Oregon Ballet Theatre Annual School Performance 2019 by Artslandia

MARION TONNER / SCHOOL DIRECTOR

KEVIN IRVING / ARTISTIC DIRECTOR

ON STAGE: OBT’S ANNUAL SCHOOL PERFORMANCE

JUNE 15–16, 2019 | NEWMARK THEATRE Shea McAdoo. Photo by James McGrew.

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PRESENTING THE 30TH ANNIVERSARY SEASON

October 5 - 12, 2019

IN THE MIDDLE, SOMEWHAT ELEVATED STRAVINSKY VIOLIN CONCERTO SCHEHERAZADE (Forsythe, Balanchine, Spaight) OBT ROARS in the 2019/2020 season which celebrates an incredible thirty-year history by bringing together diverse, iconic ballets that embody OBT’s past and excite its future. The season features work by extraordinary choreographers George Balanchine, James Canfield, Agnes de Mille, Nicolo Fonte, William Forsythe, Dennis Spaight, Christopher Stowell, and Twyla Tharp.

December 7 - 26, 2019

Choreography by George Balanchine

February 15 - 23, 2020 Choreography by Christopher Stowell (after Petipa)

April 9 -12, 2020 Choreography by Nicolo Fonte

June 5 - 13, 2020

Baker’s Dozen James Canfield World Premiere Rodeo (Tharp, Canfield, DeMille)

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LETTER FROM THE SCHOOL DIRECTOR

Oregon Ballet Theatre would like to express our sincere thanks to our most generous sponsors.

Photo by Jim Thomson.

THANK YOU! Dear Oregon Ballet Theatre School family and friends, we are here at the culmination of a brilliant year of dance training — “ON STAGE!” This year’s per formance highlights George Balanchine’s ballet Serenade with music by Tchaikovsky. Staged by Balanchine Trust’s répétiteur, Zippora Karz, OBT School has been granted permission to perform the full-length ballet. Glazunov’s beautiful score to Raymonda Etudes makes for a faculty masterpiece. And this year, we welcome back what some students have described as a “rite of passage” within OBT School, Jerome Robbins’ Circus Polka with music by Stravinsky. You will also experience Nacho Duato’s Rassemblement duet, plus exciting new and traditional works. Thank you for entrusting your child’s dance education to the people who make up the staff of OBT School. Your children are involved in a fully professional program, supported by an amazing staff in school administration, faculty, pianists, production, wardrobe, artistic, marketing, business, development, board members, and volunteers. I am so proud of the progress made by our students and humbled by the dedication I witness daily by the staff who nurture them. Most of all, I think of the sacrifices made by my own family to help me achieve my dreams, and recognize the contribution of our OBT School families in belief of your children. We wish those students and dancers who are graduating from OBT School this year all the success and joy they have worked so hard to make possible. Some of our School and OBT2 graduates will be moving on to professional ballet companies, trainee programs, and college programs. We also congratulate OBT2 dancers who have graduated with college degrees this year and applaud those who are dedicated to continuing education while pursuing their dance careers.

SEASON SUPPORT PROVIDED IN PART BY

The Regional Arts & Culture Council including support from the City of Portland, Multnomah County, and the Arts Education & Access Fund.

Oregon Ballet Theatre is supported in part by an award from the National Endowment for the Arts.

ELIZABETH POWNALL SWINDELLS Family Fund of The Oregon Community Foundation

CORPORATE SPONSORS

SUPPORTING SPONSORS

OBT’s Outreach extends far beyond the walls of our studios, and offers amazing dance experiences to Oregon schools and neighborhood communities led by Director Kasandra Gruener and her teaching artists. It is my delight to represent the OBT School family and to witness the development of our students’ dance education in all of its forms. We hope to see you throughout the summer weeks for our intense training opportunities for children as young as three and pre-professional and advanced students in our international summer intensive.

Sincerely yours, Marion Tonner School Director

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TODAY’S PROGRAM

PRESENTS

ON STAGE: OBT’S ANNUAL SCHOOL PERFORMANCE Raymonda Etudes CHOREOGRAPHY: Kembe Adam, Natasha Bar,

The colorful pageant brings together levels 1 through 6 of Oregon Ballet Theatre School, including the OBT2 dancers. Each level presents a piece of choreography created especially for this performance by one of the school’s faculty members. Raymonda Etudes presents a dancer’s development and progression levelby-level as they move through the school.

Phillip Carman, Peter Franc, Elise Legere, Olivia Pyne, Marion Tonner

MUSIC: Alexander Glazunov, Raymonda LIGHTING DESIGN: Michael Mazzola WORLD PREMIERE: June 15, 2019; Oregon Ballet

Theatre School; Newmark Theatre; Portland, Oregon

Excerpt from Rassemblement CHOREOGRAPHY: Nacho Duato MUSIC: Toto Bissainthé, “Papadanmabalah” STAGED BY: Kevin Irving COSTUME DESIGN: Nacho Duato (as adapted by

Spanish choreographer Nacho Duato created Rassemblement — which means “gathering” — in 1990 for the Cullberg Ballet in Sweden. The work is inspired by and set to the songs of Haitian artist Toto Bissainthé. The songs are sung in Creole. The audience should have little concern about not understanding the meaning of the lyrics, but instead pay attention to the dancing and the way in which the movements carry the rhythm and emotion of the music with undulating torsos, deeply bent knees, flexed and pointed bare feet, and arms that punch toward the earth and flick to the sky.

Eileen Ehlert)

LIGHTING DESIGN: Nicolás Fischtel (as adapted by Michael Mazzola) WORLD PREMIERE: February 27, 1990; Cullberg Ballet; Hjalmar Bergman Theater; Örebro, Sweden

Commenting on the songs and the ballet, musician Toto Bissainthé said, “These songs are mostly slaves’ songs from the Voodoo cult. They express the daily life of the slaves, their longing for Africa, not as a geographical reality, but as a mythical land of freedom. They express their resistance and their refusal: resistance against the colonial, refusal of his politics, his religion, his culture, and his language. ...Rassemblement is a creation which gradually, through the liberating powers of music and dance, proves to be an impressive, thrilling, and audience-affecting human rights appeal.”

OBT SCHOOL PREMIERE: March 2, 2019; OBT2; Grants Pass Per forming Ar ts Center; Grants Pass, Oregon Rassemblement is performed through special arrangement with Choreographer Nacho Duato. “Papadanmabalah” performed by Toto Bissainthe CD Arion “Toto Bissainthe Chante Haiti,” Toto Bissainthe – ARN44086 – ℗ARION 1977 Courtesy of Arion Music, Paris, France – www.arion-music.com

By George CHOREOGRAPHY: Phillip Carman MUSIC: George Gershwin, “Strike Up the Band,”

“Somebody Loves Me,” “Who Cares?” and “I Got Rhythm”

LIGHTING DESIGN: Michael Mazzola WORLD PREMIERE: March 2, 2019; OBT2; Grants Pass

Performing Arts Center; Grants Pass, Oregon

The worldwide copyrights in the music of George and Ira Gershwin for this presentation are licensed by the Gershwin® Family. “Who Cares” & “I Got Rhythm” (George Gershwin – Editions Chappel) Orchestre Philharmonique de Monte-Carlo, David Garforth CD Arion “Les Ballets de Monte-Carlo Vol. 2 – Ravel/Gershwin” – ARN60332 – ℗ARION 1977 Courtesy of Arion Music, Paris, France – www.arion-music.com

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For years, Phillip Carman choreographed dances to popular American music from Cole Porter, Glenn Miller, Willie Nelson, and especially George Gershwin. “I enjoy the magic entertainment value provided in the romantic lyrics and the lush melodies — all with a touch of nostalgia,” he said. These sections of By George have been revived for OBT2 from a ballet originally created for The Maryland Ballet using these wonderful orchestrations of the Gershwin songbook. The music is very danceable and the dancers always show their joy of movement in their highly energetic performances.

TODAY’S PROGRAM — 15-MINUTE INTERMISSION —

Oceans & Pearls Variation from The Little Humpbacked Horse CHOREOGRAPHY: Arthur Saint-Léon MUSIC: Cesare Pugni STAGED BY: Marion Tonner LIGHTING DESIGN: Michael Mazzola WORLD PREMIERE: December 15, 1864; Imperial

Based on the famous Russian fairy tale, The Little Humpbacked Horse tells of the adventures of the young Ivanushka, who is granted a new friend in the form of a magical little humpbacked horse. When Ivanushka is brought before the Khan, he is set seemingly impossible tasks, but with the help of the Little Humpbacked Horse, he completes each task successfully. One of the tasks is the abduction of the beautiful Tsar Maiden, whom the Khan wishes to marry. However, the Tsar Maiden prefers the young Ivanushka to the old Khan and devises a clever scheme to stop the wedding. With the help of the Little Humpbacked Horse, Ivanushka outwits the Khan yet again, wins the hand of the Tsar Maiden and becomes the new Tsar. The ballet became an important milestone in the development of Russian ballet. It was the first ballet based on a Russian story. —Petipa Society; Wikipedia; Russian Ballet

Russian Ballet; Imperial Bolshoi Kamenny Theatre; St. Petersburg, Russia

OBT SCHOOL PREMIERE: June 15, 2019; Oregon Ballet Theatre School; Newmark Theatre; Por tland, Oregon

Belonging CHOREOGRAPHY: Matthew Pawlicki-Sinclair MUSIC: Nicholas Robert Thayer LIGHTING DESIGN: Michael Mazzola WORLD PREMIERE: March 2, 2019; OBT2;

