PEPPER Magazine / May 2023

PEPPER VOL. 1 / NO. 12

SA / TX / US

artist Maggie Hall

world of wonder.

PEPPER 6 Editor’s Note : WORLD OF WONDER

arts.

8 Brave New Worlds : Mohammad Awwad

17 The Indomitable Maggie Hall 27 Buy the Ticket, Take the Ride : Jenny Ink

business.

39 Indigo Bloom

fashion.

47 Machete & Sons : Denver Bespoke Tailors 56 Millennial Maker : Zenzali Jefferson 66 Unraveling Constructs : Alex Rathbun 74 Nadin : Andrey Lukovnikov 81 The Double Standard : Jason X Photography 88 Style Diaries with Charity

habitat.

97 Sustainable Work Space • with Becky Witte-Marsh 103 Plants are Friends : Justyna Grochowska 108 The High Life / Highlight

savor.

112 PURA VIDA with Chef Cordell Robinson

culture.

128 What Comes After : actor Chris Todd Durban 135 Recording Artist Sisekelo Shawn 144 Her Crown : Sinenkosi Msomi 146 Arte y Pasion presents CONTRA | TIERRA 154 Ubuntu : author Brian Maseko 157 Humans of San Antonio : John Hendrick

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passport.

169 Tales of Manderia by Seigar

175 The Flora of Balkaria

Rx.

184 Fit to a T.

psych.

189 A Modern Mystic 192 Positively Crystal

PEPPER I S S U E

no.11 194 Her Story : Christine Nakra

prodigy.

204 Absolutely Lizzie Ginzburg-Maly 212 Garage Sale : Ekaterina Shitova

lit.

220 Lantern Hour 222 When the Brown Boy Wonders 224 A New Day 225 A Wonder-full World

47

get involved.

229 Jungwe Animal Shelter, Uganda

disquiet.

236 TRANS Revolution 246 In Memoriam 247 Union of the Impossible : In the Mood for Poetry

directory.

249 ICON : Dr. George Washington Carver 253 Cover Artist : Mohammad Awwad Acknowledgments Staff Bios

PEPPER Magazine Est. 2022 SA / TX / US arts • culture • business web directory msha.ke/peppermagazine website hellopepper.weebly.com email hello.pepper@outlook.com available on MagCloud Issuu copyright K. Day Gomez San Antonio, Texas 78209 PEPPER Magazine Advertise with PEPPER • (512)965-3383

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•desjachanel.com • @desjachanel

PEPPER Magazine

EDITOR’S NOTE

WORLD OF WONDER.

Editor in Chief K. Day Gomez San Antonio, Texas

“I respect anybody who's pulled an idea out of their brain and fully brought it to life. That sh*t is spiritual.

To know that it started as a thought and you brought it into fruition is crazy. Shout out the ones who see it all the way through.

Keep creating.” - Ceelo Green This is a great wide wonderful world. There is beauty and magic to be found for those who seek it. The commingling it does in juxtaposition to the tragedy and cruelty of some elements of human interference makes the innocent aspects of who and what we are that much more sacred.

I’ve struggled to make sense of the human stage since I was tiny. Our capacity for love and hate, the polarization inside each person and the way it has shaped the world around us has been a constant curiosity for me. Early on I decided I would be a student of sociology, anthropology, theology, psychology and history —as a driving need, well outside of what I was learning in school.

I came to fall in love with a wide array of cultures from various eras, immersed myself in the human story and how it has played out since the beginning recorded texts of ancient Sumeria. Through my studies, a sort of miniature universe began to form inside me —“the world according to Kat”, if you will. I found myself curating all of the most interesting, compassionate and whimsical elements of these various cultures and places across time, 6

mashing them all together to form a foundational pocket of truth and splendor that I’d eventually give a name to.

The Imaginarium Wonder Emporium in its original incarnation was like a carnival mirror I created to reflect the world back to itself. All the best parts, according to what spoke to my soul. Those things that remind us who we are in our truest nature—a beacon meant to guide us back to our inner child. It was a vehicle to share my trinkets and art with the world, sure. But at its heart, it was so much more than that.

What I‘d created was a love letter to the whole world, to every person who shaped our collective history (for better or for worse), from the purest place of my being. And for all that The Imaginarium was steeped in fantasy and altruistic philosophy, so much of it is true : human beings innately desire to do good. It is our nature to build when we are inspired and destroy when we hurt. And what we think and do changes our environment, our outer reality forever.

In this way, it became the manifestation of how I understand the world is built, while begging those who come into its orbit to consider that we can all be and do better, that there is greatness within and all around us, should we have the eyes to see it. In the spirit of The Imaginarium, I present this issue as an open invitation for the reader to experience this world of wonder…and dream with me once more.

Who is Seigar?

Find him on IG: @jseigar

Meet the pop and conceptual artist behind My Plastic People.

Artist & graphic designer Mohammad Awwad Amman, Jordan

BRAVE NEW WORLDS

journalist K. Day Gomez

MOHAMMAD

AWWAD

the arts. scenario with multiple elements.

Throughout each image, my trademark harlequin kaleidoscope pattern appears giving the images their whimsical appearance and contradicting the gravity of each subject.”

INTERVIEW Of all the digital based artists and art out there nowadays, Mohammad Awwad’s work seems to hit all of the themes we like to touch on, with overtones of whimsy and marvel.

Starting from the beginning, Mo tells us, “I was ten when I felt called to make art. I started with pencils and after a while moved to fiber-tip pens.

Most of what I drew at that time were cartoon characters.

We are most pleased to introduce artist and graphic designer Mohammad Awwad, who is also our cover artist for the last issue of PEPPER Magazine Volume 1 / year 1.

Based in Amman, Jordan, and a graduate of the Academy of Arts (Egypt), Mo finds inspiration in random motives, personal interests, colours, textures and his daily life features, gathering and using anything from detailed collages to bus tickets.

His artwork showcases a vintage surreal style with playful colors contrasting over layers of textures, and mixes the various cultures which he has been exposed to. His continuous pursuit of new experiences, mediums and ideas makes his work more authentic and diverse. It’s also what made him the perfect representative for our soft theme, “World of Wonder”.

ARTIST’S STATEMENT “In my artworks, I try to make sense, through dreamlike imagery, of contentious issues such as power and politics, the environment and culture.

With works inspired by the turmoil in Egypt, the impossible situation in Gaza, the gap in women's education in certain cultures and the greenhouse effect, each image is a dream 10

I’ve always loved working with my hands and crafting. My collage journey started with analog collage, and as I progressed I decided to take my work to the next level and try digital collage.

However, mixed media will always remain my favorite medium.”

It’s always important to ask about familial support, since it plays a major role in how each artist (or person for that matter) relates to the world around them. As you have come into adulthood and made a career of art, what does your family feel about your work and where you are now?

“When I was a kid, my parents considered what I did as merely a phase or a hobby; child’s play. They, like most parents, had a preliminary vision of how my life would turn out to be and they had wanted me to take a different path.

But I kept my hobby and nurtured it as I grew older until my family was convinced with what I do. They started to be more supportive and proud of what I do.”

His art is imaginative, thought provoking and surreal while touching on very real world issues.

There is almost always an important underlying message in most of what Mohammed creates. We asked to explore some of these themes. “I’ve always had constant conflict between my mind and the unreasonable reality that we live in. My art came in hand as my way and tool in expressing what I feel. It also aided me in escaping the dissatisfaction I felt towards what’s happening around me.

I’ve found surrealism to be the best way of visually expressing this crazy world we live in, seeing that it blends what’s real and unreal, what’s logical and illogical. It also follows the subconscious and manifests its ups and downs, its functionality and its constant questioning of the reason and the “why” behind all that goes on in this world—from struggles, to wars, to global warming, to the constant stress of resources running out, to the social hierarchies, to the puppeteering hands constantly at play trying to manipulate us…

As for new themes I’d like to touch on, I would really like to create art that’s concerned with the environment and sustainability.” A noble and highly relevant pursuit.

Next, we focus on his creative process.

“Usually I feel a pull towards what to create. More specifically, I have to be deeply moved by an idea or a topic. My mind starts to wander and create an initial internal visualization of the idea. Then I sit down and commence the research of sources, elements and components for the piece until I’m satisfied with all that’s accumulated and discovered.

I apply it all using the necessary program, which happens to mostly be Adobe Photoshop.

Sometimes, I might need to take my own photos to create the assets needed for the visual. Other times, I make scans from old magazines. When the composition is done, I print out a proof to test the quality of the visual. With that, the process is complete and the art work is ready to be published.”

Mohammad works as much in the ethereal as the surreal, leaving his finished compositions open to interpretation by the viewer. “I’ve always been fascinated to hear people’s interpretations of my work and how some even see the art as a personal piece, a window into themselves. One of those stories came from a Belgian woman who

purchased one of my works. She told me she had a dream prior to her visiting Jordan—a dream that played a pivotal role in her actually making the work trip there. It just so happened that she would go visit my solo exhibition at the time, only to find a piece that, according to her description had accurately depicted a lot of elements of her dream, which amazed me to know.”

He is influenced by these unique impressions, as well as facets of life closer to home. “As for my inspiration, it’s generally derived from stories of those close to me and their improvisation and coping mechanisms that help them deal with life and what it throws at them. I’m also very inspired by the novels of José Saramago, as well as the works of Salvador Dali.”

Awwad has his own dreams and plans for his life and career to come. “I would really love to visit and maybe stay in Barcelona for some time. I’m drawn to the footfall it has which carries with it a rich sea of stories and cultures that entices me to explore. [That’s ‘soccer’ for our American readers.]

I’m also drawn to the many ecological, sociological and miscellaneous conferences that are held there around the year, making it a most fascinating place in my eyes.”

GREAT WIDE WORLD Art has the power to change hearts and minds.

What changes are you hoping to see in our current sociological climate on a local / national / global level?

“I really hope that this world changes for the best. I hope for a world where we protect the environment and our natural resources, where we make more effort to savor what we have for future generations.

A world where we stop the purely selfish acts that destroy and consume everything in its way, including the human energy.”

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To those curious about potentially starting up their own career in art, he had some priceless advice to impart. “I think it’s most important for those pursuing a career in art to be as authentic towards themselves as possible.

They should work on themselves without fear and they should try everything. It’s also important for them to stick to their identity and their stance, because I believe that no matter how hard it is to make it in art as “yourself”, it’s worth a whole lot more than selling out for an easy way in.”

This is most important as Mo himself is living proof of what sticking to one’s authenticity can do in the creative and professional sense.

Our readers can connect with artist

Mohammad Awwad online directly via Instagram @mo.awwad.arte.

You can become a patron and access his art on his Society6 shop at society6.com/mawwad/prints.

As a little personal insight, Mo shares, “I come from a region that’s considered by the outside world to be conservative, stuck in its ways and often overlooked in the matters of art and expression. In reality however, it’s rich, curious and hungry to be seen. As you have read my story, keep an eye out for many more to come.”

We certainly plan to ourselves, and invite everyone to connect and follow Mo’s journey, wherever in the world it may take him…perhaps to Spain and many other exciting places yet to be imagined.

THE

INDOMITABLE MAGGIE HALL

Calgary, Canada journalist K. Day Gomez with an introduction by artist Maggie Hall

IN HER WORDS The oscillating glimmer of a mirror ball, the buzzing of a neon sign, the repetitive pattern of the dollar bill—the experience of these objects have become symbols of our popular culture. They are now ingrained in our psyches, continually luring us in, and leaving us addicted to the material madness. It is here, at this intersection of desire and dependence, that my work is born.

A self-taught multidisciplinary artist, I create paintings, multimedia works, prints, and even explore the frontiers of NFTs in a way that defies labels or being placed in some designated art historical box.

My obsession with the maximalist aesthetic is undeniable when you first encounter my work.

Through a mixture of allusions, I subvert societal preconceptions with a novel approach to ideas of Pop Art. Movie stills and comic book heroines are recreated in my vivacious saturated colour palette, nostalgic architecture is pixelated somewhere between a computer screen and a Lichtenstein comic strip, and vintage floral china inscribed with suggestive text all make their way into my growing arsenal of appropriative imagery.

So how did this style, or rejection thereof, come to be? In my life, I have been fortunate enough to travel the world. I have learned about a diverse array of peoples' distinctive takes on materialism and the emblems that transcend our borders. I take from my journey, building a new visual language of my collection of experiences. The vintage, the historical, and the seemingly antiquated are infused with new life as I rip them forth into the contemporary. I recreate these notions of the ‘now’ with detail, precision, and my own personal flair.

My practice has become a story—a story of myself and a story of the constantly evolving times we live in. As I engage with elements of absurdity, I trick the eye with my trompe l'oeil depictions, bringing a visceral and illusory quality to the textures and subjects in each of my pieces that leave viewers reaching out to touch. My unorthodox melding of subjects enchants viewers as I reject the taboo notions of kitsch through my own whimsical reimaginations. Each piece is critique encapsulated in a sense of humour through the conversations I orchestrate between the past and the present.

As a society, we are constantly moving at an 18

exponential rate burdened by the proliferation of ideas in our internet age. My work calls it all to a screeching halt. The eras, the icons, the fads accumulate in a cultural pile up before us. I engage my photorealistic and illustrative painting skills, incorporate mixed media, and integrate technological components like digital neon into a visual time warp that delves deep into our subconscious fascination with globalizing consumer culture.

From the Golden Age, through the rise of media in the late 20th century, to the present day, with internet memes controlling our interactions with one another, my work allows us to witness the emergence of a collective language of materiality. My artistic practice becomes an act of identifying, manipulating, and overthrowing a regime of consumerism, a way of life that devours not only goods but media, information, and cultures.

BRASS TACKS Maggie has taken us on a thorough intellectual tour through her work, illuminating her ‘why’ and touching on some elements of her process.

We’re here to get into the nitty gritty of who she is. How old was she when she first felt drawn to art? What were some of the first mediums she used? What led her to the kind of contemporary art she makes now… “Hmm…a lot in this question,” she remarks. [Yeah, we have a tendency to do that.]

“Very young. Some of my earliest childhood memories are of colouring or cutting up and glueing coloured construction paper. I had boxes and boxes of crayons and markers and stacks of paper, glue, glitter, whatever my little creative heart wanted. It was the one 'toy' my parents fed me no matter what the financial situation in the house was. It went from crayons to markers to pencil crayons, charcoal to watercolours, acrylic, and oils as I hit my teens.

When I started to do art professionally, I started back with acrylics but quickly grew restless. I have an insatiable curiosity about new mediums and processes. I now work with various materials, including oil paints, acrylics, airbrushes, cement, plaster, acrylic gel mediums, pastes, spray paints, automotive pigments and—my new favourite—an electrostatic flocking machine! My art now centres on my ever-evolving curiosity about new art mediums and nostalgia and comedic text overlays.”

The comedy is one of the elements that first sucked me in. Maggie has a firm grip on irony

and the juxtaposition between the serious nostalgic and the absurd. Not everyone can pull that off, but Hall runs circles around it seemingly effortlessly.

As far as her family dynamic growing up, Hall tells us they were, “Incredibly supportive. From childhood, as I mentioned, but also when I decided to return to it after a decade of travelling around the world, dabbling in various other careers. I was 28 when I moved back to Canada from Hong Kong and decided to pursue art full-time. I was broke, frustrated, and, honestly, mildly embarrassed that to make a go of a career in art, I would have to move back in with my parents in their basement. They welcomed me with open arms, and I worked at it for years. My family and I are very close; we have a strong bond based on communication, love, and support. I've been very lucky. I would say that they are very proud of me and how far I have come as a self-taught artist.”

Her art is bold, playful and snarky. There is also room to interpret some important underlying messages in some of what Maggie presents for the onlooker, if only via the viewer’s own subconscious projections. “Ha. Indeed. Snarky, I haven't heard that word to describe my art before, but I like it. I wouldn't say there are any important underlying messages in my art; at least, I wouldn't self-aggrandize art in such a way.

With the lettering, I document an opinion on familiar objects / images. Sometimes, they align with my own opinions but, often, are simply reflections of the culture I observe around me via the internet. If I think

it's amusing, interesting, poignant or just a challenge to create, I'll make it.

Most of the work is commentary or satire. Lately, I've been listening to a lot of podcasts and lectures from some popular theoretical physicists and astrophysicists while I work, and these have been having an impact on my current state of mind and will surely show up in my next themes. Mainly the insignificance of it all (existence) and the idea of pursuing fulfilment through relationships and artmaking and observing as much of life as possible.

After all, we are "Just a meaningless fragment in an alien universe briefly suspended between birth and death allowed a few short-lived pleasures followed by pain and ultimate annihilation."”

We wanted the inside scoop on her creative process. “Absolutely, but perhaps many will find it dull or cliché. My process is just to show up at the studio and start working, no matter what. Every.

Damn. Day. The process comes from doing. You can think about making art all you like, but if it doesn't exist, it's not art, and you're not an artist.” Damn— that struck deep and I’m sure my fellow procrastinators out there felt that too. And she’s absolutely right.

“The process of art is conscious practice and exploration, doing things with intention and failing every single time. What I mean by that is, by doing things with intention, I am observing my process and constantly improving the flow or expanding on an idea and by 'failing' every time, I am making room for growth; there is always something to improve, there is always a way to take an idea further, and there is ALWAYS room to sharpen your skills.”

This next one will be a favorite for our home-base readers. When asked where she would like to live or travel next, Maggie answered, “TEXAS! I've wanted to explore Texas for years! I don't know where this mini obsession came from; I've never even been to Texas, but there is something about it that I am inexplicably drawn too. I know PEPPER Magazine is based there, so I consider this a very serendipitous thing. I hope my work will reach the eyes of fellow creatives and collectors in Texas and kickstart a new art adventure.”

What I can say from personal and professional experience is that the contemporary art scene is HUGE here in San Antonio and Austin specifically, but also in Houston. The buyers are definitely there.

Add to that roster the really rad new restaurants and boutique hotels. Contemporary is our cup of tea.

To the makers out there, Maggie says, “I will always encourage you to pursue a career in art. Regarding advice, I have loads. It's hard to dispense in blanket statements as it depends on where you are in your career and your artistic path. Personally, I focus on three metrics to define success for myself: sales, quality of work and maintaining the absolute joy, fulfilment and satisfaction of making art for a living.

Understanding these personal parameters, here you go: There is no such thing as work / life balance when you are an artist. Art is life. You will likely sacrifice relationships, friendships, events, vacations and many other things, but if it's really for you, you don't feel you missed anything.

As soon as possible, buy better tools and materials in the biggest sizes available, and stop looking at the cost of supplies. You will be less angry at the 'forever inflation' of art supplies and start using materials differently. It will make a huge difference in your work.

If your work is the strongest in the room, you need to be in a different room.

Get better, strive for quality and increase your prices - it helps with the above. But seriously. Make good work, and if you're not that good yet, keep practicing and make good quality work. Varnish your work, learn to install hanging hardware, sign, date and document (photos), and paint the edges of your paintings or frame them.

As soon as you can, outsource everything. Shipping, prints, website, social media etc. If you want to be a better artist, these things are an epic waste of your time—hire someone to do them and focus on making more (better) art.

When / if you choose to work with a gallery, always be prepared and able to walk away. Your relationship with your gallery is as important as any other in your life; respect and be respected by them. Leave if they don't feel like a 50% partner in your business. Because when you find those amazing galleries(ists) as I have, it will change your entire career.

Social media and email lists are the most powerful business tools you can develop outside your studio. They connect you directly to your collectors and are your biggest negotiation tool when working with galleries.

Yes, it's been done before. You didn't invent anything. Just make and sell the art you want to make. People may make noise about it, but stay focused, keep making art, enjoy the process and keep cashing cheques.” Amen!!! Straight forward, priceless real-world advice.

Our readers can connect with and follow Maggie Hall online. You can become a patron and access her art in person too. “Well, I'm super excited to announce I will be exhibiting many new works with Masters Gallery at this year's Art Toronto from October 26th-29th, 2023! Until then, you can follow my art adventures via Instagram @LoveMaggieHall. Original works of art are available through Masters Gallery (IG @MastersYYC ) and on my website: LoveMaggieHall.com .”

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BUY

THE

TICKET.

TAKE

the Ride.

The raucous art of Jenny Ink Long Island, New York journalist K. Day Gomez

Who is Jenny Ink? We like to consider ourselves pretty punk-rock. On that note, NY artist Jenny Ink poses as a perfect mascot for everything we stand for.

Chaotic, rebellious subjects who seem to move even as they stand still. Screaming at the status quo, staring into the viewer begging to be understood, or eyes turned downward as if to reflect on the quandary of their existence—Jenny’s subjects dare you to take things at more than just face value. With figures like Ruth Bader Ginsburg, Anthony Bordain, David Bowie, Kurt Cobain, Hunter S. Thompson, Amy Winehouse, Johnny Cash and other social catalysts of their time, Jenny isn’t coming to play.

“Walking a line between real and imaginary, my work takes inspiration from the cities I’ve lived in and visited, often celebrating the diversity of people and my love of music. “Jenny Ink’ pieces of art are most recognized for strong and vibrant colors, markings, gestures and motifs that portray a divergence of street imagery through everyday people and places, juxtaposed with an elevated version of their counterpoint.

Multilayering and deconstructing are key components to generating visual tension exacerbated by my impasto painting techniques, fused with collage elements intricately worked into my paintings in unusual ways. I enjoy mixing things up; finding unexpected beauty in people and places that have may have been misunderstood, underrepresented or unnoticed.

Thematically, my body of work centers on the treatment of social and economic inequalities, seen as a rebellion against homogeneity, against the non-diversity that is rampant in society today. My art is a scream, an invitation to grasp the beauty of diversity, to notice the small but important signs around us and reflect on the thought developed.”

Jenny Ink was born and raised in New York. Her work has been shown in galleries and collectives throughout Long Island, Las Vegas, NYC, Miami, London, Milan, Paris and Barcelona.

Locally, Jen participates in salon style ‘All Art + ‘ group exhibitions at Van Der Plas Gallery on the lower east side showcasing emerging artists using Instagram as their main artistic platform and utilizing virtual exhibits featured on Artland. She currently has representation via Artio Art Gallery based out of Toronto through whom her work has been shown digitally in Barcelona, Spain at the Museo Europeau and at Le Carrousel du Louvre in Paris, France. This fall, Jen plans on showing her physical work with Artio Art Gallery at the Armory Show at the Jacob Javits Center in NYC. Jenny also has representation with Galeria Azur Miami through whom her work can be acquired on their Artsy and Artsper platforms.

Jen is signed on with Artifact NYC for an upcoming solo show on the lower east side and through whom she will be participating in the Hamptons Fine Art Fair in July 2023.

Internationally, Jen is an artist on roster for International, Virtual Immersive Group Exhibitions with M.A.D.S. Art Gallery in Milan, Italy. As well as London based Holy Art Gallery through whom she participated in 'Art On Loop’ in which her work was displayed on 160+ screens across London. Soon after, Condé Nast / Vanity Fair UK reached out to showcase her work in the 'Artistic License' feature of Vanity Fair UK September, 28

October and November 2022 issues and most recently the February 2023 issue.

Jenny is being awarded a digital certification for receiving an Honorable Mention in the Portrait art competition by Art and Color 365 Magazine, and her work was featured in their premiere issue this March. Artwalk Magazine also chose work from Jenny Ink to be included in Issue 03 of their internationally distributed annual art publication showcasing a diverse mix of art mediums from experienced and emerging artists. She has a half page feature in Artist Closeup Magazine, Issue no.

4 / March 2023. And she is very excited to be included as a featured artist in this issue of PEPPER Magazine.

Taking it back…

The brilliant 53 year old opened up about her personal history and journey in the arts for an in-depth interview with us. Starting from the beginning, she explains, “My nana was a painter who dabbled in sculpture. From the time I could hold a crayon, she would set up still life arrangements for us to paint and draw together. She made homemade clay for us to work with. I would sometimes accompany her with her sketch groups.

Drawing and illustration were my first mediums.

Growing up, there were artists I was drawn to— especially Haring, Basquiat, Warhol, Lichtenstein…

Painting came later for me. It was introduced in college courses. Very basic courses that were from a realist perspective. I tend to see things outside the box. It wasn’t until I formed my art studio that I really started exploring painting and different techniques.

I tend to start with a realistic approach but then break

it down, integrating colors in experimental ways and really enjoy playing with shapes and lighting to push things just outside of realism. Lately, I’ve been exploring mixed media and integrating textural elements into my paintings.

Coming from a broken home, my mom pushed other creative outlets that she believed could potentially be more stable. So I did an intensive in ad design at FIT, interned at an ad agency, worked towards my bachelors while doing an extended internship with NPR. After graduating, I got hired as a Development Director at KUNV radio based out of UNLV (also an NPR affiliate) in Las Vegas.

KUNV’s ‘Rock Avenue’ earned the top alternative college station in the US

by CMJ for a few consecutive years while I was there. I wound up getting my FCC license and enjoyed hosting a show during morning drive. We had a lot of freedom in picking our set lists. It was an amazing time for music and creatively it lit me on fire, turning me on to punk rock and an underground scene I had only dabbled in as a kid in NY. The GM at the time was an incredibly creative soul who inspired everyone around him and encouraged feeding your passionate pursuits and providing outlets through music, which in turn, pushed my art forward as well. It was a creative time for me and a catalyst to fostering openness to independent thought processes and pushing my potential.

At that point, I had been exploring graphic design and was doing some freelance illustration work on the side. I started painting, entering juried shows and participating in First Art Fridays, showing work at a friend’s cafe. I think it was my Las Vegas experiences that helped me to find myself as an artist, discover my inner punk rocker and embrace my need to tear shit down in order to create something new from it.”

Dismantling to make room for the new—we can get behind that!

Much of your art is hectic and seems to make bold statements. What are some of the most important themes you feel you have touched on in your work—and what new themes might you like to touch on in the future? This elicits a laugh from Jen. “My art is hectic! I like to think of it as creative chaos. There is definitely a charged flow and energy that permeates throughout.

I love the city, music, fashion, art; exploring new things, new ideas, new places, meeting different people etc. You can feel the creative energy. It feeds my soul. I have an inexhaustible hunger for adventure and painting is an outlet. It’s also a bit of an escape. My daughter is autistic and I wear a lot of hats in providing her care. So letting loose in the studio is therapeutic to a degree.” I love that we have that in common; we are both mothers of beautiful autistic children. Who knew?

“Summer of ’21 there was a Jasper Johns exhibition at the Whitney Museum that really inspired me. One of my takeaways was how prominently coinage was featured in a portion of his work and I immediately began thinking of our status as a society—how we utilize cash and how the blockchain and cryptocurrencies are factoring into the big picture. Our social and economic disparities. This was the start of my Apocalyptic series.

Working on both the punk and apocalyptic series simultaneously, there are some deep parallels of 'underground' portraiture that fascinate me and are intentionally juxtaposed with a counterpoint; initially luxe, and 31

adding elements of collage integrating textures into the painting process. Deconstruction and layering add interest through shredded, torn and painted denominations, or rich textures from decorative tissue to vintage couture clippings to maps and other elements reflect on social and economic inequalities and the reality of our surroundings. The Apocalyptic series is exploring the cutting edge of technological advances and themes countered with elements of steampunk.

As my work progresses, I’m building on the same techniques but using them differently, finding myself scaling back details in favor of mutable shape shifts, plays with light, texture and color which aligns well with the subject matter— muted themes of losing part of our basic human qualities to advances in tech. As the body of work is progressing, it is noteable the 'You are Being Deleted' works have a blurred quality. As many of our abilities as humans ‘advance’, simultaneously many of our capabilities are actually being stripped away and we are left to decipher what is reality vs. what is conjured. The vivacity of colors and the vibrant forces of contrasts or lack thereof set a tone. These works are an invitation to grasp onto the signs of the times, noticing the small but important signs around us and reflecting on the thought developed.

Moving forward to 2023 and beyond, we as a society are making advancements in Ai and

robotics that are outpacing our abilities in many areas. I read something recently that commented on the vast unknown of how this massive tech progression in such a short period of time, seemingly plays to both sides of the fence and 'whether that leaves you feeling dubious or conversely has you widely adapting to alternate realities, there are mixed feelings somewhat strange and suspect; like a wolf at the door’.

