ART + OBJECT
IMPORTANT PAINTINGS & CONTEMPORARY ART
ART + OBJECT
26 NOVEMBER 2019
IMPORTANT PAINTINGS & CONTEMPORARY ART
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Important Paintings & Contemporary Art
2019
Cover: Lot 54. Thomas Ruff, h.l.k. 03, 2000
Welcome to our final Important Paintings and Contemporary Art catalogue for 2019. Although we are all looking forward to the summer (if it ever arrives!), it is hard to believe that 2019 is drawing to a close. It’s been a busy year for our small team, with some notable auctions. We have achieved new auction records for Milan Mrkusich, John Pule, Barry Lett and Seung Yul Oh and held our first auction dedicated to the work of one artist alone. Our book department, most ably led by Pam Plumbly, has had a stellar year offering a number of private collections. Rare Antarctic Books from the Library of Richard Reaney and The Christopher Parr Collection saw items of great historical significance pass through our rooms, with unprecedented prices achieved. On December 10, the final auction of the year will be The Ron Keam Collection, including significant paintings, books, letters and ephemera relating to the Tarawera eruption and the surrounding geothermal area; its a wonderful insight into an important part of our country and it’s history. Our early November auctions, Beyond the Lens, The Marti and Gerrard Friedlander Collection and Celebrating Colin McCahon were a great success. I would particularly like to thank the generous people who participated in our public programme over the weekend viewing: Judy Millar, Peter Simpson, Len Bell and Kathleen Fogarty. The viewing and talks were well-attended and thank you to everyone who came along – I hope you enjoyed it. We were also fortunate to have the support of our partners Seresin Estate wine, Taittinger Champagne and Allpress Espresso – which really kept us going through a busy weekend viewing. Within the pages of this catalogue is a wonderful selection of contemporary New Zealand art. Of particular note is the important painting by Gordon Walters Untitled, 1977 (lot 62). We are also delighted to offer works from the Toi Collection (lots 73–79) and works from the Estate of Simon Manchester (lots 80–92). Simon was a great friend of Art+Object, a prolific collector, with an unbridled passion for fine art and ceramics. The first five lots of this auction are being sold in support of Auckland Pride and no buyer’s premium applies. We look forward to seeing you at the viewing. Season's greetings.
Leigh Melville
Art+Object 3 Abbey Street Newton Auckland PO Box 68345 Wellesley Street Auckland 1141 Tel +64 9 354 4646 Free 0 800 80 60 01 Fax +64 9 354 4645 info@artandobject.co.nz www.artandobject.co.nz instagram: @artandobject facebook: Art+Object youtube: ArtandObject Photography: Sam Hartnett Design: Fount–via Print: Graeme Brazier
www.artandobject.co.nz
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NEW COLLECTORS ART ENTRIES INVITED Jeffrey Harris The Betrayal etching, 9/50 title inscribed and signed 215 x 260mm $600 – $900
25 FEB 2020 Leigh Melville leigh@artandobject.co.nz +64 21 406 678
John Pule The windows are dark like the eyes I tried to believe in for so long watercolour, oil stick and ink on paper title inscribed and inscribed From The Shark That Ate The Sun, signed and dated Christchurch 1998 770 x 565mm $4000 – $6000
THE RON KEAM COLLECTION
Charles Blomfield Rotomahana after the Eruption oil on canvas signed and dated ‘87 430 x 585mm $25 000 – $35 000
Pam Plumbly pam@artandobject.co.nz +64 21 448 200 +64 9 354 4646
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Our final auction of 2019 is a collection devoted to the thermal region of New Zealand, assembled by the late Professor Ron Keam. Ron was Associate Professor of Physics at The University of Auckland and had a life-long fascination with the mystery of geothermal activity and the history associated with Mount Tarawera, its eruption, and the active geothermal districts which surround it. He was the leading world authority on the Tarawera eruption and geothermal activity in New Zealand and had been publishing on that region for many years. In 1988 he produced the magnificent book, Tarawera: The Volcanic Eruption of 10 June 1886. This important historical collection, much of which relates to the eruption of Mount Tarawera, the destruction of the Pink and White Terraces in 1868, and the surrounding areas includes a superb collection of works by Charles Blomfield along with a rare painting of the eruption by Ina Haszard.
10.12.19
Other highlights of the collection include a number of photograph albums by Josiah Martin, the Burton Brothers, Elizabeth Pullman, Illes and others; a very large collection of New Zealand postcards as well as rare New Zealand books, pamphlets, booklets and brochures on early tourism. Of major historical importance relating to the eruption, is a Para Kiekie [rain cloak] provenanced to Te Wairoa. The cloak was taken to America by Alfred Fairbrother, the early Baptist missionary, and later returned to New Zealand. Also of importance is a large original map of the Geothermal Area drawn in ink by S. Percy Smith.
A SELECTION OF PAINTINGS FROM THE COLLECTION WILL BE ON VIEW FROM 20 NOVEMBER, WITH A CATALOGUE AVAILABLE ONLINE ON NOV 25.
S. Percy Smith original ink sketch map, covers the area from the Tarawera volcano area in the north to the Blue Lake in the south, circa 1886 1080 x 1300mm $4000 – $7000
AUCTION HIGHLIGHTS Following a busy viewing and excellent attendance at our public programmes over the weekend, the auction of the Marti and Gerrard Friedlander Collection was held on a warm spring evening. Good attendance at the auction ensured a high sell-through rate, with excellent results achieved for Friedlander’s own photography.
BEYOND THE LENS THE MARTI AND GERRARD FRIEDLANDER COLLECTION
NOV 2019 19
Tony Fomison Ngauteringaringa oil on jute laid onto particle board (1980) title inscribed 192 x 143mm Realised $28 800
23 Philip Clairmont Corner of the Bedroom Window oil on jute laid onto board signed and dated ’75 1210 x 745mm Realised $66 000
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Marti Friedlander Philip Clairmont cibachrome photograph title inscribed 297 x 250mm Realised $12 600
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Marti Friedlander Gordon Walters in the Studio colour photograph signed verso 250 x 300mm Realised $8400
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Marti Friedlander Jubilee, Turangawaewae, 1971 gelatin silver print signed 290 x 376mm Realised $6000
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AUCTION HIGHLIGHTS
Colin McCahon The First Bellini Madonna enamel on board signed and dated ’61 – ’62 and inscribed Bellini I 1219 x 906mm
CELEBRATING COLIN MCCAHON NOV 2019
Realised $420 500
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Colin McCahon Little Landscape with Tree oil on board signed and dated 1951 400 x 500mm
In a landmark event for Art+Object, our auction dedicated to the work of Colin McCahon was a resounding success. We were delighted to contribute towards acknowledging the artist’s centenary year and a large crowd filled the saleroom to witness the event.
