YOUR LOCAL ARTS GUIDE
FEB MAR FREE
www.artchowder.com
ART FROM AROUND THE
WHENRI RLD LAMY MELISSA COLE
TALENT SHOWCASE
ART CLASSIFIEDS
The Power of Encouragement
Ten Things To Avoid Saying When Speaking With Artists February |March 2016 1
Welcome to
magazine
T
alent is all around us. Every community is filled with amazing art just waiting to be discovered. When you look through the pages of this publication you are viewing the work of the creative minds that surround you. This magazine features the artworks of some of the most established artists from our community, artists who are showing their work for the first time as well as everyone in between. When you buy local art you aren’t just purchasing something beautiful for yourself to enjoy, you’re encouraging another individual to continue to create. Without this support, we will lose our local songwriters, painters and poets. It’s easy to take the art that surrounds us for granted. The music we enjoy, the craftsmanship of beautiful architecture, or the vibrant colored murals that brighten dark alleys. It’s our responsibility to keep the arts alive. I founded Art Chowder because I want every artist to have the opportunity to be seen. I realized artists needed a powerful venue; one that could truly reach the public which is why Art Chowder is free to everyone. Artist listings and local business advertising provide the funding for this magazine, and in doing so, they are directly supporting local arts. All art is welcome, whether you are an emerging talent or an award-winning artist. Now every artist has the power to gain real exposure. Visit our website, select a listing and upload your artwork. It’s that easy. Interested buyers simply contact the artist directly making connections between artists and collectors easier than ever before. Art Chowder receives no portion of any sales made. In addition to our art classifieds, we feature uplifting and entertaining articles and showcase some of the most notable talents from the Inland Northwest. Art Chowder would not be possible without the support of our community, so thank you again.
REBECCA A. LLOYD Art Chowder Magazine Founder
WWW.ARTCHOWDER.COM | CONTACT@ARTCHOWDER.COM | 509-592-3925 2 ART CHOWDER MAGAZINE
CONTENTS:
06 talent showcase Melissa Cole | Spokane, WA 13
urban art watch
14 Carol Schmauder 15 Vicky Cavin 18 Tom Norton 20 Ildik贸 Kalap谩cs 20 Michaelanne Foster 21
Isaiah Ashley
22
the power of encouragement
24 Sheri Ritchie 24 Carlton Oakes 25 Helen Parsons 26 Rebecca Lloyd 30 Erika Mueller February |March 2016 3
We Make Paper Flowers ARRANGEMENTS | WEDDINGS | RENTAL | CLASSES | SINGLE FLOWERS
www.paperflowers.com
Anemone@PaperFlowers.com 509-230-1911
4 ART CHOWDER MAGAZINE
CONTENTS: 31
Jerry Mudge
32 Melinda Melvin (Rombokas) 34 Ben Joyce 37 Debbie Hughbanks 37 Ginger Oakes 40 “can creativity be taught?� 44 art from around the world Henri Lamy 46 Stephanie Kay 47 LauraLee White 47 Priscilla Barnett 48 Mitchell Pluto 48 Diane Covington 49 Marion Flanery 50 10 things to avoid saying when speaking with artists February |March 2016 5
Talent SHOWCASE MELISSA COLE | SPOKANE, WASHINGTON
O
ver the last fifteen years I’ve been delighted to discover that with the most mundane ingredients: acrylic, canvas, concrete, glass, metal, clay and wood, I can form something that seemingly vibrates with its own raw energy. I relish the moments when my artwork can make people stop their mad hurtle through life to pause, breathe and enjoy an experience. Because of my past adventures as a naturalist guide and my marriage to a marine photographer, I’ve been lucky enough to snorkel with salmon, stroke baby gray whales and swim with tiger sharks. It is from these amazing encounters that I derive much of the inspiration for my vividly colored, textured and patterned mixed media paintings and mosaic sculptures. I am also influenced by a childhood spent in India; extensive travels abroad, and by my background in zoology. Unfortunately, in my travels I have also witnessed the rapid destruction of the environment. Because of this, I feel it is incredibly important to bring touches of the natural realm to urban settings. These serve as reminders to people within a glass and concrete landscape, and help them reconnect with nature. Although I could portray the sometimes, stark reality of environmental degradation, I would like my artwork to be an escape for both viewer and artist. While rivers are dammed, oceans are often polluted; plastic blows through deserts, in my paintings fish glide through clear water and rabbits leap through unspoiled territory. My artworks are dreams, which are filled with emotion, desire, energy and joy. They are a touch of what I wish for this earth. Working in the Dominican Republic as a Peace Corps volunteer after I completed my science degree shaped my artistic career. I was fortunate enough to work in a village of artisans and basket weavers. This experience of creating artwork within a community showed me what a powerful force art has on people. It breaks down cross-cultural, linguistic, and socioeconomic barriers. Whenever possible, I use this knowledge in my large installations and public works. I am passionate about involving the public in the art process through my community-built public works of art, which instill a sense of pride and ownership. I thrive on demystifying art and of watching people of all ages and experiences find the confidence within themselves to create and share their life stories with others. 6 ART CHOWDER MAGAZINE
“
How long have you been cre- loving home. I feel like there is an ating art? I’ve been creating art energetic interaction between the for fun since I was a toddler, but as a professional artist for 15 years.
What is your greatest fear when showing your art to others? I’m not sure I am really ever fearful; I’ve grown thicker skin during my time as an artist and realize that each person has their own preference. Everyone doesn’t have to like my work. I just have to!
Does it matter what happens to your art after you sell it? I’m always happy when my work finds a
artwork and owner. I feel that exchange with the original and unique work I have collected from artists all over the world and I hope that my collectors feel that as well with my work.
Are you good at math? I am relatively good at math, though I struggled with it as a child because we moved so much due to my father’s job as an airline pilot. I had to use it to complete my zoology degree and I still use it as an artist, I can’t say I’ve ever loved it though!
