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Page 21

“We are at an Exciting Moment”: Reaksmey Yean on Cambodian Visual Arts Amanda Rogers

A native of Battambang, Reaksmey Yean is an art advocate, art curator, writer and researcher. He has been an Alphawood Scholar at the School of Oriental and African Studies, University of London, an exchange scholar at the Institute of Southeast Asian Affairs, Chiang Mai University, and in 2017 he became the first recipient of the SEAsia Scholars Award at LASALLE College of the Arts, Singapore, where he was also funded by an Asian Cultural Council fellowship. Reaksmey has been a curator for creative programmes at Java Creative Café, Phnom Penh, and has served in several senior posts, including an Assistant to the School of Performing Arts at Phare Ponleu Selpak, a multi-disciplinary arts centre in Battambang where he received his early education. He is interested in multi-disciplinary contemporary art practice and recently opened the Silapak Trotchaek Pneik art gallery in Phnom Penh. As an art advocate, he promotes art and culture in contemporary Cambodia via curatorial practices and art criticism. As a scholar, he is concerned with Buddhist art, contemporary and modern arts, Southeast Asia, and decolonial theory. Reaskmey is currently finishing a position at the Centre for Khmer Studies as a co-investigator on the project ‘Contemporary Arts Making and Creative Expression among Young Cambodians.’ I am leading this project in collaboration with Cambodian Living Arts, and it is funded by the Arts and Humanities Research Council in the United Kingdom, and the Global Challenges Research Fund via the post-conflict research programme ‘Changing the Story’. Reaksmey and I first met when we were both invited to speak as part of a panel on ‘Heritage Arts and the Contemporary’ at the Southeast Asian Arts Festival in London in 2014. This was to open the exhibition of ‘Fractured/Khmer Passages’ by Thomas Buttery and Jai Rafferty, produced by Annie Jael Kwan. Reaksmey’s interests lie predominantly in the visual arts, whereas mine lie in

From The Periphery

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Creative Space Art Gallery and Studio, Brunei

2min
pages 213-215

Melati Suryodarmo and art naming 奇能: An Intergenerational Conversation on Performance Art

15min
pages 138-147

Anti Kolektif Kolektif Klub

3min
pages 224-227

Lawangwangi Creative Space and ArtSociates

2min
pages 220-221

i:cat gallery

1min
pages 222-223

ILHAM Gallery

2min
pages 216-217

NFTs: The Good, The Bad, The Uncertain Future

9min
pages 206-212

Manzi Art Space

2min
pages 218-219

An Act of Folding: Beyond a Performative Category of the 'Queer

8min
pages 192-198

Art Collectors: Collecting Habits and A System of Support

7min
pages 199-205

The Changing Landscape of Artist Residencies

8min
pages 184-191

Adar Ng

1min
pages 181-183

Azizi Al Majid

1min
page 180

Aziz Amri

1min
page 178

Alexander Sebastianus Hartanto

1min
page 179

Bill Nguyen on the Fifth Anniversary of The Factory

9min
pages 170-177

On Koperasi

10min
pages 155-162

Thai Curator Gridthiya Gaweewong: The Next Chapter

8min
pages 163-169

Tromarama’s ‘Solaris’ at the NGV Triennial 2020

10min
pages 148-154

Bree Jonson

1min
pages 135-137

Divagaar

1min
page 134

Adaptations in Art Handling

5min
pages 122-125

Experimentations in Art Journalism

9min
pages 126-133

The Digital Transformation of Auction Houses

7min
pages 115-121

One-Man Art Archive: The Story So Far

4min
pages 91-93

Archive as Ethics: Malaysia Design Archive

4min
pages 103-106

Modern Southeast Asian Artists of Note

9min
pages 107-114

Independent Archive: Spirits Out of Time

5min
pages 94-97

The Womanifesto Online Anthology

6min
pages 98-102

Archiving Practices: Who, How, What, Where, When and Why?

1min
page 90

Quynh Lam

1min
pages 87-89

Meliantha Muliawan

1min
page 86

Between Art and Politics: A Report from Bangkok

5min
pages 73-77

Working Within And Without A Studio

7min
pages 54-59

Migrations of Curatorial Work

8min
pages 78-85

This Is Not A Corner Store

6min
pages 67-72

Matca: Showing, Thinking, and Writing Photography

7min
pages 60-66

Faizal Yunus

1min
pages 51-53

Thanom Chapakdee: Ubon Agenda, Khon Kaen Manifesto and MAIELIE

10min
pages 41-49

Etza Meisyara

1min
page 50

Meta Moeng in Phnom Penh

7min
pages 29-34

Sornrapat Patharakorn

1min
pages 13-15

Myanmar’s Contemporary Arts: In the Face of a Revolution

8min
pages 35-40

We are at an Exciting Moment”: Reaksmey Yean on Cambodian Visual Arts

12min
pages 21-28

FIXER 2021: Mapping the Art Collectives in Indonesia

7min
pages 16-20

Anuwat Apimukmongkon

1min
page 12
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