Woolley & Wallis Paintings 11 March 2015 by ATGMEDIA

WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

Paintings Wednesday 11th March 2015

www.woolleyandwallis.co.uk

Paintings Wednesday 11th March 2015

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan CloCks, WAtChes & sCientiFiC instruments Richard Price (Consultant) Gemma Bush

424506 424591 424583 424589

07741 242421 339752

english & europeAn CerAmiCs & glAss Clare Durham Amanda Lawrence

424507 329477

Furniture Mark Richards Jim Gale Anna Brown

411854 339161 411854

JeWellery Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

pAintings Victor Fauvelle Jo Butler

424503 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

20th Century Design Michael Jeffery Amanda Lawrence

424505 329477

tribAl Art Will Hobbs Gemma Bush

339752 339752

Furniture & Works oF Art 25th March 2015 1st July 2015 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk

vAluAtions For insurAnCe & probAte Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

mArketing Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

generAl oFFiCe Linda Garthwaite Pauline West Sharon Ringwood Nicola Young sAleroom mAnAger David Jordan

424500

boArD oF DireCtors Paul Viney ASFAV Chairman

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

tribAl Art & Antiquities 2nd September 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CloCks, WAtChes & sCientiFiC instruments 17th July 2015 Richard Price (Consultant) +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

20th Century Design 15th April 2015 – Clarice Cliff, Art Deco & 20th Century Design 17th June 2015 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director

AssoCiAte DireCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

JeWellery 30th April 2015 16th July 2015 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk

english & europeAn CerAmiCs & glAss 21st April 2015 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

CompAny seCretAry Jim Macarthur CA

silver 29th April 2015 – Fine Silver & Objects of Vertu 14th & 16th July 2015 Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk

424599

pAintings 3rd June 2015 – 20th Century & Contemporary Art 23rd September 2015 – Paintings Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk Arms & Armour 25th March 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk AsiAn Art 20th & 21st May 2015 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Oil Paintings, Watercolours & Prints PLEASE NOTE THIS SALE STARTS AT 10AM

Wednesday 11th March 2015 at 10.00am

EnquiriEs

Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jobutler@woolleyandwallis.co.uk Viewing Times Saturday 7th March 10.00am – 1.00pm Monday 9th March 10.00am – 5.30pm Tuesday 10th March 10.00am – 4.00pm Wednesday 11th March 9.00am – 9.45am

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Salt Lane on 12th and 13th March - collection of lots on these days and Saturday 14th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 16th March collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street. COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES

Front cover: Lot 631 Back cover: Lot 284 This page: Lot 173 Overleaf: Lot 325

inDEX Miniatures & Frames

1-14

Print collection

15-57

Prints

58-141

for this lot – please see our Terms & Conditions, Section 21, for details

Private collection

142-210

CITES

Private collection

211-228

λ This symbol indicates that Cites regulations may apply. Please see the auction information page

Private collection

229-256

GLOSSARY OF TERMS

Watercolours

257-426

Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

Oil Paintings

427-665

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Catalogue: £12.00 (£15.00 by post) Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

of Fine Art Auctioneers

MINIATURES 1. English School 19th Century A gentleman, wearing brown, holding a pen Oil on copper in a rosewood frame 115 x 83mm £150-200

2. λ English School 19th Century A young gentleman seated on a green chair In a gilt frame 130 x 101mm £150-200

3. λ English School c.1800 A gentleman, head and shoulders, wearing a brown coat Oval in a rectangular ebonised frame 65 x 50mm With a portrait of a lady wearing white and one of a gentleman in a black coat (3) £150-250

4. λ English School 19th Century A gentleman, head and shoulders wearing blue Oval, in a gilt frame 25 x 17mm With another oval of a lady 47 x 38mm (2) £100-150 3

5. λ English School 19th Century A lady, head and shoulders, wearing white Oval, in an ebonised frame 63 x 52mm With a silhouette of a gentleman in profile in an ebonised frame (2) £80-120

6. λ English School early 19th Century Portraits of two girls, both half length in an interior Both watercolour Each 16 x 13cm; 6¼ x 5in (2) £100-200

4 7. λ After George Romney Emma Hart, later Lady Hamilton, as Circe Circular, in a silver frame 90mm £80-120 8. λ Continental School 19th Century Portraits of fashionable ladies Oval in decorative ivory frames Each 180 x 145mm (frame size) (2) £80-120

9. λ Manner of Sir Peter Lely A lady, half length en deshabilles 76 x 60mm With an oval enamel portrait of a boy after Bone (2) £100-150 10. λ William Thompson Barber (fl. 1876-1885) Sir Francis and Lady Henrietta Boileau and their three children Margaret, Maurice and Raymond A set of five, all inscribed verso, all ovals in gilt frames in a giltwood outer frame 2 x 87 x 70mm and 3 x 70 x 60mm (5) £500-800

11. A Victorian frame with fruit and leaf details 46 x 66cm; 18 x 26in (rebate size) £70-100

12. Early 19th Century, gilt picture frame with deep section, 38.5 x 70cm; 15 x 27½in (rebate size) £100-150

13. Russian School 19th Century An icon of the Virgin and Child In a pressed gilt frame 22.5 x 17.5cm; 9 x 7in With a further icon of Christ, a larger icon with multiple figures and a smaller pair with pressed silvered frames (5) Provenance: The Nick Rocke Collection £100-200

14. ‡ Simeon (20th Century) Decorative mask Signed and dated 09.1.11 verso Carved wood 40 x 18cm; 15¾ x 7in £100-150

Lots 15 to 57 – Prints by Herbert Thomas Dicksee (1862-i942) measurements are plate size unless stated otherwise

19 15. The Alarm With blind stamp Etching, Frost & Reed, 1918 50 x 75.5cm; 19¾ x 29¾in £300-500

17. Raiders Signed in pencil Etching, Frost & Reed, 1898 41 x 67cm; 16 x 26½in £200-300

19. Lion Drinking Signed in the plate Etching 17.5 x 25cm; 7 x 10in £100-150

16. Family of lions Signed in pencil Etching by Herbert Dicksee, after Rosa Bonheur, L. H. Lefevre and Son and J. McLean (E. Cremetti successor), also copyright E. L. Knoedler, New York 46 x 65cm; 18 x 25½in £300-500

18. The Destroyers Signed in the plate and with blind stamp Etching, Frost & Reed, 1904 44 x 71cm; 17¼ x 28in £400-600

20. The Marauders; His Royal Highness The first signed in pencil Both etchings, The Fine Art Society 17.5 x 25cm; 7 x 10in and 23.5 x 18cm; 9¼ x 7in (image size) (2) £200-300

Lots 15 to 57 – Prints by Herbert Thomas Dicksee (1862-i942)

22 21. In the Enemy Country Signed in pencil Etching 53 x 72cm; 21 x 28¼in £400-600 22. Danger With L.B.J. blind stamp Etching on buff paper, Arthur Tooth & Sons, 1905 44 x 73cm; 17¼ x 28¾in £300-500

23. The Challenge; Head of a lion Two, both signed in the plate Both etchings 17.5 x 25cm; 7 x 10in and 27.5 x 19.5cm; 10¾ x 7¾in (2) £150-250 24. His Royal Highness Signed Etching on buff paper, J. S. Virtue & Co., 1902 23 x 18cm; 9 x 7in (image size) £120-180

25. The Tigress (The Mother in Law) Later re-strike of original etching C. E. Clifford, 1891 58 x 49.5cm; 23 x 19½in £120-180 26. His Majesty Signed in pencil, with blind stamp Etching, C. L. Clifford, 1888 59 x 46.5cm; 23 x 18¼in £200-300 27. Idlers Signed in pencil and with E.A.T.G. blind-stamp Etching, Frost & Reed 22.5 x 49cm; 9 x 19¼in £200-300 28. Study of a lion resting Signed in pencil, also inscribed Etching, Frost & Reed 18.5 x 48.5cm; 7¼ x 19in £200-300

Lots 15 to 57 – Prints by Herbert Thomas Dicksee (1862-i942)

33 29. Thirst With T.H U. blind stamp Etching on buff paper, Frost & Reed, 1911 45 x 70cm; 17¾ x 27½in £200-300 30. Startled Signed in pencil Etching, Frost & Reed, 1919 50 x 76cm; 19¾ x 30in £200-300

34 31. The closed door Signed in pencil, with blind stamp, also signed and inscribed on a label verso Etching, Frost & Reed, 1920 37 x 56cm; 14½ x 22in £200-300 32. Footsteps With blind stamp Etching, Frost & Reed, 1926 37.5 x 55cm; 14¾ x 21¾in £150-200

33. The Happy Mother Etching, Fine Art Society, 1894 36.5 x 67cm; 14½ x 26½in £200-300 34. Hope, Cairn Terriers Signed Etching, Frost & Reed, 1929, from an edition of 325 with blind stamp 29 x 41.5cm; 11½ x 16¼in £300-500

Lots 15 to 57 – Prints by Herbert Thomas Dicksee (1862-i942)

35. Ready Signed in pencil, with blind stamp Etching, Frost & Reed, 1928 33.5 x 54cm; 13 x 21¼in £200-300

36. Where’s Master Signed with initials and dated 1910 in the plate, with XB2 blind stamp Etching Frost & Reed, 1911 40 x 58cm; 15¾ x 23in £100-150

37. Forgotten Signed in pencil and with blind stamp Etching, Frost & Reed, 1923 27.5 x 38.5cm; 10¾ x 15in (image size) £200-300 38. The Last Defender Etching, ‘The Portfolio’, 1893 20 x 25cm; 8 x 10in £100-150 39. The Sentinel Signed in pencil Etching, Frost & Reed, 1913 34 x 62.5cm; 13¼ x 24½in (image size) £200-300

40. The closed door Signed in pencil, with E.A.T.G. blind stamp Etching, Frost & Reed, 1920 37 x 56cm; 14½ x 22in £200-300 41. Fire Worshipers Etching, Frost & Reed, 1906 41 x 64cm; 16 x 25in (to mount) £80-120 42. Footsteps Signed Etching, Frost & Reed, 1926 37 x 55cm; 14½ x 21in £200-300

Lots 15 to 57 – Prints by Herbert Thomas Dicksee (1862-i942)

43 43. The Prodigal Signed in pencil, with blind stamp Etching, Frost & Reed, 1926 46.5 x 36.5cm; 18¼ x 14½in £200-300 44. Lucky Dog Signed Etching, Frost & Reed, 1908 48.5 x 34cm; 19 x 13½in £150-250 45. Goodbye (In the Old Garden at Penshurst Place) Initialled in the plate Etching, Frost & Reed, 1902 75 x 53cm; 29½ x 21in £200-300

44 46. The closed door With blind stamp Etching, Frost & Reed, 1920 37 x 56cm; 14½ x 22in £120-180

49. The Tigress (The Mother in Law) Etching, C. E. Clifford, 1891 56 x 46.5cm; 22 x 18½in (mount size) £150-250

47. His Royal Highness Etching, The Art Journal 24 x 18cm; 9½ x 7in (image size) £100-150 48. Prince Charles Signed in pencil Etching, Frost & Reed, 1902 24.5 x 19.5cm; 9¾ x 7¾in £200-300

Lots 15 to 57 – Prints by Herbert Thomas Dicksee (1862-i942) 50. Fire Worshippers Signed in pencil and with F.L blind stamp Etching, Frost & Reed, 1906 42 x 66cm; 16½ x 26in (image size) £200-300

51. In sight at last Signed, with faint blind-stamp Etching, Frost & Reed, 1923 46 x 64cm; 18 x 25in £120-180 52. Two German Shepherds Signed in pencil Etching, Frost & Reed, 1926 31.5 x 41.5cm; 12 x 16in £200-300

53. Three little kittens Signed in pencil, with blind stamp Mezzotint, Frost & Reed, 1903 25 x 35cm; 10 x 13¾in £150-250 54. after Sir John Everett Millais The Boyhood of Raleigh Signed in pencil Etching on vellum, The Fine Art Society, 1901 56 x 66cm; 22 x 26in £150-250

56 56. Primrose gatherers Signed Etching, Frost & Reed, 1909 45.5 x 63.5cm; 18 x 25in (image size) £120-180

57 57. Flight into Egypt Signed by Dicksee and Simon Vedder Etching, Arthur Lucas, 1900 47 x 72cm; 16½ x 28¼in £150-250

55. Gypsy girl with a dog Signed in pencil Etching, Frost & Reed, 1903 48 x 49.5cm; 19 x 23½in (image size) £100-150

PrinTs

59 58. Henry Alken (1785-1851) After Walter Parry Hodges Series of 8 plates of Foxhunting dedicated to the Duke of Beaufort All aquatints, published by Thomas Lean, 1833, including framed title page and supplementary plate titled Consequences Each 41 x 59cm; 16 x 23¼in (plate size) (10) £2,000-3,000

59. After John Constable (1776-1837) Salisbury Cathedral from the meadows Mezzotint 62 x 71cm; 24¼ x 28in (plate size) £300-500

60 60. Giuseppi Vasi (Italian 1710-1782) View of the Vatican City, Rome with the Basilica of St Peter and the Castel S. Angelo Engraving 100 x 68cm; 39½ x 26¾in £500-700

12 61. After Sir John Hoppner R.A. (1758-1810) Portrait of Admiral Lord Nelson Mezzotint engraved by C. Turner 59.5 x 40cm; 23¼ x 15¾in With a further 3 prints, of Alexander Gordon, Colonel Tarleton by Henry Macbeth Raeburn and one after Gillray (4) £300-500

62. After Sir Joshua Reynolds P.R.A. Sir Abraham Hume Bt. (1749-1838) Engraving by C. H. Hodges, published 1791 29 x 24cm; 11¼ x 9¼in £150-250 63. ‡ Norman Hirst (1862-1955) After Sir Thomas Gainsborough R.A. Gainsborough’s daughter Mezzotint, oval 58.5 x 47cm; 23 x 18½in With another similar by a different hand (2) £80-120

64. Richard Smythe (1863-1934) After Sir Thomas Lawrence P.R.A. Portrait of Lady Elizabeth Whitbread (1765-1846), eldest daughter of the 1st Earl Grey Signed Mezzotint, published by Thomas Agnew & Sons, 1907 32.5 x 27.5cm; 13 x 11in £80-120

65. After Henry Singleton The Vicar and the Curate of the Parish A pair, both stipple engravings by J. Burke Each 42 x 32cm; 16½ x 12½in (2) Provenance: Lord Charles Spencer-Churchill £50-80 66. After Francis Wheatley Cries of London 6, all engravings / lithographs engraved by different hands, framed as a set 39 x 28cm; 15¼ x 11in and similar (6) £200-300 67. Richard Houston (1721-1775) After Johann Zoffany R.A. James Sayer, aged 13 years Mezzotint, published by R. Sayer, March 1772 51 x 36cm; 20 x 14¼in £100-150

13 68. Francesco de Goya after Diego Velasquez Portraits including Phillip III of Spain Six, all etchings Each 38 x 32cm; 15 x 12½in (6) £400-600 69. After Sir Peter Lely and others 12 Portrait engravings In ebonized frames 33 x 23cm; 13 x 9in (12) Provenance: Mentmore Sale £150-250 70. After Henry Alken The First Steeple-chase on record Set of 4 aquatints, engraved by J. Harris, published 1839 Each 35 x 41cm; 13¾ x 16in (4) £200-300

71. George Keating (1762-1842) After George Morland Children playing at soldiers Aquatint, published J. R. Smith, 1788 44 x 56cm; 17¼ x 22in £100-150 72. James Gillray (1757-1815) The King of Brobdingnag and Gulliver Hand-coloured etching 35 x 46cm; 13¾ x 18in £100-150

73. After William Henry Bartlett (1809-1854) Views of America and Canada Approx. 90., all unframed Each 20 x 27cm; 8 x 10¾in With a set of 12 etchings of American Colonial Sites by Robert Shaw, unframed (approx 102) £100-150 74. After Henry Alken Hunting Incidents Set of 6, all aquatints Each 21 x 23cm; 8¼ x 13in (image size) (6) £150-250 75. After Benjamin F. Smith New York, 1855 Engraving by William Wellstood 64 x 99cm; 25 x 99in With an engraving of The Gamesters by W. Ward (2) £200-300

14 80. After Henry Richter A picture of youth, illustrations from The works of Henry Richter, First series Four, all lithographs, published by R. Ackermann, 1822, No.s II, III, IV and V 40.5 x 33cm; 16 x 13in (4) £150-250

76. Edward Slocombe (1850-1915) Salisbury Cathedral from the meadows Etching 64.5 x 44cm; 25.½ x 17¼in With an etching of a house by a river by Camille Foncé (2) £100-150

77. After Giovanni Battista Piranesi Carceri, the Lion Bas-Relief Reproduction 56 x 41cm; 22 x 16¼in £200-300 78. After Franz Xaver Winterhalter Portraits of Queen Victoria and Prince Albert A pair, both stipple engravings, mounted as ovals Each 72 x 56cm; 28½ x 22in £150-250

81. After Spy, Sir Leslie Matthew Ward (1851-1922) and Lib, Liberio Prosperi (act.1886-1903) Vanity Fair, Portraits of jockeys Set of 8, lithographs Each 31 x 18cm; 12 x 7in (8) £100-150 82. After Alfred Charles Havell A Racing Nightmare Print, published by Messrs. Fores, 1890 76 x 63cm; 30 x 25in (to sight edge) £100-150

79. After Cecil Charles Windsor Aldin The Cottesbrook Hunt Colour lithograph 37 x 66cm; 14 x 26in £100-200 79

89 83. ‡ Harold Wyllie (1880-1973) Ships in harbour scenes Set of four, all etchings with aquatint, H. W. Dickens, New York Each 12.5 x 42.5cm; 5 x 16½in (4) Provenance: Nigel Stacey-Marks Ltd., Perth 09.11.95 £200-300 84. William Lionel Wyllie R.A. (1851-1931) Yachts racing off the Needles, Isle of Wight Signed, Etching 9 x 33cm; 3½ x 13in £200-300

85. William Lionel Wyllie R.A. (1851-1931) H.M.S. Mauretania leaving Liverpool Signed, Etching 22 x 37cm; 8¾ x 14½in £300-500 86. William Lionel Wyllie R.A. (1851-1931) The Don and the Dee meeting at Aberdeen Signed, Etching 16 x 37.5cm; 6¼ x 14¾in £200-300

90 87. William Lionel Wyllie R.A. (1851-1931) Cleopatra’s needle from the Thames Signed in pencil Etching with drypoint 25.5 x 36.5cm; 10 x 14¼in £200-300 88. William Lionel Wyllie R.A. (1851-1931) Shipping with a flock of seagulls, Signed Etching 25.5 x 35cm; 10 x 13¾in £150-250

89. After Edward Duncan Portsmouth Harbour and dockyard with HMS Duke of Wellington and HMS Victory Engraving by T.A. Prior 20.5 x 40.5cm; 8 x 16in £100-200 90. Wilfred Williams Ball (1853-1917) Views of the Thames and North Wales 18, all etchings on buff paper Each 9.5 x 5cm; 3¾ x 2in (18 in 3 frames) £150-250

16 91. Horace Vernet (French 1789-1863) La Poste au Desert With blind-stamp Engraving Published, 1843 55 x 45cm; 21½ x 17¾in (image size) £80-120

92. After Frank Paton Dick Engraving by J. B. Pratt, published Dec. 12, 1886 by E. E. Leggatt, 46 Fenchurch St. E.C. 60 x 60cm; 23½ x 23½in (plate size) Provenance: M. Knoedler & Co., New York £100-150

