IVES WESTLAKE DEBUSSY
TOUR THREE 4 -20 SEPTEMBER AUSTRALIAN STRING QUARTET National Season 2019
Welcome to our third and final National Season tour of 2019. This colourful program of 20th and 21st century music is a testament to the power of the human spirit. From the reverent nostalgia of American hymn tunes in Ives’ From the Salvation Army to the height of melodic rapture in Debussy’s intoxicating string quartet, there is a formidable cast of characters to be unleashed in this concert. We are thrilled to be presenting the premiere of Nigel Westlake’s String Quartet no 3 Sacred Sky. With sincere thanks to Carl Wood and Don and Veronica Aldridge for their generous support, we are honoured and humbled to be bringing to life a work that Nigel has written in memory of his beloved sister.
This tour also marks the launch of our exciting 2020 National Program. If you haven’t already, we invite you to pick up a copy of the brochure and subscribe early to take advantage of the great discounts to our 2020 National Tours and other diverse musical projects.
WELCOME TO TOUR THREE
NATIONAL SEASON 2019 As we approach the end of 2019, we look forward to taking our ASQ Festivals to Queenstown, New Zealand for the first time, followed by a national tour of The Glad Tomorrow with the extraordinary singer-songwriter Katie Noonan. We will be collaborating with some wonderful artists at the Huntington Estate Music Festival before finishing the year back home at the Ukaria Cultural Centre in the final instalment of our morning series. We sincerely hope you enjoy this concert and thank you all for your support. Dale, Francesca, Stephen and Sharon
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Ives String Quartet no 1, From the Salvation Army Nigel Westlake String Quartet no 3, Sacred Sky* (World Premiere) INTERVAL Debussy String Quartet op 10
*Commissioned by the Australian String Quartet with generous support from Carl Wood, and Don and Veronica Aldridge
PROGRAM DETAILS
IVES WESTLAKE DEBUSSY Sydney Wed 4 September 7pm City Recital Hall
Brisbane Tue 17 September 7pm Conservatorium Theatre
Canberra Sun 8 September 2pm Gandel Hall, National Gallery of Australia
Perth Wed 18 September 7pm Government House Ballroom
Adelaide Mon 9 September 7pm Adelaide Town Hall
Melbourne Fri 20 September 7pm Melbourne Recital Centre
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AUSTRALIAN STRING QUARTET For over 30 years, the Australian String Quartet (ASQ) has created unforgettable string quartet performances for national and international audiences. Dedicated to musical excellence with a distinctly Australian flavour, the ASQ’s purpose is to create chemistry and amplify intimacy through experiences that connect people with string quartet music. From our home base at the University of Adelaide, Elder Conservatorium of Music, the Quartet reaches out across Australia and the world to engage people with an outstanding program of performances, workshops, commissions and education projects. The Quartet's distinct sound is enhanced by a matched set of 18th century Guadagnini instruments, handcrafted by Giovanni Battista Guadagnini between c.1743 and 1784 in Turin and Piacenza,
Italy. These precious instruments are on loan to the ASQ for their exclusive use through the generosity of UKARIA. Six masterworks by Beethoven, Dutilleux, Dvořák, Janáček and Mozart, as well as two world premieres of new Australian music and a tour with acclaimed pianist Konstantin Shamray make up our three major National Tours in 2020. Looking beyond, the Quartet’s ground-breaking Close Quarters series continues with more compelling partnerships. Its regional festivals travel again to Dunkeld and Margaret River, and for the very first time, to the shire of Dungog in New South Wales. The Quartet is thrilled to join creative forces with Sydney Dance Company for a brand new work, and in the 250th year since the great composer’s birth, Beethoven is celebrated with a series of special events across the country.
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At home in South Australia, we continue our work as Quartet-in-Residence at the University of Adelaide’s Elder Conservatorium of Music with projects including the annual ASQ Day at Elder, and performances as part of the Elder Hall Lunchtime Concert series, and Mornings at UKARIA will continue to bring the sounds of the string quartet to the beautiful landscape of the Adelaide Hills.
