Art Almanac March 2018 $6
Lottie Consalvo Under Civilisation Oscar Perry
Art Almanac March 2018
Subscribe Established in 1974, we are Australia’s longest running monthly art guide and the single print destination for artists, galleries and audiences. Art Almanac publishes 11 issues each year. Visit our website to sign-up for our free weekly eNewsletter. To subscribe go to artalmanac.com.au or mymagazines.com.au
Deadline for April 2018 issue: Thursday 1 March, 2018.
We acknowledge and pay our respect to the many Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Guringai people of the Eora Nation where Art Almanac has been produced.
From the minutiae of local towns to sprawling global networks, this issue considers the vast conceptual currency of contemporaneity. Featured group shows ‘Incommensurable’ and ‘Under Civilisation’ explore diametric experiences of globilisation and regionality respectively by harnessing the documentary power of art. This oscillation between macro and micro continues on a formal level in the practices of Oscar Perry and Lottie Consalvo; where the artists’ different takes on abstraction excavate a broad scope of thematic terrain across the personal to the performative and politico-cultural.
Contact Editor – Chloe Mandryk cmandryk@art-almanac.com.au Assistant Editor – Elli Walsh ewalsh@art-almanac.com.au Deputy Editor – Kirsty Mulholland info@art-almanac.com.au Art Director – Paul Saint National Advertising – Laraine Deer ldeer@art-almanac.com.au Digital Editor – Melissa Pesa mpesa@art-almanac.com.au Editorial Assistant – Penny McCulloch listing@art-almanac.com.au Editorial Intern – Marlena Batchelor Accounts – Penny McCulloch accounts@art-almanac.com.au T 02 9901 6398 F 02 9901 6116 Locked Bag 5555, St Leonards NSW 1590 art-almanac.com.au
Cover Lottie Consalvo, I Have Fallen (detail), 2016, synthetic polymer paint on board, 112 x 142cm Private Collection, Melbourne Courtesy the artist, Dominik Mersch Gallery, Sydney, and Heide Museum of Modern Art, Melbourne
5
Festival of Live Art Staged across Melbourne’s Arts House, Theatre Works and Footscray Community Arts Centre from 13 to 25 March 2018, the third biennial ‘Festival of Live Art’ (FOLA) features a program of immersive and interactive art experiences. FOLA nurtures engagement between artist, artwork and audience with four new works. Jonathan Homsey’s ‘Mx.Red’ blurs the lines between virtuality and physicality by bringing together motion capture technology and live performances, creating a new experience of dance, expression and intimacy beyond gender lines. Homsey’s ‘Waackin’ Ball’ is a queer futurist celebration that unites the local and international waackin’ community. ‘Self Seekers’, The Amplified Elephants’ electronic sound art piece of live video, abstract sound and performance, delves into ‘selfie’ culture and the unique ways each person listens to the world around them. ‘Lovely Mess’ sees theatre group Riot Stage and projection artist Yandell Walton collaborate with ten young people to explore adolescence, and the experimental performance ‘Verbatim’ by artists, the indirect Object, presents three immersive, intimate stories of intergenerational mental illness. fola.com.au Sunny Chiron in ‘Lovely Mess’ Photograph: Jack Zaphalis Courtesy the artist and Festival of Live Art, Melbourne
21
Spirit Lines Graphic works by Sylvia and Tony Convey Essay by Colin Rhodes Tellurian Research Press
‘When I was a child in solitude with my pencils and crayons and scraps of paper I felt that I was drawing the world together’. So reads Sylvia Convey’s reflection in the opening pages of ‘Spirit Lines’, an evocative hardcover book documenting the graphic outsider art of Sylvia and Tony Convey. Bringing together a selection of their drawings, etchings, monoprints, screen prints and collage, the book traces the Conveys’ lived and oneiric experiences through thematised chapters including ‘Eros’, ‘Family’ and ‘The Uncanny’. Many of the works have never been on view before, hidden in sketchbooks and in the artists’ studios for decades, offering the reader an intimate glimpse into the unique oeuvres of this self-described ‘tribe of two’.
