SA Art Times September 2017 by SA ART TIMES

SOUTH AFRICAâ&#x20AC;&#x2122;S LEADING VISUAL ARTS PUBLICATION

SANLAM PORTRAIT AWARDS 17 SEPTEMBER | 2017 WWW.ARTTIMES.CO.ZA

CONTENTS ART TIMES | SEPT 17

“Arthur succeeded in creating a work worthy of the “Sanlam Portrait Award crown”. Genna & Felix is a fresh, contemporary and controversial take on the traditional views on portraiture.” 08

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SOUTH AFRICAN ART TIMES

12) STRAUSS & CO

Live Auction, The Vineyard Hotel, Cape Town

14) IN REMEMBRANCE Robert Loder

16) FNB JOBURGARTFAIR 2017 The oldest art fair in Africa

26) THE NWU GALLERY

Developing its audience through educational art programmes

30) SANLAM PORTRAIT AWARD 2017

Rust-en-Vrede Gallery / Michaelis Gallery UCT

42) BUSINESS ART

Investement art, news & auctions

46) MARGARET NEL

Artist Margaret Nel exhibits over four decades of work

52) AUCTION ACTION 56) GALLERY GUIDE: SEPTEMBER 2017

Exhibitions, events, gallery guide & art to buy

68) SCULPTURE MEETS URBAN PRECINCT

SculptX, an exciting new sculpture programme

70) STATE OF THE ART GALLERY StateoftheART relocates

76) JP MEYER / WRONG ARCHIVE 82) LOUISE ALMON Present in Absence

88) PROVINCIAL GALLERY LISTING South african Art galleries, suppliers and auctioneers

100) ART TIMES GOOD READ 102) ART HOME (Winner Sanlam Portrait Awards 2017) Kate Arthur, “Genna & Felix” Cover Artwork:

Leanne Olivier, Theia, Sanlam Portrait Awards 2017

114) GALLERY BUZZ 120) ARTHUR GOLDREICH

The Artist Who Helped Build a New Society at the Expense of His Own Career

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SOUTH AFRICA’S LEADING VISUAL ARTS PUBLICATION

CONTACT ART TIMES Tel: 021 424 7733 P.O Box 428 Rondebosch 7701 EDITOR Gabriel Clark-Brown editor@arttimes.co.za ART DIRECTOR Brendan Body art@arttimes.co.za ADVERTISING Eugene Fisher sales@arttimes.co.za DIGITAL MEDIA LISTINGS / SUBS Jan Croft subs@arttimes.co.za

Knox Alexander, Uncle Greg At Ardmore, Sanlam Portrait Awards 2017

I would like to express my sincere thanks for all the positive feedback from our readers regarding the new format. The smaller format both travels quicker and easier, like good communication devices that fit comfortably in jacket, pockets and handbags. The new format allows us to have more than 100 pages per month and gives us great pleasure to be able to include more art in the magazine. ArtHome is a new section to the Art Times Magazine. This will allow galleries, artists and collectors to sell and promote their work and stock. Art Times readers will in turn be able to buy art from the comfort of their own homes. This month’s features include the wonderful Joburg Art Fair and the colourful and beautiful Sanlam Portrait Award that are world class and reflect the best of us as a diverse and culturally wealthy nation. Once again thank you for your ongoing and growing support. Best, Gabriel

SEND AD MATERIAL sales@arttimes.co.za LETTERS TO editor@arttimes.co.za RIGHTS: THE NEWSPAPER RESERVES THE RIGHT TO REJECT ANY MATERIAL THAT COULD BE FOUND OFFENSIVE BY ITS READERS. OPINIONS AND VIEWS EXPRESSED IN THE SA ART TIMES DO NOT NECESSARILY REPRESENT THE OFFICIAL VIEWPOINT OF THE EDITOR, STAFF OR PUBLISHER, WHILE INCLUSION OF ADVERTISING FEATURES DOES NOT IMPLY THE NEWSPAPER’S ENDORSEMENT OF ANY BUSINESS, PRODUCT OR SERVICE. COPYRIGHT OF THE ENCLOSED MATERIAL IN THIS PUBLICATION IS RESERVED.

@ARTTIMES.CO.ZA

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r ichardscott .com r ichardscott .com R

My Johannesburg

Hand embellished print HahnemĂźhle 308g photo rag paper 22 Carat Gold Leaf Johannesburg lettering Posca pen Johannesburg skyline My Johannesburg 112 x embellished 61cm Hand print HahnemĂźhle 308g photo rag paper 22 Carat Gold Leaf Johannesburg lettering Posca pen Johannesburg skyline 112 x 61cm Only available at The Daville Baillie Gallery Johannesburg

Only available at The Daville Baillie Gallery Johannesburg

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STRAUSS & CO

LIVE AUCTION, THE VINEYARD HOTEL, CAPE TOWN 16 OCTOBER 2017 / www.Straussart.co.za

Alexis Preller, Homage to Hieronymus Bosch, signed and dated ‘48, oil on canvas, 40 by 50cm, R3 000 000 – 5 000 000

Strauss & Co’s third live auction of 2017, scheduled to take place at the Vineyard Hotel on 16 October, is a tour de force for collectors looking to expand the depth of their collections with work by important South African artists. After the R20 million record sale in June of JH Pierneef’s ‘Farm Jonkershoek with Twin Peaks Beyond, Stellenbosch’, those looking to bolster their portfolio with work by the

artist will not be short on choice. A highlight is a small study in casein dated 1924, again of Jonkershoek, (estimate R500 000 – R700 000), while those desiring a more restrained work can look to his rendering of ‘Elim’ executed in 1950, (estimate R700 000 – R900 000). Collectors seeking a major work that typifies Pierneef’s oeuvre, should find ‘Hardekoolboom in a Bushveld Landscape’, more than fits the bill (estimates R2 000 000 – R3 000 000).

Sneak Preview of the Cape Town auction, in conjunction with Zeitz MOCAA opening week, Important South African and International Art, The Gallery, One&Only Hotel, Dock Road, V&A Waterfront 13 - 17 September 2017, Selection of highlights. www.straussart.co.za 12

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William Kentridge, Drawing for ‘Johannesburg Second Greatest City After Paris’, signed and dated 89 charcoal and pastel on paper, 109 by 166,5cm, R2 000 000 – 3 000 000

Daylin Paul Broken Land 10

Jacob Hendrik Pierneef, Jonkershoek Stellenbosch, signed and dated 26, inscribed with the artist’s name, title and provenance on the reverse casein, 26 by 35,5cm, R500 000 – 700 000

Maggie Laubser, The Old Shepherd, signed with the artist’s initials, oil on canvas, 55 by 49,5cm, R2 800 000 – 3 400 000

Another artist who features prominently on the sale is Maggie Laubser with a range of works from different periods of her life. An early study dated 1924, titled ‘Still Life with Pink Flowers in a Glass Vase’, (estimate R300 000 – R400 000) shows the early development of the painterly style for which she became so prominently regarded. Her ‘Black and White Cat seated Amongst Flowers’ (estimate R800 000 – R1 200 000) reveals Laubser’s mastery of composition as well as her endearing portraits of animals that were a recurring theme throughout her life. A highlight of the sale is her portrait, ‘The Old Shepherd’, (estimate R2 800 000 – R3 400 000), demonstrating Laubser’s mastery of the medium of oil paint as well as a deep seated empathy with her subjects. Works by Irma Stern include three on paper, and a rare and mysterious oil, ‘Black Lilies’, executed in 1941, (estimate R2 000 000 – R3 000 000). A surrealistic composition dated 1948, ‘Ode to Hieronymus Bosch’’,

by Alexis Preller, (estimate R3 000 000 – R5 000 000), and consigned in the USA, will appear on the market for the first time. Altogether, there are six Prellers on this auction. William Kentridge leads the contemporary lots with two important drawings from his early animated films coming up, namely his figure of Felix Teitelbaum languishing in a blue pool from ‘Johannesburg Second Greatest City After Paris’, (R2 000 000 R3 000 0000, and the couple in a landscape from ‘Sobriety, Obesity, and Growing Old’, (estimate R2 800 000 – R3 400 000). Sculpture highlights include Esther Mahlangu’s, ‘African Venus’, Clive van den Burgs’s ‘Of Giotto and Egypt’, (both estimate R30 000 - R50 0000, and Wim Botha’s ‘Untitled (Ecstasy Series III)’ which is sure to attract competitive bidding (estimate R250 000 – R350 000).

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IN REMEMBRANCE

ROBERT LODER FOUNDER OF GASWORKS AND TRIANGLE NETWORK. 1934 - 2017

Image Gasworks and Triangle Network. Republished with thanks from Art Africa Magazine www.artafricamagazine.org

South Africa. Loder also established the African Arts Trust which provides support for black artists from the country. Antoniolli released a statement saying “It is impossible to mention all the people that have been touched by Robert’s work and spirit. In relation to Triangle, however, Karen Wilkin, NY based curator and critic, recently reminded us that “The Triangle Artists Workshop, founded in 1982 by Tony [Caro] and Robert, in Pine Plains, New York, was the beginning of it all… We’re very proud of that and we think Robert and Tony were, too – proud that what was supposed to be a one-time only summer project has both continued to exist and to grow and evolve. The original Triangle of the UK, Canada, and the US has become the amazing international cat’s cradle of today’s Triangle Network”.”

Alessio Antoniolli, director of Gasworks and the Triangle Network, has announced the passing of Robert Beauclerk Loder. Prolific patron of the contemporary African Art scene, Loder co-founded the Triangle Network alongside artist, Sir Anthony Caro. The pair met in 1980 when Caro was in the process of organising an exhibition of abstract British art in townships across South Africa. Two years later, they launched the Triangle Network and held the first Triangle workshop for 32 sculptors from across the United States. Today the Traingle Network is an international consortium of small-scale arts organisations and projects that support the work of emerging artists through workshops, residencies, exhibitions and outreach events. Between 1957 and 1966, Loder was employed by Anglo American Corporation and based in both Johannesburg and Lusaka. During his time in Johannesburg, he assisted in running Union Artists – a black theatre group who performed for mixed audiences in apartheid

“Today the Traingle Network is an international consortium of small-scale arts organisations and projects that support the work of emerging artists through workshops, residencies, exhibitions and outreach events.” He also said that “Robert’s dynamic and indefatigable commitment to artists and the belief that they should lead the development of their own work often led him to identify as ‘the postman’ for a Network that, over the last 35 years, has supported over 4500 artists’ development through workshops, residencies and other process-led activities in more than 41 countries around the world.” Loder leaves behind a loving family, and an extraordinary community of the arts.

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Paint it forward. In South Africa only one in 100 young people entering schooling finishes tertiary education. You can change this by supporting the Visual Arts, while helping to create tomorrowâ&#x20AC;&#x2122;s artistsâ&#x20AC;Ś Absa has committed to creating more opportunities for young people to access quality education, including access to funding for studying. One of the ways we are doing this is in partnership with well-known, established artists who have donated key artworks for auction. These artists are painting it forward, with all proceeds from the sale of the artworks going towards Visual Arts scholarships.

Date: Sunday, 12 November 2017 Time: 11:00 for 11:30 am Venue: Absa Art Gallery Book: contact gallery@absa.co.za

Participating artists: Angus Taylor; Anna-Carien Goosen; Arnoldus Kennedy; Banele Khoza; Berco Wilsenach; Bevan de Wet; Caroline Suzman; Cecile Heystek; Chris Slabbert; Colbert Mashile; C o l l e n M a s w a n g a ny i ; Danelle Janse van Rensburg; Dirk Bahmann; Franli Meintjes; Gerhard Marx; Gideon Appah; Gordon Froud; Hanneke Benade; Heidi Fourie; Helena Hugo;

Henk Serfontein; Izak Fourie; Jaco van Schalkwyk; Justin Dingwall; Kai Lossgott; Kobus Spies; Liberty Battson; Maja Marx; Mandy Coppes Martin; Mandy Johnston; Mari Vermeulen Breedt; Marlise Keith; Mongezi Ncaphayi; Neil Niewoudt; Paul Edmunds; Pauline Gutter; Roberto Valcario; Ronel de Jager; Sam Nhegenthwa; Shenaz Mahomed; Wayne Mathews; Willem Boshoff.

To secure your seat at the Absa Art Auction and help support the next

Terms and conditions apply Authorised Financial Services Provider Registered Credit Provider Reg No NCRCP7

Support the next generation

generation of Visual Artists, please contact: gallery@absa.co.za

Black Africa Group_4263_Absa

Make a difference. Prosper.

FNB JOBURGARTFAIR 2017 THE OLDEST ART FAIR IN AFRICA www.fnbjoburgartfair.co.za

Kirsten Beets, Sweet Water, 2017, Oil On Paper, FNB JHBARTFAIR 16

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As the oldest art fair in Africa, the annual FNB JoburgArtFair will return to Johannesburg’s Sandton Convention Centre for its tenth edition, from 8 – 10 September 2017. The Fair will feature over 60 exhibitions within 5 categories, including Contemporary and Modern Art, Solo Presentations, Limited Editions and Art Platforms. The selected galleries and organisations hail from 11 countries across Africa, Europe and the United States. Notably, six participants have exhibited in every FNB JoburgArtFair edition since 2008 – David Krut Projects, Goodman Gallery, Everard Read, Gallery MOMO and SMAC Gallery. The Contemporary section will welcome MOV’ART (Luanda), exhibiting for the first time at the Fair, while Addis Fine Art (Addis Ababa) and Circle Art Agency (Nairobi) joining the main Contemporary section after their Fair debut last year as part of the 2016 East Africa Focus. Other new exhibitors include 50ty/50ty (Joburg) in Limited Editions, NWU Gallery (Potchefstroom) and Under Ground Contemporary (Kampala) in Art Platforms. The solo presentations are dominated by women this year – six of the eight artists are female. South African artists include Sethembile Msezane – represented by Gallery MOMO (Joburg & Cape Town), Lady Skollie by

“The Fair will feature over 60 exhibitions within 5 categories, including Contemporary and Modern Art, Solo Presentations, Limited Editions and Art Platforms.” W W W. A R T T I M E S . C O . Z A

THE FNB JOBURGARTFAIR 17

2016-BMW-Individual-7-Series-by-Esther-Mahlangu-Frieze-Art-Fair. Image - BMW

Tyburn Gallery (London), Thenjiwe Niki Nkosi by the Mariane Ibrahim Gallery (Seattle) and Bronwyn Katz by blank projects (Cape Town). In Toto Gallery will showcase Ilana Seati, and SMAC Gallery will present a new body of Chemu Ng’ok’s work. SMITH Studios will exhibit a unique presentation of the collective HOICK and ELA - Espaço Luanda Arte will present António Ole. “In preparing for the tenth anniversary edition,” says Mandla Sibeko, Director of the FNB JoburgArtFair, “we asked ourselves if we ever simply reflect on a scenario without imagining the potential outcomes, or envision a future without considering the past? So we used this natural moment of reflection and celebration as a framework for the focus of this year’s Fair – to interrogate how closely the acts of ‘Looking Back & Looking Forward’ are tied. We’ll be looking back at the legacy of Modern and Contemporary African Art while looking forward to the future possibilities of artistic practices, communities and markets on the continent.” In the spirit of ‘Looking Back’, Dr. Zoe Whitley of London’s Tate Modern, will curate an

exhibition within the Fair entitled ‘Truth, or some other abstraction’, which will look at how South African modern artists voiced their stories and how those stories shaped our contemporary understanding of history. Borrowing works not often on public display from Gauteng’s collections, Whitley’s curatorial investigation of the modern South African narrative will demonstrate the importance that our past plays on present realities. The Fair welcomes back Robin Rhode – the featured artist at the very first Fair in 2008 and once again as 2017’s featured artist. Rhode’s most recent body of work resonates with the concept of ‘Looking Forward’. He obscures obvious age, race or even gender from his imagery, favouring instead the constants of geometry, balance and color theory. The results are eerily comforting avatars in the age of globalization – iconography with which anyone may identify. Mari Van Niekerk, Senior Communication and Sponsorship Manager at FNB says, “The FNB JoburgArtFair continues to play a significant role in discovering the value that artists bring

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THE FNB JOBURGARTFAIR 17

White House Gallery, FNB JHBARTFAIR

to society and has earned a reputation as the ideal place for those interested in African contemporary art. As a proudly South African bank with roots that extend into several other countries on the African continent and further afield, First National Bank (FNB) helps to sustain the support of art through this prestigious annual event.” New to the FNB Joburg Art Fair, Cartier will be front and centre supporting the arts, showcasing exceptional jewellery and watch creations, and

a selection of artworks created but the students of Johannesburg-based art schools, The Artists Proof Studio and The Market Photo Workshop. The exhibition, part of the Maison’s support of emerging artists in South Africa, is titled “The Ordinary Becomes Precious”, and is inspired by Cartier’s Juste un Clou collection. Juste un Clou pieces magnify the precious qualities of everyday objects in a sublime take on the ordinary, embodying boldness, modernity, and innovation by offering a creative twist on a familiar object.

