The Collection of Adrian Burr and Peter Tatham - Vol. 2

Page 1



ijĬĩ ø

The &ROOHFWLRQ RI $GULDQ %XUU DQG 3HWHU 7DWKDP

øöø÷


Amazing discoveries





BWX Productions 2021

re

ag

e

eh

r

AUCKLAND: 28 October to 14 November WELLINGTON: 4 to 21 November CHRISTCHURCH: 29 October to 14 November DUNEDIN: 5 to 21 November HAMILTON: 11 November to 5 December TAURANGA: 18 November to 5 December HAWKE’S BAY: 18 November to 5 December NEW PLYMOUTH: 18 November to 5 December PALMERSTON NORTH: 19 November to 5 December MASTERTON: 19 November to 1 December NELSON: 11 November to 2 December TIMARU: 11 to 21 November GORE: 11 to 21 November

generously supported by Art+Object

lo-

m si

c pla

e old



EXHIBITING QUALITY LANDSCAPES

NEW ZEALAND'S FINEST LUXURY PROPERTIES

SLOPE HILL ROAD QUEENSTOWN

www.luxuryrealestate.co.nz/Q24

5

4

2

5

5

2

TAKATU ROAD MATAKANA COAST

www.luxuryrealestate.co.nz/NT176 QUEENSTOWN Terry Spice +64 21 755 889 terry@luxuryrealestate.co.nz

NORTHLAND Charlie Brendon-Cook +64 212 444 888 charlie@luxuryrealestate.co.nz luxuryrealestate.co.nz

Luxury Real Estate Limited (Licensed REA 2008)



Available at Farro stores ptchevcookies.nz


The Art+Object mobile app is now live and available for download via the App store. Available for IOS and Android, the Art+Object app grants on-the-go access to our auctions allowing collectors to stream the auction and bid remotely in real time. You can now find, research, and enter the saleroom without using a third party platform. Please note users pay no additional fees for bidding via the app, meaning parity for all bidders at Art+Object.



ijĬĩ ø

The &ROOHFWLRQ RI $GULDQ %XUU DQG 3HWHU 7DWKDP

øöø÷


øöø÷

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

AUCTION The Collection of Adrian Burr and Peter Tatham Saturday 6 November at 2.30ĭĪ 3 Abbey Street, Newton, Auckland

PREVIEW Tuesday 26 October 5.30ĭĪ – 7.30ĭĪ

VIEWING 12 Gundry Street, Newton, Auckland Friday 29 October Saturday 30 October Sunday 31 October Monday 1 November Tuesday 2 November Wednesday 3 November Thursday 4 November Friday 5 November

9.00ĞĪ – 5.00ĭĪ 11.00ĞĪ – 4.00ĭĪ 11.00ĞĪ – 4.00ĭĪ 9.00ĞĪ – 5.00ĭĪ 9.00ĞĪ – 5.00ĭĪ 9.00ĞĪ – 5.00ĭĪ 9.00ĞĪ – 2.00ĭĪ 9.00ĞĪ – 5.00ĭĪ

14


ijĬĩ ÷÷

7KH &ROOHFWLRQ RI $GULDQ %XUU 3HWHU 7DWKDP

øöø÷


øöø÷ 7ZR GHFRUDWLYH WHUUDFRWWD DPSKRUDH ZLWK SDLQWHG GHFRUDWLRQ )RUPDWLRQV 86$ [ [ PP q

7ZR )UHQFK FRQoW SRWV JOD]HG FHUDPLF + PP DQG + PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

7KUHH )UHQFK FRQoW SRWV JOD]HG FHUDPLF + DQG PP q

$ FDUYHG FODVVLFDO ZRRGHQ KHDG RI D ODG\ 2Q VWDQG ZLWK D 3HUVSH[ FDVH [ [ PP q

&IVE )UHQFK FRQILW SRWV WHITE JOD]HG FHUDPLF VL]HV YDU\ QRW LOOXVWUDWHG

q

$ SDLU RI GHFRUDWLYH HDUWKHQZDUH RUEV RQ VWDQGV + [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ GHFRUDWLYH FDUYHG VWRQH 5RPDQ KHDG LQ KLJK UHOLHI RQ D JUDQLWH SOLQWK $ ) + [ [ PP q

7ZR WHUUDFRWWD KHDGV LQ WKH 5RPDQ VW\OH + PP DQG + PP q

$ GHFRUDWLYH UHVLQ WRUVR EXVW RQ VWDQG $ ) [ [ PP q

$ YHU\ GHFRUDWLYH DUWLFXODWHG ZRRGHQ PDQQHTXLQ + PP q

9LUJLQ 0DU\ ZLWK &KLOG IURP *RD FDUYHG DQG SDLQWHG ZRRG + PP q

7ZR FDUYHG DQG SDLQWHG ZRRGHQ KHDGV RQH RQ D VWDQG ZLWK JLOGHG EHDGV + PP DQG + PP q

øöø÷


øöø÷ 7ZR IRVVLOLVHG ZKLWH WRUWRLVH VKHOOV RQ VWDQGV ODUJHVW + PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$Q DQWLTXH )OHPLVK ZDOO KDQJLQJ GHSLFWLQJ D ODNH DQG IRUHVW VFHQH [ PP q

$ ODUJH 2ULHQWDO KDQG NQRWWHG UXJ RI UHG WRQHV ZLWK JHRPHWULF DQG pRUDO GHVLJQV [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

WK &HQWXU\ (QJOLVK ERZ IURQWHG FRUQHU FXSERDUG ZLWK &KLQRLVHULH GHFRUDWLRQ [ [ PP q

$ VHW RI IRXU *HRUJLDQ SHULRG PDKRJDQ\ GLQLQJ FKDLUV ZLWK VWUHWFKHUHG EDVHV ZLWK VWXĒQJ QR XSKROVWHU\ + PP q

$ ODWH WK &HQWXU\ DUPFKDLU ZLWK ZRRGHQ IUDPH DQG WDSHVWU\ XSKROVWHU\ RQ FDEULROH OHJV [ [ PP q

øöø÷


øöø÷ $ SDLU RI )UHQFK FDUYHG DUPFKDLUV ZLWK VWULSHG OLQHQ XSKROVWHU\ UHHGHG OHJV VKDSHG IURQWV DQG FUHVWHG WRSV + PP q

$ SDLU RI )UHQFK FDUYHG DUPFKDLUV ZLWK VWULSHG FKHQLOOH XSKROVWHU\ UHHGHG OHJV VKDSHG IURQWV DQG FUHVWHG WRSV + PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ SDLU RI ZDOQXW 4XHHQ $QQH VW\OH FKDLUV ZLWK VKDSHG VROLG FHQWUH VSODW + PP q

,QGLDQ 5HJHQF\ SHULRG FDVW LURQ *UHHN UHYLYDO IRXU VHDW EHQFK UDLVHG RQ SDZ IHHW EHORZ WDSHUHG VWHP ZLWK YDVH DUP VXSSRUW WKH IUDPH LQVHW ZLWK FDUYHG DQG FDQHG WLPEHU VHFWLRQV &LUFD [ [ PP