Pictured L–R Dale Barltrop plays a 1784 Guadagnini Violin, Turin Sharon Grigoryan plays a c.1743 Guadagnini Violoncello, Piacenza, ‘Ngeringa’* Stephen King plays a 1783 Guadagnini Viola, Turin Francesca Hiew plays a 1748–49 Guadagnini Violin, Piacenza
CHARLES IVES
Guadagnini Quartet Project
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Guadagnini is one of history’s foremost luthiers, in company with Stradivarius and Guarneri del Gesu. This matched set of instruments, held in trust by UKARIA and made available as a set in perpetuity to Australia’s most outstanding string quartet, is unprecedented anywhere in the world. The current recipients are the Australian String Quartet. The instruments included in the collection are: 1784 Guadagnini Violin (Turin) 1748-49 Guadagnini Violin (Piacenza) 1783 Guadagnini Viola (Turin) c.1743 Guadagnini Cello ‘Ngeringa’ (Piacenza) Through the generosity of Ulrike Klein AO, The Klein Family Foundation, Maria Myers AC, Allan Myers AC, The James and
PROGRAM NOTES
In 2010, UKARIA embarked on one of the most significant philanthropic projects in Australia’s musical history - the acquisition of a unique quartet of rare stringed instruments (c.1743-1784) crafted by Giovanni Battista Guadagnini.
Diana Ramsay Foundation, Didy McLaurin, Joan Lyons, David McKee AO and Pam McKee, and many other donors, UKARIA completed the project on 18 December 2017, raising the funds to acquire all four instruments at a total cost of $6,183,188. This project has brought together a group of visionary patrons who understand the significant cultural value in a collection of this calibre. Philanthropic Champions Ulrike Klein AO Klein Family Foundation Allan J Myers AC Maria J Myers AC James and Diana Ramsay Foundation Didy McLaurin Joan Lyons Mrs F.T. MacLachlan OAM David McKee AO and Pam McKee Pauline Menz Dr Rabin Bhandari Lang Foundation Hartley Higgins The Board of UKARIA also recognises and thanks the following donors who have each made a significant contribution to this project:
Major Gifts Don and Veronica Aldridge Elizabeth Clayton John Clayton Colin and Robyn Cowan Katherine Fennell Frances Gerard Julian and Stephanie Grose Andrew and Hiroko Gwinnett Richard Harvey AM Lyndsey and Peter Hawkins Janet and Michael Hayes Jari and Bobbie Hryckow Thora Klein Tupra Pastoral Company Macquarie Foundation Mr H.G. MacLachlan Mrs S.T. McGregor Peter and Pamela McKee Janet McLachlan Robert O’Callaghan and Pam O’Donnell John Phillips Margaret Piper Jill Russell Nigel Steele Scott Sidney Myer Fund Mary Louise Simpson Gary and Janet Tilsley Ian and Pamela Wall Janet Worth To every patron who contributed to this project we thank you for your support. To learn more visit UKARIA.com
CHARLES IVES (1874–1954)
fashioned a four-movement work based on the form of a typical church service, but filled it with his favourite hymn tunes to evoke the spirit of a revival meeting.
I — Chorale
All four movements are saturated in exuberant American hymns. But it’s more than a mere patchwork. Ives doesn’t give us note-for-note samples of hymns in their entirety. Rather, he slyly remodels them – using fragments, changing notes here and there, creating vague suggestions of a tune often more felt than heard.