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THE FNB JOBURGARTFAIR 17

“This is our inaugural year as sponsors to the FNB Joburg Art Fair,” said Cartier Country Manager, Sheila Anne Johnston. “Cartier has always had strong ties to the world of art. In fact, the art of jewellery-making is one of the most ancient and universal forms of expression. We were driven to support the Art Fair as art and design are part of our identity. The creative spirit of Cartier resonates with that of the Art Fair.” Also exhibiting at the Fair for the first time, BMW will present a BMW 7 Series by Ndbele artist Esther Mahlangu. Twenty-six years ago, Mahlangu was the first woman to create artwork on a BMW 525i Sedan, and in 2016 she was once again commissioned to refine a BMW 7 Series, which was exhibited at the Frieze London art fair. As always, the FNB JoburgArtFair has planned a vibrant and informative series of special projects and events. Lalela will host the Educational Programme and Artinsure will host the Art Tours. Says Gordon Massie, MD of Artinsure, “We are excited to be involved in the walkabout program for the second year because it’s our goal to make art accessible. Professor Federico Freschi and Magkati Molebatsi will lead the walkabouts, giving art lovers an insight into some of the works on display.” This year, the addition of a Film Programme will be headlined by the Centre For the Less Good Idea, the brainchild of acclaimed South African artist William Kentridge. On Friday 8 September, audiences can enjoy a specially curated selections of video works from The Centre Of The Less Good Idea’s first season, which will be projected on a large outdoor screen in Nelson Mandela Square.

The Talks Programme will once again take place at the Theatre on Nelson Mandela Square and highlight the exciting content at this year’s Fair. Notably, the programme includes featured artist Robin Rhode and The Armory Show (New York) Director Benjamin Genocchio – each delivering a keynote – as well as a conversation that looks at The School of Anxiety, a project by Moses Serubiri, showcased at the 10th Berlin Biennale. “We would like to thank First National Bank for their vision and continued support”, concludes Mandla Sibeko. “Thanks also goes to our galleries, especially those who have been with us since our inception, and we welcome our new galleries and projects to this bumper edition. Further thanks is extended to our government partner, Gauteng Provincial Government, to Cartier, not only for their exquisite exhibitions, but their enthusiasm and recognition of the value that art brings to society. We are very grateful to Egon Zehnder for enabling our VIP programme, as well as Artinsure for hosting the walkabouts. We look forward to continued relationships with these prestigious organisations.” The FNB JoburgArtFair takes place at the Sandton Convention Centre, Exhibition Hall 1, 161 Maude Street, Sandton Dates: 8 – 10 September 2017 Opening times: Friday, 8 September: 11am – 8pm Saturday, 9 September: 11am – 7pm Sunday, 10 September: 11am – 5pm Cost: Tickets are R150 and can be purchased through tixsa.co.za.

“We’ll be looking back at the legacy of Modern and Contemporary African Art while looking forward to the future possibilities of artistic practices, communities and markets on the continent.” 20

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THE FNB JOBURGARTFAIR 17

Stella Figlefilia, FNB JHBARTFAIR

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THE FNB JOBURGARTFAIR 17

PRESTIGIOUS ANNUAL FNB ART PRIZE AWARDED TO PEJU ALATISE Nigerian artist, Peju Alatise, has been announced as the 2017 recipient of the highly coveted FNB Art Prize at the media launch of the 10th instalment of the FNB JoburgArtFair. Alatise joins the ranks of previous winners such as Nolan Oswald Dennis, Turiya Magadlela, Portia Zvavahera and Kudzanai Chiurai. She receives a cash prize as well as the opportunity to create a new project that will be showcased in a dedicated exhibition space at the FNB JoburgArtFair this September. Alatise – who holds a degree in architecture – is a mixed-medium artist, poet and published

writer whose interdisciplinary work has garnered attention on the global art stage. She was selected as the 2016 fellow at the Smithsonian Institute of African Art and exhibited at the Venice Biennale’s 57th edition. With several international solo exhibitions to her name, Alatise’s work can be found in private and institutional collections around the world. She’s passionate about addressing social, political and gender-related issues as her primary subject matter, through artistic work that also captures the joys and pain of womanhood in modern-life-African traditions. Mari Van Niekerk, Senior Communication and Sponsorship Manager at FNB says that the FNB Art Prize honours exceptional artistic talent and, at the same time, provides many local and international opportunities beyond the Fair, often resulting in a springboard that catapults the artist’s career to a higher level.

“She was selected as the 2016 fellow at the Smithsonian Institute of African Art and exhibited at the Venice Biennale’s 57th edition.” 22

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THE FNB JOBURGARTFAIR 17

“There is a great need to continue investing in artists that tell us more about ourselves, and art in this sense, is a commodity that isn’t simply a good financial investment, but a social dialogue that enables us to reflect. Our decade of continued support of the FNB JoburgArtFair is recognition of the varied roles that art plays in our society, from being a form of expression which offers a much deeper and intrinsic look at the world around us, to an alternative investment option,” says Van Niekerk. “Our commitment to the FNB JoburgArtFair continues to ensure that in the years to come, we will continue to introduce African artists to an international audience, galleries, collectors, writers, thinkers and art lovers,” she says. All galleries participating in the FNB JoburgArtFair are given the opportunity to nominate one of their artists for consideration by the jury. This year, Red Door Gallery – one of the leading galleries based in Lagos – nominated Peju Alatise for the prize. Red Door’s founder, Bola Asiru says, “Peju’s work is filled with strong societal narratives on the realities of life in Africa; her message has been heard in West Africa, at the Smithsonian in the United States and the Venice Biennale in

Europe. We feel that it’s time for this message to be taken to the rest of Africa and there is no better platform for this than the FNB JoburgArtFair.” The 2017 judging panel for the coveted FNB Art Prize consisted of Nicole Siegenthaler, Producer of FNB JoburgArtFair, Pulane Kingston, partner at Webber Wentzel Attorneys and active patron of the arts and RosaLee Goldberg, New York University professor and Founding Director of Performa, a non-profit arts organisation committed to the research, development and presentation of performance by visual artists from around the world. “The quality of each of the shortlisted candidates’ proposals this year was high,” says Pulane Kingston, “but we were ultimately unanimous in our decision around Alatise’s proposal – it stood out. The innovative, universal social relevance and poignancy in the themes underpinning her work were some of the deciding factors in tipping the scales in her favour. The overall body of her work over the years is varied and compositionally strong, palpably reflecting the intense vibrancy of the African continent. We have no doubt that the integrity of the overall body of her work will propel her career meaningfully.”

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THE FNB JOBURGARTFAIR 17 SALON NINETY ONE FNB JOBURGARTFAIR Since its inception in 2008, Salon Ninety One has served as a platform for both emerging and established South African artists of all disciplines to gain exposure through sharing their creativity and vision. The Artists exhibiting with Salon Ninety One have all excelled in their respective fields, with their names quickly gaining recognition across South Africa and Internationally.

Alex Emsley, Were I Of Your Flock, FNB JHBARTFAIR

BARNARD GALLERY FNB JOBURGARTFAIR Barnard Gallery is proud to present a solo presentation of new work by Alex Emsley, in a continuation of the gallery’s tradition of presenting experience-driven concept booths at FNB Joburg Art Fair. Alex Emsley’s practice is informed and inspired by the technical nature and physical act of painting, by its processes, tools and methods. As such, Emsley often evokes the image of the “craftsman” in reference to his practice, as opposed to the “artist”. While this term perhaps falls short of capturing the outstanding eloquence and nuance of Emsley’s photorealistic imagery, it does capture an unashamed commitment to and underscoring of the craft of image making and the technical rigour of the practice of painting. While Emsley emphasizes craft over concept – setting the artist’s work apart from much of contemporary art practice – he nevertheless operates within and gives contemporary interpretation to the long standing art historical tradition of the still life, and its concomitant reflections on notions of vanity, mortality and the life of the object.

“Alex Emsley’s practice is informed and inspired by the technical nature and physical act of painting, by its processes, tools and methods.”

Salon Ninety One will be exhibiting at the FNB Joburg Art Fair, for the second consecutive year bringing accessible, affordable contemporary art from Cape Town to both seasoned collectors and first-time buyers in Johannesburg. This year we are proud to be representing Cathy Layzell, Heidi Fourie, Kirsten Beets, Kirsten Sims, Linsey Levendall, and Paul Senyol. These Artists embody the gallery’s signature style and reflect the astounding growth and promise of local talent. Visit us at Booth C15 from the 8th to the 10th of September 2017 at the Sandton Convention Centre, Johannesburg. Please visit www.salon91.co.za or call 021-424-6930 for further information.

Paul Senyol, Narrows, 2017, FNB JHBARTFAIR

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ODE TO SHE Tony Gum Opens Fri 29 Sept @ 6:30pm

www.christophermollerart.co.za

THE NWU GALLERY

DEVELOPING ITS AUDIENCE THROUGH EDUCATIONAL ART PROGRAMMES, WITH SUPPORT FROM THE MTN FOUNDATION

The NWU Gallery and MTN Foundation will launch a custom designed educational application at FNB JoburgArtFair 2017. It consists of selected works from both the NWU Art Collection and MTN Art Collection, to be used as templates on which kids can base their own drawings. This connects to the developmental work of the NWU Gallery and MTN Foundation, and speaks to the lack of arts education and exposure of our youth. The app will be freely available online and as a download. The application, of which full details will be unveiled at the Fair, follows the awarded MTN Art Safari for Kids, which took place during Aardklop 2016 – to be repeated this year.

The Art Safari for Kids saw school children from the Potchefstroom community taken on chaperoned tours through 12 exhibitions including work by well over 200 artists. A custom designed multilingual educational programme, encouraging thought, comment and artistic creation, was received with critical acclaim. This year the programme is in a digital format so to broaden its reach through improved accessibility by schools and institutions across the country. Together with the MTN Foundation, the NWU Gallery hopes to extend this project’s implementation and development to rural and underdeveloped areas in the North West province and beyond.

“The NWU Gallery has been using the arts, in all its forms, as a vehicle for discussion, transformation, development and most importantly, education.” 26

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Fabien Claude, P11 167 (2011) Oil on paper, NWU Art Collection W W W. A R T T I M E S . C O . Z A

Select works from both institutions’ art collections will also be on show during the Fair. The selection is a condensed form of the Figuratively Speaking exhibition, which showed during September and October of 2016. This exhibition explored the range of complex meanings associated with figure in the analysis of visual and material forms. Works of Bettie Cilliers-Barnard, George Pemba, Irma Stern, Cecil Skotnes, Minnette Vári, Justin Dingwall and Maureen Quin (amongst others) will be on show at the Fair. The original selection included works by 48 heavy weight and upcoming artists. An exhibition catalogue was published, and will be on sale at the Fair. About the work and exhibitions of the NWU Gallery The NWU Gallery has been using the arts, in all its forms, as a vehicle for discussion, transformation, development and most importantly, education. It frequently hosts and presents exhibitions, projects, talks and events on societal issues regarding race,

gender, sexual orientation, language, identity and institutional culture. It is the vision of the NWU Gallery to make art accessible to a broader audience by means of interactive processes. The NWU Gallery aims to establish such interaction through the study, preservation, conservation, exhibition, interpretation and development of its collection, as well as the preparation and presentation of temporary exhibitions through a programme of educational activities aimed at diverse audiences ranging from novice to expert. About the NWU Gallery & NWU Art Collection The NWU Gallery consists of two gallery spaces. One large exhibition space with climate controlled storage facilities, as well a smaller Botanical Garden Gallery and sculpture park. It has seen over a hundred exhibitions since its launch, from esteemed local and international artists alike.

“Looking Back While Moving Forward: The NWU Art Collection was published in 2013, as a celebration and recognition of where the collection was and where it ought to go.” 28

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Bettie Cilliers-Barnard, Mymering (1949) Oil on canvas, NWU Art Collection

Irma Stern, Woman with jug (1949) Oil on board, MTN Art Collection

The NWU takes pride over its art collection – the largest historical and contemporary collection in the North West Province. The collection was initiated in 1972 when some of the 66 artists that participated in the institution’s first art exhibition donated artworks to the university. The current art collection comprises of over 1200 artworks including paintings, sculptures, graphic works and some examples of craft work. The cataloguing of the NWU Art Collection has been completed and Looking Back While Moving Forward: The NWU Art Collection was published in 2013, as a celebration and recognition of where the collection was and where it ought to go. The collection is currently being prepared for valuation. About the MTN Foundation & MTN Art Collection The MTN Art Collection has become a recognized corporate collection of approximately 1400 artworks by various South African and African artists in a variety

“The NWU Gallery consists of two gallery spaces. One large exhibition space with climate controlled storage facilities, as well a smaller Botanical Garden Gallery and sculpture park.” of disciplines, styles and mediums - and assigned to be an instrument for educational development and community outreach programmes in the Arts and Culture public sectors of South Africa. It remains to be so under the committed custodianship of the MTN SA Foundation, which insures that the Art Collection is seen and utilised for development and education in galleries, museums, schools and rural teaching centres across the country.

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SANLAM PORTRAIT AWARD 2017 RUST-EN-VREDE GALLERY / MICHAELIS GALLERY UCT www.michaelis.uct.ac.za / www.rust-en-vrede.com

Kate Arthur, Kwena

Janine Anderson, First Day of School

The third Sanlam Portrait Award culminates with the highly anticipated TOP 40 exhibition – to be held at Rusten-Vrede Gallery in Durbanville, and PORTRAIT 100 at Michaelis Galleries (UCT) respectively on the 25th and 26th of August.

In engaging with a huge number of high quality works created by numerous talented artists the three judges, Peter Monkman (British based portrait artist and teacher, 2009 Winner and 2015 Judge of the BP Portrait Award, and current director of Art at Charterhouse), Nkule Mabaso (Visual artist and highly respected curator of Michaelis Galleries) and Carl Jeppe (Visual artist and esteemed lecturer for 35 years at the Tshwane University of Technology) went the extra mile in curating the final eclectic mix of 40 contemporary portraits.

This year, the national competition attracted 1,437 entries throughout South Africa. Due to the anonymous judging process, flexible age restrictions (18 +), and free use of the Stuttaford Van Lines Courier Service, all participants were deemed equal; levelling the playing field and ensuring that the judges select their Top 100 portraits purely based on technicality, narrative and emotional appeal.

Kate Arthur’s controversial and inspiring piece “Genna & Felix” was chosen as the 2017 winning portrait. (See Contents Page)

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Jennifer Ord, An Instance Of Substance

Jody Waterson, Three Generations of The Mnyadu Family, The Gogo, The Gardener, The Nurse

Traditional portraiture exists not only to portray a physical likeness of the sitter, but naturally conveys a sense of who the sitter is – capturing an essence of the subject’s identity. It is within this identity-narrative that Kate Arthur’s portrait Genna & Felix intrigued the judges and claimed this year’s Sanlam Portrait Award first prize. Arthur, an artist currently residing and working in Cape Town, obtained a Bachelor of Arts degree from Rhodes University in 2007 and works predominantly in mediums of painting, drawing and printmaking. She is interested in portraiture, identity and representations of the body; predominantly creating work that challenges normative narratives around gender and sexuality.

