11.14.18

Wednesday, November 14, 2018 – Tuesday, November 20, 2018 • VOLUME 112 • ISSUE 13

Inside 8 | Students change their gender markers 14 | UA Basketball: Week One takeaways 20 | DUSK Music Festival in photos

The University of Arizona is one of the first institutions in the world to have an agrivoltaics unit on a roof, which brings agrivoltaics and the university’s sustainability efforts to new heights | 10

INSIDE

PRESENTS

DAILY WILDCAT

2 • The Daily Wildcat

Wednesday, November 14 - Tuesday, November 20, 2018

IN THIS EDITION | VOLUME 112, ISSUE 13 Arts & Life

Arts & Life

4

7

Speaking with three student influencers

Arts & Life Follow the White Rabbit to UA DanceSport’s Alice in Wonderland

8

Frowhawk Two Feathers exhibits at UA

News

9

Sustainable architecture coming to ENR2

14

Three UA football players arrested, released

10

Football writers analyze the season so far

13

Police Beat: Answering the call

Editor-in-Chief Jasmine Demers editor@dailywildcat.com

Sports Editor Alec White sports@dailywildcat.com

Managing Editor Marissa Heffernan

Assistant Sports Editor David Skinner

Engagement Editor Eddie Celaya

Arts & Life Editor Pascal Albright arts@dailywildcat.com

News Editor Rocky Baier news@dailywildcat.com

Assistant Arts & Life Editor Leia Linn

Assistant News Editors Sharon Essien Vanessa Ontiveros

Opinions Editor Toni Marcheva opinion@dailywildcat.com

Opinions

15

Birthright citizenship should be upheld

Arts & Life

News

17

UA alumna hits center stage in Dames at Sea

Copy Chief Corey Ryan Arnold copy@dailywildcat.com Design Chief Nicholas Trujillo

Newsroom (520) 621-3551

News Reporters Lauren Albrecht Trent Anderson Janelle Ash Matthew Crisara Randall Eck Connor Fries Christian Gastelum Pryia Jandu Mark Lawson Seth Markowski Alana Minkler Mekayla Phan Jon Rice Kaali Roberts Quincy Sinek Shannon Sneath Gwen Spencer Nagisa Tsukada

16

Arts & Life

18

Revisit DUSK Music Festival in photos

THE DAILY WILDCAT

Photo Editors Madeleine Viceconte Amy Bailey photo@dailywildcat.com

LGBTQ students change their gender markers

Sports

Sports

Sports Breakdown of basketball’s opening games

News

Marquies White Chris Zbacnik Arts & Life Reporters Jamie Donnelly Taylor Gleason Frida Gomez Mia Herrera Sydney Jones Vinamra Kumar Sofia Moraga Amber Soland Ariday Sued Lara Turner Briannon Wilfong Sports Reporters Max Cohen Jack Cooper

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ABOUT THE DAILY WILDCAT: The Daily Wildcat is the University of Arizona’s student-run, independent news source. It is distributed in print on campus and throughout Tucson every Wednesday with a circulation of 7,000 during spring and summer semesters, and 5,000 during summer. The function of The Wildcat is to

disseminate news to the community and to encourage an exchange of ideas. The Daily Wildcat was founded in 1899. All copy, photographs and graphics appearing in the newspaper or DailyWildcat.com are the sole property of The Daily Wildcat and may not be reproduced without the specific consent of the editor-in-chief. A single print copy of The Daily Wildcat is free from newsstands. Unauthorized removal of multiple copies will be considered theft and may be prosecuted. Additional print copies of The Daily Wildcat are available from the Arizona Student Media office. The Daily Wildcat is a member of the Associated Collegiate Press and the Arizona Newspapers Association.

EDITORIAL POLICY: Daily Wildcat

editorials represent the official opinion of The Daily Wildcat opinions board, which is determined at opinions board meetings. Columns, cartoons, online comments and letters to the editors do not represent the opinion of The Daily Wildcat.

CORRECTIONS: Corrections or complaints concerning Daily Wildcat content should be directed to the editor-in-chief. For further information on The Daily Wildcat’s approved grievance policy, readers may contact Brett Fera, director of Arizona Student Media, in the Sherman R. Miller 3rd Newsroom at the Park Student Union.

NEWS TIPS: (520) 621-3193 The Daily Wildcat is always interested in story ideas and tips from readers. If you see something deserving of coverage, contact the editor-in-chief at editor@dailywildcat.com or call 621-3193.

On the Cover Agrivoltaics graphic designed by Nicholas Trujillo, The Daily Wildcat.

The Daily Wildcat • 3

Wednesday, November 14 - Tuesday, November 20, 2018

EDITORIAL

Encroachment on press freedom cannot be tolerated

BY DAILY WILDCAT OPINIONS BOARD @DailyWildcat

W

hen you think of the word “reporter,” what image comes to mind? Is it an old-school movie where a male reporter goes out, asks sources some hard questions then smokes a cigar and writes the story on a typewriter?

Is it more modern, maybe from the movie Spotlight, where reporters dive into the Catholic Church’s cover-up of priests abusing young children, making calls and going door-to-door, asking difficult questions that get doors slammed in their faces?

Whatever image came to mind, it probably shared the same thing as the two above examples do: Reporters have to ask tough questions. It’s part of the job description.

That’s why President Donald Trump’s recent suspension of Jim Acosta’s White House press credential is so heinous.

CNN’s Acosta was doing his job by asking the president some tough questions about the Russia investigation and the Central

American migrant caravan. In return, Acosta was barred from future press conferences, silencing him and preventing him from getting the information the public has a right and a need to know.

This event is, of course, a culmination of aggression toward the press that started while Trump was campaigning for the presidency. Time and time again, Trump called out the press for stories he didn’t like. Once in the White House, Trump allowed questions mostly from news organizations he approves of, like Fox News, and did his best to ignore other journalists.

All of that was wrong and presented a threat to the vital institution of a free press, but this is a step further.. You may not like the “media,” or the “liberal media” or the “conservative media.” You might prefer to not consume any news media.

Whatever the case, you should still care about this. Why? Because censorship and the rollback of freedoms typically happen slowly, just like this. It starts with the press.

Just like the fable of a frog in boiling water, the degradation of free speech starts with demonizing the press, discrediting

reporters and slowly restricting their access. Perhaps the incidents seem so small you don’t see an issue. It’s just one reporter who is banned, after all. There are more reporters.

But after we’re silenced, that slow creep of control moves on to you, and without the press to publicize it, the battle is hard to fight. The water is boiling, and the frog can’t jump out.

We at the Daily Wildcat want to stress that we’re not trying to fear monger by writing this editorial; we’re just sounding the alarm that the heat is starting to be turned up on the proverbial stove. Regardless of whether you like us or not, we will continue to fight for your right to know, to speak and to be free.

— Editorials are determined by the Daily Wildcat Opinions Board and are written by its members. They are Editor-in-chief Jasmine Demers, Opinions Editor Toni Marcheva, Managing Editor Marissa Heffernan, Engagaement Editor Eddie Celaya and Arts & Life Editor Pascal Albright.

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4 • The Daily Wildcat

Wednesday, November 14 - Tuesday, November 20, 2018

ARTS & LIFE | ONLINE FAME

Inside the lives of student Instagram influencers

BY NAGISA TSUKADA @DailyWildcat

Everyone is on social media nowadays.

Students check Instagram, Facebook or Twitter to kill time every day of their lives.