Realised $141 100
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Colin McCahon Truth from the King Country: Load Bearing Structures No. I (Third Series) synthetic polymer paint on canvasboard title inscribed, signed and dated ’78 verso 227 x 305mm Realised $98 500
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Colin McCahon Cross synthetic polymer paint title inscribed, signed and dated Feb – Mar ’71 787 x 585mm Realised $255 000
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Colin McCahon Light Passing Through a Dark Landscape synthetic polymer paint on paper title inscribed, signed and dated Jan ’72 and inscribed (B) 1090 x 725mm
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Realised $228 000
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Important Paintings & Contemporary Art
2019
Auction Tuesday 26 November at 6.30pm 3 Abbey Street, Newton, Auckland Preview Wednesday 20 November 5.00pm – 7.00pm
Gordon Walters Untitled polyvinyl acetate and acrylic on canvas signed and dated 1977 verso 1220 x 943mm
Viewing
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Thursday 21 November 9.00am – 5.00pm
Sunday 24 November 11.00am – 4.00pm
Friday 22 November 9.00am – 5.00pm
Monday 25 November 9.00am – 5.00pm
Saturday 23 November 11.00am – 4.00pm
Tuesday 26 November 9.00am – 2.00pm
ART + OBJECT
26 NOVEMBER 2019
IMPORTANT PAINTINGS & CONTEMPORARY ART
ARTWORKS TO BE SOLD FOR THE BENEFIT OF PRIDE Lots 1 – 5. These works attract no buyer's premium or commission charges
1 Peter Peryer Sacred Heart gelatin silver print title inscribed, signed and dated 1993 verso 455 x 300mm $4000 – $6000
2 Fiona Clark Carmen Rupe on her 70th Birthday, Wellington digital print on archival paper from medium format film, 1/2 (printed 2019) original Michael Lett label affixed verso 635 x 505mm $3000 – $5000
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Important Paintings & Contemporary Art
3 Michael Parekowhai Antares (minor) type C print, unique edition original Michael Lett label aďŹƒxed verso 600 x 600mm $6000 – $9000
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Important Paintings & Contemporary Art
4 Imogen Taylor Hot Lunch acrylic on hessian title inscribed, signed and dated 2017 verso 350 x 400mm $2000 – $3000
5 Judy Millar Untitled acrylic and oil on paper signed and dated 2019 verso 1000 x 690mm $4000 – $7000
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2019
Important Paintings & Contemporary Art
6 Karl Maughan Kimbolton screenprint, 1/95 title inscribed and signed 728 x 1050mm $2500 – $4000
7 Karl Maughan Colyton screenprint, 3/100 title inscribed and signed 695 x 1104mm $2500 – $4000
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Important Paintings & Contemporary Art
8 Liz Maw Model with Mannequin oil on board, diptych title inscribed, signed and dated 2010 verso 250 x 400mm Provenance Private collection, Wellington. $8000 – $12 000
9 Judy Millar Untitled acrylic on aluminium signed and dated 2003 verso 782 x 570mm $4000 – $6000
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Important Paintings & Contemporary Art
10 Man Ray Le Cadeau iron and copper, 3941/5000 accompanied by original certificate of authenticity 170 x 100 x 100mm Provenance Private collection, Auckland. $2000 – $3000
11 Michael Parekowhai The Bosom of Abraham screenprinted vinyl on fluorescent light housing 1300 x 200 x 80mm Provenance Private collection, Auckland. $10 000 – $16 000
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Important Paintings & Contemporary Art
12 Shane Cotton Ko te pae o tane acrylic on canvas title inscribed, signed and dated ’01 and inscribed Bim Series 700 x 1000mm $25 000 – $35 000
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Important Paintings & Contemporary Art
13 Michael Parekowhai Rainbow Servant Dreaming polyeurethane & two-pot automotive paint on fibreglass composite, 2005 640 x 240 x 150mm $12 000 – $18 000
14 Michael Parekowhai Rainbow Servant Dreaming polyeurethane & two-pot automotive paint on fibreglass composite, 2005 640 x 240 x 150mm $12 000 – $18 000
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Important Paintings & Contemporary Art
15 Ronnie van Hout End Doll mixed media and coffin box, 5/12 (2007) signed and dated 08. 08. 2007 on original Physics Room Edition label Provenance Private collection, Auckland. 580 x 153 x 220mm $6000 – $9000
16 Ronnie van Hout ‘4 Days and Nights’ after McCahon pegasus print, a/p (edition of ten) artist’s name, title and date (2004) inscribed on original Darren Knight Gallery label affixed verso Exhibited ‘Ronnie Van Hout: Selected Photographs’, Darren Knight Gallery, Sydney, 25 March – 26 April 2003. Provenance Private collection, Australia. 515 x 735mm $2000 – $3000
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Important Paintings & Contemporary Art
17 Kushana Bush Antique Nudes (from All Things to All Men series) gouache and pencil on paper title inscribed, signed and dated 2012 verso 570 x 755mm $4000 – $6000
18 Ayesha Green Heta Te Haara acrylic on board title inscribed, signed and dated 2017 verso 1190 x 930mm Provenance Private collection, Auckland. $5000 – $8000
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Important Paintings & Contemporary Art
19 Laurence Aberhart Taranaki (Last Light), 2 August 1991 gold and selenium toned gelatin silver print 110 x 245mm Provenance Purchased from Sue Crockford Gallery, Auckland, 26 July 2002. $2000 – $3500
20 Laurence Aberhart Taranaki, Wanganui, 8 May 1986 gold and selenium toned gelatin silver print 195 x 245mm Provenance Purchased from Sue Crockford Gallery, Auckland, 26 July 2002. $3000 – $5000
21 Laurence Aberhart Oanui, Taranaki, 2 August 1991 gold and selenium toned gelatin silver print 195 x 245mm Provenance Purchased from Sue Crockford Gallery, Auckland, 26 July 2002. $3000 – $5000
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Important Paintings & Contemporary Art
22 Pat Hanly Mt Eden, Dawn enamel and oil on board signed and dated ’73; title inscribed, signed and dated and inscribed Energy Series, N. F. S verso 446 x 446mm $15 000 – $22 000
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Important Paintings & Contemporary Art
23 Bill Culbert East Coast, North Island, 1992 gelatin silver print 385 x 385mm Provenance Purchased from Sue Crockford Gallery, Auckland, 12 July 2004. $1500 – $2500
24 Peter Peryer Street Scene gelatin silver print title inscribed, signed and dated 1988 verso 310 x 460mm $2000 – $3000