Driftwood: Escape and survival through art Eva De Jong-Duldig Arcadia
‘Driftwood’ is a compelling story of the emigration of sculptor Karl Duldig (19021986), his artist/inventor wife Slawa HorowitzDuldig (1902-1975) and their daughter Eva, the author. Their journey begins with a timely exit from Vienna to Singapore in 1938, to escape the war in Europe, then across continents to Australia in 1940 to an intern camp in northern Victoria classified as enemy aliens. Released in 1942 with renewed hope, determination and strength of spirit, the family moved to Melbourne. Karl and Slawa’s artistic skills afforded them opportunity to make and teach art and was key to their survival in this new land. From a meagre starting point, in the face of adversity, dislocation from homeland and loss of family, together they built a new and successful life. 23
Oscar Perry
The Michelin Star Elli Walsh
Melbourne artist Oscar Perry creates thematic installations fusing painting, sculpture, video and performance. Excavating the sociocultural strata of recent milieu – from popular culture and cinema to conspiracy theories and capitalist propaganda – Perry’s works are like symbolic dioramas welding together the crossroads of fragmented histories and fraught contemporaneity. What is the inspiration behind your latest body of work? The show’s called ‘The Michelin Star’. It’s a show that examines the Michelin tyre company and its complicated legacy. I was thinking about Manuel from ‘Fawlty Towers’. The confused waiter became a sort of physical guide to making work. In an episode called ‘Communication Problems’, Manuel delivers his famous line ‘I know nothing’. An apt mantra for the studio. There’s something unusual about the sets in sitcoms. They stand still in time. Minor variations on established gags snowball into huge comedic moments. I think the work comes out of a similar idea. The techniques and material shift around. Basically, I’m just trying to capture an atmosphere. Painting and objects need to feel right – it’s a continuity that only I can locate.
29
The shape of things to come Miriam Kelly
‘The shape of things to come’ could not be a more apt title for the inaugural Buxton Contemporary exhibition. With this phrase, borrowed from Benjamin Armstrong’s alchemic linocuts printed in metallic pigment, curator Melissa Keys establishes a sentiment that addresses the conceptual parameters of the 77 works on display, along with the role this show plays in foregrounding the journey of Melbourne’s newest institution; past, present and future. Buxton Contemporary is the outcome of the gift to the University of Melbourne by Michael and Janet Buxton, comprising predominantly Australian artworks from the 1980s to 2017. The couple began collecting in 1995, inspired by the philanthropy they witnessed in America in 1990, and later by the focused collection donated by Loti and Victor Smorgon to the Museum of Contemporary Art Australia in 1995. The Collection has been carefully crafted over the past 28 years with the defined intention to eventually donate the holdings for the benefit of public access. Under the ‘Museums and Collections’ umbrella, the 354 works will be transferred to the university over the coming five years, accompanied by additional donations towards the construction and operation of the Buxton Contemporary museum. Joining Keys as the Director is former Australian War Memorial Head of Art, Ryan Johnston.
32
Lottie Consalvo In the Remembering Melissa Pesa
The ontology of performance, time and altered states of consciousness are explored in the oeuvre of Melbourne-born, Newcastle-based artist Lottie Consalvo, who attempts to capture the transience of performance as materiality. The origin of her practice lies in figurative painting, a medium the artist felt, in its singularity, restricted her in reaching the depths she desired. In 2011 Consalvo spent time researching the arts scene in Germany, hanging out and working in the edgy, creative coteries of Berlin, Hamburg and Leipzig. Here she found a mode of artmaking that contained the method and language required to record her ongoing study of time and self-examination. This development was anchored in the revolutionary practice of French-American artist Niki de Saint Phalle, whose 1960s assemblages were created via the pull of a trigger – action paintings the result of a firearm, its bullet penetrating paint containers on the canvas. It was the viewing of de Saint Phalle’s shooting outfit in Hanover, part of the Sprengel Museum’s permanent collection, that inspired Consalvo to incorporate an active element to her work.
