The Auction Centre, Heage Lane, Etwall, Derbyshire DE65 6LS Tel: 01283 733988 Email: service@hansonsauctioneers.co.uk
Decorative Arts and Design Auction Monday 28th July 2014 11.00am
Entries invited for our forthcoming
Entries invited for our forthcoming
Decorative Arts and Design Sale
Autumn Fine Art and Antique Sale
To be held on
To be held on
Monday 27th October
Friday 26th and Saturday 27th September 2014 at 10.30am
To include a pair of WMF Arts and Crafts candlesticks £200 - £300
The closing date for entries is Friday 10th October
Viewing Thursday 25th September 11am – 7pm and morning of sales from 9am The closing date for entries is Friday 29th August
Entries invited for our forthcoming
Hansons Jewellery Department
Specialist Coin, Stamp and Militaria Sale
Invites you to visit our specialist valuers Isabel Murtough, Heather McPherson and Kate Bliss for free auction appraisals.
We hold monthly Antique Jewellery sales and quarterly Fine Art Sales. For an appointment telephone Ros Beardsley on 01283 733988
To be held on Monday 22nd September 2014 at 10am Viewing Wednesday 17th September 11am – 7pm and morning of sale from 9am
The closing date for entries is Friday 5th September Heather McPherson
Isabel Murtough
Kate Bliss
Decorative Arts and Design Auction Monday 28th July 2014 at 11.00am
LIVE BIDDING IS AVAILABLE FOR THIS SALE
VIEWING Wednesday 23rd July 2014 from 11.00am to 7.00pm and on the morning of the sale from 9.00am
Hansons can offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. Bid here without being here: all you need is your computer and an internet connection and you can make real-time bids online the-saleroom.com. You don’t have to be a computer whizz. All you have to do is visit www.the-salreooom.com and register to bid – its just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as the other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid! Please be advised that any bids made via the-saleroom.com live auction service will be subject to an additional 5% commission on the hammer price plus VAT.
H E A D O F F I CE A N D S A L ERO O M Heage Lane, Etwall, Derbyshire DE65 6LS Tel: 01283 733988 Email: service@ hansonsauctioneers.co.uk Online: hansonsauctioneers.co.uk
Buyers premium: please note that a premium of 17.5% plus VAT will be charged on all lots in the sale. There will be a surcharge of 5% on all lots sold online Catalogue £5.00 (£8 by post)
All lots can be viewed at www.hansonsauctioneers.co.uk (Further information for buyers is available in our conditions of sale)
With the widespread popularity and interest in Design and Decorative household objects over the past decade and with the emergence of the ‘auction house’ as a viable alternative to the design conscious high street and internet shopper, made accessible to new generations via searchable internet catalogues, the decision was made that Hansons would expand its specialist service and offer Decorative Arts auctions. The first of what is hoped to be a regular slot in the auction calendar, features a wide range of objects, from single discoveries throughout local counties, to single owner collections. Amongst July’s offerings is the collection of a former professor and head of the Birmingham School of Architecture, featuring designs by Arne Jacobsen, Alvar Aalto and Otto Brauer. A large collection of ceramic tiles with designs by Pugin, Lewis Day and Alfred Read also features in this auction. The back cover features one of the tiles from this collection, by Pugin for Minton, Hollins and Co. With designer objects to accommodate all budgets there is an opportunity for everyone, from serious specialist collector to novice, to find something aesthetically pleasing and useful for their home in this auction catalogue. Whether it’s a quintessentially Art Deco figure, as featured on the front cover (lot 114) or an iconic piece of ‘modern’ design such as a Fritz Hansen Swan Chair, this auction should appeal widely. We hope you enjoy browsing this catalogue and look forward to a successful future for Decorative Arts at Hansons. Charles Hanson July 2014
ORDER OF SALE
Monday 28th July 2014 at 11.00am Silver and Plated Ware
1 – 13
Jewellery and Watches
15 – 23
Textiles
25 – 29
Ceramics
30 – 150
Glass
151 – 179
Works of Art
180 – 210
Metalware
211 – 224
Lighting
225 – 234
Prints, Oils and Watercolours
235 – 250
Furniture
251 – 288
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HANSONS AUC TIONEERS AND VALUERS
Monday 28th July 2014 at 11.00am Silver and Plated ware 5
1 1. An Arts and Crafts silver three piece tea service, planished form with applied stylized tulip motif handle straps, Barker Brothers, Chester 1926 (3) £300-£500
5. Charles Rennie Mackintosh, an electoplated teaspoon, circa 1903, designed for Miss Cranston’s tea rooms, made by Cooper Brothers, 12.8cm long See: Rudoe, J. 1994. Decorative Arts 1850-1950, No 150c Note: examples are held by the British Museum Commissioned for Miss Cranston’s Tearooms in Glasgow along with furnishings, this spoon formed part of a larger table service. Manufacturers of the service vary, some examples bearing the stamp ‘Miss Cranstons’ whilst others have Sheffield makers stamps. £60-£100 6. A set of six Art Deco silver champagne coupes, London 1925, of plain hemispherical form (6) £250-£350
2 2. An Arts and Crafts silver vase, of waisted form with three applied wrythen handles terminating in heart shaped ends, London 1905, 6.5ozt, 15.5cm high £100-£150
7. An Art Deco travelling toilet set, green guilloché enamelled silver brushes and bottles in a green leather suitcase, Walker and Hall, Birmingham 1938, the case complete with canvas cover £100-£150
3. An Arts and Crafts silver twin handled vase and cover, hand hammered with applied trefoil decoration and chainwork borders, D & J Wellby, London 1928, 9ozt, 16cm high £120-£180
9 9. An Art Deco silver pedestal dish, engine turned concentric ring decoration and geometric patterns, Walker and Hall, Sheffield 1938, 13.8ozt, 23cm diameter £150-£180
10 10. A set of Art Nouveau sterling silver buttons, circa 1905, stamped Queensway, each with a Classical female head, in fitted case, 2.4cm diameter £200-£250 11. A set of six Art Nouveau silver teaspoon, with stylised foliate terminals and shell bowls, A J Bailey, Birmingham 1901, together with a cased set of six Celtic pattern silver teaspoons, Sheffield 1941 (12) £40-£60
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8. A cased set of six Art Deco enamelled silver coffee spoons, in the Secessionist style, hand hammered bowls, each with a different coloured terminal, CH, Birmingham 1934 £70-£100
4. An Art Nouveau electroplated dish, circa 1900, in the form of a leaf and flower, the handle realistically cast as a branch, on four ball feet, stamped marks £30-£50 w w w. h a n s o n s a u c t i o n e e r s . c o . u k
12 12. Edouard Marcel Sandoz for Christofle, a set of twelve ‘Gallia’ Art Deco knife rests, silver plated, in the form of animals, boxed (12) £250-£350 3
21. An early 20th century Scandinavian silver and turquoise brooch, in the form of a basket of flowers, stamped marks, together with an Art Deco marcasite and frosted glass brooch (2) £50-£80 22. Marius Hammer, a Norwegian enamelled silver brooch in the form of a butterfly, early 20th century, yellow and blue enamel, marked to the back £30-£50
13 13. An Art Nouveau silver and porcelain coffee set by Royal Doulton, the pierced silver carriers with scrolling foliate decoration holding bright yellow cups, plain silver saucers and spoons, Roberts and Belk, Sheffield 1907, cased (18) £450-£550 14. No lot
17 17. Arno Malinowski for Georg Jensen, a silver circular open work brooch, Moonlight Butterflies, no.283, designed circa 1945, import marks for London 1956, 5.5cm diameter, 0.795ozt £200-£400
Jewellery and Watches 15. A 20th century yellow and white metal and pearl brooch in the form of a daisy, circa 1960, together with a turquoise Ruskin cabouchon set brooch, 3.6cm diameter £40-£60
18 18. An Art Deco bar brooch measuring approx 5cm long, set with a single oval jade cabachon flanked by graduated rows of diamonds, on a white metal bar, tested 18 carat white gold £200-£300
19 19. After Charles Rennie Mackintosh, a modern silver brooch, of trellis and rose design, together with a pair of earrings (3) £40-£60
16 16. A Sybil Dunlop silver necklace, each link cast as a leaf, stamped SD, London 1967, 41cm long, 2.155ozt £700-£900
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20 20. Henning Koppel for Georg Jensen, a silver brooch of star form, designed circa 1964, no.342, with original box, 8cm diameter, 0.560ozt £120-£150
23 23. A 1971 gentlemans Rolex Explorer II wristwatch, model 1655 ‘Steve McQueen’, ‘Freccione’, orange hands and subsidiary date aperture, straight seconds hand, with box and paperwork £2000-£3000 24. No lot