Grants Pass Performing Arts Center; Grants Pass, Oregon

Belonging is a piece created expressly for OBT2 this year, inspired by the nature of the program and the characteristics of the company members and the unique situation they’re in at this pivotal time in their lives and careers. The piece was intended to not only give the dancers an opportunity to showcase their technique and skills, but use them as a form of expression in order to cultivate their storytelling abilities and develop further as artists. While they were given a loose narrative about the loneliness we can experience and the human need to belong and our desire to connect, they were also encouraged to look within themselves to bring their own stories to the piece. The result is a demonstration of the compassion, generosity, and support we all seek in others throughout our lives. —Matthew Pawlicki-Sinclair

The Kingdom of the Shades Pas de Trois from La Bayadère CHOREOGRAPHY: Marius Petipa MUSIC: Ludwig Minkus STAGED BY: Natasha Bar LIGHTING DESIGN: Michael Mazzola WORLD PREMIERE: February 4, 1877; Imperial

Russian Ballet; Imperial Bolshoi Kamenny Theatre; St. Petersburg, Russia

OBT SCHOOL PREMIERE: June 15, 2019; Oregon Ballet Theatre School; Newmark Theatre; Portland, Oregon

The Kingdom of the Shades is from Act 3 of La Bayadère. Set in legendary India, La Bayadère tells the story of the doomed love between the noble warrior, Solor, and the beautiful temple dancer, Nikiya, who is murdered by her jealous rival, Gamzatti. In the aftermath, Solor’s grief brings him to the heavenly realm of the Kingdom of the Shades in an opium-induced dream, where his beloved appears among the many shades and tenderly forgives him for his betrayal. However, Gamzatti’s murderous triumph is short-lived as her actions provoke the wrath of the gods. In retaliation, the gods destroy the temple, killing all who are responsible for Nikiya’s death, and Nikiya is reunited with her beloved Solor beyond the reach of man. —Pepita Society; The Houston Chronicle

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TODAY’S PROGRAM Circus Polka CHOREOGRAPHY: Jerome Robbins MUSIC: Igor Stravinsky, “Circus Polka” STAGED BY: Kembe Adam, Elise Legere, Olivia Pyne LIGHTING DESIGN: Michael Mazzola WORLD PREMIERE: June 21, 1972; New York City

Ballet; Stravinsky Festival; New York State Theatre; New York City, New York

OBT SCHOOL PREMIERE: May 18, 2004; Oregon Ballet Theatre School; Newmark Theatre; Portland, Oregon Performed by permission of The Robbins Rights Trust. Used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Schott Music GmbH & Co. KG, Mainz, Germany, publisher and copyright owner.

In 1942, George Balanchine received a commission from Ringling Brothers, Barnum & Bailey Circus to choreograph a polka for elephants. Balanchine called Igor Stravinsky and asked him to compose the piece. Stravinsky asked for whom the music was to be composed. “Elephants,” replied Balanchine. “How old?” asked Stravinsky. “Young.” “If they are very young, I will do it,” said the composer. Apparently, he was concerned that older elephants might be startled by the unusual rhythms and harmonies of the music, officially titled Circus Polka for Wind Symphony. Using a 2/4 meter, the music sometimes comically lurches like an elephant out of step. The orchestration — with prominence given to the bass drum, cymbals, and heavy brass — evokes a circus environment. For the Stravinsky Festival in 1972, Jerome Robbins used the music for his Circus Polka, a showpiece for 48 students from The School of American Ballet, and cast himself as the Ringmaster. At the close of the piece, the children form the initials “I.S.,” in honor of the composer; since that time, the ballet has paid tribute to others in the same way. —New York City Ballet

— 15-MINUTE INTERMISSION —

Serenade CHOREOGRAPHY: George Balanchine © The George Balanchine Trust

MUSIC: Pyotr Ilyich Tchaikovsky, Serenade for Strings in C, Op. 48 (1880)

STAGED BY: Zippora Karz COSTUME DESIGN: Karinska LIGHTING DESIGN: Michael Mazzola WORLD PREMIERE: March 1, 1935; American Ballet;

Adelphi Theatre, New York City, New York

OBT SCHOOL PREMIERE: April 11, 2008;

Newmark Theatre; Portland, Oregon

The performance of Serenade, a Balanchine® Ballet, is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust.

The first performance of Serenade was on June 10, 1934, by students of The School of American Ballet, at Felix Warburg’s estate, White Plains, New York. Serenade is a milestone in the history of dance. It is the first original ballet that George Balanchine created in America and is one of the signature works of New York City Ballet’s repertory. The ballet is performed by 28 dancers in blue costumes in front of a blue background. Originating it as a lesson in stage technique, Balanchine worked unexpected rehearsal events into the choreography. When one student fell, he incorporated it. Another day, a student arrived late, and this too became part of the ballet. After its initial presentation, Serenade was reworked several times. In its present form there are four movements — “Sonatina,” “Waltz,” “Russian Dance,” and “Elegy.” The last two movements reverse the order of Pyotr Ilyich Tchaikovsky’s score, ending the ballet on a note of sadness. Balanchine had a special affinity for Tchaikovsky. “In everything that I did to Tchaikovsky’s music,” he told an interviewer, “I sensed his help. It wasn’t real conversation. But when I was working and saw that something was coming of it, I felt that it was Tchaikovsky who had helped me.” — The George Balanchine Trust

Grand Défilé CHOREOGRAPHY: Marion Tonner MUSIC: Pyotr Ilyich Tchaikovsky, Polonaise from Eugene Onegin, Op. 24

LIGHTING DESIGN: Michael Mazzola WORLD PREMIERE: June 15, 2019; Oregon Ballet

Theatre School; Newmark Theatre; Portland, Oregon 8

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Literally translated as “big parade,” the Grand Défilé is the moment in the show where all the dancers in the cast assemble together in a grand finale for a photo perfect tableau. This showcase allows the dancers — from all ages and levels — to display their dancing as the program concludes.

2019-2020 ANNUAL SESSION Portland and West Linn Campuses | School Year begins September 3 FALL PLACEMENT OPEN AUDITIONS FOR NEW STUDENTS August 3 at Portland Campus August 10 at West Linn Campus

August 3 & 10 AUDITIONS FOR THE FOLLOWING Annual Session – Ages 8 to 21 Preprofessional Division – High school ages Boys’ Scholarship Program – Ages to 8 to 18

*Returning students from 2018-2019 school year do not need to audition

Photos by Jingzi Zhao

For more information, including placement class times visit school.obt.org | schoolofobt@obt.org | 503.227.6890

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A rare dancer whose career spanned multiple disciplines, Kevin Irving began dancing with jazz classes in his hometown dance school (Long Island, New York), before joining the school and training ensemble of Alvin Ailey — an experience that impacted him deeply. From 1982–1985, he danced with The Elisa Monte Dance Company of New York, a company often referred to as “post-modern” but, at 24, he took a sharp turn toward classical dance, and joined Les Grands Ballets Canadiens in Montréal. Promoted to soloist and principal, Irving became a well-known figure wherever LGBC performed, excelling in classical, neoclassical, and contemporary roles – including roles and ballets created by LGBC’s resident choreographer James Kudelka. In 1993, Irving joined Twyla Tharp Dance, touring the U.S. and Europe with the acclaimed choreographer, including performances at L’Opéra de Paris and the PBS filming of Tharp’s much-lauded ballet In the Upper Room. From 1994–2002, Irving was ballet master and associate director with Nacho Duato’s Compañía Nacional de Danza in Madrid. From 2002–2007, he was artistic director of The Göteborg Ballet in Sweden. The company, during Irving’s tenure, was named the most important dance company in Sweden in Ballet International’s critic poll. From 2007–2013, Irving was a frequent guest ballet master with The Royal Danish Ballet where he staged and rehearsed works by Ji í Kylián, George Balanchine, and Jerome Robbins. He has also been a guest teacher with numerous companies and schools in the U.S. and abroad for over 20 years. Additionally, he staged ballets by Nacho Duato and Nicolo Fonte for companies such as The Royal Ballet Covent Garden, Nederlands Dans Theater, Hubbard Street Dance Chicago, Lyon Opera Ballet, and The Australian Ballet, to name just a few.

In the U.S., Irving became associate director at Morphoses (formerly The Wheeldon Company) from 2011–2012, coordinating special initiatives aimed at defining the company’s unique profile in the dance world. In 2010, he founded I-DANCE (Inspiring Dance: American Nations’ Choreographic Exchange), a nonprofit that sends teachers and choreographers to dance communities in Central and South America. Irving was named artistic director of Oregon Ballet Theatre in July 2013. Photo by Michael Slobodian.

MARION TONNER

SCHOOL DIRECTOR

Marion Tonner has joined the dedicated team of dance professionals who comprise faculty and staff of the esteemed Oregon Ballet Theatre School. She came to us from Orlando Ballet School, where she joyfully served as Principal. Tonner has called the U.S. her home since 1974 and danced professionally with the Maryland Ballet, where she later served as Ballet Master. A dance educator, Tonner was a senior faculty member of the University of the Arts, Miami City Ballet, and Boston Ballet. Marion also directed her own school for 10 years in Philadelphia, the Marion Tonner Ballet Center. A native of England, Tonner received her education and dance training in London. She graduated from the Royal Academy of Dance with a Licentiate Diploma and Advanced Teaching Degree. She is also an American Ballet Theatre© Certified Teacher of the ABT National Training Curriculum (P-5). She has extensive knowledge of major dance training systems used worldwide and enjoys analyzing body mechanics and designing classes to promote artistry and prevent injury. Tonner has been a summer guest teacher for 23 years for the world-renowned Central Pennsylvania Youth Ballet. Other guest teaching includes the American Academy of Ballet in New York, Orlando Ballet, Sarasota Ballet, Pittsburgh Youth

ARTISTIC STAFF Ballet, ISOMATA, and many dance teacher organizations throughout the country. She created and developed a professional dance program for the Lake Wales Charter Schools in Florida, bringing classical ballet to hundreds of underserved K-12 students in Central Florida. Photo by Jim Thompson.

