VOL. 2 / NO. 4
to be human.
PEPPER 6 Editor’s Note : TO BE HUMAN
arts. 9 Underwater : Pat Flanagan 16 The Unbridled Madness of Eric Rottcher 26 Veiled Landscapes : Aleksandra Stone 33 The ‘‘Creep Fantastic’ & Nate Zen
business. 43 The Strange & Wonderful World of Vanessa Irino
fashion.
53 C’mon Get Happy : Amy Roiland with Molly Balloons 63 The New Fall : Nadezda Mamontova 68 Barbie Land : A Bollywood Style celebration 73 Minimalism Style Review 96 Style Diaries with Charity
habitat.
102 Sandy & the Sailor • with Becky Witte-Marsh
savor. 112 Go Fish
121 Chef’s Kiss RECIPES : Chef Serge Krikorian
culture.
128 Cassius Gray : The Legend of Gary Bowie 136 Sumo & Sushi : Chaz Niell 146 They Tasted Euphoria : Sinenkosi Msomi 148 Defining Jason Javier Nelson 154 Light it Up : Domoohh
passport.
160 Tales of Trasmoz by Seigar 168 Nagano / Narai Juku, Japan : Corey Davenport
178 Santa Cruz de Tenerife : Ira Wind
Rx.
182 Fit to a T.
psych.
186 Her Story : Jeanne Bessette 194 A Modern Mystic
no.04 I S S U E
VOL.
2
prodigy. 198 The Stardust Kid : Dahlia Black 204 World Animal Day Celebration 210 The Tauntingly Tantalizing Tales of Tennyson Corley
lit.
213 Letter From Oakley Estate 214 The Human Condition 215 I’m the Voice 217 Bullet
16
218 Survivor’s Guilt
get involved. 222 The Joffrey Workshop
disquiet. 232 In the Dark : Sambulo Shongwe
directory. 237 ICON : Anthony Bordain 243 Cover Artist : Pat Flanagan Acknowledgments & Staff Bios
PEPPER
Magazine
Est. 2022 SA / TX / US arts • culture • business Two-Time Award Winning Publication Magazine of the Year TFI AWARDS 2022 & 2023 web directory msha.ke/peppermagazine website hellopepper.weebly.com email hello.pepper@outlook.com available on MagCloud Issuu copyright K. Day Gomez San Antonio, Texas 78209 PEPPER Magazine
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SINENKOSI MSOMI CONCEPTUAL ARTIST & PHOTOGRAPHER
@sinenkosi_msomii • @latitudes.online • @afrikanizm_art
Mbabane, Mpolonjeni
PEPPER Magazine
EDITOR’S NOTE
TO BE HUMAN
Editor in Chief K. Day Gomez San Antonio, Texas
“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” - Albert Einstein Originally, I imagined writing a much different sentiment than what will unfold in this editor’s note now. Funny how the course of our current reality and subsequently, the minutes that become history can reshape everything we think we are, everything we think we know. The label should read : ‘‘subject to change pending traumatic conditioning.” There is much to say about what it is to be human. Generally, you can ask just about anybody what it means to them and get a blanketed sense of ‘the human experience’. You can get as philosophical or cynical or altruistic as appeals to you. But ultimately being human means we’re all in this temporal classroom from the moment we’re born to the point that we draw our last breath. It’s more controlled chaos than we’re comfortable admitting and the learning curve is more like a free fall at an amusement park. The point—none of us, not one, has all the answers. No one is holding some deep mystical truth that has the power to springboard you ahead and shortcut your way through the lessons. Figuring it all out is hard for everybody, regardless of varied degrees of privilege or hardships. The one commonality we share is just that—our humanness. And yet, over and over again we’re thrust into destructive patterns, imposed upon by preexisting wars, subjugated…all too easily manipulated and twisted by propaganda and divisive thought warfare. Each time we think we’re evolving, we’re moving past it, another 6
tragic senseless act of destruction and brutality knocks us ten steps back. The truth is, we’re not evolving—we just have better toys. It wasn’t my aim to be bleak, to lead the reader into the fray. And yet here we are, whether I decided to talk about it or not. Sure, I would have loved to have written a ballad to the indomitable human spirit, sing praises over the purity of the open heart and tout about all the good we can do should we dare to put effort behind our great big ideas. And all of that is true. But there is a dark, swollen and sullied underbelly here and refusing to look at it doesn’t make it any less a part of the human condition. We owe it to ourselves and to our children and future generations to take this hard honest look in the mirror and ask ourselves how we got here? Who are we? Where are we going? If you’re feeling a little lost right now, you’re not alone. Before a few weeks ago, like me, you probably thought we were better than this. You probably had little to no idea how truly horrific things are getting in certain parts of our world. It’s always happening ‘far away’, out of sight, out of mind. That desensitization is NOT your humanity. That’s systemic normalization of cruelty. We need to get back to ourselves. We need to understand that ideology is fine in regard to philosophical thought— but not when it comes to truly caring for your fellow inhabitants. Despite our distance in geography, we are one species, we are all of us human. We owe ourselves and each other more than a nonchalant blind eye when innocence is threatened. I’m here now, and my eyes are wide open.
UNDERWATER THE DISRUPTIVE ART OF PAT FLANAGAN
the arts. ARTIST PAT FLANAGAN • LYNNWOOD, WASHINGTON • JOURNALIST K. DAY GOMEZ
“All I can do is be me, whoever that is.”
—Bob Dylan
Take a journey with us through the underwater world of legendary music icons via the provocative mind’s eye of multidisciplinary artist Pat Flanagan. The artist, based in Washington, has an uncanny nack for dark beauty, creating works that are deeply emotive even when presented with subtlety.
juxtaposition to true artistry. As artists, our lives are inherently riddled with some degree of struggle. The added complexity of celebrity creates a sword’s edge dance between success and stress, forced masking and the need to be heard from the most vulnerable and authentic parts of ourselves. Add in the seduction of ‘sex, drugs & rock’n’roll’ versus the pure intentions of the modern bohemian—that of ‘freedom, beauty, truth and love’, and you have a volatile cocktail that is the quintessential life of a music icon.
"People seldom do what they believe in. They do what is convenient, then repent."
About this Series : “Underwater is the start of a new series featuring iconic singers, underwater. I started with Bob Dylan and why I did art of Bob Dylan underwater I do not know…” (the artist laughs). As carefree as he is about introducing this new series in progress, it’s clear there is a lot to unpack here. There are meaningful undertones to the whole project as exemplified by the artist’s use of color, shadow, and of course the fact that his subjects are submerged under water. Even though the water is over their heads, they do not struggle as one who is drowning. Their expressions carry peace, but also hint at a tiredness and a sort of ‘knowing’ that comes from a hard or complex life. In a way, at least to me, these depictions speak to celebrity in 10
—Dylan Artist’s Statement : “Disruption. I believe art should disrupt, disturb, evoke, provoke, and even polarize. My art gives me a way to express what I find wrong and right about our world.
John Lennon
I love a pretty picture as much as anyone, but if that picture of beauty can have within it
an idealization or expression of how our world COULD and SHOULD be better, then it serves a greater purpose. I also enjoy inserting subtle political and social statements into my art. Whether people get the message or not isn't so important to me. If they get it, they get it. If they don't, then maybe l've pulled one over on them.” Get to know artist Pat Flanagan, where he’s been and where he’s going [see the Cover Artist article in the back of this issue].
George Michael
David Bowie
Harry Styles
Marc Bolan
Richard Butler
The Unbridled Madness OF ERIC ROTTCHER
16 A LOVE NOTE TO WEIRDNESS.
Gettysburg, Pennsylvania journalist K. Day Gomez
PROFILE ON THE ARTIST… Eric Rottcher is a fine artist currently based in Gettysburg, PA, whose work precariously balances between the worlds of Fine Art and Lowbrow. Earning his BA in Fine Art with a focus on Aesthetics from Shippensburg University in 2011, Eric's academic background has significantly shaped his artistic approach. His mixed media collage paintings feature a blend of many layers of paint and found images, sourced from old books and magazines, culminating in a pictorial density that has become his signature style. Inspiration strikes Eric from multiple sources—a picture, a song, or even a simple phrase can spark the idea for an entire series or a single painting. Through an intuitive creative process, he re-contextualizes old images to construct new, meaningful dialogues that delve into subjects as diverse as mental illness, addiction, religion, humor, love, death, and the nature of beauty. Eric's artistic journey has been anything but smooth sailing. After graduating, he took a hiatus from the art world due to personal struggles stemming from his mother's brain aneurysm and two strokes. The tragic events led him into a period of depression and substance abuse for many years. Thankfully, Eric has overcome these challenges and is not only back in the art scene but spending every day in the studio, continuously creating new works of art. Over the years, Eric has participated in numerous solo and group exhibitions, and his work has graced the pages of various magazines, including a recent cover feature in Injection Magazine. His paintings are part of private collections across the United States, Canada, Brazil, Norway, England, and Australia. By combining traditional analog methods reminiscent of the Dadaists with modern themes, Eric Rottcher has carved a unique niche for himself in the art world. His work continues to explore and push boundaries, resonating with audiences on both a personal and universal level.
ARTIST’S STATEMENT In his own words, Eric explains, “I have chosen the path of an artist, perhaps for only one reason that holds water : it's my one sole gambit to elude the ever-hungry beast of solitude. When a fellow wanderer catches sight of my madness and silently tips their hat in recognition, that's the magic. Words, in this frenzied lunatic world often 18
falter and fail, forever falling short. But art? Art violently kicks open the door, ushering in the oddities with gusto and lets the weird in.”
THE INTERVIEW We asked the now 36 year old mixed media artist to share his history and story with us. Jumping right in, how old were you when you first felt drawn to art? What led you to the kind of art you make now and what were some of the first mediums you used? “Great question. My fascination with art probably began in elementary school, so maybe 5 or 6 years old. I remember seeing someone draw realistically and it felt like I was witnessing a magic trick; I wanted to do that. Believe it or not, I’ve kept some of my earliest drawings from kindergarten and first grade to remind me of that initial spark. A lot of those early drawings were drawn with sharpies and ink pens, and that helped set the stage for what became a lifelong obsession with markers and ink. Markers would evolve into paint pens later in life, but before that, they played a big role in my early artistic journey. There’s a funny story where my grandma was supposed to be watching me, but she fell asleep. I seized the opportunity to turn her entire arm into a green canvas with a single permanent marker. Amazingly, she didn’t wake up during my ‘masterpiece.’ When she finally did, instead of getting angry, she was the first to declare that I was destined to become an artist.” Was your family initially supportive of your interest in art— what do they feel about your work and where you are now? “They were definitely supportive, but not to the extent of encouraging me to abandon everything and chase my dream in the city. My parents had legitimate concerns about how I would sustain myself
as an artist and not end up as everyone’s favorite stereotype, ‘the starving artist.’ So, we reached a compromise : I would major in art education and become an art teacher. It was a solid plan, however, it was incredibly obvious that I would’ve made a horrible teacher, so I changed my major to fine art with a concentration in aesthetics. Although I never became an art teacher, my family is still incredibly supportive. They might not always understand some of my work, but they definitely have an appreciation for it.” We moved next to discussing the overall themes throughout Eric’s art. “I cover a variety of themes in my work. Addiction and mental health, religion / mythology, memories, secrets, and even the big topics like death and the nature of beauty. I’m really intrigued by how we all experience life in our own unique ways. Lately, I've been exploring this idea of giving more emphasis to negative space in my paintings. I love when things are visually imbalanced. I think it's fascinating how this concept can extend to life itself. For example, we tend to get caught up in the big milestones and major events in life, but it's in the 'negative space' of life where we truly live. It’s the seemingly ordinary moments we experience that truly add balance and depth to our lives. They're not just gaps to be filled; they're opportunities for reflection.” Can you walk us through your typical creative process? “Sure. My creative process is a mixture of chaos and meticulous planning. I usually start with a source image, often from a magazine, and I build up layers with paint and various other materials. Then there’s usually a moment when I realize the piece isn’t going to work. That’s when I grab a sharp tool like a razor blade and start removing layers, effectively starting from
scratch, but not completely. If you look closely at my canvases, you’ll see they’re heavily textured; a history of many failed attempts layered in. The cycle can sometimes take months. For example, I have a 4’x5’ canvas that’s been in the works for the last seven months and it has undergone countless revisions. It’s strange—I love the feeling of successfully creating something on the first try, but if I fail and have to grab the razor blade, the feeling I get from that is so incredibly therapeutic that I can’t help but seeing it as a win-win.” We were curious if Rottcher, like most artists, had any good stories that stood out from his creative journey thus far. “There was a moment when my creative confidence hit a low and I felt lost about which way my career path should go. This all shifted when I got the chance to visit the studios of Matt Sesow and Dana Ellyn, a married duo whose work I’ve long admired. Matt’s been a fixture in the DC art scene for years, and Dana caught my eye through their joint Defiled series. Actually, one of their collaborative pieces was the first significant artwork I ever purchased. I was looking for inspiration one day and was surprised to have read that Matt offered studio tours. I already knew he was based in DC, which wasn’t too far away. So, after a few days of mulling it over, I eventually worked up the nerve to ask for a tour. The common wisdom says, “never meet your heroes,” but in this case, that couldn’t be further from the truth. Matt and Dana were incredibly warm and welcoming, and they provided me with advice that boosted my selfconfidence, and it inspired me to find my voice as an artist. Not only did they share their time and personal space with me, but they also shared their own experiences about the many aspects of being an artist. Hearing their stories of how they navigated the art world resonated deeply with me. It was like a lightbulb moment, and I realized I wasn’t as lost as I thought I was. That tour wasn't just a visit; it was a turning point for me, reigniting my passion and giving me the clarity I needed to forge my own path in the art world. I walked out of their studios feeling invigorated, and ever since that day, I've been more committed than ever to honing my craft and chasing my dream of gallery representation.” That’s pretty profound. It’s important to pinpoint those places and moments we’ve been in order to appreciate where we are, and to better plan 21
where we’re going. Where do you hope to live or travel next in your professional life? “I’ve always loved the DC area. I’ve been to New York and other places, but I found that Washington, DC is a cultural hub. It's a beautiful city with a rich history, diverse culture, and endless opportunities for both professional and personal growth. But truthfully, I’m open to suggestions.” On the subject of addiction, Rottcher has cultivated valuable personal experience in regard to the therapeutic aspects of art in relation to his sobriety journey. “Art was a way for me to reconnect. I had lost touch with myself and the people who mattered to me the most. When I got back into the studio for the first time in a long time and started creating again, each piece I made showed me a glimpse of the parts of me I was trying to run from. I was filled with a mix of regret, hope, and a desperate longing to be better than I was before. I felt like I was making up for lost time and I had to prove it to not only myself, but the people I hurt along the way. The act of creating has definitely been therapeutic, but more importantly, I find it to be incredibly cathartic. I've always seen my art as a public confessional where I explore my secrets, fears, and frustrations. Art also gives me small, achievable goals to focus on; something to look forward to. I know it’s not the same for everyone, but for me at least, every day that goes by it seems a little easier. If someone out there is struggling, please know that recovery is seldom a straight path and it’s okay to take it one step at a time. Lean on your support network, and don’t forget there is plenty of professional help out there.” For too many creatives, their struggle with addiction ends in tragedy. It’s a stigma that has at times been romanticized. The sad truth is most artists who deal with substance abuse and depression either keep it to
themselves rather than reaching out for help, or become famous for harming themselves openly and nobody steps in —much like the case of JeanMichel Basquiat. We at PEPPER strongly advise anyone struggling through the darkness of addiction to seek help—even if anonymously until you’re ready to speak to loved ones about it. You matter more than you think. And the kinds of contributions you can make to the world are greater when you stick around. Do you have any good advice for others about pursuing a career in art? “Create! Don’t stop making things. Always look for inspiration— go to museums and gallery openings and meet people in the art world. Stay true to your vision : trends come and go, but your unique voice as an artist is what will make you stand out. Constantly create and build your portfolio. Make a website that showcases your work; it’s a resume for the art world. Keep everything you make and don't throw it away because it's helpful to know where you’ve been so that you can understand where you're going. But most of all, be resilient. Rejection is an inevitable part of the journey, so learn from it, but don’t let it discourage you.” Our readers can connect with artist Eric Rottcher online, become patrons and access his art. “I am currently working on a new website, but until that is up and running, you can see my work at eric-rottcher.pixels.com & fineartamerica.com/ profiles/eric-rottcher . You can follow me on Instagram @ericrottcher as well.” We’re excited to follow his journey and look forward to his upcoming highlight in a 2024 issue of PEPPER where Eric Rottcher takes the cover. 23
A R T I S T
A L E K S A N D R A
S T O N E
VEILED LANDSCAPES
ARTIST’S STATEMENT Veiled Landscapes, is a photographic series two years in the making. For this project, the artist—who resides in Dallas, Texas—traveled great distances and hiked alone for miles into barren landscapes (including remote locations within Iceland, Colorado, Utah, Arizona, and New Mexico) with a rolling suitcase containing 48 lbs of fabric. Once secluded in these harsh landscapes, Stone composed images from lush textiles she had carried along on this journey, juxtaposing the shimmering and resplendent patterning of the fabrics with the cold, jagged elements of our daunting and beautiful planet. Through this performative photographic process, Stone mines resilience in the face of emptiness and creation as a response to challenge—echoing the exacting realities of her journey as a Yugoslav refugee who arrived in the US years ago with a single piece of luggage. The series endeavors to make fit what does not necessarily belong in surroundings that are as harsh as they are pleasing, and even when seemingly successful, many of the pieces continue to have a quality of not quite belonging.
THOUGHTS ON THE PROJECT “The choice of Iceland and the remote reaches of the American Southwest for 'Veiled Landscapes' emerged from an instinctive impulse. Iceland, a land I had intimately observed through my lens before, possessed an enigmatic allure—an irresistible magnetic force that drew me back time and again. There is a quite mystique about Iceland, present in every moss-covered rock, stream, and crag; it will whisper to you if you permit yourself the possibility that the land has been in dialogue with us since the birth of humanity. [see bottom right, Dusk Falls, 2022] Similarly, the rugged expanses of the American Southwest exerted a constant pull on my artistic senses. The inhospitable terrain, rather than deterring, strangely fascinated me. There's a peculiar joy in facing the elements head-on, in standing on a rocky precipice, battered by colossal raindrops and buffeted by outrageous gusts of wind, all while enveloped in yards of swirling yellow and red tulle. Amidst these challenges, a giant smile graced my face, a testament to the tremendous enjoyment I found in these daunting environments. These seemingly harsh conditions became my canvas, each gust of wind and raindrop adding depth to my artistic expression. There's an inexplicable thrill in capturing the raw energy of nature, in surrendering to the whims of the elements. In the midst of these challenges, I discovered a unique connection—a dance of resilience and exhilaration, where the inhospitable became a source of inspiration and artistic fulfillment. In the midst of the chaos, amidst the uproar of monstrous
raindrops and the relentless gusts of wind, there existed a peculiar sense of stillness. A fleeting moment of absolute calm emerged, paradoxically, from the heart of the storm. As I pressed the camera button, everything seemed to freeze, a sublime instant where disorder transformed into order, if only for a heartbeat. In those transient moments, I discovered an unexpected harmony, a quietude born from the very chaos surrounding me. Yet, I understood the ephemeral nature of this serenity. It was a lesson in impermanence, a reminder that attempting to grasp onto these moments of stillness was futile. These instances, where the tumultuous and the tranquil converged, became the essence of my work. Through the lens, I sought to capture not just the chaos but also the elusive moments of order within it. It was a celebration of transience, a testament to the beauty found in the delicate balance between chaos and stillness. And in the act of releasing my grip on these moments, I found a profound sense of peace, allowing the beauty of impermanence to unfold naturally, just like the landscapes before me. The deliberate contrast of lush textiles against the harsh natural backdrop mirrors a deeply personal exploration. Each carefully composed image speaks volumes about my own resilience in the face of displacement, reflecting the struggle for identity and acceptance that has marked my life as a refugee. Despite the apparent harmony in these veiled landscapes, there remains an underlying sense of displacement—a subtle yet powerful reminder of the foreignness I carry within. 'Veiled Landscapes' is more than a collection of photographs; it is an intimate portrayal of the human spirit, etched into the very fabric of these landscapes. It speaks of a profound yearning for connection and belonging, inviting viewers to explore the intricate layers of resilience and identity within us all.”