Australian Magpie
Smells Like Rain | $1975 | 30” x 40” | Acrylic on Canvas| Spokane, WA. | 2015 melissacole.com
|
sirenagraphics@hotmail.com
February |March 2016 7
Talent Showcase
“Last summer I got to swim with whale sharks in Isla Mujeres, Mexico. These mythical beasts sometimes grow to over 45 feet in length and slurp up plankton and fish eggs from the water. Sometimes it felt like I was in a fantastical underwater bus station because there were so many of them swimming in all directions. I came home and painted “More Eggs Please” which is a 24x48 acrylic on canvas and has a happy home in Browne’s Addition.”
Do you have another job besides being an artist? What is your title? Yes and no.
My background is in zoology, and I worked for The Oregon Department of Fish and Wildlife and as a naturalist guide and divemaster before I “became” an artist. I have written thirty natural history books for children and I currently model and assist my marine photographer husband Brandon on trips all over the world. This doesn’t feel much like a job, but rather an extension of my marriage and partnership with Brandon. In addition, it provides unlimited creative inspiration for my artwork!
In your artwork do you strive to be more creative or more technical? I embrace both equally. I am especially drawn to technical aspects in relation to public works of art, because they need to be durable and low-maintenance for extended periods of time. I use the best materials I can to create my work, but feel I am able to experiment and explore my creativity with my fine art pieces.
What place did you enjoy exhibiting your work most? I most enjoyed exhibiting my
work at the Farrago Art Gallery in New Delhi, India. I had a solo show there four years ago. While it was an exhibit full of challenges of shipping the work to another country etc. it was fulfilling to have an exhibit in my father’s homeland.
Who is your favorite local artist? I have
the work of many local artists in my home. Among my favorites are Ric Gendron, Mel McCuddin, Harold Balazs, Kay O’Rourke, Neicy Frey and Sheila Evans.
melissacole.com
8 ART CHOWDER MAGAZINE
|
sirenagraphics@hotmail.com
“Out of all the work you have created, which piece is your favorite?”
One of my favorite pieces is “River-
dance” a public work of art found in the lobby of the Spokane Convention Center. I am proud because it was my first large-scale mixed-media public work of art and I successfully realized the project. The scene highlights one of the many reasons I love living in Spokane...the beautiful river running through the heart of the City.
Turquoise Days Amber Nights
Would you rather have a solo show or a of separate and unique works of art. group show? I’ve participated in both and enjoy both for a variety of reasons. When I have a solo If someone asked you what you do, show, I can devote all of my energies towards a would you respond by saying “I am an specific theme or idea without input from anyone artist”? I do without qualm because that is what else. In a group show I like the sharing and collab- I am. I live an artistic life, I make my living through orative aspect of creating a whole from a grouping the creation of art and I am proud to say so!
February |March 2016 9
Talent Showcase
Sunseeker | $1650| 24”x 36” | Acrylic | Spokane, WA. | 2015
Where are you looking forward to showing?
I’m really looking forward to showing at the Marmot Art Space in Kendall Yards in April. My show will be titled “Experimental” and will include some new semi-representational contemporary work. As an artist with a known “style”, it is always a struggle to continue to experiment, evolve and grow creatively while still maintaining your artistic voice. I’m really excited for the chance to play with the materials and subject matter and see what I come up with. Exhibition opens April 1st.
Dance of New Fallen Snow | $1650 | 24”x 36”
UPCOMING EVENTS EXPERIENCE MELISSA COLE’S ARTWORK THIS APRIL
1206WSummitPkwy Spokane,Washington 10 ART CHOWDER MAGAZINE
Melissa Cole
February |March 2016 11
3017 N. Monroe, Spokane, Washington
CLASSES | WORKSHOPS | EXHIBIT | SELL | MEMBERSHIPS | GIVE
Urban Art Co-Op is a group of talented and diverse local potters focused on promoting and supporting the arts in our community with the intent to expand to include artists who work in other mediums . We have created a welcoming environment for all levels of potters where artistic growth and collaboration happen. We teach classes and workshops, exhibit, sell and give to the local community. Our structure is supported by artist’s participation in all duties and functions of the Co-Op which allows us to maintain an affordable space for all members.
www.urbanartcoop.org
| 509 327-9000
Looking for a relaxing accompaniment for your wedding, corporate event or private function?
The classical guitar is an ideal choice. Intimate and unobtrusive, solo classical guitar is ideally suited to both acoustic or amplified environments and adds a sense of style to any occasion. I am available for weddings, private or corporate events and special occasions in the surrounding area and the greater Pacific Northwest area.
12 ART CHOWDER MAGAZINE
CARLTON OAKES
info@carltonoakesmusic.com
Facebook.com/CarltonOakesClassicalGuitarist
50 9- 45 6- 215 7
Urban Art Watch
Where Am I? In every issue we feature public arts in the Inland Northwest. Public art is often enjoyed by many, but receives recognition by few. Show support for public art in your community while having fun by joining the search. First, find the art in this issue’s Urban Art Watch. Then take a photo of yourself holding this issue of Art Chowder Magazine in front of the artwork. Email us or post your photo to our Facebook page and receive 10% off an artist listing or local business ad.
SEND PHOTOS TO: contact@artchowder.com Facebook.com/artchowder
Join The Search. Spot the art & save. February |March 2016 13
Art Classifieds
Carol Schmauder Shattered Reality XLVII $575.00 16” x 17” Watercolor Spokane, Washington 2013
Tree frogs are fun and whimsical creatures so I decided to make them the star of my 47th Shattered Reality painting. The orange eyes and appendages along with their bright green bodies make them a colorful and lively subject.