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Important Paintings & Contemporary Art
25 Terry Stringer Untitled cast bronze, edition 2/2 2170 x 340 x 340mm signed and dated 2009 $14 000 – $22 000
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Important Paintings & Contemporary Art
26 Karl Maughan Tarana oil on linen signed and dated 2012 verso 1525 x 1525mm $25 000 – $40 000
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2019
Important Paintings & Contemporary Art
27 John Pule Lagaloga Kua ole tokalalo Kie Koe Keu a fano oil on unstretched canvas title inscribed, signed and dated 2005 2100 x 1810mm Provenance Purchased by the current owner from Jonathan Smart Gallery, Christchurch. $38 000 – $48 000
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2019
Important Paintings & Contemporary Art
28 Peter Robinson Untitled ink and tippex on paper variously inscribed 420 x 296mm $2500 – $4000
29 Peter Robinson One Lives lamda print mounted to aluminium, edition of 5 2270 x 1200mm Provenance Private collection, Auckland. $10 000 – $16 000
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Important Paintings & Contemporary Art
30 Peter Madden The Dream found photographs and enamel on Perspex (2010) original Michael Lett label affixed verso 593 x 593mm Provenance Private collection, Auckland. $3000 – $5000
31 Peter Madden Our past will become us in copper collage and mixed media on soft board title inscribed, signed and dated 2014 verso 890 x 687mm Exhibited ‘Peter Madden: Behind the line of care’, Ivan Anthony Gallery, Auckland, 6 August – 6 September 2014. Provenance Private collection, Auckland. $12 000 – $18 000
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Important Paintings & Contemporary Art
32 Ralph Hotere Winter Solstice oil pastel on paper title inscribed, signed and dated ’91 and inscribed Carey’s Bay Provenance Private collection, Northland. 406 x 282mm $15 000 – $22 000
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Important Paintings & Contemporary Art
33 Gordon Walters Maho silkscreen print, 48/50 title inscribed and signed Provenance Private collection, Australia. 343 x 185mm $5000 – $8000
34 Bill Hammond Singer Songwriter III lithograph, edition of 100 title inscribed, signed and dated 2001 on the plate 687 x 845mm Provenance Private collection, Auckland. $2500 – $4000
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Important Paintings & Contemporary Art
35 Ann Robinson Semillon Rim Bowl cast glass signed and dated 2013 and inscribed No. 3 to underside 500mm: diameter $18 000 – $26 000
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Important Paintings & Contemporary Art
36 Ralph Hotere Winter Solstice oil on acrylic on paper title inscribed, signed and dated ‘Port Chalmers VI ’89’ 640 x 495mm $20 000 – $30 000
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Important Paintings & Contemporary Art
37 Peter Stichbury Milton Torres colour pencil on paper signed and dated 2014; original Michael Lett label affixed verso 418 x 345mm $5500 – $7500
38 Douglas MacDiarmid Maite ink and wash on paper signed and dated ’66 640 x 488mm $1500 – $2500
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Important Paintings & Contemporary Art
39 Don Driver Potted Red mixed media and found objects on board title inscribed, signed and dated 1993 verso 2000 x 595 x 300mm $8000 – $12 000
40 David McCracken Untitled stainless steel signed 695 x 240 x 138mm $4000 – $7000
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Important Paintings & Contemporary Art
41 Milan Mrkusich Painting 62 – 1 oil and metallic foils on canvas title inscribed and signed verso 845 x 897mm Provenance Collection of Ministry of External Affairs and Trade, New York. Private collection, Auckland $35 000 – $50 000
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Important Paintings & Contemporary Art
42 Alan Pearson Portrait of Herman Gladwin oil on board signed and dated ’67; title inscribed on original Kelliher Prize catalogue label affixed verso 908 x 751mm Provenance Private collection, Christchurch. $16 000 – $24 000
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Important Paintings & Contemporary Art
43 Francis Upritchard D. D. B modelling material, foil, wire, paint and vitrine (2007) Exhibited 'Bogagnome', Ivan Anthony Gallery, Auckland, 2007 Provenance Private collection, Auckland. 600 x 270 x 190mm $22 000 – $32 000
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Important Paintings & Contemporary Art
44 Francis Upritchard Yukiko super sculpy, foil, wire and paint Provenance Private collection, Auckland. 355 x 170 x 160mm Exhibited ‘Gesamtkunsthandwerk’, GovettBrewster Gallery, New Plymouth, 12 March – 6 June 2011. $17 000 – $25 000
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Important Paintings & Contemporary Art
45 Richard Killeen Past, Present and Future acrylic lacquer on aluminium title inscribed, signed and dated July 1978 verso Provenance Private collection, Auckland. 1215 x 1210mm $20 000 – $30 000
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Important Paintings & Contemporary Art
46 Gordon Walters Untitled gouache on paper signed and dated ’56 Exhibited ‘Gordon Walters: New Vision’, Dunedin Public Art Gallery, 11 November 2017 – 8 April 2018 (touring nationally). Illustrated Lucy Hammonds, Julia Waite, Laurence Simmons, Gordon Walters: New Vision (Auckland and Dunedin, 2017), p.88. Provenance Private collection, Australia. 290 x 355mm $45 000 – $65 000
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Important Paintings & Contemporary Art
47 Gordon Walters No. II acrylic and collage on card title inscribed, signed and dated 1989 Provenance Private collection, Auckland. 150 x 185mm $5000 – $8000
48 Gordon Walters Untitled – Composition En Abyme acrylic and collage on card signed and dated ’87 Provenance Private collection, Auckland. 177 x 138mm $6000 – $9000
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Important Paintings & Contemporary Art
49 Gordon Walters Untitled acrylic on paper signed and dated ’83 and 31. 8. 83 Provenance Private collection, Auckland. 650 x 465mm $30 000 – $40 000
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Important Paintings & Contemporary Art
50 Peter Stichbury Untitled acrylic on canvas signed and dated 2000 verso 1070 x 915mm Provenance Private collection, New York, U.S.A. $50 000 – $70 000