93. ‡ Leonard Russell Squirrell R.W.S. (1893-1979) Durham City Signed Etching 24.5 x 33cm; 9½ x 13in £100-150

94. After Archibald Thorburn A Grouse Drive, c.1890; Grouse in Flight, c.1900 Two, both photogravures 36 x 59cm; 14¼ x 23¼in and 29 x 40.5cm; 11½ x 16in £150-250

95. George Soper (1870-1942) Timber Hauling Signed Etching 20 x 30.5cm; 8 x 12in £120-180

96. George Soper (1870-1942) Sheep shearing Signed Etching 19 x 30cm; 7½ x 12in £100-150

97. ‡ Norman Wilkinson (1878-1971) The artist’s son fishing Signed Etching 22.5 x 30cm; 9 x 11¾in £150-250

98. ‡ Norman Wilkinson (1878-1971) The Gilly Signed Etching 30 x 22cm; 11¾ x 8¾in £150-250

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99. Paul Rajon (1842/3-1888) After George F. Watts R.A. Portrait of Frederick Lord Leighton Drypoint etching 40 x 28cm; 15¾ x 11in £150-250

101. After Rembrandt Harmensz Van Rijn Portrait of the artist’s mother Etching, later inscribed and stamped verso 14 x 13cm; 5½ x 5in £100-150

100. ‡ Gerald Leslie Brockhurst R.A. (1890-1978) Xénia; Study for a decoration; Chiquita; Nadejda Four, all signed All etchings, unframed 20 x 15cm; 8 x 6in and smaller (4) £250-350

102. Mortimer Luddington Menpes, R.I. (1855-1938) Portrait of Whistler Drypoint etching Signed 16.5 x 14.5cm; 6½ x 5¾in £400-600

103. ‡ Augustus Edwin John O.M., R.A. (1878-1961) The Malt House Signed Etching, Ref. Campbell Dodgson 126 state ii 8 x 10cm; 3¼ x 4in £150-250

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104. Jean Auguste Vyboud (French 1872-1944) Kneeling nude, rear view Signed in pencil Drypoint etching 11.5 x 9.5cm; 4½ x 3¾in (plate size) £70-100

105. Cecil Charles Windsor Aldin (1870-1935) A Sealyham Terrier puppy Signed and numbered 109/150 Etching 15 x 10.5cm; 6 x 4in £400-600 106. Cecil Charles Windsor Aldin (1870-1935) A Sealyham Terrier on her haunches Signed and numbered 109/150 Etching 17.5 x 12.5cm; 7 x 5in £400-600

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106 107. ‡ Edward Bawden R.A. (1903-1989) Alas, said Sir Lancelot … Signed, titled and numbered 7/50 Linocut 20 x 26.5cm; 8 x 10¼in £150-200 108. After Henry Ryland Pear Blossom; The Doves of the Temple A pair, both prints by C. W. Faulkner & Co. Each 19 x 10.5cm; 7½ x 4¼in (2) £150-250 109. After John Gould and Henry C. Richter Bird studies Ten, all lithographs 55 x 38cm; 21½ x 15in and similar (10) £80-120

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110. ‡ Louis Icart (French 1888-1950) Rosebud Signed and blind stamped Etching, published by Georges Petit, 1914 31 x 20cm; 12 x 8in £250-350 111. ‡ Leonard Robert Brightwell (1889-1983) Between the acts Signed and titled Etching, unframed 44 x 28cm; 17¼ x 11in (paper size) £100-150

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19 112. ‡ Sybil Andrews (British/Canadian 1898-1992) St. Jacques, Lisieux Signed and titled Etching 27 x 20cm; 10¾ x 7¾in (plate size) Sybil Andrews helped establish the Grosvenor School of Modern Art £800-1,200 113. ‡ Laurence Stephen Lowry R.A. (1887-1976) Manchester Library Signed in pencil and stamped Colour reproduction 27 x 36cm; 10½ x 14¼in Provenance: Woolley & Wallis, 8 Oct. 2008, Lot 186 £400-600

114. ‡ Marie Laurencin (French 1883-1956) L’Ange bleu Signed and numbered 66/150 Etching with aquatint 30 x 24cm; 11¾ x 9½in (plate size) Provenance: The Redfern Gallery, London, 16th May 1960 £300-500 115. ‡ Marie Laurencin (French 1883-1956) Alice 1 Signed Colour lithograph 24 x 24cm; 9½ x 9½in Provenance: The Redfern Gallery, London, 16th May 1960 £250-350 116. ‡ Marie Laurencin (French 1883-1956) Joyeuse de Mandoline Signed and numbered 25/100 Etching with aquatint 18 x 24cm; 7 x 9½in (plate size) £200-300

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123 117. ‡ John Hall Thorpe (1874-1947) Summer Lane Signed Woodcut 16 x 15cm; 6¼ x 6in £100-150

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118. ‡ John Hall Thorpe (1874-1947) Flowers and fruit Signed and titled Woodcut 40.5 x 26.5cm; 16 x 10½in £200-300

122 119. ‡ John Hall Thorpe (1874-1947) Bluebell wood Signed Woodcut 16.5 x 15cm; 6½ x 6in £100-150

121. ‡ John Hall Thorpe (1874-1947) Primroses and forget-me-nots Signed Woodcut 16.5 x 15cm; 6½ x 6in £200-300

120. ‡ John Hall Thorpe (1874-1947) Cowslips Signed Woodcut, published 1922 16.5 x 15cm; 6½ x 6in £100-150

122. ‡ John Hall Thorpe (1874-1947) Crocus Signed and titled Woodcut, published 1922 16.5 x 15cm; 6½ x 6in £100-150 123. ‡ Herbert Gurschner (1901-1975) Tyrol Signed, titled and numbered 14/200 Woodcut 11.5 x 20cm; 4½ x 8in £150-250

124 124. ‡ André Bicât (French 1909-1996) The Balcony Signed and titled Artist’s proof Etching with aquatint 50 x 42.5cm; 19¾ x 16¾ (plate size) With a further print of a life drawing studio scene by a different hand (2) £200-300 125. ‡ Julian Trevelyan R.A. (1910-1988) St. James’ Park Signed, titled and numbered 38/75 Etching with aquatint, from the London Parks Suite, 1969, unframed 59 x 77cm; 23¼ x 30½in (sheet size) £200-300 126. ‡ Patrick Procktor R.A. (1936-2003) Chateau Mouton-Rothschild Signed, titled and numbered 101/150 Aquatint etching, unframed 50 x 63.5cm; 19½ x 25in (sheet size) £100-150

125 127. ‡ Patrick Procktor R.A. (1936-2003) Chateau Prieuré-Lichine Signed, titled and numbered 27/150 Aquatint 30.5 x 20.5cm; 12 x 16in £100-150 128. ‡ Sara Lutyens (1929-1976) The Merry go Round Two, both silkscreens 57.5 x 94cm; 23¾ x 37in and similar (2) £150-200

126

129. ‡ H.R.H. The Prince of Wales (b.1948) Farm Buildings, Sandringham Estate Signed and dated 88 in the print Photographic reproduction 8.5 x 13.5cm; 3¼ x 5¼in £80-120

127

128

129

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134 130. ‡ Ralph Brown R.A. (1928-2013) Standing, semi-clad nude Signed, dated 91, numbered 2/90 and inscribed Lithograph 63.5 x 35cm; 25 x 13¾in £100-150 131. ‡ Robin Page (b.1932) Wood carving Signed and titled Lithograph 42 x 29cm; 16½ x 11½in £150-250

132

135 132. After Joe Tilson R.A. (b.1928) Labirinto Limited edition reprodution from Azzurro 1976 28 x 29cm; 11 x 8in £80-120 133. ‡ Donald Hamilton Fraser R.A. (1929-2009) Approaching Storm Signed and numbered 48/250 Silkscreen 56 x 43.5cm; 22 x 17in £150-250 134. ‡ Donald Hamilton Fraser R.A. (1929-2009) Sailing Signed and numbered 235/250 Silkscreen 56 x 43.5cm; 22 x 17in £150-250

133

136 135. ‡ Jacques Villon (French 1875-1963) Femme Cubiste, 1914 Signed and numbered 128/175 Lithograph, published H. Deschamps, 1962 58.5 x 28cm; 23 x 11in £300-500 136. French School 19th Century Pont de Cahors; Archbishop’s Palace, Albi; Brent Tor; Polignac; Chateau de Fayrac; Paternoster Steps 7, all copper engraving plates 24 x 34cm; 9½ x 13½in and similar (7) £80-120

137

139 137. ‡ John Piper (1903-1992) Oxburgh Hall, Norfolk Signed and numbered 5/120 Lithograph 61 x 48cm; 24 x 19in (sheet size) Provenance: Christie’s certificate verso £600-800 138. ‡ John Piper (1903-1992) Clytha Castle Signed and numbered 70/90 Lithograph 38 x 55cm; 15 x 21½in (sheet size) Provenance: Christie’s certificate verso £600-800

140

139. ‡ André Albert Marie Dunoyer de Segonzac Hon. R.A. (French 1884-1974) Pierre Levy Collection II, folio Eight lithographs with title and text sheets, unframed in original folio and box 65 x 50.5cm; 25¾ x 19¾in (sheet size) £100-200 140. ‡ Derrick Greaves (b.1927) and Roy Fisher Also, 1972 Seven, all signed, dated 72 and numbered 16/75 All screenprints Tetrad press, unframed in original folio Each 47 x 65cm; 18½ x 25½in (2) £300-500 141. ‡ Juan Navarro Ramon (Spanish 1903-1989) Nude in an abstract landscape Signed, also titled indistinctly Lithograph 43 x 54cm; 17 x 21¼in With another of a lady seated by the same hand (2) £120-180

141

Lots 142 to 210 – From a Private Collection in Buckinghamshire 142. Peter de Wint O.W.S. (1784-1849) Brighton Beach Watercolour 21.5 x 28cm; 8½ x 11in Provenance: Vokins, October 1990 Fry Gallery, London £800-1,200 143. Peter de Wint O.W.S. (1784-1849) Rocky Stream in Autumn Woods Watercolour over pencil 27.5 x 21cm; 10¾ x 8¼in Provenance: De Wint Executors Sale Christie’s 23.5.1850 (lot 57) as ‘Study of Trees’ thought to bear lot no. verso £200-300 144. Peter de Wint O.W.S. (1784-1849) Manor house in a landscape; Bridge over a river Two, one pencil and one pen and ink, framed together 12 x 19cm; 4¾ x 7½in and 9 x 16.5cm; 3½ x 6½in Provenance: Backboard inscribed verso Peter de Wint, Ex. Coll. Vokins Sotheby’s, 11th November 1993, lot 191 £150-250

142

145. Peter de Wint O.W.S. (1784-1849) Distant view of a village, possibly Bonsall, Derbyshire Pencil and black chalk heightened with white on grey paper 17 x 25cm; 6¾ x 10in Provenance: Fry Gallery, Saxmundham - from a Derbyshire sketchbook £100-150

143

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146. Peter de Wint O.W.S. (1784-1849) Beached boats with sails drying Black chalk on grey paper 7.5 x 12.75cm; 3 x 5in Provenance: Mrs. KLA Dixon, great grand-daughter of Vokins, de Wint’s dealer Fry Gallery, London £100-150

Lots 142 to 210 – From a Private Collection in Buckinghamshire

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148

149

150

151 147. Peter de Wint O.W.S. (1784-1849) Studies of pack ponies and a man standing Pencil on pink paper 14.5 x 29cm; 5¾ x 11¼in Provenance: Mrs. Boover Brooks R. M. Matthew Pryor £200-300 148. Peter de Wint O.W.S. (1784-1849) River Lowther, Westmorland Inscribed indistinctly, possibly by a different hand Black chalk heightened with white on grey paper 16 x 27cm; 6¼ x 10½in Provenance: Fry Gallery, London, January 1988 £150-250

152 149. Circle of Peter de Wint A Tower in a hilly landscape Said to have sketch verso A lake amongst Hills - portrait shape Watercolour 14 x 22.5cm; 5¼ x 9in £100-150 150. Circle of Peter de Wint A Church tower in a landscape, possibly Lincolnshire Watercolour 13 x 21.5cm; 5 x 8½in £120-150

151. John Varley O.W.S. (1778-1842) A distant view of Harlech Castle Signed J lower right Watercolour over pencil 15 x 21.5cm; 6 x 8½in £200-300 152. John Varley O.W.S. (1778-1842) A Continental landscape with figures by a lake Watercolour 15 x 25cm; 8 x 10in Provenance: Sotheby’s, 27th April, 1988 lot 72 £200-300

Lots 142 to 210 – From a Private Collection in Buckinghamshire

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154

155

156

157

158

153. Paul Sandby R.A. (1725-1809) A woman and horse on a track with a distant castle Watercolour with stopping out 25 x 32cm; 10 x 12½in Provenance: Sotheby’s 27th April 1988 lot 215 £500-700

155. Frederick Wilton Litchfield Stockdale (1780-1850) View of St. Paul’s from the South Pen and ink with wash 16 x 24cm; 6¼ x 9½in Provenance: Fry Gallery, Saxmundham £100-150

154. British School (19th Century) Bothwell Castle, Uddingston, Glasgow Said to be inscribed verso Bothwell Castle Watercolour 21 x 30cm; 8¼ x 11¾in £120-180

156. British School 19th Century A hillside farmstead Watercolour 20 x 33cm; 8 x 13in £100-150

157. Alfred Vickers (1786-1868) Figures crossing a rocky stream Signed Watercolour 23.5 x 33cm; 9¼ x 13in Provenance: A.C.C. Parker Collection, England and Christie’s, London Sotheby’s, 30th January 1991 £100-150 158. Chambers Hall (1786-1855) A view of Matlock Pen, ink and watercolour 7.5 x 10cm; 3 x 4in £100-150

Lots 142 to 210 – From a Private Collection in Buckinghamshire 159. Richard Pratchett Noble (c.1814-1892) Cattle by a river crossing Watercolour with scratching out 20.5 x 28cm; 8 x 11in £100-150 160. David Hall McKewan (1817-1873) Criccieth Castle, Carnarvonshire Inscribed Crickieth Castle under mount Watercolour 21.5 x 30cm; 8½ x 11¾in £300-500 161. George Arthur Fripp (1813-1896) Loch Etive with Ben Cruachan in the distance Signed, titled Loch Etive and inscribed for Arthur on a label verso Watercolour 34.5 x 49.5cm; 13½ x 19½in £250-350

159

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164

162. Harriet Green (1751-1812) A mountain lake in Wales Watercolour 29 x 42cm; 10½ x 16½in £120-180 163. Samuel Prout O.W.S. (1783-1852) Figures on the shore with shipping entering an estuary Signed also dated: Aug 16 1822 verso Watercolour 21 x 30.5cm; 8¼ x 12in Provenance: Christie’s 21st March 1989, lot 66 £200-300 164. William Shepherd (19th Century) Country cottage with an old lady smoking a pipe Signed and dated 1842 under mount Watercolour 22.5 x 31cm; 9 x 12¼in £120-180

165. William Innes Pocock (1783-1836) Views in Scotland Six, all watercolour 14 x 21.5cm; 5½ x 8½in and similar (6) Provenance: The Artist’s family, by descent Sotheby’s, 9th March, 1989 (part lot 4) £300-500

165

Lots 142 to 210 – From a Private Collection in Buckinghamshire 166. William Henry Hunt (1790-1864) Two young ladies, seated Watercolour over pencil 18 x 13.5cm; 7 x 5¼in Provenance: Sir John Witt, his Executors’ sale, Sotheby’s, Feb. 1987 £300-500

166

168

167

167. Samuel Gillespie Prout (1822-1911) Scuola Grande di San Marco, Civil Hospital, Venice Signed Watercolour 31.5 x 23.5cm; 12¼ x 9¼in Provenance: Fry Gallery 1984 £250-350

169 168. Edward William Cooke R.A. (1811-1880) A dredger by Waterloo Bridge Watercolour 14 x 22cm; 5½ x 8¾in Provenance: Cornish Torbock collection Executors’ sale, Dec. 1998 £100-150

170 170. Edward Lear (1812-1888) Two barges in full sail Grisaille watercolour 11.5 x 14.75cm; 4½ x 5¾in Provenance: Sotheby’s, 19th October 1989, lot 14 £200-300

171 171. William Henry Hunt (1790-1864) Fishing boats at Hastings; Study of rocks on Dartmoor Two, both signed Both pencil 7.5 x 10.5cm; 3 x 4¼in and 9 x 12.5cm; 3½ x 5in (2) Provenance: Hastings only - Fry Gallery, London £150-250

169. Aaron Edwin Penley (1807-1870) A beached boat with lobster pots Watercolour 12 x 27cm; 4¾ x 10½in £100-150

Lots 142 to 210 – From a Private Collection in Buckinghamshire 172. William Callow R.W.S. (1812-1908) A wooded lakeland landscape Watercolour over pencil 23 x 33cm; 9 x 13in Provenance: Sotheby’s 16th November 1989 lot 103 £300-500

173. John Callow (1822-1878) Riverside cottages with moored boats A pair, both watercolour over pencil Each 19 x 27cm; 7½ x 10½in (2) £400-600

174. John Callow (1822-1878) A rocky river landscape; Moorland view Two, both signed with initials and inscribed A84 and A85 verso Both watercolour Each 17.5 x 23.5cm; 6¾ x 9¼in (2) Provenance: Sotheby’s, 1st April 1993, lot 30 £400-600

172

175. William Callow R.W.S. (1812-1908) An extensive landscape with a country house beyond and figures in the foreground Signed Watercolour and pencil 17.5 x 26.5cm; 7 x 10½in Provenance: Christie’s 31st March 1989, lot 181 £300-500

173

176. John Callow O.W.S. (1822-1878) Mountains backing a tidal estuary Signed, inscribed verso JC 150 Watercolour over pencil 22.5 x 33.5cm; 9 x 13¼in Provenance: Sotheby’s, 27th April 1988 lot 98 £200-300

174

175

176

Lots 142 to 210 – From a Private Collection in Buckinghamshire

177 177. James Duffield Harding (1798-1863) Stone pines with a viaduct; An ash tree by a country gate The second thought to be signed with initials and dated No.4, July 8, 1833 verso Two, both pencil and chalk 26.5 x 20.5cm; 10 x 8¼in (2) Provenance: Fry Gallery, Saxmundham, 1991 £120-180

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179

178. Hugh Douglas Hamilton (Irish c.1739-1808) Portrait of a lady, bust length, in profile, wearing white Pastel, oval 21 x 17.25cm; 8¼ x 6¾in Provenance: Christie’s, 25th April 1995, lot 25 £300-500

179. William Leighton Leitch (1804-1883) Two ladies on a courtyard balcony, possibly Venice Thought to be signed on the original mount Pencil 18 x 12.5cm; 7 x 5in £100-150 180. ‡ Henry Charles Brewer (1866-1950) Winchester Cathedral and Deanery from The Close Watercolour over pencil 34 x 23.5cm; 13½ x 9½in Provenance: Christie’s Studio Sale 26th April 1989 lot 72 (part) £150-250 181. ‡ Henry Charles Brewer (1866-1950) Wells Cathedral and the Chain Gate Watercolour over pencil 34 x 24cm; 13½ x 9¼in Provenance: Christie’s Studio Sale, 26th April 1989 Abbott & Holder, London £200-300