Textiles 25. An Art Deco richly embroidered shawl, colourful flowers on a black ground £35-£55 26. Peter McCulloch for Heals, a pair of ‘Project’ pattern curtains designed 1965, mustard green circles and olive green abstract squares on cream background, approximately 234cm long, 360cm wide each (2) Note: An example of this fabric design is held by the Victoria and Albert Museum £40-£70
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HANSONS AUC TIONEERS AND VALUERS 27. A 1960s curtain with abstract brown, orange and beige design on white, approximately 220cm x 175cm £20-£40 28. A 1920s skull cap, silvered wire and faux half pearls, together with a simulated pearl necklace and a silver chainmail purse, import marks for London 1928, 3.32ozt (3) £50-£80
33. A studio pottery vase, attributed to Lucie Rie, circa 1970, necked ovoid form matt turquoise glaze, impressed mark 14.5cm high £500-£800
37. A Walter Moorcroft Iris pattern baluster vase, multicoloured decoration on green blue ground, monogrammed and impressed marks to base, 13cm high £100-£200
29. An Art Deco ostrich feather fan, circa 1925, with beige satin ribbons, 58cm long £80-£120
Ceramics
38 34 34. A Clarice Cliff My Garden posy ring, circa 1936, painted, moulded floral centre, underglaze stamped marks to base, 28cm diameter £60-£80
38. A large Minton Secessionist jardiniere designed by Leon Solon and John Wadsworth, green, turquoise and purple tube lined decoration of stylised flora and foliage, printed numbers to the base, No.71, 3585, 2, 30cm high £300-£500
30 30. A Clarice Cliff Melon pattern Tolphin jug, circa 1930, painted with a deep band of geometric fruit above a an orange and black band, printed Fantasque, Wilkinson mark, 25.5cm high £600-£800
35 35. A Clarice Cliff Crocus pattern Bon Jour coffee service, including coffee pot, seven cups, sugar bowl, milk jug and saucers, Bizarre Newport pottery stamp, Reg No. 770243, coffee pot 19cm high (16) £300-£500
39 39. Ruskin Pottery, a high fired vase of shouldered form, glazed in red and cream, impressed marks and date 1923, 25cm high £300-£500
31 31. Charles Lemanceau, an Art Deco ceramic figure of a family of antelope, circa 1930, green glazed with gilt highlighting, impressed marks, Ch. Lemanceau, 8598, France, 42cm high £100-£200 32. A Longwy Pottery bowl, flared form with crimped rim, the exterior with incised prunus blossom design on blue ground, the interior with floral decoration on crazed white enamel ground, 25cm diameter £80-£120
36 36. A Troika cylindrical vase, circular pattern on beige ground, by Ann Lewis, black painted back stamp, Troika St Ives AL 14cm high £50-£70
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40 40. A Clarice Cliff Spring pattern sugar castor, conical form, printed marks to the base with stopper, 14cm high £80-£120 5
48. A wall plaque of John Peel, obscure impressed marks, probably Beswick £70-£90
41 41. An early 20th Century Poole pottery bowl, probably designed by Truda Carter with bird and flower decoration, of squat ovoid form, incised number 573, 17cm diameter £50-£100
44 44. A Clarice Cliff Melon pattern Ivor shape bowl circa 1930, painted fruit between orange and black banding, printed Fantasque mark, Wilkinson, 13cm diameter £120-£180
49 49. A Clarice Cliff wall plaque, modelled as an Oriental Lady wearing a headdress Wilkinson’s, printed marks £400-£500
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45
42. A Troika vase, of circular form, mottled greens and browns with geometric textured design to each side, signed A J Troika to the base, approximately 12cm high £40-£80
45. A Shelley Nursery teapot designed by Hilda Cowhan circa 1930, modelled in the form of a tent, the green curtain open revealing two children reading, the reverse with their feet, printed marks, 724421, printed signature H Cowhan, 16cm high £40-£70 46. A Falcon ware wall pocket, modelled as a Blue Tit on a Coconut impressed marks, cracked £20-£30
50 50. A Clarice Cliff wall pocket, modelled as an Oriental Lady wearing a headdress Wilkinson’s, printed marks £400-£500 51. A Royal Doulton wall pocket, modelled as a Crow amongst oak leaves, small crack £80-£90 52. A Royal Doulton wall pocket, modelled with Oak Tree, Poppies and Cottage landscape £70-£90
43 43. An Art Deco Wade figure of Carmen by Jessie Van Hallen, circa 1930, red and yellow painted decoration, printed marks, 26cm high £100-£150
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47 47. A Beswick ware wall plaque of a Native American Indian, mould No. 289, printed marks £60-£80
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60
57 53 53. A Beswick ware wall plaque, modelled as a Galleon, model No. 253 £120-£140
57. A W N Pugin for Minton, Hollins and Co, a ceramic tile in the passion flower design, pattern number 801, raised marks to the reverse, 15.3cm square £50-£100
60. A Minton Secessionist type tile, tubelined decoration of stylised flowers, probably designed by John Wadsworth and Leon solon, raised marks to the back, together with a collection of similar Art Nouveau tiles by various makers (7) £50-£80
61
58 54 54. A small wall mask, modelled as a stylised ladies head, probably Beswick, impressed No. 277 £90-£110
58. Lewis F Day for Pilkington, a ceramic tile, circa 1903, raised decoration of stylised peacock feathers on a check background, glazed in turquoise, raised mark, 15cm square See: Hansen, J.M. 2007. Lewis Foreman Day - Unity in Design and Industry, Antique Collector’s Club £80-£120
61. A collection of Pilkington tube lined glazed tiles in the Art Nouveau style, by various designers including Lews F Day, J H Rudd etc., some in the Voysey style, most with impressed P mark, 15cm square (8) Note: Pilkingtons employed designers including Walter Crane, C.F.A.Voysey, Lewis.F.Day, F.Steele, C.Rowe, J.Chambers, F.C.Howells and A.Mucha. £100-£200
62 55 55. A Royal Doulton wall mask HN 1590, printed and impressed marks, with cracks £130-£150 56. A wall mask of a stylised lady’s head, mounted on on oval wooden plaque £160-£200
59 59. John Moyr Smith for Minton, a collection of printed tiles including Elija and Samuel from the Old Testament series, five from Malory’s Morte D’Arthur, two Shakespeare plays, Winters Tale and Timon of Athens, Alfred from the British History series and a Water Nymph, various colours and glazes, 15.3cm square (10) £100-£200
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62. A collection of Art Nouveau majolica, tube lined tiles, various makers and designs including Minton, mostly stylised floral motifs, 15cm square (20) £80-£120 63. Six Victorian tiles attributed to A W N Pugin, most by Minton and Minton, Hollins & Co., decorated in various fleur de lis patterns, 15cm square (6) £30-£70 7
64. A collection of six Aesthetic Movement tiles by Minton and Minton, Hollins and Co., in the style of Christopher Dresser, 15cm square (6) £40-£70
73. Nine Victorian Minton and Minton Hollins and Co tiles, various designs including mosaic pattern, majolica glazed, printed rosette designs etc., 15cm square (9) £60-£90
65. A collection of twelve majolica tiles, high relief moulded, with various coloured glazes, by Craven and Dunhill, Wedgwood, Campbell etc. (12) £30-£50
74. Eight Victorian and Art Nouveau tiles including dust pressed floral designs, tube lined Minton tiles, printed examples etc. 15cm square (8) £50-£80
66. Twelve Aesthetic Movement printed tiles, geometric foliate designs in browns and oranges by Minton, Malkin Edge and Co. etc. (12) £50-£70
75. Eighteen Victorian and later transfer printed tiles, various makers and design including Minton, 15cm square (18) £40-£70 76. A collection of Art Nouveau tiles including some sets, brown transfer printed designs, by Minton and other makers, 15cm square (12) £40-£60 77. Nineteen Victorian and later tiles, blue and white transfer printed designs including Minton, Lee & Boulton etc. (19) £60-£100
67 67. A collection of Victorian and Art Nouveau tube lined tiles, various makers and designs of stylised floral and foliate motifs, 15cm square (10) £40-£70 68. A collection of relief moulded majolica tiles, mostly Victorian, various designs and makers including Campbell, Pilkington etc. (15) £40-£70 69. Ten Aesthetic Movement tiles including printed and relief moulded majolica examples, most with floral and blossom motifs, various makers (10) £30-£50 70. A collection of twenty Victorian tiles, most printed with floral designs, various makers including Minton, 15cm square (20) £40-£70 71. A collection of twenty Victorian tiles, mostly transfer printed floral designs, various makers including T G & F Booth, 15cm square (20) £50-£80 72. A collection of sixteen Victorian and Edwardian majolica tiles, including Neoclassical, Art Nouveau and floral designs, various makers including Minton Hollins, Campbell etc., 15cm square (16) £50-£80 8
