AMC Aspects 03/2009

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È Ò Ê Å Ï Ñ À

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4.50 ëâ. Îêà÷åíè ôàñàäè AL è PVC äîãðàìà Êîìïîçèòíè ïàíåëè Êåðàìèêà Åòàëáîíä

Àëóìèíèåâè ïàðàïåòíè ñèñòåìè òåë.: 032/969230 www.colourmetal.com

MAGAZINE FOR ARCHITECTURE, MANAGEMENT, CONSTRUCTION

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ÑÏÈÑÀÍÈÅ ÇÀ ÀÐÕÈÒÅÊÒÓÐÀ, ÌÅÍÈÄÆÌÚÍÒ, ÑÒÐÎÈÒÅËÑÒÂÎ MAGAZINE FOR ARCHITECTURE, MANAGEMENT, CONSTRUCTION

Îôèöèàëåí ìåäèåí ïàðòíüîð íà Êàìàðàòà íà àðõèòåêòèòå â Áúëãàðèÿ Îôèöèàëåí ìåäèåí ïàðòíüîð íà Ìåæäóíàðîäíàòà àêàäåìèÿ ïî àðõèòåêòóðà êúì ÅÊÎÑÎÊ - ÎÎÍ

Óïðàâèòåë èíæ. Íàòàëèÿ Áîíäàðåíêî General Manager eng. Natalia Bondarenko, eng. Ãëàâåí ðåäàêòîð Êðàñèìèðà Èâàíîâà

ÑÚÄÚÐÆÀÍÈÅ 3 /2009 CONTENT 3 /200 9

www.atlas-style.com ISSN 1310 - 3660 / Öåíà: 4.50 ëâ. Äâóåçè÷íî èçäàíèå / Òwo-language edition

Editor-in-chief

Krasimira Ivanova

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Ðåäàêòîðè Ðóìÿíà Ñòåôàíîâà, Âàëÿ Àïîñòîëîâà

Àðõèòåêòóðíàòà ðàáîòèëíèöà àêòèâíà îáùåñòâåíà ïîçèöèÿ

Editors

Rumiana Stefanova, Valia Apostolova

1 0 Îùå âåäíúæ çà êîíêóðñà çà âòîðè÷åí ãðàäñêè öåíòúð íà Ñîôèÿ

Ðåäàêöèîíåí ñúâåò / Editorial Council äîö. ä-ð àðõ.Ìèõàèë Ðèëñêè äîö. ä-ð àðõ. Ãåîðãè Ñòàíèøåâ ÷ë. êîð. ïðîô. äàí àðõ. Àòàíàñ Êîâà÷åâ äîö. ä-ð àðõ. Æåêî Òèëåâ ñò. í. ñò. Éîðäàí Òàíãúðîâ àðõ. Àòàíàñ Òîñåâ àðõ. Çäðàâåö Õàéòîâ àðõ. Ëèëî Ïîïîâ àðõ. Ðàéìîíäî Ôëàêîìèî àðõ. Òîäîð Ëè÷åâ èíæ. Íàòàëèÿ Áîíäàðåíêî

Êîðåêòîð Ìàðèÿ Òîäîðîâà

Proof-reader

Maria Todorova

Ïðåâîä íà àíãëèéñêè Ïîëèíà Õàäæèìèòîâà

English text

Polina Hadjimitova

Ðúêîâîäèòåë ïðåäïå÷àò Ïåòúð Äèìèòðîâ

Chief Prepress Peter Dimitrov

Èíòåðàðõ 2009

1 6 Ïðîñòðàíñòâî è âðåìå 20

îáåäèíåíè â "Òðèåäèíñòâî" Space and time united in “Trinity” Ãðàäèíàòà íà Àïîëîí The Garden of Apollo

2 6 Íîâàòà àäìèíèñòðàòèâíà ñãðàäà íà ôèðìà "Õúñ" ÁÈÇÍÅÑ Â ÌÎÄÅÐÍÀ ÑÐÅÄÀ The new administrative building of "Hus" company BUSINESS IN MODERN ENVIRONMENT

3 6 Õîòåë-ãóðìå ðåñòîðàíò "Êàñòåëî äè Ñàí Ìàðèíî" êîìôîðòåí ïðî÷èò íà Ñðåäíîâåêîâèåòî Hotel-restaurant "Castello di San Marino"comfortable perusal of the Middle Ages

Ãðàôè÷åí äèçàéíåð íà áðîÿ Èíà Êàìáàðåâà

Graphic designer of the issue Ina Kambareva Äèçàéíåðè/Designers Ïîëèíà Õàäæèìèòîâà Polina Hadjimitova

Ôîòîãðàôè Ðóñëàí Ïîïîâ, Ñîíÿ Ñòàíêîâà, Äèìèòúð Êàñàáîâ

Photographers

Ruslan Popov, Sonia Stankova, Dimitar Kasabov

4 8 Ïàñàæåðñêè õîòåë â Ïëåâåí Ïî-ìàëêî å ïîâå÷å Hotel in Pleven Less is more

5 4 SPA-õîòåë "Ïåðñåíê" â Äåâèí ìîäåðíà âèçèÿ ñðåä êðàñèâà ïðèðîäíà äàäåíîñò Spa hotel "Persenk"in Devinmodern silhouette among beautiful natural environment

Ìåíèäæúð ðåêëàìà Ðóìÿíà Ñòåôàíîâà

Advertising Manager Rumiana Stefanova

Ðåêëàìíè êîíñóëòàíòè Äèàíà Ñòîÿíîâà, Âàíÿ Åôðåìîâà, Ëóèçà Äàìÿíîâà, Âàëåíòèíà Âàíãåëîâà, Åìèëèàí Ìèëêîâ

Ïå÷àò “Èôî Äèçàéí”, Ñîôèÿ Print “Ifo Design”, Sofia Èçäàâà: Publisher: Öåíòðàëåí îôèñ: Ñîôèÿ 1000 óë. “Öàð Ñàìóèë” No 81 e-mail: atlas@loze.net www.amc-aspects.com www.atlas-style.com www.technostroi.com Óïðàâèòåë: 02/868 81 83 Ãëàâåí ðåäàêòîð: 02/ 868 79 04 Ðåêëàìíè êîíñóëòàíòè: 02/868 83 50 ôàêñ: 02/868 79 04; Ðåãèîíàëåí îôèñ: Ïëîâäèâ 4000 óë. “4 ÿíóàðè” No 38, ïàðòåð, àòåëèå 2 òåë./ôàêñ: 032/63 32 16 Ïðåäñòàâèòåëñòâî âúâ Âàðíà: Âàðíà , óë.”Ïåòúð Ðàé÷åâ” 12 îôèñ 9 òåë. 052/ 97 94 83; 30 15 23; ìîá. 0897 77 80 80

7 0 ÑÎÔÈÉÑÊÈßÒ ÀÐÑÅÍÀË -

ìóçåé çà ñúâðåìåííî èçêóñòâî SOFIA ARSENAL museum for contemporary art - Samka Ïðîåêòè

7 6 Ìåæäóíàðîäåí ñòóäåíòñêè àðõèòåêòóðåí ïëåíåð "Áàë÷èê 2009" Åäèí âúçìîæåí ïðî÷èò íà îáðàçîâàíèåòî ïî àðõèòåêòóðà

8 2 Îôèñ ñãðàäà, ñúîáðàçåíà ñ èçèñêâàíèÿòà çà åíåðãèéíà åôåêòèâíîñò

8 8 Ïðîèçâîäñòâåíà ñãðàäà - åìáëåìà íà ôèðìàòà Small factory for ecopurification filters Îôèöèàëåí ìåäèåí ïàðòíüîð íà Áúëãàðñêàòà àñîöèàöèÿ çà èçîëàöèè â ñòðîèòåëñòâîòî Ìàòåðèàëè è èëþñòðàöèè îò “ÀÌÑ Àñïåêòè” ìîãàò äà ñå èçïîëçâàò ñàìî ñ ðàçðåøåíèå íà ðåäàêöèÿòà. Çà íåâåðíè äàííè, ïîñî÷åíè â ïëàòåíè ðåêëàìíè è àâòîðñêè ìàòåðèàëè, ðåäàêöèÿòà íå íîñè îòãîâîðíîñò.

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Àðõèòåêòóðíàòà ðàáîòèëíèöà àêòèâíà îáùåñòâåíà ïîçèöèÿ

Êîëåêòèâ ÍÁÓ - ñòóäåíòè III êóðñ (Äåÿí Òðèôîíîâ, Äæóëèÿ Äèìèòðîâà, Ìàðèÿ Áî÷åâñêà, Íàäåæäà Ðàíãåëîâà, Ðàëèöà Êåðìåíëèéñêà, Ðúêîâîäèòåë : ïðîô. àðõ. Ê. Áîÿäæèåâ

Åêñïåðòíà ãðóïà: Ïðîô. ä-ð àðõ. Òîäîð Áóëåâ òâîð÷åñêè ðúêîâîäèòåë íà Àðõèòåêòóðíàòà ðàáîòèëíèöà Ïðîô. ä-ð àðõ. Àëåêñàíäúð Àëåêñàíäðîâ Ñò.í.ñ. àðõ. Ïåòêî Åâðåâ Àðõ. Ëþäìèë Ëåîíèäîâ Àðõ. Ëþáîìèð Ïåëîâñêè Àðõ. Ïåòêî Ñèìåîíîâ Àðõ. Ñëàâåé Ãúëúáîâ Àðõ. Ñèëâèÿ Ñîêåðîâà Àðõ. Ðàëèöà Áàðàêîâà

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"Àðõèòåêòóðíàòà ðàáîòèëíèöà" áåøå îðãàíèçèðàíà îò ÑÀÁ è ÊÀÁ, çà äà äàäå äåìîêðàòè÷íà âúçìîæíîñò íà âñè÷êè áúëãàðñêè àðõèòåêòè äà èçðàçÿò ñâîåòî ïðîôåñèîíàëíî ñòàíîâèùå çà óñâîÿâàíåòî íà òîçè èçêëþ÷èòåëíî öåíåí òåðåí, êîéòî ïðåäëàãà ðåäèöà ñëîæíè çà ðåøàâàíå ïðîáëåìè. Ðàçïîëîæåí íà åäíà îò ãëàâíèòå ñîôèéñêè ìàãèñòðàëè, ñðàâíèòåëíî áëèçî äî ãëàâíèÿ ãðàäñêè öåíòúð, â áëèçîñò äî Ñîôèéñêîòî ëåòèùå è íîâîèçãðàäåíè è èçãðàæäàùè ñå ãîëåìè àäìèíèñòðàòèâíè è òúðãîâñêè êîìïëåêñè, òîçè òåðåí òðÿáâà äà áúäå óñâîåí ïî îïòèìàëåí çà ãðàäà íà÷èí. Òîâà ïðåäïîëàãà êîìïëåêñíî

ïðîåêòèðàíå è èçãðàæäàíå âúç îñíîâà íà îáîñíîâàíà ôóíêöèîíàëíà è ñòðîèòåëíà ïðîãðàìà, îò÷èòàíå íà ñïåöèôè÷íèòå ìó âçàèìîäåéñòâèÿ ñ ãðàäñêèÿ îðãàíèçúì. Íåîáõîäèìà å è ãðàäîóñòðîéñòâåíà ïîäãîòîâêà çà óñâîÿâàíåòî ìó ÷ðåç èçãðàæäàíå íà çàõðàíâàùàòà ãî òðàíñïîðòíî-êîìóíèêàöèîííà è èíæåíåðíà èíôðàñòðóêòóðà.  “Àðõèòåêòóðíàòà ðàáîòèëíèöà” ñå âêëþ÷èõà 26 ãðóïè ñ 83 ó÷àñòíèêà, íÿêîè îò êîèòî ïðåñòàâèõà îñâåí ïðîåêòíè ðåøåíèÿ è ðàçëè÷íè ïðîó÷âàíèÿ íå ñàìî çà êîíêðåòíîòî óñâîÿâàíå íà òåðèòîðèÿòà, íî è âèçèè çà òèïà ãðàäñêà ñðåäà, êîéòî äà ñå îôîðìè â íåÿ.

Âúçðàñòîâèÿò äèàïàçîí íà ó÷àñòíèöèòå áå øèðîê - îò 20 äî 80 ãîäèíè. Âïå÷àòëÿâàùî áå ìàñîâîòî ó÷àñòèå íà ìëàäèòå àðõèòåêòè, â òîâà ÷èñëî è ñòóäåíòè, êàêòî è íà ðàçëè÷íè ñïåöèàëèñòè, ò.å. èíòåðäèñöèïëèíàðíèÿ õàðàêòåð íà “ðàáîòèëíèöàòà”. ×ðåç òîâà ìàñîâî, ñâîáîäíî êàòî èçÿâà è íàïúëíî áåçêîðèñòíî ó÷àñòèå, áåç êàêâîòî è äà å çàïëàùàíå, áúëãàðñêàòà àðõèòåêòóðíà êîëåãèÿ äîêàçà ñâîÿòà àêòèâíà îáùåñòâåíà ïîçèöèÿ, ãîòîâíîñòòà ñè äà ñå âêëþ÷âà â ðåøàâàíåòî íà çíà÷èìè àðõèòåêòóðíî - ãðàäîóñòðîéñòâåíè ïðîáëåìè íà êîíêóðñåí ïðèíöèï. Ãîëÿìîòî ðàçíîîáðàçèå íà óðáàíèñòè÷íè âèçèè è ïðîåêòíè ïðåäëîæåíèÿ èëþñòðèðà âúçìîæíèÿ øèðîê ñïåêòúð îò ïîäõîäè, íåîáõîäèì ïðè âçåìàíåòî íà ðåøåíèÿ çà ïîäîáíè ñïåöèôè÷íè çàäà÷è. Ðàçíîîáðàçíèòå ïðåäëîæåíèÿ, íàïðàâåíè îò ó÷àñòíèöèòå, ñïîñîáñòâàò çà èçÿñíÿâàíå íà ïðîáëåìàòèêàòà è ïîäõîäèòå â óñâîÿâàíåòî

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íà òåðèòîðèÿòà. Òå ïîñî÷âàò è íåîáõîäèìîñòòà îò îðãàíèçèðàíå íà äåìîêðàòè÷íà îñíîâà íà àðõèòåêòóðíî - ãðàäîóñòðîéñòâåíè êîíêóðñè çà òÿõíîòî ðåøàâàíå. ïî ó÷àñòèå êîíêóðñ çà ñúùàòà òåðèòîðèÿ, ïîêàçâà ðåäèöà íåäîñòàòúöè: íåèçÿñíåíîñò íà âçàèìîäåéñòâèÿòà íà âðúçêèòå ñ ãðàäà; ëèïñà íà èíôîðìàöèÿ çà ïðèëåæàùèòå  Îðãàíèçèðàíèòå ïðåäâàðèòåëíè äèñêóñèè, äèñêóñèèòå ïî âðåìå íà äîêëàäâàíåòî íà ïðîåêòíèòå ðàçðàáîòêè ïðåä åêñïåðòíàòà ãðóïà, îáñúæäàíèÿòà â íåÿ î÷åðòàõà íÿêîëêî ïðèíöèïíè èçâîäà ïî îòíîøåíèå íà áúäåùîòî ïðîåêòèðàíå è óñâîÿâàíå íà òåðèòîðèÿòà : Èçÿñíÿâàíå íà ïðîáëåìàòèêàòà íå å âúçìîæíî äà ñòàíå ñàìî â îáõâàòà íà êîíêóðñà è ñàìî âúç îñíîâà íà ìàòåðèàëèòå íà ÎÓÏ íà Ñîôèÿ. Íåîáõîäèìè ñà äîïúëíèòåëíè ïðîó÷âàíèÿ â ïîäõîäÿù îáõâàò, îáåì è ìàùàá, äîèçÿñíÿâàùè ïðîáëåìèòå íà òåðèòîðèÿòà âúâ âçàèìîäåéñòâèåòî è ñ ãðàäà, êàêòî ïî îòíîøåíèå íà òðàíñïîðò è èíæåíåðíè ìðåæè, òàêà è ïî îòíîøåíèå íà îïòèìàëíîòî ôóíêöèîíàëíî ñúäúðæàíèå. Ïðè îïðåäåëÿíå íà ôóíêöèèòå, çàñòðîåíèòå ïëîùè è îáåìè å íåîáõîäèìî äà ñå îò÷åòå ðåàëèñòè÷íî íåáëàãîïðèÿòíèÿ åôåêò îò îòêëîíÿâàíåòî íà òðàñåòî íà Ñîôèéñêèÿ ìåòðîïîëèòåí îò áóë. "Öàð Îñâîáîäèòåë” è "Öàðèãðàäñêî øîñå” êúì áóë. “Äðàãàí Öàíêîâ”. Ëèïñàòà íà ðàâíîñòîåí ãðàäñêè òðàíñïîðò ïî áóë. “Öàðèãðàäñêî øîñå” ñå ÿâÿâà ëèìèòèðàù ôàêòîð ïî îòíîøåíèå íà èíòåíçèâíîñòòà íà çàñòðîÿâàíå è îáùàòà íàòîâàðåíîñò íà ïðîó÷âàíèÿ òåðåí. Èçãðàæäàíåòî íà åâåíòóàëíè äîïúëíèòåëíè çàõðàíâàùè ãî òðàñåòà çà äðóãè âèäîâå ðåëñîâ èëè èçâúíóëè÷åí òðàíñïîðò ñà âàæíî óñëîâèå çà åôåêòèâíîòî ìó óñâîÿâàíå.  óñâîÿâàíåòî íà òåðèòîðèÿòà òðÿáâà äà ñå îáúðíå îñîáåíî âíèìàíèå íà çàïàçâàíåòî íà ñúùåñòâóâàùàòà çåëåíèíà, âðúçêàòà íà “âúòðåøíàòà” çåëåíà ñèñòåìà ñ îêîëíèòå îòêðèòè è îçåëåíåíè ïëîùè è îáùîòî óâåëè÷àâàíå íà ïàðêîâèòå ïëîùè â òåðèòîðèÿòà ñïðÿìî êîíêóðñíàòà ïðîãðàìà - îò 5 õà â íåÿ, äî 15 - 20 õà. Áúäåùîòî ïðîåêòíî ðåøåíèå íà òåðèòîðèÿòà òðÿáâà äà îïòèìèçèðà èçãðàæäàíåòî íà ìàêñèìàëíî èíòåãðèðàíà, îòâîðåíà ñïðÿìî îêîëíèòå êâàðòàëè è ïîäõîäè, ãðàäñêà ñðåäà. Òðÿáâà äà ñå èçáåãíå ïîÿâàòà òóê íà îãðîìåí êîìïëåêñ îò “çàòâîðåí” òèï.

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Áúäåùåòî ïðîåêòíî ðåøåíèå òðÿáâà äà îò÷èòà âúçìîæíèòå âèçóàëíè “êîðèäîðè” è âðúçêè êúì Âèòîøà. Îùå ïîâå÷å, ÷å òîçè ïðèíöèï å çàëîæåí è â ñúùåñòâóâàùàòà ïëàíîâà ñõåìà íà òåðèòîðèÿòà. Åêñïåðòíàòà ãðóïà ñ÷èòà çà íåïðèåìëèâî ðàçïîëàãàíåòî òóê íà ìíîãî âèñîêè ñãðàäè (òèï “íåáîñòúðãà÷è”, ñ âèñî÷èíà íàä 100 ì). Ïîäîáíè ðåøåíèÿ íå ñå íàëàãàò íèòî îò ïðîãðàìàòà, íèòî îò îôîðìèëèÿ ñå âå÷å ñèëóåò ïî áóë. “Öàðèãðàäñêî øîñå”, íèòî îò âúòðåøíàòà êîìïîçèöèÿ íà òåðèòîðèÿòà, íèòî îò òúðñåíàòà (åâåíòóàëíî) ïðåäñòàâèòåëíîñò. Íàïðîòèâ, ñúçäàâàíåòî íà îôîðìåíè, íàñèòåíè ñ æèâîò ãðàäñêè ïðîñòðàíñòâà, ñ áàëàíñèðàíå ìåæäó ñòðîãè, ãåîìåòðè÷íè, ïðåäñòàâèòåëíè, åäðîìàùàáíè è æèâîïèñíè, ñ ïî-áîãàòî îçåëåíÿâàíå è ÷îâåøêè ìàùàá, êîìïîíåíòè îòãîâàðÿ â ïîãîëÿìà ñòåïåí íà åâðîïåéñêàòà ãðàäñêà êóëòóðà è òðàäèöèè. Åêñïåðòíàòà ðàáîòíà ãðóïà ñ÷èòà, ÷å êàêòî ïðèáúðçàíîòî âçåìàíå íà ðåøåíèå çà óñâîÿâàíåòî

íà òåðèòîðèÿòà íà 4-6 êì, òàêà è îòêàçúò îò êîìïëåêñíîòî é óñâîÿâàíå è çàíåìàðÿâàíåòî é ,ñà åäíàêâî íåïðèåìëèâè.Ííåîáõîäèìî å îðãàíèçèðàíåòî íà ñëåäâàùè åòàïè íà ïðîåêòèðàíå, êàòî ñå îò÷èòà îïèòúò íà “Àðõèòåêòóðíàòà ðàáîòèëíèöà” è íà îôèöèàëíèÿ êîíêóðñ. Åêñïåðòíàòà ãðóïà ïðåïîðú÷âà íà ÑÀÁ è ÊÀÁ äà ïðåäïðèåìàò íóæíèòå äåéñòâèÿ â òàçè íàñîêà. Ñúùåâðåìåííî òðÿáâà äà ñå ïîä÷åðòàå, ÷å òåçè ôàçè èçèñêâàò íå ñàìî ïî-ñúäúðæàòåëíî ôîðìóëèðàíå íà çàäà÷àòà, íî è ïî-ãîëÿìà ÿñíîòà è îáîñíîâêà ïî îòíîøåíèå íà öÿëîñòíàòà îðãàíèçàöèÿ è ôèíàíñîâàòà åôåêòèâíîñò íà òàçè êðóïíà ãðàäîóñòðîéñòâåíà îïåðàöèÿ. Åêñïåðòíàòà ãðóïà äàâà âèñîêà îöåíêà íà ïðîâåäåíàòà “Àðõèòåêòóðíà ðàáîòèëíèöà” è íà ïðåäñòàâåíèòå ïðîó÷âàíèÿ, êàòî ïîä÷åðòàâà íåîáõîäèìîñòòà îò ïúëíîöåííî äîêóìåíòèðàíå, òèðàæèðàíå è ïîïóëÿðèçèðàíå , êàêòî íà ñàìèòå ïðîåêòíè ïðîó÷âàíèÿ, òàêà è íà öÿëîñòíàòà äåéíîñò ïî ðåàëèçàöèÿòà é.

ÏÐÎÄÚËÆÅÍÈÅ ÍÀ ÑÀÃÀÒÀ Ñ ÂÒÎÐÈ×ÍÈß ÃÐÀÄÑÊÈ ÖÅÍÒÚÐ

ÑÎÑ ÐÅØÈ ÄÀ ÊÓÏÈ ÏÐÎÅÊÒÈÒÅ ÎÒ ÀÐÕÈÒÅÊÒÓÐÍÀÒÀ ÐÀÁÎÒÈËÍÈÖÀ

Àðõèòåêòóðíàòà êîìèñèÿ â Ñòîëè÷íèÿ îáùèíñêè ñúâåò ïðèå ïðåäëîæåíèåòî íà îáùèíñêèÿ ñúâåòíèê àðõ. Ëþäìèë Ëåîíèäîâ è ðåøè äà áúäàò îòêóïåíè âñè÷êè ïðîåêòè çà áúäåùèÿ ïðàâèòåëñòâåí öåíòúð, ó÷àñòâàëè â àëòåðíàòèâíèÿ êîíêóðñ, îðãàíèçèðàí ïðåç àïðèë ò. ã. îò Ñúþçà íà àðõèòåêòèòå â Áúëãàðèÿ è Êàìàðàòà íà àðõèòåêòèòå â Áúëãàðèÿ. Ñúâìåñòíàòà èíèöèàòèâà íà äâåòå ñúñëîâíè îðãàíèçàöèè áå â îòãîâîð íà îáÿâåíèÿ îò ÌÐÐÁ îôèöèàëåí ìåæäóíàðîäåí êîíêóðñ çà óñòðîéñòâåíà êîíöåïöèÿ íà áúäåùèÿ ïðàâèòåëñòâåí öåíòúð íà òåðèòîðèÿ îò 600 äêà, êîÿòî ñå íàìèðà íà 6-òè êèëîìåòúð ïî áóë. “Öàðèãðàäñêî øîñå”.  ìîòèâèòå ñè àðõ. Ëåîíèäîâ å èçòúêíàë, ÷å â àëòåðíàòèâíèÿ êîíêóðñ ïðåç àïðèë áåçâúçìåçäíî ñà ñå âêëþ÷èëè ìíîãî àðõèòåêòè, óðáàíèñòè, èíæåíåðè, õóäîæíèöè è ñòóäåíòè îò òåçè ñïåöèàëíîñòè, âîäåíè îò èäåÿòà çà åäíà áëàãîðîäíà ïðîôåñèîíàëíà íàäïðåâàðà. È çà äà ïîêàæàò íà àäìèíèñòðàòèâíèòå èíñòèòóöèè ó íàñ, ÷å êîíêóðñíîòî íà÷àëî áåç îãðàíè÷èòåëíè ëèíèè òðÿáâà äà áúäå âîäåùî. “Áðîÿò íà ó÷àñòíèöèòå è êà÷åñòâîòî íà ïðîåêòèòå èì èçíåíàäàõà äîðè ñàìèòå îðãàíèçàòîðè, Îáùèíàòà å äëúæíà äà íàïðàâè íåùî, ïîíå çà äà ñå ñúõðàíÿò ðåçóëòàòèòå îò òîçè è ïîäîáíè êîíêóðñè”- èçòúêíà àðõ. Ëåîíèäîâ. Ãëàñóâàíè ñà 10 000 ëâ., ñ êîèòî îðãàíèçàòîðèòå ÑÀÁ è ÊÀÁ ùå èçäàäàò àëìàíàõ ñ âñè÷êè ïðîåêòè, ó÷àñòâàëè â Àðõèòåêòóðíàòà ðàáîòèëíèöà. Òîé ùå âêëþ÷âà âèçóàëèçàöèè íà èäåèòå è ñíèìêè íà ïðîåêòàíòèòå .