$ SDLU RI FRQWHPSRUDU\ FDVW EURQ]H oUHGRJV VFXOSWHG LQ WKH 3RVW :DU PDQQHU ZLWK IRUJHG LURQ UHWXUQV ZDUP EURQ]H oQLVK 0DNHU &R[ /RQGRQ + [ ' PP q

7ZR SDLUV RI PHWDO oUH GRJV ZLWK URXQGHG GHFRUDWLRQ [ [ PP HDFK q

3URYHQDQFH 7KH *DHNZDG 0DKDUDMDV RI %DURGD 3XUFKDVHG LQ IURP 0DUWLQ &RRN $QWLTXHV q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ SDLU RI ZURXJKW LURQ VWDQGLQJ ODPSV SDUW RI WKH 7UHPEOH UDQJH E\ &R[ /RQGRQ Their inspiration comes from where the two tribes of science and art meet. A depiction, with intended humour, of the molecules that bind us together. + [ PP H[FOXGLQJ VKDGHV q

7DEOH /DPS E\ 3RUWD 5RPDQD ZLWK VTXDUH EDVH DQG RYDO GHFRUDWLRQ EURQ]H oQLVK + [ [ PP LQFO VKDGH q

$ SDLU RI ,FH &XEH WDEOH ODPSV E\ 3RUWD 5RPDQD QR VKDGHV ZLULQJ QHHGV XSGDWLQJ [ [ PP q

&DUYHG ZRRGHQ WDEOH ODPS ZLWK VZDJ GHFRUDWLRQ DQG OLQHQ VKDGH + PP q

$ SDLU RI WDEOH ODPSV ZLWK WHUUDFRWWD EDVHV VKDGHV LQFOXGHG + PP HDFK q

$ SDLU RI DQWLTXH PDUEOHLVHG FROXPQ WDEOH ODPSV ZLWK SDSHU VKDGHV + PP HDFK q

øöø÷


øöø÷ 6LQDWUD )ORRU /DPS PLG FHQWXU\ 6WLOQRYR GHVLJQ LQ EUDVV DQG DOXPLQLXP ZLWK DGMXVWDEOH DUPV SXUFKDVHG IURP (&& $XFNODQG IXOO\ H[WHQGHG [ [ PP IXOO\ H[WHQGHG q

&DVW EURQ]H pRRU ODPS RQ DWWUDFWLYH WULSRG EDVH QR VKDGH [ [ PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ SDLU RI pRRU ODPSV E\ 3RUWD 5RPDQD ZLWK OLJKW YHUGLJULV SDWLQD QHHG UHZLULQJ [ [ PP HDFK q

$ GHFRUDWLYH SHGHVWDO ODPS ZLWK WHOHVFRSLF EDVH DQG DGMXVWDEOH VKDGH EURQ]H oQLVK [ [ PP q

$ SDLU RI ODUJH VSXQ JODVV WDEOH ODPSV QR VKDGHV [ [ PP HDFK q

$ VPDOO EUDVV GHVN ODPS QHHGV UHZLULQJ [ [ PP q

3KLOLSSH 6WDUFN Ara WDEOH ODPS E\ )ORV RULJLQDO ODEHO WR WKH EDVH PRGHO + PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

1(: =($/$1' $57()$&76 $1' 7$21*$

1HZ =HDODQG )RON $UW &DUYLQJ RQ D 0ǀRUL WKHPH FRQVLVWLQJ RI D FROXPQ RI WKUHH JHVWXULQJ oJXUHV LQ EODFN UDLVHG RYHU D VTXDUH SHGHVWDO EDVH DQG PRXQWHG ZLWK D KLJKO\ GHFRUDWHG ERZO + PP

1HZ =HDODQG )RON $UW FDUYLQJ RQ D 0ǀRUL WKHPH IHDWXULQJ D FHQWUDO 7HNRWHNR oJXUH DWRS D NRUXUX IDFH DQG D PDQDLD KHDG WR WKH WRS VHFWLRQ + PP 3URYHQDQFH )RUPHUO\ LQ WKH -RKQ 3HUU\ collection

3URYHQDQFH )RUPHUO\ LQ WKH -RKQ 3HUU\ collection q

$UFKLWHFWXUDO (OHPHQWV Epa and Maihi F q FDUYHG 7RWDUD < UHJLVWUDWLRQ SHQGLQJ [ [ PP q

q

$UFKLWHFWXUDO (OHPHQWV Epa and Maihi F q &DUYHG 7RWDUD < UHJLVWUDWLRQ SHQGLQJ [ [ PP q

øöø÷


øöø÷ &DUYHU 8QNQRZQ Amo IUDJPHQW VKRZLQJ ORZHU WLNL oJXUH 5HFRYHUHG WUHDWHG VZDPS NDXUL F q < [ [ PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

&DUYHU 8QNQRZQ 7HNRWHNR q 6WDQGLQJ oJXUH KROGLQJ 3DWX RU 0HUH FDUYHG ZRRG F q < UHJLVWUDWLRQ SHQGLQJ [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

+RUL 3DURQH 7HNRWHNR )LJXUH HQDPHO RQ FDUYHG WLPEHU SDXD WLQ FRPSRVLWH ZLUH FLUFD

[ [ PP

$Q LPSUHVVLYH SDLU RI Amo ERDUGV 1JǀSXKL WULEDO UHJLRQ FDUYHG ZLWK PDOH DQG IHPDOH ZDUULRU oJXUHV ZHDULQJ SLXSLX 7KH IHPDOH oJXUHV HDFK KROGLQJ D SDWX DQG WKH PDOH oJXUHV KROGLQJ NRWLDWH DQG ZDKDLND &LUFD < < + PP 3URYHQDQFH )RUPHUO\ LQ WKH :DJQHU 0XVHXP FROOHFWLRQ +RXKRUD 1RUWK RI .DLWDLD ([KLELWHG 1HZ <RUN ,QWHUQDWLRQDO WULEDO DUW VKRZ q

øöø÷


øöø÷ Hei Matau KRRN IRUP FDUYHG SRXQDPX WK &HQWXU\ < UHJLVWUDWLRQ SHQGLQJ [ PP q

Kaka Poria SDUURW ULQJ FDUYHG SRXQDPX ODWH WK q HDUO\ WK &HQWXU\ < [ PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ ODWH QLQHWHHQWK FHQWXU\ 0ǀRUL +RH FHUHPRQLDO SDGGOH )LQHO\ DQG H[WHQVLYHO\ FDUYHG DOO RYHU WR OHDI VKDSHG EODGH DQG KDQGOH 7KH FRQYH[ VLGH RI WKH EODGH ZLWK oQHO\ FDUYHG WLNL KHDGV ZLWK LQODLG SDXD H\HV DQG WKH UHYHUVH ZLWK UDXSRQJD SDWWHUQLQJ 7KH VKDIW WHUPLQDWLQJ ZLWK FDUYHG ZKHNX KHDG %ODGH LQVFULEHG Kahira [ [ PP q

