Woolley & Wallis 20th Century & Contemporary Art 10 December 2014

WOOLLEY & WaLLis

WOOLLEY & WaLLis SALISBURY SALEROOMS

20th Century & Contemporary Art Wednesday 10th Dec 2014

20th Century & Contemporary Art Wednesday 10th December 2014

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Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan CloCks, WAtChes & sCientiFiC instruments Richard Price Gemma Bush

424506 424591 424583 424589

07741 242421 339752

english & europeAn CerAmiCs & glAss Clare Durham Amanda Lawrence

424507 329477

Furniture Mark Richards Jim Gale Anna Brown

411854 339161 411854

JeWellery Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

pAintings Victor Fauvelle Jo Butler

424503 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

20th Century Design Michael Jeffery Amanda Lawrence

424505 329477

tribAl Art Will Hobbs Gemma Bush

339752 339752

vAluAtions For insurAnCe & probAte Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

Furniture & Works oF Art 8th January 2015 25th March 2015 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 424509

mArketing Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

generAl oFFiCe Linda Garthwaite Pauline West Sharon Ringwood Nicola Young sAleroom mAnAger David Jordan

424500

424500

boArD oF DireCtors Paul Viney ASFAV Chairman

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

JeWellery 22nd January 2015 30th April 2015 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk tribAl Art & Antiquities 10th February 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CloCks, WAtChes & sCientiFiC instruments 11th February 2015 Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

20th Century Design 25th February 2015 – A Private Collection of British Art Pottery 15th April 2015 – Clarice Cliff, Art Deco & 20th Century Design Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director

AssoCiAte DireCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

silver 20th & 21st January 2015 29th April 2015 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk

english & europeAn CerAmiCs & glAss 24th February 2015 – Fine Porcelain & Pottery 21st April 2015 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

CompAny seCretAry Jim Macarthur CA

Page width 202mm. Use this box to centre artwork!

424599

pAintings 11th March 2015 3rd June 2015 Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk Arms & Armour 25th March 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk AsiAn Art 20th & 21st May 2015 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

EnquiriEs

20th Century & Contemporary Art

Victor Fauvelle Tel: 01722 424503 victorfauvelle @woolleyandwallis.co.uk

Wednesday 10th December This sale will directly follow the Old Masters sale which starts at 11am

Viewing Times Saturday 6th December 10.00am – 1.00pm Monday 8th December 10.00am – 5.30pm Tuesday 9th December 10.00am – 4.00pm Wednesday 10th December 9.00am – 10.45am

Jo Butler Tel: 01722 424592 jobutler @woolleyandwallis.co.uk

Live Internet bidding via www.the-saleroom.com There is no surcharge for using this service COLLECTION OF LOTS On Thursday 11th, Friday 12th and Saturday 13th December MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

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GLOSSARY OF TERMS

From 15th December collection will be from the Picture department at Carter House, 6-10 Salt Lane Salisbury SP1 1EE. Payment is still made at Castle Street.

Collection of Sold and Unsold lots must be within 21 days of the Sale - failure to collect within this time may result in storage fees.

ARTIST’S RESALE RIGHT / DROIT DE SUITE This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

Catalogue: £12.00 (£15.00 by post) Front cover: Lot 418 Back cover: Lot 457 This page: Lot 389

Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

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20th CENTURY & CONTEMPORARY ART

243

244

243.

Francisco José de Goya y Lucientes (1746-1820) Scenes from Los Proverbios, plates 9, 15 and 18 Three, all etchings with aquatint, Ref. Harris 256, 262 and 265, from the 3rd edition of 9, published 1891 21.5 x 32cm; 8½ x 12½in (3) £800-1,200 244.

Samuel Palmer (1805-1881) The Early Ploughman, c.1860 Etching, Lister 9 state v/ix 13 x 30cm; 6¾ x 8in Rare proof on heavy white plate paper, aside from the edition published in this state by Hamerton £800-1,200

245

245. ‡ Augustus Edwin John O.M., R.A. (1878-1961) The Hawker’s Van, 1904-5 Etching, Ref. Campbell Dodgson 125 state iii/iii 16.5 x 20cm; 6½ x 8in Proof in final state retained by Jack Knewstub, owner of the Chenil Galleries, Chelsea and publisher of John’s etchings £300-500 246. ‡ Sir Frank Brangwyn R.A. (1867-1956) The Mine, 1903 Lithograph on buff paper, unframed 33 x 25cm; 13 x 9¾in £100-150

246

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4 247.

Frederick Landseer Griggs (1876-1938) Cockayne, 1936 Signed Etching, Ref. Comstock 55 state v/vi, from an edition of approx. 30 20.5 x 27cm; 8 x 10½in £400-600

247

248.

Frederick Landseer Griggs (1876-1938) Sarras, 1926 Signed Etching, Ref. Comstock 35 state viii/viii, from an edition of 84 19 x 28cm; 7½ x 11in £400-600

248

249.

Frederick Landseer Griggs (1876-1938) Anglia Perdita, 1921 Signed Etching, Ref. Comstock 28 state v/v, from an edition of 50 23 x 16cm; 9 x 6¾in £400-600

249

250.

Frederick Landseer Griggs (1876-1938) Netherton Chapel, 1935 Signed Etching, Comstock 53 state ii/v 18 x 15.5cm; 7 x 6in A rare proof before the sky is added and before the plate is reduced in size £300-400

250

251. ‡ Stanley Anderson R.A. (1884-1966) The clothes peg maker, 1953 Signed Engraving from an edition of 60 17 x 22.5cm; 6¾ x 9in £250-350 252. ‡ Stanley Anderson R.A. (1884-1966) The old tinker, 1933 Signed Engraving 17.5 x 14cm; 7 x 5½in £200-300 251

252

20th Century & Contemporary Art

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253

254

256

255 253. ‡ Edmund Blampied (1886-1966) A Jersey vraic cart, 1939 Signed Etching, Ref. Appleby 183 21.5 x 28cm; 8½ x 11in £300-500

256. ‡ Edmund Blampied (1886-1966) The Farmer Dentist, 1925 Signed Drypoint, Ref. Appleby 106 18 x 26cm; 7 x 10¼in £250-350

254. ‡ Edmund Blampied (1886-1966) Births, marriages and deaths, 1929-30 Signed and numbered 66/100 Drypoint, Ref. Appleby 140 20.5 x 26cm; 8 x 10¼in £200-300

257. ‡ Edmund Blampied (1886-1966) A Jersey kitchen, 1932-33 Signed, Drypoint, Appleby 166, from an edition of 100 30 x 21cm; 11¾ x 8¼in £400-600

255. ‡ Edmund Blampied (1886-1966) The Centenarian, 1930-31 Signed and numbered 84/100 Drypoint, Ref. Appleby 144 26 x 26cm; 10¼ x 10¼in £400-600

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6 258.

Paul César Helleu (French 1859-1927) Portrait of a lady in profile, c.1895-1900 Signed and inscribed 1 ere epreuve (first proof) Drypoint 31.5 x 21cm; 12¼ x 8¼in £600-800 259. ‡ Sir William Russell Flint R.A., P.R.W.S. (1880-1969) Bathing belles on a beach Signed and inscribed Trial proof 13 Etching 34 x 21.5cm; 13¼ x 8½in £100-150

258

259

260.

Anders Leonard Zorn (Swedish 1860-1920) Elin, 1913-14 Signed Etching, Ref. Hjert & Hjert 270 state iii/v 20 x 30cm; 7¾ x 11¾in One of a very small number of proofs in this state £500-800 261. ‡ N. Stoney (20th Century) Animal studies including horses and kangaroos 9, all signed and dated variously 1927-31 All linocuts, unframed 15 x 20.5cm; 6 x 8in and similar With 2 further linocuts by the same hand (11) £100-150

260

262

261

263

262. ‡ Paul Nash (1889-1946) The Raider on the Moors Colour lithograph 37 x 54cm; 14½ x 21¼in £400-600 263. ‡ Graham Sutherland O.M. (1903-1980) St. Mary Hatch, 1926 Signed Etching, Ref. Man 26 state v/v, from an edition of approx. 60 12 x 18cm; 4¾ x 7in £600-800

20th Century & Contemporary Art

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264.

Albert Dürer Lucas (1828-1918) Primroses Signed and dated 1888, also signed, dated and inscribed AET 60 verso Oil on board 20.5 x 15cm; 8 x 6in £500-800

264

265

266

267

265.

Albert Dürer Lucas (1828-1918) Cross leaved heath[er] white and red, Lady fern, pair of Azure Blue butterflies Signed and dated 1889, also signed, titled, inscribed AET 60 and dated verso Oil on panel 21 x 16cm; 8¼ x 6¼in £500-800

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266.