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ÏÎÇÈÖÈß ÏÎÇÈÖÈß ÏÎÇÈÖÈß ÎÙÅ ÂÅÄÍÀÆ ÇÀ ÊÎÍÊÓÐÑÀ ÇÀ ÂÒÎÐÈ×ÅÍ ÃÐÀÄÑÊÈ ÖÅÍÒÚÐ ÍÀ ÑÎÔÈß Â ïëàíîâîòî çàäàíèå íà êîíêóðñà çà Âòîðè÷åí ãðàäñêè öåíòúð íà Ñîôèÿ òðÿáâàøå äà áúäàò âêëþ÷åíè àíàëèçèòå íà ïðèðîäíàòà õàðàêòåðèñòèêà è íà èñòîðè÷åñêèòå äàäåíîñòè

ÒÎÏÎÃÐÀÔÈß ÈÑÒÎÐÈß ÕÚÌÎÂÅ ÔÎÐÒ: 1,2 Ôîðò Ëîçåíåö 3,4 Ôîðò Ñëàòèíà 5,6 Ôîðò Êîíüîâèöà 7 Ôîðò Ãúðäîâà ãëàâà 8 Êúðî

ÏÐÈÐÎÄÀ ÒÐÀÍÑÏÎÐÒ ÏÎÄÕÎÄÈ ÇÎÍÈ: 1 Ïðàâèòåëñòâåí öåíòúð 2 Íîâè ìèíèñòåðñòâà 3 Áèçíåñ ñãðàäè, ÌÎË, æèëèùà Ñïèðêè íà S-áàí

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Êîíêóðñíàòà ïðîãðàìà, ïî êîÿòî áå ïðîâåäåí ìåæäóíàðîäíèÿò êîíêóðñ çà âòîðè÷åí ãðàäñêè öåíòúð íà Ñîôèÿ, áåøå íåäîñòàòú÷íî îáõâàòíà, áåç â íåÿ äà áúäàò âêëþ÷åíè àíàëèçèòå íà ïðèðîäíàòà õàðàêòåðèñòèêà è íà èñòîðè÷åñêèòå äàäåíîñòè. Òîâà áå êîíñòàòèðàíî è îò ïîâå÷åòî ó÷àñòíèöè â àëòåðíàòèâíèÿ êîíêóðñ íà ñúùàòà òåìà, îðãàíèçèðàí îò ÑÀÁ è ÊÀÁ. ÏÐÈÐÎÄÍÀ ÕÀÐÀÊÒÅÐÈÑÒÈÊÀ Àíàëèçúò íà ïðèðîäíàòà õàðàêòåðèñòèêà å ìíîãî âàæåí, çà äà ìîæå îò ãåîëîæêà ãëåäíà òî÷êà äà ñå îïðåäåëè íàêëîíúò íà “âåæäàòà”, âúðõó êîÿòî å ðàçïîëîæåíà òåðèòîðèÿòà, ïðåäíàçíà÷åíà çà ïðîåêòèðàíå. Ïðåäè ìèëèîíè ãîäèíè â ðåçóëòàò íà ïðîäúëæèòåëíè òåêòîíè÷íè ïðîöåñè Ãîëÿìîòî åçåðî, ïîêðèâàëî ñåãàøíîòî Ñîôèéñêî ïîëå, å èçòåêëî êúì ð. Äóíàâ ïðåç íîâîîáðàçóâàíèÿ Èñêúðñêè ïðîëîì. Òåêòîíè÷íèòå ïðîöåñè ñà ïðåäèçâèêàëè íà÷óïâàíå íà äúíîòî íà åçåðîòî è îêîëíèòå áðåãîâå, íàêëàíÿíå íà ïëî÷èòå è ñúçäàâàíå íà êîðèòàòà íà ñúâðåìåííèòå ðåêè - ïðèòîöè íà Èñêúð. Òàêà ñà îáðàçóâàíè ñúâðåìåííèòå õúëìîâå è “âåæäè” íàä íÿêîëêî ðåêè îêîëî Ñîôèÿ - äâåòå Êîíþâèöè è Áàíèøîðà íàä ðåêà Ñóõîäîëñêà, ãîëÿìàòà è äúëãà “âåæäà” îò Êíÿæåâî äî áóë. ”Ëåâñêè” íàä Âëàäàéñêàòà ðåêà, Ëîçåíåö ñúñ çàïàäåí è èçòî÷åí ôîðò è Ñëàòèíñêèÿò ðåäóò íàä Ïåðëîâñêà ðåêà, “Âåæäàòà” ñåâåðíî îò æ.ê. "Ìëàäîñò" è ïðîäúëæåíèåòî è íà ñåâåð è èçòîê îò ì.Êúðî íàä Äðàãàëåâñêà, Äúðâåíèøêà è Ñëàòèíñêà ðåêà. Ãåîëîæêèòå ñîíäàæè è èçêîïèòå íà íîâè ñòðîåæè ïîêàçâàò ðàçëè÷íè íàêëîíè íà ïëî÷èòå - äî 45% å íàêëîíúò ïðè Ëîçåíåö è äî 35% å òîé ïðè Ñëàòèíñêè ðåäóò-ïàðê “Ãåî Ìèëåâ”. Äîáðå å äà ñå èçäèðÿò äàííè îò ñòðîåæè èëè äà ñå íàïðàâÿò ñîíäàæè è íà õúëìà-òåðàñà Êúðî.

POSITION POSITION POSITION

ÏÎÃËÅÄ ÎÒ ÁÓË. "ÖÀÐÈÃÐÀÄÑÊÎ ØÎÑÅ" 1 2 3 4  ðåçóëòàò îò åðîçèÿòà "âåæäèòå” ñà îáðàñëè ñ åñòåñòâåíè çåëåíè ïîÿñè è ãîðè. Òàêà áúäåùà ãîëÿìà Ñîôèÿ å ïîëó÷èëà çåëåíà ñèñòåìà, êîÿòî òðÿáâà äà ñå ïàçè è äîðàç-âèâà. Òÿ îñèãóðÿâà íå ñàìî åñòåñòâåíà àåðàöèÿ, íî ïðåâðúùà ðåêèòå îùå îò ãîðíèòå òåðàñè â åêîëîãè÷íè êîëåêòîðè. Îñâåí òîâà å áëàãîïðèÿòíà ñðåäà çà âúçïðîèçâîäñòâî íà ôëîðàòà è ôàóíàòà è å åñòåñòâåí 5-ìèíóòåí èçîõðîí îò âñåêè êâàðòàë äî ïðèðîäíà ñðåäà. Òàçè ïðèðîäíà õàðàêòåðèñòèêà å íàé-äîáðå ïðîó÷åíà è îò÷åòåíà îò êîëåêòèâà íà Çàõà Õàäèä. Äî ãîëÿìà ñòåïåí ñ íåÿ ñà ñúîáðà-

çåíè è íÿêîè îò äðóãèòå ïðîåêòè, ñ èçêëþ÷åíèå íà êëàñèðàíèÿ íà ïúðâî ìÿñòî ïðîåêò íà Äîìåíèê Ïåðî. Ïåðî ñè ïîçâîëÿâà ðàäèêàëíî äà ïðåêðîè òîïîãðàôèÿòà, êîåòî å íå ñàìî ìíîãî ñêúïî, íî è àíòèïðèðîäíî è àíòèåñòåòè÷åñêî.  àëòåðíàòèâíèÿ êîíêóðñ òîâà âàæíî îáñòîÿòåëñòâî å îò÷åòåíî ïîíå â 12-15 ïðîåêòà. Ìíîãî âàæåí å è âúïðîñúò çà îâîäíÿâàíå íà ñóõèòå ïëàòà íàä “âåæäèòå”. È â òîâà îòíîøåíèå Çàõà Õàäèä è íÿêîè îò àëòåðíàòèâíèòå èäåéíè ïðîåêòè ðàç÷èòàò íà åñòåñòâåíî îâîäíÿâàíå è îðîñÿâàíå ÷ðåç ìèêðîÿçîâèðè íà

Ãëàâåí ïåøåõîäåí âõîä îò çàïàä Ãëàâíà âîäíà âðúçêà îòêúì "âúðòîïà" Íîâè ìèíèñòåðñòâà Íîâè áèçíåñ êâàðòàëè

Äúðâåíèøêà ðåêà èëè äàæå íà âñå îùå çàïàçåíèÿ êàíàë Êàìáàíèòå - Ïàí÷åðåâî. ÈÑÒÎÐÈ×ÅÑÊÈ ÄÀÄÅÍÎÑÒÈ Â èçòî÷íèÿ ðàéîí íà Ñîôèÿ èìà çà ìàðêèðàíå ãîëÿì áðîé ñåëèùíè ìîãèëè îò ðàçëè÷íè èñòîðè÷åñêè ïåðèîäè. Íàé-çàáåëåæèòåëíà îò òÿõ å Ñëàòèíñêàòà ñåëèùíà ìîãèëà. Îùå ïðåç 19481950 ã., óñïîðåäíî íà þæíàòà îêîëîâðúñòíà æï ëèíèÿ, àðõåîëîãúò Íåäåë÷î Ïåòêîâ ðàçêîïàâà ïúðâîòî æèëèùå îò áîãàòî íåîëèòíî ñåëèùå. Òîé ïðîó÷âà è ìàðêèðà íàä 30 ïðàèñòîðè÷åñêè ìîãèëè â ðàéîíà íà Ñîôèÿ. Ïðåç 1985ã.

àðõåîëîãúò Âàñèë Íèêîëîâ ðàçêðèâà íà Ñëàòèíñêèÿ ðåäóò åäíà ñëåä äðóãà äâå óíèêàëíè ïî ðàçìåðè è òåõíîëîãèÿ æèëèùíè ñãðàäè. Òîâà áå, à è âñå îùå å, ãîëåìèÿò øàíñ ïðè ïðîåêòèðàíåòî íà âòîðè÷íèÿ ãðàäñêè öåíòúð Ñîôèÿ äà ïîñòðîè òóê òðåòèÿ íàéçíà÷èì ìóçåé íà ïðàèñòîðèÿòà â Åâðîïà. Æèëèùàòà íå ñå íóæäàÿò îò õèìè÷åñêà êîíñåðâàöèÿ, çàùîòî ñòåíèòå è ïîäîâåòå èì ñà èçïå÷åíè êàòî êëèíêåð. Ñåëèùíàòà ìîãèëà äî Äâîðåöà íà ïë.”Àëåêñàíäúð Áàòåíáåðã” íå å äîáðå äîêóìåíòèðàíà è ïî÷òè å óíèùîæåíà îò ïîäðàâíÿâàíåòî íà ïëîùàäà ïðåä ìàâçîëåÿ.

ÏÎÃËÅÄ ÎÒ ÁÓË. "ØÈÏ×ÅÍÑÊÈ ÏÐÎÕÎÄ" È ÁÓË. "ÈÍÆ. ËÀÇÀÐÎÂ" 1 Íàäëåç ñ ëèôò ìåæäó ñïèðêèòå íà æï ìåòðî, àâòîáóñíà, òðîëåéáóñíà ñïèðêè è S-áàí 2 Íàöèîíàëåí ïðàèñòîðè÷åñêè ìóçåé (íåîëèòíè æèëèùà) 3 Õîòåë "Ñïîðò" êúì ñïà öåíòúð è ñïîðòíà çàëà 4 Ïîðòà "Ñåðäèêà" 5 Âîäíà êàñêàäà 6 Ïðàâèòåëñòâåí öåíòúð

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ÏÎÇÈÖÈß ÏÎÇÈÖÈß ÏÎÇÈÖÈß

ÏÒÈ×È ÏÎÃËÅÄ ÎÒ ÞÃ: Êàíàë è âîäíè ïëîùè Âîäíà êàñêàäà Ïðàâèòåëñòâåí öåíòúð Íîâè ìèíèñòåðñòâà Ñïîðòíà çàëà, oáñëóæâàùè öåíòðîâå, ïåøåõîäíè íàäëåçè, ëèôò è ñïèðêè íà ãðàäñêè òðàíñïîðò

Ñúõðàíåíèòå òðàêî-ðèìñêè ìîãèëè â ðàéîíà íà âòîðè÷íèÿ ãðàäñêè öåíòúð òðÿáâà äà ñå ïðîó÷âàò äîáðå è ñòðîãî äà ñå îõðàíÿâàò. Òå ùå ñïîìîãíàò çà ìèíèìàëíî àíèìèðàíå íà èñòîðè÷åñêèòå ïëàñòîâå è ùå çàùèòÿò 8000-ãîäèøíàòà òðàêèéñêà, ðèìñêà, âèçàíòèéñêà è áúëãàðñêà óðáàíèçàöèÿ íà Ñåðäèêà - Ñðåäåö - Ñîôèÿ.  êîíêóðñíàòà ïðîãðàìà ëèïñâà òîçè òîëêîâà âàæåí êîìïîíåíò - èñòîðè÷åñêèòå äàäåíîñòè. Ìåæäóâïðî÷åì ïðåäè íÿêîëêî ãîäèíè â ÎÂÎÑ çà ëåòèùå Ñîôèÿ, â ðàçäåëèòå çà ïðèðîäà è èñòîðèÿ áåøå çàÿâåíî, ÷å íÿìà ïðèðîäà îêîëî ðåêàòà è íÿìà èñòîðè÷åñêè ïàìåíèöè. Ñëåä òîâà àðõ. Êðèñòèÿí Ìèëåíîâ äîêàçà îáðàòíîòî è ïðîåêòèðà õèäðîïàðê “Èñêúð”, à àðõåîëîãúò Æàðèí Âåëè÷êîâ îòêðè è ðàçêîïà îðèãèíàëíà âèëà "Ðóñòèêà" íà ñåâåð îò ñàìîëåòíàòà ïèñòà. ÒÐÀÍÑÏÎÐÒÍÈ ÏÐÎÁËÅÌÈ Ïúðâàòà ãëàâíà ïúòíà àðòåðèÿ, êîÿòî ùå îáñëóæâà âòîðè÷íèÿ ãðàäñêè öåíòúð íà Ñîôèÿ, å áóë. “Öàðèãðàäñêî øîñå".

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Îò äðåâíè âðåìåíà åâðîïåéñêèÿò ïúò îò Ðèì è Âèåíà ïðåç Áåëãðàä, Íèø (Íàéñóñ) è Ñåðäèêà å áèë ãëàâíà çàõðàíâàùà àðòåðèÿ. Òîé ïðîäúëæàâà ïðåç Ôèëèïîïîë (Ïëîâäèâ) è Àäðèàíîïîë (Îäðèí) çà Êîíñòàíòèíîïîë (âòîðèÿ Ðèì). Äíåøíîòî ìó àðõàè÷íî èìå “Öàðèãðàäñêî øîñå” íèùî íå ãîâîðè íà ÷óæäåíöèòå. Òîé îòäàâíà òðÿáâàøå äà áúäå ïðåèìåíóâàí íà áóë. “Òðàêèÿ”. Íà êîíêóðñà çà ãðàäîóñòðîéñòâåí ïëàí íà Ñîôèÿ îò 1945 ã. àðõ. Àñåí Ìèõàéëîâñêè ïðåäëàãà òîé äà ñå ïðåâúðíå â “Åëèñåéñêè ïîëåòà” íà ñòîëèöàòà. Òàêàâà å è èäåÿòà â ïðîåêòà íà ïðîô. Áåëêîâñêè.Òîãàâàøíèòå íîâîèçëþïåíè óïðàâíèöè íå ñàìî íå ïðèåìàò èäåèòå, íî ñêðèâàò èëè óíèùîæàâàò è äâàòà ïðîåêòà çàåäíî ñ ïîâå÷å îò îñòàíàëèòå. Ïóáëèêóâàí å ñàìî ñïå÷åëèëèÿò ïðîåêò íà ïðîô. Ëþáåí Òîíåâ. Âòîðàòà àðòåðèÿ, êîÿòî ùå îáñëóæâà âòîðè÷íèÿ ãðàäñêè öåíòúð, å ïðîêàðàíà ñëåä Âòîðàòà ñâåòîâíà âîéíà ïî ïëàíà Ìóñìàí. Òÿ ïîêðèâà Ñëàòèíñêà ðåêà îò áóë. “Öàðèãðàäñêî øîñå” äî áóë.”Øèï÷åíñêè ïðîõîä”. Óñïîðåä-

íî íà íåÿ îò ñåâåð å ïðîêàðàíà þæíàòà õîðäà íà îêîëîâðúñòíàòà æï ëèíèÿ. Ïîñëåäåí çàñåãà å èçãðàäåí áóë. “Ïðîô. Öâåòàí Ëàçàðîâ”. Çà äà îñâîáîäè îò òðàíçèò áóë.”Òðàêèÿ”, ïðîô. Ìóñìàí å ïðåäâèäèë è çàïàäåí îáõîä: áóë. “Àíäðåé Ëÿï÷åâ”- “Àíäðåé Ñàõàðîâ”. Âúïðåêè ÷å ôèãóðèðà è â ñëåäâàùèòå ãåíïëàíîâå íà Ñîôèÿ, è äàæå òðÿáâàøå ïî íåãî äà ìèíå øèðîêîðåëñîâ òðàìâàé, îáõîäúò íå å îòâîðåí è íå âúëíóâà îáùèíàòà. Çàòîâà ìàãèñòðàëàòà âêàðâà öÿëîòî òðàíçèòíî äâèæåíèå êúì öåíòúðà ïðè ïë. “Îðëîâ ìîñò”, âìåñòî äà îòêëîíÿâà âëÿâî è âäÿñíî ïî òàíãåíòè êúì æåëàíèòå îò òÿõ ïîñîêè òîçè ïàðàçèòåí òðàíçèò. Íîðìàëíèòå óðáàíèñòè ïðåäè 30-40 ãîäèíè ñà îáåçîïàñèëè þæíàòà æï ëèíèÿ ñ 4 ñúîðúæåíèÿ ïîä èëè íàä àðòåðèèòå, ñ îãëåä íåîõîäèìîòî þæíî òðàñå íà æï ìåòðî. Îò “Õëàäèëíèêà” òî åñòåñòâåíî ùå ïðîáúëæè ïî áóë. “Òîäîð Êàáëåøêîâ” êúì "Îâ÷à êóïåë" è æ.ê. "Ëþëèí". Çà ñúæàëåíèå ïî÷òè íèêúäå íå ñå ìèñëè çà ñâúðçâàíåòî â èíòåãðèðàíè âúçëè íà îòäåëíèòå ìåòðî, òðàìâàéíè è òðîëåéáóñíè ñòàíöèè, êàê-

òî å íîðìàëíî â Åâðîïà. Çàòîâà íîâàòà ìåòðîëèíèÿ êúì ëåòèùåòî îòñòúïâà ïðåä ñåãà ñúùåñòâóâàùàòà âðúçêà äîòàì ñ àâòîáóñ 284 è ïðåä åäíî áúäåùî ñêîðîñòíî æï ìåòðî îò "Îâ÷à êóïåë" êúì ëåòèùåòî. Ãîëÿìàòà ãðàäîóñòðîéñòâåíà èäåÿ çà çåëåíàòà îñ Èçòîê-Çàïàä, êîÿòî çàïî÷âà îò Ñëàòèíñêèÿ ðåäóò, ìèíàâà ïðåç Àêðîïîëà, "Ñâ.Ñîôèÿ" è çàâúðøâà äî Ãîëÿìà è Ìàëêà Êîíüîâèöà â êðàÿ íà Çàïàäíèÿ ïàðê, ìîæå è òðÿáâà äà ñå çàëîæè êàòî ïúðâîåòàïíà çàäà÷à. Ïîíåæå âúçìîæíîñòèòå çà ïðîáèâè áÿõà ïðîïèëÿíè îò íåäàëíîâèäíè êìåòîâå è óðáàíèñòè, îùå ñåãà òîâà òðÿáâà äà ñå ïðåäëîæè ÷ðåç íîâè ïðîñòðàíñòâåíè ñòðóêòóðè íàä Âëàäàéñêàòà ðåêà ïðåä Âîåííàòà àêàäåìèÿ. Âòîðàòà ñòðóêòóðà ùå íàäìîñòè òåàòúð “Ñôóìàòî" êúì ïàðê “Ãåî Ìèëåâ”, à òðåòàòà ùå ïîìîãíå çà áåçêîíôëèêòíà âðúçêà íàä þæíàòà æï ëèíèÿ è ùå îñèãóðè ñåâåðíèÿ, âòîðè ïî âàæíîñò, ïîäõîä êúì âòîðè÷íèÿ ãðàäñêè öåíòúð. Ñòðóêòóðèòå ùå îñèãóðÿò ïåøåõîäíà è âåëîàëåÿ,

POSITION POSITION POSITION

òóðèñòè÷åñêà àâòîâðúçêà è â áëèçêî áúäåùå ìîíîðàé (ìîíîðåëñà íàä çåìÿòà).  ïúðâèÿ åòàï ìîíîðàÿò ìîæå äà ñòèãíå äî Èíòåðåêñïî öåíòúðà. Ñëåäâàùèòå åòàïè ñà íàé-èçãîäíè â äâåòå ïîñîêè - ïðåç æ.ê. "Ìëàäîñò" 3 è 4 è “Êàìáàíèòå” äî ëèôòîâåòå çà Âèòîøà, à âòîðàòà - êúì õèäðîïàðê “Èñêúð”, äâîðåöà Âðàíà, áúäåùèÿ ÑÏÀ öåíòúð äî êâ. "Êàçè÷åíå". Ìîíîðàÿò å íå ñàìî íàé-ïðÿêàòà è áúðçà, íî è íàéàòðàêòèâíàòà òðàíñïîðòíà âðúçêà çà íàðàñòâàùèÿ òóðèñòè÷åñêè ïîòîê êúì Ñîôèÿ. Ãëàâíàòà òåìà íà ìåæäóíàðîäíèÿ êîíêóðñ áå äà ïîä÷åðòàå ïðàâèòåëñòâåíèÿ öåíòúð è îò÷àñòè íîâèòå ìèíèñòåðñòâà íàä îêîëíèòå áèçíåñãðóïè è îáñëóæâàùèòå ãè æèëèùíè êâàðòàëè. È øåñòòå ïðîåêòà ïðåäâèæäàò ïðàâèòåëñòâåíèÿò öåíòúð äà áúäå ðàçïîëîæåí â èçòî÷íèÿ èëè þãîèçòî÷íèÿ äèàãîíàë. Ïðè òîâà ñ ïîäõîä èëè îò ðèíãà íà áóë."Öàðèãðàäñêî øîñå" èëè îò âðúçêàòà ñ ïàðê “Âúðòîïî”. Íàé-âèñîêàòà ÷àñò íà òåðåíà ïðè Ñîôèÿ ïðåñ å êîìïðîìåòèðàíà è

å ïî-ïîäõîäÿùà çà êâ. “Íîâè ìèíèñòåðñòâà”. Çàñëóæàâà ïî-ãîëÿìî âíèìàíèÿ òåðåíúò èçòî÷íî îò íåãî, ñ ãîëÿì çåëåí ìàñèâ è îò þã, ïîçâîëÿâàù ïðèåìíà åñïëàíàäà çà àâòîêîðòåæè. Ïðàâèòåë-ñòâåíèÿò êîìïëåêñ ùå ðàçâèå ðàçêîøíèÿ ïàðê â öåíòðàëíàòà îáåäèíÿâàùà çîíà, à âîäíèòå îãëåäàëà, ïðåäâèæäàíè îò âñè÷êè, ùå áúäàò åñòåñòâåíà íåâèäèìà îõðàííà îãðàäà. Ïî òîçè íà÷èí èçãëåæäà öåíòðàëíàòà ÷àñò íà Õàãà ñ ïðàâèòåëñòâåíèÿ öåíòúð. Ïîíåæå ïúðâîïðåìèðàíèÿò ïðîåêò ïðè âñè÷êè ñëó÷àè ùå òúðïè ðàçâèòèå, ïðåäëàãàì ñëåäâàùèÿò åòàï äà ïðîäúëæè ñëåä ïðåðàáîòâàíåòî è äîïúëâàíåòî íà ïðîãðàìàòà. Ïðåäëàãàì óñïîðåäíî ñ íåãî äà ïðîäúëæè è ïîëó÷èëèÿò âèñîêà îöåíêà îò æóðèòî ïðîåêò íà êîíñîðöèóì “Àäàèñ”, êîéòî ìîæå äà ïðèîáùè è äåòàéëíè ïðèíîñè îò ïðîåêòèòå, ó÷àñòâàëè â àëòåðíàòèâíèÿ êîíêóðñ "Àðõèòåêòóðíà ðàáîòèëíèöà" íà ÑÀÁ.