$ ODUJH DQG GHFRUDWLYH ZRRG oUHG SRWWHU\ MDU ZLWK KLJK UHOLHI URSH GHFRUDWLRQ + [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$)5,&$1 3$&,),& $57 $33/,(' $576

$ FROOHFWLRQ RI WHQ $IULFDQ KDUGZRRG KHDGUHVWV ZLWK FDUYHG GHFRUDWLRQ VL]HV YDU\ q

$ FDUYHG oJXUH IURP 3DSXD 1HZ *XLQHD WRJHWKHU ZLWK D VPDOOHU FDUYHG ZRRGHQ oJXUH DQG D OLGGHG WULQNHW ER[ WDOOHVW + PP q

7ZR YHU\ ODUJH DQG GHFRUDWLYH 3DFLoF ,VODQG VSHDUV + PP HDFK q

$ FDUYHG WULEDO VFXOSWXUH LQ WKH IRUP RI D FKDLU ZLWK PDQ DQG FKLOG [ [ PP q

øöø÷


øöø÷

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

)857+(5 '(&25$7,9( $576 $17,48(6 )851,785(

$ ODUJH DQG LPSUHVVLYH RYDO ZDOO PLUURU GHFRUDWHG ZLWK WURSLFDO VHDVKHOOV [ [ PP q

$ V PRGHUQLVW JLOW ZDOO PLUURU FRPSULVLQJ RI WKUHH LQWHUVHFWLQJ RYDOV [ PP q

7ZR VHDWHU VRID 1HZ =HDODQG PDGH ZLWK FUHDP OLQHQ ORRVH FRYHULQJ ZRRGHQ IUDPH [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ SDLU RI %DUUHO &KDLUV LQ OLPHG ZRRG E\ )RUPDWLRQV 86$ ZLWK FRYHUHG VHDW FXVKLRQ DQG NLGQH\ SLOORZ [ [ PP HDFK q

$ SDLU RI &KULVWLDQ /LDLJUH Barbuda DUPFKDLUV ZLWK GDUN EURZQ OHDWKHU XSKROVWHU\ ZRRGHQ EDVHV [ [ PP HDFK q

$ SDLU RI Boss DUPFKDLUV E\ )OH[IRUP ZLWK GRZQ oOOHG FXVKLRQ DQG EDFNUHVW DQG EODFN FKURPHG PHWDO IHHW PDGH LQ ,WDO\ [ [ PP HDFK q

øöø÷


øöø÷ $Q DQWLTXH *HRUJLDQ WKUHH VHDWHU XSKROVWHUHG VRID ZLWK ZRRGHQ IUDPH RQ FDVWRUV VWUHWFKHU EDVH UHTXLUHV UHVWRUDWLRQ [ [ PP q

&RQWHPSRUDU\ FLUFXODU ZRRGHQ WDEOH RQ SHGHVWDO EDVH [ PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

&RQWHPSRUDU\ VLGH WDEOH ZLWK PHWDO IUDPH DQG ZRRGHQ WRS DQG EDVH [ [ PP q

Gabrielle FRđHH WDEOH E\ )RUPDWLRQ 86$ ZLWK LURQ EDVH DQG DQWLTXHG PLUURUHG WRS [ [ PP q

$UPFKDLU ZLWK FDUYHG ZRRGHQ IUDPH WRJHWKHU ZLWK PDWFKLQJ RWWRPDQ DQG EODQNHW ER[ XSKROVWHUHG LQ ,WDOLDQ 'HGDU )LIW\ )LIW\ OLQHQ ZLWK FRQWUDVWLQJ SLSLQJ &KDLU [ [ PP %ODQNHW ER[ [ [ PP 2WWRPDQ [ PP Note 2QO\ WKH DUPFKDLU LV LOOXVWUDWHG q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

(LOHHQ *UH\ 3DLU RI ( DGMXVWDEOH VLGH WDEOHV PDGH E\ &ODVVL&RQ DQG DXWKRULVHG E\ $UDP 'HVLJQ FKURPH WXEXODU VWHHO IUDPLQJ ZLWK JODVV FLUFXODU WRS PDQXIDFWXUHU V ODEHO DWWDFKHG [ [ PP HDFK q

&RQWHPSRUDU\ VWRUDJH FDELQHW WZR GRRUV ZLWK VLQJOH VKHOI DQG SXOO RXW GUDZHU ZLWK oWWHG FRPSDUWPHQWV [ [ PP q

7KLHUHQ 6WXGLR :RUNVKRSV 86$ :DOQXW WZR GRRU FDELQHW RYHU WKUHH GUDZHUV ZLWK LQODLG VWDUEXUVW GHFRUDWLRQ DQG VFUROO IHHW PDNHU V QDPH ODEHO DWWDFKHG [ [ PP q

øöø÷


øöø÷

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

+ROO\ +XQW 6WXGLR Sorraia %HG WZR Spencer QLJKWVWDQGV DQG FDELQHW ZLWK UHWUDFWDEOH WHOHYLVLRQ HQFORVHG DOO LQ ZDOQXW oQLVK 7KH EHG ZLWK OHDWKHU XSKROVWHUHG KHDGERDUG DQG oWWHG +ÉVWHQV PDWWUHVV LQ WDXSH FKHFN ,QFOXGHV WHOHYLVLRQ DQG UHPRWH FRQWUROV RYHUDOO [ [ PP QLJKWVWDQGV [ [ PP HDFK WHOHYLVLRQ FDELQHW [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

6WHLQZD\ 6RQV B-211 Spirio R Grand Piano LQ EODFN oQLVK FRPSOHWH ZLWK WZR SLDQR VWRROV ZLGWK [ OHQJWK PP NLORJUDPV ZHLJKW Note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oFHQW % 5 *UDQG 3LDQR JUDQG SLDQR LV RIWHQ UHIHUUHG WR DV kWKH SHUIHFW SLDQRy 7KH 6SLULR PRGHO IHDWXUHV WKH ZRUOG V oQHVW high resolution player piano FDSDEOH RI OLYH SHUIRUPDQFH FDSWXUH DQG SOD\EDFN $ UHYROXWLRQDU\ EOHQG RI DUWLVWU\ FUDIWVPDQVKLS DQG WHFKQRORJ\ LW SURYLGHV D QHZ PHDQV RI H[SUHVVLRQ DQG QHZ ZD\V WR DFFHVV VKDUH DQG H[SHULHQFH SHUIRUPDQFH ,W EULQJV DXWRPDWLRQ WR WKH 6WHLQZD\ SLDQR DQG WKH JUHDWHVW SLDQLVWV RI WKH WK FHQWXU\ WR RQH V RZQ IURQW URRP DOO YLD DQ LSDG DQG 6SLULR DSS 3LDQR LV DYDLODEOH IRU YLHZLQJ E\ DSSRLQWPHQW RQO\ q