THOUGHTS ON THE PROJECT The artist chronicled her thoughts to match some of her pieces as follows, accompanying the last two photographs in this article. [see pg. 31] “Imagine meandering about the desert with a rolling suitcase someplace south of a town called Truth or Consequences, and you have more sequins than water and more tassels than sense.” [Take the Edge Off, 2021] “In the realm of unyielding textures and unconventional spaces, my artistic odyssey unexpectedly weaves softness from coarse fabrics, embracing unforeseen vulnerability. This venture unearths the delicate amidst the robust, crafting an artistry both tender and tenacious, an exploration that defies expectations and revels in the beauty of vulnerability.” [Fleeting Reflections, 2021] 29
THE ‘CREEP FANTASTIC’ &
nate zen
San Antonio, Texas journalist K. Day Gomez photographer Sefra Schwab
the artist 31 Year old artist and poet Nate Zen is well recognized in the local art community of which he is a part. “As an artist, my work has always been an outlet for me to express my feelings and emotions. Growing up in San Antonio, Texas, I have been surrounded by beauty and diversity, yet mental health issues still persist in our community. Through my art, I strive to raise awareness and spark conversations about mental health. I believe that by bringing attention to these issues, we can begin to break down the stigma that often surrounds them. My work is inspired by my personal experiences and struggles with mental health, as well as the experiences of those around me. I strive to create pieces that evoke emotion and a sense of connection, while also expressing the complexity of these issues. San Antonio has always been a place close to my heart. Its unique blend of cultures and traditions inspire me to explore new ideas and techniques, while also paying homage to the rich history of this city. Overall, my goal as an artist is to create pieces that not only explore the beauty of my city, but also shed light on the important issues of mental health and well-being in our community.”
the poet “Born and raised in the vibrant city of San
Antonio, my passion for the arts began at a young age. I have risen to become a nationally recognized poet, and have represented my hometown at numerous competitions with pride. I am also an accomplished local painter, known for my versatile styles of pop art and contemporary. My love for poetry has allowed me to express myself through language, and has taken me on a journey of self-discovery. I have performed at countless events, sharing my stories and experiences with audiences both big and small. Writing has been a Gift of the mind whenever I write a piece of poetry! My journey into painting has been just as fulfilling. I have taken on various styles, ranging from pop art to contemporary. My works have graced numerous galleries throughout SA, and my murals dot the city. My art not only fuels my creativity, but it also serves as a means to connect with others and bring awareness to important issues present in our society. I am inspired by the people and events around me, and strive to create pieces that spark thoughtful conversations and bring people together. I am grateful to have such a supportive community here in San Antonio, and I look forward to continuing to represent this great city through my work.”
interview We sat down with artist and poet, Nate Zen, asking him to take us back to the very beginning. “My artistic journey began as a spoken word poet during high
school, and I even had the honor of representing San Antonio at the national level. Over the years, I transitioned into visual art, exploring various mediums from pencil to pastels to acrylics. My artistic evolution was significantly influenced by my diagnoses and hospital stays. Extensive research played a pivotal role in shaping my approach, leading me to fuse all these experiences into the art I create today. I find my creative home in mediums like abstract painting and mixed media.” Family always plays an integral role in any artist’s foundation, for better or worse. Of his own experience, Nate says, “My wife and my two boys have been very supportive of my artistic endeavors from the start. As I've grown into adulthood, their support has remained steadfast. They recognize the significance of my work in raising awareness about mental health and continue to take pride in my artistic journey.” More on those mental health themes which aim to create a social dialogue, he says, “The series I am currently working on is ‘Creep Fantastic,’ which delves into the shame, guilt, anger, confusion as well as the juxtaposition of intense joy and love that are often associated with bipolar
disorder and schizoaffective disorder. In the future, the 'Creep Fantastic' character will be introduced into a broader multimedia world where a map of interactive content will be revealed. I’m working on ‘Creep Fantastic’ expansion packs as I’m unveiling my current series, so there’s a lot to look forward to.” That could be really engaging! Next, we asked Nate to walk us through his typical creative process. “My creative process often starts with inspiration from all types of media; books, videos, movies, and as many trips to museums and local art shows as possible. I let the art-making process evolve organically. I begin with bright colors, symbolizing gratitude and positivity for the present moment. The recurring character, Creep Fantastic, is created in a childlike style to soften the impact of intense emotions. It's a playful rebellion, allowing my inner chaos to run wild, layering words and affirmations to motivate myself in the challenging space of my own limitations.” With a main character premise like that, we’re sure he evolved from a culmination of experiences and stories that helped to shape Nate as an artist and as a person. “There have been several individuals who've made a lasting impact on my creative journey. Andrea ‘Vocab’ Sanderson and Anthony the Poet have been supportive of my talents since I started my journey in self expression. In San Antonio, there are a group of artists called the Masa Collective who I look up to and appreciate for taking me under their wing and 37
showing me how to give back to my community. Additionally, local artists have been a significant source of inspiration for me.” Though his home city is a magical place in and of itself, we asked Nate if he’d ever considered where he’d like to go next. “I have aspirations to live in Japan at some point to draw inspiration from its rich culture and artistic traditions. But for now I’m proud to live and work in San Antonio because of the art history, and the community here is rich and supportive.” Art has the power to change things. We were curious as to what changes Nate is hoping to foster through his creative journey as a whole. “Selfexpression is the cure to dysregulation on an individual and global level. I see a future where my children and future generations will have the tools and knowledge necessary, so that self expression is accessible to each person. I know a lot of people are nihilistic when it comes to the outlook of our future, but when I think of the impact, I know my children’s generation will have on this planet, it makes me think that change is possible and art can be a vehicle to make that change happen.” It’s always something to consider when planting the seeds 38
for those who come after us. For others who are considering a career in the art space, Nate advises, “As an artist, the best thing that you can do—whether you’re just starting out or you’ve been doing it your entire life—is to realize that you are participating in a collaboration between yourself and the world around you at all times. Immerse yourself in community-centered spaces and don’t be afraid to uplift other artists. There is room for everyone at the top.” In this age of collaboration, the old ideologies that support competitionmindset are slowly becoming obsolete. Exclusion is beginning to be seen for the classism and prejudice it generally promotes. It’s the rise of the creative now, in every arena, and the healthier aspect of social policing to promote inclusion and representation is changing the way the world works on whole. You too can connect with artist Nate Zen online. “The best way to contact me for booking is through email at natezenart@gmail.com. Also, please follow me on Instagram @natezenart. I will also have my Creep Fantastic workshop on my YouTube channel @natezenart. One of the central missions of my art is to empower artists of all genres and skill sets to build a loving and welcoming community, always showing support for one another.” We’re 100% here for it!
Melanie Allison MELANIEALLISONGALLERY.COM
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journalist K. Day Gomez photographer Sefra Schwab San Antonio, Texas
Meet the absolutely unexpected, Vanessa Irino… “I'm a fashion and jewelry designer. Since 2008 my goal and dream is showcasing at Tokyo Fashion Week. Or taking my designs to Japan.” Her wearable design brand is JrockGinger. “From then, ‘til now, I have done numerous fashion shows in Las Vegas, Hollywood and New York Fashion Week. My style incorporates Japanese streetwear. I also create one of a kind jewelry designs (Vantique). Another random fact about myself—I'm in works with Guinness World Records for having the largest Casper the Friendly Ghost collection!”
The interview. At 36, multidisciplinary creative Vanessa Irino has cultivated quite an interesting life. “I was first drawn to fashion back in high school when I started making my own clothes. My influences at that time were bands like HIM and AFI, known for their unique and alternative styles that resonated with me.” She fell in love with the Asian influence in fashion. “My passion for Asian culture and fashion design was inspired by my best friend, Sarah, whom I met in college while attending fashion school. Sarah introduced me to the band, The Gazette. I quickly felt intrigued by the music and fashion they were wearing. I then found my niche and my target market. Since then, my dream has been to do fashion in Tokyo. My nickname since I was little was Ginger. I grew up with a stuffed gingerbread girl toy and had red hair since high school. As well as the movie ‘Ginger Snaps’. So, I named my fashions JrockGinger. After the music genre that I loved and my nickname. The rich and diverse world of Asian fashion—I was instantly captivated by the creativity, aesthetics, and attention to detail. This newfound interest led me to start exploring and incorporating Asian-inspired elements into my own designs. In 2008, in fashion school I began participating in fashion shows, showing my Jrock Japanese inspired designs. Since then, I have done fashion shows in Vegas, Hollywood, and featured in New York fashion week in 2015 while I was five
months pregnant. I’m ready for Tokyo next!” With all of these aspirations, we asked how her family has received what she’s doing? “I've been fortunate to have unwavering support from my husband and my son. There was no resistance or hesitation when it came to pursuing my creative work. My mom and grandparents have been incredibly supportive from the beginning. They are proud of my achievements and the path I've taken in fashion and jewelry design. I’d always been creating things since I was very little. Credit to my grandpa who was a carpenter and always encouraged me to be creative, and my grandma who taught me to sew at a young age.” Vanessa is so much more than her design work, alone. As a multifaceted individual, there are many interests she pursues. “In addition to my work in fashion and jewelry design, I'm involved in real estate investing professionally. On a personal note, one of my passions is collecting Casper the Friendly Ghost items from all around the world. In fact, I'm actively working toward becoming a Guinness World Record holder for having the largest collection of Casper items, with over 1,000 pieces in my collection. It’s a 45
unique hobby that I'm very passionate about. I grew up loving the original cartoons, then the movie came out in 1995 and I fell more in love with it in many ways. When I introduced my son to Casper, he started to love him also. It woke up the love I had for Casper again and I started a small collection. Then it just progressed more and more. One of the reasons I love him so much is in relation to always feeling like a friendly ghost myself. Besides that, I do also enjoy puppeteering, travel antiquing and Victorian history.” So far, what has been your experience in the local industry? Do you feel seen and included? “My experiences in the local boutique and fashion industry have been a mixed. While some have been drawn to my unique fashion designs, many more have shied away from them. I have tried many times to reach out to different sources locally but never receive a response. However, I have had the opportunity to sell my jewelry at Broadway Pinups for 9 years, which has been a positive experience and appreciate the owners' support of my creations. I do believe there are areas in the industry that could be improved to support up-and-coming designers and makers. It's important for the industry to embrace diversity and uniqueness and provide platforms for all emerging talents to thrive.” We asked Vanessa if she imagines making an impact in the world with her creative endeavors. “I hope to see a world where people are kinder to one another, more open-minded, and where creativity and unique abilities are celebrated. I believe in the power of art and fashion to promote positive change. In my own work, I aim to inspire acceptance, diversity, and support within the fashion and jewelry design community. For all artists to support one another, rather than to see everything as a competition.”
On that note, to others just entering the industry or struggling to find their footing, she says, “While I focus on fashion and jewelry design rather than modeling, I would love to see more diversity in the modeling industry, especially when it comes to different body shapes and sizes. Embrace your uniqueness, and if you aspire to be a model, seek opportunities that appreciate and celebrate diversity.” You travel a bit—can you fill us in on some of your travel experiences, memories, people that stand out most? “I've had the privilege of visiting Japan multiple times since 2009. One of the most special memories was when my husband proposed to me on Christmas day in Tokyo. It was a magical moment in a beautiful city. Another memorable experience was during my latest trip in July-August 2023, where I had the honor of being interviewed and featured on a Japanese TV show. Meeting people from different cultures and connecting with them through my work has been incredibly rewarding. Another favorite place to visit is New England. Overall, it's a spiritual happy place for me. As I feel deeply connected to New England. Massachusetts, Maine, all the states there just help me to breathe like I never did before. I feel I could thrive there in many ways. I always said, Japan has my heart and New England has my soul!” That’s a beautiful sentiment. So what comes next for Vanessa Irino? “Right now, my main focus is achieving my Guinness World Record for my Casper the Friendly Ghost collection. It's a project I'm deeply passionate about and am actively working on. And any other opportunities that may follow in Japan after having been featured on TV, on my dreams and fashions.” Such an incredible opportunity that we’re sure will yield great things for her. 47
Our readers can connect with Vanessa online to follow and support her work. “You can connect with me and stay updated on my fashion and jewelry designs through my Instagram @vantique_jrockginger, on TikTok @vantique_jrockginger, and on Facebook [VantiqueJrockginger]. Feel free to reach out, follow my journey, and support my creative endeavors. Also my TikTok for my Casper collection is @vintage_apparition . I want to express my gratitude to PEPPER Magazine for seeing this friendly ghost, and your readers for taking an interest in my creative journey and passions. Remember that creativity knows no boundaries, and embracing diversity and uniqueness can lead to a more vibrant and inclusive world. Thank you for your support!” We absolutely agree.
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C’mon,
GET HAPPY
ART & FASHION Influencers Amy & Ryder dawn the dress work of Molly Balloons. LA, California
models Mommy & Daughter team Amy Roiland [A Fashion Nerd] & Ryder Bird designer & artist Molly Balloons photographer Jessi Gray
Wearable Art
A Look into Molly Balloons’ Process journalist K. Day Gomez with Amy Roiland
Influencer and style icon Amy Roiland, ‘‘A Fashion Nerd’, shared her immersive experience becoming a work of art at the hands of contemporary artist and designer Molly Balloons. In Amy’s words, “When you think of fashion, balloons might not be the first thing that comes to mind. But let me tell you, I recently had the most incredible experience that blended the worlds of fashion, art, and pure fun. It involved a vibrant yellow balloon dress, a playful hat, and a studio filled with color and creativity. All thanks to the one and only Molly Balloons.” Molly says it took her 13 hours to make the dress and hat combination, and it lasts up to 36 hours. The balloons are made of biodegradable latex—they're rubber, not plastic, making them environmentally safe. And we’re all about ethical fashion! “Molly's creation for our shoot was a showstopper—a fullblown yellow balloon dress. And I mean "full-blown" quite literally because it took hundreds of balloons to create. The dress was playful, whimsical, and absolutely stunning. It flowed like a traditional gown but with the added fun of being made entirely of balloons.” Getting into the dress was a whole process, says Amy, “It's not your typical slip-and-go outfit. Molly had to literally "fasten" the dress onto me. It was a process that involved precision and patience. With each balloon meticulously placed, the dress began to take shape. And let me tell you, watching Molly work was like witnessing a true artist at the peak of her craft.” As a prominent fashion blogger, Amy always shares the what and who that goes into the productions she conceptualizes and takes part in. “Of course, I wasn't alone in this adventure. My dear friend Jessi Gray was right there with me and shot the entire thing, video and all. As if things couldn't get any more fun, my toddler, Ryder Bird, decided to jump in for some pictures. Her infectious laughter and boundless energy added a whole new layer of joy to the day. This collaboration with Molly Balloons was not just about wearing a balloon dress; it was about celebrating the beauty of art, embracing the unexpected, and having fun while doing it. Molly's incredible talent and the magic she weaves with balloons are a testament to the boundless possibilities of creative expression. And I can't wait to see what colorful adventures await us next.” You can follow artist @mollyballoons and blogger @afashionnerd on Instagram, as well as little @ryder.birdie and @jgray.photography.
THE NEW FALL IS PAINTED IN PASTELS photographer Nadezda Mamontova Auckland, New Zealand
BARBIE LAND
d o o w y l l o B Style A
Celebration stylist Naushina Mukhtar collaborates with Thiliph Kumar to make a Barbie dream come true!
San Antoni, Texas
o t e BARBIE LAND m o c l e W
Imagine a world where you can be anything. That's Barbie Land! The Barbie Land Experience features a unique ‘PINK ROOM’ Barbie Dream Room with a music featuring songs from the official movie, a vanity room and—of course— makeup, accessories, perfumes, handbags…And what's a dream room without some fabulous fashion? On display in Barbie Land are Barbie's outfits. Aspiring Barbies and Kens can also have their photos taken in Barbie’s box stand, found in her ‘PINK ROOM’. There’s only room for one Barbie in the dollhouse! A Barbie girl in a Barbie World, here forever with her Ken. So, whether you're a Barbie enthusiast or simply want to feel like a princess, embrace the essence of childhood wonder with this Barbie-inspired Indian cultural outfit by Naushina. It's time to make your dreams come true and create your very own happily ever after!
stylist, model & hmua, decor & planning Naushina Mukhtar designer Sana Mukhtar photographer Light Gin concept & collaboration Thiliph Kumar cake Infinity Cake
MINIMALISM
1Olga
STYLE REVIEW
Alicante, Spain
photographer Andrey Lukovnikov art director Ekaterina Lukovnikova hmua Daria Sidorovich model Olga Ambrazhei
MINIMALISM STYLE REVIEW
2Dmitrii
Alicante, Spain
photographer Andrey Lukovnikov art director Ekaterina Lukovnikova model Dmitrii Shlein
MINIMALISM STYLE REVIEW
3 Marina
Rockland, Massachusetts
Photography Shark Studios model Marina Morgun
MINIMALISM STYLE REVIEW
4 Jason
San Antonio, Texas
photographer Ira Reyes model Jason Nelson studio 125
MINIMALISM STYLE REVIEW
5 Sasha Nice, France
MINIMALISM STYLE REVIEW
6
Robin x Gabby
Berlin, Germany
photographer Olaf Druse mua Angelique Waltenberg models Robin Höhn & Gabriella De Almeida
"Ain't No Smoke" is part 3 of the original project : ROBIN HÖHN featuring an editorial campaign founded by Berlin based creative team Olaf Druse and Robin Höhn. Male model and recording artist Robin Höhn is the main character and is supported by famous co-models from different artistic backgrounds. For "Ain't No Smoke", the creative team booked now influencer Gabby from the legendary German girlgroup QUEENSBERRY [created by the TV format POPSTARS in 2008]. Queensberry’s first no. 1 hit was "AIN'T NO SMOKE"—with this editorial the team pays hommage to that.
Charity STYLE DIARIES WITH
fashion.
Style Consultant Charity Stewart San Antonio, Texas
NEW CHAPTER
Summer has come to an end and fall is here. The seasons are changing but I also feel like I’m changing, almost as if I’m entering a new chapter. Is it just me?
MAIN
CHARACTER
We’ve all heard the term “new year new me.” And while that sounds good, it can sometimes be an overwhelming thought to have. I look at it as there are some things that I’ve done in this season of my life that are good and that I would love to take to the next chapter—but there are some things I should leave behind. I believe that's how fashion works at times. Let's talk about it.
STRUCTURE MEETS DYSFUNCTION When I put together this look, I wanted it to feel like a uniform. Uniforms have a purpose—which I never liked—and that is to look simple and look like everyone else. But if you were anything like me, you would put your uniform on and stare in the mirror and try to come up with ways that you could add your personality to your uniform. Which brings me to a point. Some of you might say, “well, I don’t have cool / trendy things to wear”, or you might say, “well, I’ve worn this too much so I can't wear it again.” And today I want to make a PSA that you have everything you need in your closet.
SIDE NOTE
You don't have to go out and buy things to stay relevant. All you have to do is go in your closet and pick the things you think are worthless and try to make it NEW. But if you can’t, it's okay to let it go.
FOREVER & ALWAYS A COWGIRL In this New chapter of my life I’m finding flowy pieces of clothing very attractive. Don’t get me wrong, I still love to show a little skin and figure. But I believe I'm starting to like flowy pieces because it's not restricting. We all know what it feels like to put a bomb outfit together and you know it's too tight or the straps are going to be moving around or you can't walk too fast because your skirt or pants are too long, but you still choose to walk out your front door and compromise your comfortability. Well, this outfit is what I call my comfort zone. My flowy dress so I can eat whatever I want without it showing. My cowgirl boots so I don't have to worry about scuffing my shoes or my feet hurting after long walks. And lastly, my hat to keep this San Antonio heat from frying my face.
The flowy ‘dress’ is a vintage remake cream satin lounge robe from ‘What Katie Did’ .com.
WANNA BE SKATER GIRL Everyone gets so excited for fall because of the fashion. And even though I love summer, I couldn't agree more. Fall is where you get to layer and pull out your big stuff. So for this Fall, I’ve already decided my theme is ‘skater girl’. I will be bringing back the baggy zip-up jackets, with the baggy pants, big chucky sneakers, and anything that will make me look like the skater girl that I aspire to be.
This particular version of skater girl is only for end of summer, but when this chapter ends we will bring her over to Fall in a different way. Primitive Villani Holofoil B at Skatebo ard
e es
ssy sa
h tt ou k s ec cap Ch made from asTex
WRAP UP So as one chapter is coming to an end and another one is approaching, this is our time to step back and reflect. We First start with ourselves. We ask ourselves what we want to see change in this new chapter of our lives and what are the things that we would love to bring over into the new chapter. And then after we’ve done that, we go to our closets and we look to see what we can save and possibly change to make it look new. But also look for the things that we know we won't wear or no longer serve us and get rid of them. [Remember to donate to those in need, or your local second hand shops—or even get crafty and remake things!] And after we can officially turn the page and enter this New Chapter.
AUG UST INE. TEX AS VINTAGE
SUSTAINABLE
SAN ANTONIO EST. 1999 VINTAGE Fashion 1950's to Retro modern Vintage / Reimagined & Reworked. Located at the Blue Star Arts Complex SA / TX @ILoveAugustine
FASHION
sustainable fashion & decor
Sustainable fashion & lifestyle expert Becky Witte-Marsh
When Sandy met Joey, a dynamic DIY team was born. Both had military backgrounds. Sandy spent 7 years in the Airforce, serving as a Staff Sargeant. Joey was a Petty Officer First Class with 16 years in the Navy and a shore duty station in San Antonio at the time of their meeting and eventual wedding. (Joey retired in 2020 with 22 years of service as a Chief Petty Officer with a title of CTTC SW/IW).
The couple connected over many things, but a love for DIY, learning through YouTube videos and a fondness for repurposing old things marched to the forefront of their early years together. They bought a house, ripped out the main bathroom and redid it all themselves. They installed lighted upper cabinets in the kitchen along with a butcher block island. Repurposing old armoires into “Barmoires” was a particular favorite. The couple wanted to get back closer to family on the east coast, so Joey accepted a ship duty position in Norfolk, VA. The house hunt ensued.
The Story… They took a leap of faith and bought a sight unseen short sale, preforeclosure, historic home in Norfolk. The house appealed to them for a number of reasons, including : the historic 1930’s 4 bedroom, 2.5 bath home with one of the largest lots in the neighborhood at just under half an acre, a 3-car garage and a large inground swimming pool. The house was already under contract, but it fell through. Sandy
and Joey were the next in line, so it was theirs. They had no way of knowing what awaited them as they packed up everything, including their dog, Lola, and headed for Virginia. It took three months to close on the property. During that time, the seller turned off the water to the house while her son continued to live there, using the bathrooms anyway and piling up garbage in the home. Needless to say, it was not a pretty sight when the couple walked into the door the first time, rats scurrying everywhere. Stunned, over-whelmed and in tears, they wanted to retreat, but their military training kicked in. They were in too deep and they had to literally dig their way out. Enlisting the help of their son, C.J., friends and family, they slowly began emptying the home of trash, rodents and years of neglect. They had to figure out a way to live in the home while executing the renovations. With a 15’ dumpster installed in the front yard, they carefully picked through and salvaged as much as they could. Some items, like the chandelier that was moved from a downstairs room to the upstairs hall landing, were carefully repaired and reused, while other items were donated to keep as much out of the landfill as possible. They uncovered many structural complications including water and termite damage throughout the home and a caving in roof on the garage. They had to replace all the windows and eliminate some to create more storage in the home. These two built in shelving areas in the family room were a beautiful solution.
Storage throughout was also an issue. Very small closets in the upstairs bedrooms and a nonfunctioning layout in the upstairs bath, led Sandy and Joey to remove the existing closets to expand the bath and then they added large storage units in the bedrooms. Large showers were added in both the guest and main bedroom baths that are luxurious upgrades to the previous accommodations. In the main suite bath, they added dual shower heads as they had done in their previous San Antonio home, because they loved it!
Curb appeal was also an issue. A new set of upgraded mahogany front doors were shipped from The Door Clearance Center in Houston which Sandy cleaned and oiled adding a “Welcome Home” feel to the front of the house. They matched a light blue color they had found in the house to paint the underside of the portico. Faced with very shallow planting beds on either side of the front entry, they hand built trellises from scrap lumber and planted creeping vines to add warmth and drama. Joey juggled ‘ship duty’ with wrangling in the yard and pool area. Along with friends and family, they cleared 20 ft of overgrown brush and trees from the back of the lot and laid a new walk way to the right of the pool. They added a planting area for fruit trees, shrubs and flowers, and redid the pool surround with travertine stone. The pool it self was a whole other project. Thousands – yes thousands – of frogs frolicked in the ‘cement pond’ while loads upon loads of pine cones and needles had to be shoveled and wheel barrowed out of the large pool. Sandy toiled every day for two months using sweat equity to remove all debris from the pool, then little by little, bring the existing water back to swim quality using chemicals, filters and daily vacuuming, without ever emptying the pool.