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Important Paintings & Contemporary Art
51 Peter Stichbury Molly acrylic on canvas signed and dated 2004 verso Provenance Private collection, Auckland. 352 x 301mm $15 000 – $22 000
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Important Paintings & Contemporary Art
52 Geoff Thornley Naming the Site No. I oil on canvas title inscribed, signed and dated 13. 98 verso 2440 x 2000mm Exhibited ‘Geoff Thornley: Naming the Site’, Antoinette Godkin Gallery, Auckland, 12 May – 12 June, 1999. $30 000 – $45 000
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Important Paintings & Contemporary Art
53 Dale Frank Mike Hunt pigmented varnish on canvas signed and dated ’01 verso 1400 x 1000mm $18 000 – $26 000
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Important Paintings & Contemporary Art
54 Thomas Ruff h.l.k. 03 type C print face-mounted to plexiglas, 2/5 title inscribed, signed 2000 verso; original Mai 36 Galerie, Zurich label affixed verso 950 x 1400mm Provenance Private collection, Sydney. Purchased by the current owner from Mai 36 Gallery, Zurich at the Armoury Show, New York, 2002. $25 000 – $35 000
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Important Paintings & Contemporary Art
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Important Paintings & Contemporary Art
55 Karl Maughan Bowral oil on canvas title inscribed, signed and dated April 2012 and inscribed 2700 Miles. 10 verso 1520 x 2400mm $40 000 – $60 000
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Important Paintings & Contemporary Art
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Important Paintings & Contemporary Art
56 Karl Maughan Warrnambool Ballarat Diptych oil on canvas, two panels signed and dated 2012 verso 1525 x 2845mm: overall $55 000 – $80 000
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Important Paintings & Contemporary Art
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Important Paintings & Contemporary Art
57 Bill Hammond Ancestral acrylic and metallic pigment on recycled paper title inscribed, signed and dated 2005 and inscribed paper I 780 x 587mm Provenance Private collection, Auckland. $35 000 – $50 000
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Important Paintings & Contemporary Art
58 Bill Hammond Restoration acrylic and metallic pigment on found chinoiserie four panel screen title inscribed, signed and dated 1987 1780 x 480 x 25mm: each panel 1780 x 1300 x 500mm: installation size variable $50 000 – $75 000
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Important Paintings & Contemporary Art
59 Michael Illingworth Painting II oil on canvas signed and dated ’71 verso; title inscribed on label affixed verso 597 x 901mm $65 000 – $85 000
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Important Paintings & Contemporary Art
60 Frances Hodgkins Arrangement of Jugs lithograph signed Provenance Private collection, Waikato. 470 x 618mm $15 000 – $22 000
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Important Paintings & Contemporary Art
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FRANCES HODGKINS
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Important Paintings & Contemporary Art
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61 Walled Garden with Convovulus gouache, 1942 – 1943 440 x 510mm Exhibited ‘Gouaches by Frances Hodgkins – A new series of Gouaches painted during 1942 – 1943’, The Leferve Galleries, London, England, March – April 1943. ‘First Exhibition of Water-colour paintings by John Marshall. Paintings, Watercolours and Gouaches by Frances Hodgkins, 1869 – 1947. New paintings by Keith Vaughan.’, Leicester Galleries, London, 8 – 28 June, 1956. ‘Frances Hodgkins, Works from Private Collections: An exhibition held to celebrate the opening of the new store and gallery’, Kirkcaldie and Stains, Wellington, 1 – 29 August, 1989, Cat No. 43. ‘Manufacturing Meaning: The Victoria University, Wellington Art Collection in Context’, 22 September 1999 – 31 January 2000. Illustrated Elizabeth Eastmond, Michael Dunn, Iain Buchanan, Frances Hodgkins: Paintings and Drawings (Auckland University Press, 1994), p. 159. ‘Frances Hodgkins: Works from Private collections’ (Kirkcaldie and Stains, Wellington, 1989), Cat No. 43. Provenance Collection of Geoffrey Gorer, Sussex, England. Acquired from the artist. Gifted by Geoffrey Gorer to Mrs Nancy Moore, Frome, England. Private collection, Auckland. Purchased from Ferner Galleries, Auckland $75 000 – $100 000
This strong and distinctive painting dates from 1942 and was included in the exhibition Gouaches by Frances Hodgkins at the Lefevre Gallery in London in 1943. This was in war time and Hodgkins was confined to England and Wales – no more gallivanting around the warmer parts of the continent, as she had done regularly before the war; mostly she hunkered down in the village of Corfe in the so-called Isle of Purbeck (actually a peninsula) in Dorset. The village is dominated by the ruins of a medieval castle which Hodgkins painted several times, as she did the modest courtyard here depicted in the village between her studio and the cottage where she lived between 1939 and her death in 1947. The new website The Complete Frances Hodgkins (completefranceshodgkins.com) recently posted on line by Auckland Art Gallery enables comparison of Walled Garden with Convulvulus to the other gouaches from 1942-43 with which it was exhibited. Of the fourteen works in the exhibition – depicting ornaments, kitchen and barn interiors, farmyard activities, town and country scenes and so on – this work is the most radical in its denial of conventional perspective and representation of objects. Shown at the same time at Lefevre Gallery as Picasso and his Contemporaries the painting shows that Hodgkins was sometimes surprisingly close to her radical European contemporaries in embracing Picasso-like modernism in spatial experiment and transformation of objects. Without Hodgkins’ title viewers might be hard put to identify all the elements of the scene depicted. In the foreground jugs and pots, as so often in Hodgkins’ paintings, are quickly sketched in with a few brush strokes, and towards the top of the picture the rooflines of several buildings are clearly discernible. Leaves and flowers are also identifiable; there is a tall shrub on the right with a trio of bright patches (flower beds?)