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181

182. ‡ Henry Charles Brewer (1866-1950) A Down’s landscape Watercolour 24 x 33cm; 9½ x 13in Provenance: Christie’s Studio Sale, 26th April 1989 £100-150 183. ‡ Henry Charles Brewer (1866-1950) Landscape with a windmill and church tower Watercolour 25 x 35cm; 10 x 13¾in Provenance: Christie’s Studio Sale 1989 lot 72 (part) £100-150

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183

Lots 142 to 210 – From a Private Collection in Buckinghamshire 184. William Leighton Leitch (1804-1883) Ben Lomond from Tarbet Watercolour 19 x 24.5cm; 7½ x 9¾in Provenance: Fry Gallery, London £100-150 185. ‡ Gerald Ackermann American (1876-1960) Church of San Maddigore, Assisi, Italy Signed Watercolour over pencil 24.5 x 36.5cm; 9¾ x 14¼in Provenance: Fry Gallery, London £300-500

184

185

186

186. William Leighton Leitch (1804-1883) Italian lakeland harbour scenes Two, both watercolour with bodycolour over pencil 11 x 17cm; 4½ x 6¾in and 10 x 15cm; 4 x 6in (2) £400-600

187 187. Hercules Brabazon Brabazon (1821-1906) Italian Tyrol Signed with initials Watercolour over pencil 16 x 18.5cm; 6¼ x 7¼in Provenance: Sotheby’s, 30th January, 1991 lot 160 £400-600

188 188. Hercules Brabazon Brabazon (1821-1906) Sudan Street Scene Watercolour over pencil on grey paper 20 x 14cm; 8 x 5in Provenance: Sotheby’s, 30th January, 1991 lot 164 Exhibited: Walker’s Galleries, London, 1954, No. A450 £400-600

Lots 142 to 210 – From a Private Collection in Buckinghamshire

189

191

190

192

189. Archibald Thorburn (1860-1935) An Eaglet Signed with initials and dated 1898 Pencil 16 x 20cm; 6¼ x 7¾in Provenance: Sir John Witt’s Executors’ Sale, Sotheby’s, 15th September, 1987, lot 509 £500-700 190. Myles Birket Foster (1825-1899) Studies of a woman’s hands at work A pair, both pencil Each 12 x 16.5cm; 4¾ x 6½in Provenance: Abbott & Holder - a sketchbook by the artist £300-500 191. Francis Danby A.R.A. (1793-1861) Bridge over a river with a distant castle Signed with initials and dated 1853 Pen and ink 10 x 17.5cm; 4 x 7in £150-250

193 192. Moses Griffith (1747-1819) Washingborough Church and Parsonage near Lincoln Said to be titled verso Pen and ink with pencil and wash 23 x 37cm; 9 x 14½in Provenance: Thomas Pennant Earl of Denbigh Richmond Gallery, London Exhibited: Walker’s Gallery, London, Feb. 1939 (No. 31) £400-600

194 193. Thomas Charles Leeson Rowbotham (1823-1875) A passing shower over moorland Signed and dated 1859 Watercolour with scratching out on buff paper 22.5 x 35.5cm; 9 x 14in Provenance: Abbott & Holder, London £200-300 194. Andrew Hunt (1790-1861) Stirling Castle from the ramparts Inscribed Stirling and dated 1842 Pencil heightened with white on buff paper 25 x 35.5cm; 10 x 14in £50-70

Lots 142 to 210 – From a Private Collection in Buckinghamshire

195

196

197

198 195. British School 19th Century Views of Invermoriston Bridge, Loch Ness Two, one signed with initials indistinctly, both inscribed in ink verso Invermorison (sic) Bridge Both watercolour and pencil 14.5 x 21.5cm; 5¾ x 8in and 12 x 14.5cm; 4¾ x 5¾in With a further pencil sketch of Beldornie Tower, Mid Lothian (3) £100-150 196. William Payne (c.1760-c.1830) On the River Wye Said to be titled on original mount Aquatint with some hand-colouring 14 x 20.5cm; 5½ x 8in £100-150

199 197. James Burrell Smith (1822-1897) On the Moselle Signed and dated 1893, also said to be titled verso or below mount Watercolour 11 x 16cm; 4¼ x 6¼in £120-180 198. Cornelius Pearson (1805-1891) View on the Thames from Quarry Wood, Great Marlow, Bucks. Signed and dated 1860, also titled on a label verso Watercolour 22 x 50cm; 8½ x 19¾in Provenance: Sotheby’s Billingshurst 22nd October 1991 £200-300

199. Cornelius Pearson (1805-1891) On the Thames at Quarry Wood, Gt. Marlow Signed and dated 1860, also thought to have been titled on an earlier mount Watercolour 25.5 x 48cm; 10 x 18½in Provenance: Sotheby’s Billingshurst 22nd October 1991, lot 87 £200-300

Lots 142 to 210 – From a Private Collection in Buckinghamshire

200

201

202

203 200. Thomas Malton (1748-1804) North West View of St. Paul’s; The Custom House Two, both aquatints 25.5 x 35.5cm; 10 x 14in and smaller With two Military prints after T. H. Jones and William Heath (4) £80-120

204 201. William Hilton R.A. (1786-1839) The Warder Signed and titled verso Oil on panel 26 x 20cm; 10½ x 8in £150-250 202. English School early 19th Century Officer and soldiers Pencil, collage and watercolour on grey paper 17.5 x 25.5cm; 7 x 10in £100-150

203. Frederick Hines (fl. 1875-1928) A country girl by a cottage with sheep and a pond Signed Watercolour with gouache 26.5 x 37cm; 10½ x 14½in £100-150 204. David Cox (1783-1859) Walton-on-Thames Watercolour 15.5 x 24cm; 8 x 9½in £200-300

Lots 142 to 210 – From a Private Collection in Buckinghamshire

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206

207

208

209

210

205. ‡ Dugald Sutherland MacColl (Scottish 1859-1948) Brasenose College, Oxford Signed with initials Pencil and wash, unframed 24 x 31cm; 9½ x 12¼in £100-150 206. ‡ Charlotte Halliday (b.1935) Winter Afternoon, Clifton Hill Signed and dated 1980 Watercolour heightened with white on buff paper 17.5 x 25cm; 7 x 9¾in Provenance: Fry Gallery, London Artist’s label verso £100-150

207. ‡ David Tindle R.A. (b.1932) Still life of an apple and a birds nest Signed and dated 77 Etching, artist’s proof 16 x 20cm; 6¼ x 8in £80-120 208. ‡ Mary Nicol Neil Armour (1902-2000) Crookhaven, Cork Signed, titled and dated 1966, also titled on artist’s label verso Pastel 26 x 24cm; 10¼ x 9½in £200-300

209. Henry Barlow Carter (1803-1867) St. Sampson’s, Guernsey Signed below mount, said to be titled verso Watercolour with scratching out 26.5 x 35.5cm; 10½ x 14in £400-600 210. ‡ Hugh Robinson (20th Century) Lincoln Castle Keep from the Watchtower Signed Pen and ink with chalk and wash 34 x 47cm; 13¼ x 18½in Robinson was sometime Principal of Lincoln School of Art £100-150

Lots 211 to 228 – From the Estate of John Waite, a Descendant of the Waite Family of Artists

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212

213

214

215

216

211. Harold Waite (fl. 1892-1939) A woman by a country cottage Signed Oil on canvas 61 x 91cm; 24 x 36in £400-600

213. Harold Waite (fl. 1892-1939) On the cliffs Signed Watercolour 33 x 49.5cm; 13 x 19½in £100-150

212. Harold Waite (fl. 1892-1939) River landscape a farm beyond Signed Oil on canvas 36 x 51cm; 14 x 20in £200-300

214. Harold Waite (fl. 1892-1939) On Romney Marsh Signed Watercolour 19.5 x 30.5cm; 7½ x 12in Provenance: The Jerram Gallery Of chickens by a windmill by the same hand and two further watercolours (4) £100-150

215. John Shirley-Fox (c.1860-1939) The White Tablecloth Signed Oil on canvas 46 x 61cm; 18 x 24in With a small oil sketch of a landscape by the same hand 10 x 17cm (2) £600-800 216. Rowley Leggett A.S.W.A. (Exh.1904-1919) The Church at Paul, Cornwall Signed, titled and inscribed with the artist’s address verso Oil on board 31 x 46cm; 12¼ x 18in £100-150

Lots 211 to 228 – From the Estate of John Waite, a Descendant of the Waite Family of Artists

217

218

219

220

221 217. Edward Wilkins Waite (1854-1924) Clovelly Woods in Spring; Elm Grove Farm from Pondtail Farm, Brockham, Surrey Two, both signed with initials, one also signed with initials and titled verso, the other inscribed with title verso Both oil on canvasboard 15 x 11cm; 6 x 4¼in and similar (2) £200-300 218. Edward Wilkins Waite (1854-1924) River scene with a bridge Watercolour 17.5 x 28cm; 7 x 11in With a drawing and a pen and ink sketch by the same hand (3) Provenance: Gainsborough’s House, Sudbury E.W. Waite 16th July - 4th Sept 1983 nos. 60, 33 and 34 £120-180

222 219. Alexander Edward Waite (1888-1958) A collection of 21 rural and coastal scenes including several views of Corfe Castle A number signed All watercolours, mounted, unframed Various sizes 28 x 34cm; 11 x 13½in and smaller (21) £400-600 220. Aert Schouman (Dutch 1710-1792) after Frans Van Mieris the elder Portrait of a gentleman holding a glove in his gloved hand Signed, dated 1773 and inscribed in Dutch verso Grisaille washes 22 x 17cm; 8½ x 6¼in Together with a watercolour of a church by J.D. Harding, a marine scene by Horatio Jamer, 1810 and three pencil sketches, all unframed (6) £200-300

221. Peter De Wint (1784-1849) Study of cows being milked Watercolour over pencil 14.5 x 23.5cm; 5¾ x 9¼in With a pencil sketch, a floral study and a print by different hands (4) £200-300 222. Attributed to Edward Wilkins Waite (1854-1924) View on a heath Oil on board 10 x 26cm; 4 x 10¼in With a further oil of ploughing attributed to the same hand and cows watering by W. Heath Wilson (3) £120-180

Lots 211 to 228 – From the Estate of John Waite, a Descendant of the Waite Family of Artists 223. Attributed to Harold Waite (fl. 1892-1939) River landscape with cattle Oil on panel 35 x 24.5cm; 13¾ x 9½in With an oil of a harvesting scene signed AA and another (3) £120-180 224. ‡ Richard Jack R.A. (1866-1952) Illustrations of soldiers and militia 7, all signed and dated ‘92 All grisaille washes, mounted, unframed 24 x 20cm; 9½ x 8in (7) £200-300

223

224

225. Harold Waite (1870-1939) Brockham January 1989 Inscribed and dated verso Watercolour 11 x 19cm; 4¼ x 7½in Together with two further works by the same hand, 2 larger watercolours by Edward Waite (1824-1910) and two by Arthur Waite (1871-1900), and a pencil sketch signed G. Waite all mounted, unframed (8) £250-350 226. English School c.1890 Ashstead Church, Surrey Watercolour, mounted, unframed 16 x 32cm; 6¼ x 12½in Inscribed on an old label attached to the mount Together with 7 further unframed watercolours and drawings by Reg Gammon; a sketch of a lady by Estella Canziani; a copy of Stangate Creek on the Medway after Turner and four others (8) £200-300

225

227. English School c.1900 Study of an oak tree Oil on paper, mounted, unframed 17.5 x 25cm; 7 x 9¾in With 4 mounted, unframed watercolours by different hands (5) £120-180 228. ‡ Alexander Edward Waite (1888-1958) Venetian Scene Signed and dated 1939 Watercolour 33 x 44.5cm; 13 x 17½in With a view of a continental river by a different hand (2) £120-180

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227

228

Lots 229 to 256 – From a Private Collection in the Cotswolds

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230

231

232

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234

229. Anthony Devis (1729-1817) Figures by a fortified bridge Signed with initials Pen and ink over pencil 30.5 x 43cm; 12 x 17in £300-500

231. Attributed to William Payne (c.1760-c.1830) Torrington from Taddiport Bridge Watercolour 20 x 29.5cm; 8 x 11½in £100-150

233. John Henry Mole (1814-1886) Figures by a bridge, Ashburton, Devon Signed and dated 1879 Watercolour 24.5 x 36cm; 9½ x 14in £300-500

230. Peter La Cave (1769-1811) Gypsies round the camp fire with donkeys Signed and dated 1807 Watercolour 35 x 44.5cm; 13¾ x 17½in £300-500

232. Thomas Sunderland (1744-1828) Dumbarton Castle Pencil and wash 23.5 x 33.5cm; 9¼ x 13¼in £200-300

234. James Bourne (1773-1854) Figures in a wooded river landscape Thought to be signed and titled Exeter verso Watercolour 31 x 47cm; 12¼ x 18½in £100-200

Lots 229 to 256 – From a Private Collection in the Cotswolds 235. Attributed to David Cox Sr. (1783-1859) A moorland view through trees Watercolour over pencil 18 x 26cm; 7 x 10¼in £100-150

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236. Sidney Paul Goodwin (1867-1944) Shipping and a tug off Portsmouth Signed and dated 1914, also signed and inscribed off Portsmouth on a part-label verso Watercolour on buff paper 25 x 35cm; 9¾ x 13¾in £150-200 237. Frederick Edward Joseph Goff (1855-1931) Tower Bridge Signed and titled Watercolour 11 x 15cm; 4¼ x 6in £200-300 238. Sir Oswald Walter Brierley R.W.S., F.R.G.S. (1817-1894) Ships at anchor with Venice beyond Signed Watercolour on buff paper heightened with white 26 x 35.5cm; 10¼ x 14in Provenance: Pyms Gallery, London £200-300 239. ‡ Frank Henry Mason (1876-1965) On the Tyne Signed and titled Watercolour with bodycolour 12 x 22.5cm; 4 x 8¾in £150-250

241 241. Dominic Serres R.A. (1722-1793) Continental lakeland landscape Watercolour with bodycolour, oval 9 x 12cm; 3½ x 4¾in £200-300

242 242. Samuel Atkins (fl.1787-1808) Miniature portrait of the ship Victory Watercolour on buff paper, circular 6.5cm; 2½in diameter £80-120

240. William Cook of Plymouth (c.1830-c.1890) A shipwreck on the coast Signed and dated 79 Watercolour 19 x 32cm; 7½ x 12½in £100-150

Lots 229 to 256 – From a Private Collection in the Cotswolds

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244

246

245

247

243. Frederick Mercer (act. c.875-c.1937) Yard at Newlyn Signed and dated 76 Watercolour 23 x 16cm; 9 x 6¼in £100-150

246. William Manners (1860-1930) Wayside cottages, Kidlington, Oxfordshire Signed Watercolour 16.5 x 24cm; 6½ x 9½in £100-150

244. Harry Goodwin (c.1840-1925) Dockray Bridge Signed with a monogram and dated 1906 Watercolour with bodycolour 34 x 23cm; 13¼ x 9in £120-180

247. ‡ Sir Frank Brangwyn R.A. (1867-1956) Warehouses at Sandwich Inscribed Sandwich Watercolour with pen and ink 12 x 19.5cm; 4¾ x 7¾in Provenance: Heather Newman, Gloucs. £150-250

245. Harry Goodwin (c.1840-1925) Brighton Beach and Pier Signed with a monogram and dated 1906 Watercolour over pencil 35 x 24cm; 13¾ x 9½in £200-300

248 248. Albert Goodwin R.W.S. (1845-1932) Old Bristol in 1890 Signed, titled and inscribed In Memory of Reece Webbson on gravestone, also said to be inscribed on earlier mount, All gone since 1925 Pen, ink and watercolour with bodycolour 17 x 23cm; 6¾ x 8¾in Provenance: Heather Newman, Gloucs. £500-700

Lots 229 to 256 – From a Private Collection in the Cotswolds 249. ‡ Gyrth Russell (1892-1970) Mevagissy harbour, Cornwall Watercolour 30 x 46cm; 12 x 18in Provenance: With authentication letter from artist’s wife £300-400 249

250. Harry Goodwin (c.1840-1925) Hastings with the West Hill lighthouse and a church tower Signed with a monogram and dated 1914 Watercolour with scratching out 32.5 x 48cm; 12¾ x 19in £250-350

250

251

251. Herbert E. Butler (1861-1931) Night, Pier Head, Polperro; An evening gossip, Polperro Two, one signed, both titled on labels verso Both watercolour Each 25 x 35cm; 10 x 14in £400-600

252

252. ‡ Eileen Alice Soper (1905-1990) Feeding on syrup Black chalk and white correcting fluid on buff paper 10.5 x 13cm; 4 x 5in Provenance: John Davis £100-150

253

253. ‡ David Pole (b.1955) Dreaming of hidden gold Signed and dated 1985 Gouache 25 x 19cm; 9¾ x 7½in Provenance: Day’s Mill Gallery, Gloucs. £100-150

254

254. H. W. G. Betteridge (19/20th Century) A country house and garden Signed Watercolour 24 x 28cm; 9½ x 11in £100-150

255 255. ‡ Molly Brett (1912-1990) Teddy bear’s country drive Signed Watercolour over pencil 17 x 27cm; 6¾ x 10½in £300-500

256 256. ‡ Nigel Ashcroft (b.1951) A moored rowing boat Signed with initials Watercolour 21 x 15cm; 8¼ x 6in £100-150

WATErCOLOurs 257. Manner of Lacroix de Marseilles Fishermen on the shore of a bay Watercolour 49 x 65cm; 19¼ x 25½in £100-150 258. English School 19th Century Pastoral views with a windmill Three, all watercolour All 19 x 25cm; 7½ x 10in (3) £100-150

257

258

259. G. Hilditch (19th Century) Winchmore Hill Watercolour 20 x 27.5cm; 8 x 10½in £150-250 260. Sir Augustus Wall Callcott R.A. (1779-1844) Sail boats off the shore Watercolour 10 x 15.25cm; 4 x 6in Exhibited: Albany Gallery, 1968 £200-300

259

260

261. Norwich School early 19th Century Figure on a wooded track Watercolour on buff paper 30.5 x 38cm; 12 x 15½in £150-250 262. W. Lester (19th Century) Ben Lomond; Loch Fyne, A pair, both signed, titled and dated 1878 Both watercolour Each 38 x 61cm; 15 x 24in (2) £100-150 263. William Leighton Leitch (1804-1883) Balmoral in Sir Robert Gordon’s time Inscribed on mount from Lady C. Denison’s sketch probably in a different hand Watercolour 23 x 34cm; 9 x 13¼in £100-150

261

263 264. Thomas Bush Hardy (1842-1897) Mouth of the Thames Signed, titled and dated 1879 Watercolour 12 x 17cm; 4¾ x 6¾in £100-150

262

264

267

268

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269

266 265. Jakob Petersen (Danish 1774-1854) The brig Bloom in the Sound off Kronborg Castle, Helsinger, Denmark Signed Pen, ink and watercolour with bodycolour 49.5 x 65.5cm; 19½ x 25¾in £400-600 266. Manner of Francesco Guardi The grand Canal, Venice Pen, ink and wash 19 x 26cm; 7½ x 10¼in £300-400

267. Samuel Owen (1768-1857) Shipping in a calm Watercolour 23 x 32cm; 9 x 12½in Provenance: The Pulitzer Gallery, London, No. B935 £200-300 268. Edward Duncan (1803-1882) Ships in a storm Signed and dated 1876 Watercolour and sepia wash 21 x 33cm; 8¼ x 13in £150-250

270 269. Norwich School 19th Century A fully laden boat on a river Watercolour 15.5 x 23.5cm; 6 x 9¼in With 3 further watercolours by different hands (4) £100-200