LISA SUNDSTROM

OBT2 PROGRAM DIRECTOR

Lisa Sundstrom received her early training in her hometown of Astoria, Oregon, and at The Marin Ballet in San Rafael, California. At fifteen, she gained the attention of international star and American Ballet Theatre Director, Mikhail Baryshnikov, when she won a full scholarship and stipend to ABT School in New York City. After completing the school program, Sundstrom toured the U.S. with ABT II. There, she made her New York debut at the Joyce Theater performing Lucile Grahn — famous 19th Century Danish ballerina, coached by Robert Joffrey for his revival of the ballet Pas de Déesses. After seeing her performance, Baryshnikov invited her to join ABT, where she gained knowledge of the great classical and romantic ballets as well as modern and contemporary styles. Sundstrom joined Pennsylvania Ballet as a soloist and was quickly promoted to principal dancer, dancing many of George Balanchine’s acclaimed ballets. After eight seasons, she rejoined American Ballet Theatre and toured worldwide performing featured roles. Sundstrom has danced the leading roles in: Swan Lake, Romeo and Juliet, Don Quixote, The Sleeping Beauty, Giselle, Cinderella, Lilac Garden, The Nutcracker, Prodigal Son, La Sonnabula, Agon, Concerto Barocco and Allegro Brilliante in addition to numerous other ballets. She has worked with choreographers Sir Kenneth MacMillan, Sir Anthony Tudor, Merce Cunningham, Twyla Tharp, Lynne Taylor-Corbett, James Kudelka and Peter Martins and

been coached by ballerinas Gelsey Kirkland, Suzanne Farrell, Natalia Makarova, and Irina Kolpakova. As a guest artist, Sundstrom has performed with various companies including Oregon Ballet Theatre, Diablo Ballet, and Lines Contemporary Ballet. She has been interviewed for radio, been featured in Dance Magazine and appeared on PBS “Dance in America” in Les Sylphides, Paquita and Twyla Tharp’s Push Comes to Shove with American Ballet Theatre and in the role of Effie in Peter Martins’ La Sylphide with Pennsylvania Ballet. After retiring from the stage, Sundstrom taught full time at The Rock School of the Pennsylvania Ballet and as an adjunct professor at University of the Arts in Philadelphia. She then moved to her home state of Oregon, where she directed Portland Festival Ballet, restaging The Nutcracker and presenting her ballet, La Bella Luna, at Regional Dance America. She has been a guest teacher for Ballet Academy East in New York City, Pennsylvania Youth Ballet in Carlisle, PA, Nutmeg Ballet in Torrington, CT, Berkeley Ballet Theatre in Berkeley, CA, Marin Ballet in San Rafael, CA and many other schools around the country. She has also taught abroad at Ballettakademien in Stockholm, Sweden and Studio Architanz in Tokyo, Japan. Passionate about sharing her knowledge, Sundstrom is committed to helping dancers of all levels reach their highest potential. Photo by Jim Thompson.

MICHAEL MAZZOLA

RESIDENT LIGHTING DESIGNER

Michael Mazzola’s critically acclaimed lighting and scenery have been seen in venues throughout the U.S., Europe, and Asia, from opera houses to amphitheaters, and circus tents to hay barns. The three-time New York Dance and Performance Award winner has designed lighting and scenery for: Oregon Ballet Theatre, Pacific Northwest Ballet, San Francisco Ballet, Whim W’Him, Queensland Ballet, the Finnish National Ballet, Stuttgart Ballet, Grand Rapids Ballet, Ballet West, Ballet Nacional de Cuba, Ballet Hispánico, Trey McIntyre Project, The Washington Ballet, Royal Winnipeg Ballet, Houston Ballet, Rachel Tess Dance at the Wanås Foundation in Sweden, Baryshnikov Arts Center, LMCC’s River To River Festival, Third Rail Repertory Theatre, Bebe Miller Company, and Liz Lerman’s Dance Exchange. For the National YoungArts Foundation’s Miami Galas, Mazzola has designed lighting and scenery since 2015. For the 2015 and 2016 U.S. Presidential Scholars Program and YoungArts Awards, he designed lighting and created media content at the Kennedy Center Concert Hall. He also went to Italy for a whirlwind tour with Tulsa Ballet, and to Cuba for his second world premiere at Ballet Nacional de Cuba for choreographer Annabelle Lopez Ochoa. Recently he went to Winnipeg for the world premiere of a full-length ballet by James Kudelka at Royal Winnipeg Ballet. He then traveled to Chicago for a new Giselle by The Joffrey Ballet, among others. Mazzola has been the scenic designer for Comedy Central Roasts and the 2015 Lincoln Awards at the Kennedy Center Concert Hall for upLIGHT. Photo by Alison Roper.

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EXECUTIVE STAFF MICHAEL GREER

EXECUTIVE DIRECTOR

Michael Greer brings leadership experience from both for-profit and nonprofit worlds. Most recently, he led an arts nonprofit through a successful transition; previously, he led China-side operations, projects, and sales teams for multinational companies. A native of Missouri, Greer spent the early part of his life as a dancer at the world’s most prestigious institutions: Interlochen Arts Academy, School of American Ballet, San Francisco Ballet School, and The Royal Ballet School. Upon completing his training, he danced professionally with Ballet West in Salt Lake City, Utah, under the direction of Jonas Kåge. After retiring from performing, Greer completed an economics degree with an emphasis in industrial organization, as an Arturo Schomburg Scholar at Hampshire College in Amherst, Massachusetts. He was offered a merit scholarship to continue economics at Stanford University, but declined to gain international business experience as a Gilman Scholar through the U.S. State Department. Greer worked with companies in India and China for nine years; he managed teams and operations for several multinational corporations. A Mandarin speaker, he enjoyed life in China with his wife and two children. In 2015, Greer returned to the U.S. and the dance world to direct Portland Ballet in Portland, Maine. Combining business experience with passion for the arts, he worked to increase earned and contributed revenue, which resulted in Portland Ballet’s substantial turnaround. Now, Greer and his family are thrilled to be a part of the Portland, Oregon, community. Photo by Michael Slobodian.

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ARTISTS & GUESTS KEMBE ADAM

SCHOOL FACULTY, CHOREOGRAPHER, STAGER Raymonda Etudes, Circus Polka

Kembe is a native Oregonian who was privileged to study both music and dance throughout her childhood. She eventually turned her attention full time to ballet and then, in 1990, began teaching at Oregon Ballet Theatre School. She is valued for her work with our young students, teaching them classroom deportment while instilling a love of dance.

NATASHA BAR

SCHOOL FACULTY, CHOREOGRAPHER, STAGER Raymonda Etudes; The Kingdom of the Shades Pas de Trois

Natasha Bar was born in Odessa, Ukraine. She graduated from Choreographic School in the class of Alla Ryndina, and was accepted to the company of Odessa State Theater of Opera and Ballet, where she became a soloist in classical and contemporary repertoire. She worked under the direction of prominent masters and choreographers including Leonid Lavrovsky, Oleg Vinogradov, and Igor Tchernichov. Her development continued under the guidance of Marina Shamsheva, Nina Fedorova, Elena Tchernichova, Julius Plakht, and others. After coming to the United States, she taught and choreographed in schools and universities, and coached for competitions and performances. Bar founded and directed American Youth Ballet, where she serves as Artistic Advisor. She received the Outstanding Teacher Award at Youth America Grand Prix. Bar was featured in the MTV series Made and in the feature film NY Export: Opus Jazz, on PBS 2010 Great Performances.

PHILLIP CARMAN

SCHOOL FACULTY, CHOREOGRAPHER Raymonda Etudes, By George

Phillip Carman had his training at the School of the Pennsylvania Ballet with a Ford Foundation Scholarship awarded by Violette Verdy. Carman was invited to join the Pennsylvania Ballet where he worked with John Butler, Anthony Tudor, John Taras, Car-

men de Lavalade, Mary Anthony, as well as learning the extensive Balanchine repertory. His performing career continued with Les Grands Ballets Canadiens and The National Ballet of Canada, where he worked closely with Rudolf Nureyev and Erik Bruhn in The Sleeping Beauty, Swan Lake, and many classical ballet productions. His later career included artistic director of regional ballet companies, the Maryland Ballet, and recently overseas director of the popular dance show Rock the Ballet, touring Europe, Australia, Scandinavia, and Asia for the past eight years.

NACHO DUATO

CHOREOGRAPHER Rassemblement

Born in Valencia, Spain, Nacho Duato started p r of e s sio n al b all e t training at London’s Rambert School at 18, extended his studies at Maurice Béjart’s Mudra School in Brussels, and completed his education at New York’s Alvin Ailey American Dance Theater in New York. In 1980, Duato signed his first professional contract with Cullberg Ballet. One year later, he joined Jiří Kylián’s Nederlands Dans Theater. He received the 1987 VSCD Gouden Dansprijs (Golden Dance Award). His first choreographed work, created in 1983, was a major success: Jardí Tancat won first prize at the International Choreographic Workshop Cologne. In 1988, Duato was appointed resident choreographer of NDT, alongside Hans van Manen and Jiří Kylián. His distinctions include the title of Chevalier dans l’Ordre des Arts et des Lettres and the Spanish government’s Gold Medal of Merit in the Fine Arts. In 2000, his signature piece, Multiplicity. Forms of Silence and Emptiness earned the Prix Benois de la Danse. Three years later, Duato won Spain’s Premio Nacional de Danza de Coreografía. From 1990 to 2010, Duato headed Spain’s foremost dance company, Compañía Nacional de Danza. In 2011, he moved on to become artistic director of Mikhailovsky Ballet, Saint Petersburg. From 2014 until 2018, he held the same position at Berlin State Ballet. He recently resumed his role as artistic director with the Mikhailovsky Ballet.