78. Sixteen Victorian and later transfer printed tiles, most with floral and scenic designs, various makers including A.M Ltd. etc, 15cm square (16) £50-£80 79. Thirteen Victorian and later tiles, some with Art Nouveau and Aesthetic Movement printed designs etc., 15cm square £30-£50 80. A large collection of Victorian and later border tiles, including encaustic, transfer printed, majolica etc., various makers (36) £70-£100
85. Bjorn Wiinblad, a Rosenthal Studio Line charger, circa 1979, decorated with a figure on horseback, 33.5cm diameter £20-£40
86 86. Jessie Tait, a Midwinter tube lined ‘Tonga’ pattern vase, circa 1956, of necked ovoid form, white ground with intertwined vertical black lines, printed marks to base, 23.5cm high Note: a similar example in this pattern is held at the Victoria and Albert Museum £150-£250 87. A Crown Devon jug with mottled, textured ‘fat lava’ type glaze of white over red, the bulbous body with hexagonal form neck and stepped spout, glazed in pastel green to the interior, 27cm high £30-£60
81. Twelve majolica glazed tiles, various floral designs and makers including A.M Ltd. Minton etc., 15cm square (12) £40-£70 82. Eighteen Victorian and later tiles, various blue and white and brown transfer printed designs including a hunting scene, makers including Minton etc., 15cm square £50-£80 83. Sixteen majolica and tube lined tiles, Victorian and Art Nouveau designs including galleon, water lilies etc, various makers, J H Barrett & Co etc. (16) £100-£150 84. Twenty majolica glazed tiles, Victorian and later including some sets, green Art Nouveau designs, Minton etc. 15cm square (20) £80-£120
88 88. A Martin Brothers stoneware vase by Robert Wallace Martin dated 1874, of tall baluster form with Aesthetic floral and fan decoration in blue and white glazes, incised to the base ‘R W Martin 1.74 Fulham’, 18cm high £350-£450 C o n t a c t u s o n 012 8 3 7 3 3 9 8 8
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92
89 89. A Martin Brothers stoneware jug by Robert Wallace Martin dated 1880, ovoid form with incised foliate decoration and initial K, brown salt glaze, signed to the base ‘23.9.80 R W Martin London and Southall’ (restored), 18cm high £150-£200
92. A Doulton Lambeth stoneware commemorative teapot for William Ewart Gladstone, tube lined decoration and quote to the reverse “Effort - honest, manful, humble effort - succeeds by its reflective action upon character better than success”, modelled by John Huskinson, impressed marks, 12.5cm high £50-£70
95 95. A Royal Doulton stoneware commemorative tobacco jar for the coronation of Edward VII and Queen Alexandra ‘26th June 1902’, of baluster form with portrait medallions between tube lined Art Nouveau decoration and cyphers, 17cm high £80-£120
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90
93. A Royal Doulton stoneware commemorative mug for the coronation of Edward VII and Queen Alexandra, tube lined with Art Nouveau decoration and portrait medallions, together with a similar beaker, 12.5cm high (2) £50-£70
90. A pair of Royal Doulton stoneware commemorative vases for the Coronation of Edward VII and Queen Alexandra, of tall baluster form with tube lined Art Nouveau decoration, 28.5cm high (2) £180-£220
91 91. A Royal Doulton stoneware commemorative tyg for George V and Queen Mary, transfer printed decoration, by Florrie Jones, together with two other commemorative glazed jugs, tallest 19cm high (3) £120-£150
96 96. A Royal Doulton stoneware commemorative tobacco jar for Lord Nelson circa 1905, tube lined and moulded decoration of ropework, cyphers and portrait medallion, 13cm high £150-£200
94 94. A Doulton Lambeth stoneware commemorative jug for the coronation of Edward VII and Queen Alexandra, decorated with portrait medallions of the King and Queen, Prince John and the Prince of Wales, between tube lined Art Nouveau motifs and inscription, 18.5cm high £50-£70
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97 97. A Royal Doulton stoneware commemorative tyg for Lord Nelson circa 1905, ropework handles and borders within a marbled glaze with portrait medallion, coat of arms and motto, 17cm high £400-£600 9
98
100
104
98. A Royal Doulton salt glazed stoneware commemorative jug for Lord Nelson and his captains, transfer printed decoration in the Art Nouveau style between portrait medallions, 20.5cm high £100-£150
101
99 99. Two Royal Doulton stoneware commemorative jugs for Lord Nelson, 1905, each with a transfer printed portrait, 14cm high (2) £80-£120 100. Mark V Marshall for Royal Doulton, a stoneware vase of tall baluster form with incised Secessionist style decoration on a mottled purple ground, dated 1904, impressed marks and monogram to base, pattern number 608, 27.5cm high Note: Mark V Marshall trained in London as a sculptor, working in his early days with the Martin Brothers before moving to Doulton Lambeth in the 1870s. His designs are prized for their sculptural form and contemporary appeal £150-£250
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101. Mabel Lucie Attwell for Shelley, a ceramic figure, ‘The Golfer’, green stamp and title to base ‘L.A8’, 16.5cm high £250-£300
103 103. A Clarice Cliff Orange House pattern jug, circa 1930, Fantasque Bizarre mark for Newport Pottery, 18cm high £150-£200
102 102. A large Gouda art pottery jardiniere, of squat baluster form decorated with stylised foliate motifs in the Corona pattern 429, underglaze signatures, 28cm diameter
104. A pair of William Moorcroft for Macintyre, Florian Ware Iris pattern vases, bottle necked baluster form, design number 326689, appears to be a variation on the standard Iris design, circa 1898, full signature in green to each, 25cm high (2) £1000-£1500
Note: ceramics from the Dutch potteries in and around Gouda became popular in England in the 1920s and were retailed by stores such as Liberty £20-£40 C o n t a c t u s o n 012 8 3 7 3 3 9 8 8
HANSONS AUC TIONEERS AND VALUERS 112. Eighteen Minton, Hollins and Co tiles, Aesop’s Fables etc., circa 1870, blue and white transfer printed decoration with various scenes, 15cm square (18) Provenance: Sotheby’s circa 1980 £200-£300
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113. A William Moorcroft Plum Wisteria pattern vase, of flared, necked ovoid form, blue ground with purple, red, yellow and green decoration, impressed marks and green signature, 37, 23.5cm high £200-£400
108. Ruskin Pottery, a crystalline glaze jug in turquoise and orange, of straight necked baluster form, impressed marks, 1933, 21.5cm high £100-£150 105 105. Kari Christensen for Royal Copenhagen, a lustre vase of flattened bottle form, circa 1970, stylised purple leaf and flower motifs, KC monogram to base, 170/2740, approximately 27.5cm high £50-£70
109. Ruskin Pottery, a crystalline glaze jug in blue and orange, of squat necked ovoid form, impressed marks, 1933, 19cm high £120-£180
106. A Wood and Son, Bursley Ware Seed Poppy pattern jar, inverted baluster form, circa 1921, tube lined with pink, green and blue glaze, black printed mark, approximately 20cm high £100-£120
114 114. An Art Deco plaster figure of a female nude crouching inside a hoop on a rectangular base, designed 1935, verdigris painted finish, impressed marks and monogram, Rd No. 804864, LQ, 30cm high £80-£120 110 110. Ruskin Pottery, a crystalline glaze shallow bowl in green and orange over blue, impressed marks, 1933, 24.5cm diameter £80-£120
107 107. Ruskin Pottery, a crystalline glaze vase in orange and blue of necked ovoid form, impressed mark and hand incised date ‘July 31st 1928’, 14cm high £100-£150
115 111 111. Ruskin Pottery, a crystalline glaze bowl in orange and blue, impressed marks, 1933, 20cm diameter, together with a similar vase, impressed 128, 28.5cm high £40-£60
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115. A William Moorcroft Claremont pattern vase of baluster form, designed 1903, mottled green ground with blue and red decoration, painted signature and impressed marks, 12.5cm high Note: this design formed part of the range of Moorcroft pottery sold by Liberty and Co £150-£250 11
121. A collection of Rorstrand ‘Frisco’ and ‘Granita’ oven and dinner ware, designed by Marianne Westman circa 1960s, underglaze red decoration, including tureens, casseroles, platters etc. (13) £70-£100 116 116. Charlotte Rhead for Crown Ducal, a George VI coronation charger, 1937, together with an Edward VIII coronation charger 1937, each with a blue cheque border, printed marks, one signed, 32.5cm diameter (2) £150-£250
122 (Part Lot) 122. Hertha Bengtsson for Rorstrand, an extensive ‘Blue Fire’, blue and cream dinner service, designed circa 1951, including plates, bowls, jugs, egg cups, shakers etc. (50) £200-£400