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habitat.
Last but certainly not least, it took three years of living with the existing kitchen to save enough money and resources to complete the remodel. They gutted it themselves, then set about creating a new layout with a central island and walk ways on either end. They hired out projects above their skill set, such as new wiring, adding a new gas line and installing all the tiles. When it came to the backsplash behind the stove, Joey says Sandy’s style is to “Pick the Most Expensive.” She loved the look of this marble and brass spice shelf insert and saw it as a centerpiece for the kitchen. She compromised with Joey and chose less expensive backsplash tile for the rest of the kitchen. Sandy repurposed a light fixture already in the house for the kitchen and added a $10 thrift store find which she cleaned up and rewired. Lighting in the home really packs a dramatic impact thanks to Sandy’s keen eye and DIY skills. The oak and brass chandelier in the dining room Sandy found at an antique lighting store for $60. The shellac was flaking and it was wired for UK bulbs, but that did not stop Sandy! She stripped it, sanded it and rewired it. She also let Lola get a chew in on it before she hung it over the table with a gorgeous secondhand medallion selected from a collection Joey found and brought home because he knew Sandy would love them. In the cozy sitting area, a crystal fixture casts dramatic shadows, while the chandelier that previously hung in this room was repurposed to the top of the stairwell. Mossy greens and deep golds bring warmth and character to the home, with a pop of rich peach in the upstairs bath and a vintage inspired wallpaper that plays off the rescued vintage corner sink in the powder room. I asked Joey and Sandy if their military training helped them endure the renovation. They responded with a resounding “Yes!” They shared a laundry list of key learnings from the military that included : Perseverance in Adversity, Adaptability, Clarity Under Pressure, Collaboration, the ability
to Look at All Angles and Identify Steps to Resolution. They learned how to make the best of a bad situation and get the job done. They also asked themselves “How hard can it be?” They had the willingness to be uncomfortable and the desire to learn the next thing. Those traits stemmed from what they call “Ballin on a Budget”—in other words, they are cheapskates! Very talented cheapskates! A final question—“Would you do it again?” Again, a resounding “Yes!” Just not right now! They need a break and are off to their next adventure. They shared that their willingness to do it again came from what they learned in this process and that knowledge would lessen the stress on the next project. I found not only inspiration from this completed home renovation, but also from this powerful couple who had the foresight, the strength and the guts to make it happen. Sandy and Joey—we salute you!
The
SUSTAINABLE STYLIST BECKY WITTE-MARSH @beckywittemarsh
marshbecky17@gmail.com
FASHION • HOME • SET
JAMAL DEMORE
@The_Realtor_DeMore
REALTOR
Beazer Homes
DeMoreRealty@gmail.com
210.509.6737
A
C O N C E P T journalist K. Day Gomez photographer May Carlson
S A N
A N T O N I O ,
T E X A S
WELCOME TO GO FISH
where his passion comes from.
Of the Carpenter Carpenter brand restaurants, Go Fish is definitely one of the most relaxed, neighborhood wine bar / seafood restaurant concepts where guests can come as they are, nosh on bites while they sip their wine or fill up on some classic fish ‘n chips. We asked the owners what is special about Go Fish that stands apart from their other restaurants? Houston and Emily Carpenter tell us, ”Go Fish is special to us because we approached it differently than we had anything else before.
“I’ve always had a passion for it ever since I was a little kid when I figured out how to get on a chair and turn the oven on (couldn’t reach),” he laughs.
Go Fish has the most casual setting, and truly specializes in fun wines for those interested in exploring and trying something new. What we really wanted to emphasize though was that we still had a gourmet kitchen, we can accomplish more than just small snacks and I think that shows in our menu.” It certainly does. To add, they occasionally have traditional and trendy sake offerings and a plethora of rotating culinary additions as the seasons change.
“I started an apprenticeship in a Fredericksburg fine dining kitchen when I was 21. I spent a year there learning everything I could before moving on to a private chef role for 2 years on an exotic hunting ranch.” That must have been quite a wild experience, literally! “When my brother, Houston, started working in restaurants it was natural for me to take my expertise to Carpenter Carpenter. Before becoming the head chef at Go Fish, I was able to move through and learn at every single kitchen in the company to expand my versatility and knowledge. When the head chef position became available the moving around had to pause. But I think I'm finally in the perfect place for me.”
MEET THE CREW
LET’S GET COOKING…
With a star-studded lineup of professionals, Go Fish Wine Bar is a class act. Owners Houston and Emily Carpenter established the restaurant on W Grayson in a booming area of San Antonio, connecting to downtown. This makes it a hot spot for locals and tourists alike.
We asked chef what his top recommendations would be. “Right now, my favorite thing on the menu is the ceviche. So bright and fresh. A little sweet, a little sour, a lot of dopamine.” It’s an appetizer that is honestly delicious regardless of the season. And it’s a staple here in San Antonio.
Taking the lead is our point person, Director of Communications Delia Flores, accompanied by General Manager, Tony Evans, who oversees daily operations. We are also thrilled to get the first hand scoop from Head Chef Holden Carpenter, who is as you might have guessed, the brother of owner Houston Carpenter. Diving right in, we asked chef Carpenter how he got his start and
Let’s talk about the food! Houston explains, “First and foremost, it was important that our food menu goes well with wine, of course! Everything is navigated from that lens—such as the charcuterie board and our selection of bruscetta, fish pastrami, and lox toasts. Emily and I love seafood and wine and our motivation is always to bring more of that to San Antonio.”
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savor. BUILDING SOMETHING SPECIAL
and the brand as a whole.
From breaking ground to opening Go Fish, and the story that has unfolded since, Houston says, “Similar to our other concepts, it was important to find a location that hadn't quite been tapped in hospitality yet. Though we are just a short walk from Hotel Emma, people are still learning that we are here every day. We wanted to brighten up the area and I think we'll have a lot of neighbors before we know it.”
SOMETHING TO LOOK FORWARD TO…
He’s right about that as more commercial housing and office cospaces continue to emerge in the area, with construction ongoing and increasingly more people flocking to move here from out of town and out of state. On to the subject of sustainable practices, a key subject Carpenter Carpenter always keeps in mind when establishing their ventures, he shares, “When we began building out Go Fish, I knew from the beginning that we wanted dry agers to really elevate all the fish that we responsibly source. Dry agers are cleaner, more effective, and enhance flavor; it is one of the oldest preserving methods for a reason. Because of this, we are able to use our seafood at our other concepts as well! It's very important to us to use the whole fish, nothing goes to waste.” From sourcing to cooking and serving, ethical practices are important to Go Fish 116
Any big plans or exciting things coming up? “We are working on a lot of new and exciting projects for the rest of the year. Our team has been curating chef-driven dinners featuring local talent as well as regional wine tastings—many will be announced soon!” For those who’ve not yet ventured over to try the revolving menu offerings and experience the tableservice wine selection, there are some good things to know. First and foremost, they are a 100% scratch kitchen. Everything is made inhouse, fresh, and using ingredients that are responsibly sourced. Likewise, local farms are supported by their continual business. Go Fish offers both in and outdoor dining as well as takeout options. They host a reverse Happy Hour from 8pm-10pm daily, with the coolest special ever —50% off ALL wine and sake every Wednesday! Located at 125 W Grayson St. (adjacent to The Historic Pearl and Hotel Emma), they’re open Monday through Sunday from 2pm-10pm. They’re always accepting reservations and are the perfect spot for friend meet-ups, business meetings, casual dates with your special someone and even a treat-
yo’self relaxing evening for one! Walk-ins are just as welcome for when you’re feeling spontaneous. Some other tidbits—their grand opening took place in January this year. Go Fish Market is a unique cafe, and they serve their own canned caviar. “Our wine options are endless… Fermented cherry mignonette is the perfect tart pairing with our oysters. From white to red, rosé, bubbles, petnats, the options are endless. We love supporting our Texas friends. That’s why we showcase Verde Verde by the glass. Let us pour you a glass while you put together your own chef’s board!” From lox and toast to sashimi, to caviar and potato chips, to calamari with Fresno peppers and fresh in-hose made batter…the food pairings are sensational. As far as the space goes, it’s clean, minimalist and washed in their signature soft pastels which makes it cozy and friendly.
WHAT DO THE PEOPLE SAY? We tiptoed (metaphorically) over to Restaurantji to get the skinny on some real customer reviews, and here’s what folks are saying : “This might be my favorite wine bar in SATX. The service is always exceptional and the food is. Also a huge perk is that if you sit at the bar at the window, you get to observe small dogs being picked up for doggy daycare while sipping some superb wine.” What’s not to love about that? “I went pretty early so they were still doing prep on some things. One of them being the fried fish and fries. I was slightly sad but the wonderful server asked the chef how long it would take. The chef was extremely kind and said he could do two orders for me right on the spot.” Now that’s service! You can follow @gofishwinebar on Instagram, and “Go Fish is accessible through our website gofishmkt.com or our parent company thecarpentercarpenter.com.”
yes, chef
Chef Serge Kri korian B en t o n , A r k a nsa s w ri t te n b y M e re d i t h Co rn ing p h o t o g ra p h e r L o ri S p a r k m a n
fall flavors
, REDISCOVERED
EXPLORING THE EXQUISITE MOROCCAN MEATBALL TAGINE As autumn arrives, it brings with it a craving for hearty and comforting dishes. Look no further than the delightful Moroccan Meatball Tagine, a culinary gem that combines rich flavors, aromatic spices, and a fascinating history. Originating in North Africa, this traditional dish has become a beloved staple during the fall season. Join us on a journey to uncover the origins, unique characteristics, and the warm embrace of this exquisite fall recipe. Chef Serge Krikorian shares his international fusion recipe with us in this article and shows us how to blend flavors to create the perfect combination. Moroccan cuisine is known for its vibrant flavors and diverse influences from various cultures and civilizations. The tagine itself refers to both the cooking vessel and the slow-cooked stew that is prepared in it. With centuries of Berber, Arab, and Mediterranean influences, Moroccan cuisine has evolved into a captivating fusion of spices, herbs, and ingredients.
brightness to the dish.
VERSATILITY The Moroccan Meatball Tagine is incredibly versatile, allowing you to customize the recipe to suit your preferences. You can use a variety of meat options like lamb, beef, or chicken, and adjust the spice levels to your taste. This flexibility makes it a perfect recipe for gatherings with friends and family, accommodating diverse palates and dietary preferences. As you savor the Moroccan Meatball Tagine, allow its enticing aromas and hearty flavors to transport you to the bustling souks of Marrakesh or the tranquil riads of Fez. This fall, elevate your culinary repertoire with this delightful dish, infusing your home with the comforting scents of exotic spices and the warmth of Moroccan hospitality.
SPICE BLEND At the heart of the Moroccan Meatball Tagine lies a harmonious blend of spices, such as cumin, paprika, and cinnamon. This unique combination creates a warm and earthy flavor profile, perfect for cozy fall evenings.
SLOW COOKING The tagine cooking method allows flavors to meld together slowly, resulting in tender, succulent meatballs and perfectly infused vegetables. The gentle simmering in the pot highlights the inherent sweetness of vegetables like tomatoes, squash, and green beans.
AROMATIC INGREDIENTS Alongside the tantalizing spice blend, the Moroccan Meatball Tagine showcases an array of aromatic ingredients. Each ingredient adds a layer of complexity while bringing a touch of
WHAT MAKES CHEF SERGE KRIKORIAN'S RECIPE FOR MOROCCAN MEATBALL TAGINE "INTERNATIONAL FUSION CUISINE?" The recipe for Moroccan Meatball Tagine embraces the essence of international fusion cuisine by combining elements from multiple culinary traditions. Firstly, the use of harissa paste, a staple in Moroccan cuisine, adds a spicy and aromatic kick to the meatballs. Harissa is a Tunisian condiment made from chili peppers, garlic, and various spices, and its inclusion infuses the dish with North African flavors. Furthermore, the blend of spices such as cumin, cinnamon, and cilantro in the meatballs reflects the influence of Middle Eastern and Mediterranean cuisines. These ingredients add depth and complexity to the flavor profile, marrying different
culinary traditions harmoniously. Moving on to the Moroccan Chickpea Tagine, this element of the recipe showcases the fusion of diverse ingredients and techniques. The dish incorporates fresh tomatoes as a base, which brings aspects of Mediterranean and European cooking into play. The addition of smoked paprika, cumin powder, and olive oil further enhance the rich and robust flavors that are characteristic of both Moroccan and Spanish cuisines. The inclusion of chickpeas (also known as garbanzo beans) emphasizes the integration of international ingredients. Chickpeas are widely used in Middle Eastern, Mediterranean, and South Asian cooking, allowing the tagine to embody a global culinary influence.
Moroccan Meatball Tagine truly represents international fusion cuisine. Its ability to unite flavors, spices, and cooking styles from different cultures showcases Chef Serge Krikorian's talent for creating dishes that bridge cultural divides and bring people together through the universal language of food.
MOROCCAN MEATBALL TAGINE RECIPE For the Meatballs : 1 lb. Ground Beef 1 tbsp. Harissa Paste 1/4 cup Onion, chopped 1/2 tsp. Kosher Salt
Lastly, the combination of vegetables like green beans and yellow squash adds freshness and texture to the dish. These vegetables, commonly found in Mediterranean and American cuisines, further highlight the fusion concept, bringing together diverse culinary elements into one harmonious preparation. By skillfully blending ingredients and techniques from various parts of the world, this
1 tsp. Ground Cumin 1 tsp. Ground Cinnamon 2 tsp. Cilantro, chopped 1 tbsp. Breadcrumbs
MOROCCAN CHICKPEA TAGINE 6 Fresh Tomatoes, diced 2 tbsp. Harissa Paste 1 Yellow Onion, chopped 3 Garlic Cloves, minced 2 tbsp. Olive oil 2 tsp. Cumin Powder 2 tsp. Smoked Paprika 1/4 cup Cilantro, chopped 1 tsp. Kosher Salt 1 tsp. Fresh Mint, chopped 1 15 oz. Can of Chickpeas (Garbanzo Beans) 1/2 Ib. Fresh Green Beans 1/2 Ib. Yellow Squash, cubed In a large bowl, with your clean hands, mix the meatball ingredients and make 16 equal size meatballs. In a dutch oven over medium-high, heat 2 tablespoons of oil. Add the meatballs and brown them on all sides. Remove to a plate. Add the chopped onion to the pan and cook until translucent, 5 minutes. Add the garlic and cook further for about 30 seconds or just until fragrant. Add the fresh tomatoes, Harissa Paste, salt, spices and fresh herbs and bring to a simmer. Add the meatballs back to the pan and simmer over low heat covered for about 10 minutes. Add chickpeas, green beans and squash and simmer for another 25 minutes, or until vegetables are cooked through. When the leaves start to change color and a cool breeze fills the air, indulge in the Moroccan Meatball Tagine—a dish that embodies the essence of fall. With its rich history, captivating flavors, and versatility, this culinary masterpiece is sure to become a favorite in your Autumn recipe collection. So gather your loved ones, prepare the tagine, and embark on a culinary adventure that will evoke the spirit of Morocco right in your own home.
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CASSIUS GRAY The Legend of
Gary Bowie
PRO MODEL
CEO + FOUNDER
STYLIST
SATX
of SilverINK.Gentlemen
& Entrepreneur.
journalist K. Day Gomez • photographer Lee Gore of Smalkine Media
culture. Meet Gary Bowie, who is—among many things—CEO and founder of SilverINK.Gentlemen. Born and raised in San Antonio, Texas, Gary has come to have been known as a trailblazer in style and fashion since grade school. He’s always had an eye for distinguished looks and loved mimicking the styles in GQ Magazine. Gary is a lover of all living things and believes that every living creature deserves a chance to LIVE and be loved. He’s well known as an entrepreneur and business professional who wears many hats. Gary enjoys ripping the runway and being an advocate for seasoned men in the modeling industry. Gary is the first official MXFFIN MAN title holder. The LXVE MXFFIN brand is host to Texas-made beauty products, a media company and recently expanded its vision to include the annual MXFFIN MAN Contest, the first of which took place in August 2023. Winning the title means Gary is a key brand ambassador for the LXVE MXFFIN brand. Not to mention having modeled for the upcoming 2024 calendar. Gary is a pillar in the community and has made his mark in fashion in San Antonio and surrounding cities. Gary is also a brand ambassador for “Rock, Paper, Denim” by designer Matthew Smith III. Likewise, he’s modeled for Dillard’s, Robert Graham and more. When he’s not styling a client, modeling, shopping in Zara (his favorite) or working in the community, he can be found nestled with a book or enjoying the outdoors. His zest for life keeps him young at heart and it’s radiantly apparent through his glowing skin!
The Interview Most of our readers are sure to recognize his face as Gary has graced the pages of PEPPER Magazine before. In the time that I’ve come to know him through shooting him, and via the public events and benefits we both have frequented professionally, I’d like to think we’ve become fast friends. His smile lights up any room he’s in and he’s one of those people who just make you feel absolutely comfortable like you belong. At 54 years old, Gary Bowie has cultivated an adventurous career, one anybody would love to experience. But moreover, he’s played a key role in paving the way for more inclusion in the Texas men’s fashion industry, proving that silver is beautiful and sophisticated, and we need to see more of it in all the spaces! We had to start, as we always do, from the very beginning. “I was 9 or 10 years old when I got into fashion. My uncle had a subscription to GQ Magazine, and I would always look at the models and was highly intrigued by how they mixed and matched patterns and colors. Some of my influences were Richard Gere, Pat Riley, and Billy D. Williams. In high school, I was nominated best-dressed by my peers—this ignited the stylist in me. People would always ask where I bought my clothes from, or if I could help them put together their looks. My Dad also had an influence on me getting into fashion. He stayed sharp.” When it comes to modeling, he says, “My cousin inspired me to get into modeling. She was a model and did a lot of print work, and I would go to her fashion shows. Sometimes I would be asked to escort the ladies onto the runway, so that started my interest in runway modeling. My mother
was also an influence as she was current on the latest fashions. I started modeling because I got so many compliments on my clothing, so it intrigued me. One day someone suggested I check out "Teen Boards”, so I did and was cast for the back-toschool teen boards for Dillard's and Joske. We'd stand in the mall for hours modeling back-toschool attire. That's where it all began. From there, I knew this was a passion. Life happened and I took a break until I ran into a gentleman named Matthew Smith III at one of my favorite stores. He suggested I consider getting back into modeling, and the rest is history. To this day he’s one of my good friends. My niche is styling and the ability to put looks together out of whatever is in your closet. I can do everything from simple attire to the most prestigious looks.” Utilizing what his clients have on hand makes Bowie a sustainable stylist as well. That’s so important in today’s climate, as everyone is focused on reducing their carbon footprint. Did you have a strong support system in your peers and family regarding your modeling? “From family, yes. However, my friends would mock me and call me “Pretty Boy” or “The Model”. But eventually they saw that I was doing pretty decent and got on board.
“Professionally, I've been in the banking industry for over 20 years, in leadership. Personally, I enjoy bike riding, working out, hanging out with my dog Roscoe, and chilling with my family and friends. Lastly, I enjoy window shopping and scrolling through magazines for current fashion and trends for outfits and inspiration in styling.” He lives a well-rounded life that keeps him busy. Over time, the entire landscape of the fashion industry in Texas has evolved considerably, but not without room for improvement and innovation. I wanted to know what Gary’s experience has been, first hand. “Locally, my experience has been great. I think I've been welcomed with open arms. Modeling is multi-generational; I found my lane in the industry and went with it. When I say my lane, I think I have a universal appeal, but because of my mature look, I am favored by the grown and sexy crowd. I feel seen and included, I'm getting more exposure. Some designers have a concept of how they want their clothing presented and I've been fortunate for those designers to take a chance with a mature gentleman to capture their look.
Now everyone is excited and accepting. People who were close to me thought it was overdue; they knew it was my passion. As my confidence grew, I ventured out more into the field.” And it’s safe to say we’re all so glad he did!
As far as improvements are concerned, I think the industry is doing well with creating platforms and avenues for up-and-coming models. I'd advise a new model to be mindful of opportunities that come up— meaning once you start making a name for yourself, ensure that opportunities are in line with what you want to put out and to always have integrity in your work.” That’s extremely important, and even more so now that models are encouraged to be their own brand. They’re not just commodities anymore— they’re individuals who incur their own following and add value to the brands they showcase and represent.
Back on the subject of wearing many hats, fashion isn’t the only thing on Gary’s mind or in his toolkit.
With all of that popularity comes a degree of power in sovereignty. And since power means responsibility, I
asked what Gary is doing with his? “I’m currently in the process of putting together a platform called SilverINK.Gentlemen. Giving homage to the Silver Fox Squad who has created an avenue for silver “mature” men to make their mark in fashion. I respect the work they’ve done. SilverINK.Gentlemen, is a platform for men across the globe who pride themselves on being chivalrous, respectful, professional entrepreneurs and role models in the community. SIG is a group of men over 40 who stay active, model, create platforms for men in fashion, and give back to the community. Community work is the CORE of who we are.” What about advice for up-and-comers? “Always be aware of what you put out. You start developing your brand when you start modeling. So be mindful of what you're representing because it follows you. For example, on social media and how you carry yourself in public, you never know who’s following you and who could be interested in casting you. Lastly, keep yourself
unique, and never lose your individuality.” Having just won the coveted title as the official MXFFIN MAN, what does it mean for you? What does it represent? And what do you think contests like this do for the community? “The MXFFIN MAN Contest / Pageant event was new to me because I had never entered anything like this before, so it was exciting. There were a lot of great guys and talented people. It was a lot of fun learning what these gentlemen do outside of modeling. I’m excited that an avenue was created for men in a womendominant industry. To me, the MXFFIN MAN embodies someone who is confident, fun, impactful, adventurous, and a unique stylish individual. For example, the MXFFIN MAN is likely up to date on current events, exhibits a healthy lifestyle, and is an all-around good person to be around. I think events like this create comradery, networking, and an opportunity to expand your brand to the community.” As for what comes next, the key focal point is readying SilverINK.Gentlemen.