As an artist, I’m both excited and terrified by the possibilities and the potential. I think our capabilities of deciphering reality from what is conjured or alternate reality will become increasingly difficult and figure prominently in a short period of time. This influence is already factoring into my work.

We as a society are at a pivotal moment in time.

I’m going to keep pushing the envelope, learning new things, building on new experiences and pushing the boundaries of my artistic expression.”

As for her typical creative process, Jen tells us, “I’m old school…I still use mood boards. These days it’s sensory overload as images and inspiration come from everywhere. Mood boards help me organize my thoughts visually.” As an artist myself, I work better in the same way. What can be said about physical / tangible mood boards is that they can be more grounding for those of us who have trouble throwing a proverbial lasso around our thoughts. “I immerse myself in the arts, read a lot, attend lots of shows, go 33

to galleries, expose myself to new people, places and things. Keeping sketchbooks, journals and photo montages helps me to streamline my ideas.

Whatever is inspirational to me at the moment hangs on my studio walls and is rotated through.

Writing down what I plan on doing helps me to move the body of work forward.

I try to get in the studio daily. Turn on music and generally have multiple pieces going simultaneously. Some days I’m all abstract and color theory, just filling canvases for use as a backdrop layer to be repurposed or used at a later time, and some are kept as abstract pieces.

Sometimes there’s a particular vision—other times I’m just working on emotion, getting the creative juices flowing.

I'm generally working on multiple bodies of work and multiple pieces simultaneously as it keeps me from ‘getting stuck’. I think when the bodies of work are parallel, it gives me room to explore new techniques without getting stale. It forces my brain to regroup and work a little differently on each.

A few years ago, I experimented with painting murals and took an online tutorial with the artist Ten Hundred. I love working and learning from other artists. We all bring different skills to the table. One of the big takeaways for me was learning to transfer my sketches onto canvas without drawing them again using transfer sheets.

I got interested in collage techniques by watching artists like DAIN and DeeDee. When I started my PUNK Series, I liked the idea of portraying everyday people but switching up their look to generate a tension to see if altering their outward appearances affected the attitude they conveyed vs. how they are perceived and if they stayed true to character in my manipulation. I thoroughly enjoy the hybrid effect I get from integrating collage with painting. More often than not, the initial vision in my head takes on new life as the painting process progresses. The more I paint, the more I find my ‘mistakes’ are what I love most about the work. The mistakes are also a jumping off point for new ideas and organically add to the body of work. Right now I’m fixated on building textures in my work and working with a variety of mediums.

Working in multiples also frees up my creative process in that the idea in my head is not always what ends up on the canvas. Some paintings I knock out in 1 or 2 sittings, but the ones I fall head over heels with often mutate from what was originally intended. They take a turn, take on a new 34

life and I roll with it. These pieces will sit in the studio as a WIP so I can marinate on their new direction. I may work them over many times or scrap them altogether incorporating them something entirely different, which I wouldn’t have gotten to had I not trusted the process.”

Any good stories from your journey thus far?

“I’m so inspired by street artists, I’ve mentioned a few already. I caught 'Beyond the Streets’ On Paper at the Southhampton Arts Center end of summer 2021—that lit a fire in me. It was the first time in my adult life that I felt that ‘a-ha’ moment that clearly I was on the right path. I related to the artists in the show—their influences, their struggles. I recognized their artistry, their dedication to their craft and continual progression in their inherent need to make art. It was the first time I felt I could do this too, that it was possible for me to earn a living as a full time artist.

Fast forward to last October 2022… I was participating in a group exhibition in Miami and got to spend the day at Wynwood Walls and it was a huge highlight.

There were more than a few artists that had work in both shows. If you follow an artist, you can see the progression in their work as they evolve and it is truly a gift and very inspiring. I try to surround myself with people and follow other artists that I’m inspired by. It helps me to keep pushing myself and realize that progress doesn’t come overnight; it’s an ongoing process that takes time.

The best thing is to keep at it, keep showing, getting work out there and, for me, learning new techniques and experimenting with different mediums in order to progress and evolve. It’s a continual learning curve that I’m very much in the early stages of navigating my way through. I just signed up for an online tutorial in oils with Jen Starling. She teaches about underpainting and has a very cool technique of pulling paint off the canvas, focusing on values and lighting to create a portrait. Excited to learn more and begin implementing new skills.”

We asked where she sees herself next. “I hope to get to travel and experience as many cities as possible in my professional life. I would love to do an artist’s residency or participate in a retreat, or workshop in Spain, Italy and / or Berlin. I try to live in the moment as if each day is my last. I think that’s why I love NY so much as a home base. The versatility of living in a city with an immense range of offerings affords me a leeway I don’t take for granted.

As the primary caregiver for an adult with autism, I am on an extremely short leash with many constraints, as my professional life takes second seat to her wellbeing. It’s an ever-challenging hurdle to

find and implement balance in our lives. Nothing comes easy. I am working hard to help navigate her services to give both of us the freedom and independence to thrive on our own independently of one another.”

What changes are you hoping to see in our world? “I think art has a great capacity for evoking feelings that can change hearts and minds.

Increasingly on all levels we are being challenged in new ways, at a faster pace than ever before in history. There are so many stressors currently that I don’t even know where to begin to answer this. As we learn from each other, and from our history, it is important to learn from our mistakes.

It’s important to acknowledge our history and not conveniently erase portions via censorship. It’s important to fund science and research. To educate ourselves and to advocate for basic human rights and policies that protect those rights.

Technology is outpacing humankind at every level. Take notice. Now is not the time to go along complacently.

Humankind would be better off if we could show love and empathy for one another and respect the planet and the ecosystems that depend on it.

Getting involved at a local level is always the first step to bigger change.”

For others pursuing their art as a career, Jen suggests, “ Surround yourself with positivity—influences and people. Decisions determine destiny. Little changes implemented every day have an accumulative effect. Be considerate. Be generous.

Pay it forward.” Simple, but oh so effective!

You can connect with artist Jenny Ink online or become patrons / access her art on Instagram @PaintedLadyStudioJennyInk or via her website, jennyinkart.com. This has been a spirited and illuminating ride, coming to know Jenny. We look forward with palpable enthusiasm to seeing everything she does next!

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Melanie Allison MELANIEALLISONGALLERY.COM

infinitephotographyofficial.com @infinitephotographysa

San Antonio, Texas photojournalist John Hendrick

Photographer, Graphic Designer, and marketing to Art Direction…

Courtney Warden is a young woman chasing all her dreams.

She is doing everything from photography, graphic design, and marketing to art directing.

Courtney is part of the COPA Creative team; she is the ‘Co’ in COPA, alongside her lifelong friend Paola Longoria (you guessed it—the ‘Pa’ in COPA), who is taking the marketing creative media solutions industry by storm.

She is also booked from time to time, photographing weddings and events. As if that wasn’t enough, she owns and runs her own business, The Indigo Bloom. Oh, and she is in the Creative Department at Digital Pro Lab. As a photographer, I understood most of her endeavors well. However, I was most intrigued by Indigo Bloom and what it entailed.

Once she opened my eyes, I was like, ‘more people need to hear about this.’

I sat down with Courtney to learn more about Indigo Bloom and the woman behind it. Sat back, grabbed a coffee, and got to know Courtney and what intentional floral design means.

Backstory Courtney has lived in Japan for nine years and in San Antonio for 15 years. I was eager to know why she was in Japan.

Much to my surprise, her father was in the military. Being from a military household, these relocations tend to happen often. Typically, we refer to children who grow up with parents in the military as “military brats,” but there is no brattiness coming from Courtney.

Sitting down and getting to know more about Courtney and her background, I wasn't surprised to hear she was homeschooled when 40

she was younger. Her ability to optimize time as a child shines through as you watch her command a room and work. It’s a flow state worth witnessing.

Before we dive into Indigo Bloom, I wanted to talk about art, photography, and her creative self.

John: I know you are a photographer; when did you start, and what do you like to photograph? By the way, I love your images. You have a great eye.

Courtney: “Thank you. My mom was a film photographer; she documented my whole childhood. So, I have always been around it. I went to school for photography; I got my degree in photography (BFA.) The funny thing is that I don’t showcase my work. I do it professionally for weddings and events, but I don’t get technical.

John: Annie Leibovitz is the same way. In one of her

talks, she said (paraphrasing) that she doesn’t pay much attention to the technical stuff. She knows what she is looking for in an image.

Courtney: “Exactly!”

’blooms’ for flowers. The target audience is anyone wanting to experiment with flowers or special events that may need a floral arrangement. I love being around people and watching people's confidence grow during my classes.”

John: Most of us have a creative side that we keep under wraps. Did or do you do art? Such as paintings or drawings?

John: In your experience, are flowers only for females? I need to phrase that correctly. Do you have many men who come to your events?

Courtney: “Floral arrangements; I teach classes at the Botanical Gardens as well as I’ve been offering classes and workshops for events and parties.”

Courtney: “I understand, and no—few men at the events. If they attend, it’s with their spouse or significant other.”

John: I saw one on your Instagram; it looks like such a fantastic event. That leads us to The Indigo Bloom—why the name? And tell me a little about what exactly it entails and who your target audience is.

Courtney: “‘Indigo’ comes from Indigo children; kids with solid intuition and creativity. And

John: Well, I will make sure and attend your next event. How did you figure out how to do all this stuff? I wouldn’t know where to start.

Courtney: “I used to work at a floral store—Fresh Urban Flowers. It was my first flower gig.”

John: Ok, last question: I also saw you collaborated with some people. Is that something you look to do

好きこそ物の上手なれ

[Japanese] “What one likes, one will do well at.” more of?

Courtney: “Yes, I love working with people; I love teaching. My goal with Indigo Bloom is to really be a part of the community and bring people together through the art of floral design.”

John: Thank you, you have such a fantastic story.

Final Note Courtney is one of those people you fall in love with upon meeting.

She has a giant heart, is caring, and is super innovative. The more and more I got to know her, the more I realized I needed to showcase her and everything she does—a true inspiration for anyone with dreams.

Follow her on Instagram and attend her upcoming events. @theindigobloom sa and @copa_creative.

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@staceyraeofficial cloverbudphotography.com

DARK P H O T O G R A P H E R

M I C H A E L

A V I L A

C H R I S T M A N

@DARKHORSEPHOTOGRAPHYSA

fashion.

A Welcome Discovery Whether by fate or a welcome bit of magic, a most dashing bespoke clothier came into our orbit a few months ago and we are excited to tell their story. Or rather, to let cofounder AJ Machete tell it.

Introducing Machete & Sons • Denver Bespoke Tailors • a timeless American atelier with a prominent European flair. Founded 14 years ago in 2009 by designers A.J. Machete and Lianna Kachmar, the brand has since grown into “the most unique bespoke tailoring company in the US.” Based (as is evident in their namesake) in Denver, Colorado, the designers attest, “we produce highquality, custom-fit menswear at a price that is close to that of designer ready-to-wear suits. Every piece is made completely in-house and one-at-a-time based on a custom pattern that we draft for you.” As you’ll see throughout this article, they also dabble in women’s vintage inspired looks, and in this day and

age, much of what they create can also translate to gender neutral wear for those who simply enjoy amazing custom tailored clothing.

As they explain it on the official website, “What sets our suits apart is our sophisticated design sense and our muslin fittings, which guarantee a superior fit to any ready made suit or “custom fit” suit purchased off of the internet.

We start each project with a pencil and pen, literally sketching a unique design for you and then drafting a unique pattern for your body type.

Concerning our design sense, Lianna spent nearly 10 years designing at all levels and price points in the NYC fashion industry, including high end couture and a brand for Liz Claiborne.

A.J. turned to fashion and tailoring after an existential crisis while completing his Master’s degree from Harvard. His philosophical studies led him to the conclusion that the meaning of life lay in the temporal and material, and that perfection could best be found in the perfect dress shirt or style of lapel. His work is also informed by fine art sculpture which he studied at the Pratt Institute.” You can get a sense of philosophical overtones in the look of each piece they design.

“Each of us are masters of history and historical fashions. Our suits are not just simple works of craft, but hold within them the methods and ideals of many ages. Here the Victorian, there the Edwardian. A dash of the 1960’s and the 1930’s. A tux that combines the best of the 1860’s with contemporary LA style…

Each piece that we make is truly one of a kind and designed and tailored to fit the body and mind of the client.” As to where their materials are sourced, they are made in England, Italy and the US. “We use heritage fabric by brands like Scabal, Holland & Sherry, Abraham Moon, Harris Tweeds, Hainsworth, Burlington Raeford, and Woolrich. Anything from the very most durable military wools to the most luxurious wools with the smoothest hand and most beautiful drape.

Fabric that is still made the way that it ought to be made (often woven by small collectives in Yorkshire or Scotland) from the best materials in the world (generally, the finest merino wool from Australia and New Zealand).”

Interview with the Maker Working with AJ Machete, the 43 year old bespoke tailor and designer shared more of the journey that would one day culminate into Machete & Sons • Denver Bespoke Tailors.

We began as we always do with a bit of personal history. “I did a number of different things before becoming a tailor. I worked as a carpenter from the time I was 13 on-and-off until about 21, and that gave me a taste for craft and also the life of a craftsman.

I also studied art and photography for a while at Pratt and that is how I met my wife and business partner, Lianna Kachmar, who was in the fashion program. Later, I studied philosophy and religious studies, and was kind of miserable when doing it. Eventually, I realized that almost everyone in academia was miserable and depressed.

I think that "ideas" are intrinsically depressing when they are detached from doing and making. Ideas and material life are two sides of the same coin and one leads inevitably back to the other. If you get stuck on one side, you never really get what life is about.” So true!

Growing up, AJ had a strong support system, though as he describes it, that in itself can be a double edged sword. “My family seemed to think that I could accomplish almost anything. Which was its own kind of pressure.

But we were quite poor for much of my early life and had many financial struggles. The utilities getting turned off, not having money for food, stuff like that.

I dropped out of high school to work at 15 (but later got a GED). In a way, all of that was the perfect preparation for making art—I am singularly unafraid of being broke or not having money.”

With such beautiful and highly detailed architecture within each original piece he makes, we were curious about what and who AJ draws inspiration from. “Artistically, I am inspired by artists who really took things too far. In fashion, John Galliano. In painting, Ingres. In tailoring, Tommy Nutter. In literature, J.K. Huysmans.

Maddening decadent stuff.

But, on the other hand, Martha Stewart and Ralph Lauren are heroes of mine. And William Morris. I am a huge believer in material life. In traditions. In making things the right way. I want a culture that appreciates craft and beauty.”

Taking it back to the early years breaking into the industry up to now, Machete explains, “When we started this business, my wife and I made something like $14,000 in profit between the two of us the first couple years while working full time. We had purchased the cheapest house per square foot that we could find (next to a junk yard and distribution plant) and then lived on weeds we picked and beans for a couple of years.

Almost every dollar we took in went back into the business. For us, this is about making amazing clothing. It is an artistic pursuit, and the artistry comes first and the money second. It is impossible to make anything great if money is placed above artistry. You have to be able to take something that is just "okay" and throw it in the garbage in pursuit of perfection.”

It’s this kind of courageous mindset of art over economics that is necessary to build a genuine creative empire. “We make clothing the way we do to show that the human world doesn't need to be the way that it is—ugly and disposable. Humans can be so much more than they are.

We need to treat ourselves and other humans with dignity.

Everything around us can be invested with meaning and culture—or we can just trash everything. It all depends on the values we have. What we value. And who we think we are. The clothes we wear are the symbol of who we are. It is the place where the inner idea of human beings meets the material reality of our lives and bodies.”

In regard to what comes next and where they want to be moving forward, AJ’s answer is perfect; “More of the same. We feel like we are at the peak of our creativity.”

And contrary to what people commonly think, reaching the echelon of one’s craft doesn’t have to have an expiration date. It’s not always ‘downhill from there’. Case and point is exhibited by the great iconic design houses of our time and before our time (Dolce, Versace, Chanel and so forth) who have outlived their principal designers and are flourishing even now under the next generation of hands + minds. Machete & Sons could very practically continue to ride this wave of pristine quality and art worthy of regality well into the next generations to come.

To others envisioning a career in the wearable design sector, AJ says, “My first advice to anyone starting a business is to get your hands dirty and learn about everything. The more you can do yourself without help 51

from anyone else, the more freedom you have.

Also, almost all fashion companies are started by partners. Having two people means a much bigger possible skill set.

As for design, there are much easier ways to make a living and have a good life. Building a life where you can be creative and take risks requires a lot of sacrifice. It may not be worth it.

But if you decide to design, aim for perfection in everything and always look hard to see how each design could be better.”

It is not an industry for the faint of heart and most would-be designers burn out or shut down before really taking off due to the strenuous efforts, long hours and high rejection rates building up a name as a viable design brand entails. However, AJ speaks from a place of forthcoming candor. Those for whom design is part of their existential livelihood and cannot imagine a life doing anything else will greatly benefit from these pearls of wisdom.

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For now, it’s business as usual at Denver Bespoke. “We have so many amazing pieces completed. We just need to photograph them!” And speaking of photos, if you find that you, like us, are wildly inspired by artful eye candy, you definitely want to peruse through their gorgeously designed website and carefully curated social media. See denverbespoke.com .

“The best way to be in touch is via email. My email is aj@denverbespoke.com. Of course, I am also @ajmachete on Instagram and that is a great way to see what we are up to as well.”

It has been a pleasure coming to know AJ Machete and the high quality vintage inspired brand he and his talented wife, Lianna Kachmar, have built. We plan to continue following their journey and *hopefully* when my son comes of age, we will seek their expertise to fit him for his very first custom suit! After all, I’m certain it would be well worth the trip.

“Bespoke” : an Explanation You’ll find many an informative breakdown on the Machete & Sons • Denver Bespoke Tailors website, denverbespoke.com—one of which we found important to share for our global readers who may not be familiar with the term. So settle in for an illuminating history lesson.

“It isn't what you think it is.

"Bespoke" is not a thing, it is a process. A process that belongs to a time before the rise of endless mechanical duplication. Before this disposable age began.

With bespoke clothing, "Individualism" is the operative word.

Every piece of clothing should be as different from every other piece of clothing as one person is from another.

Once upon a time...

Really not so very long ago…

Every piece of clothing that a man wore was unique. Was his alone, and cut to fit his body. Not only was the shape made to fit his body, but every detail was designed to reflect his past and his future. His position in society. What, in fact, made him different than all other men. All of the details of a man's suit are signs or symbols, and all have a distinct meaning.”

You can learn more on this topic by Googling through a veritable rabbit hole of the history of Bespoke. Happy hunting!

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San Antonio, Texas journalist K. Day Gomez photographer Stacey Rae Olivares-Garcia

PEPPER SA/TX

Hot off the Press

Word on the street

Meet Zenzali “Z” Jefferson, a Texan crochet designer whose focus is sustainable fashion.

Here’s what some of the key attendees had to say :

At the beginning of 2023, Z participated in the inaugural Crochet Fashion Week, which took place on February 11th and 12th in Atlanta, Georgia. Her crochet collection, "Toxic Garden," pushed the boundaries of what traditional crochet design is by incorporating materials such as chains and grommets not often seen in crochet fashion.

As an eco-conscious designer, Z prioritized sustainability by hand-making her pieces and using primarily plant-based and animal fibers, along with thrifted materials such as traditional South Asian Kurtas. The Toxic Garden collection is a testament to Z's commitment to promoting ethical and eco-friendly fashion.

"I'm thrilled to be part of Crochet Fashion Week and to showcase my designs alongside 20 other talented designers, from around the world!" said Z. "Crochet is a versatile and timeless medium that allows me to express my creativity in unique ways. My collection is all about exploring the intersection of seduction and gothic trends, and how crochet can bring those two worlds together. With intricate patterns, bold colors, and a touch of edginess, I wanted to create pieces that were both alluring and mysterious. I think the contrast of delicate crochet work with dark, gothic accents is what makes this collection truly unique, and I'm excited to see how it resonates with fashion lovers who appreciate the art of crochet and the beauty of the macabre.

As a marginalized black female crocheter, designer, and content creator, I wanted to create a collection that not only represents my personal style but also reflects my values and promotes sustainability in the fashion industry."

Toxic Garden garnered attention from industry insiders and fashion lovers alike for its intricate patterns, bold colors, and unique use of materials. Z has truly pushed the boundaries of crochet fashion and design by incorporating unexpected elements and creating garments that are both stylish and sustainable. And as for the first ever Crochet Fashion week, folks were raving.

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“Crochet Fashion Week was a historic event, showcasing an array of breathtaking and intricate crochet designs. The show was truly epic, with designers presenting their crochet masterpieces that left the audience in awe. The level of craftsmanship and creativity on display was truly remarkable, and it was clear that the designers did not come to play. The show exceeded all expectations, and it was worth every moment, as evident by the attendees who drove long distances to witness the spectacular event.”

—Kristen Williams, attendee.

“I loved seeing just how far crochet fashion can go. The event was truly inspiring in terms of both fashion, techniques, and the ability to socialize with others in the crochet community.”

—Brianna Sipp, attendee.

"It [Crochet Fashion Week] was a breathtaking event; just to meet so many talented national and international crochet designers and they all came together and showed off their talents. It’s something I’ve never even seen before; ever.

But, it left me speechless. Crochet fashion week opened up my eyes to another lane of fashion. I am honored to have been a part of such an amazing event."

—Natheree Lackey, model.

"It [Crochet Fashion Week] was a once in a lifetime experience."—Gregory Stitch, fellow

designer.

Now we know Zenzali Jefferson and her brand Millenial Maker, LLC was part of a historic event. It’s important to also call to attention that Z herself is making history, in real time.

The Making of a Game Changer Designers aren’t just born—they’re forged through the honing of their talents, the discipline to work at educating themselves and self determination to see it through.

“I first felt drawn to crochet when I was in high school,” Z shares, “after discovering it in a creative writing class of all places.

Growing up in a family of artists, I always felt like the black sheep because I couldn't draw. But when I picked up a crochet hook for the first time, I realized I had found my artistic calling. I started by following tutorials on YouTube and using a craft book my grandmother gave me, but I quickly began experimenting with different techniques and designs. I wanted to make crochet truly modern, and to bring it into the fashion world. I played with different materials, such as combining traditional yarns with more unconventional materials like upcycled applique or metal, and focused on creating bold statement pieces.

Before discovering crochet, I dabbled in

creative writing, but never felt like I had found my true passion. Crochet changed all that.

Looking back, I can see how my interest in storytelling has influenced my approach to crochet. Each piece I create tells a story, whether it's inspired by nature, culture or personal experiences. Crochet has become a way for me to express myself and connect with others, and I feel grateful every day that I stumbled upon it.”

Her wearable art and design is bold and provocative. We asked if she can imagine incorporating important themes into her work?

“Thank you for your kind words. I'm glad that you see my work as bold, statement-making, and provocative—that's exactly what I'm going for! In fact, my Toxic Garden collection was inspired by a very important theme : the idea that black women are often told that they don't fit the traditional beauty standards.

As a black woman myself, I've experienced this first-hand, with people telling me that my natural hair, curves, and facial features aren't beautiful enough or just not beautiful at all. So with this collection, I wanted to send a message of acceptance and celebration : that black women can be stunning and feminine in their own unique ways. I designed the pieces to be bold and colorful, with nods to unconventional fashion trends to underscore that, though the world may not see you as beautiful, beauty still exists in you.

The reaction to Toxic Garden was amazing, and 61

I was thrilled to hear gasps and excitement from the audience during Crochet Fashion Week. It was clear that the message was received and appreciated.

For my next collection, Defunct Angels, I'm shifting my focus to another important theme : mental illness. I've struggled with severe depression and anxiety for years, but I'm finally starting to see a glimmer of hope. With Defunct Angels, I want to celebrate that hope and resilience with vibrant, dizzying colors and winged designs. When I was younger, I used to collect small angel statues as a way to feel safe and protected from my nightmares and negative thoughts. In a way, those angels symbolized the universe and all the people who loved me and wanted to see me overcome my struggles.

With my crochet pieces, I want to spread that same message of resilience and hope to anyone else who is fighting mental illness. I believe that art can be a powerful tool for healing, and I hope that my creations will inspire others to keep fighting and never give

up.”

Always an important question, we asked Z to walk us through her typical creative process.

“My creative process is a journey of discovery, where I never quite know where I'll end up. It typically starts with a spark of inspiration— whether it's an image in my mind or a sketch in my notebook. Then, I dive into the exciting world of materials, searching for the perfect yarn to bring my vision to life. I tend to go for sock weight yarns because these yield the best drape for a garment. No one wants a stiff piece of clothing. This is where decision paralysis often sets in, as there are so many delicious options to choose from.

Once I've settled on my materials, I start swatching and testing out different stitches.

This is where the real magic happens, as I begin to see the piece take shape before my eyes.

Sometimes, the original design evolves into something entirely different, as I let the yarn and the stitch guide me in new and unexpected directions. Then comes the math!

This is where I take my measurements and

translate them into the number of stitches, increases, rows, and more that I'll need to create the final piece. It's a vital step, and one that many people don't realize goes into crochet.

With all the planning done, I'm finally ready to dive in. Some pieces come together seamlessly, while others are more of a journey. I've had my fair share of projects that I've torn down and started over, but that's all part of the process. In the end, what I love most about my creative process is the sense of discovery and exploration. With each new piece, I learn something new about myself as an artist and a person. And that, to me, is the true joy of crochet.”

What about the journey in the career sense, thus far? “I may be in the early stages of my creative journey as a designer, but a few experiences have already left a lasting impression on me. For one, being featured in PEPPER Magazine for this interview is beyond amazing. It's an honor to be recognized as a fiber artist and to have the opportunity to share my story with others.

Another highlight was creating my first collection and showcasing it at the first ever Crochet Fashion Week. It was a transformative experience, and I was thrilled to be surrounded by other designers who share my passion for crochet. I even had the chance to meet some of my crochet idols, like Gregory Stitch, whose stunning evening gowns are changing minds about crochet being high fashion.

But perhaps most meaningful of all was meeting my friend Patti, also known as Twisted Stitches, in person for the first time. She was an early inspiration for me, and seeing her crochet designs featured on the runway was a pivotal moment in my own creative journey.”

Where are you hoping your journey will take you next?

“I've always had a passion for travel and exploring new cultures, and my love for crochet has opened up a whole new world of possibilities. One of my dream destinations is South Korea, where I'm drawn to the language, culture, and food. I hope that my designs will allow me to travel to many places around the world, including Europe, Canada, and Africa. In fact, my ultimate dream is to embark on a worldwide yarn journey, discovering all the different types of yarn and fibers that this world has to offer. I believe that traveling and experiencing different cultures is essential for any artist, and I can't wait to see how it inspires my work.” At 30 years old, Jefferson has her whole life ahead of her and, in our opinion, the world is her oyster!

She’s touched on some important issues she plans on confronting through her design. We asked what other changes Z would like to see in the world around her. “As an artist and designer, I believe that fashion has the power to make a positive impact on the world. I want to use my art to bring attention to important issues like climate change and sustainable living. Crochet is a highly sustainable clothing

option, and I hope to promote it as a viable alternative to fast fashion.

I also want to use my art to amplify the voices of marginalized communities and raise awareness about mental illness. There are so many people who feel unheard and unseen in our society, and I believe that fashion can be a powerful tool to bring attention to their struggles. I want to create designs that celebrate diversity and inclusivity and help people feel seen and valued.

On a global level, I hope to see the fashion industry move towards more ethical and sustainable practices. Fast fashion has a devastating impact on the environment and the workers who make our clothes, and we need to start making more responsible choices.

I want to be part of a movement that values people and the planet over profits, and I hope that my art can inspire others to join me in this mission.” A true humanitarian.

Any good advice for others about pursuing a career in design? “My advice for anyone interested in pursuing wearable art design is to simply start creating. Don't be afraid to experiment and try new things.

Sometimes, the best ideas come from unexpected places. Also, don't worry about being perfect right away. It's important to embrace the learning process and allow yourself room to make mistakes and learn from them.

Additionally, I would encourage you to find a community of like-minded individuals, whether it's online or in-person. Surrounding yourself with people who share your passion can be incredibly motivating and inspiring. You can learn from each other, collaborate on projects, and support each other through the ups and downs of the creative process.