117 117. Six various Carter’s Poole tiles, 1950s, designed by Alfred Read and others, each dated to the reverse, with geometric designs, 10cm square (6) £100-£150
118 118. Six Carter’s Poole tiles, 1950s, designed by Alfred Read and others, together with a Thynne tile, Hereford, each of a different geometric design, 15cm square (7) £100-£200 119. Frederick Rhead (attributed) for Foley, an Intarsio ewer with double spout and ropetwist handle, the round body decorated with a Pre Raphaelite queen and Athenian woman, printed marks to base, indistinct numbers, 17cm high £100-£200 120. A Rorstrand ‘Mon Amie’ pattern part dinner service, designed by Marianne Westman circa 1950s, Swedish, underglaze blue flowers, including teapot, covered tureen, plates and platters (22) £100-£200
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123. Arabia, Finland, a ceramic ‘Valencia’ trivet designed by Ulla Procope, 17cm diameter, together with another in ‘Serpa’ pattern, designed by Raija Uosikkinen, circa 1966, 28cm x 16.5cm (2) £30-£50 124. A W N Pugin for Minton and Co., an encaustic floor tile, the central band of stylised vine leaves between quatrefoil borders of yellow and black, stamped marks, Minton & Co Patent, Stoke on Trent, 15cm square £20-£30 125. Jacob Bang for Nymolle, a Danish posy vase / candle holder, green string design 3312. 407, together with various studio pottery, 10.5cm diameter (7) £30-£40 126. Three Royal Copenhagen fajance platters, including cake stand and two rectangular dishes, plain white with underglaze blue piping, together with a similar Thomas of Germany dish, largest 28cm diameter £30-£50 127. Three Scandinavian stoneware plates including an Arabia Ruska plate, 33.5cm diameter and two studio pottery plates with incised decoration (3) £70-£100
128 128. Two mid 20th century Scandinavian studio pottery vases, of spherical form, one with incised black abstract decoration, the other with band of black on white ground abstract design, 18cm high and 24cm high £60-£80 129. Two mid 20th century Scandinavian studio pottery plates, each decorated with incised sgraffito abstract designs on blue green ground, incised monograms to reverse, 38.5cm diameter £40-£70 130. An Arts and Crafts C H Brannam, Barum ware puzzle jug, with a blue iridescent glaze, bears motto, the base incised and dated 1900, 12cm high, together with a Shelley Intarsio lidded pot, deigned by Fredrick Rhead, in the form of a middle eastern coffee pot, decorated in the Art Nouveau style, stamped to base ‘3584’ (2) £40-£60 131. A Minton majolica umbrella stand, Secessionist type, tube-lined decoration in red and yellow trellis pattern, between bands of heart motifs, marked to base, Rd 616446, 54cm high £400-£500
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132 132. A pair of Doulton Lambeth stoneware vases, circa 1885, twin handled with incised and applied decoration glazed in blue and green, one marked for Elizabeth Adam, 16cm high; together with a pair of small Doulton Silicon vases, 8.5cm high (4) £50-£80
139 137. A Carlton Ware three footed bowl, in Wisteria pattern, flared form, mottled pink ground decorated to the interior, pattern 3866, 27cm diameter £150-£200
133
138
133. A Clarice Cliff Rudyard pattern covered jam pot, circa 1933, cylindrical form, Bizarre Newport pottery mark, 10cm diameter £150-£250
138. A pair of Carlton Ware Art Deco Peacock design candlesticks, mottled blue lustre ground with enamelled and gilt decoration, 14.5cm diameter, 9cm high (2) £40-£60
134. Two studio pottery vases by Helen Rondel, green / brown glaze with figural representations, marks to the base, 19cm high (2)
139. Two pottery design catalogues, circa 1930, containing watercolours of designs used by Staffordshire potteries, including Royal Crown Derby designs, each image with a description and design number (2) £800-£1000
Note: an English fine art graduate in ceramics, who worked at the Pueblo Potteries of New Mexico, her style is hand built, sculptural, with smoke coloured glazes. Works are held in USA, Canada, China and Europe. She also exhibited widely in Southern English Galleries (Brighton and her home town of Nottingham) £80-£120 135. A pair of Zsolnay, Pecs reticulated vases, circa 1900, square section necked ovoid form with stylised handles, floral trellis motif highlighted in gilt, impressed marks, 3654, 18, 25cm high £80-£120 136. Floris Meydam for Regina, Gouda, a 1950s Dutch Ruimte (space) vase, Iziy Ruimte, black with pink, white and yellow enamel decoration, 11cm high £20-£30
141 141. Ernst Wenck for Rosenthal, The Drinking Girl, after the original 1930s model, 18cm high £100-£150
142 140 140. A pair of C H Brannam Arts and Crafts vases, of ovoid form with wrythen handles, incised with Art Nouveau flowers and fish, probably James Dewdney, signed and dated to the base, 1907, JD 33cm high (2) £250-£400
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142. Two West German art pottery drip wave vases in blue and turquoise, turned cylindrical form with geometric grey decoration, impressed numbers to bases, 108/2 and 4/21, 20.5cm and 22.5cm high (2) £20-£40
13
143
144
145
143. A Moorcroft Leaf and Berry pattern vase, circa 1930, of necked baluster form, glazed in blue, green and turquoise, underglaze blue signature and original paper label to base, 13cm high £150-£200 144. Gordon Forsyth for Pilkington’s, a Royal Lancastrain lustre vase / ginger jar, circa 1907, blue ground decorated with galleon motifs between rampant lions, impressed marks 2369 and indistinct date, painted monogram, 17cm high £300-£400 145. A pair of Royal Doulton stoneware baluster vases, potted by Lily Partington, mottled blue glaze with tube lined bud and circle motifs, impressed marks 8498, 15.5cm high, together with a pair of Arts and Crafts Belgian art pottery vases, of knopped conical form (4) £30-£50 14
146. Professor Joseph Vetter for Bauer, Rosenthal and Co, Kronach, circa 1900, a porcelain vase of ovoid form decorated with applied figures of a nymph and Pan, blue lustre glaze with gilt highlighting, incised signature to the body ‘Prof Vetter’, 23cm high Note: see Christie’s Amsterdam 26th May 1999, lot 2416 for a similar vase; also Christie’s New York 10th December 1994, lot 658 £150-£250 147. Royal Crown Derby, an Art Deco figure of a skier, circa 1933, modelled as a lady skiing with scarf and hat, shape number 480, 17cm high £400-£600
146
147
148. Six Art Deco ceramic figures, modelled as stylised animals, white glazed, including two pairs of bookends, two marked Nagel (6) £150-£200 149. A Clarice Cliff Water Lily bowl, painted in yellows, greens and blues, Newport Pottery stamp to base, shape 973, 22.5cm wide £50-£80 150. An early 20th century Wilkinson Oriflamme miniature vase by John Butler, circa 1910, of ovoid form, lustre marbled decoration, 6.5cm high £40-£60
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Glass 151. Two contemporary studio glass bowls, of flared footed form cased blue glass with yellow swirls signed to base 20403065/3 (2) £60-£80
155. Nils Landberg for Orrefors, a Sommerso vase, circa 1956, black and colourless cased glass, engraved marks 35 38 518, 12.5cm high £20-£40 156. Gote Augustsson for Ruda, a Swedish textured blue glass bowl, circa 1960, original labels, 17.5cm diameter £20-£30
161. Otto Brauer for Holmegaard, a blue cased Gulvase bottle vase, pale blue over white, of shouldered cylindrical form, 25.5cm high, together with another Holmegaard cased blue vase of waisted form (2) £40-£70 162. Per Lutken for Holmegaard, two glass Rondo vases and a cylindrical spill vase, smoky midnight blue, signed and dated, circa 1958, 12.5cm high (3) £40-£60
152 152. Stuart and Sons, a pair of Arts and Crafts glass Cairngorm vases, circa 1900, of waisted form with crimped rim and purple eyed peacock trails, 9.5cm high (2) £60-£80
157 157. Emile Galle (1846-1904), an aubergine carved glass cameo vase, flat shouldered form with leaf decoration, signed, 12.5cm high £250-£350
153
158. A Victorian cased uranium over white glass vase, circa 1865, of tapered hexagonal form with black enamelled decoration in the Aesthetic style, gilt highlighting, 15cm high £30-£50
153. A René Lalique Three Graces glass powder box and cover manufactured for D’Orsay, circa 1913, signed with impressed R. Lalique to base, frosted colourless glass with original contents, the lid with three nude ladies dancing with scarves, 9.5cm diameter £150-£250
159. A pair of Art Nouveau iridescent glass vases, probably Austrian circa 1900, Loetz style, white opalescent glass of footed and flared form with bulbous crimped tops, 15.5cm high, together with a similar wrythen vase, 25cm high (3) £60-£80