For some, social media is more than just a way to kill time, it’s a chance at fame.

The Daily Wildcat talked with three University of Arizona students who are also “Instagram Influencers” with online fame.

“Everyone can take a same picture, but depending how you edit and work with it, it can turn into completely different. So, I think editing is a huge part of how I make it unique,” Cornwell said.

Cornwell said she loves to be on social media and that her dream job would be involved in social media.

Josefyne Lentner Freshman Josefyne Lentner from Minnesota is also a model with 21,500 followers on Instagram, but her story differs from Cornwell.

Lentner started Instagram in her freshman year Sophie Cornwell of high school as a “regular” girl. Then, a bunch Sophie Cornwell is a junior from Illinois of her followers recommended to her that she studying Spanish, communication and be a model, and she reached out to modeling information science and eSociety. She’s also a agencies in her sophomore year. model signed with BMG Models Chicago.

“A lot of people reached out to me on Cornwell said she started modeling when Instagram, really like ‘Oh my God, you’re so she was three. She created her Instagram in pretty, you should do modeling.’ Obviously those eighth grade and began focusing on social people encouraged me,” Lentner said. “[People media as a platform when she was about 16. who recommended modeling] were friends, but Now, she has about 27,300 followers on there were also strangers too, because a lot of my Instagram, but she did not have a large followers are people I don’t really know,” following when she started. The number After she started modeling, her number of increased largely in the past two years. followers increased. She said she became famous She said she was not sure how her account in her town and was often recognized when she grew so far. “It grew about 4,000 followers was in public. by freshman year of college, so that was like She was a target of bullying in high school due 4-5 years that it took,” Cornwell said. “And to the attention, though Lentner said this never then once I got here, it was being in this made her want to end her online presence. environment and being with a bunch of new “I think it was a good thing I had to go through people, my following grew.” that in high school, because it made me a very She speculated one main reason she gained strong person now,” Lentner said. “I truly love her followers so quickly is because she joined Instagram. I love the presence [it] brings me and a sorority, Alpha Phi. Being in a sorority meant how people treat me, the nice people. So, I was “100 new people are gonna follow you,” every never like ‘I’m gonna stop because of the mean year. In addition, members of other sororities people,’ because I’m not just like that.” and people who follow the sorority can also College made her too busy to work for follow her. modeling agency, so Lentner currently works as a She stated that “being friends with freelance fitness model. influencers” also helped her be discovered and When she posts she tries a variety of styles and shared. locations. Considering what would appeal to Another reason was the companies she has people is important to be viewed, according to worked with. She interned this summer with Lentner. a fashion company in Los Angeles as a social She stated she chose to come to UA because it media marketing intern. She posted pictures is far from her home and she wanted to expand to promote their products on her Instagram, her possibilities.

COURTESY SOPHIE CORNWELL which contributed her increasing social media Lentner expressed interest in broadcast SOPHIE CORNWELL IS A model from Chicago studying Spanish, communication presence. journalism and said she will declare as a Cornwell said that her success online was due and information science and eSociety at UA. Her Instagram currently has 27,300 journalism major next semester. She expects her followers. to more than luck. She did research into what experience and connections will benefit her career sorts of posts get the most attention. in the future.

She noticed there is a certain algorithm on While getting likes on her pictures does make her happy, Lentner said she will social media. “If you don’t follow the right algorithm, then some of your followers not get down if she does not get many likes, because getting likes on social media won’t see your post, which is really interesting,” Cornwell said. is not the only thing in her life.

When she posts, especially for companies, she first clarifies the target, such as “I’m still the same person I was when I was Instagram famous … so it doesn’t gender, age and area. She said she cares about things like how she includes her change me as a person,” Lentner said. “But getting the likes, it’s fun. It’s good to followers and what time she posts. have attention, it’s fun to have attention. We all like attention.”

Cornwell said she tries many different poses and angles to make her photo unique before settling on a final image to post. She also uses an outside editing tool — VSCO. ONLINE FAME, 5

The Daily Wildcat • 5

Wednesday, November 14 - Tuesday, November 20, 2018

ARTS & LIFE | ONLINE FAME

ONLINE FAME FROM PAGE 4

COURTESY ANDREW EDGERTON

ANDREW EDGERTON IS A sophomore at the UA. He is also makeup artist and beauty influencer from Flagstaff. His Instagram currently has 28,700 followers.

COURTESY JOSEFYNE LENTNER

JOSEFYNE LENTNER IS A UA student looking to study broadcast journalism. She is also a freelance fitness model and social media influencer with over 21,000 followers on Instagram.

Andrew Edgerton Andrew Edgerton is a sophomore from Flagstaff. He is also a makeup artist and beauty influencer with 28,900 followers on Instagram. He has a YouTube channel as well and has been featured in videos for other channels, such as Refinery29.

Before finding fame on Instagram, he made comedy videos on Vine in his high school days. One of his more popular videos was a skit called “Two

Moms at Brunch.” After Vine shut down, Edgerton said he lost his online popularity for a while.

Then, one short clip on Twitter and Instagram got people’s attention again.

The clip was a moment when he was filming one of his YouTube make-up tutorials where his father said to him, “That looks so freaking awesome.”

“I think [the video] is just a really important message for a lot of teens, especially those in LGBTQ community that don’t always have support,”

Edgerton said. “There are a lot of people who have not had the same experience as me, have struggled with their parents and with friends. So to see that kind of happen, especially from a dad to their son who is wearing makeup, I think that’s really powerful.”

Edgerton started focusing on makeup two years ago, he said. In his senior year of high school, he was watching a lot of makeup tutorials on YouTube and realized he was interested in makeup, he just had not tried it yet. He talked to his parents, who expressed their support.

“I think it’s important for the parents to understand what they can do for their child. Having their support at home is really important,” he said.

He said he kept posting his makeup on Instagram because he likes to share his art with people who support and care about him. He also sometimes shared his makeup tools with his followers.

Edgerton stated he would like to

make more tutorials, but currently he is too busy with his schoolwork.

He is currently a gender and women’s studies major to have as many perspectives as possible. He said he has been interested in human rights studies and believed the openness to diversity will help him when he works in the beauty industry.

Edgerton said his goal after graduation is to increase his online presence, go to Los Angeles or Seattle and work with brands.

“I also love how accepting both [LA and Seattle] are for LGBTQ,” Edgerton said. “Arizona is always the best, but I think the West Coast is definitely more accepting, more open and supportive.”

According to Edgerton, staying true to oneself, whether online or in person, was vital.

“I would say the most important thing is to be yourself and don’t apologize for it … just be open minded individuals, then we can all grow together.”

6 • The Daily Wildcat

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The Daily Wildcat • 7

ARTS & LIFE | ART EXHIBIT

Artist brings Tucson back to the past with new exhibition The University of Arizona Museum of Art celebrated the opening of three exhibitions Thursday, Nov. 8, including (What is the color, when black is burned? The Gold War. Part 1.), created specifically for Tucson by L.A.-based Frohawk Two Feathers. The Daily Wildcat talked to Frohawk Two Feathers to get insight into his art style and the inspirations for this gallery

BY JAMIE DONNELLY @JamieRisa11

Daily Wildcat: What inspired you to become an artist?

Frohawk Two Feathers: I’ve been making art since I was a kid, but basically what influenced this was my love for storytelling. I wanted to be able to tell stories visually without going into the realm of television or film. I really wanted to give back to the original essence of art, which is just communicating ideas through pictographs.