Finally, I would encourage you to stay true to yourself and your unique vision. Wearable art is all about self-expression and pushing boundaries, so don't be afraid to take risks and explore your own creativity. And remember, the most important thing is to have fun and enjoy the process of creating something beautiful and unique.”

You can connect with the Millenial Maker herself, the one and only Zenzali Jefferson online or become patrons and access her art.

“Let's stay connected! You can always find me on my website, MillennialMaker.co, where I share all my latest projects and inspiration. And if you're looking for a more personal connection, don't hesitate to slide into my DM’s on Instagram @millennialmaker.co. But wait, there's more! You can also find me on TikTok and YouTube @millennialmaker.co and @millennialmakerstudios, where I share fun, vlogs, and educational videos on all things crochet and art.

So whether you're looking for some creative inspiration, want to chat about all things fiber art, or just want to hang out and have a good time, I'd love to connect with you online!”

It’s been very exciting getting to meet Z and her beautiful mother in person at an SA Creatives Women-Only Meet Up, though I wasn’t able to get in the time I would have liked. Even so, she was warm, inviting, and just as wonderful as she sounds.

I look forward to following her journey and hopefully procuring one of her designs for myself one day!

PHOTOGRAPHER ALEX RATHBUN X MODEL & DESIGNER SCOTTIE RAE ESKELUND Chicago, Illinois

Nadin

photographer Andrey Lukovnikov with model Nadia Svietova Alicante, Spain

photographer Andrey Lukovnikov producer Ekaterina Lukovnikova model Nadia Svietova hair + makeup Anna Ryabikova

Photographer Jason X. Hudson Stylist Kaia Dublin Models Misha Pahl & Naja Rae Luxe Loft Model Agency Makeup Katherine Arlene San Antonio, Texas

Charity STYLE DIARIES WITH

fashion.

Style Consultant Charity Stewart San Antonio, Texas

FINDING YOU

Finding yourself is a lifelong journey. I believe as long as we are on this Earth we will be finding and discovering who we are and what we like.

Psychologists have said that a person completely changes after 7 years. I know that to be true because when I look back at what I was wearing 7 years ago (17 years old), it makes me cringe.

There’s a question we all have asked ourselves and that is “What should I wear today?” or for me it's “What’s my vibe today?”

SUMMER

So class, let’s go over 3 different vibes.

VIBE #1: SHOWER SCENE We all have an outfit that makes us feel sexy or attractive. I don’t know if it's just me but when I put on a spicy outfit, I play the role. I say play the role because it takes pressure off of you. Some would say, well that’s being fake—but I would say that's just the vibe you are going for that day.

Fashion is meant to be fun and experimental.

Typical Charity would not go out with soaking wet hair. But I’ve seen it on other people and always thought it was so cute. I chose this white fluffy shirt because it has cute ‘girly girl’ vibes on the front and the ‘sexy woman’ on the back; that's what you call balance. With a simple mini jean skirt

SIDE NOTE

and a kitten heel. Now, I specifically picked a kitten heel because it adds a bit of innocence back. BUT! If you want to go all the way there, picking a chunky platform heel would be the icing on the cake.

Simple metal jewelry is a nice touch, but make the look your own. Go big if that’s you!

VIBE #2: ’ JESSIE’ BREAKING BAD I love this look , because this one is for everyone. This is my alter ego. For those of you who don’t know me, I am a girly girl. I love everything pink. I'm that annoying girl that if you ask me to pick something and there is an option where I can pick pink, I will pick pink.

When I put this look together, I had one person in mind and that was Jessie from the hit TV series Breaking Bad. Jessie embodied the early 2000’s man.

Another person I was inspired by was the lovely David Beckham. This red striped polo shirt started off as an oversized shirt but the girly girl in me had to crop it so I used the old fashion hack—a hair tie.

I believe this is the true definition of inspiration 89

because I took someone else’s idea and made it fit my personality. I say that because sometimes in the fashion community or whatever community you are a part of, people can take ownership of their work and not allow others to use it as inspiration.

Which is why I always say if our world would just lead with love, our world would be a much better place.

VIBE #3: COWGIRL As Summer approaches in San Antonio, Texas, we all need a hat to protect our face. And I have already made the decision that a cowgirl hat is my hat of the summer. When you see a person with a cowgirl or cowboy hat on you immediately think to yourself that they live on a farm (well, maybe not you, but I do).

I’m a city girl but the older I get the more I enjoy God's creation. So if I lived in the countryside and I wanted to go on a date this would be my vibe. Now, you don’t need to be in the countryside to wear your cowboy hat and cowboy boots, but for me it's a vibe that I'm trying to create, so I have to picture myself in the role. If it was a really hot day, I would wear no makeup with the exception of red hot lipstick, my dads sunglasses I found in his car and the shortest shorts I could find. Lately, my inner cowgirl has been awakened because I’m getting ready to finish season 5 of the TV series Yellowstone.

WRAP UP All these looks I put together I’ve seen on someone else in some way shape or form.

They didn’t start off looking like me, but with some minor changes I made it look more like something I would wear.

I believe someone’s style is 60 percent inspiration and 40 percent their own ideas.

Finding yourself is hard because you are putting all your experience together and trying to name it one thing or make one outfit. I know we all strive to be original but remember whatever you decide to put on, you are being original because there is only one you—one of a kind and you can't be duplicated.

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The

SUSTAINABLE STYLIST BECKY WITTE-MARSH @beckywittemarsh

marshbecky17@gmail.com

FASHION • HOME • SET

sustainable fashion & decor

Sustainable fashion & lifestyle expert Becky Witte-Marsh

New ways of looking at where and what we wear to work.

Covid propelled an emerging new way of defining work space and work appropriate attire.

“Lock Down” work space became the coffee table and work attire became t-shirts and sweat pants. As our worlds continue to evolve, new thoughts around what makes a work space and what is appropriate work attire continue to evolve as well. Adding in a layer of sustainability to the mix can offer a fresh take on what to wear and where to work.

The coffee table may work great for some, but for many of us, carving out a space that feels comfortable and functions well is a priority. With sustainability in mind, let us explore some great options that don’t cost a fortune and help make working “green” easy. Lets’ visit a few of my favorite haunts to see what we can find.

First stop—Desks Galore—a local San Antonio, Texas company specializing in pre-owned office furniture.

Funny thing—they had a sign up saying they had moved. So, I proceeded to my second location— Habitat for Humanity. Parked in their parking lot unloading some donations was none-other than the Desks Galore truck!

Too funny!

I had not been to Habitat for a couple of months and found a great surprise upon entry—a new wall of rugs—all priced very affordably and all new. Big ones, small ones—something for everyone.

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A rug can help :

Some folks prefer a stool-height or standing desk. This rolling work station fits the bill while also being easy to roll around for easy access and storability.

• Define your work space • Add color without having to paint • Give your toes something soft to land on • Protect your floors from chair scratches • Be the design inspiration for the rest of your work space Your work space seating is VIP! Comfort, good support and the ability to withstand hours of Zoom calls are key.

This $40 example is a real honey, with soft fabric, nail head trim, adjustable height and a cool chrome rolling base.

Shelving and storage options are a must. Check out these bookshelves for $10 a piece. Configured along a wall in almost any room, they can house baskets, books, files, electronics—so many options.

A fresh coat of paint, also available at Habitat, can pull the whole look together nicely.

More traditional options were also available.

Simple needs like a small trash can are easily found at Habitat, as well as cool artistic objects such as this coffee bean sack with artwork on both sides.

Your actual “desk”/ work space could be almost anything.

If room permits, this oval desk seems somewhat “presidential” and will give you plenty of room to spread out your goodies.

For $1.50, this sack brings graphic interest to your space.

A quick walk down the street, Salvation Army is one of my favorite haunts for vintage of any kind.

98

d Not a bad

! eal at $60

Greeting me like a long, lost friend, was this antique solid wood storage piece with shelving inside and a big drawer on the top. This could house electronics, office supplies, anything your heart desires, while blending in seamlessly in the dining room, the living room or the bedroom with style.

This simple two drawer wooden desk also caught my attention. For $54, this could be a work space by day and a dining table at night. The drawers make it super functional.

The housewares area displays what Salvation calls “bric-a-brac” and on the day of my visit, was discounted 25%.

Numerous pencil / pen pot options offered artful additions to any desk top.

Actual office accessories such as these metal and wooden file holders and a high quality pen were also available.

Office Alternatives Shared work space can also be the ticket for those times when getting out of the house is essential. Coffee shops such as Halcyon here in San Antonio, are the perfect shared work spaces. Meet a client, share the WiFi, have a cup of coffee and maybe even lunch—it’s all there.

A small china trinket tray with thistles had my name on it, while the floral bone dish said paper clip holder to me.

My husband, Dan Marsh, inventor of Pirate Wind Turbines, joined Geekdom recently. One of the perks is use of their shared work space. These spaces are open 24/7 and provide a “greener” option than typical assigned work spaces.

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Check out Dan in his business on the top, party on the bottom Zoom call attire!

Bye Bye Suits!!!

Now that you have your sustainable work space set-up, you may be wondering what to wear. A weekend jaunt took me to Lockhart, Texas where I explored what Magic Mirror Vintage had to offer.

As many of you know, I live by the “more is more” aesthetic. With that in mind, I pulled some “Let’s get you out of your sweat pants and live a little” pieces to start you on your new path to style success.

I always gravitate to gorgeous silk embroidered pieces. I love the red and light gold detailing in this jacket. Thrown over a t-shirt and jeans, this piece projects confidence. I looked up “Red Personality” at penguin.co.uk.

“A Red person is a dynamic and driving individual.

Reds strive forward, always pushing themselves harder, and they almost never give up.” An empowering message indeed!

If comfort is key, might I suggest a fun loose dress with multiple textures, embroidery and pattern.

Comfortable does not have to mean dull.

I scooped up this light as a feather vintage stained glass designed dress for an upcoming business meeting.

The colors spoke to my artistic side and pair well with some thrifted Marni lace up heels I just scored.

But what about the fellas?

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For men, I recommend a few fun jacket to throw on for inperson and online meetings.

Pair a fun green vintage plaid jacket with a colorful scarf tucked in the pocket.

For a summer classic, this blue and white seersucker beauty will elevate even the humble outfit beginnings of a white tee and blue jeans.

For those who truly desire the loungey feels, how about this silky 3-piece pajama set with pants, a tank and a buttoned top that says “I am comfortable but elegant.”

You may need to steam this look to really pull it off.

Last but not least, let’s consider the Hugh Hefner approach. A gorgeous vintage fringed robe or smoking jacket paired with classic slippers.

Who could resist?

Evolution of the Workplace CX Today reports, “Remote work is now firmly established as the new normal. As per Buffer’s 2022 survey, 97 percent of those working remotely would like to continue for the rest of their career, at least some of the time.” As Mark Zuckerberg has said, “Some people thought that everything was just going to fall apart, and it hasn’t.” It’s better.

PLANTS ARE

FRIENDS

A self portrait series & poetic essay by photographer Justyna Grochowska Warszawa, Poland

SOMETHING OF A LOVE LETTER… Some say that if you want your plants grow well you have to talk to them.

I would say that if you talk to your plants you have to be lonely.

So plants have become my friends, something I can care of.

And to think that if I give it enough love, it will never leave me.

It's almost like with people, isn't it?

But when they leave it hurts more.

So I cut off the emotions and choose to be friends with the plants.

I believe that when they are gone, it won't hurt.

I nurture my loneliness.

It's safer for my heart.

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HIGH LIFE/HIGHLIGHT THE

PEPPER

WITH LIFESTYLE CONTRIBUTOR JOE A. GOMEZ III As Memorial Day comes and goes, there is only one thing that comes to mind...

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PHILIPSBURG Philipsburg is the capital of Sint Maarten, the Dutch side of the Caribbean island Saint Martin.

Beachfront bars line the boardwalk along Great Bay. Voorstraat, or Front Street, has duty-free shops and casinos. The St. Maarten Zoo is home to parrots, monkeys and a playground. Sint Maarten Museum displays artifacts from the indigenous Arawak people. The ruins of 17thcentury Fort Amsterdam stand on a nearby peninsula.

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SUN &

SEA Summer has begun; and with long summer days comes adventure.

There is nothing in this world like waking up to the sound of waves crashing against the infinity pool outside your villa, or the wind against your face while screaming across the crystal clear water on a jet ski.

Here are a couple of the best places in the world for a summer day like that and the toys that come with it.

THE MALDIVES

The Maldives

The Republic of Maldives, is an archipelagic state in South Asia, situated in the Indian Ocean. It lies southwest of Sri Lanka and India. It’s famous for its vibrant culture, pristine beaches, sprawling greenery and fascinating landmarks.

Maldives is also famous for water sports and other adventure activities.

The W Maldives, cabanas starting at $793 a night.

The W

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THE TOYS

THE GEAR

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THE GEAR SeaSpecs pro Jet ski sunglasses $49

ProLimit Wetsuit $182

Concealable HYPERLINE LEVEL IIIA $1,080

Coach Flip Flops $128

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”Traveling – it leaves you speechless, then turns you into a storyteller.”

— Ibn Battuta And of course, the best way to transport your Jetski… Range Rover HSE Sport Turbo starting $123,777 Is it absolutely necessary? No, but hey—a guy can dream, right!?

oe Captain J

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PURA VIDA LUXURY + LIFESTYLE CURATED BY CHEF CORDELL ROBINSON

journalist & editor Elliot Carlyle at Current•ly Global photographer & wardrobe Edwin Borquez Pierrot Manuel Antonio, Costa Rica

savor.

It is the essence of an estate immensely curated with a double-edge infinity pool, private balconies for each room, perfect harmony among green jungles, monkeys swinging from the trees, squawking parrots, and set with an emerald sea and golden sand beach as a backdrop. Once checked in, you have no worries or cares for the remainder of your stay. A most eager and hospitable staff including private chef, butlers, and maids are at your service while you are given space and time to truly unwind and relax.

The Interview Elliot: Cordell, since life has taught me that everyone has a beginning point of inspiration, I’d like to know what inspired you to become the man you are today and how you define and live in luxury.

Cordell: “I started cooking when I was seven years old. My mother was a single parent working 2-3 jobs at a time which left little time to cook. I stepped in to help and I learned that I had a great palette because all my siblings would want what I prepared, which was great!

When the word “luxury” is mentioned, there is typically an immediate mental association to designer labels, fancy cars, lavish hotels, diamonds, and anything that we relate to expensive in cost.

However, there is a multi-hyphenated chef in America’s capitol, who is on a mission to deliver a paradigm shift to luxury through the art of culinary experiences. In this issue, we delve into the master mind and mission of Chef Cordell Robinson, also known as “The Culinary Diva.”

“…I had the time to enjoy the luxuries of life and connecting the escape with the most exquisite dining is amazing. Chef is the best.” – Vieng, Financial Industry VP The destination is Villa Punta de Vista; a tropical, private luxury estate in Manuel Antonio, Costa Rica.

This is no ordinary house. The 9-bedroom, fully staffed, exclusive-use private escape was intentionally designed with purpose.

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I also always loved the finer things in life as a child. So, in my free time I would jump on the city bus and journey out to the high-end malls so I could window shop. Of course, I was young so I couldn’t afford anything, but in those days, latchkey kids could do those things though times aren’t as safe now in America. However, I would see the window displays and say to myself that one day I’m going to be able to afford these clothes.

I started to learn fabrics, construction, and quality which I then learned how to pair with food. I always liked really good food…food that doesn’t have to be Michelin in presentation but that was just good to the soul.

I grew up very poor, so I had to work my way up through everything I’ve experienced. I graduated high school, obtained my college degree, I joined the United States Navy, and then I went to law school. After starting law, I decided it wasn’t the best thing for me, so I went into cybersecurity since my undergrad degree was in electrical engineering and computer science. I was still cooking all this time. I was having dinner parties, hosting events, and working jobs to afford my

passion.

As I made more money, I got to eat at more highend restaurants, buy luxury clothing, travel the world to magical and beautiful places. This allowed me to experience the grandeurs in life. What this taught me was that if you believe you can do something and you put in the work, you will get there! You may not get there when you plan to get there, but you will get there. Leave all plans open ended because it could come earlier than expected or later than expected, but you will enjoy the progression. Enjoy the journey of the hard work in getting there.”

“…he makes this an oasis. He does nothing on a small scale. I’ve been three times and each time is next level.” – Shauntrice, IT Security Specialist Elliot: I’m loving all of what you’re saying because as you speak, I can see it. I can see this journey that life has taken you on because still today, you embody the connection to your beginning. I’ve now eaten your food. I’ve spoken with you. I’ve traveled with you, and I can say from experience that this is not just about a career, but this is your identity—your mission—and I would even say your ministry.

You’ve traveled the world, but Costa Rica stands out among the destinations in your passport. Talk to us about what makes Costa Rica special to your life and career.

Cordell: “I came to Costa Rica for the first time in 2014 for a friend’s wedding. The location was in Manuel Antonio. It was so beautiful, I decided I wanted to get married here too! I knew I didn’t want a big wedding. I didn’t want to deal with the drama and the stress of who’s going to sit where and who’s going to complain about this…I didn’t want any of that.

So, I began doing my research on where I would want to get married. I found the big villa at Punta de Vista, and I reached out to the architect. I told him what I desired, we chose the date, hired a wedding planner, selected a DJ, booked a photographer and videographer—the whole nine yards. Everything that we curated for the wedding was very pristine, upscale, and next level.

We had Prada design our custom tuxedos. We had Hermes sandals. Our choices were luxe but tasteful… no labels all over the place. One of the highlights 116

from the wedding is that we would arrive on horses, which was beautiful and luxury to me.

My husband, Doug, and I planned for two years, and our wedding was in 2016.

After we did the event, I had been in touch with the architect who shared his plans of building a second estate on the property. I wanted in and said, “let’s do it.” So, he drew up the plans and invited me to come down to see the property while under construction. He was impressed with the way we executed our wedding and primarily the guest experience and was inspired to have me lend my creativity to his project.

When we came, I saw his vision, but I saw it beyond…it had to be a life-changing destination.

I wanted people to feel the energy as soon as the gates opened. Costa Rica is a magical place, but I desired for guests to experience luxury life how it should be experienced…no frills…no fuss…no stress…just to enjoy and relax.”

“…I love that Cordell provides these experiences for us to see ourselves and our self-worth to understand that excellence is within our reach.”

– Lucky, Entrepreneur & Communications Consultant Elliot: I have to say you have curated a space where all your needs are met and if you have a want, all you must do is ask. The estate is a place where you get lost in time so much so that you don’t even want to leave, and you can spend an entire week simply but luxuriously “at home.”

That’s amazing.

As much as there is to do in Costa Rica, you don’t feel like you’re missing out on anything…the beach, the food, the accommodations are enough. You’ve done well and I know everyone who comes here departs better than they arrived. How has cooking and curation changed your life?

Cordell: “I have used cooking to build relationships, to build businesses, and to build partnerships. I’ve used cooking to mend and heal. I’ve used my medium to cultivate community. I would host cooking events at my home every few months and some of the

attendees would only see each other when they come to my dinners and parties. Which gave me a sense of purpose in a way, and I committed to bringing people together to eat. To me, if you’re enjoying good food and good company, that’s fellowship.”

Elliot: We are both native Southern gentlemen, so I connect with you deeply on the community, fellowship, and that kind of hosting that we do so well in the South. How do you know who to bring together? You really have a way. Has it been natural for you, or have you used a professional wisdom in your approach?

I say this because when I came the first time, I felt like a little bit of a stranger, but I left with some new family. We all came from different places, spaces, backgrounds, and experience but you built a place where we connect, and it feels like a lifetime.

Cordell: “To be honest, it’s been trial and error in some ways. I’ve been on a couple vacations where the energy wasn’t the best. So personally, I observe behaviors, conversations, responses and reactions, and personalities. These elements give me a glimpse into what the experience would be like bringing people out of the country and together in an intimate space for an entire week.

I must take in the fact that everyone doesn’t know each other all that well at the beginning, so I certainly am not looking to have a reality show experience where we’re fighting and bickering.

We’re all here to be on a luxury vacation, have fun, and even if something doesn’t go perfectly, we keep it moving and enjoy the experience.”

“…when I got to Costa Rica, I realized that his circle was just like mine…there was a unified spirit of love, and it feels like we’re all connected that way.” – Juanita, Senior Cybersecurity Specialist Elliot: I like that. You’re assessing an energy that you can manage and if you trust it then you go for it. It’s rather a gut feeling…when you know, you know. I believe shortly after meeting you, I shared with you that I see you as a culinary curator. From that time until now, everything I’ve learned about you speaks to the truth in that. I’ve been able to experience your cooking. I’ve enjoyed the opportunity of observing and hearing you appraise fellow executive chefs

familiar and unfamiliar to you.

You are very strategic and very wise in your assessments, and you have a very keen insight on what syncs together well food-wise. I can see the sense in bringing together people is the same in blending spices, cultures, and cuisine.

Cordell: “I’ve been able to understand flavors and textures since I was a child. I remember going to people’s homes and when eating their food, I knew what was missing. I would think…’this needs salt, or this needs garlic, or this needs onion, or this needs…something’! I feel it’s a blessing from God to have a palette that speaks to me in this way.”

Elliot: I love that you acknowledge the quality of your palette as a gift. Eating your food feels like you were blessed. Everyone I’ve spoken to on this trip has praised your sense of knowing how to put the right people together. I believe the consensus is that this trip is a spiritual encounter housed in a vacation. What would you say your purpose is, and how do you channel the gift through culinary art and luxury curation?

Cordell: “I believe my purpose is bringing people together from different walks of life and to give them access to a finesse…a savior-fare…an elegance…a sophistication that they may not have had in this way if I didn’t introduce them because they are personally curated moments and escapes. I use food as one of the main vessels to do that and I honor the gift.”

“…it’s been an exquisite culinary experience coupled with an elevated luxury travel experience…

He curates a community of people that come together to forever be connected through their love of art, culture, and food.” –CaSandra, Fashion Industry Executive Elliot: I should stand up and take a bow in gratitude. Again, you do this well. As a Black man in your industry, what is something that you just wish people knew about you and that you’re conveying through your cooking and experiences that you want people to hear you say?

119

Cordell: “As a man of color in various industries: music, arts, culinary, entertainment, hospitality; I want people to understand that there are a lot more successful Black men and women who exist beyond athletes, recording artists, performers, actors, etc.

I want everyone to be inspired, motivated, and enlightened to the fact that you can accomplish whatever you set your mind to do. I am a chef, a business mogul, an entrepreneur, a global philanthropist and more. I have a non-profit, Shaping Futures Foundation, a private sector-led initiative working in collaboration with social and public sectors and academia. We are currently working to enhance regions in Africa with a goal of culturally transforming communities to be selfreliant and independent. Giving access to education and skills training will prepare communities to work in industries alongside the first-world nations and achieve sustainable development goals.

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Simply, I want us to understand that we are successful everywhere. You can turn anything into a bag!”

Elliot: That’s the mic drop! I’m here for it! If nothing else in this interview inspires the readers, I’m quite confident that line alone will preach!

That’s luxury…being able to turn anything into a bag! Thank you for this moment.

Pura Vida…which means, pure life!

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creating

LA • NY • MIA • LHR • SAT • ATX

WHAT COMES

AFTER

Actor, Director & Author Durbin HChris O U S T O N , T ETodd XAS

JOURNALIST K. DAY GOMEZ

culture.

Acting is my life, my escape… My ultimate goal is to one day act on a full time basis. Gods willing, this will happen. I have two surviving children—Lanie 17 and in her senior high of high school. And Cory, a 31 year old diesel mechanic. I'm extremely proud of both of them.”

That’s the ‘elevator pitch’ version of Chris’s professional and personal history. But you know us —we’re here for the full biography. So get ready to dig deep and get to know the brilliant actor, director and author, Chris Todd Durbin.

A History Lesson I’ll be honest—this is not an easy story, so a courtesy trigger warning is in order for those who have difficulty with matters of child abuse. That said, we believe it’s incredibly important to hold space for Chris and those who, like him, have come from dark places to grow into well-rounded individuals who are able to cultivate the life they always dreamed of.

Actor and director, Chris Todd Durbin is an up and coming action hero or anti-hero, whichever way you spin it. With the necessary grit and rugged swagger to charismatically portray an array of characters and the real-life background to lend authenticity to his roles, Chris is one to watch. Best known for Death Merchant: City of Insurrection, Valhalla Awaits (2023) and Devil's Knight (2023), he’s been on the cinema grind for the past three years. Based in Houston, this talented multifaceted man sat down with us to share his story— vulnerable and beautifully forthcoming.

The Short of the Long In Chris’s words, “I started acting three years ago in Houston, Texas. I was apprehensive at first but after that first "ACTION!", I had the bug. Hooked! The fire was lit!

I accepted every and any acting gig I could come across. My first six films I did for free. Truth be told, I probably would have paid them to be a part. It is what it is. I have since been in ten films, as well as having published a best selling book that is currently on Amazon entitled "Endless September". It's a self help autobiography. I wrote it to help combat my own demons from a rough childhood to losing my 3 year old baby boy in a tragic accident.

“I guess I’ll just lay it all out there,” Chris begins.

“So at the age of 12, my father left for another woman. We had absolutely no money. My mother didn’t have a job and was forced to do things she didn’t want to do just so that she could feed us.

When I turned 13, my mother remarried a drunk from Louisiana. The man used to beat my ass daily.

During my school summers he used to make me stay in a closet all day just because he was sick of seeing my face. My brothers had to bring me food and water. I could hear them all in the other room laughing and playing as I sat in the darkened closet.

I cried more tears than I could ever count.”

The cruelty Durbin describes alludes to the kind of generational abuse that is all too often swept under the mat in the US. Most children and teens won’t come forth even well into adulthood under the assumption that they either won’t be believed, or the humiliation of others knowing will hurt too much. As a society, we hope to see more institutions and communities draw together to shed light on such issues and provide survivors with compassion and the proper supports to overcome such crippling adversity.

“When I turned 18, I called a Navy recruiter and literally begged him to come get me—which he did.

For the next three years, I served active duty on 129

USS BELLEAUWOOD as an aircraft firefighter / rescue man.” Chris’s military training has understandably provided a foundational bulwark for his abilities and stamina in action scenes and more intensive physical roles.

“I met a woman in Long Beach, California and ended up marrying her in only a few months. I guess I’d longed for that family bond for so long, I just wasn’t thinking clearly. We had two kids—Cory and CJ. After being cheated on several times, I ended up leaving her.

After the service I moved back to Texas. I missed my kids dearly so I reluctantly made up with my ex just to be with them.

I rode my motorcycle 18 hours straight from Texas to San Diego to pick them all up. Once there, I rented a Uhaul, loaded everything up and drove back to Texas. I was as happy as I’ve ever been just because I was with my kids again.” He did what he had to do in order to keep his family close. That connection was paramount for Durbin.

“A few months later I took my two kids, my brother and my sister to a local school gym to play basketball.

We were having a great time. At 8:09pm I loaded my kids in my pickup then went back to lock the gym.” This is the point in time that Chris’s whole life would unknowingly change course forever. “When I did that, my 3 year old climbed out of my truck, walked back behind my truck and in front of another truck driving down the road. It killed him instantly.

Everything changed.

Everything.

My ex wife called me a murdering piece of shit. My family ostracized me. It was up to me to pick out a casket, sign embalming papers, pick out a plot at the

cemetery. Walk through Walmart picking out his set of clothes to be buried in. All of it was on me. Which I did.”

Chris and his family suffered the unimaginable loss of a child; one that anyone will tell you is impossible to come back from. As if that alone wasn’t bad enough, to be demonized as responsible for what was clearly an accident, split the grieving father into a million pieces. Pieces that he is still working toward picking up to this day. “I have PTSD from that night. It was 30 years ago and I still wake up screaming.

I wrote a book about all of this entitled “Endless September”. It’s now a best seller on Amazon.” He turned his pain into an opportunity to sort through the fog of his bleak upbringing and loss of his child, and in doing so, hopefully providing an avenue for other abuse survivors and grieving parents to know they are not alone.

“A few years after this, I was asked by a friend if I’d like to be an extra in a movie. I told him, ‘yeah, sure, sounds fun.’ On set, when the director said ACTION, I became someone else for a few moments. A small escape for lack of better terms.

Before leaving that night, the director asked me if I’d be willing to come back. I agreed to immediately.