øöø÷


øöø÷ :LQJOHoHOG ([WHQGLQJ 'LQLQJ 7DEOH E\ 2ND 8. &UDIWHG IURP ZKLWH SLQH ZLWK D KDQG SDLQWHG UXEEHG EODFN WRS DQG OHJV VHDWV VL[ ZKHQ IROGHG WHQ ZKHQ H[WHQGHG : [ / [ + PP H[WHQGHG q

:LQJOHoHOG 'LQLQJ 7DEOH E\ 2ND 8. &UDIWHG IURP ZKLWH SLQH ZLWK D KDQG SDLQWHG UXEEHG EODFN WRS DQG OHJV VHDWV VL[ [ [ PP QRW LOOXVWUDWHG

q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

Macau FRđHH WDEOH E\ 'HQQLV DQG /HHQ 86$ HERQLVHG oQLVK ZLWK VKDSHG OHJV [ [ PP q

&KULVWLDQ /LDLJUH IRU +ROO\ +XQW Scarabee 7DEOH EODFN ODFTXHUHG WRS ZLWK VKDSHG SHGHVWDO VXSSRUW DQG VTXDUH EDVH [ [ PP q

&RQWHPSRUDU\ HERQLVHG ZRRGHQ VFUHHQ LQ IRXU VHFWLRQV + DSSUR[ PP q

/HDWKHU DQG EUDVV WHOHYLVLRQ FDELQHW ZLWK UHWUDFWDEOH GRRUV [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

/RJ FRđHH WDEOH E\ 5RGHULFN 9RV IRU /LQWHORR VWHHO IUDPH DQG VROLG RDN WRS LQ QDWXUDO oQLVK SXUFKDVHG IURP (&& $XFNODQG [ [ PP q

$ FXVWRP PDGH GLQLQJ WDEOH ZLWK VROLG ZDOQXW WRS LQ WZR SDUWV DQG WUHVWOH EDVHV VRXUFHG IURP +RPDJH 1HZPDUNHW [ PP HDFK SDUW q

0DUFHO :DQGHUV 6WXGLR $ ODUJH C)DURRR 6WDQGDUG ODPS GHVLJQHG LQ DQG PDQXIDFWXUHG E\ 0RRRL ,QVSLUHG E\ ,WDOLDQ OLJKWKRXVH GHVLJQ DQG RI LPSRVLQJ GLPHQVLRQV 7KLV H[DPSOH LQ SODLQ EODFN [ [ PP q

0DUFHO :DQGHUV 6WXGLR $Q RYHUVL]HG C)DURRR 6WDQGDUG ODPS GHVLJQHG LQ DQG PDQXIDFWXUHG E\ 0RRRL ,QVSLUHG E\ ,WDOLDQ OLJKWKRXVH GHVLJQ DQG RI LPSRVLQJ GLPHQVLRQV 7KLV H[DPSOH LQ SODLQ EODFN [ [ PP q

øöø÷


øöø÷ $ UHSURGXFWLRQ 6SDQLVK RYDO GLQLQJ WDEOH LQ GDUN ZDOQXW ZLWK WZR UHPRYHDEOH FHQWUH OHDYHV RQ VWUHWFKHUHG EDVH ZLWK WXUQHG OHJV 'HQQLV DQG /HHQ 86$ [ [ PP [ [ PP H[WHQGHG q

$ VHW RI IRXU Paloma GLQLQJ DUPFKDLUV ORZEDFN E\ *UHJRULXV_3LQHR ZLWK WZR PDWFKLQJ VWRROV DOO RQ FDVWRUV DQG ZLWK WZR VHWV RI ORRVH IDEULF FRYHUV E\ & & 0LODQR IDEULFV WKH FKDLUV XSKROVWHUHG LQ VLON DQG OLQHQ GHGDU IDEULF FKDLUV [ [ PP HDFK q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ VHW RI IRXU Paloma GLQLQJ DUPFKDLUV ORZEDFN E\ *UHJRULXV_3LQHR ZLWK WZR PDWFKLQJ VWRROV DOO RQ FDVWRUV DQG ZLWK WZR VHWV RI ORRVH IDEULF FRYHUV E\ & & 0LODQR IDEULFV WKH FKDLUV XSKROVWHUHG LQ VLON DQG OLQHQ GHGDU IDEULF FKDLUV HDFK [ [ PP q

Santorini GLQLQJ WDEOH E\ *UHJRULXV_3LQHR 86$ SODQN WRS ZLWK RDN oQLVK KDQG IRUJHG LURQ EDVH ZLWK KDPPHUHG WH[WXUH [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

øöø÷


øöø÷ 'XWFK OHDWKHU FKHVW ZLWK IRXU GUDZHUV DQG QDLOKHDG GHWDLOLQJ )RUPDWLRQV 86$ [ [ PP q

$ %HUJHUH VW\OH DUPFKDLU ZRRGHQ IUDPH ZLWK UHHGHG OHJV XSKROVWHUHG LQ EOXH GHGDU OLQHQ ZLWK FXVKLRQ [ [ PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ YHU\ GHFRUDWLYH KHDYLO\ FDUYHG ZDOQXW IRXU GUDZ VHUYLQJ WDEOH ZLWK VWUHWFKHUHG EDVH RQ VL[ OHJV )RUPDWLRQV 86$ [ [ PP q

$Q HDUO\ WK &HQWXU\ ,ULVK ZDOQXW FRQVROH WDEOH ZLWK FDUYHG DQG JLOGHG EDVH IRXU TXDUWHUHG YHQHHU WRS [ [ PP q

$Q HDUO\ *HRUJLDQ SHULRG JLOGHG VWRRO ZLWK OLRQ SDZ IHHW DQG FDUYHG FDEULROHW OHJV [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ %HUJÑUH VW\OH FKDLU ZLWK EHHFK IUDPH DQG UHHGHG IURQW OHJV XSKROVWHUHG VHDW DQG EDFN [ [ PP q $ SDLU RI YHU\ HOHJDQW %HUJHUH VW\OH FKDLUV ZLWK FDUYHG DQG JLOGHG IUDPHV XSKROVWHUHG VHDWV DQG EDFNV [ [ PP q

6RXWK (DVW $VLDQ KDUGZRRG WZR GRRU FXSERDUG RQ ORZ EDVH ZLWK WXUQHG OHJV SURIXVHO\ GHFRUDWHG ZLWK EUDVV VWXGV FRUQHUV DQG FUHVWLQJ 7KH LQWHULRU UHPRGHOOHG IRU PRGHUQ HOHFWURQLFV [ [ PP q

