Woolley & Wallis Fine Old Masters & 19thC Paintings 10 December 2014 by ATGMEDIA

WOOLLEY & WaLLis

WOOLLEY & WaLLis SALISBURY SALEROOMS

Fine Old Masters & 19th Century Paintings

Wednesday 10th December 2014

www.woolleyandwallis.co.uk

Fine Old Masters & 19th Century Paintings Wednesday 10th December 2014 3

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Auction Calendar

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AsiAn Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan CloCks, WAtChes & sCientiFiC instruments Richard Price Gemma Bush

424506 424591 424583 424589

07741 242421 339752

english & europeAn CerAmiCs & glAss Clare Durham Amanda Lawrence

424507 329477

Furniture Mark Richards Jim Gale Anna Brown

411854 339161 411854

JeWellery Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

pAintings Victor Fauvelle Jo Butler

424503 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

20th Century Design Michael Jeffery Amanda Lawrence

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tribAl Art Will Hobbs Gemma Bush

339752 339752

vAluAtions For insurAnCe & probAte Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

Furniture & Works oF Art 8th January 2015 25th March 2015 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 424509

mArketing Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

generAl oFFiCe Linda Garthwaite Pauline West Sharon Ringwood Nicola Young sAleroom mAnAger David Jordan

424500

boArD oF DireCtors Paul Viney ASFAV Chairman

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

JeWellery 22nd January 2015 30th April 2015 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk tribAl Art & Antiquities 10th February 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CloCks, WAtChes & sCientiFiC instruments 11th February 2015 Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

20th Century Design 25th February 2015 – A Private Collection of British Art Pottery 15th April 2015 – Clarice Cliff, Art Deco & 20th Century Design Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director

AssoCiAte DireCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

silver 20th & 21st January 2015 29th April 2015 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk

english & europeAn CerAmiCs & glAss 24th February 2015 – Fine Porcelain & Pottery 21st April 2015 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

CompAny seCretAry Jim Macarthur CA

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424599

pAintings 11th March 2015 3rd June 2015 Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk Arms & Armour 25th March 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk AsiAn Art 20th & 21st May 2015 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Fine Old Masters & 19th Century Paintings Wednesday 10th December 2014 at 11am EnquiriEs

COLLECTION OF LOTS Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

On Thursday 11th, Friday 12th and Saturday 13th December MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 15th December collection will be from the Picture department at Carter House, 6-10 Salt Lane Salisbury SP1 1EE. Payment is still made at Castle Street.

Jo Butler Tel: 01722 424592 jobutler@woolleyandwallis.co.uk Viewing Times Saturday 6th December 10.00am – 1.00pm Monday 8th December 10.00am – 5.30pm Tuesday 9th December 10.00am – 4.00pm Wednesday 10th December 9.00am – 10.45am

Front cover: Lot 101 Back cover: Lot 75 This page: Lot 76

Collection of Sold and Unsold lots must be within 21 days of the Sale - failure to collect within this time may result in storage fees.

MiniATurEs

1. λ English School c.1790 Mr Newton, head and shoulders wearing a grey coat Inscribed on a note; Miniature of my grandfather Newton Oval in a gilt frame, hair back with initial N in seed pearls, red leather case 76 x 62mm £600-800

4. λ Jean André Rouquet (Swiss 1701-1758) A lady, head and shoulders in a striped dress with pink bodice Enamel, oval, inset into the inside lid of a tortoiseshell and gold circular box with an inlaid lid 43 x 35mm box 72mm diameter £2,000-3,000

2. λ George Lawrence (c.1758-1802) A gentleman, head and shoulders in a blue coat and yellow waistcoat Signed, dated, possibly 1788 oval in a gilt frame 63 x 51mm £500-800

5. λ English School late 18th Century An officer in light uniform Oval in a rectangular gilt frame 50 x 40mm £70-100

3. λ English School c.1810 A gentleman, head and shoulders in blue Oval in a gilt frame, with a hair back bearing initials JB, with blue glass surround 73 x 56mm £150-200

6. λ English School 19th Century Admiral Benjamin Hallowell Carew, half length Inscribed verso: Son of late Sir Benjamin Hallowell Carew of Beddington Hall Surrey Oval in a gilt metal frame 82 x 73mm £200-300 5

4 7. λ English School early 19th century A father holding his daughter Oval, in a gilt frame 95 x 75mm £600-800

8. λ British School c.1800 A gentleman, head and shoulders, possibly Robert Burns (1759-1796) head and shoulders wearing a brown coat Oval, in a gold frame 70 x 57mm Provenance: Purchased in 1906 from Richard Noble’s Antiques, New York £500-800

9. λ English School 19th Century A gentleman, head and shoulders with a striped waistcoat Oval in a gilt frame 59 x 47mm £100-150

10. λ English School 19th Century A gentleman, in profile, wearing blue Oval, in a rectangular ebonized frame 85 x 62mm With 5 further miniatures, including prints of Nelson and Wellington (6) £200-300

11. λ ** Poate (British c.1830) Lieutenant Colonel Edward Wardroper of the 37th Bombay Native Infantry and his wife Mary Ann Marsh, both three-quarter length, seated Both signed, in leather cases Each 112 x 90mm These would have been painted in 1842 when he married Mary whilst on sick leave in England. They left for India in 1844. Mary died in 1848 and Edward in 1853 from smallpox. £1,000-1,500 11

5 12. λ William Thompson Barber (fl. 1876-1885)) Sir George Manningham Francis Boileau (1830-1900), his wife Lady Henrietta and their three children Margaret, Maurice and Raymond A set of five, all inscribed verso, all ovals in gilt frames in a giltwood outer frame 2 x 87 x 70mm and 3 x 70 x 60mm (5) Maurice (1865-1937) became the third Baronet in 1900 £1,000-1,500

13. λ English School 19th Century A lady, half length in a black dress In a rectangular gilt frame 82 x 57mm £70-100

14. λ English School c.1850 A gentleman, head and shoulders in black Oval 58 x 47mm £80-120

15. λ American School late 19th Century E.R. Craven M.D. of Washington D.C., half length wearing blue In a rectangular ebonized frame 72 x 59mm £100-150

16. λ English School 19th Century Mother and child Signed indistinctly John.... and inscribed Portrait Painter to Her Majesty verso 150 x 133mm £100-150

6 17. λ German School mid 19th Century A young lady, half length in a fur trimmed cape Enamel on porcelain, in an ebonized frame 80 x 63mm £100-150 18. After Elizebeth Vigée Le Brun Self portrait Oval, in a brass frame 77 x 60mm £100-150

19. λ French School 19th Century A gentleman, half length, wearing black coat holding a newspaper In a rectangular giltwood frame 68 x 49mm £150-250

20. λ French School late 19th Century A lady, head and shoulders wearing a black hat Oval, in an ebonized frame 51 x 42mm £150-250

21. λ William Dudman (fl. 1801) A lady, head and shoulders Signed and dated 1802 verso Oval in a gilt frame 63 x 42mm £100-150

22. λ French School 19th Century A gentleman, half length in a brown coat Circular, in a gilt metal slip and rectangular wood frame 60mm diameter £100-150

23. λ Continental School 19th Century An officer in Uniform; A gentleman in blue Two, one signed indistinctly an oval and a tondo in wooden frames 65mm diameter and 83 x 60mm (2) £150-250

24. λ English School c.1900 An Officer of the Grenadier Guards Oval, in a gilt frame 62 x 50mm £100-150

7 25. λ English School c.1910 A girl, head and shoulders, wearing blue In a rectangular gilt frame 75 x 60mm With an oval of a lady c.1910 signed ** Clarke (2) £100-150

26. λ English School 19th Century A gentleman, half length, in blue Rectangular in a giltwood frame 60 x 47mm With a further miniature of a Scottish officer in an ebonized frame (2) £70-100

27. λ English School 19th Century A woman, head and shoulders, in a bonnet with blue bow Oval in an ebonized frame 50 x 38mm With another, circular of a gentleman in a top hat (2) £100-150 27

28. λ English School c.1900 A young girl, head and shoulders, in white, with long hair Oval in a gilt frame, hair back 75 x 60mm With another of a young girl wearing pearls (2) £100-150

29. W.B. (German School 19th Century) 8 silhouettes of composers inc. Beethoven, Strauss, Bach Signed with initials, unframed 117 x 81mm (8) £100-150

30. λ French School 20th Century Harbour scenes Two, both circular in rectangular mahogany frames 67mm diameter With two further French miniatures (4) £150-250