163 163. Harry Powell for James Powell and Sons, Whitefriars, a Woodchester amethyst glass beaker vase, circa 1918, optic diamond moulding with applied rigaree foot rim, 13.5cm high £60-£100 164. John Orwar Lake for Ekenas, a Swedish glass cylinder vase, cased clear over mottled blue and green glass, engraved signatures, L 1462 / 12, with original label, 11cm high £30-£40 165. Alvar Aalto for Iittala, a white cased Savoy vase, engraved marks to the base, 16cm high £30-£50 166. Alvar Aalto for Iittala, a colourless glass Savoy vase, engraved marks to the base, 16cm high £20-£40 167. Tapio Wirkkala for Iittala, three glass decanters, circa 1970, of angled form, in the Romantica pattern, 22cm high £70-£100
160 154 154. A 1970s Mdina fish vase, designed by Michael Harris, turquoise glass with applied trailing, 23cm high £100-£200
160. Otto Brauer for Holmegaard, a large Gulvase floor vase, amber glass of shouldered cylindrical form, with original sticker label, designed circa 1962, 51cm high £80-£120
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168. Oiva Toikka for Iittala, three colourless glass Kastehelmi candle holders / dishes, designed 1973, 10cm diameter, together with a set of Orrefors candle holders, probably designed by Lena Bergstrom (8) £30-£50 15
177. A Verlys, Art Deco pressed glass dish, ‘Les Prehistoriques’, the border decorated with stylised mammoth and gazelle motifs, impressed signature to the bowl Verlys France, 35cm diameter £60-£100 173
169 169. Richard Duborgh for Plus Glass, Norway, three cylindrical blue glass vases, circa 1960, each with folded rims, acid marked, tallest 30cm high (3)
173. Four Webb Corbett Art Deco drinking glasses, designed by Herbert Webb circa 1933, in the fern and wave pattern, of conical form, 10.5cm high £20-£30
Note: examples of this design are held by the Fredrickstad Museum, Norway £50-£100 170. A group of 20th century Scandanavian glass vases including a Kosta vase of lobed form in smokey amber, a vertically ribbed Strombergshyttan vase, a Plus bowl designed by Richard Duborgh etc., tallest 16cm high (5) £40-£60
178 174 174. Five early 20th century cased intaglio wine glasses, probably Stevens and Williams or Thomas Webb, circa 1905, each lime green/yellow over colourless cased conical bowl cut with garland and wrythen foliate motifs in the Classical style, on a knopped inverted baluster stem and foliate cut foot, 12.5cm high (5) £50-£100
178. Geoffrey Baxter, a Whitefriars sunburst vase, circa 1967, cased tangerine glass, pattern number 9676, 15.5cm high £80-£120 179. Roberto Moretti, a Venetian, Murano glass figure of a bird on wave, signed to the base, numbered 111/147, 31cm high £100-£150
Works of Art
171 171. Kaj Franck (attributed), a mid 20th century Sargasso type vase, grey bubble glass with folded rim, incised marks to base 694/125, 12cm high, together with two Scandinavian squat ovoid vases in deep green and two Pala vases by Helena Tynell (5) £40-£60 172. R A Hickman for Kosta, a suite of Pippi drinking glasses, designed circa 1937, cylindrical form with single bubble inclusion to the base, including tumblers, sherry, liqueur, port, highball, ice bucket etc. (33) Note: see Kosta Boda, 2004, Kosta: 250 years of craftmanship, p.60 for an example of this design £100-£150
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175 175. A pair of mid 20th century Lalique Angel wine glasses designed in 1949, etched mark to base, 20.5cm high Note: see McConnell, A. 2006. 20th Century Glass, London. for an illustrated example of this design £70-£100
180
176. Bent Severin for Holmegaard, a set of six Princess pattern wine glasses, designed circa 1957, with teardrop inclusions to the stems, approximately 16cm high (6)
180. Josef Lorenzl (1892-1950), an Art Deco painted bronze and carved ivorine figure of a dancing girl, circa 1930, on green onyx base, signed in the cast ‘Renzl’, 24cm high
Note: see McConnell, A. 2006, 20th Century Glass, London, p.161 for an example of this design £40-£80
Note: Josef Lorenzl has been know to sign his work ‘Laurenzl’, ‘K Lorenzl’, ‘K Lor’, ‘R Lor’, ‘Lor’ or ‘Renzl’ £300-£500 C o n t a c t u s o n 012 8 3 7 3 3 9 8 8
HANSONS AUC TIONEERS AND VALUERS 181. After Demetre Chiparus (1888-1950), an Art Deco bronzed and ivorine figure of a dancer, circa 1925, on a two tone marble base, signed in the cast, 33cm high £120-£180 182. A set of six Art Deco Austrian cold painted bronze menu or place card holders, circa 1930, cast as game birds on green onyx bases, including pheasant, grouse, woodcock etc. (6) £150-£250 183. A Bergman cold painted bronze figure of an erotic dancer, the skirt hinged, on a marble plinth, signed to the back, 19cm high £1200-£1500
183
185
184 184. Eric Gill (1882-1940), a St Martin of Tours plaster relief moulded panel, depicting a soldier and horse with a child, ‘St Martin Pray for Us’, 1935, after the original made for Campion Hall, Oxford Note: the original stone carving was commissioned for the new building of Campion Hall by Edwin Lutyens in 1935 and can currently be seen on the main staircase £400-£600 185. Louis Sosson (fl. 1905-1930), Cymbalina, circa 1925, a gilt bronze and carved ivory figure of a semi-nude female dancer, the ear pieces set with opal, on marble base, signed L. Sosson, 27.5cm high £1500-£2000 186. Alfred Dunhill, an Aquarium table lighter made by Ben Shillingford circa 1950, Perspex with carved and painted fish among aquatic foliage, the plated lighter fittings with cast Dunhill trademark, half-giant, 10cm wide, 8cm high £1500-£2000
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186
17
187. A collection of Scandinavian wooden trays, mid 20th century, mostly Burma teak, including Danish and Finish examples, longest 61cm (5) £20-£40
192 192. Jules Masson (1871-1932), a bronze figure of two greyhounds, on stone base, 28.5cm high £180-£220 189 189. A 20th century bronze sculpture of a rooting organic form, on rocky base and marble plinth, unsigned, approximately 37cm high £100-£200
193 190 190. Erhard and Sohne, a Jugendstil inkwell, circa 1905, cast brass and rosewood with brass inlay of stylised foliate design, with glass cuboid inkwell, 15cm wide £70-£100
193. An Art Deco spelter figure of a tambourine dancer, signed Cornill, silvered and painted, on coloured marble base, 36cm high £160-£200
188 194
188. Louis Sosson (fl 1905-1930), Egyptian Dancer, circa 1920, a gilt bronze and carved ivory figure of a semi-nude female dancer, the ear pieces set with opal, on a red marble base, signed L. Sosson, 25.5cm high £1500-£2000
194. An Art Deco spelter figural lamp of a girl holding a bird, gilded and painted, on coloured marble base, 26cm high £120-£180
191 191. An Art Nouveau bronze bust of a woman ‘Reverie’ stamped to the base 6001 Royal Zini, 16.5cm high £120-£180 18
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202
198 198. An Art Deco ivory figure of a nude woman, on marble base, unsigned, 15cm high £350-£400 195 195. An Art Deco figural lamp, the bronzed, semi-nude female figure holding a crackled, frosted glass sphere, on alabaster base, 56cm high £180-£220
202. A pair of Art Deco gilt and painted metal bookends in the form of deer, on marble bases, 18cm high £60-£100
199. An Art Deco carved alabaster lamp, modelled as a diving female nude, 32.5cm wide £80-£120
203 196 196. An Art Deco silvered spelter figure of a woman and cherub, on coloured marble, stepped base, signed Limousin, 46cm wide £120-£180
197
200
203. A pair of Art Deco spelter figures, probably English, circa 1935, in the form of children standing on lions, on bakelite bases, 35.5cm high £40-£60
200. An Arts and Crafts style brass mirror, circular form with repousse vine motif between rope borders, 35.5cm diameter £40-£70 201. A collection of Art Deco carved ivory animals, including horses, elephants, camel etc. (11) £150-£200
197. An Art Deco sculpture of panthers by P Rochard, circa 1925, gilt metal on marble and onyx base, signed Rochard, 52cm wide £150-£250 204 204. An Art Deco bronze figure by R Varnier, circa 1925, of a nude female figure, on coloured marble base, signed R Varnier, 27, 9, 29.5cm high £450-£500 w w w. h a n s o n s a u c t i o n e e r s . c o . u k
19
Metalware
208 208. An Art Nouveau copper wall mirror, decorated with repousse floral and foliate motifs inset with coloured glass cabouchons, 58cm x 83cm £150-£250 205 205. An Art Deco bronzed figure by Fayal, of a female dancer with tambourine, on marble base, signed, 28cm high £150-£250
211 211. A Liberty Arts and Crafts pewter rose bowl, designed by David Veazey, twin handled, embossed with stylised Art Nouveau rose trees and Tennyson inscription ‘and the woodbine spice are wafted abroad, and the musk of the rose is blown’, unmarked, pattern number 011, 24cm diameter, 32cm wide Note: the motto is from Tennyson’s poem ‘Come into the Garden Maud’ £50-£100
209 209. A Ouline, a patinated bronze sculpture, circa 1920, of a man’s head, on black slate base, signed, 59cm wide £700-£900