Albert Dürer Lucas (1828-1918) Heather and feather Signed and dated 1877, also signed, inscribed Ref. No. 11422 and titled on a label verso Oil on canvas 25.5 x 20.5cm; 10 x 8in £500-800

267.

Albert Dürer Lucas (1828-1918) [Red and White Camelias] Perfect loveliness, My heart beats only for thee Signed, titled and dated 1878, also signed and titled on stretcher verso Oil on canvas 25.5 x 20.5cm; 10 x 8in £200-300

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268

268.

Albert Dürer Lucas (1828-1918) Still lifes of primroses and violets A pair, both signed and dated 1889 Both oil on board Each 10 x 12.5cm; 4 x 5in (2) £200-300

269.

Albert Dürer Lucas (1828-1918) Plaques on Romsey Abbey wall, one with passion flowers and one with holly and ivy A pair, both signed with initials Both oil on canvas Each 25 x 20.5cm; 10 x 8in (2) £200-300

269

270.

Dion Clayton Calthrop (1878-1937) Illustration intended for Guide to Fairyland, 1905 Signed Oil on panel 35.5 x 23cm; 14 x 9in £300-500

271. ‡ Arthur Royce Bradbury (1892-1977) Still life of blossom in a Chinese jar Signed and dated 1944 Oil on canvas board 31 x 19.25cm; 12¼ x 17¾in £200-300

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20th Century & Contemporary Art

9 272. ‡ Frank O. Salisbury C.V.O. (1874-1962) The Pipes of Pan, The Hon. Phyllis Bethell Signed with a monogram, also titled verso Oil on canvas 73 x 63cm; 28¾ x 24¾in Provenance: By direct descent from the artist £2,500-3,500

274. ‡ Frank O. Salisbury C.V.O. (1874-1962) St. George, study for The Quest Signed with a monogram Watercolour with bodycolour, mounted, unframed 40.5 x 26cm; 16 x 10¼in Provenance: By direct descent from the artist £200-300

273. ‡ Frank O. Salisbury C.V.O. (1874-1962) The Sea Caves, Tintagel Signed with a monogram, also titled verso Oil on board, unframed 22.5 x 30cm; 9 x 11¾in Provenance: By direct descent from the artist £150-250

275. ‡ Frank O. Salisbury C.V.O. (1874-1962) Study for Pick-a-back Signed with a monogram, also titled verso Oil on board, unframed 28.5 x 19.5cm; 11¼ x 7¼in Provenance: By direct descent from the artist Literature: Sarum Chase, by the artist, p.17 £150-250

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10 276.

Jessica Dismorr (1885-1939) Les Baux, c.1912 Charcoal and ink on paper 27 x 38.25cm; 10½ x 15in Provenance: From the collection of Robin Ody, the artist’s executor £600-800

277. ‡ John Maclauchlan Milne (1885-1957) World War One troops at Reninghelst, Poperinge, Belgium Signed and titled on an old label verso, dated 17 and inscribed Near Reninghelst Charcoal 24 x 33cm; 9½ x 13in Provenance: The Fine Art Society , London No.M6411 (as Renninghurst) £800-1,200

278. ‡ Eric Henri Kennington (1888-1960) A miscarriage - Illustration from Seven Pillars of Wisdom by Col. T. E. Lawrence Signed with initials and dated 1925, also inscribed Chap 84. para 16 Pen and ink 27 x 40cm; 10½ x 15¾in Provenance: Purchased by Sydney A. Gimson from Leicester Galleries, Feb. 1927 £500-700

276

279. ‡ Henri Hayden (French 1883-1970) French landscape Signed and dated ‘50 Pen and ink 31.5 x 49.5cm; 12½ x 19½in £200-300

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20th Century & Contemporary Art

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280

281

280.

Albert Goodwin R.W.S. (1845-1932) Certosa di Firenze Signed with a monogram and dated 79 Watercolour over pencil 20 x 31.5cm; 8 x 12¼in £700-1,000

281.

Albert Goodwin R.W.S. (1845-1932) Dartmoor Signed and dated 1905 Watercolour with scratching out 24 x 35.5cm; 9½ x 14in £700-1,000

282. ‡ Norman Wilkinson (1878-1971) Windsor from the river Signed Oil on canvasboard 31 x 36cm; 12 x 14in £800-1,200

282

283. ‡ Norman Wilkinson (1878-1971) Towing past Greenwich Oil on canvas 46 x 61cm; 18 x 24in Provenance: The Fine Art Society, Oct. 9 56 £1,200-1,800

283

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284

285

286

284.

Sir Edwin Cooper R.A. (1874-1942) Reconstruction of Gatton Park, Surrey for Sir Jeremiah Coleman Bt. Signed and titled Watercolour 49 x 84cm; 19¼ x 33in Gatton was burnt to the ground in 1934 leaving only the portico which was incorporated in this design by Cooper £600-800

287

285. ‡ William Lee-Hankey (1869-1952) On the Thames at Isleworth Signed Watercolour 33 x 51cm; 13 x 20in £300-500

288 286.

Eyres Simmons (act.1902-1914) Penzance Signed Watercolour 24.5 x 35cm; 9½ x 13¾in £200-300

289

287.

George Henry Downing (1878-1940) At Picket Post, New Forest Signed, dated 191* and titled Watercolour 25 x 35cm; 9¾ x 13¾in £100-150

288.

Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape Nocturne 14; Lanscape Nocturne Two, one inscribed with a device lower right Pastel Each 9 x 20cm; 3½ x 8in (2) Provenance: Nordness Madison Gallery, New York £200-300

289. ‡ Circle of James Abbott NcNeill Whistler Venetian Reflections Inscribed with a device Watercolour 14 x 11cm; 5½ x 4¼in Provenance: The Little Gallery, London Collection of Mrs Clifford Adams £120-180

20th Century & Contemporary Art

13 290.

Georg Richter-Lössnitz (German 1891-1938) In the hammock Signed, also signed, titled and dated 1927 verso, possibly in a different hand Oil on canvas 50 x 71cm; 19¾ x 28in £2,000-3,000

291. ‡ Cyril Chitty (19/20th Century) Beaucaire Signed and dated 82, also signed and titled with artist’s address verso Oil on panel 35.5 x 25.5cm; 14 x 10in With an oil of women and a cottage by a river by a different hand (2) £150-200

290

292. ‡ John Strickland Goodall (1908-1996) Winter skating scene; The seaside; The country walk Three, all signed All watercolour with bodycolour 13.5 x 18cm; 5¼ x 7in and similar (3) Provenance: Nevill Gallery, Bath £300-500

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294 293.

Wynford Dewhurst (1864-1941) Sunlight on trees, a tower beyond Oil on canvas 58 x 60cm; 22¾ x 23½in £100-150 294. ‡ Margaret Fisher Prout A.R.A. (1875-1963) The White Horse Signed Oil on canvas 38 x 48.5cm; 15 x 19in Exhibited: R.W.S. Galleries, Memorial Exhibition, June 1966, No. 5 £700-1,000

295

295. ‡ Francis H. Dodd R.A. (1874-1949) Church Street, Lee Oil on board 24 x 34cm; 9½ x 13¼in Provenance: Humphrey M. Gimson, bought at the sale of the effects of the artist at his home, 51 Blackheath Park, SE3, Stocker & Roberts catalogue, item 60 £500-700 296. ‡ Peter Biegel (1913-1987) A whippet resting on a chaise longue Signed Coloured chalks 44 x 55cm; 17½ x 21½in £300-500

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20th Century & Contemporary Art

15 297. ‡ Sir Alfred James Munnings K.C.V.O., P.R.A. (1878-1959) Study for Early Morning, Newmarket Heath Oil on panel, unframed 51 x 61cm; 20 x 24in This is a preparatory sketch from the summer of 1947 when Sir Alfred Munnings spent many hours sketching grooms exercising racehorses on the gallops at Newmarket £10,000-15,000

297 298. ‡ Sir Alfred James Munnings K.C.V.O., P.R.A. (1878-1959) Brightworthy Ford, Withypool, Exmoor Signed Oil on canvas 40.5 x 50.5cm; 16 x 20in Munnings had a studio in Withypool during WW2 when Castle House in Dedham was requisitioned by the army. Lady Munnings loved hunting on Exmoor and the Munnings’ owned or rented several properties in that part of the world over time. It was in Withypool in 1944 that Munnings started writing his autobiography.

There are several similar views at the Munnings Collection at Castle House £5,000-7,000

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299 299. ‡ Jemmy van Hoboken (Dutch 1900-1962) The goat girl Signed and dated 1938 Oil on canvas 60 x 52cm; 23½ x 20½in £1,000-1,500

300.