String Quartet no 1, From the Salvation Army
II — Prelude III — Offertory IV — Postlude A report of an early Salvation Army revival service in America paints a lively picture: The lung-power and unction that these people throw into their singing is immense… there is a clapping of hands, keeping time to music… No particular person starts the tunes; each of the officers, man or woman, takes a hand at it as the spirit moves; often before a new verse of the hymn can be commenced, a voice strikes in with the chorus once more. Charles Ives was familiar with this kind of free-for-all singalong from his experiences at ‘camp meetings’ in New England as a boy, where his father often directed the music. George Ives taught his son to appreciate that there is much more to musical beauty than steady rhythm and perfect intonation. ‘You won’t get a heroic ride to Heaven on pretty little sounds,’ he used to say. Later, as a student at Yale University, Ives embarked on a string quartet – a conventional vehicle for ‘pretty little sounds’ if ever there was one. His father was dead, his composition teacher wasn’t interested in his radical musical experiments, and the hymns at Center Church New Haven (where he worked as an organist) were sung much more sedately than he would have liked. So he
The first movement is a conventional but delightfully leisurely fugue based on Lowell Mason’s Missionary Hymn (‘From Greenland’s icy mountains’). This is followed by a lively and increasingly adventurous ‘Prelude’ (filled with aberrant echoes of Beulah Land), and then a reflective ‘Offertory’, based on Nettleton (‘Come, thou fount of ev’ry blessing’), which forms the heart of the work. The ‘Postlude’ builds up into a joyful frenzy, and Ives layers several tunes together at the climax (including the rousing ‘Stand up for Jesus’). Listeners can try to spot the hymn tunes, or simply let themselves be carried away by the shouting spontaneity of the quartet. But as old George Ives used to say, ‘Don’t pay too much attention to the sounds… for if you do, you may miss the music.’ David John Lang © 2019
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NIGEL WESTLAKE
GUEST COMPOSER
PROGRAM NOTES
Nigel’s career, spanning four decades, began as a clarinettist touring Australia and the world with many ensembles. He began composing from 1980, receiving offers to write for radio, theatre, circus, TV and film. His movie credits include Ali's Wedding, Paper Planes, Miss Potter, Babe, Babe II, Children of the Revolution, The Nugget and the IMAX films Antarctica, Imagine, Solarmax and The Edge.
NIGEL WESTLAKE (1958 –)
His television credits include documentaries, telemovies, news themes and station idents. 10
NIGEL WESTLAKE
He writes extensively for the concert hall, receiving commissions to write for orchestras, ensembles and soloists. Nigel has received many awards including two Arias, 15 AGSC / APRA awards, across both classical and screen categories, the Paul Lowin Orchestral Prize, The Limelight Award and the Gold Medal for “Best Original Music” at the New York International Radio Festival. In 2004 he was awarded the HC Coombs Creative Arts Fellowship at the Australian National University and holds an honorary Doctorate in Music, awarded by the University of New South Wales in 2012. He has conducted all the major symphony orchestras in Australia and made his US conducting debut in 2016 at the Lincoln Centre with the New York Philharmonic.
String Quartet no 3, Sacred Sky (2019) (World Premiere) I — Sacred Sky II — Where the Spirit Dances by the Edge of the Sea III — The Turning Tide IV — The Journey Begins Sacred Sky is dedicated to the memory of my sister Kate, who lost her battle with cancer early in 2018. An actor, singer, visual artist, and extraordinary event producer, Kate was a beautiful and totally unique individual on many levels. As siblings we shared a very close bond and were great mates right to the end. I have endeavoured to invoke Kate’s spirit, in the hope of imbuing the music with themes of beauty, energy, soulfulness, and transcendence. Inevitably the fingerprints of grief and sadness permeate the musical narrative at times. The titles of each movement are taken from four of Kate’s seascape paintings, a collection of visual meditations based on unnamed locations, somewhere on the eastern seaboard of Australia. The pictures are studies in the reflection, scattering and radiance of light and shadow, and they inhabit a rich and evocative emotional terrain.
