THE SOUTH AFRICAN
Issue : June 2009 Full free edition available at www.arttimes.co.za 1 Year’s subscription R 180 E-mail subs@arttimes for details
ART TIMES
Mikhael Subotzky: Street Party, Saxonwold, 2008. Courtesy of the Goodman Gallery. Part of the Nation State Exhibition at Goodman Gallery, Johannesburg. Show ends June 28. See www.goodman-gallery.com for details.
SMAC Gallery sends 3 artists to the prestigious 53rd Venice Biennale Melvyn Minnaar While the invitation to South Africa by the official organisers to ‘officially’ take part in this month’s 53rd Venice Biennale in Italy seems to have gone unanswered or got lost in the muddle that is the official department of arts and culture, three top artists are very prominent on the Campo Santa Maria Formosa as the crowds pour in. This is all due to enterprising Baylon Sandri of Stellenbosch and his Smac gallery’s good stranding
with the influential curator Vincenzo Sanfo. Sanfo has put together what sounds like an eye-catching exhibition I Linguaggi del Mondo: Languages of the World. Wayne Barker, Kay Hassan and Johann Louw has been included in this group exhibition which traces difference of language as a universal metaphor, according to Sanfo. Also on show is art by China’s Liu Zhong, Jonathan Guaitamacchi and Marco Nereo Rotelli from Italy, as well as a examples of work by Rapa Nui artists from the Easter
Islands. It is housed in the beautiful old Palazzo Querini Stampalia in Venice’s Dorsoduro. In the accompanying exhibition document, prepared by Smac gallery, the official attitude of the South African department of art and culture is given a good smack: “A major debate on the state of art in South Africa surrounds the government’s refusal to support participation in major international art events. Since 1950, South Africa
was regularly represented at the Venice Biennale until the International Cultural Boycott isolated South African artists for 25 years. The advent of the new South Africa saw the country’s re-emergence to the global art arena with an invitation in 1993 to participate in the 45th Venice Biennale. Since 1995 South Africa has been absent. It is anomalous that a country which is part of the G20, hosting the 2010 Soccer World Cup and stands as the undisputed economic powerhouse on the continent, ignores the plight of its artists for representation
and rejects the international art community. “This may well explain why some of the South Africa’s most well-known artists such as Marlene Dumas, Robin Rhode, Moshekwa Langa and Kendell Geers have chosen to live and work abroad. “Bringing these three established South African artists and their work to a prestigious international exhibition in Venice, coinciding with the Biennale is an attempt to break the pervading silence that surrounds local art expressions within the
international domain and draw attention to the plight of South African contemporary art.” Motivating the choice of the three artists, Sandri says as each represent a descendant of one of the official languages, and because art as visual language is used to give voice to current thought and imagination, cultural expectations and concerns as well as socio-political issues, Hassan (Zulu), Louw (Afrikaans) and Wayne Barker (English) were chosen for their distinctive visual articulations. (See page 9 for artist’s images)
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