Ñò.í.ñ. àðõ. Éîðäàí Òàíãúðîâ

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ÏÐÎÑÒÐÀÍÑÒÂÎ È ÂÐÅÌÅ ÎÁÅÄÈÍÅÍÈ Â “ÒÐÈÅÄÈÍÑÒÂΔ ÏÐÎÅÊÒÚÒ Å ÍÎÑÈÒÅË ÍÀ ÑÏÅÖÈÀËÍÀÒÀ ÍÀÃÐÀÄÀ ÍÀ ÈÇÄÀÒÅËÑÒÂÎ “ÀÒËÀÑ ÑÒÈË”- ÊÐÈÑÒÀËÍÀ ÏËÀÑÒÈÊÀ, ÑÐÅÁÚÐÅÍ ÌÅÄÀË ÍÀ "ÈÍÒÅÐÀÐÕ 2009" È ÏÎ×ÅÒÍÀ ÄÈÏËÎÌÀ

Ïðîåêò íà “Èíòåð áèëäèíã ïðîåêò” ÅÎÎÄ Ïðîåêòàíòè: àðõ. Åìèë Ñàðäàðåâ, àðõ. Àëåêñàíäúð Ñàðäàðåâ, àðõ. Äàìÿí Ñàðäàðåâ

‘’Òðèåäèíñòâî’’ å ïðîåêò, îñíîâàí íà èäåÿòà çà îáåäèíåíèå. Çàäà÷àòà áåøå äà ñå ïðîåêòèðà îôèñåí öåíòúð íà òðè ðàçëè÷íè ôèðìè, îáåäèíÿâàùè ñå â åäíà êîðïîðàöèÿ. Ïðîåêòúò ïîçâîëÿâà âñÿêà ôèðìà äà çàïàçè ñâîÿòà èäåíòè÷íîñò è â ñúùîòî âðåìå äà îñòàíå ñâúðçàíà ñ äðóãèòå. Îáåäèíÿâàíåòî å ïîñòèãíàòî ïðàêòè÷åñêè ÷ðåç îáåìíîòî è ïðîñòðàíñòâåíî îôîðìëåíèå íà ñãðàäàòà. Âèçóàëíî òàçè àðõèòåêòóðíà ôèëîñîôèÿ ñå îñúùåñòâÿâà ïîñðåäñòâîì ñâåòëèííîòî ‘’ïðîïóêâàíå’’ íà îáåìèòå. Òàêúâ ïîõâàò ïîçâîëÿâà ñâîåîáðàçíà äèíàìèêà íà ñãðàäàòà è íà íà÷è-

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íà, ïî êîéòî òÿ ñå âúçïðèåìà â ãðàäñêàòà ñðåäà ïðåç ðàçëè÷íèòå ïåðèîäè íà äåíîíîùèåòî. ‘’Òðèåäèíñòâî” ñå ïðåâðúùà â åäèí 4D ïðîåêò, îáåäèíÿâàéêè òðèòå ïðîñòðàíñòâåíè èçìåðåíèÿ ñ ÷åòâúðòîòî - òîâà íà âðåìåòî. Êàòî èçðàçíè ñðåäñòâà ñå èçïîëçâàò ðàçëè÷íè ôàñàäíè ÷ëåíåíèÿ è ìàòåðèàëè íà òåçè îáåìè.  îáðàçà íà "âèñîêèòå” ñãðàäè å ïîòúðñåí ïàðàëåë ñ ðàñòåðèçèðàíè íà ïèêñåëè åëåêòðîííè èçîáðàæåíèÿ. Ôàñàäíèòå ïëîñêîñòè ñà ðåøåíè êàòî îêà÷åíè ðàñòåðíè ôàñàäè ñ íàêëîí äî 5% ïî âåðòèêàëà. Î÷åðòàíèÿòà â ïëàí ñå ïîä÷èíÿâàò íà òàçè ëîãèêà, êàòî "îñò-

ðèòå” úãëè ñà áëèçêè äî òåçè íàêëîíè è ñà îò 81° äî 88°. Ïðåäâèæäà ñå ðàçïîëàãàíå íà ñâîåîáðàçíà ñâåòëèííà ìðåæà â çîíèòå íà ñòèêîâàíå íà ôàñàäíèòå ïëîñêîñòè è âðúçêè ìåæäó òÿõ, êîèòî ïðîìåíÿò ñâîåòî íàïðàâëåíèå â çàâèñèìîñò îò ïëîñêîñòà, â êîÿòî ñå íàìèðàò, ñ öåë ïðèäàâàíå íà äîïúëíèòåëíà äèíàìèêà íà êîìïîçèöèÿòà è ðàçëè÷íî åñòåòè÷åñêî âúçäåéñòíèå. Ïîäõîäÿùî å ðåàëèçàöèÿòà íà òåçè åëåìåíòè äà ñòàíå ñúc ñâåòîäèîäíè èëè íåîíîâè èçòî÷íèöè íà ñâåòëèíà.

ÒÅÊÑÒ: àðõ. Åìèë Ñaðäàðåâ

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Space and time united in “Trinity” This project is awarded from publishing house Atlas Style with crystal plastic, silver medal of Interarch 2009 and honor diploma

Project of “Inter building project” Ltd. Designers: arch. Emil Sardadrev, arch. Alexander Sardarev, arch. Damian Sardarev

The “Trinity” is a project based on the idea of union. The task was to have a project with three different volumes for three different companies united in one corporation. The project allows every company to preserve its identity and in the same time to remain connected with the others.

The union is achieved by volumetric and spatial design of the building.

Visually this architectural philosophy is achieved through light “rifts” in the volumes. This approach allows special dynamics of the building and the way in which it is perceived

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in the urban environment in the different periods of the day. The “Trinity” has become 4D project, uniting the spatial dimensions with the fourth one of time.

As expressions are used different façade divisions and materials and those of the volumes.

In the image of “high” building is looked for connection with raster pixel images. The façade surfaces are decided as suspended raster facades with an inclination of 5% vertically. The contours of the plans are governed by this logic as the

acute angles are near to the inclination of 81°up to 88°.

Light net is foreseen in the zones of union of the façade surfaces and the connection in between that change their direction depending on the surface in which they are placed with the aim to give more dynamics of the composition and different aesthetical influence. It is suitable to realize these elements with diode or neon sources of light.

Text: arch. Emil Sardarev

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Ãðàäèíàòà íà Àïîëîí Ðúöåòå æåëàÿò äà âèäÿò. Î÷èòå æåëàÿò äà äîêîñâàò. Ãüîòå Àðõèòåêò Richard England Ñúòðóäíèöè Albert Borg Costanzi, Stephen Buttigieg Ðàçïîëîæåíèå St Julians / Malta

×àñò îò àðõèòåêòóðíîòî æèëèùå å ïðåóñòðîåíî ïðåç 2007ã. êàòî ìÿñòî çà ðàáîòà ñúñ çàòâîðåí äâîð. Âúòðå ñå ïîìåùàâà ñòóäèî, îñèãóðÿâàùî ðàáîòíè ïëîùè è ìåñòà çà ñðåùà, äîêàòî îáãðàäåíàòà ãðàäèíà îñèãóðÿâà çàòâàðÿíå, ïðîåêòèðàíî êàòî ìÿñòî çà òèøèíà è ñïîêîéñòâèå; ôîðìà íà àëåãîðè÷íè è èëþçîðíè äåêîðè, íàïîìíÿùè åíèãìàòè÷íèòå ñðåäèçåìíîìîðñêè ïëàòíà íà Äæîðäæî äå Êèðèêî, êúäåòî ìå÷òàòåëñêè àðõèòåêòóðíè îáðàçè ñà ðàçïîëîæåíè ñúñ ñòàòóè, çà äà íàïðàâÿò îáùè ìåòàôèçè÷íè åôåêòè íà ñïîêîéñòâèå è ðàâíîâåñèå. Àðõèòåêòúò âèíàãè å âÿðâàë â òîâà, ÷å àðõèòåêòóðàòà òðÿáâà äà ïðîâîêèðà ÷óâñòâî è ñúçäàâàíåòî íà àðõèòåêòóðíîòî ïðîñòðàíñòâî íå ñå ñâåæäà ñàìî äî èçêóñòâî, íàóêà èëè çàíàÿò, íî è äî åìîöèÿ, ñïîìåí è ðàçêàçâàíå íà èñòîðèÿ. Ãðàäèíàòà íà Àïîëîí å ïúðâîíà÷àëíî ïðîåêòèðàíà êàòî òàéíà ãðàäèíà, íåéíèÿò îáåêòèâ å äà ñúçäàäå òåàòðàëåí îàçèñ, êîéòî äà ïîçâîëè íà ÷îâåê äà ñå äèñòàíöèðà îò õàîñà íà âñåêèäíåâèåòî è äà äåéñòâà êàòî ïðîòèâîîòðîâà íà ÷îâåøêèÿ ìåõàíèçèðàí è áåçïîðÿäú÷åí íà÷èí íà æèâîò. Ãðàäèíàòà å ïîñâåòåíà íà Àïîëîí - ìèòîëîãè÷íèÿ áîã íà ïðîïîðöèÿòà, ìóçèêàòà, ïîåçèÿòà è ìàãèÿòà. Öâåòíè èçîáðàæåíèÿ íà òîçè ãðúöêè áîã íà ñëúíöåòî ñåäÿò íà ïèåäåñòàëè è ñÿêàø íàáëþäàâàò è çàùèòàâàò òîçè èçîëèðàí îñòðîâ íà ïîêîÿ. Èçïîëçàíèòå ìàòåðèàëè ñà ìàëòèéñêè êàìúê, ñòîìàíåíè áëîêîâå è êàìúíè, íàìåðåíè â ìåñòíîñòòà. Ðàñòèòåëíîñòòà â ðàéîíà ñà àìáðîçèè, çþìáþëè è äðóãè öâåòÿ, êîèòî ñà ñèëíî ñâúðçàíè ñ òîçè ìèòîëîãè÷åí áîã. Èçïîëçâàí å è òî÷íèÿò ïåéçàæ çà ôîí â ïðîñòðàíñòâåíàòà èëþçîðíà òðàäèöèÿ íà "çàåìàíå íà ãëåäêà” îò ÿïîíñêèòå Êàðà-Ñåíöóè ãðàäèíè. Òàçè ðàáîòà å çà÷åíàòà êàòî ïîñòðîåíà ïîåìà, çà äà ïîçâîëè íà ÷îâåê äà ìå÷òàå è êîïíåå, äîêàòî áóäè àðõèòåêòóðà, êîÿòî îòðàçÿâà àðõèòåêòóðíîòî êðåäî, çàñòðîåíàòà ñðåäà òðÿáâà ïðåäè âñè÷êî äà ïîä÷åðòàâà âúòðåøíàòà ñðåäà íà äóøàòà.

Ðè÷àðä Èíãëàíä

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The Garden of Apollo “The hands want to see. The eyes want to caress” Goethe Office/Name of Architechts Richard England Collaborators Albert Borg Costanzi, Stephen Buttigieg City/Country St Julians / Malta

A section of the architect's residence, remodelled in 2007 as a work area and cloistered courtyard. The interior houses a studio providing work spaces and meeting areas, while the walled garden provides an enclosure designed specifically as a meditative locus of calm and tranquility; a form of allegorical and illusory stage-set, evoking Giorgio de Chirico’s enigmatic Mediterranean canvasses, where dream-like architectural images are juxtaposed with statuary to produce overall metaphysical effects of serenity and stasis. The architect has always believed that architecture must provide a sensorial experience and that the creation of any architectural space is not only about art, science and craft, but more so, about emotion, memory and story telling.

The garden of Apollo is primarily designed as a secret garden, its objective is to create a theatrical oasis which enables one to distance oneself from the chaotic intrusions of everyday life, and to act as an antidote to contemporary man’s mechanised and turmoiled life-style. The garden is dedicated to Apollo the mythological god of proportion, music, poetry and magic. Coloured casts of this Greek sun god stand on pedestals as if guarding and protecting this enclave of quiescence. The materials utilized are Malta stone, concrete block and hardstone local paving. Planting around the area includes ambrosia, hyacinth and other nectared flowers all strongly associated with this mythological god. Use, is also made of the lush layered background of the main garden in the spatial illusion tradition of the ‘borrow scenery’ of the Japanese Kara-Senzui gardens. This is a work conceived as a “built” poem to enable one to engage in dream and desire while evoking an architecture which reflects the architect's belief that built environments should above all provide soul enhancing ambiances.

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ÈÍÒÅÐÂÞ ÈÍÒÅÐÂÞ Òúðãîâñêè êîìïëåêñ â Ïóòðàäæàÿ ÈÍÒÅÐÂÞ Ïàîëî Êóêè Àðõèòåêòè

Îáåêòúò å ðàçïîëîæåí â ñúðöåòî íà íîâèÿ àäìèíèñòðàòèâåí ãðàä íà Ìàëàéçèÿ: Ïóòðàäæàÿ. Êîíêðåòíèÿ ïðîåêò å íà ïëîù 80000 êâ./ì. îôèñè ñ ëèöå êúì ãëàâåí áóëåâàðä . Åäíà ñóòðèí, ðàçõîæäàéêè ñå, àðõ. Êóêè å áèë ïëåíåí îò áóðÿ îò ÷àéêè, êîèòî ëåòÿò â áëèçîñò îò ìÿñòîòî íà êîìïëåêñà. Âäúõíîâåí îò òàçè ãëåäêà å ðåøèë äà ÿ èíòåðïðåòèðà â íîâèÿ êîìïëåêñ. Áëîêîâåòå èçãëåæäàò êàòî êðèñòàëíè êóëè ñ ìåòàëíà îáâèâêà ìîäåë, êîéòî íàïîìíÿ ñëîæíàòà ñèñòåìà íà êîðåíè èëè ãèãàíòñêè äúðâåòà, êîèòî ñà ðàçïðîñòðàíåíè ïî êðàéáðåæíèòå ðàéîíè íà Ìàëàéçèÿ è âúðõó êîèòî ÷åñòî ìîãàò äà áúäàò âèäåíè ÷àéêè. Òúðñåíî å ïðîåêòúò äà ïîä÷åðòàå óíèêàëíîñòòà íà òàçè åêîñèñòåìà, êúäåòî ñå ïðåäëàãà ïîðòðåòåí øëþç ìåæäó èíñòèòóöèÿòà è ñâîáîäíîòî âðåìå. Îêîëî ñãðàäàòà å ñúçäàäåíî èçêóñòâåíî åçåðî, ñêàëè, êðèñòàëè, êîèòî ñúçäàâàò áàëàíñ ìåæäó åçåðîòî è äèíàìèêàòà íà áóëåâàðäà, ïðåêúñâàíè îò òúðæåñòâåíîñòòà íà ïðàâèòåëñòâåíè ñãðàäè. Ìåòàëíèòå êîðåíè ñúçäàâàò ïðèðîäíè ñåíêè íà ðàáîòíèòå ìåñòà è íàìàëÿâàò åíåðãèéíàòà êîíñóìàöèÿ. Ïîêðèâèòå íà ñãðàäèòå ñúùî ñà çåëåíè è äîïðèíàñÿò çà ñúáèðàíåòî íà äúæäîâíàòà âîäà.

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PROJECT TEAM: Project date July 2008 PUTRAJAYA - MALAYSIA Total surface 79,273 sq/m.

14-7 storey Paolo Cucchi Architects No.19 Jln Straits View 80200 Johor Bahru MALAYSIA E.mail:virgi92@streamyx.com Paolo Cucchi & Kumpulan Senireka Sdn Bhd (local architect) Azlan Syarawi Mohktar Mark Curtis

INTERVIEW INTERVIEW Commercial Complex in INTERVIEW Putrajaya Paolo Cucchi Architects

The site is located in the hearth of the new administrative town of Malaysia: Putrajaya. The specific project of 80,000 mq/sq of office building is facing the main boulevard ( of this urban development.)

One morning walking around, visiting the site and trying to catch the right feeling, I was captured by a storm of seagulls flying on the nearby lake. Based on/Inspired by this view the new complex raised out of the water as posts for the seagulls. The blocks appear as crystal tower enveloped by a metal pattern reproducing the intricate roots system of the mangroves, gigantic trees spread along most of the costal areas of Malaysia, a precious natural resource that offers a protective action against erosion, losses and damages. The project wanted to emphasize the uniqueness of this eco-system, offering an iconic gateway between institution and leisure. Around the building has been created an artificial pond and the crystal rocks emerging from the water want to create with their visual effect a balance between the relaxation of the lake side and the dynamicity of the boulevard, punctuated by the solemnity of the Government buildings. A vast water-court, glass waterfalls define this oasis of refreshment and spaces of encounters. Cool fluidity and greenery make particularly captivating the setting, considering the uncomfortable hot and humid weather of Malaysia.

Main part of this architectural exercise has been a conscientious programme of green languages that has translated advance technologies into imagery. The metal mangrove roots create natural shadows inside the working spaces reducing energy consumption. As the roof of each buildings transformed in hanging gardens, the rainwater harvesting contributes to maintain the landscape and save additional energies.

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ÈÍÒÅÐÂÞ ÈÍÒÅÐÂÞ ÈÍÒÅÐÂÞ Àðõ. Ïàîëî Êóêè å èòàëèàíñêè àðõèòåêò, ðîäåí â Ïàðìà, æèâåå â Ìàëàéçèÿ îò 13 ãîäèíè. Èíòåðâþòî ñ àðõ. Êóêè å âçåòî ïî âðåìå íà Èíòåðàðõ 2009.

Çà ïúðâè ïúò ëè ñòå â Ñîôèÿ? Äà, çà ïúðâè ïúò ñúì òóê è ñúì ìíîãî âïå÷àòëåí îò ñðåäàòà è ïîòåíöèàëà íà âàøàòà ñòðàíà, çàùîòî âèæäàì ìíîãî èíòåðåñíè âúçìîæíîñòè çà ðàçâèòèå íà äúðæàâàòà ïî ðàçóìåí íà÷èí. Èñêàì äà ïîä÷åðòàÿ áëàãîòî, êîåòî èìàòå è êîåòî ñòå óñïåëè äà çàïàçèòå - çåëåíèíàòà íà ãðàäà. Òîâà å äàäåíîñò, êîÿòî ìàëêî ãðàäîâå â Åâðîïà ñà óñïåëè äà çàïàçÿò. Ãðàäúò å ìíîãî çåëåí è òîâà å èçêëþ÷èòåëíî öåííî è âèå òðÿáâà äà ñå ïîñòàðàåòå äà ãî çàïàçèòå. Ñúùåâðåìåííî ñúì èçíåíàäàí îò àðõèòåêòóðíèòå åëåìåíòè, êîèòî âèäÿõ, äîêàòî ñå ðàçõîæäàõ èç ãðàäà. Èìà ëè íåùî, êîåòî ñïåöèàëíî Âè âïå÷àòëè? Äà, îòêðèõ ìíîãî èíòåðåñíè íåùà êàòî êàòåäðàëàòà "Ñâ. Àëåêñàíäúð Íåâñêè", êîÿòî å ìíîãî ìèñòè÷íî ìÿñòî, ìíîãî äóõîâíî è ðåëèãèîçíî. Íå âúâ âñåêè õðàì ìîæåø ìîæåø äà ïîëó÷èø ïîäîáíî óñåùàíå. Êàêâî ìèñëèòå çà ñúâðåìåííàòà áúëãàðñêà àðõèòåêòóðà? Ïîâå÷å ñúâðåìåííà àðõèòåêòóðà âèäÿõ íà ñòðàíèöèòå íà âàøèòå ñïèñàíèÿ, âèäÿõ ñúùî è èíòåðåñíè ïðîåêòè êàòî òîçè çà âòîðè÷åí öåíòúð íà Ñîôèÿ. Ïðîòèâíî íà ìíåíèåòî íà íÿêîè êîëåãè, àç ñìÿòàì, ÷å ïðîåêòúò íà Äîìèíèê Ïåðî å ìíîãî äîáúð êàòî äèçàéí è äîáðå ñå âïèñâà â ãðàäñêàòà ñðåäà. Óðáàíèñòè÷íèÿò äèçàéí å ìíîãî ñèëåí êîíöåïòóàëíî è ìèñëÿ, ÷å òîâà å åäíî îò ïðåäèìñòâàòà íà ïðîåêòà, çàùîòî îðãàíèçàöèÿòà íà ïðîñòðàíñòâîòî å ìíîãî èç÷èñòåíà. Îïðåäåëåíî ìåæäó ïðîåêòèòå â êîíêóðñà ïðåäïî÷èòàì òîçè è ñúì íàïúëíî ñúãëàñåí ñ ðåøåíèåòî íà æóðèòî. Íàìèðàòå ëè ðàçëèêà â íà÷èíà íà ðàáîòà â Ìàëàéçèÿ è â Åâðîïà? Êàêòî Âè êàçàõ àç ñúì ðàáîòèë 14 ãîäèíè â Åâðîïà è 13 ãîäèíè â Ìàëàéçèÿ. Ïîäõîäúò ïðè ïðîåêòèðàíå å ñúâúðøåíî ðàçëè÷åí â äâåòå êóëòóðè è â äâàòà òèïà ñðåäà. Ðàçáèðà ñå, êàòî àðõèòåêòè ñìå äëúæíè âèíàãè äà ñå ñúîáðàçÿâàìå ñ äàäåíîñòèòå è êîíòåêñòà.  90% îò ñëó÷àèòå ðàáîòàòà å ïîâëèÿíà îò èñòîðèÿòà è ðàçëè÷íèòå êóëòóðíè ïëàñòîâå â ãðàäà.  Åâðîïà èìà ìíîãî èñòîðèÿ, äîêàòî â Ìàëàéçèÿ äà ïðî÷åòåø

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íÿêàêâî ïîñëàíèå îò ãðàäñêèÿ êîíòåêñò, å äîñòà òðóäíî, ìîæåø äà íàó÷èø ìíîãî çà ðàñòèòåëíîñòòà â ðàéîíà, íî íå è çà ãðàäà. È òàêà ïðîåêò â Ìàëàéçèÿ áè ìîãúë äà áúäå ìíîãî îïàñåí çàðàäè ðèñêà äà ñå ñúçäàäå ôîðìà áåç ñìèñúë. Îò äðóãà ñòðàíà, ïðîôåñèÿòà íà àðõèòåêò â Ìàëàéçèÿ ïðåäëàãà ïîâå÷å âúçìîæíîñòè è ïðåñòèæ â ñðàâíåíèå ñ Åâðîïà. Òúé êàòî Ìàëàéçèÿ è Èçòî÷íà Àçèÿ âñå îùå ñå ðàçâèâàò, âúçìîæíîñòòà äà ñå ðàáîòè âúðõó ïðîåêòè îò ïî-ãîëÿì ìàùàá å ïî-áëàãîïðèÿòíà. Áèõòå ëè ìîãëè äà ðàáîòèòå íàâñÿêúäå ïî ñâåòà? Äà, êàòî àðõèòåêò áè òðÿáâàëî äà ìîãà äà ïðîåêòèðàì íàâñÿêúäå, íî ñúùî òàêà å âàæíî äà ñå àíàëèçèðà. Òðÿáâà çàäúëáî÷åíî äà ñå îñìèñëÿò èñòîðèÿòà è êóëòóðàòà íà ñòðàíàòà, êúäåòî ñå ðàáîòè. Íå ìîæå äà îïðîñòÿâàø. Äíåñ ãëîáàëèçàöèÿòà óíèùîæàâà àðõèòåêòóðàòà. Àç íå ñúì ïðîòèâ ãëîáàëèçàöèÿòà â òåõíîëîãèèòå, íî ñúì ïðîòèâ ãëîáàëèçàöèÿòà íà àðõèòåêòóðàòà. Âñÿêà ñòðàíà èìà ñâîÿòà èäåíòè÷íîñò è ðàáîòà íà àðõèòåêòà å äà íàìåðè òàçè èäåíòè÷íîñò è äà ÿ ïðåâåäå â äèçàéí. Àðõèòåêòúò å ïðåâîäà÷ âúâ ôîðìè íà òðàäèöèèòå, êóëòóðàòà è èñòîðèÿòà íà êîíòåêñòà. Ìèñëèòå ëè, ÷å èìà íîâè òåíäåíöèè â àðõèòåêòóðàòà? Òîâà å ñàìèÿò äèçàéí. Ñìÿòàì, ÷å ïðîôåñèÿòà íà èñòèíñêèÿ àðõèòåêò âå÷å ÿ íÿìà. Äíåñ êëèåíòúò èñêà äèçàéí, ìàëêî áèæó, êîåòî ñàìî äà ïðåäñòàâÿ ñåáå ñè. Äíåñ êëèåíòúò òëàñêà àðõèòåêòà âñå ïîâå÷å êúì äèçàéíà. Ìèñëèòå ëè, ÷å àðõèòåêòóðàòà å ïîâå÷å áèçíåñ è ìåíèäæìúíò, îòêîëêîòî èçêóñòâî? Òîâà å äîáúð âúïðîñ, çàùîòî â ïîâå÷åòî ñëó÷àè çà ñúæàëåíèå å áèçíåñ, ïîíÿêîãà å è èçêóñòâî. Íî ïðîöåíòúò íà èçêóñòâîòî â ñðàâíåíèå ñ áèçíåñà å ìíîãî ìàëúê. Òàêà ÷å àðõèòåêòèòå äíåñ ñå çàíèìàâàò ñ êîìåðñèàëåí äèçàéí, çà äà çàäîâîëÿò èêîíîìè÷åñêàòà ïîòðåáíîñò è êëèåíòà, êîéòî èñêà äà îïòèìèçèðà èíâåñòèöèÿòà ñè âúçìîæíî íàé-ìíîãî. Êàêâî å ìíåíèåòî Âè çà óñòîé÷èâàòà àðõèòåêòóðà? Ñìÿòàì, òîâà å áúäåùåòî. Ìèñëèòå ëè, ÷å òîâà å íàñòîÿùåòî? Ìíîãî ñå ãîâîðè ïî âúïðîñà, íî íå ñå ïðàâè òîëêîâà ìíîãî çàñåãà. Äà ñå âèäè èñòèíñêî åêîëîãè÷íî ñòðîèòåëñòâî, íå å ëåñíî, çàðàäè öåíàòà. Ìíîãî îò ïðåäïðèåìà÷èòå íå âÿðâàò, ÷å ìîãàò äà âúðíàò èíâåñòèöèÿòà ñè, à òå èñêàò äà ñè ÿ âúðíàò âúçìîæíî íàé-áúðçî, îñîáåíî â òàçè ÷àñò íà ñâåòà, êúäåòî æèâåÿ ñåãà. Èäåÿòà çà óñòîé÷èâîñò å ïî-äîáðå ðàçáðàíà â çàïàäíèòå äúðæàâè, îòêîëêîòî â èçòî÷íèòå, êúäåòî õîðàòà èñêàò äà èçêàðàò ïå÷àëáà â ìíîãî êðàòêè ñðîêîâå. Êúäå ñìÿòàòå, ÷å ùå ðàáîòèòå â áúäåùå? Íå ìîãà äà îòãîâîðÿ - çàâèñè îò âúçìîæíîñòèòå è êàê ñå ïîäðåæäàò íåùàòà. Ìàëàéçèÿ å ìíîãî ðàçëè÷íà êóëòóðà è ñòèìóëèðàùî ìÿñòî çà ðàáîòà, òîâà å ìîÿò âòîðè äîì âñúùíîñò. Áëàãîäàðÿ çà èíòåðâþòî.

