Catherine Southon 8th July

Antiques & Collectables Wednesday 8th July at 11.30am TO BE HELD AT Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE

Antiques & Collectables Wednesday 8th July at 11.30am VIEWING Tuesday 7th July 9.30am - 5pm Wednesday 8th July 9am - 11.00am a u c t i o n a n d v i e w i n g t o b e h e l d at

Fa r l e i g h C o u r t G o l f C l u b , O l d Fa r l e i g h R o a d, N r S e l s d o n , S u r r e y C R 6 9 P E

Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX Valuation days held here every Tuesday and Thursday between 10am and 1pm

Welcome to Catherine Southon Auctioneers & Valuers Specialist:

Catherine Southon MA

Consultants: Susan Rothwell Aubrey Dawson Sale Administrator:

Nicola Minney

Auction Enquiries and Information:

07596 332978 07808 737694 07710 158858 Email: info@catherinesouthon.co.uk

Auction Venue:

Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE

Office:

Ripley Arts Centre, 24 Sundridge Avenue, Bromley, BR1 2PX Tel: 0208 313 3655 (not week of auction)

I M P ORTA N T N OTI C E S Please note that purchased items of furniture must be collected from the auction venue before 4pm on Friday 10th July otherwise buyers will incur storage charges. All other purchases can also be collected during this time.

Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www. the-saleroom.com C OLLE C TIO N S All lots should be collected on the day of the auction, or on Thursday 9th or Friday 10th July until 4pm. After this time all items of furniture, decorative works of art and paintings will be shipped to the warehouse where an appointment has to be made for collection. All other items will be available for collection at our office address at Ripley Arts Centre 9.30 - 3pm, Monday - Friday for two weeks after the sale.

S HI P P I N G

the-saleroom.com Email: delivery@atgmedia.com; Tel: +44 (0)203 725 5555 AU C TIO N S We hold regular Antiques and Collectables Auctions, with colour catalogues, on-line catalogues and Live bidding.

These auctions take place regularly at Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE. This venue has plently of free parking and is a short taxi ride from East Croydon Station with directly links to London.

The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

LI V E I N TER N ET BIDDI N G - Bid Here Without Being Here All you need is your computer and an internet connection and you can make real-time bids in real‑world auctions at the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-saleroom.com and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! w w w.c a t h e r i n e s o u t h o n .c o.u k

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Furniture, Decorative Works of Art, Clocks & Paintings (LOTS 1-112)

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1. An oval wooden panel, inlaid with mother-of-pearl depicting oriental figures on boats fighting amidst fish and birds, with diamond shaped mother-of-pearl border, diameter 60cm £40-£60 3. Four decorative lacquered panels, each panel decorated with oriental scenes depicting temples, birds, trees, river scenes and figures, height 180cm, width 47cm £200-£300

(part) 2. A Japanned aneroid barometer with a brass dial and similar mirror, retailed by A. R. Baines of Harrogate, the case heavily decorated with an oriental landscape against a black ground, with label verso ACME barometers No 117, together with a matching mirror with a similarly decorated oval Japanned frame, width of barometer 33cm £60-£100

4. A Chinoiserie painted corner cupboard, the broken arched pediment over a single panel door opening to reveal three shelves, the exterior decorated with pagoda and lotus trees in an oriental landscape, height 97cm, width 57cm £200-£300

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5. A George III mahogany pie crust occasional table, supported on a turned column to a tripod base with claw and ball feet, height 72cm, width 61cm £200-£300

6. A large adjustable mahogany easel, with paint brush rest, and storage for paints and brushes, height 153cm, width 62cm £150-£200

7. An 18th century oak dresser, the top with open plate rack flanked either side with a panelled door and drawer, supported on a base of four small drawers with brass handles and supported on turned legs, height 190cm, overall width 185cm £400-£600

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8. A 19th/20th century cast iron tripod stand, the wooden circular top with a cast band depicting floral design, with legs in the form of birds, height 79cm, diameter 35cm £60-£80

9. A 19th century walnut bureau on stand, the front lifting down to reveal a compartmented interior, central storage section, four drawers, with two drawers with shaped brass handles and escutcheons, supported on barley twist and turned legs with adjoining stretchers and onion feet, height 97cm, width 68cm, 40cm depth £150-£250

10. A William IV metamorphic mahogany reading table, the tooled leather lined top raised by wooden ratchet support, with central drawer to front, beading to surround, with fine triple pillar turned end supports to scrolled feet and adjoining shaped stretcher, height 71cm, width 60cm, depth 48cm £200-£300

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11. A Regency mahogany wine table, the plain circular top supported on a tapered column, with fluted bulbous lower section to a lobed circular plinth base with three scrolled feet, 45cm diameter, 74cm high £100-£200 12. An early 19th century mahogany wine table, the plain circular top supported on a tapering carved column to a triangular concave base and bun feet to castors, 37cm diameter, 65.5cm high £80-£120

15. A George III mahogany three tier dumb waiter, with circular graduated tiers and turned columns, supported on three splayed legs to brass caps and castors, 130cm high, 62cm diameter £200-£300 16. A small brown and red ground Persian rug, decorated with geometric designs on a brown field surrounded by a red ground border with similar designs, 145 x 77cm £40-£50

13. A Continental oak refectory table, probably 19th century, the plank top over a single small drawer to the side and supported on square section shaped legs with large cross stretcher, length 170cm, height 74cm x depth 80cm £400-£600 14. An 18th century oak corner cupboard, the top with moulded cornice over a single panel door door opening to reveal three shelves to the interior. With split to the back of the cubboard, and fixing holes, in fair condition £60-£80

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17. A large wooden naval rum barrel, of tapering form with brass bands, height 61cm £80-£100

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21. A carved and painted decorative panel, of rectangular form depicting a winged mythical figure, 51 x 29cm £80-£120 22. A framed gilt wood decorative panel, carved gesso, 52 x 45cm £100-£150

18. A carved and painted figurehead, probably lime wood, the crowned figure holding a shield with gilt painted monogram, length 115cm £500-£800 19. A collection of four ornate picture frames, the moulded black and gilt wood frames of various sizes, £50-£80

23. A large decorative brass astrolabe, probably Indian, 18th/19th century, with five inset celestial globes with suspension ring, on later ornately carved wooden tripod frame, height 134cm £800-£1200 20. A pair of ornate gilt brass inkwells, circa 1880, each with foliate cast well with three mounted cherubs on a circular base with foliate border, diameter 25cm Provenance: Sotheby’s ‘Ken Paul Prop Art’, lot 1395 15/03/02 £80-£120

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24. A pair of decorative white marble lions, realistically modelled, in standing poses, on marble bases, 49 x 43cm £800-£1000

25. A large decorative carved wooden eagle, probably late 19th/early 20th century, naturalistically carved, standing on a branch, height 98cm, width 34cm £600-£800

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26. A pair of decorative gilt brass repoussé candlesticks, possibly 18th century, height 42cm Provenance: Sotheby’s 2007 £400-£600

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27. Four carved oak panels, possibly late 16th century, Flemish, with carvings in high relief depicting figures standing on truncated columns, 57 x 18cm Provenance: Purchased from Burlington House Antique Fair 1983 £500-£800 28. A pair of large carved and decorative gilt wood torcheres, Continental, possibly late 18th century/early 19th century with scroll bases and each with five sconces, height 120cm, width 50cm £700-£1000

29. A pair of decorative gilt wood birds, naturalistically carved in flight, on carved wooden bases, height 40cm, wing span 47cm £500-£800

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30. A large pair of late 19th century brass candlesticks, Continental, both with central cast figure of a stork with serpent, with five sconces the stems imitating bamboo with cabriole legs with cast griffin’s head sand claw feet, height 53cm £400-£600

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36. An Arts and Craft pewter charger, with stylised raised flowers, diameter 54cm £30-£50 37. A 20th century coco de mer shell, from the Seychelles, converted to a hand basket, 32cm long £100-£200 38. A large and heavy 19th century brass coat of arms, shield shaped and moulted in relief with a knights helmet above a pair of crossed anchors, a fleur-de-lis and lion, mounted on a mahogany shield, 39cm high, 23cm wide £50-£70

31. A pair of carved oak wall brackets, possibly late 17th century/early 18th century, the upper tier heavily carved with a frieze of birds above a carved band of lions heads, with graduated pointed base terminating in a carved ball finial, length 42cm, width 26cm £300-£500 32. A gothic brass casket, the hinged casket of rectangular form with four panels to the lid depicting figures, together with a pair of associated brass candlesticks, width of casket 24cm Reserve price £40 £40-£60 33. A pair of ornate gilt metal candlesticks, probably late 19th century, with tapering stems and cast acanthus leaves throughout, on rounded bases, height 26cm £60-£80

39. A large pair of brass candelabra, each with twin scrolled arms and circular sconces, supported on ropetwist stem to turned bases, 42cm high £50-£60 40. An embossed leather photograph frame, together with a 19th century pen and ink drawing of cattle by a bridge, with label verso (2), watercolour 5.5 x 8cm, frame 34 x 28.5cm £30-£50

34. A parcel gilt/silver plated ewer, with embossed putti scene to lower section, angular handle and shell thumbpiece together with a gilt metal bowl with repoussé classical decoration, and a gilt metal tazza with repoussé decoration of putti and mask (3) £100-£200 35. Two gilt brass repoussé tazzas, of classical design, both with designs of Classical architecture and Romans to the foreground, height 14cm £80-£120

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41. A large granite pestle and mortar, with carrying handles, height 18cm, diameter 28cm £60-£80

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42. A set of three Victorian ink bottles in a rosewood box, the bottles with faceted shoulders and stopper, set within a rosewood case with metal line inlay and mother-of-pearl cartouche, 19cm wide £60-£80

43. A 19th century sarcophagus shaped rosewood tea caddy, the interior with glass mixing bowl and twin removable lids, supported on flattened bun feet, 30.5cm wide £70-£100

46. An Arts and Craft copper and pewter bowl by Hugh Wallis, signed on the reverse with his monogram HW, the rim inset with alternating sections of copper and pewter and the hammered bowl inset to the centre with foliage, raised on three roundels, diameter 21cm £80-£120

47. An Arts and Craft Copper bowl, with hammered design and tendrils to edge, and embossed Tudor rose to centre, diameter 26cm £40-£50

44. A coromandel and brass writing set, the part domed lid opening to reveal a compartmented interior for letter storage, with pen tray, two ribbed glass inkwells and a drawer below, raised on bun feet, the coromandel case with applied pierced brass decoration throughout, width 30cm £150-£250 45. A gentleman’s unusual 19th century mahogany cased travelling shaving set, the case of unusual shape with sliding and locking action, carved recesses for tools, with partial contents, vacant brass cartouche, 25cm long £60-£100

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48. An Arts and Craft copper bowl, with embossed stylised flowers and foliage to rim, diameter 30.5cm £30-£50

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49. An adjustable brass desk lamp, on a circular base, height 45cm £40-£60

50. A 19th Century French bronze girl, stood wearing flowing robes stood beside a rocky pedestal and a jug and supported on a naturalistic base with white marble pedestal, 23cm high including base £150-£250

52. Jacques Antoine Theodore Coinchon (1814-1881) French, a bronze sculpture of a traveller seated on a rocky pillar with Egyptian masks, the young man wearing a cape and carrying a staff with flask on his shoulder. Signed ‘Coinchon’, 32.5cm high £400-£500

53. Chiurazzi Foundry, Naples, an Italian bronze sculpture of a young man seated on a naturalistic base mounted with a grotesque mask, the boy holding a pot. Stamped foundry mark to reverse, 21.5cm high £300-£500

51. After Ferdinand Preiss, a contemporary bronze model of an ice skater, gliding on one leg and supported on a crescent shaped base and marble plinth, signed, 29cm high £120-£180 54. Two bronze lions, probably French, late 19th century, both in crouching poses, naturalistically cast, one attacking a serpent, both on marble bases, length 20cm Provenance: Christies 2003 £400-£600