270. Charles Tomkins (1757-1823) Freshwater Church, Isle of Wight, 1796 Inscribed and dated Watercolour, unframed 16 x 23cm; 6¼ x 9in With a marine watercolour by Charles Taylor and 9 sketches of Bonchurch Isle of Wight, and other locations by Caroline Peacock; 15 unframed re-strikes after Daniell of Devon views and 21 small unframed engravings of Kent views £120-180

45 271. Spyridon Scarvelli (Greek 1868-1942) Fishermen, Corfu Signed Watercolour 33 x 61cm; 13 x 24in £800-1,200 272. William Payne (1755-c.1830) View on the river Usk Watercolour 16 x 21cm; 6¼ x 8¼in £300-500 273. French School 19th Century River landscape with rustics in a boat and on a bridge Sepia washes over pencil, circular 22cm; 8¾in diameter £150-250

271

274. William Lucas (c.1840-1895) Portrait of a young girl wearing a blue and white dress Signed and dated 1871 Pastel, oval 49 x 40cm; 19¼ x 15¾in £50-70 275. Alexander Blaikley (1816-1903) Major John Worge, standing in a landscape Signed and dated 1846 Pastel 75 x 54cm; 29½ x 21¼in £150-250 276. French School 18th/19th Century Portrait of a lady smelling a flower Coloured chalks 31 x 22cm; 12¼ x 8½in £150-250

273

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274

275

276

46 277. Henry John Sylvester Stannard (1870-1951) Wargrave-on-Thames Signed Watercolour 18 x 24cm; 7 x 9½in £300-500 278. James Aitken (act.1880-1935) Shipping at sea; A punt on a river; A shepherd on a coastal path Three, all signed All watercolour Each 34 x 49cm; 13½ x 19½in Provenance: Lord Charles Spencer-Churchill £300-500

277 279. James Ward R.A. (1769-1859) Study of a farm worker resting Signed with initials Pencil 18 x 12.5cm; 7 x 5in £100-150

278

280

279

281

280. James Bourne (1773-1854) View of Northfleet, Hayes Sepia washes over pencil, unframed 36 x 26cm; 14¼ x 10¼ £120-180

282

283 281. Benjamin Williams Leader R.A. (1831-1923) Tall pines Pencil 33 x 21cm; 13 x 8¼in £200-300 282. Thomas Hearne (1744-1817) Valle Crucis Abbey, Llangollen Watercolour 21 x 14cm; 8¼ x 5½in £200-300 283. Edward Angelo Goodall (1819-1908) The Rialto Bridge, Venice Stamped signature Watercolour over pencil 34.5 x 51cm; 13¾ x 20in £1,500-2,500 284. Thomas Allom (1804-1872) The Horseshoe Falls, Niagara Watercolour with scratching out 18.5 x 13cm; 7¼ x 5in Provenance: Dudley Snelgrove Heather Newman, Gloucestershire £500-800

284

285

287

288 285. Neapolitan School 19th Century Villa Reale, Naples Gouache 29 x 42.5cm; 11½ x 16¾in £300-400 286. Da Migliovato (19th Century) Napoli da Margellina Signed Gouache 33 x 46cm; 13¼ x 18¼in £300-400

289 287. Michelle Gianni and Y. Gianni (Italian 19/20th century) The Bay of Naples; The Amalfi coast Two, both signed Each 19 x 42cm; 7½ x 16½in (2) £250-350 288. Neapolitan School (20th Century) Eruptions of 1868 and 1872 Four, all titled All gouache Each 40 x 58.5cm; 16 x 23in and similar (4) £200-300

289. Neapolitan School late 18th Century View of Paestum with the Temples of Ceres and Neptune and the Basilica Gouache 43.5 x 58.5cm; 17 x 23in £400-600

49 290. English School early 20th Century A good man to follow; Grandpapa and the Chips A pair, both titled and signed with a monogram HIW, HWI or WHI Both watercolour 35.5 x 50cm; 14 x 19½in (2) £400-600 290

291. G. ** Ciglia (Italian 19th Century) Rustics with their animals A pair, both signed and dated ‘82 Both pen and ink Each 17 x 23cm; 6¾ x 9in (2) £200-300 292. John Edmund Buckley (1824-1876) The Garden Party Signed and dated 1867 Watercolour and bodycolour 35.5 x 57cm; 14 x 22½in Provenance: Cutler Galleries, Bournemouth, 1988 £250-350 293. John Edmund Buckley (1824-1876) Returning from Hawking, Hendlip House, Worcestershire Signed and dated 1867 Watercolour and bodycolour 30.5 x 57.5cm; 12 x 22½in Provenance: Cutler Galleries, Bournemouth, 1988 £150-250

291

292

293

294

295

294. Henry Pilleau (1815-1899) Haymaking by a river Signed with initials and dated 1865 Watercolour 11 x 19.5cm; 4¼ x 7¾in £150-250

295. Italian School 19th Century Sirmione, Lake Garda Titled Watercolour 16 x 34cm; 6¼ x 13½in £200-300

296

297

298 299. Continental School 19th Century Blind Man’s Buff, large decorative panel Gouache 76 x 190cm; 30 x 75in £300-500

299 296. Arthur Herbert Buckland (1870-1927) Cupid’s Call Signed and dated 1930 Watercolour, oval 51 x 36cm; 20 x 14¾in £600-800

297. Robert George Talbot Kelly R.I. (1861-1934) The old water-carrier Signed and dated 1907 Watercolour 31 x 22cm; 12¼ x 8½in £400-600

298. Charles Sillem Lidderdale (1831-1895) Portrait of a lady Chalk on buff paper 23.5 x 16cm; 9¼ x 6¼in Provenance: Abbott & Holder, London £120-180

300. English School c.1900 Botanical studies of tree flowers A pair, both gouache Each 38 x 29cm; 15 x 11½in £100-150

301. Charles Cattermole (1832-1900) Rallying the troops Signed Watercolour with bodycolour 20 x 13½cm; 8 x 5¼ £100-150

302. English School 19th Century A lady in a striped shawl, seated Watercolour over pencil 19.5 x 16cm; 78 x 6½in £100-150 300

301

302

303

304

303. Charles Mottram (19/20th Century) Boats far out at sea Signed and dated 93 Watercolour 30.5 x 45cm; 12 x 17¾in £300-500 304. Charles Mottram (19/20th Century) Boats on a calm sea Signed and dated 95 Watercolour 30.5 x 48cm; 12 x 19in £300-500 305. James T. Herve d’Egville (1806-1880) Santa Maria della Salute from the Grand Canal, Venice Signed with a monogram Watercolour over pencil 27 x 46cm; 10½ x 18in £500-700

305

306. Harry Sutton Palmer (1854-1933) On the River Conway Signed Watercolour 28.5 x 44cm; 11¼ x 17¼in Provenance: Charles Nicholls & Son, Manchester £300-500

306

307

308 307. Indian School 19th and 20th Century Nine Indian scenes, some romantic, some hunting and two erotic All watercolour and gouache on paper, stone or shell 20.5 x 14cm; 8 x 5½in and smaller (9) £150-250

310

311

308. Shiv Shanker (Mewar School 20th Century) Moghul nobleman Watercolour on handmade paper 28 x 19cm; 11 x 7½in £200-300 309. Indian School 19th Century Portrait of a lady, wearing a long green dress, with a peacock Inscribed on mount paper 21 x 13cm; 8¼ x 5in (including border) Provenance: Ernest Ohly Collection Woolley & Wallis, 20th May 2009, Lot 55 With a further 6 paintings of horses, elephants and figures on silk, unframed (7) £200-300

312

309 310. Persian School (c.1900) Hunting scenes in decorative borders Three, all gouache Each 25.5 x 16cm; 10 x 6¼in (3) £100-150 311. Indian School 19th Century An Indian couple Watercolour on ivory/ivorine 15 x 10cm; 6 x 4in £120-180 312. ‡ Derek Fowler (20th Century) Bathing Ghat, Calcutta Signed, titled and dated 1945 Watercolour 44 x 62cm; 17¼ x 24¼in £100-150

53 313. Joseph Nash (1808-1893) Interior of a Victorian mansion Signed Watercolour over pencil 55 x 89cm; 21.5 x 35in Provenance: Thomas Agnew, London, No. 40255 £800-1,200 314. John Edmund Buckley (1824-1876) Elegant figures outside Exeter Cathedral Bears signature and date Watercolour 36.5 x 56.5cm; 14½ x 22¼in £800-1,200 315. ‡ Norman Wilkinson (1878-1971) Salt Lake from Chocolate Hill Signed Watercolour 24 x 36cm; 9½ x 14in Literature: Reproduced in The Dardanelles by the artist, Longmans Green & Co, 1915, pg.88. A copy of the book included (2) £700-1,000

313

316. William Callow (1812-1908) Extensive landscape with a figure on a track Watercolour 17.5 x 25.5cm; 7 x 10in £300-400

314

315

316

54 317. ‡ Frank J. Egginton (Irish 1908-1990) Sunny country road Signed, Watercolour 36 x 51cm; 14 x 20¼in £200-300

317

319

321

323 323. Robert Thorne Waite R.W.S. (1842-1935) The Sussex Downs Signed, Watercolour 35 x 52cm; 13¾ x 20½in £150-250

318

320

322

324 324. William Ramsey (19/20th Century) Sheep and shepherd on a hillside Signed, Watercolour 33 x 50cm; 13 x 19½in £100-150

318. ‡ Elsie Vera Cole (1885-1968) Blue day, Lake Thun, View from Spiez, Switzerland looking towards Interlaken Signed, Pastel 26.5 x 41.5cm; 10½ x 16in £100-150 319. ‡ Leslie Charles Worth R.W.S. (1923-2009) Evening on Epsom Downs Signed, Watercolour 26 x 36cm; 10¼ x 14¼in Exhibited: Leicester Galleries, London, Jun-Sep 1957 £100-150 320. Henry Charles Fox (1860-1929) Pastoral scenes with horses and cattle A pair, both signed and dated 1910 Both Watercolour with bodycolour Each 35 x 53cm; 14½ x 21in (2) £200-300 321. A. Duncan (19th Century) A view over Chepstow Signed, Watercolour 15 x 22.5cm; 6 x 9in £150-250 322. Claude Hayes (1852-1922) Shepherds and sheep in a landscape Signed, Watercolour 18.5 x 26.5cm; 7¼ x 10½in £100-150

325 325. Archibald Thorburn (1860-1935) Studies of a mouse Signed with initials and dated Sept. 14. 1912, also inscribed with artist’s notes Watercolour and bodycolour over pencil 27 x 35cm; 10½ x 13¾in Provenance: With a letter from Constance Thorburn to Sylvia Peacock thanking her for her letter of sympathy on the artist’s death £3,000-4,000

326. Archibald Thorburn (1860-1935) Studies of a thrush Signed with initials and dated Ap. 14. 1913 Watercolour and bodycolour over pencil 27 x 35cm; 10½ x 13¾in Provenance: The Morland Gallery, London £2,000-3,000

326

327

328

329

331 327. ‡ Theresa Sylvester Stannard (1898-1947) In Granny’s garden; A cottage garden, Bedfordshire A pair, both signed Both watercolour Each 36 x 26cm; 14 x 10in (2) £500-800

330

328. ‡ Mabel Martin (fl. 1920-1937) Garden views of St. Albans Court, Nonington Two, both signed Both watercolour 19 x 15.5cm; 7½ x 6in and smaller (2) £150-250

330. Edward Nevil (19th/20th Century) Quimper; Frankfurt A pair, both signed and inscribed Both watercolour Each 75 x 54cm; 29½ x 21½in £150-250

329. Thomas Tayler Ireland (act.1880-1927) Woodland scenes with birch trees by a lake A pair, both signed Both watercolour Each 52 x 34cm; 20½ x 13½in (2) With a further watercolour of Llyn Givernan, Dolgelly, North Wales by Alexander Williams R.H.A. 29 x 48cm (3) Provenance: Lord Charles Spencer-Churchill £200-300

331. ‡ Richard Robjent (b.1937) Woodcock in flight Signed Watercolour 55 x 77cm; 21½ x 30¼in £400-600

57 332. George Soper (1870-1942) Submarine Attack Grisaille watercolour 36.5 x 24cm; 14¼ x 9½in Provenance: Chris Beetles, London The estate of George and Eileen Soper Probably an illustration for the War Budget, 17 April 1915, Vol. III No. 9 £250-350 333. George Soper (1870-1942) The flame attack, Hooge, East of Ypres Grisaille watercolour 28 x 45.5cm; 11 x 18in Provenance: Chris Beetles, London The estate of George and Eileen Soper £250-350

334. George Soper (1870-1942) The onslaught Signed Grisaille watercolour 28 x 45.5cm; 11 x 18in Provenance: Chris Beetles, London The estate of George and Eileen Soper £250-350 335. ‡ Eric Erskine Campbell Tufnell (1888-1978) Atlantic Convoy Signed and dated 1975 Watercolour heightened with white 25 x 35cm; 10 x 13¼in £100-200 336. Shuffrey c.1918 Scene from WW1, possibly Armistice Day Signed and dated 18 Pencil and chalk 23 x 32cm; 9 x 12½in £150-250 332

333

334

335

336

337

338

337. ‡ Leslie Charles Worth (1923-2009) Gulls over Epsom Downs Signed Watercolour 17 x 27.5cm; 7 x 11in With a signed copy of Leslie Worth by Michael Spender, published 1995 (2) £120-180 338. ‡ Leslie Charles Worth R.W.S. (1923-2009) Children among the bracken Signed and dated 1957 Watercolour on buff paper 29 x 46cm; 11½ x 18in Provenance: R.W.S. Galleries, London £120-180

339

341

340

342

339. Charles Harrington (1865-1943) Near Nutley, East Sussex Signed Watercolour 26 x 36cm; 10¼ x 14¼in £100-150 340. Thomas Clark A.R.S.A. (19/20th Century) Moonlight on the Lochar Moss Signed on a part-label verso Watercolour 25.5 x 38cm; 10 x 15in £100-150 341. S. G. William Roscoe (1852-1922) A coastal landscape with an estuary Signed and dated 89 Watercolour 21 x 33cm; 8¼ x 13in £100-150

343

343. ‡ Frank J. Egginton (Irish 1908-1990) Near Falcarragh, County Donegal Signed Watercolour 36 x 53cm; 14 x 21in £200-300

344

344. ‡ Reginald Daniel Sherrin (1891-1971) Dartmoor Signed Gouache 25.5 x 34cm; 10 x 13½in £100-150

342. ‡ Sidney Paul Goodwin (1867-1944) A view of Bosham, Sussex Signed Watercolour 24 x 33cm; 9½ x 13in £70-100

346

345

345. ‡ Hugues Claude Pissarro (French b.1935) A girl and her dog in an orchard Signed Pastel 35 x 23cm; 13¾ x 9in Provenance: We are grateful to David Stern for confirming the authenticity of this picture £1,000-1,500

347

346. Attributed to Charles Edward Conder (1868-1909) Mother and child in a Japanese garden Signed Watercolour 35.5 x 25.5cm; 14 x 10in £300-500

347. ‡ Henry Meynell Rheam (1859-1920) Study of a girl, seated Signed with a monogram and dated 1906 Watercolour, unframed 26 x 18.5cm; 10¼ x 7¼in £600-800

60 348. ‡ Ashton Cannell (1927-1994) The Thames at Westminster Signed Watercolour 39 x 58cm; 15½ x 23in £150-250

348

349

350

351

349. ‡ Alexander James Mavrogordato (1869-1947) Alpine chalets in springtime Signed Pastel 34.5 x 52.5cm; 13½ x 20¾in £150-200 350. ‡ John Charles Allcot (1889-1973) R.M.S. Stratheden off Sydney, N.S.W. Signed, titled and dated 1939 Gouache 23.5 x 34.5cm; 9¼ x 13½in £200-300 351. ‡ M. G. Pearson (20th Century) S.S. United States off the Isle of Wight Signed Watercolour 24.5 x 35cm; 9½ x 13¾in £70-100

352

354 354. George Finch Mason (1850-1915) The St. Leger 1889, Donovan Wins! Signed, titled and dated Watercolour 27 x 38cm; 10½ x 15in £120-180

353

355 355. Thomas Rowden (1842-1926) The coast near Exmouth, Devon Signed and dated 1902 Watercolour 18 x 33.5cm; 7 x 13¼in £150-250

352. John Syer (1815-1885) A workman in a river landscape Signed and dated 1863 Watercolour 33 x 45.5cm; 13 x 18in £120-180 353. ‡ Sidney Greenwood (1913-2001) A Cornish estuary Signed Watercolour 42 x 53cm; 16½ x 21in £100-200

356

357

360

359

356. Edith E. Morris (19/20th Century) Ari; A lady seated under a tree Two, the first signed, titled and dated Aug. 1913 Both Watercolour 41.5 x 27.5cm; 16¼ x 10¾in and similar (2) £150-250

358

357. William Tatton Winter (1855-1928) A street Caudebec-en-Caux, Seine-Maritime, France Signed Watercolour 34 x 24cm; 13½ x 9½in Provenance: Walker’s Galleries, London £120-180 358. Giuliano de Luca (Italian early 19th Century) Portrait of a bearded man in a red hat Signed Watercolour over pencil 52.5 x 33cm; 20¾ x 12in £200-300

359. Fannie Eliza Duvall (American 1861-1934) Views of a formal garden A pair, both signed, one dated 1917 Both pastel Each 31.5 x 47.5cm; 12¼ x 18¾in (2) £80-120 360. James Hardy Junior (1832-1889) Mallard; Blackcock A pair, both signed and dated 69 Both watercolour heightened with bodycolour Each 17 x 24cm; 6¾ x 9½in (2) £200-300

361

361. Walter Frederick Tyndale (1855-1943) On the moorings Signed and dated 94 Watercolour 23.5 x 15.5cm; 9¼ x 6in £120-180

62 362. ‡ Peter Moffat Lindner (1852-1949) Mont St. Michael Signed Watercolour 24 x 34cm; 9½ x 13¼in £150-250

362

363. British School 19/20th Century Nude studies after the antique Three, all pencil Each 35.5 x 51cm; 14 x 20in (3) £120-180

363

364

364. Henry Bright (1810-1873) A bridge over a river Signed with initials, dated 1832 and inscribed indistinctly Coloured chalks on buff paper 28 x 45cm; 11 x 17¾in With another by the same hand (2) Provenance: The Ingram Collection Oscar and Peter Johnson, London £200-300

365

366

368 366. Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape Nocturne 11; Landscape Nocturne 1 Two, both inscribed with a device Pastel 9 x 20cm; 3½ x 8in and similar (2) Provenance: Nordness Madison Gallery, New York £200-300

367

369 367. Attributed to James Abbott McNeill Whistler (American 1834-1903) Fishing village 13; Fishing village 9 Two, both inscribed with a device Both pastel with ink Each 12 x 18cm; 4¾ x 7in (2) Provenance: Nordness Madison Gallery, New York £300-400

365. Sir David Muirhead Bone (1876-1956) Cromer, Norfolk Signed, watercolour over pencil, unframed 14 x 23cm; 5½ x 9in With an unframed pencil sketch of a cat (2) £100-150

63 368. Charles William Taylor (1887-1960) Cissbury Park, Worthing Signed Watercolour 27.5 x 35cm; 10¾ x 13¾in Provenance: The Little Gallery, Worthing £80-120 369. ‡ Edward Roworth (1880-1964) The Hydrangea garden Signed Watercolour with bodycolour 33.5 x 54cm; 13¼ x 21¼in £100-150 370. William Huggins (1820-1884) Study of a cat Signed Coloured chalk on grey paper 23.5 x 20cm; 9¼ x 8in Exhibited: Lowndes Lodge Gallery, Nov. 1966, No. 47 £600-800

370

371

371. William Callow (1812-1908) Gateway, Evesham Signed, also titled and dated Aug 19/59 possibly later Watercolour over pencil 30 x 22.5cm; 12 x 9in Provenance: Gerald M. Norman Gallery, London £300-400 372. William Charles Piguenit (Australian 1836-1915) On the field of Mars, Hunter’s Hill, Sydney, 1898 Signed Watercolour 15.5 x 28cm; 6 x 11in £800-1,200

372

373. Albert Ludovici (1852-1932) Trading ships at anchor, Venice Signed Watercolour 26 x 36cm; 10¼ x 14in £300-400

373

374

374 374. Alma Claude Burton Cull (1880-1931) A group of sketches and paintings of shipping and landscapes including views of Portsmouth and some of Trinidad and Granada. Also including two portraits, possibly self portraits Most signed, some inscribed and some dated c.1896-c.1920 Approx. 32 watercolours on board and 23 on paper, all unframed 29 x 46cm; 11Â˝ x 18in and smaller (c.55) Provenance: From a deceased estate, possibly related to the artist ÂŁ800-1,200

374

375

376

377

378

379

375. Circle of Kate Greenaway A cherub descending stairs flanked with attendant cherubs Signed with a monogram, possibly F.M.P. Watercolour 18 x 9cm; 7 x 3½in £300-500

377. Josiah Wood Whymper (1813-1903) Raglan Castle Signed and dated 1892 Watercolour on grey paper 24 x 17cm; 9½ x 6½in £100-150

376. Arthur Meyrick (19/20th Century) Hyères; Bordighera; Houses on an Italian Lake Three, all signed, two titled All watercolour 35 x 24.5cm; 14 x 9¾in (3) Provenance: The Nick Rocke collection £100-200

378. ‡ Sir Frank Brangwyn R.A. (1867-1956) Design for a Child’s tomb, c.1906 Inscribed indistinctly Child’s tomb. Mr ****. B**fold Capel Pen, ink and wash on buff paper 34 x 25cm; 13¼ x 10in £100-150 379. ‡ Randolph Schwabe (1885-1948) Lady seated on a chair Signed with initials and dated Nov 1930 Sepia chalk 32.5 x 23cm; 13 x 9¾in £100-150

380

381

382 380. ‡ Adrian George (b.1944) Portrait of a young lady Signed and dated Paris 1989 Chalk 86 x 56cm; 34 x 22in £500-800 Lot 381-389 Are the original illustrations to Stancliffe’s Hotel, a novella by Charlotte Brontë published in The Times T2, 14th March 2003.