Ïî âðåìå íà Èòåðàðõ 2009 ñ àðõ. Ïàîëî Êóêè ðàçãîâàðÿ Ïîëèíà Õàäæèìèòîâà

INTERVIEW INTERVIEW INTERVIEW Arch. Paolo Cucchi is Italian architect born in Parma-Italy and are already 13 years that he lives in Malaysia. We had this interview with him during Interact 2009.

Is this the first time you are in Sofia?

Yes, this is the first time I'm in Sofia and I'm very impressed by the Country and its environment. I want to highlight that you have the merit to have preserved the green of the city and this is a peculiarity that not many towns in Europe were able to keep. I see interesting opportunities, which, developed in the proper way, could exalt the distinctive character of this place where urban fabric and rich traces of the pass are well blended with the greenery. You have to do your best to maintain these features.

What do you think about it? Did you like something?

I am very surprised by the architectural elements that I found walking around the city. Inside Alexander Nevsky Cathedral I felt overwhelmed by a wrapping mystical aura: the sense of solemnity suggested by the large dome, the darkness dialoguing with the tremulous lights of the candles animating precious icons from the shadows, are a spiritual experience.

It is has been another great pleasure to breath the romantic atmosphere of shaded boulevards discovering the old fashioned opulence of magnificent buildings, parks animated by sculptures' exhibitions or charming corners where you can eat fantastic salads near the lakeside or in the wood, left inside the town, and crossed by slow motion tramways. The same small crowded coffees nearby the University are extremely stimulant for the desire I have noticed in the young to participate and express a voice.

What about the contemporary architecture?

I have seen several new developments in these days. Just in the suburban area of the town there are buildings designed by local architects, proposing interesting architectural schemes with good controls of the faรงade elements, Georgi Stanishev is one of them. I saw also attractive areas of old socialist buildings and could be strategic to consider a proper restoration plan, integrating them in the cultural activities of the town. I had the chance to visit the exhibition of the projects for "New City Center of Sofia", and, contrary to the opinion of some colleagues, I like Dominique Perrault's project. A long green corridor runs through the site, as a spine of the district, resembling with its hilly silhouette the geophysical environment. The urban design is very strong in the concept, the organization of the space is very clear and interacts well with the context, one, I think, of the winning points of this proposal. I fully agree with the jury's choice.

What is the difference between working in Europe and working in Malaysia?

I have worked 14 years in Europe and then 13 in Malaysia. Even if we talk about globalization, the approach to the design in Europe and Asia is totally different: cultures and environments make the difference. In Europe is still strong the conservatism despite the demand of renewal. In the young countries of Asia the work is more stimulant. The most exciting design is the high-rise building not only for the continuous aim to built a taller one but also for the involvement of functions complexity and social issues. The dynamicity of the urban growing, in a town as Kuala Lumpur, motivates a restless research of technological iconicity that offers also a symbolic identity for a community in search of social identification. But a project in Malaysia could be also dangerous, the risk to produce forms without sense and commercial architecture is very easy. All the time that I design I try to find a meaning of the shape, a symbol that could respond to the existing context.

Do you think that you could work anywhere in the world?

Yes, an architect should be able to design everywhere in the world: a new environment, a new culture is a new challenge. The analysis, the history, the culture of the country where you go to do projects, are important. You cannot simplify. Today the globalization is destroying the architecture. I am not against the globalization of the technology, but I am against the globalization of the architecture. Every country has its own identity and the work of the architect is to find this identity and translate it into design if it is possible seizing emotion. The architect is a translator in form of traditions, cultures and histories that have to respond to the context.

What do you think is the new tendency of architecture?

It is the design. I think the architecture is dead. Today the client wants design, a small jewelry that represents itself. What today is demanded from the architects is their capability to attract, to astonish; we don't have to forget that we are living in an era of images.

Do you think that architecture is more business and management than art?

This is a tricky question; most of the times unfortunately it is a business, but sometimes it is also art. The percentage of art compared to the percentage of business is very small. So I can see that the architects are producing very commercial design to satisfy the economical request of the client that wants to optimize the investment as much as possible.

What is your opinion on sustainable architecture?

I think this is the future.

Do you think it is the present?

Today to build a construction conformed to the contemporary standards of eco-sustainability should be obligatory part of the project but there is lot of talking and not to much action yet. To see a real green building is not so easy, due to the cost. Many developers don't believe that they can get back their investment from green building, they want profits as fast as possible especially in the part of the world where I am living now. The idea of sustainability is better understood in the Western countries than in the Eastern.

Where do you think you will work in the future?

I can't answer to you, it depends on the opportunities and how the life goes.

Malaysia is very different culture and it is a stimulating place to work, it is also like my second home.

Thank you for this interview.

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Àëóìèíèÿò å ëåê (ñàìî 1/3 îò òåãëîòî íà ñòîìàíàòà èëè áðîíçà) è ïîðàäè ñúäúðæàíèåòî íà îïðåäåëåíî êîëè÷åñòâî ïðèìåñè ìàòåðèàëúò å çäðàâ, óñòîé÷èâ íà êîðîçèÿ è èçäðúæëèâ. Àëóìèíèÿò å óíèêàëåí ìàòåðèàë, êîéòî ïîäõîæäà íà âñÿêàêâè èíòåðèîðè - òðàäèöèîííè è ìîäåðíè.

Ìîäåë Concorde •Àíîäèçàöèÿ íà àëóìèíèÿ (20 ìèêðîíà) •Ìàêñèìàëíà øèðèíà íà ñòúïàëîòî - 1,2 ì • Ãóìåíà ëåíòà ïðîòèâ ïîäõëúçâàíå • Âàðèàíò Cameleon - ñúñ ñòúïàëà îò ñòúêëî, äúðâî èëè êàìúê

Ïðåäèìñòâàòà íà àëóìèíèåâèòå ñòúëáè ñà ìíîãî •Àëóìèíèåâèòå ñòúëáè ñå ïðîèçâåæäàò ñïîðåä èíäèâèäóàëíèòå ðàçìåðè çà âñåêè ïðîåêò (äúëæèíà, øèðî÷èíà, âèñî÷èíà) ñ äîïúëâàùè ïàðàìåòðè, êîèòî äà ãàðàíòèðàò ñèãóðíîñò è êîìôîðò úãúë íà íàêëîíà, âèñî÷èíà íà ñòúïàëîòî è äð.

• Àëóìèíèåâèòå ñòúëáè ñà ìíîãî çäðàâè, èçäúðæàò ìèíèìóì 300 êã/êâ. ì.

Ìîäåë Triangle •Àíîäèçàöèÿ íà àëóìèíèÿ (20 ìèêðîíà) •Ìàêñèìàëíà øèðèíà íà ñòúïàëîòî - 6 ì • Èâèöè ïðîòèâ ïîäõëúçâàíå ïî öÿëîòî ñòúïàëî

•Ñòúïàëàòà èìàò ñèñòåìà ïðîòèâ ïîäõëúçâàíå.

•Àëóìèíèåâèòå ñòúëáè íå ñå äðàñêàò è ñà ëåñíè çà ïî÷èñòâàíå. Áëàãîäàðåíèå íà àíîäèçàöèÿòà (20µ) àëóìèíèÿò íå ïðèâëè÷à ïðàõ è ìðúñîòèÿ (íå ñå íàåëåêòðèçèðà) è ïîâúðõíîñòòà ïîíàñÿ äîáðå êîðîçèÿ è íàäðàñêâàíå. Ïðè íåîáõîäèìîñò (íàïð. àêî ïàäíå òåæúê ïðåäìåò) ïîâðåäåíîòî ñòúïàëî ìîæå äà ñå ïîäìåíè.

•Àëóìèíèåâèòå ñòúëáè ìîãàò äà ñå èçïîëâàò êàêòî âúòðå, òàêà è íàâúí. Àëóìèíèÿò å ìåòàë, êîéòî íå ñå ðàçøèðÿâà îò âëàæíîñò, íå ðúæäÿñâà è íå ãíèå, à ðàçøèðåíèåòî ïîðàäè òåìïåðàòóðíè ïðîìåíè å îãðàíè÷åíî (íå ñå ïóêà), òàêà àëóìèíèåâèòå ñòúëáè ìîãàò äà ñå ìîíòèðàò äîðè â êðàéáðåæíè çîíè. Ïðåïîðú÷âà ñå ìîäåë Triangle çàðàäè èâèöèòå ïðîòèâ ïîäõëúçâàíå ïî öÿëîòî ñòúïàëî.

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Ìîäåë Starlight • Àíîäèçàöèÿ íà àëóìèíèÿ (20 ìèêðîíà) • Âúçìîæíîñò çà ïîñòàâÿíå íà îñâåòëåíèå (ñâåòîäèîäè) â íîñåùèòå ãðåäè íà ñòúëáàòà • Ìàêñèìàëíà øèðèíà íà ñòúïàëîòî - 1,2 ì • Èâèöà ïðîòèâ ïîäõëúçâàíå • Âàðèàíò Cameleon - ñúñ ñòúïàëà îò ñòúêëî, äúðâî èëè êàìúê Ìîäåë Solitaire • Àíîäèçàöèÿ íà àëóìèíèÿ (20 ìèêðîíà) • "Ïëàâàùè” ñòúïàëà, çàêðåïåíè ñàìî îò åäíàòà ñòðàíà • Íîñåùà ãðåäà, ìîíòèðàíà â ñòåíàòà • Îñâåòëåíèå â íîñåùàòà ãðåäà íà ñòúëáàòà • Ìàêñèìàëíà øèðèíà íà ñòúïàëîòî - 0,85 ì • Ãóìåíà ëåíòà ïðîòèâ ïîäõëúçâàíå

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Íîâàòà àäìèíèñòðàòèâíà ñãðàäà íà ôèðìà "Õúñ"

ÁÈÇÍÅÑ Â ÌÎÄÅÐÍÀ ÑÐÅÄÀ

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The new administrative building of "Hus" company

BUSINESS IN MODERN ENVIRONMENT Îáåêò: àäìèíèñòðàòèâíà ñãðàäà íà ôèðìà "Õúñ”, Ïëîâäèâ Ãëàâåí ïðîåêòàíò: àðõ. Ðàäêî Òîäîðîâ, "RT Consult” ÎÎÄ, Ïëîâäèâ, áóë. “Âàñèë Àïðèëîâ” ¹ 20, îôèñ 603, GSM: 0888 733 333, 0888 959 515, www.rtcbg.com Ãëàâåí èçïúëíèòåë: "Õúñ” ÎÎÄ, Ïëîâäèâ ÇÏ: 379.04 êâ. ì ÐÇÏ: 2824.75 êâ. ì

Project: Administrative building of “Hus” company, Ploviv Main architect: arch. Radko Todorov, “RT Consult” Ltd., Plovdiv, boul. “Vasil Aprilov” 20, office 603, GSM: 0888 733 333, 0888 959 515, www.rtcbg.com Executor: “Hus” Ltd. Plovdiv Constructed area: 379.04 Sq.m.

Total area: 2824. 75 Sq.m.

Ïðåç ïîñëåäíèòå ãîäèíè îò äâåòå ñòðàíè íà âñè÷êè âõîäíè ìàãèñòðàëè, âîäåùè êúì Ïëîâäèâ ñå ïîñòðîèõà íîâè çàâîäè, øîó ðóìîâå è îôèñ ñãðàäè. Àäìèíèñòðàòèâíàòà ñãðàäà íà ôèðìà "Õúñ”, êîÿòî âè ïîêàçâàìå, ñå íàìèðà â áëèçîñò äî "Ïàçàðäæèøêîòî øîñå”, ñòàðèÿ âõîäåí ïúò îò Ñîôèÿ. Ïðîåêòèðàíà å îò åäíà îò âîäåùèòå àðõèòåêòóðíè ôèðìè â Ïëîâäèâ "RT Consult” ÎÎÄ ñ ãëàâåí ïðîåêòàíò àðõ. Ðàäêî Òîäîðîâ. Àðõèòåêòóðíèÿò îáðàç å â ñòðîãè ãåîìåòðè÷íè ôîðìè, à èçïîëçâàíèòå íîâè ñòðîèòåëíè ìàòåðèàëè è ïðèäàâàò ìîäåðíà âèçèÿ. ×àñòè îò ñåâåðíàòà è þæíàòà ôàñàäà ñà ñòðóêòóðíî îñòúêëåíè ñúñ ñèâî íèñêîåìèñèîííî ñòúêëî.  þãîèçòî÷íàòà ÷àñò íà ñãðàäàòà ñà ìîíòèðàíè äåêîðàòèâíè ñåííèöè ïî ïðîåêò íà ôèðìà "Êðóïàë” ÅÎÎÄ, êîèòî ñå ïîâòàðÿò íàä âõîäà è òåðàñèòå. Øèðîêè îðàíæåâè êàíòîâå ÷åðòàÿò õîðèçîíòàëè è âåðòèêàëè îêîëî òåðàñèòå è ñåííèöèòå êàòî ïðèäàâàò ìíîãîïëàíîâîñò íà ïîñòðîéêàòà. Ìåòàëíè êîëîíè â ñúùèÿ òîïúë öâÿò îáãðúùàò ôàñàäàòà íàä öåíòðàëíèÿò âõîä, êúäåòî ñå íàìèðà è ñòèëíèÿò ôèðìåí çíàê. Ïëúòíàòà ÷àñò íà ñãðàäàòà å ñ êåðàìè÷íà îáëèöîâêà â áëåäî áåæîâî. Êâàäðàòíèòå ïðîçîðöè ñà ñ àëóìèíèåâà äîãðàìà ñ ïðåêúðñíàò òåðìîìîñò â òúìíî ñèâ ìåòàëèê ñ íèñêî åìèñèîííî ñòúêëî. Âúíøíèòå è âúòðåøíèòå ïàðàïåòè ñà àëóìèíèåâè ñúñ ñòúêëåí ïúëíåæ , èçðàáîòåíè ïî èíäèâèäóàëåí ïðîåêò îò ïëîâäèâñêàòà ôèðìà "Êîëîð ìåòàë" ÎÎÄ.

In the last few years, both sides of all entrance highways leading to Plovdiv were built new factories, show-rooms and office buildings. The administrative building of “Hus,” which we present to you is located near Pazardzhishko shose, the old entrance road from Sofia. Designed by one of the leading architectural companies in Plovdiv “RT Consult” Ltd. with chief architect Radko Todorov.

The architectural silhouette has strict geometric shapes, and are used new building materials that give modern look to the building.

Parts of north and south facade are structurally glazed with low-E gray glass. In the southeastern part of the building decorative canopies are fitted on the project of “Krupal” Ltd. that are repeated over the entrance and terraces. Orange edges Wide horizontal and vertical lines drawn around balconies and canopies give to the building variety.

Metal columns in the same warm color surround the facade above the main entrance where is located the stylish logo. The dense part of the building has ceramic lining in pale beige. The square windows have aluminum frames with thermal bridge in dark gray with low emission glass. The external and internal railings are aluminium with glass panels, produced for individual project of Plovdiv company "Color metal" Ltd

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Àäìèíèñòðàòèâíàòà ñãðàäà å ïåòåòàæíà, ñ ïðèçåìíî è ìàíñàðäíî íèâî. Öåíòðàëíèÿò âõîä å ñ âúíøíà ìðàìîðíà ñòúëáà è ðàìïà çà èíâàëèäè. Äîñòàïúò äî íåãî å îò èçòîê. Ïðîñòîðíîòî ôîàéå å ñ àòðàêòèâåí àòðèóì, ïðåìèíàâàù ïðåç òðè íèâà. Ñòèëíî îöâåòåíèòå â ÷åðâåíî ñòåíè äåëèêàíòíî êîíòðàñòèðàò ñ ïîäà, çàñòëàí ñúñ ñèâî-÷åð ãðàíèòîãðåñ â ãåîìåòðè÷íè ôîðìè. Òåæêèòå êîæåíè äèâàíè ñúùî â ÷åðâåíî è ïëàçìåíèÿò òåëåâèçîð ñðåùó òÿõ îôîðìÿò êúò çà ïîñðåùàíå íà ãîñòèòå. Òóê ñå íàìèðàò îùå ðåöåïöèÿòà çà èíôîðìàöèÿ, ïîìåùåíèåòî çà îõðàíàòà è ðàáîòíè îôèñè. Äîñòúïúò äî îñòàíàëèòå íèâà å ñ àñàíñüîð â ñåâåðîèçòî÷íàòà ÷àñò è ñòîìàíîáåòîíîâà ñòúëáà â þæíàòà ÷àñò íà ñãðàäàòà.  ïðèçåìíèÿ åòàæ ñà ðàçïîëîæåíè ñåäåì ðàáîòíè îôèñà, äâå ïîìåùåíèÿ çà àðõèâà íà ôèðìàòà, òåõíè÷åñêè ñòàè è ìàøèííî çà õèäðàâëè÷íèÿ àñàíñüîð.

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The five-storey administrative building has a ground floor and attic level. The central entrance is marble staircase and has external ramp for disabled persons. The access to it is from the east. The spacious lounge has an attractive atrium, passing through three levels. The stylish solid red walls contrast with the floor, covered with gray-black granite tiles in geometric shapes. The heavy leather red sofas and plasma television corner form the guest meeting area. Here are more details on the reception desk, room for security and business offices. The access to other levels with an elevator in the northeastern part and concrete pillars in the southern part of the building. On the ground floor are placed seven offices, two rooms for the archives of the company’s technical rooms and mechanical room for the hydraulic elevator.

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Íà òðåòèÿ åòàæ ñà îôèñèòå íà òúðãîâñêèÿ è ìåæäóíàðîäíèÿ îòäåë íà ôèðìàòà, äâå êîíôåðåíòíè çàëè è ñòàÿ çà ïî÷èâêà íà ñëóæèòåëèòå. Êàáèíåòèòå íà ïðåçèäåíòèòå, ñåêðåòàðñêèÿò îôèñ è ïîìåùåíèÿòà íà àäìèíèñòðàòèâíèÿ ïåðñîíàë ñà íà ÷åòâúðòèÿ åòàæ. Òàì ñà îùå ìàëêàòà êîíôåðåíòíà çàëà è äâàòà ìåíèäæúðñêè êàáèíåòà ñ îòäåëíè òåðàñè íà ñåâåð è þã. Èíòåðèîðíîòî ðåøåíèå íà âñåêè åòàæ, êàáèíåò è ïîìåùåíèå å ìíîãî ñòèëíî. Àäìèíèñòðàòèâíàòà ñãðàäà íà ôèðìà "Õúñ" îñèãóðÿâà ÷óäåñòíè óñëîâèÿ çà äåëîâè êîíòàêòè è óñïåøåí áèçíåñ.

On the third floor are offices and international trade department, two conference halls and rooms for the rest of the employees. President’s office, secretarial office and that of the administrative staff are on the fourth floor.

There are small conference room and manager office with two separate balconies on the north and on the south. The interior of each floor, office and space are very stylish.

The administrative building of “Hus” provides excellent opportunities for business contacts and successful business.

Òåêñò: Âàëåíòèíà Âàíãåëîâà Ñíèìêè: Ñîíÿ Ñòàíêîâà

Text: Valentina Vangelova Ñíèìêè: Sonya Stankova

ÏÎÄÈÇÏÚËÍÈÒÅËÈ: Âúíøíè îáøèâêè - âåíòèëèðóåìà ôàñàäà ñ àëóìèíèåâî êîìïîçèòíè ïàíåëè (åòàëáîíä), îêà÷åíà ôàñàäà, äîãðàìà, âúíøíè ìåòàëíè êîíñòðóêöèè, àëóìèíèåâè ñëúíöåçàùèòíè ïåðãîëè è ãðàíèòîãðåñ: "Êðóïàë” EÎÎÄ - Ñîçîïîë; Êëèìàòèçàöèÿ è âåíòèëàöèÿ: "Òåìïåêñ” ÅÎÎÄ - Ïëîâäèâ; Ïàðàïåòè: "Êîëîð ìåòàë” ÎÎÄ - Ïëîâäèâ; Îñâåòëåíèå: ”Èëèàíà êîìåðñ” ÎÎÄ - Ïëîâäèâ

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Co-executors: External paneling - ventilated facade, aluminum composite panels (etalbond), suspended facade, windows, external metal structures, aluminum sun-protecting pergolas and granite: Krupal ltd Ltd., Sozopol; Air conditioning and ventilation: Tempeks Ltd., Plovdiv Railings: Color metal Ltd., Plovdiv; Lighting: “Iliana Commerce Ltd, Plovdiv

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Õîòåë-ãóðìå ðåñòîðàíò "Êàñòåëî äè Ñàí Ìàðèíî" êîìôîðòåí ïðî÷èò íà Ñðåäíîâåêîâèåòî

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Ïðîåêòàíñêèÿò åêèï ïîñâåùàâà òîçè ïðîåêò â ïàìåò íà ñâîÿ ó÷èòåë è ïðèÿòåë ïðîô. ä-ð. àðõ. Îãíÿí Ãðîçåâ

Èíâåñòèòîð: Ìëàäåí Ìóòàô÷èéñêè Àðõèòåêòè: 4 Rays Ltd.: àñèñòåíò. àðõ. Åâãåíè Ðàôàèëîâ, àðõ. Ñâåòîñëàâ Ñïàñîâ, àðõ. Íèêîëàé Ñëàâîâ Îçåëåíÿâàíå: "Áóëìèêñ” ÎÎÄ: ëàíä. àðõ. Éîðäàí Êàðàêîëåâ, ëàíä. àðõ. Íèêîëàé Êîñòàäèíîâ; "Ïàëìà” ÎÎÄ - Ëþäìèëà Èâàíîâà Êîíñòðóêòîð: èíæ. Ãåîðãè Ãóðåâ Ïëîù íà èìîòà - 840 êâ. ì Çàñòðîåíà ïëîù íèâî ïàðòåð - 700 êâ. ì Ðàçãúíàòà çàñòðîåíà ïëîù íàäçåìíà - 1500 êâ. ì Êîòà êîðíèç çà óñòðîéñòâåíàòà çîíà - 10 ì

ÏÎÄÈÇÏÚËÍÈÒÅËÈ: Ãðóá ñòðîåæ, ïîêðèâ, ôàñàäíè ìàçèëêè: "Ãàë÷åâ èíæåíåðèíã ãðóï" Äîãðàìà, èíòåðèîðíè âðàòè, ïàðàïåòè: "Ìîñêîì" Ìåáåëè, èíòåðèîðíè èçïúëíåíèÿ: "Áóëäåêîð" Îñâåòëåíèå: "Ïîëàðèñ Ëàéòèíã" Ãðàäèíñêà ìåáåë: "Ðîíäî ãðóï" Òåêñòèë: "Ñîôòåêñ èíòåðèîðè" Êàìåííè ôàñàäíè îáëèöîâêè: "Ñîäàëèä"

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Îáåêòúò èìà èçäàäåíî ðàçðåøåíèå çà ñòðîåæ îò 2004 ã. çà åäíîôàìèëíà æèëèùíà ñãðàäà ñ ðàáîòèëíèöà è ãàðàæ. Ïî-êúñíî ïî çàäàíèå íà èíâåñòèòîðà å èçãîòâåí ïðîåêò çà ïðîìÿíà íà èíâåñòèöèîííèòå íàìåðåíèÿ. Íîâèÿò ïðîåêò å íàïðàâåí âúç îñíîâà íà îäîáðåíèÿ îò 2004 ã. è ïðåäâèæäà ïðîìÿíà ñàìî íà ïðåäíàçíà÷åíèåòî íà äâåòå íèâà íà êúùàòà (êîòà 0.00 è +3.10). Ïðè ïðåðàáîòêàòà íà ïðîåêòà íà ïúðâî íèâî ñà íàìåðèëè ìÿñòî ðåñòîðàíò ñ òðè çàëè ñúñ ñúîòâåòíî 35, 25 è 16 ìåñòà è ñîáñòâåíè åâàêóàöèîííè èçõîäè, øîóêóêèíã, äâà ñàíèòàðíè âúçåëà è êóõíÿ ñ ïðèëåæàùèòå é ïîìåùåíèÿ, êàòî òå ñà ðåàëèçèðàíè

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íà ìÿñòîòî íà äíåâíàòà â æèëèùíàòà ÷àñò è íà ðàáîòèëíèöàòà è ãàðàæà. Íà ìÿñòîòî íà ñïàëíèÿ òðàêò ñå ðàçâèâà âòîðîòî íèâî íà ðåñòîðàíòà, êàòî òî ñúäúðæà çàëà ñ 50 ìåñòà ñúñ ñîáñòâåí åâàêóàöèîíåí èçõîä è âúíøíà ñòúëáà, îôèñ íà óïðàâèòåëÿ, ìîêúð áàð ñúñ ñêëàä êúì íåãî è ñàíèòàðåí âúçåë çà åòàæà. Íàä êóõíÿòà ïîñðåäñòâîì ñîáñòâåíà ñòîìàíîáåòîííà êîíñòðóêöèÿ å ïðîåêòèðàíî âòîðî íèâî ñ ïåò ñòóäèà è ïîäïîêðèâåí åòàæ â îòñòúï ñ åäèí àïàðòàìåíò, âñè÷êèòå ñúñ ñàìîñòîÿòåëíî åâàêóàöèîííî ñòúëáèùå íàçàâèñèìî îò ðåñòîðàíòñêàòà ÷àñò. Çà òÿõ å ðàçðàáîòåí ïîäðîáåí êîíñòðóêòèâåí ïðîåêò. Îáùîòî îáåìíî è ôàñàäíî

ðåøåíèå ñå çàïàçâà ñúîáðàçíî îäîáðåíèòå ïðîåêòè. Ñãðàäàòà å äâóåòàæíà ïîñòðîéêà ñ ÷àñòè÷åí ïîäïîêðèâåí åòàæ â èçòî÷íèÿ êðàé. Ðåøåíèåòî å â ñòàðèíåí èòàëèàíñêè ñòèë ñ äúñ÷åíè îáøèâêè ïî ôàñàäèòå, êîìáèíèðàíè ñ òóõëåíè è êàìåííè îáëèöîâêè, ÷åðâåíà ìàçèëêà è âàðîâèê. Ñòúëáèùåòî íà æèëèùíàòà ÷àñò å îôîðìåíî êàòî êóëà, îáëèöîâàíà ñ êàìúê (âðà÷àíñêè âàðîâèê) è òóõëè, è çàâúðøâà îðèãèíàëíî ñ ìàëêà êóëè÷êà, êîÿòî å îáëå÷åíà ñ ìåäíà ëàìàðèíà, ñ øïèë è âåòðîïîêàçàòåë (ôðåíñêè ïåòåë). Îò äâåòå ñòðàíè íà êóëàòà å ïðîåêòèðàí öèôåðáëàò íà ãîëÿì ÷àñîâíèê ñ ìåõàíèçúì. Äîïúëíèòåëåí êîëîðèò íà ñòúëáè-

ùåòî è íà ñãðàäàòà êàòî öÿëî ïðèäàâàò ðú÷íî ðèñóâàíèòå ñòúêëà ïî ïðîçîðöèòå. Äîãðàìàòà å äúðâåíà ñúñ ñòúêëîïàêåò è å ôàáðè÷íî ñúñòàðåíà, à âõîäíèòå âðàòè ñà îò ïàòèíèðàíî îðíàìåíòíî êîâàíî æåëÿçî. Çà óíèêàëíîñòòà íà ðåøåíèåòî ãîâîðÿò ìíîæåñòâîòî ñêóëïòóðè è îðíàìåíòè ïî ôàñàäèòå - ïîâå÷åòî äåëî íà èçâåñòíè áúëãàðñêè ìàéñòîðè. Ïðè îôîðìÿíåòî íà âúòðåøíèòå ïðîñòðàíñòâà ñà èçïîëçâàíè àâòåíòè÷íè åëåìåíòè îò ñòàðè áúëãàðñêè è èòàëèàíñêè êúùè, êàòî ðîçåòêè, ïàíà, ïðåäìåòè îò êîâàíî æåëÿçî, êåðàìèêà, êàìúê, äúðâåíè ãðåäè îòïðåäè 200-250 ãîäèíè. Âõîäíàòà âðàòà êúì åäíà îò çàëèòå íàïðèìåð å íà íàä 200 ãîäèíè.

