NOVEMBER GROUP EXHIBITION 2014 by Art Society of Trinidad and Tobago

NOVEMBER MEMBERSâ&#x20AC;&#x2122; EXHIBITION 2014 Published by: The Art Society of Trinidad and Tobago Corner Jamaica Blvd and St. Vincent Avenue Federation Park, Port of Spain, Trinidad and Tobago Exhibition Committee: Chair: Gail. P. Guy Members: GA Gardner PhD, Peter Sheppard, Robert Ramkissoon, C. Trot Seepersad, Clayton de Freitas Submissions Team: Anton Hadaway, Carla Louis, Clayton de Freitas Curatorial Team: Curator: GA Gardner, Ph.D. Assistants: Cynthia James-Cramer, Gregory Williams, Ayodele Roseman Editor: Ilka Hilton-Clarke Designer: Seon Thompson Cover Design: Johnathan Smith Photography: Ilka Hilton-Clarke Copyright ÂŠ2014 ASTT ISBN 978-976-8255-00-6 Printed and bound by SCRIP-J All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means electronic, mechanical, photocopying, recording or otherwise, without the written permission of The Art Society of Trinidad and Tobago. http://artsocietytt.org admin@artsocietytt.org

CONTENTS 6

MESSAGE FROM THE MINISTER OF THE ARTS AND MULTICULTURALISM Dr. the Honourable H. Lincoln Douglas

MESSAGE FROM THE PRESIDENT OF THE ASTT Clayton de Freitas

INTRODUCTION FROM CURATOR GA Gardner, Ph.D.

THE ARTISTS

THE 20TH CENTURY – FAITH IN OUR DESTINY

THE ARTISTS

RECOLLECTIONS OF A COLLECTOR

THE ARTISTS

UNDERSTANDING AND RESPECTING THE CREATIVE

THE ARTISTS

101

OUR SPONSORS

102

INDEX OF ARTISTS

Message Dr. the Honourable H. Lincoln Douglas Minister of the Arts and Multiculturalism Artistic and cultural activities are a major force in the development of an enlightened, harmonious society. Art is a powerful form of expression. It provides a space where unique perspectives are welcomed and where creativity is encouraged. At the Ministry of the Arts and Multiculturalism, we understand that creativity can transform lives. We see ourselves as the champions for the advancement of our cultural sector, empowering our artists and cultural practitioners to become beacons of social and economic change. For this reason, the Ministry of the Arts and Multiculturalism will continue to support the work of the Art Society of Trinidad and Tobago with the overall goal to develop programmes and policies that will ensure the sustainable growth of the sector.

One of the pillars of national development is the creation of a â&#x20AC;&#x2DC;More Diversified, Knowledge Intensive Economy â&#x20AC;&#x201C; Building on the Native Genius of our Peopleâ&#x20AC;&#x2122;. In light of this, the Ministry takes seriously its role in the achievement of true developed nation status for Trinidad and Tobago. I congratulate the Art Society of Trinidad and Tobago for their longstanding commitment to the visual arts and their dedication to the presentation of local art to the people of this blessed nation.

Message Clayton de Freitas President of the ASTT As the poet and social activist Thomas Merton said, “Art enables us to find ourselves and lose ourselves at the same time.” Art conveys a country’s story of its past…a country without art is a country without a soul.

of Trinidad and Tobago. Wellknown artists such as Sybil Atteck, Carlisle Chang and Amy Leong Pang, among others, were some of the pioneers involved in the organising and hanging of art for those exhibitions.

Every year for the past 71 years, The Art Society of Trinidad and Tobago has proudly hosted exhibitions of member artists’ works of art during the month of November, thus ranking it as the longest existing continuous art exhibition in the history of Trinidad and Tobago. More recently, the ASTT recognised the need to host exhibitions of this nature, twice yearly, therefore now presenting an opportunity to artists to exhibit their works in the month of May, also.

Trinidad and Tobago has, indeed, been blessed with extraordinarily talented artists. In the early seventeenth century, renowned Trinidadian artist, Michel Jean Cazabon, was commissioned by Sir Ralph Woodford, the governor of Trinidad, to travel to different places on the island with the governor’s party, to capture the landscapes for posterity.

In the early days, The ASTT used various venues to host their exhibitions, one of which was the Marie Louise gallery located at the National Museum

pleasure to take this opportunity to encourage all artists, young and old, to be courageous in unveiling creations of art in all forms and mediums. The Art Society of Trinidad and Tobago is extremely proud to present the November 2014 Exhibition and is happy to announce that it will be awarding certificates for 1st, 2nd and 3rd prizes. Enjoy the show!

The words of artist, Henri Matisse, ‘creativity takes courage’ certainly ring true for it takes a tremendous amount of courage for young, inspired artists to take that first step in displaying their works to the viewing public. It therefore affords me great

GA Gardner Dirt Path 2014

mixed media on mylar 42x42â&#x20AC;?

Introduction Fine art is a unique form of creativity. It is a lonely and often challenging path for those who dare to make it their profession anywhere in the world. It is the only kind of art where there is no client, where the artist is self-directed and motivated not by money but by vision and passion. The artist’s pursuit burns brightly in each of our members, it is what has moved them to join the Art Society of Trinidad and Tobago, to learn more, network, and exhibit their creations. Every November we have the tremendous opportunity to witness where we are as a body or group, to take stock of what we are creating and to highlight our diverse styles, techniques, artistic mediums and cultures to the public. We call this our November Group Exhibition and it has become the pride of our Art Society. It is our most inclusive show. This is not a juried exhibition, so it an opportunity

for all active members to participate with little or no restrictions imposed. There are merely guidelines relating to size of work and a pledge by the artist that the submission is original to the exhibition, meaning it has not been exhibited before. Though the restrictions are few, the show garners works of high calibre. This is an exhibition that shows the power and potential of inviting all to the discussion. From young to older, from emerging to mid-career and senior artists; from abstract to representational art and from two-dimensional photographs to three-dimensional sculptures— all are invited. It is an exhibition where you can find pieces ranging from those using past historic techniques to contemporary art to those experimenting with ideas of the future. This is why the show is at the cornerstone of ASTT’s mission. Artworks from artists at all levels of their careers hang

in proximity to each other, thus bridging history and creating one continuous dialogue about our development as a society, country and culture. We ask you to judge an artist by the body of their artwork not by one or two pieces in a group exhibition. The works here are only a small sample of their potential and commitment to their art and the art world; merely an introduction to learning more about an artist’s style. We must keep in mind the difficulty of creating original works of art and stand together in support of the creators, nurture them, or simply encourage them. We unite for the love of art and for the promise and potential this medium has shown in the past and its potential to guide and inform us in the future. Enjoy,

GA Gardner, Ph.D. Artist Curator November Group Exhibition 2014

Abigail Sabeeney Art is my passion … I have always loved to doodle and create since I was a child. I feel alive when I paint, the brush seems to take a life of its own and everything around me ceases to exist…I am transcended into a world of my own... Pencil is my favourite medium, but I usually paint with oil, acrylic and watercolour. Nature fascinates me; flowers and plants are my specimen and I usually introduce vibrant and passionate colours that do not exist in the natural environment.

Abigail Sabeeney Bamboo I and II 2014 fibreglass and acrylic lamps 9 x 7 x 36”

Adele Bynoe Adele Bynoe is a very versatile person. She is a well-known dancer and choreographer. She is also a textile artist, painter, singer, educator, former actress in Nobel Laureate Derek Walcottâ&#x20AC;&#x2122;s plays with the Trinidad Theatre Workshop and an award winning designer. Adele studied art in Canada and at the University of the West Indies. She is popular for her creative textile pieces. However, over the years she has started exploring a different medium, and now uses acrylic on canvas to express her interests.

Adele Bynoe Whip Whap Jab Jab 2014 acrylic on canvas 14 x 11â&#x20AC;?

Aishwara Keri Rampersad Aishwara Keri Rampersad is an eighteen year old multi-media artist and photographer. She is a nature lover and this is apparent in all her work. Her favourite pastime is visiting the various forest and swamp

Aishwara Keri Rampersad Owl 2014 20 x 16â&#x20AC;? acrylic and charcoal

lands of Trinidad and Tobago. She hopes that by capturing and sharing the beauty of these landscapes she can raise awareness of the need for conservation.

Aishwara Keri RampersaAd Queen of the Sky digital photograph 15 x 18â&#x20AC;?

Althea Bastien Althea Bastien is one of Trinidad and Tobagoâ&#x20AC;&#x2122;s most prominent batik artists. While being trained as a primary school teacher in England, she was introduced to batik. She became very interested in the process, taught herself and produced batik fabrics for many years.

In 1999 a friend gave Althea a book about fabric art that excited her very much: since then she has been creating art works made of batik fabric collages, utilising the many scraps of diverse coloured batik fabrics that she had created over the course of 40-plus years.

Athea Bastien Carnival Mask 2014 batik fabric collage 20 x 11â&#x20AC;?

Althea Bastien The Dancers 2014 batik fabric collage 15 x 21â&#x20AC;?

André Augustin I am a practicing photographer for more than twenty-five years. In that time I have exhibited with the Trinidad and Tobago Art Society under the patronage of the late Ms. Roodal. I have also done one man shows at the Departure lounge of the Piarco International Airport, Carnegie Library, Petrotrin Staff Club Beach Camp and Fyzabad, and the Port of Spain Waterfront among other private establishments and schools. While I enjoy all subjects in photography, I am drawn most to nature and the human form.

André Augustin Emerald Flight 2014 photograph 13 x 19”

André Augustin Meditation 2014 photograph 13 x 19”

Anthony Boos Anthony is a self-taught realist artist. His 40-plus years’ experience began in the Carnival arena with his parents in the mid-1950s. As a Roman Catholic, his initial paintings (at age10) were mainly iconographic images.

