ART TIMES THE SOUTH AFRICAN
Issue : May 2009 Full free edition available at www.arttimes.co.za 1 Years subscription R 180 E-mail subs@arttimes for details
Cecil Skotnes in his studio 1967
Cecil Skotnes 1926 – 2009
Photo: courtesy Pippa Skotnes
As a tribute to this great man The Art Times has commissioned an artist’s profile on Cecil Skotnes. Also see Hayden Proud’s Obituary in SA Business Art .
Art life renews itself through recession ‘What we’re going through is not unique,’ says Siebrits. ‘Sadly, no one is immune.’
Alex Dodd We started out the year on tenterhooks, not knowing how the global economic recession would hit our local contemporary art market. Dark murmurings from over the stormy seas weren’t very encouraging, with reports of the almost irrationally exuberant boom experienced since 2005 crunching right down to a slow crawl. ‘Gone are the days when artworks were being snapped up at the blink of an eye,’ wrote Juliette
Lim-Fat and Roger Signer of global financial services company Credit Suisse. ‘Nowadays, deals are taking longer to close. Buyers are more prudent and taking more time to get to know the paintings before reaching a final decision.’ It didn’t help that a large percentage of contemporary art buyers in recent years have been cock-a-hoop hedge fund managers, as well as the newly bling emerging from markets like Russia, China, the Middle East and India, many of whom have caught a nasty cold during the recent winter of our discontent, with the credit crisis slashing their
wealth and putting their demand for art on ice. Still, all this nasty weather seemed quite distant and academic to us down here in the sun-drenched South – until sales figures from the recent Joburg Art Fair came home to roost. Art sales at this year’s Fair grossed R12-million, about half of what was achieved last year – and this downturn despite the fact that the Fair’s attendance was up by 4 000 and that the production value of this year’s event way outstripped last year’s. It was a jackpot of a Fair in every sense other than sales, which can only really be attributed to the dreaded slump having meta-
morphosed from a hazy projection into an uncomfortable reality. I tiptoed into January with a dreaded sense is that our landscape was going to be morphing quite irrevocably over the next few months and that the status quo we currently take for granted as standard and unchanging will, despite Trevor Manuel’s bizarre assurances to the contrary, undergo something of a seismic shift. The first evidence of the quake hit me this week, with the lousy news that Warren Siebrits Modern and Contemporary will soon be no more. Despite the blessed irony of having just had a
‘phenomenally successful Art Fair’, the gallery’s doors will only be open until the end of May.
Siebrits will soon be embarking on a new chapter working privately as a Web-based dealer, specialising in rare art (warrensiebrits.co.za). His gallery might not be around for much longer, but we’re likely to hear more from this indomitable character who has already made a significant mark on South African art history
This is no flash-in-the-pan, fly-by-night gallery, but one of Johannesburg’s most exacting and scholarly minded contemporary art institutions. Warren Siebrits has been responsible for reviving the reputations of many 20th century artists (Alfred Thoba, Cyprian Shilakoe, Lucas Sithole…) whose legacies were overlooked or underestimated due to their place in history under apartheid, as well as for adding muscle to some significant contemporary careers, from that of Jo Ractliffe to Gerard Marx, Stefanus Rademeyer and Sabelo Mlangeni. (continued on page 5)
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