That small escape has now grown into a deep passion for me. I’ve been in 12 movies with 8 more on deck for 2023. I’ve also written two feature films this year. One is titled “The Priest and The Prophet”. The other is titled “Simon”. My dream is to one day act full time and to provide a better life than I ever had for my surviving children. Maybe one day that will happen. Fingers crossed.”

The Interview This bit could just as easily be considered the revelation of all the Easter eggs Chris has gleaned from his journey, starting with this first chestnut. It becomes clear that despite all he’s endured, he will not be labeled a victim.

“I feel that all of life’s experiences, both positive and negative, mold us into a new way of seeing the world around us. Picture in your mind’s eye a giant rough boulder with sharpened pointy edges. This is us when we are born. Throughout life every “hit” we take chisels away a small piece of that boulder. Eventually, over many years, that rough boulder becomes a fine beautiful polished stone. Wiser, seasoned and well prepared for whatever may come next.”

We asked the hardest questions next, about the tragic death of his son. “The night I lost my sweet baby CJ, my 5 year old Cory came to me, wrapped his arms around me and told me “Daddy, it will be alright.” I’ve replayed that over and over in my mind millions of times.

I remember one day I was sitting out at my son’s grave. I was speaking to him, telling him how much I love him. How much I miss him and how sorry I am that I wasn’t there to pull him out of the road. My mind was flooded with suicidal thoughts. I was done. At that moment, I heard leaves moving on the ground directly to my right. I glanced over and saw a baby fawn standing directly beside me. It picked its head up from the grass, sniffed my cheek, looked at me for a moment then scurried off into the woods.

I’m not a religious man at all. I believe that fawn was my son telling me he was ok. It was the craziest thing. However, that incident as well as my son’s statement definitely saved my life.

I’ll say this—the phrase “over-protective” is ludicrous. There’s no such thing. It’s equivalent with the phrase “guaranteed time.” Both are very fictional. Never EVER take anything for granted. My friends, please listen to me when I say to cherish every moment, because in a moment, they’ll all be gone.”

Shifting from the darkness into the light of this new era, we asked what film genre he favors working within. And about some of the other actors or directors he’s collaborated with who have left a mark over time?

“My favorite genre is definitely horror. But not for the reasons you may believe. With Horror roles, you have complete freedom. Your character can be as crazy as you are willing to take him or her. There are no limits or restraints vs. acting in the role of a western sheriff etc.

I’ve had the honor of working on projects with Jake Busey, Lee Majors, Tom Sizemore, Victor Gelsomino, Colin Haig Jr., Kasey Bass, Josh Peri as well as several other very talented actors.

They have become very close friends of mine and I love them all dearly.

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Next, we moved on to sources of inspiration.

“This one is hard to answer. I believe my greatest influence comes from my kids. To hear my kids tell me I did a great job or, “wow dad, that was awesome!” seriously fuels me to want to take over the world.

If I had to name actors who influence me, I would have to say Al Pacino, Robert Deniro, and Danny Kaye.” So basically, three of the all time greats! “They all bring a different brand of energy that we as actors could, SHOULD be learning and integrating into our own wheelhouse of knowledge.”

What about themes—what has been the status quo for you thus far, and what themes would you like to touch on as your career advances? “My “look” has definitely had me cast type as the bad guy. And that’s fine simply because I enjoy that. I would like to do more outlaw westerns. Being the underdog yet still triumphant over the greatest of odds. That I would very much enjoy.”

As a storyteller myself, I’m actually surprised a writer or director hasn’t approached Chris to embody an unlikely hero with a dark past, a defender of those in need, or a wise and endearing wizard or alchemist!

He’s a beautiful bearded bloke with an easily dramatized aesthetic. *Hint hint*—any takers, Hollywood?!

We asked about ‘the bigger picture’. Do you plan to do anything creatively with your acting or filmmaking in order to help ignite real change? “As far as changing the world goes, I would like to believe that just maybe I can change an individual’s world two hours at a time. Sit down, relax and watch my movies.

Escape to another place of bewilderment and amazement with me! Even if for only a few short hours.

That’s how I choose to change the world.

Two hours at a time.”

Living in the After…

As for what comes next, Chris tells us, “I hope to travel the world. IF I am so lucky, I will do my best to spread hope. I’ll share my story with as many people as I possibly can. I want the world to know that there is light at the end of the tunnel. You may not see it, but it’s there. Reach down, grab some dirt, grit your teeth and FIGHT! You WILL make it!!

BUT, only if you want to.”

That’s a strong takeaway. “My advice [to those considering a career in the film industry] would be this. BE A SPONGE! Listen to those around you.

Respect your elders. There is ALWAYS something to learn. I don’t care if it comes from the shortest guy on the totem pole—Listen! Never behave above anyone on set. EVER! Do this and you’ll be fine.”

For our readers who are interested, Chris shares, “my book, Endless September, is available now on Amazon. I have a new movie being released on Netflix in a few months called “Rent a Room”. I have several others scheduled to be released later this year on Amazon Prime, Tubi, and Paramount Plus.” You’ll definitely want to follow this man’s journey. We certainly will be. You can also follow and connect with Chris Todd Durban on Instagram @christodd_actor .

As a poignant and touching final note… “To my kids; everything I do, I do it for you. I hope to make it big one day. Not for me, but for them. They are my entire world. I hope that one day when I’m far gone, they can and will look back and say that I was a good dad. Sure, I absolutely LOVE acting. But my hopes and goals are to be remembered as a man who loved his beautiful children unconditionally.”

We can see it and feel it.

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SISEKELO SHAWN SIBANDZE

RECORDING ARTIST, PRODUCER & SONGWRITER

SISEKELO SHAWN

The Kingdom of Eswanti journalist K. Day Gomez

THE RUNDOWN 21 year old Sisekelo Shawn Sibandze is a notable Swati rapper, producer and songwriter born hailing from the Kingdom of Eswatini.

In 2020, Shawn’s single release ‘Live Life’ earned him a spot at the Top 20 of the MTN Bushfire Contest. Later that year, another of his singles titled ‘Guidance’ featuring various local and international artists was nominated for Best Hip-Hop song at the SWAMA’s. In 2021, Shawn founded his own company—Mateo. He has since performed with Grammy award-winning composer, Rendition, at The Kitchen in 2022.

On the technical end, Sisekelo curates experiences and emotions into his music. He performs regularly with a band consisting of a DJ, a drummer, two guitarists, a pianist, and four backup singers.

BACKSTORY At the tender age of ten, Shawn’s music journey began. Shawn first learned how to express himself through lyric writing while in the fourth grade. Fast-forward to five years later, he released his very first single, performed that single at a school competition, and earned himself a bronze medal.

Slowly but surely, Shawn was beginning to make a name for himself. During his high school years, he not only worked toward being a rapper and songwriter, but also ventured into learning and implementing song production. Aside from his love of music, Shawn moved into music production with the intention of creating the sound he had been looking for—a sound that would match his unique style of music. By 2021, Shawn began his singing journey from a vulnerable place, after having experienced heartbreak.

Growing up, he was exposed to a vast array of musical genres delivered by present-day music legends; namely Celine Dion, Lil Wayne, Kendrick Lamar, boy band Westlife and Tyrese. Young Shawn had a taste for Soul, RnB, rap, hip-hop and pop, and that taste continues to live on in his own music.

The entirety of Shawn’s music can’t easily be

described in few words, simply because he has a colorful discography. He is no stranger to experimenting with new sounds, sampling, voice play, and stepping out of his comfort zone regarding his lyricism. His music often pivots between moody and heartfelt to playful, interactive, and groovy.

“Anyone can be an artist, but very few can be remarkable.” His favorite quote is also his motto. For Shawn—a rising music artist with the brilliant ability to formulate and alchemize moods into songs like few others in the current industry—his biggest fear is being like everyone else. Though he shouldn’t be concerned. From his captivating voice to his pensive lyrics and colorful soundscapes, Sisekelo defies not only musical standards, but expectations of how he should be as an artist, let alone a man. “I want them to experience and live in the music for a moment.” A space outside of time and external disruption.

As an added layer of his multidisciplinary nature, he enjoyed the art of drawing before he fell 137

in love with songwriting. As a child, Shawn “used to draw a lot.” He continues to paint beautiful pieces, also through his music. “In that, everything came together” for him.

THE INTERVIEW We sat down with Shawn to share with us his full story, taking us all the way back to the beginning.

“I was ten years old when I first took interest in songwriting and the art of music as a whole. At that age, I didn't really know what I was doing so it allowed me the process of being a beginner to transition to becoming a good artist through research, practice and repetition.” We asked if he incurred any obstacles along the way, to which he replied, “not so much—I was young so it was all fun.”

In regard to family and the reception he received early on, Shawn told us, “I did have a strong support system, especially from my mom. There was a bit of concern expressed from her side because of how the music business didn't seem lucrative in our country at the time. We had a few conversations about it which were overall productive, as she supported and trusted the decisions I made which made the process so much easier.

Over the years, the family has and continues to express how proud they are of me and my career.

They show support the best way they know how.

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For instance, when we have a show, they'll buy the tickets and ask their friends to do the same. If we roll out merch or release music, they share, they present my name in rooms filled with opportunities, and help me get up when / if I trip and fall.” It’s the kind of family unity we all hope for.

Getting technical, we talked instruments. “My voice is an instrument. I'm learning to play the piano, and I enjoy expressing myself through music.

So the idea of being a multi-instrumentalist fascinates me, hence my interest in learning how to play every instrument I can lay my hands on.” We’re confident that if he continues to approach learning the same way he has applied himself thus far, there’s no limit to what he will be able to do.

We then asked him to walk us through his typical songwriting process. “I tend to notice something— an experience from my life or a person of interest— that I take note of in my head. Then later on, an idea will spark based on that. It could be a lyric or two, possibly a melody with no words. Usually happens at random times and places. Then, I take my iPhone, open voice recorder and start recording that sketch.

Once I have the concept down, I head to the studio and elaborate on those ideas through songwriting and see how much of the emotions I can capture.

Most of my songwriting is based on real life experiences, then some of it is experimental "whatif's.” So, what about themes?

“Love is the focus topic in my music. I explore themes surrounding that, like learning to love oneself, how to express and receive love, be it

relationships, family, self-love. At the moment, I hope to cover and express myself more within these love-based themes.”

Of course, it wouldn’t be a true-to-form PEPPER article if we didn’t ask the important question surrounding making an important impact on social issues in the world around him.

“Everything keeps changing, for better or worse, and I hope to see people around me believing more in their truths, than living in someone else's truth. Then, for those who have similar visions uniting to solve problems they identify, hence solving the world’s problems and making it a better place.

I wish the locals, my people would recognize and move more with love, because I notice they have a lot of it to give. In summation, I wish people would draw closer to the truth.”

WHAT‘S NEXT “My goal, is for my career to help me cross borders internationally, and grant me access to high value people and rooms that I wouldn't have access to otherwise.”

The music industry is one of the most well known institutions for which the old adage “it’s not what you know, it’s who you know” most definitely applies. And for better or for worse, Sisekelo Shawn has determined to make his own seat at the table—to be “in the rooms where it happens.”

As for advice to others who are seeking a career in the music industry, Shawn suggests, “find your way to be at the top of the food chain. A wise king lives longer.”

Currently he’s engaged in an impactful project. “I'm big on collaboration, especially if it benefits both parties. I'm working towards more international collaborations. At the time of writing this, I have a pending E.P. with Felix and a few of my German friends who are in a band. What’s exciting is I'm starting to travel more because of music bookings and collabs —not only for that, but business in general. I'm also rolling out another project titled "Under The Sun" which features international acts (United Kingdom, Germany, etc.) and local ones too. So expect more music, more videos, more fun.”

Readers can become a patron / fan online, and also engage with Shawn directly. “Find me on Instagram @sisekelo_shawn —It's where I show more of my personality and connect with people.” He also keeps up with his latest news and collaborations there. You’ll even learn a little more about him.

“Outside of the music, I'm an entrepreneur and a businessman.

I currently run a creative agency: Mateo. We collaborate with different creatives across the globe helping them get a step closer towards achieving their dream. We diversify by working with different creatives from across industries—from Music, Modeling, Art, Photography and Videography, e.t.c. Our Instagram handle is @mateo.bambi .” As for PEPPER Magazine, we’ll definitely keep in touch.

Victor Wembanyama, Los Spurs & a Little Magic

Featuring artists Natalie Villarreal & Nik Soupé journalist K. Day Gomez San Antonio, Texas

For anyone who ever wondered if magic is real, look no further than the SA Spurs “probable” acquisition of 19 year old French basketball player, Victor Wembanyama (‘Wemby’).

The “magic” is more of a real life manifestation story wherein muralist and fine artist, Nik Soupé of Los Otros Murals, took a gamble on his belief in the basic law of attraction with complete faith that painting a mural of Wemby in a Spurs uniform at Rudy’s Seafood would actually work. And it did. [see right].

As stated by Soupé PRIOR to the draft lottery : “Victor Wembanyama ‘Wmby’…At 7'3"-ish rocking offense and defense! He's looking to be a solid franchise player!

What are your thoughts? Think he'll be wearing a Spurs jersey?”

It’s a story you have to see to believe, and one of those rare cases where the truth is stranger than fiction.

Enter this colorful celebratory illustration work by artist Natalie Villarreal, a true Spurs fan and local creative designer.

As stated by Nat : “When I tell you I watched all those videos on repeat yesterday of my fellow citizens, so emotional because…the way we love our SPURS. I feel so lucky to be a part of our generation’s SPURS era. From the dynasties of Robinson to Duncan, all led by our POP-ioneer. From Johnson to Manu to Parker, we’ve witnessed SO much GREATNESS. Not only greatness on the floor, but greatness in charity, in community, in camaraderie, in just plain humanity.

Time and time again, Pop leads groups of GENTLEmen that always make us SO proud. And at the end of the day, make us feel like they’re just fellow citizens of our San Antonio community, just wanting the same good things all of us want. When we say Welcome, Wemby, it’s obviously an understatement—hence the fact that our initial reaction is to “get in the car, we’re going honking” Damnit, I love this city. Our love runs sooo deep for black and silver.”

San Anto is thanking the gods, Yahweh, or Spurs Jesus right now and looking ahead to this bright new generation of players.

Her Crown SINENKOSI MSOMI Mbabane, Mpolonjeni

ARTE Y PASIÓN PRESENTS

CONTRA | TIERRA Professional Flamenco Dancer & Director Tamara Adira with special guests El Caballero & La Nerea

San Antonio, Texas journalist K. Day Gomez photographer Mia Isabella

Arte y Pasión proudly to presented CONTRA|TIERRA in February 2023 at The Brick at Blue Star Arts Complex in San Antonio, Texas.

“CONTRA|TIERRA is a teatro flamenco production featuring renowned artists El Caballero and La Nerea from Madrid, Spain. The project features Tamara Adira, singer La Memphi, and Jose Manuel Tejeda.

CONTRA|TIERRA is a play on words that expresses the musical description of hitting the beat on either the accent of music, or between the accent. Flamenco, in addition to being an improvised art form that is musically captivating, is highly mathematical, and demands analysis at all times.”

This was further illustrated by their use of the Fibonacci sequence as projected onto a natural canvas backdrop and the dancers themselves during the performance. In mathematics, the Fibonacci sequence is a sequence in which each number is the sum of the two preceding ones (1, 2, 3, 5, 8…).

“El Caballero & La Nerea are both young

rising masters in the flamenco scene of Madrid, Spain, performing in such tablaos as Torres Vermejas, Cardamomo, and Café Berlin, with such artists as Alfonso Losa, Concha Jareno and Nino de los Reyes. These artists are at the vanguard of flamenco today in Spain.

Arte y Pasión, led by Tamara Adira, is a company known for pushing the boundaries of flamenco and Spanish dance, and one of the most contemporary flamenco companies in the United States, whose mission is to share, promote and develop the authentic art of flamenco as a vehicle of healing and restoration, and the promotion of human rights and equality. The company engages regularly with acclaimed flamenco artists from Spain, France and around the world, via mentorship and coperformance, exploring artistic evolution and specific subject matter to elevate the purity of flamenco to an electrifying theatrical event.”

The Artist Foundation of San Antonio called the work of Arte y Pasión, “Breathtaking…an experimental art form that is rooted in authenticity.”

With the preservation and support of the City of San Antonio Department of Arts & Culture and its nowofficial 501c3 nonprofit status, the organization 147

led by Tamara Adira continues to grow, to flourish and to bring important messages through ethereal dance, music, singing and visual art performances directly to the public.

Tamira has worked tirelessly since the organization’s founding 14 years ago in 2009 to bridge the poverty gap in the arts and make the finer performance arts accessible to the commonwealth. In our first interview when we met in 2017, when I was just a seasoned journalist gathering my own human interest pieces, tired of working for exclusive and restrictive publications, Tamara said, “Art is for everyone. Everyone should have access to see…what we’re doing,” further emphasizing that, “art is a great connective agent of our collective histories.”

This rogue approach to radically immersing audiences of the community in the full throws of passionate raw energy of this extremely meticulous and technical form of artful dance has made Arte y Pasión the first of its kind in the United States to curate such an offering. “The measure of any society or culture is the arts it produces. San Antonio continues to grow as a cultural city, supporting the growth of experimental works and the avant garde while nurturing the roots of the traditional.

Our work dwells at the intersection. San Antonio is at a critical stage of growth, making this a crucial time for artists and makers in the City : Arte y Pasión has had a direct hand in shaping San Antonio’s cultural identity as the City develops on the national and international stage.

While the company is comprised of flamenco dance, guitar and flamenco singing, Arte y Pasión is known for having weaved into its artistic vocabulary disciplines such as modern dance, violin, cello, opera, spoken word, fine and performance art to generate juxtapositions and contrasts. The company engages in cultural and artistic exchanges on an ongoing basis with acclaimed flamenco artists from Spain, France and around the world, enabling us to improve our craft. The result of our work is flamenco and performance art with a message: our performances are imbued with meaning and human significance.”

This makes everything the company produces categorically ‘artivism’— that is, activism which is achieved and delivered through various art mediums. Adira has always held transparency in high regard, breaking down their principal topics for the public : “Human Rights and Civil Liberties, International Peace, Race / Intergroup Relations, and Restoration of the Individual.”

CONTRA|TIERRA was, “A production about the beauty in the math of flamenco. With Tamara Adira, La Memphi, Jose Tejeda and special guests El Caballero and La Nerea.” And it’s a production that Tamira does intend to showcase again over time. As for this inaugural performance cast, Tamira beautifully explains the careers and cultural contributions of each master who participated. “El Caballero began his studies of flamenco in one of the most consecrated places of flamenco in Spain, the Amor de Dios Studios. He received classes from teachers such as Antonio Reyes, Alfonso Losa, Carmen Cortés and José Maya. He is a figure in the current flamenco scene, where you can enjoy his art in Tablaos Flamencos of Madrid, Barcelona, Valencia, in venues such as Cardamom, Cate Berlin, Casa Patas, and Café de Chinitas. He performed in Carlos Saura's FLAMENCO INDIA and made his debut in the United States in the production with Oliver Rajamani's famed company Flamenco India.

He is invited as a featured soloist and teaches courses nationally and internationally. In Spain, he is an instructor at the internationally famed Flamenco Institute "La Truco", Casa Blanca Flamenco, and Candela School of Bilbao. He has participated in major productions such as "Flamenco India" by Carlos Saura and "La Gitanilla" by La Compañía de Carmen Cortés. He has performed in such festivals as Festival de Jerez and Almagro Festival.”

La Nerea, she explains, “is a young dancer from Madrid who finished her studies in flamenco and Spanish dance at the Royal Professional Conservatory of Mariemma Dance graduating with Honorable Mention.

She specialized later as a dancer with the La Truco Flamenco Institute and in Amor de Dios. She formed part of international tours with LARREAL at the International Festival of Contemporary Iberian Dance. In addition to touring through Baltic countries and Russia, she has worked in such tablaos as Cardamomo, Torres Bermejas, Studio 4 of Amor de Dios, and la Guarida del Angel.

Nerea has been part of the quarry of Estévez and Paños Cía, understudy for bailaora Concha Jareño at Companía Alfonso Los and currently she is part of Companía María Pagés in her new production. She received the third prize of the Foundation Cristina Here and the City of Castellón in the specialty of flamenco.”

Internationally sought-after vocalist, La Memphi sang throughout the performance, providing the storytelling narrative for the production. “La Memphi is a unique combination of musician, recording artist, producer, arranger, songwriter, and flamenco artist (singer and dancer). Born in Toronto, Canada, she has toured, taught and collaborated extensively across Canada, USA, Mexico, Spain, Colombia and Guatemala.

Her original album "Where I Rest" has earned her numerous accolades including two consecutive invitations to attend Boom Bogota Music Market (Sony Records, Warner Music, Rhythm Foundation), a CBC Radio Canada Live concert as well as a spot as semi-finalist for CBC Radio Canada Search Light She is the recipient of two consecutive scholarships granted by The Vancouver Foundation which enabled her to move to Sevilla, Spain in 2004 and attend the world renown Fundacion Flamenco Cristina Heeren. Throughout the years she has had the privilege of studying with some of the most prominent figures in Flamenco (Joaquin Grilo, David Hornillo, Sonia Miranda, Isabel Bayon, Fuensanta "La Moneta", El Farru, Olga Pericet, and Milagros Mengibar).”

Guitarist Jose Manuel Tejeda provided the musical element for CONTRA|TIERRA. “Jose graduated from The University of Arts (ISA) in his native Cuba in 2007, with the emphasis on classical guitar, guitar instruction and professional solo guitar performer. After thirteen years of classical guitar training with Master Guitarists: Bernardo Hidalgo, Rolando Morales, Alejandro Coira, Francisco Rodriguez (Pancho) and Martin Pedreira, he began to focus on flamenco and took flamenco master classes with Spanish guitarists Alfredo Lagos, Andres Martinez, Paco Cruz, Pascual de Lorca and others. His passion for all musical genres brought on his studies of jazz, Brazilian, Argentinian, Mexican, sephardic as well as a multitude of other Latin music styles.

José moved to the United States in 2012. He is currently a member of the world music band ATASH. With Atash, he has had the opportunity to record on the album Everything is Music. Atash has had the opportunity

to perform in different theaters in Hawaii, California, Washington, Chicago and most recently at CARNEGIE HALL in New York.

human rights and equality. Tamara provided direction for and iperformed in CONTRA|TIERRA as part of the Arte y Pasión Winter Series 2023.

José is also a member of the Flamenco company A'lante Flamenco, from Austin. With A'lante he has been part of important productions such as The Red Shoes, Quintaesencia, Desplazados, Snapshots: New World Flamenco, Sabor Flamenco and Juana: First (I) Dream, Amor Fati and Procession. These shows were performed at the Long Center in Austin, San Antonio, the Mississippi Museum of Art and other important Theaters in Texas.

When first announcing the show, Tamara shared, “This will be La Nerea's FIRST TIME in the USA. I want to give her a warm and wonderful welcome. These two artists are among the best of the best in Spain and represent the best of Madrid.”

“Tamara has conceived, produced and performed artistic direction for over 30 theatrical flamenco productions between 2010 and the present. Through Arte y Pasión, Tamara Adira has nurtured the connection between San Antonio and Spain for over a decade. Through her efforts and dedication, Arte y Pasión has brought flamenco artists from Spain to work with American artists since before 2010, fostering the continued growth and evolution of the art of flamenco in San Antonio and greater Texas.

For her work for social justice, Tamara was recently featured in "Valiant Women Then and Now," a photo exhibit and biography celebrating women, inspired by the book "Revolutionary Women of Texas and Mexico: Portraits of Soldaderas, Saints, and Subversives." She has was recognized by Eleanora Magazine as one of the "Top 50 Women to Watch in Texas." She is 2015 winner of the Artist Foundation of San Antonio Department for Culture & Creative Development award for "Original Choreography" and 2010 winner of the Artist Foundation of San Antonio Bernard Lifshutz Award for "Original Theatrical Production."

As for the director herself, Tamara Adira is a dancer, choreographer, and founder / Artistic Director of Arte y Pasión, which is, as we have learned , a Texas based nonprofit company whose mission is to share, promote and develop the authentic art of flamenco as a vehicle of healing and restoration, and the promotion of

Tamara is known for her work shining light on human rights issues. In November 2022, she premiered her original production MERCURIA on the impossible choices women must make, under the mentorship of the great Belen Maya. In March 2022, she directed the production "Confluencias" which bridged the gaps between flamenco,

Jose is also a working guitar teacher. He is also working as a soloist and duo performer. He collaborates with different music bands and flamenco companies based in and out of his hometown of Austin, TX.”

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Spanish classical, and American soul in a collaboration with artists from Madrid, Portland, and San Antonio Poet Laureate Andrea Vocab Sanderson in a dedication to the people in Ukraine. In 2021 she made Grito de los Arboles, her first full-length flamenco film, in response to the pandemic.

This project would mark a pivotal change in Tamara's work, now with distanced performances presenting the opportunity to create film, and bring together artists from San Antonio, Spain, France, Los Angeles, and New York. The film was selected by the Montreal Independent Film Festival.

She was handpicked by Ballet San Antonio to solo in Don Quixote in March 2022, as well as provide instruction in Spanish movement and anatomy for the corps de ballet. She has collaborated with such organizations as Luminaria, DreamWeek, SOLI Chamber Ensemble, Oliver Rajamani's Flamenco India, Wayne Holtz's opening for Big Freedia, and Poet Laureate Andrea Vocab Sanderson's Bad Mama Jama Mixtape, and performed for such dignitaries as Ron Nirenberg and First Lady Erika Prosper, Wendy Davis, Joaquin Castro, Julian Castro, and a Presidential Rally for John Kerry. She has appeared in such programs as America's Next Top Model.”

Notably, the organization plans to continue striving forth in its humanitarian mission, bringing the beautiful, empowering cultural art of flamenco to eager patrons and students for decades to come.

DECOLONIAL CORNER WITH AUTHOR, EDUCATOR & RESEARCHER

BRIAN MASEKO JOHANNESBURG, AFRICA

ECONOMIES OF UBUNTU

+ ACCOMPANYING IMAGERY BY CONCEPTUAL ARTIST & PHOTOGRAPHER SINENKOSI MSOMI

The philosophy of Ubuntu is a Southern African Philosophy which was developed by the Bantu people since the time immemorial.

The word Ubuntu is derived from a Nguni word ‘Umuntu’. In Mandela’s explication ( 2006: xxv) Ubuntu can be described as the capacity in an African culture to express compassion, reciprocity, dignity, humanity and mutuality in the interests of building and maintaining communities with justice and mutual caring. One of the most eminent proverbs in Ubuntu is the articulation that “umuntu ngumuntu ngabantu”, meaning “I am because we are and we are because I am.”

shenanigans.

In this philosophy, committing an injustice is far worse than suffering an injustice since Ubuntu contains a high degree of conscientiousness.

Therefore, it is assumable that one who does wrong regrets for their whole life.

This concept is best explicated by Tutu (2004; 5) when he asserts that :

“none of us comes into the world fully formed. We would not know how to think, or walk, or speak, or behave as human beings unless we learned it from other human beings. We need other human beings in order to be human”.

This philosophy explains how individuals should develop in relationship with the community.

Ubuntu means human generosity as well as humanity. Under Ubuntu, children are never orphans. This means even if the child does not have biological parents, they won’t realize it because of the surrounding. This approach facilitates human development as every child is awarded the opportunity to gain assets such as education in order to penetrate the market and break the poverty shell.

Leaders believing in Ubuntu as a philosophy listen to views of the people they are leading. They also tolerate and accept others without being forced by the circumstances. In such communities, sharing is not just based on the market share or profit-driven, but it is genuine sharing driven by care.

In this philosophy, people look at others as themselves regardless of gender, tribe, race or any discrimination ground, thus promoting the concept of sameness. In this perspective, development occurs collectively, individuals do not strive to develop themselves alone but the society as a whole. Integrity and unselfishness are at the center of this philosophy and they guide leaders by questioning their conscience whenever they are participating in undesirable activities such as corruption and other

One of the great economic contributions of Ubuntu is ‘Amasiso’, which means lending someone livestock. Usually cattle are mostly landed amongst other livestock. Here the person who was borrowed cattle will look after them. They will also derive the benefits, such as using the cattle for farming, milking as well as using the manure from these cattle as fertilizer for their plants. For that particular period of time, the one who has borrowed behaves as the owner of those cattle.

