CHECK-IN by Art & Market (A&M)

Page 103

Archive as Ethics: Malaysia Design Archive Lim Sheau Yun In her book ‘Death of a Discipline’1, literary critic Gayatri Spivak makes a case for close reading as the starting point for a revolutionary politics. Close reading, she argues, creates an “experience of the impossible”, where readers intimately engage with an artefact, allowing them to suspend current socio-political realities and delve into the aesthetic world of the object. Spivak contends that the ethical is grounded in this act of making and exploring new worlds, a fulcrum to forge new possibilities for the future. The Malaysia Design Archive (MDA) was founded in 2008 by graphic designer Ezrena Marwan and activist Jac sm Kee with a similar aspiration. They were joined in 2017 by art historian Simon Soon, and in 2018 by archivist Nadia Nasaruddin. I came onboard in 2019. Tucked away in an upper floor of the Zhongshan Building in Kuala Lumpur, MDA is a library, a living room/event space, and an archive. Archival thinking at MDA serves a double function; it is both a method of historical thinking and a frame for political action. By collecting and preserving materials related to marginal stories such as material related to LGBTQ experiences, Pulau Bidong, New Villages, the Labour Party amongst others, we recognise experiences and hold community memories. We felt the urgency of our mission acutely in 2020. It was a year of estrangement, especially so for those inhabiting the worlds of Malaysia. The pandemic both underscored and exacerbated social inequality. Continued political crises have put civil society on edge and, combined with lockdown-justified police presence on the streets, have contributed to a growing climate of fear. It was also a year where we were acutely aware of history being in the making. We felt the need to cast a net on this historical moment, even as it continued to morph before our very eyes. To this end, we started a 2020 collection, archiving artworks, memes, protest posters and anti-racist imagery. Nasaruddin trawled Twitter and 'The Star' alike to reconstruct a visual history of events: from the pandemic and its Movement Control Orders to the mass arrests of migrants and refugees and the ensuing #MigranJugaManusia movement to the Selangor water crises. Our other initiative, ‘Projek 555’, goes a step further in opening this exercise in history-writing and the curation of the archive to

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Creative Space Art Gallery and Studio, Brunei

2min
pages 213-215

Melati Suryodarmo and art naming 奇能: An Intergenerational Conversation on Performance Art

15min
pages 138-147

Anti Kolektif Kolektif Klub

3min
pages 224-227

Lawangwangi Creative Space and ArtSociates

2min
pages 220-221

i:cat gallery

1min
pages 222-223

ILHAM Gallery

2min
pages 216-217

NFTs: The Good, The Bad, The Uncertain Future

9min
pages 206-212

Manzi Art Space

2min
pages 218-219

An Act of Folding: Beyond a Performative Category of the 'Queer

8min
pages 192-198

Art Collectors: Collecting Habits and A System of Support

7min
pages 199-205

The Changing Landscape of Artist Residencies

8min
pages 184-191

Adar Ng

1min
pages 181-183

Azizi Al Majid

1min
page 180

Aziz Amri

1min
page 178

Alexander Sebastianus Hartanto

1min
page 179

Bill Nguyen on the Fifth Anniversary of The Factory

9min
pages 170-177

On Koperasi

10min
pages 155-162

Thai Curator Gridthiya Gaweewong: The Next Chapter

8min
pages 163-169

Tromarama’s ‘Solaris’ at the NGV Triennial 2020

10min
pages 148-154

Bree Jonson

1min
pages 135-137

Divagaar

1min
page 134

Adaptations in Art Handling

5min
pages 122-125

Experimentations in Art Journalism

9min
pages 126-133

The Digital Transformation of Auction Houses

7min
pages 115-121

One-Man Art Archive: The Story So Far

4min
pages 91-93

Archive as Ethics: Malaysia Design Archive

4min
pages 103-106

Modern Southeast Asian Artists of Note

9min
pages 107-114

Independent Archive: Spirits Out of Time

5min
pages 94-97

The Womanifesto Online Anthology

6min
pages 98-102

Archiving Practices: Who, How, What, Where, When and Why?

1min
page 90

Quynh Lam

1min
pages 87-89

Meliantha Muliawan

1min
page 86

Between Art and Politics: A Report from Bangkok

5min
pages 73-77

Working Within And Without A Studio

7min
pages 54-59

Migrations of Curatorial Work

8min
pages 78-85

This Is Not A Corner Store

6min
pages 67-72

Matca: Showing, Thinking, and Writing Photography

7min
pages 60-66

Faizal Yunus

1min
pages 51-53

Thanom Chapakdee: Ubon Agenda, Khon Kaen Manifesto and MAIELIE

10min
pages 41-49

Etza Meisyara

1min
page 50

Meta Moeng in Phnom Penh

7min
pages 29-34

Sornrapat Patharakorn

1min
pages 13-15

Myanmar’s Contemporary Arts: In the Face of a Revolution

8min
pages 35-40

We are at an Exciting Moment”: Reaksmey Yean on Cambodian Visual Arts

12min
pages 21-28

FIXER 2021: Mapping the Art Collectives in Indonesia

7min
pages 16-20

Anuwat Apimukmongkon

1min
page 12
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