PAinTinGs

31 31. Attributed to Giovanni Battista Piazzetta (Italian 1683-1754) Study of a man standing holding a staff Signed verso, possibly later by a different hand Red chalk, window mounted with a further inverted study of a man lying on rocks verso 55 x 41cm; 21½ x 16in £1,000-1,500

32. Richard Cosway R.A. (1742-1821) Portrait of Margaret Long and her son Signed with a monogram and inscribed on a label verso Grisaille washes over pencil heightened with watercolour 24 x 18.5cm; 9½ x 7¼in Provenance: With F.B. Daniell and Son £2,000-3,000

32 33. Follower of Giovanni Battista Piazzetta Saint Philip Signed with a monogram and dated 1761 Pencil and grisaille watercolour £200-300

35. English School 18th Century Portrait of a Anne Pollet née Sleath of Lisbon, Portugal Pastel 39 x 30cm; 15¼ x 12in David Ambrose Pollet, Anne’s husband, is thought to have been the Jeweller to King Pedro IV of Portugal £200-300

34. Attributed to Marcellus Laroon (1679-1772) Portrait of Thomas Trotter Inscribed verso and dated July 1713 Chalk 19 x 15cm; 7½ x 6in £200-300

36. Follower of Thomas Rowlandson Ramsgate Titled and dated 1828 on backing paper Pen, ink and grisaille watercolour 23.5 x 31cm; 9¼ x 12¼in Provenance: Thomas Agnew & Sons, No. 26612 £100-150 37. Richard Sasse (1774-1849) Figures by a ruined abbey Watercolour 21 x 30cm; 8¼ x 11½in £250-350

38. Henry Barlow Carter (1803-1867) Scarborough Signed indistinctly Watercolour 16.5 x 24cm; 6½ x 9½in £100-150 39. George Barret Jr. (c.1767-1842) An extensive Scottish river landscape with a castle Watercolour 55 x 88cm; 21½ x 34½in £300-400

40. Attributed to Peeter Bout (1658-1719) and Adrian Frans Boudewyns (1644-1711) Castle in a landscape Signed and dated indistinctly Red chalk 19.5 x 29.5cm; 7¾ x 11½in £150-250 41. English School (mid 19th Century) Views of the Crimea including Hospital at Scutari and Aloupka Six possibly by different hands, some inscribed Most watercolour with pencil 11 x 16cm; 4¼ x 6¼in and smaller (6) £200-300

43 42. English School 16th Century Portrait of Sir Henry Neville (1564-1615) Inscribed S… R Henry Neville/1596 Oil on panel 53 x 43cm; 21 x 17in Provenance: Rev. George Neville-(Grenville) 1789-1854, Dean of Windsor, Butleigh Court, Butleigh, Glastonbury, Somerset Ralph Neville-Grenville 1817-1886, son Robert Neville-Grenville 1846-1936, son Captain Richard Neville 1922-1980, great-nephew Christie’s, Pictures by Old Masters, 5 April 1946, lot 41 The Arcade Gallery, London 1947 Exhibited: The Arcade Gallery, London, Elizabethan Portraits, 19 March - 19 April 1947, No. 13 Sir Henry Neville was a courtier and diplomat. He was appointed ambassador to the Court of Henri IV of France in 1599. As a young man he travelled extensively on the Continent with his tutor Henry Saville, later Warden of Merton College, Oxford and he has been proposed by some modern historians as an alternative source of authorship for the works of William Shakespeare £2,000-3,000

43. English School Late 16th Century Lady Dormore Titled and inscribed Oil on panel 89 x 73cm; 35 x 29in £700-1,000

44. Attributed to Jan Miense Molenaer (Dutch 1610-1668) A scholar at work Oil on panel 16 x 12.5cm; 6¼ x 5in £2,000-3,000

45. English School 16th Century Portrait of a lady, thought to be Mary Queen of Scots (1542-1587) Dated 1582, and inscribed Aetatis Suae * Oil on panel 66 x 51cm; 26 x 20in £5,000-7,000 46. English School late 17th Century Portrait of a lady, full length, standing in a landscape, wearing a white silk dress Oil on canvas 110 x 90cm; 43½ x 35½in £2,000-3,000 47. Circle of Philippe de Champaigne Portrait of a gentleman Oil on canvas 74 x 61cm; 29 x 24in Provenance: Mrs. Ferdinand John Eyre, Moreton Hall, Bury St. Edmunds Christie’s, London, November 23, 1928, Lot 14 (bt. Lewis as W. Wissing, James, Duke of Monmouth Knight, Frank & Rutley, London, February 15, 1929, Lot 47 (as Van der Werff, Portrait of the Artist) £2,000-3,000

12 48. English School late 18th Century Portrait of a bewigged gentleman Oil on canvas laid on board, oval 28 x 23cm; 11 x 9in £100-150

49. English School late 18th Century Portrait of a gentleman in uniform wearing an order Oil on canvas 61 x 51cm; 24 x 20in £200-300

50. English School 18th Century Portrait of George Faux, of Pudding Lane, London Later titled on a label verso Oil on canvas 76 x 61cm; 30 x 24in £200-300

51. Attributed to Francis Lindo (1714-1767) Portrait of a gentleman, said to be Lord Weymouth, half length, wearing a russet coloured coat with a white stock Oil on canvas 76 x 63.5cm; 30 x 25in £300-400

52. English School 19th Century Portrait of a gentleman Oil on canvas 62.5 x 54cm; 24½ x 21in £150-250

53. French School 19th Century Portrait of a lady wearing a paisley shawl Inscribed verso Keller van Korff, bis 1836 St. Petersburg, - 1853 Reval, 1899 Dorpat, 1899-1907 Petersburg, 1907 Paris Oil on canvas 67 x 53cm; 26½ x 21in £200-300

54 54. George Romney (1734-1802) Portrait of Thomas Smith (1756-1831) of Wray in Lancashire Oil on canvas in a period frame made by Saunders 76 x 63.5cm; 30 x 25in Eight sittings are recorded in Romney’s studio from November 13th to 28th 1787. The portrait was delivered on November 22nd 1788 and was paid for by Thomas Smith’s uncle, Mr Thomas E. Wildman. Smith was called to the bar in 1782 and practiced until 1826. He practiced in partnership with Wildman from 1782-1790 and then with Alexander Hoskins, Wildman’s brother in law, from 1801-1819. Provenance: Passed down through the Hoskins family By descent to the Streatfield family M.F. de Halpert by descent to the present owner Literature: Ward and Roberts George Romney Catalogue Raisonné, p.146 as Mr. Smith £5,000-7,000

55 55. Thomas Beach (1738-1806) Portrait of Henry Seymer (1714-1785) naturalist, half length Signed Aetat: 54. T Beach pt. 1769 also inscribed (partly inaccurately) on a later label verso Oil on canvas 76 x 64cm; 30 x 25in Henry Seymer and his son Henry Seymer Jun. (1745-1800) of Hanford House in Dorset were naturalists who produced a series of 72 watercolours of butterflies which remained unknown and unpublished for over 200 years until 2005. £4,000-6,000 56. Attributed to Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of John Brasher (1758-1836) Gunsmith, half length Inscribed on a label verso Oil on canvas 30 x 25in

56 John Brasher, a well known gunsmith, had premises in London and also 19 Caroline Street Birmingham. Thought to have injured his right hand and left arm in the course of his work, his guns are listed in A. Merwyn Carey’s English Irish and Scottish Firearm Makers and his guns engraved BRASHER LONDON are still traded today. £3,000-5,000

57 57. Thomas Shotter Boys (1803-1874) Glacier of the Bondhuus Signed, inscribed and dated 1860 Watercolour 35 x 50cm; 13¾ x 21in Provenance: The Fine Art Society, London, 7901 April 1965 Thomas Agnew and Sons, London no. 44331 Exhibited: Centenary Exhibition Nottingham University and Thomas Agnew and Sons Ltd London, 1974 £4,000-6,000

58. Attributed to François Louis T. Francia (French 1772-1839) A busy harbour framed by a cave Grisaille watercolour 17 x 21cm; 6¾ x 8¼in £100-200 59. François Louis Thomas Francia (French 1772-1839) Figures on a path by a village Signed with initials Grisaille washes 15.5 x 20cm; 6 x 8in £300-400

60 60. Thomas Rowlandson (1756-1827) St. Giles, Oxford from near St. Johns, c.1809-10 Watercolour 22 x 30.5cm; 8½ x 12in Provenance: Spink, London No. K3 10364 Exhibited: Richard Green/Frank T. Sabin, 1980, No. 26 £3,000-5,000 61. Thomas Rowlandson (1756-1827) Outside a West Country Coaching Inn Pen with coloured ink and watercolour over pencil 14 x 23.5cm; 5¼ x 9¼in Provenance: Spinks, London, c.1990 Private collection, UK until 2011 £200-300