Carnival $350.00 12.5” x 6.25” Mixed Media Spokane, Washington 2015
Shattered Reality XXVI
$410.00 9.75” x 11” Watercolor 2014
These fish swim in a sea of blue and green with warm colors playing against cool colors. The colors are vibrant and will add a point of interest to any room it is displayed in. www.carolschmauder.com
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|
This wonderful, colorful painting is a combination of a photo on tissue paper and watercolors in various shapes. While attending a dolphin show I captured a performer on camera as she was lowered into the water. I printed the photo on tissue paper and then painted the surrounding area in red, green, blue, and yellow watercolors resulting in a fun, abstract painting. This is the fourth in a series of these mixed media paintings.
clschmauder@gmail.com
| 509-325-4809
Vicky Cavin Over The Rainbow $49.00 17” x 12” Giclee Print Spokane, WA 2013
M
ost of my paintings are inspired by the lyrics of treasured songs. They are bold in color, and whimsical in nature, covering a wide variety of subjects. I particularly love painting dancing figures and dreamlike wildlife. Each pastel is painted with my fingertips, enabling me to feel a strong, direct connection with the creative energy moving through. As lyrics of songs often do, it is my hope that the paintings tell a story to whoever is looking on. Sometimes a new piece begins with a background of lines and shapes that “speak” to me as I move the chalk. It is always a surprise to see figures reveal themselves. Moving forward, acrylics have now become an added passion.
My Lil’ Runaway $299.00 23.5” x 31.75” Pastel Framed Original Spokane, WA 2013 $49.00 16” x 11.5” Giclee Print Spokane, WA 2013
www.vickycavin.com
|
gvhcavin@windwireless.net
February |March 2016 15
JUNDTARTMUSEUM Fifty Masterworks from the Print Collection of the Jundt Art Museum January 9 to April 2, 2016 Monday - Saturday 10am to 4pm Closed University Holidays Jundt Art Museum Gonzaga University 200 E Desmet Spokane, Washington Free
Partial support for the exhibition and book, Fifty Masterworks from the Print Collection of the Jundt Art Museum, is provided by the Jundt Art Museum’s 2015–16 Annual Campaign, Gonzaga University’s College of Arts & Sciences, and the Bolker Collection Endowment Fund. The exhibition and book are also supported in part by a grant from the Washington State Arts Commission and the National Endowment for the Arts. Come enjoy this great opportunity to see works by master artists from the 16th to the 21st century.
Stay Tuned For Upcoming La Resistance Events:
* Pop-up events throughout the year. *Teaming up with Tinnabulation for a three day music festival at Riverfront park with local & national touring Musial acts the weekend after Labor Day. * Teaming up with Spokane vintage warehouse & Dare Designs for summer carnival .
is a constantly evolving pop up underground art and music show curated by LauraLee White. Showcasing high impact visual artists and accomplished musicians to transform the fabric of the community 1-4 times a year. The La Resistance invites and promotes local and national artists and musicians in the LR collective. We bring like-minded, introverted (usually overlooked due to their nature) and talented artists together to foster a sense of camaraderie, to enrich lives and to showcase exceptional talent to the community. Art and music will change the world! La Resistance! laresistancespokane@gmail.com
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February |March 2016 17
Art Classifieds
I
Tom Norton
am an artist and musician living in Spokane, Washington. When I was a young man, I realized that I loved to create art. I wanted to look at the world around me, and somehow capture what I saw, on paper or canvas. I’ve been told that my work is whimsical, colorful, inspiring, wacky, humorous, dark, mysterious, sad, happy…and that it presents “struggle” and “survival”. I’m happy that people see it this way. Its what I hope to convey. Most of the time, I don’t know where my ideas come from. Something I experience and see gets “short circuited” in my brain, and the results…well, that’s for you to decide. I’m just happy doing my passion. I paint every day, and as it is with my music, my art takes different turns, as does life. Life is about many experiences, much learning and emotions, and sharing what you have with others. Each day brings new ideas, new colors, new feelings and new challenges. Most of the work that I’ve created over the years is done with ink and colored pencils, pastels, watercolors, clay, and acrylics. I don’t seem to settle on one particular style of drawing or painting–my pens, pencils and brushes just seem to follow the moment and the emotions and energy around me. My musical background is as a multi-keyboardist and composer/performer. I studied piano throughout my younger years, and got “infected” by just about every style of music, especially rock n roll, blues and funk music. I continue my growth as a keyboardist, performing in the Spokane area with many musicians, and composing for video and film projects. I hope that my work touches as many people as possible, and through it, emotions come, and thinking results…and perhaps in some small way, I inspire others to create, in their own ways. I didn’t live my passion for art and music for many years – I put it aside and worked in the corporate world. Nowadays its different – I live my passion, and the result is happiness.
tthumpit@gmail.com
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| 509-990-6776
“Do your passion. Do it always and do the best you can. Then...do it better the next time around.“ -Tom Norton
Wacky Birds on Baby Elephant $600.00 24” x 36” Acrylic on Canvas Spokane, WA 2014
The eighth in my “Elephants” series. Original and limited edition prints available direct from artist.
Tom Be Jammin’ $400.00 7” x 11” Colored Pencils Spokane, WA 2010
Self portrait done in Seattle 2010. Framed original and limited edition prints available directly from artist.
Amy | $500 | 18”x 30” | Acrylic | 2015 Amy Winehouse was a treasure, a huge loss in a very troubled world...
www.tomnortonart.com
February |March 2016 19
Art Classifieds
Ildikó Kalapács Depletion
Meltdown
$800.00 18” x 24” Acrylics, Mixed Spokane, WA 2015
Thinking about the disappearance and destructionofminoritiesandthethenaturalenvironment. Thebeautyanddiversitywearelosingcollectively.
$400.00 12” x 16” Acrylics, Mixed Spokane, WA 2015
Climate change.