Èíòåðèîðúò íà õîòåëñêàòà ÷àñò å èçäúðæàí â ñúùèÿ ñòèë. Ìàêàð è êîìôîðòåí, òîé óñïåøíî ïîääúðæà èëþçèÿòà çà äðóãà åïîõà - ñïåöèàëíî ñúñòàðåíèòå âõîäíè âðàòè íà ñòàèòå, òîïëèòå îòáëÿñúöè íà ìåáåëèòå, íàñòèëêèòå îò ñòàðà èòàëèàíñêà êåðàìèêà è ïàðêåò îò åêçîòè÷íî äúðâî ïðàâÿò ïúòóâàíåòî íàçàä âúâ âðåìåòî ïðèÿòíî è âúëíóâàùî. Öÿëîñòíîòî îñâåòëåíèå íà ñãðàäàòà è äâîðà ñå îñèãóðÿâà îò ñïåöèàëíî èçáðàíè ñòàðèííè îñâåòèòåëíè òåëà îò êîâàíî æåëÿçî. Äâîðúò å ðàçðàáîòåí ïî ñïåöèàëåí ëàíäøàôòåí ïðîåêò ñ ÷åøìà, áàðáåêþ è áîãàòî îçåëåíåíà ãðàäèíà. Ïîä íàâåñ â ñòàð ñòèë ñà îáîñîáåíè âúíøíè ñåïàðåòà çà îêîëî 20 äóøè. Èçãðàäåíè ñà è äúðâåíè ïåðãîëè, ïîêðèòè ñ ïëàò. Ìíîæåñòâî àâòåíòè÷íè ñêóëïòóðè, ìåäàëüîíè, áàðåëåôè è äåêîðàòèâíè ñòàðèííè ðåøåòêè äîïúëâàò àòìîñôåðàòà íà ñðåäíîâåêîâåí çàìúê.

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Hotel-restaurant "Castello di San Marino"comfortable perusal of the Middle Ages 44

Ivestor: Mladen Mutafchiiski Architects: 4 Rays Ltd.: assistant arch. Evgeni Rafailov, arch. Svetroslav Spasov, arch. Nikolay Slavov Landscape: “Bulmix” Ltd.: landscape arch. Iordan Karakolev, landscape arch. Nikolay Kostadinov; “Palma” Ltd. - Ludmila Ivanova Constructor: eng. Georgi Gruev Plot - 840 Sq.m.

Built up area - 700 Sq.m.

Total Built Up area: 1500 Sq.m.

Height: 10m

Executors: Rough construction, roof, façade: “Galchev engineering group” Windows, inside doors, parapets: “Moskom” Furniture, interior: “Buldecor” Bathroom, floorings, ceramics: “Samar-F” Lightning: “Polaris Lighting” Garden furniture: “Rondo group” Textile: “Softex interiors” Stone façade lining: “Sodalid”

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The project has a permission for construction from 2004 for single-family house with workshop and garage. Later by investors request there has been issued a project for the change of the investors' intentions.

Part of the changes in the project on the first level is restaurant with three halls with 35, 25 and 16 places and own evacuation exits, show-cooking, two bathrooms and service room and they are realized on the place of the living-room, the workshop and the garage. On the place of the bedroom is developed the second level of the restaurant and it contains a hall with 50 places and evacuation exit with outside ladder, office of the manager, bar with warehouse and bathroom on the floor.

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Over the kitchen through reinforced concrete construction is designed the second level with five studios and a floor under the roof with separated evacuation ladder independent from the restaurant part. For them is elaborated detailed construction project.

The general spatial and faรงade decision is preserved regarding the approved projects. The building is two-storey building with partial underroof floor in the eastern end. The style is rather antique and Italian with

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wooden lining on the facades combined with brick and stone, red daub and chalk.

In the inside are used authentic elements of old Bulgarian and Italian houses. The entrance door in one of the halls is more than 200 years old.

The interior of the hotel part is in the same style. Even though it is comfortable it successfully creates an atmosphere from a different epoch.

The whole lightning of the building and the garden ensure specially chosen old lightings from iron.

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Ïî-ìàëêî å ïîâå÷å

Îáåêò: ïàñàæåðñêè õîòåë â ãð. Ïëåâåí Ïðîåêòàíòè: àðõ. Èâî Ïåòðîâ, àðõ. Õðèñòèÿí Ãåîðãèåâ Èíâåñòèòîð è ãëàâåí èçïëúëíèòåë: "Ñèòè áèëä" ÀÄ - Ïëåâåí Êîçèðêà ñúñ ñòîìàíåíè âúæåòà : "Ãëîáàë êîíöåïò" ÎÎÄ

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Òîçè äåâèç íà ìèíèìàëèñòèòå âñúùíîñò å â îñíîâàòà íà âñÿêà äîáðà àðõèòåêòóðà. Âúïðîñúò å â ìÿðêàòà. Êîãàòî àðõèòåêòúò óñïåå ñ ìàëêî ñðåäñòâà äà ïîñòèãíå æåëàíèÿ åôåêò, âñÿêî äîïúëíèòåëíî óñëîæíÿâàíå ïðåòîâàðâà âúçïðèÿòèÿòà. Ñ óäîâëåòâîðåíèå ìîæåì äà òâúðäèì, ÷å òóê ïðåäñòàâÿìå íà ÷èòàòåëèòå ñè åäèí ìèíèìàëèñòè÷åí ïðîåêò, â êîéòî áàëàíñúò å ïîñòèãíàò ñ äîáúð âêóñ, ïðîâåäåí îò ôàñàäàòà äî èíòåðèîðà. Ñãðàäàòà å ïàñàæåðñêè õîòåë ñ 18 ñòàè è 3 àïàðòàìåíòà. Äâå îò ñòàèòå ñà äîñòúïíè è çà èíâàëèäè. Íà ïîñëåäíèÿ åòàæ å óñòðîåíà êîíôåðåíòíà çàëà, à â ñóòåðåíà - ðåñòîðàíò è ïèàíî-áàð. Ëîáè-áàðúò äî ðåöåïöèÿòà ïðåìèíàâà â îñòúêëåíà ëÿòíà ãðàäèíà. Çà ìàëêèòå ïëîùè, ñ êîèòî ðàçïîëàãà, õîòåëúò å ðåøåí ó÷óäâàùî ôóíêöèîíàëíî è äàæå ñúçäàâà óñåùàíå çà ïðîñòîð. Çà òîâà ñúùî ïîìàãà ïåñòåëèâîòî èçïîëçâàíå íà åëåìåíòè â èíòåðèîðà. Ïàðòåðúò å ðåøåí â áÿëî, ñèâî è òúìíî÷åðâåíî. Ðåñòîðàíòúò å â òúìíîêàôÿâî è èíòåíçèâíî çåëåíî. Ñòàèòå ñà â òúìíîêàôÿâà äúðâåíà ëàìïåðèÿ, ñú÷åòàíà ñúñ ñèâî ëèëàâî - áåæîâè íþàíñè íà ìàòåðèèòå.

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Ôàñàäàòà âïå÷àòëÿâà ñ ÷èñòàòà ôîðìà íà îáëå÷åíè â íåðúæäàåìà ìðåæà îáåìè. Ìðåæàòà å îêà÷åíà íà õîðèçîíòàëíîè ñòîìàíåíè ïðîôèëè, àíêåðèðàíè â íîñåùàòà êîíñòðóêöèÿ. Íå áè ìîãëî äà ñå ñúçäàäå óñåùàíå çà ïðåêàëåíî îïðîñòÿâàíå, çàùîòî áàëàíñúò å ïîñòèãíàò ñ èçêëþ÷èòåëíî æèâîïèñíèÿ ðèñóíúê íà îáëèöîâú÷åí åêçîòè÷åí êàìúê. Àêöåíòúò åñòåñòâåíî å íà âõîäà - êðàñèâà êîçèðêà, èçïúëíåíà îò íåðúæäàåìà ñòîìàíà, îêà÷åíà ñ âàæåòà Jakob inox lane íîñåíà îò íåðúæäàåìà ñòîìàíà è ïëúòíè ïîëèêàðáîíàòíè ïëîñêîñòè . Ñàìî ñïåöèàëèñòèòå çíàÿò êîëêî òðóäíî å ñ ìàëêî ñðåäñòâà äà ïîñòèãíåø òîëêîâà ãîëÿì åôåêò.

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Less is more This quote of the minimalists is in fact in the foundations of any good architecture. The question is to have limits. When with few means the architect manages to get the needed effect every additional complication makes hard to handle for the senses.

With content we could say that here we present to our readers a minimalistic project, in which the balance is reached with good taste, shown from the facade and ending up with the furniture. The building is a hotel with 18 rooms and 3 apartments. Two of the rooms are accessible for handicap people. On the last floor is placed a conference hall and on the underground level is a restaurant and piano-bar. The lobby next to the reception merges in glazed summer garden. For the small spaces that the hotel has - it is designed surprisingly well, functional and it even gives the feeling of spaciousness. The ground floor is coloured in white, gray and dark-red.

The restaurant is in dark-brown and intensive green. The rooms are in dark brown wooden panelling, combined with gray - violet - beige nuances of the materials.

The facade is remarkable with its clear form and it is covered with rustproof net. It is not that you could feel it as if it is too simple, because the balance is achieved with extremely picturesque appearance of the revetment exotic stone. The accent of course is on the entrance - one beautiful glazed apron suspended by rustproof ropes. Only the professionals know how difficult it is with little financial support to achieve that result and effect.

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Project: Hotel in Pleven Project: arch. Ivo Petrov, Arch. Hristian Georgiev Investor and main executor: "City Builf" - Pleven

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SPA-õîòåë „Ïåðñåíê” â Äåâèí – ìîäåðíà âèçèÿ ñðåä êðàñèâà ïðèðîäíà äàäåíîñò Ãëàâíè ïðîåêòàíòè: àðõ. Åëèñàâåòà Ïàëàçîâà è àðõ. Êîñòàäèí Ïàëàçîâ, àðõèòåêòóðíî áþðî: "Pallas” ÅÎÎÄ - Ïëîâäèâ, óë. "Ëåîíàðäî äà Âèí÷è” 20,òåë. 032/ 265 514, GSM: 0887 956 432 è 0888 284 121, e-mail: eli_palazîva@abv.bg, arch_palazov@abv.bg, Èíòåðèîðåí ïðîåêò: àðõ. Åëèñàâåòà Ïàëàçîâà, àðõèòåêòóðíî áþðî "Pallas” ÅÎÎÄ - Ïëîâäèâ

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Êîíñòðóêòèâåí ïðîåêò: èíæ. Äîáðèíêà Äè÷åâà è èíæ. Äè÷î Äè÷åâ, "ÄË ïðîåêò” ÅÎÎÄ - Ïëîâäèâ Ïðîåêò îçåëåíÿâàíå: èíæ. Ìàðèÿ Ãåíîâà Ãëàâåí èçïúëíèòåë: "ÂÀ è ÌÈ” ÎÎÄ Èíâåñòèòîð: "ÊÀÌ - Äåâèí” ÎÎÄ ÇÏ: 1830 êâ. ì ÐÇÏ: 8911 êâ. ì

ÏÎÄÈÇÏÚËÍÈÒÅËÈ: Îçåëåíÿâàíå: "ÌÌ 2002 - Ìèðîñëàâ Êàðàèâàíîâ” - Ïëîâäèâ; Îêà÷åíè ôàñàäè îò åòàëáîíä è äîãðàìà: "Êðàãî” ÎÎÄ - Ïëîâäèâ; Ïàðàïåòè: "Ìåòàë äèçàéí” - Ïëîâäèâ; Êëèìàòèçàöèÿ è âåíòèëàöèÿ: ÅÒ "ÈÊÎÌ - Í. Öâåòêîâ” - Ïëîâäèâ Îñâåòëåíèå: "Ìåãà ëóêñ” ÎÎÄ - Ïëîâäèâ; Îñâåòëåíèå â íîùåí áàð: DIZZART - Ñîôèÿ; SPA-öåíòúð: "Òåìåíà” ÎÎÄ - Ïëîâäèâ; Ìðàìîðíè íàñòèëêè è îáëèöîâêè: "Ìîíîëèò” - Ïëîâäèâ; Îáçàâåæäàíå íà îáùåñòâåíàòà çîíà: "Ñïàöèî ïåðñîíàëå” ÎÎÄ - Áóðãàñ; Îáçàâåæäàíå íà ìàãàçèíè, àïàðòàìåíòè è ñòàè: "Çàðà äèçàéí” ÅÎÎÄ Ïëîâäèâ; Ãðàäèíñêî îáçàâåæäàíå: "Ìèêñåðà” - Ïëîâäèâ

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Äåâèí å åäíî îò ìíîãîòî æèâîïèñíè ãðàä÷åòà â þæíàòà ÷àñò íà Çàïàäíèòå Ðîäîïè, êðàñèâî ñêúòàíî ñðåä âåêîâíèòå áîðîâè è ñìúð÷îâè ãîðè. Òîâà, êîåòî ãî îòëè÷àâà îò îñòàíàëèòå ñåëèùà â ðàéîíà ñà íÿêîëêîòî âèäà ìèíåðàëíè èçâîðè ñ ãîëÿì äåáèò è òåìïåðàòóðà íà âîäàòà äî 78 ãðàäóñà. Áëèçîñòòà íà åìáëåìàòè÷íèòå ïðèðîäíè ôåíîìåíè "Òðèãðàäñêîòî æäðåëî”, "Äÿâîëñêîòî ãúðëî”, "ßãîäèíñêàòà ïåùåðà”, êàêòî è äðóãè çàùèòåíè ìåñòíîñòè è ïðèðîäíè ðåçåðâàòè ãî ïðàâÿò æåëàíà äåñòèíàöèÿ çà ìíîãî òóðèñòè îò öÿë ñâÿò. Áëàãîïðèÿòíèÿò ïëàíèíñêè âúçäóõ â ñú÷åòàíèå ñ ëåêîâèòàòà ìèíåðàëíà âîäà ñà îñíîâíàòà ïðåäïîñòàâêà òî÷íî òóê äà îòâîðè âðàòè íàé-ëóêñîçíèÿò ïåòçâåçäåí SPA-õîòåë "Ïåðñåíê” â öåíòúðà íà ãðàäà. Ìîäåðíàòà âèçèÿ å ïîñòèãíàòà ÷ðåç èçïîëçâàíåòî íà ñúâðåìåííè ìàòåðèàëè êàòî åòàëáîíä è ñòúêëî, êîèòî ïðèäàâàò ëóêñ è êëàñà íà àðõèòåêòóðíèÿ îáðàç íà ñãðàäàòà. Ðåäóâàò ñå èçäàäåíè è âäàäåíè ïðîñòðàíñòâà, íåæíàòà êîìáèíàöèÿ íà öâåòîâåòå áÿëî è êàêè íà ìåñòà íåíàòðàï÷èâî êîíòðàñòèðà ñ êàôÿâî. Îñíîâíèÿò àðõèòåêòóðåí åëåìåíâðúõ íàñî÷åí êúì öåíòúðà íà ãðàäà, å ðàçïîëîæåí â úãúëà, ñâúðçâàù äâåòå òåëà. Ïðè ïðîåêòèðàíåòî àðõèòåêòúò å òúðñèë âèçèÿ, áëèçêà äî âðúõ "Ïåðñåíê”. Îñòúêëåíàòà ôàñàäà íà õîòåëà îòðàçÿâà çàîáèêàëÿùèòå ãî ïëàíèíñêè âúðõîâå. Òîçè åêñòåðèîðåí åëåìåíò å ïîâëèÿë ñèëíî è âúðõó èíòåðèîðà íà àïàðòàìåíòà, ðàçïîëîæåí òóê. Èçãëåäúò, êîéòî ñå ðàçêðèâà îò äíåâíàòà å íå ñàìî ïëåíèòåëåí, íî è ñúçäàâà óñåùàíåòî çà íåïîñðåäñòâåíà áëèçîñò ñúñ çàîáèêàëÿùàòà ïðèðîäíà ñðåäà. Òÿ ñÿêàø å ÷àñò îò ïðîñòðàíñòâîòî è ó÷àñòâà àêòèâíî â æèâîòà íà îòñåäíàëèòå â íåãî ãîñòè íà õîòåëà. Êîíñòðóêöèÿòà íà êîìïëåêñà å ñòîìàíîáåòîíîâà, à ñòåíèòå ñà îò êåðàìè÷íè òóõëè. Ôàñàäàòà å îêà÷åíà, âåíòèëèðóåìà îò åòàëáîíä. Ïàðàïåòèòå ïî òåðàñèòå ñà àæóðíè, ìåòàëíè â ñú÷åòàíèå ñúñ ñòúêëåí òðèïëåêñ. Ñðàäàòà çàåìà ïî÷òè öÿëàòà òåðèòîðèÿ íà òåðåíà, à â ñúðöåâèíàòà è å ðàçâèò áîãàòî îçåëåíåí âúòðåøåí äâîð.

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Îáåêòúò å ðåøåí êàòî êîìïëåêñ îò çàòâîðåí òèï, ïðåäëàãàù õîòåëñêè óþò ñúñ SPA-ïðîöåäóðè. Îñèãóðåíè ñà è äðóãè âúçìîæíîñòè çà ïîëçîòâîðíà ïî÷èâêà íà ïðåáèâàâàùèòå êàòî ìàãàçèíè, çàâåäåíèÿ, äåòñêè çàíèìàëíè, áîóëèíã, ïàíîðàìíà êàôå-ñëàäêàðíèöà è íîùåí áàð Öåíòðàëíèÿò âõîä å îòêúì þæíàòà ôàñàäà, êúäåòî å ïðåäâèäåí è ïàðêèíã çà êîëèòå íà ïîñåòèòåëèòå. Îò ñúùàòà óëèöà å îôîðìåíî è ñàìîñòîÿòåëíî âëèçàíå êúì îáùåñòâåíèòå çàâåäåíèÿ, áîóëèíãà, ðåñòîðàíòà è êîíôåðåíòíàòà çàëà, êîèòî èìàò äîñòúï è îò õîòåëñêîòî ôîàéå. Òåðåíúò å ñ ãîëÿìà äåíèâåëàöèÿ è çàòîâà ïàðêèðàíåòî å óñïîðåäíî íà óëèöèòå. Ïîñðåäñòâîì ðàìïà ñå âëèçà â ïîêðèòèÿ ãàðàæ, ïðåäíàçíà÷åí ñàìî çà ãîñòèòå. Ñãðàäàòà å îò ÷åòèðè òåëà - "À”, "”, "Ñ” è "Ä”. Íà ïúðâîòî íèâî îò öåíòðàëíèÿ âõîä ñå âëèçà â ïðîñòîðíî ôîàéå ñ ëîáè-áàð è ðåöåïöèÿ. Äî òÿõ ñà òúðãîâñêèòå ïëîùè, äåòñêàòà çàíèìàëíÿ è ôðèçüîðñêèÿò ñàëîí.  çîíàòà ìåæäó òåëàòà "À” è "” ñà îôîðìåíè âçàèìíî ñâúðçàíè âúòðåøíà âîäíà ñòåíà è âúíøíî êðúãëî âîäíî îãëåäàëî, ñèìâîëèçèðàùè áåçêîíå÷íèÿ è æèâèòåëåí âîäåí êðúãîâðàò, êîéòî å è îñíîâåí èíòåðèîðåí åëåìåíò â îáùåñòâåíàòà çîíà.  íåïîñðåäñòâåíà âðúçêà ñ ôîàéåòî è â ïðÿêà âðúçêà ñ âúòðåøíèÿ äâîð å ïëóâíèÿò áàñåéí ñ âúçìîæíîñò çà îòêðèâàíå íà ñòúêëåíàòà âèòðèíà êúì âúòðåøíèÿ äâîð ïðåç ëÿòîòî. Ïðå÷óïåíèÿò ñòúêëåí ïîêðèâ íàä íåãî çàñèëâà óñåùàíåòî çà áëèçîñò ñ ïðèðîäàòà. Äî íåãî ñå íàìèðà SPAðåöåïöèÿ, ôèòíåñ çàëà, ñúáëåêàëíè, áàíè è ñîëàðèóì. ×ðåç ñàìîñòîÿòåëíà ñòúëáà ñå äîñòèãà äî çîíà "ðåëàêñ”, îêîëî êîÿòî ñà ðàçâèòè ìàëúê áàñåéí ñ ìèíåðàëíà âîäà, ïàðíà áàíÿ, ñàóíà, åêçîòè÷íè è ïðè-

êëþ÷åíñêè äóøîâå è ïîìåùåíèÿ çà ìàñàæíè ïðîöåäóðè. Öÿëîñòíîòî ìó èçïúëíåíèå îò ïëîâäèâñêàòà ôèðìà "Òåìåíà” ÎÎÄ èçëú÷âà ëóêñ, êëàñà è âèñîê ïðîôåñèîíàëèçúì.  çîíà"Ä” å ðàçïîëîæåí îñíîâíèÿò ðåñòîðàíò ñ âúçìîæíîñòè çà ñåðâèðàíå íà îòêðèòî â áîãàòî îçåëåíåíèÿ âúòðåøåí äâîð íà êîìïëåêñà, êîéòî å êðàñèâî òåðàñèðàí êúì óëèöàòà. Íàä íåãî ñå íàìèðà ìàëúê áóòèêîâ "àëà êàðò ðåñòîðàíò” ñ òåðàñè çà ñåðâèðàíå íà îòêðèòî. Ëóêñîçíîòî ìó îáçàâåæäàíå å ðåøåíî èçöÿëî â êëàñè÷åñêè ñòèë.  ïîäçåìíîòî íèâî ïîä ðåñòîðàíòà ñà áîóëèíã çàëàòà è íîùíèÿò áàð. Íà ïîñëåäíîòî íèâî, îò êîåòî ñå ðàçêðèâà êðàñèâ èçãëåä êúì ïëàíèíàòà å ïàíîðàìíàòà êàôå-ñëàäêàðíèöà. Õîòåëñêèÿò êîìïëåêñ ðàçïîëàãà è ñ âèíàðíà-åíîòåêà çà äåãóñòàöèÿ íà áóòèêîâè áúëãàðñêè âèíà. Íà ãîðíèòå íèâà â òåëàòà "À”, "” è "Ñ” ñà ðàçïîëîæåíè 10 àïàðòàìåíòà, 64 äâîéíè è 4 åäèíè÷íè ñòàè ñ ïðåêðàñíè ãëåäêè êúì çàîáèêàëÿùàòà ïëàíèíñêà ïàíîðàìà. Îáçàâåæäàíåòî å ðàçëè÷íî, íî ñòèëíî è ëóêñîçíî.

