ARCHITECTURE PORTFOLIO Arisa Tateishi
INTRODUCTION
WORK TRAINEE EXPERIENCE
EDUCATION
May 2020-Sep.2020, Trainee at matos gameiro arquitectos, Lisbon Portugal
2018-2021, Master Degree in Architecture, Osaka City University
Oct.2019 - Apr. 2020, Trainee at REN ITO ARQ., Porto Portugal
2014-2018, Bachelor Degree in Architecture, Osaka City University
Feb.2019, Trainee at Erika Nakagawa Office, Tokyo Japan Sep.2018, Trainee at Hideyuki Nakayama Architecture, Tokyo Japan Aug 2016, Trainee at YAP, Osaka Japan
QUALIFICATIONS Experienced in internship at 5 offices Excellent communication skills in oral and written English and Japanese
RECORD OF AWARDS
Arisa Tateishi
Excellent physical model skills and 3D modeling skills
Asia Young Designer Award 2018, 2nd Prize
Advanced creative thinking
NEXTA’ 17, 1st Prize
Advanced user of Autocad / Vectorworks / Revit / Vray / Rhinoceros /
The 33th Busan International Architecture Competition in 2017, 2nd Prize
Sketch Up / Adobe AI, ID, PS MU / Office
Shelter International Architectural Design Competition for students 2016, The Third prize NEXTA’ 16, Keisuke Maeda Prize
WORKSHOPS
Nationality Japan Linkedin www.linkedin.com/in/arisa-tateishi Email tattenxxx@gmail.com HP http://arisatateishi.edition.jp
Mar. 2017, BAC, Barcelona Spain
LANGUAGE
Feb. 2016, Architecture Training Camp, Shiga Japan
Japanese Native English Good Portugese Basic French Beginner Chinese Beginner
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HOBBIES / INTERESTS Oil painting, Art, Basketball, Traveling, Vegetarian
CONTENTS ARCHITECTURE plant house
5
Line
25
Dream Architecture
39
Performer terminal
53
KLEE museum
61
Subtle color canvas
71
street weaving
77
PAINTING 96
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4
plant house Conversion from Nakayama Steel Works Oxygen Factory to Housing complex Third grade work The 33th Busan International Architecture Competition in 2017 2nd Prize NEXTA’17 1st Prize
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Funato 1-chome, Taisho-ku, Osaka is a factory area and the river surrounds them. The factories that were in the high economic growth period now are getting old and they are faced with the problem of shutdown and the use of the site. From now on, such a ruined factory will be born more and more. This housing complex is a proposal to use them while living in an abandoned factory. The oxygen factory that I have handled this time has not been in operation for 6 years. However, it contains various elements such as pipes, ladders and steel frames. Because gas and liquid were being handled, pipes are stumbling around a large volume. Furthermore, a flow line of a person was secretly secured so as to follow them.
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Inserted glass
People who live here, visitors are people
The existing factory is made of steel frame and
working in the factory, photographers, people
iron plate. The space becomes various when
who love the factory.
wood is inserted.
â–ˇ
Inserted a floor so that people could walk.
I made holes in the existing factory and adjusted the light and dark.
There was a large volume that was closed in the
Internalize the part where the pipes are arranged, to
center of the site. There pipes around it.
make it a living space. Externalize a large volume, make it a courtyard to make a connection between houses.
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a
I will introduce seven houses. The figures of black background are the full appearances of houses, the state of the gray background figures are parts of the existing factory, the last figures are the appearances after the conversion.
b
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c
d
e
I used an existing frame for the structure and allocation of the room.
f
You can overlook the surroundings and the courtyard. Extend the pipe to the ground and use it as a pillar of CFT.
g
As mentioned above, since existing parts have different shapes depending on parts, different types of dwelling units will come in each.
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Diameter of pipe
Use
Diameter of pipe
Use
Clothes dryer Electrical wiring φ＝100mm
φ＝700mm
Closet
Water pipe duct handrail
φ＝200mm
Garbage can flower bed
Kitchen φ＝800mm
Bookshelf Obstruction φ＝300mm
of line of sight
φ＝900mm
Bed
The way of garbage and laundry CFT structure desk φ＝400mm
Chair
φ＝1000mm CFTStructure
Courtyard
It triggers seven dwellings. It serves as a resting place for residents as well as people working in nearby factoryareas and factory photographers. By installing the externalspace as the courtyard, light is taken indoors.
Room, φ＝500mm 600mm
Shed
φ＝1300~mm
swimming pool Pipe
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The pipe blocks the line of sight and ensures privacy. At the same time, because the units are connected to each other, each unit is used in a different way, creating a sense of continuity.
Each flow line of people differs depending on the housing, but it is designed so that they intersect in the courtyard.
Flow line to the courtyard Flow line to house d
Flow line to house a
Flow line to house b
Flow line to house e
Flow line to house f
Flow line to house g
On the rooftop, you can go back and forth freely regardless of whether you are a citizen or not, so you can see the surrounding factories.
Flow line to house c
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Courtyard
Corridor
House b
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House a
Corridor next to House f
Bedroom
13
B
C GL+350
a ladder
unit a : kitchen dining
pipe duct
structure
9877
der
lad
unit e: bathroom
courtyard GL+300
GL+700
a ladder
unit b
A GL+350
a ladder
GL+300
unit c W.C .
unit f unit g W.C .
unit c
unit d
a ladder
unit g unit g
unit c: bathroom common parking
common parking
GL+400
pipe duct structure
B'
structure pipe duct structure C'
25672
GL＋1900 Plan 1/200
14
A'
B
C GL+350
a ladder
8583
unit a: kitchen dining
pipe duct
structure
ハシゴ a ladder
unit e : bathroom courtyard GL+300
unit b
a ladder
15891
GL+700
A
A'
GL+1460 GL+350 GL+2300
a ladder
GL+2740
GL+820 unit c:W .C .
