Percipience: Carlo Magno

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PERCIPIENCE

A collection of moments become memories, memories become lessons and over time these are distilled into a finely honed percipience. In this exhibition where a selection of ouvre from various periods of Carlo Magno’s artistic endeavors are represented, one could also surmise to say that the artist’s hard earned wisdom is recorded with each splash of color, rended brushstroke and grain of sand.

With each artwork and each exhibition, the artist draws from experience and realizations, from ideas deconstructed and reconstructed. These highly nuanced meanderings are then frozen in time as artistic expressions, a freeze-frame as it were, of the artist’s frame of mind in that given moment.

Represented in this exhibition are a cohesive selection of mixed media paintings and sculptures that showcases the artist’s latest foray into new mediums. It is this unquenchable propensity for something new is what has driven Carlo Magno’s stellar 4-decade long career in the arts. He started as a hyperrealist and later made the bold transition into abstraction in the latter half of his artistic journey.

Now, we find that he has struck a balance between the real and the abstract, expression and representation, the implied and inferred. In an ironic twist, his latest artworks feature layered and textured mixed media presented as smooth and polished surfaces. In this series, the artist also ventured into works cast in various metals, even integrating metals in his framed pieces.

his exhibition invites the viewer to participate in a discourse with the art and the artist through form, color, texture, and refractions of light to extract meaning and substance that will challenge their own percipience.

Confluence II 24” x 24” Mixed Media on Canvas 2020
Reverie 48” x 36” Mixed Media on Canvas 2020

C A R L O M A G N O

Recently known for his abstractions on canvas, the versatile and mercurial Carlo Magno has produced a deep oeuvre of high-quality works that spans more than four decades of art production. In the trajectory of Magno’s practice, one can see the development of a complex artistic temperament that has experimented with a diverse multitude of media, styles, techniques, and forms. The artist’s rich career of more than 50 well-received solo shows held locally and abroad is a both a testament to the restlessness of his character, and proof that the notion of evolutionary re-invention is the driving force of his practice.

Magno’s career started at the tail-end of the Modernist era of Philippine art. Starting out as a Architecture undergraduate at the Mapua Institute of Technology, in 1976 Magno shifted to the Fine Arts program of the Philippine Womens University, under the auspices of its then-director Raul Isidro. Founded by Manuel Rodriguez, Sr., PWU’s College of Fine Arts was, at the time, a bastion for printmaking and abstract works. Modernism in the late 70s and early 80s was in a period of transition, where the early discourse of the likes of Victorio Edades and Jose Joya were already accepted by the art community. The completely abstracted landscapes of the likes of Arturo Luz and H.R. Ocampo dominated the preferred aesthetics of the art community, and this is the environment which informed the new generation of baby boomer artists of which Magno belongs to.

So it isn’t surprising that Magno’s earliest works actually went against the abstraction trend of the 1980s. In 1980, Magno won first prize at the YMCA Painting Competition for his work called “Bayanihan.” This, and his subsequent first solo show at the Greenhills Art Center in 1981, garnered him a reputation for painting hyperrealist paintings of Filipiniana artefacts - church interiors, gardens, and antique furnishings - that were heavily fused with a nostalgic sensibility. Making a name for himself with these works, Magno held exhibitions at some of the most important art spaces in the Philippines--including the Ayala Museum in 1990 and the Madrigal Art Center in 1992

In his early works, the overriding character of Magno’s pieces is that of precision. Nary a chair, table, desk, or lamp is out of place and everything is considered, logical, and orderly. Art critic Cid Reyes wrote to note the “...the subtle synthesis of subject and structure in Magno’s works where the precise relationships of geometric shapes-squares, rectangles, triangles, and ovoids-constitute the frameworkof his old houses.”