Arthur Ambrose McEvoy A.R.A. (1878-1927) Portrait of a young girl Pencil and watercolour 47 x 34cm; 18½ x 13¼in Provenance: Spink, London No. T5942 £600-800 301

301.

Philip Wilson Steer O.M. (1860-1942) The Domino Signed and dated indistinctly (thought to be 1904) Oil on canvas 78 x 58cm; 31 x 23in Provenance: Roland Browse and Delbanco Leonard F. Harrison, Sabines, Avon, Christchurch Exhibited: The National Gallery London, British Painting Since Whistler, 1940 C.E.M.A. Exhibition 1943-44, No. 12 £5,000-8,000

300

302

302.

Circle of Augustus John Portrait of a lady Oil on board 53 x 40cm; 21 x 16in £300-500

20th Century & Contemporary Art

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303 303. ‡ Augustus Edwin John O.M., R.A. (1878-1961) A lady, probably Dorelia, seated on a clifftop, sewing Signed Oil on panel 23.25 x 33cm; 9¼ x 13in Provenance: The Collection of Viscount Cowdray By family descent to the present owner The shoreline is almost certainly the Etang de Berre. Dorelia joined John there in 1910 and they rented the nearby Villa Ste. Anne in Martigues. Dorelia and the family were frequently painted here and they returned on and off for eighteen years. £12,000-18,000 304. ‡ Augustus Edwin John O.M., R.A. (1878-1961) Two women in a Mediterranean landscape Signed Oil on panel 40.5 x 32cm; 16 x 12½in Provenance: The Collection of Viscount Cowdray By family descent to the present owner £10,000-15,000

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306 305.

Henry Hadfield Cubley (1858-1934) Figures on the shore at low tide Signed Watercolour 35.5 x 53cm; 14 x 21in £200-300 306. ‡ Rowland Hilder (1905-1993) A farmyard scene Watercolour 42 x 26cm; 16½ x 10¼in £500-700

307

308 307. ‡ Rowland Hilder (1905-1993) A barn interior Signed Pen, ink and watercolour 43 x 30cm; 17 x 12in £300-400 308.

English School 20th Century I am the resurrection and the life, stained glass window design Watercolour 138 x 71cm; 54¼ x 28in £100-200

309 309.

English School 20th Century Dorcas; The Word was made flesh…, stained glass window designs Two, the second inscribed Parish Church Hazlemere Both watercolour 107 x 47cm; 42 x 18½in and smaller (2) £150-250 310. ‡ Ita Rennie (Scottish early 20th Century) Cocker spaniel Signed Pastel over watercolour 42.5 x 31cm; 16¾ x 12¼in £200-300

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20th Century & Contemporary Art

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311 311. ‡ Edgar Hunt (1876-1953) Chickens and Pigeons in a farmyard Signed and dated 1951 Oil on board 29 x 38.5cm; 11½ x 15in £7,000-9,000

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312. ‡ Frances Mabel Hollams (1877-1963) Alarm Signed, titled and dated 1928 Oil on panel 31 x 42cm; 12¼ x 16½in £1,000-1,500

313. ‡ Frances Mabel Hollams (1877-1963) Devlin Lady Signed, titled and dated ‘47 Oil on panel 33 x 42cm; 13 x 16½in £500-700

313

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Dame Laura Knight D.B.E. R.A. R.W.S. (1877-1970) Study of a lady Signed with initials Black chalk 14 x 10cm; 5½ x 10in £100-150

315. ‡ Lucy Elizabeth Kemp-Welch (1869-1958) Brindlon Titled and dated May 13th 1954 Charcoal 45.5 x 37cm; 18 x 14½in £600-800

314

315 316. ‡ André Albert Marie Dunoyer de Segonzac Hon. R.A. (French 1884-1974) A man with a workhorse in a landscape Signed Oil on panel 25.5 x 31cm; 10 x 12¼in £600-800

317.

Arthur Claude Cooke (1867-?)

Figures in an interior Oil on board 28 x 33cm; 11 x 13in £200-300

316

317

318. ‡ Tom Purvis (1888-1959) Nude studies A pair, both chalk on buff paper Each 21 x 33.5cm; 8¼ x 13¼in Provenance: Given to owner by artist’s widow £100-150

318

20th Century & Contemporary Art

21 319.

Mark Senior (1864-1927) The hat shop, c.1910 Oil on canvas 73 x 84cm; 28¾ x 33in Provenance: Miss Florence Hess (pupil, assistant and friend of the artist) With Peter Nahum at the Leicester Galleries Private collection Exhibited: Michael Parkin Gallery, London, Mark Senior 1974 no. 38 £2,000-3,000

319

320. ‡ Tristram Hillier R.A. (1905-1983) Una Ermita Signed with initials and dated ‘74, also titled and dated verso Oil on canvas 25.5 x 30.5cm;10 x 14in Provenance: Purchased from the artist by Commander G.W. Sudlow By descent The Nick Rocke collection £2,000-3,000

320

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322 321.

Henry Gerard (1860-1925) Constantinople Signed Oil on board 27 x 35cm; 10½ x 13¾in £300-400

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324

322.

Sarkis Erganian (Turkish/American 1870-1950) Hagia Sophia from the Bosphorus, Constantinople Signed Oil on board 14 x 22.5cm; 5½ x 9in £200-300 323. ‡ Karl Maria Schuster (Austrian 1871-1953) Dürnkrut, Austria Signed, titled and dated 1921 Oil on canvas 80 x 100cm; 31½ x 39¼in Provenance: Stacy Marks, 27.3.73, No. 358* £400-600

325 325. ‡ Jean Young (1914-1995) Misty morning going toward Torcello Signed Oil on canvas 40.5 x 51cm; 16 x 20in £200-300

326 326.

Venetian School early 20th Century Grand Canal, Traghetto S. Tomà Signed indistinctly, possibly F. Siligai Oil on canvas 37.5 x 48.5cm; 15 x 19in £100-150

324. ‡ Colin MacInnes (1914-1976) Trawlers in a harbour Signed on stretcher verso Oil on canvas, unframed 46 x 55cm; 18 x 21½in MacInnes was an renowned author famed for his work Absolute Beginners £200-300

20th Century & Contemporary Art

23 327. ‡ Terence Tenison Cuneo (1907-1996) Zulu Dance Signed Oil on canvas 77 x 102cm; 30¼ x 40¼in Painted in Natal and Illustrated in The Mouse & his Master

by Cuneo p.220, 1977 £3,000-5,000

327

328. ‡ Cyrus Cuneo (1879-1916) Othello Signed Oil on board 45 x 58.5cm; 17¾ x 23in £800-1,200

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24 329.

English School c.1935 Portrait of a lady Signed indistinctly Haas** and dated 1935 Oil on canvas 73.5 x 60cm; 29 x 23½in £700-1,000

330. ‡ Robin Goodwin (1909-1997) Nude seated on a bed Signed Oil on canvas 61 x 51cm; 24 x 20in £400-600

331. ‡ Michael Gilbery (1913-2000) Portrait of a lady in a black dress Signed and dated 53 Oil on canvas 76 x 63cm; 30 x 25in With a copy of a photo of the artist painting the portrait (2) £300-500

332. ‡ John A. Blakey (b.1952) Portrait of a young lady in a Chinese jacket Signed and dated ‘88 Oil on canvas 92 x 71cm; 36 x 28in £500-800

329 333. ‡ Philip Naviasky (1894-1983) Portrait of a lady, bust length, wearing black Signed, with an overpainted portrait of a gentleman verso Oil on canvas 61 x 50cm; 24 x 19½in £300-500

330

331

334. ‡ Bertram Walter Priestman (1868-1951) Corfe Castle, Dorset Signed and dated 12 Oil on canvas 66 x 92cm; 26 x 35½in £1,000-1,500

335. ‡ Max Hofler (1892-1963) View over Greenwich Signed Oil on board 51 x 76cm; 20 x 30in £700-1,000

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20th Century & Contemporary Art

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336

337 336.

K. W. Dickson (19/20th Century) Still life with ceramics on an eastern table Signed Oil on canvas 43 x 53.5cm; 17 x 21in £200-300

338

339

337. ‡ Juliet Pannett (1911-2005) Cabbage Fields, Ireland Signed Oil on canvas 41 x 51cm; 16 x 20in £300-500 338. ‡ Leonard Russell Squirrell (1893-1976) Flatford Bridge, Suffolk Signed and dated 1964 Watercolour over pencil 29 x 42cm; 11½ x 16½in Exhibited: Royal Society of Painters in Watercolours [no date given] £200-300

340 339. ‡ Paul Lucien Maze (French 1887-1976) Autumn landscape Signed Pastel and watercolour 24 x 35.5cm; 9½ x 14in £300-500

341 340. ‡ Frank J. Egginton (Irish 1908-1990) Autumn walk Signed Watercolour 27 x 38.5cm; 10½ x 15¼in £200-300

341. ‡ James Kidwell Popham (1884-1966) Winter village landscape Signed Oil on canvas 61 x 76cm; 24 x 30in £200-300

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342 342. ‡ Rowland Hilder (1905-1993) View on the Wylie Signed Oil on board 56 x 74cm; 22 x 29in £2,500-3,500

343

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343. ‡ Ronald Ossory Dunlop R.A. (1894-1973) Martigues, near Marseilles Signed, also signed, dated Xmas 1939 and dedicated verso Oil on panel 40 x 50cm; 15¾ x 19¾in £800-1,200

344.

