Woolley & Wallis Paintings 16 March 2016

WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

Paintings Wednesday 16th March 2016

Paintings Wednesday 16th March 2016

www.woolleyandwallis.co.uk

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Auction Calendar

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20th Century Design Michael Jeffery Zoe Smith

424505 329477

Asian Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

424506 424591 424583 424589

English & European Ceramics & Glass Clare Durham

424507

Furniture, Works Of Art & Clocks Mark Richards Jim Gale Anna Brown

411854 339161 411854

Jewellery Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

Paintings Victor Fauvelle Jo Butler

424503 424592

Silver Rupert Slingsby Lucy Chalmers

424501 424594

Tribal Art & Antiquities Arms & Armour Will Hobbs Ellie Osmond

339752 339752

Furniture, Works Of Art, Arms & Armour & Clocks 6th April – Furniture, Works of Art, Arms & Armour 6th July – Furniture, Works of Art & Clocks Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk

Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

Marketing Tamzin Corbett

424590

Accounts Janice Clift (Office Manager)

424500

General Office Pauline West Sharon Ringwood Nicola Young Amanda Lawrence Saleroom Manager David Jordan

424500

424500

Board of Directors Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman

Associate Directors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

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20th Century Design 20th April – Clarice Cliff, Art Deco & 20th Century Design 22nd June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Silver 27th April – Fine Silver & Objects of Vertu 19th & 20th July – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk Jewellery 28th April 21st July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk Asian Art 17th & 18th May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director Company Secretary Jim Macarthur CA

English & European Ceramics & Glass 19th April Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

424599

Paintings 8th June – 20th Century & Contemporary Art 7th September – Old Masters & 19th Century Paintings Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Oil Paintings, Watercolours Miniatures & Prints

Enquiries

Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jobutler@woolleyandwallis.co.uk

Wednesday 16th March 2016 at 11.00am

Viewing Times Saturday 12th March 10.00am – 1.00pm Monday 14th March 10.00am – 5.30pm Tuesday 15th March 10.00am – 4.00pm Wednesday 16th March 9.00am – 10.45am

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Catalogue: £12.00 (£15.00 by post)

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COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Salt Lane on 17th and 18th March - collection of lots on these days and Saturday 19th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

From 21st March collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street.

COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES

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of Fine Art Auctioneers

Please note that requests for telephone bids cannot be accepted after 5pm on 15th March

Front cover: Lot 337 Back cover: Lot 194 This page: Lot 163 Overleaf: Lot 469

INDEX Miniatures

1-17

Miscellanea

18-21

Prints

22-74

for this lot – please see our Terms & Conditions, Section 21, for details

Watercolours

75-219

CITES

Oil Paintings

220-478

λ This symbol indicates that Cites regulations may apply.

Please see the auction information page

ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply

GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

Sales Calendar 2016 8th June 2016

20th Century & Contemporary Art - Entries are now invited for this sale

7th September 2016

Old Masters & 19th Century Paintings - Entries are now invited for this sale

December 2016

20th Century & Contemporary Art

March 2017

Old Masters & 19th Century Paintings

3

MINIATURES 1.

English School 17th Century Countess of Derby, probably Charlotte Stanley (1599-1664) Inscribed verso Oil on copper in a giltwood frame 19.25 x 16.25cm; 7¾ x 6½in £200-300 2.

Attributed to Peter Adolf Hall (Swedish 1739-1793) The actress Madame Dugazon, head and shoulders dressed as Artemis Oval, in a gilt frame 45 x 34mm £400-600

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George Perfect Harding (1779-1843) James Duke of Hamilton; Oliver Cromwell Both inscribed verso Both oval in wooden frames 87 x 70mm and 90 x 70mm (2) £300-500 4.

English School 17/18th Century Queen Elizabeth I Half length On paper stuck down on board 110 x 90mm £150-250 5.

English School 18th Century An officer, head and shoulders in red uniform Oil on panel, oval 170 x 140mm £150-200

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Continental School 19th Century An officer in blue uniform with red collar Oval, gilt frame, hair back 40 x 31mm With four further 18/19th century miniatures of 3 gentlemen and a lady (5) £150-250 7.

William Charles Ross (1794-1860) Eleanor Frances Johnstone, daughter of Sir Francis Hopkins head and shoulders wearing a white dress Oval, in a rectangular frame 100 x 83mm £600-800 6

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8.

Maggie Scott (c.1829) Mary Margaret Hamilton later Mrs George Middleton In a rectangular frame 65 x 52mm Wih four further miniatures by different hands (5) £200-300 9.

Attributed to Richard Crosse (1742-1810) A lady, three quarter length wearing white Signed with initials R.C. 135 x 115mm £400-600

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English School 19th Century Gentleman, half length wearing black Rectangular in a wood frame 95 x 74mm With a portrait of a lady, seated possibly over a printed base (2) £150-250

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5 11.

English School early 19th Century A gentleman, head and shoulders Oval, in an ebonised frame 72 x 55mm £120-180 12.

Jakob Spelter (German fl.1820-1856) A young man, half length Signed and dated 1840 In an ebonised frame 80 x 63mm £300-500 13.

After Luca Giordano Hercules and Omphale In a gilt metal frame 75 x 93mm £400-600 14.

Continental School 19th Century A lady, head and shoulders Oval in a leaf and berry gilt frame 80 x 60mm With another of a lady by a different hand (2) £150-250

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15.

Wasse c.1861 Gentleman, head and shoulders Signed and dated 1861, gilt metal frame with hair back 43 x 33mm £100-150 16.

Follower of Augustine Amant Edouart Silhouette of two boys playing Watercolour 26 x 32cm; 10¼ x 12½in £80-120 17.

J.S.W. (c.1900) A boy, half length Signed with initials Oval in a silver frame, makers mark AW 77 x 62mm £100-150

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MISCELLANEA 18.

Napoleon Bonaparte. A sketch of Napoleon on his deathbed by Lt. Col. Ward (1798-1878) Inscribed Napoleon on his deathbed, St. Helena 6th May 1821. Taken on the spot by Lt. Colonel Ward and signed.

Framed with an accompanying letter by Ward. 11 x 19cm (sketch only).

Ward was a guard at Longwood and after Napoleon’s death he made some sketches of the body on the spot.

He also executed a plaster medallion of Napoleon’s head and attended his funeral in 1821. Ward was born in Waterford Ireland and served 1816-1842 and would have been around 22 at the time of Napoleon’s death. In later years he made several sketches of his original drawing and this may be one of those. Certainly the letter includes writing verso (which appears to be in Ward’s hand) comprising of two quotes from Adolphe Thier’s ‘History of the Consulate’ which was published in instalments from 1845-1862. £500-700

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19.

Cook (Captain James) [Rickman (Lieut. John)] Journal of Captain Cook’s Last Voyage to the Pacific Ocean, on Discovery, performed in… 1776 and 1780, new edition, half-title, folding engraved frontispiece, offset on to title, folding chart, torn at fold, and 9 plates, small stain to upper corners of first few leaves, title spotted, contemporary tree calf, gilt spine, morocco label, joints cracking, extremities dry, head and foot of spine worn, [Forbes 106], E. Newbery, 1785. £600-800 20.

A collection of photographs and autographs comprising: Boris Karloff: a black and white photograph, inscribed ‘Thanks for your nice letter, Boris Karloff’; Marcel Marceau: a two-sided hand-written letter with a drawing, dated 9th Sept 1980, a signed and inscribed black and white photograph, 15 x 10cm; Ballet: Dame Margot Fonteyn: five Christmas cards (4 of them signed) and an undated letter expressing thanks for a box of chocolates (envelope dated 1966); Beryl Grey: two signed Christmas cards; Annette Page: three signed Christmas cards, 1953, 1961 and 1962; Dame Ninette de Valois: two typed letters, signed, dated 10th June 1995 and July 30th 1996; two Christmas cards signed ‘Kenneth’ (Macmillan); and other items including an autograph album, photographs and theatre programmes. £50-100

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Charlie Chaplin A black and white photograph c.1917 inscribed ‘To my little friend Doris Tickner with best wishes from Charlie Chaplin’, 25.5 x 20cm; a signed black and white photograph 18 x 12.5cm, inscribed on reverse ‘received from the dear boy September 16th 1917’; a black and white photograph of Chaplin dressed as The Tramp with another couple, 12.5 x 18cm, written on front ‘received from the Dear Boy August 27th 1917’; a black and white photograph of Mildred Harris Chaplin, inscribed ‘Sincerely Yours Mildred Harris Chaplin’, 17.5 x 12.5cm; a printed Christmas card from ‘Charles Spencer Chaplin’ and a signed card in an envelope dated 1931. (5) £100-150

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PRINTS 22.

Francisco de Goya y Lucientes (1746-1828), after Diego Velázquez (1599-1660) Felipe III Rey De Espanza x2; Isabel De Borbon 3, all etchings Each 35 x 30cm; 13¾ x 11¾in With 4 further engravings by different hands (7) £600-800 23.

Lucas van Leyden (Dutch 1494-1533) Venus la Tresbelle Deesse D’amours With initial L and date 1528 in the print and stamp lower left, also inscribed indistinctly by unknown hand Engraving 16 x 11.25cm; 6¼ x 4½in £100-150

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Samuel and Nathaniel Buck (17/18th Century) The East Prospect of the City of Winchester Engraving, 1st edition published 1736 31 x 80cm; 12¼ x 31½in £200-300 25.

Capt. William E. Baillie (Irish 1723-1810) After Rembrandt The Three Trees Etching 21 x 28cm; 8¼ x 11in £80-120

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26.