62. William Payne (c.1760-c.1830) Mother and child by a cottage door Watercolour 22 x 29cm; 8½ x 11½in £300-400 63. Circle of Paul Sandby River landscape with elegant ladies and a gentleman alighting from a ferry Watercolour, unframed 36 x 51cm; 14 x 20in £300-500

16 64. Cuzco School 18th Century Madonna and child Oil on canvas 137 x 108cm; 54 x 42½in £2,000-3,000

65. Cuzco School 18th Century Archangel, full length holding a spear Oil on canvas 170 x 94cm; 67 x 37in £700-1,000

66. Cuzco School 18th Century The Virgin and the Holy Trinity Oil on canvas 83.5 x 62cm; 33 x 24½in £600-800

67 67. Attributed to Anton Mirou (Flemish 1586-1661) Figures in a wooded landscape Oil on panel 22 x 35.5cm; 8¾ x 14in Provenance: Leonard Koetser Ltd., London 1965 £3,000-5,000

68. Manner of Aelbert Cuyp Family by a cottage Oil on canvas 152.5 x 239cm; 60 x 94in £3,000-4,000

69 69. French School 18th Century Young choristers Oil on canvas 36 x 30cm; 14 x 12in £800-1,200 70. Rev. Matthew William Peters (1742-1814) Portrait of a girl thought to be Miss Louisa Hanway Oil on canvas 61 x 51cm; 24 x 20in Also inscribed on a typed label verso dated 1915 Miss Louisa Cumming £1,000-1,500

70 71. After Jan Lievens Self portrait Oil on canvas, unframed 95 x 77.5cm; 37½ x 30½in A 19th copy of the original in National Gallery, London £300-500

73. I. Eugster (19th Century) Madonna and Child Signed and dated *856 Oil on canvas 57 x 52cm; 22½ x 20½in £200-300

72. French School late 18th Century Study of a man Oil on canvas, unframed 48 x 35.5cm; 19 x 14in £200-300

74 74. French School 17th/18th Century Selene on her chariot with the sleeping Endymion Oil on canvas 64 x 49cm; 25¼ x 19¼in £6,000-8,000

75 75. C. C. Coventry (fl. 1800-1819) Interior scene with girls washing clothes and a boy playing tricks Oil on canvas, in a French Empire giltwood and gesso frame Signed and dated 1800 on the table stretcher Oil on canvas 92 x 72cm; 36 x 28½in £6,000-8,000

76 76. Jacob Van Stry (Dutch 1715-1856) Travellers, herdsmen and cattle in an extensive river landscape with a castle and distant town Signed Oil on panel 58 x 84cm; 22¾ x 33in £20,000-30,000 77. Thomas Hudson (1701-1779) Portrait of gentleman thought to be George Vernon, three quarter length, standing Signed and dated 1750 Oil on canvas in a Kent frame 127 x 101.5cm; 50 x 40in The sitter is thought to be one of the Vernons of Clontarf Castle, County Dublin, descended from Colonel Edward Vernon. He inherited Clontarf Castle from his father John Vernon in 1660 Provenance: Private collection £15,000-20,000

22 78. Attributed to Mary Beale (1632-1697/9) Portrait of a lady in a painted oval Oil on canvas 76 x 64cm; 30 x 25in £1,500-2,500 79. Circle of Godfrey Kneller Portrait of a lady, possibly a relative of John, 1st Earl of Norbury Oil on canvas, oval 76 x 65cm; 30 x 25½in £800-1,200

80. Follower of Constantin Netscher Portrait of a lady, seated with her pet whippet Oil on panel 50.5 x 40.5cm; 20 x 16in £600-800 81. English School 17th Century Portrait of a cleric, bust length Oil on canvas, tondo 48cm; 19in diameter £600-800 82. Attributed to Robert Edge Pine (1730-1788) Portrait of a young gentleman, half length, wearing a naval costume with white shirt, c.1770 Oil on canvas 76 x 63.5cm; 30 x 25in £600-800

83. Sir Martin Archer Shee P.R.A. (1769-1850) Portrait of William Norris (1757-1827) Oil on canvas in a large giltwood frame 76 x 64cm; 30 x 25in William Norris was President of The Royal College of Surgeons 1824, having been Vice-President in 1822 and 1823. In 1817 and 1825 he delivered the Hunterian Oration. Provenance: A private collection Exhibited: The Royal Academy Exhibition 1826, No. 152 Literature: A Dictionary of Irish Artists by Walter G. Strickland (1913), Sir Martin Archer Shee, p.343 £1,000-1,500

23 84. Circle of Jan Breughel Winter landscape with figures ice skating Oil on panel 16.5 x 22.5cm; 6½ x 9in £1,500-2,500

85. English School late 18th Century Italianate landscape with travellers, goats and cattle by a river, a hilltop town beyond Oil on canvas 75 x 116cm; 29½ x 45½in £1,800-2,200 84

86. English School c.1640 Shipping in a harbour, a windmill and church beyond Oil on panel 18 x 26cm; 7 x 10in £600-800

87. Follower of Claude Vernet A capriccio view of an estuary landscape with figures Oil on canvas 66 x 85cm; 26 x 33½in £700-1,000

88. Dutch School 17/18th Century Portrait of a boy holding a basket of fruit Oil on canvas 65 x 51cm; 25½ x 20in £3,000-4,000

90. French School c.1820 The young archer Oil on canvas 54.5 x 40.5cm; 21½ x 16in £600-800

89. John Myles (f.1858-1873) Portrait of a City Halberdier, Edinburgh Signed Oil on board 47 x 38cm; 18½ x 15in In the 19th Century City Halberdiers, carrying halberds, were hired to accompany the Provost on his duties in Edinburgh £1,000-1,500

91. Follower of Adriaen Brouwer A rustic drinking from a flask Oil on panel 18 x 13cm; 7 x 5¼in £800-1,200 92. French School 18th Century The Hunter’s refreshment Oil on canvas 49 x 62cm; 19¼ x 24½in £2,000-3,000

93. After Alexandre Francois Desportes A gentleman with game and a gundog in a landscape, resembling a self portrait by Desportes Oil on canvas 82 x 116cm; 32¼ x 45½in £1,000-1,500 94. Follower of Angelica Kauffman An allegorical scene with putti offering apples and a dove Oil on canvas, oval 45 x 57cm; 17¾ x 22½in £500-700 95. Flemish School 18th Century Allegorical scene with gods and cherubs Oil on canvas 73.5 x 92cm; 29 x 36in £500-700

96 96. Follower of James Seymour Hunters led by grooms one with jockey up A pair, both oil on canvas Each 99 x 123cm; 39 x 48½in £5,000-8,000

97. Attributed to Abraham Cooper (1787-1868) after George Stubbs The Spanish pointer Oil on panel 30.5 x 41cm; 12 x 16in £1,500-2,500 97

98. English School early 19th Century Portrait of a spaniel, said to be Queen Charlotte’s dog, in a landscape Oil on canvas 59 x 76cm; 23¼ x 30in Provenance: Possibly Queen Charlotte, by whom gifted to her Keeper of the Robes, Charlotte Beckedorff-Diederichs (Hanover 1756-1843), Hanover 1818, then by descent £3,000-5,000

99 99. Francis Hayman R.A. (c.1708-1776) Portrait of Charles Bedford (1742/3-1814) as a child, reclining on a bed, eating a biscuit, his dog jumping up, painted c.1745/6 Oil on canvas in a carved wood frame 51 x 61cm; 20 x 24in Provenance: Grosvenor Bedford (1708-1771) By family descent to the present owner Charles, born on 20th March 1742/3, was the son of Grosvenor Bedford and his wife Jane Fox, who had 12 children. They were important patrons of Hayman and this would explain the unusually intimate and very informal pose which was quite a departure from the formal conventions of portraiture in this period. Charles was painted again a few years later with his sister Elizabeth, in a more traditional pose, seated on a Newfoundland dog, his sister by his side which dates this picture to 1745/6. Grosvenor Bedford also commissioned a conversation piece of his family and friends, amongst others. Hayman was one of the leading painters of his time, the equal of Hogarth, with whom he was good friends. He had a reputation as a bon viveur to the point of being dissolute, which has been over-stated as he spent much of his time in the 1750s and 60s laying the foundations for the formation of the Royal Academy. He was rewarded by being made the first Librarian to the Royal Academy, at the express wish of George III. Charles Bedford, became a clerk in the office of the usher of the Exchequer in 1762 until 1774, even though his father, who died in 1771, had been succeeded as deputy usher by Joseph Tullie. When the latter died in 1774 Charles Bedford became deputy usher, and he held the post until Horace Walpole’s death in 1797. Horace Walpole left him a legacy of £2,000 in his will. Charles Bedford lived for many years in the family villa at Brixton Causeway, but by 1808 he had moved to 9 Stafford Row, Buckingham Gate, London, where he died on 14 April 1814. Charles Bedford married Mary Page in 1769 and they had three sons: Grosvenor Charles Bedford, Walpole Bedford, and Henry Bedford. We are grateful to Brian Allen for his help in preparing this catalogue entry £15,000-20,000

