Architecture Portfolio by Arvid Söderholm

Internships & Master studios

Arvid Sรถderholm Architecture Portfolio

2013-2016

AR VI D S Ö D ER HO L M Architecture Portfolio

Read more at www.arvidsoderholm.com or www.issuu.com/arvidsoderholm/docs/portfolio_issuu

phone: m a i l : address:

C O N TA C T

+46 768 79 61 67 arvids@student.chalmers.se Åbylundsgatan 5 58236 Linköping

INTRODUCTION

SKILLS

PORTFOLIO CONTENT

Pa g e #

My name is Arvid Söderholm, im 25 years old and currently situated in Linköping. I grew up in Arkösund, eastern Sweden. I have always been interested in design, handicraft, constructing and building stuff. I recently studied at Chalmers University of Technology, finished my BSc in 2013 and MSc 2016. In between I worked with two internships at architecture officies in Linköping and Göteborg for a year. In this portfolio is a collection of projects, both from the internships and from school.

Softwares: Adobe Ps, Id, Ai Rhinoceros 4.0 & 5 V-ray for Rhino/Sketchup Grasshopper + C# & Kangaroo Autodesk Revit, AutoCAD, Maya & Dynamo for React Google Sketchup 8 - 2016 Matlab

Bal ti c I nte r nati onal Su m m e r Sc hool 2016

14-19

In bachelor programme there was always a mix between design projects and engineering including structural challenges, physics, maths or use of computer softwares. I enjoy both the challenging technical problemsolving aswell as the creative part of Architecture. What i appriciate most in the design process is physical and digital modelling aswell as visualization. I would like to have a diverse job where i can work in different scales with everything from housing projects to competitions and public spaces.

Language skills: S w e d i s h mother tongue E n g l i s h fluent G e r m a n ein bisschen Work beside architecture: Belaying and instructing in climbing gym, Fysiken Klätterlabbet Other: -Driving liscence A+B -Awarded best analog model in thesis ceremony spring 2016 -Easy learning new softwares and perform in stressful situations -Strong interest in sports, photography and woodwork.

2016 Stu d i os Cou r s e s I nte r ns hi p s W orks hop s J ob s

Sm ar t g e om e tr y

20-21

Mas te r the s i s

4-13

He al thc ar e ar c hi te c tu r e

52-71

Su m m e r c ou r s e

22-31

A u d i tor i u m c om p e ti ti on

46-51

Matte r s p ac e s tr u c tu re

I I

2015

Nor d i c A rc hi te c tu r e : Re c ons tr u c ti ng the Stoc khol m e x hi b i ti on 1930

32-35

Mate ri al and d e tai l

36-45

Su s tai nab l e d e v e l op m e nt and the d e s i g n p r ofe s s i ons Hor s hol m e n

72-73

F or u m A r ki te kte r , G öte b or g

74-75

M5 A r ki te ktu r L i nköp i ng

76-89

2014 2010 - 2013 2009 - 2010

Bs c i n A r c hi te c tu r e and Eng i ne e ri ng , Chal m e rs Y - A p p l i e d p hys i c s and e l e c tr i c al e ng i ne e r i ng , L i U

MASTER THESIS: R E I N C A R N AT I O N O F A BUILDING

Design by reuse. Material from an old shipyard threatened by demolishion is reincarnated into a wood workshop and boat storage building.

HORSHOLMEN VA C AT I O N H O M E

R E C R E AT I N G T H E S T H L M EXHIBITION 1930

SUMMER COURSE 2015

M AT T E R S PA C E & STRUCTURE

M AT E R I A L A N D D E TA I L

As part of the “nordic architecture” course a number of 1:50 physical models were made researching the modernist architecture of the 1930 stockholm exhibition.

Learning about the building process through detailed 1:10 physical model making in wood, metal and concrete. A 15m² building “friggebod” was designed in form of an art studio in the forest.

Architecture studio focusing on urban planning and exploring spaces in a dense highrise area. Design process with large scale physical modelling and storytelling.

Architecture studio where computational tools were useed for design and production of a “kiosk” utilising the potencials of concrete and masonry units. A full scale piece was build after design competition and research.

ARCHITECTURE INTERNSHIP M5

WERNSTEDTS SKETCH: AU D I TO R I U M AT C H A L M E R S P L AT S E N

BISS: ARCHITECTURE F O R E X T R E M E C L I M AT E CHANGE

H E A LT H C A R E ARCHITECTURE

Architectural competition for first year masterstudents at chalmers. The design proposal was judged 4/5 by the jury.

One week futuristic urban planning project in Hamburg, where my interdisciplinary and international team was awarded the first price for our project: “3 hours of sun”

Drawings leading to building permit and realization of a smaller building on island Horsholmen in the eastcoast archipelago of Sweden.

Helping out in the office for several months with various tasks including visualization, modelling, measuring and creating drawings aswell as a few design proposals and layout.

FORUM ARKITEKTER

SMART GEOMETRY 2016: LOGJAM CLUSTER

Proposal for an extension of asklanda missionskyrka including visualizations aswell as making few advertisement videos for the office shown at AHKs games.

LOGJAM proposes an exploration of the potential of interspecies optimization for the construction of spatial structures. Digital tools, robots and full-scale model.

“In the future i want to work with housing projects, public spaces and buildings, healthcare projects, architecture competitions, and develop my skills as an architect together with colleagues.”

Architecture studio where design by research is the core. A complex structure was designed to fit future needs af a healthcare facility and at the same time solve existing problems at the site of Ryhov hospital in Jönköping.

MASTER THESIS IN ARCHITECTURE “REINCARNATION OF A BUILDING”

Designing with the L i m i t a t i o n s a n d Po s s i b i l i t i e s of Salvaged Material An old boatyard building in Arkösund is being demolished. It’s also the end of a family company that has been working there for many generations. The thesis is an investigation in ways to take care of the material from this building -to reincarnate it. By doing this a piece of history can be kept for future generations. The outcome is a design proposal for a wood workshop and boat storage space built only out of the salvaged material. Useful parts has been identified through inspection and measuring of the old building, to establish a material library which can be used when designing. In this case windows, corrugated metal roof pannels, wood from the framework and parts of the floor of the old shipyard was used. The aim is to inspire others to reuse in a smart way aswell as appretiate qualities in the worn and weathered material.This design is adaptable to fit other buildings and dimensions of different building parts. The cutting process has been optimised in this case to reduse the amount of waste. The preconditions of having a limited supply of parts has become a trigger for innovation during the design process. Geometry and details give new life to the material -a legacy that would otherwise be lost. Examiner: Morten Lund Supervisor: Jonas Carlson

Introduction There are many abandoned buildings around Sweden that go to ruin due to change in demands. This thesis project propose to find a new use for the old building material that would otherwise go to waste. Through this kind of reincarnation both local cultural heritage, personal memories and relics can pe preserved and further appriciated at the same time as the contemporary needs can be supplied. In this chase the main purpose of the building will in a way remain after the reincarnation (even if in a smaller scale), namely storage and workshop for wooden boats. Qualities that can be found in this old material can be everything from aesthetics of weathered, worn surfaces, details of craftmanship, smells to structural properties of e.g. well preserved wood or metal. The aim of the thesis has been to develop a customizable enough system to be able to adapt to different buildings, but the one building instantiated here has been an old shipyard in Arkรถsund, on the east coast of Sweden.

