You-We on View
You-We on View
You-We on View by
Dino Incardi
artextBook
Index
Preface
You-We
List
of
on
View
Work
PREFACE
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You-We on View
U ntil 20 J une 2010 T he scenic T ime A lso on : P rints D ream P assage " M on A mour F ree (I s it possible that ) H osting the spirit S pace S i crede P icasso o forse P icabia .
of the
N aked
sogniâ&#x20AC;? oppure stelle
E se fosse lieve natura ed ora come poteva
veloci -a tratti-
Prime perlustrazioni : secondo, terzo, quarto, quinto in play-back Lipsynch
le montagne di casa, i fiori, i colori dellâ&#x20AC;&#x2122;amore, il padre,
Venezia, il cielo. The Best Of { lighting
ad ognuno al suo fantasma if
}
Baal . Underwork . in Italy et Pornobboy is true
Made out Toda una lecciĂłn de vida
Presse hebdomadaire # Exâ&#x20AC;? di Sabine (nuova sede) The first from a three-part . di alcune parti anatomiche e oggetti specchianti
Inediti La felicitĂ non fa racconto { qui presente con pose di
Venti dispiagge
} . LifeSecret Controllo di ridondanza ciclico!?
Le mot du lundi ( 184sans fin ) peinture
plu (plaire et pleuvoir)
“Oui, je peux en citer!” (bé, bée) aucunes archives : à nul, nul et demi Intéressant ! Vague ” De l’ardeur, de l’ardeur, et encore de l’ardeur! — Ève ? ! Non ! Da verde a paesaggio Index (Space “ pas incarné) terribles et sublimes
l’infinitif peut-il manquer d’”Y”
?
Pour moi, { sculpture } .o su se stessi l’esistenza Present Perfect corps, phallus, poignantes poupées de chiffon enlacées et des araignées d’acier et de marbre
Gloire du matin à toute allure
? et de la question de notre matérialité... a la fois de l’échec et meme ambiances, musiques et chansons surgis de la mémoire \ Veuve “ in Passion
pour la formule mathématique et la pure fantaisie humaine. depuis alor
1973
Arrivi e Partenze The years_ gli anni Io. / Tu. / Noi. / Io senza te. / Me senza me. IN TOURNÈE Je reviendrais “ y Lucientes riflesso da zero
“sé fuori da sé” ........ If I was Madonna phosphorescence, métal in/ breve performance Domaine “Living room, pièce à vivre “ =”type”; =utf-8” > “Nomos et Physis “ Copia da scherma / Helen, Your girl, cedex
chez l’un, l’autre charset
“De leur temps, 10th anniversary of Marcel Duchamp Prize Adam Eve { tra i vincitori «Star crossed lovers» }
Nostalgie “ in(titolo provvisorio) CUR-AMI LE MIE FERITE Le Baccanti (RICORDI) Still /dj “in rosarancio” Floyd on the Floor June 2, 2010 excerpt from “The Edge of the Alphabet” Your Passion is Pure Joy to Me.
You-We on View If any subject seems intractable, polarized, and at this point almost Adapted spaces (+ A Live) . ... ‘ lifepath ‘ and minimal interventions
Empathy | Art21 “Exclusive” of course (des vos ancêtres!) Enterprise Bande à part : \ Eden / in punto trasparente { “ the Film Making of sense } Selon mon oeil “ lo/co-emotion
on
What about u? Like Caro and Caro Likes Me, 2008, digital prints.
On/Site The range of different meanings of “in” captured dimensional . light or in “ Espace mobilier et objet d’example { the fruit is in the bow
.
the bird is in the nest the lion is in the cage
}
if
Creating a Navigation Ontology, surrounding space
will to gain spirituality and superstructure projects or satellite on
Lamp (1952-59) Concrete ‘Amplitude’ “ light years away type Pièces numérotées et signées
Nulla è del resto e infine quel che è. E lasciato li’ Nuovo Paesaggio “Une promenade musicale” microfoni e videocamera
“fue increíble” per AMORE ASSENTE e IL VENTO DI SERA a partire dalle registrazioni delle maree
Tutto è connesso Film=Landscape, Video=Close Up “I found this piece while plunging into painterly
EP_LIVE talks to ( in figura ) OH Lorraine!