$ *HRUJLDQ SHULRG PDKRJDQ\ FLUFXODU UHYROYLQJ GUXP WDEOH RQ SHGHVWDO EDVH ' PP q

$ WK &HQWXU\ )UHQFK IUXLWZRRG ZLQH WDVWLQJ WDEOH ' PP q

$ WK &HQWXU\ )UHQFK IUXLWZRRG FLUFXODU ZLQH WDVWLQJ WDEOH ' PP q

øöø÷


øöø÷ $ VPDOO WK &HQWXU\ (QJOLVK RDN EXUHDX ERRNFDVH ZLWK WZR GRRU oWWHG FXSERDUG DQG VWHSSHG LQWHULRU WR EXUHDX ZLWK ZHOO EUDVV SODWH KDQGOHV RQ EUDFNHW IHHW [ [ PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$Q (QJOLVK WK &HQWXU\ ZDOQXW FKHVW RQ FKHVW ZLWK FDQWHG FRUQHUV EUXVKLQJ VOLGH WKH ERWWRP VHFWLRQ ZLWK GRRUV VLPXODWLQJ GUDZV HQFORVLQJ WZR VKHOYHV ZLWK SLHUFHG EDFN EUDVV KDQGOHV RQ EUDFNHW IHHW [ [ PP q

$Q WK &HQWXU\ (QJOLVK HOP GUHVVHU UDFN ZLWK RSHQ VKHOYHV q

$ )UHQFK RDN FKHVW ZLWK VL[ GUDZHUV SDQHOOHG HQGV FDVW EUDVV KDQGOHV [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ &RQYHUWLEOH %HQWOH\ &RQWLQHQWDO &RUQLFKH %XLOW LQ -DSDQ LQ ULJKW KDQG GULYH DQG VROG E\ &RUQHV DQG &RPSDQ\ 8QLWHG .LQJGRP 6KLSSHG WR <RNRKDPD )LUVW UHJLVWHUHG LQ 9HU\ OLPLWHG PLOHDJH RI MXVW RYHU NLORPHWUHV 3XUFKDVHG LQ 5HJXODUO\ VHUYLFHG E\ *LOWUDS 3UHVWLJH $XFNODQG DQG &ROJUD\ 0RWRUV $OEDQ\ $URXQG &RUQLFKH &RQWLQHQWDOV ZHUH EXLOW EHWZHHQ DQG 7KLV H[DPSOH LQ WKH FODVVLF C%HQWOH\ %URRNODQGV *UHHQ SDLQWZRUN 7RJHWKHU ZLWK WDQ KLGH XSKROVWHU\ DQG GDUN EURZQ VRIW KRRG 2đHUHG WRJHWKHU ZLWK RULJLQDO WRRO NLW DQG RULJLQDO KDQGERRNV &KDVVLV 1R 6&%=' $ 0&+ (QJLQH 1R / 1./ &XUUHQW UHJLVWUDWLRQ DQG ZDUUDQW RI oWQHVV q

øöø÷


øöø÷

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$Q +HUPÑV C.DZD 2UD VXUIERDUG GHVLJQHG E\ 7H 5DQJLWX 1HWDQD oEHUJODVV DQG UHVLQ ZLWK GXDO oQV DW XQGHUVLGH [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

)857+(5 1(: =($/$1' $57

6DUDK *XSS\ 1HZ =HDODQG q

Gaddums Hill, Gisborne JRXDFKH RQ SDSHU VLJQHG DQG GDWHG [ PP q

9LFN\ 6DYDJH 1HZ =HDODQG

Holding the Balance FDVW EURQ]H $3 VLJQHG ZLWK DUWLVW LQLWLDOV VS [ [ PP q

ę 6DUDK *XSS\ 1HZ =HDODQG ę q

Whale of a Time JRXDFKH RQ SDSHU WLWOH LQVFULEHG VLJQHG ZLWK DUWLVW V LQLWLDOV 6* DQG GDWHG ę ę [ PP q ę

9LFN\ 6DYDJH 1HZ =HDODQG

The Journey FDVW EURQ]H $3 VLJQHG ZLWK DUWLVW LQLWLDOV [ [ PP q

)UDQ 'LEEOH 8QLWHG 6WDWHV 1HZ =HDODQG E Planes FDVW EURQ]H VLJQHG C'LEEOH 6WXGLR [ [ PP q

6ÎUDSKLQH 3LFN 1HZ =HDODQG q Untitled LQWDJOLR HWFKLQJ VLJQHG DQG GDWHG [ PP q

øöø÷


øöø÷ /HQ /\H 1HZ =HDODQG q

Self-Portrait (With Night Tree) EODFN DQG ZKLWH SKRWRJUDSK SXEOLVKHG E\ WKH /HQ /\H )RXQGDWLRQ LQ IURP WKH RULJLQDO RULJLQDO *RYHWW %UHZVWHU /HQ /\H )RXQGDWLRQ FHUWLoFDWH RI DXWKHQWLFLW\ DĒ[HG YHUVR [ PP q

5REHUW (OOLV 1HZ =HDODQG ę q

Aroha OLWKRJUDSK WLWOH LQVFULEHG VLJQHG DQG GDWHG ę ę [ PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

'LFN )UL]]HOO 1HZ =HDODQG q Four Four Time VFUHHQSULQW $ 3 WLWOH LQVFULEHG VLJQHG DQG GDWHG

[ PP q

6XVDQQH .HUU 1HZ =HDODQG Untitled JRXDFKH RQ +DKQHPXKOH SDSHU VLJQHG DQG GDWHG [ PP q

6XVDQQH .HUU 1HZ =HDODQG Vessel No. I JRXDFKH RQ +DKQHPXKOH SDSHU VLJQHG DQG GDWHG [ PP ([KLELWHG C7KH 8QIROGLQJ )+( *DOOHULHV $XFNODQG q

6XVDQQH .HUU 1HZ =HDODQG Feast No. I JRXDFKH RQ +DKQHPXKOH SDSHU VLJQHG DQG GDWHG [ PP ([KLELWHG C7KH 8QIROGLQJ )+( *DOOHULHV $XFNODQG q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

-RH 6KHHKDQ 1HZ =HDODQG q Survival Kit 5XVVLDQ QHSKULWH MDGH SRXQDPX IURP %LJ %D\ 6RXWK $XVWUDOLDQ EODFN QHSKULWH MDGH LQ ZRRGHQ FDVH HGLWLRQ RI [ [ PP q

-RH 6KHHKDQ 1HZ =HDODQG q

Non-Rechargable FDUYHG 1HZ =HDODQG QHSKULWH MDGH 3RXQDPX PRXQWHG WR FDUG WLWOH LQVFULEHG VLJQHG DQG GDWHG

YHUVR [ PP HDFK SLHFHV

([KLELWHG C&OHDQ *UHHQ * )+( *DOOHULHV $XFNODQG q 2FWREHU q

+RSH *LEERQV 1HZ =HDODQG q Treasure 2 PL[HG PHGLD RQ ERDUG WLWOH LQVFULEHG VLJQHG DQG GDWHG YHUVR [ PP q

+RSH *LEERQV 1HZ =HDODQG q Treasure 5 PL[HG PHGLD RQ ERDUG WLWOH LQVFULEHG VLJQHG DQG GDWHG YHUVR [ PP q

øöø÷


øöø÷ *XL 7DFFHWWL %UD]LO 1HZ =HDODQG q

Viado (Deer) IURP Inferno GLJLWDO SULQW [ PP q Note

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

6DUDK *XSS\ 1HZ =HDODQG q Green Man Praying RLO RQ SDSHU WLWOH LQVFULEHG DQG GDWHG PLG [ PP q