At the end of the process when the owner has to collect their cattle back, usually the number would be added as they multiply year in and year out.

Then, some of these cattle will be given to the 155

person who has landed them.

Such economic interactions closes the inequality gap and eradicates poverty in the community. There are numerous businesses emanating from Ubuntu as means to develop the domestic economy and encourage economic growth.

One of the best examples is stockvels.

Apart from business ideas, ethics in the working place, businesses and other community interactions emanate from the philosophy of Ubuntu. Ubuntu promotes peace—this allows business partners to work together. It also allows businesses to grow faster. Under Ubuntu, workers are able to work together without violence or any misbehavior. It encourages unity, which in turn provides psychological and physical security for shops. The community members can’t steal from the shops in their community because Ubuntu makes them understand that such shops are theirs since they indirectly benefit from them. This is promoted by the Nguni phrase “okwami okwakho, okwakho ngokwami”. That’s revealing a high level of sharing and taking care of each other’s property as If they collectively own it.

One member cannot pass by when they encounter the other one stealing. Instead, they will take a legal action. It automatically blocks the corruption ideas. This grows the economy. For instance, in the tender system, fairness will be awarded under Ubuntu.

Ubuntu does not allow nepotism and bribes. Isintu, provides traditional medicines which is free. This in turn accelerates economic growth since households would then shift expenditure to other goods, thus increasing demand. In return, it would call for increase in supply. The results would be domestic economic growth.

One detects gigantic contributions of Ubuntu in the education sphere as it provides intrinsically driven discipline to learners. It improves genuine sharing of knowledge. It brings in unity, peace and smooth cognitive development. It allows learners to achieve goals since they are working as a team.

One concludes that, even though we are now in a different epoch, our identity has never changed.

We are still “Abantu” and adhering to the philosophy of Ubuntu might play a significant role in developing the underdeveloped nations of the Global South.

HUMANS OF

SAN ANTONIO

SAN ANTONIO, TEXAS A Unique Visual Essay as told by photographer John Hendrick.

San Antonio San Antonio is a city I never thought I would call home in my wildest dreams. Yet here we are.

San Antonio, Texas has welcomed me with open arms. I have only been in SATX for over three years, and I have had so many opportunities presented to me. I felt that being from NYC would cause SATX to accept or reject me, and I wasn’t sure how things would play out. But it has proven to allow me into its creative circle.

This article is an excellent example of how it’s been for me here. Now, of course, it all ties into my camera and the fact that I spend all my days walking around this fantastic city.

Throughout this article, I hope to take you on a journey of my time here and the many places this city offers. It all started when I was taking pictures at the Historic Pearl, and I asked to take a portrait of a local artist @Trebla_Art (Albert Gonzales), who was performing his live artwork.

The Pearl is an excellent location for you to stop by on weekends for drinks, food, or, in this case performing artists.

Little did I know, Albert had his gallery, Southtown Art Gallery, which he shared at the time with his wife (@CarolineGonzales_art, an artist in her own right), and how 158

that encounter would blossom into a great friendship.

Through Albert, it would be like three degrees of separation, and I would end up meeting and befriending so many local artists. He also invited me to have my first SATX solo show at his Gallery. Since then, I have been a part of many group shows, the Red Dot Exhibit at Blue Star Contemporary, and currently have pieces up at Vista Brewing SATX. Southtown is the melting pot of artists with many events to participate in or attend; you can start with First Fridays and work from there. I spend all my days taking pictures from 9am to about 1:30pm. A typical day for me, after dropping off my daughter at school, I get my morning coffee and chat with the gang down at Local Coffee at the Pearl before heading out; it’s my way of charging up. I walk along the river either toward downtown or the other way (my morning crossroads); typically, I head toward downtown. I have my spots that I like to sit down and observe, but for the most part, I walk around making images.

One of my highlights is walking past the San Antonio Museum of Art (SAMA). I love museums, and SAMA has some great exhibits, and the architecture of the building is impressive.

My most recent work is showcased in this article for the first time. One of the first things I noticed is that SA is a relatively small town. Due to the size of the city, I quickly saw

that I needed to be more creative in capturing images: especially iconic buildings and such. I struggle with making different images daily, but it adds to the excitement of going out. As you can imagine, taking pictures of the exact locations daily can prove challenging. Being from New York City and having traveled worldwide, living in places such as Italy, Spain, and Japan, I capture SA in a different light. I look at the city and make images that can change my perception of what I thought it would be.

If you asked me before coming to SA what I was expecting, I would have said, “landscapes, cows, cowboys, and greenery.” This is why I work so hard in color to showcase images of SA in a lively, colorful manner.

I am an extrovert and draw energy from people, so I love talking to people. I have met many people with my camera in San Antonio.

Just recently, I was taking a picture of a woman who stood out from the crowd (my typical muse).

When I approached her, I told her she had a look.

After talking, I asked where she was from, and during our conversation, she told me she was here for the show (it was Friday, the start of the 162

weekend). Naturally, I asked what show, and she responded with “Gloria Estefan, Get on Your Feet,” which was playing at the Majestic. Here is the crazy part: she was not just in the show but the Star of the show. And the Majestic is the perfect balance between rustic grit and modern cityscape for the inner parts of the city. Just another crazy moment of me and my camera in SATX. Make sure to follow Gaby Albo @gaby.albo on Instagram.

I would be remiss if I didn’t mention King William Historic District. You can escape to some of the most historic and beautiful homes just south of the cityscape. Great for Sunday strolls, walking the dog, or taking some scenic pictures.

The photo and creative community in San Antonio are great; I love hearing what others are up to and sharing what I know, leading to my recent endeavor. Amanda Dominguez (@amandadominguez85) at Digital Pro Lab (@digitalprolab *soft plug* the spot for all your photo needs) approached me to teach photography at the Southwest School of Art this past semester. This was my second semester teaching with them, and it has been terrific. Just another example of this city opening its arms. This

city has given me so many opportunities. I embrace any chance to teach, as I am sure some folks out there can attest.

Peacock Alley, murals on concert supports under the 35 (St. Mary’s and Elmira Street), murals across from bus stops (E. Houston St. and Navarro St., Kat Cadena), so much to see and capture… These images are just a glimpse of what’s out there, just enough to get you excited and eager to venture out.

So many people have opened doors for me or accompanied my photographic journey here in San Antonio that I would love to mention, but if you jump on my IG, you will find them there.

Thank you, San Antonio, —John

Corey Layne Photography Austin, TX coreylaynephotography.com • @coreylaynephoto

@sinenkosi_msomii • @latitudes.online • @afrikanizm_art

CONCEPTUAL ARTIST & PHOTOGRAPHER

SINENKOSI MSOMI Mbabane, Mpolonjeni

PEPPER no. 12 | May 2023

TALES OF MADEIRA

TRAVEL This series shows a colorful street photo-narrative made of individual curious finds in urban and rural settings taken in Madeira. It belongs to an ongoing project entitled “Tales” that presents places through the photographic fetishes of the author: his plastic people he finds in the shop windows, religious icons,

street portraits and food.

These are the same motifs that can be found in his travel and street series. Seigar always uses reflections and saturated colors to emphasize through the aesthetics his obsession for pop culture.

Tales of Madeira exudes tradition and local culture from a camp spy’s view.

“Where am I as an artist? This is a question I like to ask myself every now and then. These days, I’m significantly influenced by ideas I need to expose about current issues. I’m into questions, and defending what I consider are valuable human rights we should not lose. I feel collage and video art are the art forms that can convey this concern. And I would like to start exploring installation too for these matters.

I’m also into transmitting the message of the Latin phrase Carpe Diem. How? Showing my travel and street photo narrative! I have been to 41 countries, and I have a long wishlist! Visiting new places opens so many possibilities. And it enriches my views as a person and as an artist.

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passport. conceptual artist & photojournalist Seigar

TRAVEL The main lesson that I have learned during these trips is that there is no unique way, there are so many different lifestyles and options to live your life. However, at the same time, I have also realized we have more things connecting us than what makes us different.

First, the best path to live life can be something for someone and a totally different one for another person. Every day I value more and more the local, the regional, and the differences between what I find new or exotic on these trips and what I’m used to or what I know back home. I feel the Western vision of happiness is a closed concept that we should reconsider.

During my trips, I have also seen that even

though we are different the most important things in life connect us. I have realized most human beings are beautiful souls with so many good things to share with the world, and in fact, this picture I got through experiences is quite far from the image I get from the media about the world and its citizens.

It makes me question "Why?".”

SEIGAR —is a passionate travel, street, social-documentary, conceptual, and pop visual artist based in Tenerife, Spain. He feels obsessed with the pop culture that he shows in his works. He has explored photography, video art, writing, and collage. He writes for some media. His main inspirations are traveling and people. Seigar’s aim as an artist is to tell tales with his camera, creating a continuous storyline from his trips and encounters. He is

a philologist and works as a secondary school teacher. He is a selftaught visual artist, though he has done a two years course in advanced photography and one in cinema and television.

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He has participated in several international exhibitions, festivals, and cultural events. His works have been featured in numerous publications worldwide. His latest interests are documenting identity and spreading the message of the Latin phrase: Carpe Diem.

Recently, he received the Rafael Ramos García International Photography Award. He shares art and culture in his blog: Pop Sonality. popsonality.blogspot.com

FLORA

Photographer Liudmila Evstratova The quiet world of flowering plants.

Balkaria

• Instagram @kraftfitness & @bodybykraft • Website kraftfitness.com • Email shawn@kraftfitness.com

Fit to a T. WITH NUTRITIONIST & FITNESS EXPERT TINA SENA

Expert Health Advice Nutrition at any age, the best foods for all bodies.

Lifestyle Tips & Resources Links, great products and places to try.

Fitness Techniques Things you can try at home or at the gym.

Woman in the

Mirror Nutritionist & fitness expert Tina Sena

serving you or your family for that matter. Are we just taking care of our families but not ourselves?

This one is to all you precious Mothers out there. I’m going to get right to a huge topic that I have been having to address with many of my “mom” clients for the past 25 years. That is the discontentment with their bodies after bearing children.

Weight gain, hormone changes, postpartum depression, anxiety, mood changes, etc…etc…

Although I am very empathetic to what they are telling me they are feeling and going through, here is what I have said to them and I now say to you—Is it really your kids’ fault?

Think about that a minute. These children that you prayed for and ask God to keep healthy and safe are the ones who have put you in these terrible circumstances? Could it possibly be YOU and the way that you are living your life? Weight gain, hormone imbalances, depression, anxiety, mood swings… No one I know who is on a consistent exercise and healthy nutrition regimen (as well as vitamin supplementation) is experiencing any of this. Even the ones with children.

I have to shoot it to you straight because that’s just who I am. Ladies….Its time to take a hard look in the mirror and admit that maybe you and the daily choices you are making are really what is NOT

Over and over again I see women spinning their wheels and running to every quick fix, fad diet and pill. There are even injections on the market now that really don’t have any solid data to prove any long term effects they might have, especially negative ones. Why are we making it so difficult when all it has to be is simple?

Exercise at least 5 days a week. Consistently eat a healthy balanced diet. Take your vitamins. DO THE WORK! Don’t look for the short cut. Don’t NOT make yourself and your long term health a priority. Those children that you are blaming are looking up to you. They are following your lead.

Let’s lead them by example!

I have included a few pictures of me in this article that show you exactly what I am saying is true. I gave birth to my first and only child at age 36 and had gained almost 40 healthy pounds. The other picture is of me 14 years later after continuing to stay on a healthy exercise and nutrtion plan the WHOLE time. To be a healthy, positive role model for my daughter and even her

friends means the world to me. Please rethink your priorities this Mother’s Day and know that I am here to help guide you, encourage and motivate you in any way that I can.

Health and happiness,

Tina

Find Tina online at tinasenaofficial.org or Instagram at @tinasenaofficial

Tina Sena

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POUT MedSpa PA-C & Certified Injector • Bilingual Clinician “I help enhance your natural beauty.”

-Itxia Lee

@pout_itxialee

poutmedspa.com

Servicing San Antonio, TX

HEALING PRACTITIONER

ROMY NAVA

A MODERN MYSTIC

Spiritual Dimensions of

Technology

Spiritual Dimensions of Technology: Marvels of Healing Practitioner Romy Nava Innovation and Consciousness In this age of rapid technological advancement, it's easy to feel left behind, especially for those of us who don't have a formal education in tech.

But the truth is, you don't need a degree in computer science to marvel at the wonders of our modern world, nor to understand its spiritual implications. I, for one, have found profound spiritual growth in this era of innovation, despite my limited academic background.

Technology has always intrigued me, not because of its complex algorithms or cuttingedge design, but because of its power to connect us. It's like a vast, invisible web that links every corner of our world, making our global village 190

even smaller. Every day, millions of thoughts, ideas, and feelings are exchanged through this network, fostering a kind of interconnectedness that was unimaginable just a few decades ago.

To me, this interconnectedness is a spiritual phenomenon. It mirrors the concept of oneness, a central theme in many spiritual traditions, which suggests that we are all part of a larger whole. Just as each device contributes to the digital ecosystem, each one of us contributes to the spiritual ecosystem of our world.

But this newfound connectivity is not without its challenges. Our virtual interactions can

sometimes feel shallow, devoid of the warmth and authenticity of face-to-face communication.

Ethical issues, like privacy and misinformation, also present significant challenges.

Yet, these challenges can also serve as catalysts for spiritual growth.

They force us to evaluate our values, to decide what kind of digital citizens we want to be. They remind us that technology is merely a tool; its value lies in how we use it.

Moreover, the rapid pace of technological change can be a powerful reminder of the impermanence of life—a tenet that Buddhists, for instance, have long recognized as a path to liberation from suffering. In our digital age, obsolescence is the norm. Today's revolutionary gadget is tomorrow's antique. This impermanence can be unsettling, but it can also teach us to appreciate the present moment, to detach from material possessions, and to embrace change.

In my own spiritual journey, technology has been both a teacher and a tool. It has taught me about interconnectedness and impermanence, about ethical living and mindful consumption. It has also served as a tool for learning, meditation, and connection with like-minded individuals around the world.

In the end, I believe that the spiritual dimensions of technology are as profound as we allow them to be. It's up to us to approach technology with a conscious heart, to use it in ways that promote growth, connection, and compassion. With the right mindset, even the humblest smartphone or the most ordinary app can become a portal to a world of spiritual wonder.

POSITIVELY CRYSTAL

POSITIVELY CRYSTAL

Motivational Mindset Coach Crystal Lopez-Crebs

REMEMBER WHO YOU ARE We all have a past and we all have a future, no matter how old or young we are. Some of us have had many chapters in our books that seem like different lifetimes.

Yet, we are here in the present, all looking into the future that is ahead of us. And, we all have the power to create it. Have you forgotten that you have that power? Or are you just discovering what you have within you?

When I was younger I had many dreams to go after. I recently found my senior scrapbook. I want to emphasize that it is a physical book with photos and memories, and I am thrilled and grateful that it was one of my assignments to complete. I had forgotten some of the accolades that I had received and what imagination and creativity I had. The innocent and somewhat naive young Crystal had already started creating her life.

Reflecting on what I thought life was going to look like and what direction I wanted to go reminded me of the power I have to design my life. I know that I have that power and I use that power daily in my co-creation. It also made me think of all the new things I experienced when I left high school and embarked on a life in a different state, where I knew zero people. I had one of the craziest and wonderful chapters there. I was impressionable, adventurous, bold, and courageous. I went after what and who I wanted to be around. I took risks and chances, I got my heart annihilated and broken and also fulfilled and blissful.

All of the ups and downs of coming of age, the mistakes and the wins were all placed in my life at that time to mold me into the person I am today. And yes, I know that is cliché to say. I created all of it with the choices I made, decisions that were good and bad. I had to design those experiences for myself, along with what was written on my script.

Today, there are new things I am creating and new skills I continue to learn. At any age you can gain physical skills, mental wisdom, and overall life skills regardless of the past experiences and lack of understanding from your younger years. I thought I had a new mindset for my current life, and I’m discovering that it’s more of my own reflection of who I was—the determined young woman I was beginning to

blossom into—and I’m enhanced with the tools and life experiences I have had and continue to have.

As we get older, there seem to be more enormous fears that bind us from the imagination we all have. Past experiences paralyze the mind and body from going after what dreams we have forgotten. You have to open yourself back up, even if the environment you are in now wants to hold you back. Are you familiar with the crabs in the bucket and what they do to any crab that tries to get away from the group and climb out of the bucket? They grab that crab and bring it back down into the bucket. Some of you are surrounded by those crabs, physically or mentally, trying to hold you down. Don’t allow that to continue, you are stronger than that.

And, for those of you who are just at the beginning of the rest of your life, be open to taking some unexpected paths.

You have so much to experience. Have fun, and also do your best to have a clear head while doing it. The world is a completely different animal with the public life on social media that everyone sees. Make sure that you are happy and love yourself through all of the future experiences that will be woven into your book.

As you read this, remember not to allow your past experiences or lack of understanding hold you back from new opportunities. And, there will be many unexpected paths that can lead you, or may have already led you, to what you have been searching for. I’m here to dispel the myth that you are too old or too young to go after your dreams. Some of you have forgotten how to dream. Dig deep into your soul and find something from your past that reminds you of those dreams you had, and start imagining new ones. There are many more chapters in your novel that need to be written. Everyone needs to dream bigger, tap into the abundance we all have inside of us, continue to take the risks and persist in developing your story. Pay no attention to those who are the naysayers and get around the yaysayers. Where are you in your life right now? What chapter are you in right now? It’s not too late.

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Christine Nakra Professional Henna Artist Austin, Texas

journalist K. Day Gomez photographers Felicia Reed Photography, Corey Davenport and Michelle Holloway

“Hello! I’m Christine Nakra, the owner of Mind Body Henna.

Austin has been my home for over 21 years. I’m known to bring henna to the next level by offering an entire henna experience coupled with henna education. I'm known in Austin for my signature henna style that I bring to parties, events, private studio sessions and henna classes. By taking the time to get to know each client, I’m able to customize all designs that compliment their style.

When not working as a passionate Henna Artist, I love spending time with my husband, two teens and friends. I love swimming, hiking adventures, and weight lifting (because artists sit a lot!).

I'm on a mission to continue to educate the public about henna and skin safety and to bring about more awareness that henna is an art form that can be worn by everyone.”

The Woman Behind the Art Professional henna artist Christine Nakra is refreshing the custom of henna by bringing it to the hip modern urban populous of Austin, Texas.

The gorgeous 50 year old has made a name for herself through her unique expression while honoring traditional elements of the ancient art form. She took time to share her story, starting from the beginning.

“Henna was something that was introduced to me through my husband’s culture. We were married in his native India in 2001 and the traditional henna ceremony was a part of our wedding festivities as in any Indian wedding.

Needless to say, I was completely taken by the beauty, meaning, and ritualistic practice of wearing henna for the first time as a bride. I never forgot the feeling that it gave me. It still stays with me to this day which is why I do what I do. However, now I do the art of henna for “no occasion necessary” reasons.”

Being a newcomer to the culture from whence the practice of henna is derived, we asked what her family thinks of what she does for a

living. “My husband has always been supportive of my pivot in becoming a henna artist. He knew that I always loved wearing henna and encouraged me to switch gears from being a Pediatric Speech Pathologist to deep diving into learning the design, history, and science of making henna paste.

Extended family members have also been supportive. I think all of my family is a little surprised that I’m still building the business and achieving many milestones of success while establishing myself as one of the top henna artists in Austin.”

Getting down to the establishment of her self-run business, Christine tells us, “Mind Body Henna was officially launched in January 2020 and we all know what happened after that— Covid. It was a definite stop-start and very confusing situation and one that I could’ve never anticipated. With the encouragement and sometimes tough love of my business coach, I kept moving forward and Covid wasn’t going to slow down all the progress that I was making.”

Christine’s is not the first story we’ve heard when it comes to businesses ironically birthing from the beginning or mid Pandemic. But it is one of the first I’ve heard that relies on direct skin to skin touch. The fact that she was able to overcome the inherent obstacles of that time and is now flourishing speaks to her own resilience and determination as a business

woman. There is so much more to Christine Nakra than first meets the eye. The same can be said for her brand.

“What makes Mind Body Henna different from other henna businesses is that I spend a lot of time educating my clients about henna. People are so curious about henna in general but know very little about what it actually is (a plant with its own natural dye within the leaves) and how it safely and temporarily stains the outer skin layers for 1-2 weeks. Clients love learning about this process from an expert and it also puts them at ease that it’s not only safe for the skin but has health and healing benefits too.

Natural henna is the kind handmade by the artist and the only kind that is skin safe. Many people don’t realize that henna should never be bought online or in stores because it’s a perishable product. Store bought henna is toxic to the skin. I also let people new to henna art know that—yes, anyone can wear henna for any reason.

Henna is a feeling of inclusiveness for celebration or everyday wear for everybody. Many women often question if they “should” or if they’re “allowed” to wear henna out of respect for the cultures native to it. And the answer is YES! Henna is available to everyone and absolutely no occasion is necessary.”

These are all insights completely new to me. I too was under the false impression that those outside of the Indian or Hindu culture were not welcome 197

to wear or experience it. Learning this makes me realize how inviting and inclusive it actually is.

This led me to wonder who typically comes seeking henna? “For me, there are typically two types of clients that frequent Mind Body Henna.

One is a woman anywhere from age 30-55 who is seeking a self care / beauty treatment for no occasion whatsoever other than to feel good in her skin.

The other is a woman in the same age range who is looking to celebrate herself or one of her closest friends and her inner circle. It’s usually for a special occasion or ladies’ night coupled with deep friendship connections, intertwined with lots of love and laughs.”

We asked about the bigger picture, from Christine’s experience and point of view. “I absolutely love the behind the scenes of how

helpful and compassionate the global henna community is. There are henna artists from every continent who have formed friendships with each other over the course of their artistic journey via conferences, online classes and social media platforms.

It’s brought me life long friendships as well as the sharing of knowledge about design, technique, paste making, and business strategies. The unconditional support to keep pushing each other to grow as individuals as well as business owners is something that I never expected to gain from this business experience.

Locally, I would say that I’m part of the change of what a professional henna artist business currently looks like. Along with having two studios for private sessions and being a top artist in the party and event scene, other local businesses, corporations and event planners are beginning to see and acknowledge the value that henna artists bring to their own clients.” That is the type of change we can get behind!

Deep Dive Christine opens up about the deeper elements of what the process of learning and wearing henna has done for her as not only an artist, but as a human being.

“Dabbling in doodling and with henna eventually became my way of overcoming negative body image and healing from childhood sexual traumas. It helped me to feel safe in my own skin and allowed myself to be seen by others as I wear the beauty that henna holds. It gives me self confidence and it’s a comforting friend.

I never intentionally set out to become a henna artist. I never took an art class or had any artistic background before deep diving into learning everything that I now know about henna. I was 44 the first time that I tried to draw a henna design.

This is why I so strongly believe that a person can become and do anything they want regardless of their age, if they believe in themselves and are also willing to continuously fail, get curious and get back up to keep learning. The best time to start is before you’re ready and go into it with child-like wonder to play and explore without expectations. Minutes a day of practicing something new can become your new playground and set your creativity free.” That is deep wisdom.

“We are all were born with a creative life force. It’s our responsibility to reunite with it to come back home to ourselves.”

We asked about her ultimate goal moving forward? “This is an easy one. I actually have two goals.

One is to bring about more awareness to the art itself through education. In general, people are still learning about what henna actually is and why they need to know the difference between natural henna (hand made by the artist) vs. unnatural henna (store bought and full of toxic chemicals). I’ve begun teaching classes at my studio and am working on collaborating with public libraries to teach as part of their events calendar. I want the general public to be empowered through education 200

about henna safety enough to know and identify if natural henna is being used on their skin or not.

The other goal is to continue to use henna as a way to help women feel comfortable in their own skin. It really does give people a special feeling, raises their energy and helps them to feel great about themselves.

When someone allows their skin to be decorated it’s as if they’re saying to themselves “I see you” and “I’m good in my skin—as is”.

I can’t express enough the joy that it gives me when women describe how henna makes them feel. I’ve heard words such as: empowered, beautiful, badassery, confident, enchanted, excited, self-assured, daring, relaxed, magical and loved.”

For those interested in pursuing henna as a career art form, Nakra suggests, “I would say to start as soon as possible and look for a mentor and community that will support you. I’d recommend online learning and going in person to live henna conferences. Learning the art of henna is fun but also takes time and dedication. It’s a daily practice and nobody is good at it from the start even if you have a background in different art mediums.”

Anyone can connect with Christine online or in person by appointment if they happen to visit or reside in the Austin area. “People can find me at my website, mindbodyhenna.com or on Instagram @mindbodyhenna and Facebook at facebook.com/mindbodyhenna.”

As a final note, “If someone is interested in having henna done by a local artist or hiring a henna artist for a party or event, always ask the artist if they make their own henna paste. Ask what the ingredients are and know that they should only consist of : henna powder, water or lemon juice, therapeutic grade essential oil and sugar. This is what natural henna is and it’s the only kind that is safe to be on your skin.” Now you can begin your henna adventures informed!

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Cannabis is Medicine.

For more information go to thisisjaneproject.com

HELP A YOUNG NEURODIVERGENT ARTIST LINK : peppermagazine.myshopify.com/collections/art-prints

• ART FOR ENGINEERING •

Autistic child artist Aiden Gamez is raising money for STEM learning toys, equipment, art supplies and other tools he needs as he pursues engineering sciences and art.

Please consider supporting his endeavor by purchasing his original artwork, signed prints or postcards.

MAY 2023

prodigy.

A B S O L U T E L Y

LIZZIE

A R T I S T

L I Z Z I E

G I N Z B U R G - M A L Y

L O N D O N ,

journalist K. Day Gomez

U K

scribble away and not ruin any furniture or carpet. I still like making art while lying or sitting down on the floor. You have more space there to lay out all your colours. I love laying out my colours. Mummy jokes that I spend longer laying out my markers or colouring pencils than drawing. I just like having all my colours in front of me. I like them organized.” I can definitely relate!

Having so much creativity within the family, we asked what ways her family members have helped her along the way? “My brother and sister help me if I get stuck. But they mostly like to copy what I do. Whenever I sketch something adorable in my sketchbook, they immediately want to copy it in theirs and sometimes their version is even better than mine,

Lizzie Ginzburg-Maly is the youngest amongst three siblings in a real-life enchanted family who live in London, England. The five year old highly prolific artist came by her creativity naturally. She practically came out of the womb holding a paintbrush!

As mum, Galina Ginzburg, helped with the interview process, she remarked, “The funniest interview was of course with Lizzie!”

Following in her siblings’ footsteps and in a long line of artists, Lizzie was simply destined to be the creative soul she is. We began as far back as she can remember.

“When I was two years old, I painted a lot with my fingers. Mummy says I sometimes used my toes too. It sounds funny, I don’t remember doing that. I painted mostly abstract paintings back then.

I like Van Gogh’s paintings a lot. They look like he sometimes painted with his fingers too, and he was a grown up man. He didn’t even start painting until he was a grown-up. I watched a movie about him.

Mummy says that when I was a baby, I loved holding pencils and markers more than any toys. And I tried making scribbles on everything. She would lay out a large roll of paper on the floor and put me on top so I could

which is annoying and unfair as they are older!”

Mum chimed in here to remind—“don’t you copy their ideas as well?”

“Sometimes I do,” Lizzie answers. “But I am little-ler than them and I don’t have that many years of ideas in my head.” I love how she phrased that.

“I like drawing with mommy—she makes me paper dolls.”

ADVENTURE

AND OTHER THINGS

The Ginzburg-Maly’s are seasoned world travelers. We asked Lizzie about her favorite place. “New York. It is the type of place where your grandma lives.

I like going to museums there. Once, in a museum, I saw a sofa made entirely out of soft teddies. I would like to make one

for myself one day when I am older and I don’t play with my teddies anymore.”

Lizzie and her siblings were born in the UK. “I live in London [England], which is the best country to be in because you get fish and chips every Friday at school.