Terrence J. McCaw (South African 1913-1978) Cathedral, Malaga, Spain Signed and dated 35 Oil on canvas 57 x 71cm; 22½ x 28in £2,000-3,000

344

28

345

346

347 345. ‡ Maxwell Ashby Armfield (1882-1972) Aries - 1 of 12 studies for the Signs of the Zodiac or ‘Gates of the Makara’, made for the mural in the Blue Lodge, Hampshire Titled and annotated Pencil and watercolour 46 x 45cm; 18 x 17¾in Exhibited: Kensington Art Gallery, 1949 (all 12) Fine Art Society 1973 £300-400 346. ‡ Maxwell Ashby Armfield (1882-1972) Aquarius - as lot 345 Titled and annotated Pencil and watercolour 61 x 37cm; 24 x 14½in Exhibited: as lot 345 £300-400

348

347. ‡ Maxwell Ashby Armfield (1882-1972) Landscapes including Minchinton, Cotswolds and Dockens, New Forest and costume designs Seven, some signed with a monogram and some dated Mixed media, most on buff paper 13 x 19cm; 5 x 7½in and similar (7) £300-400

349

348. ‡ Maxwell Ashby Armfield R.W.S. (1882-1972) Still lifes of roses in a vase and carnations in a vase A pair, both signed with a monogram Both watercolour 23 x 13.5cm; 9 x 5¼in and similar (2) £400-600 349. ‡ Maxwell Ashby Armfield (1882-1972) Still life of poppies and summer flowers in a basket with a butterfly Signed with a monogram Tempera on canvas laid on board 35.5 x 30.5cm; 14 x 12in £1,200-1,800 350. ‡ Allan Gwynne-Jones R.A. (1892-1982) Japanese Anemones in a green jug Signed with initials Watercolour 23 x 15cm; 9¼ x 6in Exhibited: Grosvenor Galleries, 1923 £400-600

350

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351 351. ‡ Edward Brian Seago R.W.S. (1910-1974) Quayside at Hoorn, Holland Signed Pen ink and watercolour 25.5 x 35cm; 10 x 13¾in Provenance: Stacy-Marks Gallery 24th May 1994 No. S.1452 £3,000-5,000

353. ‡ Johanna Corbière (Finnish/French b.1959) In the Alhambra Gardens May 1983 A pair, both signed, one titled and dated verso Both oil on board Each 14 x 21cm; 5½ x 8¼in (2) £200-300

352. ‡ Edward Wesson R.I., R.B.A. (1910-1983) St. Paul’s from Blackfriars Signed and titled Watercolour 32 x 45.5cm; 12½ x 18in (sheet size) £300-500

352

353

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30

354

355 354. ‡ Lawson Wood (1878-1957) Supper Time Signed, also Artist’s labels verso Watercolour 50.5 x 34.5cm; 20 x 13½in £500-700 355. ‡ Raymond Watson (b.1935) Nuthatch on a tree Signed Gouache and watercolour 35 x 25cm; 13¾ x 9¾in £300-400

356

356. ‡ Helen Layfield Bradley (1900-1979) George and I had been to take a note from Aunt Frances to James Alfred Buckley (the Chemist) and coming back we thought we heard a growling noise. George said he was sure it was Biddy Murphy & Tiger Inscribed Watercolour 23.5 x 25.5cm; 9 x 10in Provenance: From the artist’s family £800-1,200

357 357. ‡ Edward Wolfe R.A. (South African/British 1897-1982) Man’s head, Ronda Café Signed Blue chalk 47 x 30.5cm; 14½ x 12in Exhibited: The Millinery Works Gallery, London, 2003 £200-300 358. ‡ Jo Brocklehurst (1935-2006) Portraits of a lady A pair, both signed and dated 1977 Both chalk Each 81 x 58cm; 32 x 23in (2) Provenance: Seen Galleries Ltd., London 19th July, 1977 Nos. 4757 & 4759 £400-600

358

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359

361 359. ‡ Gerald Edward Moira V.P.R.O.I., R.W.S. (1867-1959) Rhubarb harvest Signed and dated 1932 Oil on board 92 x 122cm; 36 x 48in Provenance: Royal Institute of oil painters Walker Art Gallery, Liverpool Exhibited: Liverpool Autumn 59th Exhibition, 1933 £6,000-8,000

360

362 360. ‡ Gerald Edward Moira V.P.R.O.I., R.W.S. (1867-1959) Children playing among rocks Signed and dated 1912 Oil on canvas, unframed 99 x 96cm; 39 x 38in £2,000-3,000

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361. ‡ Gerald Edward Moira V.P.R.O.I., R.W.S. (1867-1959) Bavarian harvesters Oil on canvas 76 x 64cm; 30 x 25in Provenance: Royal Institute of oil painters £1,000-1,500

362. ‡ Gerald Edward Moira V.P.R.O.I., R.W.S. (1867-1959) A folio of paintings and sketches Some signed Most oil on paper or board 51 x 61cm; 20 x 24in and smaller (c.19) £800-1,200

32

363

363. ‡ Marcel Dyf (French 1899-1985) Rivière à Autun, Bourgogne Signed Oil on canvas 60 x 74cm; 23½ x 29in Claudine Dyf has confirmed that this was painted in 1970 and it is No. 4991 in the Catalogue Raisonné Provenance: Richard Green Gallery £10,000-15,000

364. ‡ Marcel Dyf (French 1899-1985) Glaneuses après la Moisson Signed Oil on canvas 38 x 46cm; 15 x 18in No. 4824 in the Catalogue Raisonné, painted in 1940 £3,000-5,000

365. ‡ Marcel Dyf (French 1899-1985) Moisson en Provenance Stamped Oil on board 20 x 26cm; 7¾ x 10¼in No. 4965 in the Catalogue Raisonné, painted in 1940 £600-800

20th Century & Contemporary Art

33

364

365

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34 366.

Antal Berkes (Hungarian 1874-1938) A Parisian street scene Signed also stamped verso with the stamp of the Hungarian National Gallery, necessary for export approval Oil on canvas 40 x 50cm; 15¾ x 19¾in £400-600

367

366

368

369 367. ‡ Jacques Blanchard (French 1912-1992) Still life of grapes in a dish by a glass Signed Oil on board 22 x 26.5cm; 8¾ x 10½in Provenance: Frost and Reed No. 28674 £250-350 368.

L. Gerard (c.1900) Still life of flowers on a forest floor Signed Oil on canvas 33 x 40.5cm; 13 x 16in £200-300

370 370. ‡ Lluís Ribas Castellsague (Spanish b.1949) A seated nude Signed Oil on canvas 55 x 46cm; 21½ x 18in £300-500

371 371. ‡ Lesley Ann Gorton (b.1939) Wooded country lane Signed and dated 75 Oil on canvas 91 x 76cm; 36 x 30in £300-500

369. ‡ Brian Davies (b.1942) Still life of seashells Signed Oil on panel 20.5 x 30.5cm; 8 x 12in £800-1,200

20th Century & Contemporary Art

35 372. ‡ Roger Charles Dessouter (b.1923) The marsh track in winter Signed Oil on canvas 61 x 76cm; 24 x 30in Provenance: Frost & Reed, 26.03.85, Stock No. D-3004 £400-600 373. ‡ Rex Phillips (b.1931) Dhow and Frigate off Muscat Signed and dated 85 Oil on canvas 40.5 x 51cm; 16 x 20in £150-250

372 375. ‡ Tom Kerr (Northern Irish 20th Century) Snowy winter landscape Signed Watercolour over pencil 36 x 73cm; 14 x 28¾in £100-150

374. ‡ Michael D’Aguilar (1924-2011) Regatta Signed Oil on canvas laid on board 30.5 x 40.5cm; 12 x 16in £200-300

374

376

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373 376. ‡ Rowland Suddaby (1912-1972) Coastal view with a yacht Signed and dated 62 Watercolour 53 x 61cm; 21 x 24in Provenance: Blond Fine Art, London, 6.11.80., No. 26 £500-700

375

377

377. ‡ Valerie Thornton (1931-1991) Entry into Jerusalem Oil on canvas 76 x 101cm; 30 x 40in Exhibited: Redfern Gallery, London, 1992, No. LP12438 £400-600

36 378. ‡ Bernard Dunstan R.A. (b.1920) Study for Cottage Bedroom Signed and titled verso Oil on canvas laid on board 20 x 14cm; 8 x 5½in The artist’s wife Diana Armfield painted at their cottage in Bala, North Wales £600-800 379. ‡ Louis Pastour (French 1876-1948) Still life of Anemones Signed Oil on board 20 x 12.5cm; 8 x 5in £200-300

378

379

380.

