CHECK-IN by Art & Market (A&M)

Page 218

Manzi Art Space, Hanoi, Vietnam Manzi Team How have you been exhibiting art or working with artists in the past year? We opened our new exhibition space in 2020 and expected to have at least 10 group and solo shows in the year. However, due to social distancing campaigns, we could only launch our first event in June 2020 and held four exhibitions in total. Dealing with the unpredictable situation, some artists inevitably felt unsure if they could finish their ongoing projects. Others decided to drop the original plan to explore a new approach in response to recent challenges. As a result, almost all our exhibition arrangements were canceled or rescheduled to the next year. At the end of November, we managed to organise the 14th edition of ‘Art For You’, our annual pop-up art fair. Fortunately, it was a success and was able to provide us and our artists with the necessary financial support in this difficult time. We also launched a new series of performances with the concept of ‘Cine-Concert’, combining live sound and music performances with video screenings. Experimental theatre was also part of our art programme last year, where we featured two performances: an interactive play and a script reading. What are the profiles of the artists you tend to show? Are there specific interests or themes that connect your gallery programme? We would like to show and promote young Vietnamese contemporary artists working in different disciplines, whether it is installation, performance art or painting. Since Manzi is not a commercial gallery, our main aim is to give opportunities to local emerging artists for them to show their work to the wider public and receive critique from the art community.

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Creative Space Art Gallery and Studio, Brunei

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pages 213-215

Melati Suryodarmo and art naming 奇能: An Intergenerational Conversation on Performance Art

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pages 138-147

Anti Kolektif Kolektif Klub

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pages 224-227

Lawangwangi Creative Space and ArtSociates

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i:cat gallery

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pages 222-223

ILHAM Gallery

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NFTs: The Good, The Bad, The Uncertain Future

9min
pages 206-212

Manzi Art Space

2min
pages 218-219

An Act of Folding: Beyond a Performative Category of the 'Queer

8min
pages 192-198

Art Collectors: Collecting Habits and A System of Support

7min
pages 199-205

The Changing Landscape of Artist Residencies

8min
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Adar Ng

1min
pages 181-183

Azizi Al Majid

1min
page 180

Aziz Amri

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page 178

Alexander Sebastianus Hartanto

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page 179

Bill Nguyen on the Fifth Anniversary of The Factory

9min
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On Koperasi

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Thai Curator Gridthiya Gaweewong: The Next Chapter

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Tromarama’s ‘Solaris’ at the NGV Triennial 2020

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pages 148-154

Bree Jonson

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Divagaar

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page 134

Adaptations in Art Handling

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Experimentations in Art Journalism

9min
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The Digital Transformation of Auction Houses

7min
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One-Man Art Archive: The Story So Far

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Archive as Ethics: Malaysia Design Archive

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Modern Southeast Asian Artists of Note

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Independent Archive: Spirits Out of Time

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The Womanifesto Online Anthology

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Archiving Practices: Who, How, What, Where, When and Why?

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Quynh Lam

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pages 87-89

Meliantha Muliawan

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Between Art and Politics: A Report from Bangkok

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Working Within And Without A Studio

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Migrations of Curatorial Work

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This Is Not A Corner Store

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Matca: Showing, Thinking, and Writing Photography

7min
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Faizal Yunus

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pages 51-53

Thanom Chapakdee: Ubon Agenda, Khon Kaen Manifesto and MAIELIE

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Etza Meisyara

1min
page 50

Meta Moeng in Phnom Penh

7min
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Sornrapat Patharakorn

1min
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Myanmar’s Contemporary Arts: In the Face of a Revolution

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We are at an Exciting Moment”: Reaksmey Yean on Cambodian Visual Arts

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FIXER 2021: Mapping the Art Collectives in Indonesia

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Anuwat Apimukmongkon

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