-DQ 1LJUR 1HZ =HDODQG q Head JRXDFKH RQ SDSHU WLWOH LQVFULEHG VLJQHG DQG GDWHG

[ PP q

)XUWKHU LPDJHV IURP WKLV VHULHV DQG WKH DUWLVW V C6HUDSKLP VHULHV DUH DYDLODEOH 3OHDVH HQTXLUH IRU IXUWKHU GHWDLOV


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

)857+(5 $33/,(' $576

)LRQD 3DUGLQJWRQ 1HZ =HDODQG q

The Popular Recreator VHW RI FHUDPLF SODWHV ZLWK KLJK oUHG GHFRUDWLRQ HDFK VLJQHG YHUVR 3XUFKDVHG 6WDUNZKLWH *DOOHU\ 0DUFK q

*UDHPH 6WRUP Large stoneware vase ZLWK FDUYHG GHFRUDWLRQ DQG EOXH DQG EURZQ JOD]H LPSUHVVHG PDUN WR WKH IRRW + PP

$UWLVW 8QNQRZQ Untitled – Stylised Bird Form FDUYHG JUDQLWH [ [ PP q

q

3URYHQDQFH )RUPHUO\ LQ WKH -RKQ 3HUU\ Collection

3DROD 3DURQHWWR )RXU SDSHU FOD\ FHUDPLFV HDFK XQLTXH ZLWK KDQG DSSOLHG JROG OHDI HDFK VLJQHG WR WKH EDVH SXUFKDVHG LQ 9HQLFH ,WDO\ VL]HV YDULDEOH [ [ PP q

$ ODUJH DQG LPSUHVVLYH FHUDPLF ERZO E\ 5R\ +DPLOWRQ ZLWK JLOW VLOYHU DQG LPSUHVVHG GHFRUDWLRQ WRJHWKHU ZLWK D FROOHFWLRQ RI PXOWL FRORXUHG FHUDPLF HJJV DQG EDOOV E\ :DUUHQ Randall WKH ERZO ' PP q

øöø÷


øöø÷

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$UWLVW 8QNQRZQ Untitled KDQJLQJ SRVW ZLWK FDUYHG 3DFLoF GHFRUDWLRQ FRSSHU oQLVK [ [ PP q

2WWPDU +RUO Worldview Model IV SODVWLF PDWHULDO PDGH LQ *HUPDQ\ HQJUDYHG +¼5/ [ [ PP q

$ SDLU RI VZHHW GLVKHV JOD]HG SRUFHODLQ VWDPSHG Christian Lacroix WR WKH EDVH [ [ PP HDFK q

:DUUHQ 5DQGDOO 7ZR FHUDPLF ERZOV ZLWK VJUDĒWR DQG JLOGHG GHFRUDWLRQ HDFK VLJQHG WR EDVH WKH VPDOOHU GDWHG C ' PP DQG ' PP q

'ULDGH &RPSDQ\ $ YHU\ GHFRUDWLYH EORZQ JODVV DQG PHWDO YDVH LQ WKH 0XUDQR VW\OH $ ) [ [ PP q

$ GHFRUDWLYH WUHH IRUP DQG WZR PDWFKLQJ FDQGHODEUDV PDGH RI LURQ DQG ZRRG ODUJHVW + PP q

:DUUHQ 5DQGDOO 7ZR FHUDPLF ERZOV ZLWK LPSUHVVHG DEVWUDFW GHFRUDWLRQ 2QO\ RQH LOOXVWUDWHG HDFK VLJQHG WR EDVH DQG GDWHG C ' PP q

$UWLVW XQNQRZQ Portrait of a man XQJOD]HG FOD\ EXVW [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

)857+(5 $17,48(6 '(&25$7,9( ,7(06

$ 5HJHQF\ 3HULRG FLUFXODU FDUYHG JLOWZRRG PLUURU ZLWK VXQEXUVW VXUURXQG [ [ PP q

$ oQH 5HJHQF\ 3HULRG JLOWZRRG PLUURU WKH FLUFXODU IUDPH ZLWK EHDGLQJ DQG HERQLVHG VOLS VXUPRXQWHG ZLWK DQ HDJOH RQ D VTXDUH WDEOHW EHWZHHQ FDUYHG IROLDJH DQG GRZQZDUG oQLDO [ [ PP q

$ VSHFWDFXODU DQWLTXH ,WDOLDQ KDQG FDUYHG JLOWZRRG PLUURU [ PP q

øöø÷


øöø÷ $ SDLU RI FDUYHG JLOWZRRG oYH EUDQFK ZDOO VFRQFHV [ [ PP HDFK q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ SDLU RI RUQDPHQWV GHSLFWLQJ XUQV ZLWK HDJOH GHFRUDWLRQ DWRS SOLQWKV ZLWK JLOGHG VZDJ GHFRUDWLRQ [ [ PP HDFK q

$ FROOHFWLRQ RI VL[ WULEDO EHWHO QXW KDELW OLPH FRQWDLQHUV KDQG HWFKHG ERQH DQG ZRRG VRPH ZLWK VLOYHU PRXQWV IURP ,QGRQHVLD ODUJHVW + PP q

7ZR EURQ]H RUQDPHQWV ZLWK JLOW GHFRUDWLRQ RQH ZLWK D OLRQ RQ D SOLQWK WKH RWKHU ZLWK DQ XUQ + PP DQG + PP q

$ SDLU RI GHFRUDWLYH FDUYHG JLOWZRRG RUQDPHQWV [ [ PP HDFK q

$ SDLU RI FDVW LURQ XUQV RQ SOLQWKV [ [ PP HDFK q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

7ZR PDWFKLQJ FDUYHG ZRRG WDEOH ODPSV LQ WKH URPDQ VW\OH QR VKDGHV + PP q

%UDVV DQG PDUEOH WDEOH ODPS QR VKDGH QHHGV UHZLULQJ + PP q

$ FODUHW MXJ ZLWK PHWDO PRXQWV HQJUDYHG ZLWK D FULFNHWLQJ VFHQH + PP WRJHWKHU ZLWK D WULQNHW ER[ ZLWK VLOYHU WRS PDUNHG QRW LOOXVWUDWHG [ [ PP q

7ZR ZRRGHQ FURTXHW PDOOHWV + PP q

7KUHH DVVRUWHG ZRRGHQ ZDONLQJ VWLFNV RQH ZLWK PDUTXHWU\ q

%RGR 6SHUOHLQ IRU 7DQH 6LOYHU $WODV 3ODWH VLOYHU DQG ZRRG PDNHU V VLOYHU ODEHO WR WKH EDVH ' PP q

$ VHW RI WKUHH (QJOLVK ODFTXHUHG DQG JLOGHG SDSLHU PDFKH WUD\V LQVFULEHG YHUVR [ PP [ [ PP q

øöø÷


øöø÷ $Q (QJOLVK 0DMROLFD ZDUH WXUHHQ ZLWK UHPRYHDEOH LQWHULRU [ [ PP q

$ WK &HQWXU\ (QJOLVK OLGGHG WZR KDQGOHG FKRFRODWH FXS ZLWK SDLQWHG DQG JLOGHG GHFRUDWLRQ [ [ PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ WK &HQWXU\ (QJOLVK &RSHODQG *DUUHWW IRRWEDWK JOD]HG FHUDPLF ZLWK VLGH KDQGOHV [ [ PP q