ARTISTS & GUESTS NICOLÁS FISCHTEL

ZIPPORA KARZ

LIGHTING DESIGNER

STAGER

Rassemblement

Serenade

Nicolás Fischtel was born in 1964 in Chile. He studied lighting design at the Royal Academy of Dramatic Art in London and the Yale School of Drama. Since 1985, he’s been the resident lighting designer at San Pol Theater in Madrid. From 1991 until 1996, he was resident lighting designer and technical director of Compañía Nacional de Danza directed by Nacho Duato. He’s taught several courses and seminars for CTE (a Spanish school for theatre technicians) and Carlos III University. Fischtel has worked internationally with stage directors and choreographers including: Nacho Duato, Víctor Ullate, Val Caniparoli, Aída Gómez, and others. He has worked for many companies and in many theaters including: Spanish National Drama Theatre Company, Compañía Nacional de Danza, Spanish National Classical Theatre Company, Royal Opera House (London), New National Theatre (Tokyo), Mikhailovsky Theatre (Saint Petersburg), San Francisco Opera, Nederlands Dans Theatre (Holland), Royal Theatre (Madrid), and Gran Teatre del Liceu (Barcelona).

PETER FRANC

SCHOOL FACULTY, CHOREOGRAPHER Raymonda Etudes

Principal Dancer Peter Franc is from Lancaster, Pennsylvania. He trained with Metropolitan Ballet Theatre and Houston Ballet Academy, where he received the Michael Wasmund Award upon graduation. He then joined Houston Ballet for eight years and rose to the rank of demi-soloist. He later moved to Aspen Santa Fe Ballet (2012) before joining OBT as a soloist (2015). OBT promoted him to principal in 2018. He regards his role in Jerome Robbins’ Afternoon of a Faun as a favorite, as well as: Romeo in James Canfield’s Romeo & Juliet; and Prince Siegfried in Kevin Irving’s Swan Lake. Other favorites include features in works by: Jiří Kylián, Hans Van Manen, Stanton Welch, Christopher Bruce, Nicolo Fonte, Cayetano Soto, and Alejandro Cerrudo.

Zippora Karz is a former soloist ballerina with the New York City Ballet where she performed for 16 years on stage and in televised performances. She was featured in a variety of roles choreographed by George Balanchine and Jerome Robbins as well as works choreographed for her by such choreographers as Peter Martins and Lynne Taylor Corbett. Today, as a répétiteur for the George Balanchine Trust, Karz stages Balanchine ballets for schools and companies around the globe. Diagnosed with juvenile diabetes at the age of 21, she is passionate today about motivating others to take care of themselves and live their dreams. She is the author of The Sugarless Plum as well as her children’s story, Ballerina Dreams.

ELISE LEGERE

SCHOOL FACULTY, CHOREOGRAPHER, STAGER Raymonda Etudes, Circus Polka

Elise Legere’s dance training began at one of only two Denishawn studios in the country. One of her first professional performances was at Jacob’s Pillow for Ted Shawn’s anniversary tribute in 1972. After graduating from Walnut Hill School for the Per forming Ar ts in Natick, Massachusetts, Elise studied under scholarship with the School of Hartford Ballet. Elise continued her ballet training with Melissa Hayden and Elizabeth Carroll while attending Skidmore College. She later earned her BS degree from Skidmore College, University Without Walls. Elise moved to New York City in 1978 and studied with David Howard, Lawrence Rhodes, and Maggie Black. Elise’s professional career began with Garden State Ballet in 1978 where she spent three years, dancing several solo roles including the Sugar Plum Fairy in their Nutcracker. During Elise’s career, she performed ballets from notable choreographers such as George Balanchine, Lew Christensen, William Dollar, Peter Anastos, and Peter Martins. After moving to Boston, her career continued with Boston Repertory Ballet

and New England Ballet, before moving on to Hartford Ballet. Legere moved to Oregon in 1986 and resumed her dancing career with Ballet Oregon under the direction of Dennis Spaight. Elise has been on the faculty of Oregon Ballet Theatre School since 1998.

OLIVIA PYNE

SCHOOL FACULTY, CHOREOGRAPHER, STAGER Raymonda Etudes, Circus Polka

Oregon native Olivia Pyne began studying ballet in the Portland area at the age of six, and joined Oregon Ballet Theatre School as a student in 2008 during Damara Bennett’s tenure as school director. She was soon promoted to the position of teacher’s assistant and, in 2009, Olivia joined the OBTS faculty. In 2017, she became head children’s coach for George Balanchine’s The Nutcracker ®. In the summer of 2018, Pyne attended the Teachers Workshop at the worldrenowned Central Pennsylvania Youth Ballet. In addition to teaching, she has also been a rehearsal assistant for OBTS students for works that include Con Amore, Peter and the Wolf, George Balanchine’s The Nutcracker®, Circus Polka, and Coppélia. Pyne has also appeared in Oregon Ballet Theatre’s productions of Swan Lake, The Sleeping Beauty, and George Balanchine’s The Nutcracker ®.

MATTHEW PAWLICKISINCLAIR CHOREOGRAPHER Belonging

Soloist Matthew PawlickiSinclair is from Tucson, Arizona, where he trained with Ballet Arts. He received his (high school) diploma from North Carolina School of the Arts, before attending the summer session of The School at Jacob’s Pillow. He joined Kansas City Ballet in 2005. He joined the corps de ballet of Dutch National Ballet in 2008, and was promoted twice: coryphée (2014) and grand sujet (2016). Favorite roles include: Romeo in Sasha Waltz’s Roméo et Juliette, Hilarion in Marius Petipa’s Giselle, and Morold in David Dawson’s Tristan + Isolde.

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OBT2 DANCERS

AYA ARAKI

MIA BIDDLE

JACOB BREIN

MESA BURDICK

COREYONTÉ CAUDLE

RACHEL HARRISON

EMILY HUG

KANGMI KIM

EMILY MCGEEHAN

MARIE MILLARD

CIERRA MUNRO

PHALLYN NAVARRO

BRYN PERRY

RACHEL STONEDAHL

SARAH WILKERSON

2019 SUMMER PROGRAMS PREBALLET/PRIMARY

JUNIOR INTENSIVES

PREPOINTE WORKSHOP

PORTLAND + WEST LINN STUDIO JULY 126

WEST LINN STUDIO JULY 112 JULY 1526 JULY 29AUGUST 9

PORTLAND STUDIO AUGUST 1222

AGES

37

AGES

10+

Photo by Natalie Behring

Photo by Jingzi Zhao

OPEN CLASSES AUG 1222 | SCHOOL.OBT.ORG | 503.227.6890 | SCHOOLOFOBT@OBT.ORG 14

OBT.ORG

OREGON BALLET THEATRE STAFF

BOARD OF TRUSTEES

SCHOOL

Nancy Locke, Board Chair

Marion Tonner, School Director James Holstad, School Administrator Colleen Hanlon, West Linn Branch Manager & Children’s Coordinator Sean Surprenant, School Registrar Lisa Sundstrom, OBT2 Program Director Kembe Adam, Natasha Bar, Phillip Carman, LeeWei Chao, Peter Franc, Elise Legere, Valerie Limbrunner-Bartlett, Chauncey Parsons, Jessica Post, Olivia Pyne, Alison Roper, Katarina Svetlova, Robyn Ulibarri, Amelia Unsicker, School Faculty Irina Golberg, Garnet Hayes, Karen Lam-America, Ayako Matsuo, Raymond McKean, Katie Pyne, Tiffany Sanford, Jordan Strang, Western-Li Summerton, Accompanists

ARTISTIC Kevin Irving, Artistic Director Lisa Kipp, Rehearsal Director Jeffrey Stanton, Ballet Master Nicolo Fonte, Resident Choreographer Niel DePonte, Music Director & Conductor Tracey Sartorio, Company Manager Irina Golberg, Principal Accompanist

EDUCATION OUTREACH Kasandra Gruener, Director of Education Outreach Sarah Ward Brown, Education Outreach Assistant Brook Manning, Lecturer & Historian Linda Besant, Archivist & Historian Sarah Ward Brown, Kasandra Gruener, Brook Manning, Robyn Ulibarri, Allison Wales, Teaching Artists Amy Stahl, Education Outreach Volunteer

PRODUCTION Bill Anderson, Director of Production Shannon Goffe, Production Administrator & Stage Manager Ian Rutledge, Assistant Stage Manager & A/V Coordinator Michael Mazzola, Resident Lighting Designer Ian Anderson-Priddy, Production Electrician Matt Wilcox, Sound Engineer Eileen Ehlert, Costume Shop Supervisor Fuchsia Lin, Draper

Morgan Reaves, First Hand Leah Bierly, Stitcher Hillary Barsky, Sue Morgan, Marilyn L. Rudin, Costume Shop Volunteers Brian Keith, OBT2 Technical Director Leslie Bernhard, Charles Daniels, Brian Keith, Brad Saby, Julia Sheridan, Peter Sherman, Lance Woolen, Production Support Staff

ADMINISTRATION AND FINANCE Michael Greer, Executive Director Donna Jackson-Siekmann, Director of Finance Linda Brown, Human Resources Manager Terri Pineda, Accounting Associate Nadia Chopra, Wellness Coordinator

Jimmy Crumpacker, Vice Chair Ken Ivey, Treasurer Allison Lane Lyneham, Co-Secretary Cate Millar, Co-Secretary

DEVELOPMENT Gregory Smith, Director of Development Tiffany Carter, Corporate and Special Events Officer Allison Wales, Grants Manager Emily Tucker, Development Data Specialist Lauren Watt, Development Associate

MARKETING Camille Spaccavento, Director of Marketing and Communications Derrick Ramey, Marketing Associate and Video Producer Vicki Knapton, Senior Graphic Designer/ Marketing Specialist Nicole DeCosta, Program Book Coordinator and Marketing Associate

PATRON SERVICES Mariah DeLude, Patron Services Manager Kristin Dillon, Patron Services Lead Hanna Brandt, Patron Services Representative Kayla Brock, Patron Services Representative

SPECIAL THANKS Chris Balo, IATSE Local #28, Portland’5 Centers for the Arts

Ken Carraro Aaron Courtney Brian Forrester Peter Franc ex officio Nancy Frisch William Gaar Michael Greer ex officio Gary Hanifan Brianne Hyder Kevin Irving ex officio Julia Winkler Jacobson Charles L. Jones Kathleen Lewis Kristin Malone Keith Martin Christina McNown Angela Saunders Polin Reegan Rae Tina Skouras Ashley Trimble Betsy Warren Matt Watson Mike Weddle

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INDIVIDUAL DONORS Oregon Ballet Theatre would like to express its sincere gratitude to those listed below for gifts received through May 5, 2019. Donations received after this period will appear in the next playbill.

