Catalogue Beijing by Galerie Kasten

GERMAN CONTEMPORY ART

德国当代艺术 Hubertus von der Goltz 胡拜图斯 .凡 .登 .高兹 Stefan Pietryga 史蒂凡 .皮埃特西加 Frank Michael Zeidler 弗兰克 .迈克 .兹德勒

Gallery Kasten & bb gallery GALERIE KASTEN

Kasten画廊 & BB画廊

German Contemporary Art Hubertus von der Goltz Stefan pietryga Frank Michael zeidler

出口机场辅路南皋路

The group show presents the works of art from - Hubertus von der Goltz, Stefan Pietryga and Frank Michael Zeidler. With theirs studios they are all located in Berlin/ Potsdam. The exhibition itself is a contribution, to appear, that German Contemporary Art is much more multifaceted . Hubertus von der Goltz is well known for his typical icon of balancing figures, even as small indoor and huge ground-covering outdoor sculptures all over the world. Stefan Pietryga is a very sensitive painter and sculptor, which often transfers different cultural icons (like I-GING) in a contemporary artist language. To become familiar with the history of varied civilizations is seen by Stefan Pietryga as a chance, to get new opportunities to create congenial and coeval aesthetic statements in his kind of artwork. Very unique is even the work of art from Frank Michael Zeidler. He is working sensitively with his own awareness, of his feeling-sensations and the formal strength of the outer world. being aware of these possibilities, he is asking self confident artificial questions of an always astonishing world that surrounds us, sometimes hidden in a glimpse of the very moment. With our choice of German Contemporary Art we like to allocate new unforgettable impressions and give you, the beholders the chance of new visual experiences. Gallery Kasten BB Gallery

德国当代艺术胡拜图斯 .凡.登.高兹史蒂凡.皮埃特西加弗兰克.迈克.兹德勒

这个联展展示了三位艺术家的作品胡拜图斯 . 凡 . 登 . 高兹，史蒂凡 . 皮埃特西加和弗兰克 . 迈克. 兹德勒。他们的工作室都在柏林/波茨坦。这个展览是一个贡献，它显示了，德国的当代艺术是多种多样的。胡拜图斯.凡.登.高兹以他标志性的平衡形象著称，您可以在世界各地看到他的小型室内雕塑以及巨大的地面室外雕塑。史蒂凡 . 皮埃特西加是一位非常感性的画家和雕塑家，他经常以当代艺术家的语言将不同的文化汇聚在其作品中（比如易经）。在史蒂凡 . 皮埃特西加看来，熟知多种文明的历史为他提供了一个可能，使他可以有新机会通过这一类型的作品，实现与时俱进并体现当代的美学观点。弗兰克 . 迈克. 兹德勒的作品也非常独特。他创作时会感性的追随自己的认知，这种创作追随着他对个人情感及外部世界压力的感知。熟谙这些可能性，他一直在追问我们周围这个令人惊异的世界中，那些真实而又虚假的问题，而这些问题有时就隐藏在那惊鸿一瞥之中。通过对德国当代艺术的挑选，我们希望能给您留下全新的难忘印象，并带给您全新的视觉体验。 Kasten画廊 BB画廊

HUBERTUS VON DER GOLTZ 胡拜图斯.凡.登.高兹

Hubertus von der Goltz is one of the few figurative sculptors of our time who understand how to alloy substantive contemporaneity and formal timelessness in a continuous form language in their work. His figurative minimalism nourishes itself on the expressive quality of an elemental form – the human figure. Relinquishing any narrative context in his work, to the point of an emblematic and thus meaning-creating strategy, he places the weight of his works on feeling. The experiential value of his works and their high remembrance value result from a matured, singular form language. The impressiveness of his works grows out of the aesthetic dialog between figure, space, and viewer. Hubertus von der Goltz’s sculptures are signs whose pictogram-like condensation conveys new knowledge of surface, form, and space to the viewer. His works command respect and attention because they surprise, fascinate, and confuse our perception, thus provoking new ways of seeing. The simplicity of their public appearance, which seems to have overcome all static and tectonic constraints like child’s play, is also the basis of his works’ metaphorical effect as pithy signs. The human figure is always also an allegorical image pointing the viewer back to himself, and an image with which one consciously or unconsciously identifies.It stimulates people’s imaginative powers. The appeal of his formulations, which is abstract because it is kept general, leaves room for an individual, subjective interpretation. A dualism between the artistic idea and active reception and a weighing of the clearly articulated and the unspoken arise. In their appearance, Hubertus von der Goltz’s works are a self-contained, sculptural concept. On the level of the aesthetics of effect, they remain an open system – an offer for perception.