Anthony Boos House of 100 Windows acrylic on canvas 12 x 16”

From his later training in Graphic Arts (1971) and Mortuary Science (1974) in the U.K. and U.S.A., Tony’s paintings evolved into unusual scenarios with local overtones as he has a preference for everyday Trinbago lifestyles.

Anthony Boos Takin’ a Prayer Break acrylic on canvas 22 x 16”

Antje El-Dib For thirty-five years Antje El-Dib sailed the world on board merchant ships together with her husband, Captain Zakaria El-Dib, currently the operations manager of Oldendorff Carrier, Trinidad & Tobago. It was during one of her many trips that she discovered her passion

for painting and since then it has become an essential part of her life. Her works are characterised by her exquisite interpretation of the essence of human nature, rendering her works with captivation universal themes through methods and ideas deeply inspired by years of travel.

Antje El-Dib Moon Dancer 2014 acrylic on canvas board 16 x 12â&#x20AC;?

Antje El-Dib Sundown 2014 acrylic on canvas 9.75 x 20â&#x20AC;?

Ayodele Roseman Ayodele Roseman has been a practicing Visual Artist since 1999 after graduating in 1998 with Honours from the Ontario College of Art and Design with a diploma in

Ayodele Roseman Up in the Air 2014 acrylics 10 x 8â&#x20AC;?

Drawing and Painting. Her paintings have documented in a stylised and representational style various natural sceneries: birds, animals, cultural rituals and musical art

forms; natural flowers, masquerade designs and cultural traditions and festivals of Trinidad and Tobago.

Ayodele Roseman Transitions Fretwork Design 2014 oils 14 x 12â&#x20AC;?

Barbara Rawlins Barbara Rawlins was born in England and has lived in Trinidad since 1963. Her interest in art goes back to her childhood when she watched her father – a keen amateur – at work. However, her passion was further triggered by reading Betty Edward’s book “Drawing on the Right Side of

the Brain”. This was enhanced by attending the University of the West Indies’ Summer School Programme over four years and several other courses and workshops. She favours acrylics as a medium and specialises in landscapes and seascapes.

Barbara Rawlins On Mt. St. Benedict 2014 acrylic 14 x 11

Bunty O’Connor Bunty O’Connor is an artist who has been working with clay since 1970. She has a Studio in central Trinidad where she carries out workshops several times a year. This year, she and her husband Rory worked on bronze casting at the Kimme Museum Institute in Tobago and following this, held an exhibition with Cuban artist, Dunieski Lora.

Bunty O’Connor Raku Rock Vase I 2014 ceramic 6” x 4” x 4”

The two vases have been fired by the raku method to create crackling and blackening on the surfaces. Rich copper flashing is produced, depending on the application of the glazes. I think it is the most satisfying way to fire clay as so much of the result is left to chance.

Bunty O’Connor Raku Rock Vase II 2014 ceramic 6” x 4” x 4”

Candice Sobers Candice Sobers is a conceptual artist with an emphasis on Contemporary Art Practice. She currently holds a BA in Visual Arts with first class honours, and at present she is an MPhil candidate in Cultural Studies at the University of the West Indies.

Candice Sobers Woman on de Bass 2014 acrylic on canvas 8 X 12”

She conducted a practice based research thesis on “Techniques of Resourcefulness and Survival among Working class Trinidadians”. This research was formulated as a series including paintings, drawings and a handbook of mixed methods.

Candice Sobers Feeling the Melody 2014 acrylic on canvas 12 x 8”

Charles Gruny Charles Gruny retired from Guardian Life of the Caribbean Ltd in 1998 as Property Manager to pursue his two hobbies: painting and picture framing. He is a self-taught artist and his preferred medium is acrylic. Charles has exhibited at various Charles Gruny Mayaro Sunrise 2014 acrylic 6 x 11”

venues over the years and continues to paint, though not on a “commercial” basis and in the process he is searching to establish his own particular style and working at improving his art constantly.

Charles Gruny Low Tide at Cocorite Fish Depot acrylic 2014 15 x 8”

Christopher Wilcox Born in Trinidad and Tobago, he lived most of his life in Venezuela. Since childhood he was enthusiastic about both drawing and colouring on any paper or cardboard he could find. At Louisiana State University, Baton Rouge, Louisiana, USA he

Christopher Wilcox Golden Carnival Dancer 2014 oil 20 x 16â&#x20AC;?

studied Graphic Design and while there he took courses in ceramics, drawing and painting. Later he went on to study Art Direction at the Miami Ad School in Florida, U.S.A. While working as a Graphic Designer he was also developing an interest in

Christopher Wilcox Tassa Drum Player I 2014 oil 20 x 16â&#x20AC;?

oil painting and worked on different subject matters. Landscapes, mainly from Venezuela and Trinidad, served him as inspiration and at present he is working on portraits.

Chrystyna Tatomyr Melnyk Chrystyna Tatomyr Melnyk was born in Ukraine and immigrated to the United States as a young child. She moved to Canada after her marriage to Andrew. She was a Special Education teacher and consultant for more than 30 years in the US and Canada. Throughout her life, Chrystyna had a passion for the Arts. Chrystyna works predominantly in acrylics, mixed media, encaustic and printmaking. She participated in numerous courses and workshop at York University, Seneca College, the Haliburton School of the Arts, Sunway University in Malaysia and UWI in Trinidad.

Chrystyna Tatomyr Melnyk Bacchanal Woman 2013 monotype (oil) 14 x 20â&#x20AC;?

Cindy Sadaphal Cindy Sadaphal is a self-taught artist who began painting at the age of eleven. She discovered a latent talent and she especially loved painting birds. Her parents display her art on the walls of their house; it is like a section of a museum that is dedicated to her career as an artist and that chronicles her progression over time. Cindy is a lawyer by profession and has practiced for 14 years. But she has always viewed art as a calming and welcome distraction.

Cindy Sadaphal The Tobago Mot Mot 2014 watercolour 14 x 10”

“Birds are beautiful and free and they are of keen interest for this artist. This Tobago Mot Mot is based on a photo taken by a friend in her backyard in Tobago. Thanks Essie!”

Clayton de Freitas Clayton de Freitas is a self-taught artist who grew up in Belmont, Trinidad. He also has lived in the islands of St Maarten and Saba, Caribbean, exhibiting his work in a collaborative effort with artists from the USA and the Netherlands Antilles.

Clayton de Freitas Treasured Spaces 2014 watercolour on 300 lbs acrid free paper 10 x 22â&#x20AC;?

Over the years he has taught art in small groups as well as at elementary level. His passion has always been his art, from painting acrylics to watercolours, to drawings in pen and ink and to work in fabric paints. He has painted miniatures to very large pieces. As a realist in the area of art, he seeks to bring to life the beauty that our islands (Trinidad and Tobago) and other islands within the Caribbean hold.

Clayton de Freitas Gone Forever 2014 watercolour on 300 lbs acrid free paper 10 x 22â&#x20AC;?

Colin Bootman Colin Bootman was born in Trinidad and raised in New York. He began his formal training in art at LaGuardia High School of the Arts in New York City. He later received his BFA from The School of Visual Arts in New York. He studied illustration, photography and writing, honing his skills under

Colin Bootman Green Day 2014 oil on linen 10 x 8”

the tutelage of professional artists. He was encouraged to pursue children’s book art, as it allowed him the freedom to express himself through various media. Colin Bootman’s first book, Young Frederick Douglass, was published

Colin Bootman Woman and Child 2014 oil on linen 22 x 18”

in 1994 and received starred reviews. He has since amassed an extremely successful number of achievements in the area of illustration and writing and has illustrated and published over twenty-five books some of which he has also written.

Cornelia Silson-Swart Originally a chemical technologist from Zimbabwe, I have been painting as an amateur most of my adult life. In 2001 I took the plunge and started training as a fine artist. I began in Dubai under Alem Goshime, an Ethiopian artist, before working under Tinko Trivanov, a Russian-trained (Moscow Academy of Art) Bulgarian artist. After transferring to Paris, France, I attended the American University of Paris where I completed my studies in Fine Art - specialising in oils. I was under the tutelage of Jonathan Shimoney, a Harvard trained American. Since then I have been mentored by Chantal Moret in Switzerland. Chantal specialises in abstract works.

Cornelia Silson-Swart Regatta 2014 oil on canvas 14.5 x 27.5â&#x20AC;?

Now I find myself in Trinidad and am working completely under my own steam.

Cornelia Silson-Swart Dancing Shoes 2013 acrylic and pastel on canvas 18 x 24â&#x20AC;?

David Subran David Subran has savoured a multitude of lifetime experiences, and many images remain vividly in his mind. Now at last he has the time to represent these impressions and feelings with oil on canvas.

David Subran Cave 2014 oil on canvas 18 x 14â&#x20AC;?

Doctor Rat - I tried to convey the fearsome image of a notorious Port of Spain character from the 1960s to 80s.

David Subran Dr. Rat 2014 oil on canvas 14 x 11â&#x20AC;?

Cave - At times we feel entrapped by circumstances, unappreciated by jurors, unable to escape from a deep mental cave. But just as we think of giving up hope, a final glance upwards will reveal that there is a way out of the darkness into the light.

Dharmbodh Westmaas Dharmbodh Westmaas was born in Port of Spain, Trinidad and now resides in Dâ&#x20AC;&#x2122;Abadie. Dharmbodh started creating sculpture at age 35; first in clay and later on he also experimented with cement sculpture. He has taught many sculpture classes over the years including at the Art Society of Trinidad and Tobago and Studio 66. Dharmbodh has regularly exhibited with the Art Society and also took part in 2002 in the 8th Biennale de la Ceramique in Andenne, Belgium - showcasing ceramics of Africa and the Caribbean and an international market of contemporary potters.