GL+2300 unit f unit b
GL+1785
unit b
unit g:W .C . GL+1670
unit d
a ladder
unit g
unit c
unit g common parking
common parking
GL+400
pipe duct structure
B'
structure pipe duct structure C'
27253
GL＋2700 Plan 1/200
15
B
C 1FL+3000
8473
unit a
a ladder
pipe duct
structure
unit a
1FL+2800
GL+700
9877
1FL+2800
unit e:W .C .
1FL+2800
courtyard
1FL+4000
1FL+2800
a ladder unit b a ladder
1FL+1800 A
a ladder
1FL+2800 1FL+3500 a ladder
a ladder
1FL+2800
a ladder
A'
unit g GL+2736
GL+4500 1FL+2374
1FL+3060
1FL+1440
unit b
a ladder
GL＋4130
a ladder
1FL+1320
unit b
1FL+2340
unit c
a ladder
a ladder GL+3326
unit g
unit d
1FL+3060
unit g unit f
unit c :living
unit f
unit f
１FL+2715
pipe duct structure
B'
structure pipe duct
41339
GL＋3900 Plan 1/200
16
a ladder unit g
structure C'
B
C
1FL+3000
8473
unit a:bedroom
1FL+4770 a ladder
pipe duct
structure
a ladder
unit a
1FL+2800
1FL+4490
GL＋5464
GL+700 1FL+4490
1FL+4790
unit e a ladder
a ladder
10511
1FL+2800
courtyard
unit b 1FL+4000
1FL+2800
a ladder a ladder
1FL+4490 a ladder a ladder
1FL+4490
unit b GL+2293
GL+2736
unit c studio
a ladder
a ladder
unit f:bathroom
a ladder unit g
a ladder
dressing room
unit f
1FL+3060 a ladder
a ladder
unit g unit f
unit f
GL＋4900 GL+4900
a ladder
１FL+5487
pipe duct
a ladder GL＋5536
unit g
unit d
unit c:living
GL＋4130
a ladder
a ladder
1FL+1320
1FL+1440
unit b
1FL+4490
1FL+4500
1FL+4490
1FL+3500
A'
unit g 1FL+2800
a ladder
A
a ladder
1FL+2340
1FL+1800
a ladder
1FL+4490 1FL+4510
GL＋5720
structure B'
structure pipe duct
41259
C'
structure
GL＋5800 Plan 1/200
17
B
10331
C
unit a
a ladder
GL＋6723
pipe duct
structure
unit a W .C .
GL+4900
GL＋6194
GL+4490 a ladder
GL＋5464
11674
unit e GL＋4490 courtyard GL+4490 unit b: kitchen dining
a ladder
A'
a ladder
a ladder
A GL＋5944
GL＋7470
GL+5865 GL＋4490 a ladder a ladder
a ladder unit d
unit g
unit f:bathroom
a ladder GL+6394
GL＋5944 a ladder
GL＋5536
studio
GL＋6881
unit c: bathroom
a ladder unit b:study
dressing room GL+11335
GL+7417
a ladder a ladder GL+7417
pipe duct structure unit d W .C .
structure pipe duct
structure C'
41415
GL＋7200 Plan 1/200
18
a ladder GL＋4900
GL＋4900
GL+11335
B'
unit g bathroom dressing room GL＋6477
a ladder
CFT
unit d: living kitchen dining
unit d: dressing room
34502
furniture
28768
unit d: bathroom
unit d: bedroom
unit b
unit f:bedroom
unit c
unit g:dressing
study
unit g:bedroom studio
unit f:bathroom
unit f
unit c
unit b W .C .
unit b bathrom
room
unit g bathroom
unit f
unit g: bedroom
8241
20551
unit b bedroom
unit c : living
A-A’　Section　1/200
19
18490
28970
31053
unit a: bedroom
unit a
unit a
6400
unit a unit b unit b
unit a:kitchen
unit b:living
GL
unit b:bathroom
B-B’ Section　1/200
20
CFT unit e: bedroom
unit e: bedroom
unit e: bedroom
unit e: bedroom
28741
31750
unit e: bedroom
unit e: living
13947
15963
unit e
unit f:kitchen unit f corridor
unit f
unit e: W .C .
unit e: bathroom
GL
C-C’ Section　1/200
21
Model picture
22
23
24
A house for living with rain Line Second grade work NEXTA’ 16  Keisuke Maeda Prize
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Apartment complexes for newly enrolled university students They feel lonely, away from their family. A proposal to live with these people to ease their loneliness and bring them closer to each other.
1/2500 SITE: Sumiyoshi ku, Osaka-shi, Japan Residential area.
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Would you like to look into the life of the year from now?
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In March, seven students scheduled to enter Osaka City University
The roofs they made in spring are not yet completed.
will gather and begin building their roof together. The conversation to
However, after the entrance ceremony they begin to live.
make a roof together is still awkward.
Since the roof is incomplete, when it rains on rainy days it will rain from the gaps of steel pipe. When someone was rushing out from the rainy days, he/she met a person who had never talked much with him/her by chance.
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During the rainy season, rainy days are falling and the roof will decay.
Rain enters from the bolt hole opened on the steel pipe and travels through the
Leaks rain from places where rain has not come in until now.
inside and exits from the exit in the room.
