NEVRES ARIN AYDOGDU Architect
Based in Istanbul/Turkey
+905446933290
arinaydogdu@gmail.com
Date of Birth: 10/06/1997
behance.net/aydogduned56
NEVRES ARIN AYDOGDU
MEFUniversity
[2015-2021]
F.A.D.A Bachelor:Architecture
%50Scholarship+ %50PerformanceScholarship [GPA:3.3]
PrepSchool[2015-2016]
KayaKarakayaAnatolian HighSchool[2011-2015]
|BUILT| MEF|FADA DesignLabTeamMember [oct,2020-mar,2021]
2021SeoulBiennale ofArchitecture&Urbanism Intern [jun-aug,2017]
Arkitera ArchitectureYearbook
D&BSutudio StationProject [winner,2017]
Design&BuildStudio StationProject/Amasya
|OFFICE|
LiveProjects
D&BSutudio StationProject [winner,2017]
AnkaraMunicipality 100.YılÇar
Architect [nov,2022-present]
EvonArchitects
Istanbul
Architect [may,2021-feb,2022]
YoldasBio-ArcLab SanDiego/Istanbul Intern [sep-dec,2019]
UlusÇocuk [mar-may,2022]
ConcursosAG360 S nowArtPavilion
BLUE [sep,oct2021]
ArcBazaar
TropicalJungleHouse
JungleFrames [may-jun,2021]
AURA|Istanbul
NIOArchitecten Rotterdam |ACADEMIC| Researcher [march,22-aug,22]
MEFUniversityFADA
TeachingAsistant [oct-feb,2021]
MEFUniversityFADA FadaBook2/Istanbul
Assitant [jul-sep,2020]
CinematographicObjects
byOzanOzdilek [2017]
StuffedCast
byNiluferKozikoglu /OrkunBeyda [2018]
FutureEpigraphs
byAlperDerinbogaz /LorisRossi /DietmarKoering [27/28april,201
LimakHolding
InternationalAirport KuwaitCity
|SITE| SiteIntern [jun-aug2018]
byOzgeTektas [ 201
SpaceDanceDesign
BioMaterialKitchen byTetsuroFukuhara [ 8april2019
Arkitera ArchitectureYearbook
D&BSutudio StationProject [winner,2017]
LiveProjects Network
D&BSutudio StationProject [winner,2017]
AnkaraMunicipality 100.YılÇarşısı&YakınÇevresi
UlusÇocuk [mar-may,2022]
ConcursosAG360 nowArtPavilion
BLUE [sep,oct2021]
ArcBazaar TropicalJungleHouse
JungleFrames [may-jun,2021]
||WORKSHOPS||
CinematographicObjects
byOzanOzdilek [2017]
byNiluferKozikoglu /OrkunBeyda ğı [2018]
FutureEpigraphs
StuffedCast byAlperDerinbogaz /LorisRossi /DietmarKoering 27/28april,2018]
byOzgeTektas 201 9]
SpaceDanceDesign
BioMaterialKitchen byTetsuroFukuhara 8april2019 ]
Teaching Assitants:Basak Eren, Beril Sarisakal, Derya Uzal
Eda Yeyman, Irem Korkmaz, Irem Naz Kaya | Students: A. Sena Nur Turhan, Buse Sarican, Buse Sahin, Dilara Atalay, Eren Burak Kuru, Gamzenur Kurel, Irem Metin, Ipek Erisen, N. Arin Aydogdu, Sumeyye Ozturk, Tolga Halil Aksahin
Intertwined is as an alternative mode of perception in the quotidian context. Intending to seize joie de vivre, the sense of wellbeing, we respond to temporary housing as an emergent dwelling that surrounds the urbanite in the metropolis. As a humble reaction to the constantly changing dynamic environment, we chase gaps in the chaos of daily life -temporary portals to a meditative act. Herein weaving and knitting comes to the fore. Act of weaving, like other crafts, has a meditative and healing effect when dealing with crisis and extreme situations. Its repetitive nature and embodied experience through hands-on production comprises “constructive addiction”. In this manner, weav-ing becomes a way of thinking enclosed spaces for different situations and actions in cross scales; our hands, bodies and metropolis. By the act of weaving, Intertwined discovers -cognitive, social, habitual...- modes of perceptions this relation is bound to, as it is to practical bodily territories. Therefore, it seeks for an alternative communal mode of construction which encourages the individuals to create a space using their own references within the metropolis.