Genna and Felix, like most of Arthur’s preferred subjects, identify as LGBTQ – a complex identity, filled with an array of mixed narratives, thoughts and emotions. Given the current political notions on this seemingly volatile topic, Arthur’s winning portrait forces the viewer to engage with her subjects, whilst simultaneously raising the importance of LGBTQ visibility. Arthur succeeded in creating a work worthy of the “Sanlam Portrait Award crown”. Genna & Felix is a fresh, contemporary and controversial take on the traditional views on portraiture. It can be seen at Rust-en-Vrede Gallery from 25 August to 27 October during gallery hours. www.rust-en-vrede.com 021 976 4691 / rustenvrede@telkomsa.net

The third Sanlam Portrait Award to be held at Rust-en-Vrede Gallery in Durbanville, and PORTRAIT 100 at Michaelis Galleries (UCT) respectively on the 25th and 26th of August. W W W. A R T T I M E S . C O . Z A

SANLAM PORTRAIT AWARDS

Vanessa Berlein, Looking Back To See The Future

Christopher Denovan, Weighed Down

Jacques Andreâ&#x20AC;&#x2122; Du Toit, The Pledge

Gail Glover, Chenai

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Elize Bezuidenhout, A New Beginning

Ian Grose, Antonia, Richard and Daniel Lucas

Ilandi Barkhuizen, Foute Van My Voorvaders

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SANLAM PORTRAIT AWARDS

Elize Bezuidenhout, Vemasty

Christiaan Blaauw, 19

Leandri Erlank, Happiness

Veronique Hoog, Untitled IV

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Ydi Coetsee, Selfportret Soos op Die Aand Van Die Aanval

Corlie Annemarie De Kock, The Becoming Girl

Tinus Horn, In All Of The Noise I Am Silence

Craig Ivor, Untitled Self Portrait

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SANLAM PORTRAIT AWARDS

Willem Pretorius, Anti Social Media

Jennifer Kemlo, Lily

Juria Le Roux, Kitchen Tea

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Cindy Lewis Williams, Judge Me Not

Candice Helen Louw, My Martha

Lwando Lunika, Untitled

Percy Barnard Maimela, Listen To The Follow

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SANLAM PORTRAIT AWARDS

Liza Kirby Van Rooyen, Cryptophasia

Themba Mkhangeli, Serenity

Catherine Ocholla, Daydream

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Marieâ&#x20AC;&#x2122; Stander, Gifts From Joseph And Maureen

Veronica Reid, This Is Ada

Willie Schlechter, Self Portrait In Mothers Blouse

Ashley Ogilvy, Hey You

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SANLAM PORTRAIT AWARDS

Andreâ&#x20AC;&#x2122; Serfontein, Gaura

Gillian Taylor, Aidan

Shiralee Siebert, Words

Dane Stops, Sphume

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Mutara Wenguva “Time Line”

The Model (triptych), 2015, oil on canvas, 101 x 127 cm each panel.

Richard Mudariki Sanlam Art Lounge

Sanlam Art Gallery

Sanlam, 11 Alice Lane, Sandton

Sanlam, 2 Strand Road, Bellville

Tel: 011 778 6210 / 083 457 2699 Email: sanlamart@sanlam.co.za

Tel: 021 947 3359 / 083 457 2699 Email: sanlamart@sanlam.co.za

25 July – 9 September 2017

20 September – 29 October 2017

Monday – Friday: 12:00 – 16:30 Saturday: 10:00 – 13:00

Monday – Friday: 09:00 – 16:30 Saturdays by appointment

BUSINESS ART

INVESTEMENT ART, NEWS & AUCTIONS

Image: Moshekwa Langa, Mmatsie, sold for R318 304,00, Winter 2017 Aspire Art Auctions / www.aspireart.net 42

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William Kentridge, Drawing from Mine, 1991, R1 500 000 â&#x20AC;&#x201C; 2 500 000

INVITING CONSIGNMENTS FOR OUR SPRING AUCTION IN JOHANNESBURG | 6 NOVEMBER 2017

Historic, Modern & Contemporary Art For free art valuations contact Johannesburg | 011 243 5243 | 071 675 2991 | jacqui@aspireart.net Cape Town | 021 202 6089 | 083 283 7427 | marelize@aspireart.net

www.aspireart.net ww

ASPIRE ART AUCTIONS LINES UP EXCITING NEW SALE

Abromovic Golden Mask

Aspire Art Auctions’ successful Winter sale in Johannesburg in July was marked by an international auction record of R1,200,320 achieved for a drawing by exiled South African artist Dumile Feni, the extraordinary Children under Apartheid, as well as the successful sale of top international lot Golden Mask by renowned performance artist Marina Abramović, proving this auction house’s increasingly global reach. Aspire also introduced its first online auction, Timed Online, that was led by Ruarc Peffers and Jacqui Carney, who pioneered online fine art auctions in South Africa. Over 200 lots featured on this sale, powered by the global Invaluable platform. The next live auction takes place in Johannesburg in November 2017. Focusing on a carefully selected combination of historic, modern and contemporary work, the sale features some significant highlights. The announcement recently of the consignment of a powerful work by JH Pierneef, The Commando Tree, on the road to Sibasa (1930), is now followed by the confirmation that Aspire will present a rare early drawing by William Kentridge from Mine, the third in the celebrated film series, 9 Drawings for Projection. The fourth film of the series won the artist his first major recognition and the prestigious Rembrandt Gold Medal at the Cape Town

Triennial held at the South African National Gallery in 1991. Drawing from Mine depicts Johannesburg mining magnate, Soho Eckstein, in bed, about to plunge his cafetiere, which transforms into a mine shaft or periscope plunging into the world below. One of the drawings from this film is in the National Museum of African Art, Smithsonian Institute, in Washington DC. This superb image from the internationally renowned films will be offered on auction at estimates of R1 500 000 - R2 500 000. The sale will also present a singular work by celebrated contemporary artist Mohau Modisakeng, who was recently one of the two featured artists at the much-praised SA Pavilion at the latest Venice Biennale. Ga Etsho 1 (2015) is a unique, one-off inkjet print, and a highly unusual piece by this young contemporary talent. Commenting on the forthcoming auction, Aspire director Ruarc Peffers focuses on the quality of the contemporary work on offer: “Our last live sale was proof positive that there is an appetite in the local market for good contemporary work, with great prices being fetched for the likes of work by Kendell Geers and Guy Tillim. The Timed Online auction continued that trend, with a wideranging focus on the contemporary arena. While our upcoming live sale has a wealth of highly collectible work in the modern and historic idioms, this really fine Kentridge drawing stands out as one of the finest ever to come to auction.”

Mohau Modisakeng, Ga Etsho

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Christy Lee Rogers 14 September - 26 October 2017

Above and Below (detail), 147 x 196.5cm

Hybrids

68 on Hobart, Block A, corner William Nicol Drive & Dover Road (entrance off Hobart Road), Bryanston Monday to Friday: 10:00 - 18:00 Saturday: 09:00 - 17:00 Sundays and evenings by appointment

Graham: +27 83 605 5000 Gallery: +27 11 463 7869 graham@grahamsgallery.co.za info@grahamsgallery.co.za www.grahamsgallery.co.za

EXHIBITION OPENING: 14 September 2017, 19:00 RSVP FOLLOW US ON SOCIAL MEDIA

MARGARET NEL

ARTIST MARGARET NEL EXHIBITS OVER FOUR DECADES OF WORK IN MAJOR RETROSPECTIVE PRETORIA, South Africa – A major retrospective exhibition by South African artist Margaret Nel will be shown at the Pretoria Art Museum from 15 October 2017 until 28 January 2018, featuring a selection of over 70 paintings, spanning a career of over four decades. The exhibition will be opened by renowned art historian, consultant and curator Warren Siebrits, at 11h00 for 11h30 on Sunday 15 October 2017. The exhibition has been designed as a narrative across five inter-related themes, loosely corresponding to different chronological periods of Nel’s output, dated between 1970 and 2017. The themes demonstrate progression in technique, subject matter and influences within Nel’s career, while simultaneously tracing common conceptual motifs running through her entire body of work. Nel’s early professional output was primarily shaped by two sources of influence, both of which were current at the time of her student training — Francis Bacon’s figurative response to post-war existentialism, and the emergence in the 1960s of Nouvelle Figuration as a reaction to American Pop Art, abstraction and Nouveau Réalisme. These early works, completed between 1970 and 1976, are characterised by the use of the abstracted figure as a means to suggest the effects of societal isolation, emotional withdrawal and mental debilitation. These silent, nameless players are forever caught at the margins of relevance, in a no-man’s land

of their own — and others’ — construction. In certain works, such as Two cups (1974) and Mrs A (1974), there is the inference of a social invitation, the terms of which are unclear or perhaps even threatening. With the 1970 New Signatures Prize for painting being awarded for Tea time I, and again in 1973 for Mr S, it became evident that figurative work would remain a primary vehicle for Nel to express themes of psychological distress and isolation. Having won critical acclaim with selected early work, Nel’s output lapsed for nearly a decade — a hiatus that only ended in 1988 after viewing the work of Penny Siopis and Keith Dietrich at the Cape Town Triennial of that year. A period of great productivity followed, shaped by Postmodern tendencies towards compositional complexity, eclecticism and socio-politically charged commentary, with much of Nel’s work addressing marginalised feminist and environmental identities. In works such as Regina of the famished land (1992), To you shall be given (1992) and Waiting for the Renaissance (1998), the barren landscape acts as the common stage upon which a recurring cast of players make bids at self-preservation: a makeshift shelter, a crudely demarcated claim to privacy, a futile attempt at escape. While these works can be read as a response to issues of displacement and power pertinent to the time, including South Africa’s uncertain democratic transition, the Burundian and Rwandan genocides of 1993 and 1994, and the first wave of global warming awareness, they bear equal relevance to current global concerns around statelessness and immigration.

“The exhibition has been designed as a narrative across five inter-related themes, loosely corresponding to different chronological periods of Nel’s output, dated between 1970 and 2017” 46

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Stain.

Post-2000, Nel turned to the use of crockery as a still-life motif stereotypically associated with domesticity and feminine identity. While Nelâ&#x20AC;&#x2122;s early and Postmodern work frequently features the tea cup as a recurring symbolic device, these later renditions present these vessels as fractured, fragmented, overturned â&#x20AC;&#x201D; suggestive of some earlier violence, either physically or psychologically inflicted. In Spill (2009) and Stain (2009), the spillage and subsequent stains resulting from this disturbance seem to imply a loss of control or perhaps, even that of blood. This inference is especially relevant in light of the national

increase in, and normalisation of violent crime, especially that of sexual assault, since South Africaâ&#x20AC;&#x2122;s political transition in 1994. Returning once more to figurative subject matter in the mid-2000s, Nel specifically focused on skin laid bare to the elements, as a metaphor for psycho-emotional or physical vulnerability. Exposed skin, and the trauma inflicted upon it by the effects of the sun or the cold, alludes to a lack of preparedness for existing, or perhaps forthcoming, adverse conditions. These inadequate attempts at self-preservation possibly point to a

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BUSINESS ART / MARGARET NEL

Custard Bun.

premature transition from an Arcadian age of innocence to a state of worldliness and disenchantment — whether sexual, political or emotional. In Exposed: Willem, 28 (2006), Nel presents a charged figurative study, the subject’s sunburnt skin echoing a sense of anxiety and unease. Nel’s latest body of work is distinguished by three investigations of the same theme: cuts of meat, baked goods and fresh produce, all rendered on an oversized, visceral scale. Either encased (and therefore preserved) or breached (and thereby vulnerable to decay), these works represent a conflict between an

outer and inner reality that immediately forces the subject matter out of the mould of “still life”. In works such as Bleed I (2014) and Slab II (2015), her explorations of meat call to mind the carcasses of Rembrandt and Bacon; only here, blunt-force brutality is sanitised and commodified with plastic and polystyrene — alluding, perhaps, to the mythologisation of flesh and ritual apportioning of spoils. Her representations of processed confectionary, heavy with glazing and piped cream, such as Two buns I (2014) and Custard buns 6s (2015),

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BUSINESS ART / MARGARET NEL

Regina Of The Famished Land

“This tension between the cleanliness and corruption of flesh is also demonstrated in Nel’s explorations of fresh produce, which too succumb to softening and eventual decomposition.” 50

inherently call to mind female sexual organs, either preserved from, or poised for, the processes of decay. This tension between the cleanliness and corruption of flesh is also demonstrated in Nel’s explorations of fresh produce, which too succumb to softening and eventual decomposition. Nel’s work is housed in numerous public, private and corporate collections, including the Universities of Stellenbosch, Free State and Pretoria, and the collections of SASOL, Telkom, ABSA and Rand Merchant Bank.

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THE SOUTH AFRICAN SALE Wednesday 13 September 2017, 2pm New Bond Street, London

IRMA STERN (SOUTH AFRICAN, 1894-1966) The Red Dress oil on canvas £250,000-350,000 plus buyer’s premium and other fees *

bonhams.com/southafricanart

For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide

ENQUIRIES +44 (0) 20 7468 5881 sapictures@bonhams.com

BUSINESS ART

AUCTION ACTION

RESULTS, HIGHLIGHTS AND LOTS TO WATCH STRAUSS & CO LIVE AUCTION THE VINEYARD HOTEL, CAPE TOWN 16 OCTOBER 2017 WWW.STRAUSSART.CO.ZA

William Kentridge, Drawing for Johannesburg Second Greatest City After Paris , signed and dated 89, charcoal and pastel on paper ,109 by 166,5cm, R2 000 000 3 000 000

Gerard Sekoto (South African, 1913 – 1993) Congolese Maid £30,000 – 50,000

Wim Botha, Untitled (Ecstasy Series III), signed and dated 11, Afrikaans Bibles, wood and steel, height: 162cm, R250 000 350 000

J.H. Pierneef, ‘Hartbeespoort Dam’, 1929

BONHAMS THE SOUTH AFRICAN SALE WEDNESDAY 13 SEPTEMBER 2017, 2PM NEW BOND STREET, LONDON

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FORTHCOMING

AUCTION CAPE TOWN 10 & 11 OCTOBER 2017

VIEWING: 6 - 8 OCTOBER 2017 10h00 - 17h00 (Jewellery & Silver close at 16h30)

The Great Cellar, Alphen Estate, Alphen Drive, Constantia

021 794 6461 stephanwelz@stephanwelzandco.co.za

www.stephanwelzandco.co.za SW2474

BUSINESS ART

AUCTION ACTION

RESULTS, HIGHLIGHTS AND LOTS TO WATCH 5TH AVENUE AUCTIONEERS Next Auction 10am Sunday 15th October 2017 www.5thaveauctions.co.za

RUSSELL KAPLAN AUCTIONEERS JOHANNESBURG COHEN, STEVEN (SA 1962 - ) Chandelier, C-print, sheet size: 99 x 80 cm, Sold: R 80,000.00 Next art, antiques, furniture and household items auction 16th September www.rkauctioneers.co.za

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Wanted for upcoming auctions 16 September 2017 Art, antiques, objects, furniture and jewellery

William Kentridge, pastel and charcoal on found book page SOLD R47 000

Cecil Skotness, carved, incised and painted panel SOLD R125 000

View previous auction results at www.rkauctioneers.co.za

011 789 7422 • 083 675 8468 • 12 Allan Road, Bordeaux, Johannesburg

5 th Avenue F ine A rt Auctioneers Prices achieved at our August Auction, Let us do the same for you Vladimir Tretchikoff, Oil Sold for R 268, 800

Adriaan Boshoff, Oil Sold For 246, 400

Next Auction 15th October at 10am ~ Now Accepting Entries for this Auction ~ Auction Rooms 404 JAn smuts Ave, cRAighAll PARk, sAndton. Absentee bidding viA: Phone, commision bid & online live online bidding Also offeRed thRough ouR APP And website