$ FROOHFWLRQ RI QLQH (QJOLVK WK &HQWXU\ GUDLQLQJ SODWHV SUHGRPLQDQWO\ EOXH DQG ZKLWH GHSLFWLQJ (QJOLVK JDUGHQ VFHQHV VL]HV YDULDEOH q

$ ODUJH PLG WK &HQWXU\ &RSHODQG 6SRGH PHDW DVKHW PDUNHG WR WKH EDVH [ PP q

$Q WK &HQWXU\ &KDPEHUODLQV :RUFHVWHU WHDFXS DQG VDXFHU GHFRUDWHG ZLWK D JLOGHG ,PDUL SDWWHUQ q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

7KUHH -DSDQHVH ,PDUL SODWHV 0HLML SHULRG ' PP q

$ ODUJH /DWH WK &HQWXU\ &KLQHVH ([SRUW DUPRULDO ERZO LQVFULEHG ZLWK LQLWLDOV JG ZLWKLQ D VKLHOG $ ) [ [ PP q

$ SDLU RI &KLQHVH 4LQJ G\QDVW\ DQFHVWRU SRUWUDLW VLON VFUROO SDLQWLQJV [ PP HDFK q

7ZR &KLQHVH VHDWHG oJXUHV WKH oUVW D FDUYHG SDLQWHG ZRRG oJXUH RI DQ HPSHURU WKH VHFRQG D VDQFDL VWRQHZDUH oJXUH RI DQ RĒFLDO WKH WDOOHVW + PP q

$ GHFRUDWLYH &KLQHVH SDLQWHG DQG JOD]HG SODVWHU oJXUH RI D FKLOG UHVWLQJ [ [ PP q

$ KDQGVRPH SDLU RI 0LGGOH (DVWHUQ FDUYHG SDLQWHG ZRRG oJXUHV LQ FHUHPRQLDO GUHVV + PP q

$Q $IULFDQ JOD]HG UHVLQ oJXUH RI D PDQ KROGLQJ D ZDWHU SLWFKHU RQ D PDUEOH VWDQG WRJHWKHU ZLWK D ZDOO KDQJLQJ &KLQHVH ZDUULRU SODVWHU oJXUH + PP DQG + PP q

øöø÷


øöø÷ $ GHFRUDWLYH VWRQH %XGGKD KHDG VFXOSWXUH [ [ PP q

*ODGVWRQH 3RWWHU\ 0XVHXP IRU 5HFROOHFWLRQV /WG $ SDLU RI JOD]HG VWRQHZDUH SDUURWV LQ WKH VW\OH RI &KLQHVH VDQFDL FHUDPLF LQVFULEHG WR WKH EDVH “Made for Recollections Ltd by Gladstone Pottery Museum after the original in the Gubbay Collection at Clandon Park, Surrey belonging to the National Trust”. [ [ PP HDFK q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

:DOQXW FLJDU KXPLGRU ZLWK HERQLVHG H[WHULRU DQG oWWHG LQWHULRU IRXU VOLGLQJ VKHOYHV RQ EUDVV IHHW ZLWK NH\ [ [ PP q

$ 5HJHQF\ SHULRG PDKRJDQ\ WHD FDGG\ ZLWK oWWHG LQWHULRU q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ 5HJHQF\ SHULRG WRUWRLVH VKHOO WHD FDGG\ ZLWK ULQJ VLGH KDQGOHV DQG RULJLQDO IHHW JODVV PL[LQJ ERZO q

55

&KULV &UDIW 5DFLQJ 5XQDERXW %RDW 0RGHO FRPSOHWH ZLWK RULJLQDO SDFNDJLQJ LQ D 3HUVSH[ GLVSOD\ FDVH WKH FDVH [ [ PP q

6RYLHWVNL 5XVVLDQ %RUGHU *XDUG ELQRFXODUV WRJHWKHU ZLWK RULJLQDO PRXQW DQG ZRRGHQ WULSRG [ [ q

øöø÷


øöø÷ &R[ /RQGRQ $ SDLU RI &RUDO ODPSV ZURXJKW LURQ DQG EURQ]H Red Coral was used to wonderful HČHFW LQ WKH UHQDLVVDQFH 7KH &RUDO wrought and cast lamp was inspired by the tradition of elevating beautiful natural forms on turned gilt wood bases. [ PP q

$Q DWWUDFWLYH LURQ FKDQGHOLHU ZLWK EURDG IROLDJH GHFRUDWLRQ [ [ PP q

ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ SDLU RI ODUJH DQG LPSUHVVLYH PHWDO ODQWHUQ SHQGDQW OLJKWV ZLWK DUFKHG SDQHOV DQG EURQ]H oQLVK RQH LOOXVWUDWHG [ [ PP q

$ VPDOOHU SDLU RI PHWDO ODQWHUQ SHQGDQW OLJKWV ZLWK JODVV SDQHOV RQH LOOXVWUDWHG [ [ PP q

7KUHH ZDOO PRXQWHG &RS\OLJKWV E\ %UDLQER[ +DPEXUJ DOO LQ RULJLQDO ER[ WRJHWKHU ZLWK WKH RULJLQDO FDWDORJXH The Copylight Book I +DPEXUJ 7KH ODPSV [ [ PP q


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

$ SDLU RI ODUJH FHUDPLF JDUGHQ SRWV ZLWK GDUN EURZQ JOD]H [ [ PP ę q

6L[ PHWDO SODQWHUV YDULRXV VL]HV ODUJHVW [ [ PP q

$ SDLU RI ODUJH FRQFUHWH JDUGHQ SRWV RQH LOOXVWUDWHG [ PP q

7ZR RXWGRRU VLGH WDEOHV RU VWRROV RQH LOOXVWUDWHG [ [ P q

7KUHH ODUJH FRQFUHWH JDUGHQ SRWV RQH LOOXVWUDWHG [ PP q

$ SDLU RI GHFRUDWLYH LFH EXFNHWV PDUNHG O +RWHO GX 0RQW 3DULV [ [ PP q

$ TXDQWLW\ RI XSKROVWHU\ leather q

øöø÷


CONDITIONS OF SALE

IMPORTANT ADVICE FOR BUYERS

Please note: it is assumed that all bidders at auction have read and agreed to the conditions described on this page. Art+Object directors are available during the auction viewing to clarify any questions you may have.

