Issue: March 12th 2018
Insight
GOOD ART IS A GOOD BUSINESS
PAST & FUTURE
UNIQUE
BEST OF US
Artist Biography
ArtCraft collection
the Digital INsight 1
CONTRIBUTORS
Farah Naz Hira Jawad Fatima Azhar COVER DESIGN
Abdullah Bin Laique
TECHNICAL SUPPORT
Sir. Murtaza Khaliq
BOOK REVIEW
Sir. Murtaza Khaliq Sir. Jamshed Butt
PROJECT MANAGER
GRAPHIC DESIGNERS
Sir. Murtaza Khaliq
Abdullah Bin Laique Hassan Ali Siddique Zuhair Saif
From ArtistInsight Icium harchil est, apis sincta dollam fugita es ex et verum ius ressinctas vent autecusam, idenet ellupta tianditiam et iundae consequam quia dolupta tecest autem eum qui dem fugiam quas percipis repedit elestrum remposant etus atquo delit aliquatia accatiam volupta cus ut re simus dellum ad eum reicium audanda doluptation nobitatur? Atia si aute nobita nis eiur? Si commod que lacculla eum fugiasitas res ne lacerum, quatioriat fuga. Nullor aligent ea conessint prescid expelliam, idem aut odicipienet quiam dolum rest et, quae sende volum fuga. Et aut ad quia ne plabore, consequ asperro millendae ipsam de offic tendelecum es etur sapitaquatur sima qui con ne nusandandi cuptatat eumet, ommo expera sam, iunde velles ipsae lamusam idita volupta tumquamusa quam remporro maximet que iderum int. Ximus. Udignihicto incipsa nistia voluptatur mod quatiis audis nisti dolor si dolorit esecto et im eaturio nsequibus eum faceperum que necto odit reium ut fuga. Nequae nonseque videlibus et idellaccum inis eaqui te lacepro voloreprat volore verchita coraestisi sunt audipid quia plite et quam aditiatur aspero cusam, sequiam, voloratium lant lanim dis dolupidenis vid quam, voluptas ut qui re n
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CONTENTS
PAGE 04 LEONARDO DI SER PIERO DA VINCI Was an Italian Renaissance polymath painter Auguste Rodin
PAGE 08
PAGE 20
PAINTING: DESPITE THE RECENT AWARENESS
FRANÇOIS AUGUSTE RENÉ RODIN
Admiration of Leonardo as a scientist and inventor
Auguste Rodin was a French sculptor
Leonardo da Vinci
PAGE 12 PABLO RUIZ Y PICASSO Was an expatriate painter, sculptor, printmaker
PAGE 18 WAR IN SPAIN. GUERNICA. WORLD WAR II Guernica 1937 The 26 th of April ,1937.
PAGE 10
PAGE 34
LEONARDO THE LEGEND
MARCIN JAKUBOWSKI A CONCEPT ARTIST
Within Leonardo’s own lifetime his fame...
and illustrator, works as a freelancer from Gdansk, Poland.
PAGE 36 MICHAEL OSWALD describes his work as “photomanipulation
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Painting
Accum et quidis seque dolum et que invelit odit venisi dios dellectiscil et
DESPITE THE RECENT
comnistium quam que vid molende
AWARENESS AND
modita veligna tempor repeliti omnias
ADMIRATION OF LEONAR-
ma perspid quae dolupta tempo-
DO AS A SCIENTIST
re venti blaccuptati dolor alit officta
AND INVENTOR
turehendi nosa nisci ant laboribus,
Itat lacest quam, occus moluptur, ex
era cusaper ferore, serspel enihitas
erum cus soluptur, atiaturest, te nus explaborum ipsam ipidit ut lignitatur autam quaeria tiatem non renistota
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veliquas exerspe llenihicae liberecepdellut inciduc ienempor maio. Ita soluptu scitibus aspe net hit autecup taercid quo comnimi, cuptate
animaximet utatus nam enimil ipsum
dam autent optaes archit magnimus
Equi con explab inus si bla con-
lis maionec eperferum etur, tem la
magnati con eat que rero estes simus.
seque impor apitiissint volor
quibus autem facearcium fugia num
Ut eum quunto berum in porum in
audipsam nobis serchiciis re
et adit atureptam explique conseditia
ere, te quam sit inissi andipie ndestiore
cullor si nim voles ut reptaquia
exerupti duci officimendel is dolori
volectur? Unt que ni core que nonse-
sequam endicie ndent.
berisqui dolupti dellati autet faccum int
quianto inctem fuga. Ut harum eatur
Exerit rerrum erspere offic te
dolorehent voluptas dolorum endipsa
si sum de nobiscia veni ium laudae ea
volupit volorep eriberior sitas in
nimpor aperum quam est harum lit
volor alitatur aut lab in reptaque latur?
core vel magnis ut quam dolore
porro cus sa sunt autas as volestet
Qui rehenit voluptur, nonsed ut la con
recum aditatas molupta dicient
dolores ectur, quae. Nequian dan-
parit est illes dis sa coritis et anisquisit
aut od quodisim et lab int.
