CHECK-IN by Art & Market (A&M)

Page 87

FRESH FACES

QUYNH LAM

Quynh Lam, ‘Quarran-tea’, 2020-2021, white marble, wood, used teabags, 84 x 76cm. Image courtesy of the artist.

I returned to the United States of America after the opening of my three-month sitespecific flowers installation at VCCA (Hanoi) in December 2019 due to the early COVID-19 rumours. 2020 forced me to reconsider and reconceptualise my current projects and still be truthful about this period of time. 'Quarran-tea' is made from the tea bags that I used each day during the pandemic. I started keeping my teabags on the first day of the lockdown as a way of marking time. I framed all the lockdown dates under the teabags in marble, like gravestones. This reflects my past year: unpredictable, lonesome, ruminative. In 2021 or 2022, I will return to Vietnam and continue my long-term project. Currently, I am working with coffee pigments for the 'Peripheral Memories Project' in Italy. I extend the concepts about art and nature from my previous practice as I have a long history using plant-based pigments.

Fresh Faces

87


Turn static files into dynamic content formats.

Create a flipbook

Articles inside

Creative Space Art Gallery and Studio, Brunei

2min
pages 213-215

Melati Suryodarmo and art naming 奇能: An Intergenerational Conversation on Performance Art

15min
pages 138-147

Anti Kolektif Kolektif Klub

3min
pages 224-227

Lawangwangi Creative Space and ArtSociates

2min
pages 220-221

i:cat gallery

1min
pages 222-223

ILHAM Gallery

2min
pages 216-217

NFTs: The Good, The Bad, The Uncertain Future

9min
pages 206-212

Manzi Art Space

2min
pages 218-219

An Act of Folding: Beyond a Performative Category of the 'Queer

8min
pages 192-198

Art Collectors: Collecting Habits and A System of Support

7min
pages 199-205

The Changing Landscape of Artist Residencies

8min
pages 184-191

Adar Ng

1min
pages 181-183

Azizi Al Majid

1min
page 180

Aziz Amri

1min
page 178

Alexander Sebastianus Hartanto

1min
page 179

Bill Nguyen on the Fifth Anniversary of The Factory

9min
pages 170-177

On Koperasi

10min
pages 155-162

Thai Curator Gridthiya Gaweewong: The Next Chapter

8min
pages 163-169

Tromarama’s ‘Solaris’ at the NGV Triennial 2020

10min
pages 148-154

Bree Jonson

1min
pages 135-137

Divagaar

1min
page 134

Adaptations in Art Handling

5min
pages 122-125

Experimentations in Art Journalism

9min
pages 126-133

The Digital Transformation of Auction Houses

7min
pages 115-121

One-Man Art Archive: The Story So Far

4min
pages 91-93

Archive as Ethics: Malaysia Design Archive

4min
pages 103-106

Modern Southeast Asian Artists of Note

9min
pages 107-114

Independent Archive: Spirits Out of Time

5min
pages 94-97

The Womanifesto Online Anthology

6min
pages 98-102

Archiving Practices: Who, How, What, Where, When and Why?

1min
page 90

Quynh Lam

1min
pages 87-89

Meliantha Muliawan

1min
page 86

Between Art and Politics: A Report from Bangkok

5min
pages 73-77

Working Within And Without A Studio

7min
pages 54-59

Migrations of Curatorial Work

8min
pages 78-85

This Is Not A Corner Store

6min
pages 67-72

Matca: Showing, Thinking, and Writing Photography

7min
pages 60-66

Faizal Yunus

1min
pages 51-53

Thanom Chapakdee: Ubon Agenda, Khon Kaen Manifesto and MAIELIE

10min
pages 41-49

Etza Meisyara

1min
page 50

Meta Moeng in Phnom Penh

7min
pages 29-34

Sornrapat Patharakorn

1min
pages 13-15

Myanmar’s Contemporary Arts: In the Face of a Revolution

8min
pages 35-40

We are at an Exciting Moment”: Reaksmey Yean on Cambodian Visual Arts

12min
pages 21-28

FIXER 2021: Mapping the Art Collectives in Indonesia

7min
pages 16-20

Anuwat Apimukmongkon

1min
page 12
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.