DW: Which one of the pieces from your exhibition has resonated with you the most?

FTF: There’s several pieces: the collaborative work I did with my friend Ivan called “I Found the A,” “The Portrait of the Twins” and “Sombre Vengeance.”

“Sombre Vengeance” talks about vengeance and what happens when vengeance and ambition reach their apex and how it cumulates into this kind of ball with trippy color and a massive mess. It represents beautiful chaos. For the collaborative piece, I’ve never shown a piece where I put somebody else’s name on it. My friend Ivan has been my buddy for a long time, he’s a glass artist, and we finally got a chance to collaborate on a piece.

DW: What is the inspiration behind “Frengland”?

FTF: I’m always thinking about history, I’m always thinking about politics, and I’m always thinking about the way people interact. So “Frengland” is this place that I invented to kind of level the playing field so to speak, but also just to see what would happen if you take two superpowers and combine them into one. “Frengland” represents transformation, and it represents an idea of how the most power you can have can still never be enough.

DW: What is the story behind What is the color, when black is burned? The Gold War. Part 1.?

FTF: In 2010, I started doing more site-specific stories, which is actually really cool. Initially, I didn’t want to do it. My gallerist asked me if I had a story about this place, and I said that I have a story about anything, because I can do the research and I can make it fit. I

studied the 18th century and late-18th-century history of Tucson, which didn’t have much information. I just wanted to show Tucson as it was and Tucson kind of as it is, by extension. So, first it was New Spain, then it was Mexico, then it was America, and now it’s just the same power dynamic. It’s almost a metaphor, aside from the whole vengeance narrative, because the cultural dynamic doesn’t change. So I wanted to create something about a place that I have never been to and try to see if I can actualize and visualize that narrative.

DW: How does the exhibition examine the problem of how history is recounted?

FTF: The history can change, the players can change, but the game remains the same. Most people don’t see it that way; people see history as just old, but things come back. Things never really truly die, and it’s the same thing with history. We think of history as separate from ourselves, but that is false, because history is us. We are the sum total of everyone that has come before us. I’m not really working any magic over here, I’m just basically creating a path from the past to the present, and that tendril will work its way into the future.

ERIC HUBER | THE DAILY WILDCAT

A PHOTOGRAPH AT FROHAWK’S exhibit at the University of Arizona Museum of Art. The photo depicts a clown mask shushing the viewer.

DW: What do you want the audience to feel when they look at the exhibition?

FTF: I want them to feel what they are going to feel.

I’m not the thought police, I try to avoid thought police actions anytime. I don’t want people to think like me — I just want them to be open, ready and willing to receive things. There’s no overt message that I want people to take away from this. I want you to take it in for the artwork that it is, for the imagination of it, and formulate your own opinion.

DW: What are your plans for the future?

FTF: I’m going to Miami after this, and I’ll be exhibiting at NADA, New American Art Dealers, with a gallery out of Brooklyn called Housing NYC. I’ll be exhibiting some other micro-narratives of the larger Frenglish narrative there, along with some sculptures and other things. Next year, I have a couple of shows on the east coast and in the Caribbean and will just continue the narrative.

ERIC HUBER | THE DAILY WILDCAT

A PAINTING AT THE University of Arizona Museum of Art depicts a battle. In the center of the painting are the words “sombre vengeance,” which translate to “the shadow of vengeance.”

8 • The Daily Wildcat

Wednesday, November 14 - Tuesday, November 20, 2018

NEWS | LGBTQ RESOURCES

GRAPHIC BY NICHOLAS TRUJILLO | THE DAILY WILDCAT

Clinic offers legal aid to transgender community

BY QUINCY SINEK @QuincyMcCllelan

Pride Law and Southern Arizona Gender Alliance are putting on a clinic to assist transgender and gender-nonconforming individuals in changing their names or gender markers on official documents Nov. 15 and 17.

The clinic does this to help people align the gender presented on their government IDs, drivers licenses and other documents with how they identify. It will take place at the University of Arizona College of Law at 1201 E. Speedway Blvd. Nov. 15 from 6-8 p.m. in Room 102 and Nov. 17 from 10 a.m. to 1 p.m. in Room 114.

Pride Law is a group of law students in the University of Arizona James E. Rogers College of Law that have an interest in legal issues regarding LGBTQ rights. It’s also a club that brings together people from the LGBTQ community.

“We’re just a group of LGBT folks and allies that want to spend time together,” said Ashley Daltrey, president of Pride Law. The biggest event they hold is the Name & Gender Marker Change Clinic. This year it will be held in both the fall and spring. According to Daltrey, this is the fifth year the clinic has been hosted and the first time they have decided to do it twice in one year.

Angie Menard, a previous Pride Law president, came up with the idea of hosting a clinic that helps people file paperwork to change their names on legal documents. She got in contact with Abby Jensen, vice president and member

of the board of directors for the Southern Arizona Gender Alliance, to create the clinic.

“It was a big success the first year, and we’ve been doing it every year since,” Daltrey said.

At the event, people are assisted in filling out documents that will allow them to legally change their names and their gender markers.

Jensen, an attorney, is there to tell people what to do after the clinic, as they have to take the papers to the courthouse to get their government documents changed. The clinic helps people fill out the forms to make sure everything is correct. Jensen then looks over them and explains the next steps that need to be taken.

With controversy surrounding the rights of the LGBTQ communities under the Trump administration, such as the push to create strict, biological gender identifications at birth, members of both Pride Law and SAGA said they think the clinic is very important for transgender people.

“There’s been a lot of anxiety in the trans community ever since President Trump was sworn in about the ongoing ability to obtain proper documentation and whether those things will be honored by the government,” Jensen said.

Manuel Rodriguez, coordinator for LGBTQ Affairs on the UA campus, said that being supportive is one of the best things people can do. Although UA LGBTQ Affairs doesn’t work at the clinic, they are advertising the event and support the work of Pride Law. “It’s not always the easiest to support people who are different

than you, but I think it’s important to listen, first and foremost, to what those people who have different identities than you need, and one of the needs is the gender marker change on identities and name change,” Rodriguez said.

Pride Law members help out at the clinic by making sure documents are filled out correctly. They are students planning to go into law, and this event shows them how law can effect and help people.

“It gives the students a first taste of the wonderful, potential power of a law degree – what you can do through legal action,” said Barbara Atwood, law professor at UA and co-director of the Family and Juvenile Law Certificate Program.

Atwood got in contact with Jensen a few years ago to have her give a presentation to some different law groups. From there, Jensen met with Pride Law and was able to start the clinic.

Atwood, although not involved with the clinic herself, has had past students who worked at the clinic. She said the students who participated have told her that the event was very gratifying and it helps them understand how getting a law degree will allow them to help individuals.

Daltrey said that although IDs seem like such a small issue for cisgender people, it can be very scary to have to present something that doesn’t match the gender someone aligns with.

“I think that people in the community need to just be aware that it’s difficult for folks, and things like this clinic are one way that we can give back and try to help the community fix those issues ... It seems small to us, but for them it’s a huge difference,” Daltrey said.

The Daily Wildcat • 9

Wednesday, November 14 - Tuesday, November 20, 2018

COMING IN 2019

ARTS & LIFE | BALLROOM DANCE

2 NEW LOCATIONS

Waltz to Wonderland with UA DanceSport

BY LEIA LINN @Leialinn24

Follow the White Rabbit down the rabbit hole, or to the Modern Languages building, and go “mad” with Wildcat DanceSport, the University of Arizona’s competitive ballroom dance team, as they perform Alice in Wonderland.