383

384 382. ‡ Adrian George (b.1944) So he turned his back on us and we made our exit … Signed Mixed media heightened with gold paint 68 x 50cm; 26¾ x 19¾in £400-600

385

381. ‡ Adrian George (b.1944) I had resource to the sovereign specific … Signed Watercolour with coloured chalk and scratching out 76 x 55cm; 30 x 21½in £600-800 383. ‡ Adrian George (b.1944) Columns of smoke as black as soot … Signed Watercolour 59 x 44cm; 23¼ x 17¼in £500-700

384. ‡ Adrian George (b.1944) Still and bright as the day was closing … Signed Watercolour with coloured chalks 59 x 44cm; 23¼ x 17¼in £500-700

385. ‡ Adrian George (b.1944) The travellers’ room at Stancliffe’s Hotel … Signed Coloured chalks 58 x 40.5cm; 23 x 16in £600-800

386. ‡ Adrian George (b.1944) Sunk among a pile of cushions … Signed Coloured chalks 46.5 x 60cm; 18¼ x 23½in £800-1,200

386 389. ‡ Adrian George (b.1944) Before us rose the new Minster … Two, one signed Both coloured chalks Each 45.5 x 40cm; 18 x 15¾in (2) £1,000-1,500

387

387. ‡ Adrian George (b.1944) It took me a full half hour to dress … Signed Coloured chalks 59 x 44cm; 23¼ x 17¼in £700-1,000

388

388. ‡ Adrian George (b.1944) Charles Townshend pays a visit to Louisa Dance’s house … Signed Pencil with coloured chalk 35 x 51cm; 13¾ x 20¼in £500-700

389

391

390 390. ‡ Ian Armour-Chelu (1928-2000) Night coming, lights across the water Signed and dated 1983, also titled on mount and on artist’s label verso Watercolour with scratching out 17 x 27cm; 6¾ x 10½in £200-300

391. ‡ Ian Armour-Chelu (1928-2000) Storm coming at dusk Signed and dated 1979 Watercolour 20.5 x 28cm; 8 x 11in £150-250

392. A. Viegelmann (Continental 20th Century) Summer flowers in a vase Signed and dated 1919 Gouache 45 x 55.5cm; 17¾ x 22in £200-300

393. John William Schofield (1865-1944) Still life of violets in a vase Signed Watercolour 21 x 25.5cm; 8¼ x 10in £150-250

394. ‡ John Worsley (1919-2000) View of Winchester from the Cathedral Signed and dated 1963 Watercolour with gouache 44 x 54cm; 17¼ x 21¼in £100-150

392

393

394

395

395. ‡ Thomas Elder Dickson (1899-1978) A Scottish country house in a landscape Signed Watercolour with sepia ink 36 x 45cm; 14 x 17in £200-300

69 396. ‡ Gordon Beningfield (1936-1998) Butterflies: Large Blue; Small Tortoiseshell; Peacock; Checkered Skipper A set of four, all signed, Watercolour and bodycolour Each 14.5 x 17cm; 5¾ x 6¾in (4) These watercolours are the original artwork for the envelopes of the First Day Cover which was issued on 13th May 1981. A full set of the first day covers and certificates of authenticity are included with the lot as well as a copy of Beningfield’s Butterflies, published 1978 £1,200-1,800

396

397 397. ‡ Robin Reckitt (b.1928) Goldfinches Signed and dated 1983 Watercolour 39 x 53cm; 15½ x 21in £150-250

398. ‡ Vernon de Beauvoir Ward (1905-1985) Autumn Wings Signed, titled verso Watercolour and bodycolour 52 x 35cm; 20½ x 30¾in £600-800

398

399

401

399. ‡ Michael Ayrton (1921-1975) Emerging figure II Signed, titled and dated 24.1.66 and inscribed with sizes Pencil 49 x 39cm; 19¼ x 15½in Exhibited: Portsmouth City Museums, The Michael Ayrton Exhibition: The Maze and the Minotaur, February 1973 Exeter Museums and Art Gallery, Maze and Minotaur, 19 May-16 June 1973, No. 64 The Compulsive Image, Travelling Exhibition 1977, No. 214 Literature: Michael Ayrton, An Illustrated Commentary by Peter Cannon-Brookes, p.112 £500-800

400

400. ‡ Robert Colquhoun (Scottish 1914-1962) Study of a galloping horse Signed Pencil 25.5 x 19.5cm; 10 x 7½in Provenance: Amanda Marshall, given to her by J. d’A Crampton in August 1960 £1,500-2,000

401. ‡ David Tindle R.A. (b.1932) The Window, 1988/89 Signed with initials, also signed and titled verso Tempera on board 42.5 x 60.5cm; 16¾ x 23¾in Provenance: Fischer Fine Art, London, No. C.13.587 £500-700

402

402. Circle of Lin Fengmian (1900-1991) A fisherman on a punt with five cormorants Watercolour laid down on card 34 x 34cm; 13½ x 13½in £600-1,000

403 403. ‡ John Piper (1903-1992) Possible stage design Watercolour with collage, painted on both sides 38 x 56cm; 15 x 22in Provenance: Ronald Duncan, writer and poet with whom Piper worked on The Rape of Lucretia and Judas From whom purchased by the present owner We are grateful to Sebastian Piper for his help in the cataloguing of this painting £500-700 404. ‡ Daisy Matthews (20th Century) A woodland scene with wolves Signed Pen, ink and watercolour 26 x 24cm; 10¼ x 9½in Provenance: The Nick Rocke collection £80-120

404

405

405. ‡ Max Raedecker (French 1914-1987) Nude in a landscape, probably the artist’s wife Francois Signed and dated 1962 Watercolour 64 x 48cm; 25 x 19in £100-150 406. ‡ Charles Bone (20th Century) Trees Signed and titled on backing board verso Gouache 35.5 x 49cm; 14 x 19¼in £150-250

406

72 407. ‡ Derwent Lees (1852-c.1922) Country house and farm in an autumnal landscape Pen, brown ink and washes 17 x 27.5cm; 6¾ x 10¾in £200-300

407

409

411

408

410

412

408. Charles J. Burdick (American 20th Century) The Orchestra Signed Grisaille washes over pen and ink 17 x 32cm; 6¾ x 12½in £120-180 409. ‡ Maurice Sheppard V.P., R.W.S. (b.1947) Sketch from my bedroom window at Hook Signed and dated 1979, also signed, titled and dated verso Watercolour 20.5 x 28.5cm; 8 x 11in With 3 further signed watercolours by the same hand, one of Sainte-Adresse, Le Havre (4) £100-150 410. Charles James Lauder (1841-1920) Gates to Hampton Court Signed Watercolour over pencil 26 x 35cm; 10¼ x 13¾in £200-300 411. ‡ Roy Perry (1935-1993) The Chesil Bank near Abbotsbury; Early summer, East Compton; Thornham, N. Norfolk Three, all signed All gouache 33 x 53cm; 13 x 21in and smaller (3) £100-150

413 413. ‡ John Epstein (1937-1997) Abstract still life Signed and dated 59 Pencil and blue wash 36 x 55cm; 14 x 21½in £70-100

414 414. ‡ Frederick Donald Blake (1908-1997) Scene in Cornwall Signed Watercolour 34 x 46.5cm; 13¼ x 18in Provenance: Thackeray Gallery, London, 3.1.81 £100-150

412. ‡ Margaret Glass (b.1950) Autumn mist, Pin Mill, Suffolk Signed with initials and dated ‘98 Pastel 42 x 55cm; 16½ x 21½in £250-350

415

416

415. ‡ Ethelbert White R.W.S. (1891-1972) The Tannery Signed twice Watercolour on buff paper 30 x 37cm; 12 x 14½in Provenance: The Fine Art Society, March 1979, No. 12837 The Fine Art Society, May 1985, No. P5/54 £400-600 416. ‡ Ethelbert White R.W.S. (1891-1972) Upland Farm Watercolour on buff paper 24 x 31cm; 9½ x 12½in Provenance: The Fine Art Society, January 1986, No. W10/4 £400-600 417. ‡ Oliver Messell (1904-1978) Self Portrait Watercolour 46 x 40cm; 18 x 15¾in Provenance: Dan Klein Ltd., London £200-300

417

418

418. ‡ John Northcote Nash (1893-1977) River fishing, 1965 Signed with initials Pen and ink 12.75 x 15.5cm; 5 x 6in Provenance: Blond Fine Art Ltd., 28th Nov. 1983 Literature: Illustrated in John Nash by Sir John Rothenstein, 1983, p.95 £250-350 419 419. ‡ Dorothea Warren Newton (20th Century) The Island of the Head and the Heart Exhibition or artist’s address label verso Watercolour 24 x 38cm; 9½ x 15in £120-180

74 420. ** Parker (20th Century) A Siamese Cat Signed Gouache 53 x 74cm; 21 x 29in £100-150

420

421

422

423

424

425

423. ‡ Raymond Allen Jackson (JAK) (1927-1997) You realise under the new rules I’m the winner, Michael Signed, for edition Friday 5th June 1981 Pen, ink and mixed media 43 x 54cm; 17 x 21¼in £80-120

424. ‡ Roy Petley (b.1950) Nude with a towel Signed Coloured chalks 51 x 30cm; 20 x 13in Provenance: David Messum £50-80

421. ‡ Anne Mortimer R.M.S., S.B.A. (b.1958) Christmas mouse Signed Watercolour 17 x 18cm; 6½ x 7in Illustration from Christmas Mouse with a signed copy of the book, published by Harper Collins 2013 (2) £150-250 422. A sketch book, c.1910 containing studies by Lily Warne; B. Blamps and Irene Warne, after Louis Wain Owned by Dorothy Collier and dated December 1908 16.5 x 19.5cm; 6½ x 9¾in £150-250

426 425. Israel Zohar (Russian 1946) Portrait of a lady Signed and dated July 1990 Chalk on brown paper 47 x 28cm; 18½ x 11in £200-300

426. ‡ Antoine de la Boulaye (French b.1951) Au depart Signed with a monogram Watercolour and gouache 51 x 33.5cm; 20 x 13in Provenance: Paul Vallotton S.A., Lausanne, Swisse £200-300

OIL PAINTINGS

427 427. After Agostino Carracci Self Portrait Oil on canvas 38 x 29cm; 15 x 11½in A copy of the original in the Uffizzi £800-1,200

428 428. English School 18th Century Portrait of King Charles II Oil on canvas 76 x 62cm; 30 x 24¼in £1,000-1,500

429

429. Follower of Giovanni Battista Piazzetta Study of a man with a pipe; Study of a working man A pair, both oil on canvas, unframed Each 40.5 x 29cm; 16 x 11½in (2) £300-400

430. English School 17/18th Century Portrait of a young man Oil on panel 36 x 30.5cm; 14 x 12in £200-300

430

431 431. Circle of Sir Thomas Lawrence P.R.A. A gentleman in a brown coat, seated Oil on canvas 78.5 x 64cm; 31 x 25in £400-600

433

432. English School c.1810 Portrait of a girl, half length, seated Oil on canvas, in a carved wood frame 76 x 64cm; 30 x 25in £400-600

432 433. Circle of Henry Raeburn Portrait of a gentleman, head and shoulders Oil on canvas 76 x 64cm; 30 x 25in £150-250

434

434. English School 18th Century Portrait of George Faux, of Pudding Lane, London Later titled on a label verso Oil on canvas 76 x 61cm; 30 x 24in £80-120

435. English School early 19th Century Portrait of an architect Oil on canvas, unframed 68 x 53cm; 28 x 21in £200-300

435

436 436. Circle of Felice Brusasorci Madonna and child with angels presenting Carthusian monks Oil on canvas 133 x 106.5cm; 52¼ x 42in Provenance: Christie’s, Old Masters sale 16th Dec. 1988, Lot 8 £2,000-3,000

437 437. English School 18th Century The Holy Family with the lamb After Peter Paul Rubens Oil on canvas 56.5 x 46cm; 22¼ x 18in £600-800

438. Follower of Frans Francken The Wedding Feast at Cana Oil on panel 59 x 85cm; 23¼ 33½in Provenance: The collection at Little Egland Manor Bequeathed to Lady Elsa Bowker Gifted by her to the present owner £4,000-6,000

438

439

440

441

442

443

444

439. Venetian School 16th Century St. Jerome kneeling with a lion in a landscape Oil on panel 26 x 21cm; 10¼ x 8¼in £350-450 440. Circle of Louis Le Nain Portrait of the Cardinal de Bouillon Oil on canvas 43 x 48cm; 17 x 15in £400-500

441. Follower of Bartolomé Esteban Murillo Madonna and putti Oil on canvas, laid on panel 22.5 x 18cm; 9 x 7½in £400-500 442. Follower of Francisco Bayeau y Subias Portrait of a lady wearing blue Oil on canvas 48 x 38cm; 19 x 15in £600-800

443. Follower of Rembrandt Harmensz Van Rijn Portrait of a gentleman, seated in an interior Oil on panel 29 x 24.5cm; 11½ x 9½in Provenance: Goodrich Court, Herefordshire, to August 1946 £400-600 444. Attributed to Jan Miense Molenaer (Dutch 1610-1668) A scholar at work Oil on panel 16 x 12.5cm; 6¼ x 5in £1,000-1,500

79 445. Manner of Canaletto View of the Grand Canal Oil on canvas 90 x 120cm; 35½ x 47in £1,500-2,500

445 446. Frederick J. Tudgay (1841-1921) The sailing barque City of Amoy, in the English Channel with the Needles in the background Signed and dated 1873 Oil on canvas 51 x 76cm; 20 x 30in The City of Amoy was built on the Clyde in 1863 by Barclay Curle and Co. and was operated by George Smith and Co. of the City Line of steam and sailing ships. It was wrecked off the Falkland Islands in 1872, so this is, perhaps, a commemorative portrait. £1,500-2,500

446

447 447. George Henry Harlow (1787-1819) Self Portrait Oil on canvas 46 x 36cm; 18 x 14in £2,000-3,000

449

448

448. Lemuel Francis Abbott (1760-1802) A gentleman in a brown coat and stock Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: Max Rothschild, Sackville Gallery, Piccadilly, London Christie’s London 6th May 1927, Lot 74 Knoedler & Co., London Private American Collection Private English Collection £2,000-3,000

450

449. Continental School c.1900 A cavalier selling goods to a silver merchant Oil on canvas 69 x 52cm; 27 x 20½in £300-500 450. Circle of George Chinnery Portrait of a gentleman wearing a black coat Inscribed indistinctly verso Oil on panel 27.5 x 22.5cm; 10¾ x 9in £250-350

451. Continental School 19th Century Portraits of a scholar and a lady A pair, both oil on board in painted ovals Each 28 x 22.5cm; 11 x 9in (2) £100-150

451

81 452. Spanish School 17th Century The Madonna appearing to a group of religious men, with attendant cherubs Oil on canvas, unframed 93 x 81cm; 36½ x 31in £500-700

453. Flemish School 18th Century Elegant figures in an interior Oil on panel 29.5 x 24cm; 11½ x 9½in £600-800

452

453

454. Samuel David Colkett (1806-1863) Figures by a pond and cottage; Figures on a track by a cottage One signed and dated indistinctly A pair, both oil on panel, circular Each 21cm; 8¼in diameter (2) £300-500

455. Patrick Nasmyth (1787-1831) Rustic figures resting by a bridge Thought to be signed Oil on panel 22 x 19cm; 8½ x 7½in £200-300

454

456. Patrick Nasmyth (1787-1831) Rustic figures resting by track by a river Signed Oil on canvas 30.5 x 25cm; 12 x 10in £200-300

455

456

82 457. Dutch School 18th/19th Century The huntsman’s return Oil on canvas 98 x 77cm; 38½ x 30¼in £8,000-12,000

458. Attributed to Edward Williams (1752-1855) A wooded river landscape Oil on canvas 63.5 x 76.5cm; 25 x 30in Provenance: Frost & Reed, London, No. 4*555 £800-1,200

459. Flemish School Head of a man, possibly St. Peter Oil on panel 43 x 40.5cm; 17 x 16in £1,200-1,800

457

458

459

83 460. Jürgen Ovens (German 1623-1678) Semele gazing into a mirror Oil on canvas 110 x 95.5cm; 43¼ x 37½in £6,000-8,000

460

461. Attributed to Anton Mirou (Flemish 1586-1661) Figures in a wooded landscape Oil on panel 22 x 35.5cm; 8¾ x 14in Provenance: Leonard Koetser Ltd., London 1965 £1,500-2,500

461

84 462. Italian School 18th/19th Century Nativity with the adoration of the shepherds Oil on alabaster, backed with plaster 14 x 27cm; 5½ x 10½in £300-500

462 463. Thomas Webster R.A. (1800-1886) Children playing with a mousetrap Signed, titled and dated May 7th, 1874 verso Oil on panel 12 x 15.5cm; 4¾ x 6in £300-400