100 100. Peter Monamy (1681-1749) The evening gun Signed with initials Oil on canvas 91.5 x 122cm; 36 x 48in Provenance: Private collection £15,000-20,000 101. Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of Robert Banks Jenkinson, 2nd Earl of Liverpool, KG, MP (1770-1828) Half length, holding a letter Oil on canvas 76 x 63cm; 30 x 25in Robert Jenkinson, the second son of the 1st Earl of Liverpool, was one of the most accomplished politicians of the 19th Century and is still the youngest and longest serving prime minister since 1806, serving from 1812-1827. He was created Baron Hawkesbury in 1803 and succeeded his father in 1808. He served as Foreign secretary, Home Secretary and Secretary for War and the Colonies before becoming Prime Minister. This portrait was completed between 1805-1810, when he was Home Secretary. Lord Liverpool was painted four times by Lawrence, this one less formal than later portraits, conveying the sitters diplomatic and engaging personality. As prime minister he saw the end of the war with France and with Lord Castlereagh he negotiated a lasting peace at the Congress of Vienna. He also presided over the passing of the Corn Laws in 1815 as well as Catholic emancipation.

Provenance: By family descent to C.J.C Grant; Grant Sale, Christie’s 11th May 1923 (109) Major J.S. Courtauld, 9 Grosvenor Square, London Sale on the premises by Gilkes, 27th October 1938 (246) Mrs Henry Dreyfus Private collection Exhibited: Royal Academy, British Art, 1934 (471) Agnew, November-December 1938 (48) Agnew, Lawrence 1951 (33) Literature: Lord Ronald Sutherland Gower, Sir Thomas Lawrence, 1900 p.136 Sir Walter Armstrong, Lawrence, 1913, p.146 Kenneth Garlick, A Catalogue of the paintings drawings and pastels of Sir Thomas Lawrence, The Walpole Society, vol. XXXXIX, p.127 Kenneth Garlick, Sir Thomas Lawrence 1989, no.498, pg. 225, ill. 498(b) £40,000-60,000

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105 102. Flemish School 18th Century Figures in a wooded river landscape Oil on canvas 79 x 106cm; 31 x 42in £800-1,200

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103. Follower of David Teniers Homestead by a river with figures and a dog Bears monogram Oil on panel 17.5 x 25cm; 7 x 10in £800-1,200 104. Anglo Dutch School c.1800 Winter skating scene Oil on canvas 79 x 111cm; 31 x 43¾in £400-600

107

105. Dutch School 17th Century Dutch warships at sea Oil on canvas, unframed 77 x 96.5cm; 30¼ x 38in £300-500 106. Attributed to J. Van Bree (Dutch 17th Century) Still life of walnuts on a ledge Signed Oil on panel, unframed 11 x 14cm; 4¼ x 5½in J. Van Bree is recorded in Benezit as working in Holland in the 17th Century £600-800 107. J. Van Baarlé (19th Century) Winter scene Signed Oil on canvas 30 x 46cm; 12 x 18in £300-500

108 108. Dutch School 18th Century Still lifes of garlands of flowers around Greek urns decorated with relief carvings of athletes A pair, both oil on canvas, in carved giltwood wood frames Each 101 x 80cm; 39¾ x 31½in (2) £8,000-12,000 109. After Sir Joshua Reynolds P.R.A. (1723-1792) Portrait of Jane, Countess of Harrington with her sons Lord Petersham and the Hon. Lincoln Stanhope Indistinctly inscribed lower right Oil on canvas 143.5 x 112cm; 56½ x 44in Provenance: With Knoedler & Co. Old Bond Street (Old label verso) £3,000-5,000

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32 110. Simon Fonceca (Anglo-Indian act.1849-1856) Portrait of Master Aylmer Roupell, Madras Signed and dated July 1845, strengthened Watercolour over pencil 34 x 26.5cm; 13¼ x 10½in £150-250

111. George Morland (1763-1804) The stage coach guard, c.1790 Pastel and red chalk 39 x 24.5cm; 15¼ x 9½in £150-250

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112. Irish School c.1811 The Rt. Honourable Lord Ashto** Titled and dated 1811 Watercolour 33 x 24.5cm; 13 x 9¾in With a further 19th Century watercolour portrait of a lady (2) £300-400

113. Follower of David Morier A trooper of the Light Dragoons, c.1760 Oil on canvas 51 x 40cm; 20 x 16in £800-1,200

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114. Follower of Jan van Kessel Still life of flowers in an urn Oil on panel 23.5 x 17.5cm; 9¼ x 7in £600-800

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115 115. Dominic Serres R.A. (1722-1793) H.M.S. Lowestoffe in Kingston Harbour with Port Royal, Jamaica beyond, with attendant schooners, one almost certain to be the Little Lucy, the first command of Lieutenant Horatio Nelson; A Brig and other boats at anchor off the coast in Jamaica A pair, both signed and dated 1779 Both oil on canvas Each 33.5 x 47cm; 13¼ x 18½in (2) Provenance: Captain William Locker, who probably commissioned the pictures from Dominic Serres as they were friends By family descent to the present owner William Locker (1732-1800) joined the Royal Navy in 1746 during the War of the Austrian Succession. As a lieutenant in the frigate Sapphire, he distinguished himself under Lord Hawke at the ferocious battle of Quiberon Bay in 1759. Appointed post captain in 1768, he was given command of the frigate Lowestoffe following the outbreak of war with America, sailing to Jamaica in

1777. With Lowestoffe went the newly-qualified eighteen year old Lieutenant Horatio Nelson with whom, despite difference in rank and age, Locker developed a remarkable and lasting friendship. Locker took a keen and paternal interest in Nelson’s subsequent rise to fame whilst Nelson derived patronage, tactical knowledge of close action, experience and encouragement from the senior officer. Locker even gave Nelson his first command appointing him captain of the schooner Little Lucy, an American prize re-fitted as Lowestoffe’s tender. For some weeks, the two ships worked in tandem hunting prizes in the waters of the Caribbean. In July 1778 Nelson was transferred to HMS Bristol whilst Locker, his health poor, returned to England where, in 1793, he was appointed governor of Greenwich Hospital. On his death, Nelson, now feted as the victor of the Nile, commented of his ‘sea daddy’ that ‘[Locker] has left us a character for honour and honesty which none can surpass and very few attain’. £5,000-7,000

116 116. Attributed to Dominic Serres R.A. (1722-1793) A British Frigate at sea flanked by a tender, a Dutch warship beyond Oil on canvas 25 x 30cm; 10 x 12in Provenance: Captain William Locker, who probably commissioned the picture from Serres as they were friends. By family descent to the present owner. £1,000-1,500

117. Circle of Felice Brusasorci Madonna and child with angels presenting Carthusian monks Oil on canvas, unframed 133 x 106.5cm; 52¼ x 42in Provenance: Christie’s, Old Masters sale 16th Dec. 1988, Lot 8 £5,000-7,000

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118. Attributed to Adrien Thomasz Key (Flemish c.1544-c.1590) The Holy Family Oil on panel 61 x 66cm; 24 x 26in Provenance: Sotheby’s, Old Masters, 6th July 1988, Lot 223 £3,000-5,000

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119 119. Follower of Frans Francken The Wedding Feast at Cana Oil on panel 59 x 85cm; 23¼ x 33½in Provenance: The collection at Little Egland Manor Bequeathed to Lady Elsa Bowker Gifted by her to the present owner £6,000-8,000 120. After Annibale Carracci The Lamentation Oil on canvas 94 x 111cm; 37 x 44in A 19th Century copy of the original in the National Gallery, London £700-1,000