胡拜图斯.凡.登.高兹是我们这个时代中，为数不多的当代造型雕塑家之一。他们了解如何在自己的作品中，以一种连续的形式语言，将真实的现状与形式的永恒相结合。他的极简主义造型，深得人体这种自然形体表现力的滋养。抛开他作品中的任何叙述性情景，出于一种象征的、重要的创造策略的考量，他将自己作品的影响力体现于情感之中。他作品中的实验价值和纪念价值来自于一

Hubertus von der Goltz Encounter, 2008 Brass, polished 60 x 45 x 0,6 cm 胡拜图斯 . 凡 . 登 . 高兹邂逅，2008 铜，磨光 60 x 45 x 0.6 厘米

种成熟的、卓越的形式语言。形体，空间和观众之间的美学对话给人留下了深刻的印象。

胡拜图斯.凡.登.高兹的雕塑，是一种符号，它们图标性的浓缩涵义，将关于表象、形式和空间的新知传递给观者。他的作品理应得到大家的尊敬和关注，因为它们使我们感到惊讶，着迷，和困惑，并进而激发了观赏的新途径。朴素的大众形象，也是他作品作为精炼符号、极具象征意义的基础，就像孩童游戏，超脱了所有静态的和构造的束缚。通常，人体也是一种引导观众关注自己的寓意形象，这种形象使人主动或被动的产生联想。它激发人们的想象力。他作品形象的魅力，由于保留了形体轮廓而概括抽象，为人们留下个人、主观的解诠释空间。艺术家理念与积极接受的二元论，及明显关联而又未能表达的权重的出现。表面上，胡拜图斯. 凡. 登. 高兹的作品是自我收敛的雕塑观念。而美学效果上，它们保留了一个开放的体系——为感知提供空间。

Hubertus von der Goltz Wayside Cross, 2007 Bronze, Black Color 32 x 18 x 18 cm 胡拜图斯 . 凡 . 登 . 高兹路边的偶遇，2007 铜，黑色 32 x 18 x 18 厘米

STEFAN PIETRYGA 史蒂凡.皮埃特西加

In the centre of the artworks for the Art Beijing Stefan Pietryga shows a space-oriented installation of large-area papers, which are watercolour painted a carved wooden sculptures. The subject of the installation is an exemplary landscape, which correlatives the occident’s adapted Chinese Culture, for example the meaning of I-GING and in present China. The title for the artwork in this group show in Beijing is “8”. The paintings, all watercolour on paper, are arranged in rows of eight papers each row. In this order squares with 8x8 paintings develops that are ordered in contexts of subjects. In some pictures you find figurative elements. Those figures are always painted with a brush and fulfil, almost not countable, the paintings spaces. The figures’ and brush’s movement are directly related. With the techniques of brush and watercolour an abstract structure stands out on the paper; it is easy to associate natural phenomena with that abstract structure. Water, rain or a lake surface; air, sky and clouds; forest, leafs and branches. These impressions are ordered to systems with the formats and the number 8. In this context, Stefan Pietryga is falling back on Chinese tradition. The development of the signs in I-GING shown in a work of 64 paintings, in an own interpretation and refers the reading for eastern cultural heritage in the world of art of the western countries. This aim is also shown in Stefan Pietrygas sculptures. Wood carved figurative fragments built signs in space and develops in their colourful frame. The development is shown in the narrative structure and the position to each other that is produced from it. Eight is the sign of endlessness.