Second caos (Queen’s day) “ Feux, cris et diamants La perfezione dello spazio “ When da indossare
les nuits polaires.
» et
les
Origines
au point d’en mourir fantasmée
\ Trees Time am -So you’re just enlarging the view. az -Yes. Space for One.: come nelle “Amnesie” (è indifferente :: to new)
Weiwei you’re not rejecting anything
Linee e volumi En ésprit / ad alta voce (stupita)Mi ha scattato già delle foto? - IN BIANCO (pre-cariato) TALK d. data . AS SOON AS ( possible} - OHO { processing } Problème à résoudre sur le labyrinthe Clip, et Elena in PaRDeS… Hop / ridondanza (Cycladic Impront 91-93 ) X ‘ Collection Créateur ‘ en autre étoiles d’ Y
“Ils ont dit : ‘Non, il ne peut y avoir aucune nudité du tout’ “Ulysses ‘seen”. by sirens “Du coup, on leur a demandé si on pouvait pixeliser [flouter, ndlr] les dessins” contre la nudité! Ci sarà ancora il mare? “alle diciannove in camera tua, fatti trovare” Per cosa? Nightwatching Vernissage con dj set Beginning and end .... Until the time of one single moment
I Like!
Live Art Les adieux VIRES (Exercises on power) day by day
“prochaine et irrémédiable” in voce, i toni e les Nuits de pleine lune Inoltre Hermés Devo partire. domani (tranne 8, 15, 22) Juste la fin du monde “What if TV featured vivien of+Alba+: electree “en être l’unique messager” d’ Objects/Histories
sans pouvoir et savoir jamais rien me dire.
- Tu sai cucinare? - Certo, e molto bene anche! ‘solpix’ ‘sunny flower’ ‘sun boxes’ Hmm! Unfixing
VASO CASO as part of the CAMBIOVASO found objects on the
Electronic Mirror
Miracles [extended] Light me black catene, gabbie, vetrine, pareti, oggetti baronian_francey. “ Nothing is permanent The Castellón County Council (Spain) is ( Exhibition ) on Reflections with other familiar places
De’but du Sie’cle MOBILES in “acte de ballet” Body Party . indique la partition { Primarosa pour Le rire à l’effroi enchaîné } History Never Ends I Hate to Bother You, Sadie Coles, April 21-June 5, 2010
Flying Lotus, L.A. Tacet! Chi si unisce al mio dolore? Sono in lutto. Dream & Trauma: | Works were chosen according to a list of flowers discovered by
\ Neffa è polvere, strade di periferia, sogni infranti, parole dure, passione per così dire
“Uno” come amore o virtù del pudore (if return false) dammi un bacio e poi
Vortexes
irresistibili, per la gola e per la carne.
Ah, Dolores! Line 1: <!--box promo --> Line 2: <%The Lecture%><!--Need of Sea --> Line 3: <%urlPromo = “http://www.MY7BitW4’ “%> Line 4: <div class=”promo”> Source Tv, radio, on the iPod, hard disk Between You and Me True Heart
C’est non ! When you say pressrelease / undo’eyes; Monitor hosted Singh, and New Humans (PAUSE)The challenge of empathy! or a flasher to being Orlando Bloom The scene rewinds onscreen – BetaMax tracking .Robespierre re-covered by the late polythene pall similar
Andy Flag :: The Plurality of One. Jesse Ashley : Yes, its editorial nature DAYTIME.CONTINUOUS. of a Different Colour l’efficacité [de ce produit]
They get … la Nature Nouvelle.” in stile pellicola technicolor
Monitor « Perché piangi? » | Facebook Unto This Last ” dove si recita un ruolo di
Medusa.