SPA-õîòåë "Ïåðñåíê” ïðåäëàãà ñúùî âúçìîæíîñòè çà êîíãðåñåí òóðèçúì ñ êîíôåðåíòíè çàëè, ðàçïîëîæåíè íà âòîðî íèâî. Ñàìîñòîÿòåëíèòå âõîäîâå íà ïîìåùåíèÿòà îò òÿëî "Ä” è çàëèòå äàâàò âúçìîæíîñò çà åêñïëîàòàöèÿ, êîÿòî íå ïðå÷è íà ïî÷èâàùèòå â õîòåëñêèÿ êîìïëåêñ. Ïî âñè÷êè åòàæè ñà ïðåäâèäåíè êàìåðèåðñêè îôèñè çà îáñëóæâàíå è ðóìñúðâèç íà ãîñòèòå íà õîòåëà. Öÿëîñòíîòî ðåøåíèå íà SPA õîòåë "Ïåðñåíê” â Äåâèí îñèãóðÿâà ÷óäåñòíè óñëîâèÿ çà ïî÷èâêà. Òåêñò: Âàëåíòèíà Âàíãåëîâà Ñíèìêè: Êîñòàäèí Çäðàâ÷åâ

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Spa hotel "Persenk"in Devin – modern silhouette among beautiful natural environment Main architects: arch. Elisaveta Palazova and arch. Kostadin Palazov, architectural studio "Pallas" Ltd. - Plovdiv, "Leonardo Da Vinci" Str. 20, tel. +359 (032) 265514; Mobile: 0887 956 432; 0888 284 121; e-mail: eli_palaziva@abv.bg, arch_palazov@abv.bg Interior designer: arch. Elisaveta Palazova, architectural studio "Pallas" Ltd., Plovdiv

Constructing architecture: eng. Dobrinka Dicheva and eng.

Dicho Dichev "DL project" Ltd. - Plovdiv Landscape architecture: eng. Maria Genova Main executor: "Va I Mi" Investor: "KAM - Devin" Constructed area: 1830 sq.m.

Total area: 8911 sq.m.

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Devin is one of the many picturesque towns in the southern part of the Western Rhodopes, nested among the beautiful old pine and spruce forests. What distinguishes it from other villages in the area are several types of spas with great flow and water temperature to 78 degrees.

The closeness of the best known natural phenomenon "Trigradsko Gorge, Devil's Throat," Jagodina Cave, and other protected areas and natural reserve make it a desirable destination for many tourists from around the world. Favorable mountain air combined with the healing qualities of the mineral water is the main premise to be open right here in the city center the most luxurious 5-star Hotel SPAPersenk, which we present to you.

The materials - etalbond and glass give luxury and class of the architectural plan of the building. The facade has acute and concave spaces, but the effect is enhanced by

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the delicate combination of colors in white and khaki, unobtrusive places strengthened with brown. The main architectural element, apex directed toward the center of the city, concentrated in the corner, connecting the two bodies. When designing the author was looking for vision, close to the peak Persenk, reminiscent of its forms. The glazed facade of the hotel reflects the surrounding mountain peaks. This exterior elements have influenced very stylishly on the interior of the apartments. The view revealed from the lounge space is not only fascinating, but also creates a feeling of close proximity with the surrounding natural environment. It seems to be part of the space and participates actively in the lives of the guests staying in this apartment.

The construction of the building is concrete and the walls are made of ceramic bricks and hung ventilated faรงade with etalbond. The railings on the terraces are transparent, metal and glass - triplex. The building

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occupies almost the whole territory of the terrain, which is surrounded on all sides by streets. At the core is developed richly landscaped courtyard. The object is solved by a gated complex, offering a cozy hotel with SPA-procedures. There are provided different opportunities for recreation, shops, restaurants, children playgrounds, bowling, and panorama cafe-nightclub.

The main entrance is on the southern facade, where parking is also provided for temporary parking. From the same street is located an independent entry to bowling, restaurant and conference hall with access from the hotel foyer. You could enter through the ramp in covered garage. The building has four units "A", "C", "C" and "D". On the first level of the main entrance you can enter into a spacious foyer with lobby bar and reception. There are commercial areas, nursery and hairdresser. In the area between the bodies A and B, are provided interconnected inner and outer wall of water round water mirror, symbolizing endless and life-giving water recirculation, which is a major element in interior public area. In close connection with the lobby and in direct connection with the courtyard

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swimming pool is designed with the possibility of opening the glass window to the courtyard. Broken glass roof over it reinforces the feeling of closeness with the nature. Next to it is the SPA-reception, fitness, locker rooms, bathrooms and a solarium.

There is a staircase that reaches the zone "relax" around which are small swimming pool with mineral water, steam bath, sauna, exotic and adventure showers and massage rooms for procedures. The overall character of the spaces speaks for the high professionalism of Plovdiv company "Themena" LTD. On the first level in body "D" is the main restaurant with an opportunity to be served food openly in a richly planted terraced garden to the street and in the courtyard of the complex.

Above him is a small luxury boutique "Ala carte restaurant" with terrace and serving outdoors, fully furnished in classic style. The underground level under the restaurant is located the bowling hall and a nightclub. On the last level with a beautiful mountain view and all the natural feature is situated panoramic cafe, which offers a romantic atmosphere. The hotel complex has Enoteca wine cellar with unique Bulgarian wines.

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Upper levels in the bodies "A", "B" and "C" are 10 apartments, 64 double and 4 single rooms, with magnificent views to the surrounding mountain panorama.

The furniture reflects the individual design approach and gives sense of style, luxury and high-standard.

SPA-hotel Persenk also offers opportunities for congress tourism with the conference halls, located on the second level. The separate entrances to body D and the halls allow access that does not interfere with the guests in the hotel

complex. On all floors are placed offices for the staff.

The overall performance of SPA Hotel Persenk in Devin from its design to the implementation of the smallest detail creates a luxurious way of living and possibility to enjoy the beautiful natural surroundings.

Text: Valentina Vangelova Photos: Kostadin Zdravchev

SUBCONTRACTORS: Landscaping: MM 2002 - Miroslav Karaivanov - Plovdiv; Suspended facades and windows of etalbond: Krago Ltd. - Plovdiv; Handrails: Metal Design - Plovdiv, air conditioning and ventilation: ICOM - N. Tsvetkov - Plovdiv; Lighting: Mega Lux "Ltd. - Plovdiv; Light nightclub at: DIZZART - Sofia; SPA-center:" Themena "Ltd. - Plovdiv, marble flooring and finishes:" Monolith "- Plovdiv; Furnishing the public area:" Personal Spatio Ltd. - Burgas, Furniture stores, apartments and rooms: "Zara Design Ltd. Plovdiv; Garden furniture: Mixers - Plovdiv

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Ïëîâäèâ Çàðà Öåíòúð áóë. „Êíÿãèíÿ Ìàðèÿ Ëóèçà” 25À, òåë. 032 /632 829; 032/ 63 48 12 Çàðà Çàïàä áóë. „6-òè ñåïòåìâðè” 42, òåë. 032/ 642 703 www.zarrabg.com e-mail: info@zarrabg.com

Âðåìå çà îáçàâåæäàíå

ÎÒ ÏÐÎÅÊÒÀ Ïðåäñòàâåòå ñè... Àíòðå, êîåòî çàãàòâà çà ñòèëà â äîìà âè è ñúáóæäà íàãëàñà çà î÷àêâàíå. Êóõíÿ, êîÿòî äàâà îáëèê íà öåëèÿ äîì. Ñ áåçáðîé òåõíîëîãè÷íè çàáàâëåíèÿ, èçïúëíåíà ñ ìîäåðíè àêöåíòè ïîä ðèòúìà íà àáñòðàêöèÿòà è ñúùåâðåìåííî èçëú÷âàùà óþò, ñïîêîéñòâèå è òîïëèíà. Âñè÷êî å òî÷íî íà ìÿñòîòî ñè â ìàéñòîðñêîòî ñú÷åòàíèå íà ðàöèîíàëíîñò, ôóíêöèÿ è ìîäà. Âñåêèäíåâíà, â êîÿòî âëàñòâàò ñèãóðíîñò è óäîáñòâî â èçäúðæàíè öâåòîâå è ðàç÷óïåí ñòåðåîòèï. Âñè÷êî ïîñòèãíàòî ÷ðåç ãîëÿìàòà èãðà íà ìàëêèòå äåòàéëè – îñòðîóìíè õðóìâàíèÿ, èçëú÷âàùè ñâåæåñò âñåêè äåí. Äåòñêà ñòàÿ – åäèí öÿë äåòñêè ñâÿò. Ñïàëíÿ, êàáèíåò, ãîñòíà è íàé-âå÷å ìÿñòî çà èãðè è çàáàâëåíèÿ â åäíî. Ñïîìåíè, êîèòî ùå îñòàíàò çà öÿë æèâîò. Ñïàëíÿ – õàðìîíè÷íî ñú÷åòàíèå íà ðîìàíòè÷åí ïîëúõ â ìîäåðíà ëèíèÿ ñ åæåäíåâíî óäîâëåòâîðåíèå îò ëåêîòàòà, ñ êîÿòî áîðàâèòå ñ ïðîñòðàíñòâàòà çà ñúõðàíåíèå íà îáëåêëî. Âñè÷êî òîâà ïîñòèãíàòî â åäèí èñòèíñêè öåíòúð çà èíòåðèîðíè ðåøåíèÿ. Íàïúòñòâàíè îò åêèï îïèòíè ñïåöèàëèñòè, ùå ñå èçíåíàäàòå äî êîëêî ìîæåòå äà ðàçâèõðèòå ôàíòàçèÿòà ñè, áåç îïàñåíèÿ çà íåôóíêöèîíàëíîñò ïðè ðàçðàáîòâàíåòî íà âàðèàíòèòå çà èçëú÷âàíå, ñòèë è èìèäæ íà äîìà, îôèñà, õîòåëà.

ÄÎ ÐÅÀËÈÇÀÖÈßÒÀ

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Vidiwall HI å ñòðîèòåëíà ïëîñêîñò ñ äåáåëèíà15 mm, ïðåäíàçíà÷åíà çà ôàñàäàòà. Óñòîé÷èâîñò íà âëàãà Ãèïñôàçåðíèòå ïëîñêîñòè Vidiwall îò ãîäèíè ñà êëàñè÷åñêî ðåøåíèå çà ïðîèçâîäñòâî íà ñãëîáÿåìè êúùè â ìíîãî åâðîïåéñêè äúðæàâè. Òå îñèãóðÿâàò ñòàáèëíîñò è îòëè÷íè ñòðîèòåëíî-ôèçè÷íè êà÷åñòâà íà ñòðîåæèòå, êàêòî è çäðàâîñëîâåí ìèêðîêëèìàò íà îáèòàòåëèòå. Âèñîêîèìïðåãíèðàíàòà ïëîñêîñò Vidiwall HI å ñëåäâàùèÿò ÷ëåí íà ñåìåéñòâîòî ñòðîèòåëíè ïëîñêîñòè îò Âèäèí, êîéòî äàâà ïîãîëÿìà ñâîáîäà íà ïðîåêòàíòè è èíâåñòèòîðè.

Vidiwall HI å óñòîé÷èâà íà âëàãà è àòìîñôåðíè âëèÿíèÿ. Òÿ ìîæå äà îñòàíå íàä 1 ìåñåö ìîíòèðàíè íàâúí íåçàùèòåíà, áåç äà çàãóáè îòëè÷íèòå ñè êà÷åñòâà. Ãðóíäèðàíà è èçìàçàíè ñúñ öèìåíòîâà ëåïèëíî-àðìèðàùà ñìåñ, å ãîòîâà äà ïîåìå ïðåäèçâèêàòåëñòâàòà íà âðåìåòî. Ôàñàäà îò ñèíèòå ïëîñêîñòè Vidiwall HI å èçïèòàíà â ëàáîðàòîðíè óñëîâèÿ íà öèêëè ïðîìÿíà íà òåìïåðàòóðàòà è âëàæíîñòòà, êîèòî ñèìóëèðàò åêñïëîàòàöèÿ ïðè íàé-òåæêè óñëîâèÿ, è óäîâëåòâîðÿâà èçèñêâàíèÿòà íà óñòîé÷èâîñò íà êëèìàòè÷íè âëèÿíèÿ ñúãëàñíî ETAG 004.  çàâèñèìîñò îò êëàñà íà åíåðãèéíà åôåêòèâíîñò íà ñãðàäàòà âúðõó ïëîñêîñòèòå Vidiwall HI ìîæå äà áúäå ïîëîæåíà ñèñòåìà çà ôàñàäíà òîïëîèçîëàöèÿ ñ ïîëèñòèðåí èëè ìèíåðàëíà âàòà.

Çâóêîèçîëàöèÿ

Vidiwall HI ñå ïðîèçâåæäà îò ïå÷åí ãèïñ è öåëóëîçíè âëàêíà, êîèòî àðìèðàò ïëîñêîñòòà â öÿëàòà è äåáåëèíà. Áëàãîäàðåíèå íà õîìîãåííàòà ñòðóêòóðà è ïðåñîâàíåòî ïðè ïðîèçâîäñòâîòî ñå ïîëó÷àâà òâúðäà è ñòàáèëíà ïëîñêîñò ñ èçêëþ÷èòåëíî äîáðè ôèçèêîìåõàíè÷íè ïàðàìåòðè. Âèñîêàòà èìïðåãíàöèÿ ïúê ÿ ïðàâè óñòîé÷èâà íà àòìîñôåðíè âëèÿíèÿ - äúæä, ñíÿã, âèñîêè è íèñêè òåìïåðàòóðè, çà êîåòî íèå ãàðàíòèðàìå ñ ïðîâåäåíèòå åâðîïåéñêè èçïèòâàíèÿ. Îòëè÷èòåëåí áåëåã íà Vidiwall HI å ñèíèÿò öâÿò íà ïîâúðõíîñòòà. Êà÷åñòâîòî å ãàðàíòèðàíî îò ñèñòåìà çà ïðîèçâîäñòâåí êîíòðîë, ñúîòâåòñòâàùà íà ìåæäóíàðîäíèÿ ñòàíäàðò ISO 9001.

Áëàãîäàðåíèå íà ñâîÿòà âèñîêà ïëúòíîñò è ñòðóêòóðà ïëîñêîñòèòå Vidiwall HI ñà ÷óäåñåí ìàòåðèàë çà çâóêîèçîëàöèÿ. Ôàñàäíèòå ñèñòåìè èçïúëíåíè ñ òÿõ îñèãóðÿâàò íàäåæäíà çàùèòà íà ñãðàäàòà îò âúíøíèÿ øóì. Èíäåêñúò íà èçîëàöèÿ îò âúçäóøåí øóì çàâèñè îò èçáðàíàòà êîíñòðóêöèÿ è èçîëàöèîííèÿ ìàòåðèàë. Íàøèÿò îïèò ïîêàçâà, ÷å ïðè ñòåíè ñ ìåòàëíà êîíñòðóêöèÿ îò Êíàóô CW ïðîôèëè 75/100 mm èëè äúðâåíè êîíñòðóêöèè ñ äåáåëèíà 100-160 mm è êàìåííà âàòà òåçè ñòîéíîñòè ñà ìåæäó 50 è 55 dB.

Åêîëîãè÷íîñò Ãèïñôàçåðíèòå ïëîñêîñòè Vidiwall HI ñúäúðæàò ãèïñ è ðåöèêëèðàíà õàðòèÿ - ïðîâåðåí è àáñîëþòíî áåçâðåäåí ñúñòàâ. Åêñïëîàòàöèîííèòå õàðàêòåðèñòèêè íà ïëîñêîñòèòå ñà èçñëåäâàíè îò Èíñòèòóòà ïî ñòðîèòåëíà áèîëîãèÿ â Ðîçåíõàéì è ñà îòëè÷åíè ñ ùåìïåë çà áèîëîãè÷íà áåçîïàñíîñò. Ïðîèçâîäñòâîòî íà ãèïñôàçåð å ñ íèñêà êîíñóìàöèÿ íà åíåðãèÿ, òàêà ÷å ïðè ïðèëîæåíèåòî èì ñå ãðèæèì è çà îãðàíè÷àâàíåòî íà åìèñèèòå íà âúãëåðîäåí äèîêñèä â àòìîñôåðàòà.

Ïîæàðîóñòîé÷èâîñò Ïëîñêîñòèòå Vidiwall HI ñà íåãîðèìè êëàñ A2 s1d0 ñúãëàñíî ÁÄÑ EN13501-1. Òå çàùèòàâàò êîíñòðóêöèÿòà íà ñãðàäàòà îò çàãóáà íà íîñåùà ñïîñîáíîñò â ñëó÷àé íà ïîæàð ïîðàäè èçãàðÿíå ïðè äúðâîòî èëè ïëàñòèôèöèðàíå ïðè ìåòàëà.

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ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ

ÑÎÔÈÉÑÊÈßÒ ÀÐÑÅÍÀË ÌÓÇÅÉ ÇÀ ÑÚÂÐÅÌÅÍÍÎ ÈÇÊÓÑÒÂÎ Ñãðàäàòà, ïðåäâèäåíà äà ïðèåìå áúäåùèÿ Ìóçåé çà ñúâðåìåííî èçêóñòâî, å ðàçïîëîæåíà â Þæíèÿ ïàðê íà Ñîôèÿ, â çåëåíîòî ïðîñòðàíñòâî ìåæäó èçãðàäåíèòå âå÷å ãàëåðèÿ “Çåìÿòà è õîðàòà” è õîòåëñêè êîìïëåêñ “Hilton”. Ïðîåêòúò å ðàçðàáîòåí îò äîö. ä-ð àðõ. Áîéêî Êàäèíîâ, àðõèòåêòóðíà àãåíöèÿ “Áðàòÿ Êàäèíîâè” è åêèï. Ïðåäñòàâÿìå êîíöåïöèÿòà íà àðõ. Êàäèíîâ çà áúäåùèÿ Ìóçåé íà ñúâðåìåííîòî èçêóñêòâî. Ïðåäëîæåíèÿò ïðîåêò çà èçãðàæäàíå íà Ìóçåé çà ñúâðåìåííî áúëãàðñêî èçêóñòâî îò÷èòà è çàïàçâà õàðàêòåðà è àðõèòåêòóðíèòå äîñòîéíñòâà íà ñúùåñòâóâàùàòà ñãðàäà. Îñíîâíàòà êîíöåïöèÿ íà ïðîåêòà å ñàìèÿò ìóçåé êàòî ñãðàäà è ïóáëè÷íî ïðèñúñòâèå äà ñå ïðåâúðíå â àðòåôàêò, ñúõðàíèë ñìèñëîâèòå íàïëàñòÿâàíèÿ íà ðàçëè÷íè êóëòóðè è åïîõè, äàâàéêè èì íîâ ïðî÷èò è èíòåðïðåòàöèè. Ñúùåñòâóâàùàòà îãðàäà, ìàðêèðàùà "ãðàíèöèòå” ìåæäó çåëåíî-

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òî ïðîñòðàíñòâî íà Þæíèÿ ïàðê è òåðåíà, ïðèíàäëåæàù íà ìóçåÿ, ñå ïðåâðúùà â ñòúêëåíà “çàâåñà”. Òàêà “ãðàíèöèòå” íà ìóçåÿ ïðèäîáèâàò ïî-óñëîâíî è ñèìâîëíî çíà÷åíèå. Åäíîâðåìåííî “ïðîçðà÷íè” çà îêîëíèÿ ñâÿò, è çàåäíî ñ òîâà ñúçäàâàùè äîïúëíèòåëíè åêñïîçèöèîííè ïðîñòðàíñòâà ìåæäó îáåìà íà ñãðàäàòà è ïàðêà.  åìáëåìà íà êîìïëåêñà ñå ïðåâðúùà ìåòàôîðè÷åí ïî ñâîÿ ðàçìåð ñòàòèâ, èçðàáîòåí îò äúðâî è inox, êîéòî ðàáîòè äâàäåñåò è ÷åòèðè ÷àñà â äåíîíîùèåòî êàòî “Flip chart”. Òîâà å ñèñòåìà îò ïîñòîÿííî ñìåíÿùè ñå îáðàçè, êàðòèíè è ðåêëàìíè ïîñòåðè, êîèòî ñå ðåäóâàò â èíòåðâàëè îò 6 - 10 ñåêóíäè è èëþñòðèðàò åêñïîçèöèèòå è âúçìîæíîñòèòå íà ìóçåÿ. Ïîñòîÿííî ñìåíÿùèòå ñå îáðàçè â ðèòúìà íà ñúâðåìåííèÿ ãðàä ìîãàò äà áúäàò íàáëþäàâàíè è îò íåïîñðåäñòâåíî ïðåìèíàâàùèÿ àâòîìîáèëåí ïîòîê ïî áóë. “×åðíè âðúõ”.

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Ñúùåñòâóâàùàòà ïîñòðîéêà å èçãðàæäàíà â êðàÿ íà XIX - íà÷àëîòî íà ÕÕ â. è íîñè õàðàêòåðíèòå áåëåçè íà êëàñè÷åñêàòà àðõèòåêòóðà. Òÿ å ÷àñò îò àðõèòåêòóðåí êîìïëåêñ "Ñîôèéñêè àðñåíàë", ïàìåòíèê íà êóëòóðàòà. Ñãðàäàòà âêëþ÷âà äâå ïúëíîöåííè íèâà, êàêòî è äîïúëíèòåëíî óñâîåí ìàíñàðäåí åòàæ â ïðîöåñà íà ðåêîíñòðóêöèÿ, îñúùåñòâåíà ïðåç 80-òå ãîäèíè íà ìèíàëèÿ âåê. Ñãðàäàòà å ñîáñòâåíîñò íà Ìèíèñòåðñòâî íà êóëòóðàòà è å àäàïòèðàíà çà íóæäèòå íà Íàöèîíàëíàòà õóäîæåñòâåíà ãàëåðèÿ, îòäåë "Ïðèëîæíè èçêóñòâà”. Ïîíàñòîÿùåì ôóíêöèîíèðà êàòî îòäåë è ôîíäîõðàíèëèùå íà ÍÌÁÈÈ. Îáåêòúò ñå íàìèðà â îòíîñèòåëíî ñòàáèëíî ñúñòîÿíèå, íåçàâèñèìî ÷å íÿêîè îò ñúùåñòâóâàùèòå åëåìåíòè íå ñà ñ ìàñèâíè êîíñòðóêöèè. Ôóíêöèîíàëíàòà ìó ñòðóêòóðà äàâà âúçìîæíîñòè çà ïîñëåäâàùè òðàíñôîðìàöèè è ñúçäàâàíå íà óñëîâèÿ çà àìôèëàäíî ðàçâèòèå íà ìóçåéíàòà åêñïîçèöèÿ.

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ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ

Ñòðóêòóðà è ôóíêöèè íà ìóçåéíàòà ñãðàäà Âúâ âñÿêî åäíî îò òðèòå íèâà íà ñãðàäàòà ñå ñúçäàâàò âúçìîæíîñòè çà ïðåäñòàâÿíå íà ñáîðíè è èíäèâèäóàëíè åêñïîçèöèè. Îñíîâíàòà âðúçêà ìåæäó íèâàòà ñå îñúùåñòâÿâà ïîñðåäñòâîì ñòúëáèùíà êëåòêà, â “îêîòî” íà êîÿòî ñëåäâà äà áúäå èçãðàäåí ïàíîðàìåí àñàíñüîð, îáñëóæâàù òðèòå åòàæà. Ôóíêöèîíàëíèòå ïðèíöèïè ïðè èçãðàæäàíå íà ñúâðåìåííèòå ãàëåðèè çà èçêóñòâà ñå îáóñëàâÿò íà ïðàâîòî íà îòêàç íà ïîñåòèòåëÿ îò ðàçãëåæäàíåòî íà åêñïîçèöèÿòà âúâ âñåêè åäèí åòàï, ò.íàð. "óìîðà îò ìóçåÿ”.  òîçè ñìèñúë äîïúëíèòåëíî, îêîëî ñúùåñòâóâàùàòà ñãðàäà, ñå ñúçäàâàò â îïðåäåëåíè çîíè îòêðèòè ðàìïè è êóëîàðè, îáåçïå÷àâàùè âúçìîæíîñòòà íà çðèòåëÿ êàêòî çà ñúêðàùàâàíå è îïòèìèçèðàíå íà ìàðøðóòèòå â ìóçåÿ, òàêà ñúùî è çà åâàêóàöèÿ ïðè åêñòðåìíè îáñòîÿòåëñòâà. Òîçè "ïðîìåíàäà” îò îòêðèòè ðàìïè è êóëîàðè ïî âúíøíèÿ êîíòóð íà ñúùåñòâóâàùàòà ñãðàäà å ïðåäâèäåíî äà áúäå èçãðàäåíà îò ñãëîáÿåìè ìåòàëíè êîíñòðóêöèè. Åëåìåíòèòå íà íîâàòà âúíøíà êîíñòðóêöèÿ ïî íèêàêúâ íà÷èí íå çàñÿãàò ôàñàäàòà è ñå ðåàëèçèðàò “íà ôóãà”. Òå ñå îñèãóðÿâàò êàòî ñàìîíîñåùè ñå è ñúçäàâàò óñëîâèÿ çà èçãðàæäàíå íà ðàìïè, íåîáõîäèìè â ñëó÷àé íà ïîæàð èëè åâàêóàöèÿ, à òàêà ñúùî è çà îáñëóæâàíåòî íà õîðà ñúñ ñïåöèàëíè íóæäè. Ïðåäâèäåíèòå îòêðèòè

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ðàìïè è êóëîàðè ñå “îïàêîâàò” â “òåêñòîâå”, ðàáîòåùè åäíîâðåìåííî è êàòî îãðàæäàùè êîíñòðóêöèè, è êàòî áèëáîðä. Èìåííî ïî òîçè íà÷èí ñúùåñòâóâàùàòà ñãðàäà ïîëó÷àâà ðàçëè÷íè íèâà íà ïðî÷èò è ïðåîòêðèâàíå îò ïîñåòèòåëÿ - ïðåç ãèãàíòñêèÿ ñòàòèâ è ñòúêëåíàòà "çàâåñà”, êúì ìåæäèííîòî ïðîñòðàíñòâî îò “ñòúêëî” è “òåêñòîâå” è îòòàì â ìàòåðèàëíèòå ñóáñòàíöèè íà ïðîñòðàíñòâîòî îò íà÷àëîòî íà ÕÕ â. Ïðåìèíàâàíåòî ïðåç òåçè ïëàñòîâå íà ôèçè÷åñêîòî, åìîöèîíàëíîòî è ñåìàíòè÷íîòî å ÷àñò îò ëè÷íîòî ïðåæèâÿâàíå è “äåøèôðèðàíå” íà ñúâðåìåííîòî èçêóñòâî. Ñúùåñòâóâàùàòà ñãðàäà, çàåäíî ñ ïðåäâèæäàùèòå ñå äîïúëíåíèÿ, ùå áúäå ñ ðàçãúíàòà çàñòðîåíà ïëîù îò îêîëî 1280 ì2. Êúì òàçè ïëîù ñëåäâà äà ñå äîáàâÿò è âúçìîæíîñòèòå íà íîâîòî ïðîñòðàíñòâî ìåæäó ñòúêëåíèÿ êîíòóð íà ìóçåÿ è ñúùåñòâóâàùàòà ñãðàäà. Îáðàçúò íà íîâèÿ Ìóçåé çà ñúâðåìåííî áúëãàðñêî èçêóñòâî ñå äîïúëâà è ñ ïðèëåæàùàòà â íåïîñðåäñòâåíà áëèçîñò áîãàòà ðàñòèòåëíîñò îò êèïàðèñè è äúðâåòà. Òÿ å â õàðìîíèÿ ñ èäåÿòà íà ïðîåêòà çà "çåëåí äèçàéí” è åêî ïîâåäåíèå, ÷èèòî ïðèíöèïè ñà âîäåùè ïðè ðàçðàáîòâàíåòî ìó. Äîö. ä-ð àðõ. Áîéêî Êàäèíîâ

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SOFIA ARSENAL MUSEUM FOR CONTEMPORARY ART - SAMKA The building chosen to be the future “Museum for contemporary art” is located in the Southern park of Sofia in the green space between the already existing gallery “The Earth and the people” and the hotel complex “Hilton”.