Background The development of the onshore village Arkösund hot up in the mid 1890s when a railway was built to supplement Norrköpings harbour. The purpose to make Arkösund a commercial harbour showed to be unrealistic when Norrköpings harbour could be kept open with the help of icebreakers. Arkösund is situated close to many fairways and has been a node for the fishing industry, bathing and sailing tourism aswell as exploitation for weekend cottages. There was a big market for shipyards, and Arkösunds båtvarv was one of three local actors. Arkösunds båtvarv was constructed 19191920. The building has been looking more or less the same since, except a major expansion some time between 1920 and 1943. Additional major changes of the site is an extensive landfill around the building and construction of some complementary buildings, a crane and a slipway.

1920

1943

During the latest centuries, the wooden boat production has been ousted by other materials and the companys focus changed towards service and motors. The building is likely to be demolished during this year and replaced by a new, more modern one.

The Boatyard The old building have been carefully investigated and analyzed to create a library of useful parts with the dimensions and lengths. It is mainly constructed by wood. It contains a big hall, a storagehall for masts, tarps etc., a small heated office area with a kitchen and a restroom, a welding/metalworkshop, aswell as a second floor at a part of the building with storageareas for tools etc. The main hall was used to build wooden boats, with all the machinery in it, workbenches, woodstorage for the boatbuilding etc. and has double ceilingheight. In the main hall there are alot of big mullioned windows. The roof is corrugated iron.

1954

2015

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Sketches and photos of initial physical scetch models

Architectural objectives

Adaptable Shape

The design objective was small wood workshop combined with a storage area for a small wooden boat to make a favorable space for restoration during the winter season. What a workshop needs, in my mind, is adequate daylighting, a calming view, enough space but not excessive distances to move. There was also an urge to create a separate department for recreation and communion.

Initial sketches made while trying to presume little about how architecture â&#x20AC;&#x153;should beâ&#x20AC;?. The aim was to come up with an architectural system that was general enough (to use as much as possible of the salvaged material), while enabling geometrical freedom to adjust to program and aesthetics.

Generating the shape Initially physical models was used as a sketching method. An early thought about material usage through tessilation and an urge to achieve a unique geometric shape was driving. The amount of available material has been kept in mind all through the sketching phase. A number of simple sketch models were made, where liked spatial expressions were picked and developed. The program , areas and specific shape of the boat was another tool to determine the shape of the building. The workshop part and the boat storage part make one volume each. The two floors also split the building where the bottom floor is for heavy duties, where the floor is kept untreated, while the top floor get a refined finish with planed floor planks. This is to emphasise the contrast of the preserved wood, which might not be visible hidden under layers of oil and paint stains of the rough surface.

The surfaces can adopt any angle and acts as both walls and roofs. This new building elements will be referred to as plates. The facade material can be corrugated metal sheets or patched wooden panels and the geometry isnâ&#x20AC;&#x2122;t bound to how the surfaces are paneled.

Site

The new site is about three kilometers west into the mainland. The building is situated on a small hill and close to the forest.

Parametrisation In the process of minimising the waste and use as much as possible of the precious material, a cutting logic was generated and the geometry was modelled in a digital environment. The geometry have been parameterised using a combination of three voronoi cells. In this way the angle of each surface can be determined by the position of a point. The red points in the diagram are the centerpoints of the voronoi cells. The green points control the green cell, the blue points control the blue cell and the yellow points control the yellow cell. Each surface of the cells are mirrors between the corresponding external point and internal (red) point.

Cutting logic and optimisation By supplying a list of available material (length of parts), and another list of the parts that needs to be cut, the computer then calculates which part to cut first in order to waste as little as possible. The cutting logic was implemented in a script with the total amount of wasted material as output. This information was then used to “inform” the design by slightly changing the position of above mentioned points. An evolutionary solver was used to find an “optimal“ solution.

Structural challenge

Prefabricated plates

The intended geometric shapes carries with them two major properties. First of all the opportunity to use the diaphragm action within the plates to stabilize the structure. The plates with angles between them will be both vertical and lateral support to each other. The other challenge is to solve the corners, which in many cases will get complicated with many edges connecting in different angles. The solution to this has to be general enough to be applicable in cases where the creases in a corner fold in two directions.

To be able to use elements of different dimensions in the construction, a plate system was developed.

Surfaces that carries functions such as doors or windows can be locked to a certain angle to keep their functionality. Daylight

Program

This surface is angled to catch as much light as possible

Required area for a workshop and boat

The plate is gaining its internal stability and diaphragm strength in both the interior panel and the studs and sheets of the exterior. This system has the advantage of being able to prefabricate the plates and in that way streamline the production.

View The angle of one surface was locked to frame a view towards the forest for one of the windows.

The system have one primary frame for each plate and connects the two plates in each edge using a kind of biscuit joint. The plates meet always in the closest edge between two plates and this edge can be either an interior or exterior edge depending on the crease. This allows the thickness of the different plates to vary individually, and adapt to the specific dimensions of the beams available.

Joints

Boat entrance Size of salvaged doors was predefined. An appropriate angle of entrance was chosen and locked.

Prefabricated plates

The plate elements are joined together with a biscuit-joint system. The frames are prepared during the prefabrication process with matching sockets on both sides of the joint. When the plates are mounted, the biscuits are inserted which allows no translation along the edge, but some rotation around it if needed. The insulation is then put inside the frame and ilong the edges and covered with the studs.

Screenshots from optimisation process

private void RunScript(List<double> TargetLengths, List<double> MeterialLibrary, List<double> PanelTags, List<double> MaterialTags, ref object materiallibraryout, ref object wastelengthsout, ref object wastetagsout, ref object paneltagsout, ref object materialtagsout) { List < double > WasteLengths = new List<double>(TargetLengths.Count); List < double > WasteTags = new List<double>(TargetLengths.Count); List < double > CutMaterialTags = new List<double>(TargetLengths.Count); for (int x = 0; x < (TargetLengths.Count); x++) //loop through all the cutlengths needed { bool FoundWastePart = false; //resets fuondwastepart value for (int y = 0; (y < (WasteLengths.Count)) && (FoundWastePart == false); y++) //loop through the wastepart list { if (WasteLengths[y] >= TargetLengths[x]) //conditions for useful wasteparts { FoundWastePart = true; //if useful wastepart is found, the loop breaks WasteLengths[y] = (WasteLengths[y] - TargetLengths[x]); //the useful wastepart gets cut and a new, shorter wastepart gets stored on the same position in the list CutMaterialTags.Add(WasteTags[y]); } }

for (int z = 0; (z < MeterialLibrary.Count) && (FoundWastePart == false); z++) { if (MeterialLibrary[z] > TargetLengths[x]) { double CutLength = MeterialLibrary[z] - TargetLengths[x]; //measures the new wastepart MeterialLibrary[z] = 0; //takes away the piece from the material library WasteLengths.Add(CutLength); //adds the wastepart length in wastepart length list WasteTags.Add(MaterialTags[x]); //adds the wastepart tag in wastepart tag list CutMaterialTags.Add(MaterialTags[x]); } } } materiallibraryout = MeterialLibrary; wastelengthsout = WasteLengths; wastetagsout = WasteTags; paneltagsout = PanelTags; materialtagsout = CutMaterialTags; }

