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RCHITECTURE PORTFOLIO | UC BERKELEY
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CONTACT
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ARVIN TANU ARVINHUH@YAHOO.COM +1(626) 888 0828
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FALL 2016
DUAL IDENTITY
SPRING 2016
SIX F A CA DES
FALL 2016
T WILIGH T POINT
FALL 2016
A F F ORDA BL E HOUSING
FALL 2015
RET RA C T ION
FALL 2015
RET RA C T ION - STAIR S CIR CUL ATION
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DUAL IDENTITY
DANCING STUDIO | UC BERKELEY U C B E R K E L E Y - AR C H 1 0 0 C - P ro f J E A N PAU L BO U R D I E R - FA L L 2 0 1 6
EXTERIOR - STREET VIEW The flat exterior exterior of the dance studio is part of the dual identity concept; which strenghten the distinct characteristic of the interior. The minimal exterior makes the dancing studio blend in with its surrouding without giving any overwhelming sense to the adjascent building.
DANCING STUDIO
explores the dual morphology of dancing, as a form of human artistic expression through movement. This project takes the concept of partnership in dance, where two opposite people explore synchronized ryhtmic movement. The duality of movements are both express in an conceptual archiecture form, which are generated through several sketches, which redefine the existing Bancroft dance studio which is located at the corner of Bancroft way and Dana St. The concept of duality inspired the site analysis, to respond the new form of architecture. The defensive and rigid form of Zellerbach hall influence the exterior of the dance studio, while the exciting street of bancroft inspire the transparency of the exterior and the blob architecture whithin the studio.
GROUND FLOOR - DANCING STUDIO
B
B
FIRST FLOOR
N
SECOND FLOOR
N
THIRD FLOOR - PERFORMANCE AREA The third floor serves as the melting point between visitors and dancers. On this floor, dancers could dance freely among the vistors and interact with each other to create a unique educational experience.W
CONSTRUCTION DETAILS
BENT FRAMES (STRUCTURAL STEEL PIPES)
PIN BASE CONNECTION (STEEL PLATE)
PILE CAP
PILE
GROUND - FOUNDATION DETAILS
PREFIN. METAL FLASHING
ALUMINUM SKYLIGHT SYSTEM WITH INSULATING CLEAR TEMPERED GLASS
STEEL ANGLE FRAME
FRAME WITH CONDENSE GUTTER TERMINATION BAR
ALUM. CLOSURE
EXTRUDED POLYSTYRENE INSULATION WOOD BLOCKING ENGINEERED CONNECTION (CLIP ANGLES & BOLTS) METAL DECK METAL STUDS FRAMING
SKYLIGHT DETIALS
FULLY ADHERED ROOF MEMBRANE TWO LAYERS INSULATION; JOINTS STAGGERED HORIZONTALLY AND VERTICALLY
LIGHT GAUGE STEEL FRAMING
CANT
AIR CONTROL MEMBRANE FIBERGLASS BATT INSULATION METAL DECK
GLAZING INSULATED GLASS UNIT
SPIDER JOINTS
CABLE ROD BRACING
ROOF -WALL DETAILS
SF
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GOOD FOOD PROJECT | SAN FRANSISCO U C BERKEL EY - ARC H 100B - L EG G YEU NG - S PRING 2016
GOOD FOOD is a programatic based project which serves as a self-productive building in SOMA neightborhood, San Fransisco. The main three program of this building are vertical farm, auditorium, and market or food court. The complexity of the require students to take a precedent analysis to help solving the problem. SIX FACADES is a derived from the analytical studies of the Broad Museum in Los Angeles. The six facades explore six complex conditions between the veil and the vault of the following project to help solving the complex condition of the required programs.
CONCEPTUAL DIAGRAM The SIXTH FACADE explore the interaction of A-FRAME roof system with the gallery space on the top of the VAULT.
The
SECOND FACADE
open
The
THIRD FACADE
pro-
the East veil to respond with an opening on the
vides opening to the building and to the
east side of the Vault.
