VISUAL JOURNAL
Explora(on of windmill mo(f from Orwell’s ‘Animal Farm’ using a variety of different materials and mark making
First use of stencils with an ink pad, a process which led to the decision of mono prin(ng for studio brief 3
Explora(on into the intangible themes in Orwell’s work – trying to create atmospheres though mark making and shapes
ADempt to generate feeling of imposi(on, in(mida(on, fear using reoccurring mo(fs and mark making
First experiments with block figures as stencils, which led on to be a reoccurring mo(f in my prints and anima(on
Playing with different versions of the figure – a miner, to represent (me Orwell spent in industrial Yorkshire
Experimen(ng with figures in a more composed way – a scene which led to be the bases of one of my final prints
Playing more with the ink pad and stencils, working from quotes from ‘1984’. Image of building is main mo(f in prints and anima(on
Experimen(ng with prin(ng onto acetate, using imagery from a historical book on Yorkshire which was the bases for one of my rolling backgrounds in my anima(on