The Cuenca Dispatch - Issue 16

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Volume 1 1 issue 1615 Volume • ISSUE

october5, 12,2016 2016 www.cuencadispatch.com October • www.cuencadispatch.com

The Story of “Big Red Is Dead” By Frances A. Hogg

First time Australia invited to be represented in one of oldest Bienals

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WHAT’S WHAT’S INSIDE? INSIDE?

ustralian artists have for the first time been invited to participate in the XIII Bienal de Cuenca, one of the oldest and most respected visual art events in the Americas. Australian artists Maria Fernanda Cardoso, Janet WORLD NEWS WORLD NEWS Laurence, Reko Rennie and Caroline Rothwell will - Page 4 4 - Page represent Australia with individual installations in an Australian exhibition taking over the Salon del Pueblo, one of Cuenca, Ecuador’s most prestigious cultural venues in a feature satellite exhibition. Bienal Director, Cristobal Zapata invited Natalia Bradshaw, who grew up in Ecuador, to curate an Australian section of the Bienal, titled Fragile/Fragil. Natalia Bradshaw is a leading Australian art advocate and private curator and will be Managing Curator of this exhibition. ‘Fragile/Fraágil will be the ‘marquee event’ of the CANADIAN NEWS CANADIAN NEWS - Page 6 Bienal, with American curator Dan Cameron as curator of - Page 6 the Bienal. Dan’s theme for the Bienal is Impermanence, said Natalia Bradshaw. Franny with by Big Red and carpenters, Jeremiahto andcurate Damian a ‘When I was invited Cristobal Zapata feature exhibition of Australian artists, I didn’t hesitate exciting Australian contemporary artists sites. for I wrote a couple of scripts. The oneto After many hours on buses– it’s andsoan t had been four months to the day since participate in an important American art event, the 7.8 earthquake that destroyed so expensive taxi ride the six kilometers everyone liked Latin the best involved the especially in one of the most established and purest many lives in Ecuador. Along with my from Canoa to the Proyecto, we reached death and funeral of Big Red, and the international art events left in the international art circuit’. business partners Kristen Sawyer and the settlement in time for lunch. Over efforts of a little boy to fix the problem Bradshaw added that ‘These four Australian artists using magic. Zach Cashero, I was on my way to Manabí rice, lentils and soup, we interviewed immediately came to mind as their work is so relevant US NEWS Volunteer Kathy McCullough artistof province to visit our other partners, Sara volunteers and staff. We also talked to thewith theme of Impermanence; Fragile as a(an theme US NEWS - Page 7 writer and Fernanda, I made our exhibition specifi callyfrom pointsCuenca) to how Maria Coppler and Geoff Odell. Both Sara and residents. We heard again and again that and - Page 7 props from a miniature and workfound relatesobjects: to flora and fauna, and Geoff are experienced disaster-relief and the most pressing need was forJanet a way to Caroline’s Reko’s work relates to cultural fragility’, said Natalia international development specialists. transport people and supplies how from the cardboard Big Red; lengths of garland Bradshaw. made from roadside weeds; a funeral Only months in advance of our planned city to the settlement. Maria Fernanda fashioned Cardoso stated that mourning ‘This is an from vines; launch of La Revista Zero, our partners The only vehicles available exceptional were an wreath opportunity. Rarely is there trade or veils cut from mosquito netting. Other left Cuenca to help at the coast. We stood old truck called Big Red and a cultural small car, exchange between these two countries, and I volunteers made a costume for the young sure behind their decision. We all knew that both owned by volunteers. Theam vehiclesthat Australia’s participation will be the most star of to thethis film, Yeferson Gómez, exoticdaily contribution Bienal. Personally it isand very HEALTH & the earthquake had changed everything. were over-used and suffering near gave acting lessons to the residents of in WELLNESS for me, as never in my 20 years of living While we managed fund-raising breakdowns. Sara Coppler special planned Australia hasthe there been an Kristen opportunity where both my settlement. and Zach decided - Page 10 COMMUNITY events in Cuenca, Sara and Geoff worked a brain-storming session for the next Latin American art world andplanned identity coincides with my locations and camera angles - Page 10 to establish Proyecto Samán, in Canoa, evening. adopted Australian identity’ . with Geoff, the photographer. providing temporary housing and help to After a shared meal and music,‘I’m ideas delighted to be included in the exhibition and to Filming started after lunch. There finally rebuild the lives of the residents. Kristen, started flowing. What is the best wayvisit to Ecuador, a place I’ve longed to visit especially were a few hiccoughs. The magician’s itsand ancient Inca history and natural environment Zach and I had planned to use our visit to explain the current situation, thefor need hat proved toofllarge and kept engulfing and in particular to see the ora, which I will explore and inspect the settlement and report back to possible resolution of the transportation young Yeferon’s head. Little boys living at utilize in my work there’, said Janet Laurence. project supporters about the impact their problem? “Let’s make a movie!” someone the Proyecto fell in with aexcited tiny bicycle Reko Rennie added that ‘I love am very about donations had made, as well as to explain said. We needed something clever. exhibiting inprop Ecuador andrunning havingoff the opportunity and kept with it. A smoketo STRANGE NEWS why their continued financial support is Something funny. Somethingpresent peoplenew work and create further links my effect proved difficult because thewith wind - Page 11 fellow Indigenous peoples and Latin America. continued on page 3As would want to share on their social media necessary. ASK DR. MORA an Aboriginal man and artist, this will be my first time - Page 12 continued on page 3

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