I was playing a tune from Wales on my violin and my teacher asked me if I knew where Wales was and I said that I didn’t. And then I asked her if it was a planet where whales lived and she laughed. Turns out, its not a different planet at all, but actually quite close. If you walk out of my teacher’s house and make a left, and keep on going for a long time, you are going to get to Wales.

Must pack a lot of snacks for the whales.”

Naturally.

Do you have any good stories that stand out to you from your journey thus far—people who’ve left an impression? “I like learning about different artists. At school, I learned about Matisse and how he couldn’t draw anymore when he was older because his hands stopped working. So he started cutting things out of coloured paper and sticking them on the wall.

When I broke my arm when I was little, I learned to draw with my left hand and I painted a lot using my left hand. If you have art in your head and your heart, then you can find a way to do it even if your hands don’t work.” No truer words have been spoken!

As much as she has been surrounded by artists within her own family, Lizzie is very much her own person. She sees the world around her through her own filter and makes and does things her own way. We could all learn

a lot by taking a page out of her playbook.

On that note, we asked if she has any good advice for other children and young adults about pursuing their art? Any words of wisdom or encouragement? To which, Lizzie wisely replies, “Don't rip pages out of your sketchbook! One day you will be happy you kept them all, good and bad. That's what my mum always says.” And mums are always right!

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GARAGE SALE

PHOTOGRAPHER ELIZAVETA VASILAKI WITH CREATIVE DIRECTOR EKATERINA SHITOVA VLADIVOSTOK, RUSSIA

journalist K. Day Gomez

Sustainability is not just some “hipster trend”—though it is relatively safe to say that, “all the cool kids are doing it.”

Teens and youth all over the globe are leading the charge when it comes to pushing the sustainable agenda into the fashion sector. And they’re doing it one garage sale at a time.

Creative director Ekaterina Shitova enlisted the help of photographer Elizaveta Vasilaki, makeup artist Isvanova Margarita and model friends Elizaveta Bodak, Elena Vahrusheva and Arina Meek to put a creative eye on the environmentally sound and human rights consciousness movement that is changing the way people shop in the 2020’s.

The youth invite us all to rethink the way we look at fashion, our shopping habits, and encourage us to get active in finding great sources for secondhand clothing in our local communities. Support small businesses who provide vintage, handmade and reworked wearables.

Find the coolest thrift shops that speak to your taste. Keep your eye out for yard sales and garage sales (we recommend following community boards too). At the very least, choose slow fashion brands who only engage in ethical practices. Sure, in this case a little research is necessary, but what it does for workers’ rights and the earth makes it completely worth it.

On a personal note, I’ve been thrifting since I was a kid. In my teen years in the 90’s, I rocked the alternative grunge look with real vintage lace slips and costume jewelry hand-me-downs from my family’s trunks of heirlooms. Moral of the story: sustainability isn’t new, but it’s finally being taken as seriously as our real world problems have made it. From lessening our carbon footprint and alleviating landfill waste to forcing companies to enact fair wages and update their ethics, you can’t go wrong with sourcing fashion—the second time around.

RETURN OF THE MATRIARCH

STREAMING ON ALL PLATFORMS

@returnofthematriarch

Messages of youth & female empowerment.

Andrea ‘Vocab’ Sanderson x Aminah Decé

A GIFT FOR YOU

ZAPATA H O U S E

Hand Painted Vintage Cowboy Boots

7959 BROADWAY SAN ANTONIO, TX 78209 WWW.ZAPATAHOUSE.COM

Photography by Serendipity Social Co

FLASH FICTION AUTHOR JONATHAN DARREN GARCIA SAN ANTONIO, TEXAS X PHOTOGRAPHERS RENÉ PORTER & MUHAMMED ÖCAL ​ And as we know during the New Moon almost … all electronic devices are unused. Teens nicknamed these nights as “Lantern Hour” because the only light outside would be families and businesses that preemptively light a lantern to hopefully guide anyone mistakenly caught outside…

give them warmth, hold them extra tight. Someone out there has lost someone. And even if no one will talk about it, I will.

2 weeks ago, we lost a 13 year old.

Sometime during the New Moon.

His name was Lucas.

I’m Miguel for Cernovich Searches, Goodnight.”

The TV plays the news as Jonas glances to the side walking back and forth from his father’s truck outside to the cafe. His father is busy unloading firewood for the business next door.

The Cafe owner watches intently hugging his scruffy arms with a lit cigarette in his mouth that stirs like a spoon with the aroma of roasted coffee beans.

Jonas eyebrows pull together for a moment and his eyes become heavy. The Cafe owner turns off the tv and turns around. He places the remote down slowly.

“…before I go, I want to remind you. In between your happiness, between the new businesses opening, the prayers to Saint Irene, the trees that bear plentiful fruit. When you hold your child and

“Sorry kid, I know I’ve seen you in here with Lucas before…” scratching one of his arms, biting the cigarette at the corner of his lips. “...It didn’t hit me until the end.

It ain’t right that we don’t know more about these days.

That we ain’t allowed to talk about these things.” he 191

said.

“Why aren’t we allowed out in the New Moon, why aren’t we allowed outside and what happens?” Jonas said, looking straight toward him.

The Cafe owner stands loosening his cigarette a bit, clearing his throat. “We-Well, what does your father say?”

“I’ve never asked him. I just knew it was a bad time to be outside. I didn't know how bad. I’ve heard stories. That's all.” Jonas said.

The Cafe owner stared for a moment with his downturned lips, his eyes darting away for a moment and said “Your father knows best.

Believe me.” He nods in agreement. “You know Miguel. He had a daughter, many years ago, who went missing after the New Moon too. I knew him, back when he was a youngster like

you, then a young man, then a married man.” He laughs, reminiscing.

“He was happy. Could never catch him without a smile. And when he had his daughter, it’s like the world smiled with him. His happiness was infectious.” he said.

“His daughter grew up a bit, I got approved to vend and became a cafe owner, like my father. They’d stop by here all the time, the Mallens. Then one day they stopped. Days passed. Weeks passed. And the next time I saw him he was shouting in the streets with a haunting bitterness about the New Moon.

Telling everyone to light lanterns for the lost so they could find their way.” The Cafe owner said leaning back on the counter.

“I never saw him smile after that. On the broadcastvision he looks serious, determined. But there's a redness around his eyes that never left.”

WHEN THE BROWN BOY WONDERS POET LAUREATE ANDREA ’VOCAB' SANDERSON / SAN ANTONIO TX FOR JOSHUA CALEB, INSPIRED BY THE PAINTING DAVID LYON BY KEHINDE WILDEY

When the brown boy approaches the towering colorful canvas he has questions in his heart. His eyes scan over the lavish greenery and periwinkle background. His gaze centers on unfamiliar eyes.

First he inquires about their color, but then he says, “Who is this man? Why is he important?”

He wonders, why is he portrayed this way, stately, regal even?

He inspects the picture closely says, "He looks like royalty."

Raises his fingers to the air... so close, as close as he can get without touching Wiley's piece. He glances to the right, reads about the art work.

He speaks the subjects' name slightly confused, then repeats as if he better understands. He sounds out the syllables of the muse. His curiosity is cresting, with answers just beyond his reach.

David Lyon, the man in painting that's hanging above. How their cheeks have the same youthful sheen. How their hues are almost identically dark.

Earlier today at breakfast, he asked me, "Is the klu klux klan in San Antonio? Why do white people hate us so much?"

His small inquisitive voice sank into his porcelain colored plate.

These questions eat my skin off the bone. My voice retreats into my throat to find the most painful truth. None of this can be summed up neatly, or be answered quickly over his scrambled eggs. I reach for the pepper and shake black specks onto my poached eggwhites before I split to the yolk.

I am hesitant to speak because, I want him to wonder, wonder if he can be in a painting one day.

If I had my thoughts together, at the time, I would have said...

‘God mixed his best paint in the oils and clay of your skin, Joshua. You are fine black art; and everyone wants to touch and own a masterpiece. You are high art and the world is full of envy, instead of admiration.

I want his dreams to reach taller than this canvas.

I hope he realizes how closely he resembles

Dream yourself bigger and grander than all museums, and all of the artifacts; because you are the worlds' greatest treasure.”

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lit. lit.

A NEW DAY

AUTHOR NJABULO NKAMBULE / SWAZILAND, SOUTH AFRICA X PHOTOGRAPHER DEVA DARSHAN / KUALA LUMPUR It is a new day flooded with so much fresh air.

Everyday commences with beautiful sunrise, Every day is a new beginning.

We all grow in our different paces, Like seasons as they change with time.

Your day is also coming.

It will blossom beautiful flowers.

It is surely a new day.

Things may attempt to cloud your life with darkness.

May you avoid entertaining wicked things?

Coming forth in human form and imagination, May you avoid giving up on things that light up your soul?

It is not against the will If you fail to handle everything today.

Stop swimming in waters that drown you, Stop singing songs that lead to unrest on your soul.

Plant a seed that will give you a good harvest in this fertile soil.

Learn to respect and fear the Almighty like the Prophet Paul.

It is a new day with a beautiful morning.

The sun rises over those amazing hills and horizons, Brightens up the day with its fresh air and rays.

Let go of things that hinder you from having a good time with your peace.

Put rest to people who act dead to you while still breathing.

Like clean water, Freshen up yourself for new things, People with genuine visions and positive attitude.

It is a new day, A day to let your heart blossom, A day for change.

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a Wonder-full

WORLD

poet Sefra Schwab San Antonio, Texas

I wonder how and why the world is so hurtful.

And in the next breath, I wonder that the world is so beautiful, so vast and diverse.

Some days my eyes can only see the light shifting, the dazzling array of color exhibited, the wild existence of so many creatures, and how varied "Life" is in its existence.

And I wonder at knowing I've only seen part of a single continent...

Other days, I have to work, decide to choose to see the dazzling brilliance of such a wonderful world and allow my weary heart to ignore the dark, the ugly, the constant mundane hurts.

Both days are valuable, both are necessary in this life.

And I'm thankful to have been wondering on this floating rock long enough to learn that.

L I N K T R . E E / D A B L U E K I D D I E

@literallyrobertdean

WE ARE ALL OF US

ANIMALS Learning Relief Begins What with it is a Helping to be Human Hand

THE BUILDING OF JUNGWE ANIMAL SHELTER A new project by The Kearing Foundation, Uganda • journalist K. Day Gomez

“EVERY ANIMAL LIFE MATTERS. EVERY SUFFERING ANIMAL DESERVES A CHANCE TO LIVE.” This is the motto of Jungwe Animal Shelter, the newest undertaking spearheaded by Denis Ssewannyana since his founding of The Kearing Foundation, orphanage for children living with AIDS. Denis reached out to tell us, “I have developed a concept of creating Jungwe Animal Shelter two years back, due to various challenges animals face in Uganda and in the whole world. And I was inspired for several reasons.

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The first being that animal cruelty goes on around the globe. Here in Uganda, the KCCA is mass poisoning stray animals every three months and over 10,000 stray animals have lost their lives.” The KCCA is the Kampala Capital City Authority and is the legal entity, established by the Ugandan Parliament, which is responsible for the operations of the capital city of Kampala in Uganda.

The second point Denis brings to light, “Here in Uganda we are in a third world country.

Poverty is one of the biggest problems here.

Many people have dogs and cats and they love them, but unfortunately they can't take care of them in terms of proper feeding, medication and other regular vital necessities. That's why we came up. We treat, rehabilitate and feed the suffering animals.

PERRER MAGAZINE

Unfortunately, most people here consider animals as nonliving creatures. [The way this would translate for our English speaking readers is “nonsentient” and without autonomy or a sovereign right to exist. AKA, subhuman or below humans; lesser life forms.] They treat them in very disgusting ways to include eating them, injuring them.

We started Jungwe Animal Shelter so that we can become a voice for these voiceless animals. And so far we have saved over 100 animals with different cases like CTVT, Parvo, Mange and other cases.” These are severe and life threatening illnesses.

The shelter has access to trained veterinary practitioners who seek to do what they can to save and improve the lives

of the animals who find their way to Jungwe. At times, this is a natural wandering up to the shelter, other times being dropped off by concerned citizens, and at times Denis and other personnel finding and rescuing them from squalor.

What Denis is building comes as second nature to him. It’s a cause very close to his heart. “Since I was young I used to love animals. Because at our home where I was raised, we used to keep dogs and cats. But my passion developed much stronger when I see the KCCA poison stray innocent animals. I was like, ‘I have to do something for these babies.’ And that’s when I created Jungwe Animal rescue and later the shelter.” He is for them, an angel without wings.

He believes, “all characteristics we have as humans, it's the same for animals.

Many people don't know that animals have love, care and feelings. But animals have love more than we humans in my experience. And at least when you want to share the experience of love, get a dog, cat or any other animal.” Adopting animals changes the pet parent more than you can ever imagine.

“SAVING ONE DOG WILL NOT CHANGE THE WORLD, BUT SURELY FOR THAT ONE DOG, THE WORLD WILL CHANGE FOREVER.” —KAREN DAVISON 231

As Jungwe shelter is an extension of The Kearing Foundation orphanage, the happiest of all volunteers are—you guessed it—the precious children. As one can imagine, the kids benefit greatly in a multitude of ways by interacting with, tending to and caring for the animals. And of course, the animals relish the attention from the youth.

“For the case of orphans, children learn love from animals. For example, at the orphanage we have a boy called Muhinda—he's such an animal lover. He has dedicated his life to animals. He can't eat without animals.” What Denis here describes is how these organic pairings become therapeutic to certain kids who need it most.

As such, some of the dogs and cats act as ESA’s (emotional support animals), being present for those who suffer anxiety, depression, PTSD and various abandonment issues. “Love animals show to children is un-conditional,” Ssewannyana says.

This is a most wholesome and wellrounded community project Denis and his team have been tirelessly formulating. What began as an orphanage erected from the ground up, grew into cultivating a garden and farming plot to gain self sufficience.

Then money raised continuously has been used to enroll the children in school. And finally, the addition of the animal rescue and shelter benefits the young ones and the grown ups who receive so much more from the endeavor than they could have imagined…through deep gratitude shown via licky-kisses, tail wags, play and snuggles.

Since the beginning of the year, the organization acquired roughly just under 5 acres of land upon which to build the shelter. The crew has been working tirelessly constructing the building and erecting fencing for the safety of the animals. “I think it’s a lot of money, but what if we were not paying rent? This 233

would mean every year we can save $4,800—that's quite a lot of money,” Denis explains his strategy. “We can spare it and use it at least for the spaying and neutering of street animals.

That's why, I came up with the idea of buying and owning our own land. We need a bigger place where our animals can live—kennels, a clinic, playgrounds for the animals, an isolation center…

So, NEEDED = 2 hectares / 4.9 acres ($3,200) we got = 0.5 Hectare ($800) Remaining = 1.5 hectares ($2,400) Every month we spared $800 to buy 0.5 hectares. That means in April, May and June we have already got our 2 hectares which will be enough for our shelter.”

It’s a big investment for them, but the results are enduring and beneficial to the animals, the caretakers and children, and even for the land. And that’s only the foundational aspects of their efforts. “We have Different Projects that are going forward to promote animal welfare. Communal spaying and neutering of all stray animals in different parts of Uganda, feeding stray animals in the community every day, community awareness campaigns about animal welfare and justice to End Animal Cruelty…” These are all initiatives currently underway which Denis and his team are already implementing.

As for the ultimate play, he says the essential thing is “extending and building up Jungwe Animal Shelter so that it can accommodate a much larger number of animals. Running an animal shelter is not really easy, as seen. It’s costly, needs a lot of time and funds.

That's why I call upon everyone who is able, to join us to create impact in Uganda via JUNGWE ANIMAL SHELTER. If anyone wants to volunteer or support our project, we are open to receiving inquiries.” This is an excellent volunteer

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opportunity for those who are philanthropic and able to travel and lend a hand.

“THE GREATNESS OF A NATION AND ITS MORAL PROGRESS CAN BE JUDGED BY THE WAY ITS ANIMALS ARE TREATED.” —MAHATMA GANDHI “Our Organization is relying upon donations from all over the world. That's why we call upon each and every animal lover to join our campaigns to save and give suffering animals a second chance. Please join Jungwe Animal Shelter, to create real and lasting impact for animals.”

Email Jungweanimalshelter@gmail.com • Instagram @jungwe_animal_shelter_1 & @friends_of_jungwe_animal_shel

T R A N S

REVOLUTION A MULTI-CITY TESTIMONY OF RESILIENCE

Lead photojournalist Chaz Niell in Washington, DC Recording artist Caleb De Casper in Austin, Texas & Drag performing artist Miss Taint in San Antonio, Texas with journalist K. Day Gomez

TRANS VISIBILITY MARCH WASHINGTON, DC photojournalist Chaz Niell

Members of the transgender and gender nonconforming communities took a major stand against hate and discrimination when they rallied in the nation’s capital for the first National Trans Visibility March.

The two-day event began with an evening paying homage to transgender individuals with a Torch Award and Ball. Followed by a rally and march of solidarity for transgender rights throughout this country.

Transgender individuals from major cities including Atlanta, Chicago, Dallas, LosAngeles, Miami, New York and San Francisco came together with allies calling for equal rights, physical safety and demanding the transgender communities be officially and federally recognized across every state department in the nation.

The speakers consisted of the like of actress Angelica Ross from the TV show Pose, as well as successful model Geena Rocerro who in 2014 came out as transgender publicly during her TED Talk.

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They also acknowledged the pioneer shoulders they stood on like Marsha P. Johnson and Sylvia Rivera.

CALEB DE CASPER TAKES ON THE TEXAS HOUSE AUSTIN, TEXAS journalist K. Day Gomez photographers Gaby Deimeke & Roger Ho

the political bullies and fascists currently pushing these outrageous oppressive agendas which are aimed at harming our society’s most vulnerable.

“They are attacking art, free speech, and the queer community in order to deflect from their own corruption and play to their base for unlimited power.”

Brilliant and well-known queer recording artist Caleb De Casper boldly took to the Texas State Capital House of Representatives, explaining to the public, “I am anti blatant corruption and greed. I am also staunchly against the exploitation of minority groups to further greed and political agendas. Further, I am /HARD STOP/ the policing and censoring of art.”

De Casper, a longtime human rights advocate, art-activist and outspoken multidisciplinary artist, songwriter and vocalist urged the people of Texas (and furthermore the US) to understand that those pushing for these anti-drag legislations are attempting to “take up these bills and author them in order to distract from gun violence, the state of health care, and in a brazen attempt to defund spaces where people freely think and organize against them.” He went on to implore the LGBTQ+ community and allies to, “Follow the money. Lend your card and voice.

Do not believe queer panic.”

Caleb, famously known as ‘Austin’s prevailing rock & roll glamour boy’, is just another figure who has taken up the task of standing against

On March 10 in his initial address to the Senate, Caleb stated, “I am opposed to both of the bills—SB12 and the Drag Queens Reading to Kids bill… As a citizen, I’m deeply concerned with the amount of LGBTQ+ bills making their way through this legislative session when issues of homelessness and mental illness beleaguer our state, and we seem to have a problem with keeping the lights on in the winter. It doesn’t seem appropriate to be concerned with drag queens at this time.

As a small business owner, I have a concern that if this bill goes through, the fact that I wear high heels and makeup on stage—just like KISS or Motley Crew do—would severely limit my options for doing business in this state. I wouldn’t be booked for festivals like ACL. Or, I could be arrested if there are children in the audience at music festivals.” By even proposing these bills, the presumption that those within the drag community are criminals by nature is already there, irrational and unprovoked as it may be.

Then, seven weeks later, De Casper appeared before the House to once again reiterate the grave impact these bills will have if they come to pass. “My career is a small business that generates income for myself and employees and adds to the economy wherever I go. The way the bill is worded, I could be arrested for wearing my signature high heels and heavy glam makeup 241

onstage at outdoor music festivals such as SXSW or ACL. This bill has so many holes in it and it’s painfully obvious that whoever wrote it does not understand what drag is or what it can be.

If you support this bill, it could be obvious to the electorate that you are being incentivized by lobbyists acting on behalf of conservative think tanks that are funded by billionaires to protect their financial interests. A five year old was just murdered by a neo-nazi with an automatic weapon in Allen, Texas along with several other children— yet you’re focused on how “drag queens will hurt children”.

against genders and sexualities, and creating panic over situations that don't exist in order to remain complacent in their corruption of revolving doors and lobbying incentives.

Through inciting their rabid and irrational primary base, they cling to power and use these manufactured social issues to dismantle public programs, privatize them so they can make a profit, and lower taxes for themselves and their wealthy friends and benefactors.” We are grateful for the time and care Caleb has given us.

If you support this bill, it will be a signal to the electorate that you do not actually care about Texas issues. You only care about following a political agenda with money that’s being funneled to you by Big Oil or the NRA. Thanks for scapegoating queer people this session so we could get organized, follow the money and use our social media skills to expose this information.”

And that is just what Caleb has done and continues to do with the intention of mobilizing the public to protect and preserve our basic freedoms of self expression, art and identity.

“My queer identity will not be exploited by incompetent and corrupt politicians.”

Caleb de Casper in his original address to the Texas House of Representatives in the state capitol of Austin.

The fight isn’t only taking place on a state level—all over the US, citizens are having to stand up and come forth to speak up against this new wave of homophobic hysteria. Just when you thought we were progressing, they dismantled Roe v. Wade. And as predicted, the LGBTQ+ community is next in the line of fire on all fronts.

We are going backwards. Even if we are able to overturn these ludicrous bills, the fact that our marginalized communities are being attacked openly is proof of our devolution.

As a queer CEO running an inclusive global magazine which also features children and advocates for their rights and welfare, I’d be blind if I didn’t realize the implications this agenda has for the future of PEPPER Magazine too.

We stand with Caleb and those who, like himself, have their very livelihoods at stake.

In a closing statement for this article, Caleb De Casper shared, “As a person, I'm a creative. As a humanitarian, I'm an art-activist. And as a performer, I embody freedom and queer empowerment and it’s all come together at this point. They pushed and it's only given people like me more of a voice.

They are violating first amendment rights, discriminating 242

'Feast of Fun' promo image, it was created by Fausto Férnos by images from the photographers mentioned.

OUR LIVES WON’T BE ERASED SAN ANTONIO, TEXAS journalist K. Day Gomez photographer Alejandra Sol Casas

“where a male performer dresses as a woman”.

SB1601 would prohibit public libraries that host drag performers from receiving state funding. As of Monday morning, March 27, these bills were passed by the Texas Senate Committee and are now headed to the full Senate for more debate.

To add to this…another bill was proposed and reviewed—HB 1686 by State Rep. Tom Oliverson.

HB 1686 would prevent doctors from providing transgender-related health care and procedures to kids under 18 years old. The bill is among a long list of legislation Republican lawmakers are pushing that could disrupt the lives of LGBTQ+ Texans. After the hearing, protesters gathered for a brief rally and "die-in". They used their bodies to symbolize how many transgender lives could be lost if the bill were to become law.

For our global readers, Miss Taint is a nonbinary “experimental horror drag monster based in San Antonio, Texas. Performing for over 9 years, Miss Taint has opened doors to create safe spaces for many queer alternative drag artists to perform.

They were recognized as a breakthrough artist in 2017 where they graced the cover of the San Antonio Current, spreading the message of drag diversity and acceptance.”

“These bills trying to be passed are doing nothing but harming queer, trans, and nonbinary lives and are extremely harmful and detrimental to queer and trans children. TRANS CHILDREN DO EXIST. QUEER CHILDREN DO EXIST.”

In an interview with local TV news station KENS5 on March 24, Miss Taint gave an important dissertation on the implications of the current anti-drag bills and the urgency of community support if we are to face down the nefarious agenda our country is currently engulfed by. That interview—originally 15 minutes long—was hacked to a crass 2 minutes of a televised segment. Miss Taint later stated in a social media post to the public, “thankfully I had my good friend Noah Moises there to record most of it in full.

Although their interview was cut down so much, Miss Taint took a gracious demeanor over the whole thing, saying, “I'm glad they are letting drag performers speak on television and give our honest thoughts about these bills. Drag performers have always had a voice, and we need to continue using ours to speak on these matters that are affecting queer culture, trans and nonbinary lives, and queer and trans children. For some of us, Drag is our only income and to pass these bills would not only affect our income and livelihoods, but classify us as criminals. We are not "groomers" or "pedophiles" like they call us. We are hardworking individuals that have the courage to live our truth in our everyday lives.”

SB12 would classify drag shows as "sexually oriented performances". The proposal issues fines to businesses that allow children at a show,

Before the interview, Miss Taint spoke directly to their viewers via a pre-recording, saying, “They should be worried about so many other things.

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They should be worried about gun control—how many fucking homeless people are there in America? [Roughly 582,462]—yet they’re worried about drag queens. How many school shootings are there in America [376 since Columbine], or in supermarkets…movie theaters? And there has not been anything done when it comes to gun control. But somehow they want to ban drag like we’re the problem.”

When you put the statistics in perspective like that, it’s impossible to see this oppressive attack as anything other than a political agenda aimed to break spirits and livelihoods, aimed to control human beings and artful expression, and aimed to demonize various gender identities and orientations.

“It’s very important as drag entertainers that we keep using our voices and we keep advocating…

They’re targeting a minority and somehow they’re getting away with it. It almost feels like we’re going back in time.” Miss Taint is absolutely right; regression at its finest.

The interviewer, while filming asked how it‘s making them feel. “It’s making me feel scared, attacked. It makes me feel kind of disheartened that there’s a large group of people targeting our people who are obviously minorities. It needs to be put to a stop. These bills are doing nothing but trying to erase queer lives.” As Miss Taint spoke in concern for queer and trans children, they held their hand to their chest, clearly holding back tears in an attempt to collect their self before moving on.

“They are denying healthcare to trans children across the states. In Tennessee right now, anyone who doesn’t identify with their assigned gender at birth—you can’t be in drag within 1,000 feet of a place of worship, or a school, or even a public park.” [Note : you’ll be arrested and charged with a felony and up to 6 years in prison at this time for any of the previously stated. That’s not fictional—this is our current reality.]

“They’re trying to put us back in the closet after we spent decades trying to build up the courage to come out and live our lives. What does it do to them? Us living our truth—is that really what makes you uncomfortable?! It feels like we’re back in the 1950’s again. They’re trying to maintain a binary system in which, if you were born a male, you have to present as a male your entire life. If you were born a female, you have to BE a female your entire life…

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We’re living in a world today where that binary system is destroyed. There is such a blur…that is ultimately what nonbinary is. NOT identifying within the binary structure of male or female.

These bills are a distraction. They are a deflection from what the real problems in our society are. They’re trying to eradicate Pride events… We’ve worked too hard and we’ve fought too hard over years and years now. So many lives have been lost, our LGBTQ+ heroes who have fought ‘til their death, trying to make sure that these things don’t happen again. Here we are in 2023 and it IS happening all over again.”

What many people aren’t aware of is how our LGBTQ+ culture is so intrinsically woven into who San Antonio is, as a city. These laws are an attack on our collective culture as it would greatly change the face of who we are as a city—one of many colors, one that is recognized at a glance by its vibrant fiesta of rainbows. “It’s a large community of people that are there for each other. It’s a mix-up. It’s a whole melting pot of different lives, different backstories. And when you come together, you can create something really beautiful…something that people can celebrate, people can look forward to.

That’s what drag is. Drag is a getaway from the crazy stuff that happens in the world. It’s supposed to be lighthearted. It’s supposed to be fun. It’s NOT these things that they say we are. We aren’t hurting children. We aren’t bad people…

They’re calling us those things because they can’t get away with calling us ‘faggots’ anymore, and that’s the truth! I really feel like I’m in ‘The Twilight Zone’ right now. I never would have thought drag would be on the forefront of regulation. It’s insane that I even have to get up in drag and go speak to a news channel about this stuff.”

Later, on Trans Visibility Day, ‘The March of Us’ was held in SA from the Bexar County Courthouse to The Rainbow Crosswalk. Miss Taint was in attendance alongside many friends and family (including Anita Verga who will be gracing our August cover) joining in solidarity, afterward stating : “The Trans, nonbinary, two-spirited, and gender nonconforming visibility March in San Antonio was so beautiful… I'm so blessed to have such a supportive mother and stepdad that believe in these messages and stood by my side the whole march. I'm happy some of my friends came as well—my House of Eternas sib Mx. Smokey Bear, and forever sis, Anita Verga. I'll remember this day forever.”