Dharmbodh Westmaas Dolphin Play 2009 polymer clay 12 x 6â&#x20AC;?

THE 20™ CENTURY - FAITH IN OUR DESTINY At the inception in 1943, the then known as the Trinidad Art Society established itself as an organisation of amateurs and senior artists. Such names as Hugh Stollmeyer, Sybil Atteck, Carlisle Chang, Alice Pashley and Amy Leong Pang easily come to mind. Being the voluntary organisation as it has always been, this group of practicing artists held its meetings and Annual November Exhibitions at the Marie Louise Hall of the Royal Victoria Institute which proved to be a very spacious and convenient location. As the years passed and membership increased, the Society grew from strength to strength and eventually approval was granted to utilise the vacant “stables” annexed to the premises of Whitehall at St. Clair. The Society now had a temporary home and conducted several classes for its members. One such important class was tutored by Karl Broodhagen, well known sculptor of Barbados. The Annual November Exhibitions

were now held in the very spacious rooms of the main building. However, this facility was short-lived as the premises were needed by the Political directorate towards the late 1950s. The British Council then located at the “Wilderness” upper Pembroke Street came to the rescue and allowed the Society to continue its varied functions for a number of years at their premises. After some negotiations with the City Council, the Society was allowed to refurbish and occupy the defunct Woodbrook Market at a rental fee of twenty-four cents per year! At this venue the Society’s coffers were greatly increased and a building fund was initiated. The Society occupied this venue for a number of years, held various Art shows regularly and expanded all its facilities. It also employed a fulltime secretary and care taker/ watchman! The

early

sixties

saw

Government’s thrust in the building of secondary schools and in this regard the Trinidad Art Society was called upon to vacate and make room for the construction of the Woodbrook Secondary School. A lease was then executed with the Society for occupation of our present location. In the interim, the Society was accommodated at the offices of the Culture Department of the Ministry of Education and Culture at the R.V.I. Building. Exhibitions were then held regularly at the National Museum and Art Gallery, until the construction of our present Headquarters at Federation Park. Tribute ought to be paid in recognition of the seventy-one year old Art Society of Trinidad and Tobago for the tremendous impact generated by this voluntary organisation against all odds. Notwithstanding the limited facilities for the membership at large, but despite such shortcomings it is conceivable that there seemed

to have been the dawning of a new era- a veritable renaissancea resurgence of artistic explorations with the coming into prominence of young artists standing side by side with those established mentors. Obviously, the Trinidad Art Society provided not only the forum but also served as the catalyst in furthering the aesthetic development of its members through several classes and exhibitions during our occupation of the spacious Woodbrook Market. Derek Walcott in reviewing the Annual November Exhibition of 1960 wrote: “Alladin, M.P., oils fixed in style between abstract design and Romanticism; Atteck, Sybil, rose, blue and lemon planes, confident modelling; Chang, Carlisle, Episode - skillfully toned canvas, centre dominated by a flurry of red turned in harsh, metallic curves; Chen, Willi, competent oils in cool settling colours with splintered surfaces; Codallo, Alfred, same mixtures as before and dangerously

potable; Mahabir, Thora; Melton, Leslie; Lamming, Nina; Wyke, Marguerite; - received favourable comments.” These were the few wellknown and highly respected exponents of their genre. Others who gradually and gracefully emerged into the glare of publicity will include winners of the Art Society’s Independence Competition (1962) - George Lynch “Nurturing the Chaconia” - oil painting on hardboard, basically a figure composition with children symbolically being protected while growing plants are being nurtured. Dermot Louison’s presentation took the form of a life size concrete sculpture depicting the aged estate worker who holds his hat aloft in salutation and entitled “Creole Independence”. A style easily identifiable was “The New Dawn” by Audley Sue Wing - a semi-abstract painting of simplified forms of three mountain peaks with the emerging sun seen and witnessed by straining necks

and heads in the foreground. These artworks then became the property of the Society. The successive decades of artistic and creative upsurge must also chronicle the names of other recognised artists/ art educators - Sybil Atteck, M.P.AIIadin, Ralph Baney, Isiah Boodhoo, S. Rambissoon, Jones Gilbert, Holly Gayadeen, Samuel Ishak, Alexis Ballie and George Lynch whose works have been acquired by local and foreign collectors, as well as corporate organisations over the years. These artists have made sterling contributions to the Education System, teaching at all levels in the schools as well as at Teachers’ Colleges. It is noteworthy that under the Ministry of Education, the Division of Culture conducted lectures and training programmes, organised weeks of Arts on a yearly basis in six selected rural areas and mounted various Art Exhibitions. Art scholarships were awarded to deserving artists for further studies at Universities abroad.

Apart from these vital functions, a standing committee made recommendations for the purchase of artworks for preservation and presentation at the National Museum and Art Gallery, as well as the organisation of Art Exhibitions for display in foreign countries. Due cognizance ought to be paid to some of our devoted and dedicated artists who struggled relentlessly to achieve recognition. Among such wellknown artists were Ferdinand Romilly - landscapes with a poetic touch, Marcelio Hovell, Lewis Lovelace, Dominic Isaac, Leo Basso and Kenrick Callender; all of whom not having had the opportunity of formal training, excelled in the sphere of Genre painting. Theirs were excursions into the realm of naturalism and realism. Unhindered by technical niceties, they sought to portray the everyday occurrences of life around them. Leo Warner, except for his flair in wirebending and other decorative crafts, possessed a touch of the

metaphysical in his paintings and sculpture. On the other side of the coin, one experienced the visual impact of the more modernistic trends of a rather sophisticated structural rendition in the works of Leo Glasgow, Alexander King, Larry Mosca, Jackie Hinkson, Henri Telfer, Fergus Griffin, Steve Muradali, Patrick Chu Foon, Peter Minshall and Henri Salvatori. In direct contrast, the sculptural presentations of Ken Morris in metal, Lennox Holder in wood, and Joan St. Louis in stone and clay, found a ready market for collectors. The visual charm of the architectural watercolour renditions of J. Newel Lewis kept one focused on the need for preservation and conservation, while Noel Vaucrosson, watercolourist par excellence, Edward Hernandez, Edwin Hingwan, Patricia Bishop, Nina Squires, Hettie De Cannes and Nan Richards shared the full range of learned techniques in the rendition of visually pleasing figures, still life and landscapes

as well as the graceful female figures of both Boscoe and Geoffrey Holder. In this category Hugh Stollmeyer was no exception. In retrospect, the latter third of the 20th Century would have been challenging, fascinating and outstanding for laying down the foundations and structures for further artistic achievements. Many of our young artists had returned from their art studies at Universities and Art Schools abroad having acquired advanced skills and techniques. Such names as Carlisle Harris, Norris Iton, Andy Jacob, Kenywn Crichlow, Jones Gilbert, James Boodhoo, Shastri Maharaj and others easily come to mind. Their many and varied presentations at the November Exhibitions were eagerly anticipated. Generally, the Trinidad Art Society during its journey throughout the nineteen-hundreds has been able to stand the test of time and despite its many trials and tribulations has no doubt proven that â&#x20AC;&#x2DC;Art is longâ&#x20AC;&#x2122;. The events of our

past are like making a picture, as in the words of Paul Klee “a picture is constructed piece by piece, like a building. The work of art is above all a process of erection - it is never merely a product”. So too is the Trinidad Art Society. Notwithstanding the complexities of administration, it remains a solid foundation on which to continue to build and expand in the years ahead and so further asserts itself as a recognised contributor in the cultural landscape of our beloved country Trinidad and Tobago.

scholarship at the California College of Arts and Crafts - B.F.A “With High Distinction”. In 1980 he successfully completed the Diploma in Education - U.W.I. Gayadeen has been for many years a painter, ceramist and print maker. His works have been exhibited locally and abroad: U.K., Canada, U.S.A, Brazil, and the Caribbean. He has authored and published “Alfredo Codallo Artist and Folklorist” in 1983.

Holly Gayadeen Artist / Art Consultant Holly Gayadeen retired from the Post of Cultural Officer, Ministry of Education in 1990. He continued to practice and also provide Restoration and Consultancy services. Having completed studies at the University of Bristol - Institute of Education and the Royal West of England College of Art, he then later on accepted a further

Donald “Jackie” Hinkson Jackie grew up in the community of “Cobo Town”, Port of Spain, Trinidad, living with his family in a gabled wooden colonial house with the characteristic roof, portico, wooden jalousies and decorative fretwork, so representative of dwellings built at the turn of the 20th century. Hinkson enjoyed extensive exposure to Trinidad’s rural and coastal landscape and architecture,

Jackie Hinkson Overhead Clouds 2013 watercolour 12 x 16”

including plantation and village architecture. These early experiences were to have a decisive influence on his later artistic expression. Leaving Trinidad in 1963, along with Peter Minshall, Hinkson embarked on a one year scholarship at the Academie Julien in Paris. A year later he proceeded on an art scholarship to Canada (BA Fine Arts) and a Dip. Ed. Five years later, Hinkson returned

to Trinidad. He was immediately and forcibly struck by the light and rhythms of his native region. He launched himself into en plein air watercolour painting, exploring the medium almost exclusively for the next two and a half decades working, travelling and exhibiting throughout the Caribbean from Trinidad to Jamaica.

Jackie Hinkson Small Catch 2013 watercolour 16 x 12”

Donna-Mae Clarke I have been an art teacher for more than 28 years and during this time I have exhibited both as a student and a teacher alongside my students. It is very difficult to produce art pieces for your own pleasure and expression when you are continuously correcting and guiding students. However, I made a conscious decision a few years ago

to produce at least two or three art pieces per year for myself

Donna-Mae Clarke Balandra Moonlight 2014 acrylic 14 x 10â&#x20AC;?

