Ex. 01 | Tectonics & Materiality
Part 01 | Exploring concepts of Tectonic Materiality
Process:
Through nine various case studies that come under the categories of historical age, current modern practises, and interior design specialisation, we may better understand the interior specialisation and the tectonics of materiality. How the project impacts the tectonic materiality of interior elements and their aspects and how it enhances, contributes, informs, articulates, and develops those elements. The synthesis of the categories produced by this investigation can, in theory, lead to a hypothesis. Each case study’s hypothesis is examined and put down to arrive at the final hypothesis question, which also addresses a bigger societal issue.
Module 01 | Hypothesis Development 15
Week 05-06| Module
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Module 01 | Hypothesis Development 17
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Module 01 | Hypothesis Development 19
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Module 01 | Hypothesis Development 21
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Can composition of Materials through techniques lead to ornamentation in spaces
Elevation of the model
Testing Hypothesis through model.
Module 01 | Hypothesis Development 23
The BIG Re-think Tectonic Materiality of Interior Elements Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University Ari narayanan PID22054 ari.pid22054@cept.ac.in ID 4030 | Level 4
Adorn to be... Dimensional play of Porosity The BIG Re-think Tectonic Materiality of Interior Elements Master Tutor : Prof. Kireet Patel Studio Tutors: Rishav Jain, Aparajita Basu TA: Jay Odharia, Jhanavi Parikh Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University Ari narayanan PID22054 ID 4030 | Level 4 | PG Program ROLE 01 Historical Practices Through Project Representing An ‘Era’ 02 MODULE
Content
MODULE 02 Role 01 | Historical Practices Through Project Representing An ‘Era’ 1. Site Attributes Analysis 2. Photo Montages 3. Inferences
Design
5 6 16
Comparison of through the premise Architecture as Architecture, Interior Design Sensibility, Interior
Specialisation
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Week 07-08
Adorn to be...
Dimensional play of Porosity
Project Information
Founded in 2011, Kochi-Muziris Biennale is India’s first ever biennial of international contemporary art and its story is unique to India’s current reality—its political, social and artistic landscape..
Module 02 | Role 01 Historical practices through a project representing an ‘era’ Process:
The Kochi Biennale is mentioned as a location that, in and of itself, is both an artwork and a time capsule. The area was created with the concept in mind and the interventions were minimal and permeable so as not to dominate the architecture. The features that helped direct traffic around the space and functioned as performative elements by serving as a pedestal to support the exhibitions and a ceiling element to hang light fixtures were designed using the void and form approach. Photo montages were used to convey this, which allows us to perceive the spatial quality.
5 Module 02 | Role 01
| Historical practices through a project representing an ‘era’
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Site attributes
7 Module 02 | Role 01 | Historical practices through a project representing an ‘era’
Volume in volume perception via material composition
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Site attributes
9 Module 02 | Role 01 | Historical practices through a project representing an ‘era’
Constant contradiction between voids and forms
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Site attributes
Integration of fluted spaces in the context
11 Module 02 | Role 01 | Historical practices through a project representing an ‘era’
Iterations
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Iterations
13 Module 02 | Role 01 | Historical practices through a project representing an ‘era’
plan and section for photo montage 1
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15 Module 02 | Role 01 | Historical practices through a project representing an ‘era’
Interior Interventions
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17 Module 02 | Role 01 | Historical practices through a project representing an ‘era’
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Interior Intervention in Montage 1
Interior Intervention in Montage 2
19 Module 02 | Role 01 | Historical practices through a project representing an ‘era’ Inference
The BIG Re-think Tectonic Materiality of Interior Elements Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University Ari narayanan PID22054 ari.pid22054@cept.ac.in ID 4030 | Level 4
Adorn to be... Spaces as System of Places The BIG Re-think Tectonic Materiality of Interior Elements Master Tutor : Prof. Kireet Patel Studio Tutors: Rishav Jain, Aparajita Basu TA: Jay Odharia, Jhanavi Parikh Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University Ari narayanan PID22054 ID 4030 | Level 4 | PG Program 02 MODULE Current modern practices through a project representing a ‘Standardization’ ROLE 02 ORGANIZING ‘MATERIALITY’
Content
Comparison of through the premise Architecture as Architecture, Interior Design Sensibility, Interior Design Specialisation
MODULE 02 Role 02 | ORGANIZING ‘MATERIALITY’
Current modern practices through a project representing a ‘Standardization’ 1. Conceptual Development 2. Orthographic drawings 3. Model exploration 4. Inferences
6 7 18 21
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Exploded isometric view of the Interior intervention
Week 09-11
Module 02 | Role 02 | Organizing ‘Materiality’
Current modern practices through a project representing a ‘Standardization’
Adorn to be... Spaces as system of places
Project Information
SITE : Action for Social Advancement Head Office
Location : Bhopal, Madhya pradesh
Designer : Biome Environmental Solutions
Area : 10500 ft²
Type : Office building
Area of Intervention : Second and Third floor
Process:
The da Vinci dream machines, which treat circulations as a constant value, are displayed in the circular grid structure that has been chosen. These investigations of interventions through parameters of concentric circles. The project’s primary goals were minimal inventory, maximum variation, and Da Vinci’s philosophy of using his masterpiece paintings, Monaliza, to evoke a feeling of mystique. The interior interventions serve as a performance element throughout the space, , creating seating areas, creating pedestals for displays, creating partitions, and directing traffic flow. This was transformed into a collection of orthographic drawings that helped me understand the space holistically and the art of tectonics via the internal components.