“Tentatively launching December 2023 / January 2024… Stay tuned. I’m interested in being a Brand Ambassador for a few industries.” At the pace he’s going, don’t be surprised to see ‘Cassius Gray’— Gary’s fashion moniker— everywhere. Readers can connect with him online to follow or for bookings. “You can follow me on Instagram at @CassiusGray68. For booking, contact my talent manager, Concrete Rose Talent Management at CRTalentManageme nt@gmail.com or on Instagram at @ConcreteRoseTM.” In his parting statement, Gary says, “I would like to thank PEPPER Magazine for giving me the opportunity to share my journey. It’s never too late to do something you’re passionate about. I hope I can be an inspiration to show the world that it’s never too late.” He’s right, you know? He’s right on time.
S U M O + S U S H I THE EAST COAST TOUR
An ancient sport in modern context. photojournalist Chaz Niell Washington, DC
136
YOU DIDN'T HAVE TO FLY TO JAPAN…
to experience the excitement and fun of this 1,500 year old sport! Sumo + Sushi is the only place to see LIVE Sumo paired with local sushi, hosted by legendary Sumo wrestler, Konishiki. The East Coast tour with stops in Miami, Washington DC, and New York this past summer and the upcoming West Coast tour with stops in Seattle, San Francisco, and Los Angeles this fall. Each city is a three-night event with insight into the history of sumo, live matches and a Q&A portion where the audience members are able to have the chance to interact with the fighters. A select few guests are even able to “Get In The Ring” to take on a wrestler of their choice. Each event has a specially curated sushi box by the select cities’ favourite local sushi chef.
“HARAGEI—THE ART OF BALANCE AND POWER EMANATING FROM THE LOWER BELLY. HARAGEI WAS THE BASIS OF ALL JAPANESE MARTIAL ARTS, FROM SUMO TO KARATE TO THE ALMOST EXTINCT HARAKEI.” —ERIC VAN LUSTBADER 138
They Tasted Euphoria SINENKOSI MSOMI Mbabane, Mpolonjeni
Defining
JASON MODEL JASON JAVIER NELSON’S STORY
SAN ANTONIO, TEXAS JOURNALIST K. DAY GOMEZ
At only 19 years old, Jason Javier Nelson is already making a name for himself in the South Texas fashion scene as an up and coming model in runway and print. We first met him while conducting live interviews at design house ALEGRÍA’s ‘Regalia’ show earlier this year.
“My best friend introduced me to the modeling world when he showed me a casting call for designer Austin Alegria. They were having a casting call for their shows, and he wanted me to come with him to it. That’s where I got introduced to modeling.
Completely unassuming and soft spoken, Nelson happened to be one of the attendees we snagged for an interview. Not long after, we were happy to see his work online. He’s since made time for an interview to give some valuable insight into what it’s like to be a young freelance model from Texas, in 2023.
From there, I met so many models and so many designers. I gravitated toward more of the community, more the friendliness of the people. Everyone has been so sweet.” Even entering the industry, Jason’s mother’s words would continue to echo and fuel his forward motion. “My biggest inspiration has been my mom telling me that I wouldn’t make it—but she always told me to chase my dreams.”
THE INTERVIEW We began at the start with his interest in fashion, curious to know of his influences and inspirations at that time. “I was probably 17, maybe 16. I wanted to be a fashion designer for a clothing brand. I never knew what I wanted to do with that, but I knew I wanted to be in that general category. I wanted to be the face on a magazine cover. I pretty much wanted to be on top of the world. The person who told me that I couldn’t do it was in my family. But my inspiration would have to be my mom. My mom was always the one to tell me “you can’t, but you can”. What she meant by that was I can’t do it if I never believe in myself.” It’s a valid point that really applies to almost anything.
He’s had a mixed support system when it comes to peers and family regarding modeling. “When I told my family that I was modeling, a lot of people congratulated me and expected it. They said they always knew it. They always knew that I was going to do something big or something like it. From the time when I was smaller. When I told them I wanted to do something like that, they told me that I needed to get a career.” There seems to be an assumption that modeling is like any other job that one can just show up and apply for. Anyone in the industry will tell you that’s far from reality. So much time, grooming, practice and instruction takes place
prior to a candidate being considered to model on a fully paid commercial scale. Jason is learning to navigate this world as he goes, taking on photo shoots and applying for runway when he can.
models feel welcome? “I feel like the industry could be a little more open about the modeling itself and trying new things. Being open to just being there in person within a new area.”
Outside of the scene, he is building a life. “I did Color Guard for five years. It was fun. That’s what I kind of put off this year for modeling. I loved Color Guard so much. I want to be able to do it in the future in my personal life.
There are a lot of instances where photographers and organizations have gotten comfortable staying static within only a few settings and rotating through the same faces over the past years. That seems to finally be changing, thanks to campaigns that aim to increase inclusion and visibility, like TFII’s Fresh Face program. As more newcomers enter these spaces, including new generations of photographers and organizations who aim to empower, it’s safe to say that Texas as a whole is moving into the future of community and collaboration based practices that do make room for new and unexpected shoots, shows and campaigns.
Right now, I am working with a company called Jen Mobile, which is a government-based company helping to provide low income people with phones and tablets. Also so that they have an emergency phone or anything like that.” We moved into discussing his first hand experience in the local industry thus far. Do you feel seen and included? Do you feel there are areas within the industry that could be improved to help up and coming
As for Jason, he’s taking the process one project at a time. “I hope to gain more knowledge, more modeling opportunities and be able to speak my story, share what has gone on with me.” To others considering moving into this space, he says, “Be true to yourself and entirely just go for what you love. Don’t let anyone hold you back. The only person that really can, is you. Don’t let anyone judge you or tell you what you can and can’t do.” So what’s next? “I’m working on getting an apartment with my boyfriend. We just got our first car, and now I am hoping to work on my modeling career a little more and see where it takes me.” Our readers can connect with and follow model Jason Nelson on Instagram @jason_moonlight , or for bookings they can email Nelsonjason996@gmail.com .
I’m 19 years old and live in San Antonio. I want to go as far as I can with modeling. I want to be able to show some people that I will not just stay on the side of the road.Let me just say, not a lot of people believe in me.
…So I am proving them wrong. I think modeling is a art .You can always find a way to sit, stand, crouch and even lean—but making it look cute or iconic, that’s our job. It’s a job that some think is a waste of time;I guess I make them push to be better than they were. You never know what’s going on, on the other side of the picture.
photographer Darronnette Curtis of LXVE MXFFIN models Annakaren Aldrete, Jason Nelson & Alex Meek at an SA Creatives meetup
THE DYNAMIC LIGHTCHASING CHRONICLES OF DOMOOHH SAN BERNARDINO, CALIFORNIA
WHO IS DOMOOHH? Hailing from San Bernardino, California, Dominic Palacios—known by his photographer name as Domoohh—has always had an interest in electronic music. This interest came from being exposed to the genre at an early age when he attended his first insomniac event. After graduating at UCSB with a degree in film and media studies, Domoohh began to utilize all of his knowledge to produce high quality content, videotaping and photgraphing local shows, clubs, and festivals in California. He has since grown his portfolio and continues to build a name for himself and his clients within the electronic dance space.
IN HIS WORDS “Since 2010, I’ve been listening to electronic dance music. There was a strong underground movement in the area in which kids kind of dressed up like the Jersey Shore cast and listened to blog haus music. Shuffling was really popular and so were influences like Afrojack, Deadmau5, etc. I listened to the music for years and I always dreamt of doing something with electronic music. It wasn’t until 2018 when I saw a video of an aspiring Dj, that I really looked into the videographer’s page, and the rest became history. Since then I’ve been working with artists and I help them with video marketing. Essentially, I’ll do photo and video coverage for their shows. But on the outside it’s considered marketing in the sense that they can use this material to hype up a track, promote future shows, and promote themselves as artists. [Some of these artists include : VNSSA, Black V Neck, Walker & Royce, Arnold & Lane, Ocean Roulette, and more.] The most rewarding feeling and aspect of it is building with people that I enjoy working with. Their music means a lot to me, as it does for their fans. So I always strive to make sure that their creative ideas are matched. Also…seeing the work that I create for them being featured in popular social media channels, blog sites, etc. And I enjoy traveling and going to all these festivals with the artists. I love this life and I wouldn’t trade it.” There is an entire subculture built around electronic music concerts, festivals and light shows that differs from rave culture. Documenting this culture is something Domoohh takes seriously.
Corey Layne Photography Austin, TX coreylaynephotography.com • @coreylaynephoto
DARK P H O T O G R A P H E R
M I C H A E L
A V I L A
C H R I S T M A N
@DARKHORSEPHOTOGRAPHYSA
PEPPER Vol. 2 | no. 4
TALES OF TRASMOZ
THE ‘CURSED’ SPANISH VILLAGE BY SEIGAR
TRAVEL Can you imagine living in the only Spanish town officially cursed and excommunicated by the Catholic Church? This travel photo narrative series shows how I felt in Trasmoz, the name of this haunting little village in the province of Zaragoza.
With less than 20 km2 and with about 90 people, Trasmoz still has got a huge personality and magic character as a place. I suppose that the numerous and widely known legends about witches and sabbaths by the romantic writer Gustavo Adolfo Bécquer have contributed to its notoriety, and also to its interest as a tourist destination. In fact, the excommunication has never been revoked, so it keeps curious people around. Every year a woman from the village is awarded the distinction "Bruja del Año" which means "Witch of the Year" in recognition of her services to the community. I could take photos of the white plaques for remembrance on the outsides of the houses. Symbols that play with witchery are found in every corner—such as black cats, bats, birds, cauldrons, flying brooms, and religious sculptures. Its cemetery, church, monuments, and castle also create a dramatic atmosphere. The images are colorful because that is how I feel about art, and that is how I felt about Trasmoz too, loyal to my pop prism in photography. When you read a plaque outside a home that 162
passport. conceptual artist & photojournalist Seigar
TRAVEL proudly says "Aquí vive una Bruja" which means "in this place a witch lives", you start to understand that the people from Trasmoz are proud of their spiritual history. Welcome to Trasmoz, the not-so-damned village of Spain. A HISTORY LESSON : “Its unorthodox past goes back to a series of squabbles that began more than 700 years ago. At the time, Trasmoz was a prosperous community of Christians, Jews and Arabs with a powerful adversary—the neighbouring monastery of Veruela. A quarrel between the two over whether villagers could fell trees in the area for firewood came to a head in 1252, leading the monastery’s abbot to demand that Trasmoz be
excommunicated from the Catholic church. “One could call it a tantrum,” according to villager Lola Ruiz Diaz. [The Guardian]
SEIGAR —is a passionate travel, street, social-documentary, conceptual, and pop visual artist based in Tenerife, Spain. He feels obsessed with the pop culture that he shows in his works. He has explored photography, video art, writing, and collage. He writes for some media. His main inspirations are traveling and people. Seigar’s aim as an artist is to tell tales with his camera, creating a continuous storyline from his trips and encounters. He is
a philologist and works as a secondary school teacher. He is a selftaught visual artist, though he has done a two years course in advanced photography and one in cinema and television.
He has participated in several international exhibitions, festivals, and cultural events. His works have been featured in numerous publications worldwide. His latest interests are documenting identity and spreading the message of the Latin phrase: Carpe Diem. Recently, he received the Rafael Ramos García International Photography Award. He shares art and culture in his blog: Pop Sonality. popsonality.blogspot.com 167
PHOTOJOURNALIST COREY LAYNE DAVENPORT
PASSPORT. A captivating exploration of the present-day city of Nagano & Shiojiri, in the Nagano Prefecture of Japan in this visual essay from PEPPER photojournalist Corey Layne Davenport.
PASSING THROUGH 長野市
Nagano ( , Nagano-shi) is the capital and largest city of the Nagano Prefecture, located in the central Chūbu region of Japan. A core city of Japan, it’s surrounded by mountains—the highest of which is Mount Takatsuma.
奈良井宿
Narai-juku ( , Narai-juku) was the thirtyfourth of the sixty-nine stations of the Nakasendō, as well as the second of eleven stations along the Kisoji, and is located in the present-day city of Shiojiri, in the Nagano Prefecture, Japan.
THE TRIP The region of Nagano is where history seamlessly merges with natural beauty, giving me a glimpse into the country's rich cultural heritage. Just a short train ride from Tokyo, a day trip to Nagano city and the picturesque Narai Juku was an unforgettable experience that combined ancient traditions and serene landscapes.
EXPLORATION Leaving Tokyo, we hopped on the Shinkansen (bullet train) and grabbed some window seats to enjoy the views. While the ride was only an hour and a half, the scenery made up for the quick ride. Upon arriving in Nagano, we flagged down a cab and headed straight to our hotel. I was lucky enough to find an open room at Matsuya Ryokan, a small family-owned and operated hotel that sat a mere 4-minute walk from the entrance of the Zenko-ji Temple. Rumored to be the birthplace of Buddism in Japan, the Zenko-ji Temple stands as a testament to centuries of spiritual devotion and its significance to Japanese culture. The temple is not just an attraction; it's an opportunity to connect with the essence of Japan's spiritual traditions
which left a lasting impression on me. Leaving Zenko-ji Temple behind, I ventured into Nagano's streets. The cityscape is a blend of modern shops and historic buildings, showcasing the city's evolution over the years. Narrow alleyways wind through the town, leading to unexpected discoveries around each corner. After some wandering around, it was time to hop on the train to Narai-Juku. Built in the Edo period and often referred to as "Narai of a Thousand Houses," it is a living relic of Japan's past. Nestled in the Kiso Valley, this town hosts a well-preserved townscape characterized by traditional wooden buildings and cobblestone streets. 172
DEPARTURE In Narai Juku, time slows down, allowing for reflection and relaxation. It's a place where the modern world takes a back seat, and you can immerse yourself in the quiet beauty of Japan's past. As we waited for our train back to Tokyo, I couldn't help but think about already planning my return in the future.
生きがい
The Japanese word ikigai means a “life purpose”— defining your personal meaning of life in relation to your talents, passions, and profession, as well as what you can give to the wider world.
SANTA CRUZ de TENERIFE PHOTOGRAPHER IRA WIND
PASSPORT. A walk through this beautiful port city on the island of Tenerife, in Spain’s Canary Islands. With photojournalist Ira Wind from Belgrade.
TRAVELING EYE Tenerife is an island that I love very much.
I come here several times a year. There are so many beautiful places here, but today I wanted to show pictures of the capital of the island—the city of Santa Cruz de Tenerife. See how European style is combined here with the special exoticism of the Canary Islands.
• Instagram @kraftfitness & @bodybykraft • kraftfitness.com • shawn@kraftfitness.com
Fit to a T. WITH NUTRITIONIST & FITNESS EXPERT TINA SENA
Expert Health Advice Nutrition at any age, the best foods for all bodies.
Lifestyle Tips & Resources Links, great products and places to try.
Fitness Techniques Things you can try at home or at the gym.
We’re Only
Fit to a T.
Human
Nutritionist & fitness expert Tina Sena
into your already existing daily routine. Create the good habits that you know you can stick with and carry them with you into each new season. If it’s up an hour earlier to get in a workout or making sure you are taking to the time to mindfully prepare your meals for the week. Surely you can fit at least 5 hours of your exercise into your week and at least two hours of meal prepping. Don’t take your health for granted y’all. Only one life to live—let’s make a long one!
Falling back into fitness this month means having to face the reality that we’re all just human.
Health and happiness,
Tin a
Tina works hands-on with clients in San Antonio, New Braunfels and surrounding areas.
What does that mean? It means that most of us spent the summer vacationing, going to cookouts, floating lazy rivers, boat rides, out on the lake, time at the beach, time spent with family and friends—which is exactly what summer should be all about. Here’s the only downfall to all the fun. We tend to stray from our health and fitness routines. So all the work we put into getting ready for bathing suit season has now been sabotaged by our own lack of discipline. Here’s where the humanness comes in. Instead of beating yourself up, making excuses or deciding to throw up your hands thinking you’ve gone too far back to get back on track, try this : Try finding a plan or program that will realistically fit
Find Tina online at tinasenaofficial.org or Instagram at @tinasenaofficial 183
Tina Sena
Whole Heart Foods
TM
Have you heard? Nutritionist & Fitness Expert Tina Sena has her own line of health snacks…
e r ’ y e h t d n a ! s u o i c i l e d
tinasena.org
POUT MedSpa PA-C & Certified Injector • Bilingual Clinician “I help enhance your natural beauty.” -Itxia Lee
@pout_itxialee
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Servicing San Antonio, TX
Jeanne Bessette Artist, Speaker, Writer & Teacher Asheville, North Carolina
journalist K. Day Gomez
Jeanne Bessette is a multifaceted and conscious artist, disruptor, speaker, and guide, dedicated to empowering women on their creative journeys. Through her diverse expertise, she inspires individuals to find and embrace their authentic creative voice and expression. Through her artistic endeavors and empowering speeches, she disrupts societal norms and encourages women to step into their power, embracing their vulnerabilities as sources of strength. Her art becomes a tangible vessel for healing, radiating a state of empowerment for herself, her clients, and the spaces they inhabit. With Jeanne's guidance, women embark on a introspective exploration of creativity and selfdiscovery, ultimately finding liberation, purpose, and inner peace.
Getting to know Jeanne… When not captivating with her paintings, Jeanne dedicates herself to mentoring and teaching, inspiring alignment and creative alchemy in others' lives. She delves into the rawness of human experience, embracing imperfections and authenticity. As a spiritual ninja and urban medicine woman, she guides individuals toward higher consciousness, uncovering their latent potential. Throughout her career, Jeanne has navigated worldwide galleries. Collectors and notable figures have resonated with her pieces —like MA's Richard Besser, QVC's Bob Warden, Drea Webber of Pink & Cher, and Marina Rice Bader from Wolf Films. Jeanne defies boundaries, embracing the philosophy of "Activated Art, Live by Design, Expect Miracles."
The Interview At 61, artist Jeanne Bessette has made her entire life’s mission to uplift others by channeling her talents through the lens of her lived experience. We took an intimate look at her personal history, starting from the very beginning.
“I literally cannot remember a time when I was not drawn to art (pun intended). I was four years old when I noticed I had a true gift. At that time it was of course crayons, and funny enough I still use them, but now I call them oil pastels. My favorite mediums to work with currently are acrylic paints and oil pastels. But frankly, I work with anything that will make a mark or translate what is coming through. I also sculpt and use a lot of natural elements in my sculptures. What led me to make the kind of art I do now was and is an insatiable drive to translate and interpret what moves through me. I am highly intuitive and messages drop in all the time. Anything and everything about being alive and what it means to be human is inspiring me to move paint. But the true connection to who we are beyond our humanness has a louder voice as of late. As a conscious artist, I literally co-create with Divine messages that channel through me. It’s a very unique and new way of seeing the world and I am driven to translate that connection in paint. This conscious action creates paintings that literally are alive and vibrate at specific frequencies to aid in healing or expansion.” The practice Jeanne describes is much like stream of consciousness writing—a technique employed by mediums, and even in scientific settings where subjects undergo psychedelic journeys. Instead of a paper and pen, she’s channeling through paint and other mediums onto a canvas, or sculpting. We asked what those closest to her have thought of what she does. “My family was not supportive nor were they unsupportive. I don’t think they actually saw it as a life path toward successfully creating a living nor do I think they cared one way or the other, what I chose to do. I don’t really get a sense that they think much about my journey as an artist. I do however have very supportive friends and people in my world who celebrate me when I have successes. Frankly, being an artist is already something we are that is unique and a lot of people don’t understand that way of being so it comes with the territory.” Next, we moved on to the subject of her themes. “My work is all about a deep connection to the source of creativity and how to translate that. That being said…I am currently working on a massively beautiful project we are calling Gaia Rising. It is an immersive art and healing exhibition that we are launching in small bites this fall with a bigger launch next spring. It is to assist in raising the consciousness of humanity and its inhabitants so we can truly see what we have done to our planet and how we can absolutely transcend the damage done. It’s a very exciting time for us.” Those words may feel hard for some to swallow in the face of so much suffering due to climate change disasters, domestic 188
gun violence on the rise, the brutality of war happening in various parts of our world at the same time… It’s understandably difficult to see hope through the disarray. Perhaps that is why some of Jeanne’s pieces reflect a darker, emotive part of what she’s experiencing. Be that as it is, without hope, there is no way to turn it around. It’s that hope and beauty she’s hoping those who encounter her work will walk away with.
less abstraction like the Gaia Rising paintings, of which there will be 14 very large scale pieces— literally 10x10 feet and larger—it is different. There is a lot of sitting still and listening for what source energy wants to drop in…then I paint what shows up.
The Process
We asked Jeanne to share stories that stand out to you from her creative journey thus far— people who’ve left an impression upon her over time. “I have one person who has single-handedly changed not only who I am as a person, but who I have become as an artist. Her name is Reena Parikh. She is my spiritual mentor and friend. We are launching Gaia Rising together. I have worked with Reena for three years and will continue for another two or so. Her work in the world is poignant and profound and I have more respect for this person than I can say.
“My process is very absolute now. I never approach a painting without first meditating and getting myself out of the way. It is so important in my work now to be in a neutral state of being and frankly in a state of total awareness. I will light palo santo for clearing and do many preparatory things before even picking up a brush. The painting process itself is often a createand-destroy or editing process when I am working on my abstracts. There are many layers of paint that allow new ideas to peek through from underneath as this happens. It also keeps my brain from engaging which can be the enemy of true creativity. If I am working on an archetypal piece that has 190
If I’m working on a spirit of place piece, these are literally the helpful energies of someone’s home or building and they channel through me. The aesthetics can be all over the place. It really depends on who is “talking”.”
As far as good stories…Oh my goodness! I have so many…some funny, some not so funny. One that comes to mind is not especially funny but it is deeply soul-touching. I had a client reach out who purchased a piece I had created and was represented by a gallery in Santa Fe. The title of the piece was called “Gathering Courage”. The
couple who purchased the painting emailed me to thank me for creating the piece. They had a granddaughter who had been abducted and they said the painting helped them heal from the incident. I still cry when I tell that story in its entirety. We never know who or how we will affect someone and it is always so rewarding. My paintings evoke emotion and healing and I am so happy to be able to do this in the world.”That is an incredible outcome, and one which is sure to have been replicated in many different ways throughout her journey. Where do you hope to live or travel next in your professional life? “Well, I live in a beautiful place in Asheville and I call it home for all kinds of good reasons. I will be traveling extensively next year for Gaia Rising and will be fortunate enough to see some exotic places. I have lately been thinking about what it might feel like to live abroad, maybe part of the year.