Some different generations of genomes from the evolutionary optimisation process, showing the small geometric variations

Biscuit joint system tried out in physical model

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Section A-A

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B A LT I C I N T E R N AT I O N A L SUMMER SCHOOL 2016

“3 HOURS OF SUN”

Te a m : A r v i d S ö d e r h o l m ( S W E ) , A l l a r E s k o ( E S T ) , Te o d o r P e t r o v ( D N K ) , Ve r o n i k a I g n a t a v i c i u t e ( D N K )

Fishing. A

Smog, Fatal Crash, 5 Die. recreation lost. Hamburg: Still in Darkness. See page X

A UTOPIA WITHIN A DYSTOPIA? 20.08.2120 Veronika, Teodor, Arvid, Allar Statement Consider this: “In the 19th century, the pace of economic and trade globalization began to quicken, driven by colonialism and economic liberalism, and boosted by industrialisation, new technologies, more extensive production, the division of labour, and the ability to transport goods more rapidly. This development not only had a major impact on the global economy, but also, amongst other things, prompted a change in the urban development on the world’s port and trading cities.”

Concept Program The scheme aims to revive the island of Kaltehofe from industrial pollution accumulated through the 21st century since the industrial age. Due to smoggy atmosphere and pollution, the air has become so think that light from the sun is diffused and only penetrated the land at the highest point in the sky. The environment has become a zone of health hazards, suffocating its surroundings. The development of a garden community and oxygen park is proposed. Community enclosures allow for air to be purified in small areas and light to be collected and dispersed, facilitating the vegetation grown in the food production chambers, making most of the 3 hours of daylight available daily.

See page X

and in the possible future within 100 years. The latter scenario is represented by a

Plants don’t grow because the soil is dry, the water needs to be filtered to sustain life and psychologically, the world is no fun.

becomes dry and animals die.

Genesis.

Action

We assessed the situation and decided to develop a series of devices to utilise the small supply of natural light to begin growing plants. Hydroponic vegetable gardens were proposed to take place in the existing water ponds used for water filtration. The existing water pipelines will be used to supply the plants with water and minerals. Large amounts of Sodium and Nitrogen are present in industrial polluted air, therefore they could be harvested to enable plants to gain some free nutrients.

dark sky, thick smog, and damage to surroundings as soil

We begin to plant. Regenerate the site to make an oxygen park with a food supply and hydroponic vegetable patches. Then in the future, residential housing. Dealing with Pollution The first step we would take to tackle catastrophic pollution would be inventing ways of using natural air purifiers:

Plants.

Plants (especially Aloe Vera), are natural air purifiers, and they are the medicine for air high in Carbon Dioxide. However, generally plants need sun light and this is the limiting factor to natural growth. This is why

Regeneration through Illumination.

In our hypothetical situation, we consider that the statement has a different ending:

“..development not only had a major impact on the global economy, but also on global pollution.”

Project Aim

Location and Context South of Hamburg, currently Hafen City development, Hamburg’s old 19th Century sandwater filtration island site ‘Kaltehofe’, now a museum and green site, once filtrated water for Hamburg, but using sand as the main ingredient in this process. The the

model cubes represent context

location

today,

invented

The Project aims to construct a utopia within the dystopia created through years of industrial pollution. In 3 phases, we aim to create a sustainable site which invites vegetational functions and utilises the historical function of existing water filtration systems.

Not so much a social experiment, but the community would begin with an oxygen park (Idea: Hey guys, let’s go get high on Oxygen!) Something as necessary as clean air becomes no longer a requirement taken for granted, as people appreciate purified air in smoggy polluted atmosphere.

Our Method. Imagine the place as the user: only 3 hours of possible sunshine, between 11:00 and 14:00, and the rest of the day is dark, cloudy, not suitable for reading without artificial lighting.

Industry >> Pollution >> Damaged Atmosphere >> Dry + + Diffused Light Dead Hypothetical Scenario of the Future

Regeneration Through Illumination

It takes people to make it work.

Technological Intervention: Light Harvesting for Plant Growth, or Energy Storage for UV lamps was the aim.

Could planting Aloe Vera heal the environment?

PHASE 1: Survival Revival Food Production and Oxygen Park PHASE 2: Living Genesis Residential Areas PHASE 3: Multiplication Generations Ambitious Self-Sustained Living

Regeneration Through Illumination

Regeneration Through Illumination [UTOPIA within DYSTOPIA]

-3_Hours_of_SunRevival from Post Catastrophic Industrial Pollution

[PHASE 1]

Location: KALTEHOFE

-Survival_Revival-

Food Production and Oxygen Park

Exoskeleton Mineral Supply

[PHASE 2]

Structural framework is visible to the outside, an architecture which does not hide how its built

-Living_GenesisResidential Areas

Residential Areas

The development of hydroponic planting has resulted with an effective method to farming vegetables in an environment limited in supplies. To start with, the vegetable may grow the following produce: Carrots, Potatoes, Beetroot, Onions and Tomatoes.

Structures follow a rapid build system

Stacking The buildings are lightweights and stackable Continuous Water Supply Water pipelines pass through the Kaltehofe island into Hamburg. This supply is enough for plants. The smoggy air keeps air temperature at 20*C making the environment a natural greenhouse for vegetable growth.

Architectural Joints Construction is made simple by the implementation of prefabricated parts

Grid Buildings follow a grid but can be developed for personal function preferences Water Tank Re-Use

Air Purification

By reconstructing and utilising the 19th century German sand-water filters, water can once more be filtered from contaminants

With the addition of Aloe Vera roof devices, the air is able to be purified while aloe vera is growth for to produce gel for health problems. The Aloe Vera plant is the most effective natural method of purifying polluted air.

Regeneration Through Illumination

[PRE-DEVELOPED] -Fly_Eye_Lense-

Revival from Post Catastrophic Industrial Pollution

Scenario:-3_Hours_of_SunLocation: KALTEHOFE, Hamburg Subtopic: Adaptable Design for Severe Climatic Scenarios

Regeneration Through Illumination

3_Hours_of_Sun-

TOPIA within DYSTOPIA]

evival from Post Catastrophic Industrial Pollution

FOOD GROWTH ZONE

he Master Plan

ith time, the island would be regenerated, from oxygen source to food growth and residential.

O2 PARK Oxygen Dome Vases cover the oxygen park as Aloe Vera is planted in sacks

WATER Water is filtered through sand filtration systems existing in Kaltehofe.

RESIDENTIAL Food production Modular Houseing Scheme proposal in this area (Phase 2 and 3)

FOOD GROWTH ZONE

FOOD Food production in terms of vegetable growth and organics.

UTOPIA Utopia begins with the plantation of Aloe Vera and vegetables in the existing filtration ponds.