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below it, and trailing vines on the left, but in general effect the picture approaches close to abstraction. Presumably the flecks of paint – blue, brown and especially white – which dominate the composition are meant to signify the convolvulus of the title, though the primary impression is of unidentifiable calligraphic marks decoratively strewn across the central part of the picture. Another effect worth mentioning is the structural device of a densely packed squarish centre – a tight jumble of shapes and colours – which is entirely surrounded on all four sides by a kind of loose border. The edges are lighter in colour (blue, white and pale orange patches and painterly squiggles), sparer in imagery, airy and spacious in effect, and creating an impression of tightly packed enclosure for the middle portion of the picture. This painting shows Hodgkins at the height of her remarkable powers – radical, idiosyncratic, and memorable.
Peter Simpson
Important Paintings & Contemporary Art
2019
GORDON WALTERS
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Important Paintings & Contemporary Art
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62 Untitled polyvinyl acetate and acrylic on canvas signed and dated 1977 verso Provenance Private collection, Auckland. Purchased from Webb’s, Auckland, 27 April 1989, Lot No. 32. 1220 x 943mm $500 000 – $800 000
In 1976 Gordon Walters moved from Auckland to Christchurch, following his wife Margaret Orbell’s appointment to a lectureship in Māori Studies at Canterbury University. In a new studio space in the basement of his house he was able to paint without disruption. Over the next two years he worked consistently producing on canvas a group of black and white koru paintings which comprised some of his most assured and confident work. These paintings included Karakia (Te Papa Tongarewa) and Waiata (The Dowse Art Museum) and Untitled (1977). The new paintings optically stable control drew on the strong features of earlier works such as Tohu (1973) and Maho (1973, Te Papa Tongarewa). Of his new work Walters wrote to Michael Dunn in May 1978: “I think it is now the best I have done with the koru by far… The koru works best in black and white or in one colour on white and I am limiting all my new ones to this range.” In these works Walters creates a system by which elements in the painting can be made to relate to one another, a personal notion of order. Having made up the rules of engagement he then tests them, pushes against them, sees how they hold up under pressure. Through a process of collage and assemblage of shapes on paper he makes difficulties for himself. He tries to get out of a jam of his own devising. He backs himself into a corner and then finds a means of escape. An overall visual coherence is created out of a potential visual falling apartness. His best compositions are those that teeter on the edge of control, making clear that the artist is not just making a product, but keeping alive the decision-making process that goes with the pictorial process, one of whose goals is a sense of renewable surprise. At first glance the placement of the koru motifs may appear random-looking but on sustained attention emerge as profoundly disciplined. That is not to say that they lull us into a passive contemplation. From sustained looking there emerges an intensification of dramatic uncertainty. Why in Untitled (1977) is there only one grouping of three koru circles and why is it placed where it is? Why, at first sight, do there appear to be more white koru than black ones on the lefthand vertical stack? There are in fact seven of each. And are we to read the diagonal
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connections between the groups of two koru motifs as descending to the right or to the left? With Walters’ work we often talk about unity as a virtue but transformation, a perpetual process of transformation, was the unifying principle in his art. Untitled (1977) presents an equilibrium subject to stresses: the vertical preserved among asymmetries of the horizontal. Overall it plays acutely with gravity, pressing down or straining upward in a way that gives an otherwise inexplicable animation to the forms. Walters lets the rhythms of the koru motif, as they accumulate or thin out, move one’s eye through the picture as it absorbs the overall image. We intuitively gauge the weights and the tensions that constitute the painting’s stability. An epiphany bursts forth when you grasp how finely calibrated that stability is, and how it rests upon a breaking point. Move any one of these shapes a millimetre, and change the ballast of the descending forms, and the whole might collapse or fly to pieces, disintegrating in a chain reaction. Yes, the control is resolute, triumphant even, but every square centimetre of the canvas now starts to vibrate. A construction, shimmering in the mind. Walters is dialectical, which does not mean ambivalent or ambiguous. He delivers, as he once said, “dynamic relations” of a few repeated elements in opposition that are resolved and clarified at full strength. His paintings succeed best when you can feel him searching for solutions. As he worked on this refined group of black and white koru paintings, drawing upon what was by this stage a comprehensive archive of forms and ideas, solutions would come to him, but without finality. For, like most art that challenges and then rewards, works like Untitled (1977) depend on other eyes and minds for completion: our own, now.
Laurence Simmons
Important Paintings & Contemporary Art
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RALPH HOTERE
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63 Black Window acrylic on board and burnished steel and leadhead nails in original villa sash window frame title inscribed, signed and dated 1982 – Feb ’81 verso 1120 x 952mm Illustrated Kriselle Baker and Vincent O’ Sullivan, Hotere (Ron Sang Publications, Auckland, 2008), p. 220. Provenance Private collection, Auckland. $120 000 – $160 000
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Ralph Hotere’s inclusion in Phaidon’s 20th Century Art Book late last century, alongside 499 other illustrious figures, including Colin McCahon, served to reinforce his status alongside art historical heavyweights such as Jasper Johns, Alberto Burri, Donald Judd and Jean Dubuffet whilst simultaneously reminding us that, on his day, his art could sit as comfortably in the company of theirs as anyone’s. Brought up in the far north in a devout Roman Catholic family, Ralph Hotere’s art has always been informed by the theology, liturgy, sacramentalism and the iconography of the church, even when at its seemingly most abstract and international. Black Window reminds us how the artist’s origins in a small Maori Catholic community remained a key touchstone for his art as well as providing the emotional and visual stimulus for it. The cross mounted to a diamond shaped motif which dominates the surface is from the French cult of devotion the Sacred Heart (Sacré Coeur), whilst the fourteen burnished dots recall the Stations of the Cross, the fourteen step Catholic devotion that commemorates Jesus Christ’s last day on earth as a man. On the matte black acrylic board are a vast number of crosses floating in darkness, these act as a direct reminder as to the fate which befell his brother and numerous others in the Maori Battalion who lie buried in the Sangro river war cemetery on Italy’s Adriatic coast. The Christian crosses are interspersed with the ‘x’ shaped cross, simultaneously representing fear, protest, anger, cancellation, error and an indictment against the futility of war.