WWW.5AA.CO.ZA ~ 011 781 2040/39/41 W W W. A R T T I M E S . C O . Z A

GALLERY GUIDE: SEPTEMBER 2017

EXHIBITIONS, EVENTS, GALLERY GUIDE & ART TO BUY • ONGOING SHOWS: SEPTEMBER 2017 • OPENENING EXHIBITIONS: SEPTEMBER WEEK’S 1 - 4 • UPCOMING SHOWS: OCTOBER ONWARDS 17

(Detail) Paul Senyol, Narrows, 2017, Mixed Media On Linen, 510mm 440mm

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Standard Bank Young Artist 2017 BETH DIANE ARMSTRONG in perpetuum Standard Bank Gallery

4 August to 30 September 2017

Standard Bank Gallery, Cnr Frederick and Harrison Streets, Johannesburg Monday to Friday 8am – 4.30pm and Saturdays 9am – 1pm. Free admission. Tel: 011 631 4467 www.standardbank.com/beth #SBGallery

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Authorised financial services and registered credit provider (NCRCP15). The Standard Bank of South Africa Limited (Reg. No. 1962/000738/06). Moving Forward is a trademark of The Standard Bank of South Africa Limited. SBSA 266201-7/17

ONGOING SHOWS: SEPTEMBER 2017

IZIKO SOUTH AFRICAN NATIONAL GALLERY LIONEL DAVIS: GATHERING STRANDS UNTIL 01/10/2017 WWW.IZIKO.ORG.ZA

OLIEWENHUIS ART MUSEUM

WWW.NASMUS.CO.ZA

WWW.NDIZAGALLERY.COM

UNTIL 01/10/2017

UNTIL 01/11/2017

NELSON MANDELA METROPOLITAN ART MUSEUM MOTHERHOOD UNTIL 03/11/2017 WWW.ARTMUSEUM.CO.ZA

THE GOODMAN GALLERY JOHANNESBURG TRANSPARENT TERRITORIES BY GERHARD MARX UNTIL 04/10/2017

WWW.GOODMAN-GALLERY.COM

NELSON MANDELA METROPOLITAN ART MUSEUM PEMBA UNTIL 08/09/2017 WWW.ARTMUSEUM.CO.ZA

UNTIL 03/11/2017

UNTIL 04/10/2017

UNTIL 08/09/2017

ARTVARK GALLERY DROOGTE DROUGHT A GROUP EXHIBITION, 25 PLUS ARTISTS. 25/08/2017 UNTIL 08/10/2017 WWW.ARTVARK.ORG

PRETORIA ART MUSEUM SASOL NEW SIGNATURES FINALISTS EXHIBITION UNTIL 08/10/2017 WWW.TSHWANE.GOV.ZA

SANLAM ART GALLERY A SELECTION OF PORTRAITS FROM THE SANLAM ART COLLECTION 04/08/2017 UNTIL 12/09/2017 WWW.SANLAM.CO.ZA

08/10/2017

UNTIL 08/10/2017

UNTIL 12/09/2017

“WA THINTA ABAFAZI, WA THINTA IMBOKODO” - YOU STRIKE A WOMAN, YOU STRIKE A ROCK UNTIL 01/10/2017

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NDIZA GALLERY TELLING AFRICAN STORIES UNTIL 01/11/2017

ONGOING SHOWS SEPTEMBER 2017

SALON91 THE GUISE OF REALITY 02/08/2017 TILL13/09/2017

ART IN THE YARD VERVE, PART II, MALE, A GROUP EXHBITION UNTIL 13/09/2017

OUR THINGS | DANEL BURGER-GRAVETT & VALERIA TALIAN

WWW.SALON91.CO.ZA

WWW.ARTINTHEYARD.CO.ZA

WWW.ARTSASSOCIATIONPTA.CO.ZA

UNTIL13/09/2017

UNTIL 13/09/2017

STEVENSON JOHANNESBURG FUGITIVE BY MOSHEKWA LANGA UNTIL 13/10/2017 WWW.STEVENSON.INFO

LIGHT AND SPACE - PAINTINGS BY MICHELLE IRVING, ALISON AKAL, HALEY WRIGHT, AND ILMA MATTHEWS / UNTIL 14/09/2017

ARTSPACE DURBAN

DAVILLE BAILLIE RICHARD SCOTT JOHANNESBURG UNTIL 14/11/2017

WWW.ARTSPACE-DURBAN.COM

WWW.DAVILLE.CO.ZA

UNTIL 13/10/2017

UNTIL 14/09/2017

UNTIL 14/11/2017

ART@DURBANVILLE HILLS, DURBANVILLE HILLS WINE ESTATE MARKE MEYER SOLO EXHIBITION “THE LEGACY OF LAUGHTER & LOST MOMENTS” UNTIL MID SEPTEMBER WWW-ART-AT-DURBANVILLEHILLS.COM

NELSON MANDELA METROPOLITAN ART MUSEUM PALLADIO AND THE MODERN UNTIL 15/09/2017 WWW.ARTMUSEUM.CO.ZA

IZIKO SOUTH AFRICAN NATIONAL GALLERY AT FACE VALUE | COLLECTION OF PORTRAITURE. UNTIL 15/12/2017 WWW.IZIKO.ORG.ZA

UNTIL MID SEPTEMBER

UNTIL 15/09/2017

UNTIL 15/12/2017

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ASSOCIATION OF ARTS PRETORIA

26/08/2017 TILL 13/09/2017

ONGOING SHOWS SEPTEMBER 2017

BARNARD GALLERY JACO VAN SCHALKWYK ARIUM 22/08/2017 TILL 19/09/2017

NWU BOTANICAL GARDEN GALLERY THE LIMINAL UNTIL 22/09/2017

AVA GALLERY RORY EMMETT CONCERNING ALCHEMY UNTIL 23/09/2017

WWW.BARNARDGALLERY.COM

WWW.NWU.AC.ZA/NWUGALLERY

WWW.AVA.CO.ZA

UNTIL 19/09/2017

UNTIL 22/09/2017

UNTIL 23/09/2017

THE GOODMAN GALLERY - CAPE TOWN THE SILENCES BETWEEN GROUP EXHIBITION UNTIL 23/09/2017

ART IN THE YARD VERVE PART 2 MALE GROUP SHOW 26/08/2017 TILL 23/10/2017

OLIEWENHUIS ART MUSEUM 29TH SOPHIA GRAY MEMORIAL EXHIBITION 31/08/2017 TILL 25/09/2017

WWW.GOODMAN-GALLERY.COM

WWW.ARTINTHEYARD.CO.ZA

WWW.NASMUS.CO.ZA

UNTIL 23/09/2017

UNTIL 23/10/2017

UNTIL 25/09/2017

OLIEWENHUIS ART MUSEUM 29TH SOPHIA GRAY MEMORIAL EXHIBITION PRESENTED BY ELPHICK PROOME ARCHITECTS UNTIL 25/09/2017 WWW.NASMUS.CO.ZA

SANLAM PORTRAIT AWARD 2017 TOP 40 FINALIST EXHIBITION 25/08/2017 TILL 27/10/2017 WWW.RUST-EN-VREDE.COM

RUST-EN-VREDE CLAY MUSEUM WINTER BLUES CERAMIC GROUP EXHIBITION UNTIL 27/10/2017 WWW.RUST-EN-VREDE.COM

UNTIL 25/09/2017

UNTIL 27/10/2017

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ONGOING SHOWS SEPTEMBER 2017

RUST-EN-VREDE GALLERY SANLAM PORTRAIT AWARD 2017 TOP 40 GROUP EXHIBITION UNTIL 27/10/2017 WWW.RUST-EN-VREDE.COM

SMAC GALLERY STELLENBOSCH 10 YEAR ANNIVERSARY EXHIBITION 12/08/2017 TILL 28/10/2017 WWW.SMACGALLERY.COM

WWW.FACEBOOK.COM/KATHYBOTHA

UNTIL 27/10/2017

UNTIL 28/10/2017

UNTIL 27/10/2017

CIRCA TRUTH SLEUTH UNTIL 30/09/2017

DIETMAR WIENING BRONZE SCULPTURES 01/08.2017 TILL 30/9/2017

EVERARD READ GALLERY STATE 24/08/2017 TILL 30/09/2017

WWW.EVERARD-READ.CO.ZA

WWW.DIETMARWIENING.COM

WWW.EVERARD-READ.CO.ZA

UNTIL 30/09/2017

UNTIL 30/9/2017

UNTIL 30/09/2017

HEATHER AUER ART & SCULPTURE GALLERY WOMEN OF AFRICA UNTIL 30/09/2017

IMIBALA GALLERY COLOURS UNTIL 30/09/2017

WWW.HEATHERAUER.COM

WWW.IMIBALA.COM/ART-GALLERIES

UJ ART GALLERY JAG IS FORTUNATE TO HOST A LABOUR OF LOVE, FOLLOWING ITS MUCH VAUNTED RUN IN FRANKFURT, GERMANY IN 2015-2016 WWW.FRIENDSOFJAG.ORG/NEWS

UNTIL 30/09/2017

UNTIL ?

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KATHY BOTHA EQUILIBRIUM ALLIANCE FRANCAISE, 17 MACKAY STREET, RICHMOND HILL PORT ELIZABETH UNTIL 29/09/2017

ONGOING SHOWS SEPTEMBER 2017

THE VIEWING ROOM GALLERY @ST.LORIENT UNTITLED - GALLERY ACQUISITIONS UNTIL 30/09/2017 WWW.STLORIENT.CO.ZA

ART@THECLOCKTOWER, V&A WATERFRONT, CT IT IS NOT ALL BLACK AND WHITE UNTIL 31/10/2017 WWW.CAST.CAPETOWN

UNTIL 30/09/2017

UNTIL 31/10/2017

SOUTH AFRICAâ&#x20AC;&#x2122;S LEADING VISUAL ARTS PUBLICATION

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THE LA MOTTE MUSEUM A TRIBUTE TO THE LIFE AND WORK OF JACOB HENDRIK PIERNEEF. UNTIL 03/01/2018 WWW.LA-MOTTE.COM UNTIL 03/01/2018

LIST YOUR GALLERY, AUCTION OR ART SHOP IN PRINT AND ONLINE WWW.ARTTIMES.CO.ZA

B A R N A R D G A L L E RY

Jaco van Schalkwyk: -arium 22.08.-19.09.2017

Retroquire xiGubu, 2017 Found object - mixed media mobile sculpture 115 x 154 x 185 cm Collaboration with Allen Laing

VERVE PART 1 FEMALE

Opening on Saturday 5th August at 11 am the exhibition will run until 23rd August 2017

VERVE PART 2 MALE

Opening on Saturday 26th August at 11 am the exhibition will run until 23rd Sept 2017

38 Huguenot Street, Franschhoek | 021 876 4280 | art@artintheyard.co.za | www.artintheyard.co.za

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OPENING EXHIBITIONS: SEPTEMBER WEEK 1 EXHIBITIONS, GALLERY GUIDE & ART TO BUY

ALICE ART GALLERY CARLA BOSCH 01/09/2017 TILL 30/09/2017 WWW.ALICEART.CO.ZA 01/09/2017 TILL 30/09/2017 WEEK 1 SEPTEMBER

01/09/2017 TILL 30/09/2017 WEEK 1 SEPT

ROSSOUW MODERN

OBERT JONGWE, A.S. DE LANGE, HUGO MARITZ, CORNE EKSTEEN, CHRISTIAAN DIEDERICKS, JP MEYER

01/09/2017 TILL 30/09/2017

WWW.ROSSOUWMODERN.COM 01/09/2017 TILL 30/09/2017 WEEK 1 SEPT

ROSSOUW MODERN SPACE FRANS MULDER FRAGMENTS IN TIME 01/09/2017 TILL 23/09/2017

ALICE ART GALLERY GIORGIO TROBEC 02/09/2017 TILL 03/09/2017

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ART@ALMENKERK, ALMENKERK BUZZTED - A GROUP EXHIBITION / BUZZ-TED, AN ECO CONSCIOUS ART EXHIBITION INVADES ALMENKERK ART ESTATE, ELGIN OPENING 02/09/2017 UNTIL 2018 WWW.ART-AT-ALMENKERK.COM

02/09/2017 TILL 03/09/2017 WEEK 1 SEPT

OPENING 02/09/2017 UNTIL 201 WEEK 1 SEPT

01/09/2017 TILL 23/09/2017 WEEK 1 SEPT

EATWELL GALLERY ARTIST STUDIO 9 NOORDHOOK MAIN ROAD, CHAPMANS PEAK 01/09/2017 TILL 30/09/2017 WWW.EATWELLGALLERY.COM

UCT IRMA STERN MUSEUM HATCH - PRINTS AND MIXED MEDIA WORKS BY ROXANDRA, DARDAGAN BRITZ. WALKABOUT SAT 23RD 02/09/2017 TILL 23/09/2017

ASSOCIATION OF ARTS PRETORIA NIC SITHOLE - POTTER OF THE MONTH - SEPTEMBER 03/09/2017 TILL 20/09/2017

ASSOCIATION OF ARTS PRETORIA MICHAEL HEYNS 03/09/2017 TILL 20/09/2017

WWW.ARTSASSOCIATIONPTA.CO.ZA

02/09/2017 TILL 23/09/2017 WEEK 1 SEPT

03/09/2017 TILL 20/09/2017 WEEK 1 SEPT

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OPENING EXHIBITIONS / WEEK 1 SEPTEMBER

WWW.KZNSAGALLERY.CO.ZA

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03/09/2017 UNTIL 30/09/2017 WEEK 1 SEPT

05/09/2017 TILL 28/09/2017 WEEK 1 SEPT

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99 LOOP THE ART OF MAKING IT JONATHAN VAN DER WALT 07/09/2017 TILL 23/09/2017 99LOOP.CO.ZA/EXHIBITIONS/ VAN-DER-WALT-MAKING-IT

ECLECTICA CONTEMPORARY CROSS-POLLINATION 07/09/2017 TILL 29/09/2017

06/09/2017 TILL 27/10/2017 WEEK 1 SEPT

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07/09/2017 TILL 29/09/2017 WEEK 1 SEPT

ECLECTICA DESIGN & ART DREAM RIFT 07/09/2017 TILL 10/11/2017

GALLERY 2 STRONG SILENCE BY ANDREW SUTHERLAND 07/09/2017 TILL 29/09/2017 WWW.GALLERY2.CO.ZA

GALLERY 2 STRONG SILENCE BY AUDREY ANDERSON 07/09/2017 TILL 29/09/2017 WWW.GALLERY2.CO.ZA

07/09/2017 TILL 29/09/2017 WEEK 1 SEPT

WWW.ECLECTICADESIGNANDART.CO.ZA 07/09/2017 TILL 10/11/2017 WEEK 1 SEPT 66

KZNSA GALLERY DRAIN ON OUR DIGNITY 05/09/2017 TILL 28/09/2017

THE CAPE GALLERY THE GOLD THAT BINDS US, A SOLO EXHIBITION BY HELEN VAN STOLK 03/09/2017 UNTIL 30/09/2017 WWW.CAPEGALLERY.CO.ZA

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STEPHAN WELZ & CO CITY LIGHTS KILLARNEY COUNTRY CLUB GAZEBO ROOM 05/09/2017 TILL 07/09/2017

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OPENING EXHIBITIONS / WEEK 1 SEPTEMBER

ALICE ART GALLERY CHRISTELLE PRETORIUS 09/09/2017 TILL 10/09/2017

STATEOFTHEART GALLERY UNTITLED: SPRING GROUP EXHIBITION 07/09/2017 TILL 30/09/2017

STELLENBOSCH ART GALLERY SPRING EXHIBTION GROUP SHOW SAT 08/09/2017 TILL 19/09/2017

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07/09/2017 TILL 30/09/2017 WEEK 1 SEPT