Who knows what or who will cross my path. I’m open to anything and I adore travel.” Art has the power to change hearts and minds, and inciting that change has been at the core of what Bessette is building. “What I’m passionate about right now is this Gaia Rising project and it is being designed to go global. It will visually demonstrate a lot of social awareness that is needed from climate change to child trafficking to a peek into what is possible and the nirvana that is truly available to us if we just allow ourselves to be open to it. I think it’s going to make a huge impact and I’m so grateful to be such a big part of something so deeply meaningful.” With such an important mission, we asked how she got her start as a public speaker. “Speaking publicly was a natural state of who I am. I have so much to share with people and I adore helping others. Several years ago someone asked if I’d be interested in speaking to a small women’s group and I loved doing it. I never looked back and frankly being on a stage is very natural for me.
I have authored a small book that has not been published yet and yes, I absolutely am open and available to either write more books or commission a biography…the life I have lived is actually a fascinating story.” Do you have any good advice for others about pursuing a career in art? Any words of wisdom or encouragement? “I have to laugh at this question because I always have advice. I do try not to give it unless asked, but thanks for asking. If I had to do it over, I would have tenaciously kept at it sooner. I did go down a lot of detours and got sidetracked more than I’d like to admit. So if I were to speak to this I’d say…keep going. Always and always keep going. Follow your dream. It won’t always be easy but it will always be rewarding.” Our readers can connect with artist, medium and speaker Jeanne Bessette online to become patrons and access her art. “I can be found
almost anywhere on social media. In fact, it would be hard not to find me. I have a personal and business Facebook page, an Instagram account— all of these are my name. I have a website, Jeannebessette.com. I also have a YouTube channel. I am not as active there right now but that may change.” As a final thought, Jeanne imparts, “Being an artist is not just about making things. It’s really about being in the now moments and allowing life to bring what it brings. If we can just stay curious and allow life to unfold, and we stay present to our desires and pay attention to what we love. When we focus on our peace, our connections to those who love us, and our sovereignty and connection to our higher being…we are unstoppable. Living creatively is a whole state of being. Putting that on canvas or forming it into a work of art is the outcome of that life. Thank you so much for allowing me to share a little bit of myself with your readers. I’m very grateful for you.” And PEPPER is honored to play host to such a unique life story!
HEALING PRACTITIONER
Tech & Being Human
ROMY NAVA
A MODERN MYSTIC
Being Human in Today's World : Tech & Spirituality Balancing our Digital Life with our Inner Self We're living in a time where everyone's always on their phones or computers. At the same time, many of us are looking for ways to feel more at peace and find deeper meaning in our lives. So, what's it like to be a person today, trying to balance our online world with our deeper feelings and beliefs?
Phones, Apps, & Finding Peace We use technology for almost everything. We chat with friends, play games, and even do schoolwork online. But sometimes, it can feel like there's too much going on, and it's hard to find quiet moments. In the past, people had more time to relax and think about life, like sitting by a river or looking at the stars. Now, we have to make an effort to find those moments, maybe by putting our phones
on silent or taking a break from social media.
Searching for Deeper Meaning Today Even though our lives can be busy, we still want to understand our place in the world. That's why things like meditation and yoga are becoming more popular. They help us relax and think about bigger questions. Plus, because of the internet, we can learn about different beliefs from all over the world. For example, a student in California can learn about ancient stories from India or practices from Africa. This is cool because it helps us see how people everywhere are connected in their search for meaning.
Seeing the Special in Everyday Life Being a person today means finding the special in regular things. It's about feeling happy when video chatting with friends, learning something new from a YouTube video, or just enjoying a good song on 195
the radio. Even though today has its own set of challenges, we're just like people from long ago, trying to understand life and find happiness. The key is to use the tech tools we have but also make time for quiet moments and deeper thinking. To sum it up, being human today is like a mix of the old and the new. As we go through our days, let us remember to stay true to ourselves and value the things that really matter.
THE MOST CURIOUS WORLD OF
GUY WEDNESDAY ~ BOOKS ~ AUTHOR
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Child model Dahlia Black embodies POP ICON David Bowie
SAN ANTONIO, TEXAS
photographer Michael Drapala model Dahlia Black mua Kat Morales stylist & hair Mona Schwartz lashes & glitter Luxury Beauty Co.
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journalist Catalina Baumgarten of 4TinyHands
Allow me to introduce you to Sofia Kalina. In this exclusive interview, we delve into her artistic journey, her profound love for wildlife, and her dreams for the future. This young artist has made her mark, not only in Russia but across the oceans. Sofia Kalina, a 10-year-old from Moscow, emerged as the winner of the “Celebrating the Animal Kingdom” drawing competition, a global event that transcended borders and united children from 15 countries across 5 continents. Her stunning artwork featured an Amur tiger, a majestic yet endangered species, and captured the essence of wildlife conservation. How does it feel to be the winner? Sofia : “It’s incredibly exciting! Winning is such an amazing feeling, and I’m thrilled to have had this opportunity.”
Did you expect to win when you first entered the drawing competition? Sofia : “Yes, I believed that my painting had a good chance of winning this competition.” What was the first thought that crossed your mind when you found out you were the winner? Sofia : “Hurray, my tiger won! I will be published in a magazine! I will become famous not only in Russia, but also in Germany and the USA!” Can you tell us a bit about yourself and what inspired you to participate in this competition? Sofia : “My name is Sofia Kalina, and I’m 10 years old. I live in Moscow, Russia, and I’m in the 4th grade at school. Besides regular studies, I’m also learning German, and I attend a 4th-grade art school. I love reading books, drawing, and even sculpting. I find it exciting to participate in competitions that promote animal protection and wildlife conservation. This is because I have a deep love for animals. It’s essential to me that people become more mindful of nature and especially rare animals. I want my art to convey this message to others.” When did you first discover your passion for art? Are you a self-taught artist or do you have a mentor teaching you different techniques of drawing?
Sofia : “I’ve been passionate about drawing since I was a child. When I was just 4 years old, my mother introduced me to drawing. Later, I enrolled in an art school, where I learned various drawing techniques, and I also watched lessons on YouTube.”
ABOUT HER
PROCESS What is your favorite drawing technique and medium? Sofia : “My preferred drawing techniques include pencil, gouache, watercolor, acrylic, pastel, and ink. I typically work with watercolor paper, pastel paper, pencil, liner, pastels, watercolors, gouache, and acrylic markers as my favorite materials.”
How much time did it take you to create your winning artwork? Sofia : “It took approximately one hour to complete my painting.” Could you describe the process of creating your artwork? What materials did you use? Sofia : “To start, I sketched the image on a 300g watercolor paper using a pencil. Then, I traced over the sketch with a liner and filled it in with vibrant watercolor paints. The materials I used included pencils, liners, brushes, and artist-quality watercolors.” What was the most challenging part of creating your artwork, and how did you overcome it? Sofia : “The most challenging part to draw was the tiger’s paws and achieving the correct proportions. However, I persevered and successfully achieved the desired proportions.” Your drawing beautifully portrays a tiger. What drew you to choose this particular animal for your artwork? Sofia : “I have a great fondness for all feline species. My choice to depict the Amur tiger, also known as the Ussuri tiger, was driven by their critical situation. These tigers face a decline in numbers each year due to poaching and habitat loss. As a result, one can find them in the Red Book. I wanted people to see how cute they are. I aimed to convey their incredible beauty and the urgent need for their protection.” What message or emotions did you aim to convey through your drawing? Sofia : “My goal with the drawing was to emphasize the importance of caring for both animals and nature.”
Your drawing is part of a larger initiative to celebrate and protect animals. How does it feel to contribute to such an important cause? Sofia : “I believe this is a crucial issue. My drawing was seen by many people (593 people), and among them were many artists. I’m hopeful that my idea will inspire them to create more artwork featuring animals and to be motivated to preserve nature.” What do you think is the importance of young artists like you in raising awareness about wildlife conservation? Sofia : “I believe that the more young artists create and share their artwork online, the greater the number of people who will view it and hopefully become motivated to stop the destruction of nature and the harm to animals.” In your opinion, how can more young people get involved in efforts to protect endangered species, their habitats, and nature? Sofia : “In my view, the more young people get involved in protecting endangered species and preserving the environment, the better it will be for the environment and animals.” What do you believe is the most pressing issue facing wildlife and the environment today? Sofia : “In my opinion, the most pressing issue for wildlife and the environment today is human actions. I am refering here to plastic waste, ocean pollution, destruction of rare animals, and deforestation.” Besides your artwork, have you been involved in any other activities or projects related to animals or the environment? Sofia : “Yes, I also participated in the ‘Feed the Birds’ competition, where I won first place.
Additionally, I joined a school project advocating for forest conservation and against tree cutting. The project was called ‘Take care of the forest’.” If you could choose any animal to spend a day with in its natural habitat, which one would it be, and why? Sofia : “If I could spend a day with an animal in its natural habitat, I would choose the jungle cat. I love cats, and the jungle cat lives in the Caucasus. It’s listed in the Red Book of Russia, and its population is decreasing each year.” Can you tell us more about your favorite animals beyond the drawing competition? Sofia : “Beyond the drawing competition, my favorite animals are all feline species, including rare and endangered breeds of various sizes. I’m an avid reader about them, and I even have a Kurilian Bobtail cat at home.” What are your thoughts on World Animal Day and its significance in the larger context of animal welfare? Sofia : “I believe World Animal Day is a fantastic celebration of Animal Protection. It should be an annual event with extensive media coverage to raise awareness among more people.” Can you share some of your future plans and goals, especially in relation to your passion for art and wildlife? Sofia : “In the future, I plan to further develop my drawing skills, focusing on creating more artwork featuring animals and nature. My dream is to become a cartoonist and bring my drawings to life through animation, particularly in the form of animals.” Is there a specific message or wish you’d like to convey to 4TinyHands’ readers and the world as the winner of this competition? Sofia : “I’d like to encourage 4TinyHands to host more competitions like this to discover young talents.” Lastly, can you share your opinion about 4TinyHands’ mission to empower children and encourage them to act as ambassadors for the environment and wildlife in a creative way? Sofia : “4TinyHands is a very cool platform for children and nature. It is the best playground for children’s minds, giving them the opportunity to develop their creativity, discover new talents, and explore exciting stories.”
Join Sofia in Celebrating the Victory of Wildlife Conservation : Act Now for a Brighter Future Sofia Kalina has emerged as a triumphant voice for the voiceless, and her remarkable journey is an inspiration for young conservationists worldwide. Through her incredible drawing, Sofia champions the cause of wildlife conservation, inviting us all to join in her mission for the victory of wildlife conservation. Her message is clear and simple: to protect the world’s wildlife, to conserve our planet’s precious ecosystems, and to secure a brighter future for the next generation. Moreover, Sofia Kalina is showing us that young voices can indeed make a difference. So let Sofia’s passion and dedication ignite a sense of responsibility in each of us and act now. Together, as stewards of our environment, we can make a profound impact, advancing the victory of wildlife conservation one step at a time. Together we can build a better future for all living creatures! Furthermore, let us support and encourage more young artists like Sofia, young ambassadors for wildlife, who are changing the world one drawing at a time. I invite you to visit Sofia Kalina’s Instagram @sophi.kalina to always be up to date with her new creations. Additionally, explore 4TinyHands’ Facebook and Instagram profiles to stay connected with more inspiring young artists and their creative journeys.
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LETTER FROM OAKLEY ESTATE FLASH FICTION AUTHOR JONATHAN DARREN GARCIA / SAN ANTONIO, TEXAS X PHOTOGRAPHER YUSUF EVLI / DÜSSELDORF, GERMANY
THE HUMAN CONDITION POET LAUREATE ANDREA ’VOCAB' SANDERSON / SAN ANTONIO TX PHOTOGRAPHER ANDRE FRUEH / NEW JERSEY
I hit a glass ceiling of vulnerability
But you can't afford to dabble in your misery.
My tears turn to something more angry You gotta keep moving, keep moving. Irritated by what I perceive as weakness, Travel dressed for battle. But pain is a necessity. So I rip my heart off my saline-soaked sleeve Retrieve my stoic face. Push my emotions into their proper place. Breathe, proceed, emphasis on my needs.
As if anvils were dropping from the skies, As if every person spoke to you in lies. As if every day a new hope dies Beside the bed in which you lay and cry.
Refusing to bend my knees
So yes, try to shove your emotions back down inside.
Make a sacrifice on the altar for a better life
Collide with each day as if nothing matters but your pride.
Because, sacrifice can be uncomfortable like walking barefoot on gravel. Leaving all your patience unraveled.
And maybe one day the need for connection will subside. And maybe one day you won't feel so human inside.
I’M THE VOICE
AUTHOR NJABULO NKAMBULE / SWAZILAND, SOUTH AFRICA X PHOTOGRAPHERS NIKKO MACASPAC / PHILIPPINES & WARREN / AUSTRALIA
I'm the voice of the voiceless. I'm the voice of those who were bullied, Laughed at and abandoned. I'm the voice of those clouded with suicidal thoughts, Those who are afraid to speak, I mean those who are regarded as weak. People who are hurting but smile throughout the week, Those who I refer to as unique. I mean those who get body shamed, Yet they have an empowered physique. I'm the voice of those who always feel lonely, Those who always feel weepy and in pain, But never shed a tear in public. Those you pass by in the streets, And turn a blind eye as you really don't care. The insults turn their hearts sour, Your ugly words haunt them always. They may act enthusiastic, Strengthened, secure and certain, Yet they are frustrated and crushed, Depressed by your ill doings. I'm the voice of the lonely, Those who always feel deserted, People who got crushed by a bully, Those who are thought to be weak and fragile, Yet you have never seen what they go through. They cry themselves to sleep,
Fail to get up on their feet in the morning, Get depressed by the sharp words said to them, I'm the voice of the miserable humans, Those who are believed to be a sad generation. I wish you could understand, I wish you could be able to take a walk inside their minds, Have a word with their inner spirits, I wish you could walk into their world, To see how they despise the life they are living. Imagine living in a shadow of fear, Because of the insulting and degrading words you hear, You never know what is happening in someone's head, You never know what drives someone into feeling queasy. Getting ill-treated is not easy, We are a broken society, One that is afraid of fixation. I'm the voice of those with suicidal thoughts, Those who want to write and leave A goodbye note on their bed, With only words left but their soul gone and that is bad. Those who can't speak for themselves, Because they are afraid of being verbally, Socially, physically and cyber-bullied. You can survive being bullied, 215
You are strong, powerful and undefeated. As beautiful as you are, I'm the voice that you need in your head. You are a survivor, A hero and a champion. I'm the voice of the voiceless. I'm the voice of a broken society.
BULLET WRITER & PHOTOGRAPHER JAKOB RAU / SAN ANTONIO TX
217
SURVIVOR’S GUILT POEM BY AUTHOR K. DAY GOMEZ SAN ANTONIO, TEXAS I am combustible, I think. Unpredictable at best. Fragile and rough and full of rage, like a furnace burning low. I am not easy. I am often prone to madness and led by impulse. And I will cut you when I’m cornered without hesitation or forethought. I am wild and yet I hide. I show only the parts I’m comfortable with and seldom let others see the ugly parts, the wounded things inside me. When I do bare them, it is in a controlled way with flowery language to make my iniquity more digestible. To cushion my animal ferocity with a balanced sense of humanity. But I am that animal all the same. The day unfolds in normalcy with hygiene, the smallest actions triggering memories of shame… Preparing a meal for my son [familiar smells triggering past arguments and abuse]— Sit over lunchtime conversation with my husband [unwelcome untriggered thoughts of rape by lesser men quietly endured in years past dancing under his entirely unrelated conversation concerning the on-goings of his day]— I busy myself with art and it does its job to distract, mostly [someone messages a business 218
inquiry [anxiety builds to inadequacy]... PTSD is a monster always present in the room, most often chained, often easily camouflaged by the right makeup, a carefully positioned smile, the casual humdrum of inconsequential conversation. But he is there and he is very much a part of who I have become. Those who suffer as I suffer do not experience the world in a pure and unmuddied way. We doubt and mistrust and carry our swords at our sides. Cynicism is cultivated by season after season of let downs, false promises, villainy endured and misguided opportunities. Alcoholics have it right in aiming simply to get through one day at a time. My day, though—my every day—is a minefield. And I do well to keep my family from being hit by the shrapnel they never see coming. I keep them safe in their obliviousness, their only armor from the war that rages inside of me. I do not want to be hard. But I am not easy. I want to be strong and yet soft, and full of innocent light airy joy. But I am combustible
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Walking on air & learning to the rhythm
with…
journalist K. Day Gomez San Antonio, Texas
The Joffrey Workshop Founded by Robert Joffrey, The Joffrey Workshop has been educating dancers since 1978. It is our mission to provide a welcoming space for all students. We share the importance of tradition in concert dance through our in-studio dance workshops. Our focus in concert dance is not a statement on the value of other techniques. The Joffrey Workshop was founded in these classes, our knowledge of them is our strength, and we feel confident in delivering them to our students. Additionally, our dress codes have been updated to make BIPOC and gender nonconforming students feel honored and welcome and to reflect what is being done in professional dance companies.
An Introduction Kenny Borchard is an alumni of Idyllwild Arts Academy and the University of Arizona. Since graduating, Kenny has worked on television and 224
commercial projects with credits including a featured role on TruTV’s Fake Off, What Not to Wear, Toyota Pruis, Mobbed, and Lifetime’s Petals on the Wind. Kenny has worked with Odyssey Dance Theatre, Solevita Dance Company, Pacific Festival Ballet, and Pasadena Dance Theatre among others. Kenny was also cast member of “Aladdin: A Musical Spectacular” at Disney’s California Adventure. As an educator, Mr. Borchard has taught on the faculty of Broadway Dance Center's Children and Teen Program, and has taught as a guest educator / choreographer around the country. Since finishing his performing career, Kenny has committed to creating welcoming dance spaces where all students feel welcomed and honored for who they are and how they show up. Kenny, at the age of 33 is the Executive Director of The Joffrey Workshop, while his husband, 42 year old Mauro Villanueva is the Artistic Director. We are fortunate to have been granted an interview with these talented and passionate individuals to learn their stories and their “why” in relation to instructing dance clinics around the country.
The Interview Tell us a bit about your background—how old you were when you became interested in ballet? How did that come about and did you incur any obstacles along the way? Mauro : “I grew up in San Antonio, Texas in the 80’s. When my uncle and his husband took me to see The Nutcracker at 6 years old, I was mesmerized. It was like nothing I had ever seen before—it was magical. Most exciting to me was that the story was told through movement, not words. As a young person I was very reserved so being able to express myself without having to use words was ideal! Later as an adult I realized how impactful it was to see Lauren Anderson (in skin tone tights and pointe shoes, as opposed to the Eurocentric “ballet pink” which has been the standard for ballerinas) and Carlos Acosta dancing the lead roles. Without knowing it, their presence as the principal dancers showed me that someone like me could also dance leading roles some day. (There has been a lot of discussion about the Nutcracker and the racial stereotypes rooted in the production. There have also been efforts to make changes to honor the people represented in the ballet. I have a fondness for the Nutcracker since it was what brought me to ballet and hope that new versions will come to be that will do an even better job moving that ballet forward into the future.) I was fortunate that I had a family that supported my desire to dance. If there were any objections from extended family or friends I never knew about it. I appreciate my parents protecting me
from others' opinions as many male dancers stop dancing due to ridicule. As a child I did experience bullying for being a dancer, but it never stopped me. I can't explain where the desire to be a dancer came from. It's just something that I’ve always wanted to do. I had no plan B if it didn't work out. In my mind, I was going to become a professional dancer, and eventually I did.” Kenny : “I started dancing at age 9, and once I walked into the studio, I knew this was for me. The connection of physical movement connecting with music was really powerful. I did not have the best home life, so finding peace and a place where I could continue to develop my artistry quickly became my vehicle out of a chaotic home life. I went to a boarding school (Idyllwild Arts Academy) at age 15, where I received the quality training that allowed me to become a professional. I then went to University of Arizona where I continued to refine my technique and gain the confidence necessary to begin auditioning for jobs that sometimes 500 other people were also hoping to get. While I studied ballet, my focus was on jazz, contemporary and musical theater dance. This allows for our workshops to have a well rounded approach, where students are able to learn many different styles of dance during our 2-3 day
get involved. events.” When establishing Joffrey as a dance clinic, did you have a strong support system in your family and industry peers regarding your business venture endeavors? Kenny : “The Joffrey Workshop is in its 2nd life. The first iteration of the workshop was a traditional summer dance camp with dorms, chaperones, a final performance—the whole 9 yards. During covid, this wasn’t achievable and Mauro and I turned to each other and thought there must be a way to continue sharing this legacy. So we started bringing the workshop into dance studios across the country, and that’s when we knew we had the next iteration.” Mauro : “The Joffrey Workshop was established in 1978 by Robert Joffrey, the same man who founded the Joffrey Ballet. Although we aren't affiliated with the other entities that bear his name, we all strive to share the legacy that he (and Gerald Arpino - the Joffrey Ballet’s cofounder, resident choreographer, and former artistic director) left behind. Mr. Joffrey was a mentor to my ballet teachers, so when they retired I was asked to step in as director. I have an extensive background and network in the ballet industry, specifically in the Joffrey / Arpino realm. Kenny came on to bring his wealth of knowledge and network in the contemporary and jazz dance industry. He has been a huge asset as concert dance focused students must be able to dance many techniques these days, not just ballet. Many professional ballet companies do a mix of styles of dance and to be able to offer our students a well rounded experience is essential to their growth and development.” The World changed a lot during and after the pandemic—how have these economic and social changes affected your business? Do you think the new paradigm is promising? Kenny : “It has not been easy to rebrand and redefine our target audience, but as artists and innovators, we continue to do what we do best. The pivot turn is not only a dance step, but a tool for our business arsenal.” Mauro : “Even before the pandemic, we had begun to think about the future of the workshop. When this program began, there weren’t as
many summer dance programs as there are now. We wondered how to continue making the impact we wanted to make with so much competition. At the beginning of the pandemic we tried to continue doing what we had done before (the traditional summer camp) but were quickly cut off when another wave of covid struck the country. This is when we knew we needed to do something else. That’s when we produced our first series of in-studio events, and everyone really liked it. The time commitment was easier to manage for families who were trying to manage covid-era activities. The price point to participate in a Joffrey Workshop decreased dramatically as well. We love this because so many more students now get to interact with the legacy. This feels like the right direction for The Joffrey Workshop, partially because travel is in the DNA of the workshop… When Mr. Joffrey would travel around the country with his ballet company, he would teach at local schools. He was an excellent teacher and loved to teach. If he saw students he wanted to work with he would invite them to the 227
Joffrey Workshop, so it seems fitting that we now travel around the country to share his legacy with dance students.” Do you have any role models or people who have inspired you in your career journey? Any great stories that have stuck with you? Mauro : “This is a hard question to answer in less than a zillion words and thoughts. One must be appreciative of their early dance educators; this is a really important time in a dancer's education. Teachers truly shape a young person's view on dance and I was fortunate that I had teachers who had different styles of teaching. This variety helped me be adaptable, which is essential in dance. Of course being hired by and working with Gerald Arpino was a once in a lifetime experience. What he did for his ballet company and its dancers was life changing and changed the dance world. I also worked with Frederic Franklin who was in the renowned Ballet Russe de Monte Carlo, a dance company that also changed the trajectory of dance in the United States and beyond. Recently I had the pleasure of
reconnecting with Paul Sutherland at the Arpino Centennial in Chicago. Mr. Sutherland was one of the original Joffrey dancers and he taught me the basics of being a good dance partner. Partnering was one of my favorite parts of being a professional artist. Supporting someone to achieve their full potential is so rewarding. Along this line, the many women who I had the pleasure of dancing with were also major forces in my development as an artist and person. Their commitment to the craft, patience, and encouragement all allowed me to grow into the lead dancer I became.” What age groups do you work with? Can you tell us what it’s like working with children and teens and what you feel they get out of it? Kenny : “Our workshops are built for students 10 years old into pre-professional (18-19 years). It’s always a joy to enter the studio for the first time in a new city and break the ice with the new group of students. I always start my classes by asking student’s their name, pronouns and 2 words to describe how they are feeling at the moment. This is an opportunity for everyone to realize their feelings
are not singular, but rather universal, because every time there is massive overlap in the responses, from excited to nervous to tired, every description is repeated. This helps to break down a wall that allows students to partake in the experience more fully. Most of the choreography I teach have underlying themes of empowerment, confidence, taking up space, standing strong, using their voice, because if they can practice feeling strong and empowered, and use their voice in my classroom, there is a stronger likelihood they will have the confidence to do so in other environments they enter. I also think projecting their voice into the space multiple times throughout the class, by answering scaffolding questions will allow them to speak up against injustices they may see happening in the world.” Mauro : “I have a mentor who said after having taught for 20+ years, “I feel like I’m finally getting good at this”. This is such a true statement. My teaching has evolved over the years. This comes because of many things—maturity, experience, self examination. All this to say, I hope students are inspired to look at concert dance (ballet specifically because that's what I teach) through a new or different lens. That texture, style, and character can and should be incorporated into ballet class. Ballet is a slow and tedious process, but if one can find the fun and creativity in that process, it makes it much more enjoyable. I also teach Mr. Arpino’s choreography to students thanks to a partnership with The Gerald Arpino Foundation. This is a great opportunity because very few students get to learn this material. Mostly it is learned and performed by professional dancers so to be able to have access to this is awesome. It’s also an essential part of sharing the legacy that Mr. Joffrey and Mr. Arpino left behind and that is really important to us at The Joffrey Workshop.”