The group will be doing a fundraising performance to raise money for competitions, costume expenses and venues, according to Victoria Esposito, vice president of Wildcat DanceSport, playwright/ producer and player of Alice.

The club specializes in ballroom dances ranging from Waltz to Jive and is open to anyone who wants to learn how to ballroom dance.

If members choose to compete, the club attends competitions in California, Nevada and Arizona, according to Taylor Burghard, director and costume designer for the show and the Red Queen.

Since Wildcat DanceSport is a club registered through the UA Recreation Center, they don’t receive money from the school.

Instead, they have to rely on their own talent in dance and theatre to perform for money, according to Burghard.

“Once Upon A Ballroom” allows the club to bring classic fairytales to life and fundraise.

“The selection of Alice as our next production came up as a bit of a whim. In our first fundraising production, Cinderella, we saw the clear opportunity for showcasing a true ballroom-themed ball scene and have ever since been finding new tales to adapt to the stage for our purpose,” Burghard said.

Peter Pan and Cinderella have been performed in the past.

“I believe it was in a conversation concerning the outfit of one of our dancers that I mentioned a likeness to the Cheshire Cat, and all of a sudden we were doing Alice as our next show,” Burghard said.

In order to transform a classic fairytale into a dance production,

Esposito was required to make a list of characters from the movie, assign dance styles to be included and write the script.

She portrays the characters how she views them or has always wanted the story to be told, Esposito said.

“We primarily re-order pieces of the classic story in order to make the tale flow better with dances included and to justify the mood that the dance takes,” Burghard said.

The show features choreography by members of the club and sets and costumes that the club helped create, according to Esposito.

UA student and Alice cast member Jesse Miyoshi will play a duck in the upcoming production.

“People should attend the show, because it is a great way to learn about ballroom dance and it’s family friendly,” Miyoshi said. “Our goal is to instill a love for ballroom dance in the community.”

Whether you’re ballroom expert or have never seen a performance before, Alice has been written and choreographed so that everyone can understand the meaning of the dance.

“We want people to understand the ballroom dances here, because most already know the stories,” Burghard said. “We put the Pasodoble as a show down between Alice and the Red Queen so that the intention behind the dance style can be implicitly understood by the audience.”

In Peter Pan, the Quickstep was a “sass off ” between Wendy Darling and Tinkerbell, but in Alice in Wonderland it’s a chase between the Alice and the White Rabbit, according to Burghard.

“For Alice, it was an honor getting to see Taylor bring the words to life and all of the performers truly embrace the corny melodramatic nature of the script,” Esposito said. “Wonderland truly is a special place to escape to as a performer and an audience member.”

The show will take place Nov. 16, 17 and 18 and tickets can be bought online.

“Everyone has put their heart into this production, and we hope you can embrace your ‘madness’ and enjoy Wonderland!” Esposito said.

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10 • The Daily Wildcat

Wednesday, November 14 - Tuesday, November 20, 2018

The Daily Wildcat • 11

Wednesday, November 14 - Tuesday, November 20, 2018

NEWS | ENVIRONMENTAL ARCHITECTURE

NEWS | ENVIRONMENTAL ARCHITECTURE

On top of the game: innovative, sustainable design on ENR2

BY ALANA MINKLER @alana_minkler

Countries all over the world are attempting to come up with solutions to climate change and the lack of resources, energy and land to sustain the ever-growing population. One idea in particular, “agrivoltaics,” or “solar sharing,” has been around for a while but has recently grown in popularity.

The University of Arizona will be one of the first institutions in the world to have an agrivoltaics unit on top of a roof, combining two cutting-edge ideas — green roofs and solar sharing — into one, mutually beneficial unit.

Plans for an agrivoltaics array on the roof of the Environment and Natural Resources 2 Building were presented by the Office of Sustainability at a kickoff meeting Monday, Oct. 29, introducing the UA community to the planning, architectural design and funding for the project. The office said it hopes to move into construction this upcoming summer of 2019.

The kick-off meeting The purpose of the meeting was to present what the Office of Sustainability has done so far and to present the framework of the project to the larger university community.

According to Trevor Ledbetter, the director of the Office of Sustainability, the meeting was a great point to

start soliciting some new and different ideas that could be incorporated into the project.

Ledbetter said that his favorite part about the meeting was the level of interest that students expressed. “We had about half students, which was really great to see,” Ledbetter said. Many of them were students from Students for Sustainability, whose members played a key role in the project.

Stanley Wong, the SFS Energy and Climate Committee co-chair and a junior majoring in chemical engineering, was one of the students who spearheaded the project along with his co-chair Kelly McHugh, a junior majoring in environmental sciences.

“It really just stemmed from us recognizing that we wanted to see a change in how sustainability is conducted on our campus,” Wong said.

Students like Wong saw that there was not much on-campus, most of it being off-site. UA has 1.17 million kWh of photovoltaic electrical generation currently installed, and the ENR2 project will increase this by about 20 percent, according to Ledbetter.

Barron-Gafford works at the Biosphere 2 before, researching plants and ecosystems. He then went into geography and looked at applied physical science and its connection with people and food justice.

“That’s one of the things I like about geography: the human dimensions,” Barron-Gafford said.

According to Barron-Gafford, many countries have an issue with the lack of land for agriculture, buildings and solar panels. One possible solution is to place them all in the same area.

“We are, by far, way out on the front edge, because we’ve been doing this for a while out in Biosphere 2 with a couple of TUSD schools, so we have already worked

for people, because no one wants to live close to solar panels.

“That’s bad for a couple of reasons,” Barron-Gafford said. “One, it could influence people’s interest in having solar development, because they say that could influence our property values,” resulting in a barrier against moving towards using more renewable energy.

“The other part is that solar panels themselves are temperature sensitive,” Barron-Gafford said. “So, anytime a solar panel gets warmer than 77 degrees Fahrenheit, which is often here in the desert, it’s performing less efficient than it could.” Like with people, if it’s too warm for you, it’s probably too warm for the solar panel.

Some researchers thought about how they could cool down solar panels. Air conditioning takes up too much energy itself, but “plants are essentially like little evaporative coolers,” Barron-Gafford said. This creates a cooling effect on the ambient air.

Barron-Gafford and his research team tried putting plants underneath solar arrays to see if it would have the same cooling effect. They did independent studies and research with honors students at the Biosphere 2 and

Cutting-edge research Greg Barron-Gafford is an associate professor in the School of Geography and Development who has been a driving leader in both the agrivoltaic research on campus and the engagement for this project.

found that grass did cool the solar panels down but still left an issue with water usage.

“People need food; they need energy; they need water.

How do you get all of those things without it negatively impacting the environment? Co-locating them is the solution,” Barron-Gafford said.

The UA Agrivoltaics Project at the Biosphere 2, led

by Barron-Gafford, actually became a World Changing Ideas Awards finalist.

Building and funding The main funding comes from the UA Institute of the Environment comes from Business Affairs under President Dr. Robert Robbin’s leadership, according to Ledbetter. As of now, $500,000 and $10,000 has been contributed according to Ledbetter. The total cost, with everything included, is estimated at $1.2 million. This presents a major problem with funding; however, they will most likely able to roll part or all of the rest of the cost into the on-campus, large-scale renewable energy costs, Ledbetter said.