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123 121. Circle of David Teniers Peasants making merry by an Inn Oil on canvas 28 x 36cm; 11 x 14¼in £3,000-5,000 122. Follower of Joost Cornelisz Droostschloot (Dutch 1586-1666) Busy village scene Bears signature and date 1664 Oil on panel 33 x 51cm; 13 x 20in £2,000-3,000 123. Circle of Jacques Sébastien Le Clerc Achilles discovered among the daughters of Lycomedes Oil on canvas 98 x 130cm; 38½ x 51in Provenance: Private British collection £6,000-8,000

38 124. Scottish School c.1800 Portrait of a highlander with Jacobite emblems and a Jacobite white rose Oil on canvas 91 x 71cm; 36 x 28in £500-800

125. English School 19th Century Portrait of a girl wearing a red cape holding a pitcher Oil on canvas 76 x 63cm; 30 x 25in £200-300

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125 126. English School c.1800 Portrait of a girl in a red fur-trimmed cloak in a painted garland Oil on canvas 70 x 56cm; 27½ x 22in £200-300

127. Pierre Edouard Frère (French 1819-1886) A young boy studying Signed and dated 71 Oil on panel 25.5 x 22.5cm; 11 x 9in £800-1,200 126

127 128. Pierre Edouard Frère (French 1819-1886) Sisters Signed and dated 75 Pencil with watercolour 37 x 29cm; 14½ x 11¼in £300-500

129. Continental School 19th Century A mother and children with a hand cart at harvest time Oil on canvas 44 x 35cm; 17¼ x 13¾in £400-600

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130 130. Benjamin Williams Leader R.A. (1831-1923) On the Lledr Signed and dated 1868 twice Oil on canvas 35 x 51cm; 14 x 20in £4,000-6,000

131. Henry John Boddington (1811-1865) A coastal landscape, Isle of Wight Oil on canvas 63 x 76cm; 25 x 30in Provenance: Richard Green, London, Stock No. T297 £4,000-6,000

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134 132. William Gibbons (fl. 1858-1892) View of the Barbican, Plymouth; A village scene, thought to be Polperro A pair, both signed and dated 1876 and 1877, the second inscribed Polperro and signed on the stretcher verso, possibly by another hand Both oil on canvas Each 38 x 64cm; 15 x 25in (2) The sign of Luccombe Bellamy and Co. can be seen above the shop front of the French Transatlantic Mail-Steamship Company £600-800 133. L. Richards (19th Century) The River Tay; Head of Loch Awe A pair, both signed Both oil on canvas, in original giltwood swept frames Each 51 x 76cm; 20 x 30in £600-800

135 134. English School 19th Century Figures on a country track Oil on panel 12 x 17cm; 4¾ x 6¾in £100-150 135. Edmund Ward (Waterfall) Gill (1820-1894) Figure in a landscape probably near Ludlow Signed Watercolour with gum arabic 24.5 x 38cm; 9½ x 15in £400-600

136 136. Charles Brooke Branwhite (1851-1929) River landscape with boys fishing from a boat Signed Oil on canvas 93 x 148cm; 36½ x 58¼in £8,000-12,000

137. Cornelis Christian Dommersen (Dutch 1842-1928) Bassin - Boulogne sur Mer Signed and dated 1882, also signed, titled and dated verso Oil on canvas 78 x 129cm; 31 x 51in Provenance: Bonhams, London, 22nd March 2011, Lot 121 £4,000-6,000

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142 138. ‡ Henry John Sylvester Stannard (1870-1951) Oakley Pack Bridge, Nr. Bedford Signed Watercolour 24.5 x 34cm; 9½ x 13½in £500-800 139. Henry William Banks Davis (1833-1914) Sunny Hours Signed and dated 1896 Watercolour 24 x 34cm; 9½ x 13¼in £400-600

143 140. Frederick James Aldridge (1850-1933) A Breezy Day, Shoreham Signed and dated ‘21 Watercolour 49 x 74cm; 19 x 29in £300-500 141. Sarah Ellen Weatherill (1836-1920) Fishermen on the East coast Signed Watercolour 18.5 x 25cm; 7¼ x 10in £150-250

142. Malcolm Crosse (19/20th Century) Craig Meggie, Loch Laggan; Loch Loyne, Invernessshire A pair, both signed and titled Both watercolour Each 23 x 33cm; 9 x 13in (2) £200-300 143. ‡ Claude Montague Hart (1870-1952) Coastal views Two, both signed Both watercolour Each 33 x 51cm; 13 x 20in (2) £150-200

144 144. Abraham Pether (1756-1812) View of Tonbridge Priory Oil on canvas 53 x 81cm; 23 x 32in This lot is subject to a temporary import duty of 5% of the hammer price £2,000-3,000

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145. The Rev. Thomas James Judkin (1788-1871) The Abbey Gateway, Reading, Berkshire Oil on canvas 44 x 69cm; 17¼ x 27¼in £500-800

146. Norwich School 19th Century Figures on a canal with two locks Oil on canvas 71 x 92cm; 28 x 36in £300-500

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150 147. English School 19th Century Travellers resting in a landscape Oil on canvas, unframed 53 x 66cm; 21 x 26in £300-500

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148. English School 19th Century Mountain lake landscape with two huntsmen and hounds in the foreground Oil on canvas 90 x 107cm; 35½ x 42in £300-500 149. Norwich School 19th Century Figures and cattle in river landscapes A pair, both oil on canvas, one unframed Each 51 x 61cm; 20 x 24in (2) £300-400

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150. English School 19th Century A Helping Hand Signed with initials H.W. Oil on canvas 64 x 76cm; 25 x 30in £300-500 151. George Morland (1763-1804) Resting beneath a tree Signed and dated 1793 Oil on canvas 56 x 71cm; 22 x 28in £400-600 152. William Elstob Marshall (fl. 1859-1880) Ploughing in Surrey Signed with initials Oil on canvas 64 x 87cm; 25¼ x 34in £300-500

153 153. Henry Alken (1810-1894) Gone away; Over the wall; Over the brook; The Kill A set of 4, all oil on canvas Each, 25.5. x 35.5cm; 10 x 14in (4) £2,000-3,000

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154. George Henry Laporte (1799-1873) A hunter in a stable Signed and dated 1837 Oil on canvas 71 x 92cm; 28 x 36in £2,000-3,000

155. C. Wallis Gabriel (19th Century) Bay hunter in a stable Signed and dated 1889 Oil on canvas 61 x 76cm; 24 x 30in £400-600

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156 156. Gray, George Robert: The Genera of Birds, London [1837]-44-49, 3 vols, folio, contemporary half morocco gilt, some scuffing to spines and corners, with 185 hand-coloured plates and 150 uncoloured plates (26 of them double page), some spotting to uncoloured plates, a few loose pages, Nissen 338. £3,000-5,000

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157. Otto Saltau (1885-1915) Botanical studies Four, all watercolour All 27.5 x 18cm; 10¾ x 7in (4) £1,200-1,800

158. Harry Bright (1846-1895) Bullfinches on a branch Signed and dated 1889 Watercolour 29 x 23cm; 11½ x 9in £150-250

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159 159. Thomas Bush Hardy (1842-1897) Shipping in a choppy sea Signed and dated 1886 Watercolour 30 x 22.5cm; 11¾ x 9in £200-350

160 160. ‡ Montague Dawson (1895-1973) A refreshing breeze Signed Watercolour 41 x 32cm; 16 x 12½in Provenance: Sotheby’s London, 29th May 1997, lot 693 £3,000-4,000

161. Edward Duncan R.W.S. (1803-1882) A wreck off the Gower Coast Signed and dated 1869 Watercolour over pencil with scratching out 20.5 x 50.5cm; 8 x 20in Provenance: Christie’s, 25th November 1969, lot 139 Sotheby’s, 28th April 1983, lot 130 £700-1,000 161 162. Thomas Bush Hardy (1842-1897) Broadstairs Signed, titled and dated 94 Watercolour 11.5 x 34cm; 4½ x 13¼in £200-300

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164 163. Johannes Christoffel Vaarberg (Dutch 1825-1871) Studies of a Cavalier A pair, both signed Both oil on panel, unframed Each 19 x 16.5cm; 7½ x 6½in (2) £400-600 164. A. D’Ambrossi (Italian 19/20th Century) Portrait of a Cavalier Signed Oil on panel 33 x 24cm; 13 x 9½in £200-300

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165. John P. Burr (1831-1893) Reading the leaves Signed, also dated indistinctly Oil on canvas 41 x 33cm; 16 x 13in £600-800 166. S. F. T. c.1842 Learning with Granny Signed with initials and dated 1842 Oil on canvas 46 x 36cm; 18 x 14in £200-300 167. ‡ Erwin Eichinger (Austrian 1892-1950) A scholar at his work Signed and inscribed Wien Oil on panel 24 x 32cm; 9½ x 12½in £300-500