在“艺术北京”博览会的所展示的艺术品中间，史

蒂凡. 皮埃特西加展示了一件具有空间引导性的巨幅纸本

装置，这个装置是一件水彩绘制的木雕。这个装置的主题是杰出的风景画，这些风景画体现了西方国家对中国文化的适应，比如了解易经的意义和现在的中国。他在北京的展览作品的名称是“8”。全部纸本水彩的绘画作品被排列成行，每一行有八幅作品。每一幅作品都有自己独特的位置，这个位置的产生源自于它周围临近的作品的形式和主题内容。因此，每一幅作品在这个8x8的场地中，都与它周围临近的作品相联系，而且也并不仅仅是对这64幅水彩绘画作品的一个偶然的补充。按照这样的顺序，这个带有8x8幅作品的场地就被拓展了。在一些绘画作品中，您会发现一些具象的元素。这些图案通常是用画笔画出来的，并且遍布整个作品，数目几乎无法计算。图案与画笔的动向是直接相关的。通过画笔与水彩的技法运用，一个抽象的结构跃然纸上；人们可以很容易的将这个抽象的结构与自然中的现象相关联。比如，河流，雨水或者湖泊的表面；空气，天空和云；森林，树叶和枝条。这些映像都被格式化，量化（数字8），并形成体系。

在这个相互映照的作品中，史蒂凡 . 皮埃特西加回归了中

国传统。对易经中符号的拓展体现在这件64幅绘画组成的作品中，也体现在这个属于自己的诠释中，并且与西方国家对东方的世界艺术文化遗产的解读有关。这个目

的同样也体现在史蒂凡 . 皮埃特西加的雕塑作品中。木雕的具象部分成为了空间中的标志，并且在其色彩斑斓的框架中得到拓展。这种拓展体现在故事性的结构之中，以及雕塑彼此的位置之中，而这种结构和雕塑之间的位置均源于这种对空间的拓展本身。

8是无止尽的象征符号。

Stefan Pietryga I-GING, 2008 (64 Pieces), Watercolor, Hand Made Paper, each 20 x 20 cm 史蒂凡 . 皮埃特西加易经，2008 （64幅）水彩，手工纸每一件20 x 20厘米

FRANK MICHAEL ZEIDLER 弗兰克.迈克.兹德勒

Since the early seventies Frank Michael Zeidler is searching his creative territory in between modern abstraction and more or less open figuration. He is not playing with subjective present ness, not affective constellations of figures: he is since then working sensitively with his own awareness of his feelingsensations and the formal strength of the outer world. Being aware of these possibilities, he is asking self confident artificial questions of an always astonishing world that surrounds us, sometimes hidden in a glimpse of the very moment. Technically Frank Michael Zeidler is working between painting and drawing. Meanwhile these two classical techniques are merging more and more, the graphicstructures are melting into the brush-made paintings and vice versa. For a long time he was only drawing and painting with black and white, then, changed into a bit of shining yellow; nowadays he enriched with various colours of the warm and light palette: always guided by the idea of handling the phenomenon light. Working on canvas as well as on different handmade papers Frank Michael Zeidler is trying to create a 3 dimension imagination divided into two horizontal areas, similar to those classic paintings, which are dealing with a double perspective horizon in order to perform the difference between something realistic or natural and the idea of a spiritual sense. Although Frank Michael Zeidler is not working on religious themes, he took the formal structure of those renaissance works into his own work, building up a new artificial arrangement of his own individual, modern view of sight.