Everyone restores the roof that everyone made in March.
Space is obstructed by the wall of rain which can only be done in the rain. And the puddle gets bigger and the plan changes. The sound of rain gives off the water grueling cave sound. It's an opportunity for residents to crowd out.
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Summer, when the wind blows the cloths they attached shake.
External light is reflected by a large puddle and illuminates the interior. A pattern of water surface appears on the ceiling and wall.
You can feel the presence of people on the other side through the gap in the steel pipes. Depending on the angle, you may or may not be able to see it.
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In the winter, when it gets cold, each comes in a private space. Still, you can hear the sounds and signs emanating from somewhere in this building from the bolted steel of the steel pipes intervening in the room.
February, after the test is over, remove the roof they made last year while they talk about memories. And they leave this house and each will start a new life from a second grade at another place.
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Diagram 1
A space separated by a surface
The hint of human
Make the surface curved,
Make the cross section of the steel pipe
presence will be
complicate the space, and
thick, start, round, or square.
transmitted by making it a
change the level. The hint of
A round steel pipe takes in gentle light,
line.
human presence are transmitted
and a rectangular steel pipe has a sense
from many directions.
of stability. And they become roofs, corridors, chairs, desks.
Diagram 2 Dense
Sparse Dense
Connect lines
Sparse ... rain and light come in Dense ... no rain coming from the gap Make it complicated, making it hard to recognize where rain comes in. In the rain shelter, it will be an opportunity to meet someone who is not always with you.
I made a sense of unity by writing the whole building in one stroke. Sound emitted somewhere in the building is transmitted by steel pipes.
Due to the weather, people gather and move away.
Furthermore, the residents themselves make the gradation varied.
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Diagram 3
Kitchen
Toilet
Bathroom
Dining Living room
Washing machine room
Dining Living room
Sunny day
Rainy day
Place baths and toilets far from the road
The weather will change the flow line of the
Place a private space around the dining
with traffic. Dining can be seen depending
person. The flow of people lines are limited on
room to protect flow lines and openness
on the angle from students and people in
rainy days.
while not obstructing ventilation and
the area, so when you eat, acquaintances
visibility.
will be easier to drop in with passing.
Diagram 4
Rainwater tank Some roofed steel pipes are rainwater tanks, and in the summer they cool down
Coolness Roles of bolt holes
Dampen cloth or cardboard attached with self-build.
the room by rain.
・ For self-build, it is used to attach cardboard, boards and cloth.
Puddle of the dining room
・ A hole for taking rain and giving rain. They also make rain walls. ・ They convey sounds and voices emitted somewhere in the building.
Sewer system Rain water reservoir Water gills
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Study model
34
Model picture
35
36
37
Plan
South elevation view 1/200
East elevation view 1/200
North elevation view 1/200
West elevation view 1/200
Roof top view, layout drawing 1/400
Plan 1/200
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A-A’ Section 1/200
Dream Architecture Master's work
Concept People spend about 1/3 of their lives sleeping. I wondered if that 1/3 of the time could be returned to everyday life in a new way. We dream every night. A dream is a content of an “unconscious” state that cannot be seen in a “conscious” state when waking up. Jung stated the possibility of the contents of the dream to be seen unconsciously as follows. Unconsciousness is a collection of many contents temporarily lacking in "consciousness" The material of dreams may include new thoughts that have not been conscious of before. Dream is an indispensable connection between the world of rational consciousness and the world of instinct (unconsciousness) [1] C.G.Jung (2016) "Jung Yume Analysis" by Hiroshi Yokoyama Translated by Shinichiro Otsuka Translated by Misuzu Shobo In other words, unconsciousness is a treasure trove of ideas, and it is a dream to be able to see it in an easy way. By constructing and expressing the contents of your dreams, you can create a tool for sharing your unconscious architectural space with others, or keep it as a record for triggering new ideas about your architecture. . A “flash” that can come up with an inventive idea may be created by connecting distant concepts that are difficult to think in the category of common sense. In other words, creative thinking becomes possible by the “power to find connections” between distant concepts. A dream is an unreal, discontinuous, inconsistent sequence of things. By deciphering and connecting unexpected signals received from such dreams, it may be possible to encourage flash and creative thinking. 39
Do you dream while sleeping every day, What kind of dream do you have
Various things and spaces come out in dreams. What I saw in the past and the space appear randomly.
A dream is an unconscious reflection. When we are awake, we are thinking in a state of consciousness. And unconsciousness is the accumulation of memories of consciousness.
Unconsciousness is unreasonable, and most of it cannot be controlled by you, but it is a treasure trove of ideas that you couldn't have come up with consciously.
Inspiration can be created by connecting distant concepts that cannot be thought of in the common sense category. In dreams, you can find connections between distant concepts. I thought it would be possible to encourage creative thinking from the unrealistic, discontinuous and inconsistent dreams.
So I wondered if I could use the space that emerges in my dream, which is a reflection of unconsciousness, for effective conscious thinking. I think I can use my sleeping time, which is about 1/3 of the day, in a different way.
The dream architecture proposed this time is a tool for sharing your unconscious architectural space with others by expressing the contents you dreamed of in the form of shapes, and for creating ideas about your own architecture. You can keep it as a record.
Design clues
＜4＞
Use the interpretation that is effective for the design method among psychologists.