464. Follower of Jacques Courtois, Le Bourguignon A cavalry engagement Oil on canvas 33 x 43cm; 13 x 17in £500-700

463

465

465. Neapolitan School 19th Century View of the Bay of Naples Oil on canvas 35.5 x 60.5cm; 14 x 24in £300-400

466. Manner of Francesco Bassano Rustics having a picnic Oil on canvas, laid down on board 31 x 45cm; 12¼ x 17¾in £300-500

464

466

468

467 467. John James Rouby (1750-1812) George Fulkes Lyttleton, 2nd Baron Lyttelton (1763-1828) Oil on panel 40 x 28cm; 15¾ x 11in Provenance: Mrs. A. V. B. Mugford Sothebys, London, 21 March 1979, lot 75) Born in Plymouth, Rouby travelled to Rome on his Grand Tour and had contact with artists such as Henry Fuseli and Alan Ramsay. He met Sir Richard Colt Hoare who was married to Hon. Hester Lyttelton, sister to the sitter in this portrait and after her death he travelled with her brother through Italy. After his Grand Tour, Lyttelton became an MP for Granard and Bewdley and lived at Hagley Hall in Worcester. £800-1,200

468. ** St Jean (French 19th Century) Still life of goldfinches and blossom on a riverbank Signed Oil on canvas, unframed 49 x 64cm; 19 x 25in £400-600 469. Follower of Willem Van de Velde Shipping in a calm Oil on canvas 69 x 86cm; 27 x 34in £1,000-1,500

469

470. English School 19th Century A ship in full sail with tender Signed with initials indistinctly, lower left, ship also inscribed J.D.A. Oil on canvas 30.5 x 45.5cm; 12 x 18in £800-1,200

470

471

472 471. Edward Coleman (c.1795-1867) Still life of dead game Oil on canvas 63.5 x 76cm; 25 x 30in £800-1,200

473

472. C. C. Coventry (fl. 1800-1819) Interior scene with girls washing clothes and a boy playing tricks Signed and dated 1800 on the table stretcher Oil on canvas, in a French Empire giltwood and gesso frame 92 x 72cm; 36 x 28½in £3,000-5,000 473. Charles Brooke Branwhite (1851-1929) River landscape with boys fishing from a boat Signed Oil on canvas 93 x 148cm; 36½ x 58¼in £4,000-6,000 474. Jan Willem Van Borselen (Dutch 1825-1892) Landscape with travellers on a road Signed and dated 1848 Oil on canvas 56 x 71cm; 22 x 28in £2,000-3,000

474

476

475 475. William Wyld (1806-1889) Capriccio of Venice Signed Oil on canvas 38.5 x 32cm; 15 x 12½in £1,000-1,500 476. George Clarkson Stanfield R.A. (1828-1878) The Isle of Dogs with Greenwich Hospital Oil on canvas 32.5 x 40cm; 12¾ x 15¾in £4,000-6,000

477

477. Thomas Rose Miles (Exh.1880-1906) Coming on to Blow, Bertrageboy Bay Connemara, Ireland Signed, also signed titled and inscribed verso Oil on canvas 51 x 76cm; 20 x 30in £700-1,000 478. Lionel Bicknell Constable (1828-1887) Landscape, probably Wardour Castle, with a couple on a path by a gate Oil on canvas 51 x 66.5cm; 20 x 26¼in We are grateful to Conal Shields for confirming the attribution. Wiltshire Council have stated that they believe it is likely to be Wardour Castle and have provided plans of the possible viewpoint which are included in the lot £1,500-2,500

478

88 479. School of Johann Christian Vollerdt A figure on a bridge in a coastal landscape Oil on canvas 35.5 x 44.5cm; 14 x 17½in £200-300

479

480

480. George Vincent (1796-c.1831) Figures in a rural hamlet Oil on panel 27 x 33cm; 10½ x 13in Provenance: The Palser Gallery, London £300-400 481. Continental School 19th Century A stormy harbour scene Oil on canvas 69 x 92cm; 27 x 36in £150-250

481

482

482. James Stark (1794-1859) Figures by a cottage in a river landscape Signed Oil on panel 22 x 28cm; 8½ x 11in £200-300 483. The Rev. John Thompson of Duddingston (1778-1840) A wooded lakeland scene Oil on panel 34 x 48cm; 13½ x 19in £300-500

483

484

484. J. H. Alexander (late 19th Century) River landscape at dusk Signed and dated 95 Oil on canvas, unframed 51 x 76cm; 20 x 30in £100-150 485. C. Berlyn 19th Century Boys fishing and cattle watering in river landscapes A pair, one signed Both oil on canvas Each 30.5 x 51cm; 12 x 20in (2) £150-200

485

89 486. Robert Fleury (French 1797-1890) The presentation in the temple Signed with initials Oil on canvas 42 x 57cm; 16½ x 22½in £800-1,200

486 487. Continental School 19th Century The Procession of the Law in the Synagogue Oil on canvas, unframed 121 x 152cm; 47½ x 60in £800-1,200

487

90 488. English School (18/19th Century) Ships in a storm by a lighthouse Oil on panel 25.5 x 34.5cm; 10 x 13½in £100-150

488

489

489. Dutch School early 19th Century Shipwreck and survivors awaiting rescue Oil on canvas 64 x 77.5cm; 25¼ x 30½in £600-800 490. Alfred Vickers (1786-1868) Windsor Castle Signed and dated 1849 Oil on canvas 30.5 x 35.5cm; 12 x 14in £300-400 491. Follower of George Morland Loading the cart Oil on canvas 35 x 44.5cm; 13¾ x 17½in £250-350

490

492

491

493

492. James Stark (1794-1859) Figures and cattle by a cottage in a river landscape Signed Oil on canvas 30 x 40cm; 12 x 15¾in £300-400 493. James Baker Pyne (1800-1870) Figure herding cattle in a landscape Signed Oil on canvas 25.5 x 35.5cm; 10 x 14in £200-300 494. English School 19th Century Children fishing Oil on panel 24 x 31cm; 9½ x 12¼in £150-250 495. English School early 19th Century Soldiers selecting recruits Oil on canvas 35 x 45cm; 13¾ x 17¼in £200-300

494

495

496 496. Alfred Pollentine (1836-1890) San Maggiore, Venice from the water; Feluccas and gondolas on the Grand Canal, Venice A pair, both Signed and dated 88 Both oil on canvas Each 41 x 61cm; 16 x 24in (2) £2,000-3,000

497. Follower of John Ferneley Extensive landscape with huntsmen and hounds Oil on canvas 76 x 107cm; 30 x 42in Provenance: Lord Charles Spencer-Churchill £2,000-3,000

498. Henry John Boddington (1811-1865) Anglers on a river; Gypsy encampment The first signed and dated 1843 The first oil on canvas, the second on panel 23 x 30cm; 9 x 12in and 30 x 25.5cm; 12 x 10in (2) £1,200-1,800 497

498

499 499. Albert Clark (1821-1910) Saucy Boy, a hunter in a landscape Signed and dated 1878 Oil on canvas 51 x 61cm; 20 x 24in £1,000-1,500

500 500. Clifton Tomson (1775-1828) Bay hunter and neighbour Signed Oil on canvas 62 x 74cm; 24¼ x 29in £1,500-2,500

501 501. Follower of James Seymour Hunters led by grooms, one with jockey up A pair, both oil on canvas Each 99 x 123cm; 39 x 48½in £3,000-5,000

93 502. William Gowe Ferguson (1632-1695) Rustics amongst Roman ruins and a bas relief mausoleum, a hilltop town beyond Oil on canvas 113 x 127cm; 44½ x 50in Provenance: The Marquess of Tweeddale, Yester House, East Lothian Private collection £6,000-8,000

502 502A. Jacob Van Stry (Dutch 1715-1856) Travellers, herdsmen and cattle in an extensive river landscape with a castle and distant town Signed Oil on panel 58 x 84cm; 22¾ x 33in £10,000-15,000

502A

94 503. Henry Cheadle (1852-1910) Women gathering wood by a mill house Signed and dated 99 Oil on canvas 41 x 66cm; 16 x 26in Provenance: Frost & Reed, 22.10.62, R5389 £300-500 503

504 504. Mexican School 19th Century Figures and horses in a stable Oil on copper 28 x 43cm; 11 x 17in £200-300

505. Circle of William Simpson A horseman in a Middle Eastern landscape Oil on board 26.5 x 33cm; 10½ x 13in £200-300 505

506 506. English School 19/20th Century Horse and greyhounds in a stable Bears indistinct signature Oil on panel, possibly over a printed base, unframed 25 x 30.5cm; 10 x 12in £150-200

507

508 507. James Elliot (20th Century) Figures by a river Signed Oil on canvas laid on board 30 x 46cm; 12 x 18in £100-200

509 509. John Ritchie (act.1858-1875) King Canute commanding the waves Oil on panel 33 x 46cm; 13 x 18in £150-250

510 510. The Rev. John Thompson of Duddingston (1778-1840) A moor and pool, Perthshire Oil on panel 33 x 43cm; 13 x 17in £300-500

508. Swiss School (19th Century) Alpine river landscape Signed with initials J.R.P. and dated 1863 Oil on paper 28 x 49.5cm; 11 x 19½in £100-150

511 511. Attributed to Stephen Elmer (1717-1796) Pigeons on a branch in a landscape; Birds in a wooded landscape A pair, both oil on canvas Each 45.5 x 56cm; 18 x 22in (2) £1,500-2,500 512. Henry Thomas Schafer (1854-1915) Continental town scene Signed and dated 78 Oil on canvas 40.5 x 30.5cm; 16 x 12in £200-300 513. T. Baker (c.1900) Continental interior scene Signed Oil on canvas, possibly over a printed base 30 x 23cm; 12 x 9in £80-100

512

513

514. Lewis John Wood (1813-1901) Cathedral at Malines from Groot Markt Signed, titled and dated 1852 verso Oil on panel 40 x 29cm; 15¾ x 11½in £200-300 515. George Haller (19th Century) Figure in an autumn landscape Signed Oil on canvasboard 51 x 30cm; 20 x 11¾in £70-100

514

515

516 516. Patrick Nasmyth (1787-1831) Cottages by the sea Signed and dated 1830 Oil on panel 23 x 32cm; 9 x 12½in £600-800

517. Dutch School 19th Century Cattle watering by a wooded river Signed indistinctly on a label verso Oil on panel 26.5 x 34cm; 10½ x 13½in £600-800

518

517 518. Conradyn Cunaeus (Dutch 1828-1895) A Norwich terrier chasing a butterfly Signed Oil on panel, unframed 35 x 27.5cm; 13¾ x 10¾in £600-800

519. Conradyn Cunaeus (Dutch 1828-1895) A black and white terrier by a basket Signed Oil on panel, unframed 34 x 28.5cm; 13½ x 11¼in £600-800

519

97 520. John Emms (1843-1912) Study of three hounds Signed Oil on canvas 33.5 x 35.5cm; 13¼ x 14in £2,000-3,000

521. B. Dayrell (c.1853-1858) Horse and dogs in a stable Signed and dated 1853 Oil on canvas 33 x 46cm; 13 x 18in £500-800

522. William Huggins (1820-1884) Study of a cat Oil on board, circular in a rectangular frame 22.5cm; 8¾in diameter £800-1,200

520

523. William Wasdell Trickett (fl. 1921-1939) May Week Signed, titled and dated 1912 Oil on board, circular in a rectangular frame 28cm; 11in diameter £200-300

521

522

523

98 524. John Eaton Walker (c.1820-c.1880) A fishergirl on the coast Signed and dated 1859 Oil on canvas 51 x 40.5cm; 20 x 16in £400-600

525. English School 19th Century Portrait of a lady seated, reading Bears signature Carlton A. Smith Oil on canvas, unframed 49.5 x 41cm; 19½ x 16in £100-200 524

525 526. Rudolf Giffinger (Dutch 19/20th Century) Fishing boats on the Schelde by moonlight A pair, both signed, both titled indistinctly on labels verso Both oil on panel Each 51 x 40cm; 20 x 16in (2) £400-600

526

527

527. Circle of Henrietta Ronner-Knip A cat and kittens with a harp Signed and dated indistinctly Oil on board 40 x 28cm; 16 x 11in £500-800

528. French School late 19th Century Napoleon on horseback Oil on board, over a printed base 21 x 18cm; 8¼ x 7in £120-180

529. English School 19th Century Study of a seated dog Oil on copper, oval 21.5 x 18.5cm; 8 x 7¼in £100-200 528

529

530 530. Frederick, Lord Leighton P.R.A. (1830-1896) Coast of Asia Minor Oil on canvas 20 x 41cm; 8 x 16in Exhibited: Royal Academy, Winter Exhibition, 1897 Provenance: Walter Heape, 21 May 1898 Walter Heape was a pioneer of reproductive biology £2,000-3,000 531. James Peel (1811-1906) Morcambe Bay Signed, titled on an old label verso Oil on canvas 58 x 95cm; 23 x 37½in Provenance: Sold at the Sale of the Peel Collection, Newcastle-on-Tyne 16th July 1907 lot 12, label also inscribed Wm Anderson Sons and Hedley (now Anderson and Garland) £700-1,000

531

532. English School 1860 A farmer heading off to roll the fields Signed with initials J.P. and dated Oil on canvas 42 x 65cm; 16½ x 25½in £1,000-1,500

532

100 533. Follower of Georgius Jacobus Johannes Van Os Still life of flowers in an urn on a ledge Oil on canvas 82 x 65cm; 32¼ x 25½in £1,000-1,500

534. English School 20th Century Still life of flowers with butterflies Oil on canvas 76 x 61cm; 30 x 24in £200-300

533

534

535. Consalvo Carelli (Italian 1818-1900) Study of a rustic in a landscape Signed and dated 1831 Oil on paper, loosely laid down on board 28 x 20cm; 11 x 8in £300-500

536. Erskine Nicol R.S.A., A.R.A. (Scottish 1825-1904) The young angler Signed and dated 1874 Oil on panel 28 x 20cm; 11 x 8in Provenance: The Nick Rocke collection £200-300

535

536

537. English School 1880 Still life of grapes on a vine Signed with a monogram SG/GS and dated 1880 Oil on canvas 33 x 25.5cm; 13 x 10in Provenance: The Nick Rocke collection £120-180

538. Follower of Jan van Kessel Still life of flowers in an urn Oil on panel 23.5 x 17.5cm; 9¼ x 7in £300-500

537

538

101 539. George Lance (1802-1864) Choice dessert Signed Oil on canvas 35.5 x 46cm; 14 x 18in £1,000-1,500

540. Valerio Laccetti (Italian 1836-1909) Barn interiors with cattle, bull, donkey and child A pair, both signed Both oil on canvas Each 37.5 x 46cm; 14¾ x 18in (2) £700-1,000

539

541. Continental School 19th Century A Rabbi seated at his desk Oil on panel 15 x 19cm; 6 x 7½in £400-600

541

540

102

542 542. Circle of Eduard Von Grutzner Monks dining; Monks imbibing A pair, both oil on panel 19 x 25.5cm; 7½ x 10in £1,500-2,500 543. Arthur Batt (1846-1911) A girl with donkeys and a dog Signed and dated 81 Oil on canvas 30.5 x 38cm; 12 x 15in £800-1,200

543

544. Jack Orr (1890-1961) The Veterans Signed, titled on a label verso Oil on board 46 x 61cm; 18 x 24in £800-1,200 545. Charles Edward Hallé (1846-1914) Mother and her daughter having tea Signed and dated 1862 Oil on canvas 105 x 78cm; 41½ x 30½in £3,000-5,000

544

546. Attributed to George Elgar Hicks (1824-1914) The welcome home Signed with initials indistinctly Oil on canvas 53 x 41cm; 21 x 16in £1,000-1,500 547. Joseph Severn (1793-1872) A couple by a wall in a vineyard Signed, inscribed Rome dated 1828, also signed and inscribed on a label verso The ..... scene Italian Vintage Oil on board 40 x 30cm; 15¾ x 11¾in £600-800 548. Theodore Jensen (1816-1894) The farmer’s daughter Signed, also later inscribed on a label verso Exhibited Royal Academy, Painted in Scottish Borders Oil on canvas 61 x 51cm; 24 x 20in £1,000-1,500

103

545

547

546

548

104 549. Sidney Yates Johnson (fl.1890-1926) Richmond Bridge from the Thames Signed Oil on canvas 51 x 76cm; 20 x 30in £200-300

549

551

550

552

550. Hopkins H. Hobday Horsley (1807-1890) Figures by a track in a coastal landscape Signed with a monogram Oil on board 20 x 30cm; 8 x 11¾in £300-400 551. ‡ Etty Horton (act.1884-1918) Figure by a river; Fisherman on a river A pair, both signed Both oil on canvas Each 25.5 x 35.5cm; 10 x 14in (2) £100-150 552. British School 19th Century View of a highland lake Signed and dated indistinctly Oil on canvas 41 x 61cm; 16 x 24in £200-300

553

555 554. Arthur George Bell (1849-1926) Turnpike road Signed and inscribed To my friend Dr. Emerson Oil on panel 32.5 x 56cm; 12¾ x 22in £200-300

554

556 555. Sir Isidor George Henschel (1850-1934) View from the artist’s house at Aviemore Signed with initials Oil on canvas laid on board 27 x 33cm; 10½ x 13in Henschel was a prominent conductor and composer £100-150

553. English School (20th Century) Track by a moorland stream Oil on canvas 42 x 66cm; 16½ x 26in £200-300

105

557 556. After Jan Van Beers Boarding a rowing boat Oil on panel over a printed base 11.75 x 19cm; 5 x 7½in £200-300 557. Carl Ludwig Friedrich Becker (German 1820-1900) Portrait of a lady in a lace cap with blue ribbons Signed Oil on canvas 36 x 29cm; 14 x 11½in £400-600 558. Enrique Roldan (Spanish 19/20th Century) Study of young man Signed and inscribed Sevilla and dated 1880 Oil on canvas 26 x 19cm; 10¼ x 7½in £500-700

558

559

560. After Sir John Lavery R.A. A copy of The Lady Mayoress, Lady Jenks [A study for the presentation to His Majesty King Edward VIII of the Charter of the Master Mariner’s Company] Titled Oil on canvas laid on board 35 x 22cm; 13½ x 8½in Provenance: Letter from Wakefield House regarding the presentation and the sketch With an edition of Sphere May 4, 1935 and a newspaper clipping, showing the full presentation painting (2) £300-500

561. Sellini (20th Century) Family by a cottage door Signed Oil on panel 34 x 17.5cm; 13½ x 7in £150-250 562. English School 19th Century Portrait of a cavalier Inscribed on frame verso Purchased at Christie’s June 11th 1886 Oil on canvas, in a Watts style frame 69 x 35.5cm; 27 x 14in £200-300

559. Attributed to Gustav Friedrich Papperitz (German 1813-1861) Portrait of a German officer, seated Signed Oil on canvas 36 x 30.5cm; 14 x 12in Provenance: The Nick Rocke collection £100-150

560

561

562

106 563. Robert Bell (1806-1872) Bell’s Life in London Oil on canvas 52 x 62cm; 20½ x 20¼in £600-800

563

564. English School 19th Century A dog resting on a doorstep Oil on canvas 55 x 65cm; 21½ x 25½in Provenance: Rutland Gallery, London £400-600

564

565. Alfred East R.A. (1849-1913) Horse and cart and children in a coastal scene Signed Oil on panel 16 x 24cm; 6¼ x 9½in £300-400 565 566. Continental School 19th Century Figures conversing in an interior Oil on canvas 56 x 69cm; 22 x 27in £200-300