“Keep spreading the word. Allies, we need you more than ever right now.

Drag performers, keep using your voice to speak on these matters. Our LGBT+ community is under attack and we need to be heard.

Our lives won't be erased.”

We are grateful for Miss Taint’s efforts in our community and for their bravery in coming forward and allowing PEPPER Magazine to amplify their message.

history.

To those who have served in the US and extended global community, who have shared their stories with PEPPER—Today we salute those brothers and sisters you lost along the way.

The ones who live on in your hearts and minds.

We salute those the world over who have given their lives while standing against hate and impossible foes who would seek to snuff out the light.

We salute those civilians the world over who have been thrust unwillingly into roles of having to defend their homes and cultures against those who seek to oppress, to brutalize, to cut down innocence where it stands.

We honor the hurting and downtrodden who were left behind to deal with the aftermath—their ancestors and generations who come after and still feel their loss.

We honor all of these, through all of history who had to stand against the overbearing dark, who had to do the hard things, who gave everything to protect and preserve.

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The indigenous warriors, the peaceful Jew, the Iranian youth and women still fighting, the African tribes still decolonizing, the Afghan people, everresilient Ukraine, US soldiers who have been brave enough to stand up and speak up when they have witnessed and been asked to participate in torture and war crimes…

Our queer soldiers, our POC soldiers, our women and femme identifying soldiers, our Asian and Polynesian and Indigenous and Latin and ALL of our soldiers who have vowed to give their life for peace and unconditional love OVER orders, over brutality, over dogma.

We salute you, we honor you, and we stand with you.

May your sacrifice be not in vain, but be made worthy through the reverence of our collective actions and words as we carry the torch of equality, compassion and brotherhood henceforth, for all of our days to come.

Thank you.

U N I O N

O F

T H E

It is a truth universally acknowledged that no matter how philosophical, heartfelt or funny a post you share on social media is, a photo of your dog's tail or cat's ears will get more likes by a ton. 'Cats of Instagram' is an eternal meme that will never cease to be relevant.

By the way, this label does not strictly apply to cats only but includes dogs as well. The runner-up, 'kawaii', is much more comprehensive but the adoration of cute animals is, naturally, also part of it.

Thus, memes have given rise to a new 'code' language that is scattered across the Internet and

2020, Oil on canvas 70 cm x 50 cm

In the Mood for Poetry

IMPOSSIBLE

finds its way into our subconscious. And here you are, posting a comment under someone's video of a cute puppy playing with a kitten, using the same vocabulary and completely unaware of it. In the Mood for Poetry takes all this cuteness to the next level: an animal manifesting something (an emotion, a reaction, an action) which could easily be projected onto a human individual. This French bulldog staring off contemplatively into the distance while standing on its hind legs is likely to gather hundreds of likes.

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About

Union of the Impossible The group of anonymous artists self-titled Union of the Impossible was established in 2020, amidst the raging pandemic and socio-political unrest. Its members are not fixed and their number keeps expanding. The artists’ staple is the traditional medium of painting on canvas. They poke fun at everyday life that has undergone a drastic change toward the bizarre. They come up with new means of protection, creating ‘visual shields’ against blandness, boredom, indifference, logic, and consistency.

resemble Polaroid shots. This is both a hint at exclusivity because Polaroids are one-of-a-kind and an act of opposition to the replicated Internet memes.

Not in our wildest dreams could we imagine that we would get to face a time of ‘great trials and tribulations’. The new normal (and, possibly, the irrevocable) has changed our lives, and we are slowly starting to grow used to it. Irony is an indispensable aid in situations such as this. This is how the Dada farce took root, first causing the viewer to go numb and begging the questions, ’What is this, exactly?’ and ‘Why this, precisely?’ and ‘What on earth?’ The outcome is the new generation of memes, occasionally dark and often straight to the point.

Memes have been dubbed ‘the virus of the mind’. When all is said and done, only something apt and incisive will not fail to grab one’s attention in the influx of information that is today’s life. In troubled times, people use different avenues to protect their sanity, with artists, predictably, resorting to art. Union of the Impossible was formed during the lockdown with the mission to create works that were uncharacteristic of each individual member, and the ‘new memes’ swiftly became one of their directions. At one point over a century ago, Dada sprang up as a response to WWI with its unjustified cruelties. In 2020, artists are bringing the Dada principles back to life, repurposing them for the new circumstances: the pandemic that has the entire world under siege.

Whilst Dadaists propelled anti-aesthetics, Union of the Impossible provokes and baffles the audience with its memes.

Most of these ‘new memes’ are presented in white frames that are part of each picture and 248

“The Union of the Impossible is an artistic association that arose in 2020 in the era of pandemic and sociopolitical shocks.” @union_of_impossible

ICON

D R .

G E O R G E W A S H I N G T O N C A R V E R American agricultural scientist and inventor, Dr. George Washington Carver, is most famous for having promoted alternative crops to cotton and sustainable methods to prevent soil depletion. Known as ‘the Peanut Man’, he was one of the most prominent black scientists of the early 20th century. But that’s the textbook summary of a man who’s life and purpose was much greater than words on a page.

“Resolve to be tender with the young, compassionate with the aged, sympathetic with the striving, and tolerant of the weak and the wrong. Sometime in life you will have been all of these.”

He was in many ways a father of environmentalism. According to Wikipedia, “In an era of high racial polarization, his fame reached beyond the black community. He was widely recognized and praised in the white community for his many achievements and talents. In 1941, TIME Magazine dubbed Carver a "Black Leonardo".” This was and remains a huge deal. In this way, Carver was a bridge builder toward equality and a socioeconomical strategist.

He developed and helped to implement many different stratagems to aid farmers (especially those within the poverty line) in raising supplemental crops that would support and sustain their needs and the environment, and helped to introduce the importance and effectiveness of companion

—Carver

journalist & illustrator K. Day Gomez accompanied by artist Ai Visions

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leased land to Black farmers for a fee or a cut of the crops, and one bad season could result in ruinous debt. Carver shared free information with farmers about how to make a sustainable life out of the land…That was the reason for the peanuts which, thanks to their symbiotic relationship with bacteria, can produce their own nitrogen and thrive in depleted soils.

planting.

Tina Dudley, in an article for The Audubon Society, titled “Celebrating the Work of American Scientist, George Washington Carver”, more meticulously covers the impact Dr. Carver had during his career, and how his teachings and life philosophies have continued to shape our present.

In it, Dudley explains , “Carver was one of the first scientists to look at systems through the lens of biomimicry; he observed that nature produces no waste— what is consumed is returned to the earth in another usable form. He saw the interconnectedness of nature and taught about the importance of protecting the earth and its inhabitants. He felt connected to nature throughout his life, and had a deep appreciation for birds and other wildlife...

Mark D. Hersey, in “My Work is That of Conservation: An Environmental Biography of George Washington Carver,” describes how Carver’s work in agricultural science helped to undermine the pillars of Jim Crow. At that time, Southern landowners

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Carver demonstrated the connection between the health of the land and the health of the people living on that land—setting an important foundation for environmental justice.

His rise from slavery to academic acclaim has inspired millions. He is celebrated with a National Monument in Missouri and numerous books and documentaries about his life.”

“When you do the common things in life in an uncommon way, you will command the attention of the world.”

—Carver

Most every American school-age child knows his name and has a sense of who he was and what he stood for. He’s one of the most wholesome figures we are taught about at different ages; or at least as much is true for Pennsylvania and Texas in my personal experience. His story is deeper than the face value of what he did. That can be exhibited in his tenure as a teacher.

As memorialized by Tuskegee University, Carver was a “research scientist extraordinaire, inventor, man of faith, educator and humanitarian. As a botany and agriculture teacher to the children of ex-slaves, Dr. George Washington Carver wanted to improve the lot of “the man farthest down,”— the poor, one-horse farmer at the mercy of the market and chained to land exhausted by cotton.”

W H A T

A

H E R O

When you think about that, there’s an even better word that describes Dr. Carver. A HERO. I recall when I was a little girl, he was one of the figures I looked up to most. He just seemed like such a pure and genuine soul, someone I wished I could have met when he was alive if only to ask him a million questions about life and the tangible and spiritual world. When my son came of age to attend school after homeschooling from age 3 forward, I remember fearing what kinds of things he might learn entering halfway through second grade.

Shortly after starting, he came home with a paper man sticking out of his backpack.

When I retrieved the project by it’s brown

L O O K S

L I K E

construction paper hand and read the label on the back—“George Washington Carver”—I still can’t easily explain why, I cried. The best I can make of the experience is akin to reconnecting with an old friend. One you thought you’d lost.

The wrinkled eyes and white cotton ball hair reminded me in an instant what I thought I’d forgotten.

“The singing birds, the buzzing bees, the opening flower, and the budding trees all have their marvelous creation story to tell each searcher for truth . . . from the frail little mushroom, which seems to spring up in a night and perish ere the morning sun sinks to rest in the western horizon, to the giant redwoods of the Pacific slope that have stood the storms for centuries.”

—George Washington Carver

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PEPPER Magazine

05

A

cover artist.

MO AWWAD

'23

current dystopian state of the world vs. its impact on our collective conscience, intermingled with the beauty that still exists which he would like to see preserved, represented by dreamlike wonderments and symbolism.

p. 253

s we learned in the opening article of this issue, highly published and sought after visual artist and graphic designer Mohammad Awwad is a master of digital and analog collage mixed media. His work expresses the

May 2023

genuinely wonderful human being. In coming to know him, I’ve found an extremely conscientious, socially and environmentally responsible person who authentically cares about the causes he illustrates through his art. It’s not a trend for Mo—he makes art around what he actually cares about. He also interacts compassionately, making sure whoever he is conducting business with has everything they need.

He’s also one of the fastest working artists I’ve worked with to date. His turnaround has varied between minutes to a few short hours each time I’ve needed something to move our process along. And being as we are oceans apart (the distance between Amman, Jordan and San Antonio, Texas USA where PEPPER is based), that’s saying alot!

Much to our surprise, Jordan—where Awwad is from—is not as constrictive and conservative as the rest of the world has been conditioned to believe. That conditioning for which we have the media to blame is one of the many topics Mohammad confronts through his work. The storytelling that plays out is as much his way of fighting back as it is a way to present ‘what if’ scenarios that cause us to think about better ways to interact with the world around us and each other.

As a business professional, Mo is communicative, concise and thorough. He approaches each project with a practical sense of how to bring about his desired outcome. He’s also protective of his work—as well he should be. One of the first things you find on his Instagram profile is the disclaimer, “Talented artist based in Amman-Jo, with enough skill and experience to not be paid in exposure nor cryptocurrency…Buy my prints.”

This is a boundary line more artists are having to take now, in the age of technology where images bounce around at the speed of thought and piracy reigns supreme.

He’s tough, but he’s also a great guy and

More importantly, his art and consequential product speaks for itself. It’s edgy, modern yet timeless, serious and yet full of a sort of otherworldly magic. That ‘other world’ is Mo’s vibrant imagination, colored by a blend of his interpretation of his own experiences, external colors and sights and sounds, and real-time events taking place all around him. This makes what he produces innately valuable.

That value is also highly marketable. He’s taken an approach to his work that leans heavily on foresight.

He seems to have asked himself, ‘Ok, so it’s awesome to look at—now what else can it do?’ As such, he designs the artwork in print-ready formats, considers what can translate well to publication for book or periodical magazine layout. He imagines what other practical merchandise can give his work a functional life while honoring the design and original purpose.

In other words, Mohammad has successfully implemented a system that most artists struggle with. One that quite literally makes a business of his natural talents and educated / applied skill sets. This facet of who he is as an art professional is one of the things that I found most exciting about him. Artists like myself can learn a lot by watching Mo.

directory.

47 Machete & Sons : Denver Bespoje Tailors / Denver, Colorado / Instagram @ajmachete / denverbespoke.com / journalist K. Day Gomez

Credits, Locations & Contact 6

Introduction by editor in

chief K. Day Gomez / San Antonio, Texas / Instagram @creative.consultant.kday / email hello.pepper@outlook.com /

8

Instagram @millenialmaker.co / directory linktr.ee/millennialmaker.co / photographer Stacey Rae Olivare-Garcia / journalist K. Day Gomez

web directory msha.ke/kathleendaygomez / self portrait 2022 8

56 Millennial Maker : Zenzali Jefferson / San Antonio, Texas /

Brave New Worlds : artist

Mohammad Awwad / Amman, Jordan / Instagram

66

@mo.awwad.arte / journalist K. Day Gomez 17

photographer Alex Rathbun / Instagram @alexrathbun / alexrathbun.com / model & designer Scottie Rae Eskelund / Instagram @scottie.bydesign & @scottieraeeskelund

The Indomitable Maggie

Hall / Calgary, Canada / Instagram @lovemaggiehall / lovemaggiehall.com / journalist K. Day Gomez 27

Buy the Ticket , Take the

74 Nadin / Alicante, Spain / photographer Andrey Lukovnikov producer Ekaterina Lukovnikova / model Nadia Svietova / hair & makeup Anna Rvabikova / Photo & Retoucher: @lukovnikov.photo Prod: @ne_rodis_hudozhnikom MUA & Hair: @anna_ryabikova_mua Model: @nadin_uv

Ride : artist Jenny Ink / Long Island, New York / Instagram @paintedladystudiojennyink / jennyinkart.com / journalist K. Day Gomez 39

Indigo Bloom / San

Antonio, Texas / Instagram @theindigobloomsa / directory linktr.ee/theindigobloomsa / photojournalist John Hendrick

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ON THE COVER Artist Mo Awwad / Amman, Jordan / Instagram @mo.awwad.arte

Unraveling Constructs

/ Chicago, Illinois /

39

The Double Standard /

San Antonio, Texas / photographer Jason X Hudson / Instagram @jasonxphotography / stylist Kaia Dublin / Instagram @kaiadublin_official &

directory.

Elliot Carlyle @elliotcarlyle at Currently Global

@kaiadublin_brand / directory linktr.ee/KAIADUBLIN / models

@currentlyglobal / currentlyglobal.com / photographer & wardrobe Edwin Borquez Pierrot @edwinpierrotcreative

Misha @mich_pahl & Naja Rae @naja.rae / with LUXE LOFT Model Agency / Instagram @luxeloftmodels / luxeloftmodelagency.com / mua Katherine Arlene

128 What Comes After : actor Chris Todd Durbin / Houston, Texas / Instagram @christodd_actor / journalist K. Day Gomez

@kat_mua_02 88

Style Diaries with Charity

Stewart / San Antonio, Texas / Instagram @_nunnab / reference images sourced from

135 Recording Artist Sisekelo Shawn / The

public domain via Google 97

Kingdom of Eswanti, Africa / Instagram @sisekelo_shawn / mateo-site.webflow.io / journalist K. Day Gomez

Sustainable Work Space /

Sustainable fashion & lifestyle expert Becky Witte-Marsh / San Antonio , Texas / Instagram @beckywittemarsh / model Dan Marsh / photographer

56

Becky Witte-Marsh / vintage office images sourced from public domain via Google 103

Otros Murals @losotrosmurals / journalist K. Day Gomez

Plants Are Friends :

Justyna Grochowska / Warszawa, Poland / self portrait series & essay / Instagram @jugrochowska / grochowska.pl 108

The High Life / Highlight

with Joe A. Gomez III / San Antonio, Texas / Instagram @jag.enterprises / with wife, K. Day Gomez @kathleen.day.official and son, Aiden Gamez @i.am.aiden.g by photographer K. Day Gomez / Reference images sourced from Google 112

PURA VIDA : Chef Cordell

Robinson / Manuel Antonio, Costa Rica / journalist & editor

142 Victor Wembanyama, Los Spurs & a Little Magic / San Antonio, Texas / Featuring artists Natalie Villarreal @nattynstofficial & Nik Soupé @souplaws of Los

66

144 Her Crown : Sinenkosi Msomi / Mbabane, Mpolonjeni - Swaziland, Africa / Instagram @sinenkosi_msomii / web portfolio latitudes.online/artists/sinenk osi_msomi 146 Arte y Pasion presents CONTRA TIERRA / San Antoni, Texas / Arte y Pasión Instagram @arte.y.pasion / arte-y-pasion.com / lead interview subject + professional flamenco dancer & director Tamara Adira @tamara.adira / with flamenco dancers El

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directory.

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Caballero & La Nerea /

Motivational mindset coach Crystal Lopez-Crebs / San Antonio, Texas / Instagram @crystalmagic777 / linktr.ee/crystalmagic777

photographer Mia Isabella @just.miabelle / journalist K. Day Gomez 154

Ubuntu: author Brian

Maseko / Johannesburg, Africa

194 Her Story : Christine Nakra / Austin, Texas / Instagram @mindbodyhenna / linktr.ee/mindbodyhenna / lead photographer Corey Layne Davenport @coreylaynephoto / cover photographer Felicia Reed

/ Instagram @brian_maseko2 / photographer Sinenkosi Msomi / Mbabane, Mpolonjeni Swaziland, Africa / Instagram @sinenkosi_msomii / web portfolio latitudes.online/artists/sinenkos

Photography / supplemental images by Michelle Holloway / journalist K. Day Gomez

i_msomi 157

Humans of San Antonio :

photojournalist John Hendrick /

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San Antonio , Texas / Instagram @johnhendrick_photo / directory liinks.co/johnhendrick_photo 169

Positively Crystal :

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PASSPORT : Tales of

Manderia by Seigar / This is

Absolutely Lizzie

Ginzburg-Maly / London, England / Instagram @gm.lucas.gm / photographer & mother Galina Ginzburg-Maly @galina.maly.interior.design / journalist K. Day Gomez

Spain / Instagram @jseigar / seigar.wordpress.com 175

212 Garage Sale / Vladivostok, Russia / photographer Elizaveta Vasilaki / Creative director

The Flora of Balkaria :

Liudmila Evstratova/ Balkaria / Instagram @moremiha777 184

Fit to a T. : Nutritionist &

fitness expert Tina Sena / New Braunfels, Texas / tinasena.org / Instagram @tinasenaofficial 158

A Modern Mystic : Healing

Practitioner Romy Nava / San Antonio, Texas / Instagram @romynava247 / website romynava.com / photographers Rodion Kutsaiev @frostroomhead - Ukraine, NASA, Dev Asangbam - founder of Lenslark - India, Andras Vas @vas.andras - Hungary

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Ekaterina Shitova / mua Isvanova Margarita / models Elizaveta Bodak, Elena Vahrusheva & Arina Meek Instagram Cr Dir : @eka.shitova MUA: @isyanova_mua Model: @lumo.se Model: @lumo.se Photo: @lizervetka Model: @arinameek 220 Lantern Hour : Flash fiction author Jonathan Darren Garcia / San Antonio, Texas / Instagram @jupiterjazz27 / photographers René Porter -

directory. the Texas House / Austin, Texas / Instagram

@renesdesigns96 & Muhammed ÖCAL -

@calebdecasper / represented by @chickenranchrecords / photographers Gaby Diemeke - @gabydiemeke & Roger Ho - @rohofoto / journalist K. Day Gomez 3 - Our Lives Won’t Be Erased : interview with Drag Monster & performer Miss Taint / San Antonio, Texas / Instagram @miss_taint & @houseofeternas / photographer Alejandra Sol

@muhammedocal - Denizli, Turkey 222

When the Brown Boy

Wonders / poet laureate Andrea Vocab Sanderson / San Antonio, Texas / Instagram @vocabulous / directory linktr.ee/vocabulous / featuring the painting ‘David Lyon’ by Kehinde Wildey 224

A New Day / author

Njabulo Nkambule / Swaziland,

Casas - @alejandrasolcasas & documentary photography during The March of Us /

South Africa / Instagram @dablue_kiddie / linktr.ee/dabluekiddie /

journalist K. Day Gomez

photographer Deva Darshan @darshan394 • Kuala, Lumpur 225

A Wonder-full World /

135

poet & photojournalist Sefra

247 Union of the Impossible : In the Mood for Poetry / Instagram @union_of_impossible

Schwab / San Antonio, Texas / Instagram

203 ICON : Dr. George Washington Carver / cover artwork by Ai Visions / journalist & illustrator K. Day

@sefravofthecherrytree & @simply.sefra.photography 229

Gomez / direct quotes from Dr. George Washington Carver / with additional

We Are All of Us, Animals,

Learning to Be Human : Jungwe Animal Shelter /

reference images sourced from public domain via Google.

Uganda / Instagram @jungwe_animal_shelter_1 & @friends_of_jungwe_animal_sh el / directory

ADVERTISERS —

linktr.ee/jungweanimal 236

5 Desja Chanel Boutique / San Antonio, Texas / stylist Des Torres / Instagram @desjachanel, @i_amdes_torres &

TRANS Revolution A

Multi-City Testimony of Resilience 1 - Trans Visibility March / Washington, DC /

@styledxdes / desjachanel.com

photojournalist Chaz Niell / Instagram @reddotjournals & @globalocity / chazimagery.com 2 - Caleb De Casper Takes on

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7 Seigar / Spain / Instagram @jseigar / seigar.wordpress.com

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directory.

37

5332 San Pedro SA/TX 78212 / phone (210)685-9275

Melanie Allison Art Gallery

/ artist Melanie Allison / Austin, Texas / Instagram

96 Sustainable Stylist Becky Witte-Marsh / San Antonio, Texas / Instagram @beckywittemarsh / email marshbecky17@gmail.com

@melanieallisongallery / directory msha.ke/melanieallisongallery 38

Infinite Photography / San

Antonio, Texas / photographer

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Mandy Kadura / Instagram directory poplme.co/hash /

Antonio, Texas / Instagram @periodmodern / 4347 McCullough Ave. SA/TX 78212

email

/ phone (210)902-1217

@infinitephotographysa /

infinitephotographysaofficial@g

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mail.com / phone (210) 956-0588 45

Stacey Rae Olivares-Garcia

/ San Antonio, Texas / Instagram @staceyraeofficial / cloverbudphotography.com 46

Darkhorse Photography /

175

Period Modern / San

NOVEM Bean Coffee /

chef Joe A. Gomez III / San Antonio, Texas / Instagram @novem.cuisine / novemcuisine.weebly.com / phone (512)965-3383 / also sold at PB&Jay with Tay

portfolio

122 Shotgun House Roasters / San Antonio, Texas / Instagram @shotgunhouseroasters / shotgunhouseroasters.com / inside Warehouse 5 at 1333

vimeo.com/heliosmediatx

Buena Vista St. SA/TX 78207 /

Michael Avila Christman / Instagram @darkhorsephotographysa & @heliosmediatx / media

phone (254)913-9031 93

Adam Ross Bespoke &

Custom Clothiers / San Antonio, Texas / Instagram @adamrosscustom / AdamRossCustom.com / 18911 Hardy Oak Blvd. SA/TX 78258 / phone (713)221-4217 94

NEMERS Boutique / San

Antonio, Texas / Instagram @nemersboutique / nemersboutique.com / phone (210)310-6357 95

U Got the Look Beautique

/ San Antonio, Texas / Instagram @ugotthelookbeautique / ugotthelookbeautique.com /

189

123 Palmer’s Restaurant Bar & Courtyard / San Marcos, Texas / Instagram @palmers.smtx / palmerstexa.com / 218 Moore St. SM/TX 78666 124 They Hayden Diner & Cocktails / San Antonio, Texas / Instagram @thehayden_sa / directory linktr.ee/thehaydensa / thehaydensa.com / phone (210) 437-4306 Two locations : 1 - The Boardwalk on Broadway, 4025 Broadway SA/TX 78209

directory.

Acevedo of POUT MedSpa /San Antonio, Texas / poutmedspa.com / / Instagram @pout_itxialee / ad created by K. Day Gomez

2 - Alon, 10003 NW Military Hwy #2115 SA/TX 78231 125

Taco Couture / San

Antonio, Texas / Instagram

203 Neurodivergent Child Artist Aiden Gamez / San Antonio, Texas / Instagram @i.am.aide.g / msha.ke/artistaideng

@taco.couture [DM to book / inquire] 126

Sip It / San Antonio, Texas

/ Instagram @sipittx / sipittx.com / phone (915)252-

217 RETURN OF THE MATRIARCH / Andrea 'Vocab' Sanderson × Aminah Decé

9468 127

bokcreative inc. /

/ San Antonio, Texas / Instagram @returnofthematriarch / roftm.com

Los Angeles, California • Austin, Texas / Instagram @bokcreative / bokcreative.com 167

218 ZAPATA House / San Antonio, Texas / Instagram @zapata.house / zapatahouse.com

Corey Layne

Photography / Austin, Texas / Instagram @coreylaynephoto / web directory linktr.ee/Coreylaynephoto 168

227

Sinenkosi Msomi /

Mbabane, Mpolonjeni Swaziland, Africa / Instagram @sinenkosi_msomii / web portfolio

228 Author Robert Dean / Austin, Texas / Instagram

latitudes.online/artists/sinenkos i_msomi 183

Kraft Fitness & Body by

Kraft / personal trainer, fitness

Author Njabulo

Nkambule / Swaziland, South Africa / Instagram @dablue_kiddie / linktr.ee/dabluekiddie

220

@literallyrobertdean / book : barnesandnoble.com/w/exist ential-thirst-trap-robertdean/1142963685

experts Shawn Kraft / San Antonio, Texas / Instagram @kraftfitness & @bodybykraft / kraftfitness.com / email shawn@kraftfitness.com 187

Whole Heart Foods by

Tina Sena / Tina Sena Fitness / New Braunfels, Texas /

NONPROFITS — PEPPER Magazine proudly supports the following nonprofit organizations & community efforts. We strongly encourage our readers to do get involved.

Instagram @tinasenaofficial / tinasena.org 188

Clinician, Dr. Itxia Lee

Please take a moment to look them up, follow, learn, volunteer or donate.

directory.

• Srow Zar Children organization, Afghanistan Instagram @srowzarchildren • Kearing Foundation for Orphans living with HIV, Uganda @kearing_foundation_ug • Bamunanika Children’s Home, Uganda Instagram @bamunanika_charity_foun dation • We Care Wildlife Sanctuar, Lakehills, Texas Instagram @wecarewildlifesanctuary

229

• Alora Farm nonprofit for Neurodivergent teens & adults on the Autism spectrum, Lakehills, Texas Instagram @alora_farm • This Is Jane Project, Colorado + California / Instagram @thisisjaneproject / linktr.ee/thisisjaneproject_

236

• Jungwe Animal Rescue & Shelter, Uganda / Instagram @jungwe_animal_shelter_1 & @friends_of_jungwe_animal_ shel / directory linktr.ee/jungweanimal • Geofrey Foundation for Kids nonprofit organization,

Since our public launch in May of 2022, we’ve also proudly supported through GoFundMe (and other means): The MAC • Literacy • Ukrainian San Antonio • Autism Advocacy • Uvalde Families post tragedy…

And more; and this is only the beginning.

Uganda Instagram @hope_up_for_kids • God’s Mercy Orphanage, Uganda • Instagram @christ_alone44 OUR MISSION — support the arts • Fair Wages for Creatives • shop small business • curate sustainable ethically sourced fashion • recycle • be kind • repeat.

PEPPER STAFF K. DAY GOMEZ CEO & EDITOR IN CHIEF My name is Kathleen, editor in chief of PEPPER Magazine. For PEPPER, I am also CEO, creative director, artist, photojournalist, copy writer, social media manager and staff manager.

As founder and chief editor, I run the creative department (from layout to full design and aesthetics). I am also an active photojournalist, writer and technical / fine artist for our global publication. This entails writing articles, shooting photos for content as well as for some of our advertisers, and even often times hand-designing (painting and mixed media) cover art and illustrating certain columns.

I’m a 41 year old neurodivergent (autism / ADHD) business woman, first generation American on my father’s side (immigration from Australia and third generation American on my mother’s side (immigration from Ireland). I am a pansexual cisgender female and part of the LGBTQ community.

I am the proud mother of an autistic child with a cognitive disability, for whom I founded this company in part. My goal is to provide my son who is an artist and animator (currently age 13) with gainful and meaningful career employment when he comes of age. I am married to my best friend Joe, the pillar of our family who has lovingly accepted Aiden as his own child.

Everything I do is humanitarian based and

we are honored to work with nonprofits, community efforts and even refugees from all over the world.