This attention to form and its relationship to shapes, colors, lines, and textures eventually led the artist abandoning figuration in favor of pure abstraction. His 2003 exhibition “Transformation” was his first show of pure abstraction, which was heavily influenced by the gestural quality of East Asian calligraphy. Abstraction is also Magno’s approach to sculpture. Using a diverse set of metal casting techniques, Magno has created a series of public art sculptures that demonstrate his sense of space and volume in relation to material. His work at the lobby of Joy Nostalg in BonifacioGlobal City is a fantastic example of the convergence of medium and structure

Never satisfied with resting on his laurels, Carlo Magno’s very latest works show a fusion of his earlier hyperrealist style with abstracted landscapes. This unique topography of hybrid works merely represent the latest in a career that will undoubtedly grow into what will eventually become one of the most storied visual art careers in modern Philippine art history.

34.5” x 19.5” x 19.25”

Polished Aluminum

TERRA 48” x 48” Mixed Media on Canvas 2020
Solid Ground 36 x 36 inches Mixed Media on Canvas 2022
SILK SATIN I, II, III 60” x 18” Mixed Media on Canvas 2022
Standing Nude 48” x 48” Mixed Media on Canvas 2020 Suede Blues 20” x 20” Mixed Media on Canvas 2022

Blaze of Glory XII

24” x 24”

Mixed Media on Canvas

2020

Light Beats

60” x 30”

Mixed Media on Canvas 2022

Song For You 60” x 30”

Mixed Media on Canvas 2022

Al Mendering Thoughts

34.5” x 19.5” x 19.25”

Polished Aluminum

2023

Deconstructed Vitru 35” x 11.25” x 7” Bronze on Resin Base 2023

Prelude to Dance 48” x 36”

Mixed Media on Canvas 2022

Swallow Dance 60” x 30” Mixed Media on Canvas 2022

High Tide

60” x 30”

Mixed Media on Canvas

2022

River Song 48” x 36” Mixed Media on Canvas 2022

2022

“Aleatoric Space”

June 07 to 16, 2022 | Galerie Joaquin Rockwell R3 Level, Power Plant Mall, Makati City

“Formal Parallels”

October 26 to November 08, 2022 | Art Lounge Manila Molito, Molito Lifestyle Center, Muntinlupa City

2020

“Reverie”

January 21 to February 02, 2020 | Art Lounge

Manila Podium, GF ADB Avenue, Mandaluyong City

“Mindful Solitude”

May 09 to June 09, 2020 | Galerie Francesca

Megamall - Bldg A SM Megamall Ortigas

Mandaluyong City

2019

“Exquisite Reverie”

February 11 to 19, 2019 | R1, New Wing Power Plant Mall, Rockwell Makati City.

2018

“Passage, Haiku, and A Song”

October 17 to 21, 2018 | B3, ManilArt 2018, SMX

SM Aura, 3rd Floor Convention Center, Taguig City

2017

“Scent of Time”

October 12, 2018 | ManilArt 2017, SMX SM

Aura, 3rd Floor Convention Center, Taguig City

2016

“Daydreams”

July 11 to 16, 2016 | 4th Level, SM Art Center, SM Megamall, Mandaluyong City

“Unlocking the Red Door”

November 29 to December 11, 2016 | 4th Level, SM Art Center, SM Megamall, Mandaluyong City

2015

“A Piece of Mind”

July 17 to July 23, 2015 | Atrium, 2nd Level, The Podium, Mandaluyong City

2014

“Time Passages”

July 11 to 30, 2014 |SM Art Center, SM Megamall, Mandaluyong City

2012

“Forest Allure”

July 27 to August 8, 2012 | SM Art Center, SM Megamall, Mandaluyong City

2011

“Relive”

July 27 to August 7, 2011 | SM Art Center, SM

Megamall, Mandaluyong City

2010

“Opulence”

March 18-31, 2009 | Atrium, 2nd Level, The Podium, Mandaluyong City

2009

“Transformation 2”

March 18-31, 2009 | Art Center, SM Megamall, Mandaluyong City

2008

“Through the Ages”

Dec 15, 2008-March 16, 2009 |Fortis Bank, Singapore

“Through the Ages”

June 4, 2008 Lukisan Gallery, Singapore

“Countless”

June 2, 2008 | Serendra Pavillion, Bonifacio

Global City

2007

“Continuum”