567

566 567. Sidney Yates Johnson (fl.1890-1926) On the Thames at Windsor; The New Forest, Hampshire A pair, both signed with incised monogram and signed and titled on a label verso Both oil on canvas Each 45.5 x 30cm; 18 x 12in (2) £200-300

568. English School 19th Century Coastal scene with ships in the distance Oil on canvas 46 x 61cm; 18 x 24in £200-300

568

107 569. Frank Brooks (1854-1937) A coastal view with a distant town and church Oil on panel 25.5 x 38cm; 10 x 15in Provenance: The Nick Rocke collection £100-200 570. English School 19/20th Century St. Michael’s Head, Falmouth Signed Allan Oil on canvas 35.5 x 53.5cm; 14 x 21in £100-150 571. Attributed to Arthur James Stark (1831-1902) Cattle watering, a tower beyond Oil on canvas, unframed 30.5 x 46cm; 12 x 18in £150-200 572. Continental School 19th Century Poachers by a river in a wooded landscape Oil on canvas 104 x 154cm; 41 x 60½in £300-500

569

570

571

572

573

574

573. Circle of Thomas Jacques Somerscales A trader off the coast with fishermen in a rowing boat Oil on canvas 46 x 76cm; 18 x 30in £200-300 574. Étienne Duval (Swiss 1824-1914) Le Sagittaire Signed and dated 191*, also titled on the stretcher verso Oil on canvas 33 x 57cm; 13 x 22½in Exhibited: Étienne Duval Exhibition, 1917, No. 24 £100-150

575 575. English School early 20th Century H.M.S. London; H.M.S. Diadem A pair, both oil on board, circular, in life buoy style frames Each 18cm diameter (2) £150-250

108 576. Follower of Philip Wilson Steer River landscape Oil on canvas board 58 x 96.5cm; 23 x 38in £100-150

576

577

578

579

577. Benjamin Eastlake Leader (d.1916) An Alpine Valley - Bright Morning Signed and dated 12 below mount Oil on board 30 x 40.5cm; 12 x 16in Provenance: Royal Institute of Oil Painters With a study of a rocky rivulet by the same hand (2) £200-300 578. ‡ Tessa Walsh (1918-2012) Abstract Signed with a monogram Oil on board 50.5 x 76cm; 20 x 30in £150-250 579. ‡ Surreal School (20th Century) Table with egg plant and eye Signed with a monogram W.R. Oil on canvas, unframed 64 x 81cm; 25 x 32in £150-250

580

581

580. Continental School c.1950 Alpine rabbits in a snowy landscape Signed indistinctly Sch*ts Oil on panel 58 x 68cm; 23 x 27in £200-300 581. ‡ Fred Cuming (b.1930) Assisi, dawn Signed, Oil on board 19.5 x 33cm; 7¾ x 13in £250-350

582 582. ‡ Leslie Kent (1890-1980) Beyond Studland Bay Signed, Oil on canvas 51 x 61cm; 20 x 24in £200-300

583 583. ‡ Leslie Kent (1890-1980) Dinas Head, Near Fishguard, Wales Signed, Oil on board 35.5 x 45.5cm; 14 x 18in £200-300

109 584. ‡ Gerald Edward Moira V.P.R.O.I., R.W.S. (1867-1959) Rhubarb harvest Signed and dated 1932 Oil on board 92 x 122cm; 36 x 48in Provenance: Royal Institute of oil painters Walker Art Gallery, Liverpool Exhibited: Liverpool Autumn 59th Exhibition, 1933 £3,000-5,000

584

585 585. ‡ Gerald Edward Moira V.P.R.O.I., R.W.S. (1867-1959) Bavarian harvesters Oil on canvas, 76 x 64cm; 30 x 25in Provenance: Royal Institute of oil painters £500-800

586 586. ‡ Stephen Bone N.E.A.C. (1904-1958) Quentin Bone at a bonfire Oil on board, 49 x 39cm; 19¼ x 15½in Provenance: The Fine Art Society, 31.10.90, No. 9717 £500-700

110 587. ‡ Rosemary Sarah Welch (b.1946) Workhorses and groom Signed Oil on canvas 51 x 76cm; 20 x 30in £300-500

587

588

588. ‡ Sam Marriott (1932-1997) A horse and foal Signed and dated 94 Oil on board 58 x 63cm; 23 x 25in £300-500 589. ‡ Eric Tansley (1916-1976) Giraffe in a landscape Oil on canvas 51 x 76cm; 20 x 30in £400-600

589

590. ‡ Tony Wooding (b.1969) A family of elephants Signed Oil on canvas 40.5 x 96.5cm; 16 x 38in £500-800

590

591. ‡ Bernard Carter (b.1920) Old Boats Signed, titled verso Oil on board 29 x 30cm; 11½ x 12in £150-250

591

593

592

594

592. ‡ John Lacoux (20th Century) Autumn evening, Bretton Park Signed and dated 79 Oil on board 61 x 89cm; 24 x 35in £150-250 593. ‡ Adrian Maurice Daintrey (1902-1988) Spring Flowers Signed and dated 1946 Oil on canvas 51 x 61cm; 20 x 24in Provenance: Sally Hunter Fine Art, February 1993, No. 17 £300-500

111 594. ‡ Emily Beatrice Bland (1864-1951) Still life of primroses and spring flowers on a table Signed with initials Oil on board 34 x 44cm; 13½ x 17¼in Exhibited: Womens International Art Exhibition, London, 1922, No. 55 £200-300

595. ‡ Léon François Comerre (French 1850-1916) Boys bathing and feeding a swan Signed Oil on canvas 38 x 47cm; 15 x 18½in £1,500-2,500

595

596. ‡ Maurice Canning Wilks (Irish 1910-1984) Above Kilkeel, County Down, Ireland Signed, also titled verso Oil on canvas 45 x 60.5cm; 17¾ x 23¾in £1,200-1,800

596 597. ‡ Paul Ayshford Lord Methuen R.A. (1886-1974) The Mynte Gate, Corsham Park Signed Oil on canvas 61 x 92cm; 24 x 36in £400-600

597

112 598. Julius Olsson (1864-1942) Study of light on the sea Signed Oil on canvas 35 x 45cm; 14 x 17½in £1,000-1,500 599. Ernest Herman Ehlers (1858-1943) Parkland view with a distant city, possibly Oxford Signed Oil on board 38.5 x 46cm; 15 x 18in £150-200 600. Reno Fabretti (Italian 1905-1983) The Thames looking towards Battersea Power Station Signed and inscribed London Oil on board 17 x 22cm; 6¾ x 9¾in £100-200

598

601. Albert Moulton Foweraker (1873-1942) Landscape with the distant Cornish coast Signed Oil on canvas 46 x 61cm; 18 x 24in £300-500

599

601

600

602

602. Amédée Julien Marcel-Clémant (French 1873-?) Voiles croisant en vue des sables Signed, also signed and titled on old backing board attached verso Oil on board 24 x 52cm; 9½ x 20½in £300-400

113 603. Eugène Ciceri (French 1813-1890) Figure seated on a riverbank Signed and dated 75 Oil on panel 24 x 35cm; 9½ x 13¾in £400-600 604. ‡ Nigel Casseldine (b.1947) The Thames below Hammersmith Signed Oil on board 15 x 31cm; 6 x 12¼in £200-300 605. Garstin Cox (1892-1933) In the Roseworthy Valley near Camborne … Signed and titled indistinctly verso Oil on board 60.5 x 46cm; 23½ x 18in Provenance: The Horner Galleries, Sheffield £200-300

603

606. Barbizon School 19th Century Figures on a village track Signed with a monogram M Oil on panel 30.5 x 22.5cm; 12 x 9in £150-250 607. ‡ Akos Zsoter (Hungarian 1895-1983) Portrait of two girls Signed, dated 1950 and inscribed London Oil on canvas 46 x 36cm; 18 x 14in £120-180

605

604

606

607

114

609

608

611. P. L. Friedlander (20th Century) On the Thames towards Isleworth Signed, painted in 1973 Oil on board 20 x 30cm; 8 x 12in Provenance: The Rowley Gallery £150-250

608. ‡ Jacques Blanchard (French 1912-1992) Still life of fruit, walnuts and a brown pot Signed Oil on board 22 x 26.5cm; 8¾ x 10½in £800-1,200 609. ‡ Robert Borlase Smart (1881-1947) The Armed Knight, Land’s End Signed, also signed and titled verso Oil on canvasboard 30 x 46cm; 12 x 18in £400-600

610

611

612. ‡ Philip Marchington (20th Century) Climbing aloft in a storm Signed Oil on canvas 71 x 91cm; 28 x 36in £150-250

610. ‡ Augustus William Ennes (1876-1948) Sunlight on a rocky shore Signed and dated 24 Oil on linen laid on board 38 x 51cm; 14 x 20in £200-300

612

115

613 613. Paul Madeline (French 1863-1920) Petit Hameau en Cantal Signed Oil on canvas 38 x 46cm; 15 x 18in Provenance: Frost & Reed, No. 57045s £2,000-3,000

614

614. ‡ Herman Frederik Bieling (1887-1964) Autumnal wooded garden Signed Oil on canvas 45.5 x 39cm; 18 x 15¼in £200-300

615. Alfred J. Pazolt (d.1912) A ship at anchor Signed with initials Oil on canvas, unframed 61 x 45.5cm; 24 x 18in £200-300

615

616. Linnie Watt (act.1875-1908) View of Sandwich Signed and inscribed Oil on paper, stuck down on board, unframed 25 x 17.5cm; 9¾ x 6¾in £120-180

616

116

617 617. ‡ Christopher Sanders (1905-1991) The Spring Garden Oil on canvas 51 x 61cm; 20 x 24in Provenance: Sotheby’s, 1st March 2007, Lot 90 £400-600

618 618. ‡ Dirk Smorenberg (Dutch 1883-1960) Tulip fields in Holland Signed Oil on board 36 x 42cm; 14 x 16½in £600-800

619. Robert Broadley (South African 1908-1988) Extensive coastal landscape Signed Oil on canvasboard 50.1 x 61cm; 20 x 24in £200-300 620. ‡ Henry A. Bailey (20th Century) Cattle watering Signed Oil on canvasboard 40.5 x 50.5cm; 16 x 20in £70-100

619

620

621. ‡ Mary Jackson (b.1936) Testing the water; Feeding the cats Two, the first signed, the second signed, dated ‘89 and inscribed verso Both oil on board 23 x 29cm; 9 x 11½in and smaller (2) £200-300 622. Robert Edward Morrison (1852-1925) Summer river landscape Signed Oil on canvasboard, unframed 30.5 x 40.5cm; 12 x 16in £200-300

621

622

117 623. ‡ Mary Fedden R.A. (1915-2012) Spanish Still life Signed and dated 82 Oil on panel 35.5 x 27.5cm; 14 x 10¾in Provenance: Bohun Gallery, 13.10.85 £4,000-6,000

624. ‡ Gabriel Dauchot (French 1927-2005) Figures on a street Signed Oil on canvas 26.5 x 40cm; 10½ x 15in £800-1,200

625. Jean Leport (French 20th Century) Porte St. Denis, Paris Signed and titled Oil on canvas 50 x 60cm; 19¾ x 23½in £500-700

623

624

625

118

626 626. ‡ Frank O. Salisbury (1874-1962) The Garden of Enchantment Signed Oil on canvas 102 x 127cm; 40 x 50in Provenance: By direct descent from the artist £2,500-3,500

627

627. ‡ Frank O. Salisbury (1874-1962) Rose Arches Signed and dated 7.7.50 Oil on board 64 x 76cm; 25¼ x 30in Provenance: By direct descent from the artist Exhibited: United Society of Artists, 1953 £1,000-1,500

628. ‡ Frank O. Salisbury (1874-1962) Sunlight, Azaleas Signed and dated 16.5.52 Oil on canvas 51 x 61cm; 20 x 24in Provenance: By direct descent from the artist £800-1,200

628

119 629. ‡ Frank O. Salisbury (1874-1962) 62 Avenue Road, St. John’s Wood Oil on canvas 51 x 61cm; 20 x 24in Provenance: By direct descent from the artist This was the artist’s home from 1912-1932. The Artist and his family moved from Avenue Road to Hampstead where he designed and built a house which he named Sarum Chase. £1,000-1,500

629

630. ‡ Marcel Dyf (French 1899-1985) Rivière à Autun, Bourgogne Signed Oil on canvas 60 x 74cm; 23½ x 29in Claudine Dyf has confirmed that this was painted in 1970 and it is No. 4991 in the Catalogue Raisonné £7,000-9,000

630

120

631 631. ‡ Marcel Dyf (French 1899-1985) Marée basse in the Morbihan Signed Oil on canvas 46 x 55cm; 18 x 21½in Provenance: This painting dates from 1975 and is number 4510 in the Catalogue Raisonné £4,000-6,000

632

632. ‡ Marcel Dyf (French 1899-1985) Blés en Provence Signed Oil on canvas 38 x 46cm; 15 x 18in Provenance: This painting dates from 1945 and is number 4855 in the Catalogue Raisonné £3,000-5,000

633. ‡ Marcel Dyf (French 1899-1985) Plage des Saintes Marie de la Mer Signed Oil on canvas 38 x 46cm; 15 x 18in Provenance: This painting dates from 1935 and is number 4143 in the Catalogue Raisonné £3,000-5,000

633

121

634 634. ‡ Ronald Ossory Dunlop R.A. (1894-1973) Sailing dinghies Signed Oil on board, unframed 17.5 x 25cm; 7 x 10in £600-800

635

635. Anna Gumlich-Kempf (German 1860-1940) Still life of autumn flowers and berries Signed Oil on canvas 56 x 75cm;22 x 29½in £100-150

636. ‡ Barry Arthur Peckham (b.1945) Ditchend Brook, towards Hampton Ridge Signed and dated 89 Oil on panel 22 x 30cm; 8½ x 7¾in £150-250

637. Miss E. Witts (19/20th Century) Views of Venice A pair, both oil on canvas 20.5 x 25.5cm; 8 x 10in (2) Provenance: The Nick Rocke collection £100-150

638. ‡ Arthur Karl Maderson (Irish b.1942) Winter landscape Signed Oil on canvas laid on board 34 x 40.5cm; 13½ x 16in £300-400 639. Continental School c.1920 A bridge over a canal, possibly the Pont Saint Martin, Strasbourg Inscribed indistinctly verso Oil on canvas 38 x 46cm; 15 x 18in £100-150

636

637

638

639

122 640. ‡ Sir Alfred James Munnings K.C.V.O., P.R.A. (1878-1959) Study for Early Morning, Newmarket Heath Oil on panel, unframed 51 x 61cm; 20 x 24in This is a preparatory sketch from the summer of 1947 when Sir Alfred Munnings spent many hours sketching grooms exercising racehorses on the gallops at Newmarket Provenance: Sotheby’s London 13th November 2012 lot 110 £5,000-7,000

640

641. ‡ Cecil Kennedy (1905-1997) Still life of roses, gladioli and anemones in a glass bowl Signed, also inscribed Numbered 119 in artist’s catalogue on a label verso in another hand Oil on canvas 51 x 61cm; 20 x 24in Provenance: Fine Art Society, 1950 Sold on behalf of the Executors of Colin Popham deceased £6,000-8,000

642. ‡ Tom Coates (b.1941) A shady street in Zanzibar Signed with initials Oil on canvasboard 25 x 30cm; 10 x 12in £300-400

643. ‡ Tom Coates (b.1941) A street scene in Zanzibar Signed with initials Oil on canvasboard 25 x 30cm; 10 x 12in £300-400

641

123

642

643

644. ‡ Hermann Croissant (1897-1963) A winter landscape through birch branches Oil on board 80 x 66cm; 31½ x 26in Provenance: By descent from the artist £150-250 645. ‡ Hermann Croissant (1897-1963) A view of an extensive landscape Oil on canvas 65 x 80cm; 25½ x 31½in Provenance: By descent from the artist £150-250

644

645

646. ‡ Hermann Croissant (1897-1963) A Continental Landscape Signed and dated 61 Oil on board 80 x 85cm; 31½ x 33½in Provenance: By descent from the artist £150-250 647. ‡ Reg Cartwright (b.1938) Barns and silos on the Winston Road Signed Oil on canvas 91 x 91cm; 36 x 36in Provenance: Windsor & Eton Fine Arts Co. Ltd., 27th Nov. 1975, No. 1568 £300-500

646

647

124

648

649 648. ‡ Gudrun Sibbons (b.1925) The picnic by the river Signed Oil on board 30 x 40cm; 12 x 16in £400-600

650

651

649. Edmond De Maertelaere (Belgian 1876-1938) Still life of Chrysanthemums Signed Oil on canvas 90 x 116cm; 35½ x 45½in Provenance: The Nick Rocke collection £1,000-1,500 650. English School c.1930 Dibden House, Hampshire Signed indistinctly Oil on canvas 36 x 51cm; 14 x 20in £120-180

652 652. Amor (20th Century) Ellis Street, off Sloane Street, London Signed Oil on board 15.5 x 20.5cm; 6 x 8in £150-250

653 653. K.W. c.1927 Still life of flowers and a book on a table Signed with initials and dated 27 Oil on canvas 73.5 x 89.5cm; 29 x 35¼in £250-350

651. ‡ Deborah Jones (b.1921) The Antique shop; The Sweep and Dressmaker Two, both signed Both oil on board Each 30.5 x 76cm; 12 x 30in (2) £200-300

125

654 654. Pierre Auguste Bellet (French 1865-1924) Still life of carnations in two vases Signed Oil on canvas 62 x 44cm; 24½ x 17¾in £800-1,200

656

655. ‡ Vernon de Beauvoir Ward (1905-1985) Still life of tulips, daffodils and other flowers in a vase Signed Oil on canvas 61 x 51cm; 24 x 20in £1,000-1,500

655 656. ‡ He*nes Di*k Adri*nn* (20th Century) Still life of carnations in a glass vase Signed indistinctly Oil on canvas 50 x 40cm; 19¾ x 16in £300-500

657

657. M. Seignobos (20th Century) Still life of summer flowers in a jug Signed Oil on canvas 65 x 53.5cm; 25½ x 21in £100-150

658. John Amhurst Selby-Bigge (1892-1973) Exotic flowers Signed and dated 61 Oil on board 68 x 51cm; 27 x 24in £200-300

658

126 659. ‡ Maurice Cockrill R.A. (1936-2013) Venus and Mars Oil on canvas, rolled 266 x 200cm; 102 x 79in (approx) Sold with the stretcher £300-500

659

660. Ndjeng Rigo (African 20th Century) Hope of Africa Signed and dated 92 Oil on canvas 74 x 100cm; 29 x 39½in £200-300

660

661. ‡ Christian Brett (20th Century) Cretan Dawn Signed with initials XB Oil on board 71 x 91cm; 28 x 36in Provenance: The New Art Centre, London, No. 873c £80-120

661 662. ‡ David Smith (20th Century) Still life of apples Signed, dated 1960 and titled Apples on backing board verso Oil on board 24 x 35.5cm; 9½ x 14in £100-150

663

662 663. Nicholas Sperakis (American b.1943) Self portrait Signed Mixed media on canvas 47 x 47cm; 18½ x 18½in £120-180

664. ‡ Jane Lewis (b.1953) The Gorgon Signed and dated ‘86 also signed and titled verso Oil on canvas laid down on board 37 x 31cm; 14½ x 12¼in £100-150

664

665. ‡ Reza Samimi (Persian 1919-1991) Portrait of a lady, in a white dress Signed Oil on canvas 65 x 50cm; 25½ x 19¾in with two catalogues relating to the artist’s work £200-300