39
Sally Stokes and Leah Thiessen ESSENCE
ARO 13 to 24 March, 2018 Sydney
50
Kate Just How I Will Change RMIT Project Space Until 22 March, 2018 Melbourne
Sally Stokes and Leah Thiessen come together for ‘ESSENCE’, an exhibition of paintings portraying the intrinsic qualities of the land – ruminations of the artists’ own deep connections to it. Lavished in rich, vibrant colour, the spirited attributes, rawness and beauty of Australian landscapes unfold. These painterly gestures reveal the artists’ personal musings and perception of their surroundings. ‘I have a deep affinity for the land, it’s a place for immersion, to experience and be absorbed,’ says Thiessen.
Melbourne-based artist Kate Just presents newly-commissioned neon works responding to the feminist hashtags recently proliferating in social media to generate dialogue about the issue of sexual harassment and violence against women. Focusing on the placement of four key phrases on pastel painted walls, Just’s installation highlights the undercurrent of optimism and inclusion in slogans that centre on sharing, solidarity and social transformation.
Sally Stokes, Sacred salt, oil on linen, 102 x 102cm Courtesy the artist
You Okay Sis, 2018, neon sign, 20 x 75cm Photograph: Simon Strong Courtesy the artist and RMIT Project Space, Melbourne
Albert Namatjira
Joel Crosswell
Painting Country
Anonymous Souls
Western Arrarnta artist Albert Namatjira translated the ancient beauty of the Central desert landscape through his watercolours of ghostly gums, red gorges and purple mountain peaks, ancient paths and waterways; with some scenes inhabited by people and animals. Namatjira’s paintings instill an Indigenous narrative that subverts the possessive function of the Western landscape genre in Australian art through a visual display of reclamation of land and culture.
These new mixed media works contain apparitions and unknown forces that seem to speak to one another. The artist has corralled his spirits into an earthly and psychedelic space with recognisable forms, such as the human body, but eschews anatomical attention opting for a rich, rainbow palette. Crosswell’s interest in altered states, his subconscious and patterns that emerge in the visual trope of ‘shadows’, are ripe for a day-trip to the gallery.
National Gallery of Australia Until 2 April, 2018 Australian Capital Territory
Bett Gallery Hobart 9 to 29 March, 2018 Tasmania
‘Painting Country’ is a comprehensive survey of Namatjira’s works, some never before seen.
Standley Chasm, c1945, painting in watercolour over faint underdrawing in black pencil, 39.6 x 25.8cm National Gallery of Australia, Canberra, gift of Marilyn Darling AC in memory of Gordon Darling AC CMG 2016 Donated through the Australian Government’s Cultural Gifts Program Courtesy National Gallery of Australia, Canberra
Thoughts Catching Thoughts, 2017, mixed media on paper, 118 x 76cm Courtesy the artist and Bett Gallery Hobart, Tasmania
53
Artist Opportunities We have selected a few galleries and funding bodies calling for submissions for Art Awards, Artist Engagements, Grants, Public Art, Residency Programs, Exhibition Proposals and more. Enjoy and good luck! NSW Aboriginal Arts Fellow announcement for 2018
Create NSW has announced Sydney-based artist Travis De Vries as this year’s recipient of the NSW Aboriginal Arts Fellow, one of five $50,000 Priority Fellowships offered each year in line with the priority areas highlighted as part of the ten-year NSW Arts and Cultural Policy Framework – Create in NSW. Seven additional $30,000 artform focused fellowships are also supported through this initiative. Muswellbrook-born De Vries has been practicing since 2006 and works across several mediums; painting, contemporary dance, choreography, music and writing. Throughout 2018 he will undertake a residency at the Australian Museum and use this funding to assist his research of Gamilaroi language and lore. The outcome of this project will be a major new work by De Vries, for an exhibition at the Muswellbrook Regional Arts Centre in 2019. Create NSW CEO Michael Brealey says, ‘Through careful research and experimentation, Travis is able to interpret Aboriginal culture, bringing it to life with a standout graphic style that appeals to both western and contemporary Indigenous audiences,’ and affirms that Create NSW is ‘passionate about supporting NSW’s Aboriginal artists and creating new opportunities for their growth and development across the state. We are delighted that Travis will follow past recipients such as author and arts leader Cathy Craigie and theatre producer and curator Andrea James in accepting this Fellowship.’