Donna-Mae Clarke Grande Riviere 2014 acrylic 8 x 16â&#x20AC;?

My favourite subject matter is water: its translucent nature and the effect of light on water have always influenced me to paint it. My favoured mediums are acrylics and chalk pastels.

Fitzroy Hoyte Born in Trinidadian in 1978, visual artist and mentor, Fitzroy Hoyte, began at the primary school level to explore his talent. He attended Newtown Boys R.C School, and then furthered his formal education at Belmont Boys Secondary School in the year 1991-1996, graduating with a Distinction in Art. In addition, he studied drawing and painting at the John S. Donaldson Technical Institute, tutored by now deceased artists Pat and Lisa Chu Foon. Over the years he has also broadened his painting skills with use of the airbrush. Fitzroy has participated in numerous exhibitions, local and international.

Fitzroy Hoyte Pan Queen Series: Distant Relatives 2014 mixed media 22 x 19â&#x20AC;?

Frieda C. Alexis-Shim Frieda Alexis-Shim began drawing and painting with a group of friends about 16 years ago under the guidance of Maureen Ottier. She attended several workshops over this period of time with Jackie Hinkson, Sundiata in Trinidad, and in Barbados with Margaret Freeman, a professional watercolour artist

from Canada who regularly gives workshops to Barbadian artists. Frieda loves painting and is deeply interested in the colours and rhythms of the Caribbean. This interest is reflected in her interpretations of the world in which she finds herself, and by extension, her art.

Cocoa beans and pods with a background of Banana and Cocoa leaves. Nostalgia and memories of Caribbean experiences - survival and broken dreams.

Vase with flowers. A small burst of light in a bright room.

Frieda Alexis-Shim Cocoa in the Sun 2012 watercolour 13.5 x 17.5â&#x20AC;?

Frieda Alexis-Shim Still Life I 2000 watercolour and acrylic 14 x 13â&#x20AC;?

Gabriella D’Abreau Gabriella D’Abreau was born and raised in Trinidad. She studied for her BFA in Illustration at St John’s University, NY, graduating with highest honours in May 2010. In 2010 Gabriella interned at the prestigious ‘Society of Illustrators’ (New York) in order to increase her experience in the field of illustration. Gabriella

Gabriella D’Abreau Iris 2014 watercolour, ink, acrylic 15 x11”

The painting Iris is filled with both natural and unnatural beauty. She represents the paradox of the reality of sight as well as the fact that sight is in reality, a personal and intangible thing. Iris refers to part of the human eye as well as the flower that dons her. She is the personification of sight and all that exists in the world we see as well as all that we imagine and perceive that is beyond our sight or otherworldly.

considers herself an illustrator, designer and fine artist and is interested in exploring a multitude of artistic practices, including experimenting with various techniques and media. Gabriella enjoys getting messy and having a direct discourse with the media and substrate. Although Gabriella’s work

incorporates a variety of themes, techniques and media, much of her work is done using acrylic paint and to a lesser extent a combination of watercolour and other media. She especially enjoys creating figurative and abstract works.

Gregory Garcia Gregory Garcia is a thirty-eight year old artist, who lives in Santa Cruz with his soul mate. He has lived in Santa Cruz all his life and growing up, he was surrounded by his father’s plants, which instilled in him a love for nature from a young age. He started to paint with watercolours, as many a child would, but in his early teens he began to read a lot of books featuring famous artists from around the world, which increased his interest in art. Gregory is a self-taught artist, who also taught himself graphic arts, using the computer.

Gregory Garcia Nariva 2013 gouache 12 x 9”

Gregory Garcia Shark River 2013 gouache 12 x 9”

Halcian Pierre Halcian Pierre was born in Woodbrook. Her skills are as diverse as the many canvases she has scattered throughout her home. An artist first and foremost (with a great love of cooking), the former St. Francois Girls College alumna gained recognition for her cartoon series

Halcian Pierre The One 2014 acrylic 11 x 14”

“Yuh is a True Trini if…” inspired by Ilka Hilton-Clarke, creator of the “Caribbean Chile” website. Prior to this, Pierre spent four years as a Reserve soldier in the Trinidad and Tobago Defence Force, but asked to be discharged so she could pursue her love of art. While

Halcian Pierre Sweet Wedding Gossip 2014 acrylic 11 x 14”

attending the John S. Donaldson Technical Institute, she did cartoons for the Vox newspaper at the Trinidad Express. Today, Pierre resides in St. James where she continues to paint for pleasure.

Hayden Gregory Smith For as long as I am aware, I have always had a passion for visual arts. Most of my experiences have come from silent observation of beauty in its natural form, then deciding how to share these experiences in a form which others can appreciate. Though I consider myself an occasional artist (practicing only in spare time), I enjoy using various mediums and materials. I have worked in oils, acrylics, pastels, pen, graphite, clay, wood, scratch board, fabric, batik, leather and silk, to produce 2D and 3D pieces. I also enjoy re-purposing materials, in particular for substrates and for use in framing. I also have a passion for photography and often marry both photography and art in order to obtain the final piece. My main studies are usually in nature, architecture and still life.

Hayden Gregory Smith Female White-Necked Jacobin 2014 acrylic 18 x 24â&#x20AC;?

Hayden Gregory Smith Male White-Necked Jacobin 2014 acrylic 18 x 24â&#x20AC;?

Hazel Marshall Born in Trinidad, Hazel Marshall obtained a distinction in art in O-levels while in secondary school. However, it was not until eight years ago, when she taught her Hazel Marshall Pierre House, St Clair 2014 oil 16 x 20â&#x20AC;?

son drawing and painting, that her interest in art was re-awakened. Since then she has been painting in watercolours, acrylics and oils. At present her focus in painting

centres on old gingerbread houses and landscapes, using the mediums of oils and acrylics.

Ihsan Khayri Atiba Ihsan is a practicing artist, illustrator and poet. He creates still life and abstract interpretations of the human body and the expressive quality of its movement. He often blends his writing into his artwork seeking one cohesive vehicle of expression. His preferred mediums are: acrylic, watercolour, pencil and ink. Ihsan attended Queenâ&#x20AC;&#x2122;s Royal College from 1994 to 2001 and received his BA Visual Arts (Special) from the University of the West Indies (UWI) in 2007.

Ihsan Khayri Atiba R.O.O.T. (Realising Our Own Truths) 2014 watercolour on paper 11 x 9â&#x20AC;?

James B. Solomon James B. Solomon got seriously involved with photography in 1988 when he joined the Marketing Team of Eastern Credit Union. Four years later, he chose to pursue his path as a Professional Photographer to what he now terms a “working vacation.” After proving himself professionally on the local scene, he set his sights beyond our shores and joined the Photographic Team of Carnival Cruise Lines in 1997. In 2004 Ships were retrofitted and the on board digital age was born. A student of the famous Photographer and Educator Monte Zucker, James has been sharing and passing on the knowledge he has gained while on board and from his mentor (now deceased).

James B. Solomon The Temple’s Sunrise Rainbow 2014 block mounted digital print 16x 24”

James B. Solomon Bird’s Eye View of Sando 2014 framed digital print 16 x 24”

Johnathan Smith Johnathan is a 19 year old national scholarship winner who is torn between creativity and logic. He began drawing before he could even walk. He is fascinated with works of realism, and tries to

Johnathan Smith Rise 2014 acrylic on canvas 24 x 18”

attain photorealistic effects in his graphite portraits, while conversely incorporating surrealism into his paintings. To him, the creation of art is a way of leaving behind a tangible legacy.

Johnathan Smith The Calm Before the Storm 2014 acrylic on canvas 18” x 21.5”

Judith Theodore Judith Theodore was born in Woodbrook , Port of Spain. Her interest in art started at an early age. She studied art at St. Francois Girls’ College and participated in workshops at Studio 66. She also took University of the West Indies (St. Augustine) Extra Mural courses in Art and Carnival design. Judith had two solo exhibitions and has taken part in many group exhibitions. She practices in different mediums, including watercolour, oil, pastel and pencil.

Judith Theodore Fountain Woodford Square 2014 watercolour 12 x 16”

Judith Theodore Ducks in a Row 2014 watercolour 12 x 16”

Judy Joseph-Mungal Judy Joseph-Mungal –artist and art teacher- was born and raised in Trinidad. She received her early training in art from her dad while at Iere High School and was tutored by several local and foreign artists/art teachers at tertiary level: Corinth Teachers College and the University of the West Indies. She has been exhibiting her paintings of landscapes, still life, seascapes and abstracts in oils, acrylic and watercolour for many years. She has participated in exhibitions at various venues locally. She was a member of the Women In Art Organisation and is currently with the ASTT. Her works have been acquired by local as well as foreign collectors.

Judy Joseph-Mungal Toco Sunrise 2014 acrylic 12 x 17.5”

Judy Joseph-Mungal From my own Garden 2013 acrylic 14.25 x 10.5”

Karen de Verteuil Karen de Verteuil was born in San Fernando, Trinidad, in 1949 She has been painting seriously since 1991, when she attended a workshop with the late Dr. Isaiah James Boodhoo. Virtually selftaught, she spent just one year at Karen de Verteuil Profile 2014 graphite 8 x 7â&#x20AC;?

Ontario College of Art in Toronto, doing wonderful drawing classes but no painting. Karen works almost exclusively in oils, but also enjoys working in pencil and pastels. She has exhibited in several mixed shows, but now shows almost Karen de Verteuil At Rest 2014 ink 10 x 6.5â&#x20AC;?

exclusively at the 101 Art Gallery in solo exhibitions. Her work can be found in collections around the Caribbean, Canada, England, USA and Japan.