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49 168. Edward Deanes (fl.1860-1912) Jack in the box Signed and dated 1881, also signed and inscribed with artist’s address verso Oil on canvas 66 x 56cm; 26 x 22in Deanes was a member of the ‘St. Johns Wood Clique’ School, which was headed by Philip Hermogenes Calderon R.A. (1833-1898) £2,000-3,000

169. Attributed to George Elgar Hicks (1824-1914) The welcome home Signed with initials indistinctly Oil on canvas 53 x 41cm; 21 x 16in £3,000-4,000

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170. After Sir Frank Dicksee Romeo and Juliet Oil on canvas in an arch mounted frame 53.5 x 35.5cm; 21 x 14in £700-1,000

171. Giovanni Costa (Italian 1833-1893) After the Masked Ball Signed Oil on canvas 64 x 51cm; 25 x 20in Giovanni Costa was born in Livorno and worked in Florence. £1,500-2,500 170

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172 172. Frederick James Aldridge (1850-1933) Fair wind up channel A pair, one signed Both watercolour 35.5 x 53.5cm; 14 x 21in (2) £400-600

173. Neopolitan School (19th Century) Bay of Naples; Paestum near the Bay of Naples A pair, both gouache Each 29 x 39.5cm; 11½ x 15½in (2) £200-300

174. Francis Augustus Silva (American 1835-1886) A figure in a rowing boat on a lake Signed and dated 79 Watercolour 31 x 49cm; 12¼ x 19¼in £150-250

175. Peter Conrad Schreiber (German 1816-1894) Continental landscape Signed and dated 1866 Gouache 46.5 x 59.5cm; 18 x 23½in £150-250

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176. Anthony Vandyke Copley Fielding (1787-1855) Coastal view at sunset Signed and dated 1892 Watercolour 20 x 29.5cm; 8 x 11½in £200-300

177 177. Myles Birket Foster, R.W.S. (1825-1899) Cliveden from Maidenhead Bridge, Berkshire Signed with a monogram and inscribed below mount Cliefden from Maidenhead Bridge Watercolour with bodycolour 12 x 15cm; 4¾ x 5¾in Provenance: J. Noble, 1882 Exhibited: London, J. & W. Vokins, 14 and16 Great Portland St., Birket Foster Loan Exhibition, 1882, no.25 (part) This is a view looking north from Maidenhead Bridge with the island of Bridge Eyot in the foreground and Cliveden House on the hill in the distance. Cliveden is an Italianate mansion 200 feet above the Thames on a hillside. The present house, the third on the site, was built in 1851 by Charles Barry for the 2nd Duke of Sutherland and it is now a five star hotel. £2,000-3,000

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178. Frederick John Widgery (1861-1942) Coastal view Signed Gouache 35 x 52cm; 13¾ x 20½in Provenance: The Nick Rocke collection £400-600 179. Frederick John Widgery (1861-1942) The Headland, Newquay Signed and titled Gouache 75 x 125cm; 29½ x 49¼in £600-800

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180 180. Franciscus Melzer (Belgian 1808-?) The Village Feast Signed and dated 1858 inscribed on a label verso: The Village Feast by Melzer of Brussels purchased out of the Great Exhibition Dublin 1853 £7-05.5 Oil on canvas 71 x 108cm; 28 x 42½in £5,000-7,000 181. Frederick Morgan R.O.I. (1847-1927) Off for the honeymoon, 1902 Signed Oil on canvas 175 x 127cm; 69 x 50in Provenance: Anon. sale Christie’s London, 16th May 1903 lot 104, Property of the artist, sold to W.W. Sampson for 150gns; Sale, King and Chasemore, Pulborough 18th Nov. 1970, lot 28 Exhibited: Liverpool Walker Art Gallery, autumn 1900, no. 306 price £600 Birmingham, Royal Society of Artists, autumn 1901, no.269, price £400 London, Royal Academy, summer 1902, no. 137 Manchester, City Art Gallery autumn 1902, no. 53 price £400 Literature: Sepia photogravure, 70 x 51mm (copyright from Berlin photographic, 133 New Bond Street, London) Sepia photogravure 32.5 x 22.5cm, presented with Weldon’s llustrated Dressmakers Christmas 1906 (copyright Berlin photographic) Colour chromolithograph 59 x 43cm, date unknown, possibly a calender Colour Chromolithograph, calender for 1911 Royal Academy Illustrated, 1902 p.59 Sunday At Home, 1904-5, facing p.59 The Windsor magazine vol. XX11, June 1905 p.2 Everywoman’s Encyclopedia part work no. 34, Feb.1912, p.4066 by permission of Berlin Photographic £150,000-250,000

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54 182. Sir Edwin Henry Landseer R.A. (1802-1873) Head study of a woman, possibly Lady Louisa Russell (1812-1905) Oil on board, oval 19.5 x 16.5cm; 7¾ x 6½in Provenance: Sotheby’s Belgravia, 30 March 1982, lot 200 (as a study for Harvest in the Highlands) Christie’s, 22 February 1985, Lot 61 Bonhams Knightsbridge, 20 March 1997, Lot 1 Peter Johnson, 2000 Sotheby’s 29th October 2008, Lot 508 For further information see our website £2,000-3,000 183

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183. Joseph Bouvier (1839-1888) When dusk begins to fall Signed Oil on panel, oval 21.5 x 16cm; 8½ x 6¼in £600-900 184. Ricciardo Meacci (Italian 1856-c.1940) The Nativity Signed Watercolour, in a carved giltwood tabernacle frame 20.5 x 41.5cm; 8 x 16¼in £800-1,200 185. William Bruce Ellis Ranken (1881-1941) The dining room, 20 Portman Square Inscribed indistinctly and dated 191* 76 x 56cm; 30 x 22in Provenance: Royal Institute of Painters in Watercolours £300-500

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186. G. B. Conti (19th Century) Sweet Moments Signed Watercolour 54 x 36cm; 21¼ x 14¼in £300-500

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55 187. Edward John Gregory (1850-1909) Portrait of a young girl with sweet peas on her lap Signed with initials and dated 06 Watercolour 66 x 52cm; 26 x 20½in £2,000-3,000

188. Arthur David McCormick (1860-1943) The Ultimatum Signed, also dated indistinctly Oil on canvas 56 x 76cm; 22 x 30in £1,000-1,500

189. English School 19th Century The letter Watercolour 54 x 74cm; 21¼ x 29in £800-1,200

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56 190. Erskine Nichol R.S.A., A.R.A (Scottish 1825-1904) Figures at work in a river landscape Signed and dated 1857 Oil on canvas 33 x 61cm; 13 x 24in Provenance: Thomas Agnews No. 9448 £2,000-3,000

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191. Erskine Nichol R.S.A., A.R.A (Scottish 1825-1904) The Bog at Deraranagh, Co.y Willmark Signed and dated 1837, also signed, dated, titled and inscribed Painted on the spot for Mr Bolton Esq. Manchester and artist’s address on a label verso Oil on canvas 31 x 61cm; 12¼ x 24in Provenance: Thomas Agnews No. 9447 £2,000-3,000

192. English School 1860 A farmer heading off to roll the fields Signed with initials J.P. and dated 1860 Oil on canvas 42 x 65cm; 16½ x 25½in £2,000-3,000 191 193. Eden Upton Eddis (1812-1901) Going to work, portrait of Florence Halford Signed and dated 1870, also inscribed on an original label verso: No. 1 E.U. Eddis, 65 Harley Street, Cavendish Square, ‘Going to Work’ Portrait of Florence second daughter Mr and the Hon. Mrs Augustus Halford Oil on canvas 150 x 94cm; 59 x 37in Provenance: Mr and the Hon. Mrs Augustus Halford By descent to the present owners Exhibited: Royal Academy 1869 no. 318 £3,000-4,000

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195 194. John Charles Maggs (1819-1896) The mail coach passing the hunt Signed and dated 1883 Oil on canvas 46 x 76cm; 18 x 30in £700-1,000

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195. Hendrik Barend Koekkoek (1849-1909) Shepherd and sheep by a barn; Family and cows in a winter landscape A pair, both signed Both oil on canvas 36 x 30.5cm; 14 x 12in (2) £400-600

196. Charles Towne (1763-1840) Scottish pastoral scene with an angler in a landscape with loch beyond Signed and dated 1825 Oil on canvas 17.5 x 46cm; 7 x 18in £1,200-1,800