Libris Awards
Entries close 19 March 2018 Artspace Mackay is calling for entries for the biennial Libris Awards for artists’ books. Four entry categories include the introduction of the new $3,000 acquisitive Altered Book Award with a focus on the Mackay Regional Council Art Collection, the $7,000 acquisitive National Artists’ Book Award, and two non-acquisitive prizes – the Regional Artists’ Book Award offering $2,500 and the Tertiary Artists’ Book Award of $2,000. The 2018 Libris Awards will culminate in an exhibition at the gallery from 26 May to 19 August. artspacemackay.com.au
Pro Hart Outback Art Prize
Entries open 2 April to 15 June 2018 This annual acquisitive competition showcases works that reflect the spirit and diversity of the Australian Outback. Submissions in any media are invited for the Acquisitive First Prize, the Non-Acquisitive Second Prize, Non-Acquisitive Encouragement Award and the Peoples Choice Award, together offering a total prize pool of $19,000. The finalist’s exhibition will be on show at the Broken Hill Regional Art Gallery (BRAG) from 3 August to 23 September. The winning work will become part of BRAG’s collection. brokenhill.nsw.gov.au
Ravenswood Australian Women’s Art Prize
Entries close 12pm, 17 April 2018 Launched in 2017, this annual prize presented by Ravenswood School for Girls aims to advance art and opportunity for emerging and established female artists in Australia. The two categories are the $35,000 Professional Artist Prize and $5,000 Emerging Art Prize. Entries are invited for works, which align with the 2018 theme ‘Resilience’. ravenswoodartprize.com.au
Arts NT Strategic Arts Program
Submissions close 16 March for activities commencing 1 July 2018 The Strategic Arts Program grants offer support for new initiatives that aim to develop the art sector in the Northern Territory. There are four categories; three of which offer up to $25,000 – Access for Artists with Disabilities, Independent Producers and Curators, Community Festivals Capacity Building, and up to $100,000 for Arts Industry Development. Applications are open to individuals, groups and organisations. nt.gov.au
Travis De Vries, NSW 2016 Accelerate recipient Photograph: Mark Gambino, British Council Courtesy Create NSW, Sydney
Art & Industry 55
Subscribe 11 issues for $59 Huge savings on the cover price Free delivery to your door Never miss an issue artalmanac.com.au mymagazines.com.au Call 1300 361 146 or +61 2 9901 6111 for international callers
Craft Victoria
Stephen McLaughlan Gallery
Flinders Lane Gallery
Southbank Sth Melbourne
Watson Place, 171 Collins Street, Melbourne 3000. T (03) 9650-7775. E craft@craft.org.au W www.craft.org.au Free entry. H Mon-Fri 11.00 to 6.00, Sat 10.00 to 5.00. Closed Sun and public hols. To March 10 Fresh! for its 25th anniversary of Fresh! Craft presents the work of 13 recent graduates in contemporary craft, design and fine art practice.
137 Flinders Lane, Melbourne 3000. T (03) 9654-3332. E info@flg.com.au W www.flg.com.au Director: Claire Harris. H Tues-Fri 11.00 to 6.00, Sat 11.00 to 5.00. Please consult website for any opening hours changes. Our extensive stockroom can also be viewed on our website. To March 17 Gallery 1: Zero Zero Zero by Richard Blackwell. Gallery 2: Particle Fever by Dion Horstmans. March 20 to April 7 Gallery 1: Solo Exhibition by Kathrin Longhurst. Gallery 2: Night Bloom by Meg Cowell.
