from the buildings. Except the underground part, the other spaces have good access of natural light.

Author: Krasimira Ivanova