According to Ledbetter, the green roof and other aspects will only cost around $300,000 to $400,000. The solar panels are the costliest aspect.

“There’s no shortage of ideas,” Barron-Gafford said.

The funding is the real challenge.

On the other hand, the plans presented by Architecture and Design show how many solar panels can actually fit on the roof. “It was twice as much solar

as I expected,” Ledbetter said. The estimated electrical production is 235,000 kWh per year, which is about a quarter of the electrical use for ENR2 each year.

President Robbins gave the go-ahead about two weeks ago to move into a request for proposals stage, which means the Office of Sustainability will create a plan and send it into the marketplace to garner competitive bids.

Community and student engagement “It’s only thanks to the president plugging in resources to drive experiential learning and research in terms of environment and what’s going to be happening in the next century,” Barron-Gafford said. He said he wants to make sure that students are on the front end of solving the environmental challenges being brought to us by climate change.

Both Ledbetter and Barron-Gafford said that SFS has been the larger part of student engagement so far, but that hopefully there will be a lot more.

There are many opportunities for engagement, including community garden workshops and working with K-12 students.

“The more people you have, the more ideas are contributed to this overall project, and overall, I think it leads to a better project in the end,” Wong said.

If students are interested in engaging with the project, whether in the research, the site development or in independent studies, they should contact Office of Sustainability Director Trevor Ledbetter.

through some of the challenges of it,” BarronGafford said.

Adding the green rooftops makes the plans even more cutting-edge. “I have never seen anyone doing both rooftop agriculture and rooftop photovoltaics,” Barron-Gafford said.

COURTESY GLHN ARCHITECTS AND ENGINEERS

THIS MAP, WHICH WAS put together by GLHN Architects and Engineers, shows where the new solar panels will be placed on top of the ENR2 building as well as their energy outputs.

Climate change and ecosystem research The project originally started because researchers like BarronGafford were looking at how ecosystems respond to different types of climate change.

Research in Tucson, a city located in the Southwest, focuses on ecosystems like grasslands, savannahs and deserts. Land use is changing, because more and more people are putting renewable energy into these areas, having an impact on the local environment.

According to Barron-Gafford, research has shown that large-scale solar panels can create a heat island effect, which essentially means that they give off heat, warming their surroundings. This turns into a practical question

COURTESY GLHN ARCHITECTS AND ENGINEERS GRAPHIC BY NICHOLAS TRUJILLO | THE DAILY WILDCAT

THIS BLUEPRINT SHOWS THE current conditions on top of ENR2. This map details the room available for the new sutainable features.

12 • The Daily Wildcat

Advertisement • Wednesday, November 14 - Tuesday, November 20, 2018

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Wednesday, November 14 - Tuesday, November 20, 2018

The Daily Wildcat • 13

SPORTS | FOOTBALL COMMENTARY

ROUND TABLE DISCUSSION Football beat writers David Skinner and Rob Kleifield answer questions about the Wildcats’ season so far and what to look forward to in the last few weeks

BY DAILY WILDCAT STAFF @WildcatSports

and sitting out seemed to spark a fire inside the Inglewood-bred quarterback.

chance. If not, it could be a long and cold night for Arizona in the Palouse.

Q. Arizona has suddenly found itself in contention for the Pac-12 South title which, a month ago, seemed nearly impossible. What’s been the key for the sudden turnaround?

ROB: There’s no question that Tate looks reinvigorated since returning to the starting lineup versus Oregon, but I’m still not convinced that he is 100 percent healthy. If anything, I think sitting out against UCLA motivated Tate to rejoin the offense and reclaim his starting role; it’s not like Rhett Rodriguez was going to back down from the spotlight. I think Tate’s revival has been thanks to a combination of improved mobility in his ankle and his desire to silence his critics and get the ‘Cats back on track. Looking back, I can’t help but wonder why Arizona didn’t rest Tate sooner. If nothing else, the time out could have sparked something in Tate that we’re more or less beginning to see now. Hopefully, coming off of a bye week, Tate’s ankle will be as close to 100 percent as it has been all year.

ROB: After doubting the ‘Cats on Homecoming night versus Oregon, I’m convinced that anything is possible this weekend in Pullman. Pulling off an upset against the No. 8-ranked Cougars will be Arizona’s most difficult test of the season — but it’s not impossible. Cal stuck with Wazzu until the end several weekends ago, despite being a far inferior team. The Golden Bears nearly pulled off an upset behind a terrific defensive performance and a little luck thrown their way. Arizona will need all the luck they can get Saturday night, but more importantly, they’ll need to replicate the offensive success that they displayed versus Colorado and the defensive prowess they inflicted on the Ducks. If the ‘Cats can get off the field defensively, they should have ample opportunity to establish a dominant rushing attack.

Time of possession will likely be more crucial than ever this weekend.

DAVID: For me, the second half of the season has been all about J.J. Taylor. The 5-foot-5 running back has been the workhorse, battering ram and pack mule for this Wildcat team. Khalil Tate’s health and the inconsistencies on the defensive side of the ball have weighed down a team with high expectations coming into this year. Taylor has quietly established himself as one of the nation’s best ball carriers as Tate’s play, or lack of it, has stolen much of the headlines this season. Taylor has carried this team to bowl contention, while also putting himself into position to collect some awards after the season ends.

Q. When all is said and done the next ROB: I’ll sum up Arizona’s first ten two weeks, who will wind up winning games as a period of trial and error. the South?

We’ve seen a different team take the field the last two games — one that has DAVID: I think Utah will sneak into the hinged on its defense’s performance.

Pac-12 South, even with its two recent As much as I’d like to say defensive injuries to starting running back Zack coordinator Marcel Yates has finally found his groove leading the ‘Cats Moss and starting quarterback Tyler defense, I’m not entirely convinced Huntley. If you thought that I was going that the third-year coach has been the to be an unbiased media member and biggest difference-maker in Arizona’s even think about picking Arizona State, last two wins. I think Khalil Tate then you are deeply mistaken. I think deserves that recognition slightly more Arizona will be able to handle the Sun than a defense that has finally started to Devils in Tucson in front of a rabid and play up to expectations. Tate hasn’t been packed house after a Thanksgiving as dynamic of a runner as he was last weekend that will have people rested season, but his passing game has made and ready to get loud. tremendous strides as of late. His ability to stretch the field and keep defenses ROB: As much as it pains me to say, on their heels has opened up enormous after the smoke clears at the end of lanes in the running game, and has LEXI HORSEY | THE DAILY WILDCAT the tunnel, I predict Arizona’s rival to translated to a breakout campaign for ARIZONA QUARTERBACK KHALIL TATE (14) passes the ball to running back J.J. Taylor (21) during the redshirt sophomore running back J.J. win the South. I think Arizona State is Taylor. In my mind, Tate’s consistent play fourth quarter of the Arizona vs. Colorado game Friday, Nov. 2. The Wildcats won the game 42-34. playing its best football of the season — whether as a passer or runner — is the and is riding enough momentum to most important thing for Arizona moving forward. clinch the division in Herm Edwards’ inaugural season. The Sun Devils have garnered valuable Q. Arizona travels to Pullman this week to take on Q. Khalil Tate has looked like a much better victories against USC, Utah and UCLA in recent No. 8 Washington State. What’s your confidence quarterback since sitting out the UCLA game. weeks, and they’ve already demonstrated their ability level toward Arizona pulling off an upset?