BRAVURA CIRCLE

($50,000 & UP)

Anne & James Crumpacker Jimmy Crumpacker Elizabeth Franklin Tom & Cynthia Mulflur Arlene Schnitzer & Jordan Schnitzer Cate Crumpacker Stafford & Graham Stafford Bob Sweeney & Cate Millar Barbara Yeager

TOUR DE FORCE

($25,000–$49,999)

Jack Blumberg, In Memory of Thomas P. Anderson Thomas & Elizabeth Gewecke Howard Hedinger, In Memoriam Henry & Amber Hillman

Sue Horn-Caskey & Rick Caskey

Cary Jackson Nancy Locke & Don Harris Jean Pierce, In Memoriam Michael Pierce, In Honor of Jean Pierce John Van Buren Elizabeth B. Warren Nani Warren Wendy Warren & Thomas Brown David Wedge, In Memoriam

DIRECTOR’S CIRCLE ($10,000–$24,999)

Linda & Scott Andrews Dan Bergsvik & Don Hastler Barbara & Bob Brady Kathleen & Benoit de Montlebert Cooper Dubois Karen & Bill Early Ken & Ann Edwards Alan Garcia & Lyn Reynolds Garcia Jamey Hampton & Ashley Roland Melissa & Gary Hanifan Gregory K. & Mary Chomenko Hinckley Ronna & Eric Hoffman Fund of The Oregon Community Foundation Charles L. Jones John & Linda Lenyo Kenneth & Joyce Lewis 16

OBT.ORG

Devin & Natalia Megy Brad & Nancy Miller Sharon & Adam Mirarchi The Merritt & Heather Paulson Family Fund Angela Roach Marilyn L. Rudin, MD & Richard S. Testut, Jr. Caleb Schlesinger Hazel & Barry Schlesinger Mike & Karen Weddle

ÉTOILE POINTE SOCIETY ($5,000–$9,999)

Anonymous Anonymous, In Honor of Cate Millar The Ajitahrdaya Gift Fund Robert Aughenbaugh Linda Besant & Martha Goetsch Richard Louis Brown & Thomas Mark Bill Dickey, In Honor of David E. Wagner Jasmin & Matt Felton Jessica & Mark Flaa Brian Forrester Fromm Family Charitable Fund Bret & Cathy Gelber William Gilliland Sandra & Stephen Holmes Diane Knudsen Dr. Dolores Leon & Dr. Fernando Leon Peter & Allison Lyneham Kristin Malone Keith Martin Denise & James Parker Allison & Steven Pike Angela Saunders Polin Dean M. Richardson Samantha Richardson Luwayne Sammons, In Memoriam Patti & Tommy Skouras Lindsay & Corinne Stewart Prashanth Vallabhanath & Evelyn Curioso Charles W. Webb, DO Ben & Alli Wood Dr. Kathy Zeller & Dr. David Hill

VIRTUOSO POINTE SOCIETY

($2,500–$4,999)

Anonymous Dr. Anna Bar Brent Barton & Liz Fuller Adriane Blackman Walter Bowen Mark & Blake Bruun Nancy & Andy Bryant Irene Cancilla

Charles & Sandra Carmeci Ken Carraro Debi Coleman Cameron & Dick Davis Gail Hayes Davis & Michael Davis Rita Duyn William E. Gaar Ted & Cynthia Gaty Richard & Juliana Gellman Jesse & Leah Gronner, In Honor of Maia Gronner Marilyn & Hans Grunbaum Bill Guthy Andrew & Ilene Harris Amy Lynne Hill & Dan Hill Juliet Hillman Kevin Irving & Nicolo Fonte Bernice & Ken Ivey Julia Winkler Jacobson & Jonas Jacobson Stephen Karakashian Carol Schnitzer Lewis Fund of The Oregon Community Foundation Kathleen Lewis Fund of The Oregon Community Foundation Tania Mason Mark Moffett, In Honor of Jacqueline Straughan Ellen E. & Carl Nielsen Cambria Noecker Suzann & Dennis Ott Jane S. Partridge Gesina & Matt Pedersen Melanie & Darren Pennington, In Honor of Lainie Pennington Lisa Pfost Frank Piacentini & Sara Weinstein Allan & Marney Pike Family Fund of the Oregon Jewish Community Foundation Carolyn & Hank Robb Mary Rose & Maxwell Whipps Jone Sampson & Sam Weirich Carol & Tom Shults Daniel & Dawn Simcoe Tina Skouras Jaymi & Francis Sladen Joan W. Sterrett David & Eileen Threefoot Ashley & DeWayne Trimble The Peter & Ann van Bever Charitable Fund Toby & Linda Warson Matt & Jessica Watson Jay Wilt Charlene Zidell

PRINCIPAL DANCER’S CIRCLE ($1,000–$2,499)

Anonymous Kembe Adam & Jim Hinkley

Jen & Don Arancibia Adam Arnold Greg & Beth Arntson Patti & Lloyd Babler Natasha Bar Barbara & Sidney Bass Alan & Sherry Bennett Maria Borda & Ignacio Giraldo Jeff & Tracy Borlaug Matthew Boyes & Frederic Koeleman Ryan Bradshaw Thomas Bruner Alex Carlson Julia & Edouard Chaltiel Jeff Chase & Patti Warner Fund of The Oregon Community Justin & Marisol Delaney Jeff Dey & Heather Amuny-Dey William Dolan & Suzanne Bromschwig Katrine Ehlen Anton & Raylene Eilers Larry & Deborah Friedman Nancy Frisch Alexandra & Zan Galton Christine Diana Gay Leonard & Yvonne Gionet Rob Goodman Frank Groff Peter Gronquist Chris Grubb & Carrie Merritt Valarie Grudier & Richard Langdon Beth Harper Kim & Chris Hasle John & Karen Hoke Gretchen Holce Maryanne & David Holman Betsy & Brent Huigens Michael Hummel & Mamie Diaz Hummel Brianne & Zachary Hyder Jim Kalvelage & Barbara LaMack Jina Kim & Hyung-Jin Lee Amy & Kevin Kohnstamm Patricia & Rick Kozak Elise Legere & James Mitchell Molly Lehman Jerome Magill M. and L. Marks Family Fund of The Oregon Community Foundation Inge & Darren Marshall Adrienne & Ian McClellan Keith & Kristin McInerney Christina & Cade McNown Laura S. Meier Laurie & Gilbert Meigs Rich & Kirsten Meneghello Christina Merrell Marjorie & Kurt Metzler Angela & Rob Moneyhan

Jeffrey Morgan Virginia S. Mullen Will Naito Steven C. Neighorn Margaret & Gordon Noel Jay & McKay Nutt Leah Rinfret Davia & Ted Rubenstein Lori & Mike Russell Miriam Ruth Leslie Ann Sammons-Roth Megan & Tom Shipley Jinny Shipman & Richard Kaiser Jonathan Singer Lisa Sorenson Steve & Michelle Stapp Wendy Lane Stevens & Dr. Jeffrey Stevens Carol Streeter & Harold Goldstein Stephen Sweeney John Thoren Dr. & Mrs. Carl E. Trinca Evans Van Buren & Marsha Warner Frances Virden K. Vorderstrasse Foundation Richard Wasserman & Ann Coskey-Wasserman Matt Weaver Tom & Laura Wiley Robyn Williams & Roger Scarbrough Cristin Campbell Winkler & Jordan Winkler Zela & Elsa

SOLOIST DANCER’S CIRCLE ($500–$999)

Anonymous Susan Thompson Armentrout Susan Bailey & Mike Warwick Charles G. Barany Tom Bard Pat Behm & Gary Jacobsen Max Birnbach Charity Fund of the Oregon Jewish Community Foundation Melanie Bjorge Jim Blandy Annie & Todd Borus W. “Buzz” Braley, Jr. Charles Brasher & Betty Lavis Kay Bristow Irene & Patrick Burk Drs. James Chan & Jennifer Edman Kyle & Alison Chown Bill Clodfelter & James Canfield Miguel Cobian Margery Cohn Stephanie Copeland & Ken Weber Sandra & Douglas Cress Sue Darrow Grayson & Jack Dempsey Mark Diachok & Jamie Hendrikson