The project is developed by dr. arch. Boyko Kadinov, architecture agency “Kadinovi Brothers” and associates. The existing building is finished in the end of XIX-th – the beginning of XX-th century and has the features of the classical architecture. It is part of the architectural complex “Sofia arsenal”, monument of the culture. The building includes two floors as the additional mansard floor in the process of reconstruction realized during the 80-ies of the last century.

The building is property of the Ministry of Culture and is adapted for the needs of the National Art Gallery, section “Applied art”. The building is in good condition although some of the existing elements don`t have massive constructions. The functional structure gives opportunity for further transformations and creation of suite of rooms of the museum.

The project for construction of “museum for contemporary Bulgarian art” shows and preserves the character and the architectural qualities of

the existing building. The main concept of the project is the museum itself as building and public presence to become an artifact that has preserved the stratifications of different cultures and epochs and giving them new perusal and interpretations.

The existing fence marks the limits between the green space of the Southern park and the terrain belonging to the museum and becomes glass “curtain”. So the limits of the museum receive more symbolic meaning.

In the same time they are “transparent” for the environment and create additional exhibition spaces between the volume of the building and the park.

The symbol of the complex is the metaphorical in its size tripod, which will work 24 hours a day as “Flip chart”. This system of constantly changing images, pictures and advertisements are switching in 6-10 sec. intervals that will show the current exhibitions and the possibilities of the museum.

This screen will be seen also from the boul. Cherni Vrah.

Dr. arch. Boyko Kadinov

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ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ Ìåæäóíàðîäåí ñòóäåíòñêè àðõèòåêòóðåí ïëåíåð "Áàë÷èê 2009"

Åäèí âúçìîæåí ïðî÷èò íà îáðàçîâàíèåòî ïî àðõèòåêòóðà Çà âòîðà ïîðåäíà ãîäèíà Âàðíåíñêèÿò ñâîáîäåí óíèâåðñèòåò “×åðíîðèçåö Õðàáúð”îðãàíèçèðà ñúâìåñòíî ñ äúðæàâíèÿ êóëòóðåí èíñòèòóò “Äâîðåöúò Áàë÷èê” ìåæäóíàðîäåí ñòóäåíòñêè àðõèòåêòóðåí ïëåíåð “Áàë÷èê 2009”. Äîìàêèíèòå ïðåäëîæèõà áëàãîïðèÿòíà ñðåäà çà ðàáîòà è íåôîðìàëíè êîíòàêòè ìåæäó ó÷àñòíèöèòå îò Ðóñèÿ, Ðóìúíèÿ, Ñúðáèÿ è Áúëãàðèÿ. Ïëåíåðúò çà ñòóäåíòè ïî àðõèòåêòóðà, ñòðîèòåëíî èíæåíåðñòâî è ëàíäøàôòíà àðõèòåêòóðà ñúáðà â íà÷àëîòî íà ìàé îñåì ñòóäåíòñêè åêèïà îò Ìîñêîâñêèÿ àðõèòåêòóðåí èíñòèòóò, Äúðæàâíèÿ ïîëèòåõíè÷åñêè óíèâåðñèòåò, Ñàíêò Ïåòåðáóðã, Áåëãðàäñêèÿ äúðæàâåí óíèâåðñèòåò, Äúðæàâíèÿ òåõíè÷åñêè óíèâåðñèòåò "Êëóæ-Íàïîêà", Ðóìúíèÿ; Íîâ áúëãàðñêè óíèâåðñèòåò,

Ñîôèÿ; Âèñøå ñòðîèòåëíî ó÷èëèùå “Ëþáåí Êàðàâåëîâ”, Ñîôèÿ; Ëåñîòåõíè÷åñêèÿ óíèâåðñèòåò, Ñîôèÿ è Âàðíåíñêèÿ ñâîáîäåí óíèâåðñèòåò “×åðíîðèçåö Õðàáúð”. Ó÷àñòíèöèòå ðàçðàáîòèõà ïðîåêòè çà ðàçøèðåíèå òåðèòîðèÿòà íà äúðæàâíèÿ êóëòóðåí èíñòèòóò "Äâîðåöúò Áàë÷èê”. Çàäàíèåòî âêëþ÷âàøå ãðàäîóñòðîéñòâåíî ïëàíèðàíå íà ïðåäîñòàâåíàòà òåðèòîðèÿ è äåòàéëíè ðàçðàáîòêè íà èçëîæáåí ïàðê "Åòíîãðàôñêî ñåëèùå”, êîíôåðåíòíàòà è çðåëèùíàòà çîíà. Æóðè ñ ïðåäñåäàòåë äîö. ä-ð àðõ. Ðîñèöà Íèêèôîðîâà è ÷ëåíîâå, ïðåäñòàâèòåëè íà ðúêîâîäñòâîòî íà “Äâîðåöà Áàë÷èê” è ïðåïîäàâàòåëè îò ñúîòâåòíèòå óíèâåðñèòåòè, îöåíè ñòóäåíòñêèòå ðàáîòè. Ïðîåêòúò íà ðóìúíñêèÿ åêèï ñå îòêðîè ñ áàëàíñèðàíà îáåìíîïðîñòðàíñòâåíà êîìïîçèöèÿ è ñðàâíèòåëíî íàé-äîáðî ôóíêöèîíàëíî è ïëàíîâî ðåøåíèå. Òîé ïðåäëîæè ìîäåðíà èíòåðïðåòàöèÿ íà òèïîâåòå âúçðîæäåíñêè êúùè, ïðèäúðæàùà ñå êúì ìàùàáà íà îðèãèíàëà. Ðàçâèòà íà áàçàòà íà îðòîãîíàëíà ïëàíèðîâêà, ïëàñòè÷íàòà âèçèÿ âêëþ÷âàøå åðêåðíè íàääàâàíèÿ è 4-ñêàòíè ïîêðèâè, êîèòî ðåïëèêèðàò ìèíàëîòî, íî ñ èç÷èñòåíè è îáîáùåíè ôîðìè. Âîäåùèÿò ïðèíöèï íà ïðèåìñòâåíîñòòà â èñòîðè÷åñêèÿ ïðî÷èò, çàëîæåí îùå â êîíöåïöèÿòà íà ïëåíåðà, áå ïîä÷åðòàí ñ âêëþ÷âàíåòî íà íèñêàòà äîáðóäæàíñêà êúùà, â êîÿòî ãåîãðàôñêè è èñòîðè÷åñêè ñå ñðåùàò áúëãàðñêàòà è ðóìúíñêàòà àðõèòåêòóðà. Òàçè åñòåñòâåíà ïîñîêà íà ìèñëåíå, ëîãè÷íî ïðîèçòè÷àùà è îò àðõèòåêòóðíèÿ êîíòåêñò íà íÿêîãàøíèÿ ëåòåí äâîðåö íà ðóìúíñêàòà êðàëèöà Ìàðèÿ, äîïúëíèõà ðóìúíñêîòî ó÷àñòèå â ïëåíåðà.

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PROJECTS PROJECTS PROJECTS Êîíöåïòóàëíî íàé-îðèãèíàëåí, ìîñêîâñêèÿò ïðîåêò òúðñåøå èíñïèðàöèÿ â õàðàêòåðíàòà çà ðàéîíà ëîçà. Ñ àðòèñòè÷íîñò è óäîâîëñòâèå ìëàäèòå ðóñêè àðõèòåêòè èçãðàäèõà ñâîÿòà êîìïîçèöèÿ êàòî æèâîïèñíà àëþçèÿ çà ëîçîâèòå ðàçêëîíåíèÿ. Ïëàíîâàòà ñõåìà, ñ äîáðå îáîñîáåíè àíñàìáëè îò îòäåëíèòå òèïîâå êúùè, îáîãàòè çàäàíèåòî ñ èíòåðåñíè õðóìâàíèÿ. Çàáåëåæêà ïðåäèçâèêà ãðóïàòà ñúñ ñêëþ÷åíà çàñòðîéêà, êîÿòî áå ïðåóïëúòíåíà, à ñòðîèòåëñòâîòî âúðõó ñêàòà ìîæå áè

íå îò÷èòàøå äîêðàé ãåîëîæêèòå õàðàêòåðèñòèêè íà ìîðñêèÿ áðÿã. Ñïåöèàëåí àêöåíò â ïðîåêòà ïðåäñòàâëÿâàøå àêòóàëíèÿò ñïîðòåí êîìïëåêñ ñ òðàíôîðìèðóåìè ïîêðèòèÿ ñïîðåä ñåçîíà. Ìàêåòúò, íàé-äîáðèÿò îò ïðåäñòàâåíèòå íà ïëåíåðà, ñïå÷åëè îäîáðåíèå ñ ïðåöèçíîñòòà êúì äåòàéëà è èçÿùåñòâîòî íà èçïúëíåíèåòî. Ìîñêîâñêèòå ñòóäåíòè èçïúëíèõà âñè÷êè èçèñêâàíèÿ íà çàäàíèåòî, êàòî èçïîëçâàõà ïîñëåäîâàòåëíî îðãàíè÷íèÿ àðõèòåêòóðåí åçèê, õàðàêòåðåí çà îáó÷åíèåòî â ÌÀÐÕÈ.

Ñðúáñêèòå ó÷àñòíèöè äåìîíñòðèðàõà ðàçêðåïîñòåíî ñúâðåìåííî ìèñëåíå, êàêòî ïî îòíîøåíèå íà ïëàíèðîâêàòà, òàêà è íà ïðåäñòàâÿíåòî. Êîíöåïöèÿòà èì èçõîæäàøå îò åäíà òâúðäà ãåîìåòðèÿ, êîÿòî åêñòðàïîëèðà ñèñòåìà îò îñîâè ëú÷è, îñèãóðÿâàùè äèðåêòåí

êîíòàêò ñ ìîðåòî. Íî ìàêàð è èíòåðåñíà, èíòåðïðåòàöèÿòà íà ñúâðåìåííà êúùà ñ èç÷èñòåíà âèçèÿ, ëåãíàëà âúðõó òåðåíà, ñå îòêëîíÿâàøå â èçâåñòíà ñòåïåí îò çàäàíèåòî. Êàòî áåçñïîðåí ïëþñ áå îöåíåí ñòèëîâèÿò ñèíõðîí ìåæäó ïðîåêòà è ìàêåòà.

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ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ

Ôóíêöèîíàëíî íàé-àäåêâàòíî ðåøåíèå, ñ îáîñîáåíè æèëèùíè ãðóïè íà îòäåëíèòå ðåãèîíàëíè êúùè, ïðåäëîæè ïðîåêòúò íà ñòóäåíòèòå îò Âàðíà. Îñâåí ñ ìàùàáà, äîáðå ðàç÷åòåí ñïðÿìî ñèòóàöèÿòà è ïðîòîòèïèòå êúùè, ïðîåêòúò âïå÷àòëè ñ èíòåðåñíèòå ðåøåíèÿ íà êîíãðåñíèÿ öåíòúð è õîòåëñêàòà ÷àñò, áåç äà çàáðàâÿ âàæíàòà êîìóíèêàöèîííà âðúçêà ñ äâîðåöà. À äâàòà ìàêåòà, â ìàùàá 1:500 è 1:1000, äîïúëíèòåëíî àðòèêóëèðàõà òâîð÷åñêèÿ àíãàæèìåíò íà âàðíåíöè êúì ó÷àñòèåòî èì â ïëåíåðà.

Ïðîåêòúò íà ñòóäåíòèòå îò Ñàíêò Ïåòåðáóðã îíàãëåäè ðàçíîîáðàçèåòî íà îáðàçîâàòåëíè øêîëè, òåíäåíöèè è âèæäàíèÿ. Íî êîíãðåñíèÿò öåíòúð ñ îêðóïíåíà çàñòðîéêà íà òåðåíà íå êîðåñïîíäèðàøå îñîáåíî ñ èäåÿòà çà åòíîãðàôñêî ñåëèùå, à ìîäåðíèòå è ïëàñòè÷íè ôîðìè íàâÿâàâàõà àñîöèàöèè çà ôèíëàíäñêàòà àðõèòåêòóðà îò 50-òå è 60-òå ãîäèíè íà ìèíàëèÿ âåê.

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Ñìåëîòî ðåøåíèå íà ñòóäåíòèòå îò ÍÁÓ èçðàçè ïðèñòðàñòèåòî èì êúì ôëåêñèáèëíàòà àðõèòåêòóðà. Ïðîåêòúò çà àìôèòåàòúð, âïèñàí â ìîðñêàòà ñðåäà ñ àæóðíî ïîêðèòèå, êîåòî ñúçäàâà äèíàìè÷íè ñèëóåòè îò ìà÷òè, áå ïîä÷åðòàíî åëåãàíòåí. Ìîäåëèðàíåòî íà ðàçäâèæåíè ïðîñòðàíñòâà î÷åâèäíî èíòåðïðåòèðàøå ãåíåçèñà íà ôðàêòàëèèòå. Ïðåçåíòàöèÿòà íà åêèïà áå óáåäèòåëíà. Âúçïèòàíèöèòå íà ñîôèéñêîòî âèñøå ñòðîèòåëíî ó÷èëèùå ïðåäñòàâèõà äîáðà, íî òâúðäå òðàäèöèîííà, ëèíåéíà è ï-îáðàçíà çàñòðîéêà, êîÿòî ñÿêàø íÿìàøå äîñòàòú÷íî îòíîøåíèå êúì ìîðåòî. Îáùàòà ïëàíèðîâêà, ñúîáðàçåíà ñ ïðîãðàìàòà íà çàäàíèåòî è ñïåöèôèêàòà íà òåðåíà, áå ñïîëó÷ëèâî èçâåäåíà è â 3D âàðèàíò. Ìåæäóíàðîäíîòî æóðè, ïîä ðúêîâîäñòâîòî íà äîö. ä-ð àðõ. Ðîñèöà Íèêèôîðîâà, îöåíè ïðîåêòèòå íà ó÷àñòíèöèòå â ïëåíåðà ïî ïðåäâàðèòåëíî óòî÷íåíè êðèòåðèè. Áåçñïîðíî ðåëåâàíòåí, òîçè ïîäõîä óëåñíè àíîíèìíàòà ðàáîòà íà æóðîðèòå è ãàðàíòèðà ìàêñèìàëíà îáåêòèâíîñò. È òúé êàòî äîáðàòà ïðàêòèêà çàñëóæàâà äà áúäå ñïîäåëåíà, ùå ñè ïîçâîëÿ äà öèòèðàì òåçè êðèòåðèè: 1. Ôóíêöèîíàëíî çîíèðàíå íà òåðèòîðèÿòà íà äâîðåöà - ðàçïîëîæåíèå è âçàèìíè âðúçêè íà îñíîâíèòå ôóíêöèîíàëíè çîíè; àâòîìîáèëíî äâèæåíèå è ïàðêèðàíå; ïåøåõîäíè óëèöè è ïàðêîâè àëåè; âúçìîæíîñòè çà áåçêîíôëèêòíî ïîëçâàíå íà îñíîâíèòå çîíè; 2. Îáåìíî-ïðîñòðàíñòâåíî ðåøåíèå íà åòíîãðàôñêîòî ñåëèùå, êîíãðåñíèÿ öåíòúð - ñúîáðàçÿâàíå ñ ðåëåôà íà òåðåíà; âèçóàëíè âðúçêè ñ ìîðåòî, äâîðåöà è ãðàäà; ðàçïîëîæåíèå íà ñãðàäèòå è ôóíêöèîíàëíèòå âðúçêè ìåæäó òÿõ; ïðîñòðàíñòâåíà êîìïîçèöèÿ, ñèëóåò; 3. Àðõèòåêòóðíî ðåøåíèå íà

íîâèòå æèëèùíè ñãðàäè/êîíãðåñíèÿ öåíòúð - ôóíêöèîíàëíà è ïðîñòðàíñòâåíà îðãàíèçàöèÿ íà îñíîâíèòå ïîìåùåíèÿ; àðõèòåêòóðíî-õóäîæåñòâåí îáðàç; ñúâðåìåííà èíòåðïðåòàöèÿ íà ðåãèîíàëíàòà âúçðîæäåíñêà àðõèòåêòóðà; 4. Ïúëíîòà íà èçïúëíåíèå íà çàäàíèåòî, îòðàçåíî â ãðàôè÷íèòå ìàòåðèàëè è äîêëàäâàíå ïðåä æóðèòî. Íà ôèíàëà, â ïîäîáàâàùà àòìîñôåðà è â ïðèñúñòâèåòî íà âèñîêè ãîñòè, ïðåäñåäàòåëÿò íà æóðèòî, äîö. ä-ð àðõ. Ðîñèöà Íèêèôîðîâà, äàäå ïîëîæèòåëíà îöåíêà çà òâîð÷åñêèòå ïîñòèæåíèÿ íà âñè÷êè åêèïè. Òÿ ñúïîñòàâè ðàçëè÷íèòå ïîñîêè ïðè èíòåðïðåòàöèÿòà íà çàäàíèåòî è îáîáùè ðåçóëòàòèòå, êàòî èçòúêíà, ÷å ïîðàäè íåïúëíîòè â êîíöåïöèèòå, æóðèòî íå ïðèñúæäà ïúðâà íàãðàäà. Çàòîâà ïúê îïðåäåëÿ äâå âòîðè è äâå òðåòè íàãðàäè, êàêòî è ñïåöèàëíè íàãðàäè îò îðãàíèçàòîðèòå íà ïðîÿâàòà. Ñúèçìåðâàíåòî ìåæäó ìëàäèòå àðõèòåêòè â ëè÷åí ïëàí âåðîÿòíè èìà çíà÷åíèå çà ñàìèòå òÿõ. Íî ïî-âàæíèòå ðåçóëòàòè îò Ìåæäóíàðîäíèÿ ñòóäåíòñêè àðõèòåêòóðåí ïëåíåð "Áàë÷èê 2009" áèõà ìîãëè äà ñå ïîòúðñÿò â ñðàâíåíèåòî ìåæäó îáðàçîâàòåëíèòå ïðàêòèêè, îòðàçÿâàùè îòíîøåíèåòî êúì ìèíàëîòî è î÷àêâàíèÿòà çà áúäåùåòî, ìèñëåíè êàòî äúðæàâíà ïîëèòèêà è åòàï îò íàöèîíàëíàòà êóëòóðà íà ñòðàíèòå ó÷àñòíè÷êè.

Âñè÷êè ó÷àñòíèöè ïîëó÷èõà ãðàìîòè è ïëàêåòè. Åòî è ñàìèòå íàãðàäè: Âòîðà íàãðàäà îò 850 ëâ. íà ÄÊÈ “Äâîðåö Áàë÷èê” çà åêèïà îò Òåõíè÷åñêè óíèâåðñèòåò â Êëóæ-Íàïîêà, Ðóìúíèÿ, ñ ðúêîâîäèòåë àðõ. Äàíèåë Øåðáàíè; √ Âòîðà íàãðàäà îò 850 ëâ. íà ÄÊÈ “Äâîðåöúò Áàë÷èê” çà åêèïà îò Ìîñêîâñêèÿ àðõèòåêòóðåí èíñòèòóò, ñ ðúêîâîäèòåë àêàä. Àíäðåé Íåêðàñîâ; √ Òðåòà íàãðàäà îò 450 ëâ. íà ÂÑÓ “×åðíîðèçåö Õðàáúð” çà åêèïà îò Áåëãðàäñêèÿ àðõèòåêòóðåí ôàêóëòåò, ñ ðúêîâîäèòåë äîö. àðõ. Àëåêñàíäúð Âèäåíîâè÷; √ Òðåòà íàãðàäà îò 450 ëâ. íà äèðåêòîðà íà ÄÊÈ “Äâîðåöúò Áàë÷èê” çà åêèïà îò ÂÑÓ “×åðíîðèçåö Õðàáúð”, ñ ðúêîâîäèòåë ïðîô. ä.à.í. Èâàí Íèêèôîðîâ; √ Íàãðàäà íà Àðõèòåêòóðíèÿ ôàêóëòåò ïðè ÂÑÓ “×åðíîðèçåö Õðàáúð”, ñ äåêàí ïðîô. ä-ð èíæ. Ñòåôàí Òåðçèåâ, çà åêèïà îò ÂÑÓ “Ëþáåí Êàðàâåëîâ” â Ñîôèÿ, ñ ðúêîâîäèòåë àðõ. Åìèë Ñàðäàðåâ; √ Íàãðàäà íà Àðõèòåêòóðíèÿ ôàêóëòåò ïðè ÂÑÓ "×åðíîðèçåö Õðàáúð”, ñ äåêàí ïðîô. ä-ð èíæ. Ñòåôàí Òåðçèåâ, çà åêèïà îò ÄÏÓ â ÑàíêòÏåòåðáóðã, ñ ðúêîâîäèòåë àðõ. Ñåðãåé Àëåêñàíäðîâè÷ Ñåðãååâ; √ Ñïåöèàëíà íàãðàäà íà ðåêòîðà íà ÂÑÓ “×åðíîðèçåö Õðàáúð” ïðîô. ä.è.í. Àííà Íåäÿëêîâà, çà åêèïà îò ÍÁÓ, ñ ðúêîâîäèòåë àðõ. Ãåðãàíà Ñòåôàíîâà. √

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Àðõèòåêòóðíî ñòóäèî Âåêî-Êîíñóëò ÅÎÎÄ, aðõ. Ìàðèàíà Äîáðåâà, aðõ. Ñòèëÿíà Êàìåíîâà Ñîôèÿ, óë. Ë. Êîøóò ¹ 55, âõ. Á, Òåë., ôàêñ : 952 04 48, 952 03 78, e-mail: veko_consult@mail.bg

Îôèñ ñãðàäà, ñúîáðàçåíà ñ èçèñêâàíèÿòà çà åíåðãèéíà åôåêòèâíîñò ÂÚÇËÎÆÈÒÅË: “Ñòîóí êîìïþòúðñ” ÀÄ ÏÐÎÅÊÒÀÍÒ: Àðõèòåêòóðíî ñòóäèî “Âåêî êîíñóëò” àðõ. Ìàðèàíà Äîáðåâà àðõ. Ñòèëÿíà Êàìåíîâà

è åêèï: èíæ. Èëèÿí Ñòîÿíîâ - êîíñòðóêöèè, äîö. ä-ð èíæ. Íèêîëàé Æå÷åâ - øëèöîâè ñòåíè, èíæ. Ïåòúð Êàìáóðîâ - ÎÂÊÈ, èíæ. Æèâêî Áåäðîâ - åëåêòðîèíñòàëàöèè, èíæ. Àëáåíà Êàíåâà - ÂèÊ, èíæ. Ìàðèí Êþðê÷èåâ - ãåîäåçèÿ, èíæ. Èâàí Ìåòîäèåâ - ñëàáîòîêîâè èíñòàëàöèè

“Ñòîóí êîìïþòúðñ” å ñèñòåìåí èíòåãðàòîð ñ äúëúã îïèò íà áúëãàðñêèÿ ïàçàð, ïðèòåæàâà íàé-âèñîêèÿ ñòàòóò íà ïàðòíüîðñòâî ñ IBM è å ñåðòèôèöèðàí äà ïðåäîñòàâÿ âèñîêîêà÷åñòâåíè ñîáñòâåíè óñëóãè êúì õàðäóåðíèòå è ñîôòóåðíèòå ïðîäóê-

ãúíàòà çàñòðîåíà ïëîù 5000 êâ. ì. Ðàçïîëîæåíà å íà áóë. “Òîäîð Àëåêñàíäðîâ” è óë. “Îòåö Ïàèñèé” â íåïîñðåäñòâåíà áëèçîñò äî ñïèðêàòà íà ìåòðîòî. Ïðîåêòúò å ðàçðàáîòåí çà íóæäèòå íà “Ñòîóí êîìïþòúðñ” ÀÄ è

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òè, ñ êîèòî ðàáîòè. Îñâåí óñëóãè ïî èíòåãðàöèÿòà, êîíôèãóðàöèÿòà è ïîääðúæêàòà íà ïðîäóêòèòå ïðåäëàãà è êîíñóëòàíòñêè óñëóãè, êàêòî è èçãîòâÿíåòî íà ÈÒ ñòðàòåãèè â äúëãîñðî÷åí ïëàí. Îôèñ ñãðàäàòà å êëàñ À ñ ðàç-

ïðåäñòàâëÿâà åäèíàäåñåòåòàæíà ñãðàäà ñ äâå ïîäçåìíè íèâà, ïðåäíàçíà÷åíè çà ãàðàæè. Ãëàâíèÿò âõîä êúì îôèñíàòà ÷àñò, êàôåíåòî, ìàãàçèíúò è áàíêîâèÿò îôèñ ñà îòêúì áóë. “Òîäîð Àëåêñàíäðîâ”.