早在七十年代初，弗兰克.迈克.兹德勒就开始在现代抽象和多少有些开放的具象之间，寻找他的创造领域。他并不是在与主观存在游戏，也不是表达形体的情感：他从那时起就开始感性地创作，这种创作追随着他对个人情感及外部世界压力的感知。熟谙这些可能性，他一直在追问我们周围这个令人惊异的世界中，那些真实而又虚假的问题，而这些问题有时就隐藏在那惊鸿一瞥之中。从技法上说，弗兰克.迈克.兹德勒使用了油画技法和素描技法。与此同时，这两种经典的绘画技法结合的越发紧密：图案纹理融入了有笔触痕迹的绘画中，反之亦然。很长一段时间，他只用黑色和白色绘画，之后慢慢加入了一点点闪亮的黄色，现在他的作品充满了温暖明亮而又丰富多彩的色调：这总是被他处理特殊光亮的想法所左右。

同时进行着布面创作和不同的手工纸本创作，弗兰克.迈克.兹德勒试着创造一种分为两种平面区域的三维影像，类似于那些经典的绘画作品，这些作品中经常出现双重的透视平面，借以表现真实存在与精神感知的不同。尽管弗兰克.迈克.兹德勒并不创作宗教题材的作品，他还是将那些文艺复兴时期作品中的正统构造，引入到了自己的作品中，并营造出了一种全新的，反映他自己现代看法的画面布局。

Frank Michael Zeidler dreaming between yellow no. 8, 2008 Ink, Acrylic, Hand Made Paper, each 39 x 27 cm 弗兰克 . 迈克 . 兹德勒在黄色中漫想之八，2008 油墨，丙烯，手工纸每一件39 x 27厘米

HUBERTUS VON DER GOLTZ

FRANK MICHAEL ZEIDLER

1941 1959 1961-64 1964 1964-67 1968 1969 1977 1978-79 1980-85 1982 1987 1988-89 1992 1994 1996 1997 1997 1998 1999 2000 2001

1952 1972 1974-77 1977-82

2005

born in Gross Bestendorf, district of Mohrungen, East Prussia graduated from secondary school apprenticeship as piano builder with Steinway & Sons in Hamburg moves to Berlin commercial apprenticeship at Steinway entered architecture department at Berlin's art academy (Hochschule der Künste) switched to art department graduated from master class DAAD scholarship, residence in Tuscany, Italy on artistic staff at Hochschule der Künste, Berlin prize for an art project at Tegel Airport, Berlin artist in residence at Villa Romana, Florenz visiting professor at Hochschule der Künste, Berlin artist in residence at Austin Peay State University, Clarksville, TN, USA prizewinning design for Heilbronn Municipal Hospital prizewinner in competition for a monument in Weinheim artist in residence at Western Michigan University, Kalamazoo, MI., USA prizewinner in competition for high-rise housing blocks, Hellersdorf, Berlin prizewinner in City of Chicago competition for LaSalle Street gateway and plaza, MI.,USA prizewinner in "Prenzlauer Tor" competition, Berlin-Prenzlauer Berg, Berlin began establishing the Kunsthauses in Potsdam with Frank Michael Zeidler prizewinning design for the courtyard of the German Institute of Nutritional Research, Berlin Potsdam Art Prize for Visionary Images, Potsdam

Hubertus von der Goltz works and lives in Berlin and Potsdam

1979 1982 1983 1985-90 1987 1989 1991 1991 1992 1992 2000 2000

2004 2003 2006 2007

born in Leipzig, Germany graduated in Ulm at the Danube study of germanistics and philosophy at the Eberhard-Karls-Universität, Tübingen study of graphics and paintings at the Hochschule der Künste, Berlin, Germany, Professors Marwan, Kuno Gonschior and Martin Engelman 1. prize of the „Neuen Darmstädter Sezession“,Germany declaration „M eisterschüler of Art“ first black and white paintings, and „over-paintings“ assistant teacher at the Hochschule der Künste, Berlin lithography, etchings and book printings, screen printing art prize, Berlin, promotion-prize „Bildende Kunst“ of the academy of Art, Berlin, Germany guest professor at the Johannes Gutenberg University, Mainz, Germany first great dimensional drawings in black and white six wall paintings for the German embassy in Helsinki, Finland interdisciplinary co-operation with the composer André Werner founder of the free art space „Kunsthaus Potsdam“ together with Hubertus von der Goltz election as president of the German Artist Association, „Federation of German Artist„ first white and yellow paintings video production „Stanzen 4A/D1 - DVD“ promotion-prize of the „Ilse-Augustin-Stiftung“, Berlin, Germany president of the „Internationale Society of Visual Arts“ wall paintings for the „Groote Saal“, Castle Heemstede, Utrecht, Netherlands video production, „Eigenheim“ with André Werner screenplay and videoproduction the opera Lavinia A. André Werner, Theater Osnabrück, Germany screenplay and videoproduction, "Blond Eckbert", Judith Weir, Berliner Kammeroper