197 197. Alfred Pollentine (1836-1890) San Giorgio Maggiore and the Doge’s Palace from the lagoon Signed Oil on canvas 30.5 x 61cm; 12 x 24in £700-1,000

59 198. William Wyld (1806-1889) Capriccio of Venice Signed Oil on canvas 38.5 x 32cm; 15 x 12½in £2,000-3,000

199. Max Flashar (German 1855-1915) The rendition Signed and dated 12 Oil on panel 23 x 33cm; 9 x 13in £1,000-1,500

200. Pieter Willem Sebes (Dutch 1827-1906) The Chess Match Signed and dated 1862 Oil on canvas 67 x 81cm; 26½ x 32in £600-800

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61 201. Isaac Walter Jenner (1836-1902) The Bumble Rock, Cornwall; Mullion Gull Rock, Cornwall A pair, both signed, also both titled verso Both oil on board Each 19 x 16.5cm; 7½ x 6½in Jenner served in the Royal Navy before becoming an artist. In 1883 he emigrated to Brisbane, Australia where he helped set up the Queensland National Gallery £1,200-1,800 202. Henry Thomas Schafer (1854-1915) Nuremberg; Strasbourg A pair, both signed and one dated 1869, also titled verso Both oil on canvas Each 41 x 30.5cm; 16 x 12in (2) £500-800

204. Lewis John Wood (1813-1901) Cathedral at Malines from Groot Markt Signed, titled and dated 1852 verso Oil on panel 40 x 29cm; 15¾ x 11½in £400-600 205. Valerio Laccetti (Italian 1836-1909) Barn interiors with cattle, bull, donkey and child A pair, both signed Both oil on canvas Each 37.5 x 46cm; 14¾ x 18in (2) £1,500-2,500 206. François Vandeverdonck (Belgian 1848-1875) Cock fighting scenes A pair, both signed and dated 1860 Both oil on panel Each 15 x 19cm; 6 x 7½in (2) £1,200-1,800

203. Kirk van Hoom (19/20th Century) Harbour scenes A pair, both signed Both oil on canvas 51 x 41cm; 20 x 16in and similar (2) £400-600

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62 207. George Turner (1843-1910) Devonshire’s pleasant hills Signed and titled verso Oil on board 20 x 27cm; 8 x 10½in £250-350

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208. ‡ Montague Smyth (1863-1965) Sheep by a pool at dusk Signed Oil on canvas 41 x 51cm; 16 x 10in £300-400 209. ‡ Arthur Beaumont (1879-1956) A view of Surrey Signed and dated 1914 Oil on canvas 61 x 92cm; 24 x 36in £300-500

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210. Arthur Wardle (1864-1949) Cattle Watering Signed and dated 87 Oil on canvas 48 x 79cm; 19 x 31in £400-600 211. Albert Edward Boler (1865-1938) View of the Rivelin Valley, Sheffield Signed and dated 97 Oil on canvas 61 x 92cm; 24 x 36in The view shows Spooners Mills on the left and Walkley Cemetery Bell Tower on the right above the treetops £150-200 212. Arthur H. Davis (fl. 1871-1893) The Haunt of the wild duck at Hurn near Bournmouth Signed and dated 90, also signed and titled verso Oil on canvas 31 x 41cm; 12 x 16in £300-500

213 213. English School early 20th Century Evening return from work Oil on card 12.25 x 17cm; 5 x 6¾in With another small oil of Crummockwater, Cumberland signed possibly H. Anson (2) £200-300

214 214. Joseph Thors (c.1843-1898) Shepherd and flock at dusk Signed Oil on canvas 23 x 33cm; 9 x 13in £200-300

215 215. Lionel Bicknell Constable (1828-1887) Landscape, probably Wardour Castle, with a couple on a path by a gate Oil on canvas 51 x 66.5cm; 20 x 26¼in Conal Shields has confirmed the attribution of this painting. Wiltshire Council have stated that they believe it is likely to be Wardour Castle and have provided plans of the possible viewpoint which are included in the lot £3,000-5,000

216

216. William Shayer Sn. (1788-1879) Southampton Oil on canvas 51 x 61cm; 20 x 24in £1,000-1,500 217. Edward Coleman (c.1795-1867) Still life of dead game Oil on canvas 63.5 x 76cm; 25 x 30in £1,500-2,000

217

218

221 218. Gustave Achille Guillaumet (French 1840-1887) The wool spinner Signed Chalk 45 x 27.5cm; 17¾ x 11in £300-400 219. L. Ruffier (1884-?) Cherubs at rest and play Three, all signed All, oil on panel Each 33 x 21.5cm; 13 x 8½in (3) £300-400

219

220

222

223

220. John Seymour Lucas (1849-1923) Study of a soldier in armour Signed and dated 1878 Pencil and black chalk on grey/blue paper 49 x 39cm; 19¼ x 15¼in £120-180

222. Pierre Dupuis (French 1833-1915) A girl bathing in a pool Signed Oil on canvas 65 x 54cm; 25½ x 21¼in £700-1,000

221. William George Thornley (1857-1935) Fishing boats at low tide Signed Oil on panel 25.5 x 20cm; 10 x 8in £250-350

223. English School early 20th Century A girl wearing white, reading a book Oil on canvas in a Watts frame 76 x 64cm; 30 x 25in £200-300

224

226 224. English School 19th Century Portrait of Lord Palmerston Oil on canvas 63.5 x 76cm; 25 x 30in £2,000-3,000

225. B. A. Butler after Franz Xaver Winterhalter Portrait of Queen Victoria Signed and inscribed verso Further information online Oil on canvas 127 x 96cm; 50 x 38in £2,000-3,000

225

227 226. English School 19th Century Portrait of a lady Oil on canvas 91 x 70cm; 36 x 27½in £2,000-3,000

227. English School 19th Century Portrait of the Duke of Wellington Reverse glass oil painting, oval 44 x 63cm; 17¼ x 14in £400-600

228 228. Léon Augustin L’Hermitte (French 1844-1925) Environs de Mont St. Pere Signed Oil on canvas 46 x 61cm; 18 x 24in Provenance: G. M. Lotinga Ltd., London, May 1957 £15,000-25,000

229 229. Maurice Lévis (French 1860-1940) Le Pont de Lagny Signed Oil on canvas 37 x 61cm; 14½ x 24in £800-1,200

230. Jules Dupré (French 1811-1889) Cattle in a river landscape Signed Oil on panel 60 x 74cm; 23½ x 29in £1,500-2,500

230

231 231. John Ritchie (act.1858-1875) Winter scene with children playing bandy Signed Oil on canvas 44.5 x 60cm; 17½ x 23½in Bandy is a Scottish form of ice hockey £3,000-5,000

232

232. John Ritchie (act.1858-1875) Winter scene with children playing bandy Oil on panel 25.5 x 38cm; 10 x 15in £1,000-1,500

233. John Ritchie (act.1858-1875) King Canute commanding the waves Oil on panel 33 x 46cm; 13 x 18in £600-800

233

234 234. Charles Jones (1836-1892) Sheep grazing Signed with initials, also signed and dated 1878 verso Oil on board 20 x 30.5cm; 8 x 12in £1,000-1,500

235

235. Ruth T. Mease (early 20th Century) Marsh and Trees Signed, also signed and titled verso Watercolour 75 x 49cm; 29½ x 19¼in £200-300

236

236. English School 19/20th Century Stained glass window designs including one for Eyam Church Two, both watercolour framed as a pair 22.5 x 14.5cm; 9 x 5¾in With two further designs (4) £150-200

237. Reginald Aspinwall (1858-1921) Cattle watering in a river landscape Signed and dated 1898 Watercolour 35 x 24.5cm; 13¾ x 9¾in £120-180

237

238

239

240

242

241 238. Clarence Henry Roe (1850-1909) A Highland view with stags crossing a loch Signed twice and dated 1880 Oil on canvas 59 x 90.5cm; 23 x 35½in £200-300

241. Arthur George Bell (1849-1926) Turnpike road Signed and inscribed To my friend Dr. Emerson Oil on panel 32.5 x 56cm; 12¾ x 22in £300-500

239. Carl Hasch (Austrian 1834-1897) A huntsman before a mountain lake Signed and dated 86 Oil on board 38 x 47cm; 15 x 18½in £200-300