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Àðõèòåêòóðíî ñòóäèî Âåêî-Êîíñóëò ÅÎÎÄ, aðõ. Ìàðèàíà Äîáðåâà, aðõ. Ñòèëÿíà Êàìåíîâà Ñîôèÿ, óë. Ë. Êîøóò ¹ 55, âõ. Á, Òåë., ôàêñ : 952 04 48, 952 03 78, e-mail: veko_consult@mail.bg

Âòîðèÿò åòàæ å èçöÿëî çàåò îò çàëè çà ïðåãîâîðè, îáó÷åíèå, äåìî çàëà è äåéòà öåíòúð. Ïîäõîäúò êúì ïîäçåìíèòå íèâà çà ãàðàæèòå å îò óë. “Îòåö Ïàèñèé” ïîñðåäñòâîì ïîêðèòà ðàìïà. ×àñò îò ïàðêèðàíåòî íà àâòîìîáèëèòå å ðåøåíî ÷ðåç ñèñòåìà çà ïàðêèðàíå íà äâå íèâà. Ïðîåêòúò å ñúîáðàçåí ñ âñè÷êè ñúâðåìåííè èçèñêâàíèÿ çà åíåðãèéíà åôåêòèâíîñò è èçïîëçâàíå íà âúçîáíîâÿåìè åíåðãèéíè èçòî÷íèöè. Ïðåäâèæäà ñå ïúëíà êëèìàòèçàöèÿ è âåíòèëàöèÿ íà ñãðàäàòà ñèñòåìà “VRV”. Èçïîëçâàò ñå ñëúí÷åâè êîëåêòîðè çà òîïëàòà âîäà, òåðìîïîìïè, îñòúêëÿâàíåòî å ñ âèñîêîñåëåêòèâíèòå ñòúêëà ñòîïðåé (Stopray Clear Vision). Ïðîåêòèðàíà å àâòîìàòèçèðàíà ñèñòåìà çà åíåðãèéíî óïðàâëåíèå íà ñãðàäíèòå èíñòàëàöèè - BMS ñèñòåìà, ñúîðúæåíèÿ çà êîíòðîë íà äîñòúï è âèäåîíàáëþäåíèå, ñòðóêòóðíî îêàáåëÿâàíå, ÑÎÒ, îïîâåñòÿâàíå, ïîæàðîèçâåñòÿâàíå. Âúíøíèÿò îáëèê íà ñãðàäàòà å ñúîáðàçåí ñ ïðåäíàçíà÷åíèåòî é - îôèñ ñãðàäà. Ïðåäâèæäà ñå îêà÷åíà ñòúêëåíà ôàñàäà, êàòî ïî âèñîêîòî, åäèíàäåñåòåòàæíî òÿëî òÿ å äâîéíà, à çàä íåÿ íà âñÿêî íèâî ùå èìà ìåòàëíè “ïúòåêè” çà îáñëóæâàíå íà îêà÷åíàòà ôàñàäà - ïî÷èñòâàíå è ðåâèçèÿ. Íà ïúðâèÿ ïðèçåìåí åòàæ äîãðàìàòà å ñ åäèíè÷íî çàêàëåíî ñòúêëî. Ïëúòíèòå ÷àñòè è êîçèðêè ñå îáëèöîâàò ñúñ ñòîìàíåíà ëàìàðèíà “Ñorten”. Ãîëÿìà ÷àñò îò ïëîñêèòå ïîêðèâè ñà îçåëåíåíè è ïðåäíàçíà÷åíè çà ðåêðåàöèÿ.

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Àðõèòåêòóðíî ñòóäèî Âåêî-Êîíñóëò ÅÎÎÄ, aðõ. Ìàðèàíà Äîáðåâà, aðõ. Ñòèëÿíà Êàìåíîâà Ñîôèÿ, óë. Ë. Êîøóò ¹ 55, âõ. Á, Òåë., ôàêñ : 952 04 48, 952 03 78, e-mail: veko_consult@mail.bg

Energy efficient office building in Sofia Investor: Stone Computers AD Designer: Architectural Studio Veko Consult Arch. Mariana Dobreva Arch. Stiliana Kamenova and team: Ilyana Stoyanov Engineer Structures Assoc Prof. Nicholas Zhechev - groove walls Petar Kamburov - OVKI Zivko Bedrov Engineer Electrical Prof. Albena Caneva - Water Marin Kjurkchiev - Surveying Prof. Ivan Metodiev - low voltage installations "Stone Computers is a system integrator with long experience on the Bulgarian market, it has the highest status of partnership with IBM and is certified to provide high quality

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services to its own hardware and software products. In addition to integration services, configuration and maintenance of products it offers consulting services and development of IT strategies in long terms.

The office building is Class A with gross floor area of 5000 square meters and is located on "Todor Alexandrov" boul. and "Otets Paisiy" close to the metro station. The project is designed for the "Stone Computers AD" as 11-floors building with two underground levels for garages. The main entrance to the office part, cafeteria, shop and banking from the office are from "Todor Aleksandrov.

The second floor is entirely occupied by the negotiation halls, training, demo room and data center. The access to the underground levels of garages is from "Otets Paisiy". Part of the parking space is determined

by a system of parking on two levels.

The project complies with all modern requirements for energy efficiency and renewable energy sources. It is foreseen that full air conditioning and ventilation of the building - a system "VRV" will be installed. We use solar collectors for hot water heat pumps is highly selective glazing windows stoprey (Stopray Clear Vision).

Automated system is designed for building energy management systems - BMS system, facilities for access control and video surveillance, structured wiring, security, disclosure, fire.

The external appearance of the building is compatible with the purpose and - office building. On the first ground-floor the windows are single tempered glass. Much of the flat roofs are green and designed for recreation activities

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Alexander Trifonov Project Coordinator Bulgaria for transformed Glass-Products ECKELT GLAS GmbH Mobile: +359-887-979-164 alex@vip.bg

"Ìèêñåðà” ïðåäñòàâÿ íîâèòå ïåðãîëè Corradi Ôèëîñîôèÿòà íà èòàëèàíñêàòà êîìïàíèÿ Corradi ïîâå÷å îò 30 ãîäèíè íàñàì å ïðåâðúùàíåòî íà âúíøíèòå ïëîùè - çàâåäåíèÿ èëè ÷àñòíè ãðàäèíè, â äèçàéíåðñêî ðåøåíèå çà æèâîò íà îòêðèòî. Ñúçäàäåíà ïðåç 1998 ã., ò. íàð. ïåðãîòåíòà ïðåäñòàâëÿâà ñú÷åòàíèå íà àëóìèíèåâà èëè äúðâåíà ïåðãîëà ñúñ ñãúâàåìà òåíòà, ïðè êîÿòî åêñòåðèîðúò è èíòåðèîðúò ñå ñëèâàò â îáùî ïðîñòðàíñòâî áåç êëèìàòè÷íè èëè ñòèëîâè áàðèåðè.òîâà Èçèñêàí äèçàéí, åâðîïåéñêè ñåðòèôèêàòè, ãàðàíòèðàíà çàùèòà îò ñëúíöå, äúæä è ñèëåí âÿòúð, ðàçíîîáðàçèå îò öâåòîâå è ðåøåíèÿ - òîâà ñà íÿêîè îò ïðåäèìñòâàòà íà ïåðãîòåíòàòà. Ôèðìà "Ìèêñåðà” ÅÎÎÄ ïðåäñòàâÿ íà áúëãàðñêèÿ ïàçàð äúëãîãîäèøíèÿ îïèò è âèñîê ïðîôåñèîíàëèçúì íà Corradi, êàòî å ãîòîâà äà ïîñðåùíå âñè÷êè íóæäè

îò òåõíè÷åñêè èç÷èñëåíèÿ, ðåàëèçàöèÿ è ïîääðúæêà.

PERGOTENDA å ñãúâàåìà ïîêðèâíà ñèñòåìà, èçãðàäåíà ïî ðàçìåðè íà êëèåíòà, çà çàùèòà îò ñëúíöå è äúæä è ôèêñèðàíà êúì îïîðíà ñòåíà. Ñúñòîè ñå îò îñíîâà - ëàìèíèðàíà äúðâåíà ïåðãîëà èëè àëóìèíèåâà ñòðóêòóðà è ñãúâàåìà òåíòà. Òåíòèòå ñ íàêëîí ñà ñ ãàðàíòèðàíà óñòîé÷èâîñò íà âÿòúð 8 ïî ñêàëàòà íà Áîôîðä, à ïëîñêèòå âàðèàíòè ñà ñ óñòîé÷èâîñò 6 (íàä ñòåïåí 3 - UNI EN 13561).

Ïëàòíîòî å èçðàáîòåíî îò ñïåöèàëíèÿ òåêñòèë Corradi Eclissi, êîéòî å ñ âãðàäåí ñëîé ñðåùó ïðîíèêâàíå íà ñëúí÷åâà ñâåòëèíà è ñå ðàçãúâà â êðàñèâ âúëíîîáðàçåí ðåëåô. Çàêðåïåíî å ñ ìåæäèííè è êðàéíè äúðæà÷è, ïàðàëåëíî ðàçïðåäåëåíè ïðåç ïðèáëèçèòåëíî 60 ñì. Ïëàòíîòî ñå äâèæè ïî çàêðåïåíèòå ïëúçãà÷è ïîñðåäñòâîì êîëåëà ñ êàïàöèòåò íàä 450 êã âñÿêî. Ñèñòåìàòà ñå çàäâèæâà ñ åëåêòðè÷åñêè ìîòîð è ìîæå äà ñå óïðàâëÿâà äèñòàíöèîííî. Ñïîðåä ïðåäïî÷èòàíèÿòà íà êëèåíòà ìîæå äà áúäå è ñ ðú÷åí ìåõàíèçúì, íî òîé ñå èçïîëçâà ñàìî âúâ âàðèàíòèòå ñ 2 ïëúçãà÷à (ïëîñêè èëè ñ íàêëîí) è èçäàäåíîñò ìàêñèìóì äî 350 ñì. Ãàðàíöèÿòà çà äúðâåíàòà êîíñòðóêöèÿ å 10 ãîäèíè, à çà âñè÷êè îñòàíàëè å 5 ãîäèíè.

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ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ

Ïðîèçâîäñòâåíà ñãðàäà ñ èçðàçåíà èíäèâèäóàëíîñò Ïðîåêò: Àðõèòåêêòóðíî áþðî GUILIANA, àðõ. Ñâåòëèí Ìèõàéëîâ, àðõ. Ãèëÿíà Êîìèòîâà Âúçëîæèòåë: "ÒÎÏ ÅÊÎ ÃÐÓÏ” ÅÎÎÄ

Ëîãè÷íî è ïîñëåäîâàòåëíî èíâåñòèöèîííèÿò ïðîöåñ ó íàñ íàáèðà ñêîðîñò è êîëè÷åñòâåíèòå íàòðóïâàíèÿ âîäÿò äî êà÷åñòâåíè èçìåíåíèÿ. Ñëåä „áóìà” â æèëèùíîòî ñòðîèòåëñòâî çà ïîñòîÿííî è âðåìåííî îáèòàâàíå, êàêòî è òîâà íà îôèñ ñãðàäèòå, äîéäå âðåìåòî íà èíäóñòðèàëíèòå çîíè, ñãðàäè è êîìïëåêñè. Î÷àêâà ñå òîâà äà áúäå „òðåòàòà” âúëíà â íàé-íîâàòà èíâåñòèöèîííà èñòîðèÿ íà Áúëãàðèÿ, êîÿòî å è íàé-áàâíèÿ ðåçóëòàò îò ïàçàðíàòà èêîíîìèêà òúé êàòî ïîãëúùà ãîëÿì ôèíàíñîâ ðåñóðñ è ñå èíâåñòèðà îò åäèíè÷íè ïðåäïðèåìà÷è. Ñúâðåìåííèòå èíäóñòðèàëíè

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ñãðàäè ñà ïî-ñêîðî ìàëêè è ñðåäíè ïðåäïðèÿòèÿ, íî ñ ïðåòåíöèè çà íîâî êà÷åñòâî íà ñðåäàòà çà òðóä. Âñå ïî÷åñòî ùå âèæäàìå ñèëíî åêñïðåñèâåí àðõèòåêòóðåí îáðàç ñ èçðàçåíà èíäèâèäóàëíîñò, ïðîäèêòóâàí îò ñòððåìåæà íà âúçëîæèòåëÿ êúì ïðåâðúùàíåòî íà ñãðàäàòà âúâ ôèðìåí çíàê, åìáëåìà è ðåêëàìà íà ñúîòâåòíàòà êîìïàíèÿ. Ïðåäñòàâÿìå âè åäèí çíàêîâ ïðîåêò çà ìàëêà ïðîèçâîäñòâåíà ñãðàäà, ðàçðàáîòåí îò àðõ. Ñâåòëèí Ìèõàéëîâ è àðõ. Ãèëÿíà Êîìèòîâà. Ðàçïîëîæåíà â ñúðöåòî íà ïðîèçâîäñòâåíà çîíà íà Ïëîâäèâ, ñãðàäàòà å ïðîåêòèðàíà ñúñ ñêëþ÷åíî

Òåêñò: àðõ. Ñâåòëèí Ìèõàéëîâ

çàñòðîÿâàíå, íà÷èí êîéòî å ìíîãî õàðàêòåðåí çà ìàëêèòå ïðåäïðèÿòèÿ è ñå ïðèëàãà ïðè íåãîëåìè ïàðöåëè.  íåçàñòðîåíàòà ÷àñò íà ïàðöåëà ñà ïðåäâèäåíè 18 ïàðêîìåñòà è áîãàòî îçåëåíÿâàíå è áëàãîóñòðîÿâàíå. Ïëàíîâàòà ñõåìà å ðåøåíà ñ ÿñíî ôóíêöèîíàëíî çîíèðàíå. Ñúçäàäåíèòå ïîäçîíè îñèãóðÿâàò ìàêñèìàëíè óäîáñòâà, ñïîêîéñòâèå è áëàãîïðèÿòíà ðàáîòíà àòìîñôåðà - óñëîâèÿ, íåîáõîäèìè çà âñåêè ñúâðåìåíåí áèçíåñ. Îáùî 25 ðàáîòíèöè ñå îáñëóæâàò â ñàíèòàðíî-õèãèåííè çâåíà íà ìîäóëåí ïðèíöèï. Çà íóæäèòå íà àäìè-

íèñòðàöèÿòà ñà îðãàíèçèðàíè óþòíè îôèñè, ñòàè çà ïî÷èâêà è àíåêñè êúì òÿõ. Ïðîñòîðåí è èçèñêàí øîó-ðóì ïîñðåùà êëèåíòèòå è ñëóæèòåëèòå íà ôèðìàòà. Îáåìíîòî ðåøåíèå ñå ñúñòîè îò åäíîåòàæíî ïðîèçâîäñòâåíî òÿëî â êîìáèíàöèÿ ñ òðèåòàæíà îôèñíà ÷àñò ñúñ ñúùàòà âèñî÷èíà. Íÿìà èçëèøíî ðàçòî÷èòåëñòâî â ïëîùèòå è îáåìèòå è âñè÷êî å ñúîáðàçåíî ñ òåõíîëîãè÷íèòå èçèñêâàíèÿ. Ïðîèçâîäñòâåíàòà ÷àñò å îôîðìåíà ñ ïîêðèâíî îñâåòëåíèå, êîåòî îñèãóðÿâà ïîñòîÿíåí äîñòúï íà ñâåòëèíà è ïîçâîëÿâà íà ñãðàäàòà äà „äèøà” ñâîáîäíî.

PROJECTS PROJECTS PROJECTS

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ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ

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PROJECTS PROJECTS PROJECTS

Ñèëíî îòêðîÿâàùàòà ñå ôîðìà íà êîðàá ñèìâîëèçèðà òðóäíèÿ ïúò íà âñÿêî ìàëêî ïðåäïðèÿòèå ïðåç áóðÿòà íà ïàçàðíàòà èêîíîìèêà. Ñèìâîëè÷íàòà ôîðìà å çàñëóãà íà àðõèòåêòèòå, íî è èçðè÷íî æåëàíèå íà âúçëîæèòåëÿ. Òðèòå íåâðàëãè÷íè åëåìåíòà çà âñÿêî ìàëêî ïðåäïðèÿòèå - îïèò, êîíêóðåíòíîñïîñîáíîñò è ïîòåíöèàë çà îöåëÿâàíå â ïàçàðíà ñðåäà ñà ïîä÷åðòàíè ÷ðåç èãðàòà íà ñòúêëåíè è ïëúòíè åëåìåíòè ïî ôàñàäàòà - ñòèëèçèðàíè ñèìâîëè íà êîðàáíè ìà÷òè è ïëàòíà. Ñâåòëèíàòà ïðåìèíàâà îòâúí íàâúòðå êúì ðàáîòíîòî ïðîñòðàíñòâî è îñâåòÿâà òåçè çîíè, çà êîèòî îïèòúò ïîêàçâà, ÷å ñà íàé-÷óâñòâèòåëíè êúì îñâåòåíîñòòà. Êîðàáíèòå ïëàòíà ñà „îðèåíòèðàíè” ïî òå÷åíèåòî íà ïàçàðíàòà èêîíîìèêà, òâúðäî ðåøåíè äà îöåëåÿò âúïðåêè òðóäíîñòèòå, à ÿðêèÿò, çàïîìíÿù ñå îáðàç èñêà äà "êàæå” íà êîíêóðåíöèÿòà: “Íèå ñìå òóê è ñå áîðèì çà âñåêè êëèåíò”.

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ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ ÏÐÎÅÊÒÈ Small factory for eco-purification filters Project: Architectural studio GUILIANA, Arch. Svetlin Mihaylov, arch. Giliana Komitova Commisioner: “Top Eco Group” Ltd.

Logically and consequently the investment processes in our country quickens the accumulation of quantity, which leads to changes in the quality. After the “boom” in the residence construction for constant and temporary inhabitation as well as that of the office buildings the time of the industrial zones, buildings and complexes came. It is expected to be the third wave in the newest investment history of Bulgaria, which is the slowest result from the open market economy as it engulfs big finance resources and its investments are done from single

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entrepreneurs.

The contemporary industrial buildings are rather small and middle-sized enterprises with pretentions for new quality of the working environment. More often we see strong expressive architectural image with underlined individuality, dictated by the earning of the commissioner to turn the building into company mark, logo and advertisement for itself.

We present you a new emblematic project for small manufacturing building designed by arch. Svetlin Michaylov and arch.

Text: arch. Svetlin Michaylov

Giliana Komitova.

Located in the heart of the industrial zone of Plovdiv, the building is designed with clear functional zones. The zones give maximum commodities, calmness and favorable working atmosphere – the conditions necessary for every contemporary business. There is an elegant show-room where the visitors are welcomed by the staff.

The volume contains of one-floor manufacturing body in combination with three-storey office part with the same height. There are no useless spaces. The manufacturing part is

finished with roof lightning, which ensures constant access of light and lets the building to breathe freely.

The form of a ship symbolizes the hard way of every small entrepreneur through the storm of the open market economy. The symbolic form is the merit of the architects, but also the will of the commissioner.

The masts are oriented towards the flow of the open market economy that are determined to survive regardless the difficulties so the strong image wants to say to the concurrence: “We are here and we are fighting for every client”.

PROJECTS PROJECTS PROJECTS

Arch. Svetlin Michaylov is graduated in UASG in 2006 tel.: +359 887 938 316 Arch. Giliana Komitova is graduated in UASG in 2006 and in the period 2004-2005 specializes in the Parisian School of architecture La Villette

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ÑÈÕÐÅ È ÑÂÅÒÚÒ ÍÀ ÌÅÁÅËÈÒÅ 2009 ïî-áëèçî äî ìå÷òàíèÿ èíòåðèîð çà äîìà, îôèñà è õîòåëà

Îò 14 äî 17 îêòîìâðè 2009 ã. â Èíòåðåêñïî öåíòúð - Ñîôèÿ îòíîâî ùå ñå ïðîâåäàò ñïåöèàëèçèðàíèòå èçëîæåíèÿ ÑÈÕÐÅ È ÑÂÅÒÚÒ ÍÀ ÌÅÁÅËÈÒÅ. Îðãàíèçàòîðè ñà àãåíöèÿ "Áóëãàððåêëàìà", Íàöèîíàëíàòà àñîöèàöèÿ "ÕîÐåÊà", Áðàíøîâàòà êàìàðà íà äúðâîîáðàáîòâàùàòà è ìåáåëíàòà ïðîìèøëåíîñò â Áúëãàðèÿ. Äåâåòîòî ìåæäóíàðîäíî èçëîæåíèå çà õîòåëñêî, ðåñòîðàíòñêî è ÑÏÀ îáîðóäâàíå ÑÈÕÐÅ ùå îáåäèíè èíòåðåñèòå íà äèçàéíåðè, ïðîèçâîäèòåëè è äîñòàâ÷èöè íà ñïåöèàëèçèðàíî îáîðóäâàíå è îáçàâåæäàíå â òîçè áèçíåñ - ùå áúäàò åêñïîíèðàíè êóõíåíñêè, áàðîâè è òúðãîâñêè ìîäóëè, ìàøèíè çà âãðàæäàíå, èíòåðèîðåí òåêñòèë è äèçàéí, ÑÏÀ è ôèòíåñ îáîðóäâàíå è ìíîãî äðóãè. Òî å íàñî÷åíî êúì õîòåëèåðè, ðåñòîðàíòüîðè, ñîáñòâåíèöè íà òóðèñòè÷åñêè îáåêòè è öåëè äà ïðîâîêèðà èíòåðåñà è íà îáèêíîâåíèÿ ïîñåòèòåë. Çàåäíî ñúñ ÑÈÕÐÅ ùå ñå ñúñòîè è 5-îòî åæåãîäíî èçäàíèå íà ìåæäóíàðîäíàòà èçëîæáà Ñâåòúò íà ìåáåëèòå. È òàçè ãîäèíà ïóáëèêàòà ùå ìîæå äà âèäè åêñïîíàòè îò âñè÷êè ñòèëîâå è íàïðàâëåíèÿ - îò êëàñè÷åñêè ìåáåëè äî ìîäåëè ñ èçòî÷íà ñòèëèñòèêà è ñåòîâå çà ñúçäàâàíå íà ìîäåðíèñòè÷åí èíòåðèîð. Èíòåðåñ çà ó÷àñòèå èçÿâÿâàò êàêòî

òðàäèöèîííè èçëîæèòåëè, òàêà è íîâè ôèðìè îò ñòðàíàòà è Åâðîïà. Çàåäíî ñúñ ñïåöèàëèçèðàíèòå èçëîæáè ÑÈÕÐÅ è Ñâåòúò íà ìåáåëèòå â Èíòåðåêñïî öåíòúð ùå ñå ïðîâåäå è ìåæäóíàðîäíîòî èçëîæåíèå Åêñïîëàéò, êîåòî ùå äåìîíñòðèðà íîâîñòè â îáëàñòòà íà îñâåòèòåëíàòà òåõíèêà. Íîâîòî òîçè ïúò å, ÷å â ðàìêèòå íà ÑÈÕÐÅ ùå ñå ïðîâåäå è âòîðîòî èçäàíèå íà ñïåöèàëèçèðàíîòî íàöèîíàëíî èçëîæåíèå çà êàôå ÊÀÔÅ ÔÅÑÒÈÂÀË 2009, îðãàíèçèðàíî îò Áúëãàðñêàòà êàôå-àñîöèàöèÿ è Coffeeland.bg.  íåãî ùå ñå âêëþ÷àò ïðåäñòàâèòåëè íà êàôå-èíäóñòðèÿòà, ñïåöèàëèçèðàíè â îáëàñòòà íà ïðîèçâîäñòâîòî, ïðåðàáîòêàòà, òúðãîâèÿòà è ïðåäëàãàíåòî íà êàôå. Åêñïîçèöèÿòà ùå âêëþ÷âà è ïîñëåäíà ãåíåðàöèÿ ìàøèíè è ìîäåðíî îáîðóäâàíå, êàêòî è àêñåñîàðè çà ïðèãîòâÿíå è ñåðâèðàíå íà àðîìàòíàòà êîôåèíîâà íàïèòêà. Èçëîæåíèÿòà öåëÿò äà ïðåäèçâèêàò èíòåðåñà íà âñåêè ïîñåòèòåë, à ñúùî è äà ñúçäàäàò áëàãîïðèÿòíà áèçíåñ ñðåäà çà äåëîâè ñðåùè çà îáìÿíà íà îïèò è èäåè çà ïîâèøàâàíå íà êà÷åñòâîòî è óñòîé÷èâîñòòà íà áèçíåñà âúâ âðåìå íà èêîíîìè÷åñêè ñïàä.

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