And I sit on the Advisory Board of the Alora Farm nonprofit for adult autists. “Alora Farm is a farmstead wellness haven for autist teens and adults to live and work as part of a thriving community.” [see AloraFarm.org] Other tidbits about me—I have children’s books in the works for which I am the illustrator and author. I also moonlight as a songwriter and vocalist occasionally, with my most recent projects being collaborations with local recording artists in the rap genre (believe it or not).

On my background…

My career life has been a bit of a juggling act. I’m an internationally published artist, author, creative consultant and intuitive life coach. I formerly ran a magical online boutique called The Imaginarium Wonder Emporium (it’s not dead, just sleeping until I can cultivate the time to wake it back up).

I’ve been a photojournalist, art illustrator and content writer for various publications and blogs for over two decades.

I formerly held a modeling career for over 17 years that led to acting and directing, which I still may pursue in the future. Who knows?

My brilliant son is diagnosed autistic with a cognitive disability and is an internationally published artist himself. My husband is an amazing chef for his business, NOVEM Cuisine and I’m happy to run the creative department and be his occasional culinary assistant. My boys are the center of my world.

PEPPER STAFF I’m an internationally published artist, author, creative consultant and intuitive life coach. I also sit on the Advisory Board of the Alora Farm nonprofit for adult autists.

I’ve been a photojournalist, art illustrator and content writer for various publications and blogs for over two decades. I formerly held a modeling career for over 17 years that led to acting and directing, which I still may pursue in the future.

I always seek to be of the most help to our community and global humanitarian issues any way I can. It was with this intention that I founded PEPPER Magazine.

As a creative, and member of the LGBTQ community, it is also my intent that the publication be inclusive, diverse and support marginalized communities and those with varied abilities / disabilities by creating a safe space for all to be heard. Thank you for taking the time to learn about our mission. I anticipate great things for the future.

As a family, we are philanthropists. We always seek to be of the most help to our community and global humanitarian issues any way we can. You’ll find us enjoying beautiful San Antonio and the Alamo Heights area where we reside. Thanks for taking the time to get to know me. I look forward to connecting.

JOE A. GOMEZ III COO, CFO & MARKETING DIRECTOR An all-American Texas boy born and raised in

San Antonio, Joe A. Gomez III has been a strong community leader, a humanitarian and a true lover of life. A former city councilman having served on the board of the San Marcos Chamber of Commerce for several years, he's also the founder of JAG Enterprises with over 23 years of management experience. He is now PEPPER Magazine's CFO & Key Lifestyle Contributor.

A chef to rival most, despite not having been classically trained, Joe's culinary expertise is impeccable. Enough so that over time he began to develop the ground work for what is now called NOVEM Cuisine. Since the founding of NOVEM, chef Joe's recipes have become more diverse and in turn, the public attention has grown.

This has led to multiple international publications, to include London and Manchester, UK. And if you have the luck of tasting his food you'll understand why. There is no detail that escapes him, and the care he puts into the preparation and plating of every meal is nothing shy of five-star dining.

The pièce de résistance is having him prepare it right from the comfort of the best restaurant in town; your own home.

BECKY WITTEMARSH SUSTAINABLE FASHION & LIFESTYLE EXPERT Becky found her passion for sustainable fashion and home furnishings at an early age when being sustainable was a necessity.

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A lifetime of creating her own personal style through sustainable sources, got the attention of those around her.

Today, her innovative creations using vintage, thrift and self-made items will inspire a new way to look at dressing and styling your home.

Becky will help you turn style sustainability from an inconvenience into an ADVENTURE!​

ANDREA ‘ VOCAB’ SANDERSON POET LAUREATE Poet Laureate 20202023, performs as “Vocab” in her hometown of San Antonio, Texas. ”Watching her perform, the word “hero” comes to mind. And not “hero” for the sake of just skill, but for her work in her community: Sanderson teaches poetry workshops, mentors, builds up and encourages artists to pursue their art, and gives them platforms to showcase their talent.

Sanderson’s interest in other people’s art and artistic development became a passion of hers, and she started curating her own shows and creating platforms for other artists to hone their craft by hosting open mics.”

-The San Antonio Current, Jan. 16, 2018 She received awards, Performer of the Year, Influencer of the Year, from Project Forward, and Dream Voice, from the Dream Week Commission. Sanderson is the winner of the 2019 People’s Choice Award, awarded by Luminaria Artist Foundation (formerly

known as: Artist Foundation of San Antonio).

In May of 2020 she was awarded Best Live Entertainment/Band Musician of the Year by the SEA Awards.

TINA SENA NUTRITIONIST & FITNESS EXPERT Hi, my name is Tina Sena and it has been my passion to motivate, inspire and encourage others to achieve health and wellness physically, mentally, emotionally and spiritually.

For 24 years now I have been doing personal training, nutrition consulting, kids programs, developing a protein line of sweet treats and running my own businesses. I am a spouse and also a real estate business partner with my husband Michael, and we have a beautiful 13 year old daughter named Mia. It is my desire to build a community where we can share with others all the knowledge we have accumulated over the years to help create total health and wellness in their lives.

I​ was an only child who grew up in a home with a mentally ill father and a mother who, although very strong, was also riddled with fear and anxiety while working all the time to provide for our family. We had very little so I was terribly ridiculed in school. ​ ​I saw my first therapist at the age of 10. My father passed away at 44 and as a very independent 20 year old I was on a mission to help others to not suffer in all the ways myself and my family did physically, mentally and emotionally.

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Ibecame a personal trainer about 24 years ago while I was working as a model and living a completely unhealthy lifestyle. I wanted so much to have lean, sexy muscles which was a no no back then in that world.

So I hired my first personal trainer who taught me how to lift weights and eat properly. I never felt better! My body, mind and health completely changed and off I went. I began training for triathlons and fitness competitions with some of the best trainers and decided that was it - I wanted to do for others what they had all done for me.

So off to work I went. I am now an upscale fitness facility owner, protein treats line developer and I organize a nonprofit program changing the course for kids!

I believe that we all have the power within us to get past the pain we endure in life. We just need the proper guidance and resources to get us there!

It means everything to me to help my community to be encouraged and feel love and support through what might be their most challenging journey.....working on ourselves!!!”

ROBERT DEAN JOURNALIST & AUTHOR [In his own words...]

Robert Dean is a journalist, raconteur, and ‘enlightened dumbass’.

His work has been featured in places like MIC, Eater, Fatherly, Yahoo, Austin AmericanStatesman, Consequence of Sound, Ozy, USA Today, to name a few. He’s appeared on CNN and NPR. He also serves as features writer for Hussy Magazine and is editor in chief for Big Laugh Comedy, Texas’ biggest comedy production company. He lives in Austin and loves ice cream and koalas.

CRYSTAL LOPEZ-CREBS MOTIVATIONAL MINDSET COACH Crystal Lopez-Crebs received her degree in Fashion Design & Marketing from The International Academy of Design & Technology in Tampa, FL. She also interned with designer Tracy Reese in New York learning the ropes of New York Fashion Week (NYFW).

She owned an entertainment company in Tampa where she created costumes, did makeup, and stylized looks for her team.

After moving to Texas, she mastered her crafts in the makeup industry working for MAC Cosmetics. She has also done makeup for LA & San Antonio Fashion Week, worked on film sets as both talent and wardrobe & production design, and developed her fashion production skills at Neiman Marcus.

Crystal is now the talent coordinator for X Level Inc, a creative agency in San Antonio, TX, where she helps scout and develop talent. She is also the founder of the nonprofit, Fashionable Adoptions, that promotes animal adoption through fun fashion events, most notably her fashion shows that showcase adoptable animals walking the runway.

She’s helped many people (and animals) improve their lives with her health & wellness business alongside her husband, especially through her story overcoming a health challenge. She loves to talk about vision and mindset to her audience to empower them to live a bigger life. Her unique style and excitement for living a healthy life can be felt as she shares her passions on social media

staff. and in person. Crystal brings her bright light & energy to inspire everyone to live an abundantly beautiful & healthy life from the inside out.

CHAZ NIELL PHOTOJOURNALIST Based in Washington DC, Chaz is an award-winning photographer with over 15 years of experience telling stories through his art to capture the emotion of every subject whether in sports, fashion, entertainment or social consciousness. He has long been a fan of the visual arts and his passion led him to attend the Art Institute of Pittsburgh where he was able to explore all facets of the industry and discover his deep passion for photography.

Chaz Niell shares the philosophy of the great Nina Simone “as an artist it’s his duty to reflect the times in which he finds himself.” “How can I be an artist and not reflect the times”? His work has been featured in highly acclaimed periodicals and publications, such as Sports Illustrated, Rolling Stones, The Wall Street Journal, Vanity Fair, The New Yorker, Forbes, and Paris Match just to name a few. In addition, footwear manufacturer Nike in 2019 displayed his awe-inspiring photo of tennis champion Rafael Nadal on their New York City digital broad at 34th & 7th Ave. one block from Madison Square Garden.

Chaz has also been commissioned to shoot the David Ortiz Celebrity Golf Classic, Hampton International Film Festival, New Balance, Art and Commerce, and British fashion retailer, AllSaints. His photographs

also appear in Leica Fotografie International (LFI) galleries. He is an official Getty Images contributor. His love for fashion and the creative philosophy “Dress every day like you’re going to Jimi Hendrix’s funeral” gives him the freedom to express the many sides of the Gemini that resides in him.

We are honored to have him as a contributing member of the PEPPER Magazine team.

NJABULO NKAMBULE AUTHOR & POET Njabulo Nkambule also known as Njabulo N. is a writer, a poet hailing from the Kingdom Swaziland.

“I'm also an author of the soon to be published anthology, DEEP-ROOTEDWORDS which will include mainly my written poems. I’m a devoted,multipassionate, hardworking poet with a keen eye for detail and an insatiable interest in the use of the written word.

I'm one person who is so passionate about poetry having so many written poems under my name (not yet published).

My writings (poems) include quite a number of poetic forms including rhymed poetry, narrative poetry, pastoral poetry, elegies poetry, limerick poetry, lyric and soliloquy poetry.”

PEPPER is enriched by the presence and liter contributions of this gifted writer and we are excited to see how he helps to shape the overall landscape of our publication over time.

staff. scene from the late 1960’s forward. Over time, we will be sharing these archives which range from obscure to iconic. We are grateful to have Norman as part of our team.

Currently, he is engaged in the development process as a key interview subject for our first documentary about the history of SAMOMA. In conjunction with our cinematographer Michael Avila Christman and editor in chief who is key interviewer for the independent filming project, Norman is providing priceless facts and contacts for the film’s creation.

MICHAEL AVILA CHRISTMAN DIRECTOR & CINEMATOGRAPHER Founder of Darkhorse Photography, as well as his media company Helios, San Antonio native creative professional Michael

Avila Christman is a fixture here.

His projects range from short film to documentary to commercials to editorial fashion photography. He’s worked with well known models, designers, makeup artists, musicians, local celebrities and other professionals throughout his expansive career.

Now, Michael is taking his passion for journalism and theatrical storytelling to new heights by collaborating with PEPPER Magazine and taking on a staff contributor role. He will be responsible for the majority of commercial video content for the

publication through his tenure to come.

STACEY RAE OLIVARESGARCIA PHOTOJOURNALIST Stacey is a San Antonio native, growing up down

the road from Karam's Mexican Restaurant and The Malt House.

While residing in Austin, Stacey began to grow her passion for photojournalism by capturing the heart of the person behind the lens. She wanted to bring this fresh outlook with her to San Antonio. Returning to her hometown allowed her to focus on the art in a person's story.

Stacey's work has been featured in several magazines such as; Entertainment Tonight Online, Voyage Houston, and S.A. Scene Magazine. She has captured photos for multiple businesses across various industries including Luzianne Tea and August Ink. ​ er creative eye and ability to capture her H subjects’ stories with grace and dignity makes Olivares-Garcia the perfect addition to the PEPPER team.

MELANIE ALLISON NETWORKING LIAISON One day, I decided to take life by the (long)horns and got back to my roots by modeling

staff. and painting again. I wanted to break the fashion industry standards and stigmas by creating a need for a petite and classic model. I started working with local photographers in the Austin area, building a new portfolio. Soon I discovered independent magazines and learned how to submit my work. I was finally published and on the cover of a magazine for the first time in October 2016. Soon after that, I was signed with TL Modeling Agency in Houston, Texas.

But things don’t always go as planned. After enduring occasional rejection from magazine editors, I founded my own art & fashion magazine called Bevie in November 2016. My mission with Bevie was to showcase emerging, local and international talent such as artists, models, photographers, designers, and other creatives.

By making a sophisticated publication more approachable, I was able to help my fellow colleagues get established or further along in their career. After two years of publishing my bimonthly mag, I decided to go back to work full-time and the last issue was released in December 2018. Bevie still has quite the following today!

Today, I am now focused on creating mixed media art, establishing my networking event, turned group called Girl Flock Party, and becoming a part of the local artist community. It has been an amazing journey and I am grateful for every experience along the way!”

Melanie is a great asset to the PEPPER team and provides valuable guidance, lead finding and creative / marketing advice from her home base in the Georgetown / Austin area.

ROMY NAVA HEALING PRACTITIONER Romy Nava has been actively developing his gift as a healer since the beginning of 2013.

As a Sound Healing and Reiki practitioner, he has formulated a signature holistic protocol.

His clients are comforted and claim to experience a relaxed calming sensation for days following each session he provides.

Also a media tech and podcast host, Romy aims to educate and hold space for enlightened thought by way of his platform.

He establishes a dialogue that is relatable with the intention of getting to the core of the human psyche, spirit and mind-body connection. He examines the choices we make vs. practical and functional resolution.

All of this expertise and experience makes him an incredible asset to PEPPER Magazine. Say hello to Romy and open yourself up to learning something new… maybe even about yourself.

ANDREW BARRAZA MEN’S GROOMING STYLE CONSULTANT Andrew is a graphic novel artist & comic book enthusiast who also happens to be a mustache connoisseur.

“Men are always just kinda left out when it comes to

staff. grooming topics. I had to learn all my tricks on the street. I’m and ambassador for a couple of stache grooming brands. It’s been a blast growing it, helping others with tips and making new friends.

I still draw when I have the chance. Love comics and art.”

He is here to lend PEPPER Magazine his expertise in mens grooming, the subcultural aspect that goes along with this niche and other great products, tips and resources for men.

“It’s really funny, without knowing when I got into it, there’s a giant mustache community out there of dudes that are happy to encourage, give tips, even help out with charities and events. One of the companies that I ambassador for donates part of every sale to first responders. Turns out there’s a lot of firemen that make and sell mustache wax also.

And seeing people randomly, I ALWAYS get compliments from people. And I’m happy they think it’s cool and get a kick outta it.

Even gotten some free beers in the bars.

That’s worth it right there alone.”

SINENKOSI MSOMI PHOTOJOURNALIST & CONCEPTUAL ARTIST Sinenkosi Msomi is an exceptional photographer born in Eswatini and currently residing in Mbabane, Mpolonjeni.

His work consists of staged and conceptual photography. The themes contained in his

work include addressing mental health issues, the importance of self-expressions and exploring the significance of one's childhood memories.

His upbringing plays a major role in how his work eventually plays out. He recollects the different sides of growing up in an African extended family and how that helped shape him. His pictures help him talk about things that he sometimes finds no words to fully express.

Msomi is an incredible asset to PEPPER Magazine and will continue to work remotely, bringing impactful documentary through the personal and unique storytelling of his imagery.

ALYSE DEANDA NETWORKING LIAISON & SPECIALIST Alyse Deanda is the Founder and Chief Executive Officer of The Blooming Social, a social media marketing and management agency.

She assists small businesses as they navigate the complex world of Digital Marketing for the first time. She has also assisted multi-billion dollar businesses in accomplishing their marketing goals.

In 2022, she founded Wild Bloom Vintage, a women’s fashion e-boutique that is focused on sourcing sustainable women’s fashion and nicknacks. Born and raised in the Rio Grande Valley, Alyse now resides in San Antonio, Texas. She is a proud alumna of St. Mary's University where she earned a Bachelor of Arts in Speech Communications. She is a model and

staff. actress with representation in San Antonio, TX, Shreveport, LA and NYC, NY. Alyse has worked in the fashion industry both behind the scenes as well as in the spotlight for almost a decade. In addition, she is proud to serve on the Board of Directors of FerrariKid, a nonprofit organization that is focused on bringing joy to children battling cancer and chronic illness.

As a networking liaison for PEPPER Magazine, Alyse will be pulling from her wealth of experience and knowledge to guide networking, gather leads and connect nonprofits and businesses with our publishing firm.

COREY DAVENPORT

into something that I have excitedly worked on for the last 13+ years. Whether it be going to local venues, traveling for festivals, or touring with bands on and off over the years. My opportunity to capture the raw emotion of the artists is an experience that will never cease to fill me with joy.

With more doors opening, I plan to continue learning about, and expanding my craft, while striving for more new experiences throughout my ever growing life as a photographer.”

Corey will be covering various leads and events for PEPPER in Austin and surrounding areas. He’s also working on showcasing some intense and striking documentary imagery from his archives over time.

CHARITY STEWART

PHOTOJOURNALIST A Texas native, with a curiosity of the human experience.

“Having always been fascinated by the psychology / sociology of people, while also lacking the ability to focus my interests, and thoughts into words, I knew at a young age that photography was my outlet to show the world what I see. With inspiration from some of the classic greats like Elliot Erwitt, Gary Winogrand, Henri Cartier-Bresson, and Weegee, my passion for street photography/photojournalism will continue to be the driving force behind what I do with a camera.

Living in Austin, TX for the majority of my life, has also given me the best environment to mix my love of music, and photography

STYLE CONSULTANT “My name is Charity Stewart. I was born and raised in Houston, Texas. I am a very family oriented person I grew up with two sisters and a brother. In high school is where I met my now husband, we have been together since 2015 and have been married since 2021. I went to Sam Houston State University to run track and I majored in business. I moved to San Antonio in 2021.

I am a licensed disability job coach. One of my passions is helping people and being certified allowed me the opportunity to help people with disabilities from the ages of 17-23 find a job and be equipped for the workforce.

Currently I work as a barista at Press Coffee

staff. and also at Mint Vintage. My husband and I are in the process of launching our brand called Team Faithful. We started this because we want to encourage young couples to stay committed and honor each other despite what the culture is saying today. We believe that life is about community and helping others which makes me so happy to be a part of PEPPER Magazine where helping people is in our DNA. Growing up, I have always had a passion for fashion. I remember getting up on Saturdays to put outfits together and giving my family a fashion show in the living room. Now as an adult I am able to make a fashion show for myself every day and also for PEPPER Magazine.”

Charity will be sharing her favorite fashion and beauty tips, hacks and trends (old and new) as well as the brands and entrepreneurs she recommends in her own column.

old (when I was published in an international magazine) and picked up photography over a decade ago, always pushing myself and my equipment as far as I could, developing my style to show people how vibrant, beautiful, and varied the world is. I have sold prints of my photography, as well as being published in periodicals.

Pepper will be the first publication where I will be contributing regularly as I've spent several years focusing on horse training and more recently, being a single mom to a very bright and busy toddler. I am so excited to be part of Pepper, and I hope we'll be seeing each other for a long time to come!"

JONATHAN DARREN GARCIA FLASH FICTION WRITER

SEFRA SCHWAB PHOTOJOURNALIST “I'm Sefra, and while I have a lot of interests that I feel deeply about, the most important things to me are my faith, my daughter, and my deep-seated love for animals and the people who love them (especially horses). As a recently diagnosed autistic following several years of misdiagnoses, I have an intense interest in philosophy and all the different ways that humans are.

I have been writing - mostly poetry, and short stories - since I was about 10 years

Jonathan Darren Garcia is a San Antonio based writer. He was a featured poet in That Gray Zine: San Antonio's Collective Carefest. He has been published in multiple literary magazines including Crepe & Penn (Now known as C&P Quarterly), Scum Gentry Alternative Arts, Beyond The Veil, From Whisper To Roars, Royal Rose, etc. Notable works include "You Both Need To Leave Right now!", "The Energy Of A Stone" and "Samson".

He dreams of a story worth telling. On his off time he enjoys a good cup of coffee from one of the many local spots in San Antonio. With his compelling handle on the flash fiction genre, Jonathan will maintain a gripping monthly column in PEPPER Magazine.

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SEIGAR

MANDY KADURA

PHOTOJOURNALIST & CONCEPTUAL ARTIST

PHOTOGRAPHER

Seigar is a passionate travel, street, socialdocumentary, conceptual, and pop visual artist based in Tenerife, Spain. He feels obsessed with the pop culture that he shows in his works. He has explored photography, video art, writing, and collage. He writes for some media. His main inspirations are traveling and people.

Seigar’s aim as an artist is to tell tales with his camera, creating a continuous storyline from his trips and encounters. He is a philologist and works as a secondary school teacher. He is a self-taught visual artist, though he has done a two years course in advanced photography and one in cinema and television.

He has participated in several international exhibitions, festivals, and cultural events. His works have been featured in numerous publications worldwide. His latest interests are documenting identity and spreading the message of the Latin phrase: Carpe Diem. Recently, he received the Rafael Ramos García International Photography Award. He shares art and culture in his blog: Pop Sonality.

Currently, Seigar is our travel columnist, heading out the section with his “Tales of” series. We look forward to learning about the world around us through his skillful and artful lens.

FOLLOW US on Instagram.

Hi, my name is Mandy Rose. Im a wife, mother, and entrepreneur—I own Infinite Photography SA. I believe in the power of art and media.

“Art is chaos taking shape” —Pablo Picasso My photography is an expression of who I am and what I stand for : love, life, and creativity. I’ve been a photographer for 10 years. Five years into the art, I created my business Infinite photography SA. After that, I never stopped my momentum. I now own 2 businesses and have become the entrepreneur I always wanted to be [with Dropyourlashes being my second business].

I have worked with many families along my career and recently broke my way into the fashion industry. It’s exciting to have an outlet to create more art. To me, being able to be a part of Pepper Magazine—a world wide publication—is an honor and I am so excited to provide quality images for a magazine that I myself have supported and continue to read and follow.

WINNER MAGAZINE OF THE YEAR

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JOHN HENDRICK PHOTOJOURNALIST & CONCEPTUAL ARTIST Born in the Bronx, New York, and raised in Queens.

John’s artistic upbringing and his path to photography began shortly after his parent's separation when he was seven years old. He initially lived with his father, who would provide the foundation for his artistic eye, having John learn to play the piano, draw, and paint to stay off the streets.

He would then go on to live with his mother, where he would spend much of his youth raised by his mother, a single mom of two.

His mother worked nights, and his brother, who was four years older, was never home, leading John to become accustomed to independence.

John grew up skateboarding in the mid-’80s and into the late ’90s when NYC was the melting pot of pop culture. Without knowing it, this would start his photographic journey, always carrying a camera and taking pictures of his friends. He worked as a messenger, becoming familiar with every inch of the city. Soon after, he would work at the Metropolitan Museum of Art, expanding his artistic vocabulary surrounded by the works of all the greats.

For the past 23 years, John has traveled worldwide and lived abroad in countries such as Italy, Spain, and Japan; each location is inspiring and influences his point of view.

Currently, he lives in San Antonio, where he teaches photography at the Southwest School of Art. After all these years of traveling and photographing the world, he has found his artistic voice and this creative

vision, feeding off of the Bauhaus movement working in color and abstract compositions, making his name as one of the up-andcoming street photographers working in color; if you look hard enough, you can find hints of being raised by a single mom, his independence, and gestures of kindness.

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CURRENT•LY GLOBAL ELLIOT CARLYLE CHIEF CONSULTING DIRECTOR X EDWIN PIERROT CHIEF CREATIVE DIRECTOR Elliot Carlyle, Chief Consulting Director, and Edwin Pierrot, Chief Creative Director, of CURRENT•LY Global are a dynamic, AfroLatino-duo inspired to help people and brands reimagine, redefine, and represent through creativity.

"We work with entrepreneurs, corporations, and brands across industries, including: fashion, entertainment, jewelry, and lifestyle to create unforgettable experiences.

Together, we elevate brand awareness using creativity, innovation, and strategy. We make brands more purpose-driven, intriguing, consistent, and enigmatic."

Elliot and Edwin have a combined skillset

staff. which covers art direction, creative direction, photography, styling, movement coaching, brand development, social media strategy, program development, and more.

Together, the dynamic duo have paired up to serve as a collective creative force for PEPPER Magazine. Combining their efforts as photographers, journalists, content creators and advisors, they work in unison as a team out of New York. With their keen industry insights across genres and their commitment to editorial excellence and empowering others, they prove an invaluable asset to our humanitarian-driven publication.

TENNYSON CORLEY FINE ARTIST & STORYTELLER Meet the author and fine art illustrator who is reinventing the old comic strip via a completely innovative approach to short form periodical storytelling in PEPPER Magazine!

Tennyson Corley is a sculptor, or as she calls it, ceramic illustrator residing in Columbia, South Carolina. Her practice explores the use of earthen clay as an illustrative tool to create creatures with carefully crafted backstories. Each a mixture of Beatrice Potter illustrations and an Orwellian Animal Farm character.

Tennyson was raised by her mother, an illustrator, in the heart of South Carolina on a large horse stable. With her formative years spent in her own mother's studio, Tennyson was encouraged creatively and gained a lasting love for art. Today, as a proud

mother, she encourages her own child’s art journey.

“My childhood has led me to my current body of work. I am the product of an illustrator who chose books based on the beauty of the illustrations. I have continued this collection. Referencing characters and ideas for my own work.

I grew up surrounded by animals on our farm. Studying them, the ways animals interact and coexsist among each other, how species intermingled, the hierarchies that arose. I gave them personalities in my mind. Constructing back stories and human characteristics for each one.

Fast forward to 2018, when I took my first pottery class which landed me with a membership at a pottery studio. I began to find what my artistic practice was craving. It took me back to my childhood, constructing animals out of playdoh and drying them on my shelf. In a full circle moment, I combined my love for childrens book illustrations, building back stories for the creatures around me, and moving from playdoh to clay to create, what I call, my ceramic illustrations.

Each sculpture is a mix of Beatrice Potter and an Orwellian Animal Farm character.

Conceptualized in my mind, where I work out their features, back stories, faults, and qualities. Then, through my hands, they are birthed into life through earthen clay, underglazes, and the fire of the kiln.”

—And you privileged readers will get to know them one by one via her monthly column in our kids and youth section. “In talking with PEPPER Magazine, I felt rooted in my practice again. It brought about a connection that led to a new opportunity.

Something I wanted but didn't feel like it was for this path that I was on. The one of a small scale sculpture artist from Columbia,

staff.

South Carolina.

I will be an Arts Contributor going forward with my own work. One ceramic illustration will be featured in each issue along with its story. Something like that of an evolved comic strip. And I like that. It feels fantastic. I love this weird little life full of ups and downs, bumps and highs. Chance connections and opportunities. Weird little pathways carved out like water from a spilled cup.”

A MOST HUMBLE THANK YOU It is not a cliché when we say we would be nothing without you. Our purpose is intrinsically tied to the importance our fellow humans place on what we deliver.

Thank you for believing in what we do and daring to dream with us.

We are honored to have Tennyson’s whimsical characters come to life and play on our stage here. It is our truest hope that they come to be a thing everyone looks forward to, and that they stay with you like strange little old friends.

BECOME A PEPPER PARTNER PEPPER MAGAZINE IS GROWING OUR FIRST YEAR HAS BEEN PHENOMENAL! We continue to be a platform for ALL people, all ages, all cultures, religious affiliations (or not), orientations and all disabilities and abilities to tell their stories.

PLEASE CONSIDER HELPING US CONTINUE TO TELL THOSE STORIES.

TO OUR READERS…

BECOME A PEPPER PARTNER & BE RECOGNIZED ON OUR PEPPER PARTNER PAGE EACH ISSUE. DONATE at gofund.me/1338dddf

For fun & wonderment, please enjoy this cut & fold art box by cover artist Mohammad Awwad.

For all ages. Be sure to email us pics of your assembled box and what you use it for at hello.pepper@outlook.com, or post & tag us on Instagram @hello.peppermagazine for your chance to be featured. Bonus : can you make your very own Mo Awwad tribute art? We want to see what you come up with!!!