212. Gerald Benney for Viners, a canteen of Studio cutlery in original coffee table case, 1960s, 56 pieces, the case measuring 85cm wide, 47cm high, 50cm deep £120-£180
213 213. A large Jugendstil copper tray by WMF, embossed with stylised floral design, 35cm diameter; together with a smaller copper tray by Carl Deffner, of hexagonal form, 26.5cm diameter, both marked (2) £40-£60
206 206. An early 20th century bronze figure of a boy, French, circa 1900, signed Boteaux, 20cm high £60-£80 210 210. After Maurice Pico (Picaud) (1900-1977), Danseuse Nue, a silvered plaster relief sculpture of a dancing female figure, originally designed for the facade of the Folies Bergere, 59cm square £100-£200
207 207. An Art Deco silvered figure of Diana, on black marble base, signed Bousquet, 27cm high £80-£120 20
210a. Carl Binder (Swiss fl. 1904-1922), Snake Charmer, an Art Deco bronze of a nude, on a circular marble base, signed, 40cm high £400-£600
214 214. An Art Nouveau copper tray with embossed floral/poppy motif, 26cm diameter; together with an English Arts and Crafts copper tray with planished centre, 26.5cm diameter (2) £30-£50
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218 218. Arne Jacobsen for Stelton, a stainless steel Cylinda Line tea strainer, together with an ashtray and ice tongs (in box), designed circa 1967 (3) £100-£200
215 215. An Arts and Crafts copper vase, circa 1910, the trumpet vessel supported on four feet and platform base, the whole decorated with repousse fleur de lis motifs and rope work border, 21cm high £30-£50
219. Robert Welch for Old Hall, a stainless steel Campden cruet set circa 1960, of streamlined fom, comprising salt, pepper and mustard, together with various other Old Hall and Danish stainless steel items £20-£40
222 222. Mabel Lucie Attwell for Old Hall, a stainless steel children’s dish designed by Robert Welch with engraved bunny rabbit motifs to the edge, approximately 20cm diameter £30-£50
220. Gerald Benney for Viners, a part canteen of Studio stainless steel cutlery including grapefruit spoons, dessert forks, table forks, table spoons, teaspoons, coffee spoons, table knives, fish knives, napkin rings etc. (65) £60-£100
223 223. A German Jugendstil copper and brass twin handled vase £40-£60 221 216 216. A WMF Jugendstil silver plated and glass vase, circa 1905, the three footed basket with angular scroll handles and geometric banding, in the Art Nouveau style, with cut glass bucket vase with etched grape motifs, stamped marks to the base, WEPCO, 15.5cm high £50-£80
221. A Liberty and Co. Tudric pewter mantel timepiece, circa 1920, hammered finish on four turned feet, with later Newport movement, impressed numbers 01294, 12.5cm high £50-£100
217. Folke Arstrom for Gense, a collection of stainless steel ‘Facette’ cutlery designed 1949, together with Gense ‘Focus’ flatware, designed 1955, some in original boxes, including knives, forks, dessert spoons, teaspoons, serving items, butter knives etc. £70-£100
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224 224. A Newlyn Arts and Crafts copper bowl, attributed to J D Mackenzie, decorated with repousse fish, stamped mark to base, 22.5cm diameter £300-£400
21
Lighting
225 225. An Art Deco elephant lamp, the bronzed figure realistically modelled standing on black marble plinth, supporting a carved alabaster lantern, fitted for electricity 43cm high £150-£250
228 228. A mid 20th century Rotaflex floor standing lamp, attributed to John and Sylvia Reid, circa 1950, black painted tubular metal with tripod base and brass feet, tulip shaped shade, 127cm high £80-£120
230 230. A Secessionist brass and copper pendant light fitting, circa 1910, angled form with leaded glass panels below a four arm domed cage with stylised foliate terminals, hangs approximately 94cm £150-£250
226 226. Claus Bonderup and Torsten Thorup, a Semi pendant light shade, designed circa 1968, 60cm diameter £80-£120
231 231. A pair of contemporary Italian table lamps by iGuzzini, white plastic with rubber tubing, of flat domed form, 22.5cm high (2) £30-£70
232 229 227 227. A mid 20th century Heifetz Rotaflex pendant light, cream coloured, ridged, teardrop form with hardwood fitting, 32cm diameter £30-£50 22
229. A mid 20th century Rotaflex floor standing lamp, attributed to John and Sylvia Reid, circa 1950, black painted tubular metal with tripod base and brass feet, tulip shaped shade, 127cm high £80-£120
232. Three contemporary French glass table lamps, of conical form, 36cm high and 26cm high; together with a white frosted glass table lamp (4) £30-£50
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233 233. A 1960s transfer printed glass pendant light, in the form of a shallow dish, decorated with geometric design with plated fittings, 48cm diameter £40-£60
236
234. A 1970s star floor light, white plastic six point star, approximately 60cm diameter £100-£150
Prints, Oils and Watercolours
235 (Part Lot) 235. John Behan RHA (b.1938), Study of a Bearded Man in Hat, print, signed in pencil and dated ‘66, numbered 33 of 80, 49cm x 31cm; together with another print by Marianne Heemskerk, ‘Cookhaven’ (2) Note: Irish sculptor John Behan is best known for his metalwork compositions which appear in public and private collections internationally. Amongst his admirers was Seamus Heaney £30-£50
239 236. After L S Lowry (1887-1976), Going to Work, 1959, print, limited edition gouttelette, numbered 28/75, with certificate, 51cm x 66cm £500-£700
238 238. Contemporary School, Lone Figures in a Coastal Landscape, print, signed indistinctly, numbered 72 of 150, 41cm x 64cm £40-£70 237 237. Daniel Lang (b.1935), Rosewood, print, signed and numbered 32 of 150, 50cm x 68cm £60-£100
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239. ‘Graham Clarke (b.1941), Vita’s White Garden, etching, signed in pencil and numbered 326/350, 27cm x 34cm Provenance: Christie’s Contemporary Art £40-£60 23
240
241 244. J H Reffin (circa 1960), A Street Market, watercolour, signed, 38cm x 56cm, also one other watercolour, signed Bosher (2) £80-£120
240. Bob Dylan (b.1941), Bragg Apartment, New York City 2008, print, signed and numbered 229/295, 70cm x 56cm, with certificate £900-£1200 241. Bob Dylan (b.1941), Three Chairs, print, signed and numbered 172/295, 1009, 70cm x 56cm £900-£1200 242. Abigail Lane, Ink Pad (red), 1995, aluminium casing opening to reveal cotton covered felt layers with red ink, 5ft x 2.5ft closed, 5ft x 5ft open, with brackets and ink £3000-£5000
243 243. Sir Hugh Casson PRA (1910-1999), Calke Abbey, Derbyshire, watercolour, signed and dated ‘90, inscribed verso, 20cm x 33cm £300-£500
245. Thibault de Reimpre (French b.1949), Abstract Composition, acrylic on canvas, signed and dated ‘77, 22cm x 27cm, also one other oil signed Saccardi (2) £80-£120 246. John Bellany RA (1942-2013), Woman in Living Room, oil on canvas, 173cm x 152cm £3000-£5000 247. Eilidh Barnardo (Armour-Brown) (20th century), Snowdrops, oil on board, signed, inscribed verso and dated 1964, 24cm x 29cm Note: Eilidh Armour-Brown was a Lichfield artist and founder member of the Lichfield Arts Centre. Her paintings are in public collections including the Shire Hall Gallery, Stafford £40-£60
245 24
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246 248. Henry Southgate Sands RBSA (1900-1971), Still Life with Stoneware Jugs, oil on board, signed, 24cm x 17.5cm £50-£80
249. John Miller (1931-2002), On the Thames Near Mortlake, oil on canvas, signed and dated ‘79, 19cm x 29.5cm £250-£350
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250. Fred Yates (1922-2008), Cape Cornwall, oil on board, signed, inscribed verso, 28.5cm x 35.5cm £300-£400
250 25
Furniture
257 251 251. An Aesthetic Movement mahogany armchair, attributed to Liberty, circa 1885, with mashrabiya panels to the arms and back, upholstered in blue damask fabric, 82cm high £50-£80 252. A 1920s Heals limed oak sideboard, attributed to Ambrose Heal, two cupboards flanking a central tall drawer above three drawers, on turned baluster feet united by stretchers, 180cm wide, 95cm high, 57cm deep £300-£500 253. An Arts and Crafts oak sideboard by Gillows, the galleried top above a single deep drawer flanked by cupboards, one with false drawer, on plain tapered legs with pad feet and ogee moulded skirt, 152cm wide, 117cm high, 61cm deep £150-£250
258 26
254. An Aesthetic Movement ebonised sideboard by Lamb of Manchester, circa 1870, in the style of Bruce Talbert, the mirrored back flanked by panelled shelves with incised, gilt highlighted floral decoration and burr walnut crossbanding, above a single drawer, cupboard and gallery flanked by glazed cupboards, stamped to the drawer, 130cm wide, 195cm high, 41cm deep Note: James Lamb of Manchester was the pre-eminent cabinet maker in the city during the second half of the 19th century, employing such designers as Charles Bevan, Bruce Talbert and W J Estall £150-£250 255. A Shapland and Petter Arts and Crafts wardrobe, the central bay with open shelf above Art Nouveau inlaid cupboard and two drawers, flanked by mirrored cupboards above two drawers, all with silvered copper hinges and handles, 154cm wide, 208cm high, 49cm deep £200-£400