Should Arizona have rested him sooner? to stick with the big dogs in the North. Edward’s team is loaded with talent at key positions and has DAVID: A lot higher than it was a couple weeks DAVID: Hindsight is 20/20, so I’m going cut Kevin an experienced leader behind center in Manny ago for a couple reasons: For one, Arizona’s Sumlin some slack on this decision, because Tate Wilkins. At the end of the day though, I’m picking defense has shown not only signs of life, but signs went down at the worst possible time for Arizona. of improvement, which has given me confidence.

Arizona State for two reasons: N’Keal Harry and Eno But to answer the question, I think if there was a Second, Washington State hasn’t been incredibly Benjamin. Harry is the best receiver in the country, game to sit him, it would have been the Southern convincing since their first half showing against and, after Utah’s Zack Moss suffered a season-ending Utah game to rest up for the Pac-12 games, but the Oregon where they looked like the nation’s most knee injury in practice last week, Benjamin is the importance of getting the first win of the season explosive offense. If Arizona’s defense has a night was understandable. Sitting him for UCLA was the best back in the conference. like they did against Oregon, they have a puncher’s right move in my eyes, as the loss to the lowly Bruins

14 • The Daily Wildcat

Wednesday, November 14 - Tuesday, November 20, 2018

BASKETBALL | ANALYSIS

WEEK ONE TAKEAWAYS The first week of the Arizona men’s basketball season is in the books. The Wildcats went 2-0 with wins over Houston Baptist (90-60) and Cal Poly (82-61). Here’s what we’ve learned about the team so far

BY ALEC WHITE @AlecWhite_UA

WILDCATS WILL RELY ON 3POINT SHOOTING Through the two exhibition and two regular season games, Arizona has attempted 96 3-pointers, or an average of 24 per game. For reference, Arizona shot 69 3s through the same time frame last year.

The Wildcats have hit 37 of those 3s, which translates to a 38-percent shooting percentage.

In the 2016-17 and 2017-18 seasons, Arizona hit 39 and 37 percent of its 3s, respectively. So the increase in attempts hasn’t diminished the team’s efficiency — at least not yet.

The uptick in 3-point shooting is part of Arizona’s strategy this year. Head coach Sean Miller has openly expressed his desire to play fast and play to his team’s strength, which is the athletic backcourt led by Brandon Williams and Brandon Randolph.

The old adage in basketball is “live or die by the 3,” and it seems that Miller will test that saying this season.

THE TEAM ENJOYS PLAYING TOGETHER A lot can change throughout the season, but it’s evident early on that this bunch like playing with each other.

“Those guys are my brothers, I would do anything for those guys,” guard Justin Coleman said prior to the season.

Even with considerably less talent than previous teams, Miller seems pleased about the direction of his team.

“We have a great group of guys,” Miller said after the Cal Poly game. “They’ve worked hard from day one. I think all of them are out to prove that our team is better than maybe the outside world thinks.”

ROTATION IS STILL FLUID Arizona’s starting five of Coleman, Williams, Randolph, Ryan Luther and Chase Jeter has been consistent through the first two regular season games, but we should see a steady diet of three-four bench players having valuable playing time.

SOFIA MORAGA | THE DAILY WILDCAT

ARIZONA’S RYAN LUTHER 10 attempts to block a shot by Chase Jeter (4) during the Red-Blue game on Sunday, Oct. 14 in the McKale Center in Tucson, Ariz.

“I think we have some guys who don’t start the game this year that really contribute,” Miller said. “There isn’t a big, big difference between the starters, and I would say three players, maybe four — certainly three — off the bench.”

Miller mentioned players like Emmanuel Akot, Dylan Smith and Alex Barcello who will be looked to for contributions off the bench, not to mention Ira Lee, who could replace Ryan Luther in the starting lineup in the coming games.

“Ira is physical; our most explosive big guy who can get second shots, and as Ira plays more and more games, he’s only going to get better,” Miller said of the sophomore forward.

ANYBODY, ANYTIME A dominant night in, night out scorer has yet to surface, although Randolph would be the lead candidate to emerge. The sophomore scored a career-high 25 points against Houston Baptist to open the year and his off-season improvements have been the key to his increased efficiency.

However, Randolph will have off nights as he did against Cal Poly, only hitting 3-8 shots.

Front court starters Ryan Luther and Chase Jeter paced the offense instead, scoring 17 and 16 points, respectively.

“Any night any guy can have their go,” Jeter said. “It’s not about taking turns, but the effort level needs to be there every night and different guys are going to have their time.”

As the Wildcats learn to play each other, having different players step up each game will only boost confidence knowing that if one teammate doesn’t have their best night, another teammate can pick up the slack.

WILLIAM’S BIG ROLE Perhaps no freshman on the team will be asked to do as much as Williams. The guard has played both point guard and shooting guard so far, and while his scoring numbers haven’t been as high as many would have hoped for, he leads the team in assists.

“For him to have 13 assists and no turnovers, I think that’s a really good sign for him and our team,” Miller said.

It will take time for Williams to adjust to his expanded role, but he will be a key cog in the team’s success moving forward.

SOFIA MORAGA | THE DAILY WILDCAT

ARIZONA’S BRANDON RANDOLPH 5 goes up for a layup through contact during the Arizona vs. Western New Mexico University game on Tuesday, Oct. 30 in the McKale Center in Tucson, Ariz.

The Daily Wildcat • 15

Wednesday, November 14 - Tuesday, November 20, 2018

SPORTS | FOOTBALL

Arizona football players arrested, released

BY ALEC WHITE @AlecWhite_UA

Arizona football players Jamarye Joiner, Darrius Smith and Dayven Coleman were arrested for second degree criminal trespassing in Arizona Stadium early in the morning of Oct. 23. All were cited and released, according to a University of Arizona Police Department report.

Coleman, a freshman defensive back, was additionally charged with the possession of marijuana and paraphernalia.

In a statement, Arizona Athletics said that they are aware of the arrests and each student-athlete is “subject to team disciplinary action.” Specifically, Coleman will serve a one-game suspension. The incident has been referred to Dean of Students Office for review under the university’s Student Code of Conduct.

Joiner, Smith and Coleman were not made available for comment.

In the early morning of Oct. 23,

the three players were found sitting together in section 105 by a UAPD officer at 12:45 a.m. as the officer was conducting an area check of the football field. The stadium is closed to the public during late-night hours, and UA has a zero tolerance policy for trespassing in the stadium. The players said they were unaware of this rule during questioning.

According to the police report, the officer could smell fresh marijuana in the area where the football players were sitting. None of the players showed symptoms of marijuana use, and the substance had not been burnt when the officer examined it.

While being questioned, Coleman admitted to bringing the marijuana into the stadium. He will have to appear in court.

Joiner, a freshman quarterback, has appeared in two games during the 2018 season. Smith, a freshman running back, has 15 carries, 62 yards and a touchdown in two games as a Wildcat.

On Nov. 12, during a regularly

CARMEN VALENCIA | THE DAILY WILDCAT

UNIVERSITY OF ARIZONA FOOTBALL helmets sit in a row before the start of the press conference to introduce head coach Kevin Sumlin on Jan. 15.

scheduled press conference, head coach Kevin Sumlin said that he was notified “almost immediately” of the incident by one of the players

Sumlin also said they’ve been able to address the situation with the players’ families and players have been disciplined internally.