The Dance II
$800.00 18” x 24” Acrylics, Mixed Spokane, WA 2015
A portrait referring to racial and segregation issuesintheUSwhichhaveresurfacedagain.
ildiko@ildiart.com
Michealanne Foster Chloris and Zephyrus $1400.00 48” x 48” Oil on Panel Spokane, WA 2015
I like to describe my current aesthetic as “Psychedelic Botticelli”, or “Contemporary Renaissance”. The subject of this piece is a detail from Botticelli’s “Primavera”. Without abandoning the grace and beauty of the early Renaissance, I create a more surreal and psychological space by warping the forms and using a more vibrant palette.
michaelannefoster@gmail.com
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Isaiah Ashley A Core Shadow Study $250.00 14” x 18” Oil Spokane, Washington 2009
This painting taught me so much about the utter importance of core shadows, which are paramount when it comes to turning an object.
Girl with Mandolin $400.00 22” x 28” Oil on Canvas Spokane, Washington 2009
A lithe female figure, wet blue marble and music; the perfect combination. A painter’s dream!
isaiahashley@icloud.com
| 209-999-0488
February |March 2016 21
THE POWER OF
E ncou rag e m e n t BY REBECCA LLOYD
22 ART CHOWDER MAGAZINE
S
ometimes the smallest things can end up having a profound impact on another person’s life. In my youth, I always loved being creative, but I never planned to pursue being an artist of any sort, my focus had always been on mathematics and medicine. At the time I thought supporting myself as an artist was as likely as becoming a professional basketball player. Despite the desire to take art classes, I actually felt as if they were a waste of time and an “easy A” so to speak. I was so worried about my academic endeavors that I had forgotten the importance of following my true passions. To be completely honest, I also worried that people might not take me seriously, and some may even be disappointed in me if I decided to chase after a life in the arts. Secretly I loved to paint and would often lay on my bedroom floor for hours trying to master techniques. After a close friend was diagnosed with a brain tumor I found myself feeling overwhelmed. The years of recovery that followed the surgeries were mentally and emotionally exhausting. Still in my youth, I struggled to deal with the realities of such an adult stressor. This coupled with typical teenage angst left me feeling anxious and depressed. During this time I started experimenting more and more with watercolor. It brought me peace and my troubles seemed to disappear whenever a brush was in my hand. My friend’s parents became important people in my life, which often happens when you share a traumatic experience with someone. One year I decided to paint them a Christmas card. I remember sitting at the kitchen table in my childhood home; some paint squished onto a dinner plate. I stared out the window in silence watching the snow gently fall. I sat quietly trying to capture the snow on a plum tree outside my window. I gave them the card, then weeks afterwards I noticed something familiar on their walls. There above the shelf, hung my painting. I was overcome with emotions. Someone believed in me, they liked my artwork. It was even custom framed. They joked about it being worth something one day, and although I knew they were just being nice, there was part of me that wanted to believe that some of what they were saying might be true. That experience helped me face a fear and in doing so I avoided a regret. Two things that I think are very important when it comes to truly being happy. Years passed and I continued to paint, but I never felt confident enough to go all in. When my husband and I first met about thirteen years ago he bought me my first easel. That gift made me realize that people were not just recognizing my ambition, they were supporting it. Upon receiving the gift I also remembered thinking, “Well, now I really have to start painting more.” So I did, and the more I painted the more I wanted to make it a focus in my life. I decided to show my work at a coffee shop and the day I came to take my work down, I remember standing on a ladder and having a gentleman shout to get my attention. “Miss, miss, excuse me. Are you the artist? “ I said yes and explained that my show was over. He had just ordered his coffee when he suddenly asked “Are you taking that painting?” I told him yes. He stopped, looked at me and said that he would be right back he needed to go get his checkbook. He didn’t even wait for his coffee. He returned, signed the check and then told me about where he planned to hang my painting in his home by the lake. He explained how much he had enjoyed looking at it each day for the past month while he drank his morning cup of coffee. It wasn’t until I sold that painting when he told me how much it meant to him that I acknowledged that art was going to be a lifelong pursuit, not just a hobby. As we journey through life there are many people that come and go. Some are easily forgotten, while others forever leave their mark on us. These simple acts likely went unnoticed by the individuals preforming them, but the encouragement I received over a decade ago helped form the foundation of my current career as an artist. When you look at a work of art you are seeing a glimpse into another person’s life. Every artist experiences growing pains and every work isn’t a masterpiece. It takes courage to believe in yourself and to allow others to see your work at all the stages along the way. If there is someone in your life that you believe in; encourage them. And if you see a piece of art you like, consider buying it. Your encouragement might just end up being the support that gives someone the confidence to follow his or her dreams. February |March 2016 23
Fused Glass Jewelry Class The Art Coop | 509-327-3726 Learn how to cut glass and use a grinder and ring saw to cut shapes. Choose from dichchoric, transparent, and opaque glass. You will make about 3 pendants and matching earrings. or you could make brooches, keychains, buttons, zipper pulls, ornaments. Everything supplied. Spend some quality time with your pals and create some eye candy while at The Art Coop; yes, it used to be a chicken coop. You can bring eats and drinks. You will also need to return in a week to finish it takes about 45 minutes. ( p r i vat e h o m e s t u d i o ) 4225 N G Street Spokane, Washington Class reservations can be made for Wednesday, Saturday or Sunday between 12:00pm-6:00pm Class Duration: Two Hours Cost: $45.00
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OakesGuitars.com info@oakesguitars.com 509-456-2157
Helen Parsons F I B E R
A R T I S T
Helen Parsons is a Spokane, Washington based fiber artist who obscures the traditional boundaries of fiber. Her pieces embody and symbolize unity, both through the methods of construction and the long established place fabric has in our daily lives. Parsons works primarily from finely stripped textiles, using tiny innumerable intricate stitches that bind the pieces together, unifying the layers to create a “fabric painting�.