NORTH

Regeneration Through Illumination -3_Hours_of_Sun-

Revival from Post Catastrophic Industrial Pollution Section through the Community in phase 3. The section represents the city as a fragile eco system, which is dealing with the air pollution caused by industrial development from 20th and 21st century. Existing 19th sandwater filtration systems are reused again to revive the city from becoming dead and dry due to pollution.

[3 HOURS OF SUN]

A light harvesting tool and a recycled bottle

Air is purified by the growing Aloe Vera plant and light able to penetrate into the space below

-Light_in_a_BottleSun Light

-Oxygen_Dome_Vase-

Sun collecting sky lights direct rays to the gardens, walking paths and residential regions.

Air Purifying

Some light refraction

Aloe Vera Growing Light As the plant grows and clears the air, light can also be refracted through its hydroponic mineral sack. The light plant sacks can be applied to the roof and facades of the building.

[3 HOURS OF SUN] -Oxygen_Dome_Vase-

Air is purified by the growing Aloe Vera plant and light able to penetrate into the space below

[3 HOURS OF SUN] -Light_in_a_Bottle-

A light harvesting tool and a recycled bottle

Air Purification and some Illumination Aloe Vera is part of the growth food strategy, since air pollution is the significant issue at the beginning of the redevelopment. Aloe Vera can be used as treatment, medicine and in the process of generating micro organisms.

Regeneration Through Illumination -3_Hours_of_Sun[UTOPIA within DYSTOPIA]

Revival from Post Catastrophic Industrial Pollution

Light Rays Direct and indirect light rays are saturated to the centre of the lense directed at the end of a glass tube. The tube is dipped into water within the bottle (Alkali can be added to the mix to sustain the water clarity), to refract light further, illuminating the areas below.

[3 HOURS OF SUN]

Light passes through ‘iris’ lenses and intensified when light is diffused

-Fly_Eye_Lense-

Biomimicry and the Lense Inspired by the inverse natural phenomenon of the eye of a fly, light can be intensified and reflected, lighting up a space. Together the lamps can create a well lit atmosphere, without using artificial lights.

Absorbing

Refracting

Reflecting

Biomimicry and the Lense

Lenses Follow Geometry The devices become panels of the roof and facade grid, accumulating light and dispersing it to the interiors. In a time of defused light darkness, lux is increased because of the double layers of the lenses.

Inspired by the inverse natural phenomenon of the eye of a fly, light can be intensified and reflected, lighting up a space. Together the lamps can create a well lit atmosphere, without using artificial lights.

# s g 2 0 1 6 Wo r k s h o p Cluster Feature: “LOGJAM!” “LogJam! proposes an exploration of interspecies optimization in construction of spatial structures. Through the design, optimization, analysis, assembly, and evaluation of a prototypical multispecies hybrid spatial structure, we will explore the role of computational design in wood composites, while providing a study for functionally gradient materials in buildings.” https://vimeo.com/162688423 Cluster champions: Gustav Fagerström Nathan King Experts: Nick Cote Michael Kirschner Redshirts: Arvid Söderholm Gustav Good

Participants: Zeynep Bacinoglu Mark Donofrio Paolo Franco Per-Kristian Hansson Marcin Luczkowski John Mork Vasily Sitnikov Severi Virolainen Zherui Wang

FROM IDEA TO FINISHED BUILDING SUMMER COURSE 2015 FOREST STUDIO

Te a m m e m b e r s : Arvid Söderholm Ke r s t i n Ha l l g re n

DESCRIPTION

To this 15m² studio in the forest you can come to create in peace and quiet. With genuine materials, wide facade planks, metal sheets framing the extruded window and door, rough concrete floor and shelving of solid wood creates a hefty foundation for whatever you want to find in your new hideout. Sit and think in the protuberant window against nature on the animal’s ground level. Sleep and rest in the sling hammock and see the trees swaying overhead. Look up the double doors to the patio and release into the forest candles and scents.

This course was held in the summer of 2015. I worked together with Kerstin Hallgren and we designed a small building of 15m², which is the limit for building without planning permission in Sweden. In the course we went through the whole process from idéa to constructed building in form of a detailed model in scale 1:10. The focus was on the practical problem-solving but im also very satisfied with both the design and the result in the model. It was an amazingly fun and educating course where we spend alot of time in the workshop. The building is planned on a plot in the forest of Orust, western Sweden, but designed to be suitable on a any random site. Its a

small cabin, dug down in the earth half a meter to form a sitting bench just inside the doors. The shape is a monolithic block with extruding metal volumes for the window, entrance door and roof / roof window. One of the sides is openable with two glased double doors and shutters so that you can choose between different openness in different seasons. The roof is hidden between the extended wall pieces and the rain water is collected and thrown out through a pipe, creating a waterfall in front of the window on one side.

RITNINGSFÖRTECKNING ! !

Ritningsnr. ! Ritningens benämning ! ! !

! !

A-40.3-01 ! A-40.3-02 ! A-40.3-03! A-40.3-04! ! ! ! !

Fasad norr! Fasad öst! Fasad syd ! Fasad väst! ! Planer!

A-40.1-01! A-40.1-02! A-40.1-03! ! ! !

Plan 1 !! ! ! ! Takplan! ! ! ! Plan 1 Hänvisningar & mått! !

A-40.2-01 ! A-40.2-02! A-40.2-03 ! A-40.2-04! ! ! !

Sektion A-A ! ! ! ! Sektion B-B ! ! ! ! Sektion A-A Hänvisningar & mått ! Sektion B-B Hänvisningar & mått!

A-40.6-01! A-40.6-02! ! ! !

Detalj H1! Detalj H2!

A-40.6-04! A-40.6-05! A-40.6-06! A-40.6-07! A-40.6-08! A-40.6-09! A-40.6-10! A-40.6-11! ! ! ! ! ! ! A-40.4-01! A-40.4-02! A-40.4-03! ! ! !

Detalj V1! ! Detalj V2! ! Detalj V3! ! Detalj V4! ! Detalj V5! ! Detalj V6! ! Detalj V7! ! Detalj V8! ! ! Uppställningar!

A-40.4-04 ! A-40.4-05 ! A-40.4-06 ! A-40.4-07 ! A-40.4-08 !

Väggstomme norr ! Väggstomme öst ! Väggstomme syd ! Väggstomme väst! Väggstomme tak!

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Skala !!

Ritningsdatum Rev. datum!

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2015-06-30! 2015-06-30! 2015-06-30! 2015-06-30!

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2015-06-30! 2015-06-30! 2015-06-30!

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2015-06-30! 2015-06-30! 2015-06-30! 2015-06-30!

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Sektioner!

Horisontella detaljer! ! !

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1:5! 1:5!

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2015-06-30! 2015-06-30!

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1:5! 1:5! 1:5! 1:5! 1:5! 1:5! 1:5! 1:5!

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2015-06-30! 2015-06-30! 2015-06-30! 2015-06-30! 2015-06-30! 2015-06-30! 2015-06-30! 2015-06-30!

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2015-06-30! 2015-06-30! 2015-06-30! 2015-06-30! 2015-06-30

Vertikala detaljer!

Dörruppställning D1! ! Dörruppställning D2! ! Fönsteruppställning F1,F2! Regeluppställning! ! ! ! ! !