K.W. c.1927 Still life of flowers and a book on a table Signed with initials and dated 27 Oil on canvas 73.5 x 89.5cm; 29 x 35¼in £500-700

381. ‡ John Gascoigne Lake (1903-1975) Camber Castle Signed Watercolour 43 x 60cm; 17 x 23½in Provenance: Mayor Gallery London, 1950 Exhibited: Art Exhibitions Bureau, London, Britain in Pictures, 1950 Towner Memorial Exhibition to John Lake, 1975 £100-150 382. ‡ Edward Wakeford A.R.A. (1914-1973) Landscape with a red house Signed Watercolour 42 x 66cm; 16½ x 26in Provenance: Christie’s, 13th June 1997 lot 286 £100-150

380

381

382

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383 383. ‡ Edward Burra (1905-1976) The Unruly Child With stamped signature Pencil 60.5 x 49cm; 24 x 19¼in

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Provenance: Sotheby’s, 3rd July 2002 lot 255 Works from the estate of Edward Burra Purchased from this sale by the present owner £5,000-7,000

38

384

385 384. ‡ John Shelley (b.1938) Scene in Kent Signed, titled and dated 1970 verso Oil on board 59 x 74cm; 23 x 29in Provenance: The Trafford Gallery, London £600-800 385. ‡ Frank Wootton (1911-1998) A Norfolk Mill Signed, also signed and titled verso Oil on canvas 41 x 58cm; 16 x 23in Provenance: E. Stacey Marks, 27.01.88, W750 £1,000-1,500

386

387

386. ‡ Carl Hacher (German 1880-1958) Shepherd and flock in an extensive landscape Signed Oil on canvas 93 x 101cm; 36½ x 39½in £600-800 387. ‡ Jean E. Cooke R.A. (1927-2008) Cockerels and chickens Signed Oil on canvas 91.5 x 61cm; 36 x 24in £500-1,000 388. ‡ Jean E. Cooke R. A. (1927-2008) Wengen near the Eiger and Jungfrau Signed, also signed and dated 1992 verso Oil on paper 12 x 14.75cm; 4¾ x 5¾in Exhibited: Royal Academy of Arts Summer Exhibition 1996 £100-150

388

20th Century & Contemporary Art

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389 389. ‡ Sir Kyffin Williams R.A. (Welsh 1918-2006) Gorferydd No.1 Signed with initials Oil on canvas 64 x 76cm; 25 x 30in Provenance: Thackeray Gallery, purchased by Mr and Mrs J.T. Jenkins, 12th March 1986 Christie’s, King Street, London 12th July 2012 lot 476 Private collection £15,000-20,000

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40

390

391

390. ‡ Josef Herman R.A. (1911-2000) Man with nets Signed on backing board verso Watercolour 18.5 x 24.5cm; 7¼ x 9½in £800-1,200

392

394 393.

Kenneth Robertson MacQueen (Australian 1897-1960) Girl and cattle in the shade of the gum trees Signed and dated 1926, also inscribed Pebble and Poddies on backing board verso, probably by another hand Watercolour over pencil 38 x 46cm; 15 x 18in £500-700

393

391. ‡ David Hutter (1930-1990) Figure against the light Signed Oil on canvas 51 x 61cm; 20 x 24in £200-300 392. ‡ David Denby (b.1946) Studio still life with a bust, a conch and a chimney reflected in a mirror Signed and inscribed on the frame verso Oil on canvas 81 x 96cm; 32 x 38in Provenance: The Property of Harriet Wynter, removed from Résidence St. Michel, Cannes, France. £400-600

395 394. ‡ Oliver Campion (1928-2000) Pouzolles Signed, also signed, titled and dated 1987 verso Oil on canvas 37 x 46cm; 14½ x 18in Exhibited: New Grafton Gallery, London 26.11.88, Cat. No. 29 £200-300

395.

Keith Namatjira (Australian 1938-1977) Australian landscape with gum trees Signed Watercolour 34.5 x 51cm; 13½ x 20in £150-250

20th Century & Contemporary Art

41 396. ‡ Pamina Liebert Mahrenholtz (20th Century) Portrait of a seated figure Signed with initials Oil on board 24 x 26cm; 9½ x 10¼in £500-700 397. ‡ Pamina Liebert Mahrenholtz (20th Century) Portrait of a nude with a further study verso Signed with initials Oil on board 48 x 42cm; 19 x 16½in £500-700

396

397

398. ‡ Ben Levene R.A. (1938-2010) Summer landscape, possibly Herefordshire Signed with a monogram, also signed verso Oil on canvas 45.5 x 48cm; 18 x 19in £300-400 399. ‡ Luke Elwes (b.1963) Connemara, Ireland, 1986 Oil on board 38 x 35cm; 15 x 13¾in Provenance: Ian McVitie Weston, Horsham £200-300 400. ‡ Christian Brett (20th Century) Cretan Dawn Signed with initials XB Oil on board 71 x 91cm; 28 x 36in Provenance: The New Art Centre, London, No. 873c £200-300 401. ‡ Andrew Macara (b.1944) Tree Shadow at San Bartolemeo, Italy Signed, titled on a label verso Oil on canvas 41 x 56cm; 16 x 22in £400-600

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398

400

399

401

42 402. ‡ Thomas George (American 1918-2009) Lower rose terrace, 1992 Signed Pastel 60 x 45.5cm; 23¾ x 18in Provenance: Julian Hartnoll Gallery, London Commissioned by The National Trust Exhibited: National Trust, A Garden Revealed: Bodnant, N. Wales, April/May 1993, Catalogue included £100-150

402

403

404

405

403.

English School mid 20th Century Abstract composition Signed indistinctly and dated 1955 Oil on canvas 64 x 51cm; 25 x 20in Exhibited: Daily Express Young Artist’s Exhibition, New Burlington Galleries, 1955, catalogue included (2) £100-150 404. ‡ Tony Todd (20th Century) Darling buds of May I Signed Acrylic on board 54 x 72cm; 21¼ x 28¼in £200-300 405. ‡ Anne Mortimer R.M.S., S.B.A. (b.1958) Christmas Mouse Signed Watercolour 17 x 18cm; 6½ x 7in Illustration from Christmas Mouse with a signed copy of the book, published by Harper Collins 2013 (2) £150-250

406 406. ‡ Anne Mortimer R.M.S., S.B.A. (b.1958) Christmas Play Signed Watercolour 19.5 x 19.5cm; 7¾ x 7¾in Illustration from A Pussycat’s Christmas

by Margaret Wise Brown with a copy of the book signed by Anne Mortimer, published by Harper Collins 2010 (2) £250-350

407 407. ‡ Anne Mortimer R.M.S., S.B.A. (b.1958) Would you like some gingerbread?

Signed Watercolour 19.5 x 21.5cm; 7¾ x 8½in Illustration from Christmas Mouse with a signed copy of the book, published by Harper Collins 2013 (2) £150-250

20th Century & Contemporary Art

43 408. ‡ Frederick Newton Souza (Indian 1924-2002) The Inquisitor Signed and dated ‘58 Pen and ink 20 x 12cm; 8 x 4¾in Provenance: Given by the artist to his friend Robert Wraight Given by Wraight to the present owner Sold with a copy of Robert Wraight’s book The Art Game, which illustrates a portrait of the author by Souza (2) £800-1,200

409. ‡ Adrian Heath (1920-1992) Drawing IV, 1983 Signed and dated ‘83 Watercolour with chalk 75 x 55cm; 29½ x 21½in Provenance: The Redfern Gallery, London, 11 May, 1983 £500-700

410

408

410. ‡ Christopher Le Brun P.R.A. (b.1951) Union - horse with two discs, 2001 Signed Charcoal and watercolour 45 x 65cm; 17¾ x 21½in Provenance: New Art Centre, Sculpture Park and Gallery, Roche Court £200-300 411. ‡ John Hubbard (b.1931) Vase of flowers No. 1, 1984 Charcoal on paper 68 x 56cm; 26¾ x 22in Exhibited: Museum of Modern Art, Oxford, 1985, No. 28, with catalogue included £100-150 409