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16 • The Daily Wildcat

Wednesday, November 14 - Tuesday, November 20, 2018

OPINION | POLITICS

Birthright citizenship enshrined in law COLUMN

BY ALEC SCOTT @DailyWildcat

T

he United States has always been known as a land of immigrants.

The America that we know and love today has been massively shaped by the history of people all over the world coming to this country to better their condition.

While we often look to our coastal cities when we think of our history with immigrant populations, every corner of the United States has been altered and improved by the lessons and cultures of those that leave everything behind to try their hand at the American Dream.

The immigrants that come here are afforded the security that their children will be made full members in the cultural experience and political world of the United States under the jus soli, or right of soil, clause of the 14th Amendment. This clause grants people citizenship and equal footing before the law, so long as they are, “born or naturalized in the United States.”

This right was formally clarified when the Supreme Court upheld the right of the children of immigrants residing legally in the country to automatic birth citizenship in 1898 in the case of United

States v. Wong Kim Ark. Donald Trump said in October that he was considering ending birthright citizenship through an executive order.

This could take two different forms that are standing on very differing levels of legality.

The first is ending the constitutionally defended right of immigrants residing in the United States to legally obtain citizenship for the children they have in this country. This would be a flagrant slap in the face of the Constitution and the rulings of the Supreme Court that have defended these immigrants.

The second possible form is the president using his powers to stop recognizing the automatic citizenship of children born to immigrants who entered the country illegally, and this actually may be within his rights.

According to Michael Anton of the Washington Post, the Supreme Court has been much less decisive towards applying automatic citizenship to the children of these immigrants, as they may not necessarily fulfill the “under the subject thereof ” line that is used as a test to receive birthright citizenship.

So what does the 14th Amendment specifically say on the subject? It writes rather plainly that “All persons born or naturalized in the United States, and subject to the jurisdiction thereof, are citizens of the United States and of the state wherein they reside” and goes

on further to explain that states may not deny citizenship and the rights included with it to anyone who meets these parameters.

While “persons born or naturalized in the United States” may seem to be all the evidence needed to conclude that Donald Trump is overreaching far beyond the limits of his right to interpret the vaguer points of the Constitution, that it also includes “and subject to the jurisdiction thereof ” throws everything into the air.

“And subject to the jurisdiction thereof ” recognized persons as citizens who do not owe allegiance to some other government when naturalized or born, according to P.A. Madison writing for the Federalist Blog. After United States v. Wong Kim Ark, the Supreme Court officially applied the 14th Amendment and birthright citizenship to the children of immigrants residing in the country legally.

However, Robert Barnes and many Constitutional scholars find that the subject is far more touch-and-go when it starts being applied to the children of immigrants who did not enter legally, as they are technically not under the jurisdiction of the United States at all.

When President Trump said that the United States was the only country to have birthright citizenship, he was exaggerating, though the main point is somewhat true. While we are in fact

one of 39 countries to have automatic citizenship given to anyone born on our soil, 80 percent of all nations do not, according to The CIA World Factbook.

We are joined in that regard by countries such as Canada, Brazil, Mexico and many countries in the Western Hemisphere who experienced historically similar relationships with mass immigration during the early 20th and late 19th centuries.

While I personally disagree with President Trump’s belief that he should end birthright citizenship, and find that such a broad attack on a Constitutionally enshrined and Supreme Courtdefended right of all people born in this country is obviously illegal, President Trump very well may be within his rights to end such recognition for the children of immigrants who are residing here illegally.

Should our President’s many words turn into action, I hope the Supreme Court will block it and finally decide to apply the protections of the 14th Amendment to the children of all immigrants, putting to bed an issue that has been pushed between court cases without a definitive answer for far too long.

— Alec Scott is a junior studying political science and German studies who volunteered for the 2015 Ron Barber Campaign.

Narcos: A different kind of reality TV COLUMN

BY ANIKA PASILIS @DailyWildcat

I

f you have a Netflix subscription (or even if you don’t), you may be familiar with the show Narcos. The new season premiers Nov. 16. It comes just after an Arizona U.S. Border Patrol agent paid smugglers $650,000 for cocaine. It arrives while a caravan of migrants attempt to seek asylum. It premiers right after the English translation of journalist Anabel Hernández’s book “A Massacre in Mexico: The True Story Behind the Missing

Forty-Three Students,” connecting their disappearance to Mexico’s drug war, was published.

Overall, the show should not be viewed because it Hollywood-izes tragic events that really took place. The drug war and the lives it takes and upgrades are more nuanced than people think. Those on the supposed-right side of the law, like our border patrol agents, are just as capable of evil as those cartoonishly evil drug lords in television shows and movies.

Hopefully, though, some good will come of the show. The premier of Narcos should re-ignite the decades-long discussion about the drug war and provide unbiased historical context about the rise of drug cartels.

So far, the show has been relatively successful in combating the glorification

of figures such as Pablo Escobar, a Colombian drug lord whose cartel once supplied 80 percent of the cocaine smuggled into the U.S. What Narcos aims to prove is that the drug war is not just a term thrown around in political debates. It affects the lives of millions of people all around the world.

This topic should not be held in high esteem.

While there are problems with Narcos and its use of certain characters, it does not stray away from difficult subjects such as rape and murder.

Still, it’s not quite sufficient. Narcos feels like distant history, but the events in the show took place only a few decades ago. This is not merely harmless entertainment. When you watch this show, remember all the real people

who had their lives unfairly taken from them and the millions who suffer from addiction.

For many, the war on drugs was, and is, a far-removed reality from suburban American life until very recently, when the opioid epidemic started to spread like a virus through American society.

According to the 2017 National Survey on Drug Use and Health, 2.1 million Americans had an opioid-use disorder in that year.

Narcos is never too far from our backyards, and I hope that the new season will portray the conflict that has gripped Mexico for so long in a historically accurate and respectful way.

— Anika Pasilis is a sophomore studying journalism and Middle Eastern studies.

The Daily Wildcat • 17

Wednesday, November 14 - Tuesday, November 20, 2018

NEWS | POLICE BEAT

police

beat

BY VANESSA ONTIVEROS @NessaMagnifique

cell scam scare Scores of horror movies feature mysterious callers.

Luckily, a frightening phone call turned into a near-miss scam after it was reported to the University of Arizona Police Department Oct. 22.

A UA employee contacted UAPD and spoke with an officer at approximately 3 p.m. after a disturbing phone call.

The employee told the officer that she received a call on her personal cell phone from an unknown number.

When she picked up, she said she heard a woman crying and saying, “Mom, I got in a car accident.”

After the woman said this, a man got on the line and told the employee that he was the other person involved in the

Read & Ride

accident. He then said that he wanted money to fix his car as he was headed to Mexico.

The employee told the man she wanted to speak with her daughter again, but the man would not put her back on the line.

Unsure if it was really her daughter due to the heavy crying, the employee asked the man what state he was currently in. The man refused to answer and then turned the question around on the employee, repeatedly asking what state she was in.

After the employee refused to tell him her location, he made a gruesome and graphic threat to harm her daughter if she did not reveal her whereabouts.

She refused again and the man ended the call.

Immediately after the man hung up, the employee contacted her daughter, who was confirmed safe and unharmed. The woman also checked on her two granddaughters, who were also fine.

The employee gave the number of the unknown man to the officer. He googled it and found that the number’s area code was based in Mexico.