Doris Ennis Conrad Eustis & Roberta Kanter Jeanine Fukuda & Kevin Walkush James R. Golden Michele & John Gordon Luisa Adrianzen Guyer & Leigh J. Guyer Karen & Jim Halliday Carl Halvorson The Right Reverend Michael Hanley Dan Harmon & Jennifer Rabiah Marilyn Heiling Donald Helfgott Susan & Richard Helzer Karen Henell & Gregg McCarty Kenneth L. Holford Eva Hosseinion Vince & Michele Howell Pamela K. Johnston Mr. & Mrs. Bob Joseph Mary Klein & Francis T. Schneider Mary Kuch Gary S. Leavitt Nancy Lee Nolan Lienhart & Grace Moen Mark Lindau Catherine & Kristofer Lofgren Jonathan & Vida Lohnes Alejandra Lugard & Ismir Heric Gerri & Yorick Lutes Kirk Maag Marisa Mack Dañel Malán Tom & Lori Malone John F. Mathews Doug & Malinda Moore Dan & Jackie Moore Carol N. Morgan Susan Morgan Storry Norman & Jack Hollis David & Theresa Nute Susan Olson & Bill Nelson Milo & Beverly Ormseth MajGen Christopher & Rita Owens Barbara & Art Palmer David & Kelly Park Melissa & Steven Peterman Dan & Sue Ann Peters Mike & Rebekah Pettinger Janet Plummer & Don Rushmer Adolfo Portillo & John Hoskins Jaycee Pribulsky Dan Ryan Lynette Sahnow Eric Schindler & Jenna Fallon-Schindler John & June Schumann Diana & Hal Scoggins Derick & Elizabeth Scovel Debbie & Greg Sherwood Robyn & Kemp Shuey John D. & Pamela Smith Rosemary G. Southwood Bob Speltz & Dwight Adkins

Albert & Victoria Starr Sue Stegmiller H. Richard & Pamalynn Steinfeld Jim & Meredith Thompson Misty & Derek Tompoles Minh Tran & Gary Nelson Judith & Gordon Umaki Peter Vennewitz Hans & Naomi Wandel Patrick Weishampel Weiss Fund of The Oregon Community Foundation Angela & Eric Williams Janet Williamson Bruce & Susan Winthrop April Wirtz & Evan Wang Collette Yamaguchi & Tom Napier Cynthia A. Yee John & Nancy Zernel Joy Zhou & Randy Choi

COMPANY ARTIST DANCER’S CIRCLE

($250–$499)

Anonymous Sheryl Acheson Abigail Alford Keiko Amakawa & Dr. Harvey Fishman Molly Anderson Paula Arsenault Laura Barber Paul & Pat Benninghoff John Bosshardt & Diana Petty Mark Buser Connie Butler Casey & Lindsey Callinsky Mary Carr Stephanie Celenza & Jeffrey Kinberg Drs. Theresa & Timothy Chen Richard Clucas & Beth Blenz-Clucas Jeremy Cochran Stan Cocke & Heather Kmetz Kent Copeland Terri Cross Susan Cyganiak, In Honor of Selena Steinmetz John & Rocio Deatherage Jody DeChaine Yvonne Deckard Jeff & Barbara Dickerson Abigail Diedrich Family Mrs. Jing DiPiero Lora Dow Peter W. Edgerton Edward & Marilyn Epstein Charitable Fund Julie Falk & Zachary Kramer Joshua Ferrer Philip Fidler & Jane Cummins Tim Finch & Nariyo Kono Rebecca Fleischman

Doreen Flores Bill Foster Mr. & Mrs. Patrick Franc Jennifer Froistad Kimberly & Andrew Fromm Morris J. Galen Melissa & Robert Good Helen A. Goodwin Marvin & Barbara Gordon-Lickey Dennis Gould & Quinton Hallett Rebecca Granquist Julie A. Greenberg & Robert J. Irving, Jr. Gail & Irv Handelman Jay Harter & Ken Salaman Antoinette Hatfield Jeanette Heinz Thomas & Verna Hendrickson Celeste Henninger-Lindaman Laurel Anne Hill, In Honor of the Dancing Doctors Beverly Hoeffer James Holstad Pam & Bob Howard Kathryn Hummel Carolyn Hyde Angela Irvine Darlyn Jablonski Jonathan & Suzanne Jensen Keith & Jane Johnson Shirley Johnson Becky & Jarrett Jones Molly Jones Kathy Jorda Nancy Kathrens Sanjiv & Cindy Kaul Christina Kellogg & John Gratchner Ryoka Kim Kristan Knapp & Janna Auslam Nancy & Steve Kraushaar Mrs. Joseph A. Labadie Isis & Mana Lamonte Diane & Greg Landers Mary N. Laughlin Joan Levers & David Manhart Stanley & Joyce Loeb Martha J. Logan Anne Lynch & James Anderson Jackie MacGregor Kate Machell Linda J. Magness Linda L. Mann Earlean Marsh Antonio M. & Demaris M. Martinez Pamela Matheson Oscar & Mary Mayer Kathi McCoy Cheryl McDowell Rico & Malcolm McIver Margaret & Robert McMillan Carolyn McMurchie Josie Mendoza & Hugh Mackworth Susan Sammons Meyer & Dennis Meyer Monica & Dale Monroe Denise Mullen

Community Music Center Photo: James Garrison

INDIVIDUAL DONORS

Music for all Ages

Affordable Classes Lessons Concerts

S WOLVE TW0 THEATER SCHOOL 503-823-3177 C o m m u n i t y M u s i c C e n t e r. o r g

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INDIVIDUAL DONORS Greg & Colleen Needham Rob Nelson David Nijhawan Keith & Cindi Nobriga Peter & Cassie Northrup Matt & Lauren Odman Gareth Olds Sean O’Neill & Elizabeth Le Lynn Partin & Bill Holmes Jack & Chris Pendleton Carol Peterkort & Richard Gibson Dennis Petrequin Ryan & Sarah Pitman Jodee & Jerry Pittman Judith E. Posey & Edward J. Doyle, MD Alice & Michael Powell Suzanne Rague Lindsay Reynolds Celeste Rose Rabbi & Lorraine Rose Miriam & Charles Rosenthal Mary Rotberg Claire H. Russell Sam Sadler Daniel & Kathleen Saucy Tad Savinar Virginia Sewell Ron Seymour & Mary Austin-Seymour Jeremy Shibley & Romalia Stickney-Shibley Juss Singh Gary & Lydia Slangan Sarah Smith & Raul Gomez-Rojas Dean Speer & Francis Timlin Joan B. Strand, In Memory of Buzzy Sammons Karen Sweet Cindy Thompson & Brett Bender George & Nancy Thorn Kay Toran Angelo Turner Drs. R. Bastian & Barbara Wagner Bruce Weber Shawn & Dave West Andrew White Ann C. Whitehouse Chris & Maria Wilkey Laurie Williams Jenny & Christina Wilson Mary Ann Wish Linda M. Wood Jack Wussow & Kyle Adams Tamara & Chris Yunker Kurt R. & Heather Zimmer

APPRENTICE DANCER’S CIRCLE ($100–$249)

Anonymous Kathleen Allee Bill & Ginny Allen 18

OBT.ORG

Kirby & Amy Allen Pilar Alvarez-Mena Rhonda Anderson, In Memory of Janice Kelley Mary A. Andrews Sandra Armstrong Dr. James W. & Mary Ann Asaph Sharla Attey Bryan Averill April Avery Gennaro & Marilyn Manser Avolio Diane Babcock Ruth B. Bach John Bagg Robert Ball Shauna & Scott Ballo Stephen Bardwell Thomas A. & Mary Bartlett Kathleen Bayer Nancy Beck, In Memory of Judy Parsons Nola Becket Kurt Bedell Janice Belknap Barry & Jacqueline Bennett Naomi & Phillip Beymer Brian Bills & Desiree Schlotthauer Jonathan Bryce Black Richard Botney Candace Bouchard & Adam Lounsbury Laura Bowman Ronald Boyce Michael Boyles Joyce Brehm Blaine Brennan Rand & Michelle Bresee Karin Brocksbank Bonnie Brod Hadley Brooks Kelly & Tommy Brooks Jen & Greg Brown Lillian Brown Linda Brown Rick Browning Marianne Buchwalter Dana Burdick Kerri Burke Ann & Hugh Bynum Nora & Aaron Cain Maurine & Paul Canarsky Themios & Liz Carabas Tim & Susan Carey Kirsten & Mark Carnese Zachary Carroll & Anne Huffington-Carroll Gus & Karen Castaneda CCD/ECB Friends of Doug Parsons, In Memory of Judy Parsons Alison Chambers Bob Chamness Sandy Chamness Kenny Chinn

Gina Chiotti-Hovey Eugenia Chopyk Karlyn & Graham Clark Aria & Cody Clements Kristine Cloyes Ilaine Cohen Amber Cole & David Hall Sarah Conde Deniz & Austin Conger Harriet Cormack Nathan Corser & Kristen Minor Linda Crimshaw Megan Crowhurst Tracy Curtis Calli Daly Eloise Damrosch & Gary Hartnett Arthur & Winnifred Danner Judy Dauble Diane David Wendy & Howard David Dr. & Mrs. Joseph Davids Laurell Davidson Brian & Nancy Davies James Dehning Shawn Dempewolf & Tom Hamann Niel DePonte Frances Derook & Keith Comess Chuck & Patt DeRousie Dagmar Dettinger & Alan Artman Adam & Emily Dew Jerry Dickason Bonny Dickinson Lonnie Dicus & Therese McCarthy-Dicus Susan Dixon Anne E. Draper Jeanette Dreyer Kim Duncan Susan & George Durrie Ruth Edsall Andrew Edwards John Elorriaga Annette Erickson Douglas Ertner Charity Fain & Matt Goddard Etuk Family Abraham & Pamela Farkas Rochelle Farkas Dave & Robin Fee Alice Fernandez Marjorie Ferry Tonya Flaming Katie & Brian Flanagan George Fleerlage Kim Foren Charles & Zoe Foster Genevieve & Bryce Foster Kelly Freuler Theresa Fritchle Sara Gabin Francisco Garcia Peggy Garcia Julianne Garza