08/09/2017 TILL 19/09/2017 WEEK 1 SEPT

09/09/2017 TILL 10/09/2017 WEEK 1 SEPT

IS ART GALLERY NEW WORKS BY SHARLE MATTHEWS 10/09/2017 TILL 01/10/217

THE GALLERY AT GRANDE PROVENCE PAINTERLY 09/09/2017 TILL 30/09/2017

IS ART GALLERY AN EXHIBITION OF WORK BY ETIENNE DE KOCK 10/09/2017 TILL 01/10/217

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10/09/2017 TILL 01/10/217 WEEK 1 SEPT

09/09/2017 TILL 30/09/2017 WEEK 1 SEPT

THE WHITE HOUSE GALLERY PARTICIPATION IN FNB JOBURG ART FAIR 2017 10/09/2017 TILL 08/09/2017 WWW.WHG.CO.ZA

10/09/2017 TILL 01/10/217 WEEK 1 SEPT

Joshua Mile, ‘Industrial Cape Town’, Monoprint, The South African Print Gallery

L IST Y O U R G AL L ERY & S ELL ART

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SCULPTURE MEETS URBAN PRECINCT SCULPTX, AN EXCITING NEW SCULPTURE PROGRAMME SEPTEMBER 2017 / www. melrosegallery.net

William Sweetlove

Melrose Arch has partnered with The Melrose Gallery to launch SculptX, an exciting new sculpture programme, in September 2017. SculptX consists of The SculptX Park and The SculptX Fair. The SculptX Park is an urban sculpture park that will see large sculptural works by some of South Africa’s foremost sculptors gracing public areas throughout the precinct on a permanent basis. The first of these sculptures will be officially unveiled on the 6th of September 2017 and others will roll out at different times of the year. The SculptX Park aims to add to the beauty of the precinct whilst providing a valuable platform for sculptors to showcase their works and added value for those who work, live and play in Melrose Arch. “We expect that The SculptX Park will become a popular destination for art lovers and tourists alike” explains Craig Mark, Director, The Melrose Gallery. The SculptX Fair will run for the month of September every year and will consist 68

of various sculpture related activations and exhibitions in different venues throughout the Melrose Arch precinct. The inaugural SculptX Fair launches with ‘SculptX’ a large group exhibition at The Melrose Gallery that features works by more than 30 of South Africa’s most established and emerging sculptors and a few invited artists from other countries. The exhibition opens to the public on 07 September and runs until 08 October. Participating artists include the likes of Willie Bester, Pat Mautloa, Noria Mabasa, Wilma Cruise, Anton Smit, Carl Roberts, Pitika Ntuli, Gordon Froud, Ndabuko Ntuli, Arlene Wandera (Kenya), Collen Maswanganyi, Paul du Toit, Thabo Pitso, George Halloway, Andre Stead, Stanislaw Trzebinski, Rodney Place, Thulani Zondo, William Sweetlove (Belgium), Samuel Allerton, Ella Cronje, Trevor Potter, Martyn Schickerling, Alexander von Kritzinger, Jaco Kruger, Monica van den Berg and Heidi Hadaway amongst others.

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OPENING EXHIBITIONS / WEEK 1 SEPTEMBER

Editor Ashraf Jamal opens the book by calling for Paul’s oeuvre to be reassessed by the art world. Tim Leibbrandt explores Paul’s love of punk music in ‘A Punk Odyssey’. Anna Stielau analyses Paul’s search for Utopia and Sarah McCarthy reflects on Paul’s love of sculpture and specifically his public piece ‘Into Tomorrow’. Archivist Claire McNulty highlights some intriguing aspects of Paul’s creative legacy. The book is richly and generously illustrated with many of Paul’s standout works and examples of the diverse mediums in which he worked.

‘WILLIE BESTER’:

The Melrose Gallery is proud to be hosting Willie Bester’s solo ‘Social Engineering’ which runs from 2 November to 2 December 2018. This captivating exhibition will showcase a large collection of important new and old artworks created by one of South Africa’s foremost artists and is sure to be one of the highlights of the 2017 art calendar.

‘REMEMBERING PAUL DU TOIT’ One of the highlights of the SculptX Fair 2017 will be an exhibition of more than 30 artworks by Paul du Toit that will form part of the group exhibition and the Johannesburg release of his book which will take place in The Melrose Gallery. Ashraf Jamal, the editor, and Lorette du Toit, Paul’s widow, will attend the opening. This captivating book includes contributions from 5 writers who were given full access to the archive established after Paul’s death. They drew inspiration from the many notebooks, scribblings, thoughts and diaries left behind to explore the various influences on Paul’s creative output.

The Melrose Gallery intends to continue to expand on our efforts to provide a valuable platform for African sculptors in Johannesburg. The Willie Bester solo provides a fitting end to our 2017 program, following on from Stanislaw Trzebinski’s well received solo Ortus and the launch of SculptX in September. We welcome approaches from sculptors who are keen to present concepts for the myriad of spaces that exist within the Melrose Arch precinct for the Urban Sculpture Park and SculptX 2018. For more details on SculptX please contact craig@themelrosegallery.com or visit www. themelrosegallery.com or www.facebook. com/themelrosegallery.

“The book is richly and generously illustrated with many of Paul’s standout works and examples of the diverse mediums in which he worked.” W W W. A R T T I M E S . C O . Z A

STATE OF THE ART GALLERY STATEOFTHEART RELOCATES www.stateoftheart-gallery.com

StateoftheART has distinguished itself through its hybrid approach; exhibiting works both online and offline through a physical gallery, the purpose of which is to offer buyers the opportunity to view the quality of available artwork and give them peace of mind when investing online. “We encourage art lovers to research and follow an artist online through our website before deciding on that perfect piece. We also provide a certificate of authenticity with each newly purchased work.”

After four years at 61 Shortmarket Street, StateoftheART Gallery has relocated to 50 Buitenkant Street in Cape Town’s trendy Fringe district of the city centre. “It’s not in the central or ‘downtown’ precinct of the city but we’re in close proximity to The Book Lounge, The District 6 Museum, and The Fugard Theatre amongst other noteable establishments. There are exciting developments underway in this part of the city; it’s still easy to reach on foot, and is on the First Thursdays map - so the new space ticked all the right boxes” said director Jennifer Reynolds. “Whilst we had tremendous success in Shortmarket Street and built a following of wonderful collectors - many of them international clients - our customer base has grown significantly since 2013 and we now require a larger venue that is more conducive to art appreciation, and which allows us more flexibility in our mission to be South Africa’s leading e-commerce gallery.”

Rosetta, Claude Chandler

“We encourage art lovers to research and follow an artist online through our website before deciding on that perfect piece. We also provide a certificate of authenticity with each newly purchased work.” 70

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OPENING EXHIBITIONS / WEEK 1 SEPTEMBER

Echo Of My Sister, Chris Donovan

StateoftheART affords visitors to the site the opportunity to discover and buy affordable fine art that would not otherwise be readily found. Having a large range of artists available at your fingertips makes uncovering new artists easier. By being able to browse through an artist’s collection of available and sold work online you can get a sense of their entire body of work as opposed to only being able to see one or two examples in a physical art gallery. The gallery offers a diverse selection of thoughtfully curated original art and limited edition prints by South African artists which can be searched using filters by size, medium, style, subject, artist and price; and the site gives the buyer the opportunity to read about each artist and

browse themed collections aimed at assisting in the journey of discovery. StateoftheART will officially reopen on the 7th of September with ‘UNTITLED:SPRING’ - a group exhibition of painting, photography and drawing by Chris Denovan, Jeannie Kinsler, Miranda Crooks, Lezanne Kotze, Pascale Chandler, Grace Kotze, Lisette Forsyth, Kendall-Leigh Nash and Janet Botes. “Spring and ‘springtime’ refer not only to the season, but to ideas of rebirth, rejuvenation, renewal, resurrection and regrowth. UNTITLED:SPRING marks the ‘rebirth’ of our gallery at 50 Buitenkant Street, in the East City precinct of the Cape Town CBD” Jennifer Reynolds.

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21 7 9

OPENING EXHIBITIONS: SEPTEMBER WEEK 2 EXHIBITIONS, GALLERY GUIDE & ART TO BUY

ANN BRYANT ART GALLERY

DEPARTMENT OF SPORT RECREATION ARTS AND CULTURE

GRAHAM’S FINE ART GALLERY HYBRIDS: FROM NEW LIFE TO DEATH, FROM PURITY TO PASSION FLOWERS HAVE HAD MANY MEANINGS THROUGHOUT TIME. 14/09/2017 TILL 26/10/2017

HOME OF LEGENDS 12/09/2017 TILL 30/09/2017 WWW.ANNBRYANT.CO.ZA

WWW.CAPEPALETTE.CO.ZA

12/09/2017 TILL 30/09/2017 WEEK 2 SEPT

14/09/2017 TILL 26/09/2017 WEEK 2 SEPT

14/09/2017 TILL 26/10/2017 WEEK 2 SEPT

MAGPIE ART GALLERY 14/09/2017 TILL 29/10/2017 FOX ODYSSEY PARTICIPATING: ANDREW JAMES HOFMEYR

ASSOCIATION OF ARTS PRETORIA VIONA VILJOEN / WILD WOMEN 15/09/2017 TILL 04/10/2017

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SALON NINETY ONE WORKS BY BLACK KOKI, DANI LOUREIRO, JADE KLARA, SEAN GIBSON, AND TAHITI PEHRSON 15/09/2017 TILL 21/10/2017 WWW.SALON91.CO.ZA

14/09/2017 TILL 29/10/2017 WEEK 2 SEPT

15/09/2017 TILL 04/10/2017 WEEK 2 SEPT

03/08/2017 TILL 31/08/2017 WEEK 2 SEPT

ALICE ART GALLERY PETRO NEAL 16/09/2017 TILL 17/09/2017

ARTSPACE DURBAN EXCHANGE 2017 - THE SIXTH OF OUR EXCITING ART EXCHANGE EXHIBITIONS. THIS YEAR’S THEME IS ‘BORDER(S)’. 16/09/2017 TILL 21/09/2017 WWW.ARTSPACE-DURBAN.COM

KALK BAY MODERN GALLERY AND THE FORGE MIXED METAPHORS 16/09/2017 TILL 08/10/2017

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CAPE PALETTE ARTIST STUDIO 20 X 20 SPRING EXHIBITION 14/09/2017 TILL 26/09/2017

16/09/2017 TILL 17/09/2017 WEEK 2 SEPT

16/09/2017 TILL 21/09/2017 WEEK 2 SEPT W W W. A R T T I M E S . C O . Z A

WWW.GRAHAMSGALLERY.CO.ZA

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16/09/2017 TILL 08/10/2017 WEEK 2 SEPT

Cross-Pollination: Lars J. Fischedick 07/09/2017 â&#x20AC;&#x201C; 29/09/2017

Lars J. Fischedick - Reredos

69 Burg Street, Cape Town info@eclecticacontemporary.co.za www.eclecticacontemporary.co.za +2721 422 4145

OPENING EXHIBITIONS: SEPT WEEK 3 & 4 EXHIBITIONS, GALLERY GUIDE & ART TO BUY

ARTSPACE DURBAN HUES AND SHADES BY RAJA OSHI 23/09/2017 TILL 12/10/2017

BARNARD GALLERY KATHERINE SPINDLER TO HOLD TIME 26/09/2017 TILL 24/10/2017

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23/09/2017 TILL 12/10/2017 WEEK 3&4 SEPT

23/09/2017 TILL 24/09/2017 WEEK 3 SEPT

26/09/2017 TILL 24/10/2017 WEEK 3 SEPT

CANDICE BERMAN GALLERY LOUISE ALMON | PRESENT IN ABSENCE 28/09/2017 TILL 12/10/2017

ALICE ART GALLERY FRANCES WEDEPOHL 30/09/2017 TILL 01/10/2017

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28/09/2017 TILL 12/10/2017 WEEK 3 SEPT

ALICE ART GALLERY ART IN THE GARDEN 30/09/2017 TILL 01/10/2017 WWW.ALICEART.CO.ZA 74

BAARDSKEERDERSBOS ART ROUTE ARTIST STUDIOS OPEN 23/09/2017 TILL 24/09/2017 LINO PRINT ‘TIERFONTEIN PROTEA’ BY JOSHUA MILES

30/09/2017 TILL 01/10/2017 WEEK 3 SEPT

29/09/2017 WEEK 3 SEPT

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Visit at

excellence through possibilty

FNB JoburgArtFair 8-10 September, 2017 | Sandton Convention Centre Stand A01

Alex Vosloo - L is for Lude - Screenprint - 2017 (detail)

William Kentridge - Skeletal Horse - Etching - 2017

@ArtistProofJHB

Mongezi Ncaphayi - Right Here, Right Now - Etching - 2017 (detail)

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Artist Proof Studio

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JP MEYER / WRONG ARCHIVE

OPENING : WEDNESDAY, 20 SEPTEMBER 2017 17H00-20H30 / ALEX HAMILTON STUDIO GALLERY

www.alexhamilton.co.za

Growing up, art was something I only read about in encyclopedias. My first personal encounter with this creative medium was when I walked into the Van Gogh Museum in Amsterdam during a backpacking trip through Europe aged nineteen. Captivated by this journey of exploration, I decided to join SAA as a flight attendant and so embarked on a 15-year career that would see me travel to and visit museums and galleries on many continents.

Photo, Vanessa Cowling

At the time I didnâ&#x20AC;&#x2122;t understand contemporary art and was overwhelmed by the sheer volume of art history, but the process piqued my interest in making art. In 1996, at the age of 36, I resigned from my job at SAA and enrolled as full-time art student at the Foundation School of Art in Cape Town, receiving my Diploma in Fine Art at the end of 1999. With the emergence of video art and computer graphics in the 80s/90s, painting was declared dead. What captivated me more than any other subject, however, was the craft of painting. Fuelled by an emerging midlife crisis, I sold my possessions after graduation and spent a year travelling around Asia. On my return to South Africa I settled in the Karoo, where my work gradually changed from representation to abstraction. During the period 2000 to 2013 my paintings were predominantly large fields of pattern in monochrome colours. My first visit to the Venice Biennale in 2013 was dazzling and served as a very significant watershed, and the months that followed revealed an increasing need to return to figurative painting. In 2014 I exhibited a series of small figurative works at the Breytenbach Gallery in Wellington and in 2016 I was invited to participate in the Woordfees Visual Art programme, mounting a solo exhibition entitled DOOP/INITIATE.

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OPENING EXHIBITIONS / SEPT WEEK 3

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OPENING EXHIBITIONS / SEPT WEEK 3

“Fuelled by an emerging midlife crisis, I sold my possessions after graduation and spent a year travelling around Asia. On my return to South Africa I settled in the Karoo, where my work gradually changed from representation to abstraction.”

Safety net, Oil on Canvas, 40 x 50cm

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JP MEYER / WRONG ARCHIVE

Weekend Pass, Oil on Canvas, 100 x 150cm

Wash, Oil on Canvas, 85 x 117cm

Voortrekkers, Oil on Canvas, 85 x 117cm

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OPENING EXHIBITIONS / SEPT WEEK 3

Pirates, Oil on Canvas, 85 x 117cm

Last year I mentioned to artist and curator Alex Hamilton that I was working on larger canvasses and that although I was struggling, I was excited about the process. Being familiar with my work, he offered to host an exhibition at his Studio + Gallery, a robust industrial space in Woodstock. The exhibition, titled WRONG ARCHIVE, will include a number of oil paintings on canvas.

It may sound like a clichĂŠ but many aspects of the creative process remain a mystery. While most contemporary art disciplines require thorough research and conceptualization, painting for me works in a different way: the practice of applying paint and constructing an image is in itself a kind of research, often enabling one to work with abstruse ideas and concepts which can lead to new insights. Therein lies the magic of painting for me.

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JP MEYER / WRONG ARCHIVE

others who hold similar values, and are of the same ethnic group, culture, language, religion etc. and yet it is this selfsame identification that is often the cause of conflict. What direction is your work currently heading in? For me the exciting thing about making art is that I never know what to expect next, but I am dreaming of getting a bigger studio and making larger works. What currently inspires your work? The more I work, the more inspired I am. The recent Philip Guston exhibition at the Accademia in Venice is one of the most inspiring shows I have ever seen.