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58. A French brass carriage clock, retailed by Drew & Sons, Piccadilly Circus, London, the plain brass case with white dial and black Roman numerals, for repair. In a leather travelling case, case 11cm high £150-£250 59. A 20th century Garrard & Co. brass carriage clock, with white dial and black Roman numerals, the dial signed Garrard & Co, London, with carrying handle and plain case, 15.5cm high incl. handle £200-£300

55. A miniature silver and guilloche blue enamel carriage clock, with gilded dial, and watch movement, stamped 935, in fitted cloth covered case, height 4cm (out of case) £300-£500

60. A late 19th century French ormolu figural mantel clock by Henry Marc, formed as a seated mother and child holding a dove, beside a drum shaped movement with white enamel dial signed Henry Marc a Paris, with Japy Freres movement and supported on a naturalistic base and scrolled base below, 30cm high £300-£500

56. A 20th century Garrard & Co. silver plated carriage clock, with white dial and black Roman numerals, the dial signed Garrard & Co, London, with carrying handle and plain case, 15.5cm high incl. handle £300-£400

57. A French early 20th century marble garniture, the 41⁄2 inch enamel dial with Arabic numerals, and movement by Samuel Marti inset within marble surround with brass edging on stepped marble base, width 38cm £200-£300

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61. A brass inlaid rosewood trunk dial wall timepiece, mid 19th century, the 12-inch painted dial with Roman numerals, fusee movement, the rosewood case of octagonal form with mounted pierced brass and pendulum aperture below, length 53cm Provenance: Sothebys ‘Ken Paul Prop Art’ lot 174, 2002 £300-£500

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62. A George III mahogany table clock by Thomas Mudge and William Dutton, the 61â „2 -inch silvered dial signed Thos. Mudge: Willm Dutton London, with calendar aperture and mock pendulum aperture, strike/not strike lever above XII, a regulation dial in the arch, the five pillar movement similarly signed with bell striking anchor escapement, rise and fall regulation and pendulum hold fast, finely moulded case with triple pad top, the sides inset with pierced frets and brass carrying handle, raised on block feet, height 39cm ÂŁ15000-ÂŁ25000

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66. 19th century Continental School, A scene of figures merrymaking outside a building, corn cutting in the distance. Oil on canvas in a gilt frame, unsigned, 29 x 44cm £300-£400

63. Robert Charles Goff (1837-1922) British, ‘Fiesole’, a charming small scene of the hilltop town, watercolour on board, unframed, signed and dated 1903, 18.25 x 13cm £150-£250

67. Continental, 18th century Landscape and coastal scene with figures to foreground, oil on canvas, unsigned, 49 x 69cm £200-£300

(part) 64. Three framed and mounted 19th century French military coloured prints, the first titled ‘Porte-Aigle’, the second ‘L’Empereur’, and the other ‘Captain de Grenadiers a pied’ (3), the largest 56 x 46cm £80-£120 65. 19th century Continental School, Two young girls cornering a seated man, one holding a staff, in a barn interior scene. Oil on tin panel in a gilt frame. Unsigned, 24 x 20cm £300-£400

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68. English school, ‘Maiden with a mandolin and small dog’ watercolour, unsigned, 75 x 62cm £200-£300

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71 69. William Lucas (1840-1895), ‘Still life with fruit’ signed lower right W. Lucas 1870, 34 x 52cm £80-£120 70. Antonio de Simone (1851-1907) Italian, ‘S.Y. Erin’ Steam Yacht, the boat in full fail in rough seas.

Signed and dated 1900 lower right, named lower left.

Watercolour in a slim painted frame, 56 x 90cm £800-£1200

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71. Antonio de Simone (1851-1907) Italian, ‘S.Y. Erin’ Steam Yacht, the boat in steaming with sails stowed, and Mount Vesuvius in the background. Signed lower right, named lower left. Watercolour in a slim painted frame, 56 x 90cm £600-£800 72. After Robert John Thornton ‘Roses’, aquatint engraved by Earlon, published by Dr Thornton 1805, and another, the first 48 x 38cm £300-£500

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The following lots from 73-112 are from a Private Collection.

73. Continental School, circa 1830, Portrait of a young man, wearing a black coat with white winged collar, oil on canvas £400-£600

75. Continental School, circa 1840, A portrait of a young lady, half length, wearing a white dress, oil on canvas, 60 x 49cm £400-£600 76. Follower Myles Birket Foster, late 19th century, ‘Primrose gatherers’ watercolour, 30 x 45cm £200-£300

74. English Primitive School, circa 1860, River scene with cattle and drover in the foreground, oil on canvas, 60 x 49.5cm £200-£400

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(part) 77. Mackomilia un Turke; Paragonun Barbe, A pair of coloured engravings, each 40 x 53cm, each 40 x 53cm £300-£500

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79 79. Circle of Jacob Huysmans, Portrait of Charles II and Catherine of Briganza, oil on canvas, 124 x 247cm £4000-£6000

(part) (part) 78. After George Moreland ‘The Fern Gatherers’, mezzotint engraved by J R Smith. 46 x 59cm (later impression), together with another three after Zoffamy, Moreland etc (4) £200-£300

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80. Circle of George Moreland, ‘Returning Home’; oil on panel a pair each 15 x 20cm, to be sold with another ‘Figures crossing a bridge’ (3), the first 15 x 20cm £300-£500

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83 81. Circle of George Chinery, ‘A Chinese girl holding a basket of eggs’ oil on panel, 33 x 23cm £800-£1200 82. Continental School, 19th Century, ‘Figures by roadside’ with girl on a white horse in foreground, oil on board, 23 x 18cm £400-£600 83. S. A. Hart, late 19th century, ‘The discussion’, oil on canvas, 18 x 20cm £200-£400 84. Manner of Holbein, Portrait of Henry VIII, oil on metal, to be sold with another, 20 x 16cm (2) £300-£500 85. English School early 19th Century, ‘Portrait of a nobleman’ Oil on panel, 29 x 23cm £200-£400

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86. Follower of J. Lewis, ‘The Ferry’. Oil on canvas, 34 x 52cm £200-£400

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89. Follower of Henry Dawson, 19th century, ‘River scene with a boat’ bears monogram, oil on panel, 36 x 43cm £400-£600

87. ‡ Dod Procter RA (1892-1972), ‘Oxalis and almond’, oil on board, signed in pencil lower left, 44 x 34cm Provenance: Exhibited Arts Council Great Britain.

Exhibition of Penwith Society of Artists inscribed on reverse £3000-£5000 90. H.D. Bell, 19th century, ‘The approaching storm’, signed, oil on canvas, 44 x 75cm £300-£500

88. Follower of Henry Bright, circa 1850, ‘A moonlit river scene’ with boats and windmill, oil on panel, 14 x 21cm £400-£600

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91. Sidney Wall, ‘Cliff top view at evening’, signed, oil on canvas, 44 x 60cm £250-£350

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94 92. Savage English School, ‘Woodland scene’, oil on canvas, 39 x 49cm £200-£300 93. Dutch School, 19th century, ‘A skating scene’, oil on panel, to be sold with another of ‘Figures outside a tent’, and a portrait of a gentleman (3), the first 15.5 x 20cm £150-£250 94. Follower of Melchior d’Hondecoeter, 18th century, ‘Chicks and cockerels’, oil on canvas, 37 x 52cm £800-£1200 95. Manner of Jose de Goya y Lucientes, ‘Portrait of a young boy’ thought to be Infante Francisco de Paula of Spain (1794-1865), oil on panel, 43 x 33cm £400-£600

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97. English School, circa 1900, ‘View from the Downs’ oil on canvas, indistinctly signed, 59 x 82cm £300-£400 98. English School, circa 1830, ‘Portrait of a gentleman wearing a bow tie’, oil on canvas, 32 x 34cm £80-£120

99. James H.C. Millar (fl. 1884-1903) British, ‘On the Welsh Coast’, a rugged coastal scene, initialled lower right, oil in a gilt frame, 19.5 x 28cm £150-£250

96. Tim Goodchild, Costume design for love, labours and lost, watercolour, signed and dated ‘76 in pencil, together with another by the same hand for ‘My Fair lady’ £200-£300

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100. Attributed to George Chinery, ‘Figures on the deck of a boat’, pen and ink, 11 x 24cm £150-£250

102. Tom Merrifield (Australian b.1932), “Nude Study’, signed in pencil, red chalk, 20 x 16cm £100-£200 103. Tom Merrifield (Australian b.1932), a limited edition print of Dutch dancer Mark De Graff, signed lower right and numbered 30/250, mounted and framed, 59 x 72cm overall £50-£80 104. Tom Merrifield (Australian b.1932), ‘Cats’, limited edition print numbered 130/152, together with a print of two dogs and a cat (2) £30-£50

101. An unusual 18th century Map of the Thames ‘Thamesis Descripio Anno 1588, showing Essex and Kent from an unusual perspective with North reversed, hand coloured, ‘Roberto Adamo authore, Engraved from a copy drawn by Mr. Joseph Ames the 8th of April 1738 from the Original in Parchment, in a shaped mount and framed, image 38 x 67cm £200-£300

105. After Dame Laura Knight, ‘Spanish Dancers’, four black and white prints, 32 x 23cm (4) £150-£250

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106. After Van Dyke, ‘Charles I’ and ‘Henrietta’ a pair of mezzotints, each 41 x 30cm (2) £300-£500 107. Italian School, early 19th century, late 18th century, ‘Figures by a waterfall’, and another, a pair of paintings on glass, 7 x 20cm (2) £150-£250 108. After Cipriani, ‘Death of Queen Eleanora’, stippled engraving by Bartolozzi, to be sold with another after Rigald, 28 x 36.5cm (2) £300-£400 109. Swiss School, 19th century, ‘Galerie d’Issel’, ‘Pont sur la Cherasca’, aquatints, a pair, each 20 x 28cm (2) £300-£500

(part) 111. A pair of Icons on 17th century panels, 19th century, oil on board, 42 x 27cm £150-£250 110. A collection of three engravings on glass, the titles including ‘Asia and Africa’, ‘Funeral procession of Princess Charlotte’ and another, 22 x 34cm (3) £200-£300

112. A set of six prints of London scenes, after Rowlinson, including ‘The Stamp Office’, St Martins in the Fields’, ‘Excise Office’, ‘Board of Trade’, ‘Society of Agriculture’, ‘Coal Exchange’, all with rosewood frames, 23 x 39cm (6) £150-£250

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Oriental & Vertu (LOTS 113-159)

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ORIEN TA L & V ERT U

113 113. Hiroshigi (1797-1858), A fan print ‘The waterfall’, framed and mounted, 37 x 45cm £300-£500

(detail) 114. An early Japanese lacquer shibayama photo album, the cover finely decorated with a scene of a man pulling a carriage carrying a lady with parasol in a landscape, containing a number of coloured photographs of Japan £200-£300 115. An albums of photographs, containing black and white photos of the far East, together with two albums of prints of Japan (3) £80-£120

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116. An early 20th century Japanese cloisonné vase, decorated with a crane in relief upon a rich blue ground.