Helen Parson’s work is inspired by her dedication to environmental conservation, travels to the ocean and living in the beautiful Pacific Northwest. Her work is shown and collected internationally.
H elens A rt L ife @Y ahoo .C om Facebook.com/HelenParsonsFiberArts 509-496-4000 February |March 2016 25
Art Classifieds
Rebecca Lloyd Fish of Fiji $75.00 12” x 17” Watercolor Pullman, Washington 2014
Fish of Fiji II $75.00 12” x 17” Watercolor Pullman, Washington 2014
rebecca@strictlyart.com 26 ART CHOWDER MAGAZINE
| 509-592-3925
Morning Tea $375.00 24” x 36” x 1.5” Acrylic on Canvas Pullman, Washington 2014
Abstract Beauty IX
$375.00 24” x 36” x 1.5” Acrylic on Canvas Pullman, Washington 2014
Viti Girl $50.00 12” x 12” x 1.5” Acrylic on Canvas Pullman, Washington 2014
www.strictlyart.com February |March 2016 27
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509-592-3925
Be the
Big Fish in your pond. February |March 2016 29
Art Classifieds
Erika Mueller I
am intrinsically drawn to the raw beauty of human figure. Finding the figure inspiring, alluring, and divinely unique, my work often focuses on a non-perfected portrayal. I often find the most allure in the awkward, in irregularities and the uncommon nature of physical features. Many of my works feature those closest to me; these relationships fuel my passion for figurative painting and curiosity into our human condition. I am interested in what makes us tick, what inspires and impacts us. Memory, observation and passion play a major role in my work. More specifically, I am fascinated by the unique differences in our physicalities, personalities, cultures and experiences and despite these idiosyncrasies, the ability of a collective universal human experience to exist. My desire for the art, is to reach the viewer deep down in their soul and discover a connection by means of personifying shared emotions, feelings, and experiences. I hope to awaken a collective understanding within all of us while inspiring a personal experience between viewer and subject, breaking traditional bonds of portraiture.
1
Submersion $1500.00 12” x 24” Oil Moses Lake, Washington 2015
3
She Tastes the Skies $3800.00 30” x 40” Oil Moses Lake, Washington 2014
2
Lolo In Fur $4500.00 24” x 36” Oil Moses Lake, Washington 2015
4
Russell $5500.00 40” x 40” Oil Moses Lake, Washington 2015
erikanicolestudios@gmail.com
30 ART CHOWDER MAGAZINE
 ACCESS TO A QUALITY MUSIC EDUCATION * * * *
Engages students in the classroom and increases graduation rates Improves early cognitive, development, math and reading skills Enhances learning in other core subjects Develops critical thinking and leadership skills
* Fosters self-esteem and the ability to work cooperatively in teams
Why Holy Names Music Center? The Music Starts Here
* Talented faculty, world class teaching. * Beautiful, convenient location just five minutes from downtown.
* * * * * * * * * *
Early childhood music education. Adult programs and ensembles. It’s never too late! Performance opportunities in our acoustically sound recital hall. A rich history of quality music instruction. Thriving community outreach program providing a musical channel to underserved populations in our region. Community-funded scholarships and financial aid available. Musical performance calendar @ www.hnmc.org A founding member of the Spokane Youth Music Consortium. “Creating path-ways to excellence in Music Education.” Spokane’s only Community Music School Over 100 years at this location, providing music instruction for all!
3910 W Custer Drive, Spokane, WA 99224 | 509-326-9516 Check us out on the web: www.hnmc.org facebook.com/HolyNamesMC
Jerry Mudge Photography
208-691-9592 | Jerrymudgephotography.com | JerryMphotography@comcast.net February |March 2016 31
Melinda Melvin (Rombokas) B e n e at h T h e S u r fa c e
I began painting four years ago when I painted a worktable in what has become my signature style using paint ink and resin. With no training, it seems my tendency to explore has not been limited by the rules of art. I will try most anything that involves paint and will paint anything I can. I enjoy the canvas and also gain a lot of satisfaction turning old chairs, tables and lamps into functional art. In 2012, I partnered with five other women to create The New Moon Art Gallery, formally Manic Moon and More. By invitation, I presently curate for Nectar Tasting Room and assist with the art for Patit Creek Cellars in downtown Spokane. I have helped run the Bozzi Gallery since June 2014 an experience that has been invaluable in establishing myself as an artist. I also teach no fail art classes at The New Moon Art Gallery on a regular basis-employing alcohol inks which I enjoy for their bright colors and versatility. I addition to classes, I am also available for art parties designed to meet the needs of the client. I keep my prices affordable and believe art should be avaiable to everyone. I work on commission with no oblgation to purchase and shipping is available at cost.
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Study in Contrast $950.00 34” x 48” Paint, Ink & Resin on Canvas Spokane, Washington SEPTEMBER| 2015
Fuschia Dragonfly $145.00 18” x 24” Paint, Ink & Resin on Canvas Spokane, Washington OCTOBER | 2015
melindamelvinarts@gmail.com
32 ART CHOWDER MAGAZINE
My body of work is collectively called “ Seeing Beneath the Surface” I akin my paintings to that of getting to know a friend. What you see in the beginning gives way as you get to know the intricacies of the person, so it is with my paintings. Each one is created with an emphasis on depth and the unexpected. It is my hope that one will continue to explore my paintings for years, finding details that were not initially apparent.
| MelindaMelvinArts.com
3
Flamingo Reflections $950.00 34” x 48” Acrylic & Spray on Canvas Spokane, Washington OCTOBER | 2015
“
I believe my art comes through me if I “stay out of the way” and allow the muse her way. I am often filled with awe at what moves through me. Because I feel I am just a conduit, I am able to stand back and enjoy my work the same way I would a stranger’s.”