Frank Michael Zeidler works and lives in Berlin and Potsdam

STEFAN PIETRYGA 1954 born in Ibbenbüren 1975-80 study of art at the „State Academy of Arts Düsseldorf “ , Abt. Münster, by Prof. Ernst Hermanns 1980 declaration „Meisterschüler of Art“ 1981 art prize "Forum junger Kunst", Kunstmuseum Duesseldorf; Kunsthalle Kiel; Kunsthalle Mannheim 1975-83 study of philosophy at the University of Münster 1984 atelier city of Münster art prize "Studiogalerie", Landschaftsverband Westfalen-Lippe 1985 assistant at the International Summeracademy Salzburg/Austria by Prof. Uecker and Prof. Opalka 1990 scholarship "Werk Stadt Schloss", Wolfsburg 1991 assistant at the International Summeracademy Salzburg/Austria scholarship Art Council Baden-Württemberg 1994 scholarship Cité Internationale des Arts, Paris visiting professor at the Justus Liebig University Giessen/Germany 1995 professorship at the Design-Academy, Düsseldorf 1998 1. Prize, Cure- and Conference Center, Bad Windsheim 2000 "International Sculpture Symposium" Hui'jan, PR China "Farbräume", Conception for Churches in 21. Century 1. Prize, Diözesanmuseum Paderborn 2001 2. Prize "Kunst im Stadtraum", Ludwigslust,"Kunst am Bau", Academy Flensburg, Land Schleswig-Holstein 2002 celling painting at the church Maria Magdalena, Bruchhausen, 1. Prize Center of Technology Gießen, Outdoorsculpture, prizewinner 2007 assistant at the Internatioch Maria Magdalena, Bruchhausen, Member at different expert committees „Percent for Art" and regional culture Stefan Pietryga lives and works in Potsdam

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胡拜图斯 .凡 .登 .高兹

弗兰克 .迈克 .兹德勒

1941

出生于东普鲁士莫伦根区，Gross Bestendorf

1952

出生于德国莱比锡

1959

中学毕业

1972

毕业于多瑙河畔的乌尔姆

1961-64

汉堡施坦威公司钢琴技师学徒

1974-77

在图宾根的Eberhard-Karls-Universität学习日耳曼语言文学和哲学

1964

搬到柏林

1977-82

德国柏林Hochschule der Künste学习造型艺术和绘画，师从教授Marwan，Kuno Gonschior和Martin Engelman

1964-67

施坦威公司业务学徒

1979

德国“Neuen Darmst.dter Sezession”一等奖

1968

进入柏林的艺术院校（Hochschule der Künste）建筑系

1982

申请“Meisterschüler of Art”

1969

转到艺术系

1983

第一批黑白绘画作品及“超越绘画”系列绘画

1977

研究生班毕业

1985-90

柏林Hochschule der Künste助教

1978-79

获得DAAD奖学金，在意大利托斯卡纳区居住

1987

从事平版印刷，蚀刻版画以及书籍印刷和丝网印刷

1980-85

任教于柏林Hochschule der Künste艺术系

1989

德国柏林，艺术学院“Bildende Kunst”推广奖、艺术奖

1982

柏林泰格尔机场艺术项目获奖

1991

德国美因茨市美因茨大学客座教授

1987

艺术驻留于佛罗伦萨的罗马别墅

1991

第一批出色的黑白轮廓图

1988-89

柏林Hochschule der Künste客座教授

1992

为芬兰赫尔辛基的德国使馆创作6幅壁画

1992

艺术驻留于美国田纳西州，克拉克斯维尔，奥斯汀皮耶州立大学

1992

与作曲家André Werner的学科间合作

1994

Heilbronn市立医院设计获胜

2000

与胡拜图斯凡登高兹一起创立免费艺术空间“波茨坦Kunsthaus”