Where do you hope your career will take you in the future? Kenny : “I want this program to grow and reach more students each year. I want to travel internationally, bringing our workshop to students around the world. I want to be a leader that continues to push the dance industry toward championing bodily autonomy, a more expansive view of gender expressions, inclusion of body types that have been traditionally excluded, and diversity of racial and socioeconomic statuses.” Mauro : “I would like to continue to increase the reach of The Joffrey Workshop. The Joffrey / Arpino legacy is a really important part of dance history so to make more artists aware of it would be wonderful. I’d also like to support and work with more professional dancers in the future. I recently began to take steps to achieve this. The Gerald Arpino Foundation has asked me to begin the process of learning to be a Repetiteur. This is someone who teaches / stages the Arpino ballets on professional dancers and oversees the process from start to finish. I recently completed my first assistant assignment and thoroughly enjoyed the process. It was so gratifying to see the dancers on day one and then on the stage. So exciting!” Do you have any advice to impart to others who are seeking a career in ballet or performative dance? Kenny : “Small 1% changes are what lead to the bigger accomplishments. The work in the studio on a stormy Thursday night when you still have a lot of homework to do, is part of the essential sauce that eventually lands the professional job. With this idea, also find time to smile, and actively build joy into your practice.” Mauro : “Learning and becoming excellent in dance is tough but it’s worth the effort because even if one does not become a professional dancer, the work ethic, sense of commitment, adaptability, and
creativity will all support you in whatever you decide to do. There's a quote that says “Dance lessons are life lessons” and I couldn't agree more. Dancers are some of the smartest people out there because of how many things one has to think about when dancing. Technique, musicality, spacing, plus the costumes, lighting, sets, your partner or a group of people you have to dance with. All this happening at the same time. It’s a feat that is so impressive when achieved.” Any big plans or exciting things coming up? Kenny : “In addition to our workshops for students, we are beginning to work with universities to provide programming about the importance of the Joffrey Legacy, the impact it has had, and how each student can continue to move this artform forward into an even more expansive and welcoming space.” Mauro : “We are excited to be able to share more about Joffrey and Arpino with dancers who are in the university / college setting. We have workshops scheduling into next fall and beyond and that is exciting to be forecasting that far in advance. And we will be attending some events in the near future which will help us broaden our community of workshop hosts.” Our readers can inquire (and sign up) online at joffreyworkshop.com.
About What Comes Next We have really focused on bringing DEI to the forefront of our business. The Joffrey Workshop has always had a strong Latinx presence in its student body and we recognize the need for a more significant BIPOC (Black, Indigenous, and People of Color) presence in our programs. We understand the exclusionary history of ballet and the larger systems that have
kept some groups of people from accessing dance. These groups include, but are not limited to race, ethnicity, indigeneity, religion, gender identity, sexual orientation, and / or socioeconomic status. The Joffrey Workshop believes the representation of all aspects of diversity is essential to the growth and survival of dance. We also recognize that equity is built into the policies, procedures and practices of an organization and we have thoroughly examined our programs to create more equitable spaces. By updating our practices to prioritize diversity, equity and inclusion, we aim to provide a dance experience that allows all students to thrive. The Joffrey Workshop will continue to examine and improve our programming so that we can provide the best education for our students. We acknowledge that there are situations that we have not yet encountered but are committed to learning from. With humility, and an awareness of challenges and differences amongst us, we move forward with the best intention of making the most positive impact on the students we reach. Some things we are doing to support our commitment to this work are : Hiring a diverse faculty so that students can see themselves in their teachers. Inclusive dress codes for students. Partnership with organizations that give scholarships to students who face structural inequities and barriers to quality arts education. Mentoring dancers outside of the studio Mauro : “Additionally, starting this fall, we will be presenting a seminar we created on the importance of consent in dance education. There is an ongoing issue of bodily autonomy in the dance world at large and we feel like we can help shift this through education. If teachers, parents, and students understand and respect the importance of consent, we can avoid the harm that has happened and continues to happen in the dance world.” 231
IN
THE
DARK
A SAM SHO ART SERIES
MANZINI, SWAZILAND
ARTIST’S STATEMENT ““In The Dark” refers to a period of ignorance and spiritual crisis that precedes the communion with divinity. It also alludes to having a hard time, going through a phase of pessimism, sadness, failure. Sometimes your world turns upside down and the pain of what you’ve lost, the people you let down, and the dream you once felt destined to achieve now gnaws at your guts every hour of the day. Most people prefer to be alone in these times and keep those little secrets to themselves. During this phase, we find others and also lose others. All of the artworks in this series do not show the subject’s face, which is indicative of how we hide from the world when facing our problems.
IN THE DARK 2 “Everyone is a moon, and has a dark side which he / she never shows to anybody —Life is in ourselves and not in the external.”
IN THE DARK 3 “You have the power to bring light to life from darkness. Without darkness, how would you know how much to appreciate brighter days?”
You might be going through this dark phase or still battling to navigate through it—but people have to muster the courage to face their dark phase and be bold enough to discover their light. Suffering brings out the best of you. The suffering makes you humble, which is the first step toward understanding the pain of others. Being compassionate is essential to living a meaningful life.
ABOUT THE PIECES
On the other hand, character cannot be developed in ease and quiet. It is only through the painful and agonizing experience of trials and suffering that the soul is strengthened, ambition is inspired, and success is achieved. Let us make sure in whatever we do, we keep moving forward.
Contact sambuloshongwe1@gmail.com WhatsApp + (268) 7683 4175 All social media accounts— Sam Sho Art
Let us not lose hope. Let us keep striving for our better selves because we all have the power to bring light to life from the darkness. Let us not let the dark times we are facing overcome us. Better days are coming. At the end of the dark, there are always beaming rays of light.”
Sambulo Shongwe is a 23 year old artist based in Manzini, Eswatini. “I'm a self-taught pencil artist and I also do digital art and graphic design. I started drawing at a very tender age while in my primary level at Zombodze National Primary School. Unfortunately, we did not have art classes even in my high school.
TITLES In order as shown throughout this article. IN THE DARK 1 “When you look ahead and darkness is all you see, faith and determination will pull you through.” 234
Artworks were created using a special digital technique called “Scribble Art”. They can be purchased as physical copies (framed on canvas). They are also available as NFTs. This is a limited edition—only five copies are available per artwork.
THE ARTIST
Luckily, in September of 2021, I was able to join graphics and digital art classes conducted by Scinzo Mdluli—one of the best digital artists in Eswatini. By September 2022 I managed to come up with my creative technique for digital art called scribble art, which is line themed. My first art exhibition was with Yebo Art Gallery (Eswatini) on October 1, 2022 under the title "UMOYA". I became interested in NFTs and started selling them in December 2022.” We are happy to showcase Sam Sho’s In the Dark series with such an important message for those battling depression.
Photographer Michael S. Drapala with the help of several creatives & survivors in San Antonio, Texas, asks us to consider what we think we know about sexual violence.
PEPPER Magazine is founded & produced by survivors. We strongly encourage those effected by or witnesses of sexual assault and / or human trafficking to speak up, reach out & get help.
RAINN (Rape, Abuse & Incest National Network) Hotline 1-800-656-4673
The National Human Trafficking Hotline 1-888-373-7888
The United States ranks as one of the worst countries in the world for human trafficking, with an estimated 199,000 incidents occurring annually. The number of reported cases, however, is much smaller.
A N T H O N Y When you think on the topic of what it is to be human, there are so many icons who could heartily represent that concept. But when it comes to my own off-beat interpretation of everything being human entails, the first person who comes to mind is the late, irreplaceable Anthony Bourdain. Any time I read his words, they play out like a farewell note— something you might say to those you know you’re leaving behind.
"Eat at a local restaurant tonight. Get the cream sauce. Have a cold pint at 4 o'clock in a mostly empty bar. Go somewhere you've never been. Listen to someone you think may have nothing in common with you. Order the steak rare. Eat an oyster. Have a negroni. Have two. 238
B O U R D A I N Be open to a world where you may not understand or agree with the person next to you, but have a drink with them anyways. Eat slowly. Tip your server. Check in on your friends. Check in on yourself. Enjoy the ride." —Anthony Bourdain
Born in 1956 to his parents—his Jewish mother Gladys and Catholic father, Pierre—Anthony Michael Bourdain described his childhood as easy, unencumbered by religious dogma and full of love from both parents and his younger brother, Christopher. “At the time of Bourdain's birth, Pierre was a salesman at a New York City camera store, as well as a floor manager at a record store. He later became an executive for Columbia Records, and Gladys was a staff editor at The New York Times.” [Wikipedia] Anthony recalled having come by his love of food naturally as a kid while visiting France on a
journalist & illustrator K. Day Gomez
family vacation. It was then that he tried his first oyster from a fishing boat. From there, he was hooked on not just foods and regional faire, but by extension the cultures they emanate from. This was the beginning of his love of anthropology. He dropped out of Vassar after attending for two years, and went straight to work in Provincetown, Massachusetts, and later graduated from The Culinary Institute of America in 1978. “From there he went on to run various restaurant kitchens in New York City, including the Supper Club, One Fifth Avenue and Sullivan's.” By ‘98, Bourdain was named executive chef at Brasserie Les Halles in Manhattan. Even years after, once he was no longer formally employed there, he continued a working relationship with the restaurant, being notated as their "chef at large". His writing career began in the mid 80’s, first debuting in Between C & D, a Lower East Side literary magazine. “The magazine eventually published a piece that Bourdain had written about a chef who was trying to purchase heroin in the Lower
East Side.” By 1990, he received a book advance from after meeting a Random House editor. ‘Bone in the Throat’ was his first book—a culinary mystery published in ‘95. But it was his documentarian style biographical essays and commentary that would forever engrain him in the hearts and minds of viewers the world over via ‘No Reservations : Around the World on an Empty Stomach’—his collective journalistic works which paid homage to his show while filming the series. Bourdain’s gritty, honest and insightful essays were published in many journalistic outlets from The New Yorker to The New York Times, to The Times of the Los Angeles Times, to The Observer, Gourmet, Maxim, and Esquire…Scotland on Sunday, The Face, Food Arts, Limb by Limb, BlackBook, The Independent, Best Life, the Financial Times, and Town & Country… “His blog for the third season of Top Chef was nominated for a Webby Award for Best Blog (in the Cultural / Personal category) in 2008. In 2012, Bourdain co-wrote the graphic novel Get Jiro! with Joel Rose, with art by Langdon Foss. It received an adult animated series adaptation produced by Warner Bros. Animation for Adult Swim. In 2015, Bourdain joined the travel, food, and politics publication Roads & Kingdoms, as the site's sole investor and editor-at-large. Over the next several years, Bourdain contributed to the site and edited the Dispatched By Bourdain series. Bourdain and Roads & Kingdoms also partnered on the digital series Explore Parts Unknown, which launched in 2017 and won a Primetime Emmy Award for Outstanding Short Form Nonfiction or Reality Seriesin 2018.” His social commentary and the deeper take-
aways he’d impart to the reader—the gems, if you will, was always rich and often surprising. Can a person truly be a cynic and still inherently passionate and altruistic? Bourdain was the poster child for this.
“Travel isn't always pretty. It isn't always comfortable. Sometimes it hurts, it even breaks your heart. But that's okay. The journey changes you; it should change you. It leaves marks on your memory, on your consciousness, on your heart, and on your body. You take something with you. Hopefully; you leave something good —Anthony Bourdain behind.” Throughout his life, Anthony struggled with addiction, coping mechanisms and vices to fend off deep existential depression, an ever-evolving dread that never quite left him. It was that looming ennui that would inevitably lead to him taking his own life. 240
Like so many others before him, his plight was the writer’s malody, the artist’s crutch. To observe the world in all of its glorious suffering, its many kindnesses and cruelties, the finer things in juxtaposition to squalor and the hard divide between classes…these aspects of the human condition can weigh on the soul when you spend your entire life witnessing and retelling it. His sacrifice of his time and livelihood to document the human condition through the storytelling scope of food and culture, became his livelihood. “In July 2006, he and his crew were in Beirut filming an episode of No Reservations when the Israel– Lebanon conflict broke out unexpectedly after the crew had filmed only a few hours of footage. His producers compiled behind-the-scenes footage of him and his production staff, including not only their initial attempts to film the episode, but also their firsthand encounters with Hezbollah supporters, their days of waiting for news with other expatriates in a Beirut hotel, and their eventual escape aided by a fixer (unseen in the footage), whom Bourdain dubbed Mr. Wolf after Harvey Keitel's character in Pulp Fiction. Bourdain and his crew were finally evacuated with other American citizens, on the morning of July 20, by the United States Marine Corps. The Beirut No
LIFE IS BEST LIVED WITHOUT RESERVATION. Reservations episode, which aired on August 21, 2006, was nominated for an Emmy Award in 2007. ….He went on to host ‘Anthony Bourdain: Parts Unknown’ for CNN. The program focused on other cuisines, cultures and politics and premiered in 2013. President Barack Obama was featured on the program in an episode filmed in Vietnam that aired in September 2016; the two talked over a beer and bun cha at a small restaurant in Hanoi. The show was filmed and is set in places as diverse as Libya, Tokyo, the Punjab region, Jamaica, Turkey, Ethiopia, Nigeria, Far West Texas and Armenia.” It was at the age of 61 in June of 2018, while working in Strasbourg on an episode of Parts Unknown when his frequent collaborator and friend Éric Ripert would find Bourdain “dead of an apparent suicide by hanging in his room at Le Chambard hotel in Kaysersberg near Colmar.” Many times throughout his life, and increasingly in the years leading up to his passing, Anthony expressed his mental exhaustion and at times unbearable sadness over so much of what humanity goes through, noting his privilege as something of an unfair hand dealt to him which anyone else would better deserve. In truth, he did deserve the life he had—the weight he carried from what he observed wouldn’t let him see that. Quite possibly one of the most human statements he ever made came as an epiphany.
"Maybe that's enlightenment enough: to know that there is no final resting place of the mind, no moment of smug clarity. Perhaps wisdom ... is realizing how small I am, and unwise, and how far I have yet to go." —Anthony Bourdain
Anthony Bourdain will forever be one of those impactful voices who left an indelible mark upon me that changed the way I see and interact with the world around me, and the humans I share it with. [*If you or someone you know suffers from thoughts of self harm or suicide, please seek help. 988 Suicide & Crisis Lifeline in the US. You can find the appropriate outlets in your own region by searching online.]
PEPPER Magazine
10/11
P
cover artist.
Oct. / Nov. 2023
PAT FLANAGAN
finishing. What he creates is uniquely his own. And it’s something concocted from an incredible imagination. “My work is a collage completely done in Photoshop. I typically start with the face, usually building from a photo that I manually manipulate
p. 243
at Flanagan comes as a breath of fresh air amid the rise of Ai generated artwork, as a multidisciplinary mixed media artist who marries his organic photo manipulation, digital illustration and collage work with Ai-assisted
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and paint. When I use Ai, it's to generate elements, usually at photo quality, sometimes not, which I bring into Photoshop for similar treatment. I then collage everything together. Everything you see is human-touched.” Organic and time-consuming as his process is, Flanagan is forthcoming about having no skepticism toward Ai. “I have no issue with people generating full finished artworks with Ai, that's just not what I choose to do. It's just one of many tools I employ to produce my art.” And not all of his works are made with exactly the same process. When Pat begins each series, he typically has one loose thought that, as he builds upon it, results in many fully finished pieces. His series are often larger in quantity than most. Such is the case in regard to his ‘Halloween’ capsule collection for example. Holding the general thought of what embodies the season—the skulls, the bright vibrant colors intermingled in darkness, dripping wax, spell books, insects, flowers for the dead —he then plays with each of those elements, combining them in different ways to create each new piece. Almost like music. Exhibited throughout this issue, you can see the variations in mood, tone and placement which makes each finished work its own complete thought, able to stand alone, while still recognizable as part of a series. He does enjoy creating singular artworks when he’s inspired. Such is the case with his ‘Twins’ digital painting. “It was created for the "Exchanges: dialogues between poetry and art" exhibition at the Foster Gallery at University of Wisconsin Eau Claire. Artists chose from four poems to interpret. I chose Dorothy Chan's "A Poem About Killing Off Your Homophobic Characters." Chan
starts the second section with "If life really is a soap opera, then I demand an evil twin. I want to hug her. Let's take over the world, body double." She continues about dreaming of having an older sister, rather than the older brother who shamed her and asked inappropriate questions about her bisexual orientation. In the artwork, I gave her her wish—an evil twin.” Flanagan pulls from the story prompt, engaging his imagination and goes for the most literal angle, creating a piece that is both hauntingly beautiful and disturbing. Even down to the details in the background, the twisting wood which is carved or perceivably hallucinated into human and animal figures, the piece effectively elicits an internal reaction from the viewer. It’s that ability to draw the viewer in, to pull at their subconscious with carefully curated visuals and use of color and shadow that resulted in Pat being selected as a cover artist for this issue of PEPPER Magazine. More to
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the point, his ‘‘Underwater’ series specifically played to the idea of what it is “to be human” in the current state of the world right now. Most of us feel like we’re in over our heads. Drowning under the dissonance of having to live and survive in our daily lives in juxtaposition to the very real and horrible state of things around the world, and for some, in their own backyard. Bombarded with social media and technology that is moving faster than most can wrap our heads around, consumerism—chasing material trends in attempt to fill some terrible emptiness we cannot place—to the divisiveness of thought war happening between politics and media. It’s maddening and exhausting and definitely feels like being submersed. That he chooses recognizable icons as his subjects to depict these simultaneously peaceful and dark underwater scenes gives the viewer something familiar to latch onto. In a way, it acts as a comfort in an otherwise uncomfortable scenario. And at the heart of it, isn’t that what it’s always felt like to be human? Flanagan’s current exhibition is at Mattie Kelly Arts Center at NW Florida State College, in Niceville, Florida. It’s the 31st Annual Emerald Coast National Juried Art Exhibition which runs through December 8 and features his ‘Peony Rulers’ series, which will also take cover lead in one of our upcoming issues.
“The Beatles have released their final new single "Here And Then." In honor of this, my portraits of John, Paul, George, and Ringo from my "Underwater" series…” [see back cover depicting John Lennon.]
directory.
directory. 43 The Strange & Wonderful World of Vanessa Irino / San Antonio, Texas / Instagram @vantique_jrockginger /
Credits, Locations & Contact 6
Introduction by editor in
photographer Sefra Schwab / journalist K. Day Gomez
chief K. Day Gomez / San Antonio, Texas / Instagram @creative.consultant.kday / email hello.pepper@outlook.com /
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web directory msha.ke/kathleendaygomez / photographer Joe A. Gomez III - hair colorist Terry Loredo • @belleza.by.terry 9
Flanagan / Lynnwood, Washington / Instagram @patflanagan / journalist K.