＜3＞
Freud, Jung－Hayao Kawai Wilhelm Stekel Erich Seligmann Fromm Medard Boss Frederick Salomon Perls
Dream architecture
Put in the image
Erik Homburger Erikson Gutheil,E.A. Alfred Adler Eugene T. Gendlin...etc ◇Freud's Dream Interpretation Technique（鑪幹八郎 ( 昭和 51 年 ) 『夢分析入門』 創元社 p168 ） 一﹅ (Omitted) 二﹅ (Omitted) 三﹅ All the elements in the dream are all said and cannot be thoroughly interpreted. There is no need to be afraid of being interrupted in the middle of dream interpretation. If the interpretation of a dream becomes an interpretation of only one dream part, it is unavoidable. 四﹅ (Omitted) 五﹅ A complete interpretation of the dream will coincide with the completion of the entire psychoanalysis. Therefore, you should not try to learn everything from one dream. 六﹅ Don't interpret your dreams purposefully. There is an idea first, and you do not interpret your dream to follow that idea. This danger is great when interpreting the symbol of a dream. Rather, let yourself be lost if something happens by chance. Take an attitude of expecting the appearance of something new. Be very careful that what the therapist knows and what the patient knows are not the same. It is not always therapeutic to communicate all of the therapist's interpretation to the patient.
＜2＞Conversion (enhancement method) Realized dream (recorded content) Consciousness layer Unconscious
＜1＞ Latent dream
Erik Homburger Erikson structural diagram reference
→Dreams are fragmented, and even if there is a flow, the whole trap may not fit. Furthermore, there are many accidental things that we need to accept. ◇Jung's dream analysis order （鑪幹八郎 ( 昭和 51 年 ) 『夢分析入門』 創元社 p204） 一﹅ A description of the current state of consciousness of the patient (or dreamer). 二﹅ Then a description of the patient's past events. 三﹅ And capture the subjective context. ◇ 一﹅ (Omitted) 二﹅ And objective information is added to this from the third party side. → When analyzed, the first step is to follow the personal situation of the dreamer. Later, based on objective materials, “expand” the dream. ◇ Jung's "Expansion Method" （鑪幹八郎 ( 昭和 51 年 ) 『夢分析入門』 創元社 p207 ） "How to walk around the dream" Enlarge and inflate the dream content with possible and comparable images similar to it. (Omitted) Efforts will be made to raise the thoughts of dreams in the manifest dreams themselves. Moreover, while free association is made only by the patient, in the expansion method, an association material is also submitted by the analyst. →The architecture in a dream is, for example, not structurally structured or the material is not well understood.Therefore, in the design, it is possible to record the architecture that can be realized in the real world by replacing what was dreamed like the expansion method with objective data. ◇Gendlin's focusing technique（東山紘久 (1993) 『夢分析初歩』 ミネルヴァ p78 ） Presents useful questions for organizing dreams. ○ Three ways to lead associations (1) What can come to mind (2) How do you feel (3) Yesterday ○ Three elements that make up the story (4) Place is (5) Dream source (6) Characters ○ Three ways to interact with the characters (7) Which part of you is (8) When you become that person (9) ○ Three methods of decrypting code (10) Symbols are (11) Physical analogies are (12) ○ Four dimensions in growth (13) Childhood (14) Personal growth (15) Sexuality (16) Spirituality Use this questionnaire as a starting point to remember your dreams. → Based on the above, the correlation diagram of the entire design is as follows. <1> Dream recording (recording method is based on the method on the right). Recall and record dreams with questions from third parties (based on questionnaires). <2> The architecture that appeared in <1> according to the materials is converted into an actual architecture (= enlarging method). <3> Drop each space or architectural fragment into a perspective or picture. <4> The entire building is designed to connect each piece based on perspective and materials. (<2> and <3> are in no particular order.)
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◇ Dream record As soon as you wake up, record it in the floor. Accept that the dream is whimsical and record it exactly as you remember. 1, Date, time, place of dream, number of dream in order 2, Physical condition when dreaming 3,Dream content Movement in my dreams, architectural space, place, sense, time, superiority or inferiority (see E.H.Ericsson <Structure Diagram of Dream Analysis I> on the previous page) 4, Keyword 5, Dream title, theme 6, Impression, doubt 7, Association Relationships between daytime events and past dreams 8, Simple sketch Reference ・ 名島潤慈 (2003) 『臨床場面における夢の利用』 誠信書房 p39 ・ 鑪幹八郎 ( 昭和 51 年 ) 『夢分析入門』 創元社 p311 ・ 東山紘久 (1993) 『夢分析初歩』 ミネルヴァ p80
◇Erik Homburger Erikson Structure of dream analysis （鑪幹八郎 ( 昭和 51 年 ) 『夢分析入門』 創元社 p277） Erikson represented the dream analysis structure diagram with four dimensions. ＜Ⅰ＞ (2) Sensory form (I) General sensory characteristics, spread and strength (3) Spatial form (I) General characteristics of spatial spread (Ro) Vector, directionality seen in superiority (4) Temporal form (I) General characteristics of dream succession (Ro)Time perspective → Record with emphasis on the above black letters.
＜Ⅱ＞ (1) Each association (2) Each symbol ＜Ⅲ＞ (2) Indirect stimuli that interfere with sleep, such as the remnants of daytime experiences
First, record the architectural space you dreamed of. This is a record of the architectural space I saw between March and July 2019.
Drop a piece of space or architecture into a sketch. In addition, dimensions will be given to the recorded architectural space. 41
Using the information of dreams as a clue, I determine details with reference to architectural magazines.
I give applications to the symbolic shape of architecture and the architectural space that I have dreamed of. This time, the program was temporarily set as an apartment and the functions in it were applied.