I am very grateful to Dale, Sharon, Francesca and Stephen for so willingly agreeing to be a part of this journey and also to Carl Wood and Don and Veronica Aldridge for their very generous sponsorship of the work. Sacred Sky was composed for, and commissioned by the Australian String Quartet with generous support from Carl Wood and Don and Veronica Aldridge. Nigel Westlake @ 2019
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CLAUDE DEBUSSY
PROGRAM NOTES CLAUDE DEBUSSY (1862–1918) String Quartet in G minor, op 10 I — Animé et très décidé II — Assez vif et bien rythmé III — Andantino, doucement expressif IV — Très modéré – En animant peu à peu – Très mouvementé et avec passion Claude Debussy was always a bit of a rebel. He was not a model student, despite his obvious gifts, because he was always intent on doing things his own way, finding his own path. ‘Tradition’ was not a good enough reason for anything – he famously declared that ‘pleasure’ was the only rule he followed. So it seemed out of character when, at the age of 31, he completed a four-movement string quartet and had it published in the conventional way as ‘String Quartet in G minor, opus 10’. This was, in fact, the only time Debussy included the key and an opus number in the title of his work (‘10’ was apparently chosen quite arbitrarily). It was probably done more tongue-in-cheek than in deference to tradition. Yet Debussy was quite sincere in wanting to grapple with the established musical forms. He was still finding his voice; his groundbreaking Prélude à l’après-midi d’un faune wasn’t composed until the following year. He didn’t want to ignore tradition altogether; he wanted to speak to it, because he had something different to say. Early listeners were baffled by the quartet. One critic wrote that it had ‘an assemblage of sonorities sometimes charming, sometimes irritating… it is very distinguished, but one does not know how to take hold of it.’
Perhaps the trick is not to try too hard. All we have to do is follow the music momentby-moment, and we find that it flows as naturally as a river. Nevertheless, there is an underlying logic to the Quartet: its first few notes furnish the material for almost everything that follows. Yet the music does not demand analytical listening. Rather than looking behind or ahead, as Western music before Debussy tended to do implicitly, we’re simply asked to enjoy whatever sound is directly in front of us. This shifts the focus away from themes and forms to more immediate pleasures, like texture. Paul Dukas, another early reviewer of this work, wrote about how the Quartet’s melodies seem to stride across ‘a sumptuous and finely decorated carpet.’ So, revel in those continuous burbling figures that make the first movement so fluid; the rich blend of bowing, plucking and strumming that animates the second movement; the lonely, meandering solos that wander through the ethereal third movement. Then enjoy how all these textures and more come together to clinch the brilliant finale. Let the melodies look after themselves; with Debussy, it’s all about the beautiful sonority of each and every moment. David John Lang © 2019
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AUSTRALIAN STRING QUARTET
NATIONAL PROGRAM 2020 F E AT U R I N G T H R E E N AT I O N A L T O U R S D V O R Á K W I T H KO N S TA N T I N S H A M R AY * 5—25 May 2020 Anne Cawrse A Room of Her Own (World Premiere) Bartók String Quartet no 4 Dvořák Piano Quintet in A major op 81
I N T I M AT E L E T T E R S
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1—19 July 2020 Mozart String Quartet in C major K465 Dissonance Ross Edwards String Quartet no 4 (World Premiere) Janáček String Quartet no 2 Intimate Letters
L AT E B E E T H O V E N 11—28 October 2020 Dutilleux Ainsi la Nuit Beethoven String Quartet in C sharp minor op 131 *Program variations apply in some cities.
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The Australian String Quartet would like to acknowledge and sincerely thank the following donors for their ongoing support along with those donors whose very important contributions either remain anonymous or are less than $1000. The following donations reflect cumulative donations made from 2014 onwards and the Australian String Quartet is extremely grateful for all the support received from its donors.