David Lucas (1802-1881) After John Constable R.A. Hampstead Heath Mezzotint 14 x 18cm; 5½ x 7¼in Provenance: Elizabeth Harvey-Lee, 1996 £100-150 27.

Giovanni Battista Piranesi (Italian 1720-1778) Fireplace design Etching 25 x 38cm; 10 x 15in £150-250 28.

After Rembrandt Harmenz Van Rijn Woman at a door latch, talking, A I92 ii 9 x 6cm; 3½ x 2¼in With 9 further prints and etchings by Dujardin x 2 Tiepolo and others (10) Provenance: The Folio Society, Collector’s Corner, No. P9465 The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £300-500

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8 29.

Henry Pyall (1795-1833) after E.F. Lambert Westminster Bridge, ‘Surry’ Shore Aquatint 30 x 28.5cm; 12 x 15¼in With an aquatint of the arrival of the Watermen at Brandenburgh House 1820 (2) £150-250 30.

Daniel Lerpinière (c.1745-1785) after George Robertson A South view of the Cities of London and Westminster Engraving published 1779 by John Boydell 46.5 x 58.5cm; 18¼ x 23in With a print of Het West Indisch Huys and two others (4) £100-150

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After Henry Alken The first Steeple-Chace on Record Four, all aquatints, engraved by J. Harris, published by Ben Brooks, 1839 Each 27 x 36.5cm; 10½ x 14in (image size) (4) £200-300

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32.

After Henry Alken The first Steeple-Chace on Record Four, all aquatints, engraved by J. Harris, published by Ben Brooks, 1839 Each 27 x 36.5cm; 10 x 14¼in (image size) (4) £200-300 33.

After Charles Johnson Payne (Snaffles) That far, far-away Echo Signed, blind-stamped and with remarque to backing paper Hand coloured reproduction 26 x 37cm; 10¼ x 14½in £200-300

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34.

John Leech (1817-1864) Sports and Pastimes Eleven, all chromolithographs, published by Thomas Agnew & Sons, 1865, 7 framed, 4 unframed and in original folio 66 x 86cm; 26 x 34in (sheet size) (11) £300-500 33

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9 35.

After Francis Wheatley R.A. The cottage door; The school door Two, both stipple engravings Each 35 x 27cm; 13 x 10½in (2) £100-150 36.

Sydney E. Wilson After Sir Thomas Lawrence Pinkie, portrait of a young girl in a landscape Signed Colour mezzotint, published 1927 by Vicars Brothers 51 x 33cm; 20 x 13in £120-180

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William Lionel Wyllie R.A. (1851-1931) Seagulls at low tide Signed Etching 30 x 21cm; 12 x 8½in £150-250 38.

After William Drummond and Charles Jones Basebe The Cricket Match between Sussex and Kent, at Brighton Engraving by George Henry Phillips, published 1st May 1849 70 x 99cm; 27.5 x 39in (plate size) With a framed copy of the key (2) £200-300 39.

William Lionel Wyllie R.A. (1851-1931) The Thames looking towards Westminster Signed Etching 16.5 x 37.5cm; 6½ x 14¾in With another Wyllie etching of Ryde, Isle of Wight from the Solent 21 x 49cm; 8¼ x 15¼in (2) £300-500

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Jean-Baptiste-Camille Corot (French 1796-1875) Environs de Rome 1866 Inscribed lower left on bottom margin Etching on japan paper, 3rd state, unframed 32 x 24cm; 12½ x 9½in (plate size) With an unframed etching by André Dunoyer de Segonzac (2) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £200-300

41.

David Young Cameron (Scottish 1865-1945) The Gates of a City Signed Etching 19 x 16cm; 7½ x 6¼in With 6 unframed etchings: 2 x Stephen Gooden; 3 x Malcolm Osborne; 2 x Frank Short (8) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £300-500

10 44.

Sir Frank Brangwyn R.A. (1867-1956) Trees and factory, Hammersmith Signed Etching 33 x 40cm; 13 x 15¾in £50-70

42 42. ‡ Henry Wilkinson (1921-2011) Bassett hounds Signed and numbered 73/75 Drypoint etching in colour 25 x 36cm; 9¾ x 14¼in £100-200

43 43. ‡ George Vernon Stokes (1873-1954) Border terriers; A wet retrieve; A kingfisher 3, all signed and numbered 25/75; 36/75; 6/75 All coloured etchings 26 x 29cm; 10¼ x 11½in and similar (3) £200-300

45. ‡ Sidney Tushingham (1884-1968) The Roman Bridge, Ronda; Road to Toledo, Ronda, Spain Two, both signed Both etchings, mounted, unframed 26.5 x 32cm; 10¼ x 12¾in and 31 x 21cm; 12 x 8¼in (2) £100-150 46. ‡ Dame Laura Knight R.A., R.W.S. (1877-1970) A fair Signed Aquatint, artist’s proof published 1923, 3rd state 27.5 x 19.5cm; 10¾ x 7¾in £150-250 47.

Hiroshi Yoshida (Japanese 1876-1950) The cherry tree in Kawagoe; Rainy day in Nikko; Night in Kyoto Three, all signed and titled All woodcuts Each 37.5 x 24.5cm; 14½ x 9½in (3) £150-250

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11 48.

Hiroshi Yoshida (Japanese 1876-1950) Japanese scenes Five, all signed and titled Woodblocks, unframed With 2 others by Hasni Kawane and 1 by Shason Ohana (7) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £200-300 49.

Norman Lindsay (Australian 1879-1969) Land of the Sylphs Signed, titled and numbered 11, in pencil Etching, unframed 25 x 30cm; 9¾ x 11¾in (plate size) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £400-600 50. ‡ Robin Tanner (1904-1988) March Signed and titled Etching 25 x 19.5cm; 10 x 7¾in £300-500

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51. ‡ Robin Tanner (1904-1988) The clapper bridge Signed and numbered 3/50 Etching, unframed 18 x 24.5cm; 7 x 9½in £300-500 52. ‡ Robin Tanner (1904-1988) Wiltshire roadmaker Signed and numbered 3/50 Etching, unframed 10 x 15cm; 4 x 6in £300-500

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53. ‡ Robin Tanner (1904-1988) Full moon Signed and dated 74 Etching, unframed 24 x 18.5cm; 9½ x 7¼in £400-600

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54. ‡ Eileen Alice Soper R.M.S. (1905-1990) The See-Saw, 1922 Etching, edition 314 11 x 17.5cm; 4¼ x 7in Provenance: Chris Beetles, London The estate of George & Eileen Soper Literature: Catalogue Raisonne of the etchings of George and Eileen Soper, No. 44 Exhibited: Abbey Gallery 1927, No. 124 £250-300 55. ‡ Eileen Alice Soper R.M.S. (1905-1990) Tiddlers, 1921 Signed Etching, edition 190 10 x 15cm; 3¾ x 6in £250-300

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56. ‡ Eileen Alice Soper R.M.S. (1905-1990) The Scooter, 1922 Signed, edition 243 Etching, mounted unframed 12.5 x 18.5cm; 5 x 7¼in £250-300

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57. ‡ Eileen Alice Soper R.M.S. (1905-1990) The Go-Cart Race Signed, edition 322 Etching, mounted unframed 10 x 17.5cm; 3¾ x 6¾in £200-300 58. ‡ Eileen Alice Soper R.M.S. (1905-1990) Hop-scotch, 1923 Signed, edition 355 Etching, mounted unframed 11 x 17.5cm; 4¼ x 6¾in £200-300 59. ‡ Eileen Alice Soper R.M.S. (1905-1990) Marbles, 1923 Signed, edition 380 Etching, mounted unframed 12.5 x 17.5cm; 5 x 6¾in £200-300

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60. ‡ Eileen Alice Soper R.M.S. (1905-1990) A voyage of discovery Signed Etching, mounted unframed 12.5 x 18.75cm; 5 x 7½in £250-300

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61 61. ‡ David Oxtoby (b.1938) The Boy King Signed and titled Aquatint, artist’s proof 69 x 54cm; 27 x 21¼in (plate size) £200-300 62.

Njobo (African 20th Century) Abstract head Stone sculpture 34cm; 13¼in high £200-400 63. ‡ Carel Weight R.A. (1908-1997) Wapping to Windsor Signed in the print Colour lithograph 54 x 34cm; 21 x 13in £100-150

62 65. ‡ John Craxton (1922-2009) Illustrations for The Poet’s Eye, 1944 Four, all lithographs, three framed alike Each 20 x 13cm; 8 x 5in (4) Exhibited: Sally Hunter Fine Art, British Design and Illustration, 3 in December 2004 and one 2001 £100-200

63 67. ‡ Hermann Max Pechstein (German 1881-1951) Man coveting another man’s wife Signed and numbered 15/30 Woodcut 25 x 16cm; 10 x 6¼in £100-150

66. ‡ Edward Bawden R.A. (1903-1989) Gulliver at the Inn, Illustration for Gulliver’s Travels to Lilliput and Brobdingnag by Jonathan Swift Lithograph, published Folio Society, 1948 20.5 x 13cm; 8 x 5in Exhibited: Sally Hunter Fine Art, Strange Encounters March/April 1998 £150-250 64

64. ‡ Martin Langford (20th Century) Fluffy Signed, titled and 53/70 Mezzotint 21 x 25.5cm; 8¼ x 10in With a print by Tracey Emin of Every bodies been there, printed signature (2) £100-150

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14 72. ‡ Susie Paterson (b.1957) Searing, Shearing; My lips are sealed; Grimey; Heart of the Month; Noel; Hard Six, all signed, titled, dated ‘91 and variously numbered All screenprints Two at 54 x 39cm; 21 x 15¼in and three at 48 x 42cm; 19 x 16½in and one smaller (6) £300-500 68 68. ‡ Graham Clarke (b.1941) The Sailor’s return Signed, titled and numbered 77/250 Etching with aquatint 54 x 68cm; 21¼ x 27in Provenance: Christie’s Contemporary Art certificate £200-300

69 69. ‡ Graham Clarke (b.1941) Goût de Grenouille Signed, titled and numbered 109/250 Etching with aquatint 54 x 68cm; 21¼ x 27in Provenance: Christie’s Contemporary Art certificate £200-300

70 70. ‡ Alastair Mack (Scottish b.1955) Air; Into the light Two, both signed, titled, dated ‘88 and ‘89 and numbered 1/10 and 7/10 Both screenprints Each 50.5 x 80cm; 20 x 31½in (2) £200-300

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73. ‡ John M. Gemmell (20th Century) Winds of change Signed, titled and dated ‘88 Engraving, artist’s proof 33 x 33cm; 13 x 13in £70-100 74.