Our production and consumption culture has become human-centered and dominating. Waterproof surfaces, chemical mixtures, plastics that live 10 times more than human life, concrete emitting radiation, seas full of waste, endangered bees… What is the definition of beneficial production and consumption in a human-centered age while the world is facing a climate crisis? In order to be good people and designers of the Anthropocene age, we must reconstruct the relationship between nature and the city. We must establish a mutualistic relationship between humans and other living things by preserving biodiversity.
Until now, we have designed and built with the understanding of space design with materials. In the past, places were created with locally available materials and human labor, what we could do was limited and we were consuming from nature’s reserves. After the industrial revolution, we were no longer limited to local materials, and by combining mechanization and human labor, we were able to build more complex and better insulating structures. But exceeding the limits of local and natural materials and human labor, the fast and unobstructed new construction system caused the design to transform nature in an uncontrollable way. Now, we are opening the doors of a future where design will not transform nature, but nature will transform design, with the incorporation of synthetic biology and computing into architectural design. With the reference of research and experiments conducted around the world, how biomaterialbased design can affect the future is provided to be read through Mecidiyeköy. In the future, a more sustainable life model is possible with these materials that we can obtain from nature and return to nature instead of heavy steels with carbon gas outputs, and radiation-emitting concretes.
3-Florist; root material |4-Subway entrance lighting; microfluidics
|
7-Pillars of Housing ; Example of design with algae tubes and
Day 1: Printing of chitosan paste as a structural mesh with a 3d printer
Month 1: Drying mesh, layering with root material
Year 1: Greening of root material
Year 10: A building with maximum efficiency that dries up and turns green depending on the season
Year30: thrown into the cemetery for conversion
Day 1: adding mycelium and sawdust into fabric molds
Month 1: installation of algae tubes collecting rainwater
Year 1: algae coloration and mycelium-based bark yielding fungus as fruit.
Year 10: supporting the life of bees and birds in the region
Year30: Some of the columns dissolving due to rain
|5-Bus stop; polymer material |6-Buffet; cultured petri dishes and mycelium | 8-Cell; kombucha skin, mycelium-based material.
Tutor: Sevince Bayrak Göktaş
It is a 24-hour living museum, building fiction designed for the year 2050. It creates its architectural attitude with a scenario that brings an alternative perspective to the concept of museum. While laying down the rules of another museum concept, it sought the conditions of a sustainable built environment and tended to provide an integrative social environment by gathering many human typologies. With these two principles, it takes a stance to against traditional museum structures that have immunity.
The structure with Day and Night scenarios behaves like an organic creature with a heart-like rhythm. Therefore, like its scenario, its form is a bio-inspired, kinetic and adaptive structure that provides an alternative architecture.
Estimated Transportation Network of 2050
A future scenario in which metropolitan cities such as Istanbul become more and more crowded and there is no room for construction is inevitable. For this reason, in line with the two principles mentioned, the most basic recommendation of the project -for future generations- is that public buildings should be open 24 hours a day instead of 8 hours. In this way, after 18.00, it continues to add value by serving in the museum facility, especially in education and accommodation. A structure that continues to serve in this way has a system that will encourage social integration.
There are various service areas in the system designed to accommodate everyone. As a museum that intersects with the metro network, it is like a new generation caravanserai. Unlike traditional museum programs, it is designed like a campus with additional accommodation, showers and lockers. The accommodation area was specifically designed as part of the museum, as it was intended to take advantage of the stimulating, intriguing and bringing together features of art. This is why the building expands at night. In this way, researchers, homeless, tourists and bored city dwellers, curious children will meet and increase their level of well-being.
1-inspiration: swiss alps - nature
a PASSAGE between two walls // the first wall interpreted the curved roads of Switzerland, and the second wall interpreted the high and rugged mountains.
2-inspiration: vertigo - the world inside out
3-inspiration: pavilions in the region
“blue” has been part of pavilions // openings referenced by circulation
4-mechanism open-air circulation likewise canals // permanent exhibition in winter
Built within the remaining walls of a watermill ruin in Merzifon, Turkey, the timber structure, sized 890 x 235 + 265 x 135 cm is the outcome of collaborative work by 16 participants from MEF University, FADA (Faculty of Arts, Design and Architecture) : 14 first-year students and 2 professors carried on an intensive period of 3 weeks of observing, talking, designing and swiftly constructing the “station” in midsummer. The stationmarks the beginning of a hiking trail that dives into the valley of the town, situated on the northern lining of the central anatolian plateau, home to ancient civilizations. The structure is a rational composition of simple 5/10 cm timber sections and boards, providing exhibition surfaces. The void between the existing mill walls and the station serves as a peripheral space, a linear path of communication between the old and the new. All is saluted by the dancing streaks of the Anatolian sun, filtered through the articulated skin of the station.