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411

44

412

413 412. ‡ David Mach R.A. (b.1956) The Tartan Army I, M8 Project Collage 57 x 82cm; 22½ x 32¼in Provenance: Jill George Gallery, London, 1994 £800-1,200 413. ‡ John Bratby R.A. (1928-1992) Broken flower pot Signed, inscribed to Merton Naydler and dated 1975 Oil on board 61 x 61cm; 24 x 24in £600-800

414. ‡ Rachael Kantaris (b.1967) Curlicue Signed, titled and dated 2005 verso Acrylic on board 20.5 x 25.5cm; 8 x 10in Provenance: The Great Atlantic, Cornwall 21/2/07 £100-150

415

414 415. ‡ Martin Bradley (b.1931) Abstract on blue Watercolour 43 x 57cm; 17 x 22½in Provenance: Wenlock Fine Art, Much Wenlock, Shropshire £1,000-1,500

416 416. ‡ Richard Slater R.I. (b.1927) Harbour scene by moonlight Signed Watercolour 43 x 51.5cm; 17 x 20in £150-250

417 417. ‡ Amanda Thompson (20th/21st Century) Beach Series No. 7 Signed, also signed, titled and dated August 2005 verso Watercolour with pen and ink 24 x 34cm; 9½ x 13½in Provenance: The Great Atlantic, Cornwall 18/6/08 £200-300

20th Century & Contemporary Art

45

418 418. ‡ Brian Ingham (1936-1997) Looking South, 1989-96 Signed, titled and dated verso Oil and pencil on canvas laid on board 38.5 x 107cm; 15 x 42in Provenance: Francis Graham-Dixon Gallery, London, No C.4181 £4,000-6,000

419. ‡ Felim Egan (Irish b.1952) Beginning 2002 Signed and dated verso Acrylic and mixed media on canvas, unframed 75 x 75cm; 29½ x 29½in £800-1,200

419 420. ‡ Heather Jansch (b.1948) Untitled horse study Signed and dated 1989 Oil on board with collage 86 x 121cm; 34 x 47½in Provenance: Ashburton Gallery label verso £1,000-1,500

420

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46 421. ‡ Jennifer McRae (b.1959) The Etcher Signed and dated 98 Oil on canvas 25 x 20cm; 10 x 8in Provenance: Beaux Arts, London £300-500

424. ‡ Jennifer Durrant R.A. (b.1942) Untitled Signed and dated ‘86 Watercolour with collage 40.5 x 57cm; 16 x 22½in £150-250

422. ‡ Donald Plenderleith (1921-1995) Rock Pool No. 2 Signed, also signed and titled verso Oil on canvas 76 x 51cm; 30 x 20in £150-250 423. ‡ Raoul (20th Century) Abstract figure Signed, dated Xmas 1967 and inscribed To Daddy Watercolour with pen and ink 15 x 20.5cm; 6 x 10in With a study of a nude, signed indistinctly and dated 70 on a label verso (2) £150-250

425. ‡ Robert Sawyers (1923-2002) Cyclist and Mascot Signed with a monogram Watercolour 37 x 56cm; 14½ x 22in Provenance: The Singer & Friedlander Sunday Times Watercolour Competition 1994 £400-600

421

422

424

423

425

20th Century & Contemporary Art

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426

427

429 426. ‡ Charles Neal (b.1951) Poppies and Clematis Signed Oil on canvas 92 x 38cm; 36 x 15in Provenance: The Painted Garden, Cerney House £150-250 427. ‡ Jacob Bornfriend (Czech 1904-1976) Casino Paris Signed and dated 61 Oil pastel on printed paper 30 x 16cm; 12 x 6¼in £300-500

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428

430 428. ‡ Jacob Bornfriend (Czech 1904-1976) Abstract Signed Oil pastel 34 x 25cm; 13½ x 10in £300-500 429. ‡ Martin Fuller (b.1943) Untitled Signed and dated 03 Oil on board 45.5 x 40.5cm; 18 x 16in Provenance: Jonathan Clark, London, Two Queer Fellows 9-22nd July 2003 £100-150

431 430. ‡ Roy Turner Durrant (1925-1998) The sunset, the sea & me Signed, titled and dated 56 twice Watercolour 25.5 x 20cm; 10 x 8in Provenance: Katharine House Gallery, Marlborough 28/4/07 £200-300 431. ‡ John Howlin (b.1951) Appian 1 Signed, titled and dated Jun ‘65 verso Acrylic and emulsion 101.5 x 76cm; 40 x 30in £100-150

48

432

433

436 432. ‡ William Gear R.A. (1915-1997) Structure in Blue & Yellow Signed and dated 1958 Mixed media on paper 57 x 79cm; 22½ x 31in £800-1,200 433. ‡ Norman Adams R.A. (1927-2005) Angels looking down onto Golgotha Signed with initials and dated 61, also signed, titled and dated verso Oil on hessian, unframed 56 x 46cm; 22 x 18in Provenance: Roland, Browse & Delbanco £300-500 435

434

437 434. ‡ Michael Canney (1923-1999) Abstract with purple Signed with initials and dated 1980 Mixed media with collage 13 x 10cm; 5 x 4in Provenance: The Great Atlantic, Cornwall 24/4/08 £300-500

436. ‡ Maurice Cockrill R.A. (1936-2013) Divided Gouache on paper Signed and dated 2001 56 x 76cm; 22 x 30in Provenance: Katharine House, Marlborough 28/11/06 £500-700

435. ‡ Richard Adams (b.1960) A country house and village scene Watercolour with pastel 115 x 31cm; 45¼ x 12¼in £500-800

437. ‡ Marie Laywine (Canadian/British b.1986) Bewildered Signed verso Acrylic on board 27.5 x 19cm; 10¾ x 7½in Provenance: Purchased direct from artist With a lithograph by Clifford Fishwick 1951 (2) £150-250

20th Century & Contemporary Art

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439

438 438. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) Tatra Signed, titled and dated 1997 verso Cast plaster 18.5cm; 7¼in long Provenance: A gift from the artist to the previous owner Purchased by the present owner March 2014 £300-500 439. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) Grand Prix Car Signed and inscribed For Alex verso Cast plaster 13.5cm; 5¼in long Provenance: As lot 438 £300-500

440. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) The High Speed Locomotive DA de TM Cast plaster 16.5cm; 6½in long Provenance: As lot 438 £100-150 441. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) Tatra Signed, inscribed For Colin, dated 1997 and titled verso Cast plaster 18.5cm; 7¼in long Provenance: As lot 438 £300-500

442. ‡ Sir Eduardo Paolozzi R.A. (Scottish 1924-2005) Car Signed, inscribed For Colin, dated 1997 verso Cast plaster 20cm; 8in long Provenance: As lot 438 £300-500

440

441

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442

50 443. ‡ After Raoul Dufy (French 1877-1953) La Mer Printed signature, numbered 12/20 Lithograph, mounted, unframed 26.5 x 44cm; 10½ x 17¼in £100-150

443

444

445

446 444. ‡ After Raoul Dufy (French 1877-1953) Claude Debussy Numbered 113/175 Lithograph 43 x 49cm; 17 x 19¼in Provenance: The Nick Rocke collection £200-300

447

445. ‡ Graham Sutherland O.M. (1903-1980) The Fountain, 1965 Signed and numbered 27/55 Colour lithograph, printed

by Fernard Mourlot, Paris, published by Marlborough Fine Art Ltd. (Tassi 71) 72 x 51cm; 28¼ x 20in £300-500

446. ‡ Graham Sutherland O.M. (1903-1980) Turning Form, 1948 Signed Lithograph, [Tassi 50] 48 x 63cm; 19 x 25¾in £300-500 447. ‡ Charles Keeping (1924-1988) Coal Cart V Signed, titled, dated October 1956 and numbered 5/10 Lithograph 44 x 57.5cm; 17¼ x 22½in Provenance: Blond Fine Art £200-300

20th Century & Contemporary Art

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448

448. ‡ John Piper (1903-1992) Eastnor Castle, Hereford, 1983 Signed and numbered 53/70 Screenprint, Levinson 359 48 x 68cm; 19 x 26¾in Exhibited: New Grafton Gallery, London, 15.2.84, No. 21 £800-1,200 449. ‡ John Piper (1903-1992) San Zobenigo Signed artist’s proof Colour lithograph, Levinson 118 79 x 58cm; 31 x 23in (sheet size) £400-600 450. ‡ John Piper (1903-1992) Dylwyn Church, 1966 Signed and numbered 38/75 Lithograph, published

by Marlborough Fine Art, Ref. Levinson 177 79 x 56cm; 31 x 22in Provenance: Wiseman Originals £400-600

449

451. ‡ John Piper (1903-1992) Nude 1, 1986 Signed and numbered 17/70 Etching with aquatint 71 x 51cm; 28 x 20in (sheet size) Provenance: Goldmark Gallery, Uppingham, No. 48218 £600-800 452. ‡ John Piper (1903-1992) Eye and Camera: Red, Blue and Yellow, 1980 Signed Screenprint from an edition of 150, Levinson 317 43 x 63cm; 17 x 24¾in Provenance: Goldmark Gallery, Uppingham, No. 42397 £400-600

450

451

452

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52 453.