Xu Zhongmin (Chinese b.1961) Up & Down No. 1, No. 2, No.3 Three all signed, titled, dated 1993 and numbered 15/25 All woodcut Each 123 x 63cm; 48½ x 25in With a further woodcut titled The Net by the same hand (4) £300-500

71 71. ‡ Richard Smith (b.1931) Untitled, 1971 Signed and dated in the print Colour lithograph with collage 59.5 x 90cm; 23½ x 35½in £300-500

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WATERCOLOURS

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Nicholas-Toussaint Charlet (French 1792-1845) Vive le Coco, the absinthe porter Signed Watercolour 24 x 19cm; 9½ x 7½in £200-400 76.

English School c.1800 Portrait of James Hussey [b.1757] Pastel 56 x 47cm; 22 x 18½in Hussey was an Officer in the 17th Light Dragoons posted to North America in 1775. In 1776 he was a Cornet (2nd Lieutenant), eventually rising to Captain. In the 1809 census he was listed as living in The Close, Salisbury and was described as ‘barrister out in practice, magistrate and alderman’ £400-600 77.

Italian School 18th Century Seated figure, possibly Sampson Pen, ink and wash 21 x 17.5cm; 8¼ x 7in £150-250

78 78.

Anthony Thomas Devis (1729-1817) Near St. Martha’s, Guildford; A lake in a park The first signed with a monogram and inscribed verso Both pen, ink and watercolour Each 13.5 x 20cm; 5¼ x 8in (2) Provenance: Heather Newman, Gloucestershire Thomas Agnew & Sons, London, No. 14801 Gerald M. Norman Gallery, London £400-600

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John White Abbott (1763-1851) The Canal and the Quay, Topsham, Exeter Two, both pen, ink and wash 15 x 22cm; 6 x 8½in and smaller (2) £400-600

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Thomas Rowlandson (1756-1827) The passage boat Pen, ink and wash 18.5 x 27.5cm; 7¼ x 10¾in £300-500

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Thomas Rowlandson (1756-1827) Cattle watering with a figure in a punt Sepia pen and ink with watercolour 22.5 x 32.5cm; 9 x 12 ¾in £400-600 82.

William Payne (c.1760-c.1830) On the coast road to Weymouth Signed Watercolour 28 x 38.5cm; 11 x 15in £400-600 83.

Ernest Meissonier Hon. R.A. (French 1815-1891) Study for a gallows scene Signed with a monogram Pen, ink and pencil heightened with white on buff paper 9 x 14cm; 3½ x 5½in Provenance: Inscribed on a label verso Vente Benzion, 10th March 1947, No. 00.47. £250-350

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84A

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Thomas Rowlandson (1756-1827) The Captain’s Request Thought to be inscribed verso Rowlandson 1796 Pen, grey ink and watercolour 14 x 9.25cm; 5½ x 3½in Provenance: Private collection, Scotland £400-600

84A. Irish School 18th Century Richard Manders Esq, of Brackenstown, Constable of the Stable, High Sheriff of Dublin 1809 Inscribed on a label verso Pastel, in an oval surround 39 x 32cm; 15½ x 12½in £400-600

85.

Attributed to Joseph Mallord William Turner R.A. (1775-1851) and the Monro Academy Casino built by Cardinal Spinelle-Pauslippe Inscribed on a label verso Watercolour 17 x 23cm; 6¾ x 9in This work is from the Monro Academy Period of Turner’s career c.1795 and is based on a sketch by John Robert Cozens (1752-1799). Dr Thomas Monro employed Turner and Thomas Girtin (1775-1802) to copy scenes by Cozens, sometimes working on the same pictures. £3,000-5,000

86.

Nicholas Pocock (1740-1821) Shipping off the coast Signed and dated 1792 Watercolour 27.5 x 41cm; 11 x 16in £600-800

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Martinus Schouman (Dutch 1770-1848) Shipping in a squall off the Dutch coast Signed Grisaille watercolour 35 x 48cm; 13¾ x 19in £600-800

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J. W. Philips (Indonesian c.1830) Hala Hala, l’habitation de Mr. Rosper Vidie; Vue de la maison de Mr. G. van Polanen Petel A pair, both signed and titled Both pencil Each 25.5 x 43.5cm; 10 x 17in (2) Provenance: Martyn Gregory, London £600-800

89.

English School early 19th Century Views of Gibraltar and Spain Five, all watercolour Each 18 x 24.5cm; 7 x 9½in (5) Views include Los Barrios, The Bridge at Ronda, Convent of Almoraima, all in Spain near Gibraltar, The Rock of Gibraltar including The Governor’s Cottage and The Duke of Wellington Column on the new Alameda in Gibraltar £150-250 90.

William Leighton Leitch (1804-1883) An old bridge, Lanarkshire Watercolour 19 x 27cm; 7½ x 10½in Provenance: Hewson & Forster, Sheffield £150-250 91.

Noel Thomas Joseph Clerian (French 1796-1843) Notre Dame des anges a Marseille Signed and dated 1826 Grisaille watercolour, unframed 21 x 28cm; 8¼ x 11in £250-350

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Attributed to Peter de Wint (1784-1849) Rural lanscape with shepherd and flock Watercolour 32 x 48cm; 12½ x 19¼in £200-300 93.

Joshua Cristall (1767-1847) A beached boat Watercolour 10 x 15.5cm; 4 x 6in With 2 further watercolours attributed to Thomas Collier and John Varley (2) Provenance: The Little Gallery, London £200-300 94.

William Leighton Leitch (1804-1883) A ruined castle in a mountainous landscape Signed and dated 1882 Watercolour 37 x 56cm; 14½ x 22in £300-400

93

94

19 95.

William Callow (1812-1908) Extensive landscape with a figure on a track Watercolour 17.5 x 25.5cm; 7 x 10in With a watercolour by Claude Hayes (2) £100-150 96.

Samuel Phillips Jackson R.W.S. (1830-1904) Boats coming in to harbour on the Welsh coast Signed and dated 1875 Watercolour 34 x 59cm; 13½ x 23¼in £300-500 97.

William Roxby Beverley (1811-1899) A stormy landscape Watercolour 11 x 20cm; 4¼ x 8in £150-250

95

96

97

98

98.

English School 19th Century Figures by a wooded lake Watercolour 28.5 x 43cm; 11 x 17in £100-150 99.

John Scarlett Davis (1804-1845) Bolton Castle; Helmsley Castle A pair, both mounted, unframed Both sepia washes over pencil 12 x 17.5cm; 4¾ x 7in (2) £100-150 100.

Siméon Fort (1793-1861) Lac de Thun Signed Watercolour 17.5 x 25.5cm; 7 x 10in £200-300

101

99 101.

English School c.1800 Wagon and horses Inscribed on the wagon indistinctly Ludlow Common…

Pen, ink and watercolour 14.5 x 20.5cm; 6 x 8in £100-150

100 102.

Tom Scott R.S.A. (Scottish 1854-1927) Enniskerry Bridge, Co. Wicklow; An Irish Landscape Two, the first signed Both watercolour 25 x 34.5cm; 10 x 13½in and 21 x 50.5cm; 8¼ x 20in (2) £200-300

102

20 105.

Frederick James Aldridge (1850-1933) A ship in a choppy sea Signed Watercolour 24 x 34.5cm; 9½ x 13½in £200-300

103 103.

T. H. Watanaby (Japanese 19/20th Century) Matsushima; Gotemba Surga with Mount Fiji; 3 x Japanese views 5, all signed T.H. and H.T. Watanaby, 3 titled and all dated 1904 or 1905 All watercolour, unframed Each 34 x 51cm; 13¼ x 20in With a small unframed sketch of figures in a boat dated Sep 27. 1864 by a different hand (6) £300-500

104 104.

Sir Ernest George R.A. (1839-1922) Chitor Titled Watercolour 18.5 x 26cm; 7¼ x 10in £200-300

106.

William Ewart Lockhart (1846-1900) The Rainbow Signed and titled Watercolour 34.5 x 52cm; 13½ x 20½in £200-300 107.

John Callow (1822-1878) Village scene Signed with initials Pencil on grey paper, unframed 27 x 38cm; 10½ x 15in With 7 various unframed watercolours by Beavis, Raven-Hill, Simpson and others (8) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £200-400 108.