4
please like
&
Contemporary Camp in Bloom $950.00 48” x 24” Paint, Ink & Resin on Canvas Spokane, Washington SEPTEMBER | 2015
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Willow $325.00 19” x 24” Paint, Ink & Resin on Canvas Spokane, Washington SEPTEMBER | 2015
M e l i n d a M e l v i n A r t s | 509-808-0350 February |March 2016 33
Art Classifieds
Ben Joyce Abstract Topophilia™ - The Love of Place. Topophilia: The affective bond between people and place. The Love of Place. “I created Abstract Topophilia®, The Love of Place, out of an unconventional approach to art. Like the places I capture, the pieces are moving, pulsing, ever changing. The Broken Frame™ breaks up the borders created by the traditional solid frame, that confine the experience, allowing the viewer to expand the painting beyond its borders with their knowledge of the area. From a birdseye vantage point, I use recognizable lines, that allow the viewer to travel through the piece.” — Ben
Seattle, Wash
ington | $67 5
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Each of these Limited Editions is available in these three different edition options: Every Limited Edition is individually signed, numbered, and comes with a matching Certificate of Authenticity. The Editions will be fulfilled in the order they are received.
Limited Studio Edition; S/E 1/282 Using museum quality Archival Canvas certified for 100+ years, every Ben Joyce Limited Studio Edition is created by hand in Ben’s studio. The Studio Editions will be hand-retouched, giving the painting a look almost identical to the original. Rich colors, vivid textures and the Broken Frame® and the unique Shine Finish; a well known aspect in Ben’s work, accurate to the original work of art are the signatures of your finished piece.
Inland Northwest | $675
Limited Signature Paper Edition; S/P 1/1978 Ben Joyce Limited Signature Paper Editions are made with the highest attention to detail and color accuracy. Each are printed on Archival fine art paper certified for 100+ years, 310 gram weight, and made from 100% cotton fiber that is acid and lignin free. The edition is then sealed with a museum grade finish that provides UV protection. Each will be approximately 280 square inches.
Limited Paper Edition; A/P 1/3212 The Limited Paper Editions are made with the highest attention to detail and color accuracy. Each are printed on Archival fine art paper certified for 100+ years, 310 gram weight, and made from 100% cotton fiber that is acid and lignin free. The edition is then sealed with a museum grade finish that provides UV protection. Each will be approximately 120 square inches.
Spokane, Washington | $650
www.benjoyceart.com
February |March 2016 35
Art Classifieds
Ben Joyce Each of these Limited Editions is available in these three different edition options: Every Limited Edition is individually signed, numbered, and comes with a matching Certificate of Authenticity. The Editions will be fulfilled in the order they are received.
Limited Studio Edition; S/E 1/282 Using museum quality Archival Canvas certified for 100+ years, every Ben Joyce Limited Studio Edition is created by hand in Ben’s studio. The Studio Editions will be hand-retouched, giving the painting a look almost identical to the original. Rich colors, vivid textures and the Broken Frame® and the unique Shine Finish; a well known aspect in Ben’s work, accurate to the original work of art are the signatures of your finished piece. Limited Signature Paper Edition; S/P 1/1978
Lake Coeur d’Alene, ID | $650
Ben Joyce Limited Signature Paper Editions are made with the highest attention to detail and color accuracy. Each are printed on Archival fine art paper certified for 100+ years, 310 gram weight, and made from 100% cotton fiber that is acid and lignin free. The edition is then sealed with a museum grade finish that provides UV protection. Each will be approximately 280 square inches.
Limited Paper Edition; A/P 1/3212 The Limited Paper Editions are made with the highest attention to detail and color accuracy. Each are printed on Archival fine art paper certified for 100+ years, 310 gram weight, and made from 100% cotton fiber that is acid and lignin free. The edition is then sealed with a museum grade finish that provides UV protection. Each will be approximately 120 square inches.
Priest Lake, Idaho | $650 www.benjoyceart.com
36 ART CHOWDER MAGAZINE
Debbie Hughbanks
debbie@hughbanksart.com
I feel that animals are an extremely important part of our existence and should be treasured and celebrated by all of us. That’s what I attempt to do through my art. for commissions or other information visit
www.hughbanksart.com
“Our task must be to free ourselves by widening our circle of compassion to embrace all living creatures and the whole of nature and its beauty.” –Albert Einstein
“I tell stories through ceramic sculpture. Clay has a voice and I help the story be heard. Every creation speaks of the balance in life and the human condition.”
GoArtStudio.com ginger.oakes@gmail.com 509-434-8103
February |March 2016 37
EVENTS CALENDAR
1214 West Summit Parkway, Spokane, Washington The Inklings: Teen Writer’s Group
The INKlings is a teen writing group that helps high schoolers who enjoy creative writing take their skills to the next level while learning alongside published local authors. This group grows together as writers in a creative, encouraging environment with an eye on publication opportunities.
Origin Stories: Comic Creation Lab
Origin Stories is a dynamic program in which young writers create comics and graphic stories. Inspired by superhero origin stories, students write and illustrate stories with characters and narratives built around the idea of “powers.” Origin Stories has been taught in conjunction with the Spokane Public Library, the Native Project and Spark Center.
Do I Dare Disturb The Universe? This two-session workshop is co-taught by poets Maya Jewell Zeller and Laura Read, Spokane’s Poet Laureate. In his narrative lyric “The Love Song of J. Alfred Prufrock,” T.S. Eliot sustains a singular voice through 140 lines and teaches us what it means to “disturb the universe. $30 includes both sessions.
Drop In & Draw Adults and teens with the spirit of an artist are invited to drop in and draw with us on Fridays. Niah Ferlito will provide a friendly atmosphere in which to explore our artistic imaginations and the art supplies to do so.