1996

威因海姆的一个纪念遗址设计竞标获胜

2000

被选为德国的艺术家协会，“德国艺术家联盟”的主席

1997

艺术驻留于美国密歇根州，卡拉马祖，西密歇根大学

1997

柏林海勒斯多夫区高层住宅大厦设计竞标获胜

2004

“国际视觉艺术协会”主席

1998

美国密歇根州，芝加哥城LaSalle街入口及大厦的设计竞标获胜

2003

荷兰乌德勒支市海姆斯泰德城堡“Groote Saal”壁画

1999

柏林Berlin-Prenzlauer Berg区，“Prenzlauer Tor”设计竞标获胜

2006

与André Werner制作影像作品“Eigenheim”

2000

和弗兰克迈克兹德勒在波茨坦开始建立Kunsthauses

2007

2001

柏林的德国营养研究院庭院设计竞标获胜

2005

波茨坦，获得波茨坦艺术奖之视觉影像奖

. . .

胡拜图斯凡登高兹现在工作和居住于柏林和波茨坦。

. . .

第一件黑白绘画影像作品 “Stanzen 4A/D1 – DVD”获得德国柏林“Ilse-Augustin-Stiftung”推广奖

与André Werner编写歌剧“Lavinia A.”的剧本并录制，在德国Osnabrück剧院公映

与朱迪斯韦尔编写剧本并录制“Blond Eckbert”，在Berliner Kammeroper剧院上映

弗兰克迈克兹德勒现在工作和居住于柏林和波茨坦

史蒂凡 .皮埃特西加 1954 1975-80 1980 1981 1975-83 1984 1985 1990 1991

生于伊本比伦市在Abt. Münster的“杜塞尔多夫国立艺术学院”学习艺术，师从Ernst Hermanns教授申请“Meisterschüler of Art” 在曼海姆Kunsthalle、基尔Kunsthalle和杜塞尔多夫Kunstmuseum获得“Forum junger Kunst”艺术奖明斯特大学学习哲学明斯特市拥有画室 Landschaftsverband Westfalen-Lippe获得“Studiogalerie”艺术奖奥地利International Summeracademy Salzburg作为Uecker教授和Opalka教授的助手沃尔夫斯堡市获得“Werk Stadt Schloss”奖学金奥地利International Summeracademy Salzburg 做助手巴登符腾堡州艺术委员会奖学金巴黎Cité Internationale des Arts奖学金德国吉森Justus Liebig University客座教授杜塞尔多夫设计学院教授巴特温茨海姆市治疗中心及会议中心设计一等奖中国“国际雕塑论坛” 21世纪教会观念艺术“Farbräume” 帕德博恩Diözesanmuseum设计获一等奖路德维希斯鲁斯特“Kunst im Stadtraum”二等奖；石勒苏益格—荷尔斯泰因州弗伦斯堡专科学院“Kunst am Bau二等奖布鲁赫豪森Maria Magdalena教堂微型雕塑吉森科技中心户外雕塑一等奖获胜奥地利International Summeracademy Salzburg做助手

1994 1995 1998 2000

2001 2002 2007

众多专业委员会成员，“Percent for Art”成员，宗教文化协会成员

史蒂凡皮埃特西加现在工作和生活于波茨坦

GERMAN CONTEMPORY ART

德国当代艺术 Hubertus von der Goltz 胡拜图斯 .凡 .登 .高兹 Stefan Pietryga 史蒂凡 .皮埃特西加 Frank Michael Zeidler 弗兰克 .迈克 .兹德勒

Gallery Kasten & bb gallery GALERIE KASTEN

Kasten画廊 & BB画廊