42
The pieces are connected and designed so that the structure and flow lines are actually established. Some of them have no meaning individually, but some only have meaning when combined. It is possible to combine architectural fragments that have no meaning in a dream, leading to new meanings.
43
B
Ladder
Doghouse Ladder
Bath room Parking Lot
A
Aʼ
GL-1200
Parking Lot
Living room
Bʼ
1/200 1F Plan
44
B
Ladder
Doghouse GL+2500
GL+2125
Ladder
Bedroom Parking Lot
GL+3125
GL+2000 GL+3125
Dining room GL+2125
A
GL-1200
Parking Lot
Living room
Kitchen room
Aʼ
Bʼ
1/200 2F Plan
45
B
GL+5125
GL +4200
Bedroom GL+5425
Book room
GL+5625
Monorail platform
Study
A
GL+3330 GL+3600
Monorail platform
Swimming pool Machine room
Kitchen room Bedroom GL+4300
Bʼ
1/200 3F Plan
46
Aʼ
B
GL+8090
Bedroom
A GL+3600
Aʼ
Swimming pool Observatory
Monorail platform Rooftop GL+9325
GL+6800
Star viewing room
Bʼ
1/200 4F Plan
47
Rooftop Bedroom
Monorail platform
Livingroom
1/200 A-A Section
Observatory Bedroom Bedroom
Bedroom Livingroom
48
1/200 B-B Section
Monorail platform
View from the entrance
There is an adjacent pool wall in the bedroom
Room for reading
and you can see the water flowing
There is a kitchen and dining when you enter the entrance
When you go out of the street, there is a courtyard
4th floor
There is a monorail on the site, One of two platforms
Go up the stairs to get to the deck
If you go to the back, there is a corridor
Passage when going to the platform
that connects to the bedroom and the 4th floor.
from the north side of the 1st floor
A bird's-eye view from the monorail 49
50
This time it was set up and designed as an apartment house on an imaginary site, but this method can be used to design an actual site or for other purposes.
1/ 1000 ă&#x20AC;&#x20AC;Plot plan
Furthermore, if you design based on the dreams of different
This patchwork architecture is just a series of pieces that are instantly adjacent.
periods or based on the dreams of someone who is not me,
However, if pieces with different logic gather together,
you will be able to create a completely different architecture
it may be opened to unexpected possibilities beyond the limitation of wholeness.
because the dreams you see are different.
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52
Performer terminal Shelter International Architectural Design Competition for students 2016 The Third prizeă&#x20AC;&#x20AC;
Terminal thinking about the possibility of way Third grade work
I thought about the architecture that will last 100 years is variable and sustainable. I found a possibility in the concept of street. There are people moving around the site by various means such as those driving a car, people who ride a bicycle, people using a cruise ship, and of course walkers. I propose a terminal where street performers gather in order to draw in those people and create a new community.
53
Site
02
Diagram
site 1, digging the site and drawing in the river.
2. Pull in roads and sidewalks from various aspects of the site and make street fellowships.
The site is Nakanoshima 4-chome in Osaka. There is a river on the north side, and roads pass through the north and east side. I designed a terminal where people would want to stop at this place where car drivers, walkers, bicyclists, people aboard the ship pass nearby.
3, Pile up the fellowship of the way that changed the shape
4. Pile up to 5 layers while raising the pillars and fragment the
on top.
pillars according to rule-1 while leaving the slab part with the pillars passing from underground to the upper part.
5,Between the "4" pillars, stand pillars of length between the layers according to rule-2.
layout drawing 1/1000
54
Program
The main characters
1, Many of the street performers will not act on the prepared places and the stage. It is because they find a place by themselves and act,so people can meet by accident, and that's where the fun comes in. Therefore, we create a pseudo "city" in this terminal and aim to make encounter as if it were a coincidence.
Street performer
Juggling
Musician
Painter
Seller
Master priest
Build shops and houses by
Ownership of a part of the layer creates
using pillars at the end of the
overflows such as planting, and the
street as a structure.
space becomes varied.
etc...
performer Other people
Whether the front or back of the building will be determined depends on the width of the layer and the size of the building.
2. Set the underground and the first layer roads and rivers as public places, and the other and upper part as "semi-public" place. The semi-public space is defined as the following place.
Office worker
People riding ships, cars and bicycles
A shopper
Children who came seeking a playground to attend nearby kindergarten
People living on the
etc...
site
Semi-public
The performer selects a favorite place on the
public
Semi-public space · it is possible to pass through from the outside · When street performers show performance, they have permission beforehand. (To prevent circus) · Business owners are the people who own the building in layers · The inside of the building is private property.
Children who were playing with the hard finish between the buildings come to play in the basement with river and earth.
Rule 1. Fragment the street
2. Make direction with pillars
The street should be cut one above or one below each layer, and also to match the contour of the river. Street is fragmented and a new direction is born.
According to the following three patterns, pillars other than the other passing from the bottom to the top were set up. In addition to the slab, it expanded the variation of the direction of the street.
Pattern A I did not stand a pillar on the extension of the next street and the upper and lower streets. The relationship is close. Street is fragmented and a new direction is born. Make the street have a different meaning from the stereotype.
Fragmentary glimpse of activities of other people. A line of sight intersection is born.
Pattern B I did not set up a pillar on the outside facing part. There is a relationship with the outside there.
Pattern C Stand up to the contour of the lower street. Even though the level is different, a sense of unity is born.
By fragmenting the street, sunlight reaches the lower part.