VAULT
The
FOURTH FACADE
marks the intervention of roof and the opening of the VAULT to the 49th street
The FIFTH
FACADE responds to
The FIRST
FACADE interac-
the condition of flat building surface on the north
tion occurs on the ground level of the build-
side of good food.
ing, where the “belly” of the vault mimic the uneven condition of the ground.
THE SIXTH CONDITION THE VEIL intersect with the VAULT to provide natural lighting from the roof to the auditorium. This also open opportunity for the audience to view the A-FRAME farming strategy which is embeded to one of the veil condition.
THE VEIL also provides natural light for the upper level gallery. The gallery will serve as the artistic pesentation of self-productive building. Each artworks will be displayed around the A-FRAME embeded veil.
THE AUDITORIUM is a performace space within the vault. The auditorium gain light from the intersecting condition between the veil and the vault
Organic vegetable A-FRAME Organic fruit layer
S
GROUND FLOOR
Ground Floor
FIRST FLOOR
Second Floor
AUDITORIUM + MAIN ESCALATOR The auditorium serves as main performace stage, white a tubular escalator penetrates the auditorium from the ground floor to the gallery area.
SECTIONAL MODEL
THE VEIL + A-FRAME ESCALATOR
an elongated space which penetrate the veil from ground floor all the way to gallery. The escalator dissects the vault into several unique spactial programmatic sequences within the good food buildings.
KITCHENS
the fifth facade of the building, a flat section of vault which respond to the building on the north side of good food.
the Sixth facade shows the extruded roof touching the veil. The extrusion creates a space within, which is used for the A-Frame framing system.
VIEWING CORRIDOR
the Third facde of good food which express the interaction between the veil and the vault by creating an opening of a corridor space, with a view to the street.
AUDITORIUM
the ceiling of autiorium is established through the wraping system of the veil from the outside to the inside of the building.
FOOD COURT
the first facade of good food. The uneven dynamic surface provides a unique playful experience for the visitor.
CONCEPTUAL CUT Conceptual cul includes a portion of detailed section which explains the relationship between skin (the veil/envelope) with the given program within good food building. This partiuclar conceptual cut is take at the corner of South-East section, which clearly shows the entrance to the building and the entrance to the vault. This conceptual cut also shows closer look on the details of the Third Facade of this building.
VERTICAL VEIL
is a composition of vertical fiberglass strips which arranged parametrically in respond to the condition of the vault within.
OPERABLE WINDOWS
exist within the intersection boundary of vertical and horizontal veil. This operable window provide shading and sun space system
HORIZONTAL VEIL
keep the verticals veil intact together. The horizontal veil also provides anchor points for the operable windows in between the vertical veils.
CONCRETE VAULT
creates a sense of heaviness within the good food building. The concrete vault warps most of the programs within the building. The concrete material provide thermal mass and sound proofing between each layers of programs
책상 1200*800*720
GALLERY + A-FRAME FARMING SYSTEM The Gallery is located at the upper level of the vault. It serves as both display area for artistic purpose and A-Frame display.
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T HE BROAD MUSEUM PRECEDENT STUDY | LOS ANGELES U C B E R K E L E Y - ARC H 1 0 0 B - L E G G Y E U N G - S P R I N G 2 0 1 6
LIGHT REFRACTION DIAGRAM | VECTOR NORMAL ANALYSIS
VEIL PROJECTION DIAGRAM
TP
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T W I L IG HT P O IN T CHAPEL PROJECT | OAKLAND UC BER KEL EY - A RCH 1 0 0 C - J E A N P A U L B O U R D I E R - S P R I N G 2 0 1 6
CHAPEL is small landscape + building project which explore spatial and volumetric quality of architecture before apply any program within. This project requires students to skecth a series of volumetric architecture forms which later be trancended into a real scale functional building. TWILIGHT POINT
expresses the trancended experience of visitor within a chapel on the highest point of Mountain View Cemetary. The twilight point relief the mixture feelings of visitors who are dwelled in either happiness or sadness. The twilight point forces audince to see the world from narrow slide openig, thus trancend the feeling the ambigous feelings of each inhabitants.