Marc Chagall (Russian/French 1887-1985) Les deux Taureaux et une Grenouille; La Lice et sa Compagne Two, both signed and numbered 16 and 14 Etchings from The Fable of La Fontaine commissioned by Vollard Each 29.5 x 23cm; 11½ x 9in £700-1,000

453 454.

Henri de Toulouse-Lautrec (French 1864-1901) Yves Guilbert - Soularde, 1898 Lithograph, Ref. Adriani 256 state ii/ii 32 x 26cm; 12½ x 10¼in From the album, Yvette Guilbert a series of 9 lithographs and title, published Bliss & Sands, London 1898. Edition of 350, Printed grey-black ink over beige stone, not to be confused with the later (1930) edition printed in green £300-500 455. ‡ Jacques Villon (French 1875-1963) Femme Cubiste, 1914 Signed and numbered 128/175 Lithograph, published H. Deschamps, 1962 58.5 x 28cm; 23 x 11in £500-800

454

455 456. ‡ Georges Braque (French 1882-1963) Still life of fruit in a bowl Signed and numbered 261/300 Colour lithograph 24 x 35cm; 9½ x 13¾in Provenance: The Nick Rocke collection £200-300

456

20th Century & Contemporary Art

53 457. ‡ Henry Moore O.M., R.A. (1831-1895) Mother and child XVIII, 983 Signed and numbered 21/65 Etching, aquatint and roulette 28 x 21cm; 11 x 8¼in £1,200-1,500

458. ‡ Henry Moore O.M., R.A. (1898-1986) Six stone figures Signed and numbered 5/75 Colour lithograph, Ref. Cramer 299 36 x 25.5cm; 14 x 10in £500-800

459. ‡ Henry Moore O.M., R.A. (1898-1986) Two black forms - metal figures Signed, dated 73 and numbered 34/80 Lithograph, Ref. Cramer 307 41 x 32.5cm; 16 x 12½in £500-800

457

458

w w w.w o o l l e y a n d w a l l i s . c o.u k

459

54 460. ‡ Sir Terry Frost R.A. (1915-2003) Love Tree Signed and numbered 13/85 Silkscreen with collage 100 x 81cm; 39¼ x 32in £1,000-1,500

461. ‡ Alan Davie R.A. (1920-2014) Zurich Improvisations XI Signed, dated 65 and numbered 36/75 Lithograph, Editions Alecto cat. no. EA52 62 x 88cm; 24½ x 34in £150-250

462. ‡ Sandra Blow R.A. (1925-2006) Untitled Two, both signed, dated 1968 and numbered 9/50 and 4/50 Screenprint, one with applied sand Each 76 x 57cm; 30 x 22½in (2) £100-200

460

463. ‡ Sir Terry Frost R.A. (1915-2003) Far Away and Alone, Black Pony, Big Moon and Olives in my Saddle-bag Signed and dated 76 Screenprint 56 x 76cm; 22 x 30in £300-500

461

462

463

20th Century & Contemporary Art

55 464. ‡ William Tillyer (b.1938) Garden fences Signed and numbered 25/100 Screenprint, unframed 71 x 91.5cm; 28 x 36in Provenance: Bernard Jacobsen £200-300 465. ‡ Bruce McLean (Scottish b.1944) Two heads, one pipe Signed, inscribed Stage proof and dated 1984 Screenprint, unframed 102 x 80cm; 40 x 31½in Provenance: Coriander Studio £300-500 466. ‡ M. Michie c.1970 Batik figure Signed and dated 70 Mixed media on fabric 106 x 56.5cm; 41¾ x 21½in £100-150

465

464

466

467. ‡ Jo Barry (20th Century) New Forest views Six, all signed, titled and numbered All etchings 24.5 x 27cm; 9½ x 10½in and smaller (6) Provenance: The New Academy Gallery, London £100-150

467 468. ‡ Joe Tilson R.A. (b.1928) Grania Signed, dated 1994 and numbered AP 8/10 Screenprint with lithograph, unframed 79 x 56cm; 31 x 22in Provenance: Published by the Royal College of Art £300-500

469

w w w.w o o l l e y a n d w a l l i s . c o.u k

468 469. ‡ Hiroshi Shimura (Japanese b.1949) Forest views Three, all signed and numbered All silkscreens Two at 27.5 x 58.5cm; 10¾ x 23in and one smaller (3) £150-250

56 470. ‡ Donald Hamilton Fraser R.A. (1929-2009) Ballerina seated, lacing her shoes Signed and numbered 237/275 Silkscreen 49 x 67cm; 19¼ x 26¼in Provenance: CGA Galleries, London £100-150

471. ‡ Donald Hamilton Fraser R.A. (1929-2009) Ballerina resting Signed and numbered 30/150 Silkscreen 71 x 53cm; 28 x 21in Provenance: CGA Galleries, London £100-150

470 472. ‡ Donald Hamilton Fraser R.A. (1929-2009) Ballerina lacing up, standing on one leg Signed and numbered 237/275 Silkscreen 74 x 51cm; 29 x 20in Provenance: CGA Galleries, London £100-150

471

472

473

473. ‡ Donald Hamilton Fraser R.A. (1929-2009) Ballerina at the bar Signed and numbered 44/150 Silkscreen 71 x 53cm; 28 x 21in Provenance: CGA Galleries, London £100-150 474. ‡ Basil Beattie (b.1935) Breathing deep Signed, titled and numbered 2/24 Lithograph 63 x 90cm; 24¾ x 35½in Provenance: Curwen Gallery, London £100-150

474

475

475. ‡ Allen Jones R.A. (b.1937) Shimmy Signed, dated 96 and numbered 97/100 Lithograph, unframed 76 x 57cm; 30 x 22½in Provenance: Published by the Royal College of Art £250-350

476. ‡ Enid Crystal Dorothy Marx (1902-1998) Wally Dogs Signed, titled and numbered Linocut 35.5 x 51cm; 14 x 20in £100-150

476

20th Century & Contemporary Art

57

INDEX OF ARTISTS A Adams, Norman Adams, Richard Anderson, Stanley Armfield, Maxwell A.

433 435 251, 252 345, 346, 347, 348, 349

B Barry, Jo 467 Beattie, Basil 474 Berkes, Antal 366 Biegel, Peter 296 Blakey, John A. 332 Blampied, Edmund 253, 254, 255, 256, 257 Blanchard, Jacques 367 Blow, Sandra 462 Bornfriend, Jacob 427, 428 Bradbury, Arthur Royce 271 Bradley, Helen Layfield 356 Bradley, Martin 415 Brangwyn, Sir Frank 246 Braque, Georges 456 Bratby, John 413 Brett, Christian 400 Brocklehurst, Jo 358 Brun, Christopher le 410 Burra, Edward 383 C Calthrop, Dion Clayton Campion, Oliver Canney, Michael Castellsague, Lluis R. Chagall, After Marc Chitty, Cyril Cockrill, Maurace Cooke, Arthur Claude Cooke, Jean E. Cooper, Sir Edwin Corbiere, Johanna Cubley, Henry Hadfield Cuneo, Cyrus Cuneo, Terrence T. D D’Aguilar, Michael Davie, Alan Davies, Brian Denby, David Dessouter, Roger Charles Dewhurst, Wynford Dickson, K. W. Dismorr, Jessica Dodd, Francis H. Downing, George Henry Dufy, After Raoul Dufy, Raoul Dunlop, Ronald O. Dunstan, Bernard Durrant, Jennifer Durrant, Roy Turner Dyf, Marcel

270 394 434 370 453 291 436 317 387, 388 284 353 305 328 327 374 461 369 392 372 293 336 276 295 287 443 444 343 378 424 430 363, 364, 365

E Egan, Felim Egginton, Frank J. Elwes English School Erganian, Sarkis

419 340 399 308, 309, 329, 403 322

F Flint, Sir William R. Fraser, Donald H. Frost, Sir Terry Fuller, Martin

259 470, 471, 472, 473 460, 463 429

G Gear, William George, Thomas Gerard, Henry Gerard, L. Gilbery, Michael Goodall, John Strickland Goodwin, Albert Goodwin, Robin Gorton, Lesley Ann Goya, Francisco J. de Griggs, Frederick L. Gwynne-Jones, Allan