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The Unbridled Madness
of Eric Rottcher / Gettysburg, Pennsylvania / Instagram @ericrottcher / journalist K. Day Gomez
C’mon, Get Happy! / art
& fashion influencers Amy Roiland & daughter, Ryder Bird / Instagram @afashionnerd & @ryder.birdie / designer Molly Balloons • @mollyballoons / photographer Jessi Gray • @jgray.photography / writer Amy Roiland with journalist K. Day Gomez
Underwater : artist Pat
Day Gomez
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The New Fall /
photographer Nadezda Mamontova / Auckland, New Zealand / Instagram @mesmerize_photo / wardrobe @jaiss_bespoke_tailoring / models @abhibali & @momansour10
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Veiled Landscapes :
artist Aleksandra Stone / Dallas, Texas / Instagram @stone_aleksandra / journalist K. Day Gomez 33
The ‘‘Creep Fantastic’ &
Nate Zen / San Antonio, Texas / Instagram @natezenart / photographer Sefra Schwab / journalist K. Day Gomez
ON THE COVER Artist Pat Flanagan [Harry Styles] / Lynnwood, Washington / Instagram @patflanagan
68 Barbie Land / stylist, model & hmua, decor & planning Naushina Mukhtar / San Antonio, Texas / Instagram @naushina.mukhtar / designer Sana Mukhtar / photographer Light Gin / concept & collaboration Thilibh Kumar / cake Infinity Cake 73 Minimalism Style Review : 1 - Alicante, Spain / photographer Andrey Lukovnikov / art director Ekaterina Lukovnikova / hmua Daria Sidorovich /
directory. 121 Chef's Kiss RECIPES: Chef Serge Krikorian / Instagram
model Olga Ambrazhei 2 - Alicante, Spain / photographer Andrey
@chefsergekrikorian / Benton, Arkansas / written by Meredith Corning / photographer Lori Sparkman
Lukovnikov / art director Ekaterina Lukovnikova / model Dmitrii Shlein 3 - Rockland, Massachusetts / Photography Shark Studios /
128 Cassius Gray : The Legend of Gary Bowie / San Antonio, Texas / photographer Lee Gore of Smalkine Media • @smalkinemedia / represented by Concrete Rose Talent Management •
model Marina Morgun 4 - San Antonio, Texas / photographer Ira Reyes / model Jason Nelson / studio 125 5 - Nice, France / photographer Vova Garanovsky / hmua Iryna Chefranova / wardrobe Yves
@concreterosetm / journalist K. Day Gomez
Saint Laurent / model Sasha Starynets 6 - Berlin, Germany /
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photographer Olaf Druse /
photojournalist Chaz Niell /
mua Angelique Waltenberg /
Washington, DC / Instagram @reddotjournals / @sumoandsishi
models Robin Höhn & Gabriella De Almeida 96
Style Diaries with Charity /
146 They Tasted Euphoria / conceptual art photographer Sinenkosi Msomi / Mbabane,
style consultant Charity Stewart / San Antonio, Texas / Instagram @_nunnab /
Mpolonjeni - Swaziland, Africa / Instagram @sinenkosi_msomii / latitudes.online/artists/sinenk osi_msomi
reference images sourced from public domain via Google 102
Sumo & Sushi /
Sandy & the Sailor :
Sustainable fashion & lifestyle expert Becky Witte-Marsh / San Antonio , Texas / Instagram
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@beckywittemarsh / Featuring Sandy & Joey • Norfolk, Virginia 112
@rb_photography2020 , @blueanchor.satx , @moneyshotphoto , Darronnette Curtis •
Go Fish Wine Bar / San
Antonio, Texas / Instagram @gofishwinebar / owners Houston & Emily Carpenter / director of communications Delia Flores / general manager Tony Evans / chef Holden Carpenter / photographer May Carlson / journalist K. Day Gomez
148 Defining Jason / model Jason Nelson / San Antonio, Texas / Instagram @jason_moonlight / photographers
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@bigswxxty , @_javiair_ , @capturing_k8 , @austinxalegria , @sigmaphoto , @sa.creatives / accompanied by models Alex King-Hayot • @alexreneek &
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directory. Switzerland, Derek Anies, & Hugh Han • New York, New
Annakaren Aldrete • @beautyblogbyak 154
York
Light it Up /
photojournalist Domoohh / San Bernardino, California / Instagram @domoohh 160
PASSPORT : Tales of
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Trasmoz / Spain / conceptual art photographer Seigar / Instagram @jseigar / Seigar.wordpress.com 168
204 A Victory for Wildlife Conservation / artist Sofia
Nagano Narai-Juku /
Kalina / Russia / @sophi.kalina / journalist Catalina Baumgarten • @4tinyhands
photojournalist Corey Layne Davenport / Japan / Instagram @coreylaynephoto 178
Santa Cruz de Tenerife /
210 The Tauntingly Tantalizing Tales of Tennyson Corley / Columbia, South Carolina / Instagram @tennyson_corley_art / linktr.ee/tennysoncorleyart
photojournalist Ira Wind / The Canary Islands / Instagram @ira.wind 182
198 The Stardust Kid / child model Dahlia Black / San Antonio, Texas / Instagram @dahlia.black_ / photographer Michael Drapala / mua Kat Morales / stylist & hair Mona Schwartz / lashes & glitter Luxury Beauty Co.
Fit to a T. / nutritionist &
fitness expert Tina Sena / New Braunfels, Texas / @tinasenaofficial / tinasena.org / additional photography by @elloproducts & Kelly Sikkema • @inkypixels • Boston, Massachusetts 186
Her Story : Jeanne
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Bessette / Asheville, North
214 The Human Condition / poet laureate Andrea ‘Vocab’
Carolina / Instagram @jeanne_bessette / journalist
Sanderson / San Antonio, Texas / Instagram @vocabulous / photographer
K. Day Gomez 194
A Modern Mystic :
Andre Frueh • @andre.frueh
Healing Practitioner Romy Nava / San Antonio, Texas / Instagram @romynava247 / website romynava.com / photographers Uriel Soberanes, Marvin Meyer • @marvins_memories •
213 Letter From Oakley Estate / flash fiction authorJonathan Darren Garcia / San Antonio, Texas / @jupiterjazz27 / photographer Yusuf Elvi • @yusufmelvi • Düsseldorf, Germany
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215 I’m the Voice / Njabulo Nkambule / Swaziland, South Africa / @dablue_kiddie / linktr.ee/dabluekiddie / photographers Nikko Macaspac • @nikko.mcspc •
directory. ADVERTISERS —
Manila, Philippines & Warren • @wflwong • Brisbane, Australia 217
5 Sinenkosi Msomi / Mbabane, Mpolonjeni Swaziland, Africa / Instagram @sinenkosi_msomii /
Bullet / writer &
photographer Jakob Rau / San Antonio, Texas / @paparauch 218
Survivor’s Guilt / author K.
Day Gomez / San Antonio, Texas
latitudes.online/artists/sinenk osi_msomi
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/ Instagram @artist.kday / self portrait circa 2021 222
The Joffrey Workshop /
7 Photographer John Hendrick / San Antonio, Texas + New York / Instagram @johnhendrick_photo / hello@johnhendrick.com
San Antonio, Texas / Instagram 8 Eric Konohia Photojournalist /
@joffrey.workshop / photographers Tio Von Hale •
Washington, DC / Instagram @33rd_eye_photography / ekonohiaphotography.com / ekonohia196@gmail.com
vonhale.com, Joelle Martinec • gingersolephotography.com, Denise Leitner • deniseleitner.com, Oliver Endahl at Ballet Zaida • balletzaida.com, & Olivia Quick /
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/ Austin, Texas / Instagram @melanieallisongallery / msha.ke/melanieallisongaller y
In the Dark : a Sam Sho
art series / artist Sambulo Shongwe / Manzini, Swaziland / Instagram @sam_sho_art1 /
42 JordyLoLo Events / San Antonio , Texas / Instagram
journalist K. Day Gomez 237
41 Melanie Allison Art Gallery / artist Melanie Allison
@JordyloloEvents jordyloloevents.com / (830)308-7274
ICON : Anthony Bourdain
/ journalist & illustrator K. Day Gomez / Instagram @artist.kday
50 Belleza by Terry / stylist, colorist & Halo Couture extensions ambassador Terry Loredo / San Antonio, Texas / Instagram @belleza.by.terry @halohairbyterry / bellezabyterry.com / photographer K. Day Gomez • @creative.consultant.kday
/ direct quotes from Anthony Bourdain / with additional reference images sourced from public domain via Google.
WINNER • MAGAZINE OF THE YEAR AWARD • 2022 & 2023 TEXAS FASHION INDUSTRY AWARDS
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51 Crystel Does Hair / bridal stylist Crystel Cortez / San Antonio, Texas / Instagram @crysteldoeshair / crystel does hair.com /
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directory. Antonio, Texas / Instagram @afterflourscakes / afterflourscakes@gmail.com
photographer K. Day Gomez • @creative.consultant.kday 52
Infinite Photography / San
158 Corey Layne Photography / Austin, Texas / Instagram @coreylaynephoto / linktr.ee/coreylaynephoto
Antonio, Texas / photographer Mandy Kadura / Instagram @infinitephotographysa / directory poplme.co/hash / infinitephotographysaofficial@g
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mail.com / phone (210) 956-0588 101
Augustine Vintage
@heliosmediatx / vimeo.com/heliosmediatx / model Savanna Harsh • @savanna_harsh at The Tobin
@iloveaugustine / 1420 S. Alamo St., San Antonio, TX 78204
Center for the Texas Fashion Industry Awards 2023
Sustainable fashion &
lifestyle expert Becky WitteMarsh / San Antonio , Texas / @beckywittemarsh / photographer K. Day Gomez 111
Darkhorse
Photography / Michael Avila Christman / Instagram @darkhorsephotographysa &
Boutique / San Antonio, Texas /
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Jamal DeMore, Realtor /
181 Kraft Fitness / personal trainer & nutrition expert Shawn C. Kraft / Instagram @kraftfitness & @bodybykraft / San Antonio, Texas / kraftfitness.com / photographer Miguel Flores
San Antonio, Texas / @thejdemore.newhomes / demorerealty@gmail.com / (210)509-6737
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Tina Sena / Tina Sena Fitness / New Braunfels, Texas /
NOVEM Cuisine : gourmet
Instagram @tinasenaofficial / tinasena.org
private chef services for events & home dining / chef Joe A. Gomez III / San Antonio, Texas / Instagram @novem.cuisine / novemcuisine.weebly.com /
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Little Em’s Oyster Bar /
@littleemsoysterbar /
197 Guy Wednesday Books / author K. Day / Instagram @guy.wednesday.books / guywednesdaybooks.weebly. com / illustrator @artist.kday
littleemsoysterbar.com / 1001 S. Alamo St., San Antonio, TX / (210)257-0100 / photographer May Carlson 127
After Flours Cakes / Cake
185 Clinician, Dr. Itxia Lee Acevedo of POUT MedSpa / San Antonio, Texas / poutmedspa.com / / Instagram @pout_itxialee / photographer K. Day Gomez
San Antonio, Texas /
Designer Lauren Garcia / San
Whole Heart Foods by
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211 NOVEM Bean Coffee : local roasted premium coffee / chef Joe A. Gomez III / San
directory.
are partnered with. We strongly encourage our readers to do get involved.
Antonio, Texas / Instagram @novem.cuisine / novemcuisine.weebly.com /
Please take a moment to look them up, follow, learn, volunteer or donate.
(512)965-3383 / also sold at PB&Jay with Tay 212
Quintana Rum/
Premium Mexican Caribbean Rum / San Antonio, Texas / Instagram @quintanarumofficial / quintanarumofficial.com 219
Seigar / Santa Cruz de
Tenerife, Spain / Instagram @jseigar / seigar.wordpress.com 220
Meshaun Models / San
Antonio, Texas / Instagram @meshaunmodelsllc /
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What makes us a humanitarian-based publication? Since our public launch in May of 2022, we’ve also proudly supported through GoFundMe (and other means): The MAC • Literacy • Ukrainian San Antonio • Autism Advocacy • Uvalde Families post tragedy… And more; and this is only the beginning.
meshaunmodels.com
NONPROFITS —
OUR MISSION — SUPPORT THE ARTS • FAIR WAGES FOR CREATIVES • SHOP SMALL BUSINESS • CURATE SUSTAINABLE ETHICALLY SOURCED FASHION • RECYCLE • BE KIND • REPEAT.
A YEAR IN HELPING —
PEPPER Magazine proudly supports these nonprofit organizations & community efforts, some of whom we
A look back at all the beautiful lives we’ve touched since our founding...
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PEPPER STAFF K. DAY GOMEZ CEO & EDITOR IN CHIEF My name is Kathleen, editor in chief of PEPPER Magazine. For PEPPER, I am also CEO, creative director, artist, photojournalist, copy writer, social media manager and staff manager. As founder and chief editor, I run the creative department (from layout to full design and aesthetics). I am also an active photojournalist, writer and technical / fine artist for our global publication. This entails writing articles, shooting photos for content as well as for some of our advertisers, and even often times hand-designing (painting and mixed media) cover art and illustrating certain columns. I’m a 41 year old neurodivergent (autism / ADHD) business woman, first generation American on my father’s side (immigration from Australia and third generation American on my mother’s side (immigration from Ireland). I am a pansexual cisgender female and part of the LGBTQ community. I am the proud mother of an autistic child with a cognitive disability, for whom I founded this company in part. My goal is to provide my son who is an artist and animator (currently age 13) with gainful and meaningful career employment when he comes of age. I am married to my best friend Joe, the pillar of our family who has lovingly accepted Aiden as his own child. Everything I do is humanitarian based and
we are honored to work with nonprofits, community efforts and even refugees from all over the world. And I sit on the Advisory Board of the Alora Farm nonprofit for adult autists. “Alora Farm is a farmstead wellness haven for autist teens and adults to live and work as part of a thriving community.” [see AloraFarm.org] Other tidbits about me—I have children’s books in the works for which I am the illustrator and author. I also moonlight as a songwriter and vocalist occasionally, with my most recent projects being collaborations with local recording artists in the rap genre (believe it or not). On my background… My career life has been a bit of a juggling act. I’m an internationally published artist, author, creative consultant and intuitive life coach. I formerly ran a magical online boutique called The Imaginarium Wonder Emporium (it’s not dead, just sleeping until I can cultivate the time to wake it back up). I’ve been a photojournalist, art illustrator and content writer for various publications and blogs for over two decades. I formerly held a modeling career for over 17 years that led to acting and directing, which I still may pursue in the future. Who knows? My brilliant son is diagnosed autistic with a cognitive disability and is an internationally published artist himself. My husband is an amazing chef for his business, NOVEM Cuisine and I’m happy to run the creative department and be his occasional culinary assistant. My boys are the center of my world.
PEPPER STAFF I’m an internationally published artist, author, creative consultant and intuitive life coach. I also sit on the Advisory Board of the Alora Farm nonprofit for adult autists. I’ve been a photojournalist, art illustrator and content writer for various publications and blogs for over two decades. I formerly held a modeling career for over 17 years that led to acting and directing, which I still may pursue in the future. I always seek to be of the most help to our community and global humanitarian issues any way I can. It was with this intention that I founded PEPPER Magazine. As a creative, and member of the LGBTQ community, it is also my intent that the publication be inclusive, diverse and support marginalized communities and those with varied abilities / disabilities by creating a safe space for all to be heard. Thank you for taking the time to learn about our mission. I anticipate great things for the future. As a family, we are philanthropists. We always seek to be of the most help to our community and global humanitarian issues any way we can. You’ll find us enjoying beautiful San Antonio and the Alamo Heights area where we reside. Thanks for taking the time to get to know me. I look forward to connecting.
JOE A. GOMEZ III COO, CFO & MARKETING DIRECTOR An all-American Texas boy born and raised in
San Antonio, Joe A. Gomez III has been a strong community leader, a humanitarian and a true lover of life. A former city councilman having served on the board of the San Marcos Chamber of Commerce for several years, he's also the founder of JAG Enterprises with over 23 years of management experience. He is now PEPPER Magazine's CFO & Key Lifestyle Contributor. A chef to rival most, despite not having been classically trained, Joe's culinary expertise is impeccable. Enough so that over time he began to develop the ground work for what is now called NOVEM Cuisine. Since the founding of NOVEM, chef Joe's recipes have become more diverse and in turn, the public attention has grown. This has led to multiple international publications, to include London and Manchester, UK. And if you have the luck of tasting his food you'll understand why. There is no detail that escapes him, and the care he puts into the preparation and plating of every meal is nothing shy of five-star dining. The pièce de résistance is having him prepare it right from the comfort of the best restaurant in town; your own home.
BECKY WITTEMARSH SUSTAINABLE FASHION & LIFESTYLE EXPERT Becky found her passion for sustainable fashion and home furnishings at an early age when being sustainable was a necessity.
staff. A lifetime of creating her own personal style through sustainable sources, got the attention of those around her. Today, her innovative creations using vintage, thrift and self-made items will inspire a new way to look at dressing and styling your home. Becky will help you turn style sustainability from an inconvenience into an ADVENTURE!
ANDREA ‘ VOCAB’ SANDERSON POET LAUREATE Poet Laureate 20202023, performs as “Vocab” in her hometown of San Antonio, Texas. ”Watching her perform, the word “hero” comes to mind. And not “hero” for the sake of just skill, but for her work in her community: Sanderson teaches poetry workshops, mentors, builds up and encourages artists to pursue their art, and gives them platforms to showcase their talent. Sanderson’s interest in other people’s art and artistic development became a passion of hers, and she started curating her own shows and creating platforms for other artists to hone their craft by hosting open mics.” -The San Antonio Current, Jan. 16, 2018 She received awards, Performer of the Year, Influencer of the Year, from Project Forward, and Dream Voice, from the Dream Week Commission. Sanderson is the winner of the 2019 People’s Choice Award, awarded by Luminaria Artist Foundation (formerly
known as: Artist Foundation of San Antonio). In May of 2020 she was awarded Best Live Entertainment/Band Musician of the Year by the SEA Awards.
TINA SENA NUTRITIONIST & FITNESS EXPERT Hi, my name is Tina Sena and it has been my passion to motivate, inspire and encourage others to achieve health and wellness physically, mentally, emotionally and spiritually. For 24 years now I have been doing personal training, nutrition consulting, kids programs, developing a protein line of sweet treats and running my own businesses. I am a spouse and also a real estate business partner with my husband Michael, and we have a beautiful 13 year old daughter named Mia. It is my desire to build a community where we can share with others all the knowledge we have accumulated over the years to help create total health and wellness in their lives. I was an only child who grew up in a home with a mentally ill father and a mother who, although very strong, was also riddled with fear and anxiety while working all the time to provide for our family. We had very little so I was terribly ridiculed in school. I saw my first therapist at the age of 10. My father passed away at 44 and as a very independent 20 year old I was on a mission to help others to not suffer in all the ways myself and my family did physically, mentally and emotionally.
staff. Ibecame a personal trainer about 24 years ago while I was working as a model and living a completely unhealthy lifestyle. I wanted so much to have lean, sexy muscles which was a no no back then in that world. So I hired my first personal trainer who taught me how to lift weights and eat properly. I never felt better! My body, mind and health completely changed and off I went. I began training for triathlons and fitness competitions with some of the best trainers and decided that was it - I wanted to do for others what they had all done for me. So off to work I went. I am now an upscale fitness facility owner, protein treats line developer and I organize a nonprofit program changing the course for kids! I believe that we all have the power within us to get past the pain we endure in life. We just need the proper guidance and resources to get us there! It means everything to me to help my community to be encouraged and feel love and support through what might be their most challenging journey.....working on ourselves!!!”
ROBERT DEAN JOURNALIST & AUTHOR [In his own words...] Robert Dean is a journalist, raconteur, and ‘enlightened dumbass’. His work has been featured in places like MIC, Eater, Fatherly, Yahoo, Austin AmericanStatesman, Consequence of Sound, Ozy, USA Today, to name a few. He’s appeared on CNN and NPR. He also serves as features writer for Hussy Magazine and is editor in chief for Big Laugh Comedy, Texas’ biggest comedy production company. He lives in Austin and loves ice cream and koalas.
CRYSTAL LOPEZ-CREBS MOTIVATIONAL MINDSET COACH Crystal Lopez-Crebs received her degree in Fashion Design & Marketing from The International Academy of Design & Technology in Tampa, FL. She also interned with designer Tracy Reese in New York learning the ropes of New York Fashion Week (NYFW).
She owned an entertainment company in Tampa where she created costumes, did makeup, and stylized looks for her team. After moving to Texas, she mastered her crafts in the makeup industry working for MAC Cosmetics. She has also done makeup for LA & San Antonio Fashion Week, worked on film sets as both talent and wardrobe & production design, and developed her fashion production skills at Neiman Marcus. Crystal is now the talent coordinator for X Level Inc, a creative agency in San Antonio, TX, where she helps scout and develop talent. She is also the founder of the nonprofit, Fashionable Adoptions, that promotes animal adoption through fun fashion events, most notably her fashion shows that showcase adoptable animals walking the runway. She’s helped many people (and animals) improve their lives with her health & wellness business alongside her husband, especially through her story overcoming a health challenge. She loves to talk about vision and mindset to her audience to empower them to live a bigger life. Her unique style and excitement for living a healthy life can be felt as she shares her passions on social media
staff. and in person. Crystal brings her bright light & energy to inspire everyone to live an abundantly beautiful & healthy life from the inside out.
CHAZ NIELL PHOTOJOURNALIST Based in Washington DC, Chaz is an award-winning photographer with over 15 years of experience telling stories through his art to capture the emotion of every subject whether in sports, fashion, entertainment or social consciousness. He has long been a fan of the visual arts and his passion led him to attend the Art Institute of Pittsburgh where he was able to explore all facets of the industry and discover his deep passion for photography. Chaz Niell shares the philosophy of the great Nina Simone “as an artist it’s his duty to reflect the times in which he finds himself.” “How can I be an artist and not reflect the times”? His work has been featured in highly acclaimed periodicals and publications, such as Sports Illustrated, Rolling Stones, The Wall Street Journal, Vanity Fair, The New Yorker, Forbes, and Paris Match just to name a few. In addition, footwear manufacturer Nike in 2019 displayed his awe-inspiring photo of tennis champion Rafael Nadal on their New York City digital broad at 34th & 7th Ave. one block from Madison Square Garden. Chaz has also been commissioned to shoot the David Ortiz Celebrity Golf Classic, Hampton International Film Festival, New Balance, Art and Commerce, and British fashion retailer, AllSaints. His photographs
also appear in Leica Fotografie International (LFI) galleries. He is an official Getty Images contributor. His love for fashion and the creative philosophy “Dress every day like you’re going to Jimi Hendrix’s funeral” gives him the freedom to express the many sides of the Gemini that resides in him. We are honored to have him as a contributing member of the PEPPER Magazine team.