The Competition, Oil on Canvas, 40 x 40cm

At present I work mostly with an archive of photographs collected over time from newspapers, manuals, encyclopedias, family albums and the internet.

Title of the exhibition : WRONG ARCHIVE

The images and thoughts, ideas, memories and experiences that emerged during the painting process of the last months may have given birth to the theme for this exhibition: Conformity versus individuality and a wry irony! Our search for identity and security often leads us to associate with

Address : Alex Hamilton Studio Gallery, 9 Barron Road, Woodstock, Cape Town Opening times : Wed to Fri 09h00 â&#x20AC;&#x201C; 16h00 Contact : Zelda Hamilton at 072 376 7984 or zelda.hamilton@gmail.com

Opening : Wednesday, 20 September 2017 from 17h00-20h30

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OPENING EXHIBITIONS / SEPT WEEK 3

LOUISE ALMON

PRESENT IN ABSENCE, AN EXHIBITION OF MONOTYPES CANDICE BERMAN GALERY / www.candicebermangallery.com BY LUCINDA JOLLY

Although Louise Almon trained as a painter, she is currently working primarily with monotype prints. Both mediums use pigment – and both are unique one-offs. Although painting can incorporate the element of chance and spontaneity to a certain extent, the monotype is considered the king of spontaneity and combination. Many famous artists have chosen this method, including the 18th century mystic William Blake – who is considered one of the most important artists to use this medium- as well as Pierre Bonnard, Pablo Picasso and contemporary artists such as Tracey Emin, South African icon Robert Hodgins, and Cape Town-based artist Georgina Gratrix. In a nutshell, the monotype print technique involves a non-absorbable inked or painted surface which is transferred onto a piece of paper, the outcome of which is not repeatable. After graduating in painting, Almon revisited the technique as a school teacher in the late 80s when the department of education – in their wisdom – sent a large amount of linos and inks, rather than a variety of mediums to the school where she was teaching. Thus, the medium took root. It was also a technique that suited her, as unlike painting which demands consistency, the monotype’s flexibility allowed Almon to dip in and out without compromising quality. “I love the spontaneity of the results,” she says. While Almon is never sure of “how it’s going to work out”, she still has the control of being able to “rework the image again and again”, often working on both sides of the print until it meets her specifications. She uses a

high-quality, 200-gram paper that can cope with the weight of the ink and the pressure of being worked upon. The monotype is a sensual medium which draws attention not only for its particular mark-making but also the inks themselves. In the monotypes that make up Present in Absence, there’s a sense of Almon’s slow shift from the specifically political paintings and murals of the 80s through to the hot, bloody tones of the Marikana series, and a less overtly political, generalised approach to humanity. The busy, congested atmosphere seen in her Paris series has given way to a simplified, cooler, more spacious rendition of people and their relationship with the city. Almon’s figures are often shown from above, suggesting an even greater sense of remove. This depiction was partly informed by the elevated situation of her Fordsburg studio in downtown Johannesburg, which provided a bird’s eye view of the cityscape below. Interestingly, Fordsburg with its shops and factories, was originally built as a home for miners working on the Johannesburg gold reef. Whether the relationship with the city manifests as a search for work from abroad and rural areas, or the search for an identity, it is very much part of the historical South African experience. The Natives Land Act of 1913 forced black South Africans off the land of their forefathers to serve in the mines, factories and homes of the ruling white minority. As a result, they started to populate the cities and outlying urban areas. Wars and famines in the surrounding countries of the African continent have also forced many people to find work and safety within the South African borders.

“What is the city but the people?” Coriolanus asks in the tragedy, Coriolanus by William Shakespeare 82

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Louise Almon, Beated, 2017, Printing ink on paper, 700mm x 500mm W W W. A R T T I M E S . C O . Z A

Louise Almon, The Window, 2017, Printing ink on paper, 1000mm x 700mm 84

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OPENING EXHIBITIONS / SEPT WEEK 3

Luise Almon, Fig In Blue, 2017, Printing ink on paper, 700mm x 500mm

Despite this, the human brain is apparently not structured for living in city environments. Studies have shown that urban living raises the risk of anxiety and mood disorders. “If social density and social isolation come at the same time and hit high-risk individuals … then city-stress related mental illness can be the consequence,” says German clinician and researcher Mazda Adli in the Guardian article, Sick cities: why urban living can be bad for your mental health. Almon contextualises her title Present in Absence by suggesting that the figures in cityscapes may be present but also disconnected, even the ones shown embracing. In a sense, presentness always carries its opposite, absence. “You might be present in the city,” she explains, “but your heart lies in another country or in the rural areas. You may have left someone behind or have lost someone.” The subject matter of Present in Absence finds a parallel in the monotype print technique. For Almon executes lines, marks and manipulations in the absence of the initial colouring and design. And it is these negative spaces which hold or contain the figures. Almon believes that “it is in these inbetween

spaces that the energy is most keenly felt, and most present in its absence.” There is also a sense of paring down in these monotype prints, where the artist has moved from the clutter of detail to bare essentials. She cites this as possibly being part of her maturing process of needing less and saying less. Almon is very clear, however, that the subject matter of Present in Absence is not only about the negativity of alienation but the inclusion of a particular stillness. There is also another level to this presentness. For although Almon may not depict herself in these works, she is profoundly present in them, as their creator. In keeping with the wish of most artists, Almon hopes that the viewer will resonate with the work in Present in Absence so that they will have a sense of or a feeling of recognition of this aloneness and the stillness that comes with it. Although she has no concrete sense of future work, she is very drawn to the quality of the light in Cape Town and how it differs from the light in Gauteng, from where she moved at the end of last year. Almon is currently exploring and engaging with it.

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In the words of

A bold and highly fearless impressionist

opportunity to work here and make sure we establish my career in the US as well as possible. It does not happen as quickly as we always want it, but we are thankful for the progress we have made already. There are plans we cannot say too much about, but hopefully we have more good news in a year or two. We can always live in SA again, but for now we need to be here.

What motivated the Bosch family to leave for America? I was not always so excited to live in America. SA is a fantastic country and I love my country very much. And don’t even talk about my family and friends that I had to leave behind. My husband however, had a dream of living abroad for a season and giving us and more importantly our children the opportunity to broaden our worldview. America was simply the place where the doors opened for us. It was not an easy move, but I’m grateful it happened. We learned a lot and grew tremendously.

What impact did this change make on your market in South Africa? It is hard to say with certainty, because the SA art market has changed a lot over the last four years and we were not in SA to experience the changes. I can say that we still send a lot of work to SA. Most of our anchor galleries who have represented me for the last 20 years still market my work and we are grateful for that. Maybe our SA market has grown less because of our absence, but on the other hand, we have opened a US market that we could not do without being based here.

How was your work perceived in America? We are blessed. This country welcomed us with open arms and we received permanent residency within the first

www.aliceart.co.za | 54 dryf road, ruimsig, roodepoort

Has America affected your style in any way?

year and a half. It’s a great opportunity and it allows us to do business like any American citizen. My work has been accepted very well and sales are good. Make no mistake, the competition is amazingly high. California alone has nearly 40 million residents with fantastic artists among them. In spite of this, I have received numerous awards and this year, for the second time, I was included in the Festival of Arts, one of the most significant art festivals in the world. More than a thousand artists apply to be part of this festival while only 140 are selected to participate. It is a great honor to be part of this show and the exposure has greatly impacted my career. We sell my work right across the country and abroad in Europe.

Future plans? For now, we would like to take the

The move did not really affect my style so much. The Americans love my bold brush strokes and strong impressionistic approach. The “Plein air” method (to paint outside in the open) is very popular here. I enjoy it a lot, but it’s a bit more restrictive and my plein air work is sometimes a little more realistic than our SA collectors might remember.

Carla, the family woman. Just like in SA, I still choose to work from home so I can be near my family. Daniel is 13 years old and Sarah is almost 15. They have adapted very well, but they miss their grandparents, SA friends, the Cape and the Game Reserves a lot.

What is the family’s contribution to your art. My career is a family project. Everybody works together to make the wheels spin. My husband handles all the business and paperwork while I am only focusing on painting. I do not like admin work.

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SA ART TIMES | JUNE 2017

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UNISA Art Gallery Showcases The Artists’ Studios The Bag Bag Factory FactorySouth Artists’African Studios Call Call Contemporary and for -- Artist Career Bootcamp, for Applications Applications Art, ArtistNew CareerMuckleneuk, Bootcamp, International The Bag Factory Artists’ Studios Call 29/05/2017 29/05/2017 till till 01/09/2017 01/09/2017 Pretoria, for Applications - Artistwww.facebook.com/ Career Bootcamp, groups/222848047188 29/05/2017 till 01/09/2017 JHB

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Art @ Durbanville Hills Sculpture Estate and Gallery Durban MAKIWA Art Gallery KwaZulu-Natal GALLERY Tygerberg Valley Rd,ofCape Farms Collections - anBROOKLYN exhibition works from the Cape Town, 7550 The Artists’ Press Hand printed The Artists’ Press Hand printed permanent collection of the KZN Museum MODERN MASTERPIECES 082 774 1078 Farm lithographs, Ongoing, Waterfield near lithographs, Ongoing, Waterfield Farm near Services, 30 AntonPress Lembede St. printed From www.art-at-durbanvillehills.com The Artists’ Hand White www.artprintsa.com White River, River, www.artprintsa.com Codesa to present, www.durban.gov.za Soon to be the home of lithographs, Ongoing, Waterfield Farm WWW.MAKIWAGALLERIES.near Norman O’Flynns Astronauts White River, www.artprintsa.com COM/BROOKLYN

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UJ ART GALLERY ROSSMORE, JHB, 2092, SOUTH AFRICA Touch of Artists TouchPHONE: of Genius Genius Gallery New Artists +27Gallery 73 752New 1407 Exhibition, Exhibition, 01/06/2017 01/06/2017 till till 30/06/2017, 30/06/2017, Touch of Genius Gallery New Artists Randburg, Randburg, www.togg.co.za www.togg.co.za www.uj.ac.za Exhibition, 01/06/2017 till 30/06/2017,

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Chris Chris Tugwell Tugwell Art Art Gallery Gallery The The Chris Chris Tugwell Tugwell Galleries, Galleries, inin existence existence for for over over fifty fifty Chris Tugwell Art Gallery The Chris years, showcase work from some of South years, showcase work MUSEUM from some of South WITS ART Tugwell Galleries, in existence for over fifty Africa’s most exciting and talented artists. Africa’s ONE most COLOUR exciting and talented AT A TIMEofartists. years, showcase work from some This includes paintings, ceramics, glass and This includes paintings, ceramics, glassSouth and SCREEPRINT EXHIBTION Durban Art Gallery KwaZulu-Natal Africa’sedition most exciting and talented artists. limited bronzes sculptures by limited edition bronzes and sculptures by 28/06/2017 TILL and 12/11/2017 Collections - an exhibition of works from and the This includes paintings, ceramics, glass well-known South African masters, Brooklyn, well-known South African masters, Brooklyn, RENEILWA MATHIBE, permanent collection of the KZN Museum limited edition bronzes and sculptures by O-FFENSIVE, 2017 Pretoria, www.christugwell.co.za Pretoria, www.christugwell.co.za Services, 30 Anton Lembede From well-known South African masters,St. Brooklyn, WWW.WITS.AC.ZA/WAM/ Codesa to present, www.durban.gov.za Pretoria, www.christugwell.co.za

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Graham’s Graham’s Fine Fine Art Art Gallery Gallery Exhibits Exhibits aa significant significant collection collection of of important important South South Graham’s Fine Art Gallery Exhibitsart, African African and and international international contemporary contemporary art,a significant collection of important Bryanston, Bryanston, www.grahamsgallery.co.za www.grahamsgallery.co.zaSouth African and international contemporary art, Bryanston, www.grahamsgallery.co.za

SA ART TIMES | JUNE 2017

W W W. A R T T I M E S . C O . Z A

Art Art @ @ Durbanville Durbanville Hills Hills Sculpture Sculpture Estate Estate and and Gallery Gallery Art @ Durbanville Hills Tygerberg Valley Rd, Cape Farms Tygerberg Valley Rd, Cape Farms Sculpture Estate and Gallery

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SA ART TIMES | JUNE 2017

2017/05/23 6:28 PM

Michaelis Galleries The galleries are a unique opportunity for staff and students of the university to exhibit their artworks or curated exhibitions in a non-commercial, experimental space. 11am to 4pm, Tuesday - Friday, www.michaelis.uct.ac.za/galleries WC - CAPE TOWN

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PALETTE FINE ART GALLERY 68 WATERKANT STREET CAPE QUARTER PIAZZA WWW.PALETTESCULPTUREGALLERY.CO.ZA WC - CAPE TOWN

S Art Thonton Kabeya - Eria Sane - Henry Mzili - Robert Slingsby - Khehla Chepape Makgato - Stanislaw Trzebinski - Adriaan S ART GALLERY Diedericks - Janko De Beer - Sara Gaqa VICTORIA AVENUE CNR. Nasser N.Zadeh and more, Ongoing, Hout OXFORD STREET Bay,HOUT www.facebook.com/gallery.s.art BAY 7806 / 076 7125240

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SA PRINT GALLERY A SELECTION OF INVESTMENT FINE ART PRINTS

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Gallery: 0

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SMITH STUDIO 56 Gallery CHURCH STREET Sanlam Art Permanent collection CAPE TOWN of South African art and a large exhibition SOUTH AFRICA space. www.sanlam.co.za P +27 (21) 422 0814

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Heather Auer Heather Auer Art Gallery Quayside Centre c/n Wharf and St Georgeâ&#x20AC;&#x2122;s St Simonâ&#x20AC;&#x2122;s Town 7975 www.heatherauer.com info@heatherauer.com +27 (0)21 7861309 0827792695 0828289203

OPEN CALL

for the Honours In Curatorship programme The Centre for Curating the Archive and Michaelis School of Fine Art, in collaboration with Iziko Museums of South Africa, offer a unique set of courses in the theory and practice of curatorship. By way of lectures, visiting scholars, internships, a range of dedicated workshops and fully-funded local and international field trips, this programme aims to develop in students an awareness of the practicalities, politics and poetics of working with collections, preparing students for further study and work in the field. In 2018 there will be an exciting new focus on the growing field of object studies, and the role of objects and collections to transform our museums and exhibitions. A limited number of bursaries are available to South African citizens. Preference will be given to designated groups. Deadline: 31 October 2017 For further information, please visit www.cca.uct.ac.za Enquiries should be sent to: nancy.dantas@uct.ac.za / 021 650 7151.

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Wall Art of works the pain Cecil Sko Sydney K bronzes and Syd V&A Wat

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2017

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The La Motte Museum Offers a culture-historical experience featuring the estate’s history and architecture. Exhibition: A tribute to the life and work of MakiwaPierneef. Gallery14 Franschhoek Jacob Hendrik Dec 2016 - 1 3 JanWINTER 2018. Showcasing over 100 artworks WONDER - Exhibiting Renowned by JH Pierneef from the La Motte Museum Artists including Makiwa Mutomba and various other private and public Happy Greens 20x20 collections. Hrs: Tues - Sun: 9h00-17h00. www.makiwagalleries.com/artists-franschhoek Exhibition catalogue & guided tours available. T 021 876 8850, www.la-motte.com E museum@la-motte.co.za

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Walker Bay Art Gallery A Selection of South African Contemporary Artists including Solly Smook, Jimmy Law, Louis Modern ArtDall Gallery Chanu,Rossouw Claire Denarie,Tay and many more, Hermanus, www.walkerbayartgallery. Leading Artists and Sculptors co.za www.rossoumodern.com

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includingFine Solly Smook, Jimmy Langebaan, Law, Louis Knysna www.finearts.co.za Velissariou &Art more, Ongoing, Chanu, Claire Denarie,Tay Dall and many www.baygallery.co.za more, Hermanus, www.walkerbayartgallery. Knysna Fine Art www.finearts.co.za co.za

Solo exhibitions every last Thursday of the month www.facebook.com/ThePumpkinHouse

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Prince Albert Gallery The Prince Albert Gallery exhibits the works of a wide variety of South African artists specialising in painting, etching and ceramic art.