665

127

INDEX OF ARTISTS A Alken, After Henry 70, 74 Abbott, Lemuel Francis 448 Ackermann, Gerald 185 Adri*nn*, H. 656 Aitken, James 278 Aldin, Cecil Charles W. 105, 106 Alexander, J. H. 4;84 Allcot, John 350 Allom, Thomas 284 Amor 652 Andrews Sybil 112 Armour, Mary Nicol N 208 Armour-Chelu, Ian 390, 391 Ashcroft, Nigel 256 Atkins, Samuel 242 Ayrton, Michael 399 B Bailey, Henry 620 Baker, T. 513 Ball, Wilfred Williams 90 Barber, William T. 10 Barbizon School 606 Bartlett, After William H. 73 Bassano, Manner of Francesco 466 Batt, Arthur 543 Bawden, Edward 107 Becker, Carl Ludwig F. 557 Beers, After Jan van 556 Bell, Arthur George 554 Bell, Robert 563 Bellet, Pierre Auguste 654 Berlyn, C. 485 Betteridge, H. W. G. 254 Bicat, Andre 124 Bieling, Herman F. 614 Blaikley, Alexander 275 Blake, Frederick Donald 414 Blanchard, Jacques 608 Bland, Emily Beatrice 594 Boddington, Henry J. 498 Bone, Charles 406 Bone, Sir David M 365 Bone, Stephen 586 Borselen, Jan William van 474 Boulaye, Antoine de la 426 Bourne, James 234, 280 Brabazon, Hercules B 187, 188 Brangwyn, Sir Frank 247, 378 Branwhite, Charles Brooke 473 Brett, Christian 661 Brett, Molly 255 Brewer, Henry Charles 180, 181, 182, 183 Brierley, Sir Oswald W. 238 Bright, Henry 364 Brightwell, Leonard Robert 111 British School 154, 156, 195, 363, 552 Broadley, Robert 619 Brockhurst, Gerald Leslie 100 Brooks, Frank 569 Brown, Ralph 130 Brusasorci, Circle of F. 436 Buckland, Arthur H. 296 Buckley, John Edmund 292, 293, 314 Burdick, Charles J. 408 Butler, Herbert E. 251 C Callcott, Sir Augustus W. 260 Callow, John 173, 174, 176 Callow, William 172, 175, 316, 371 Canaletto, Manner of 445 Cannell, Ashton 348 Carelli, Gonsalvo 535 Carracci, After Agostino 427 Carter, Bernard 591 Carter, Henry Barlow 209 Cartwright, Reg 647 Casseldine, Nigel 604 Cattermole, Charles 301 Cave, Peter La 230 Cheadle, Henry 503

Chinnery, Circle of G. 450 Ciceri, Eugene 603 Ciglia, G. 291 Clark, Albert 499 Clark, Thomas 340 Coates, Tom 642, 643 Cockrill, Maurice 659 Cole, Elsie Vera 318 Coleman, Edward 471 Colkett, Samuel David 454 Colquhoun, Robert 400 Comerre, Leon F. 595 Conder, Attrib. to C. E. 346 Constable, After John 59 Constable, Lionel B. 478 Continental School 8, 299, 449, 451, 481, 487, 541, 566, 572, 580, 639 Cook, Wm. Of Plymouth 240 Cooke, Edward William 168 Cortois, Foll. Of J. 464 Coventry, C. C. 472 Cox, Attrib. to David Sr. 235 Cox, David 204 Cox, Garstin 605 Croissant, Hermann 644, 645, 646 Cull, Alma Claude B. 374 Cuming, Fred 581 Cunaeus, Conradyn 518, 519 D Da Migliovato 286 Daintrey, Adrian M. 593 Danby, Francis 191 Dauchot, Gabriel 624 Dayrell, B. 521 Dâ&#x20AC;&#x2122;Edgville, James T. H. 305 Devis, Anthony 229 Dicksee, Herbert Thomas 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58 Dickson, Thomas E. 395 Duncan, A. 321 Duncan, After Edward 89 Duncan, Edward 268 Dunlop, Ronald Ossory 634 Dutch School 457, 489, 517 Duval, Etienne 574 Duvall, Fannie Eliza 359 Dyf, Marcel 630, 631, 632, 633 E East, Alfred 565 Egginton, Frank 317, 343 Ehlers, Ernest Herman 599 Elliot, James 507 Elmer, Attrib. to Stephen 510 Emms, John 520 English School 1, 2, 3, 4, 5, 6, 9, 202, 226, 227, 258, 290, 300, 302, 428, 430, 432, 434, 435, 437, 470, 488, 494, 495, 506, 525, 529, 532, 534, 537, 553, 562, 564, 568, 570, 575, 650 610 Ennes, Augustus William Epstein, John 413 F Fabretti, Reno 600 Fedden, Mary 623 Fengmian, Circle of Lin 402 Ferguson, William Gowe 502 Ferneley, Foll. Of J. 497 Flemish School 453, 459 Fleury, Robert 486 Foster, Myles Birket 190 Foweraker, Albert M. 601 Fowler, Derek 312 Fox, Henry Charles 320 Francken, Foll. Of F. 438 Fraser, Donald Hamilton 133, 134 French School 136, 273, 276, 528 Friedlander, P. L. 611 Fripp, George Arthur 161 G George, Adrian 380, 381, 382, 383, 384, 385, 386, 387, 388, 389

Gianni, Michelle Giffinger, Rudolf Gillray, James Glass, Margaret Goff, Frederick E. J. Goodall, Edward A. Goodwin, Albert Goodwin, Harry Goodwin, Sidney P. Gould, After John Goya, Francesco de Greaves, Derrick Green, Harriet Greenaway, Circle of K. Greenwood, Sidney Griffith, Moses Grutzner, Circle of Eduard Guardi, Man. Of Francesco Gumlich-Kempf, Anna Gurschner, Herbert H Hall, Chambers Halle, Charles Edward Haller, George Halliday, Charlotte Hamilton, Hugh Douglas Harding, James Duffield Hardy, James Jr. Hardy, Thomas Bush Harlow, George Henry Harrington, Charles Havell, After Alfred Charles Hayes, Claude Hearne, Thomas Henschel, Sir Isidor G. Hicks, Attrib. to G. E. Hilditch, G. Hilton, William Hines, Frederick Hirst, Norman Hoppner, After Sir John Horsley, H. H. H. Horton, Etty Houston, Richard Huggins, William Hunt, Andrew Hunt, William Henry I Icart, Louis Indian School Ireland, Thomas T. Italian School J Jack, Richard Jackson, Mary Jackson, Raymond A. Jensen, Theodore John, Augustus Edwin Johnson, Sidney Yates Jones, Deborah K Keating, George Kelly, Robert G. T. Kennedy, Cecil Kent, Leslie Kessel, Foll. Of Jan van L Laccetti, Valerio Lacoux, John Lacroix, Man. Of Ch. F. Lance, George Lauder, Charles James Laurencin, Marie Lavery, After Sir J. Lawrence, Circle of Sir T. Leader, Benjamin W. Lear, Edward Lees, Derwent Leggett, Rowley Leighton, Lord F.

287 526 72 412 237 283 248 244, 245, 250 236, 342 109 68 140 162 375 353 192 542 266 635 123 158 545 515 206 178 177 360 264 447 339 82 322 282 555 546 259 201 203 63 61 550 551 67 370, 522 194 166, 171 110 307, 309, 311 329 295, 429, 462 224 621 423 548 103 549, 567 651 71 297 641 582, 583 538 540 592 257 539 410 114, 115, 116 560 431 281, 577 170 407 216 530

128

INDEX OF ARTISTS Leitch, William Leighton Lely, After Sir Peter Leport, Jean Lester, W. Lewis, Jane Lidderdale, Charles S. Lindner, Peter Moffat Lowry, Laurence Stephen Luca, Guiliano de Lucas, William Ludovici, Albert Lutyens, Sara M MacColl, Dugald S. Madeline, Paul Maderson, Arthur K. Maertelaere, Edmond de Malton, Thomas Marcel-Clemant, A. J. Marchington, Philip Marriott, Sam Martin, Mabel Mason, Frank Henry Mason, George Finch Matthews, Daisy Mavrogordato, A. J. McKewan, David Hall Menpes, Mortimer L. Mercer Frederick Messell, Oliver Methuen, Paul A. Mexican School Meyrick, Arthur Miles, Thomas Rose Mirou, Attrib. to A. Moira, Gerald E. Mole, John Henry Molenaer, Attrib. to J. M Morland, Foll. Of G. Morris, Edith E. Morrison, Robert Edward Mortimer, Anne Mottram, Charles Munnings, Sir A. J. Murillo, Foll. Of B. E. N Nain, Circle of L. Le Nash, John Northcote Nash, Joseph Nasmyth, Patrick Neopolitan School Neville, E. W. Newton, Dorothea W. Nicol, Erskine Noble, Richard Pratchett Norwich School O Olsson, Julius Orr, Jack Os, Foll. Of G. J. J. van Ovens, Jurgen Owen, Samuel P Page, Robin Palmer, Harry Sutton Papperitz, Attrib. to G. F. Parker Paton, After Frank Payne, Attrib. to Wm. Payne, William Pazolt, Alfred J. Pearson, Cornelius Pearson, M. G. Peckham, Barry A. Peel, James Penley, Aaron Edwin Perry, Roy Persian School Petersen, Jakob Petley, Roy Piguenit, William Ch.

179, 186, 263 69 625 262 664 298 362 113 358 274 373 128 205 613 638 649 200 602 612 588 328 239 354 404 349 160 102 243 417 597 504 376 477 461 584, 585 233 444 491 356 622 421 303, 304 640 441 440 418 313 455, 456, 516 285, 288, 289 465 330 419 536 159 261, 269 598 544 533 460 267 131 306 559 420 92 231 196, 272 615 198, 199 351 636 531 169 411 310 265 424 372

Pilleau, Henry 294 Piper, John 137, 138, 403 Piranesi, After Giovanni B 77 Pissarro, Hugues Claude 345 Pocock, William Innes 165 Pole, Davide 253 Pollentine, Alfred 496 Procktor, Patrick 126, 127 Prosperi, Liberio 81 Prout, Samuel 163 Prout, Samuel 167 Pyne, James Baker 493 R Raeburn, Circle of Henry 433 Raedecker, Max 405 Rajon, Paul 99 Ramon, Juan Navarro 141 Ramsey, William 324 Reckitt, Robin, 397 Reynolds, After Sir Joshua 62 Rheam, Henry Maynell 347 Richter, After Henry 80, 109 Rigo, Ndjeng 660 Rijn, After Rem. H. van 101 Rijn, Foll. of Rem. H. van 443 Ritchie, John 509 Robinson, Hugh 210 Robjent, Richard 331 Roldan, Enrique 558 Romney, After George 7 Ronner-Knip, Circle of H. 527 Roscoe, S. G. Wm. 341 Rouby, John James 467 Rowbotham, Thomas C. L. 193 Rowden, Thomas 355 Roworth, Edward 369 Russell, Gyrth 249 Russian School 13 Ryland, After Henry 108 S Salisbury, Frank O. 626, 627, 628, 629 Samini, Reza 665 Sandby, Paul 153 Sanders, Christopher 617 Scarvelli, Spyridon 271 Schafer, Henry Thomas 512 Schofield, John William 393 Schouman, Aert 220 Schwabe, Randolph 379 Sebonzac, Andre A M D de 139 Seignobos, M. 657 Selby-Bigge, John Amhurst 658 Sellini 561 Serres, Dominic 241 Severn, Joseph 547 Seymour, James 501 Shanker, Shiv 308 164 Shepherd, William Sheppard, Maurice 409 Sherrin, Reginald Daniel 344 Shirley-Fox, John 215 Shuffrey 336 Sibbons, Gudrun 648 Simeon 14 Simpson, Circle of Wm. 505 Singleton, After Henry 65 Sketch book 422 Slocombe, Edward 76 Smart, Robert Borlase 609 Smith, After Benjamin F. 75 Smith, David 662 Smith, James Burrell 197 Smorenberg, Dirk 618 Smyth, Richard 64 Somerscales, Circle of T. J. 573 Soper, Eileen Alice 252 Soper, George 95, 96, 332, 333, 334 Spanish School 452 Sperakis, Nicholas 663 Squirrell, Leonard Russell 93 St. Jean 468

Stanfield, George C. 476 Stannard, Henry J. S. 277 Stannard, Theresa S. 327 Stark, Attrib. to A. J. 571 Stark, James 482, 492 Steer, Foll. Of Philip W. 576 Stockdale, Fred. W. L. 155 Stry, Jacob van 502A Subias, Foll. Of F. B. 442 Sunderland, Thomas 232 Surreal School 579 Swiss School 508 Syer, John 352 T Tansley, Eric 589 Taylor, Charles William 368 Thompson, Rev. J. 483, 510 Thorburn, After Archibald 94, 326 Thorburn, Archibald 189 Thorpe, John Hall 117, 118, 119, 120, 121, 122 Tilson, After Joe 132 Tindle, David 207, 401 Tomkins, Charles 270 Tomson, Clifton 500 Trevelyan, Julian 125 Trickett, William W. 523 Tudgay, Frederick J. 446 Tufnell, Eric E. 335 Tyndale, Walter Frederick 361 V Varley, John 151, 152 Vasi, Giovanni 60 Velde, Foll. Of W. van de 469 Venetian School 439 Vernet, Horace 91 Vickers, Alfred 157, 490 Viegelmann, A. 392 Villon, Jacques 135 Vincent, George 480 Vollerdt, Sch. Of J. C. 479 Vyboud, Jean Auguste 104 W Waite, Alexander E. 219, 228 Waite, Attrib. to Edward W. 222 Waite, Attrib. to Harold 223 Waite, Edward W. 217, 218, Waite, Harold 211, 212, 213, 214, 225 Waite, Robert Thorne 323 Wales, H.R.H. Prince of 129 Walker, John Eaton 524 Walsh, Tessa 578 Ward, After Sir Leslie M 81 Ward, James 279 Ward, Vernon de B. 655 Watt, Linnie 616 Webster, Thomas 463 Welch, Rosemary Sarah 587 Wheatley, After Francis 66 Whistler, Attrib. to J. A. M. 366, 367 White, Ethelbert 415, 416 Whymper, Josiah W. 377 Wilkinson, Norman 97, 98, 315 Wilks, Maurice C. 596 Williams, Attrib. to E. 458 Wint, Circle of Peter 149, 150 Wint, Peter de 142, 143, 144, 145, 146, 147, 148, 221 Winter, William Tatton 357 Winterhalter, After F. X. 78 Witts, Miss E. 637 Wood, Lewis John 514 Wooding, Tony 590 Worsley, John 394 Worth, Leslie Charles 319, 337, 338 Wyld, William 475 Wyllie, Harold 83 Wyllie, William L 84, 85, 86, 87, 88 Z Zohar, Israel 425 Zsoter, Akos 607

20th Century & Contemporary Art Wednesday 3rd June 2015 Entries are invited

ENQUIRIES Victor Fauvelle +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 jobutler@woolleyandwallis.co.uk

Frederick Gore (1913-2009) Sunflowers and butterfly Signed Oil on canvas 50.5 x 61cm ÂŁ4,000-6,000

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays. VIEwING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIddING IN tHE ROOM to bid at auction you will need a paddle number. this can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered. REGIStERING wItH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. to register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIddING If you are unable to attend the sale you can leave a commission bid. this will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. tElEPHONE BIddING It is usually possible to bid on the telephone by prior arrangement with the office.

lIVE ONlINE BIddING live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. to bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% charge for this service. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise woolley and wallis Salisbury Salerooms ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to woolley and wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that woolley and wallis Salisbury Salerooms ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONdItION REPORtS the relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. the colours printed in the catalogue are not necessarily true. SAlE RESUltS these will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAt on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENt ANd ClEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

ARtISt’S RESAlE RIGHt / dROIt dE SUItE ‡ droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. we are no longer able to accept card payments of over £1,000 where the cardholder is not present.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Wire transfers should be sent to: lloyds tSB, Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20lOYd30974100957707 BIC code lOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAt Debit cards: delta, Switch, Connect

droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. this will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAt lots marked with an asterisk (*) are subject to VAt on the hammer price. lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAt at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales tax % column indicates the rate of VAt on hammer price. CItES REGUlAtIONS Please note that lots marked λ may be subject to CItES Regulations when exported. the CItES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

Valuations PROBAtE VAlUAtIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VAlUAtIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

we also carry out valuations for Family division, Capital Gains tax, and Private treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCtION VAlUAtIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

woolley and wallis valuations are accepted by all leading insurance companies.

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design & Production by

Woolley & Wallis Absentee Bid Form Oil Paintings, Watercolours & Prints Wednesday 11th March 2015 PW110315

PLEASE PRINT CLEARLY IN BLOCK LETTERS lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print) �� Address �� Postcode �� daytime telephone �� Email�� Debit/Credit Card details: VISA OtHER

MAStERCARd

SwItCH

(please specify)

we do not accept American Express cards

If you have not settled your account within 21 days of the auction woolley and wallis Salisbury Salerooms ltd reserves the right to debit all charges due. there is no surcharge for debit card payments, but for credit cards there will be a 2% (+ VAt) surcharge. By signing below you are authorising this payment to be taken by us. Id is required for all first time bidders. Signature �� Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief description

Price excluding buyer’s premium & VAt

SOCIEtY OF FINE ARt AUCtIONEERS ANd VAlUERS and the ROYAl INStItUtION OF CHARtEREd SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. the lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAt (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. they are in no sense definitive.

The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

VAT. (*) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European Union and is not operating the dealers Margin Scheme or because VAt is due at 20% on importation into the Uk. the double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAt (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. there is a 3 week time limit. (the expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. to justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. the cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. these are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. they must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. the rights of disposal referred to in clause 8 and 9 are subject to the provisions of the torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE woolley & wallis Salisbury Salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALUE ADDED TAX Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAt position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COllECt any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF lAtER) after which you shall be responsible for any COllECtION, storage and insurance charges. (c) No purchase MAY be COllECtEd ANd wE SHAll NOt RElEASE ANY lOt tO YOU OR YOUR AGENt until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE the seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. this Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. the term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. the term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan CloCks, WAtChes & sCientiFiC instruments Richard Price (Consultant) Gemma Bush

424506 424591 424583 424589

07741 242421 339752

english & europeAn CerAmiCs & glAss Clare Durham Amanda Lawrence

424507 329477

Furniture Mark Richards Jim Gale Anna Brown

411854 339161 411854

JeWellery Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

pAintings Victor Fauvelle Jo Butler

424503 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

20th Century Design Michael Jeffery Amanda Lawrence

424505 329477

tribAl Art Will Hobbs Gemma Bush

339752 339752

Furniture & Works oF Art 25th March 2015 1st July 2015 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk

vAluAtions For insurAnCe & probAte Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

mArketing Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

generAl oFFiCe Linda Garthwaite Pauline West Sharon Ringwood Nicola Young sAleroom mAnAger David Jordan

424500

boArD oF DireCtors Paul Viney ASFAV Chairman

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

20th Century Design 15th April 2015 – Clarice Cliff, Art Deco & 20th Century Design 17th June 2015 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director

AssoCiAte DireCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

english & europeAn CerAmiCs & glAss 21st April 2015 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

CompAny seCretAry Jim Macarthur CA

424599

WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

Paintings Wednesday 11th March 2015

www.woolleyandwallis.co.uk

Paintings Wednesday 11th March 2015