Albert Goodwin R.W.S. (1845-1932) Longships lighthouse, Land’s End Signed, titled and dated Jan 10th 1914 Pencil and wash on grey paper 25 x 37cm; 10 x 14½in £200-300

105

106

107

108

109

109.

Félix Hilaire Buhot (French 1847-1898) Dents du Midi Signed and dated 22/4/82 Watercolour on grey paper, mounted, unframed 13 x 21cm; 5 x 8¼in £300-500 110.

Thomas Bush Hardy R.B.A. (1842-1897) Entering the harbour, Calais Signed, titled and dated 1890 Watercolour 49 x 64cm; 19¼ x 25in £200-400

110

21 111.

Arthur David McCormick R.I. (1830-1943) The Deputation Signed Watercolour 54 x 78cm; 21 x 31in £1,500-2,500 112.

Matthew R. Corbet A.R.A. (1850-1902) Val D’Arno Watercolour, mounted, unframed 17 x 37cm; 6¾ x 14½in £300-400 113.

W. Robinson (19th Century) Portrait of a young girl with a blue ribbon Signed and dated 1878 Watercolour 35.5 x 26cm; 14 x 10in £100-150 111

112

114

114.

Richard Parkes Bonington (1802-1828) Coastal Scene Pencil on buff paper 7.5 x 18.5cm; 3 x 7¼in Provenance: Spink and Son Ltd. London K3/1284 The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent With a watercolour of Hurst Castle

by Anthony Devis and a red chalk sketch of a man (3) £200-300 115.

William John Wainwright R.W.S. (1855-1931) Portrait of a lady with an urn Signed Watercolour in an arched mount 30 x 24.5cm; 11¾ x 9½in £200-300

113

115

22

116

117

118

119

120

116.

Attributed to Agnes Rose Bouvier (1842-c.1892) A young lady with her jewellery box Watercolour, oval 29.5 x 24cm; 11½ x 9½in £100-150

118.

Continental School early 19th Century Figures in an Italianate landscape Signed indistinctly and dated 1813 Gouache, circular 11.25cm; 4½in diameter £100-150

117.

Arthur Charles Fare (1876-1958) Calle Mayor, Fuentaribte Signed and titled Watercolour on buff paper 38 x 27cm; 15 x 10½in £200-300

119.

Manner of Giovanni Antonio Canal, called Canaletto Gondolas and merchant ships by the Rialto Bridge, Venice Watercolour 33 x 52cm; 13 x 20½in £300-400

120.

English School 19th Century Bay of Biscay trompe l’oeil Inscribed with the poem by Andrew Cherry Watercolour 18.5 x 30.5cm; 7¼ x 12in £100-150 121.

Neapolitan School early 20th Century Vesuvius A pair, both titled Vesuvio and dated 1906 Both gouache Each 24.5 x 36.5cm; 9½ x 14¼in (2) £150-250 122.

John Charles Dollman (1851-1934) The vegetable seller with his dogs Signed and dated 76 Watercolour 33 x 47cm; 13 x 18½in £400-600

121

122

23 123.

Hercules Brabazon Brabazon (1821-1906) Blue landscape Signed with initials Watercolour 14.5 x 21.5cm; 5¾ x 8½in £200-300 124.

Hercules Brabazon Brabazon (1821-1906) landscape with moon Signed with initials Watercolour 13 x 16cm; 5 x 6¼in £250-350

123

125.

Edward Lear (1812-1888) Cyprus trees, lake and island Pencil, mounted, unframed 7.5 x 11.5cm; 3 x 4½in With 4 further unframed watercolours

by Dr Crotch; J. Buckler and J. Barker (5) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £300-500

124

125

126

126.

Arthur Federick Payne (c.1820-c.1890) A sailing boat in a storm off a rocky coast Signed with initials and dated 25th Feb 1960 Watercolour 15 x 16cm; 6 x 6¼in £80-120 127.

James Scott Maxwell (1845-1922) Shipping portraits Thirteen, all signed and dated 1880-1888 and one dated 1897 Each titled and inscribed with ships details, 3 framed, 7 mounted unframed, 3 unframed and unmounted Each 16.5 x 25cm; 6½ x 10in and smaller (13) £400-600 128.

William Frederick Mayor (1865-1916) An encampment Signed and dated 99 Watercolour, mounted, unframed 17 x 22.5cm; 6¾ x 9in £200-300

127

129 129.

John Syer R.I. (1815-1885) Windsor Castle from the river Signed and dated June 1.’75 Watercolour 33 x 53cm; 13 x 21in Provenance: Cynthia H. L. Waldron, nee Lowsley, 1974, Hampshire, great grand-daughter of the artist With another of ships in a harbour by J. Syer Jr (2) £300-500

128

130 130.

J. H. Waldmuller (19th Century) A figure in a river landscape Signed Watercolour 25 x 41.5cm; 9¾ x 16½in £150-250

24

131 131.

Harry S. Curry (19/20th Century) Farm scenes A pair, both signed Both watercolour Each 19 x 26cm; 7½ x 10¼in (2) £200-300

132.

George Gordon Fraser (1854-1895) Fishermen by a mill Signed Watercolour 26.5 x 38cm; 10½ x 15in £300-500

133.

Thomas Mortimer (19/20th Century) Road to Belstone, Nr. Okenhampton; Newquay Sands, Cornwall; Shelly’s Cottage, Lynton Three all signed All watercolour Each 27 x 37cm; 10½ x 14½in (3) £150-250 134.

Horatio McCulloch R.S.A. (1805-1867) View in the Highlands Signed Watercolour 49 x 74cm; 19 x 29in £150-200

132

134

136

133

135

137

135.

Arthur W. Perry (19/20th Century) Views of Sidmouth, Devon A pair, both signed Both watercolour Each 18 x 25.5cm; 7 x 10in (2) £100-150 136.

William Henry Dyer (fl.1890-1930) Lynton; Gurnard’s head, Cornwall A pair, both signed, the first titled Both watercolour Each 27 x 36.5cm; 10½ x 14½in (2) £150-250 137.

John Shapland (1865-1929) Exmouth, looking up the river Exe Signed, also titled on a label verso Watercolour with bodycolour 49 x 74cm; 19¼ x 29in £300-500

25

138

139

138.

Augustus Walford Weedon (1838-1908) The Marsh Mills Signed and dated 1882, also titled on a label verso Watercolour 44 x 72cm; 17¼ x 28¼in £400-600 139.

Attributed to William Leighton Leitch (1804-1883) Huntsmen and hounds Watercolour 11 x 17cm; 4¼ x 6¾in With 3 further watercolours attributed to John Varley, Alfred R. Baker and William Gilpin (4) £200-300 140.

John Edmund Buckley (1824-1876) The Garden Party Signed and dated 1867 Watercolour and bodycolour 35.5 x 57cm; 14 x 22½in £250-350

140

141

142

143

141.

John Edmund Buckley (1824-1876) Returning from Hawking, Hendlip House, Worcestershire Signed and dated 1867 Watercolour and bodycolour 30.5 x 57.5cm; 12 x 22½in £150-250 142.

John Lewis Roget (1828-1908) Porte d’Auguste, Nimes Titled and dated 6 May 1897 Watercolour over pencil 12 x 17.25cm; 4¾ x 6¾in £120-180

144 143.

Joseph Michael Gandy A.R.A. (1771-1843) Near Chamonix Signed and titled Watercolour 30 x 44cm; 11¾ x 17¼in £150-250

144.

English School 19th Century Country cottage; Children boating A pair, both signed with a monogram Both watercolour 12 x 17cm; 4¾ x 6¾in (2) £200-300

26 145.

Giovanni Giordano Lanza (Italian 1827-1889) View of Naples with Vesuvius beyond Signed Watercolour 42.5 x 74cm; 16¾ x 29in £600-800 146.

Giovanni Giordano Lanza (Italian 1827-1889) View of Marina di Vico Equense, Sorrento Coast, Italy Signed Watercolour 42.5 x 74cm; 16¾ x 29in £600-800 147.

Henry John Kinnaird (1861-c.1920) Near Shanklin, Isle of Wight Signed and titled Watercolour 35 x 50.5cm; 13¾ x 20in £500-700

145

148. ‡ Henry John Sylvester Stannard (1870-1951) The gleaners return Signed Watercolour 25 x 35cm; 10 x 13¾in £400-600

146

147

148

27

149

149. ‡ Henry John Sylvester Stannard (1870-1951) Rural scenes with a family in a punt and women by a cottage A pair, both signed Both watercolour Each 25.5 x 35.5cm; 10 x 14in (2) £1,200-1,800 150.

John Robert Keitley Duff (1862-1938) Goats on a mountain pasture Watercolour, unframed 28 x 35.5cm; 11 x 14in £80-120 151. ‡ Jonathan Pike (b.1949) San Carlo al Corso, Rome and San Lorenzo in Lucina Signed and titled Pen, ink and watercolour 72 x 53cm; 28¼ x 21in £200-300 152.

Florence Mackay (c.1860-1930) The Leisure Hour Signed and dated 1917 Watercolour with gum arabic 24.5 x 17cm; 9¾ x 6¾in £150-250

150

151

153.

Alfred Heaton Cooper (1864-1929) A mountain scene with a chapel by a lake Signed Watercolour, unframed 38 x 31cm; 15 x 12in This is likely to be a view in Norway or in the Alps £200-300

152

153

154.