Hout Street Gallery Specialising in paintings and fine art by more than thirty Houtartists. Street in SA Open Gallery MondaySpecialising to Friday from paintingstoand fine artSaturday by more 8.30am than thirty 8.30am 5.30pm; to The ART SQUARE studio/gallery SA artists. Open Monday to Friday Paarl, from 1pm and Sunday by appointment, 8.30am 5.30pm; every Saturday 8.30am to www.houtstreetgallery.co.za Solotoexhibitions last Thursday 1pm and Sunday by month appointment, Paarl, of the www.facebook.com/ThePumpkinHouse www.houtstreetgallery.co.za Robertson WC - PAARL

Old Nick Village A sensory shopping experience presenting fine artNest,and the Painting by Erica Berry - Embedded HoutNick Street Gallery Specialising Old Village A- 770x1.2m shopping creative work many ofsensory the best artists,in Pomegranate andofSeed - Oil on paintingsand and fine art by more Canvas experience presenting fine art than and thirty the crafters creative manufacturers of Tel: 023 5411 057 SA artists. Monday Friday from creative workOpen of Plettenberg many of thetoBay, best artists, South Africa, www. 57 Church Street, Prince Albert, 6930 8.30am and to 5.30pm; 8.30am ofto crafters creative Saturday manufacturers oldnickvillage.co.za/about/ www.princealbertgallery.co.za 1pm and Sunday by appointment, Paarl, South Africa, Plettenberg Bay, www. www.houtstreetgallery.co.za oldnickvillage.co.za/about/ SUBSCRIBE Stellenbosch Somerset West WWW.ARTTIMES.CO.ZA

Riebeek Kasteel Robertson

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Robertson Art Gallery Should you find yourself in the Robertson Wine Valley on Robertson Arta visit Gallery Should youwhere find Route 62, pay to this gallery, yourself the Robertson Valley on you’ll findina carefully curatedWine selection of art Riebeek Gallery Featuring Route pay a visit to this where by top 62, SA Kasteel artists, as- The well as gallery, a large range contemporary paintings and sculptures you’ll find asilver carefully curated selection of artby of sterling jewellery, Robertson, www. artists. Onlyasana large hour’srange drive bymostly top SAlocal artists, as well robertsonartgallery.co.za Cape Town, Riebeek Kasteel, www. www. offrom sterling silver jewellery, Robertson, galleryriebeek.co.za robertsonartgallery.co.za WC - ROBERTSON

PRINCE ALBERT GALLERY EXHIBITS THE WORKS OF A WIDE V ARIETY OF SOUTH AFRICAN ARTISTS SPECIALISING IN PAINTING, ETCHING Oude Libertas Gallery The art gallery AND CERAMIC ART PAINTING BY find Robertson Art Gallery Should you hosts the Afrigami Project with a permanent ERICA | EMBEDDED NEST, yourselfInstallation inBERRY the Robertson WineReflections. Valley on Art called SEED Route POMEGRANATE 62, pay- c/o a visit to AND this gallery, where Stellenbosch Adam TEL: 023 5411Tas 057and Libertas you’ll 57 find a carefully curated selection of art Vincent da Silva Studio Somerset roads, www.oudelibertas.co.za/art-gallery/ CHURCH STREET, PRINCEWest, by top SA artists, as well as a large range www.vincentdasilva.co.za ALBERT, 6930

Riebeek Kasteel - The Gallery Featuring Old Nick Village A and sensory shopping contemporary paintings sculptures by experience anddrive the mostly local presenting artists. Onlyfine an art hour’s creative work of many of the best artists, from Cape Town, Riebeek Kasteel, www. crafters and creative manufacturers of galleryriebeek.co.za South Africa, Plettenberg Bay, www. oldnickvillage.co.za/about/ WC - RIEBECK KASTEEL

Somerset West

Palette Fine Art Gallery Palette Art Gallery specializes in bronzes and paintings from local artists, Stellenbosch, www. palettesculpturegallery.co.za

of sterling Robertson,West, www. Vincent dasilver Silvajewellery, Studio Somerset WWW.PRINCEALBERTGALLERY.CO.ZA robertsonartgallery.co.za

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Rupert Museum This May the museum will also feature the prints, drawings and Rupert Museum This May museum paintings of South African bornthe artist Albert Palette Fine the Art prints, Gallery Palette and Art TERESA DECINTI will alsoStellenbosch, feature drawings Adams, www.rupertmuseum. Gallery specializes in GALLERY bronzes paintings of South African bornand artistpaintings Albert org/?m=2 FINE ART from local artists, Stellenbosch, www. Adams, Stellenbosch, www.rupertmuseum. EXHIBITING IN CHURCHSTREET palettesculpturegallery.co.za org/?m=2 STELLENBOSCH WWW.TERESADECINTI.COM WC - STELLENBOSCH 96

Rupert Art Museum This May the museum Sasol Museum, University of will also feature prints, 52 drawings and Stellenbosch ArttheGallery Ryneveld paintings African born artist Albert Sasol Artof South Museum, University of Street, www.saronsberg.com Adams, Stellenbosch, www.rupertmuseum. Stellenbosch Art Gallery 52 Ryneveld org/?m=2 Street, www.saronsberg.com

SA ART TIMES | JUNE 2017 SA ART TIMES | JUNE 2017 WC - STELLENBOSCH

MOK GALLERY Sasol MURATIE Art Museum, University of WINE ESTATE Stellenbosch Art Gallery 52 Ryneveld STELLENBOSCH Street, www.saronsberg.com CECILE@MOKGALLERY.COM WWW.MOKGALLERY.COM

SA ART TIMES | JUNE 2017

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2017/05/23 6:36 PM

The Cape Gallery, 60 Church Street, Cape Town seeks to expose fine art that is rooted in the South African tradition, work which carries the unique cultural stamp of our continent. featured artist: Helen van Stolk THE CAPE GALLERY

Open Mon - fri: 9h30 - 17h00 Sat: 10h00 - 14h00 27 21 423 5309 cgallery@mweb.co.za www.capegallery.co.za

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from emerging artists, commemorates co.za/gallery Fifth Avenue Fine Art Auctioneers The Fifth Avenue Fine Auctioneers iconic pieces from theArt renowned SanlamThe Art June Auction, 11/06/2017, 404 June 11/06/2017, 404 collection Auction, and on occasion, hosts exhibitions Jan Smuts Avenue, Craighall Park, Jan Smuts Avenue, Craighall Park, compiled in collaboration with other www.5thaveauctions.co.za www.5thaveauctions.co.za institutions, Sandton, www.sanlam.co.za

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our K Swelco Swelco Studio Studio AA revolving revolving exhibition exhibition of of paintings, paintings, prints, prints, sculpture sculpture and and photography photography featuring featuring aa range range of of artists artists such such as as Ndabuko Ndabuko Ntuli, de Daniel Novela and Ntuli, Patrick Patrick de Mervelec, Mervelec, DanielNew Novela and Touch of Genius Gallery Artists Allen amongst Shop Allen Hallett, Hallett,01/06/2017 amongst others. others. Shop L38, L38, Exhibition, till 30/06/2017, Nelson Square, Nelson Mandela Mandela Square, Sandton, Sandton, www. www. Randburg, www.togg.co.za stephanwelzandco.co.za stephanwelzandco.co.za WC - STELLENBOSCH

US Museum The Sasol Art Museum houses SLEE GALLERY a permanent collection of over 3000 pieces DORP STREET belonging101 toArt the University of Stellenbosch, UNISA Gallery Showcases Stellenbosch, South www.rsa-overseas.com/ Contemporary African and archaeology/sasol-art-museum-universityInternational Art, New Muckleneuk, stellenbosch-museum.htm The Bag Factory Artists’ Studios Call The Bag Factory Artists’ Studios Call Pretoria, www.facebook.com/ for -- Artist for Applications Applications Artist Career Career Bootcamp, Bootcamp, WWW.SLEE.CO.ZA groups/222848047188 29/05/2017 29/05/2017 till till 01/09/2017 01/09/2017

KZ Natal

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Durban Knysna

Chris Chris Tugwell Tugwell Art Art Gallery Gallery The The Chris Chris Tugwell Tugwell Galleries, Galleries, in in existence existence for for over over fifty fifty years, work from years, showcase showcase from some some of of South South Durban Art work Gallery KwaZulu-Natal Africa’s exciting and artists. Africa’s most most andoftalented talented artists. Collections - anexciting exhibition works from the This paintings, glass and This includes includescollection paintings,ofceramics, ceramics, and permanent the KZN glass Museum limited bronzes and by limited edition edition bronzesLembede and sculptures sculptures by Services, 30 Anton St. From well-known South masters, well-known South African African masters, Brooklyn, Brooklyn, Codesa to present, www.durban.gov.za Pretoria, Pretoria, www.christugwell.co.za www.christugwell.co.za

WESTERN CAPE - KNYSNA Western

Plettenberg Bay Cape Town White River

Cape Mpumalanga

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Art @ Durbanville Hills

Sculpture Estate and Gallery Old Nick Village A sensory shopping experience presenting and the Tygerberg Valley Rd,fine Capeart Farms Town,of7550 creative workCape of many the best artists, 774 1078 crafters and 082 creative manufacturers of South www.art-at-durbanvillehills.com Africa, Plettenberg www. The Artists’ Press The Artists’ Press Hand HandBay, printed printed Soon to be the home of oldnickvillage.co.za/about/ lithographs, Ongoing, Waterfield Farm lithographs, Ongoing, Waterfield Farm near near Norman O’Flynns Astronauts White White River, River, www.artprintsa.com www.artprintsa.com

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Centurion Centurion Art Art Gallery Gallery The The ‘Centurion ‘Centurion Art Art Gallery’ Gallery’ isis aa commercial commercial satellite satellite of of the Lyttelton Artspace Durban the Pretoria Pretoria Art Art Museum, Museum, Lyttelton Manor, Manor, www.tshwane.gov.za/sites/tourism/Artswww.tshwane.gov.za/sites/tourism/Artsexhibition by Terence King KnysnaSolo Fine Art www.finearts.co.za Culture-and-Heritage/Pages/Centurion-ArtCulture-and-Heritage/Pages/Centurion-Artwww.artspace-durban.com Gallery.aspx Gallery.aspx

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MAKIWA GALLERY UMHLANGA ROCKS CELEBRATING COLOUR & FORM MAKIWA WITH OTHER WELL KNOWN Artspace Durban Artspace Durban ARTISTS AND SCULPTORS Solo WWW.MAKIWAGALLERIES.COM/ Solo exhibition exhibition by by Terence Terence King King www.artspace-durban.com ARTISTS-UMHLANGA www.artspace-durban.com

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SA ART TIMES | JUNE 2017 MPUMALANGA - WHITE RIVER W W W. A R T T I M E S . C O . Z A

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JONEL SCHOLTZ Tygerberg Valley Cape Farms Tygerberg Valley Rd, Rd,ART CapeGALLERY Farms 7550 Cape Town, 7550 FARM IMAGECape | ANTown, AFRICAN 082 082 774 774 1078 1078 www.art-at-durbanvillehills.com www.art-at-durbanvillehills.com Soon Soon to to be be the the home home of of Norman Norman O’Flynns O’Flynns Astronauts Astronauts FOUNDED IN 1685

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fashion & art gallery 99

ART TIMES BOOKS BOOKS WORTH BUYING

his friends think he is, but might be on drugs or going psychotic. As she discusses her concerns with her son’s psychiatrist, she wonders if her past behaviour, her relationship with the adventurous and antisocial Jack, has influenced Max’s determination to use his body as a site of violent art in the pursuit of revelation. Carol cannot accept that Max’s self-harm will have any effect other than to add to the meaningless violence in the world. The novel Accident raises questions about what kind of life is worth living and what death is worth dying. It explores the different responses artists and scientists can have to violence and self-destructive behaviour, and throws into sharp relief the difficulties parents face when their children make decisions that appear incomprehensible.

ACCIDENT Author: Dawn Garisch Price: R 250.00 Contact: Helen Holyoake at Helco Promotions helen@helco.co.za

”This is Garisch’s best novel yet, totally absorbing and it is the most enthralling book I’ve ever read about the mother/son relationship.” (Mervyn Sloman, Owner of The Book Lounge) ‘I have never read anything so perfectly said and is exquisitely honest about the need tolive and the need to die and the tearingly loving and hard relationship between mother and son.’ (Shelagh Foster, Director Franschhoek Literary Festival) Carol Trehorne’s only child, Max, is in ICU with severe burns. Max, a performance artist, has set himself alight. He recovers but it becomes clear that he is planning further performances that will put him at risk of serious injury or death. Carol, a single parent and a GP in a busy suburban practice, is worried that her son is not the genius

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“Dawn Garisch is boldly imaginative and thought provoking in this riveting account of a performance artist whose shocking acts challenge us to question important social issues. The novel is also a story of a mother and son relationship that walks a tightrope of when to hold on and when to let go.” (Kate Gottgens, artist) Accident is Dawn Garisch’s sixth published novel, she has also had a collection of poetry, a non-fiction work and a memoir published. Her short stories and poetry have appeared in anthologies, journals and magazines. She has had a short play and short film produced, and has written for television and newspaper. Three of her novels have been published in the UK. In 2007, her poem ‘Blood Delta’ was awarded the DALRO prize. In 2010 Trespass was shortlisted for the Commonwealth prize for fiction in Africa, and in 2011 her poem ‘Miracle’ won the EU Sol Plaatjie Poetry Award. In 2013, her short story ‘What To About Ricky’ won the NAF FUNDED Short. Sharp. Story competition. Dawn is interested in trans-disciplinary work in science and art, and between different art forms. She teaches life writing and creative method courses, is a practising medical doctor and lives in Cape Town.

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A HISTORY OF THE IZIKO SOUTH AFRICAN NATIONAL GALLERY Author: ANNA TIETZE Price: R 290.00 Juta Customer Services Tel: +27 21 659 2300 Email: orders@juta.co.zahelen@helco.co.za

In South Africa, with its highly contested and changing understandings of national identity, its National Gallery is no less a contested space. A History of the Iziko South African National Gallery considers questions of artistic and cultural identity, from the late 19th century to the present day. It explores how the gallery has understood its function and its public, as a ‘national’ gallery from 1930 and, before that, the chief gallery of the Cape Colony. This question is investigated through a study of the gallery’s administration, collection and exhibition practices over the last 150 years. What is understood by and expected of a national gallery varies considerably worldwide. Should it regard itself as part of a broad

international cultural discourse, or should it be representative of a specifically national – or even regional – identity? The gallery is a microcosm of the greater debate: how the South African nation relates to the larger world and how, if at all, it understands the concept of a shared culture. In the last 20 years, Museum Studies have become a major part of the field of Cultural Studies. There is a vast literature on what might be called the ‘history’ museum, but far less on the art museum or gallery. To date, there has been no large-scale historical inquiry into the Iziko SANG, the country’s national gallery. The absence of such a history marks a serious gap in the literature, which this study aims to fill. CONTENTS Introduction: the aims and scope of a national gallery. Chapter 1: The colonial gallery: acquisitions and identity, 1875-1930 Chapter 2: Collecting for a national gallery, 1930-47 Chapter 3: The post-war years, 1947-72 Chapter 4: The protest years, 1973-1989 Chapter 5: Transformation post-apartheid, 1990-2017 Conclusion Recommended for: Readers interested in South African art and history; students of Museum and Heritage, Curatorship and African Studies courses at universities locally and internationally; Friends of the SANG. About the author Anna Tietze is a cultural and art historian with an interest in past and present conceptions of art, academic art history and the art museum. She has taught at the University of Cape Town for many years, in the departments of Cultural History, History of Art, Historical Studies and Michaelis School of Fine Art, and has had extensive curatorial experience with the Iziko South African National Gallery. She is a research associate of Iziko South African National Gallery.