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DONORS The ASQ is registered as a tax deductible recipient. Donations can be made by phoning the ASQ on 1800 040 444 or online at asq.com.au/support
Principals ($50,001+) Mr Philip Bacon Nicholas Callinan AO & Libby Callinan Clitheroe Foundation Kay Freedman & the late Ian Wallace Richard Harvey AM & the late Tess Harvey Peter & Lyndsey Hawkins Andrew Johnston Klein Family Foundation The Stuart Leslie Foundation Joan Lyons Mrs Diana McLaurin Macquarie Group Foundation Pauline Menz Allan J Myers AC & Maria J Myers AC Andrew Sisson Thyne Reid Foundation Wright Burt Foundation Champions ($25,001 - $50,000) Don & Veronica Aldridge Janet & Michael Hayes Lang Foundation David McKee AO & Pam McKee Peter & Pamela McKee The Ian Potter Foundation Lady Potter AC-CMRI Brenda Shanahan Charitable Foundation Anonymous (1)) Guardians ($10,001 - $25,000) John & Libby Clayton TC & MR Cooney Maurice & Tess Crotti Nonie Hall Mr Hartley Higgins Neil & June Jens Glenda & Greg Lewin AM Janet McLachlan Robert Menz MG Prichard & BE Panizza James & Diana Ramsay Foundation Susan M Renouf Nigel Steele Scott Carl Wood Anonymous (2)
Classic Partners ($5,001 - $10,000) John & Mary Barlow Bernard & Jackie Barnwell Berg Family Foundation Brand Family Foundation Perri Cutten & Jo Daniell Mr James Darling AM & Ms Lesley Forwood Angela Flannery Margaret Flatman John Funder & Val Diamond Helen & Michael Gannon Kimberley & Angus Holden Keith Holt & Anne Fuller Mr Robert Kenrick Roderick & Elizabeth King Sonia Laidlaw Annette Maluish Marshall-Hall Trust Mrs Skye McGregor Kerrell & David Morris Paul O'Donnell Tony & Margaret Pagone Patricia H Reid Jill Russell Robert Salzer Foundation Gary & Janet Tilsley Annie & Philip Young Anonymous (2)) Friends ($1,001 - $5,000) Peter Allan R & K Allen Andrew Andersons AO Michael & Susan Armitage Dr Margaret Arstall John Arthur OAM & Angela Arthur Charles & Catherine Bagot Philip Barron David & Caroline Bartolo Bernard & Sharon Booth Jahn Buhrman Lyndie & Tim Carracher John & Christine Chamberlain Ric Chaney & Chris Hair John & Libby Clapp Geoffrey Clarke Peter Clemenger AO & Joan Clemenger Caroline & Robert Clemente Dr Peter Clifton
Ian & Rosana Cochrane Bruce & Bronwyn Cooper Colin & Robyn Cowan Dr Rodney G Crewther Marie Dalziel Geoff & Anne Day Ross & Sue Dillon Alan R Dodge AM Mr Peter Dorrian Jane Doyle Michael J Drew Josephine Dundon Vivien & Jack Fajgenbaum Pamela Fiala in memory of Jiri Lyndis and Roger Flynn Richard Frolich Ross & Jen Gallery Fleur Gibbs Colin Golvan AM QC & Dr Deborah Golvan Great Southern Grammar School Mrs Helen Greenslade Noel & Janet Grieve Jean Hadges Susan & Daniel Hains Gerard & Gabby Hardisty Annette Harris Linda Herd J Holden Family Foundation Janet Holmes à Court AC Jim & Freda Irenic Beth Jackson & John Griffiths Barbara Jarry Lynette & Gregory Jaunay Barry Jones AC & Rachel Faggetter Peter Jopling AM QC Kevin & Barbara Kane Andy & Jim Katsaros M & F Katz Family Foundation Irene Kearsey & MJ Ridley Stephen & Kylie King Hon Diana Laidlaw AM Dr David Leece PSM RFD ED Jenny Legoe & Christopher Legoe AO QC Peter Lovell Dr Kathryn Lovric & Dr Roger Allan Megan Lowe Grant Luxton The late Simon Marks-Isaacs David & Anne Marshall