Supported on a carved wooden stand, 30.5cm high £50-£80 117. A Chinese bronze and enamel archaic hu vase, 18th or 19th century, decorated with bands of scrolls and symbols, retaining traces of red enamel, with dragon handles and supported on a lozenge shaped foot, 26.5cm high £250-£350

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ORIEN TA L & V ERT U

118. A Japanese finely carved ivory okimono figure of a gentleman, stood threshing corn using a foot operated machine, and supported on an open base strewn with corn, a basket and box, with red wax inset signed tablet to base, 8.25cm high £500-£700 118

119. A late 19th / early 20th Chinese Canton carved ivory dice cup, decorated with two bands of scenes of figures with buildings and trees, the base decorated with a spray of flowers, the interior with ribbed rim, 7.25cm high £80-£120

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120. A Chinese Canton export ivory cigarette case, of rectangular form, carved in low relief on both sides with images of dragons, with initials in red in bottom right corner, length 9.5cm £100-£200 121. A Chinese ivory puzzle ball, late 19th/early 20th century, deeply carved with dragons, raised on wooden stand, diameter of ball 6cm, height overall 21cm £150-£250

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ORIEN TA L & V ERT U

122. A Japanese ivory okimono figure of a gentleman seated at a work bench, late 19th/early 20th century, the seated figure appears to be making parasols, with character inscription to the underside, length 11cm £150-£250

125. An ivory okimono figure group of two Japanese warriors, late 19th/early 20th century, one of the carved warriors in standing pose the other seated, the circular base with inset red tablet with initials, £200-£300

123. A Japanese ivory figure of a fish and a gentleman, the large carved fish having jumped from the coral and sea bed below, surmounted by a seated Japanese figure of a gentleman reading from a scroll, together with a small ivory knife and an ivory book mark with carved figure of an Indian’s head, height 19cm £200-£300

126. A Japanese ivory okimono figure of a seated gentleman with rats, late 19th/early 20th century the seated figure finely carved with rats climbing out of a barrel and scurrying around, with carved signature to the underside, height 7.5cm £200-£300

124. A Japanese ivory okimono figure of a gentleman with a lobster, probably early 20th century, the standing figure of a man with outstretched arm holding a lobster, with carved signature to the figure, length 15cm £200-£300

127. A Chinese Ming style carved dark spinach jade pendant, finely carved as a guan yin surrounded by flowers and a smaller figure, with hole for suspending, 5.75 x 5.5cm £100-£150

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ORIEN TA L & V ERT U

129. A variegated agate trinket box, of oval form in chased and repoussé silver coloured metal mount, 13cm long £200-£300

130. An early 20th century Austrian cold painted bronze mouse in the manner of Bergman, in a seated pose by a biscuit, impressed ‘ChC Biscuits’ the mouse realistically painted and impressed on the reverse ‘1064 Geschutz Depose’, 7.5cm long £200-£300

128. A Russian silver cased triptych icon, enclosing three religious oil paintings, presented to Roderick Nicolas dated 1915, the outer case with repoussé decoration of flowers and a Russian cross, with suspension loop, with .84 Russian silver marks, height 9.8cm £500-£800 131. An early 20th century Austrian cold painted bronze monkey, stood in a dancing pose holding cymbals, unmarked, 6.5cm high £100-£150

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C o n t a c t u s o n 075 9 6 3 3 2 978

ORIEN TA L & V ERT U

132. An early 20th century Austrian cold painted bronze pig, in a standing pose and holding a stick, indistinct impressed mark between legs, 5.5cm high £100-£150

136. Two silver hat pins, both hallmarked Birmingham 1909, terminating in thistle decoration with coloured glass stones £80-£120

133. Two early 20th century Austrian cold painted amusing bronze cats, both in a standing pose and playing golf, 3.75cm high £100-£150 137. A George IV sampler by Jane Thompson, March Error House 1826, with alphabet, numbers and a poem with urns of flowers.

Unframed, 30 x 24cm £80-£120 138. A gold coloured metal propelling pencil, with mounted turquoise stones and amethyst, suspension loop, in good overall condition £60-£80

134. An Austrian cold painted figure of a spaniel, in the manner of Bergman, realistically painted in a standing pose, marked indistinctly to base, 10cm long £150-£200 135. Three 19th century miniature tortoiseshell mandolins and a guitar, with ivory, bone and and another of pearl inlay, largest 15cm long £40-£60

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139. A pair of late 19th century French opera glasses,

by Colmont of Paris, applied all over with segmented mother-of-pearl on a gilt metal base. Signed £30-£40

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ORIEN TA L & V ERT U

140. A 19th century riding crop with white metal vinaigrette, with ivory upper section surmounted by white metal mount decorated with floral decoration with vinaigrette to the top, the vinaigrette unmarked but probably silver, length 76cm £150-£250

145. An ivory handled seal, with screw fitting, together with an white metal and glass seal with handle in the form of a Buddha (2), length 7cm £30-£50

141. A collection of Regency mother-of-pearl buttons, each carved with floral motif to centre, and leaf pattern to the edge, approximately 32 in total, diameter 2.5cm £40-£60 142. A large collection of assorted buttons, including thirteen French Empire buttons, six Victorian buttons, two French Revolution buttons from 1790 and others £40-£60

146. A Victorian tortoiseshell and mother-of-pearl card case, inlaid with grapes and vines on both sides in mother-of-pearl, 10 x 8cm £60-£80

143. An unusual aide memoire with ballooning scene, late 19th century, the leather memoire and pencil holder with applied rectangular plaque with a painted and lacquered ballooning scene depicting crowds of people cheering as the hot air balloon rises into the sky, with pencil to side, length 6.7cm £60-£80 144. A novelty nutmeg grater in the form of a bottle, probably early 20th century, height 8cm £30-£50

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147. A pair of mother-of-pearl and brass opera glasses, in fitted leather case £30-£40

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ORIEN TA L & V ERT U

151. A lace and mother-of-pearl fan, with mother-of-pearl guard sticks, and bone and motherof-pearl sticks, the cream lace decorated with sequins, length 23cm £40-£60

148. A pair of black lacquer Japanned fans, of shaped round paddle form decorated to the centre with pagodas in garden setting with mother-of-pearl inlay, and ivory handles, length 41cm £300-£500

152. A mother-of-pearl and lace fan, with mother-of-pearl guard sticks and mother-of-pearl and bone sticks, decorated with cream lace, length 26cm £40-£60

149. A pair of Regency lacquered chinoiserie fans, of paddle form, the shaped wooden fans with central figural scenes in garden setting surrounded by trees and foliage, with turned wooden handles, diameter 23cm, length 39cm £200-£300 150. Two silk and bone fans, the first with bone sticks and guard sticks, with silk fan hand painted with floral spray including forget-me-nots, the second with pierced bone sticks and embroidered silk fan decorated with floral spray, the former length 28.5cm £100-£150

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153. A horn bone and sequin fan, the horn guard sticks and sticks decorated with floral sprays, the material fan finely decorated with sequins, contained within an associated Duvelleroy fitted case, length 19cm £80-£120

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ORIEN TA L & V ERT U

154. Two Regency horn brise fans, the first with pierced sticks and guards sticks, and sticks hand painted with flowers, held together with cream ribbon, the second sticks hand hand painted on the tips with forget-me-nots and secured with a blue ribbon, length 6cm £50-£80

155. A bone and sequin decorated fan, the pierced and painted sticks and guard sticks, with material fan hand painted with vignette depicting courting couple and heavily embellished with sequins, length 19cm £100-£150

156. An ivory and hand painted fan, the pierced ivory guard sticks and sticks depicting ladies and gentlemen in classical setting amongst flowers and swirls, with hand painted fan, depicting a seated lady with hunters in landscape setting, contained within an associated box, length 30cm £300-£400

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157. A bone, paper and velum fan, possibly Spanish the highly decorative fan with pierced and carved guard sticks part overlaid with mother-of-pearl and decorated with geometric shapes and floral sprays, with painted paper to one side of the fan heavily decorated in rich reds, greens and blues with vignettes depicting father and daughter, mother and child and courting couple, the reverse painted on vellum with courting couple to centre, length 27cm £250-£350

158. An ivory and painted paper fan, probably late 18th century, the guard sticks inset with trailing flowers, and the sticks painted with gilt decoration, the paper fan decorated with romantic classical scene, length 27.5cm £200-£300

159. A bone and painted paper fan, with pierced and painted scrolls, decorated with floral pattern, the painted fan central vignette depicting a couple and young girl, with lady flying a kite, with silk to the reverse painted with floral motifs, length 23cm £100-£200

C o n t a c t u s o n 075 9 6 3 3 2 978

Ceramics & Glassware (LOTS 160-200)

CERAMICS & GL ASSWARE

160. A 19th century Chinese blue and white bowl, of lobed petal form, painted with a central garden scene, each lobe painted with interspersed panels of landscapes and geometric designs, four character marks to base, 24cm diameter £100-£200

164. A small pair of late 19th century Chinese blue and white vase and later covers, in the form of small temple jars, the lids crested with dogs of foe, the bodies painted with flowers and scrolls. Four character marks to bases, 18cm and 17cm high £80-£120 161. A large pair of early 20th century Japanese Imari vases, each decorated with Asiatic pheasants, surrounded by flower, leaves and trailing branches, with red and gilt highlights, and four character marks to bases, 38cm high £150-£250

165. A pair of late 19th century Japanese Imari vases and covers, the lids crested with dogs of foe, the bodies painted in the typical Imari palette with panels of flowers, 29cm high £80-£120

162. A pair of Japanese Satsuma vases, each of ovoid form and decorated with sprays of flowers upon a cream ground with gilt highlights, black and gilt signature to bases, 25cm high £60-£100 163. A large early 20th century Japanese Imari charger, decorated with a scene of geese in flight and beside a river, the border decorated with scrolls and fans with gilt highlights. Character marks to base, 36cm diameter £40-£60

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166. A large pair of Chinese yellow ground rectangular trough planters, the tapered bodies decorated all over with butterflies and character marks, with four character marks to bases, 32cm wide, 26cm high £400-£600

C o n t a c t u s o n 075 9 6 3 3 2 978

CERAMICS & GL ASSWARE

167. A set of eight 19th century Chinese blue and white bowls, each painted with a central panel of flowers surrounded by borders of flowers, the bases unmarked, 22.5cm diameter £200-£300

168. A 19th century Chinese circular blue and white plate, decorated with six panels of flowers with central roundel, together with a small blue and white saucer decorated with a landscape scene with pagodas and a boat (2), 28cm and 15.5 m diameter £80-£120

169. A Chinese blue and white porcelain bowl, the exterior painted with abstract character symbols, the interior with plain line decoration, the base with four character marks, 14cm diameter £100-£200

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170. A rare Stephen Green of Lambeth saltglaze stoneware jug, c.1830-1840, relief moulded with cherubs riding a goat and bacchanalian figures verso, the base with moulded mark ‘Stephen Green Lambeth’, 24cm high £150-£200

171. A Royal Doulton figure ‘The Alchemist’, HN1282, height 29.5cm £200-£300

172. A Royal Worcester porcelain figure ‘Sorrow’ by James Hadley, formed as a young semi-nude woman in a robe, her hand clasped to her face. Mark in puce to base, and signed, dated 1934, 24cm high £80-£120

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CERAMICS & GL ASSWARE

173. Two Royal Doulton figures, The Old Balloon Seller HN1315 and The Master HN2325, Balloon lady 18cm high £60-£80

177. A parian figure of a young boy, seated in a thoughtful pose with one knee bent up, scribing, height 28cm £60-£100

174. A pair of Swansea porcelain lozenge shaped dishes, painted with a central spray of flowers surrounded by insects, with gilt rim. From the Harry Sherman Swansea Porcelain Collection, each with label verso, 24cm wide £200-£300

178. A pair of Secessionist vases in the manner of Minton, the blue ground bodies decorated with scarab beetles and roundels, with twin handles and supported on broad circular feet. Impressed numbers 805 2 to base, 14.75cm high £60-£80

175. A matched Royal Worcester cup and saucer, the saucer decorated with a wood pigeon by James Stinton, the cup painted with fruit, both with puce marks to bases, Saucer 9.75cm diameter £40-£60

179. A Troika drum shaped teapot, decorated with a geometric design band on a white ground with wicker handle, Signed Troika St. Ives, England, 17.5cm diameter excluding spout £80-£120

180. A small Royal Worcester bowl and pin tray, the bowl painted and decorated with fruits by H. Aynton and the pin tray similarly painted by E. Townsend both with Royal Worcester stamp to the reverse, together with two plates and three small saucers with similar designs by other factories one marked Budd with others unmarked, diameter of largest plate 23.5cm £200-£300

176. A large Troika Double Base pottery table lamp, the blue ground decorated with roundels and abstract designs, the base signed ‘Troika, Cornwall’, 36.5cm high excluding light fitting £200-£300

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181. A late 19th century Russian Imperial white porcelain egg, painted in gilt with initials ‘JI II’ for Czar Nicholas II and crown, strung with red ribbon, pierced at both ends, 9cm long £100-£150

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CERAMICS & GL ASSWARE

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183 182. A large Victorian painted Minton charger by A.E. Black, painted with a scene of two cherubs beside a lake with butterflies and flowers, signed and dated 1875, painted mark and impressed mark to reverse, 42.5cm diameter £500-£700

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183. A case set of six Coalport silver gilt mounted cups and saucers, retailed by Walker & Hall, the silver gilt holders hallmarked Sheffield 1931, the porcelain liners and cups with gilt decoration on a blue and white ground. In a fitted black leather case £150-£250

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CERAMICS & GL ASSWARE

184. A large Poole pottery delphis vase, predominantly red and blue, of slightly tapered cylindrical form, stamped on the underside with dolphin and shape mark 85, height 39cm £100-£200 185. Four pieces of miniature Moorcroft, comprising a Hibiscus vase; a pair of small green ground floral bowls; and a modern floral pin dish (4).