Karen Hale-Jackson Karen Hale-Jackson is a self-taught artist. The only formal training she has had in art is secondary level, one year at college in Canada. Karen started her art career doing batik paintings. She has also worked

Karen Hale-Jackson Lone Flower 2014 acrylic 20”x 16”

with ceramics for a few years before joining the corporate world. In 2000, in her free time, she started painting in watercolour and showed her work for the first time in the “Women In Art” Exhibition in July of that year. This led to her work being shown in

many joint exhibitions. Karen now works in acrylic and paints local sceneries, houses, people, flora etc. She is at present fulfilling her lifelong dream of being a full time artist.

Karen Hale-Jackson Sitting Alone 2014 acrylic 24”x18”

Karl Doyle Living by God’s grace - searching, expressing, sharing, and connecting – I strongly believe that with my talent, much is expected of me. I use my limited reality to explore and interpret the wider truth through art, music and discussion. Inspired

Karl Doyle Loyal 2011 ink on paper 11 x 8”

by the works of Hinkson, Sundiata, Watson, Picasso, Cézanne and Van Doesburg, I seek to command the elements of line, shape and colour. On the canvas there may be synergies between these elements or the occasional domination of one.

Karl Doyle Solitude 2014 ink on paper 8.5 x 5.5”

Katrina Inglis Katrina Inglis, originally from San Fernando, has been an art teacher for nearly ten years. Her career has taken her to India for two years from which she returned in June 2012.

Katrina Inglis Rainy Day 2014 oil 16 x 20â&#x20AC;?

After her return, she exhibited locally with works inspired by her experience in India. Her work is varied and she is creative with different media. At present Katrina teaches at Maple Leaf School. She has taken part in several exhibitions at the Art Society of Trinidad and Tobago.

Katrina Inglis Fish Birds 2014 oil 16 x 20â&#x20AC;?

Kay O’Callaghan I attended teacher- training college where art was my main subject. I then spent many years teaching young children, making the creative process exciting, including many displays and murals. I now concentrate on my personal artwork,

Kay O’Callaghan African Roots 2014 oil 16 x 20”

being inspired by the Caribbean. I have and am attending many courses to extend my techniques and skills, including with artists in Tobago and the UK.

Kay O’Callaghan Carnival Costume 2014 oil 20 x 16”

Keith Gibbs Keith Gibbs is a self taught artist. Inspired by the countryside of his childhood, Keith’s work reflects a desire to celebrate and preserve the old time culture that he sees being lost in the midst of modern life. However, on noticing the changes that have taken place over those Keith Gibbs Encrypted 2014 acrylic 18 x 24”

years he sees beauty in his modern surroundings and tries his best to capture this in his work also. Catering for the new audience, Keith tries his hand at abstract painting as there has been an increasing desire to see such type of work that comes from the imagination Keith Gibbs In, Between and Before 2014 acrylic 24 x 18”

Recollections of a Collector I was surprised and privileged to be invited to write a message for the Art Society’s 2014 November Members Exhibition from the perspective of a collector: and then I thought, “Why not?” The annual November Exhibition has been so important to me. The first painting that I purchased in Trinidad was in 1974. It was a work by Pat Chu Foon who was the only artist whose works I had seen in a oneman exhibition. At that time I was an articled clerk, which was not a well remunerated position, and I would not be admitted as a solicitor until the following year. Lack of familiarity with work, lack of access to work available for sale and lack of financial resources led to a slow start as a would-be collector. There was no internet replete with images; there were no illustrated catalogues or glossy books on local art. My second and third paintings came from Kacal’s in the days when Mrs Kacal had a gallery in

the Hilton arcade. One was a large Chu Foon that partnered well with the first painting, and the other an old Louison in a Kacal’s mahogany frame. My history links up with the Art Society on the 15th November 1977 when I went to the November Exhibition and purchased my fourth painting - Cosmic Aura by Pat Chu Foon. This was a large, predominately blue work which measured 4 feet by 5 feet and I learnt my first lesson about the need for wall space and the challenges of very dominating paintings that simply overwhelmed any neighbours.

Pat Chu Foon Cosmic Aura 1977 acrylic on board 48 x 60”

My next six purchases were also from the Art Society; two of them from a November show. In 1981 I also acquired from an artist a work that had been exhibited in the 1980 show, not priced for sale at that time. After a few more Kacal’s purchases, in 1982 I was back at the November Exhibition purchasing another large work, and two later paintings were also purchased from November Exhibitions. My strongest recollection of those early November shows is that the catalogues were arranged by artists’ names – not always in strict alphabetical sequence because late arrivals might show up at the end. I knew nothing of previewing in those days, and would wait anxiously to get a catalogue so I could check first for works by the artists I was familiar with, and then race to get in the queue if I was hoping to purchase – always a snap decision. On one occasion I was in the queue immediately in front of two avid collectors, and some unparliamentary language was

heard when it became apparent that we all wanted the same pair of works. I was fortunate on that occasion, but there was a lot of stress involved in the opening. Generally it was only after I had secured my red dot, or been disappointed in the work I’d viewed, that I was finally able to go round in a leisurely way and try to assimilate the wider range of work. I still have catalogues for many of the November Exhibitions, and so many of the names that appeared continue to be familiar to us. Even though the catalogues lack the gloss and typesetting techniques we have become accustomed to, they are an important part of the history and “provenance” of the Art Society. The November Exhibition has continued to provide an opportunity to local artists to be seen by the public, and to begin to form a relationship with those who may purchase. Often it is the first step taken by new artists, and would be valuable if it did nothing more.

From my perspective I believe that I benefited tremendously from exposure to the wide range of more established artists, whose work added a richness to the Exhibition, and some aspirational standards to strive for. The information on relative pricing was also helpful, because any purchaser wants some assurance that the price they are about to pay is not completely out of line. I have the impression that over recent years the emphasis has been on providing opportunity for the less-established artists, and that the established artists do not always submit their most exciting work, perhaps because works by the more-established are now far more accessible than in the 1980s. This can detract from the over-all richness of the exhibitions. I regret the days when the exhibition predictably combined the new with the best of work by many established artists. In his President’s message in the

1977 catalogue, Dr. Boodhoo commented that “the Society should do more than act as a vehicle for displaying works of artists”, and that “the founders of the Society saw its main function as an educative agency not only for the improving of the art skills of its members, but for increasing the art consciousness at a national level.” In the 1978 catalogue he described the exhibits as “a representative selection of works from our members and friends” and said that the “participants come from all section of the community and range from untutored amateurs to university trained professionals.” Just one year later the message was less optimistic, and although the Exhibition had always attracted the top artists of the country, “Lately”, he said “participation has been limited for reasons which are none too clear”. The 1982 Exhibition was sponsored by the NEC and held at the National Museum. The catalogue contained an

exhibition analysis showing 34 male and 15 female exhibitors. Some 63 artists submitted 182 works and the 131 exhibited works represented 49 artists. The value of the works exhibited was given as $181, 800. When I made a presentation on “Price, Value and the Visual Arts” in 2012, at the invitation of the Art Society, I tried to review perspectives of artist, dealer and purchaser. Even then I had noted how many of my early purchases took place at the November Exhibition, and I also identified the impact this had on my Christmas expenditure as my bank account was regularly emptied out in November by the Art Society. The seeds planted in the 1980s led to my interest in local art and eventually to a large art collection. There is no way to measure the others who may have started on a similar journey, but I know they are out there. Exhibitions are now supplemented with educational

activities and the invaluable listing of artists and images on the Art Society website. The “executive summary” of this message is that the importance of the work of the Society is recognised and valued, and translates into an expanded market which is so necessary for the nurture of all established and aspiring artists in Trinidad and Tobago. Stephanie Daly, S.C. 8/10/2014 A practising attorney-at-law for thirty years working mainly in the areas of commercial law and family litigation, with a special interest in mediation, Stephanie Daly is attracted by the solution based aspects of practice, and chaired the committee that established the Family Court which is focused on problem solving. She still serves on that Court’s Monitoring Committee. Stephanie Daly is chairman of the Children’s Authority which is on

the brink of start-up. She is also a member of the Public Services Appeal Board, a past president of the Law Association, and was a member of the Law Commission for some twenty years. In 2011 she was awarded the Chaconia Medal (Gold) for service to the Republic of Trinidad and Tobago in the sphere of Law and was also appointed Senior Counsel She has been collecting local art steadily since the 1970s.

Pat Chu Foon | Untitled | acrylic on board | 48 x 48â&#x20AC;?

Leona Fabien Fabien studied Visual Arts at The Centre for the Creative and Festival Arts, UWI. Whilst there, she was the recipient of several awards including the Eastman-Christensen Visual Arts Award and the M.P. Alladin Prize for

“Creating art for me is relaxing and it is my opportunity to indulge in some creative challenges.”

Best Visual Arts Degree Student for her final year at the university. At present, Fabien is an Art and Design teacher at Bishop Anstey High School, POS.

Leona Fabien Bygone Glory 2014 mixed media 12 x 16”

Leona Fabien Fences 2014 mixed media 8 x 6”

Linda Ahwai-Kowlessar Linda Ahwai-Kowlessar studied Art at St Josephâ&#x20AC;&#x2122;s Convent, POS, up to G.C.E. Advanced Level in 1980. After a 20-year hiatus, she reignited her love of art and received further formal training at the South Birmingham

College of Art and Digital Media, as well as at the University of Central England, Bournville Campus, in 2004. She enjoys working with acrylics, oils, pastels and mixed media. A range of subject matter is

studied but her favourite is figure drawing. She was awarded the Women in Art 2013 prize for acrylic painting and artwork overall.

Linda Ahwai-Kowlessar Cool River 2014 oil on canvas 9 x 12â&#x20AC;?

Luke Emmanuel Born: March 23, 1989, Luke Emmanuel is a self-taught tattoo artist/artist. He has been tattooing professionally for the past 7 years. He studied art up to Form 5 where he excelled in drawing. Art is a natural form of expression as he sees it as an extension of himself. His art is all encompassing, as he seamlessly transitions from the human body to a canvas board – “earth is his canvas”. His preferred media used for his abstract works are watercolour, acrylic and gouache. His drawings are done in graphite, markers and ink.

