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Page 206

NFTs: The Good, The Bad, The Uncertain Future Clara Che Wei Peh

Singapore artist Farizwan Fajari, better known as Speak Cryptic, minted his first Non-Fungible Token (NFT) artwork on 14 March 2021. The visual artist, working across drawings, installations, public art and performance-based mediums, was first introduced to the digital asset earlier this year, prompted by the media frenzy surrounding Christie’s auction of Beeple’s ‘Everydays – The First 5000 Days’. Beeple’s collection was the first instance of an art auction house offering a fully digital artwork and as an NFT. The work went on to achieve a jawdropping price of USD69.3 million, prompting many to ask: what is an NFT, and what does it mean for the future of art? An NFT is a unique digital asset stored on the blockchain, and can refer to digital files, including artworks and collectibles. Blockchain is a digital ledger of data that is distributed across a decentralised network of computer systems. The technology facilitates a record of transactions that is immutable, transparent and entirely traceable. One of its key applications is cryptocurrencies like Bitcoin and Ether. Bitcoin is a fungible asset, as different units of Bitcoin are mutually interchangeable. An NFT, in contrast, is by definition unique. It cannot be equally swapped or exchanged for another. Each NFT is minted onto the blockchain, encoding within it a smart contract, or a string of code and metadata, that certifies its authorship and ownership. NFTs generate and maintain digital scarcity, a feat that was previously less accessible within a digital economy of infinite reproducibility and shareability.

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Creative Space Art Gallery and Studio, Brunei

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pages 213-215

Melati Suryodarmo and art naming 奇能: An Intergenerational Conversation on Performance Art

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Anti Kolektif Kolektif Klub

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Lawangwangi Creative Space and ArtSociates

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i:cat gallery

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ILHAM Gallery

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NFTs: The Good, The Bad, The Uncertain Future

9min
pages 206-212

Manzi Art Space

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An Act of Folding: Beyond a Performative Category of the 'Queer

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Art Collectors: Collecting Habits and A System of Support

7min
pages 199-205

The Changing Landscape of Artist Residencies

8min
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Adar Ng

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Azizi Al Majid

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page 180

Aziz Amri

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page 178

Alexander Sebastianus Hartanto

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page 179

Bill Nguyen on the Fifth Anniversary of The Factory

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On Koperasi

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Thai Curator Gridthiya Gaweewong: The Next Chapter

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Tromarama’s ‘Solaris’ at the NGV Triennial 2020

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Bree Jonson

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Adaptations in Art Handling

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Experimentations in Art Journalism

9min
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The Digital Transformation of Auction Houses

7min
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One-Man Art Archive: The Story So Far

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Archive as Ethics: Malaysia Design Archive

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Modern Southeast Asian Artists of Note

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Independent Archive: Spirits Out of Time

5min
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The Womanifesto Online Anthology

6min
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Archiving Practices: Who, How, What, Where, When and Why?

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Quynh Lam

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Meliantha Muliawan

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Between Art and Politics: A Report from Bangkok

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Migrations of Curatorial Work

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This Is Not A Corner Store

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Matca: Showing, Thinking, and Writing Photography

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Faizal Yunus

1min
pages 51-53

Thanom Chapakdee: Ubon Agenda, Khon Kaen Manifesto and MAIELIE

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Etza Meisyara

1min
page 50

Meta Moeng in Phnom Penh

7min
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Sornrapat Patharakorn

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Myanmar’s Contemporary Arts: In the Face of a Revolution

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We are at an Exciting Moment”: Reaksmey Yean on Cambodian Visual Arts

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FIXER 2021: Mapping the Art Collectives in Indonesia

7min
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Anuwat Apimukmongkon

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