Vase 9cm high; pair of dishes 8cm diameter; pin dish 12cm diameter £70-£100 186. A Moorcroft Mushroom Brown ginger jar and cover, the body and lid decorated with mushrooms on a graduated pink and brown ground, the base impressed Moorcroft and dated 1991 and painted WM mark, 15.5cm high £70-£100

188. A Walter Moorcroft Iris bulbous vase, the body decorated with iris and other flowers on a blue ground, the base impressed Moorcroft and signed WM, 22cm high £150-£250

187. A Moorcroft Blue Finches candlestick, decorated with a finch, leaves and berries on a blue ground, the base impressed Moorcroft and dated 1990 and painted WM mark, 20.5cm high £50-£70

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189. A large Moorcroft Blue Finches charger, decorated with finches, leaves and berries on a blue ground, the base impressed Moorcroft, with painted WM mark, 36cm diameter £200-£300

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CERAMICS & GL ASSWARE

190. A pair of Daum frosted glass vases, the green and blue vases of oval form, signed Daum Nancy, height 12cm, width 17cm £400-£600

193. A pair of R. Lalique ‘Paquerettes’ square frosted glass dishes, the rims moulded with daisies, with canted corners and clear glass centres. With acid etched signatures to bases ‘R.Lalique’, 16cm square £50-£80

191. A patterned glass vase, the base of bulbous form with slender neck, and mottled blue, green and yellow pattern, height approximatley 16cm £60-£80

194. A Whitefriars ‘Cello’ vase, designed by Geoffrey Baxter, in Kingfisher blue with swirl decoration and polished pontil to base, 17.5cm high £80-£120 192. A Louis Comfort Tiffany Favrile iridescent glass vase, of urn shaped form with small loop handles, the base signed L.C.Tiffany, Favrile 8004C, 6.5cm high £100-£150

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CERAMICS & GL ASSWARE

195. An R. Lalique clear glass ring dish, mounted with a model of a turkey. Etched signature to base ‘R. Lalique’, 11cm diameter £100-£150 198. A pair of late 18th century engraved hunting drinking glasses, one decorated with a bear hunting scene, the other with a stag, each with flared bowl and supported on a broad circular foot, 15.5cm high £60-£80

196. A Lalique frosted glass bird, in crouching pose with wings outswept. Etched signature to base ‘Lalique, France’, 13.25cm long £50-£80

197. A Victorian silver and cut glass scent bottle, hallmarked Birmingham 1898, the silver top decorated with cherubs, the glass body with further engraved decoration of cherubs and scrolls and star cut base, internal stopper present. Makers mark: Henry Matthews, 12cm high £60-£80

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199. Two sets of cut glass drinking glasses, comprising six wine glasses and nine smaller sherry glasses, all with faceted bowls and supported on octagonal bases, together with three champagne glasses (18), 14.5cm and 10.5cm high £80-£120

200. A group of assorted drinking glasses, including five flower engraved cordial glasses, four small sherry glasses, two pairs of small glasses on square feet and a small pair of green glass penny licks (15), largest 12cm, smallest 7cm high £60-£80

C o n t a c t u s o n 075 9 6 3 3 2 978

Silver (LOTS 201-240)

SILV ER

203 201. A silver baluster sugar sifter, hallmarked Birmingham 1961, with pierced top and circular foot, 17cm high. Weight 3.5 ozt £40-£50

203. A pair of Edwardian novelty silver duck shaped salts, hallmarked Birmingham 1905, realistically modelled as ducks in swimming poses, with blue glass liners in their backs, makers mark Henry Williamson Ltd. Presented in a fitted red leather case, with associated spoons, 9.5cm long £800-£1200 204. A collection of assorted silverware, including a matched silver cruet set with blue glass liners, a novelty milk churn pepperette, a napkin ring, pair of of sugar nips, a trifid end spoon and two other spoons, Approx 8.5 ozt weighable silver £60-£90 205. A collection of Continental silver and white metal, including an oval and circular lobed petal bowl, a circular engraved dish, three pin trays and a salt and spoon, total weight approx. 13.2 ozt £75-£100

202. A set of six Victorian silver silver gilt shell shaped salts, hallmarked London 1895, together with matching spoons in a fitted case. Makers mark: Josiah Williams & Co. Retailed by Waterhouse & Co, Dublin, Ireland. In a fitted leather case, 4.3 ozt total weight £200-£300

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206. A George V silver cruet set, hallmarked Birmingham 1937, in a fitted case with blue glass liners, makers mark: Deakin & Francis £50-£80

C o n t a c t u s o n 075 9 6 3 3 2 978

SILV ER

207. A collection of assorted silverware, including napkin rings, a decanter label, caddy spoon and other spoons, approx 8.7 ozt £50-£80 208. Two silver napkin rings, hallmarked Birmingham 1930 with engine turned decoration and cartouches one with engraved letter L the other engraved with N, together with a silver pepperette and a pair of silver sugar nips, weight 6ozt £40-£60

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209. A cased set of twelve George V silver grapefruit spoons, hallmarked Birmingham 1933; together with a cased set of six silver cake forks, 12.8 ozt total £80-£120 210. A collection of silver spoons, comprising four Georgian silver spoons, a silver desert spoon, and six silver and enamel coffee spoons, and a matching pair of silver nips £60-£80

211. A George III silver soup ladle, hallmarked London 1811, fiddle and thread pattern, 6.75 ozt £60-£80

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212. A set of six Norwegian silver gilt and enamel spoons, in a fitted case, retailed by Birger Olberg, Oslo, 9.5cm long £40-£60 213. A set of twelve silver gilt and enamel coffee spoons by David Andersen, Stockholm, the stems with scrolled decoration in relief and turquoise enamel, marked.925, in an Andersen fitted box, 9.25cm long. 3 ozt £200-£300

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214. A Birmingham silver bachelors teapot, of tapered form with wooden knop, together with an engine turned cigarette box (2), Teapot approx 8.7 ozt. including handle £60-£90

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SILV ER

218

217

217. A fine quality late 19th century silver gilt and engraved glass dressing table set, Continental, the lid with engine turned decoration and wreath mounted rims, the bottles engraved with flowers within panels with canted corners. Comprising two large jars, a cylindrical jar, a rectangular box and cover, and an atomiser. With French post 1838.950 fineness hallmarks, Largest jar 16cm high (5) £400-£600

215. A silver teapot, hallmarked London 1905 of squat form with ebonised handle and knop, together with a pair of silver plated candlesticks with hexagonal bases, weight of teapot 22ozt £180-£220

216. A George V Asprey silver chocolate pot, hallmarked Birmingham 1916, with ebonised handle and knop and tapered body. Makers mark: Asprey & Co, Weight: 10.7 ozt. 17cm high £80-£120

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218. A late 19th century French silver mounted glass spill vase, the cylindrical body finely engraved with swags, masks, flowers, and musical instruments, the silver mount echoing similar wreath decoration and a lower band of acanthus leaves, French post 1838 silver hallmark, 20.5cm high £100-£150

219. A silver topped glass scent bottle, hallmarked Birmingham 1925, together with a brass topped dressing table bottle (2) £40-£60

C o n t a c t u s o n 075 9 6 3 3 2 978

SILV ER

220 220. A large George III silver armourial tray, hallmarked London 1809, engraved with a large central crest and Latin motto ‘Constanter et Fideliter’ (Consistently and Faithfully), with gadrooned rim and twin handles. Makers mark rubbed, 67cm wide including handles £700-£1000

223. A Scandinavian silver wine funnel, with a band of engraved decoration and scrolled handle, 1 ozt £30-£40

221. A collection of silver, comprising predominantly tableware including pepperettes, salts, mustard pot, napkin ring etc, and a four glass and silver dressing table jars, overall weight including glass 28 ozt £40-£60

224. A pair of George V silver Corinthian column candlesticks and a matched Edwardian candelabra, hallmarked Birmingham 1933 (sticks) and Birmingham 1902, all with Corinthian column capitals, scrolling branches and fluted columns to stepped beaded bases, Pair of sticks: 26.8 ozt. Candelabra 49.6 ozt total weight £300-£500 222. A George V globular silver cream jug, hallmarked Birmingham 1912, of plain form with sparrow beak spout and shaped handle. Makers mark: Deakin & Francis, 6 ozt £80-£120

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225. A pair of silver decanter stands, hallmarked Birmingham 1971, with gadrooned rim and pierced sides with wooden bases. Maker: Barker Ellis Silver Company, 14.5cm diameter £50-£80

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SILV ER

226. A George V silver cigarette box, hallmarked Birmingham 1927, with engine turned decoration and cedar lining, 14cm wide. 13.6 ozt total weight £30-£50 227. A pair of George VI silver fruit bowls, hallmarked Sheffield 1944, of plain form with simple line decoration and shallow wavy foot, 23.5cm diameter, combined weight: 33.1 ozt £100-£150 228. A Victorian Old English pattern silver fish slice, hallmarked 1857, with threaded, pierced and scrolled blade and beaded handle with engraved crest. Makers mark: Chawner & Co, 5.95 ozt £40-£60 231. A silver pie crust tray, hallmarked Birmingham 1924, Elkington and raised on three hoof feet, with inscription to the centre reading J. P. W from ‘Evening Standard’ and ‘Daily Sketch Colleagues’ 28.8.25, diameter 36.6cm, weight 43ozt £400-£600

229. A George V pierced silver jewellery casket, hallmarked 1922, of lozenge shape the lid with vacant cartouche and scrolled floral decoration, with fabric lined interior and supported on a scrolled feet. Makers mark: S. Blanckensee & Sons Ltd, 16.5cm wide £80-£120

230. A Continental silver christening egg cup set, comprising an egg cup, spoon and oval tray, with beaded rims, marked.800, weight: 2.3 ozt £30-£50

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232. An Edwardian silver capstan inkwell, hallmarked Birmingham 1908; together with a silver and glass inkwell with hinged lid; and a glass inkwell with removable lid (3). Capstan inkwell 10.75cm diameter £70-£100

233. A set of six George VI small silver candlesticks, hallmarked Birmingham 1947, of circular form with short tapered loaded bases, 9cm diameter £100-£150