Luke Emmanuel Adventure Calls 2014 gouache 10 x 14’

Luke Emmanuel An External Identity 2014 acrylic 9 x 12’

Marisa de Matas Marisa de Matas has always sought to explore and express her creative side through various forms. Marisa moved to the United States to study Fine Jewelry and Gemology, and earned her Diploma with Distinctions from the Institute of Gemology and Jewelry, Miami, Florida. Upon

Marisa de Matas Moko Jumbie II 2014 polymer clay on board 12 x 8”

graduation, Marisa opened a highly acclaimed Fine Jewelry Store in South Florida where she practiced as a Certified Goldsmith. Based on her experience and exposure gained from different forms of Fine Art, she decided to try

her hand at sculpture. Her very first creation in sculpture she named “MILO”, a Drummer sculpted entirely in clay. Milo became her inspiration and she has gone on to produce more pieces in the same genre.

Marisa de Matas Homeward Bound 2014 acrylic on canvas 18 x 24”

Marisa S. Ramdeen Marisa S. Ramdeen was born and raised in Arima, Trinidad and Tobago. She attended North Eastern College where she pursued both Science and Art. After leaving the banking industry to pursue a career in fine art she became a student of The University of the West Indies. She was part of a four member team that was commissioned to

paint a mural commemorating the legacy of Arima during the National 50th Independence. The mural was located at the Arima stadium, opposite the Arima health facility. She is a member of the Art Society of Trinidad and Tobago, Women in Art Organisation of Trinidad and Tobago and Canvas Caribbean.

Marisa Ramdeen Move Over, Shorty encaustic on plywood 17 x 21” oval

Making art is simply what I delight in the most. Anytime I embark on a new piece of work I am filled with excitement and anticipation. It is for this reason that I am consistently exploring new avenues of expression; experimenting with texture, shape and form. When I learned of the ancient art making technology of Encaustic I was immediately attracted to it. Encaustic which means to ‘burn into’ is a mixture of Bees wax and pigment.

Marise Rodriguez Marise Rodriguez is a self-taught and semi-retired artist, now actively developing her renewed artistic skills. The love of the impressionistic, impasto style in her oil painting, with free, fluid and textured movements, capturing the movements and moods of the subject, working on capturing light and translucency, has been the hallmark and inspiration of her paintings.

Marise Rodriguez President’s Garden 2014 oil 18 x 20”

Her passion and the opportunity to capture all elements of our beautiful tropical country of Trinidad and Tobago can be seen in her land and seascapes, using different techniques. She captures the beauty of our old, historical buildings with unique architectural features before their destruction. Marise Rodriguez Ana Street, Woodbrook 2014 oil 18 x 20”

Marlene Siu-Jahoor Marlene Siu-Jahoor is Nicaraguan by birth, of Chinese parents, and is married to Habib Jahoor, sculptor. She holds a B. A. degree from the California State University at San Francisco, and a B.F.A. from the

California College of Arts and Crafts. She taught Visual Arts for 31 years, is retired, and occupies herself with Community Service, Ceramics, and drawings.

Marlene Siu-Jahoor Ocelot Vision 2014 colour pencils 10 x 14â&#x20AC;?

Mary Adam I was born in Ireland and have lived in Trinidad since 1973. I studied art with the Open College of the Arts in the UK late in life, graduating with a BA (Hons) Painting in 2011. I work in oils, acrylics and mixed media as well as printmaking and collage.

Mary Adam Snow Cone Cart 2014 acrylic 18 x 14”

In my painting I’m interested in colour and space and the formal language of art. My aim is to explore the wonder of life around me through drawing and painting and to see it anew. The abundant wildlife in Trinidad and Tobago and the vivid

colours are a constant source of inspiration. In addition, memories of the Irish landscape where I grew up tend to creep into my work. I used to fight this tendency but have begun to let it happen because it’s part of who I am.

Mary Adam Untitled 2014 oil 12 x 12”

Mary Mahon Mary Mahon is a self-taught artist. She was born in Trinidad and has been painting since she attended Bishop Anstey High School in the 40s. Her work includes batik, ceramics, basket and loom weaving, stained glass and jewellery making. She has a passion to explore a wide and ever expanding variety of mediums.

Mary Mahon Runaway Girl watercolour 14 x 19â&#x20AC;?

Mary Mahon Country Peace watercolour 14 x 20â&#x20AC;?

Matthew Nicoli Dangleben Matthew Dangleben was born on the 14th of October, 1992, in Santa Cruz, Trinidad and Tobago. He started painting abstract pieces from the age of eleven and now his medium of choice is acrylic, but he also frequently likes to use mixed media. Matthew Dangleben Escape to Reality I 2014 mixed media 20 x 26â&#x20AC;?

Matthew Dangleben Escape to Reality II 2014 mixed media 16 x 20â&#x20AC;?

Maureen Ottier Maureen Ottier began her career as a scientific illustrator at the Imperial College of Tropical Agriculture in her native Trinidad. She worked in the advertising industry and later opened her own art shop, Moart in

Maureen Ottier The Nest mixed media collage with natural materials on silk 20 x 14.5â&#x20AC;?

the capital. Maureen has designed and marketed her own line of greeting cards and specialises in an exquisite range of miniatures. A versatile artist, Maureen is equally at home in a variety of media. She

Maureen Ottier Swinging mixed media on watercolour canvas 15 x 15â&#x20AC;?

accepts commissions in oils, acrylic, watercolour or pastels of portraits, drawings and paintings of homes, special places and other subjects.

Merle Joseph-Karmody Merle Joseph-Karmody was born and grew up in South Trinidad. She has been living between Trinidad and Canada for the past three years. She studied at Corinth Teachers’ College where she received some Merle Joseph-Karmody Autumn Leaves 2014 acrylics 20 x 16”

formal education in art under the tutelage of Mr. Alexis Ballie but was also greatly influenced by her father who was an artist and art teacher Merle has done countless illustrations and graphic designs for

books, magazines and brochures and designed and made props, backdrops and decorations for various events within the school community and church

Merle Joseph -Karmody Cedros Sunset 2014 oil 18 x 24”

Michelle Tappin Michelle Tappin is a portrait and landscape artist. She paints mostly in acrylics and although she experiments with various other media, painting is her first love. Traditionally her work has been based on the human

Michelle Tappin Against the Wind 2014 acrylic 5 x 5”

figure and nature, rendered in a representational style. However, within recent times Michelle has begun to explore conceptual ideas as in her piece entitled, “Silent Night”, and is looking forward to developing this trend.

Michelle Tappin Silent Night 2014 acrylic 5 x 5”

Michiel van Hout Michiel van Hout (1980) was born and raised in the Netherlands. After graduating in Arts and Culture at the University of Maastricht in 2005, he started as a freelance artist, besides working for several Christian media.

Now Michiel works and lives with his wife, daughter and son in Port of Spain. As a freelancer he combines several art practices with teaching. Michiel is specialised in contemporary religious art.

He practices several categogies: paintings, portraits, comics, photos and films and is also known for â&#x20AC;&#x2DC;ART ABOUT with Michiel van Houtâ&#x20AC;&#x2122; in the ASTT newsletter.

Michiel van Hout Mythology of the Solar System (Mercury, Mars, Terra, Venus,Jupiter, Saturn, Uranus, Neptuneand Pluto) 2014 pencil and crayons 30 x 40 cm

Mumtaz (Waheeda Persaud) I am a self-taught artist, fueled by my need to seize and preserve life’s fleeting moments which we all take for granted. My art is emotionally driven and reflects my enduring interest in the inexpressible mysteries of life. I identify mostly with abstract, cubist and figurative styles as these, that I feel are best able to translate my deep captivation with the soul’s journey

Mumtaz (Waheeda Persaud) Fertility 2014 acrylic on canvas 18 x 24”

Beyond the idea that eggs are a powerful representation of fertility, it is unequivocally expressed, by the actions of the woman that she is in absolute adoration of her God-given gift to bear new life.

through the illusions of life. A lucid dreamer, I am bent on unveiling my meandering imagination using art as a medium. My use of rich vibrant colour acts mainly as a sedative for an otherwise electrified mind.

In my ongoing quest to express the individuality that is alive within me, I hope to provide the beholder of my art with as much joy as I experience while creating it.

Nelia Manmohan I am a painter who grew up in the peaceful serene valley of Santa Cruz. This influenced much of my early work, painting many landscapes in Acrylic paints. I now possess a BA in Visual Arts Nelia Manmohan “It’s facing the things that go wrong...” 2014 acrylic on canvas 18 x 24”

and Diploma in the teaching of Art education from the University of the West Indies. I continue to share my passion for art through teaching at a secondary school. Over the years I have participated

in many group exhibitions sharing through my work those meaningful and trying moments in our lives through realistic and contemporary expressions.

Nelia Manmohan “The Beauty of a Woman ” Memorial Park, Trinidad 2014 acrylic on canvas 18 x 24”

Offima Opera Davis Offima Opera Davis was born in Trinidad and Tobago. She has been painting and drawing since she was fifteen years old. Offima feels connected to her viewers through her art; there is always a story behind her works. She is mainly Offima Opera Davis Fear of Change 2014 acrylic 20 x 16â&#x20AC;?

interested in painting flowers and the human body and her medium of choice is acrylic. The vibrant colours in her art work speak of hope, as well as expressing the warmth and mixture of the Caribbean cultures. Offima Opera Davis The New Beginning 2014 acrylic 20 x 16â&#x20AC;?