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Scenes
Change
Those other than the pillar that passes from the bottom to the top can be moved according to the size of the building. Renovation and rebuilding of buildings are easy in the future. Furthermore, the flow line and the line of sight of a person changes according to the size form of the building.
You see a street performer from a ship.
You can see various movements and activities
Kindergarten children are playing while surrounded
collectively from the upper level
by greenery.
Step There was a height difference of about 3
+7000
m on this site. Drawing roads and
+4000
sidewalks from different elevation differences and stacking slabs on top.
You can see the performance behind the market.
Therefore, the height difference of the site affects the upper part as well.
+4000
You can see various activities because there is a
You look at the ship in the middle of shopping.
level difference.
+4000
The height difference of the site creates a level difference of the slab and encourages the intersection of accidental lines of sight.
Pillar
By making it a pillar, sounds of street
I partitioned space using pillars. It becomes
performers and musicians resonate
a place to show and a storeroom.
The line of sight of the person riding in the
When you enter by car you can see some of
car and the person riding the ship intersect.
the activity
Slab overlap
You come across a street performer on your
throughout the building. way home from shopping.
I put a tent and a simple roof on the pillar
the shop can take a lot of openings, and
and made a street door or sleeping place
you can see activities outside since there
for the street performers.
are original pillars which are structure.
There is a place you can not go unless you want to go around.
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Various floor height
You can look at the other side of the street.
A wide street becomes a square.
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1F Plan 1/1000
2F Plan 1/1000
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Study models
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Model picture
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KLEE museum Museum of Paul Klee Confrontation to White Cube Third grade work
The space of the art museum currently considered as the best is segmented by the white cube. Works and spaces are arranged side by side irrespective of each other. But is it a space suitable for all works? I proposed an art museum that appreciates Paul Kleeâ&#x20AC;&#x2122; s works in each space which is related to each other.
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Paul Klee 1879.12.18-1940.6.29 He is a Swiss painter and an art theorist. There are many famous works such as "Senecio","Twittering Machine". He described his works and thoughts in his book "DasbildnerischeDenken".
Site map 1/1000
Japan, Osaka, Nanba, Misu Park, also known as "Triangle Park" There are many trendy shops of fashion and food trends, places where tourists and young people go.
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Overall composition diagram
To draw more flow lines of
Combine pillars to support flow
people, make a double helix.
lines.
Make the outer wall.
layout drawing 1/500
Deployment and flow diagram
Diagram of the structure
toilet office
machine room cafe
Outside
Inside
Outside
Outside
entrance studio
kitchen
unpacking room
Weld the squares of various
Make a foundation by assembling the lower
Arrange so that the outside and inside appear
Arrange so that the external space on the
Place the entrance so that it faces a lively street. Next,
angles at the midpoint.
one with a truss. It plays the role of cantilever
alternately on the flow line of the exhibition
upper floor heads towards a lively road.
in a room with many activities such as a studio and a
and supports flow line.
space.
cafe, on the back side, a toilet, a office, an unpacking room, a kitchen and a machine room are arranged. By bringing the departure point of the flow line of the exhibition to the far side, visitors come into contact with activities at cafes and workshops.
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toilet
office
toilet DN
machine room -2100 UP EV
lobby
entrance
EV
A
A
UP A'
A' workshop
kitchen -1200
unpacking warehouse -1200
27556 28850
First floor plan 1/300
GL+1000 floor plan 1/300
Apply inner wall between some pillars. Give a glimpse of a part of another
The weather will change the
space to make space that you want to
brightness and impression of the
go ahead. Sometimes works are also
space.
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attached.
Look at the same picture several times
Because the elevator is an
with various
vertivcal movement line, a
gradients.
person observes objectively the flow line of the double helix.
28262 A-Aâ&#x20AC;&#x2122; section 1/300
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When entering the entrance you can see a double helix from below.
Starting point of exhibition space. The inner wall between the pillars
The pillar becomes an auxiliary line of sight of the exhibition space at
gives a glimpse of a part of the other space to the person, making
the counter electrode. At the end of the pillar you can see people
a space to want to go ahead. Sometimes works are also attached.
going ahead and works. you look at a part or work from afar.
Through crossing the pillar, consciousness goes to the pillar, and then
You enter the outside space. You can take a break while watching
When entering inside it becomes a dense space of pillars.
consciousness also goes easily to the space of the opposite polarity.
the outside. And you forget about works once.
You go out again. You look outside from a position higher than before.
In the space above, the pillars face the city and the sky as well as
You encountered a glimpse of the work you saw earlier. At this time you are in
the space of the counter electrode. Also aware of the relationship with
a space that is conscious of the counter space. Watching works while
the external space.
descending. Return to the starting point.
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Study model
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Model picture
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A-A’ Section 1/100 0
1
2
5
10
微彩 canvas Subtle color
Asia Young Designer Award 2nd Prize The crystal of snow appears faintly and appears blue. A small rainbow appears in the shadow of the glass. Small coloration is small happiness visible to everyday life. This architecture is a canvas for showing a small coloration created from nature.
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④ ② ③
①
⑤ ⑥ ⑨
⑧
⑦
N Floor Plan 1/100 0 72
1
2
5
10
Site
Architecture to be a canvas
The site is Nakanoshima located in the north part of Osaka. The surrounding area of Nakanoshima is a business district, and the site itself is a delta zone surrounded by a river. I chose the green and quiet Nakanoshima park in the city.
By changing the shape of the wall and the ceiling, I diversified how light is reflected.
I gave a change in the height of the window where the light entered.