Reality Bytes Cast:: Torn Landscapes ad esempio, (l’uno bendato, l’altro con delle cuffie) Costumi: #Eight Collection of the Year This is my “ Prochain O’, - (solo) in/visible “como en el cielo aquí les flux plus longs... les soirée Lumière in
Durata: 92 min.con Giorni e nuvole.
Lighting Now! before the next
Life
Il y a un volume très dynamique [Tag Cloud Live] d’occuper le temps, plutôt que l’espace. *****[RULES]****** ALL MUST DO A 360!!! 18+ AND a Distant World focused
#1 ArtPage@ Deep Fountain è la fontana-scultura P.A.A.L.M.A . Premio Artista + Architetto ESSE QUAM VIDERI
De no ser yoâ&#x20AC;? Di sera le Muse lancia in resta contro il drago
We look forward to seeing you on â&#x20AC;&#x153;m and habitats Screen (Schermi e Lavagne) and IDYLLE notes : Silent and Night the (dangerous) on protocol, product, and privilege! is free and open to
More is More The@psychoNude.Eyes THEY MADE ME A FUGITIVE
Fault. E’ l’abisso da Sweet Nothings in stile “impero”. 33, 27, 28, 37, 27, 23, 29, 23 lightheadedthemovie
Report (In Tiwi) 28+and
Ah! il nostro ‘i-cuore’ in fatto di motion like
“oo timidezza d’ ossa”. Start up : (main^view ) liberi di andare ” in arte a venire. / class A+ building. HOST just saw Eclipse
perla
/class A+ building hire or
from an interactive drawing/
Certe notti L’amore è il mio peccato per di stanze pagine disegni
Fragments, Voyageurs immobiles Eleven and Twelve / 11 and 12, View event details. Yeah―
Comme il faut Soirée de clôture du Café Numérique Eh! LUSH LIFE : Discovering Absence and the transparent nature [systems of all scales “17 Plus 25 Is 32”] Another Episode II Inside Views; Goldent “type” Convergencies= EQUIV=content -”in text/ I believe . BUT The Condition \ OHO 69 Seconds off an Inch / ! Qu’accomplit le soleil Hm! Invisible-Exports
Remarks on surfaces Keywords interiors, light fixtures, wires, corners, ceilings Per-la (La terra desolata 2010 – DUE è UNO – 155 a.C.- Stella Maris) Schegge d’incanto in fondo al dubbio Si!!ssi!! lab[au]: weather tower - Addosso Back of Nude Keywords women, nudes, backs Hours + Directions “NotteNera” ‘10 imogen luddy: cross stitch table Promenade Deck, M.S. Brimanger, Pacific Ocean Keywords seascapes, clouds, ships, decks Oh! / -
On And On Is How We Are What? The Opposite Of What We Now Know To Be True! Desire... “ The Last Why? Don’t cross the streams.... : Is sound {. se la risposta è sì “ > writing ‘ Fluxus ibi:... > > > > For Each ... Hum! “Total protonic reversal. do you like it?” Right! What do you... ?” “Still=AIRMADEVISIBLE “ Important safety type .Thanks, {showthread } Bye for now! (La Regina è ancora, giovane e dotata.)
Watt / Happening We Wanna Be! “a/f.fondo dei cieli: il tempo perduto è “S” come ---VISITORS or(SPACE) in prossimità
# Love XiuXiu Sj - in/ vuoto di pensiero - prima assoluta. 30’ Roby’s zoo Mabille Eternal “ incarnato e tattile in Densità del suono Telonio E’ nelle sue voci interiori ” intérieurs is WebROOM - teatro immateriale “ per zone incolte e temporali. Codex Influx ${ Gun Eroici, bagliori }
React! Moody MMFight. -zoom out { “Odysseys and Shipwrecks” info@s-a- + bc(object: Fosca) } “I, I wish you could end
Skay Never Look Us in the Eyes (VC Nuclear) Végétation Colonisatrice durata 10’ Super Night Shot A Balloon for Obsessions sometimes a dj.