Hotere’s use of vernacular building materials is another essential part of his practice and one which marks him as one of our most important and original artists. Here he contains his brooding protest landscape within the ubiquitous New Zealand colonial villa window. In doing so he calls into question the manner in which we engage with both art works and the changing landscape, and questions the very relevance of art in a time of crisis and its ability to bring about social change. In a long and prolific career in which Hotere has consistently created challenging art works, Black Window is an elegant visual metaphor for the beauty and fragility of human life. The use of language and signs from his Catholic upbringing together with the inherent tension and resonance between dissonant surfaces and materials housed within the window frame invite the viewer to perceive and join the artist in his on-going investigation of the transcendental.
Ben Plumbly
Important Paintings & Contemporary Art
64 Ralph Hotere Oputae signed and dated ’84 burnished and lacquered baby corrugated iron Provenance Private collection, Marlborough. 620 x 1345mm $75 000 – $100 000
68
2019
Important Paintings & Contemporary Art
69
2019
Important Paintings & Contemporary Art
65 Jacqueline Fahey Portrait of the Poet oil on board signed; title inscribed and dated 1978 on original exhibition label aďŹƒxed verso 600 x 893mm Provenance Private collection, Auckland. $14 000 – $22 000
70
2019
Important Paintings & Contemporary Art
66 Michael Smither Portrait of the Artist’s Father oil on board artist's name, title and date (1975) inscribed on original GovettBrewster Art Gallery exhibition label affixed verso; original Peter McLeavey Art Dealer blind stamp applied verso 912 x 640mm Provenance Private collection, Auckland. $25 000 – $35 000
71
2019
Important Paintings & Contemporary Art
67 Simon Kaan Untitled signed and dated ’06 oil on board 1180 x 1578mm $15 000 – $22 000
72
2019
Important Paintings & Contemporary Art
68 John Walsh Waka Huia oil on canvas title inscribed, signed and dated 2002 verso 1400 x 1960mm $20 000 – $30 000
73
2019
Important Paintings & Contemporary Art
69 Michael Smither Squid on a Plate oil on board signed with artist’s initials M. D. S and dated ’87 810 x 923mm Provenance Purchased from C. O. C. A, Christchurch, circa 1990. Private collection, Nelson. $40 000 – $60 000
74
2019
Important Paintings & Contemporary Art
70 Toss Woollaston McFedries Farm, Riwaka oil on board signed 892 x 787mm Provenance Private collection, Wellington. $25 000 – $35 000
75
2019
Important Paintings & Contemporary Art
71 Denys Watkins A Man and His Wife oil on canvas title inscribed, signed and dated 1987 verso 1700 x 1900mm $8000 – $12 000
72 Denys Watkins Djinn/Ferric acrylic on canvas title inscribed, signed and dated ’04 verso 1350 x 1350mm $5000 – $8000
76
2019
THE TOI COLLECTION Lots 73 – 79
73 Darryn George Mihini (8. 3L) oil on canvas title inscribed, signed and dated 2005 verso 1490 x 1990mm $10 000 – $16 000
77
Important Paintings & Contemporary Art
74 Jacqueline Fraser “That Misogynist Gucci Crow Holds Her Eyes Open With Super Glue”, Sucker French stretch brocade, backlit photograph, faux fur and wig signed and dated 12. 8. 2005 2310 x 1020mm $16 000 – $25 000
78
2019
Important Paintings & Contemporary Art
75 Chris Charteris Tokoro Sperm whale jaw bone 1150 x 160 x 60mm $12 000 – $16 000
76 Ann Robinson Twisted Flax Pod cast glass and resin-coated steel 1350 x 310 x 290mm $20 000 – $30 000
79
2019
Important Paintings & Contemporary Art
77 Rohan Wealleans Untitled VI house paint on canvas (2009) 850 x 570mm Provenance Purchased from Nadene Milne Gallery, Arrowtown, 15 April 2009. $7000 – $10 000
78 Rohan Wealleans Untitled III house paint on canvas (2009) 850 x 570mm Provenance Purchased from Nadene Milne Gallery, Arrowtown, 15 April 2009. $7000 – $10 000
80
2019
Important Paintings & Contemporary Art
79 Tony de Lautour S. F. O acrylic and oil on unstretched canvas title inscribed and signed 2025 x 2760mm $25 000 – $30 000
81
2019
SIMON MANCHESTER 1958 – 2019
WORKS FROM THE ESTATE OF SIMON MANCHESTER Lots 80 – 92
80 Martin Poppelwell Head (Yellow) wool title inscribed, signed with artist’s initials and dated 2011; original Dilana label to underside 845 x 470mm $1000 – $2000
81 Paul Maseyk The Ship acrylic on canvas title inscribed, signed and dated 2008 on artist’s label affixed verso 810 x 525mm $800 – $1400
82 Paul Maseyk Wednesday acrylic on canvas title inscribed, signed and dated ’09 verso 1180 x 795mm $1000 – $2000
83 Paul Maseyk Chatelaine acrylic and metallic pigment on canvas title inscribed, signed and dated 2008 verso 832 x 715mm $800 – $1400
83
Important Paintings & Contemporary Art
84 Peter Peryer Figure Study type C print, 6/15 title inscribed, signed and dated 2005 verso 850 x 615mm $5000 – $7000
85 Gavin Hipkins Tender Buttons (Monk) type C print, 1/8 title inscribed, signed and dated ’07 verso 450 x 300mm $2000 – $3000
86 Gavin Hipkins Tender Buttons (Skull) type C print, 3/8 title inscribed, signed and dated ’07 verso 450 x 300mm $2000 – $3000
84
2019
Important Paintings & Contemporary Art
87 et al. Untitled mixed media variously inscribed 760 x 730 x 25mm $700 – $1200
88 et al. the – ordinary practices acrylic and colour pencil on blind variously inscribed 920 x 1390mm $4000 – $7000
89 L. Budd Studies in Pain coloured pencil and graphite on journal title inscribed, signed and variously inscribed 245 x 183mm $600 – $900
90 L. Budd No – thing mixed media and found book title inscribed and inscribed The L.B Art Award inside the cover 175 x 119 x 15mm $1000 – $2000
85
2019
Important Paintings & Contemporary Art
91 L. Budd can one detach the thought from form? acrylic and coloured pencil on blind title inscribed 730 x 530mm $3000 – $5000
92 L. Budd Becoming Joan of Arc mixed media, two panels 760 x 630mm and 570 x 480mm $2000 – $3000
86
2019
Important Paintings & Contemporary Art
93 Richard Lewer Black Dot oil on epoxy-coated steel signed verso 1005 x 1005mm Exhibited: ‘It’s More Than A Game: Richard Lewer’, Gow Langsford Gallery, Auckland, 1 April – 25 April 2015. Illustrated: ‘Richard Lewer – You Wouldn’t Make This Stuff Up’, Vault – Australian Art and Culture, p. 34. $6000 – $9000
94 John Walsh Pare for Working upon Economic Recovery oil on board title inscribed, signed and dated 2006 verso 895 x 1190mm Provenance Private collection, Hawke’s Bay. $13 000 – $18 000
87
2019
Important Paintings & Contemporary Art