Ray & Joyce Gee Phil & Carole Gilbertson Arthur & Judith Ginsburg Rolf Glerum Gary & Susan Goncher Julie & Dave Gordon Lora & Keith Gordon Barbara Gottschalk J. & Lisa Grab Greater Portland Dachshund Club, In Memory of Hans Grunbaum Brenda Grootendorst Andrea Groussman Jeanne-Marie Guise & Alex Herzberg Tasca & Paul Gulick Anna & Jeff Haagenson Candace Haines Deanna Haley James Hamilton Bert & Amy Hanifan Andy Harris & Ash Evans Michael Harris Ashley Hayden Lisa, Jon & Amalia Held Bryce Helgerson & John Lowe Gina Henderson Shirley Hess Rebecca Hicks & Greg Kuelgen Christian Hill & Laura Korman John & Dena Hockett Jennifer & Robert Hoffman Leslie Holder Carol & Tom Hull Michelle Hulquist Mimi Hunter Indira Husic Jonah Hymes Julie Hymes Ida Imus Martha Ireland Angela & Shane Jackson Elizabeth A. Javens David & Peggy Jeans Joanne Jene, MD Linda & Richard Jenkins David C. Jensen Jack B. & Kathy A. Jensen Nils & Kathy Jensen Cerise Joe Brian C. Johnson Damien & Katie Jo Johnson Dennis C. Johnson Fletcher & Ellin Johnson Linda & Paul Johnson Katelin Johnstun Jones Easton Family Rebecca Jury Marcia Kahn Megan Kavanaugh Marla Kazell Cristina Keefer Arthur & Kristine Keil

Doris & Eric Kimmel Jean A. Kimsey Belinda & Frederick Kinyon Erin Kirby Maria & Eric Kluherz Meredith Koivisto Blerina Kotori Grayson Kramer Sophia Kremidas Jean S. Krosner David & Mary Krug Sean & Naoko Krug Leonard Kuhl Carol La Brie Sharon LaCroix Veronique LaFont Sloane Lamb Nancy Lange Nancy LaPaglia & Stephen Slusarski Laura Larsen & Skyler Bloxham Polly Lauser A.M. LaVey Donald Lawton Romani Lay & Neville Wellman Matt Levin Barton T. Lewis Greg & Kim Lind Carole E. Lindell-Ross Alice Lloyd Fred Locke Bill & Kate Lockwood Alex Logue Hugo Carey Long Henry Louderbough Melissa Love Ruth & Kenneth Love Marcy & Richard Lowy Diane & Tom Macdonald Christine L. Mackert, MD The Mansell Family Lara Mar Bel-Ami & Mark Margoles, In Honor of Hanan & Kayla Phillip Margolin Eileen Markson Susan Marmaduke Steven Master Amy Matson Justin Maupin Amy Maxwell Dennis & Molly McCarty Margaret McConnell & Robert Griner Dr. Louis & Judy McCraw Linda L. McCullough McKenzie McDill Dorothy A. McGregor Kathy McGrew Layla McLean John & Candace McMunn Katelyn Meithof Elizabeth J. Melching Courtney Mersereau

INDIVIDUAL DONORS Chena Mesling & Jonathan Rhodes Elise Meyers Janelle Meyers & Mark Brundage Rob & Sally Miller David & Tony Stauffer Mix Barbara Modey Sean & Corinne Monogue Cynthia Capps Morgan Patricia Moss Martin Muller P & I Munro Sarah & Richard Munro Brittany & Corey Murry Shakir Najieb Beth & Charlie Nance Todd & Crystal Neal Karen & Bob Nelles Rose Neyman Alexander Nimri Hollie & Scott Nine Patrick & Liz O’Callaghan Karen O’Kasey Stu Oken & Laura Wozniak Robert Olds Kris Oliveira Liz & Tracy Olsen Barry Olson & Barbara Telfold Madeline Olson Molly O’Neill, Vicki Threlfall & Tess O’Neill Paula Ousley Zac Padgett Rev. Dr. Rodney & Sandi Page Joan Paglin Elliot Palmer Tracey Palmer Veronica Paracchini Lanetta Paul Mark & Dorianne Paul Beth Paxson Alec Pemberton Thomas & Jane Pence Denise & Adam Pener Anne Penfound, In Honor of Alison Maybank Karen Perzanowski Gunnar & Kristin Peterson Marilyn & Gaynor Petrequin Sara Pickett Lucille H. Pierce Charles & Ruth Poindexter J. Scott Pritchard Karen Prohaska Brian & Carver Pugh, In Memory of Judy Parsons Zach Putnam William Ramirez & Roberta Staff Dick & Mary Raub, In Honor of Marianne Raub Julie Rawson Denise Reed

Kristtine Reedy, In Honor of Abigail Reedy Sandra Reese & Alister Bazaz W.W. “Clyde” Reid Judy Renzema Megan Reuther Sara & Charles Rice Martha & David Richards Edward & Katherine Richman Nancy Richmond & Bill Hughes Betsy & Norm Rickles Erica Rife Mrs. R.D. Riggs Judith Rimbey David Ritchie & LaJean Humphries Dr. & Mrs. Hector M. Rodriguez Charese Rohny Alison Roper Rosemarie F. Rosenfeld Catherine Rote Michael S. Parker Sagun & Dennis J. Sagun Parker Karen Salman & Gary McCune Dima Sammour Patricia Sanchez Kevin & Gabrielle Sasse David & Julie Sauer Charles Sax Rick & Sharon Schaefer Brand Schlesinger & Victoria Geil Mark & Patti Schlesinger Colby & Christine Schlicker Daniel Schmidt Robert E. Schneider, PhD Clifford Schrock Bill Scott & Kate Thompson Kennon Scott Marlise & Robert Scotti Kim Scott-Olson Cynthia Shafer Barbara & Jack Shannon Victoria & Colin Shepard Carol Sherbenou Freda Sherburne Karen Sherman Mary Shibley & Dale Voeller Donna & Sascha Siekmann Heather Simmonds Bridget & Jeff Sippel Gerald Skeels Katie Slick Margaret Smith & Jeff Littman David, Emily and Jonah Sokoloff Patricia A. Southard John Spencer Tina Spencer Donald C. Springer Tom Stansbury & Suzee Parson Denise Stewart Sam & Patty Stiles Les & Elizabeth Stoessl Jean K. Stoll Julie Sullivan

Kelsey & Will Sullivan Tim & Donna Sullivan Gary Taliaferro Susan & Bahram Tavakolian Sabrina Teays Jeri Tess Vicki Thomas Jan Elizabeth Thorpe Judy Threefoot & Bill Schumann David Tillett Marc Tobin Allen Tomlinson Kelsey & William Tucker Lyle M. Tucker Nancy A. Ullrich Cindy L. Ulrich Mimi Underwood Joshua Urrutia Angela M. Vaandering Alberto Vaca Martinez Amy Van Hook Rob & Rachael Vidin Jose Vithayathil Jon Vorderstrasse Les Vuylsteke Patricia & James Walker Barbara Walsh Christine Warden Edward Washington Douglas Watson Lisa Watson Maureen & Frederick G. Wearn Duane & Cynthia Weaver Colin Michael Webert Ruth Welch Jack & Paula Wells Judy Werner Colleen Westphal Sonya & Thayer White Anthony & Marianne Wilcox Brooke Willcox-Jones Holly & Kenneth Williams Lou & Lisa Williams Mark & Sophie Williams Julie Wilson Jacob Winkler Lisa Wish George Wittemyer Constance Wood Randy & Rebecca Woods Gail Woolf Fran & Mike Woolsey Sarah Wright Judith B. Wunderlich Doreen Wynja Gary P. Yencich Casper & Sarah Yu Sarah Zahn Evyn C. Zell Janet & Alan Zell Irene Zenev Jichuan Zhao Jean Zondervan & Terry Proctor

Allan Pike DDS, MS, Pediatric Dentist

Steven Pike DDS, DDS, MPH, General Dentist Limited to Children

Suher Baker, DDS MS, Board Certified Pediatric Dentist

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COMMUNITY CORPS DE BALLET GIFTS OF $100,000 & UP Elizabeth Pownall Swindells Family Fund of The Oregon Community Foundation The Harold & Arlene Schnitzer CARE Foundation James F. & Marion L. Miller Foundation The Regional Arts & Culture Council, including support from the City of Portland, Multnomah County, the Arts Education & Access Fund, and more than 1,000 donors to RACC’s Arts Impact Fund

GIFTS OF $50,000–$99,999 Barran Liebman LLP* Meyer Memorial Trust Roy & Diane Marvin Fund of The Oregon Community Foundation The Shubert Foundation West Portland Physical Therapy Clinic*

GIFTS OF $25,000–$49,999 Clark Foundation ESCO Foundation Fred W. Fields Fund of The Oregon Community Foundation Hedinger Family Foundation Henry Lea Hillman, Jr. Foundation Oregon Arts Commission, a state agency PCC Structurals, Inc. Russell Development/200 Market Street* Scan Design Foundation by Inger & Jens Bruun The Swigert Warren Foundation

GIFTS OF $10,000–$24,999 Accenture Argyros Foundation Artslandia* The Boeing Company Cascadia Foundation Dorothea M. Lensch Fund of The Oregon Community Foundation Hampton Family Foundation of The Oregon Community Foundation Jackson Foundation Jerome Robbins Foundation Morel Ink National Endowment for the Arts Opsis Architecture LLP PGE Foundation Rose E. Tucker Charitable Trust Schlesinger Family Foundation