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ART HOME / GRAHAMS FINE ART GALLERY A SELECTION OF ART TO BUY GRAHAMS FINE ART GALLERY 68 on Hobart, Block A Corner of Hobart & Dover Road Bryanston, South Africa Phone: +27 11 463 7869 graham@grahamsgallery.co.za www.grahamsfineartgallery.co.za

Siopis, Penelope (Penny), ‘Blush Rosea’, Mixed media on cardboard paper, 102 x 150.5cm, igned: Siopis, (lower/right), Dated: 2005

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Pierneef, Jacob Hendrik (1886 - 1957) ‘Reflections - Pienaars River’, Oil on canvas, 87.8 82.5 cm, Signed: J. H Pierneef (lower/right), Dated: 1930. Price On Request

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ART HOME / CHRISTOPHER MOLLER GALLERY CHRISTOPHER MOLLER GALLERY info@christophermollerart.co.za Phone: +27 (0) 21 422 1599 Fax: + 27 (0) 86 611 3871 No. 7 Kloofnek Road Gardens, Cape Town, South Africa www. christophermollerart.co.za

Tsoku Maela, ‘Milked in Africa - Milk someone for something’ (c-type print on fuji crystal archival print, dibond mounted, 150 x 100 cm - edition of 10). Price On Request

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Tony Gum ‘Fathers & sons’ (c-type print on fuji crystal archival print, diasec mounted, 112 x 100 cm, edition of 10). Price On Request W W W. A R T T I M E S . C O . Z A

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ART HOME / SA PRINT GALLERY SOUTH AFRICAN PRINT GALLERY Address: 109 Sir Lowry Rd, Woodstock, Cape Town, 7925, South Africa Phone: +27 21 462 6851 www.printgallery.co.za

Tierfontein Protea, 2017, Reduction Woodblock, 563x420mm 106

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Swartbergpas Aloes, 2017, Reduction Linocut, 563x420mm Joshua Miles Joshua Miles is currently relocating from Baardskeerdersbos on the Overberg to the Karoo town of Prince Albert, a hamlet of creativeÂ&#x2019;s and artists who seek the solitude and beauty of the Karoo. After traveling and working from Cape Town, London, Hermanus, Scotland and Baardskeerdersbos, Joshua and his family feel inspired by the magical peace that the Karoo offers. Although not totally out of the Overberg -Joshua will still be available at the famous Baardskeerdersbos art route and his work can be found online in the artists website or at The SA Print Gallery www.printgallery.co.za W W W. A R T T I M E S . C O . Z A

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ART HOME / WHITE HOUSE GALLERY WHITE HOUSE GALLERY Shop G17 Thrupps Centre, Oxford Road, Illovo, Johannesburg Postal: PO Box 496, Melrose Arch, 2076 Telephone: +27 (0) 11 268 2115 info@thewhitehousegallery.co.za www.whg.co.za

Jim Dine, Woman & Water, 2010, Digital printing & copperplate etching on paper, Size 98.4 x 84.1 cm, Edition of 14 plus proofs, Signed & numbered by the Artist, R 125Â 000.00 ex vat. (link to our web: https://www.whg.co.za/artists/item/67-women-and-water)

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David Hockney, Jo McDonald, 1979, Lithograph on paper, Size 104.77 x 74.93, Edition of 100 plus proofs, Signed and numbered by the artist, R 185Â 000.00 ex vat. (link to our web: https://www.whg.co.za/artists/item/230-jo-mcdonald)

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ART HOME / SALON 91 SALON 91

91 Kloof Street, Gardens, Cape Town, 8001, South Africa info@salon91.co.za / telephone +27 21 424 6930 mobile: +27 82 679 3906 / www.salon91.co.za

Linsey Levendall, Reminisce, 2017, Oil on wood panel, 610 x 610mm, Unframed. Price on Request

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Kirsten Sims, The Editor, 2017, Mixed media on board 1210 x 900 mm. Framed, Price on Request

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ART HOME / SA PRINT GALLERY SOUTH AFRICAN PRINT GALLERY Address: 109 Sir Lowry Rd, Woodstock, Cape Town, 7925, South Africa Phone: +27 21 462 6851 www.facebook.com/SAPrintGallery

NORMAN CATHERINE, Consultation, Medium : Screen Print, Edition : AP II/V, Print Size : 620 x 905, Paper Size : 610 x 900, 1992, Signed, dated and editioned by the artist, Condition : Good, Price : R19500 (Framed)

Isabel THOMPSON, Pata Pata IV, Medium : Woodcut, Edition : 25/50, Print Size : 855 x 600, Paper Size : 985 x 680, Year/ Publisher : 1990 - 2016, Signed : Signed, dated and editioned by the, artist, Condition : Good, Price : Set of four R24 000

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GALLERY BUZZ

SOLO STUDIOS INTIMATE ENCOUNTERS RIEBECK KASTEEL / www.solostudios.co.za

Artists Emma Willemse and Andreâ&#x20AC;&#x2122; van Vuuren.

Curator and owner Astrid Mcleod

Resident Authors MAx du Preez and Jacques Pauw.

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Project manager of Solo Studios and Tamlin Blake from sugar-Buell Lovel London.

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GALLERY BUZZ

SLEE GALLERY / www.slee.co.za

Febe’ Gerber, Pieter Niewoudt, Kobie Niewoudt, Pieter Niewoudt, Elzabe’ Niewoudt, Jacquiline Niewoudt.

Febe’ Gerber & Jacquiline Niewoudt.

Ian Pienaar, Phia Pienaar & Kobie Niewoudt.

Shantall Marshall, MAri Moodie & Kobie Niewoudt.

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MIXED METAPHORS 11am Saturday 16 September to 8 October A GROUP SHOW BY THE ASSEMBLAGE Nicola Bailey, Mary Anne Botha Christina Bryer, Katherine Glenday Anne Graaff, Josie Grindrod, Lorienne Lotz, Tessa Graaf, Tracy Megan, Taryn Millar, Kathy Robins, Cheryl Rumbak, Lyn Smuts, Gwen van Embden

ht t p : / / w w w. k a l k b a y m o d e r n . c o. za / + 27 21 788 6571

W i n d so r R d , K a l k B a y, C a p e To w n ht t p : / / t h ef o r g ek a l k b a y. w i t ht a n k . c o m /

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GALLERY BUZZ

ECLECTICA CONTEMPORARY / MELROSE GALLERY eclecticacontemporary.co.za / www. melrosegallery.net

Kirsten Arendse( Gallery assistant, left), Yumiko Stober(middle) & Quanita Bobbs(right)

Khomotso Seloga (left) & Siphesihle Coka (right)

Kirsten Arendse(Gallery assistant-left), Layziehound Coka (artist-middle) & Caitlin Hocking(Gallery assistant - right)

Full House at Stanislaw Trzebinski ‘Ortus’ Solo Opening

Mpueleng Pooe and Stanislaw Trzebinski.

Sam Noinyane and Mbongeni Buthelezi

Arafat Mphahlele entertaining everyone.

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0, Cape Quarter Square, merset Rd, Green Point, Town, South Africa

Cape Quarter Square 27 Somerset Road Green Point Phone 021 4213333 email carmel@global.co.za www.carmelart.co.za

Phone: 0214213333 Email: carmel@global.co.za www.carmelart.co.za

OPEN MONDAY TO FRIDAY 9h00 to 18h00 SATURDAY TRADING 9h00 to 15h00

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THE GOOD READ: ARTHUR GOLDREICH THE ARTIST WHO HELPED BUILD A NEW SOCIETY AT THE EXPENSE OF HIS OWN CAREER By Warren Siebrits

Although many South Africans will be familiar with the name Arthur Goldreich (1929-2011) as one of the four men who escaped from John Vorster Square, in the wake of the Liliesleaf Farm raid that led to the infamous treason trial in 1964, not many people will know that he was one of the leading contemporary South African painters of his day. In 1955, the year William Kentridge was born, Arthur Goldreich won the coveted Best Young South African Painter Award for his striking figural compositions, mostly done in black and white. In the same year Robert Hodgins (1920-2010) won the Most Promising Young South African Artist. These two awards were given by the Pretoria branch of the South African Association of Arts to mark Pretoria’s centenary celebrations.

police custody after he was caught disguised as a chauffeur in a police roadblock just outside Howick, Natal. Goldreich was also part of the underground leadership of Umkhonto we Sizwe (Spear of the Nation). Many of the central meetings regarding the continuation and intensification of the armed struggle, happened at Liliesleaf Farm. Goldreich was the tenant in whose name Liliesleaf Farm was registered and he appeared, on the surface, to live a quiet, suburban life, with his wife Hazel and their two sons Nicholas and Paul. Living at the farm for an extended period of time in one of the outbuildings, under the guise of a domestic servant, was David, aka Nelson Mandela, who was the Umkhonto we Sizwe’s commander-and-chief. As Mandela explained in his autobiography Long Walk to Freedom:

Portraits of Goldreich, Wolpe and Mandela at the time of their arrests in 1963 on charges of high treason

Aerial view Liliesleaf Farm, Rivonia, Johannesburg c.1963-64

This week marks the 54th anniversary of Goldreich’s escape from the clutches of the security police after spending exactly a month in jail, having been arrested at Liliesleaf Farm in Rivonia on 11 July 1963 along with Walter Sisulu, Dennis Goldberg, Govan Mbeki, Lionel Bernstein, Ahmed Kathrada, Raymond Mhlaba and other underground members of the banned African National Congress (ANC). One must remember that Nelson Mandela had been arrested months earlier and was already in

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Arthur had fought with the Palmach, the military wing of the Jewish National Movement in Palestine. He was knowledgeable about guerrilla warfare and helped fill in many gaps in my understanding…Arthur was a flamboyant person and as a result he gave Liliesleaf Farm a buoyant character. After winning the prestigious award as Best Young Painter in South Africa Goldreich went on to be selected to paint all the setdesigns and design all the costumes for King Kong, a play that was not only seen by 120 000 people of all races in South Africa, but which then went on to tour Britain with even greater success and accolades. By this time

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THE GOOD READ

Arthur Goldreich had become internationally known as one of South Africa’s foremost fine artists. Goldreich was 33 years old when he was commissioned to design the costumes and sets for King Kong. Interestingly William Kentridge was 32 years old, just one year younger than Goldreich, when he painted all the set-designs for Sophiatown which opened at the Market Theatre in 1987.

mural in Port Elizabeth; has designed fabrics for Bliedenstein, Paris and book jackets for Collins, London. Won first prize for painting at the 1955 Pretoria Centenary. Arthur Goldreich has acquired a reputation for virile, abstract canvases, but more significant than his painting is his achievement in the field of applied design, where he reveals daring and imagination. His individuality and confident handling of bold colour were most notably demonstrated in the vibrant visual setting for the jazz-opera, ‘King Kong’.

The rare pictorial cover for the vinyl LP recording of the music for King Kong – All African Jazz Opera showing part of Goldreich’s striking orange and black painted set used for the production. Collection Warren Siebrits Arthur Goldreich painting on of the sets for King Kong

As Esme Berman described Goldreich in Harold Jeppe’s South African Artists 1900-1962 published by Afrikaanse Pers-Boekhandel the following year: Since 1955 Goldreich has exhibited in Johannesburg, Pretoria and in New York at the Petite Gallery. His public commissions include sets and costumes for ‘King Kong’; a large mosaic mural in Salisbury; a large concrete

Goldreich’s daring escape from John Voster Square, along with comrades Harold Wolpe, Mosie Moola and Abdulhay Jassat was achieved by bribing a young, inexperienced and gullible 19-year-old prison warder Johan Greeff. Initially Wolpe and Goldreich hid in the suburbs of Johannesburg before they were eventually driven to Swaziland and from there flown to Botswana. For much of the time the pair were disguised as priests and in so doing were able to evade capture during the biggest manhunt ever undertaken by the South African Police Force.

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THE GOOD READ

In the midst of one of the most intense periods of the anti-apartheid struggle, a single engine Cessna carrying the two priests in their dog collars took off from an airstrip in Swaziland and flew across South African territory into the Bechuanaland Protectorate (which in 1966 became Botswana) where the clerics stepped out to a rapturous welcome from the local African National Congress. The escape of these two freedom fighters against the might of the apartheid police force, whilst both were on remand at Johannesburg’s most well-guarded and fortified prison, was a great victory that put an almighty dent in the pride and precision of the apartheid system. As Goldreich said when interviewed many years later: “I was driven by the Holocaust and my struggle against British colonialism, but the Nats winning the election in 1948 left me in no doubt about what I had to do.” One can only take one’s hat off to Arthur Goldreich, a Kentridge-like persona of the fine art and theatre world of his day, who sacrificed fame, fortune and social standing in order to help create a free and democratic South African society. I have searched for over twenty-five years in the knowledge of the above-mentioned history, and this is the first painting by Arthur Goldreich I have managed to locate indicating how scarce his works are today. This particular painting has a distinguished provenance and was formerly in the collection of friend and artist Aileen Lipkin (1933 - 1994). It is interesting to add that although Esme Berman wrote so glowingly about Goldreich in 1962-63, he was all but omitted from her South African Art and Artists’ Dictionary first

Arthur Goldreich(1929-2011) The Priest, oil on board, 60 x 40 cm, signed and dated ’55 (BL), 1955

published by A A Balkema in 1970. It shows one how even the so-called liberal art world falls victim to political-censure and is often overly careful to maintain the status quo, which is as a rule conservative and retrogressive. For the first time since the original production, the rights to King Kong have been acquired. A revised and adapted version of this remarkable piece of South African musical theatre opened recently at the Fugard Theatre in Cape Town. In September 2017, it transfers to the Joburg Theatre.

“I was driven by the Holocaust and my struggle against British colonialism, but the Nats winning the election in 1948 left me in no doubt about what I had to do.”- Arthur Goldreich (1929-2011) 122

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Oooooh Cool!! +1 000’s of the world’s greatest images framed - for just R 120 Free 24 hours delivery to your door Local SA skills & materials used Call Dr. Candies at 021 4610318 Dealers welcome. Art your walls. Make great gifts. T&C’s apply

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Love is All +1 000’s of the world’s greatest images framed - for just R 120 Free 24 hours delivery to your door Local SA skills & materials used Call Dr. Candies at 021 4610318 Dealers welcome. Art your walls. Make great gifts. T&C’s apply

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Beautiful Flowers +1 000’s of the world’s greatest images framed - for just R 120 Free 24 hours delivery to your door Local SA skills & materials used Call Dr. Candies at 021 4610318 Dealers welcome. Art your walls. Make great gifts. T&C’s apply

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Beautiful Tiles +1 000’s of the world’s greatest images framed - for just R 120 Free 24 hours delivery to your door Local SA skills & materials used Call Dr. Candies at 021 4610318 Dealers welcome. Art your walls. Make great gifts. T&C’s apply

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Joshua Miles, City in Morning Light

109 Sir Lowry Road, Woodstock, Cape Town, Tel. 021 4626851, kevin@printgallery.co.za

We welcome you to the 10th edition. 8-10 September 2017 Sandton Convention Centre Johannesburg, South Africa As the premiere international art fair on the continent, the FNB JoburgArtFair plays a pivotal role in supporting the burgeoning contemporary arts landscape in Africa.

2017 Featured artist : Robin Rhode | â&#x20AC;&#x153;Paradiseâ&#x20AC;? (detail) | 2016

For more information, please contact info@artlogic.co.za

www.fnbjoburgartfair.co.za

Important South African and International Art, Decorative Arts and Jewellery

William Kentridge Drawing for ‘Sobriety, Obesity, and Growing Old’ Estimate: R2 800 000 – 3 400 000

Auction, Monday 16 October 2017

Sneak Preview of a Selection of Highlights 13 - 17 September 2017 The Gallery, One&Only Hotel Dock Road, V&A Waterfront

Enquiries +27 21 683 6560 www.straussart.co.za

Strauss & Co: The global leader in the South African art market