NORDIC ARCHITECTURE RECONSTRUCTING THE STOCKHOLM EXHIBITION 1930 VEICHLE HALL BY GUNNAR ASPLUND, MODEL 1:50

This course gives an overview of Nordic and especially Swedish architecture and town planning from the 1930s until today with special emphasis on its social and cultural context. The course is based on lectures, seminars, excursions and literature. Some lectures are given by invited guests from the other Nordic countries.

of bend beams. We cut the profiles in the laser cutter and glued the flanges onto them and then the roof in form of a thin plywood. The buildings from this exhibition were just temporarily build and does not exist today so we had to use only the old pictures and this axonometry drawing as references when we build the model.

Apart from the lectures we were asked to write a short essay about what nordic arcitecture is for us and we also went on a fieldtrip to Copenhagen, Denmark for three days. The essays were discussed, and to finish the course off we build the models from the stockholmsutstĂ¤llningen (stockholmexhibition) from 1930. A project that started the earlier year in the same course and aimed for replicating all the buildings from this modernist breakthrough exhibition with many great Swedish architects like Asplund, Lewerentz among others. The models were build in scale 1:50 from wood in the architecture workshop in chalmers. My group got the task to build the Viechle hall which is a quite large structure with an open facade against the entrance parade street. The hall was used to display modern boats, cars and other veichles. I was together with three friends in the group responsible for building the roof, which consists of a number

TEAM MEMBERS

M AT E R I A L A N D D E TA I L S T U D I O MASONRY CONCRETE “The task in this year's edition of Material and Detail is to design and manufacture a full-scale kiosk that will be displayed in Gothenburg's Botanical Gardens, in collaboration with the The Röhsska Museum of Fashion, Design and Decorative Arts. One student design will be manufactured from concrete building blocks – custom designed concrete masonry units - through a partnership with local firms specialized in concrete and formwork. Students will get acquainted with an iterative, research-based way of working where designs evolve by moving back and forth between material experimentation, digital geometry, CNC (Computer Numerically Controlled) fabrication and fullscale mock-ups.” Chalmers University of Technology, Department of Architecture, Gothenburg, Fall 2014 Students: Unnar Kristmannsson, Daniel Nordlund Hasseb, Johannes Tsagarakis, Jens Lundin, Theres Kjellberg, Hussein Chith, Stepan Matousek, Emily Hamilton, Pär Bratt, Emil Poulsen, Vasiliki Panagiotidou, Arvid Söderholm, Yiwen Zhou, Marin Germain, François Otten, Fiona Heieck, Matthew Argent, Antoni Berga Mayol, Johan Berggren, Oscar Gillkvist, Neza Kravanja, Daniel Morales Valle, Elisenda Planell Picola, Aysegul Taskin Tutors: Daniel Norell, Jonas Lundberg, Mikael Frej, Klas Moberg, Karin Hedlund, Pedram Seddighzadeh Examiners: Daniel Norell, Jonas Lundberg

“THE CRACK”

h t t p : / / c o n c r e t e m a s o n r y . t u m b l r . c o m /

h t t p s : / /w w w.y o u t u b e . c o m /w a t c h? v = 6 iVz jX E K L N 0

The studio investigates a building material every year. This year was about concrete and furthermore cast into stackable units. The studio focuses on digital tools and production processes. We were asked to design a small “kiosk”, or pavilion, that were to be exhibited in Botaniska garden in Gothenburg. The kiosk should use the material concrete in new innovative ways and be manufactured at Chalmers, transported to the site and assembled in an effective way. We put all our result on a blog and planned to publich a book, in the same manner as the studio had done earlier years. This book never happened though in the end, because there was too much work with the production of the pavilion. The work was divided into three parts where we in the first part did research on the subject and reference projects. First we also split up in smaller groups to make preparation studies on a few different themes. The second part was a designcompetition

where the groups were shuffled and each group had to come up with a design proposal. The winner was announced through both a jury consisting teachers and sponsors, and a vote among the students. The last phase consisted realizing the winning proposal and this was the biggest and most challenging part of the studio. Here the whole studio had to really work as a team. The work was split up among us in different work responsibilty teams, just like a big project in an office. Another very appriciated part of this studio was the studytrip to Venice, Italy and the 2014 architecture biennale there. A great way to get to know eachother, and i had never been to Venice before so that was a great experience!

PHASE ONE CHASE STUDY A N A LY S I S URBAN NEBULA BY ZAHA HADID ARCHITECTS “The Urban Nebula installation for the 2007 London Design Festival explored the potencial application of pre-cast concrete for the creation of organic, repetative forms. While the fluidity of the piece resonated with the structure of a nebulous cloud, there was a clear contradiction in the choice of concrete as a material - it was a 30-tonne mass of 150 polished black blocks, bolted together to form a perforated 11 metre long wall.” We started the analysis of this structure by figuring out the geometric pattern which forms the blocks. The pattern (seen below) is projected in one direction and cuts the primary shape into the blocks. The “holes” are therefore all parallell, which creates a nice effect in the corner where the primary form bends. Photo of The Urban Nebula

The projection pattern with and without the geometric components highlited - to demonstrate how the repetition “dissolves”. The Team assembled after finalising the pavilion

The primary shape modelled in Rhino

scource of photos & information: http://www.zaha-hadid.com/design/urban-nebula/

CUSTOM DESIGNED CONCRETE MASONRY UNITS

Axonometry showing the cutting principles of our mockup model. Red lines are where the wirecutter moves.

The foam model - photo front

The geometric components of the pattern

We made a small foammodel of a part of the urban nebula with the hot wire cutter to show the concept of the production process. The wirecutter was an important tool in the rest of the studio aswell, so this exercise was important to get to know the tool better. The wirecutter is a cnc machine (controlled by the computer), which has two “robotarms” that has a hot wire connected in between them. This wire cuts through the foam while the both ends follow a curve designed in CAD software, in this chase Rhino.

Axonometry of the Urban Nebula with the cut pattern (red)

The blocks was supposed to be interlocking but we came to the conclusion that they were not to 100%, we needed needles to hold them in position. I think it might work better with concrete blocks and in bigger scale though because of the weight creating much stronger friction forces in between the blocks. We can see from pictures of the Urban Nebula that they also uses bolts and metal plates to secure the blocks. Thi is for safety issue of course, but something important to consider since we were supposed to realize and exhibit a pavilion for

The foam model - photo side

the public in the end of the studio. I found the Urban Nebula project analysis very inspiring and i took alot of these ideas with me to the design competition of phase 2. In this chase the projection was only in one direction along an axis, and the primary shape was a freeform, but as you will see on the next pages we developed this idéa to project from a cylinder instead. The concept of cutting different shapes with a pattern can give the result many different qualities depending on the aim. For example can the exterior and the interior have different expression (sidedness), the openness can vary depending on the pattern and projection technique, and the intersections between different cuts can give cool effects.

The foam model - photo detail

The mould of the Urban Nebula can be used for all blocks because the shape is the same. The only things differing between the individual blocks are the front and back surfaces, which are shaped by the unique inserted piece. Mould concept.