95 Star Gossage Wheturangimarie oil on board title inscribed, signed and dated 2007 verso 1120 x 835mm $8000 – $12 000
96 Milan Mrkusich Painting Yellow (1973) gouache on paper signed and dated ’73 340 x 420mm $6000 – $9000
88
2019
Important Paintings & Contemporary Art
97 Ian Scott Small Lattice No. 355 acrylic on canvas title inscribed, signed and dated July 2008 verso 910 x 910mm $6000 – $9000
98 Ian Scott New Zealand Elegy acrylic and silkscreen on canvas title inscribed, signed and dated February 2002 verso 1520 x 920mm $6000 – $9000
89
2019
Important Paintings & Contemporary Art
99 Richard Lewer Untitled – Four Works on Sandpaper oilstick on sandpaper variously inscribed 275 x 230mm: each panel $1500 – $2500
100 Richard Lewer Praying for your Brother oil and varnish on canvas 805 x 805mm $10 000 – $16 000
90
2019
Important Paintings & Contemporary Art
101 Darryn George Ornament No. 2 – Kotui oil and acrylic on canvas title inscribed, signed and dated 2005 verso 1410 x 1000mm $6000 – $9000
102 Simon Morris Untitled acrylic on canvas 1020 x 2130mm Provenance Private collection, Auckland. $4000 – $7000
91
2019
Important Paintings & Contemporary Art
103 Tony Fomison Sina ma Tuna oil on canvasboard title inscribed, signed and inscribed Started December 1986 Lincoln Street, finished January 1987, Grey Lynn verso; original Fomison Estate label affixed verso 450 x 300mm Provenance Private collection, Auckland. $6000 – $9000
104 John Reynolds The High Moral Ground acrylic and enamel paint marker on canvas title inscribed, signed and dated 2003 verso 1500 x 1000mm $8000 – $14 000
92
2019
Important Paintings & Contemporary Art
105 Toss Woollaston Erua watercolour signed and dated ’61 Provenance Private collection, Auckland. 385 x 293mm $4000 – $6000
106 Patrick Hayman Woman with a Cat oil and tempera on board title inscribed and signed verso 396 x 267mm $5000 – $8000
93
2019
Important Paintings & Contemporary Art
2019
CONDITIONS OF SALE Please note: it is assumed that all bidders at auction have read and agreed to the conditions described on this page. Art+Object directors are available during the auction viewing to clarify any questions you may have.
1. Registration: Only registered bidders may bid at auction. You are required to complete a bidding card or absentee bidding form prior to the auction giving your correct name, address and telephone contact and supplementary information such as email addresses that you may wish to supply to Art+Object. 2. Bidding: The highest bidder will be the purchaser subject to the auctioneer accepting the winning bid and any vendor’s reserve having been reached. The auctioneer has the right to refuse any bid. If this takes place or in the event of a dispute the auctioneer may call for bids at the previous lowest bid and proceed from this point. Bids advance at sums decreed by the auctioneer unless signaled otherwise by the auctioneer. No bids may be retracted. The auctioneer retains the right to bid on behalf of the vendor up to the reserve figure. 3. Reserve: Lots are offered and sold subject to the vendor’s reserve price being met. 4. Lots offered and sold as described and viewed: Art+Object makes all attempts to accurately describe and catalogue lots offered for sale. Notwithstanding this neither the vendor nor Art+Object accepts any liability for errors of description or faults and imperfections whether described in writing or verbally. This applies to questions of authenticity and quality of the item. Buyers are deemed to have inspected the item thoroughly and proceed on their own judgment. The act of bidding is agreed by the buyer to be an indication that they are satisfied on all counts regarding condition and authenticity. 5. Buyers premium: The purchaser by bidding acknowledges their acceptance of a buyers premium of 17.5% + GST to be added to the hammer price in the event of a successful sale at auction. 6. Art+Object is an agent for a vendor: A+O has the right to conduct the sale of an item on behalf of a vendor. This may include withdrawing an item from sale for any reason.
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7. Payment: Successful bidders are required to make full payment immediately post sale – being either the day of the sale or the following day. If for any reason payment is delayed then a 20% deposit is required immediately and the balance to 100% required within 3 working days of the sale date. We accept payment via Eftpos, cash (under $5000.00) and direct credit. Visa and MasterCard credit cards are accepted, however a surcharge of 2.5% will be added. Payments over $10,000.00 must be made by direct credit to our bank account. Our bank details for deposits are 12-3107-0062934-00. Please use your buyer number as transaction reference. Please refer to point 7 of the Conditions of Sale in the catalogue for a detailed description of payment terms. 8. Failure to make payment: If a purchaser fails to make payment as outlined in point 7 above Art+Object may without any advice to the purchaser exercise its right to: a) rescind or stop the sale, b) re offer the lot for sale to an underbidder or at auction. Art+Object reserves the right to pursue the purchaser for any difference in sale proceeds if this course of action is chosen, c) to pursue legal remedy for breach of contract. 9. Collection of goods: Purchased items are to be removed from Art+Object premises immediately after payment or clearance of cheques. Absentee bidders must make provision for the uplifting of purchased items (see instructions on the facing page). 10. Bidders obligations: The act of bidding means all bidders acknowledge that they are personally responsible for payment if they are the successful bidder. This includes all registered absentee or telephone bidders. Bidders acting as an agent for a third party must obtain written authority from Art+Object and provide written instructions from any represented party and their express commitment to pay all funds relating to a successful bid by their nominated agent. 11. Bids under reserve & highest subject bids: When the highest bid is below the vendor’s reserve this work may be announced by the auctioneer as sold ‘subject to vendor’s authority’ or some similar phrase. The effect of this announcement is to signify that the highest bidder will be the purchaser at the bid price if the vendor accepts this price. If this highest bid is accepted then the purchaser has entered a contract to purchase the item at the bid price plus any relevant buyers premium.