432 402 321 368 331 292 280, 281 330 371 243 247, 248, 249, 250 350

H Hacher, Carl Hayden, Henri Heath, Adrian Helleu, Paul Cesar Herman, Josef Hilder, Rowland Hillier, Tristram Hoboken, Jemmy van Hofler, Max Hollmas, Frances Mabel Howlin, John Hubbard, John Hutter, David

386 279 409 258 390 306, 307, 342 320 299 335 312, 313 431 411 391

I Ingham, Brian J Jansch, Heather John, Augustus Edwin John, Circle of Augustus E. Jones, Allen K K. W. Kantaris, Rachael Keeping, Charles Kemp-Welch, Lucy Elizabeth Kennington, Eric Henri Kerr, Tom Knight, Dame Laura

418 420 245, 303, 304 302 475 380 414 447 315 278 375 314

L Lake, John Gascoigne 381 Laywine, Marie 437 Lee-Hankey, William 285 Levene, Ben 398 Lucas, Albert Durer 264, 265, 266, 267, 268, 269 M Macara, Andrew Mach, David MacInnes, Colin Macqueen, Kenneth R. Mahrenholtz, Pamina L. Marx, Enid Crystal D. Maze, Paul Lucien McEvoy, Arthur Ambrose McLean, Bruce McRae, Jennifer Michie, M. Milne, John Maclauchlan Moira, Gerald Edward Moore, Henry Mortimer, Anne Munnings, Sir Alfred J.

401 412 324 393 396, 397 476 339 300 465 421 466 277 359, 360, 361, 362 457, 458, 459 405, 406, 407 297, 298

N Namatjira Nash, Paul Naviasky, Philip Neal, Charles

395 262 333 426

P Palmer, Samuel 244 Pannett, Juliett 337 Paolozzi, Sir Edouardo 438, 439, 440, 441, 442 379 Pastour, Louis Phillips, Rex 373 Piper, John 448, 449, 450, 451, 452 Plenderleith, Donald 422 Popham, James Kidwell 341 Priestman, Bertram W. 334 Prout, Margaret Fisher 294 Purvis, Tom 318 R Raoul Rennie, Ita Richter-Lossnitz, Georg

423 310 290

S Salisbury, Frank O. 272, 273, 274, 275 Sawyers, Robert 425 Schuster, Karl Maria 323 Seago, Edward Brian 351 Segonzac, Andre A. M. D. de 316 Senior, Mark 319 Shelley, John 384 Shimura, Hiroshi 469 Simmons, Eyres 286 Slater, Richard 416 Souza, Frederick Newton 408 Squirrell, Leonard R. 338 Steer, Philip Wilson 301 Stoney, N. 261 Suddaby, Rowland 376 Sutherland, Graham 263, 445, 446 T Thompson, Amanda Thornton, Valerie Tillyer, William Tilson, Joe Todd, Tony Toulouse-Lautrec H. de

417 377 464 468 404 454

V Venetian School Villon, Jacques

326 455

W Wakeford, Edward Watson, Raymond Wesson, Edward Whistler, Attrib. to J. A. M. Whistler, Circle of J. A. M. Wiliams, Sir Kyffin Wilkinson, Norman Wolfe, Edward Wood, Lawson Wootton, Frank

382 355 352 288 289 389 282, 283 357 354 385

Y Young, Jean

325

Z Zorn, Anders Leonard

260

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays.

VIEwING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIddING IN tHE ROOM to bid at auction you will need a paddle number. this can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered.

REGIStERING wItH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. to register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk.

You will be asked to show your documents, or fax or email copies.

lIVE ONlINE BIddING live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. to bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise woolley and wallis Salisbury Salerooms ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to woolley and wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that woolley and wallis Salisbury Salerooms ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONdItION REPORtS the relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. the colours printed in the catalogue are not necessarily true.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

SAlE RESUltS these will be posted on our website shortly after the sale.

COMMISSION BIddING If you are unable to attend the sale you can leave a commission bid. this will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAt on the first £500,000 of the hammer price and 12% + VAT thereafter.

tElEPHONE BIddING It is usually possible to bid on the telephone by prior arrangement with the office.

PAYMENt ANd ClEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

ARtISt’S RESAlE RIGHt / dROIt dE SUItE ‡ droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. we are no longer able to accept card payments of over £1,000 where the cardholder is not present.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Wire transfers should be sent to: lloyds tSB, Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20lOYd30974100957707 BIC code lOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAt Debit cards: delta, Switch, Connect

droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. this will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAt Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAt at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales tax % column indicates the rate of VAt on hammer price.

CItES REGUlAtIONS Please note that lots marked λ may be subject to CItES Regulations when exported. the CItES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

Valuations PROBAtE VAlUAtIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VAlUAtIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

we also carry out valuations for Family division, Capital Gains tax, and Private treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCtION VAlUAtIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

woolley and wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Absentee Bid Form 20th Century & Contemporary Art Wednesday 10th December 2014 PW101214

PLEASE PRINT CLEARLY IN BLOCK LETTERS lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) ���������������������������� ���������������������������������������������������� Address �������������������������������������������� ���������������������������������������������������� ���������������������������������������������������� ������������������������� Postcode ����������������� daytime telephone ���������������������������������� Email����������������������������������������������� Debit/Credit Card details: VISA OtHER

MAStERCARd

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(please specify)

we do not accept American Express cards

If you have not settled your account within 21 days of the auction woolley and wallis Salisbury Salerooms ltd reserves the right to debit all charges due. there is no surcharge for debit card payments, but for credit cards there will be a 2% (+ VAT) surcharge. By signing below you are authorising this payment to be taken by us. Id is required for all first time bidders.

Signature ������������������������������������������� Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief description

Price excluding buyer’s premium & VAt

SOCIEtY OF FINE ARt AUCtIONEERS ANd VAlUERS and the ROYAl INStItUtION OF CHARtEREd SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms.

All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues.

Our staff will be happy to help you if there is anything you do not fully understand.

2.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. the lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. they are in no sense definitive.

4.

The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

5.

VAT. (*) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European Union and is not operating the dealers Margin Scheme or because VAt is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

6.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7.

Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4.

Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. to justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5.

Illustrations. the cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8.

Electrical items. these are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9.

Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. the rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

2.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

3.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE woolley & wallis Salisbury Salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5.

VALUE ADDED TAX Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6.

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COllECt any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COllECtION, storage and insurance charges. (c) No purchase MAY be COllECtEd ANd wE SHAll NOt RElEASE ANY lOt tO YOU OR YOUR AGENt until it has been paid for.

8.

REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

(a)

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE the seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. this Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

After Edward Lear: In our opinion a copy of a known work of the artist. the term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. the term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width.

Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Page width 202mm. Use this box to centre artwork!

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan CloCks, WAtChes & sCientiFiC instruments Richard Price Gemma Bush

424506 424591 424583 424589

07741 242421 339752

english & europeAn CerAmiCs & glAss Clare Durham Amanda Lawrence

424507 329477

Furniture Mark Richards Jim Gale Anna Brown

411854 339161 411854

JeWellery Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

pAintings Victor Fauvelle Jo Butler

424503 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

20th Century Design Michael Jeffery Amanda Lawrence

424505 329477

tribAl Art Will Hobbs Gemma Bush

339752 339752

vAluAtions For insurAnCe & probAte Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

Furniture & Works oF Art 8th January 2015 25th March 2015 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 424509

mArketing Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

generAl oFFiCe Linda Garthwaite Pauline West Sharon Ringwood Nicola Young sAleroom mAnAger David Jordan

424500

424500

boArD oF DireCtors Paul Viney ASFAV Chairman

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

JeWellery 22nd January 2015 30th April 2015 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk tribAl Art & Antiquities 10th February 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CloCks, WAtChes & sCientiFiC instruments 11th February 2015 Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

20th Century Design 25th February 2015 – A Private Collection of British Art Pottery 15th April 2015 – Clarice Cliff, Art Deco & 20th Century Design Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director

AssoCiAte DireCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

silver 20th & 21st January 2015 29th April 2015 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk

english & europeAn CerAmiCs & glAss 24th February 2015 – Fine Porcelain & Pottery 21st April 2015 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

CompAny seCretAry Jim Macarthur CA

Page width 202mm. Use this box to centre artwork!

424599

pAintings 11th March 2015 3rd June 2015 Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk Arms & Armour 25th March 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk AsiAn Art 20th & 21st May 2015 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

SALISBURY SALEROOMS

WOOLLEY & WaLLis 20th Century & Contemporary Art

Wednesday 10th December 2014

w w w.woolleyandwallis.co.uk

WOOLLEY & WaLLis