5 Module 02 | Role 02 | Organizing ‘Materiality’
Conceptual development sparking ideas of paolo portoghesi’s field theory
These drawings are spatial diagrams that produce a field of lines of varying intensity in concentric circles. This field becomes the model in which walls, structures and dividing elements can be arranged and, at the same time, less tangible qualities of space can be expressed, such as light and sound.
In this case, the diagram can be understood as a way of reading the intensive qualities of space: each centre can be understood as a point of particular intensity – due to its program. The field, in addition to exploring the potential for a more open and porous spatiality, becomes a model for the articulation of a new formal expression.
Lighting becomes crucial, because the application of materials, textures, tectonics, and the space itself is revealed slowly through natural lighting strategies, where material is at the top of the hierarchy beside which all other parameters revolve around, by this it invokes a certain experience, through composition of materials through techniques creating ornamentation in spaces. Constant contradiction through dense to openness and light to dark creates an individual experience for its varied user groups.
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7 Module 02 | Role 02 | Organizing ‘Materiality’
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15 Module 02 | Role 02 | Organizing ‘Materiality’
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Front view of the model
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Inference
21 Module 02 | Role 02 | Organizing ‘Materiality’
The BIG Re-think Tectonic Materiality of Interior Elements Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University Ari narayanan PID22054 ari.pid22054@cept.ac.in ID 4030 | Level 4
Adorn to be... Dialogues of Bamboo The BIG Re-think Tectonic Materiality of Interior Elements Master Tutor : Prof. Kireet Patel Studio Tutors: Rishav Jain, Aparajita Basu TA: Jay Odharia, Jhanavi Parikh Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University Ari narayanan PID22054 ID 4030 | Level 4 | PG Program Collaborative practices through a project representing an ‘identity’ ROLE 03 MATERIALISING THE INTERIOR SPECIALISATION 02 MODULE
Content
MODULE 02 Role 03 | MATERIALISING THE INTERIOR SPECIALISATION Collaborative practices through a project representing an ‘identity’ 1. Expressions through charcoal 2. Views 3.Exploration with Models 4.JoineryModels 5.Foreword 6 10 18 22 23
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Hierarchial alchemy of Bamboos creating a nish
Week 12-16
Module 02 | Role 03 | Materialising the Interior Specialisation Collaborative practices through a project representing an ‘identity’
Adorn to be... Dialogues of Bamboo
Project Information Siteless
Process:
Material expression can be implemented using different strategies, and under different categories. What if the details of joineries along with the material language provides a ornamentation in a holistic approach, where light is modified according to the design. Alteration of perspective in a volumetric dimension can bring out different iterations through which the space is being celebrated with the important aspect of light as a fore runner through out the design strategies and implementation of its techniques in a designated space. Architecture and interior submerge into a unified element providing support for each other creating a single space which encompasses of these categories into one.
5 Module 02 | Role 03 | Materialising the Interior Specialisation
Expression of light
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Expression of Movement
Expression of Inside Out
7 Module 02 | Role 03 | Materialising the Interior Specialisation
Expression of scale
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Expression of volume
9 Module 02 | Role 03 | Materialising the Interior Specialisation
Expression of material intersection in the development of Interstitial space
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11 Module 02 | Role 03 | Materialising the Interior Specialisation
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Dialogues of Bamboo depicted through voices of light
13 Module 02 | Role 03 | Materialising the Interior Specialisation
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Amalgamation of material technique invoking Volumetric dimensionality of the space
Hierarchial alchemy of Bamboos creating a nish
Iterations
15 Module 02 | Role 03 | Materialising the Interior Specialisation
Iterations
Iterations
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Iterations
Iterations
17 Module 02 | Role 03 | Materialising the Interior Specialisation
Iterations
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19 Module 02 | Role 03 | Materialising the Interior Specialisation
Top view of the model
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Explorations through physical models
21 Module 02 | Role 03 | Materialising the Interior Specialisation
Elevation of the model
22 Joinery Models
Foreward:
Interior design is a tool to improve lives. The vision behind, and motivation for the work is to explore and use material expression as a medium to strengthen cultural and individual confidence, to support local economies and to foster the ecological balance. Joyful living is a creative and active process and which is deeply interested in the sustainable development of our society and our built environment. Sustainability is a synonym for beauty: a building that is harmonious in its design, structure, technique, and use of materials, as well as with the location, the environment, the user, the socio-cultural context. There is different definition for what sustainable is, but what is defines is its usage and manipulation of material which in turn provokes a aesthetic value and functional aspects with regards to lighting as a focal element.
Material expression can be implemented using different strategies, and under different categories. What if the details of joineries along with the material language provides a ornamentation in a holistic approach, where light is modified according to the design. Alteration of perspective in a volumetric dimension can bring out different iterations through which the space is being celebrated with the important aspect of light as a fore runner through out the design strategies and implementation of its techniques in a designated space. Architecture and interior submerge into a unified element providing support for each other creating a single space which encompasses of these categories into one.
Lighting becomes crucial, because the application of materials, textures, tectonics, and the space itself is revealed slowly through natural lighting strategies, where material is at the top of the hierarchy beside which all other parameters revolve around, by this it invokes a certain experience, through composition of materials through techniques creating ornamentation in spaces. Constant contradiction through dense to openness and light to dark creates an individual experience for its varied user groups.
23 Module 02 | Role 03 | Materialising the Interior Specialisation
The BIG Re-think Tectonic Materiality of Interior Elements Master of Interior Design Monsoon 2022 | Faculty of Architecture CEPT University Ari narayanan PID22054 ari.pid22054@cept.ac.in ID 4030 | Level 4