Louis Burleigh-Bruhl (1861-1942) A mill in a hilly landscape, a castle beyond Signed Watercolour 58 x 42.5cm; 22¾ x 16½in £300-500

154

28 157. ‡ Walter Durac Barnett (1876-1961) A town scene Signed Coloured chalks on buff paper, mounted, unframed 20.5 x 26.5cm; 8 x 10½in £100-150

155 155. ‡ Philip Rickman (1891-1982) Ducks and Geese on a lake Signed and dated 1988 Watercolour and bodycolour over pencil 37 x 55cm; 14½ x 21½in £400-600

156 156. ‡ Claude Muncaster R.W.S. (1903-1974) Cardiff Castle; Evening near Hitchen Two, the first signed and dated Oct. 1952, the second signed, titled and dated 1953 verso Both watercolour, the first en grisaille 22 x 52cm; 8½ x 20½in and 21 x 28cm; 8¼ x 11in (2) £250-350

158. ‡ Martin Hardie (1875-1952) An avenue of plain trees, Vaison, France; A souk at Fez; The banks of the Scrivea Three all signed, dated October 1933, 1928 and 1918 All watercolour, unframed 37 x 25cm; 14½ x 10in and smaller (3) £80-120 159.

Walter Sidney Stacey (1846-1929) Dartmoor mirror Signed Watercolour 48 x 75cm; 19 x 29½in £150-200 160. ‡ Adrian Maurice Daintrey (1902-1988) Boats on a dry dock Signed, inscribed and dated 1968 Pen, ink and wash 36 x 56cm; 14 x 22in £100-150

157

159

161

158

160

162

161.

Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape Nocturne 20; Landscape Nocturne 29 Two, one inscribed with a device Both pastel on grey paper 10 x 20cm; 3¾ x 8in and 11 x 14.5cm; 4½ x 5½in (2) Provenance: Nordness Madison Gallery, New York £150-250 162. ‡ William Palmer Robins (1882-1959) Veere, Holland Signed and dated 1939 Watercolour, mounted, unframed 27 x 40cm; 10½ x 15¾in With 2 further smaller watercolours and 2 unframed etchings by the same hand (5) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £300-500

29 163.

Myles Birket Foster R.W.S. (1825-1899) Venice Signed with a monogram Watercolour 12.25 x 17.5cm; 4¾ x 7in £3,000-5,000 164.

Helen Allingham (1848-1926) The Goose Girl Signed Watercolour 25 x 37cm; 10 x 14½in £3,000-5,000

163

164

30

165

166 165.

Janette Catherine Russell (c.1842-1903) The Princess from the Canterbury Tales Signed and dated 1877 Watercolour 74 x 44cm; 29 x 17¼in £300-500

168

169

166.

Follower of Simeon Solomon Portraits of young ladies Two, both red chalk on buff paper, one with black chalk, framed as a pair 28 x 20.5cm; 11 x 8¼in (2) £200-300

170

167 167. ‡ Walter Herbert Allcott (1880-1950) The Quaker girl Watercolour, unframed 55 x 37cm; 21½ x 14½in £200-300 168.

T. Murray Bernard Bladon (1864-1939) Portrait of a young girl Signed with a monogram Red chalk, unframed 27.5 x 17cm; 11 x 7in With 2 further unframed watercolours by the same hand and one by Jabez Bligh, one by H. Foster Newey and a drawing by H. M. Jukes (6) £200-300

171

169.

Thomas Matthew Rooke (1842-1942) Westminster Abbey looking North West from near Poet’s Corner Signed and dated 1916 Watercolour 76 x 49.5cm; 30 x 19½in £200-300 170. ‡ Bernard Cecil Gotch (1876-1964) Flint Court, Winchester Signed, also signed and titled verso Watercolour, mounted, unframed 37 x 28cm; 14½ x 11in £300-500 171.

Frederick George Cotman (1850-1920) The river at Bosham Signed and dated 1889 Watercolour 32 x 24cm; 12½ x 9½in £200-400

31 172. ‡ James Fletcher-Watson R.I., R.B.A. (1913-2004) Krista, Crete Signed Watercolour 33 x 48cm; 13 x 19in Exhibited: Chris Beetles, London 11-17 October 1989, No. 3 With a print of an antelope by John Skeaping (2) £200-300

172

173

173. ‡ John Yardley (b.1933) Wylye Church, Wiltshire Signed Watercolour over pencil 34 x 51.5cm; 13¼ x 20¼in Painted c.1984 £200-300 174. ‡ John Yardley (b.1933) The hard at Wivenhoe Signed Watercolour 31 x 45cm; 12 x 17¾in £200-300

174

175

176

177

175. ‡ Phillip Gardner (1922-1986) Low tide the tail of the creek Blakeney; Repairs of the crab boat; Trio in a minor key; The hard Blakeney Set of four, three signed All watercolour Each 25.5 x 35.5cm; 10 x 14in (4) £200-300 176. ‡ William A. Arnold (20th Century) Cornish Village Signed twice Watercolour 26 x 37.5cm; 10¼ x 14¾in £150-250 177. ‡ Arthur D. Bell / Wilfred Knox (1884-1966) West Looe, Cornwall; Cornish fishing boats A pair, both signed and dated 1946 Both watercolour Each 25.5 x 36.5cm; 10 x 14½in (2) £200-300

178 178.

Attributed to Henri Fantin-Latour (French 1836-1904) Reclining nude Signed on the mount Red chalk on buff paper 45 x 63cm; 17¾ x 24¾in £300-500

179 179. ‡ Charles R. Manners (20th Century) Botelle woods Signed Watercolour 46 x 65cm; 18 x 25½in £100-150

32

180

181

180. ‡ Duncan Grant (1885-1978) Horse and Rider Signed Watercolour with bodycolour in a painted frame 37 x 26.5cm; 14½ x 10½in Provenance: Christie’s, 2nd December 2004, Lot 33 £400-600 181. ‡ Sir Cecil Beaton C.B.E. (1904-1980) A study of a candle and dripping wax Signed Watercolour on buff paper 36 x 25cm; 14 x 10in £200-300

182. ‡ Muriel Pemberton (1909-1993) Fashionable ladies, c.1940 Signed Watercolour on grey paper 43 x 30.5cm; 17 x 12in £300-500 183. ‡ Elsie Marion Henderson (1880-1967) A tiger eating, c.1948 Signed Pen, ink, watercolour and chalk over pencil on buff paper 16 x 31.5cm; 6¼ x 12½in £200-300

182 184. ‡ John Minton (1917-1957) Ant-Eater Titled and inscribed Pencil 13 x 23.75cm; 5 x 9¼in Exhibited: Sally Hunter Fine Art, British Design and Illustration, December 2000, No. 125 £200-300 185.

Albert Besnard Hon. R.A. (French 1849-1934) Ballet dancers Signed Pastel 29 x 38.5cm; 11½ x 15in £800-1,200

183

184

185

33 186. ‡ Hassan El Glaoui (French b.1924) Fantasia au gallop Signed Gouache 49 x 64cm; 19¼ x 25in Sir Winston Churchill was friends with El Glaoui’s father and the painter met Churchill in 1943 in Marrakech. Churchill convinced his parents to send him to art school in Paris. The painter attributes his successful career to his meeting with Churchill. £1,000-1,500 187. ‡ Hans Feibusch (German 1898-1998) Design for mural at the Dorchester Hotel, London; Sketch for mural in Dudley Town Hall; First design for Winchester Mural Three, all signed and titled, the first dated 46, the second double sided All gouache, mounted, unframed 39 x 58cm; 15½ x 23in and smaller With a print by the same hand (4) £200-300 188. ‡ Bruno Beran (Austrian 1888-1979) Orientalist subjects Six, all signed Most pen, ink and watercolour, unframed 44 x 60cm; 17¼ x 23½in and smaller (6) £200-300

186 189. ‡ Frank O. Salisbury (1874-1962) The passing of war Signed and titled on backing paper Watercolour heightened with metallic paints on buff paper, unframed 40 x 59cm; 15 x 23in Provenance: By direct descent from the artist £150-250

187

189

190. ‡ Frank O. Salisbury (1874-1962) The passing of Queen Eleanor Signed on backing board Watercolour on brown paper 26 x 71cm; 10 x 28in Provenance: By direct descent from the artist £150-250

188

190

34 191. ‡ John Piper R.I. (1903-1992) Foliate Head Signed Watercolour 57.5 x 44cm; 23½ x 17¾in We are grateful to Sebastian Piper for confirming the attribution from photographs £1,500-2,500

192. ‡ Bryan Ingham (1936-1997) Untitled Signed with initials and dated 1996 Pen and ink 28 x 22.5cm; 11 x 9in £200-300

193. ‡ Roy Turner Durrant (1925-1998) Composition Signed and dated 80 Mixed media 30.5 x 41cm; 12 x 16in £200-300

191

192

193

35

194 194. ‡ Henry Moore O.M. (1898-1986) Ideas for Sculpture, 1937 Signed and dated 37 Pencil and coloured conte 27.5 x 19cm; 10¾ x 7½in AG 37.62 (HMF 1337)

Exhibited: Henry Moore: Drawings, Watercolours & Gouaches, Galerie Beyeler, Basel, 1970 (cat. No. 36) Literature: Henry Moore: Unpublished Drawings, Edizione d’Arte Fratelli Pozzo, Torino, 1971 (ill. No. 130)

The Drawings of Henry Moore, Garland, London & New York, 1984 (ill. No. 204, pg. 285) Henry Moore: Vol. 2 - Complete Drawings 1930-39, HMF/Lund Humphries, 1998 (ill. Pg. 195) £12,000-18,000

36

195 195. ‡ Edward Wolfe R.A. (1897-1982) Portrait of a young woman Signed Pencil 59 x 47cm; 23¼ x 18½in Provenance: Woolley & Wallis, 26th November 2013, Lot 53 £150-250

196 196.

