CHECK-IN by Art & Market (A&M)

Page 29

Meta Moeng in Phnom Penh Ho See Wah

Meta Moeng is the curator of Treeline Gallery, Siem Reap and lives in Phnom Penh, Cambodia. Her curatorial practice focuses on contemporary art in Cambodia, creating dialogue among young artists and engaging in archiving such as through dambaul which she founded in 2019, an arts resource home focused on building the Cambodian Contemporary Art Archives. Her interests lie in urban development, architecture and art. At Treeline Gallery, she curates and manages new commissions with emerging artists in Cambodia. Meta is also the founder of Kon Len Khnhom (2017), an independent art space focusing on developing a local audience for art. She was previously Creative Producer for Creative Generation at Java Creative Cafe (2017− 2018). She was also Community Projects Manager at SA SA BASSAC (2013 −2016). In 2018, she received the Travel Grants fund by The Getty Foundation. Meta is a member of CIMAM, the International Committee for Museums and Collections of Modern Art. In this interview, we ask Meta about her practice, and the challenges that the Cambodian art scene faces at the moment.

To start, could you tell us more about your practice as both curator and art manager? I visited SA SA BASSAC by chance without knowing anything about contemporary art and art history. From there, I became curious about contemporary art and the people involved in this field. Through dialogues I had with artists and galleries, I was encouraged to consider another direction in my career, so I switched from the business field to the arts and started working as SA SA BASSAC’s Community Projects Manager

From The Periphery

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Melati Suryodarmo and art naming 奇能: An Intergenerational Conversation on Performance Art

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Anti Kolektif Kolektif Klub

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Lawangwangi Creative Space and ArtSociates

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ILHAM Gallery

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Manzi Art Space

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An Act of Folding: Beyond a Performative Category of the 'Queer

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Art Collectors: Collecting Habits and A System of Support

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The Changing Landscape of Artist Residencies

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Adar Ng

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Azizi Al Majid

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page 180

Aziz Amri

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Alexander Sebastianus Hartanto

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page 179

Bill Nguyen on the Fifth Anniversary of The Factory

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On Koperasi

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Thai Curator Gridthiya Gaweewong: The Next Chapter

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Tromarama’s ‘Solaris’ at the NGV Triennial 2020

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Bree Jonson

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Divagaar

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Adaptations in Art Handling

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Experimentations in Art Journalism

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The Digital Transformation of Auction Houses

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One-Man Art Archive: The Story So Far

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Archive as Ethics: Malaysia Design Archive

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Modern Southeast Asian Artists of Note

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Independent Archive: Spirits Out of Time

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The Womanifesto Online Anthology

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Archiving Practices: Who, How, What, Where, When and Why?

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Quynh Lam

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Meliantha Muliawan

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Between Art and Politics: A Report from Bangkok

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Migrations of Curatorial Work

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This Is Not A Corner Store

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Matca: Showing, Thinking, and Writing Photography

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Thanom Chapakdee: Ubon Agenda, Khon Kaen Manifesto and MAIELIE

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Etza Meisyara

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Meta Moeng in Phnom Penh

7min
pages 29-34

Sornrapat Patharakorn

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Myanmar’s Contemporary Arts: In the Face of a Revolution

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We are at an Exciting Moment”: Reaksmey Yean on Cambodian Visual Arts

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FIXER 2021: Mapping the Art Collectives in Indonesia

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Anuwat Apimukmongkon

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