Pat Farrell-Frederick Pat was born in Woodbrook, Trinidad and Tobago, the second daughter of Frankie and Elsa Farrell. Her father instilled in her a love of nature and a healthy appreciation of the Trinidad outdoors. After going to University in Canada (Clothing and Pat Farrell-Frederick Blue Moon 2014 collage 21 x 13â&#x20AC;?

Textiles degree), she taught Textile Science and Applied Art at John Donaldson Technical Institute for 29 years. She has exhibited twice every year at Trinidad and Tobago Art Society exhibitions and a few private exhibitions.. Pat Farrell-Frederick The Chaos of my Mind 2014 collage 16 x 13â&#x20AC;?

Paulette Narinesingh Paulette Narinesingh was born in Trinidad in 1963. She received her B.A in Art and a Diploma in Educational Administration from the University of the West Indies St. Augustine. Paulette explored for many years the area of textile design, specialising in the art of batik, appliqué, hand painting and tie dye and her works have been recognised locally and internationally. She has also participated in forums such as Colour me Caribbean and World Beat. Her love of batik has inspired her to explore different types of texture on surfaces such as paper, canvas and wood using various media such as gesso, sand, string, found objects and acrylics to create various textural layered pieces. Her inspiration comes from her love of nature, her fascination with the Amerindian and Spanish cultures and music.

Paulette Narineshingh Allegria 2014 acrylic on canvas 9.75 x 23.75”

Paulette Narinesingh Fiesta 2014 acrylic on canvas 18 x 6”

Peter Sheppard Peter Sheppard (HS) is a self-taught artist, whose love for Trinidad and Tobago is reflected in his penchant for observing and interpreting this country’s landscape in detailed miniatures. A recipient of the 2013 Sue Burton Award for Best in Show at the Hilliard Society’s International Miniature Art Exhibition in Somerset, England, Peter has been juried into their shows successfully for the past four years. This has earned him the honour of the HS title. Peter’s detailed miniatures are typical, yet imagined compositions of idyllic Caribbean landscapes. The foundation of his compositions is based on a style reminiscent of scenic stage design: a profession the artist considered whilst living in England during the late 1980s.

Peter Sheppard Rose Cottage 2014 acrylic 8 x 6” oval

Understanding and Respecting the Creative ‘Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.’ ~Scott Adams In the world of art, creativity is a constant. It flows from every nook and cranny, and even the unexpected. The man who carves patterns into a calabash and stains it with black varnish is his own master craftsman. So too is the man who sells his paintings on our pavements, along with the man who takes a humdrum element like cement, and fashions it into representations of noted calypsonians, elder statesmen and politicians, breathing life into observation and answering the question: “What would be the result if I were to do this?” What follows is the artists’ personal challenge to show their creations; easy for the layman, but not the craftsman. As creators we are excitedly guarded, yet secure in the knowledge that we have fashioned something

that is as unique as our own fingerprints. Sharing our art is risky and enterprising. Thankfully, even what others may consider mistakes are revered from the other side of the looking glass and often the end result is unpredicted, but in a good way. As a journalist, I happily attended exhibitions staged by newcomers and veterans alike, relishing chats with artists who became prodigal sons and daughters for reasons as diverse as our country’s culinary dishes. In 2001, for example, Trinidadian author and physician, Dr Leslie Toby (dec.), creator of the 70s novel “Sunday Morning Coming Down”, admitted in an interview that his first Trinidad exhibition (Treasures of Port of Spain, 1987) was actually ridiculed. What I remember most, however, was the laugh he gave (a mix of selfeffacement and smug realisation) as he recalled his thrashing by the critics: “One critic said I drew like a child, another said I had

a bad watercolour technique. I laughed when I read that, because I paint in inks.” At the time of that interview, he had come to Trinidad to stage an exhibition featuring the art of Jamaica (he was a resident there) and was also the chairman of the Jamaican Artists and Craftsmen’s Guild. He enjoyed the best payback when those panned works, representations of our historical buildings – some of which were destroyed during the 1990 attempted coup – struck a chord with nostalgic Trinidadians everywhere and have since become collectors’ items. Art, however, is not an entirely male domain. The Art Society’s beginnings boast members such as stalwart Sybil Atteck and later

on, the founder of the Women in Art Organisation, Fraulein Rudder. Many women – including Lisa O’Connor, Valerie Belgrave and Cynthia Ellis among others were encouraged to explore and show their talents to the world. In this vein, the annual Women In Art Exhibition (staged from 1997 to the present) has been quite successful, and through the continuing efforts of the Trinidad and Tobago Art Society we are seeing more and more of our artistic youth in the forms of cartoonists, sculptors, anime artists, photographers and digital artists being encouraged to join the rank and file of our nation’s Creatives. Art therefore, is not just for art’s sake. It is a personal journey for each creative individual. Whether they were pulled towards it like a magnet or kept it suppressed and experienced a latent burst of inspiration, our artists must be celebrated, lauded and enjoyed as much as their works. From the public sculptures of the late

Pat Chu Foon to the late Luise Kimme’s towering figures of Tobago’s people (which have become monuments to her love of art), we must be thankful and happy for all our Creatives. Truth be told, I certainly couldn’t imagine a world where the arts can neither exist nor flourish. Let us therefore celebrate the uniqueness our artists’ creative spirits. Halcian Pierre Artist and Journalist

Rachel Lee Young Rachel Lee Young came to Trinidad in 1999 from the UK. An electronic engineer by training, she has developed her life-long love of photography extensively during the last fifteen years. Rachel has

Rachel Lee Young Lady with the Veil 2014 digital photograph block mount 16 x 24

exhibited at several ASTT shows and had a solo exhibition at the residence of the British High Commissioner “Going for Green” in 2011. Rachel uses her stunning landscape and nature images to make a range of

popular greeting cards. Rachel is one of the founder members of the Trinidad and Tobago Photographic Society.

Rachel Lee-Young Legs 2014 digitalphotograph block mount 24 x 16”

Randall Gerard Fulchan Art is an awakening of the life and soul; we create without knowing it is second nature to us. We toil, we laugh in all we express ourselves as I do. Art should mean something to us, delve into the hearts and stir the inner being. As I create, I discover and as I discover something marvellous is happening, igniting my passion, pushing me further and holding me captive in the trance of making love to the canvas. Satisfaction to the highest degree possible; ART is life, ART is “MY LIFE”.

Randall Gerard Fulchan In Reverence 2014 pen and ink on paper 24 x 4.5”

Randall Gerard Fulchan Stand Firm, I am 2014 pen and ink on paper 22 x 7.5”

Ravi Ramsaroop Ravi paints abstract art that does not attempt to represent external, recognisable reality but seeks to achieve its effect using shapes, forms, colours etc. As a self-taught artist, Ravi’s approach to art is nontraditional. He started abstract art

Ravi Ramsaroop Four Blood Moons 2014 watercolour and ink 8.25 x 11.75”

at the age of 13 and now paints professionally using mixed media. His primary goal when creating his abstracts is to breathe life into his work. He believes that God gave him a gift and shares the living words in his pieces.

Ravi believes that art can help us grow, heal our hearts, excite our senses and inspire new ideas; art is one of the most valuable gifts that God gave us.

Ravi Ramsaroop White Light 2014 pen and ink 11.75 x 8.25”

Richalene Emmanuel Born: May 29, 1977, Richalene Emmanuel is a self-taught artist in fine art, portraits and drawing. Her works consist mainly of landscapes and seascapes and a wide array Richalene Emmanuel Demri 2014 oil 12 x 9â&#x20AC;?

of abstract and black and white portraits which are done in oil and acrylic. She also likes to draw with graphite. Besides being a fine artist, she is also a local vocalist/

songwriter/musician whose love of the arts has led her to pursue her passion in both music and art.

Richalene Emmanuel Wounded 2014 oil 12 x 0â&#x20AC;?

Robert Ramkissoon Robert was born in central Trinidad in 1972. On his sixteenth birthday his brother gave him a camera and what an excellent gift that was, because Robert has turned his early love for photography into his profession. Now, after 25 years, Robert is a selftaught photographer and digital art designer. He loves flora, fauna, landscape and macro photography as it gives an insight of the world that is normally taken for granted. He uses his camera to capture the beauty of this world that most would not ordinarily take the time to see and enjoy, such as for example hummingbirds. Photography is an art form in its own right; Robert’s camera helps him to capture space and time which cannot be repeated.

Robert Ramkissoon QRC Revisited photographic digital art on giclee satin photographic paper 18 x 24”

Appre

Robert Ramkissoon Caroni Splendour photographic digital art on giclee satin photographic paper 18 x 24”

entices

Rooshanie Dial Gobin Rooshanie Dial Gobin is a self-taught artist who now resides in Sangre Grande.Her love for art developed as a child. She was always drawing and painting on sheets of brown paper and making postcards with pen drawings on bristol board. She had done art as a subject at Arima Senior Comprehensive School in the year 1985. After school ended, Rooshanie did not continue with her art until many years later, when, in 2013 she followed her inner calling and her love for art and started to paint again. Her mediums are oils, acrylics, and pencil drawings. She paints still lifes, seascapes and landscapes.

Rooshanie Dial Shark River oil on canvas 18 x 24â&#x20AC;?

Rooshanie Dial Sunset Beach oil on canvas 18 x 24â&#x20AC;?

Roxanne De Freitas I am an amateur photographer. I enjoy taking photos especially of the outdoors. My husband, sons and I have travelled to many interesting destinations. I always have my camera at hand. I have especially enjoyed photographing my beautiful homeland, Trinidad and Tobago. Only since being involved in photography, I now see the true beauty of our twin islands.

Roxanne de Freitas Stonehaven, Scotland 2014 digital photography 16 x 20â&#x20AC;?

Roxanne de Freitas St Maarten 2012 digital photography 16 x 20â&#x20AC;?