Anthony Gross R.A. (1905-1984) Summer flower border Signed Pen, ink and watercolour 43 x 33cm; 17 x 13in £300-500

197 197.

Norman Lindsay (Australian 1879-1969) Reclining nude Signed Pencil sketch, unframed 32 x 26cm; 12½ x 10¼in Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £150-250 198. ‡ Norman Neasom A.R.W.S. (1915-2010) The end of Summer; Himbleton - Winter Two, both signed and dated 1961 and 1986 Both watercolour, the second with bodycolour, both mounted, unframed 33 x 34cm; 13 x 13¼in and 30 x 35.5cm; 12 x 14in (2) £200-300

198

199

199. ‡ Paul Dawson (20th Century) The veranda Signed Watercolour 31.5 x 44.5cm; 12½ x 17½in With a further watercolour of a cottage (2) £200-300 200. ‡ Maxwell Ashby Armfield (1882-1972) Aries; Aquarius - 2 of 12 studies for the Signs of the Zodiac or ‘Gates of the Makara’, made for the mural in the Blue Lodge, Hampshire Two both titled and annotated Both pencil and watercolour 46 x 45cm; 18 x 17¾in and 61 x 37cm; 24 x 14½in (2) Exhibited: Kensington Art Gallery, 1949 (all 12) Fine Art Society 1973 £300-400

200

201

37 201. ‡ James Farrelley (20th Century) Beach Afternoon; Untitled Two, both charcoal on grey and buff paper 33.5 x 47cm; 13 x 18½in and 30 x 40cm; 12 x 15¾in (2) £150-250 202.

A.S. (20th Century) Futuristic figure studies Five, all signed with initials All pen and ink 28 x 19cm; 11 x 7½in and similar (5) £300-400 203. ‡ Edouard Halouze (French 20th Century) Cleopatre; L’Orgie chez Rameses Two both signed, numbered 133/200 and 142/200 and titled on a label verso Both pochoirs Each 34.5 x 27.5cm; 13½ x 11in (2) £80-120 204.

Beatrice How (1867-1932) Study of a mother and child Signed and inscribed étude Chalk on buff paper 60 x 48cm; 23½ x 19in £200-300

202 205.

Edmund Joseph Sullivan (1869-1933) A collection of 17 drawings mainly illustrations to the Rubaiyat of Omar Khayyam All signed and dated Pen and ink, mounted, unframed Various sizes (17) Provenance: The collection of Brigadier A.C. Sykes of Corton, Wiltshire and by descent £300-500 206. ‡ Paul R. Yeomans (20th Century) Study of a Dachshund Signed and dated 88 Pastel on buff paper 27.5 x 20cm; 10¾ x 8in £150-200 203

204

205

206

38 207. ‡ Roland Batchelor R.W.S. (1889-1990) Study of workmen Signed Pen, ink and watercolour, mounted, unframed 14.5 x 14cm; 5¾ x 5½in With a pastel of a fairground

by Eric M. Tunstall (2) £200-300

207

208. ‡ Rod Judkins (b.1956) Figure study I; Figure study II Two, both signed Both charcoal 55 x 75cm; 21½ x 29½in and 55 x 70cm; 21½ x 27½in (2) Provenance: Jill George Gallery, London £100-150

209. ‡ Nina Hamnett (1890-1956) Studies of a boy reading Signed and dated Nov 17th 54 Red chalk on buff paper 24 x 36.5cm; 8½ x 14¼in £150-250 210.

English School 19/20th Century Moorland landscapes Five, all gouache 19 x 12.5cm; 7½ x 5in and smaller (5) £80-120 211. ‡ Lawson Wood (1878-1957) Illustrations of Old Mother Goose and an entertainer Two, both pen, ink and crayon 15 x 27cm; 6 x 10½in and 23 x 34.5cm; 9 x 13½in (2) £150-250 212. ‡ Paul Gell (1919-1996) Mixed poppies; Cyclamen from the greenhouse Two, both signed, titled and dated 1979 and Jan 81 Both watercolour, framed as a pair 53.5 x 74cm; 21 x 29in (2) £80-120

208

209

213. ‡ Lachlan Gaudie (b.1976) Guys and Dolls Signed Gouache on board 26 x 38.5cm; 10 x 15in Provenance: Thompson’s, Marylebone, No. 13733 £150-250 214. ‡ Alan Halliday (b.1952) Henley Royal Regatta Three, all signed, titled and dated 98 All pen, ink and watercolour 29 x 38cm; 11 x 15in and similar (3) £300-500

210

212

211

213

215. ‡ Ronald Maddox (b.1930) Landforms above Vale of Pewsey Signed Pen, ink and watercolour, unframed 40 x 64.5cm; 15 x 25½in Exhibited: The Mall Galleries, London, 1981 Hunting Group Art Prizes, 1981 £200-300

39

214 216. ‡ Winifred Marie L. Austen (1876-1964) Yellow wagtails Signed with a monogram Watercolour 20 x 25cm; 8 x 10in Provenance: Royal Institute of Painters in Watercolours, 1957 This paintings was used as a Christmas card in 1958 £200-300 217. ‡ Mary Stork (1938-2007) Kneeling nude Signed and dated 4.2.97 Mixed media 33.3 x 28.5cm; 13 x 11in £150-250

217

215 218. ‡ Bryan Reed (b.1934) Goldcrest Signed Gouache on grey paper 21 x 15cm; 8¼ x 6in Provenance: The Sladmore Gallery, London Exhibited: Bird Artists of Today, 1st Mar. - 15th Mar. 1972 £100-200 219. ‡ Loudon Sainthill (1919-1969) Yura Lazovsky in ‘Carnival’ Signed, dated 39 and inscribed Covent Garden Gouache on buff paper 71 x 51cm; 28 x 20in Provenance: The Redfern Gallery, 6th July 1939 Collection of Lady Stonehaven £400-600

216

218

219

40

OIL PAINTINGS

220 221.

After Diego Velazquez Philip IV of Spain Oil on panel 48 x 38cm; 19 x 15in A copy of the original in the National Gallery, London £300-400

220.

After Sir Anthony Van Dyck Portraits of James II and Henry Duke of Gloucester, sons of Charles I, as children A pair, both oil on panel, in ebonized frames Each 43 x 35cm; 17 x 14in (2) £700-1,000

222.

Italian School 18/19th Century Madonna and child, reading, in a painted oval Oil on canvas 76 x 61cm; 30 x 24in £300-400

221

222

223

224

41

225 223.

Italian School 19th Century Madonna and child Oil on panel 34.5 x 25cm; 13½ x 10in £200-300

224.

Follower of David Morier A trooper of the Light Dragoons, c.1760 Oil on canvas 51 x 40cm; 20 x 16in £300-500

225.

Manner of Frederico Zucarro Portrait of Mary Queen of Scots Three quarter length, standing Oil on canvas 77 x 56cm; 30 x 22in £3,000-4,000

42

226

228 226.

Attributed to Werner van den Valckert (1585-1627) Portrait of a Matron, thought to be a Regentess of the Haarlem Leper Colony Traces of an inscription verso Oil on panel 65 x 47cm; 25½ x 18½in £800-1,200 227.

Italian School 17/18th Century Portrait of Saint Matthias, holding a book and a battleaxe Oil on canvas 78 x 58cm; 30½ x 23in £1,500-2,500

227

229 228.

Louis de Moni (Dutch 1698-1771) The fish vendor Signed Oil on canvas laid on panel 42 x 33.25cm; 16½ x 13¼in £2,000-3,000 229.

Scottish School 17th Century Portrait of Jean Elphinstone née Bruce, only daughter of Col. Bruce of Airth, married to Richard Elphinstone of Calderhall Oil on panel, in a carved wood frame 72 x 56cm; 28¼ x 22in £800-1,200

43 230.

Follower of Frans Francken The Wedding Feast at Cana Oil on panel 59 x 85cm; 23¼ 33½in Provenance: The collection at Little Egland Manor Bequeathed to Lady Elsa Bowker Gifted by her to the present owner £4,000-6,000 231.

Attributed to Aert Van Der Neer (Dutch 1603-1677) A busy river by moonlight with fishing boats and fishermen and a town beyond Oil on panel 25 x 42cm; 9¾ x 14½in £1,500-2,000

230

231

44

232

233 232.

Follower of John Riley Portrait of an officer of the Prinsep family, head and shoulders, in a red shoulder cape Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: By family descent £1,500-2,500 233.

Circle of Enoch Seeman Portrait of a lady of the Prinsep family, head and shoulders, in a red dress Oil on canvas 76 x 63.5cm; 30 x 25in Provenance: By family descent £1,500-2,500 234.

Follower of Mary Beale Portrait of a gentleman, half length, wearing brown in a painted cartouche Oil on canvas 76 x 63.5cm; 30 x 25in £800-1,200

234

45

235

236

235.

Martin van Mytens (Dutch 1695-1770) Portrait of a gentleman traditionally thought to be Johann Sebastian Bach Oil on canvas 47 x 35.5cm; 18½ x 14in £1,500-2,500 236.

John Hoppner R.A. (1758-1810) Portrait of Sir John Eardley-Wilmot Half length, wearing a blue coat Oil on canvas, in a period carved wood Maratta frame 76 x 64cm; 30 x 25in £1,500-2,500 237.

English School 19th Century Portrait of William Hussey, three quarter length Inscribed and dated Apr. 6th 1780 Oil on canvas 142 x 115cm; 56 x 45in £1,500-2,500

237

46

238 238.