C o n t a c t u s o n 075 9 6 3 3 2 978

SILV ER

234. A 19th century Russian silver and glass cup and cover marked Faberge, with acanthus mounts and scrolled handle, and supported on paw feet, with Russian 84 silver marks and marked Faberge, cup 15cm high £200-£300

235. A 19th century Russian silver strainer marked Faberge, with floral mounted rim, turned wooden handle and supported on scrolled legs, with Russian 84 silver marks and marked Faberge, 21.5cm long £100-£150

238. A small collection of silver, comprising a pair of weighted candlesticks, a pair of silver salts, a perfume bottle with hobnail glass and silver stopper, tea caddy spoon, nips, small collection of flatware, One of the salt liners cracked, some general ware overall £80-£120

239. A silver plated quaich, with Celtic designed band to the body, raised on four inverted scroll feet, diameter 26cm £40-£50

236. A George III silver meat skewer, hallmarked London 1813, of plain form with loop handle, 27.5cm long. 75.2 grams £40-£60 237. A cased set of six silver tea spoons, hallmarked Sheffield 1960, together with an engine turned silver cigarette case, Birmingham 1921 by William Neale & Sons, Spoons: 2.4 ozt. Case: 3 ozt £40-£60 240. A silver plated tray, of pie-crust form, decorated with scrolls and foliage, diameter 33cm £10-£20

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Jewellery & Watches (LOTS 241-356)

J E W EL L ERY & WATC H ES

241. A 19th century circular gold coloured metal target brooch, surrounded by split pearls and black enamel decoration, with central pearl in claw setting, diameter 3cm £80-£100

242. A Victorian amethyst oval brooch, set with large faceted amethyst, in a yellow metal six claw mount with safety chain, 7 grams £50-£80

243. A large yellow sapphire in a pendant mount, the sapphire of oval form and set in a six claw mount, metal unmarked. Stone possibly heat treated, approximately 20 x 16 x 12mm £2000-£3000

244. A Victorian yellow metal, black enamel and seed pearl mourning brooch, with a central braided hair panel surrounded by seed pearls, with gold inlaid black enamelling. The back engraved ‘Robert Lambkin, September 3rd 1871’, 3.75 x 3cm £100-£120

245. An Edwardian 15ct gold and pearl brooch, of plain circular form, mounted with eighteen pearls on a 15ct mount, 2.1cm diameter £80-£120

246. A Georg Jensen silver and moonstone circular brooch, formed as a flower head and leaves, of domed form, impressed marks to the reverse and numbered 127, 4cm diameter £70-£90 247. An early 20th century silver gilt and agate brooch, of circular form mounted with a central floral roundel and a floral border. Marked.830, 3cm diameter £40-£60 248. A charming Victorian 15ct gold peridot and seed pearl lizard brooch, in a naturalistic pose, set with a row of peridot along her back, surrounded by seed pearls and set with cabochon ruby eyes. Marked 15ct, 4.5cm long, 3.4 grams (see illustration opposite) £200-£300

244

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J E W EL L ERY & WATC H ES

249. An early 20th century diamond circular brooch, of elegant and simple form, the circle mounted all round with small diamonds in an unmarked white metal mount, likely 18ct white gold or platinum, 2.3cm diameter £100-£150

254. A gold bar brooch and a pendant, the bar brooch mounted with a central stone surrounded by garnets and seed pearls, the silver pendant set with a facetted quartz (2) £100-£150

255. A Victorian diamond and seed pearl bar brooch, in the form of an arrow, the shaft set with a pearl and diamond flower head, the arrow head and feathers mounted with seed pearls. Metal unmarked, 4.25cm long, 4.6 grams £120-£180

250. An amethyst and seed pearl oval cluster brooch, set with large central oval amethyst surrounded by a row of seed pearls and further amethysts, in a plated metal mount, 2.2 x 1.8cm £50-£60 251. A gold, seed pearl and citrine wreath brooch, set with seed pearl flower heads interspersed by citrines, of oval form, metal unmarked, 4.4 grams £50-£80

256. An Edwardian gold, diamond and pearl bar brooch, set with floral motif crested by a pearl, on a simple bar, unmarked. In a Catchpole & Williams retail box, 3.4 grams.

4.5cm long £100-£150

252. A small collection of brooches in the form of animals/reptiles, comprising a silver and marcasite lizard brooch, a pony brooch, a Scottie dog brooch and a turtle brooch (4), 7cm long £60-£80 253. A small collection of brooches, locket and two pins, some of the brooches are marked silver and include Mizpah, the small locket is gold plated, and the two pins with seed pearls are contained within fitted cases £70-£100

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257. A Victorian diamond and enamel bar brooch, set with green enamel heart surrounded by seed pearls and mounted in the centre with a diamond weighing approximately 0.10cts, set in unmarked yellow metal, 4.25cm long £80-£120

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264. A yellow metal pendant of Jesus and the Virgin & Child, on a 9ct gold curb link chain, Total weight 13.5 grams £100-£120 258. A Victorian flag bar brooch, formed as a triangular St. George cross flag in diamond and baguette rubies, mounted with a cross on a white and yellow metal bar, 4.5cm long. 2.2 grams £80-£120

259. A Victorian diamond, ruby and seed pearl bar brooch, set with a central ruby surrounded by small diamonds in a flower head setting, mounted on a bar tipped with seed pearls. In a Goldsmiths & Silversmiths box, 5.9 grams.

4.75cm long £200-£300 260. A South American white metal filigree medallion, the large central roundel set with turquoise and coral stones, with five pendants below, suspended from a long white metal chain, all unmarked, 85.5 grams £60-£80 261. An Edwardian 9ct gold and peridot scrolled pendant on chain, together with a 15ct gold and amethyst leaf pendant on chain and another pendant (3). Total weight 11.6 grams £60-£80 262. A sapphire and gold pendant and earrings, the pendant formed as sapphire set leaves, together forming a larger leaf, with a pair of single stud earrings £80-£120

263. An Edwardian 15ct gold, seed pearl and green enamel pendant, formed as a trio of ribbons on a green enamel loop, suspended from a similar smaller ribbon, 8.3 grams £150-£250

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265. An Edwardian 9ct gold, seed pearl and peridot pendant and earrings, the pendant of scrolled form, the earrings mounted as leaves, together with a single stone drop pendant (4) £100-£150 266. Two cherry amber coloured necklaces, the first single strand graduated oblong beads on modern clasp, with second two strand graduated cherry coloured amber bead with screw fastener £200-£300 267. Two 1930s faceted bakelite necklaces, of graduated form £40-£60

268. An early 20th century five strand coral necklace, with yellow metal clasp set with split coral beads, metal unmarked, but probably gold, 35cm long £350-£500

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271. A small collection of jewellery, comprising a Danish silver gilt and yellow enamel necklace with leaf decoration inscribed JEMax Sterling, Denmark; a Danish sterling silver Meka brooch with yellow enamel decoration in the form of a leaf; a Sterling silver leaf brooch inscribed S.C.F; and two Sterling silver pins with enamel decoration; and a silver coloured metal and blue enamel necklace (6) £100-£150

269. An Art Nouveau silver and enamel pendant necklace by Charles Horner, hallmarked Chester 1913, with central floral enamel pierced disc, with mother-of-pearl inset roundel, suspended orbs below and mounted with a fine silver chain. Makers mark: CH, Chain 40cm long £150-£250

272. A Georg Jensen silver necklace, formed as segmented curved sections, impressed marks to the reverse and numbered 276, 50.5 grams, 45.5cm long £80-£120

270. An Art Nouveau silver and enamel pendant necklace by Charles Horner, hallmarked Chester 1918, with green oval enamel central panel, shaped frame and an enamel drop below. mounted with a fine silver chain. Makers mark: CH, 41cm long £100-£200

273. A graduated natural pearl necklace with gold and diamond clasp, the pearls measuring 2.5 - 5.5mm, set of an yellow gold clasp set with one larger and two smaller diamonds surrounded by diamond chips, metal unmarked.

In a David Andersen of Stockholm leather box, 42cm long (with pearl report) £1000-£2000 274. A long cultured baroque pearl necklace, the pearls of ribbed form, each approximately 8-10mm diameter, approximately 100cm long £100-£150

273

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275. A small collection of Tahitian black pearls, including some baroque pearls (7), the largest approximately 12mm diameter £200-£300

279. An early 20th century Oriental tortoiseshell and white metal bangle, with hinged clasp of buckle form, the white metal mounts decorated with figures and bamboo shoots, 6cm internal diameter £40-£60

276. A 19th century style gold coloured metal stiff bangle, set with split pearls and garnet in chased and pierced setting, diameter 7cm £300-£400 277. An Edwardian gold coloured metal stiff bangle, set with five graduated diamonds in gypsy setting with rope twist design to border, diameter 6cm £60-£80

280. A 9ct gold belcher link charm bracelet, set with approximately 27 charms including a Victorian half sovereign, one pound note and a ten shilling note, 65g £600-£800

278. A Victorian seed pearl stiff bangle, set with rows of seed pearls in an unmarked yellow metal frame, probably gold, 19.2 grams, 5.7cm internal diameter £300-£400 281. A Bohemian garnet stiff bangle, the entire band set with garnets in claw setting on gold coloured metal base, with floral shaped setting to centre, diameter 6.5cm £300-£400

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282 282. An Art Deco 18ct gold and diamond bracelet, set with central diamond weighing approximately 0.12cts, surrounded by smaller stones. In a David Andersen of Stockholm leather box, 17.25cm long £1000-£2000

286. An 18ct gold, diamond and sapphire ring, set with three sapphires interspersed with two smaller diamonds, together with a 9ct gold cameo ring (2), Size: O (sapphire) and Q (cameo) £200-£250

283. A 9ct gold charm bracelet, set with five charms and a padlock clasp, 36.2 grams total £200-£300

287. A Modern gold diamond cluster ring, set with numerous brilliant cut diamonds, in claw setting, Size ‘N’ £600-£800

284. A heavy 9ct gold charm bracelet, set with 32 charms of various types and a 1913 half sovereign, approx 103.8 grams £800-£1000 288. A two stone 18ct gold and platinum ring, set with two diamonds in claw setting, each diamond approximately 1⁄4 carat, Size ‘K’ £500-£700

285. An Art Deco platinum, diamond and chrysoberyl cluster ring, set with large oval cabochon chrysoberyl, surrounded by 20 small diamonds, set in platinum, Size M £500-£800

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289. A 19th century 18ct gold marquise diamond and ruby shaped ring, set with rubies and central diamonds, Size ‘K’ £300-£500

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295. A gold coloured metal, diamond and sapphire two stone ring, set with diamond weighing approximately 0.30cts and slightly smaller sapphire, set in yellow gold, Size J 1⁄2, 2.8 grams £200-£300 296. A Georgian gold and carved rock crystal seal type ring, with gilt internal crest, the unmarked gold shank with indistinctly engraved inscription, Size’ O’, 3.6 grams £100-£150 290. A gold coloured metal marquise shaped diamond cluster ring, set with numerous diamonds and diamond shoulders, the centre diamond approximately 1⁄2 carat, Size ‘k’ £800-£1200

291. A 19th century mother-of-pearl, tourmaline and emerald ring of suffragette colours, set with three large mother-of-pearls flanked by smaller stones, the shank decorated with flowers. Set in unmarked yellow metal, probably gold, Size L. 2.3 grams £100-£150

297. A sapphire and diamond ring, set with large central oval sapphire, flanked either side by three small baguette cut diamonds. Set in unmarked yellow metal, probably gold, Size ‘O’ £100-£200

298. A 22ct gold and opal ring, with Birmingham hallmark, with rubover setting and plain shank, Size P £100-£150 299. An 18ct gold, ruby and diamond five stone ring, set with three rubies interspersed by two diamonds, in a claw mount, Size P £80-£120