Reclaiming Our Voices: Women’s Writing Group
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A writing group for adult women that focuses on figuring out what’s inside each of us, and putting that into words so we can better inhabit and express our worlds. We write to find our voices, ourselves, and each other. The two-hour class usually includes the study of a published work, time for sustained personal writing, and sharing with a group of supportive and open-minded women.
02//20 Saturday, February 20 // 3:00 - 5:00PM GRADES 9-12
02//06
Saturday, February 6 // 10 AM - 12 PM GRADES 4-8
02//27 Saturdays, Feb. 27 & March 5 (attend both sessions) 4 PM - 7 PM
02//05 Fridays // 4 - 5:30 PM
02//04 Thursdays // 10 AM - 12 PM
“ The Artists
Marketing Tool Box � build your brand & find your fans
Based in Spokane now spanning the Globe Flootie.com P.O. Box 141292 Spokane Valley, WA. 99214 info@flootie.com February |March 2016 39
Public Buzz “Creativity is innate; procedures can be taught.”
“Fostered, encouraged, practiced, but not taught.”
“Yes, but true artists are born.”
“Absolutely.”
“I believe creativity is un-taught. We are all born with it.”
“Can Creativity Be Taught?”
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“I think it can to a certain extent, but more creativity can come to anyone through a little inspiration and a little encouragement.”
“Yes. The brain is an amazing instrument that can be trained, taught, and encouraged to think in a creative way. Not just in creating, but in problem solving too; plus everyday life situations that require a solution.
“No.”
“Creativity can be taught and encouraged. Encouragement is the oxygen of the soul.”
“Let the novices be inspired...and allow them to be on their own.”
“I believe you can inspire and encourage creativity.” “Maybe, fostered is a better word I think.”
“I’m in college to become an art teacher. I have been fortunate to witness the manifestation of learned creativity with a little encouragement and a teacher’s investment in time.”
February |March 2016 41
WWW.NEWMOONARTGALLERY.COM
the
newMOON
art gallery
paintings | ceramic sculpture | jewelry | fiber & textile art | mosaics | art glass | woodworks | photography | whimsical mixed media
|
functional art
along with a wide selection of artisan cards and prints
Come Visit Us At Our New Location!
1326 East Sprague Avenue, Spokane, WA 99202 | 509-413-9101 Our commitment to promoting great art extends to our monthly exhibitions, plus our many unique and affordable art classes and art parties. Our focus is always on having fun while encouraging each person’s innate creativity. With passion and skill, members of each class are supported in finding their own creative voice. Our playful non-stressful art parties are also designed specifically to meet the wishes of each client- either in- house or in your home or business.
FOR MORE INFORMATION GO TO: WWW.NEWMOONARTGALLERY.COM OR CALL 509-413-9101 WE LIST OUR HOURS OF OPERATION ON OUR WEBSITE, AS WE CHANGE WITH THE SEASONS. 42 ART CHOWDER MAGAZINE
February |March 2016 43
ART FROM AROUND THE
WORLD HENRI LAMY
French Artist Incorporates Capoeira When Creating His Artworks
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Art in Motion
F
rench artist Henri Lamy is not your typical painter. His art does not just end in blank canvasses and walls, rather it goes beyond what a paintbrush and a pencil could stroke on. This man’s every move is a work of art. Aside from drawing and painting, he is also passionate about Capoeira. It is a form of martial art that originated in Brazil. It is a mixture of dancing and acrobatics that can be used as a form of self-defense. He is also a traveler that has been to many parts of the world including Japan, China, Philippines, Thailand, Brazil and the U.S. sharing his art. It is fascinating how he has merged the two practices to form such unique and completely original art. He was trying to look for a new method of conveying emotions it was at that time when this idea suddenly hit him. These two things have always been his passions and it was not surprising for him that they are among the things he would want to do long term. This man knows enough of the rules to break them. But not in a way that people would think is bad, but it is something that would awaken everyone and encourage them to do the same. In order to make art, society tells us to know the rules. But in order to live art, an artist must know how to break them. And this is exactly who Henri Lamy does. He is not a fan of conformity. A lot of artists could learn a thing or two from this man. He is also currently engaged to another talented individual that goes by the name of Maïa d’Aboville.They both share the same love for Capoeira and she is also in the same industry as an interactive designer.Henri Lamy is not showing any signs of slowing down in his career. He is constantly travelling and sharing his art to every country and city that he visits along with his fiancée.
www.henrilamy.fr
contact@henrilamy.fr
Facebook.com/HenriLamyArt
February |March 2016 45
Art Classifieds
Stephanie Kay The Girl With The Meow Tattoo $1390.00 36” x 48” Acrylic on Canvas Spokane Valley, WA 2015
Sometimes you have to let work speak for itself.
The Woman in Blue $1390.00 30” x 40” Acrylic on Canvas Spokane Valley, WA 2015
This piece was done in a emotional moment of wanting to just let go
artistatcreativecreature@gmail.com 46 ART CHOWDER MAGAZINE
|
facebook.com/art.music.b l i s s
LauraLee White
Tiny Black Heart
Almost
$495.00 15” x 6” x 27” Spokane, Washington 2015
$650.00 31” x 2.75” x 28.5” Spokane, Washington 2015
A discarded dresser drawer from a ruined life re-purposed light box housing a wire frame cloth and paper mâché Raven diorama symbolism of pain carrying a dismembered vintage doll shadowed by new courtship poetry.
Locked existing display lightbox showcasing ceramic wired doll figures and game assemblage attached over artist own hand written poetry.