John Nost Sartorius (1759 - c.1830) Hunting Scenes A set of four All signed and dated 1804 All oil on canvas Each 37 x 47cm; 14½ x 18½in £5,000-7,000

238A

238A. Attributed to Anthonie Palamedesz (Dutch 1601-1673) Elegant company in an interior Oil on panel £600-800

238B. Circle of Thomas Weaver The interior of a stable with a groom tending horses Oil on panel 50 x 85cm; 19½ x 33½in £700-1,000

238B

47

239

240

241 239.

English School early 19th Century Portrait of a lady, thought to be Mrs Elizabeth Rumbold Head and shoulders, wearing a white dress Oil on canvas, in a painted oval 77 x 63cm; 30 x 25in £800-1,200 240.

Follower of Sir Godfrey Kneller Bt. Portrait of a lady, head and shoulders wearing a blue dress Oil on canvas 75 x 62cm; 29½ x 24¼in £600-800

242 241.

Follower of Salvator Rosa Figures in a river landscape Oil on canvas 71 x 91cm; 28 x 36in £800-1,200 242.

Charles Henry Schwanfelder (1774-1837) Pointers and spaniel in a moorland landscape Signed and dated 1815 Oil on panel 46 x 61cm; 18 x 24in £1,500-2,000

48

243 243.

Circle of Sir Joshua Reynolds P.R.A. Portrait of Elizabeth Gunning, Duchess of Hamilton and Argyll (1733-1790), the celebrated Irish Belle, wearing a green dress and resting her elbow on a book Oil on canvas, circular 78.5cm; 31in diameter Elizabeth Gunning was the daughter of John Gunning of Castle Coote, Roscommon, Ireland and was a celebrated beauty. Reynolds painted three very similar portraits in this format: Mrs. Richard Cumberland - 1763; Mary Bertie, Duchess of Ancaster - 1757-59; Mrs. Wood - 1757 Provenance: The Collection of Charles Brinsley Marlay (1831-1912) [notable collector and major benefactor to the Fitzwilliam Museum], Belvedere House, West Meath, Ireland and by inheritance to Lt. Col. Charles Howard Bury (1881-1963) [Explorer], Belvedere House and by inheritance to Rex Beaumont: His sale ‘Removed from Belvedere House, Ireland’: Christie’s, London, Important Pictures by Old Masters, 4th December 1964, Lot 59 The Collection of Douglas Wing, Iden, Rye, Sussex The Collection of Drs. Isobel and Salim Dalali, Bel-Air, Los Angeles, California, U.S.A. Private English Collection £3,000-5,000

49

244 244.

Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of Maria Margaretta (nĂŠe Murray), Lady Talbot De Malahide Oil on canvas, circular, in a period carved wood Maratta frame 76.2 x 63.5cm; 30 x 25in Provenance: By descent in the family of the sitter Private collection, England.

This recently rediscovered portrait of the famous heiress Maria Margaretta Murray, is a significant addition to Lawrence’s oeuvre and dates from the late 1820s.

We are grateful to Professor Brian Allen for confirming the attribution to Sir Thomas Lawrence following his first hand inspection of the painting.

Maria Margaretta Murray (d. 1873) was the youngest daughter of Patrick Murray, a landowner in Forfarshire (Scotland), and the heir to his vast estate of some 2,600 acres. In 1842 she married James, 4th Baron Talbot de Malahide (1805-1883), by whom she had seven children. The Talbots were one of the oldest families in Ireland (having been granted land as early as 1184), where they resided until the sale of Malahide Castle in 1976. ÂŁ12,000-15,000

50

245

247 245.

Philip Reinagle R.A. (1749-1843) A spaniel chasing a woodcock in a wood, a hunter beyond Oil on canvas 77 x 102cm; 30 x 40in Provenance: Arthur Ackermann and Sons London £600-800 246.

English School 19th Century Two horses in a meadow Oil on canvas 64 x 75cm; 25 x 29½in £800-1,200

246

248 247.

Jean Francisque Millet the Younger (French 1666-1723) Figures pausing for water in an Italianate landscape Signed Oil on canvas 82.5 x 67cm; 32½ x 26½in £1,500-2,500 248.

Arthur Joseph Meadows (1843-1907) Dinant on the Meuse, Belgium Signed and dated 1891, also signed, titled and dated verso Oil on canvas 61 x 51cm; 24 x 20in £800-1,200

51

249

250

249.

Circle of Jan Fyt A huntsman and his day’s bag Oil on canvas 150 x 115cm; 59 x 45.5in £2,000-3,000 250.

Sir Francis Grant P.R.A. (1803-1878) The Tinker Boy Oil on canvas 76 x 64cm; 30 x 25in £2,000-3,000 250A. Edward Pritchett (1808-1894) Santa Maria della Salute, Looking Across to Piazza San Marco Oil on canvas 47 x 65cm; 18½ x 25½in £2,000-3,000

250A

52

251 251.

Circle of Herman Verelst Still life of flowers in a vase with fruit Oil on canvas in a Kent frame 92 x 72cm; 36¼ x 28¼in Provenance: Leger Galleries, London, 1968 £2,000-3,000

252.

Ernst Stuven (German 1660-1712) Summer still life with roses, tulips, iris and other flowers Signed, oil on canvas in a carved wood frame 78 x 62cm; 30½ x 24½in Provenance: The Brod Gallery, St. James’s London £8,000-12,000

53

252

54

253

254

255

256

257 253.

Attributed to Edward Williams (1752-1855) A wooded river landscape Oil on canvas 63.5 x 76.5cm; 25 x 30in Provenance: Frost & Reed, London, No. 4*555 £300-500 254.

Manner of Adriaen van Ostade, 18th Century Four peasants in an interior Bears signature and date Oil on canvas, unframed 49.5 x 54.75cm; 19½ x 21½in £300-500

258 255.

Follower of Julius Ceasar Ibbetson Figures by a river, a windmill beyond Oil on canvas 28 x 40.5cm; 11 x 16in £200-300 256.

Dutch School A hill top town on a stormy day Signed indistinctly Oil on panel 26 x 45.5cm; 10¼ x 18in £300-500

257.

Manner of Fillipo Lauri Latona turning the Lycian peasants into frogs Oil on canvas 29 x 39cm; 11½ x 15½in Provenance: Collection of A. H. Forsyth £200-300 258.

British School 18th Century Figures in an Italianate landscape Oil on canvas 61 x 74.5cm; 24 x 29¼in £300-500

55

259

260

261

262

263

264

259.

Dutch School 17/18th Century Portrait of a boy holding a basket of fruit Oil on canvas 65 x 50cm; 25½ x 20in £500-800 260.

Follower of Thomas Sully Portrait of a young child Oil on panel 49 x 39cm; 19¾ x 15¾in £500-800 261.

Continental School 19th Century Portrait of a gentleman, half length in a dark coat Oil on canvas 62 x 50cm; 24½ x 19¾in This was previously thought to be a portrait of Niccolò Paganini £400-600

262.

After Sir Thomas Lawrence P.R.A. Portrait of William Linley (1771-1835) Oil on canvas laid on board 68 x 57cm; 26 x 22½in £200-300 263.

British School 19th Century Portrait of a gentleman, half-length Oil on canvas 76 x 61cm; 30 x 24in £300-500 264.

English School 19th Century Portrait of a gentleman, thought to be William Beckford of Fonthill Abbey (1760-1844) Oil on canvas 76 x 63cm; 30 x 25in Provenance: Frost & Reed 16.9.76, No. S.1472 £500-800

264A 264A. Follower of Mary Beale Portrait of Dr John Tillotson (1630-1694) Archbishop of Canterbury from 1691-1694 Oil on copper 22 x 16.5cm; 8½ x 6½in £200-300

56

265 265.

Follower of Giovanni Antonio Canal, called Canaletto Gondolas on the Grand Canal, Venice Oil on canvas 61 x 101cm; 24 x 40in £2,000-3,000

266.

English School 19th Century The Doge’s Palace and the Riva Degli Schiavone, Venice, seen from the Dogana Oil on canvas 59 x 102cm; 23 x 40in £1,500-2,500

266

57

267 267.

After Giovanni Antonio Canal, called Canaletto The Riva delle Barche and the Antica Posta, Mestre, Italy Oil on canvas in a carved wood frame 60 x 102cm; 24 x 40in Provenance: Edward Stacy-Marks Ltd 22.3.1986 This is a copy of the original at Dorneywood House, Buckinghamshire ÂŁ3,000-5,000

268

268.

Follower of Giovanni Antonio Canal, called Canaletto Gondolas on a Venetian canal Oil on canvas 58.5 x 91.5cm; 23 x 36in ÂŁ1,500-2,500

58

269

272

274A

270

273

271

274

269.

After John Hoppner Frederick Augustus, Duke of York Oil on canvas 62 x 48.5cm; 24½ x 19in £200-300

272.

Russian School 18th Century Icon of the Virgin and Child surrounded by saints 35 x 29cm; 13¾ x 11½in £300-500

270.

Russian School 19th Century St Michael slaying the dragon Oil on panel 36 x 29cm; 14 x 11½in £200-300

273.

Norwich School 19th Century A windmill by a river Oil on panel 19.5 x 15cm; 7½ x 6in £100-150

271.

Spanish School 17th/18th Century Madonna and Child Inscribed extensively verso Oil on metal 27 x 20cm; 10½ x 8in £600-800

274.