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Starseed Foundation U.S. Bank Foundation Willard L. & Ruth P. Eccles Foundation

GIFTS OF $5,000–$9,999 Agger Chiropractic & Nutrition Clinic* Auditorium Garage* The Batrakova Law Office* Crystal Lilies* First Republic Bank Freed of London Goldman Sachs & Co. Juan Young Trust Jonathan Lohnes, LMT* Northwest Natural Gas PosterGarden* Robert D. & Marcia H. Randall Charitable Trust The Standard Stoel Rives LLP Wells Fargo Foundation

GIFTS OF $2,000–$4,999 Alaska Airlines* American Medical Concept Dr. Seth Alley* Bridgetown Chiropractic & Wellness Portland Clinic* Buckley Law P.C. Charles Fine Arts Portraits* City Wide of Portland Cushman & Wakefield Abby Drinkard, LAc* Elephants Delicatessen* GamePlan Gentle Care Chiropractic* Catherine M. Gurski, ND, MSOM, LAc* The Hotel Zags Portland* Ivey Jacobson & Company CPAs John & Ginger Niemeyer Foundation Killian Pacific Leupold & Stevens Foundation LM Wine Co.* Mark Spencer Hotel* Markowitz Herbold Nel Centro* Oregon Chorale* Peddecord Photo* Portland Art Museum* Portland’5 Centers for the Arts Pro Photo Supply* Robert F. Ratzow, DC* Residence Inn Portland Downtown/Riverplace* Smith Teamaker Solaris Bodyworks, Inc.*

ThomCorp Town Car* Twelve Wine* Unitus Community Credit Union Utopia Vineyard* Wells Fargo Bank Winkler Development Corporation Wintz Family Foundation

GIFTS OF $1,000–$1,999 Emily Bartha, LAc* Boundless Health & Wellness* Broder Söder* Coopers Hall* Dream Hollywood Hotel* The Fremarch Foundation Garden Vineyards* L&L Investment Partners Longbottom Coffee & Tea* Maitri Therapeutic Massage* Aaron Meyer, Concert Rock Violinist* New Deal Distillery* New Heights Physical Therapy Plus* Pabst Brewing Company Pacific Cascade Towncar* Therapeutic Associates North Portland Physical Therapy* Meredith Thompson, MS, PT* Vista Capital Partners Yvonne Vleer, Kinesiologist, LMT*

GIFTS UNDER $1,000 AEG Presents* Artists Repertory Theatre* Ashland Springs Hotel* The Aspire Project Barrier Pest Control Bedford Brown* Blue Ox Athletics* Breakside Brewery* Chamber Music Northwest* Nadia Chopra, Physical Therapist* Clipper Magazine* Craig’s* Elmer’s Restaurants First Interstate BancSystem Foundation First Interstate Bank Hollywood Theatre* Inland Electric, Inc. Intel Charitable Match Trust Luna Vineyards* Maryhill Winery* Monique’s Boutique Nicolas-Jay*

Recognizing gifts received as of May 1, 2019 NW Film Center* OHSU March Wellness & Fitness Center* OMSI* The Oregon Historical Society* Oregon Shakespeare Festival* Oregon State University Athletics* Oregon Symphony* PDX Jazz* Pok Pok Restaurants* Portland Baroque Orchestra* Portland Center Stage* Portland Japanese Garden* Portland Opera* Portland Wholesale Florist* Redhawk Vineyard & Winery* Richard Wasserman Photography* Rose City Ballet School San Francisco Ballet* Skamania Lodge* Slope & Stone Engineering Studio Blue* Stumptown Stages* Timberline Lodge* Torii Mor* Torso Vintages* University of Oregon Athletic Department* Vanport Jazz Festival* Watson Creative White Bird* Yamhill Valley Vineyards* Anna Yarzak, PT, DPT*

MATCHING GIFT CORPORATIONS AmazonSmile Foundation Autodesk Foundation Employee Engagement Fund The Boeing Company Cambia Health Foundation Chevron Matching Employee Funds Give With Liberty Google, Inc. Harsch Investment Properties Intel Kroger Rewards NIKE, Inc. Northwest Natural Gas Pacific Power Foundation Pfizer Foundation PGE Company The Standard U.S. Bank Verizon Foundation

* Indicates in-kind contribution to OBT

IN-KIND SUPPORT ®

ALLEGRO SOCIETY WEST PORTLAND PHYSICAL THERAPY Katherine B. McCoy, PT, MTC M. Lena Thieme, PT, MPT Elizabeth Franklin, PT, LMT Jennifer Field, PT, DPT Patricia Koehler, PT, WCS Christine Krueger, PT Laura Luitje, PT, DPT, LMT Christopher J. Pullen, PT, DPT Abigail Richards, PT, DPT Amanda Swearingen, PT, DPT, PRPC Morgan Boyd, PTA Ann Marie Cordova, PTA Lorelei Martin, PTA Shalynn Robinette, PTA, CES Blake Tucker-Jones, PTA Bonnie Vaniea, PTA

AGGER CHIROPRACTIC & NUTRITION CLINIC Simon J. Agger, DC

ANNA YARZAK, PT, DPT BLUE OX ATHLETICS

Clinics & healthcare professionals who preserve the health & well-being of Oregon Ballet Theatre’s dancers

BRIDGETOWN CHIROPRACTIC & WELLNESS Jacob May, DC Melody Johnson, LMT

CATHERINE M. GURSKI, ND, MSOM, LAc

OHSU CHH SCOLIOSIS CLINIC

Kim Osterberger, PT, DPT, BSPTS

OHSU MARCH WELLNESS & FITNESS CENTER POHALA CLINIC

DAVID HILL, MD

Julie E. Foster, FNP

GENTLE CARE CHIROPRACTIC

ROBERT F. RATZOW, DC

Amanda Tipton, DC

SOLARIS BODYWORKS, INC.

JONATHAN LOHNES, LMT

Neissan Saber, LMT

KATHARINE ZELLER, MD

SYLVAN CHIROPRACTIC CLINIC & WELLNESS CENTER

MEND PHYSICAL THERAPY

Nadia Chopra, PT, DPT, OCS, COMT

MEREDITH THOMPSON, MS, PT NEW HEIGHTS PHYSICAL THERAPY PLUS Liz Ruegg, PT, DPT Amy Werner, PT, DPT

Seth Alley, DC, CCSP, CKTP

THERAPEUTIC ASSOCIATES FOREST GROVE PHYSICAL THERAPY

E. Anne Patron, PT, DPT

TURNING POINTE ACUPUNCTURE

Emily Bartha, LAc

Scott Hagnas

RÉVÉRENCE CIRCLE

In recognition of those who have included OBT in their estate plan

Robert Aughenbaugh Brent Barton & Liz Fuller Pamela Jane Benso Pat Berg Dan Bergsvik & Don Hastler Linda Besant & Martha Goetsch David & Elaine Brown Debi Coleman Nathan Conn William Dolan & Suzanne Bromschwig Karen & Bill Early Peter W. Edgerton

Carol N. Morgan Virginia Nelson Suzann & Dennis Ott Rev. Dr. Rodney & Sandi Page Jane S. Partridge Dick & Mary Raub Marilyn L. Rudin, MD & Richard S. Testut, Jr. Anne Stevenson Carol Streeter & Harold Goldstein David Wardell, In Memoriam David E. Wedge, In Memoriam

Marilyn & Hans Grunbaum Charles L. Jones Belinda & Frederick Kinyon Diane Knudsen Perry Lee Dr. Dolores Leon & Dr. Fernando Leon Derek & Lydia Lipman Martha J. Logan Marna McComb Kirsten & Richard Meneghello Brad & Nancy Miller Sharon & Adam Mirarchi

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WHAT WOULD YOU BRING WITH YOU? LOOK CLOSELY!

This is a Chinese suitcase. Is it different from a suitcase you have seen? How? Why is this suitcase pointed? (answer at bottom)

Photos this page (clockwise from above): OHS Museum, 88-30.13; Leonard Yee gives a cooking demonstration at a Portland Chinese restaurant, ca. 1930. OHS Research Library, bb017339; Yip Lam, center, a Chinese crewmember on the Dutch motorship Vanderhelst, and two deck mates look at Lam’s passport. OHS Research Library, bb017336.

It can be scary to leave your home and move to another place, especially if you don’t speak the language in the new place. Many immigrants bring clothing and other belongings to remind them of home. If you left your home to move to a faraway place, what would you bring? Make sure it fits in a suitcase!

Write your answer here:

The first Chinese immigrants (people from another country) came to Oregon in 1850 — almost 200 years ago. At first, most worked as miners and storekeepers. Later, some common jobs were canning fish, cooking, logging, and building railroads.

Answer: This suitcase was specially built to hold a conical hat (a pointed hat), which many Chinese immigrants wore.

Come see the suitcase and other cool objects in person in

Experience Oregon uses fun, hands-on interactive elements to tell the stories of Oregonians of all ages and backgrounds. Play our “Stories from the Archives” tablet games, learn how to build a canoe, walk through a covered-wagon replica, and take sides in historical debates. Free admission every day for members and Multnomah County residents!

Oregon Historical Society | 1200 SW Park Ave. Portland, OR 97205 | www.ohs.org | 503.222.1741

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FREE Admission For Kids EVERY DAY portlandartmuseum.org

WE’RE 1 BECAUSE THEY’RE 1.

OREGON’S TOP-RANKED CHILDREN’S HOSPITAL. Children are our greatest gift. At Doernbecher, we built a hospital around that belief. It’s why we have more specialists than anyone else in the state. And we’re the only children’s hospital in Oregon to rank among the best in the country.