According to the employee, the man

spoke English with an accent.

The officer told the employee that the call sounded like an attempted scam, which is not uncommon.

dog walks, cat calls While walking man’s best friend, a female UA student experienced some of a man’s worst behavior when she was verbally harassed near the corner of Tenth Street and Mountain Avenue Oct. 24.

A UAPD officer received a dispatch from the student’s call at approximately 8 p.m.

The student called to report a concerning encounter that had occurred earlier in the day at around 4 p.m. involving a driver verbally harassing her.

The student had previously called the Tucson Police Department to report the incident, but they told her that no crime had occurred. She then called UAPD. According to the student, she was walking her dog when she saw a silver Corvette from around the year 2000 driving near her. She continued walking but again saw the vehicle.

The car stopped, and the driver, a man around the age of 30, called out to her saying “excuse me.” The student said she then looked his way, and he began asking her for directions.

Given the fact that she was alone, the student said she became afraid after she suspected he was masturbating while speaking to her.

The student hurried away from the car. While she was walking away, the man harassed her by calling her pejorative terms such as “slut.”

He eventually drove away. The student was able to take a photograph of the car, which she forwarded to the officer as evidence.

When questioned, the student could not remember any marks or other details that would distinguish the vehicle. She did state that if she saw the driver again, she might be able to identify him.

The officer provided the student with a case number and told her to call if she sees the car or driver on campus in the future.

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18 • The Daily Wildcat

Wednesday, November 14 - Tuesday, November 20, 2018

ARTS & LIFE | Q&A

Wildcat Alum makes a scene in ‘Dames at Sea’ The University of Arizona has its share of notable alumni. The newest Wildcat to make a scene is Melissa WolfKlain, who is a professional actress who graduated from UA in 2001 with a BFA in Musical Theatre.

She has gone on to be an award-winning actress for her work in film, television and theatre

BY FRIDA GOMEZ @_FridaGomez_

DW: Tell me about your character Joan in Dames at Sea. MW: In Dames at Sea there are only six actors. We each play an archetypal musical theatre character.

Joan is a sassy, no-nonsense, chorus girl who’s been in the business a while and knows everybody and everything. She’s very bright and comes up with the idea to save the show by putting Ruby in the lead.

WolfKlain has played characters in theatrical performances like Grease, Cabaret, Funny Girl and Thoroughly Modern Millie. She has also has played supporting roles in Lifetimes’s The Truth about Jane and FOX Network’s America’s Most Wanted.

WolfKlain’s successful career as an actress, singer and dancer has led her to currently reside in the San Francisco Bay area. The Daily Wildcat asked her for any success tips she may have for aspiring actors who wish to make the world their stage.

DW: What is your favorite part of playing a character like Joan?

MW: I love playing strong female characters. She doesn’t take crap from anybody, and she knows who she is and how to get what she wants.

Daily Wildcat: Why did you decide to pursue your field of study?

Melissa WolfKlain: I decided to pursue a degree in theatre because it’s the only thing I ever wanted to do in my life. There was never any other option or “backup plan” for me.

DW: How important do you think mentors are in theatre?

MW: I think it’s very important to have mentors in the theatre. It helps to have others that have gone before to help motivate and encourage you. It can be a hard, lonely business sometimes. It’s nice to know you have people on your side.

DW: When did your involvement in theatre begin?

MW: I performed in my first musical at 11 years old in sixth grade. My first lead role came in eighth grade when my drama teacher cast me in Flower Drum Song as the whitest, blondest Linda Lo you’ve ever seen. I was hooked.

DW: Do you have any advice for aspiring actors?

MW: My advice for aspiring actors is, first of all, don’t call yourself an “aspiring actor.” You’re an actor. Period. If it’s what you do and what you love, that’s what you are. I would say that actors need to be very good at taking rejection. Try to develop a thick skin and don’t get too caught up in losing parts. There will always be another one. A mentor of mine said to do something for your career every day. Even if it means listening to a new show or going to the gym, try to be the best you can be.

DW: When did you land your first major role as an actress?

MW: I suppose one of my big breaks occurred when I booked the national tour of 42nd Street as Ethel and got my Equity card. Actors’ Equity Association is the professional stage actors’ union.

DW: What is your favorite part of your job?

MW: My favorite part of my job is that I love helping people feel something. It’s so fulfilling to have someone come up to you after a performance and say that they were having a hard day and you made them forget their troubles, that you made them laugh or empathize or think. Art is very powerful, and I’m so lucky to be able to make it for a living. Also, I get to do different things and work with different people in different places all the time. It keeps it interesting.

COURTESY MELISSA WOLFKLAIN

UA ALUMNA MELISSA WOLFKLAIN will perform in Dames at Sea from Nov. 28 through the Dec. 16. She will be performing the role of Joan.

WolfKlain has been awarded the San Francisco Bay Area Theatre Critics’ Award for Best Female Principal Performance three times for her performances as Kathy Seldon in Singin’ in the Rain and Polly Baker in Crazy for You. She was later awarded the same title for her nominated role as Aileen Garett in the world premiere of Tinyard Hill.

WolfKlain will be playing Joan in the 2018 production of Dames at Sea. Opening night is scheduled for Nov. 28 at the Gateway Theatre in San Francisco. The show will run until Dec. 16.

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READER AD DEADLINE: Noon, one day prior to publication.

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The Daily Wildcat • 19

2018 Conceptis Puzzles, Dist. by King Features Syndicate, Inc.

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Classifieds • Wednesday, November 14 - Tuesday, November 20, 2018

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We will not knowingly accept any advertising for real estate which is in violation of the law. All persons are hereby informed that all dwellings advertised are available on an equal opportunity basis.

20 • The Daily Wildcat

Wednesday, November 14 - Tuesday, November 20, 2018

DUSK | PHOTO SPREAD

Looking at DUSK through our lens The Daily Wildcat sent four photographers to Armory Park to capture the full experience of DUSK Music Festival 2018. After two days and nineteen performers, here is a taste of what they snapped

TOP LEFT: Instrumental electronic, hip-hop and jazz duo Big Gigantic perform at DUSK Music Festival on Sunday, Nov. 11. The duo is comprised of Dominic Lalli, a saxophone player/producer, and Jeremy Salken, who plays the drums. (Photo by Alexandra Pere) TOP CENTER: A DUSK Music Festival attendee laughing with her friends between music sets. DUSK Music Festival happens annually in Tucson and this year it took place at Armory Park.

(Photo by Chloe Hislop) TOP RIGHT: Sur Block’s lead singer Alyssa Sandoval during her set at DUSK Music Festival Nov. 10. The band is based in Tucson and plays shows throughout town. (Photo by Chloe Hislop) BOTTOM LEFT: Guitarist David Quon for Cold War Kids sings and plays the guitar during their set at DUSK Music Festival Nov. 10. Cold War Kids is an indie rock band from California. (Photo by Chloe Hislop) BOTTOM CENTER: Musical festival attendees watch electronic artist Jai Wolf perform at DUSK Music Festival Sunday, Nov. 11. Wolf is a New York-based producer and is known for his singles “Indian Summer” and “Starlight”. (Photo by Alexandra Pere) BOTTOM RIGHT: KYLE performs his songs during the second day of DUSK Music Festival on Nov. 11 at Armory Park. KYLE is a rap artist and has released three albums since 2013. (Photo by Madeleine Viceconte)