I see the beauty and potential in discarded, found objects and ordinary things combined with creating new forms to express either my emotional state at the time or to make a statement about love, life or the trials of each. My art tends to veer on the dark side because the flip side of the sunshine and rainbows is necessary for the balance of life. Growing up in a small town, being a sensitive artist and scavenging treasures have a huge influence on my art.
lwhitedesigns@live.com
|
facebook.com/lauralee.art
Priscilla Barnett Becoming the Rhythm
Goddess Aurealis
$200.00 12” x 36” Acrylic & Gel Beads Spokane, WA
Priscilla Barnett was born in Barbados, West Indies. She came to New York at the age of 15. Priscilla obtained her BFA at Parsons School of Design. She later moved to Alaska before ending up in Spokane, WA. She has shown her work in New York, Alaska and Spokane. She currently runs an art group for youth called “Recovery Through the Arts” at Passages Family Support. Priscilla’s art speaks from the heart and life experiences.
$200.00 12” x 36” Acrylic & Gel Beads Spokane, WA
It’s looking at the beautiful northern lights in a form of a goddess.
artdefined2@gmail.com
February |March 2016 47
Art Classifieds
Mitchell Pluto Auto Meme Taboo $500.00 24” x 30” Acrylic
Magic Craftsman 6816 East 6th Ave Spokane Valley, Washington 2013
Automatism, pareidolia and imagine streaming help fortify the collective unconsciousness to encounter a new sense of self. For those who have ever defied a taboo.. know that they become a taboo power themselves. This advantage may tempt others to pursue examples of innovation that travel beyond conventional thought.
totemtransit@yahoo.com
Diane Covington Untitled and Unentitled
Xsxulaux Good Land
$1800.00 12” x 16” Acrylic on Bristol
$1200.00 12” x 12” Watercolor
Three anonymous Indigenous women in traditional regalia mourn a fallen sister in a 21st century cold and boxed in city scape.
As our grandmothers consider the land, we learn to consider tmxulaux so we impart to our daughters to consider the good land, xsxulaux.
Wellpinit, Washington
48 ART CHOWDER MAGAZINE
ksxulaux@gmail.com
Wellpinit, Washington
Marion Flanary I
am a visual story teller. My work captures a moment in a bigger story and the big story is always about the spiritual path of being human. Using vibrant color and, frequently, elements of the human figure, the imagery invites the viewer to ask questions about what’s going on here ~ what does it mean? Inspiration comes fast and unannounced. It can be the color of shifting light through a stand of trees, a phrase, or an observed interaction between two people. It comes from everywhere and as it arrives I draw a quick image or write it down to be used for future work. I create in a variety of media. For painting I use oils. My digital collage often consists of elements from photos I’ve taken, objects I’ve scanned and public domain images. My mixed media pieces can include anything from tree branches, fabric, game pieces, chalk, paint, pastel, smashed and rusted cans or whatever else that lends itself to the scene of the story I’m telling. My process is the same across mediums, each piece has a rhythm of its own that I follow. I generally work on between four and eight pieces at a time. I may work 10 minutes on one piece and then two hours on the next. It’s an intuitive process and when the piece feels finished for the day I stop. When I feel there’s nothing left to add I know the piece is finished. By working this way some pieces have taken over a year to complete. I hope by being with my work, the viewer will engage in the moment portrayed, be inspired to weave the experience of my work into their own stories and ultimately be inspired to create their own work.
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2
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They Said It Was Cancer $695.00 20” x 20” Oil on Canvas Spokane, WA | 2015
1
To Keep Them Away $795.00 15” x 30” Oil on Canvas Spokane, WA | 2015
2
Listening For Color $825.00 24” x 18” Oil on Canvas Spokane, WA | 2014
3
The Word $995.00 36” x 24” Oil on Canvas Spokane, WA | 2015
marionflanary@gmail.com
February |March 2016 49
10
things to avoid saying when speaking to artists 1.
“How long did it take you to do that?”
Somehow this feels like a trick question. If I say it took me five minutes does that devalue my work or does it mean I’m incredibility talented. Conversely, if I say it took six months is it suddenly more impressive? Do you like my art or not?
2. “Did you do that all by yourself?” You might be chuckling to yourself, but believe it or not this is a commonly asked question. I had an artist tell me once, while they were in the middle of painting live they actually had someone approach them with this question.
3. “You don’t look like an artist.” Not every artist walks around in paint splattered clothes. Avoid making yourself look silly by dodging this all together.
4. “So, what’s your real job?” This question is offensive and it implies that you don’t take them or their profession as an 50 ART CHOWDER MAGAZINE
artist seriously. If you are curious if they have any other career pursuits a better question may be “Do you have another job?”
5. “Your art looks just like…” Artists try to express themselves uniquely through their artwork. Even though many artists find inspiration through the work of others, they each try to bring something personal to their work. Try not to tell someone how his/her art looks like your brother Joe’s or some other artist you’ve seen.
6. “I like your pictures.” By all means, tell artists you like their art, but please, if it is a sculpture, call it a sculpture. If it’s a painting, please call it a painting. Referring to someone’s work of art as a picture makes it sound like it should be hanging on a fridge instead of a gallery wall.
7. “Oh, that’s a nice frame.” Um. Unless your craft is that of building custom frames this isn’t what you want to
hear when people look at your artwork. If you only like the frame, maybe just don’t say anything.
8. “Can you make me one of these?” Yes, and here it is, do you want to buy it? Or are you asking me to do a commission or are you implying that I reproduce this exact piece again? This question is confusing; make your intentions clear.
9. “Why is this so expensive?” This is a touchy subject and it is often a valid question. Some artists struggle to price their work appropriately, but it’s important to remember that more than just the materials go into making the art. The artist’s time, talent and experience all have value.
10. “I could do that.” Good for you. Then it looks like you don’t need any of my art. This is incredibly rude, and although on the surface some artwork may appear simple, please don’t ever say this to the artist.
February |March 2016 51
Make a Connection With the ARTS.
“fly by balloon” |
acrylic on canvas
|
www.strictlyart.com
| 509-592-3925
A RTCH OWDE R .CO M | FACE BOOK.com .COM /A R TCHOWDER www. 52 ART CHOWDER MAGAZINE