N
Light appears on not only walls, ceilings and floors but also various levels of canvas.
1/4000
Color produced by glass Combines the spectral optical properties of glass and color filter effect to color the canvas.
â&#x2013;ĄSpectroscopic properties of glass
â&#x2013;ĄColor filter effect
Because the wavelengths that are transmitted, absorbed and reflected by the glass are different, the transmitted color appears to be different. The numbers
The color filter effect used for lenses of eyeglasses is an effect that absorbs a specific wavelength (color), transmits remaining light (color), and
in the figure indicate the thickness of the glass. Also, the case of an incident angle of 0 ° is shown.
makes it appear more prominent. For example, a yellow filter (lens) which is one of the three primary colors of a colorant absorbs short wavelength light (blue) and transmits light (color) of a wavelength that has not been absorbed. Using the three primary colors of the colorant as color filters, the absorption in each wavelength range is expressed as follows. Yellow filter = absorbing short wave range (blue) Red violet filter = absorbing medium wavelength range (green) Blue-green filter = absorbing long wavelength region (red)
glass A
glass B
glass C
glass D
Visible light wavelength characteristic 400
500
600 wavelength(nm)
700
General glass which shows the wavelength above is used. Glass A ... transparent float plate glass, which is most widely used in glass. It transmits most visible light. Glass B ... It is easy to transmit visible light mainly in the order of orange, yellow, blue and yellow-green. Glass C ... mainly transmits visible light mainly in the order of orange, yellow, yellow-green and blue. Glass D ... It is easy to transmit visible light mainly in the order of blue and green.
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Sketch The sketches seen from the places indicated by the numbers in the plan are shown below.
① External light is reflected on the inner water surface and the water surface is
② Outdoor sunlight filtering through trees becomes yellow and
③ There is a skylight in the cylinder and you can see the sky.
reflected on the wall. Light from the top is sunlight filtering through trees reflected on
yellowish green visible light to color the indoor curved wall. Used
Colors are projected on the curved wall by a small window drilled in
the floor and wall above the water surface. At those boundaries, those colors mix.
glass C and yellow filter.
a cylinder. Glass A is used for the skylights in the cylinder. A small
Glass D is used on the west side to reflect the surface of the water, glass C, yellow
glass fitted in a cylinder combines a filter and glass and adjust so
and blue-green filters are used on the upper glasses.
that monochromatic visible light comes out from each window.
④ Use 3 glasses and place them apart. Yellow green and blue visible light
⑤ Yellow and yellowish green sunlight filtering through trees from the
⑥ External light is reflected on the curved wall at the entrance. On the
are reflected on curved walls and floor. Use glass B and blue-green filter.
top, sitting on the chair and looking at the left, the blue light is reflected
inner side of the curved wall, the water surface of the pool on the roof is
in a small box. Glass C and yellow filter are used on the upper window
displayed. The skylight uses glass D.
and glass D is used on the window that reflects light in a box
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⑦ The rain which overflows from the roof top pool flows on the window. The flow of water is projected on the curved wall. Use glass B and red purple filter.
⑧ Yellow green coloring the inner wall. Use glass C and yellow and blue-green filters.
⑨ The same sunlight filtering through trees become visible light of different colors depending on places and color each the inner space. Glass C and a yellow filter are used to display yellow and yellow-green color in the upper space of two stages. The lower row seems to be mixed with yellow-green and blue, and yellow visible light from the left window. The lower window uses glass C and blue-green filter, the left window uses glass C and red purple, yellow filter.
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street weaving Bachelor diploma design
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＜Conventional＞
＜Suggestion＞
street
"building ≒ street"
street
Modern streets are subordinate to buildings that connect buildings and
Make the street function and create an equal relationship.
buildings, that is purpose and purpose. It can not be called a rich space.
I aimed for a rich space by continuing street and "building≒street".
Site
Method based on site potential
Yamaguchi
Syunan
Tokuyama station
The track of the Sanyo Shinkansen line near
The site is at the boundary between sea and
Tokuyama station is greatly curved and it is in
land.
a shape like going to pick up a ferry terminal.
Connect the sea route and overland road, increase the population descending to Tokuyama, build a building to let you know
The site is Tokuyama in Yamaguchi Prefecture. Development on the north side of Tokuyama station is proceeding, but
about Tokuyama.
depopulation is progressing on the south side. Population in Shunan city as a whole is decreasing.
Connect sea and land, that is station and ferry terminal.
Station
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Ferry terminal
Site analysis ①Classification of area around the site
③Usage district There are many commercial facilities such as shopping streets on the north side of the station, and many houses and factories were seen on the south side.
a
b
d g
e
c
f
h
a
North side residential area
◯ The residential area on the north side is more vibrant than the south side. However, the population has decreased since 1991.
b
Miyuki street
◯ The biggest road in Tokuyama, it is colored with cherry blossom trees, autumn leaves, illumination etc. every season.
c
Shopping area
◯ "PH street", "Ginza street" and other shopping districts line up. ◯ Large scale commercial facilities withdrew in 2013.
d
Tokuyama station
◯ Concourses and station buildings were rebuilt and opened in 2018.
e
Underpass and under track
f
South residential area
④Green position
◯ There are few stores and no shopping streets. It is obsolete compared with the north side.
g
Target site
h
Factory zone
Parks and green spaces around the site were scattered like the following places. Therefore, a green hill and a park are partially formed in the site.
◯ Factories stand on line and pedestrians rarely exist. It is hard to approach in the daytime, but the factory night view of the night is famous.