Magda Nakamarra Curtis, Lappi Lappi Dreaming, 2017, acrylic on canvas, 152 x 122cm Courtesy the artist and Flinders Lane Gallery
Level 8, Room 16, 37 Swanston Street (cnr Flinders Lane), Melbourne 3000. T 0407-317-323. W www.stephenmclaughlangallery.com.au Director: Stephen McLaughlan. H Wed-Fri 1.00 to 5.00, Sat 11.00 to 5.00 or by appt. Feb 28 to March 17 Camille McDonald. March 21 to 31 Matthew Engert.
Australian Centre for Contemporary Art (ACCA)
111 Sturt Street, Southbank 3006. T (03) 96979999. W www.acca.melbourne Free admission. H Tues-Fri 10.00 to 5.00, Sat-Sun 12.00 to 5.00, Mon by appt. To March 25 Unfinished Business: Perspectives on art and feminism – a major Australian exhibition exploring feminist concerns in recent contemporary art practice. Unfinished Business asks why the movement might be of ongoing relevance and necessity. The second in ACCA’s Big Picture Summer exhibition series will explore trans-generational legacies, inheritances and shifts alongside contemporary conditions. Developed by ACCA Artistic Director Max Delany and ACCA Senior Curator Annika Kristensen in collaboration with a curatorium of leading Australian artists and curators including Paola Balla, Julie Ewington, Vikki McInnes and Elvis Richardson. The exhibition features works by over 40 artists and has been conceived to animate critical, albeit underrepresented practices and debates within contemporary Australian art and society. See ad page 15.
fortyfivedownstairs
45 Flinders Lane, Melbourne 3000. T (03) 9662-9966. E briar@fortyfivedownstairs.com W www.fortyfivedownstairs.com H Tues-Fri 11.00 to 5.00, Sat 12.00 to 4.00. To March 3 Uncanny Life – artifact and identity contemporary jewellery, objects and sculpture by Jan Donaldson. Also, Save Me painting and sculpture by Anna Taylor. March 6 to 17 Thousand kisses deep painting and printmaking by Lisa Sewards (see ad page 79). Also, Bird as totem sculpture, drawing and printmaking by Mike Nicholls. March 20 to April 7 Daily Encounters painting by Robyn Rich. Also, The Language of Colour: A Textile Journey textiles by Yunuen Pérez.
78 Melbourne
Giselle Stanborough, Giselle Dates (installation view), 2016-17, interactive performance and site-specific multimedia installation, dimensions variable Photograph: Zan Wimberley Courtesy the artist and Australian Centre for Contemporary Art
Geelong South West Great Ocean Road Blarney Books & Art
37 James Street, Port Fairy 3284. T (03) 5568-2174. E jo@blarneybooks.com.au W www.blarneybooks.com.au Instagram: blarneybooksandart. H Thurs-Sun 11.00 to 4.00. Unique book-related art space bookshop, in beautiful Port Fairy.
Elizabeth Arthur Fine Art Gallery & Sculpture Garden
35 Carmichael Street, Hamilton 3300. T (03) 5572-2851. E elarthur@bigpond.net.au Director: Dr Elizabeth Arthur. H Thurs-Fri 10.00 to 6.00, Sun 12.00 to 4.00, or by appt.
Geelong Gallery
Hamilton Gallery
107 Brown Street, Hamilton 3300. T (03) 5573-0460. W www.hamiltongallery.org H Mon-Fri 10.00 to 5.00, Sat 10.00 to 12.00 and 2.00 to 5.00, Sun 2.00 to 5.00. To March 4 Rick Amor: Painting Silence. March 14 to May 20 Celia Rosser: The Banksias.
Horsham Regional Art Gallery
80 Wilson Street, Horsham 3400. T (03) 5382-9575. E hrag@hrcc.vic.gov.au W www.horshamtownhall.com.au H Tues-Fri 10.00 to 5.00, Sat 11.00 to 4.30, Sun 1.00 to 4.30. March 9 to May 14 Hoda Afshar: Behold, and Andrea Grutzner: Erbgericht.