NJABULO NKAMBULE AUTHOR & POET Njabulo Nkambule also known as Njabulo N. is a writer, a poet hailing from the Kingdom Swaziland. “I'm also an author of the soon to be published anthology, DEEP-ROOTEDWORDS which will include mainly my written poems. I’m a devoted,multipassionate, hardworking poet with a keen eye for detail and an insatiable interest in the use of the written word. I'm one person who is so passionate about poetry having so many written poems under my name (not yet published). My writings (poems) include quite a number of poetic forms including rhymed poetry, narrative poetry, pastoral poetry, elegies poetry, limerick poetry, lyric and soliloquy poetry.” PEPPER is enriched by the presence and liter contributions of this gifted writer and we are excited to see how he helps to shape the overall landscape of our publication over time.
staff. scene from the late 1960’s forward. Over time, we will be sharing these archives which range from obscure to iconic. We are grateful to have Norman as part of our team. Currently, he is engaged in the development process as a key interview subject for our first documentary about the history of SAMOMA. In conjunction with our cinematographer Michael Avila Christman and editor in chief who is key interviewer for the independent filming project, Norman is providing priceless facts and contacts for the film’s creation.
MICHAEL AVILA CHRISTMAN DIRECTOR & CINEMATOGRAPHER Founder of Darkhorse Photography, as well as his media company Helios, San Antonio native creative professional Michael
Avila Christman is a fixture here. His projects range from short film to documentary to commercials to editorial fashion photography. He’s worked with well known models, designers, makeup artists, musicians, local celebrities and other professionals throughout his expansive career. Now, Michael is taking his passion for journalism and theatrical storytelling to new heights by collaborating with PEPPER Magazine and taking on a staff contributor role. He will be responsible for the majority of commercial video content for the
publication through his tenure to come.
KAY WARREN II CINEMATOGRAPHER & PHOTOJOURNALIST Meet Knoveratte J. Warren II, a 20-year-old visionary videographer with a passion for storytelling and a heart dedicated to making a difference. From an early age, Knoveratte was drawn to the power of the lens and the stories it could tell. With a camera in hand and boundless creativity in his heart, he set out on a journey to bring awareness to those who don’t have a voice / a space of their own as well as to inspire and create change.
He believes in the transformative potential of visual storytelling. His mission is to provide a platform for individuals and causes in need, amplifying their voices and stories through his lens. He aspires to break down barriers, celebrate diversity, and foster unity through the art of videography and cinematography. He founded his own media company to do just that—Kaptured Media, based in San Antonio, Texas
MELANIE ALLISON NETWORKING LIAISON One day, I decided to take life by the (long)horns and got back to my roots by modeling
staff. and painting again. I wanted to break the fashion industry standards and stigmas by creating a need for a petite and classic model. I started working with local photographers in the Austin area, building a new portfolio. Soon I discovered independent magazines and learned how to submit my work. I was finally published and on the cover of a magazine for the first time in October 2016. Soon after that, I was signed with TL Modeling Agency in Houston, Texas. But things don’t always go as planned. After enduring occasional rejection from magazine editors, I founded my own art & fashion magazine called Bevie in November 2016. My mission with Bevie was to showcase emerging, local and international talent such as artists, models, photographers, designers, and other creatives. By making a sophisticated publication more approachable, I was able to help my fellow colleagues get established or further along in their career. After two years of publishing my bimonthly mag, I decided to go back to work full-time and the last issue was released in December 2018. Bevie still has quite the following today! Today, I am now focused on creating mixed media art, establishing my networking event, turned group called Girl Flock Party, and becoming a part of the local artist community. It has been an amazing journey and I am grateful for every experience along the way!” Melanie is a great asset to the PEPPER team and provides valuable guidance, lead finding and creative / marketing advice from her home base in the Georgetown / Austin area.
ROMY NAVA HEALING PRACTITIONER Romy Nava has been actively developing his gift as a healer since the beginning of 2013. As a Sound Healing and Reiki practitioner, he has formulated a signature holistic protocol.
His clients are comforted and claim to experience a relaxed calming sensation for days following each session he provides. Also a media tech and podcast host, Romy aims to educate and hold space for enlightened thought by way of his platform. He establishes a dialogue that is relatable with the intention of getting to the core of the human psyche, spirit and mind-body connection. He examines the choices we make vs. practical and functional resolution. All of this expertise and experience makes him an incredible asset to PEPPER Magazine. Say hello to Romy and open yourself up to learning something new… maybe even about yourself.
ANDREW BARRAZA MEN’S GROOMING STYLE CONSULTANT Andrew is a graphic novel artist & comic book enthusiast who also happens to be a mustache connoisseur. “Men are always just kinda left out when it comes to
staff. grooming topics. I had to learn all my tricks on the street. I’m and ambassador for a couple of stache grooming brands. It’s been a blast growing it, helping others with tips and making new friends. I still draw when I have the chance. Love comics and art.” He is here to lend PEPPER Magazine his expertise in mens grooming, the subcultural aspect that goes along with this niche and other great products, tips and resources for men. “It’s really funny, without knowing when I got into it, there’s a giant mustache community out there of dudes that are happy to encourage, give tips, even help out with charities and events. One of the companies that I ambassador for donates part of every sale to first responders. Turns out there’s a lot of firemen that make and sell mustache wax also. And seeing people randomly, I ALWAYS get compliments from people. And I’m happy they think it’s cool and get a kick outta it. Even gotten some free beers in the bars. That’s worth it right there alone.”
SINENKOSI MSOMI PHOTOJOURNALIST & CONCEPTUAL ARTIST Sinenkosi Msomi is an exceptional photographer born in Eswatini and currently residing in Mbabane, Mpolonjeni. His work consists of staged and conceptual photography. The themes contained in his
work include addressing mental health issues, the importance of self-expressions and exploring the significance of one's childhood memories. His upbringing plays a major role in how his work eventually plays out. He recollects the different sides of growing up in an African extended family and how that helped shape him. His pictures help him talk about things that he sometimes finds no words to fully express. Msomi is an incredible asset to PEPPER Magazine and will continue to work remotely, bringing impactful documentary through the personal and unique storytelling of his imagery.
COREY LAYNE DAVENPORT PHOTOJOURNALIST A Texas native, with a curiosity of the human experience. “Having always been fascinated by the psychology / sociology of people, while also lacking the ability to focus my interests, and thoughts into words, I knew at a young age that photography was my outlet to show the world what I see. With inspiration from some of the classic greats like Elliot Erwitt, Gary Winogrand, Henri Cartier-Bresson, and Weegee, my passion for street photography / photojournalism will continue to be the driving force behind what I do with a camera. Living in Austin, TX for the majority of my life, has also given me the best environment to mix my love of music, and
staff. photography into something that I have excitedly worked on for the last 13+ years. Whether it be going to local venues, traveling for festivals, or touring with bands on and off over the years. My opportunity to capture the raw emotion of the artists is an experience that will never cease to fill me with joy. With more doors opening, I plan to continue learning about, and expanding my craft, while striving for more new experiences throughout my ever growing life as a photographer.” Corey will be covering various leads and events for PEPPER in Austin and surrounding areas. He’s also working on showcasing some intense and striking documentary imagery from his archives over time.
JOHN HENDRICK PHOTOJOURNALIST & CONCEPTUAL ARTIST Born in the Bronx, New York, and raised in Queens, John’s artistic upbringing and his path to photography began shortly after his parent's separation when he was seven years old. He initially lived with his father, who would provide the foundation for his artistic eye, having John learn to play the piano, draw, and paint to stay off the streets. He would then go on to live with his mother, where he would spend much of his youth raised by his mother, a single mom of two. His mother worked nights, and his brother, who was four years older, was never home, leading John to become accustomed to independence.
John grew up skateboarding in the mid-’80s and into the late ’90s when NYC was the melting pot of pop culture. Without knowing it, this would start his photographic journey, always carrying a camera and taking pictures of his friends. He worked as a messenger, becoming familiar with every inch of the city. Soon after, he would work at the Metropolitan Museum of Art, expanding his artistic vocabulary surrounded by the works of all the greats. For the past 23 years, John has traveled worldwide and lived abroad in countries such as Italy, Spain, and Japan; each location is inspiring and influences his point of view. Currently, he lives in San Antonio, where he teaches photography at the Southwest School of Art. After all these years of traveling and photographing the world, he has found his artistic voice and this creative
CHARITY STEWART STYLE CONSULTANT “My name is Charity Stewart. I was born and raised in Houston, Texas. I am a very family oriented person. I grew up with two sisters and a brother. In high school is where I met my now husband, we have been together since 2015 and have been married since 2021. I went to Sam Houston State University to run track and I majored in business. I moved to San Antonio in 2021. I am a licensed disability job coach. One of my passions is helping people and being certified allowed me the opportunity to help people with disabilities from the ages of 17-23
staff. find a job and be equipped for the workforce. My husband and I are in the process of launching our brand called Team Faithful. We started this because we want to encourage young couples to stay committed and honor each other despite what the culture is saying today. We believe that life is about community and helping others which makes me so happy to be a part of PEPPER Magazine where helping people is in our DNA. Growing up, I have always had a passion for fashion. I remember getting up on Saturdays to put outfits together and giving my family a fashion show in the living room. Now as an adult I am able to make a fashion show for myself every day and also for PEPPER Magazine.” Charity will be sharing her favorite fashion and beauty tips, hacks and trends (old and new) as well as the brands and entrepreneurs she recommends in her own column.
old (when I was published in an international magazine) and picked up photography over a decade ago, always pushing myself and my equipment as far as I could, developing my style to show people how vibrant, beautiful, and varied the world is. I have sold prints of my photography, as well as being published in periodicals. Pepper will be the first publication where I will be contributing regularly as I've spent several years focusing on horse training and more recently, being a single mom to a very bright and busy toddler. I am so excited to be part of Pepper, and I hope we'll be seeing each other for a long time to come!"
JONATHAN DARREN GARCIA FLASH FICTION WRITER
SEFRA SCHWAB PHOTOJOURNALIST “I'm Sefra, and while I have a lot of interests that I feel deeply about, the most important things to me are my faith, my daughter, and my deep-seated love for animals and the people who love them (especially horses). As a recently diagnosed autistic following several years of misdiagnoses, I have an intense interest in philosophy and all the different ways that humans are. I have been writing - mostly poetry, and short stories - since I was about 10 years
Jonathan Darren Garcia is a San Antonio based writer. He was a featured poet in That Gray Zine: San Antonio's Collective Carefest. He has been published in multiple literary magazines including Crepe & Penn (Now known as C&P Quarterly), Scum Gentry Alternative Arts, Beyond The Veil, From Whisper To Roars, Royal Rose, etc. Notable works include "You Both Need To Leave Right now!", "The Energy Of A Stone" and "Samson". He dreams of a story worth telling. On his off time he enjoys a good cup of coffee from one of the many local spots in San Antonio. With his compelling handle on the flash fiction genre, Jonathan will maintain a gripping monthly column in PEPPER Magazine.
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MANDY KADURA
PHOTOJOURNALIST & CONCEPTUAL ARTIST
PHOTOGRAPHER
Seigar is an awardwinning photographer. A passionate travel, street, social-documentary, conceptual, and pop visual artist based in Tenerife, Spain. He feels obsessed with the pop culture that he shows in his works. He has explored photography, video art, writing, and collage. He writes for some media. His main inspirations are traveling and people. Seigar’s aim as an artist is to tell tales with his camera, creating a continuous storyline from his trips and encounters. He is a philologist and works as a secondary school teacher. He is a self-taught visual artist, though he has done a two years course in advanced photography and one in cinema and television. He has participated in several international exhibitions, festivals, and cultural events. His works have been featured in numerous publications worldwide. His latest interests are documenting identity and spreading the message of the Latin phrase: Carpe Diem. In 2022, he received the Rafael Ramos García International Photography Award. He shares art and culture in his blog: Pop Sonality. Currently, Seigar is our travel columnist, heading out the section with his “Tales of” series. We look forward to learning about the world around us through his skillful and artful lens.
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Hi, my name is Mandy Rose. Im a wife, mother, and entrepreneur—I own Infinite Photography SA. I believe in the power of art and media. “Art is chaos taking shape” —Pablo Picasso My photography is an expression of who I am and what I stand for : love, life, and creativity. I’ve been a photographer for 10 years. Five years into the art, I created my business Infinite photography SA. After that, I never stopped my momentum. I now own 2 businesses and have become the entrepreneur I always wanted to be [with Dropyourlashes being my second business]. I have worked with many families along my career and recently broke my way into the fashion industry. It’s exciting to have an outlet to create more art. To me, being able to be a part of Pepper Magazine—a world wide publication—is an honor and I am so excited to provide quality images for a magazine that I myself have supported and continue to read and follow.
OFFICIAL 2-TIME
WINNER MAGAZINE OF THE YEAR 2022 & 2023
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CURRENT•LY GLOBAL ELLIOT CARLYLE CHIEF CONSULTING DIRECTOR X EDWIN PIERROT CHIEF CREATIVE DIRECTOR Elliot Carlyle, Chief Consulting Director, and Edwin Pierrot, Chief Creative Director, of CURRENT•LY Global are a dynamic, AfroLatino-duo inspired to help people and brands reimagine, redefine, and represent through creativity. "We work with entrepreneurs, corporations, and brands across industries, including: fashion, entertainment, jewelry, and lifestyle to create unforgettable experiences. Together, we elevate brand awareness using creativity, innovation, and strategy. We make brands more purpose-driven, intriguing, consistent, and enigmatic." Elliot and Edwin have a combined skillset which covers art direction, creative direction, photography, styling, movement coaching, brand development, social media strategy, program development, and more. Together, the dynamic duo have paired up to serve as a collective creative force for PEPPER Magazine. Combining their efforts as photographers, journalists, content creators and advisors, they work in unison as a team out of New York. With their keen
industry insights across genres and their commitment to editorial excellence and empowering others, they prove an invaluable asset to our humanitariandriven publication.
TENNYSON CORLEY FINE ARTIST & STORYTELLER Meet the author and fine art illustrator who is reinventing the old comic strip via a completely innovative approach to short form periodical storytelling in PEPPER Magazine! Tennyson Corley is a sculptor, or as she calls it, ceramic illustrator residing in Columbia, South Carolina. Her practice explores the use of earthen clay as an illustrative tool to create creatures with carefully crafted backstories. Each a mixture of Beatrice Potter illustrations and an Orwellian Animal Farm character. Tennyson was raised by her mother, an illustrator, in the heart of South Carolina on a large horse stable. With her formative years spent in her own mother's studio, Tennyson was encouraged creatively and gained a lasting love for art. Today, as a proud mother, she encourages her own child’s art journey. “My childhood has led me to my current body of work. I am the product of an illustrator who chose books based on the beauty of the illustrations. I have continued this collection. Referencing characters and ideas for my own work. I grew up surrounded by animals on our
staff. farm. Studying them, the ways animals interact and coexsist among each other, how species intermingled, the hierarchies that arose. I gave them personalities in my mind. Constructing back stories and human characteristics for each one. Fast forward to 2018, when I took my first pottery class which landed me with a membership at a pottery studio. I began to find what my artistic practice was craving. It took me back to my childhood, constructing animals out of playdoh and drying them on my shelf. In a full circle moment, I combined my love for childrens book illustrations, building back stories for the creatures around me, and moving from playdoh to clay to create, what I call, my ceramic illustrations. Each sculpture is a mix of Beatrice Potter and an Orwellian Animal Farm character. Conceptualized in my mind, where I work out their features, back stories, faults, and qualities. Then, through my hands, they are birthed into life through earthen clay, underglazes, and the fire of the kiln.” —And you privileged readers will get to know them one by one via her monthly column in our kids and youth section. “In talking with PEPPER Magazine, I felt rooted in my practice again. It brought about a connection that led to a new opportunity. Something I wanted but didn't feel like it was for this path that I was on. The one of a small scale sculpture artist from Columbia, South Carolina. I will be an Arts Contributor going forward with my own work. One ceramic illustration will be featured in each issue along with its story. Something like that of an evolved comic strip. And I like that. It feels fantastic. I love this weird little life full of ups and downs, bumps and highs. Chance connections and opportunities. Weird little pathways carved out like water from a
spilled cup.” We are honored to have Tennyson’s whimsical characters come to life and play on our stage here. It is our truest hope that they come to be a thing everyone looks forward to, and that they stay with you like strange little old friends.
ERIC KONOHIA PHOTOJOURNALIST & WRITER Eric Konohia is a native Hawaiian photographer based in Washington, D.C. His interest in photography started at an early age watching his father capturing family moments and placing all of the photos in albums. He remembers knowing what album had which photos in them if he needed to recall a certain moment in time. More specifically he still remembers how looking at each photo gave him a specific feeling and took him back to the exact time and place it was taken. When Eric entered high school in the 70’s he registered for the photography class as an elective and received his very first camera from his father. It was a Leica M2 35mm film camera, which he still has today. He instantly fell in love with the analog process of shooting, developing and printing his work. His analog beginnings are the foundation of how he approaches photography today. He is considered “Old School” by many but the word “purist”
staff. probably better fits his philosophy, style and approach. His primary love is black & white and primarily shoots with natural light. Eric is unashamed of his choice of cameras and the purist in him will readily tell you, “Don’t waste your money on any camera if you’re going to shoot – AUTO”. Eric’s work has been published in several print and digital media and several of his photographs have been selected as “Master Shots” by Leica Fotographie International. He is also published writer and the coauthor of an Amazon Best Seller, “Securing the Sacred, Making your House of Worship a Safer Place” Eric’s philosophy of photography is simple: “Life is a constant geometric intersection of Souls on this broad platform of life and creation. The Art of Photography allows us to capture a specific moment of the Creator at work that would be otherwise fleeting.”
BASILIO ROMO — ANITA VERGA NETWORKING LIAISON & MULTIMEDIA JOURNALIST TV / Film / Fashion / Art / Pop Culture / Politics Meet PEPPER Magazine networking liaison & multimedia journalist, Basilio — “ANITA”. Whether running interviews, shooting events, networking & rubbing elbows with the people who are pioneering great things, you’ll be sure to see Basilio / Anita representing this inclusive publication with love for the arts & a warm inviting spirit.
TERESA LOREDO PRODUCTION TEAM / HAIR STYLIST & EXTENSIONS
JAKOB RAU WRITER & PHOTOJOURNALIST Jakob Rau is a literary columnist & photojournalist for PEPPER Magazine. As an academic, Jakob plans to pursue writing full time as a career post graduation. In the meantime, he remains open to hire as a writer, biography author, ghostwriter among other things, here in San Antonio and remotely, internationally. Jakob prefers the nostalgia of his retro typewriter and analog journaling by hand.
“Helping clients to have beautiful hair is my passion. With over 20 years of salon experience, I know what it takes to help you find the perfect style, color, cut and Halo extensions to fit your lifestyle. After much HaloCouture training, I've become an expert in customizing these 100% Real Human Hair pieces to enhance your look. Whether it be for a special occasion or a compliment to your everyday routine, you deserve the elegance and beauty of a HaloCouture.“ Residing and working in San Antonio, Texas, Terry has her own salon space where she sees clients for cuts, styling and color as
partners. well. We are honored to have her as a key member in our PEPPER production team for all things hair.
CRYSTEL CORTEZ PRODUCTION TEAM / HMUA Crystel Cortez is a fixture in the San Antonio hair and arts scene for almost two decades. Well known for her collaborative work,
PEPPER PARTNERS PEPPER MAGAZINE IS GROWING PEPPER Magazine is an independent INCLUSIVE global publication with an international staff. [USA • United Kingdom • Spain • Africa] WHAT WE ARE BUILDING IS A PLATFORM FOR EVERYONE ON THE PLANET—A PLACE WHERE THE HUMAN STORY IS TOLD, & A VEHICLE TO HELP INDIVIDUALS CELEBRATE THEIR JOURNEY.
she's now making a name for herself in the Bridal Industry as a bridal stylist.
A platform for ALL people, all ages, all cultures, religious affiliations (or not), orientations and all disabilities and abilities.
"I love helping Brides feel confident on their wedding day."
A very special thank you for being part of our journey...
She graduated from Boss Beauty Academy in 2023 and is now paving her way as a makeup artist for everything from bridal to special occasions to film & television to runway & avant garde. Crystel is Head HMUA for Concrete Rose Talent Management and a strong supporter of the Texas beauty and fashion industry. We are honored to have her as a key member in our PEPPER production team for hair and makeup.
LXVE MXFFIN Korryn Pitts Nevetta King Larissa Leath Natalie Bushman Nayelly Reyes Amber Nemer-Garcia Sam Durgin Andrea Barkmann Crystel Franco-Cortez Grecia valencia Jonathan Garcia Noel Garcia Jakob Wochner Rau Crystel Cortez
BECOME A PEPPER PARTNER OUR FIRST YEAR HAS BEEN PHENOMENAL! We continue to be a platform for ALL people, all ages, all cultures, religious affiliations, orientations, gender identities and all disabilities and abilities to
partners. tell their stories.
Simply reach out to us at hello.pepper@outlook.com and pitch us your story,
PLEASE CONSIDER HELPING US CONTINUE TO TELL THOSE STORIES.
send in your bio, some example images and don’t forget your social media handles and website. Our staff will get back to you in a timely manner.
Become a PEPPER Partner & be recognized on this page in every issue. DONATE at gofund.me/1338dddf
TO OUR READERS… A MOST HUMBLE THANK YOU It is not a cliché when we say we would be nothing without you. Our purpose is intrinsically tied to the importance our fellow humans place on what we deliver. Thank you for believing in what we do and daring to dream with us.
We are also on Kavyar for professional photographers and models looking to submit through a publisher approved platform. Our journalism is completely free of charge when conducting interviews, publishing articles and editorials. Those seeking paid advertising can contact our CFO & Marketing Director, Joe A. Gomez III at (512)965-3383 or jagomezthree@icloud.com.
DO YOU OR SOMEONE YOU KNOW GAVE A GREAT STORY TO TELL? PEPPER Magazine holds open rolling submissions, year round, globally.