Robyn Martin-Weber Diane McCusker Elisabeth McDonald H E McGlashan Helen & Phil Meddings Christopher Menz & Peter Rose Hugo & Brooke Michell Mrs Frances Morrell Jock & Jo Muir Victor & Barbara Mulder Maria O'Donnell Catherine Parr & Paul Hattaway Mr Robert Peck AM & Ms Yvonne von Hartel AM Rosalind-Ruth M Phelps John Phillips Adam & Michele Plumridge Robert Pontifex AM Ellen & Marietta Resek Ms Eda Ritchie AM Chris & Fran Roberts Bernard Ryan & Michael Rowe Trish & Richard Ryan AO Jeanette Sandford-Morgan OAM Vahe Sarmazian Drs Paul Schneider & Margarita Silva David Scown Segue Financial Services Prof Jennie Shaw Diana Sher OAM & Jeffrey Sher QC Simply for Strings - Brisbane Antony & Mary Louise Simpson Mary & Ian Steele James & Anne Syme Hugh Taylor AC & Elizabeth Dax AM Mr Eng Seng Toh Jenny & Mark Tummel Sue Tweddell John & Catherine Walter Nicholas Warden Lyn Williams AM Sally Willis Janet Worth Pamela Yule Fay Zaikos Anonymous (19)
Australian String Quartet Richard Divall Australian Music Fund Don & Veronica Aldridge Roslyn Allen Bernard & Jackie Barnwell Brand Family Foundation Nicholas Callinan AO & Libby Callinan John & Christine Chamberlain John & Libby Clayton Caroline & Robert Clemente Perri Cutten & Jo Daniell Fleur Gibbs Roz Greenwood & Marg Phillips Alan Gunther Tim & Irena Harrington Dr Penny Herbert in memory of Dunstan Herbert Keith Holt & Anne Fuller Kevin & Barbara Kane Rod & Elizabeth King Angus Leitch Glenda & Greg Lewin AM Pauline Menz Jo & Jock Muir Allan J Myers AC & Maria J Myers AC Tony & Margaret Pagone MG Prichard & BE Panizza Karin Penttila Lady Potter AC Susan M Renouf Drs Paul Schneider & Margarita Silva Diana Sher OAM & Jeffrey Sher QC Rob & Jane Southey Mary & Ian Steele Gary & Janet Tilsley Annie & Philip Young Anonymous (3)
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ASQ Festivals I N T I M AT E M U S I C A L E S C A P E S
Dunkeld Festival of Music VICTORIA 17 – 19 April 2020
19 – 21 April 2020
Spend divine days with us in Victoria’s Southern Grampians as we explore and celebrate the intimate world of chamber music. Shepherded by the inimitable Barry Jones AC and joined by two incredible guest artists, Andrea Lam (piano) and David Greco (baritone), we shine torchlights on classic composers and living luminaries.
Margaret River Weekend of Music 18
W E S T E R N AU S T R A L I A 30 October — 1 November 2020 Savour the best of the spectacular Western Australian wine region with unforgettable adventures at Voyager Estate, Vasse Felix, Cape Mentelle and Leeuwin Estate. With matched food and wine from the region’s finest wineries, enjoy a feast for the senses with the ASQ, and guest artists Genevieve Lacey (recorder) and Fiona Campbell (mezzo soprano).
NEW
Dungog Weekend of Music N E W S O U T H WA L E S 7 – 8 November 2020 Escape with the Australian String Quartet to the charming Shire of Dungog, New South Wales – gateway to the stunning, heritage-listed, Barrington Tops National Park. In a town that shimmers with nostalgic charm, this will be a weekend to remember.
For more information and to book visit asq.com.au or call 1800 040 444
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TOUR THREE 4 -20 SEPTEMBER IVES WESTLAKE DEBUSSY