292. An 18ct gold and split pearl ring, with ten split pearls and rose diamond points, Size ‘J’ £300-£500 293. A 19th century mourning ring, set with oval black enamel panel with seed pearls, the shank with oval cut-outs and entwined hair inserts. Metal unmarked, probably gold, Size O. 2.2 grams £60-£80 294. A 9ct gold, ruby and diamond five stone ring, set with three rubies interspersed with two diamonds, mount marked.375, Size L. 2.6 grams £100-£150

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300. An 18ct white gold and diamond half eternity ring, set with a row of alternating baguette and princess cut diamonds, flanked either side by a row of small brilliant cut diamonds. Shank faintly stamped 18K, Size I £200-£300

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301. A 9ct gold, diamond and ruby triple row cluster ring, set with two rows of rubies flanking a row of diamonds, Size P £200-£300 302. A 9ct gold and garnet cluster ring, of floral form, with large central garnet surrounded by leaves and smaller garnets; together with a pair of 9ct gold wire twist earrings, 7.9 grams £40-£60

306. An 18ct gold, diamond and opal ring, the large oval opal surrounded by small diamonds and set in an platinum and gold mount, Size L £300-£500 307. A Sterling silver and amethyst ring by O.U.Bohlin, together with another Swedish silver ring. (2), Sizes M & J £40-£60 308. A Swedish Stigbert silver flower ring, formed as stylised petals on a looped shank, signed the shank, Size O £50-£80

303. An Art Deco style 18ct white gold and diamond ring, set with nine circular diamonds of approximately 0.05cts each in an illusion setting, Size L £250-£300 304. A large 9ct gold and garnet dress ring, set with large faceted oval stone in a bold four claw mount, Size L £40-£60

309. An 18ct gold and diamond ring, the diamond set in flower head, the central diamond set with six diamond points to surround and six diamonds in the form of petals, £100-£150 310. A sovereign ring, dated 1909, mounted on a 9ct shank, £120-£180

305. An early 20th century gold, enamel and ruby snake brooch, the green enamel serpent with ruby set head and wrapped around a large oval mother-of-pearl in a gold frame, 3.75cm long £400-£600

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311. An 18ct gold and diamond five stone ring, set with five circular diamond weighing approximately 0.16-0.18cts each, set in platinum, Size T £300-£400

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312. A large 18ct white gold, sapphire and diamond cluster dress ring, set with four rows of sapphires interspersed with three rows of diamonds, the mount marked 18ct, resized to an H. 11.1 grams £700-£1000

313. An 18ct gold, opal and diamond five stone ring, the five oval opals interspersed with diamond points, in a scrolled mount, hallmarked London 1963, Size N 1⁄2. Total weight 5 grams £200-£300

314. An 18ct white gold and platinum diamond solitaire ring, the old cut diamond weighing approximately 0.65-0.70cts in a six claw mount, Size Q £700-£1000

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315. An opal and diamond cluster ring, set with large opal surrounded by nineteen small diamonds, in an unmarked yellow metal mount, probably gold, Size L £300-£500

316. A gold and garnet mourning ring, set with a central panel of woven hair surrounded by ten faceted garnets, set on a later 9ct mount, Size Q £100-£150 317. A 9ct gold and opal ring, the oval opal in an eight claw plain setting, Size N £100-£150

318. An Art Deco Sapphire and diamond cluster ring, set with central pale blue sapphire surrounded by alternating sapphires and diamonds. Size J £250-£350

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319. A gold coloured metal and silver diamond ring, with single diamond in coronet setting, and chased decoration to shank, Size ‘M’ £150-£250

327. A George V 1915 22ct gold full sovereign, in a 9ct gold pendant mount, 9.4 grams £250-£300 328. A 9ct gold St. Christopher pendant, on a 9ct gold chain, 10.5 grams £60-£80

320. A 19th century Continental diamond and emerald ring, of shield form with centre emerald surrounded by rose diamonds in white metal possibly silver, size ‘O’ £150-£200 329. A 9ct gold charm bracelet, with fifteen charms all of London landmarks including Nelson’s Column, St Paul’s Cathedral, London Bus, Eros, Buckingham Palace, and a book of London with miniature fold out printed leaflet depicting all the landmarks, not all charms marked 9ct but believed to be all 9ct, with some minor paint loss to the uniform of the soldier and bus £450-£500 321. A large 14K gold and citrine dress ring, the faceted citrine of oblong form, The citrine 2.5cm length, Size ‘J’ £200-£300 322. A Victorian carved bog oak suite of jewellery, comprising: a bracelet with carved central oval fern, a brooch carved with a castle and a pair of earrings carved as vine leaves with yellow metal mounts £60-£80 323. A 9ct gold ingot, of rectangular pendant form, hallmarked London 1977, 29.8 grams £300-£350

330. A 9ct gold charm bracelet, the curb link bracelet with 8 charms including, aeroplane, dog, brush comb and mirror set etc. most charms marked 9ct gold, weight 45.8g £250-£350

324. A 9ct gold ingot, of rectangular pendant form, hallmarked London 1977, makers mark TK, 15.2 grams £120-£180 325. A collection of silver items, including an oval silver ingot, a stiff bangle, a heart shaped locket pendant, a cameo pendant and two engraved lockets. (6), 97.7 grams excl. cameo £80-£100 326. A Victorian 1889 22ct gold full sovereign, in an ornate foliate 9ct gold mount, on a 9ct gold chain, 21.4 grams total £250-£280

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331. An 18ct white gold nurses fob watch, the silvered dial, surrounded by a diamond chip bezel and suspended from a diamond bar. The case hallmarked London 1925, case 19mm £100-£200

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332. A collection of assorted silver jewellery, 16 pieces, including necklaces, brooches, rings and earrings £100-£150

340. A collection of assorted jewellery, including an 18ct gold ring, a 9ct gold ring, a silver necklace and a collection of earrings, 18ct: 2.3 grams, 9ct: 5.3 grams £50-£100

333. An early 20th century rough amber coloured necklace, together with a pair of amber coloured bead earrings, combined weight 38.4 grams including mounts. Necklace 47cm long £80-£120

341. A small collection of costume jewellery mainly brooches, including two butterfly brooches; two cluster brooches; a clip; an oak leaf shaped brooch; and a flower head clasp (7) £60-£80

334. An amber coloured graduated bead necklace, together with a pair of amber coloured bead earrings, Combined weight 31.1 grams including mounts. Necklace 44cm long £100-£150

342. A 9ct gold Albert chain, the graduated curb link chain, each stamped 9ct, 378g £300-£400 343. A 9ct gold double Albert chain and bar, 32 grams, 30cm long £200-£300

335. A collection of assorted costume jewellery, including two turquoise bead necklaces, another and five bangles (8) £40-£60 336. A Tibetan necklace, the chain interspersed with mask shaped heads inset with turquoise and coral coloured stones £100-£150 337. A ladies Art Nouveau silver belt, hallmarked Birmingham 1903, with central pierced buckle and links, each link hallmarked, marked M. Bros. possibly for Mappin Brothers, length 66cm £250-£300 338. A Christian Dior floral brooch by Mitchel Maer, set with simulated black pearl, surrounded by diamante set leaves, 4cm wide £30-£40 339. A Georg Jensen silver heart shaped pendant, together with another silver pendant with applied Scorpio pendant (2), 31.5 grams £30-£50

344. An 18ct gold open faced pocket watch, with Swiss movement, enamel dial, subsidiary seconds, Roman numerals, key wind movement, with engine turned case £250-£350

337

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347. A 9ct gold half hunter pocket watch, the enamel dial with Roman numerals inscribed Waltham USA, with subsidiary seconds, the outer case with enamel Roman numerals £200-£300

345. A Victorian 18ct gold pocket watch by Hargreaves of Liverpool, hallmarked Chester 1883, the white enamel dial with black Roman numerals and signed Hargreaves & Co, Liverpool, Makers to the Queen & H.R.H. The Prince of Wales, with separate seconds hand, the case with engraved floral decoration, the back plate signed and numbered Overall weight approx 143 grams £600-£800

348. An 18ct gold half hunter pocket watch, hallmarked Chester 1895, the plain case with blue Roman numerals and a white enamel dial, 59.5 grams total weight £300-£500

346. An 18ct gold pocket watch, with gilded dial and Roman numerals, key wind movement, with chased and engine turned case inscribed A.M Leng of York £400-£600

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349. An early 20th century 18ct gold open face pocket watch, the gilt dial with engraved flowers and Roman numerals, with engraved initials to the back of the plain case. In a leather travelling case, total weight 35 grams £200-£300

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350. An Edwardian ladies silver gilt and green enamel pendant fob watch, the engine turned green enamel decorated with gilt flowers, with white enamel dial, suspended from a shaped ribbon pin hanger, Watch case 2.75cm £200-£300

353. A ladies Art deco style diamond cocktail watch, the white rectangular shaped dial surrounded by small diamonds interspersed with diamond points, with baguette cut diamonds to either end and flexible strap, the strap unmarked but the catch inscribed 12K gold filled, total weight 14.7g £300-£500

354. A 9ct gold ladies Omega wrist watch, the gilt dial with baton numerals, and a woven gold strap, in an Omega box, 24.4 grams including movement £250-£350

351. A ladies French 18ct gold and enamel half hunter fob watch with chain and pendant, the half hunter case with pink enamel surround and blue Roman numerals, ornately engraved all over with flowers, the movement with white enamel dial and black Roman numerals, marked.755, with a 15ct chain, the pendant set with seed pearls £200-£300

352. A ladies Omega wrist watch, the gilded dial with baton numerals, with 485 calibre movement and set in a plain gold plated case on a leather strap. In original box with paperwork, 20mm case £150-£250

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355. A 1930s Jaeger Le Coultre stainless steel wrist watch, the rectangular silvered dial with luminous Arabic numerals and subsidiary seconds dial, the dial signed Le Coultre, the 15 jewel movement signed Jaeger le Coultre, Case 3.5cm high including lugs £100-£150

356. A gentleman’s 9ct gold wristwatch retail by Asprey, with blue sapphire winder, and black Roman numerals to dial £100-£150

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Collectables (LOTS 357-436)

COL L ECTA B L ES

357. A Victorian campaign knife and fork set, the two fitting together in one, length 20.5cm £20-£40

362. A group of three 19th century tribal daggers, two with leather scabbards, one with wooden scabbard (3) £60-£90 363. A George V 9ct gold handled ebony walking stick, the curved gold handle hallmarked London 1917 and engraved ‘A.R.A, 4.8.19’, 92cm long £50-£60

358. A Victorian painted policeman’s truncheon by William Parker, with painted Royal VR cypher and inscribed ‘Constable’, with ribbed grip, the pommel stamped ‘Parker 233 Holborn’, 45cm long £100-£150

359. A Victorian painted Special Constable’s truncheon by William Parker, with painted Royal VR cypher and inscribed ‘Special Constable 37’, with ribbed grip, the pommel stamped ‘Parker Holborn’, 46.5cm long £100-£150

364. A Steiff plush mohair stuffed toy lion, in standing pose with articulated head and legs and glass eyes. Metal stud to ear, together with a stuffed toy monkey in a seating pose wearing a fez (with wooden block to interior of hat) (2), the lion 29cm long excluding tail £60-£90 365. A pair of late 19th century novelty nut crackers in the form of a skull and bones, Rd 740410, the cast metal nut crackers with handles in the form of bones, and hinged skull which opens and closes, length 15cm £80-£120