October 17-31, 2007 | Galerie Raphael, Piazza

Mall, Serendra, Bonifacio Global City

“Symphony in Red”

September 28 - October 7, 2007 | Galerie

Joaquin Singapore | Regent Hotel Cuscaden Rd., Singapore

“Theory of Mind”

Mar. 30 –Apr. 14, 2007 | Galerie Joaquin

Singapore, Regent Hotel Cuscaden Rd., Singapore

2006

“Carlo Magno at Budji”

Nov. 16, 2006 | Budji Living, N. Garcia Ave., Bel Air II, Makati City

“Rock of Ages”

Sept. 15 – 24, 2006 | Art Space, Glorietta 4, Ayala Center, Makati City

2005

“Firm Foundation”

Nov. 9 – 20, 2005 | Galerie Joaquin, Addition Hills, San Juan, MM

“Abounding Prosperity”

Feb 24 – Mar. 10,2005 | Prestige Cars BMW, Makati City

2004

“Leap of Faith”

October 2004 | Bellevue Hotel, Alabang, Muntinlupa City

“Transcendence”

September 11–24, 2004 | The Podium, Ortigas Center, Mandaluyong City

“On Higher Ground”

April 27 – May 16, 2004 | Galerie Joaquin, Addition Hills, San Juan, MM

“On Higher Ground”

May 7 – May 31, 2004 | Diretso Gallery, LRI

Business Plaza, N. Garcia Ave., Bel-Air II, Makati City

2003

“Transformation”

June 24 – July 5, 2003 | Galerie Joaquin, Addition Hills, San Juan, MM

2001

“Looking Back”

Dec. 1 – 10, 2001 | Art Gallery Philippines, Glorietta 4, Ayala Center, Makati City

2000

“Bricks and Flowers”

Oct. 1 – 14, 2000 | Artspace Glorietta, Glorietta 4, Ayala Center, Makati City

Sept. 18 – 27, 2000 | International Exchange Bank, Ayala-Alabang Branch, Alabang, Muntinlupa City

1999

“Images of Light”

Oct. 1-14, 1999 | Artspace Glorietta, Glorietta 4, Ayala Center, Makati City

1998

“Colors of Light”

Dec. 4- 14, 1998| Art Gallery Philippines, Promenade, Alabang Town Center

“Images of the Glorious Past”

November 1, 1998 | Marriot Hotel Grand Ballroom, Orlando, Florida

August 29 – 30, 1998 |. Feather Sound Country Club, Clearwater, Florida

August 21 – 23, 1998 | Arlene Beach Condominium, Miami Beach, Florida

June 12, 1998 | Miami Shores Baptist Church, Miami Shores, Florida

June 6, 1998 | Broward Convention Center, Miami, Florida

1997

“Para Kay Nena”

The Manila Hotel Gallery, Manila, Philippines

“Past and Beyond”

March 6 – 16, 1997

Gallery Nouveau, Shangrila Plaza, Manila, Philippines

1996

“Images of Medicine”

Manila Hotel Gallery

1995

“Morning Light”

March 26 – April 9, 1995 | Art Gallery Philippines, Promenade, Alabang Town Center

1993

“Recent Works”

August 29 – September 29, 1993 | Madrigal Art Center, Alabang, Muntinlupa City

1992

“Recent Works”

August 16 – September 16, 1992 | Madrigal Art Center, Alabang, Muntinlupa City

1990

“Intimations… Remembrances”

January 9 – 19, 1990 | Ayala Museum, Makati City

1981

“Moving on by Looking Back”

December 4 – 20, 1981 | Greenhills Art Center, Manila, Philippines

AWARDS & RECOGNITIONS

Artist of the Centennial Award Philippine

American Federation of South Florida

Outstanding Malatean Award Malate Catholic School

Grand Prize “Las Pinas Church” Hispanidad Painting

Contest

Leadership Award

Philippine Women’s University

First Prize “Ruins Along Roxas Blvd.”

On-the-spot Painting Contest

First Prize “Bayanihan” 26th YMCA Student Art

Competition

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