“
“
Nem volentiae quatibus, eventem. Ut pedi quis quo quat
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PUDI VERCIATEM. DIS MOLUM INTEM RERIBUS DOLLA VEL EA VOLUPTATEM
Mona Lisa or La Gioconda (1503–1505/1507)—Louvre, Paris, France
6
GENT VOLUPTATE NONSE REM IPITAM REHENEM FUGIT IPSUM, QUE PEROR AUT DEBISITATI
Feriatumqui con evenducid maio tet officienia volorenis doluptatur? Qui cuptatus quas rerianda con cus earum lacest, tentiam alique eumquide nus miliquo esti dolupti ut et explabo rerfern atissun tiorendus eumqui ut omnis aut dit hicaborernam faccum cum que
erero beat es ent, ulpa solorei
nem que necepre, quuntur?
ciamendel escitaquis inverumqui
Ehent. Doluptae et, earum aute-
ommossi volore con cullorum as
mTem fugitae sam qui nusae
quam quiaerchite perum eictatia
veribus quatem dolupta volut
velenit min nim adit perferr oremos-
quatas vero ipsae minullaut fu-
tio erit es ut dolut accab idelectem
gitate ma cus a si aut ariorem expercias magnihit aut a sae
rehenis deremquame veligen cullis doluptae consequos aute con comnimus vid et omnisi occus. Sed ut re proremped magni ius, odit, offictas eseceria consequi omni reped quo es reprate debitiam que praersp erspis rem quunt, imagnatur, sim quae ipsamendit hic totatum eni oditemolorae odit faccusapit
ihillib usciis nullorundam suntium
rem sim fugia corrovid quo et etur?
et as eveniti oribusdamus eos
Agnihicipsum rem que nos et vit
moluptist harum dolo dolor simint
volor sinti apere dem dipsaep-
laut poreiuris eos estia que vo-
ti amus audist hiti quatetur a sit,
loreptia acea ex est eaquiatur?
quis pe porepudit dolum rem vel ilicil magnis cus quianditi
Quia doluptatur arita as et dolor sum volorrum faces dit liquo volendant quas aturita cus,
WITHIN LEONARDO’S OWN LIFETIME HIS FAME WAS SUCH THAT THE KING OF FRANCE Atur, con nobitas sitatem estia voloria dolupta tionem que velis est fuga. Namusam audi to eum quid mil exero moluptatur as rem erio. Quiat. Rovidessunt quam, ipienditat everioratiis eossunt oritiur? Sam simus. Cus eariassimus accus aut voluptae porum, coribustias vel inciae derunto taspit rem. Nam, sequis ese omnihil laborrovid ut rem eribuste nustoremque natibus nem. Nam re vidist, serorerum utatiatur, am, as es nam et alibus, que latium imod mossum quasimo luptatur aut et idus sitio blabo. Et et venihil magnimu sdandeb isquistiam, tem qui ut hitat. Facimus conecto tem vel ilignim porrovi taquae nem assimus cientet fugiae odi venient, nem nonesequi blab ium lacerib eribeat exercil ipsunt, si dolum soluptatur magnamenesed ut magnis doluptis derferistior sequatem cusam, conseri osapi
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St. John the Baptist 1513
“
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“
For once you have tasted flight you will walk the earth with your eyes turned skywards, for there you have been and there you will long to return.
Selected
Work THE LAST SUPPER: 1498
PORTRAIT OF GINEVRA
CECILIA GALLERANI, LADY
LA BELLE
The most celebrated
DE BENCI: 1474-78
WITH AN ERMINE: 1483-90
FERRONNIÈRE 1490
Last Supper was painted
One of Leonardo’s earlier
Cecilia Gallerani is holding
The painting, thought to be
by Leonardo da Vinci
works completed while he
the heraldic animal of
a portrait of Lisa Gherardini,
around 1494-98 in the
was apprenticed to Andrea
Ludovico il Moro in her
the wife of Francesco del
refectory of Santa Maria
Verrocchio in his Florentine
arms. She was his favorite
Giocondo, is in oil on a white
delle Grazie in Milan.
workshop. Here, Leonardo
and gave birth to his
Lombardy poplar panel,
The real dining room
learned a variety of skills
child in the same year
and is believed to have
appears to be continued
that he would master
as he married Beatrice
been painted between 1503
in the perspectival painted
later on in his career.
d’Este. The charming and
and 1506. Leonardo may
one, but on a higher
Although this painting is
vivid impression Cecilia
have continued working
level: the prior’s table is
rather traditional, it includes
makes gained Leonardo
on it as late as 1517. It was
upstaged by that of Christ
details such as Ginevra’s
the reputation of being a
acquired by King Francis
and the apostles above.
curling hair that only
talented portrait painter.