IMPORTANT ADVICE FOR BUYERS
The following information does not form part of the conditions of sale, however buyers, particularly first time bidders are recommended to read these notes. A. Bidding at auction: Please ensure your instructions to the auctioneer are clear and easily understood. It is well to understand that during a busy sale with multiple bidders the auctioneer may not be able to see all bids at all times. It is recommended that you raise your bidding number clearly and without hesitation. If your bid is made in error or you have misunderstood the bidding level please advise the auctioneer immediately of your error – prior to the hammer falling. Please note that if you have made a bid and the hammer has fallen and you are the highest bidder you have entered a binding contract to purchase an item at the bid price. New bidders in particular are advised to make themselves known to the sale auctioneer who will assist you with any questions about the conduct of the auction. B. Absentee bidding: Art+Object welcomes absentee bids once the necessary authority has been completed and lodged with Art+Object. A+O will do all it can to ensure bids are lodged on your behalf but accepts no liability for failure to carry out these bids. See the Absentee bidding form in this catalogue for information on lodging absentee bids. These are accepted up to 2 hours prior to the published auction commencement. C. Telephone bids: The same conditions apply to telephone bids. It is highly preferable to bid over a landline as the vagaries of cellphone connections may result in disappointment. You will be telephoned prior to your indicated lot arising in the catalogue order. If the phone is engaged or connection impossible the sale will proceed without your bidding. At times during an auction the bidding can be frenetic so you need to be sure you give clear instructions to the person executing your bids. The auctioneer will endeavour to cater to the requirements of phone bidders but cannot wait for a phone bid so your prompt participation is requested. D. New Zealand dollars: All estimates in this catalogue are in New Zealand dollars. The amount to be paid by successful bidders on the payment date is the New Zealand dollar amount stated on the purchaser invoice. Exchange rate variations are at the risk of the purchaser.
Important Paintings & Contemporary Art
2019
ABSENTEE & PHONE BID FORM Auction No. 146 Important Paintings and Contemporary Art 26 November 2019 at 6.30pm
This completed and signed form authorises Art+Object to bid on my behalf at the above mentioned auction for the following lots up to prices indicated below. These bids are to be executed at the lowest price levels possible.
Lot no.
I understand that if successful I will purchase the lot or lots at or below the prices listed on this form and the listed buyers premium for this sale (17.5%) and GST on the buyers premium. I warrant also that I have read and understood and agree to comply with the conditions of sale as printed in the catalogue.
Lot Description
Payment and Delivery: Art+Object will advise me as soon as is practical that I am the successful bidder of the lot or lots described above. I agree to pay immediately on receipt of this advice. Payment will be by Eftpos, cash (under $5000.00) or direct credit. I understand that there is a 2.5% surcharge for payment by Visa or MasterCard credit cards. I understand that payments over $10,000.00 must be made by direct credit to Art+Object’s bank account as shown on the invoice.
Please indicate as appropriate by ticking the box:
Bid maximum in New Zealand dollars (for absentee bids only)
I will arrange for collection or dispatch of my purchases. If Art+Object is instructed by me to arrange for packing and dispatch of goods I agree to pay any costs incurred by Art+Object. Note: Art+Object requests that these shipping arrangements are made prior to the auction date to ensure prompt delivery processing.
PHONE BID
MR/MRS/MS: FIRST NAME:
SURNAME:
ADDRESS: HOME PHONE:
MOBILE:
BUSINESS PHONE:
EMAIL:
Signed as agreed:
To register for Absentee or Phone Bidding this form must be lodged with Art+Object by 2pm on the day of the published sale time in one of three ways: 1. Email a printed, signed and scanned form to Art+Object: info@artandobject.co.nz 2. Fax a completed form to Art+Object: +64 9 354 4645 3. Post a form to Art+Object, PO Box 68345 Wellesley Street, Auckland 1141, New Zealand
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ABSENTEE BID
Important Paintings & Contemporary Art
2019
ARTIST INDEX
Aberhart, Laurence
19, 20, 21
Parekowhai, Michael Pearson, Alan
Budd, L.
89, 90, 91, 92
Bush, Kushana
Clark, Fiona
1, 24, 84
Poppelwell, Martin Pule, John
Charteris, Chris
42
Peryer, Peter
17
Ray, Man 12
Culbert, Bill
23
Driver, Don
39
10
Reynolds, John
104
Robinson, Ann
35, 76
Robinson, Peter Ruff, Thomas
87, 88
Scott, Ian
Fahey, Jacqueline Fomison, Tony Frank, Dale
65
103
George, Darryn
74
95
Green, Ayesha
18
66, 69
Stichbury, Peter
37, 50, 51
Stringer, Terry
25
Taylor, Imogen
4
Thornley, Geoff
52
Upritchard, Francis Walsh, John
Hammond, Bill
34, 57, 58
22
Hipkins, Gavin
Wealleans, Rohan
77, 78
Woollaston, Toss
70, 105
60, 61
32, 36, 63, 64 15, 16
Illingworth, Michael
59
67
Killeen, Richard
45
de Lautour, Tony
79
Lewer, Richard
93, 99, 100
MacDiarmid, Douglas Madden, Peter Maseyk, Paul
81, 82, 83 6, 7, 26, 55, 56
8
McCracken, David
40
5, 9
Morris, Simon Mrkusich, Milan
96
38
30, 31
Maughan, Karl
33, 46, 47, 48, 49, 62 71, 72
106
van Hout, Ronnie
Kaan, Simon
Walters, Gordon
85, 86
Hodgkins, Frances Hotere, Ralph
43, 44
68, 94
Watkins, Denys
Hayman, Patrick
Millar, Judy
97, 98
Smither, Michael
73, 101
Gossage, Star
Maw, Liz
28, 29
54
53
Fraser, Jacqueline
Hanly, Pat
80
27
75
2
Cotton, Shane
et al.
3, 11, 13, 14
102 41, 96
26 NOVEMBER
2019