GEOMETRY AND AGGREGATION - further development of stacking systems

More than twenty DIFFERENT PIECES can be made by only ONE MOLD, thanks to two kinds of adding pieces. This creates a large variety in the agregation, while keeping the method of construction simple.

The pieces added into the mold in order to vary the shape of each piece can be made of foam and can be CUT in the CNC-cutter.

The pieces can have DIFFERENT THICKNESSES, by pouring a smaller or bigger quantity of concrete into the mold. This enables a non-ﬂatness of the walls, and gives the possibility of bringing some benches or other urban furniture.

90° PIECE

3D-printed plastic blocks made with the MakerBot

45º

A rotation of the walls would enable some openings in the kiosk, like a door or entrance.

45° PIECE

A RELIEF is added to the faces of some pieces. This brings a sidedness to the kiosk. That is possible by the adding of some other adding pieces: that way, the faces of the pieces either go out, in, or stay ﬂat.

Phase 1 - Geometry and Agregation

Team 2 - Arvid Söderholm, Elisenda Planell, Stéphanie Amstutz, Oscar Gillkvist

HOLES are created by the agregation of the pieces and not

by the pieces themselves. These holes can change in quantity and in size: this means that the transparency through the kiosk can vary.

The different thicknesses of the pieces enables the walls to be more MASSIVE at the bottom and LIGHTER at the top, in order to show the forces that the concrete pieces receive.

A variation of the pieces makes the pieces able to create a CORNER or an angle to the kiosk.

PHASE TWO DESIGN PROPOSAL “CAVEMAN’S CLUB”

Team members: Arvid Söderholm (SWE), Johan Berggren (SWE), Francóis Otten (CHE), Neza Krávanja (SVN), EMILY HAMILTON (GRB)

The kiosk is created using 60 unique units all cast from the same mould with different foam inserts.

CONCEPT In accordance with our idea of the shelter, the camp-fire brings both protection against the hard environment and opportunities for human social interaction. The occulus not only gives ventilation for the fire, it also allows the visitor to stay in contact with nature, while being protected by the fire of the shelter. But the universality of the sky separates the spectator from the specificity of the site it wants to take shelter from. The strong opposition between the outside and the inside will enhance

the opposition between the coldness of winter and the cosiness of the shelter. Projection gives us the opportunity to design the shelter without being limited by the building block, since it is the building block which adapt to the design.

SECTION

ENTRANCE

Any of the blocks in the lower part of the kiosk can be selected and removed, creating an opening. The entrance is low and narrow, encouraging an intimate atmosphere within the kiosk.

SIGHT-LINES AND LIGHT

A lower and narrower entrance means your sight-lines once inside are obscured. The inside and outside are visually completely separated. The small entrance and thick walls ensures main light is

OCCULUS

The hole in the ceiling is the biggest opening in the kiosk. A steel wire reinforcement is used to hold and stack the blocks together.

VIEW AND LIGHT

The occulus offers a view of the sky connecting the visitor to the outside environment. The occulus is the main source of light in the kiosk and centres your attention to the skies above.

TEXTURE

Different textures are applied to the concrete surface to emphasize the difference between the inside and outside space.

OUTSIDE TEXTURE

The orthogonality and monolithic qualities of the outside is highlighted with a smooth and flat texture. When each unit is cast the exterior surface is smoothed out.

INSIDE TEXTURE

To emphasize the organic quality of the interior, a rough texture is created with baking paper.

INTERIOR FUNCTIONS F L AT S U R FA C E S

The organic interior is designed in a way to provide some flat surfaces which can be used for multiple purposes. We have re-interpreted sauna seating in this kiosk whereby visitors place themselves on various levels.

M U LT I-P U R P O S E AREAS The flat areas can be used for seating, place things as glasses of mulled wine or hats, bags, umbrellas..

FIRE PLACE

The small hole in the kiosk floor provides an adequate surface for a fireplace. The round seating allows an appropriate distance between fire and person. The fire is not just a heat and light source but serves as a social gathering, as a focal point.

PHASE THREE PRODUCTION The Work Consist Helping Out With The Labour Of Mixing Concrete, Preparing Moulds, Filling Them, Taking Care Of The Tools, Transporting The Pieces And Helping Out Securing The Pieces With Steel Wires On The Inside After Assembly, To Ensure Public Safety. It Was A Big Group Of Students Working Together, And We Had A Great Team Spirit!

I Made Some Calculations In Ansys For The Cornerpieces Above The Door And Made The Reinforcement Bars For These Pieces. I Also Worked Alot With The Moulds For The Roof, Which Was Made Out Of Four Reinforced Concrete Sheets.

[

EXTERIOR + LINE

PATTERN

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

THE KIOSK]

CRACK + TEXTURE +

sides foam

bottom foam

COLOR / PIGMENT dark

non-MASSIVENES

INTERIOR

POLISHED SURFACE INSIDE

inner foam

[

EXTERIOR + PATTERN LINE LIGHT + MASSIVENES

MOLD

[

VISUAL QUALITIES

MOLD

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Plan and sections 1:20

]

COLOR / PIGMENT dark

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

THE KIOSK PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Plan and sections 1:20

VISUAL QUALITIES

The triangulation gives rough texture.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

The triangulation gives rough texture. Elevations

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Elevations

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

-Leonard Cohen-

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

CRACK + TEX

sides foam

INTERIOR

bottom

POLISHED SURFACE INSIDE

LIG

2,4m

THE KIOSK THE KIOSK

2,4m

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

[

]

VISUAL QUALITIES

COLOR / PIGMENT dark

MOLD

2,6m

[

PATTERN + CRACK + TEXTURE + non-MASSIVENES foam bottom foam inner foam EXTERIOR +sides PATTERN + CRACK + TEXTURE + LINE sides foam bottom foam

[

VISUAL QUALITIES

MOLD

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

[

EXTERIOR + LINE

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non-MASSIVENES inner foam

MASSIVENES

]

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Plan and sections 1:20 Plan and sections 1:20

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

The triangulation gives rough texture.

TODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Elevations

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

THERE’S A CRACK THERE’S A CRACK IN EVERYTHING, IN EVERYTHING, THAT’S HOW THE THAT’S HOW THE LIGHT GETS IN. -Leonard LIGHT Cohen- GETS IN.

]

2,4m 2,4m

CHALMERSPLATSEN AUDITORIUM COMPETITION COURSE

“UNLEASHED N AT U R E ”

CONTENTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.

MAIN ENTRANCE RECEPTION FOAYÃ&#x2030;R WARDROBE LAVATORIES AUDITORIUM STAGE SIDESTAGE BACKSTAGE WORKSHOP GREENROOM DISPOSALS LOGE, COSTUMESHOP CHANGING ROOMS

14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25.

BACKSTAGE LAVATORIES CLEANING VENTILATION, AUDITORIUM LOADING DOCK LOBBY CAFETERIA CONTROL ROOM PROJECTOR ROOM EXHIBITION AREA ROOFTOP PARK TERRACE SUNLIGHT RAVINE SOUND & LIGHT REFLECTORS

CONCEPT & CONTEXT The existing vegetation of the site frames the square, but is today blocked by Sven Hultins gata and not enjoyed enough by the public or the students. By letting the trees flow down the hill and into the square of Chalmersplatsen the space becomes alive, not just a thoroughfare. The barrier is solved by digging a tunnel for sven hultins gata. The new building elivates the pathways south of the site and connects it with the north path. The rooftop becomes a new lookout for Chalmers and Gothenburg.