② Main events and places b-1
h
b-2
b-1 ： Miyuki street Tree festival
d
g
c-1
c-2
b-2 ： Miyuki street Summer festival c-1 ： Shopping district Summer festival
c-3
c-2 ： Aozora Park Illuminations c-3 ： Aozora Park Summer Festival d ： Tokuyama Station g ： Existing ferry terminal h ： Factory night view
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Site analysis ⑤Attraction of Tokuyama
⑥History of Tokuyama
（i）Blowfish Sukumozima which is the birthplace of longline fishing of blowfish is nearby, and blowfish have been popular in Tokuyama since ancient times. Tokuyama
Sukumozima
（ii）Factory night view The surrounding area is Shunan industrial area, and night view of factory night is famous. It is a representative place as a factory night view that there are some spots that have been certified as Night View Heritage around the area. Also there are cruise ships to see the factory night
Survey in 1968 (Geographical Survey Institute quotation)
Revision survey in 1964 (quotation from Geographical Survey Institute)
year correction survey in 2001 (Geographical Survey Institute quotation)
In the middle of being reclaimed. It became a stopping station of the Sanyo Shinkansen in 1975.
Current state
Industrial area
The factory zone was not landfilled. This was the state before the Sanyo Shinkansen station stopped, there was only a conventional line there.
Target site
⑦The role of the south side by development on the north side of the station
⑧Site details
２
１ ４
３
2) Station Second floor level about 15 m
５
3) Car rental Parking under the elevated
＜http://www.city.shunan.lg.jp/site/nigiwaikouryu/14260.html＞
６
1) I cut down the height of business hotel about 40 m and brought the program in the premises.
５
８
９
4) Car rental ７
１０
5) Pachinko and parking lot 6) Business hotel. Rebuilding and bringing the program to the premises
１１
◯A library building, a café and a bookstore opening on February 3, 2018 was opened as a library of Shunan Municipal Tokuyama station at a station building on the north side of Tokuyama station. This made the north side more lively. My proposal on the south will be function as a building to balance against the north side, making people flow. ◯ The station is refurbished and there are many chain stores and bookstores throughout the country. With this northern plan alone, Tokuyama is homogenized with other areas, and the uniqueness of Tokuyama will be lost. The architecture designed on the south side with respect to the north side is positioned as a building with the features of Tokuyama. The station should be a place where you can feel the uniqueness of the area. 80
Prologue
Diagram
Space of stagnation Space of passage
The shape that is dispersed from a big road to a small road creates a hierarchy for each place, and it becomes a diverse space. It is almost like a blood vessel of the alveoli. When considering a part of a blood vessel as a building, a space of passing and a space of stagnation exist in a black place.
Tear apart the skeleton
Connect a station and a street, make a belt as a skeleton.
To spread sideways
Make a "street" with hierarchy dispersed in the premises and make a building that you can feel the charm of Tokuyama even on the way. It aims to realize a path of rich space, not a road that only has a function to connect buildings.
Overlay vertical and horizontal layers
Draw a belt as a skeleton from the east-west street
Tear apart the skeleton
To spread within the site
Height diagram As a clue to spatial cognition, I attached hierarchy to space.
⃝Hierarchy of height
◯A-A’Section height relationship
The walls of the center skeleton are high and the wall that split are low.
B
B’
low
high
low
thin
thick
thin RC
CLT
The cross-section of the wall from center to outside ranges
Block, brick
from thick to thin.
Coleten steel B-B’section Volume operation according to these heights of buildings around the site
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Program station
station
ferry terminal
Program for people coming and going between station and ferry terminal · Stall for specialty products · Restaurants dealing with blowfish · Factory night view gallery · Observatory · Hotel · Market etc...
Programs for regional people and others · Rest rooms · rooms for vocational training · conference room · office facilities · Multipurpose Hall · Small theaters etc ...
ferry terminal
Knitting a program
Concrete method Variation Shape of opening
Changes in the size and height of the opening
Changes of wall slope
Material Change in the distance between the walls
Coleten steel Glass, glass block 100~ 120mm 100mm
Steel plate 100mm
A free-form opening A free-form opening 82
Brick 100mm
No opening
CLT 150mm
Block 100mm
A free-form opening Arch, Rectangle
RC 200mm
Window
Entrance from walls with different heights
Wood 150mm Opening that lasts from first floor to second floor
A free-form opening Rectangle
Doorway
Free shape in the vertical direction
Window penetrating the wall
Loggia
bridge
Explanation of space
People move around by dispersing functions.
The vertical and horizontal walls
Space quality different from grid and radial shape.
support each other.
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Explanation of space I set up an opening in the wall and connected the space with the wall which should originally partition the space.
Peopleâ&#x20AC;&#x2122; s activities overflow from narrow indoors. This is a release from internal and external and functional regulations. Beyond the boundary will enrich the space. Set the level of the indoor floor to the height of the GLÂą0, make the opening larger, and let people flood from the indoor.
The low walls become desks and chairs.
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People cross over the roadway in the premises
Tunnels are stairs when viewed from the inside.
Continuous space of the program. In the space of passing there is no divider, people are in the same space. There, “simultaneity” is born, and it produces serendipity.
Architecture like a landscape standing on the coast. The whole building becomes a “street” connecting the station and the ferry terminal.
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1F Plan 1/1000
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1F Plan 1/500 87
1F Plan 1/500 88
2F Plan 1/1000
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2F Plan 1/500 90
2F Plan 1/500 91
A-A’Section 1/500
B-B’Section 1/1000
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Model picture
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PAINTING
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Painting
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Thank you for reading
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