360. A Victorian medal group to Lieutenant Colonel A. Chapman, Comprising: a George V & Mary medal engraved: Lieutenant Colonel A. Chapman, V.D. Mussaoorie Vols; a North West 1885 Canada medal with Saskatchewan bar, engraved: ‘Sergeant A. Chapman, 1st M.E. Attached 90th Winnipeg Battalion’; and a Queen Victoria laurel wreath medal with oak leaf bar, engraved ‘Major A.C.Chapman, Mussaoorie Volr Rifles’ (3). Generally good condition £300-£500 361. Two Schuco toy bears, both with articulated head, arms and legs, 9.5 and 9cm long £40-£60

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366. A collection of geographical playing cards entitled ‘Geographical Snip Snap Or, a description of the Grand Divisions of Europe’, late 19th century, with three cards for each European country: one with may, the other with costume for the respective country and the other with description of the country’s manufactures and produce. With directions, with later case (40), 9 x 4.5cm £50-£70 367. An interesting 19th century scarf titled ‘Woman’s Rights 1891’, the cotton scarf printed in grey with numerous interesting scenes of roll reversals amongst men and women of the day, depicting 19th century women working in the Navy and Army and as Judges, Footmen, Policemen, lecturers etc.; and the men illustrated as ‘Minding Baby’, knitting, cleaning windows, scrubbing etc, 60 x 54cm £30-£50

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368. Autographs. An autograph book containing a number of photographs of film stars, some signed, some unsigned, some facsimile, including Diana Dors, David Attenborough, Dirk Bogarde, Sally Ann Howes and others £200-£300 369. An original Beatles ‘A Very Special Collection Let It Be’ Poster, with a portrait picture in each corner and displaying record covers in a black ground with pink corners, published by EMI records, 101 x 76cm £40-£60

370. A 20th century Ambassadors Uniform belonging to Sir William Barker, circa 1960, comprising a jacket with gold braid and trousers, shoes, white leather gloves, and a brown/black overcoat with fur collar, together with a bicorn hat with ostrich feathers and a sword by Thresher and Glenny, all contained in a metal truck. Note: Barker was the Ambassador to Czechoslovakia from 1966-1968 during the Prague Spring £400-£600

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371. A hairpiece believed to have been worn by Marlene Dietrich, of ash blonde colour with alice band and securing comb and label to inside reading Marlene Dietrich, together with a signed photograph of Marlene Dietrich, the photograph 9 x 13cm Provenance: The current owner of the hairpiece worked as a telegram boy for the GPO in the 1970s and delivered a number of telegrams to Marlene Dietrich at an apartment in the West End. She was rather fond of him and gave him a signed photograph and one of her hairpieces!! £200-£300

372. Railway Ephemera - W.J. Badger - Chief Inspector Pullman Car Company, Golden Arrow A large collection of ephemera collected by Mr. Walter James Badger the Chief Inspector of the Pullman Car Co. Ltd from 1908-1951, Golden Arrow, Fleche D’Or, Southern Belle, Italian Pullman. Including: photographs, letters, leaflets, Pullman greetings cards, his certificate of discharge, luggage tags, newspaper cuttings, menus, photos of Sir Oswald Mosley; Benito Mussolini; Tommy Farr (signed); Madeleine Carroll (signed), carriage interiors and press shots; several of Badgers own sketches, initialled WJB, Golden Way magazines, letters from Duke of Westminster and others; a painted wooden presentation shield £100-£200

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373. Sir William Orpen (1878-1931) Irish, A letter to Mr. Walter James Badger, Chief Inspector of the Pullman Car Co. Ltd, with a sketch of a man drinking from a glass, on headed note paper from 8 South Bolton Gardens; together with a signed photograph of the artist at his easel, wishing Christmas greetings, signed and dated 1926; a sketch of Orpen by Badger and three photographs of Orpen letters £300-£500

376. An early 19th century mahogany travelling medicine box, the hinged top opening to reveal bottles and a fitted interior, over a small drawer below, with recessed brass handles, 25cm wide £100-£150

374. A Laurel & Hardy signed photograph, A signed photo of the comedy duo, gifted to Mr. Walter James Badger, Chief Inspector of the Pullman Car Co. Ltd, inscribed: ‘Best wishes Walter!’ Signed Stan Laurel and Oliver Hardy 1932, 25 x 20cm £300-£500

375. A felt bicorn hat, contained within a fitted tin case with gilt lettering reading F. Cartwright R.N, length 38cm £200-£300

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377. A small simple microscope, probably Continental, mid 18th century, with folding ivory handle and brass lens, securing nut for holding specimen, contained within a fitted red Morocco leather case, together with a hand written note to the interior dated 1921 stating that it was bought in Paris in 1841, length of case 8cm £80-£120

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378. Fleming, Sir Alexander Penicillium Notatum, A specimen of the mould which produces penicillin, mounted on paper and under glass, signed on the reverse Alexander Fleming and dated 1954, together with a thank you letter from Fleming in his own hand in blue ink on blue paper dated March 8th 1955 to the current owners parents (see footnote), and a letter from Elizabeth Montgomery believed to be Fleming’s housekeeper who lived next door to Fleming who also writes to the current owners parents and includes the Fleming Mould as noted in the letter (see footnote), diameter of mould in glass 4.8cm Provenance: The current owners parents lived opposite Alexander Fleming and had intervened when they saw burglars trying to break into Fleming’s home. In recognition of this Fleming sent Mr And Mrs Bax a letter (included here) dated March 8th 1955 (three days before he passed away at his home of a heart attack). The letter thanks the neighbours for assisting with ‘scaring the burglars’ and notes how he does not now ‘trust the safe’ and will now protect all his medals by putting them in the bank.

The second letter is from Elizabeth Montgomery (a former resident of 20B - next door to Fleming 20A and believed to be his housemaid). Following Fleming’s death she then worked elsewhere and sent Mr and Mrs Bax the mould as a ‘souvenir of the Fleming family’ noting at the bottom of the letter ‘As though you didn’t know - but just in case - this said affair is a blob of the original mould of penicillin, not to be confused with gorgonzola cheese!!!’

Alexander Fleming discovered penicillin in 1928, however it was not until the 1940s that the scope of its properties really began to be recognised. £4000-£6000

The following lots (379-425) are sold as a collection for the chairty The Alzeimers Society

379. A Chanel single breasted boucle black jacket, with chain link Chanel buttons, two front pockets with smaller chain link buttons, four buttons to each cuff, the reverse with seven small logo buttons, size European 38 £60-£80 380. A Chanel cream boucle jacket, with light blue trim, gold coloured Chanel buttons, two faux pockets with logo buttons, European 40 £40-£60

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381. Four Chanel boucle jackets, comprising a grey and pink single breasted mix jacket with two front pockets European size 38; a fawn single breasted jacket with two front pockets, European size 40; a taupe and cream hounds tooth check single breasted jacket European size 40; and a cream and pastel mix single breasted jacket European size 40 £60-£80

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379

380

382

383

386

387

382. A cream Chanel boucle skirt suit and Chanel jacket, the suit with single breasted jacket, three gold coloured logo buttons, two pockets to front, with A-line skirt with six logo buttons to front, two pockets to front European size 40; together with a Chanel cream jacket with four pockets to front with ribbon trim, five front buttons and three cuff buttons European size 36 £40-£60

385. A Chanel pastel pink boucle jacket, with five logo buttons to front, European 38 £40-£60

383. A Chanel black boucle jacket, with four pockets to front, with braid trim, single breasted, four buttons, three to the cuff, European size 40 £30-£50

387. A Chanel grey checked boucle jacket, with lime and white checked pattern, with white, grey and lime raised flower trim, three silver shop facade buttons, two buttons to cuff, two sealed flap pockets, size European 40 £40-£60

384. A Chanel ivory jacket, double breasted with gold coloured swirl patterned buttons, embroidered logo to top left pocket, two further pockets, European size 36 £50-£70

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386. A Chanel raspberry boucle jacket, with black and red trim, with four logo buttons to the front, round neck, two pockets, European size 40 £40-£60

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388

391

393

394

395

397

388. Two Chanel boucle jackets, The first cream jacket with black trim, two pockets to front, two beaded buttons to cuff, the second white jacket with black and white trim, four pockets to front, five buttons to front with gold coloured logo, and two to the cuffs, both sizes European 40 £30-£50 389. Two Chanel boucle jackets, the first with purple and pink check, double breasted, two pockets to front, four logo buttons, European size 38, the second navy and brown hounds tooth check, with concealed buttons to the front, fitted belt to back, two buttons to cuff, European size 40 £30-£50 390. Two Chanel boucle jackets, the first navy and white check with fringing to edge, with two faux pockets, and double column of silver coloured logo buttons, size European 40, the second black, with silver and green and gold fleck, with lambskin collar, cuffs and pockets, European size 38 £30-£50

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391. A brown Chanel wool jacket, with zip to front and two pockets to breast, with cut out patterns with brown metallic beading to pockets and cuffs, the cuffs also with splits, small logo to side, European size 38 £40-£60 392. A black Chanel cashmere jacket, with grey piping and two pockets to front with small silver coloured logo buttons, logo buttons to cuff £30-£50 393. A Yugin & Sons Ltd tailors mannequin, size 16, with cloth covered body, stamped Yugin, with ebonised neck and supported on a wrought iron frame, 163cm high £60-£80 394. A canary yellow Christian Dior wool jacket, double breasted, two faux pockets to the front, eight branded buttons, small split to back, UK 10 £40-£60

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395. A Louis Vuitton wool jacket, with herringbone black and white pattern, shawl collar, velvet band to waist, two pockets to front, two columns of four branded buttons European size 38 £50-£70 396. Three Valentino jackets, the first Valentino Boutique lightweight cream jacket with metallic buttons, single breasted, two front pockets, with shoulder pads, size 8, the second Miss V brown jacket, double breasted with tie loop to side, size 6, the third Miss V black wool jacket with fringe trim, shoulder pads and two decorative buttons, size 6 £50-£70 397. A Louis Vuitton wool and silk coat, With mink and pekan collar, with dark brown and light brown stripe, double breasted, with belt to back, and branded buttons to back, cuffs and front, European size 34 £60-£80 398. Four ladies designer jackets, including a Navy and brown fleck Giorgio Armani jacket, with four buttons with covered fastening, lined, size 6, the second Loewe light beige open front jacket, turned up cuffs, unlined, European size 40, the third a Versace white lightweight jacket, single breasted with large white logo buttons, European 42, the forth Umberto Ginocchietti black and white check wool jacket two front pockets, large decorative button to front, European size 40 £50-£70 399. Two Valentino skirt suits, the first lilac suit with single breasted jacket with braided trim size 8, the second cream and black fleck silk skirt suit, the jacket with hook and eye fastening and tie to front, size 8 £40-£60

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404

400. A Valentino trouser suit, light beige suit with open fronted jacket trimmed with beading to collar and short beaded belt to back, size 8 £30-£50 401. A pink Chanel wool skirt suit, single breasted jacket with pale pink satin trim, two pockets to front, five logo buttons, the matching skirt with similar trim and front vent, European size 38 £50-£70 402. Two Chanel skirt suits, the first cream suit with beige flecks, the jacket with logo buttons up to skirt collar style neck, two breast pockets, with matching skirt, European size 38, the second a denim jacket with four buttons, four pockets and matching skirt, Jacket 38, skirt 42 £30-£50 403. A cream Chanel wool skirt suit, the jacket with round neck and black and red trim to edges and cuffs, with logo buttons to front, and Chanel branding to left cuff and skirt top, with fringe to base of front jacket, with matching skirt with box pleat to front and back, European size 40 £70-£100 404. Two Chanel dresses, the first wool black dress with short sleeves, and six gilt beaded buttons to front, concealed zip to reverse European size 34, the second black and cream silk and wool dress, the top of dress with black and cream silk sections and plain black wool skirt to dress, with two pockets to side, concealed back zip and black Chanel logo to side, European size 38 £40-£60