Lorne Sculpture Biennale Lorne foreshore
W www.lornesculpture.com March 17 to April 2, 2018 Lorne Sculpture Biennale – celebrates the best in contemporary Australian and international sculpture. The festival enriches and transforms the stunning Lorne foreshore and surrounds of the Great Ocean Road. Over three weekends, Victoria’s most prestigious sculpture festival, now in its sixth iteration, will be an unmissable destination for arts lovers everywhere. Conference: March 22 to 25. See ad page 13.
55 Little Malop Street, Geelong 3220. T (03) 5229-3645. W geelonggallery.org.au Director: Jason Smith. Free entry unless otherwise stated. H Daily 10.00 to 5.00. Closed Good Friday. To March 4 Kylie on Stage. To May 6 Outrage, obscenity and madness by Elizabeth Gertsakis. March 17 to May 27 Jörg Schmeisser: looking back. March 24 to May 27 Reimagine-the world according to children’s books.
Seol Park and John Kelly, En plein air; In plain sight (AR) Photograph: Rick Cavicchioli Courtesy the artists and Lorne Sculpture Biennale
Metropolis Gallery
64 Ryrie Street, Geelong 3220. T (03) 5221-6505. W www.metropolisgallery.com.au Director: Robert Avitabile. H Mon-Fri 9.00 to 5.00, Sat 10.00 to 4.00, Sun 12.00 to 4.00. Feb 28 to March 19 Araluen by Glenda Fell-Jones.
Qdos Arts + Sculpture Park Elizabeth Gertsakis, A Farmer’s daughter saved from outrage, by a brave dog, 2013, digital pigment on canvas Courtesy the artist and William Mora Galleries, Melbourne
35 Allenvale Road, Lorne 3232. T (03) 5289-1989. W www.qdosarts.com H Thurs-Mon 9.00 to 5.00. March 4 to 17 Andrew Baines and Rimona Kedem. March 18 to 30 Mark Schaller. March 31 to April 22 Susan Sutton. Victoria 111
Hobart Sullivans Cove Battery Point Art Mob
29 Hunter Street, Hobart 7000. T (03) 6236-9200, 0419-393-122. E euan@artmob.com.au W www.artmob.com.au Director: Euan Hills. H Daily 10.00 to 6.00. Aboriginal fine art, including Tasmanian Aboriginal artists.
Colville Gallery
91a Salamanca Place, Hobart 7004. T (03) 6224-4088, 0419-292-626. E info@colvillegallery.com.au W www.colvillegallery.com.au H Daily 10.00 to 5.00. March 16 to 31 Tambour by Ian Parry.
Handmark Gallery
Unique Tasmanian Art & Design, 77 Salamanca Place, Hobart 7000. Also, 2 Russell Street, Evandale, 7212. T Hobart: (03) 6223-7895 Evandale: (03) 6391-8193. E Hobart: hobart@handmark.com.au Evandale: evandale@handmark.com.au W www.handmark.com.au Hobart: To March 19 Clifford How new paintings. March 23 to April 9 Furniture and Design Exhibition – Simon Ancher, Rebecca Coote, Laura McCusker, Geoff Marshall, Matt Prince, Nick Randall, Scott Van Tuil and Stuart Williams. Evandale: To March 7 Summer Exhibition new works. March 11 to April 4 Landscape Exhibition new paintings and prints.
The Henry Jones Art Hotel
25 Hunter Street, Hobart 7000. T (03) 6210-7700. E art@thehenryjones.com W www.thehenryjones.com Showcasing leading and emerging Tasmanian artists with a changing display of original contemporary artworks.