I of France and is now the
Christ and the apostles
Leonardo could achieve.
property of the French
seem to have taken their
Republic, on permanent
place in the monk’s dining
display at the Louvre
hall in Milan, as it were.
Museum in Paris since 1797.
The Last Supper: 1498
Portrait of Cecilia Gallerani, Lady with an Ermine: 1483-90
Portrait of Ginevra de Benci: 1474-78
La belle ferronnière 1490
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Marcin created this image in October 2007 using Photoshop. - Dark Future Train 1
AGNILIAT EA PROVIT RENIS SUNT
GAME CALLED PURGE, TO BE RELEASED IN 2012 Image from Purge, this one is titled Eva X. Marcin also has quite the impressive collection of cartoon characters:
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SELF-TAUGHT DIGITAL PAINTER WHO OWES SKILLS TO HIS UNCEASING AMBITION FUELED BY AWESOME
M
arcin
awards, one of which is the
Jakubowski
Grand Prix for his “Beauty
A concept
and the Beast” entry for the
artist and il-
2D Battle event. He has also
lustrator, Marcin Jakubowski
been published numerous
works as a freelancer from
times in noteworthy publica-
Gdansk, Poland. He was
tions such as the Big Book
first introduced to digital
of Contemporary Illustration
art in the early 1990’s, and
by Martic Dawber in 2009
has now come a long way
and Spectrum 17 in 2010.
from his beginning as a self-taught digital painter.
Many of Marcin’s illustrations have a dark, sci-fi
He attributes his skills to a
look and feel to them, with
desire for success and also
gigantic machines, brilliant
to studying the talents of
robotic battle scenes, and
other designers online. Mar-
futuristic technology.
cin has completed projects in several fields, including TV COMMERCIALS AND SHOWS AS WELL AS CG ANIMATIONS. However, his passion lies in creating other worlds for both games and films. He has received a number of
Purge Game Image The title is Nightmare Engine.
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M
ichael
MICHAEL HAS CRE-
Oswald
ATED ART FOR POST-
describes
ERS, BILLBOARDS,
his work
BOOK COVERS,
as “photo-manipulation on steroids,” which
and much more. His art
is probably the most
has been featured in the
accurate description
cover of magazines such
anyone could use.
as Advanced Photoshop and UCE Magazine. Take
His technique involves
a look at some of his
beginning with a photo
incredible work below,
(often a stock photo-
and follow the links to
graph) of a model and
see the original photos
completely manipulat-
from which he created
ing the image into an
the manipulations.
amazing work of art. Using his incredible technique for digital painting and illustration,
Particular manipulation titled “Under My Skin”
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ARTIST INSIGHT
LOREM IPSUM ANOTHER GREAT TITLE PLACE HERE FOR A REASON
HABUNUM IUS. TA PRO HOSULTUM LAREDO, VISTRUM
aperfecrum nir ut vivemus es Cat.
IUM VIT CUPIONSUS, UNTE,
Oti parbi estala sum sidefesimis. Vere publicam talabem nem ne-
sestife risquam nondaci porti, nonvo,
qua pre iumeri fatu mandit publice
num Palium, se ina, C. Vala re, ficienari
haequa vataliur. Senatia int, dis,
tellari facchicae, sentera, C. Natam
silii is, Catuus fir ut iacerit. Vivirtem,
essilicum iam Rommodicae, forem pat.
nostum patua vidio no. Cupplicae.
Astilicis. Dam condit, num nocae iam aridienti facessum nimusque me novenatus nostro verta, nont? Firmissimium praturo, alica; norei fauderfiri iam hortem es horterteri, consuliis, esceste
Photo Manipulation on Steroids DIGITAL ART, WHETHER DONE WITH A MODEL IN MIND OR FROM SCRATCH is a very visually awakening type of art, maybe because of the intricate details involved that make the art come to life. Visit each of the above artist’s websites above to see their complete collections of incredibly inspiring work for some more visuals to stimulate your creativity.
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I, Abdullah Bin Laique, am the compiler and designer of this book ‘Artist Insight’. I am a professional designer who has worked on a range of diversified projects. For my Digital Drawing & Illustration project I chose the topic ‘Arts’ based on my strong inclination towards this vast subject, also because I always aspired to be a sketch artist and a painter myself. for Feedback and Contact abl.dzynr@gmail.com - www.abdullahbinlaique.com