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409

405. A dark navy Christian Dior silk dress, with ruche v-neck top, short sleeves, with five decorative faux buttons, detachable belt, concealed zip to reverse, fully lined, UK 10 £30-£50 406. Five Chanel Skirts, two black, one navy, one pink, and one wool multicoloured skirt with fringe and fleck pattern, sizes 36, 38 and 40 £40-£60 407. A collection of Chanel blouses, the first brown and black patterned vest top and matching blouse, the second flowered pattern vest and blouse, the third oyster coloured silk skirt, the fourth a cropped cream blouse, the fifth cream blouse, the sixth a cream vest top with pleats to front, together with a cream dress with decorative flower buttons to front, various sizes (7) £40-£60

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411. A black silk Prada evening dress, with ruche top, bow to side, decorative cap sleeves and ruche skirt European size 42 £40-£60 412. Ten pairs of Chanel trousers, beige, white, navy, grey and others, summer and winter trousers, various sizes mainly 36, 38 £50-£70 413. A collection of Charles Jourdan shoes, including five pairs of shoes, and one with matching bag, mainly size 4. Together with a pair of Stephane Kelian black suede ankle boots size 3 £40-£60

408. Five ladies designer blouses, the first a Christian Dior pale grey blouse with beading to collar, the second Christian Dior with grey abstract pattern, the third Christian Dior with abstract pattern in pinks and red, the forth Diane Von Furstenberg with blue abstract pattern, the last black sheer Valentino blouse heavily embellished with beading, various sizes £40-£60 409. A Chanel silk shirt sleeveless dress, the pale pink dress with printed logos throughout, and matching metallic belt, with four pockets, split to back, European size 38 £30-£50 410. Three designer dresses, including a red and white spot summer dress by Valentino boutique size 8, a black Diane Von Furstenberg wool dress, and a black and white silk Diane Von Furstenberg dress £20-£30

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414. A collection of four pairs of designer shoes, including two pairs of Christian Louboutin shoes, one beige lizard skin, the other black suede both size European 35. One pair of Chanel cream and beige mules size European 351⁄2 and a cream pair of Manolo Blahnik size European 35 £30-£50

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415. A collection of six pairs of Jimmy Choo shoes, including one pair of brand new navy strappy evening shoes. European size 341⁄2 and 35 £50-£70

416. Two Hermès printed silk scarves, one in original box, the first predominantly navy and gold depicting signs of the zodiac, the second predominantly brown with equestrian scenes one with box £200-£300

419. A leather quilted camel coloured Chanel handbag, the leather double flap bag from Chanel featuring a rectangular body, a front flap closure, a quilted effect, a gold tone logo, a chain and leather strap, flip lock closure, multiple interior compartments, a back slip pocket, an inside flap closure. With original dust bag, 25cm by 16cm £200-£300

420. A leather quilted cream coloured Chanel handbag, the leather double flap bag from Chanel featuring a rectangular body, a front flap closure, a quilted effect, a gold tone logo, a chain and leather strap, flip lock closure, multiple interior compartments, a back slip pocket, an inside flap closure. With original dust bag and original box, 25cm by 16cm £300-£500

417. Two Hermès printed silk scarves in original boxes, one predominantly orange, cream, gold and reds, and the other cream, brown and blues. Both 100% silk, some staining, 89cm by 89cm £70-£100 418. A Hermès of Paris silk scarf ‘La Promenade de Longchamps’, decorated with a central scene of a horse and carriage by Ledeoux, surrounded by smaller coaching vignettes on a pink ground with rolled edge. In original orange Hermès box, 89cm square £40-£60

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421. A leather quilted black Chanel handbag, the leather double flap bag from Chanel featuring a rectangular body, a front flap closure, a quilted effect, a silver logo, a silver chain and leather strap, flip lock closure, multiple interior compartments, a back slip pocket, an inside flap closure.

With original dust bag and original box, 25cm by 16cm £300-£500

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424. Two designer handbags, the first a navy denim Christian Dior small bag with detachable long strap, small plastic handle and Dior silver coloured logo hanging from strap, the second a cream Miu Miu bag with gold colour branding and zip pocket to outside front and back £20-£30 425. A collection of four Charles Jourdan handbags, comprising of black suede with bow, black suede with chain strap, cream leather with beige handle and a white and yellow leather clutch bag together with beige suede Carolina Herrera small evening bag £40-£60

422. A small brown suede Chanel handbag, of slightly tapered form with stitching in diamond patterns, gold coloured clasp, 22cm by 22cm £150-£250

426. A 1930s crocodile handbag, of slightly tapered form, the brown coloured bag with gold coloured clasp. Inside zip compartment plus a small leather purse attached to the inside with a gold coloured chain £40-£60 427. Brown alligator/crocodile skin handbag, with two sections inside £40-£60

423. A Louis Vuitton Raspail shoulder handbag, with monogram canvas and treated cowhide leather trim.

One adjustable shoulder strap. Flap opening with a turn lock and two compartments with a zip pocket inside, 25cm by 20cm £200-£300

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428. A butterscotch coloured Lucite handbag formerly the property for Daphne Guinness, with circular inset beaded panel and beaded strap, width 14.5cm Provenance: Lot 60 ‘The Daphne Guinness Auction’, Kerry Taylor Auctions 29/04/08 £80-£120

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429. A Deco dark green leather ladies handbag, with snap fastening, width 23.5cm £30-£50

430. A barrel shaped Lucite handbag formerly the property of Daphne Guinness, the mottled green back slightly tapered in form with crisscross pattern throughout, with snap fastening, width 27cm Provenance: lot 60 ‘The Daphne Guinness Auction’, Kerry Taylor Auctions, 29/04/08 £40-£60 431. A rectangular shaped ladies Lucite handbag formerly belonging to Daphne Guinness, with perspex handle and fastening, width 22cm

433. A ladies handbag by Burberry, the slightly tapered bag with leather strap, in traditional black brown and red check, width 31cm £40-£60 434. A pair of Cartier sunglasses, the brown rectangular Cartier sunglasses with gold Cartier logo to both sides. With original hard red case, 14cm by 4.5cm £20-£30

Provenance: Lot 60, The Daphne Guinness Auction’, Kerry Taylor Auctions, 29/04/04 £40-£60

435. A pair of black leather ladies Dents gloves size 6.5, 31cm by 10cm £10-£15

432. A 1970s Gucci leather handbag, the taupe leather bag with Gucci stamp to the interior, faux horn handle and clasp, width 29cm

436. A collection of nine pair of leather, satin and suede ladies evening gloves £40-£60

Provenance: Lot 1019, Kerry Taylor Auctions, 25/05//10 £80-£120

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TERMS & CONDITIONS

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required.

CONDITIONS OF BUSINESS

PAYMENT

All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business.

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

ESTIMATES AND RESERVES Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT. All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate.

BUYER’S PREMIUM AND VAT A buyer’s premium of 18% is applicable to all the lots in this sale.

The buyer’s premium is inclusive of VAT at the current standard rate (20%).

Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers.

CREDIT/DEBIT CARD We are pleased to accept major Credit Cards, for which a surcharge will be made of 3% of the transaction total. This is to cover the charge made to us by the bank. (Unfortunately we are unable to accept American Express). There is no charge for payments by Debit Card.

STERLING BANKER’S DRAFT RO BUILDING SOCIETY CHEQUE We are pleased to accept a Sterling Banker’s Draft or a Building Society cheque drawn on a recognised UK bank or building society.

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium.

STERLING CHEQUE OR CASH

PRE-SALE EXHIBITION

Cash payments will not be accepted above the amount of £6,000.

All auctions are on public view the day before the sale and on the morning of the sale.

CONDITION REPORTS All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information.

Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers L td.

ELECTRONIC AND WIRE TRANSFERS Wire transfers can be made directly to our bank: National Westminster Bank plc 33 High Street West Wickham Kent BR4 0WH Sort Code: 60-23-22

BIDDING IN PERSON

Account Number: 79995810

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

Account Name: Catherine Southon Auctioneers & Valuers Ltd

ABSENTEE & TELEPHONE BIDDING

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom). It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business.

IBAN: GB47 NWBK 6023 2279 9958 10 Swift Code: NWBKGB2L BIC: NWBK GB 2L

Next auction 11th and 12th November To include an important Private Collection of Venini Glass TO BE HELD AT Farleigh Court Golf Club, Old Farleigh Road, Nr Selsdon, Surrey CR6 9PE

TERMS & CONDITIONS

CONDITIONS OF BUSINESS FOR SELLERS The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property

by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers.

Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.

DEFINITIONS “Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate).

“The Company” means Catherine Southon Auctioneers & Valuers Ltd, Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number “Seller’s Commission” is the commission The Company charges Sellers of Property.

“Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts.

“Buyer’s Premium” is the commission The Company charges Buyers of Property.

“Hammer Price” is the highest bid for the Property accepted by the auctioneer.

“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company.

“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.

“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction.

“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer.

“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description.

The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable.

1. SELLER’S WARRANTIES (a) The Seller warrants to The Company and the Buyer that:(i) the Seller is the owner of the Property or is properly authorised to sell it;

Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it. (f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY (a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”). (b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason. (c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a). If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY (a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c). (b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses. (c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited.

(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;

5. LOSS OR DAMAGE TO PROPERTY

(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;

(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-

(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.

(i) risk passes to the Buyer; or

(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller.

(iii) 6 months after receipt of the Property by The Company, if not consigned for sale.

2. SALE PREPARATION (a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale. (b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot. (c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties. (d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces. (e) The Company will charge a Buyer’s Premium on the sale of the Property at The

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(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or (b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be: (i) the Hammer Price of the Property, if sold; (ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or (iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates); less Seller’s Commission and Expenses. (c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination.

6. VAT If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques.

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TERMS & CONDITIONS

7. POST AUCTION SALES

re-sale plus all relevant Expenses.

If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address.

8. PAYMENT OF NET SALE PROCEEDS (a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company. (b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY (a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:(i) be reconsigned for sale; or (ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses. (b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

10. RESCISSION OF SALES The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control.

11. DATA PROTECTION (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a).

12. MISCELLANEOUS

(i) transfer the Property to independent storage at the Seller’s expense; or

(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect.

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

CONDITIONS OF BUSINESS FOR BUYERS 1. INTRODUCTION

3. EXAMINATION OF LOTS

(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot.

Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions.

(i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd; (iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement. (b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller.

Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot.

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent; “Seller” is the person offering a lot for sale, including their agent, or executors; “THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd, registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183; “Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 18% (inc VAT); “Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot.

The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable.

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(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion.

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS (a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit. (b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot. (c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses. (d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller.

continued over page

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TERMS & CONDITIONS 5. BIDDING AT AUCTION (a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained). (b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form. (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded.

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES).

(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien; (h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings.

10. FAILURE TO COLLECT PURCHASES (a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage. (b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction.

11. DATA PROTECTION 7. CONDUCT OF THE AUCTION (a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable. (c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer. (d) Any post-auction sale of lots shall incorporate these Conditions of Business.

8. PAYMENT AND COLLECTION (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”). (b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above. (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a). (d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers. (e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers.

9. REMEDIES FOR NON-PAYMENT Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) cancel the sale of the lot; (c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot; (d) reject future bids from the Buyer; (e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds; (f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;

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(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully

by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i).

12. MISCELLANEOUS (a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY. (b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives. (c) The materials listed in Condition 1(a) set out the entire agreement between the parties. (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect. (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTISTS’ RESALE RIGHTS From 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists.

This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue.

It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk.

All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.

The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www. dacs.org.uk. There is no VAT payable on this royalty charge.

For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk.

C o n t a c t u s o n 075 9 6 3 3 2 978

Ripley Arts Centre, 24 Sundridge Avenue, Bromley BR1 2PX Tel: 0208 313 3655 07596 332 978 www.catherinesouthon.co.uk