256. After Charles Rennie Mackintosh, an oak dining table, the skirt with pierced floral motifs, late 20th century, 198cm wide, 72cm high, 92cm deep £100-£200 257. After Charles Rennie Mackintosh, a set of six oak dining chairs, late 20th century, originally designed for the Ingram Street tea rooms (Miss Cranston’s), circa 1903 (6) £300-£500 258. G M Ellwood for J S Henry (attributed), a mahogany desk, circa 1900, the angular top with leather inset and gallery above a single drawer with brass strap detailing on four octagonal section legs, 99cm wide, 99cm high, 54cm deep £300-£500 259. An Aesthetic Movement oak breakfast table by Lamb of Manchester, circa 1880, of Anglo Japanese style, of oval form, the curved, square section legs united by trellised stretchers, on cast feet, 123cm wide, 76cm high, 92cm deep £250-£350
259 C o n t a c t u s o n 012 8 3 7 3 3 9 8 8
HANSONS AUC TIONEERS AND VALUERS 266. An Arts and Crafts, Glasgow School mahogany glazed bookcase, in the style of Wylie and Lochhead, the two leaded and stained glass doors with stylised floral motifs flanked by straight square pillar legs, below a pierced back board, 103cm wide, 170cm wide, 40cm deep £300-£500 260 260. J and J Kohn, a pair of Austrian ebonised bentwood armchairs, circa 1890, £100-£200
263 263. An Arts and Crafts oak two seat settle by William Birch, probably designed by E G Punnett for Liberty and Co. circa 1905, curved plank splats above inset rush seats on turned legs and stretchers, 114cm wide, 104cm high, 58cm deep Note: see Andrews, J. 2005. Arts and Crafts Furniture, p.224 for a similar example £500-£800
267 267. Gordon Russell, a nest of three mahogany tables, circa 1980, the rectangular tops with moulded edges, raised on square legs, labels to the underside, 68cm wide, 46cm high, 46cm deep £80-£120 268. An Arts and Crafts, Glasgow School oak single drawer card table, possibly by Shapland and Petter, the swivelling top opening to reveal green baize surface, raised on simple tapering legs with bulbous feet, the drawer with Art Nouveau style handles, 77cm wide, 77cm high, 43cm deep £80-£120
261 261. An Aesthetic Movement ebonised low bedroom chair, with bamboo effect trellis work, upholstered in green velvet damask (probably original), 76cm high £50-£100 264 264. An Arts and Crafts cane seated child’s chair, the low hoop back with arrow shaped spindles and curved arms on four curved square form legs united by turned H stretchers, on brass casters, stamped marks B1, 66cm high £40-£70
262 262. An Arts and Crafts mahogany two tier occasional table, in the Glasgow style, the spindled gallery with pierced trefoil motifs above and shaped shelf, on angled legs, stamped numbers 6958, 54cm wide, 69cm high £120-£180
265. A Shapland and Petter Arts and Crafts mahogany bureau / secretaire, the five bay gallery above a marquetry inlaid fall front with copper strapwork, opening to reveal a shelved interior and baize writing slope, above a single drawer, 100cm wide, 159cm high, 43cm deep Note: see Bennett, D. 2005, Shapland and Petter of Barnstable, p.13 for an illustration of this design £400-£600
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269 269. An Arts and Crafts oak Thebes stool, circa 1875, probably retailed by Liberty and Co., the turned legs united by plain stretchers supporting a shaped, padded seat, 36cm wide, 25cm high, 33cm deep Note: discoveries in Egypt influenced design in England from the 1860s, with William Holman Hunt creating some of the first chairs inspired by Ancient Egyptian artifacts. Retailers such as Liberty adopted the trend, supplying a variety of foot stools and chairs in the style, known as Thebes stools. This stool retains elements of the original Holman Hunt design in that it lacks the additional cross stretchers (Cooper, J. 1998, fig.434) £100-£200 27
270 270. A Gothic Revival oak side table, in the manner of A W N Pugin, fitted with two frieze drawers to the front, raised on octagonal square legs with inset brass castors, 92cm wide, 74cm high, 51cm deep £100-£200 277 276. Arne Jacobsen for Fritz Hansen, a pedestal coffee table, designed circa 1968, brushed steel with inset white laminate top, on a four branch foot, labelled to underside, 47cm high, 75cm diameter £350-£450
271 271. An Aesthetic Movement walnut Sutherland table, in the style of E W Godwin, circa 1880, the turned supports on semicircular branched legs with caster feet, 67cm wide (open), 56cm high, 55cm deep £60-£100 272. A contemporary light oak wall hanging sideboard, fitted with two sliding doors opening to reveal five drawers to left side and shelf space to right, the other door opening to reveal three deep drawers and shelf space to left, complete with three further wall shelves, 213cm wide, 54cm high, 43cm deep £180-£250
273 273. Alvar Aalto, four beech No 60 stools, designed 1933, each with inset black laminate tops, 44cm high, 35cm diameter (4) £120-£180
278. Arne Jacobsen for Fritz Hansen, a black leather Swan chair, designed 1958, on a four point steel base, labelled to the base, approximately 79cm high £300-£500
274 274. Alvar Aalto, two beech No 60 stools, designed 1933, 44cm high, 35cm diameter (2) £60-£100 275. Arne Jacobsen for Fritz Hansen, a pedestal coffee table, designed circa 1968, brushed steel with inset white laminate top, on a four branch foot, labelled to underside, 47cm high, 75cm diameter £350-£450
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277. Arne Jacobsen for Fritz Hansen, a black leather Swan chair, designed 1958, on a four point steel base, labelled to the base, approximately 79cm high £300-£500
279 279. Frank Guille, a Kandya ‘Program’ stool, designed circa 1957, black tubular steel with black vinyl seat, 66cm high Note: see Stapleton, A. et al. 1997, Austerity to Affluence, for an example of a similar stool £30-£50 C o n t a c t u s o n 012 8 3 7 3 3 9 8 8
HANSONS AUC TIONEERS AND VALUERS
280
284
280. A nest of mid 20th century Danish teak side tables, circa 1960, the plain rectangular tops on simple tapered legs united by plain flat stretchers, 54.5cm wide, 53cm high, 39cm deep (3) £60-£100 281. A mid 20th century Danish teak day bed, circa 1960, shaped legs with pad feet, the hinged back reclining to form a bed, upholstered in black and green woven fabric, 202cm wide, 74cm high, 90cm deep £700-£900
287 287. A contemporary chromium plated and smoky glass two tier trolley, tubular construction on casters, 70cm wide, 75cm high, 45cm deep £20-£40
282 (Part Lot) 2 of 4 282. Niels Møller for J L Møller, a set of four Danish light oak dining chairs, model 75, designed 1954, with woven cord seats, 75cm high (4) £300-£500 283. Niels Møller for J L Møller, a set of four Danish light oak dining chairs, model 75, designed 1954, with woven cord seats, 75cm high (4) £300-£500 284. A contemporary light oak dining table in the Danish style, the solid plank top on four plain tapered legs, 196cm long, 73cm high, 100cm deep
285 285. An Arts and Crafts walnut armchair, circa 1895, the crest rail of triangular form with pierced motif above turned spindles and acorn finials to the uprights, the arms with vertical slats, the legs united by plain stretchers, stamped marks to back leg B28, 102cm high £40-£70 286. An Art Nouveau oak coal scuttle with heavy patinated metal work of scrolling knot design £20-£40
Note: a one off design by architect Professor Oscar Naddermier for his home, inspired by Niels Møller’s No.75 chair £250-£350
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288 288. An Arts and Crafts walnut and leather tilt top table, the top of circular form with embossed scrolling foliate decoration on turned legs, 92cm diameter, 72cm high £50-£80
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important notices Buyers are reminded that, in accordance with all sales conducted by Hansons, a premium of 17.5% plus VAT is payable on the hammer price. We accept most debit and credit cards, although an administration fee of 3% will be added for credit cards. Important Notice applicable to all lots in this catalogue Some catalogue descriptions indicate some damage, repairs and/or restoration. This is a guide only and does not constitute a full condition report or guarantee for other lots where no reference to condition is made Purchasers must satisfy themselves as to the condition of each lot. All items are described within the Auctioneer’s view, but authenticity must be confirmed by the buyer.