Roy Wilson Roy Wilson was born in Trinidad and in his early years he was mainly a self-taught artist. He worked at the Guardian Newspaper as a commercial artist. Roy went to England and worked in London in commercial art and television productions and when he Roy Wilson Mangrove 2014 watercolour 16 x 22”

returned to Trinidad and Tobago, he worked as an executive art director for a leading advertising agency. He moved to the country side, drawn by nature’s unique changes of colour tones, shapes and textures which left him with a sense of mystery and wonder. Roy Wilson orchids 2014 watercolour 22 x 16”

Sarah Beckett Sarah Beckett is an artist-poet and has also made two documentaries on the arts: “Like an Angel’s Wing” and “Alabaster Moon” - the latter of which was premiered at the Trinidad and Tobago Film Festival in 2008. She trained in France and England where she gained her degree in Mural Design at Chelsea College of Art.

Sarah Beckett Swooning in Sunlight pastels on paper 9.5 x 9

She has exhibited extensively in Europe, the Far East, and the USA and has recently held a Retrospective in Trinidad. She has taught Fine Art at The University of the West Indies, designed and conducted Educative Creative Outreach programmes for NGOs, and is a member of the Trinidad and Tobago Art Society.

Sarah Beckett Crotons in Sunlight pastels on paper 9.5 x 8.75”

Sasha A. Emmanuel-Boochoon Sasha is a self-taught artist who studied art up to Form 3 in secondary school. In spite of her lack of formal education in the techniques and application of various mediums, she possesses a keen interest in all forms of art. Sasha considers herself to be an artist, illustrator and crafter who thoroughly enjoys continuing

to discover her God-given creativity. Her art utilises techniques created by the Aboriginal peoples of this region. Sasha defines her work as “Aboriginal Art with a Caribbean flair.” While accomplished in this area, Sasha also dabbles in the use of oil pastels.

Sasha Emmanuel-Boochoon Aqueous Transition 2014 acrylics 7 x 15”

Sasha Emmanuel-Boochoon Cosmic Voices 2014 acrylics 12 x 12”

Sayada Ramdial Sayada Ramdial is a freelance illustrator and artist from Trinidad and Tobago. Since deciding as a child to pursue a career in art, she has been drawing, painting and learning other creative skills. In 2012, she graduated with honours from SCAD, where she earned her B.F.A in Illustration, with a minor in Drawing.

Sayada Ramdial He Who Held Atlas 2014 mixed media 22 x 15”

‘He Who Held Atlas’ points at the fact that even when we feel the weight of the world on our shoulders, there will always be another person who has greater challenges and harsher realities to contend with. In some cases, the daily suffering of these people directly benefit us without us being aware of it. Such is the case of clothing, electronics and other items produced through harsh labour conditions on the other side of the world.

Serge Chriqui Serge Chriqui is a Canadian fine art photographer currently living in Trinidad and Tobago. Striving to turn the ordinary into the extraordinary, his images are created by happenstance as he explores the

Serge Chriqui Still Standing 2014 Limited Edition Archival Photograph 14 x 14â&#x20AC;?

world around him. He offers both open and limited edition fine art photographs of places and things from his travels, whether they are from overseas or from his own back yard.

Serge Chriqui Relic 2014 Limited Edition Archival Photograph 14 x 18â&#x20AC;?

Shauna Narine Shauna Narine is a Trinbagonian self-taught artist who focuses on acrylic paint on calabash and canvas, in which she specialises. Shauna began painting after being inspired by Gaudí’s architecture and Shauna Narine Caminhar juntos 2014 acrylic 18 x 24”

This translates to “we walk together”, representing unity and togetherness in a flock of flamingos.

originality in Barcelona, Spain. She wishes the viewer to experience art as a form of magic with no mistakes, only strokes of paint on something that was once plain and has now been made to shine. Shauna Narine Fancy Face 2014 acrylic on calabash 6 x 6”

Sheldon Badal Sheldon Badal is a self-taught artist whose signature style is realism and sculpture. His paintings and sculptures reflect all that is found in nature. Sheldon continues to be inspired by nature, its beautiful flora and breathtaking landscapes from which he draws his inspiration.

He paints mostly with acrylic on canvas but sculpts in a variety of mediums from clay, wood and stone to mortar. Sheldon has participated in several group exhibitions. His work has been sold both locally and internationally.

Sheldon Badal D Armadillo II 2014 clay 6 x 8 x 16”

“I believe as an artist your next painting is the best work you will do.”

Shinhuey Ho A former eBusiness project manager in the Bay Area, California, Shinhuey Ho learnt how to paint through selfstudy of the works of the masters and workshops by internationally known artists. Shinhuey has been exhibiting

Shinhuey Ho Sunset at the Temple 2014 oil 12 x 16â&#x20AC;?

her art since 2007. Her paintings are in private and corporate collections around the world, including USA, Australia, Germany, and Scotland. Shinhuey was born in Taichung, a metropolitan city in the island

nation of Taiwan. She has a masterâ&#x20AC;&#x2122;s degree in Business Management from Purdue University, USA. Since 2006, Shinhuey has been calling Trinidad her home, where she lives with her husband and two children.

Sucilla Mooteeram Sucilla is a member of the Art Society of Trinidad and Tobago, who has been creating art for more than three decades, mainly in acrylic, ink and charcoal. Her work can be found in private collections locally and abroad, namely England, India, Sucilla Mooteeram Trinidad Legend 2014 acrylic 24 x 18â&#x20AC;?

This is an image of Lara in his glory days at one of his many landmark innings for the West Indies Team.

Canada, USA, and more recently, China. Her main themes always revolve around capturing the people and images of Trinidad and Tobago, its cultural and religious celebrations and natural scenery.

Sucilla Mooteeram Olive Branches at the Golden Gate 2014 acrylic 12 x 15â&#x20AC;? oval

This piece was inspired by a recent trip to Israel during a period of ceasefire between Hamas and Israeli Army. I looked through the branches of ancient olive trees at the majestic, silent Golden Gate on the Eastern wall and prayed for peace in Jerusalem.

Susan Wiltshire Susan Wiltshire’s grandfather was of the Indigenous of Guyana. At the age of nine she started to sketch portraits using pencil. Later on she began using charcoal and pastels. When she was ten, her mother gave her a watercolour set as a gift. Much later, artist Karen Sylvester introduced her to acrylics, which are now her preferred medium. Currently she is working on a series which examines the life and traditions of the Indigenous people (worldwide). Susan feels that the contributions of the Indigenous are to be cherished and respected.

Susan Wiltshire Turquoise Blessings 2012 acrylic 20.75 x 10.5”

Legend has it that Native Americans would dance and rejoice when the rains came. Turquoise, the stone, is sometimes referred to as the “Stone of Blessings”. This piece is my tribute to the Indigenous. The soothing hues of turquoise, blended with the feathered “Indian mas” from down South and the similarities to those images often seen at Pow-Wows.

Tara Bobart Tara Bobart’s strong spiritual core naturally illuminates all aspects of her life and filters its way into her various roles as wife, mother, artist and friend. This is also evident by the natural flow of passion, positivity and a certain “je ne sais quoi” we can sense and connect with in her paintings.

Tara Bobart Bluebird of Happiness acrylic 11 x 14”

She artistically transfers her thoughts and feelings onto canvas thereby inviting her viewers to unwittingly experience a world - her world - of subtle perception. Her subject matter and work reflect her close affinity for the planet, Mother Earth, Universal Intelligence, the Source of all things and also highlights her unassuming, grounded and earthy approach to life.

Tara Bobart Moonlit Surf oil 18 x 21.5”

Virginia Pacifique-Marshall Virginia Pacifique-Marshall began her experimental journey into art with a four-month basic course in the Fundamentals of Fine Art. Her paintings are mainly abstract, with a touch of cubism. She held her first solo exhibition of her work on traditional Carnival Characters in 2012 at the Normandy Hotel, followed by a group exhibition: “Threads of Culture”, at the Gallery at Fine Art in that same year. In February 2014, she launched her first book: “The Carnival Suite” - a collection of Traditional Carnival Characters of Trinidad and Tobago. All of her carnival collection and a brief history and description of each character are presented in this book.

Virginia Pacifique-Marshall Sound of Colour 2010 print on canvas 15” X 19”

Virginia Pacifique-Marshall Simplicity acrylic on canvas 18” X 20”

Waheeda Ramnath Waheeda Ramnath is a self-taught acrylic artist who started painting in 2012 as a hobby when she had the sudden desire to materialise her whimsical, dreamy visions on canvas. As a nature lover and hobbyist photographer, she appreciates the intricate and finer details of everyday life, which is reflected in her artwork. She is

Waheeda Ramnath A Walk Through Woodford Square 2014 mixed media 12 x 12”

fascinated by birds, flora and fauna, landscapes and seascapes, and particularly loves to create paintings that communicate serenity and humility. While her art interests are varied, she is currently focused on pushing the limits of the fast-drying acrylics, finding it an enjoyable challenge.

Waheeda sees herself as a “hobbyist artist on the block” with a flair for versatile artwork and is looking forward to trying new painting techniques and mediums. She loves the thrill of discovering her next source of inspiration and what it will look like on canvas!

Waheeda Ramnath Maracas Falls 2014 Mixed media 12 x 6”

Wulf Gerstenmaier Born in Hagen, Germany, in 1951, Wulf Gerstenmaier studied graphic design, fine art, photography, type setting and printing. His portfolio includes paintings, lithography sculptures, prints, papier mâché and art restoration. Wulf moved to the Caribbean in 1991 with a brief stay in St. Lucia and eventually settled in Trinidad in the year 2000.

Wulf Gerstenmaier Rhythm Walker 2014 oil on paper 25 x 10”

“The soul of my swag, Step if you may, My spirit is one with my energy, I am the Rhythm Walker”

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