Michael Bugelli Gallery
Ingle Hall, 89 Macquarie Street, Hobart 7000. E michael.bugelli@gmail.com W www.michaelbugelligallery.com H Tues-Sat 11.00 to 6.00. To March 31 Before the Age of the Museum by Andrew Hazewinkel. An exhibition of photographic works, large format photo-mediated screen prints on sandpaper and leather, cast and found objects and a large-scale installation in the form of an excavation.
Ian Parry, Tambour, 2018, oil on linen, 122 x 92cm Courtesy the artist and Colville Gallery
Andrew Hazewinkel, Untitled (Antikythera 3), 2017, digital C-type photograph, 90 x 60cm Courtesy the artist and Michael Bugelli Gallery
152 Tasmania
Brisbane Andrew Baker Art Dealer
26 Brookes Street, Bowen Hills 4006. T (07) 3252-2292, 0412-990-356. E info@andrew-baker.com W www.andrew-baker.com H Wed-Sat 10.00 to 5.00, or by appt. Paintings, photographs, prints and sculptures by leading contemporary Australian, Melanesian and Polynesian artists, including: Lincoln Austin, Leonard Brown, Michael Cook, Karla Dickens, Ruki Famé (PNG), Fiona Foley, Taloi Havini (Bougainville), Michael Leunig, Dennis Nona (Torres Strait), Ömie Artists (PNG), Michel Tuffery (New Zealand/Polynesia), Katarina Vesterberg and William Yang. To March 31 Invasion by Michael Cook. Also, So far, yet so near by Kenji Uranishi.
FireWorks Gallery
52a Doggett Street, Newstead 4006. T (07) 3216-1250. E info@fireworksgallery.com.au W www.fireworksgallery.com.au H Tues-Fri 10.00 to 6.00, Sat 10.00 to 4.00. To March 17 Nature’s Way by Rosella Namok. Also, Violet Indigo Moss Series II by Sharonne Solk, and Guardians of the Secret 1999-2017 by Lyell Bary. March 22 to May 5 The Flower Show by Anthony Lister.
Graydon Gallery
29 Merthyr Road, New Farm 4005. T 0418-740-467. E graydongallery@gmail.com W www.graydongallery.com.au A modern rental art gallery space ideal for short term exhibitions showcasing all art mediums from established, emerging and group artists. To March 4 Rick Everingham. March 6 to 18 Joanna Davies.
Jan Manton Art Contemporary Australian + International Art
Michael Cook, Invasion (Giant birds), 2017, inkjet print, 81 x 120cm (edition 10) or 135 x 200cm (edition 6) Courtesy the artist and Andrew Baker Art Dealer
1/93 Fortescue Street, Spring Hill 4000. T (07) 3831-3060, 0419-657-768. E info@janmantonart.com W www.janmantonart.com Director: Jan Manton. H Wed-Fri by appt, Sat 10.00 to 4.00 no appt required. Jan Manton Art has a changing program of leading and emerging contemporary artists. To March 17 From One Side To The Other by Dylan Jones. Preview: March 22 to 25, 10-5pm Selected Works from the Brian Tucker Collection. Auction: Sun March 25, 2pm. For further info please contact the gallery.
Artworld Studio Gallery
28 Bodalla Street, Brisbane T 0417-198-491. E artworldstudio@outlook.com W www.artworld-studio.com H Sat 10.00 to 5.00, Sun 10.00 to 2.00. March 5 to 31 A Series of Predicted Events and Peculiar Statements by Dr Julie Rees.
Contemporary Art Awards Exhibitions
T 0407-739-871. E admin@contemporaryartawards. com W www.contemporaryartawards.com H Mon-Sat 10.00 to 5.00. To June 11 Contemporary Art Awards 2018 Finalist Exhibition – 2018 Winners: Kym Frame (QLD), Carmel Louise (VIC), Amandeep Kaur (ACT) and Rhys Knight (VIC). March 2 to 30 Cataclysm by Jude Hotchkiss.
168 Queensland
Judy Napangardi Watson, Untitled, acrylic on canvas, 106 x 121.5cm Brian Tucker Collection Courtesy the artist and Jan Manton Art