G lossar y of pict u re catalog u ing terms A work catalogued with the forename(s) and surname or recognised designation of an artist in our opinion is or is probably a work by the artist. Nevertheless, intending buyers are reminded that while a full designation is our highest category of authenticity, no unqualified statement as to authorship is made or intended. A full cataloguing does not necessarily imply a full warranty Attributed to… in our opinion a work of the period the artist which may be in whole or in part the work of the artist. Studio of… In our opinion a work of an unknown hand, which may have been executed in the studio of the artist.
All measurements are approximate.
Circle of… In our opinion a work from the period of the artist and showing his influence.
Bidding Numbers
Follower of… In our opinion a work executed in the style of the artist but not necessarily by a pupil.
In order to obtain a bidding number you will need to furnish us with one or all of the following:
Manner of… In our opinion a work executed in the style of the artist but of a later date.
1.Photo ID (Driving Licence/Passport)
After… In our opinion a copy of any date after a work by the artist.
2. Utility bill or document dated within the last three months showing your address If you have any queries about this please contact the accounts department on 01283 733988 or email service@hansonsauctioneers.co.uk
Signed/Sealed/Inscribed In our opinion the work has been signed/sealed/ inscribed by the artist. Bears/with signature, inscription, date In our opinion the signature/inscription/date are not by the hand of the named artist The term ‘ascribed to’ may in certain cases be used to denote a traditional attribution based on style, though this attribution is not necessarily confirmed by the auctioneers. A work catalogued as ‘School’ accompanied by the place and a date means that in our opinion the work was executed at that time and in the location, eg. Continental School, circa 1920. All references to signatures, inscriptions and dates refer to the present state of the work, i.e. as at the time of inspection for the purpose of cataloguing.
CO N D I T I O N S O F B U S I N E S S Care is taken to ensure that any statements as to authorship, attribution, origin, date, age, provenance and condition are reliable and accurate, but all such statements are statements of opinion and are not to be taken as statements or representations of fact. Hansons reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.
1.
The Buyer The highest bidder to be the buyer. If any dispute arises, the auctioneer shall have absolute discretion to settle it and to put any disputed lot up again for sale.
2.
Buyer identification Buyers are requested to furnish references in advance of the sale in order to avoid delay in clearing purchases. Goods will not be cleared until such references have been processed or cheques cleared. Hanson’s reserve the right not to approve any online bidder when their registration credit check is not successful and who cannot provide references. Hansons will not accept commission bids for any buyer that has an outstanding invoice.
3.
Buyer’s Premium The buyer shall pay the hammer price together with a buyer’s premium at the rate of 17.5% plus VAT. Please note that there is a minimum purchase charge of £5 plus VAT. Internet bidding incurs an additional 5% plus VAT charge. VAT is charged on Hanson’s services NOT on the goods and is payable at the standard rate set by the UK government. Any royalties eligible to be paid to a qualifying artist under the ‘Droit de Suite’ legislation will be added to the buyers invoice
4
Payment Immediately on the fall of the hammer, all lots shall be at the sole risk and expense of the respective purchasers Credit/Debit card details entered onto The Saleroom.com are not used for payments, normal payment methods apply. Failure to pay for goods within eight weeks of the auction will result in the sale being rescinded. The defaulting buyer will also be blocked from bidding at future Hansons auctions. Methods of Payment Cash, debit card or direct bank payment. We also accept credit cards for total invoice values of less than £500. UK Debit cards incur no extra charge. All credit and international debit cards incur an additional 3% +VAT charge. Personnel cheques will only be accepted at the discretion of Hanson’s Accounts and on the understanding that NO goods will be released until bank clearance of the cheque has completed.
5.
Collection / Shipment of Goods All goods must be paid for and collected within five working days following sale. If after ten working days the item has not been collected then a storage charge of £1 per lot per day will commence, the item will also no longer be insured. Hansons shall then contact the buyer in writing to confirm that this additional charge is now in place and further to that if paid for item(s) are still not collected within another 3 weeks of the date on the letter, the items will be placed back into the next auction without reserve with the buyer becoming the vendor. All Hansons terms and conditions will now apply to the new vendor of this item. A cheque will be sent out 20 working days after the sale, this will be minus our saleroom and storage charges.
6.
Postal Service Hansons Auctioneers do offer a postal service for clients within the UK who are not able to attend the auction or unable to collect. We are not professional packers or shippers, though will try our upmost to pack items in a correct way which will ensure items arrive safely, however Hansons Auctioneers will not be held responsible for making any claim. There are some items that due to their nature, size or weight we cannot post out, though we can recommend couriers who you can arrange to pick the item up from our saleroom, they will also be able to insure some items which we are unable to insure. For full details see ‘Postage of items’ under ‘Our Services’ on the Hansons website. All buyers / couriers must check their purchases prior to departure from the auction. Hansons will accept no claims for loss or damage thereafter.
7.
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9.
Selling Rate Lots are sold at approximately 100 lots per hour for the general antique and collector’s sales. Fine art auctions with online bidding are reduced to approximately 60 lots per hour.
D E CO R AT I V E A R T S A N D D E S I G N A U C T I O N S a l e d a t e : 2 8 t h J u l y 2 0 14 commission bid form Please bid on my behalf for the undermentioned lots up to the price specified the lots to be bid for as cheaply as permitted by other bids or reserves, if any. I agree to comply with the Notices and Conditions of Sale. Please Note: All successful bids are subject to a 17.5% buyer’s premium + VAT. PLEASE USE CAPITALS • Minimum premium charge £5 per sold lot Lot No.
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Entries invited for our forthcoming
Entries invited for our forthcoming
Decorative Arts and Design Sale
Autumn Fine Art and Antique Sale
To be held on
To be held on
Monday 27th October
Friday 26th and Saturday 27th September 2014 at 10.30am
To include a pair of WMF Arts and Crafts candlesticks £200 - £300
The closing date for entries is Friday 10th October
Viewing Thursday 25th September 11am – 7pm and morning of sales from 9am The closing date for entries is Friday 29th August
Entries invited for our forthcoming
Hansons Jewellery Department
Specialist Coin, Stamp and Militaria Sale
Invites you to visit our specialist valuers Isabel Murtough, Heather McPherson and Kate Bliss for free auction appraisals.
We hold monthly Antique Jewellery sales and quarterly Fine Art Sales. For an appointment telephone Ros Beardsley on 01283 733988
To be held on Monday 22nd September 2014 at 10am Viewing Wednesday 17th September 11am – 7pm and morning of sale from 9am
The closing date for entries is Friday 5th September Heather McPherson
Isabel Murtough
Kate Bliss
The Auction Centre, Heage Lane, Etwall, Derbyshire DE65 6LS Tel: 01283 733988 Email: service@hansonsauctioneers.co.uk
Decorative Arts and Design Auction Monday 28th July 2014 11.00am