THE HALLWAY
The elongated hallway is made purposely to take the inhabitant in a long sequencial preperation process before entering the main chapel. The dark interior with pattern express the idea of ambiguity of feelings.
CONSTRUCTION DETAILS
Gutter
Batt Insulation
Fibre Cement interior
Steel Frame
Fibre Cement
Glazing
AH
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A F F O R D A B LE H OUSI NG HOUSING MODULARITY | NA (NO SITE) UC B E R K E L E Y - AR C H 1 0 0 C - PRO F. J E A N PAU L BO U D I E R - FA L L 2 0 1 6
AFFORDABLE HOUSING is 2 weeks period project which explore the form based on function/programmatic purpose of the house. In other word, its designs comes from “inside-out�. There are 3 types of housing: 1:1, 1:2, and 1:8 in proportions. THE FACADES distinguish one house from anothers, however the difference needs to creates harmony when these houses are clustered together. The design of the facades is the result of sketch works which are done before any digital translation of the project. The purpose of the sketches to quickly explore expressive facade which deep aesthetic used of materials and small modular components such as door, windows, shingels, louvers, etc.
UTOPIA AGGREATION explores the next step of creating small community based on the aggregations of this houses. The facades of these houses will synchronize through uniqe exploration of the clustering system.
크림
TYPE 1 | 1:2
TYPE 2 | 1:1
크림
TYPE 3 | 1:8
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R E T R ACTI ON DOUBLE NEGATIVE | NA (NO SITE)
U C B E R K E L E Y - ARC H 1 0 0 A - J O N AT H A N P U F F - FA L L 2 0 1 5
RETRACTION The double negative project focus on creating a third condition as the result of intersecting two negative/ void spaces. The retraction concept emphasizes on the condition of being retracted/pulled back/ pulled backward. Thus, this project focuses on the condition of being pulled backward or in other words, simplification.
PRIMARY/CORE
The first and the second void create an intersections RETRACTION APPLIED
in the center of the bounding box. It creates the third condition which is the simplified form of two voids. The complex pattern on the entrance wall is being retracted to the simpler form in the center of the box.
MONTAGE ANALYSIS
SECOND + THIRD
PRIMARY/CORE
RETRACTION APPLIED
SECOND + THIRD
DOUBLE NEGATIVE ANALYSIS [SECONDARY + THIRD]
RETRACTED DOUBLE NEGATIVE [SIMPLIFICATION]
FINAL SIMPLIFIED DOUBLE NEGATIVE
C
SECTION EE
SECTION BB PLAN B
F
A
B
SECTION DD
SECTION AA
SECTION FF
SECTION CC
PLAN C
SECTION EE
SECTION BB
A
B
SECTION SECTIONFFDD
SECTION CCAA SECTION
SECTION DD
A
B
SECTION AA
SECTION EE
SECTION FF
SECTION BB
RS
RET R AC T I O N SEQUEN CE STAIRS - SEQUENCE | NA (NO SITE)
U C B E R K E L E Y - AR C H 1 0 0 A - J O N AT H A N P U F F - FA L L 2 0 1 5
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RETRACTION - SEQUENCE The next iteration of double negative project explores the sequential possibility of the negative spaces. The two negative spaces will provide circulation from the ground floor all the way to third floor. The intersecting negative volumes provide programatic spaces for people to interact with each other.
This special sequential model follow the simple of double negatiive. Simple negative volumes provides clear circulation from ground to third floor. The main focus of this project is the skin. The tiwsted vertical fins follow the ryhtm of human movenment, providing extraordinary experience for people while they are circulating the space.
1st - ITERATION
2nd - ITERATION
FINAL ITERATION