1. Registration: Only registered bidders may bid at auction. You are required to complete a bidding card or absentee bidding form prior to the auction giving your correct name, address and telephone contact and supplementary information such as email addresses that you may wish to supply to Art+Object. 2. Bidding: The highest bidder will be the purchaser subject to the auctioneer accepting the winning bid and any vendor’s reserve having been reached. The auctioneer has the right to refuse any bid. If this takes place or in the event of a dispute the auctioneer may call for bids at the previous lowest bid and proceed from this point. Bids advance at sums decreed by the auctioneer unless signaled otherwise by the auctioneer. No bids may be retracted. The auctioneer retains the right to bid on behalf of the vendor up to the reserve figure. 3. Reserve: Lots are offered and sold subject to the vendor’s reserve price being met. 4. Lots offered and sold as described and viewed: Art+Object makes all attempts to accurately describe and catalogue lots offered for sale. Notwithstanding this neither the vendor nor Art+Object accepts any liability for errors of description or faults and imperfections whether described in writing or verbally. This applies to questions of authenticity and quality of the item. Buyers are deemed to have inspected the item thoroughly and proceed on their own judgment. The act of bidding is agreed by the buyer to be an indication that they are satisfied on all counts regarding condition and authenticity. 5. Buyers premium: The purchaser by bidding acknowledges their acceptance of a buyers premium of 18% + GST to be added to the hammer price in the event of a successful sale at auction. 6. Art+Object is an agent for a vendor: A+O has the right to conduct the sale of an item on behalf of a vendor. This may include withdrawing an item from sale for any reason.

7. Payment: Successful bidders are required to make full payment immediately post sale – being either the day of the sale or the following day. If for any reason payment is delayed then a 20% deposit is required immediately and the balance to 100% required within 3 working days of the sale date. We accept payment via Eftpos, cash (under $5000.00) and direct credit. Visa and MasterCard credit cards are accepted, however a surcharge of 2.5% will be added. Payments over $10,000.00 must be made by direct credit to our bank account. Our bank details for deposits are 12-3107-0062934-00. Please use your buyer number as transaction reference. Please refer to point 7 of the Conditions of Sale in the catalogue for a detailed description of payment terms. 8. Failure to make payment: If a purchaser fails to make payment as outlined in point 7 above Art+Object may without any advice to the purchaser exercise its right to: a) rescind or stop the sale, b) re offer the lot for sale to an underbidder or at auction. Art+Object reserves the right to pursue the purchaser for any difference in sale proceeds if this course of action is chosen, c) to pursue legal remedy for breach of contract. 9. Collection of goods: Purchased items are to be removed from Art+Object premises immediately after payment or clearance of cheques. Absentee bidders must make provision for the uplifting of purchased items (see instructions on the facing page). 10. Bidders obligations: The act of bidding means all bidders acknowledge that they are personally responsible for payment if they are the successful bidder. This includes all registered absentee or telephone bidders. Bidders acting as an agent for a third party must obtain written authority from Art+Object and provide written instructions from any represented party and their express commitment to pay all funds relating to a successful bid by their nominated agent. 11. Bids under reserve & highest subject bids: When the highest bid is below the vendor’s reserve this work may be announced by the auctioneer as sold ‘subject to vendor’s authority’ or some similar phrase. The effect of this announcement is to signify that the highest bidder will be the purchaser at the bid price if the vendor accepts this price. If this highest bid is accepted then the purchaser has entered a contract to purchase the item at the bid price plus any relevant buyers premium.

The following information does not form part of the conditions of sale, however buyers, particularly first time bidders are recommended to read these notes. A. Bidding at auction: Please ensure your instructions to the auctioneer are clear and easily understood. It is well to understand that during a busy sale with multiple bidders the auctioneer may not be able to see all bids at all times. It is recommended that you raise your bidding number clearly and without hesitation. If your bid is made in error or you have misunderstood the bidding level please advise the auctioneer immediately of your error – prior to the hammer falling. Please note that if you have made a bid and the hammer has fallen and you are the highest bidder you have entered a binding contract to purchase an item at the bid price. New bidders in particular are advised to make themselves known to the sale auctioneer who will assist you with any questions about the conduct of the auction. B. Absentee bidding: Art+Object welcomes absentee bids once the necessary authority has been completed and lodged with Art+Object. A+O will do all it can to ensure bids are lodged on your behalf but accepts no liability for failure to carry out these bids. See the Absentee bidding form in this catalogue for information on lodging absentee bids. These are accepted up to 2 hours prior to the published auction commencement. C. Telephone bids: The same conditions apply to telephone bids. It is highly preferable to bid over a landline as the vagaries of cellphone connections may result in disappointment. You will be telephoned prior to your indicated lot arising in the catalogue order. If the phone is engaged or connection impossible the sale will proceed without your bidding. At times during an auction the bidding can be frenetic so you need to be sure you give clear instructions to the person executing your bids. The auctioneer will endeavour to cater to the requirements of phone bidders but cannot wait for a phone bid so your prompt participation is requested. D. New Zealand dollars: All estimates in this catalogue are in New Zealand dollars. The amount to be paid by successful bidders on the payment date is the New Zealand dollar amount stated on the purchaser invoice. Exchange rate variations are at the risk of the purchaser.


ijĬĩ ÷÷

The Collection of Adrian Burr & Peter Tatham

øöø÷


ABSENTEE & PHONE BID FORM Auction No. 164 The Collection of Adrian Burr and Peter Tatham 4 November 2021 and 6 November 2021

This completed and signed form authorises Art+Object to bid on my behalf at the above mentioned auction for the following lots up to prices indicated below. These bids are to be executed at the lowest price levels possible.

Lot no.

I understand that if successful I will purchase the lot or lots at or below the prices listed on this form and the listed buyers premium for this sale (18%) and GST on the buyers premium. I warrant also that I have read and understood and agree to comply with the conditions of sale as printed in the catalogue.

Lot Description

Payment and Delivery: Art+Object will advise me as soon as is practical that I am the successful bidder of the lot or lots described above. I agree to pay immediately on receipt of this advice. Payment will be by Eftpos, cash (under $5000.00) or direct credit. I understand that there is a 2.5% surcharge for payment by Visa or MasterCard credit cards. I understand that payments over $10,000.00 must be made by direct credit to Art+Object’s bank account as shown on the invoice.

Please indicate as appropriate by ticking the box:

Bid maximum in New Zealand dollars (for absentee bids only)

I will arrange for collection or dispatch of my purchases. If Art+Object is instructed by me to arrange for packing and dispatch of goods I agree to pay any costs incurred by Art+Object. Note: Art+Object requests that these shipping arrangements are made prior to the auction date to ensure prompt delivery processing.

PHONE BID

MR/MRS/MS: FIRST NAME:

SURNAME:

ADDRESS: HOME PHONE:

MOBILE:

BUSINESS PHONE:

EMAIL:

Signed as agreed:

To register for Absentee or Phone Bidding this form must be lodged with Art+Object by 2pm on the day of the published sale time in one of three ways: 1. Email a printed, signed and scanned form to Art+Object: info@artandobject.co.nz 2. Fax a completed form to Art+Object: +64 9 354 4645 3. Post a form to Art+Object, PO Box 68345 Wellesley Street, Auckland 1141, New Zealand

ABSENTEE BID




Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.