“ L I F E G AT E W AY JÖNKÖPING 2025” FUTURE VISION FOR HEALTHCARE IN RYHOV

TEAM: Arvid Söderholm Emily Yang Huang Jing jing Zheng 52

EXAMINER: Peter Fröst

TUTORS:

Elke Miedema Christine Hammarlingang

In the healthcare studio 2015 we focused on the use of space, healing environment and evidence based design. We designed a complex structure that in a future scenario will extend the existing hospital and act as a hub between the citizens and the healthcare services in Jönköping. We also made a fieldtrip to explore other healthcare projects including Nya Karolinska in stockholm and the new Psychiatry building in Uppsala.

ery

ora tio n m Co

Coproduction Daylight Generality and flexibility

Comfort

Sustainability

Way-finding

stic

isib

ilit

y ilit

od aco u

ce Tra

Pri vac y

Control

en nv Co

In the project, sustainability has not only been explored in the functional and technological aspect, by collecting rain water through three atriums and designing general room structures. We focus also on the aesthetic and social aspect. We believe in through stimulating people`s interactions and making use of the presence of greenery and daylight, it will increase the human centered quality in the future healthcare. It balances the efficiency and rationality of the traditional hospitals.

Inspiring learning environment

o ati nic

r ty ard

ow t fl n e i

Social support

Co u

The main ideas of future vision in LGJ is summed up to three “COs”, namely comfort, control and coproducing. It comes from our emphasis on creating a healing environment at the same time as supporting human meetings and integrating structuralism, flexibility and generality.

Safety

Gre

Life Gateway Jönköping is a new unit added to the existing Ryhov Hospital. It aims to explore the fundamental changes in healthcare delivery in 10 years. LGJ is not only a new entrance and exit for the whole hospital, but it contributes a meeting place between citizens and healthcare, based on human interactions and advanced technology.

Co ll

Healthcare architecture today, which is usually built some decades ago, has its quality of efficiency and rationality. Since new technology develops and human centered demand increases, healthcare buildings in the future need to be able to support co-production of health and care between patients, relatives, healthcare staff and other actors in society.

Inspiring learning

Study

Health promoting activity

LIFE GATEWAY JKPG 2025/ 2

Sweden Jönköping

Main struacture expansion

Jönköping Region

Future densification areas

Ryhov Hospital

Future densification areas

Existing roads

Site The existing healthcare complex Ryhov Hospital, is a specialized hospital with plenty of beautiful greenery around and in it. The decision on choosing site for the project is based on the vision towards the future development, by keeping the existing infrastructure system. The added building unit will replace the existing entrance and extend as the main head of the whole complex rather than on the side, to enhance the central entrance situation and keep the existing corridor system. There are some complex challenges of this site due to the differences of the levels. How can we keep a low volume to respond to the surrounding and at the same time to fulfill the program requirements? How will we deal with the different traffic flows? The form of the building is developed on these conditions by merging with the existing entrance and adding new functions. It results in a low horizontal volume with an open entrance floor that visitors can access from three sides. The north entrance is mainly connected to the biking and pedestrian paths, and it links with the surrounding landscape. The west entrance is covered to create a protected bus stop, while the south entrance is closest to the parking lots. The ambulances arrives to the ambulance garage from the lower road Försörjningsvägen.

Move the road from new entrance area

New traffics

Form design development Learning atrium Main struacture expansion

Library Auditorium Conference rooms Study rooms Spontaneous meeting spaces

Commercial atrium

Phamacy Shops Restaurant CafĂŠ Spontaneous meeting spaces

Atriums

Internal atrium

Topography

Administration Labs Acute center Investigation unit Rehabilitation unit Observation unit

Atrium quality

Communication

Greenery

Daylight

Rain water collection

LIFE GATEWAY JKPG 2025/ 4

Adding roof garden functions

Floor arrangement tests For hotfloor and investigation unit

Staff Generic room Multi-used area Comfort Daylight

Precence of nature Flow convinience Openness Privacy Control Wayfinding Traceability Visibility Space use effeiciency Co-producing Staff collabration Spontaneous meeting

LIFE GATEWAY JKPG 2025/ 9

Program and flows 6300 sqm

Investigation unit

1650 sqm

Acute center

950 sqm

Ambulance garage/trauma

1600 sqm

Rehabilitation unit

1800 sqm

Public area & lobby

1600 sqm

Learning center

1300 sqm

Staff area

3900 sqm

Garage

2000sqm

Bus stop

North entrance

West entrance

South entrance

Ambulance garage

Connection to exisiting main corridors and potential future expansions

Patient flows

Flows of other visitors to the public functions f.ex. learning ceter, library, cafĂŠ and restaurant.

Staff/internal flows and bed transports

LIFE GATEWAY JKPG 2025/ 8

Plan 1 1:200 Investigation unit

Staff Fixed area Multi-used area

LIFE GATEWAY JKPG 2025/ 14

Plan 2 1:400 Roof floor

LIFE GATEWAY JKPG 2025/ 16

Plan 0 1:200

Entrance floor

Staff Triage Library Public area

LIFE GATEWAY JKPG 2025/ 12

Plan -1 1:400 Hot floor

Staff Fixed area Multi-used area

LIFE GATEWAY JKPG 2025/ 10

Roof surface 1:400

LIFE GATEWAY JKPG 2025/ 18

N North elevation

North elevation 1:400

Section a-a a

Section a-a 1:400

LIFE GATEWAY JKPG 2025/ 21

Section b-b b West elevation

West elevation 1:400 b

Section b-b 1:400

LIFE GATEWAY JKPG 2025/ 22

Generic room

2.2m

Diagnostic room

Lab

Consulting room

Operation theater

X-ray room

ICU

LIFE GATEWAY JKPG 2025/ 20

HORSHOLMEN VILLA 2014-2016 PD14x5F

D9F F10

106 KÖK 8.5 m²

102 RUM 11.0 m²

F15

6850

5400

101 ENTRÉ 7.0 m²

1350

3700

3100

K/F

105 VARDAGSRUM/MATPLATS 29.0 m²

D9 F7

104 WC 3.5 m²

7000 F9

F15

3600

3000

FÖRKLARINGAR:

103 RUM 11.0 m²

460

2000

3100

1650

7100

5900 16000

PLAN 1

SKALA 1 : 50

300 1810

2623

4513

Originalskala FÖRESKRIFTER:

HÄNVISNINGAR:

BET

ÄNDRINGEN AVSER

5400

BYGGLOVSH

JONSBERG LIND L 1:13

SEKTION A SKALA 1 : 50

ARVID SÖDERHOLM

UPPDRAG.NR

RITAD/KONSTR AV

DATUM

Ansvarig

SKALA

NUMMER

Photo of finished building

Originalskala

10/01/14 ARVID_SÖ NYBYGGNAD FRITIDSH SEKTION A

A2 1:50

4909

FÖRESKRIFTER:

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BET

3000

7100

ÄNDRINGEN AVSER

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5900

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10000

L 1:13

1500

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FÖRKLARINGAR:

FASAD MOT ÖSTER SKALA 1 : 50

FASAD MOT SÖDER A

UPPDRAG.NR

RITAD/KONSTR AV

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13/06/16 ARVID_SÖDERHOLM NYBYGGNAD FRITIDSHUS FASAD MOT ÖSTER

Originalskala

SKALA

A2 1:50 A4 1:100

NUMMER

Originalskala

BET

A-40.3-003

0°

245

3058

4909

35 .0

SKALA 10768796167 : 50

ARVID SÖDERHOLM

FÖRESKRIFTER

FÖRESKRIFTER:

HÄNVISNINGAR

HÄNVISNINGAR:

BET BET

ÄNDRINGEN AVSER

DATUM

RELATIO

RELATIONSHANDLING 6850

JONSBERG

JONSBERG LINDÖ

L 1:13

FASAD MOT NORR

ÄNDRINGEN AV

SIGN

13000

FASAD MOT VÄSTER

SKALA 1 : 50

ARVID SÖDERHOLM

UPPDRAG.NR

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Ansvarig

NUMMER

Originalskala BET

ARVID SÖDER

UPPDRAG.NR

RIT

DATUM

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UPPDRAGSLEDARE

13/06/16 ARVID_SÖDERHOLM NYBYGGNAD FRITIDSHUS FASAD MOT NORR SKALA

0768796167

13/06/16 A NYBYGGNAD FR FASAD MOT VÄS SKALA

ASKLANDA MISSIONSKYRKA REFURBISHMENT/ADDON

View from the new “balcony”. The old part of the church building to the right

During my short internship in the winter of 2014, at FORUM architects in Göteborg i made a series of vizualisations on a refurbishment/ addon to a church complex. An old church building in Asklanda, Sweden has been added on to in several steps during the last century and the local assembly had asked for idéas from the architect. The solution is to add

The new cafeteria, bright and spacious with daylight

an atrium in the center to let light in to a currently dark space and also add a new building volume in the back to house a number of visitors during worships, weddings, confirmation and other events. The atrium take care of the communication, both vertically through the stairs and between the different building volumes. In the atrium space theres a possibility to arrange a smaller “kyrkkaffe” or larger buffé after the rites in the cafeteria with close contact to a kitchen.

Axonometry of Asklanda missionskyrka with the new atrium

Dininghall

View from the entrance

M5 ARKTEKTUR, LINKOPING ARCHITECTURE I N T E R N S H I P 2 0 1 3 -2 0 1 4

Vizualizing the planned new residential building at kv. Armenien, Linkรถping.

After my Bachelor i decided to have an internship in an architecture office. I wanted to have an idea about how working as an architect could be like. The office was a quite small one in Linkรถping with about 8 employees, 2 of them architects, one civil engineer and the rest building engineers. I was in the office for about 9 months and it was a great learning experience. The office was part of several large building projects aswell as smaller work assisting both small private contractors and commercial companies. The biggest cooperating company was the local residential building company Botrygg.

The tasks in the office was very broad. My work included (among much more) making idea proposals for urban development, helping out with measuring and drawing CAD drawings of buildings that was going to be refurbished, drawing building permissions both in autoCad and Revit, vizualising projects in Sketchup with postproductions in V-ray and Photoshop, and also making simplier presentations in InDesign. Most of the projects was on the building-scale and within the field of residential housing, nursing homes, pre-schools, and public buildings. The most fun was going on meetings with the clients, seeing the results and getting my work acknowledged.

I appreciated having exchange with all the real co-workers in the office, both sharing commision knowledge, software skills in front of the computer but also in the coffee breaks and office activities. During my time in Linkรถping i decided to take the architecture masterprogramme and i think the internship was a crucial part to be able to take this decision.

N YA T O R G E T PUBLIC SPACE NORRKOPING

Design done during a competition for Nya torget square in Norrkรถping, Sweden. The design included the square, the office/ residential buildings on the square and the publuc space of the street on the other side.

Generalsgatan

Floor 7

Floor 6

Floor 3-4

Entrance floor with retail

Site plan

WAHLBECKS C U LT U R A L CENTRE LINKOPING

“House of the youth” - a cultural c e n t r e i n Ny a Wa h l b e c k s s c i e n c e park When: December, 2013 Where: during my internship at m5 architecture With: co-architect Peter Ewehag Site: Valla, Linköping, Sweden Size: 5694 sqm in total Wahlbecks business park Centrally in Linköping is Wahlbecks business park . Close to both the city center, Linköping University and Mjärdevi Science Park is the goal of developing a “sustainable“ district with a focus on business development and business. The area is a natural meeting place for companies and the university, public activities, culture and leisure. New Wahlbeck will be characterized by variety, renewal and tightness. The offered various types of homes and workplaces in different scales. Cultural node for young people A concept sketch The purpose is to make visible the cultural and creative industries in Linkoping, outlined, and are therefore a culture for young people in the “new Wahlbecks“. In areas such as music, theater, and dance as well as modern computer games, advertising, skateboarding and climbing, scenes and new venues to be created. The idea is that a single arena for the operations and activities that today are scattered, can with “youthful energy“ and the flow lead to new frictions, growth and innovation. A building where both the activities and operations of the building by its form, its expression and content enriches the environment in a powerful way. "Youth house" in new Wahlbecks The building volume Strategically in the area between the main strip, the so-called loop a n d t h e g r e e n a r e a o f t h e e a s t , i n kv. Lugnet, we place the building. Construction volume is based on the

shape of a super lips, fractured into two parts displaced, creating exterior urban space and clear nodes. Nodes that are natural entrance points to the Energy Market, the East Loop and open green space. To the west is arranged outside dining area and skate park, to the east climbing wall and facades with expressive graffiti that partially surrounds the building’s outdoor stage. Outdoor scene becomes their location even light intake and showcase for the various activities and rooms have been arranged around the stage. From the main entrance to the Energy Square people via external ramp and stairs also reach the building’s roof landscape. A landscape and lookout point lantärna and green oasis. Totally the sketched building includes around 5500 sqm located to three levels. The choice of materials, colors and a lot of surprises, the ambition is to create a building in an innovative and exciting way, and is expressed through the activities it is meant for. A building that also by its clear geometrical shape, identity and a natural relationship to the place as it is located in. Plan Inside, the objective of the plan is simplicity and clarity. In the more open western half sited the larger scene, café, squares and necessary venues, well advertised against Wahlbeck’s main thoroughfares. In the eastern part of different forms of practice rooms, smaller stages, rooms for staff, etc. Centrally along the socalled. spine, vertical transportation, toilets and from here you can reach all parts of the building.

Basement floor

Entrance floor

Floor 1

Roof plan

Section A

Section B

Masterplan

Ă&#x2013;VRE VA S A S TA D E N LINKĂ&#x2013;PING When: December, 2013 What: Help out with the coloring and choice of materials on the facades. Also creating the layout, and shading of the facades of these presentation sheets for the client. The project was a very big scale project where many different blocks wede planned and m5 architects was responsible for one of these blocks. Tools: Revit, Photoshop, InDesign

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