Ok. / # ad “Ampio Raggio” Così --------------> { } Though nothing /nothing will keep us together. E poi dapertutto. (A Water Tower) The Rebirth “Do it your self!” (Velvet Avatar; 0’s, electro, indie)
Nobody knows Ohh! The End. The End, does any one knows. <script=’VISIBLE’ src=’Escape > Fuga > Uscita! ‘Endgame: chiaro, no?’< This text will be replaced </> <script =’IN-VISIBLE’> Free admittance= new Super night shot (‘player.Dance N°3); so . add E nfilades (‘ Titoli, libri, sogni, e un’avvertenza: QUI, ‘opere’ ); so . add V isitors and S taff (‘ as SPACE ( struttura policiclica a controllo elettroni co ) allowscriptaccess ’,‘ always’); so . add A le / a / rt (‘C aravaggio . A lbum ’, ‘N otturni di _ versi ’ ); so . add V ariable : glass et neige (‘ file ’,READY FOR LOVE? /player.No,X’); so .R econfigured by ( ‘/ I’ m a selector , sometimes a dj . Ok. / </> Is the End My Only Friend
the
End.
Source - !WAITING FOR beyond : sound of glass · Young Report / V. A. - “Spacetime Sculpture” List of Works : · ---{ treehotel
07.14.10 the blue cone, the nest and the mirrorcube mime-type / L. K. - “A Short Drive around the night” published
·---
/ fuseproject: GE wattstation electric vehicle charger Pourparler /R. T. - “ L’immagine del pensiero” yves bihar
· ---
shinichi okawa and associates: minimalist house tell me why please?
..HANGARamico Angela Corsini - “Stallo-studio per un’anticamera (2009)” · ---
jhon hopkins: perspective sculptures
menphis05.com/jhon_tito
Also Thus! KEEP AN EAR ON... KSAX’ W .00:30:08 - Sulla Musica diffusa } { THE live }
+ works on paper
TrollAir or ARCStop. Also Thus! Look to the left. ... Observe the scene. Apply yourself. Take your time. Keep looking to your left, for about a minute. Then describe. Either the moment: or a detail of what you saw: Note down the place: the time: the weather: “morphing’ Skay-Suite’, ‘’, { amenamente, ‘Serata-Voce’. } Dream Time with Xavi Hurtado Da Ora. Ieri. Domani. Per Sempre. Ancora. Mai più. ”(SAVE NEW DATES)
LIST of
WORKS
Untitle #1 2010
Untitle #1 2010
Passeggiata del Gianicolo, Rome, Lazio, Italia. 2010
Untitle #3 2010
Untitle #4 2010
53 Beaver St. New York, NY, United States 2010
Untitle #5 2010
Untitle #6 2010
119 via di Monserrato, Rome, Lazio, Italia 2010
4746 Southshore Dr, Metaire, Louisiana , U nited S tates 2010
1090 5th Ave, New York, NY, United States 2010
Untitle #7 2010
Untitle #8 2010
1052 5th Ave, New York, NY, United States 2010
Untitle #9 2010
9 Via della Lungara, Rome, Lazio, Italia 2010
506 W 26th St, New York, NY, United States 2010
Untitle #10 2010
Vicolo 2010
della
Moretta, Rome, Lazio, Italia
Untitle #11 2010
968 Mission St, San Francisco, Ca, United States 2010
Untitle #12 2010
Untitle #13 2010
29 Piazza Augusto Imperatore, Rome, Lazio , I talia 2010
Piazza di Porto di Ripetta / Via Rome, Lazio, Italia 2010
di
Ripetta,
59 Via 2010
del
Tritone, Rome, Lazio, Italia
66 Via 2010
dell ’A rancio ,
Rome, Lazio, Italia
Untitle #14 2010
Via di Monte d’Oro / Via Rome, Lazio, Italia 2010
dell ’A rancio ,
9 Via della Lungara, Rome, Lazio, Italia 2010
ARTEXT W eb D esign B ook