242. Helena Maguire (1860-1906) Left behind Signed Watercolour 62.5 x 44.5cm; 24½ x 17½in £500-800

240. William Cruickshank (1848-1922) Still life of a pigeon on a bank Signed Gouache 25 x 36cm; 10 x 14¼in £150-250

INDEX OF ARTISTS A Aldridge, Frederick J. Alken, Henry American School Anglo Dutch School Aspinwall, Reginald B Baarle, J. van Barber, William T. Barret, George Jr. Beale, Attrib. to Mary Beaumont, Arthur Bell, Arthur George Boddington, Henry John Boler, Albert Edward Boudewyns, Attrib. to A.F. Bout, Attrib. to P. Bouvier, Joseph Boys, Thomas Shotter Branwhite, Charles B Bree, Attrib. to J. van Breughel, Circle of Jan Bright, Harry Brouwer, Foll. Of Adriaen Brusasorci, Circle of F. Burr, John P. Butler, B. A. C Carracci, After Annibale Carter, Henry Barlow Champaigne, Circle of P. Clerc, Circle of Jacques S. le Coleman, Edward Constable, Lionel Bicknell Conti, G. B. Continental School Cooper, Attrib. to A. Costa, Giovanni Cosway, Richard Coventry, C. C. Crosse, Malcolm Cruickshank, William Cuyp, Manner of Aelbert Cuzco School D D’Ambrossi, A. Davis, Arthur H. Davis, Henry William B. Dawson, Montague Deanes, Edward Desportes, After Alexandre F. Dicksee, After Sir Frank Dommersen, C. C. Droostschloot, Foll. Of J. C. Dudman, William Duncan, Edward Dupres, Jules Dupuis, Pierre Dutch School

140, 172 153 15 104 237 107 12 39 78 209 241 131 211 40 40 183 57 136 106 84 158 91 117 165 225 120 38 47 123 217 215 186 23, 129 97 171 32 75 142 240 68 64, 65, 66 164 212 139 160 168 93 170 137 122 21 161 230 222 88, 105, 108

E Eddis, Eden Upton 193 Eichinger, Erwin 167 English School 1, 3, 5, 6, 7, 8, 9, 10, 13, 14, 16, 24, 25, 26, 27, 28, 35, 41, 42, 43, 45, 46, 48, 49, 50, 52, 81, 85, 86, 98, 125, 126, 134, 147, 148, 150, 189, 192, 213, 223, 224, 226, 227, 236 Eugster, I. 73

F Fielding, Anthony V. C. 176 Flashar, Max 199 Flemish School 95, 102 Fonceca, Simon 110 Foster, Myles Birket 177 Francia, Attrib. to F. L. T. 58 Francken, Foll. Of Frans 119 French School 19, 20, 22, 30, 53, 69, 72, 74, 90, 92 Frere, Pierre Edouard 127, 128 G Gabriel, C. Wallis German School Gibbons, William Gill, Edmund W. Gray, George Robert Gregory, Edward John Guillaumet, Gustave A.

155 17, 29 132 135 156 187 218

H Hardy, Thomas Bush H. Hart, Claude Montague Hasch, Carl Hayman, Francis Hicks, Attrib. to Geo. E. Hoom, Kirk van Hudson, Thomas

159, 162 143 239 99 169 203 77

I Irish School

112

J Jenner, Isaac Walter Jones, Charles Judkin, Rev. Thomas J.

201 234 145

K Kauffman, Foll. Of Angelica Kessel, Foll. Of Jan van Key, Attrib. to Adrien T. Kneller, Circle of Godfrey Koekkoek, Hendrick B.

94 114 118 79 195

L Laccetti, Valerio Landseer, Sir Edwin H. Laporte, George Henry Laroon, Attrib. to M. Lawrence, Attrib. to Sir T. Lawrence, George Lawrence, Sir Thomas Le Brun, After E. Vigee Leader, Benjamin Williams Levis, Maurice L’Hermitte, Leon Augustin Lievens, After Jan Lindo, Attrib. to Francis Lucas, John Seymour

205 182 154 34 56 2 101 18 130 229 228 71 51 220

M Maggs, John Charles Maguire, Helena Marshall, William Elstob McCormick, Arthur David Meacci, Ricciardo Mease, Rugh T. Melzer, Franciscus Mirou, Attrib. to Anton Molenaer, Attrib. to J. M. Monamy, Peter Morgan, Frederick Morier, Foll. Of David Morland, George Morland, George Myles, John

194 242 152 188 184 235 180 67 44 100 181 113 111 151 89

N Neopolitan School Netscher, Foll. Of Constantin Nichol, Erskine Norwich School O Os, Foll.of Geo. J. J. van P Payne, William Peeters, Rev. Matthew W. Pether, Abraham Piazetta, attrib. to G. B. Piazetta, Foll. of G. B. Pine, Atrib. To Robert E. Poate R Ranken, William Bruce E. Reynolds, After Sir Joshua Richards, L. Ritchie, John Roe, Clarence, Henry Rouquet, Jean Andre Rowlandson, Foll. of T. Rowlandson, Thomas Ruffier, L.

173 80 190, 191 146, 149 123A 62 70 144 31 33 82 11 185 109 133 231, 232, 233 238 4 36 60, 61 219

S S. F. T. Saltau, Otto Sandby, Circle of Paul Sasse, Richard Schafer, Henry Thomas Schreiber, Peter Conrad Scottish School Sebes, Pieter Willem Serres, Attrib. to Dominic Serres, Dominic Seymour, Foll. Of James Shayer, William Sn. Shee, Sir Martin Archer Silva, Francis Augustus Smyth, Montague Stannard, Henry J. S. Stry, Jacob van

166 157 63 37 202 175 124 200 116 115 96 216 83 174 208 138 76

T Teniers, Circle of David Teniers, Foll. Of David Thornley, William Thors, Joseph Towne, Charles Turner, George

121 102 221 214 196 207

V Vaarberg, Johannes C. Vandeverdonck, Francois Vernet, Foll. Of Claude

163 206 87

W Wardle, Arthur Weatherill, Sarah Ellen Widgery, Frederick J. Winterhalter, After F. X. Wood, Lewis John Wyld, William

210 141 178, 179 225 204 198

Paintings Wednesday 11th March 2015 Entries are now being accepted for this sale

William Gowe Ferguson (1632-1695) Rustics amongst Roman ruins and a bas-relief mausoleum, a hilltop town beyond Oil on canvas 113 x 127cm; 44Â˝ x 50in Provenance: The Marquess of Tweeddale, Yester House, East Lothian Private collection Estimate: ÂŁ6,000-8,000

ENQUIRIES Victor Fauvelle +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 jobutler@woolleyandwallis.co.uk

Asian Art Wednesday 20th & Thursday 21st May 2015 Entries are now being accepted for this sale

ENQUIRIES John Axford +44 (0) 1722 424506 johnaxford@woolleyandwallis.co.uk

One of a pair of Chinese reverse glass portraits of a lady and a gentleman, c.1800.

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PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

SAlE RESUltS these will be posted on our website shortly after the sale.

COMMISSION BIddING If you are unable to attend the sale you can leave a commission bid. this will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAt on the first £500,000 of the hammer price and 12% + VAT thereafter.

tElEPHONE BIddING It is usually possible to bid on the telephone by prior arrangement with the office.

PAYMENt ANd ClEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

ARtISt’S RESAlE RIGHt / dROIt dE SUItE ‡ droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

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where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. this will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAt lots marked with an asterisk (*) are subject to VAt on the hammer price. lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAt at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales tax % column indicates the rate of VAt on hammer price. CItES REGUlAtIONS Please note that lots marked λ may be subject to CItES Regulations when exported. the CItES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

Valuations PROBAtE VAlUAtIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VAlUAtIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCtION VAlUAtIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

woolley and wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Absentee Bid Form Fine Old Masters & 19th Century Paintings Wednesday 10th December 2014 PW101214

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SOCIEtY OF FINE ARt AUCtIONEERS ANd VAlUERS and the ROYAl INStItUtION OF CHARtEREd SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. the lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAt (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. they are in no sense definitive.

The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

VAT. (*) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European Union and is not operating the dealers Margin Scheme or because VAt is due at 20% on importation into the Uk. the double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAt (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. there is a 3 week time limit. (the expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. to justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. the cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. these are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. they must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. the rights of disposal referred to in clause 8 and 9 are subject to the provisions of the torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE woolley & wallis Salisbury Salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALUE ADDED TAX Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAt position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COllECt any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF lAtER) after which you shall be responsible for any COllECtION, storage and insurance charges. (c) No purchase MAY be COllECtEd ANd wE SHAll NOt RElEASE ANY lOt tO YOU OR YOUR AGENt until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE the seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. this Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. the term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. the term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500