Italian School 18th Century Study of the head of an apostle or saint Oil on canvas 43.5 x 32cm; 17 x 12½in £300-400

59

275

276

277

274A. Dutch School Classical Scene Oil on canvas, unframed 102 x 76cm; 40 x 30in £300-500

275.

Attributed to George Armfield (1808-1893) The Watermill Oil on canvas 63 x 76cm; 25 x 30in £600-800

278

276.

Circle of Willem Hermansz. van Diest Shipping off the Dutch coast Oil on canvas 53 x 78.5cm; 21 x 31in £800-1,200 277.

After Peter Paul Rubens Queen Tomyris and the head of Cyrus Oil on panel 52 x 71.56cm; 21½ x 28in After the original in the Museum of Fine Arts, Boston £1,000-1,500

278.

Julius Caesar Ibbetson (1759-1817) Travellers by an inn Signed indistinctly Oil on panel 29.5 x 38.5cm; 11 x 15in £500-800

60

279

281

280

282

279.

William Daniels (1813-1880) Self portrait as a brigand Signed and dated 1850 Oil on canvas 57 x 48cm; 22½ x 19in £800-1,200

281.

Follower of James Northcote Portrait of a Naval Officer, half length, thought to be Captain Bruce R.N. Oil on canvas 65 x 52cm; 26½ x 20½in £400-600

280.

Continental School 19th Century Portrait of a Russian officer, half length wearing uniform Oil on canvas 51 x 41cm; 20 x 16in £1,500-2,000

282.

W. J. Bowden (19th Century) Family portrait with children in panniers in a coastal landscape Signed and dated 1853 Oil on canvas 76 x 63.5cm; 30 x 25in £400-600

283 283.

Continental School 19th Century Aurora Oil on canvas 60 x 49cm; 23½ x 19in £400-600

61

284 284.

William Kimmins McMinn (1819-1898) The full-rigged merchantman Ebba Brahe, in-bound for Liverpool and signalling her number as she passes the Perch Rock fort and lighthouse at the mouth of the Mersey Signed and dated 1852 Oil on canvas 76 x 119cm; 30 x 47in See online for full history of ship ÂŁ3,000-5,000

285

285.

George Mounsey Wheatley Atkinson (1806-1884) A ship in full sail off the coast Signed and dated 1851 Oil on canvas 61 x 89cm; 24 x 35in ÂŁ1,500-2,000

62 289. ‡ Marie-Edouard Adam (French 1847-1929) The SS Mount Evans off the coast Signed and dated 1920 Oil on canvas More details online £200-300

286.

Thomas Shotter Boys (1803-1874) A river scene; Crossing the moor A pair, both oil on board Each 11 x 15cm; 4¼ x 6in (2) Provenance: Thomas Agnew and Sons No. 18057/8 £800-1,200

290. ‡ Michael Matthews (b.1933) Sea Queen off the coast Signed Oil on canvas 51 x 91cm; 20 x 36in £300-500

287.

No Lot 288.

Henry Thomas Dawson (c.1841-c.1896) Harbour Approach Signed with initials and dated 1868 Oil on panel 25 x 35.5cm; 10 x 14in £500-700

286

289

288

290

63 291.

John Christian Schetky (Scottish 1778-1874) Edinburgh from the Sea, 1822 Oil on canvas 68 x 102.5cm; 27 x 40¼in With a frame label inscribed Painted when accompanying His Majesty King George IV on his visit to Scotland on board the Royal George £4,000-6,000

291 292.

William Strang R.A. (1859-1921) Portrait of Charles Patullo Forgan, part owner and Captain of the opium clipper Water Witch (see lot 293) Signed and dated 90 Oil on canvas 54 x 43cm; 21¼ x 17in £200-300

293.

British School 19th Century The opium clipper Water Witch and other shipping off the coast near Dover Oil on canvas 43 x 54cm; 17 x 21¼in Water Witch was built in Kidderpore, Calcutta, India in 1831 (see lot 292) £200-300

294.

British School 19th Century The Tea Clipper Dumfries and other shipping off the coast Oil on canvas 46 x 74cm; 18 x 29in Built at the Bath Shipyard, Douglas, Isle of Man in 1837 Dumfries worked the trade routes between Liverpool and China until 1954 when she was wrecked on the Pescadore Islands £300-500 292

293

294

64

295

296 295.

Edward Bird R.A. (1772-1819) The village Instructress A pair, both signed Both oil on panel Each 25 x 33cm; 9¾ x 14in (2) £800-1,200

297 296.

Benjamin Barker of Bath (1776-1838) Cattle watering in a river landscape Oil on canvas 61 x 92cm; 24 x 36in £500-700

297.

Henry King Taylor (1799-1869) Shipping off the coast Signed with initials on the buoy Oil on card 22 x 35cm; 8½ x 13¾in £100-200

298.

English School 19th Century A hunter and a spaniel in a landscape Oil on canvas, unframed 46 x 59cm; 18 x 23¼in £200-300 299.

Austrian School 19th Century Shepherd playing the bagpipes in a Continental landscape Oil on canvas 48.5 x 58.5cm; 19 x 23in £150-250

298

299

65

300

301

302

303

300.

Joseph Maiden (1813-1843) A grey in a stable with a dog Signed and dated 1834 Oil on canvas 58 x 76cm; 23 x 30in £800-1,200 301.

Henry Charles Bryant (1812-1890) The cattle barn Signed Oil on panel 41 x 54cm; 16 x 21in £500-800 302.

Charles Thomas Burt (1823-1902) Harvesters in an extensive landscape, a castle beyond Oil on canvas 46 x 68cm; 18 x 27in £800-1,200

303.

Joseph Horlor (1809-1887) A mother and children by a country cottage Signed and dated 59 Oil on canvas 51 x 76cm; 20 x 30in £400-600 304.

Joseph Horlor (1809-1887) Rustics on a bridge and cattle by a lake; A Highland watermill Two, both signed (one twice) Both oil on canvas 81 x 90cm; 32 x 35in and similar (2) £400-600

304

66 305.

English School 19th Century Lake landscape with travellers and chickens Oil on panel 35 x 45cm; 13¾ x 17¾in £100-200

305

306

306.

Manner of William Shayer Coastal scene with fisherfolk Oil on panel 56 x 76cm; 22 x 30in £300-400 307.

Follower of John Alfred Wheeler Two horses resting Oil on canvas 20 x 25.5cm; 8 x 10in £150-250

307

308

308.

Joseph Thors (c.1843-1898) Autumn wood Signed, also signed, dated 1875 and inscribed Lord Stamford, Bradgate Park verso Oil on board 23 x 31cm; 9 x 12in £300-400 309.

English School 19th Century Cattle in a barn Bears signature Oil on canvas 30 x 40cm; 11¾ x 15¾in £100-150

309

310

310.

Attributed to James Stark (1794-1859) Figures on a path by a stream Oil on panel 33 x 40cm; 13 x 16in £200-300 311.

William McAlpine (19th Century) Ships on a stormy coast A pair, both signed Both oil on canvas Each 30.5 x 56cm; 12 x 22in (2) £250-350

311

67 312.

Johann Hermann Kretzschmer (German 1811-1890) Portrait of a mother and son seated in an interior Signed and dated 1852 Oil on canvas 128 x 102cm; 50 x 40in £2,000-3,000 313.

British School 19th Century Study of a lady Oil on canvas 27 x 23cm; 10½ x 9in £200-300 314.

George Morland (1763-1804) Shepherds and sheep by a tree Oil on canvas 31 x 25.5cm; 12 x 10in £300-400 315.

Follower of Francis Wheatley R.A. The flower-seller, resting Oil on metal 24.75 x 18.25cm; 9¾ x 7¼in £100-200

312

313

314

315

68 316.

Manner of John Constable Figures by Dedham lock Oil on canvas 32.5 x 47.5cm; 12¾ x 18½in £150-200

316

317

317.

Attributed to Thomas Baker of Leamington (1809-1869) Cattle grazing, a church beyond Oil on canvas 41 x 55cm; 16 x 21¾in £150-250 318.

Continental School 18th/19th Century A hunter resting in an Arcadian landscape Oil on copper, unframed 18 x 26cm; 7 x 10in £150-250

318

319

319.

Follower of John Constable R.A. Figure by a cottage in a landscape Bears signature Oil on panel 26 x 35.5cm; 10¼ x 14in £200-300 320.

Follower of Jan Weenix Still life of peaches, grapes and figs Oil on canvas 31 x 36cm; 12 x 14in £400-600

320

321

322

321.

Follower of George Morland Figures resting in a wooded glade Oil on canvas 63.5 x 76cm; 25 x 30in £200-300 322.

Chinese School c.1900 The battleship H.M.S. Centurion at sea; H.M.S. Blenheim near Hong Kong Two, both oil on linen 47 x 60cm; 18½ x 23¾in and similar (2) Provenance: Hampshire Gallery 10/9/97 and 3/3/08 (2) £100-200

69

323

324

323.

Carlton Alfred Smith (1853-1946) A seated girl spinning Signed and dated 96 Oil on panel 31 x 20cm; 12 x 8in £1,500-2,500 324.

Carlton Alfred Smith (1853-1946) Winding the wool Signed Oil on panel 32 x 30.5cm; 12½ x 8in £1,500-2,500 325.

Antoine Vollon (French 1833-1900) Still life with a copper churn and brass pan Signed Oil on panel 32 x 24.5cm; 12½ x 9½in £1,000-1,500

325

70

326

327

328

329

330

331

326.

Max Flashar (1855-1915) The rendition Signed and dated 12 Oil on panel 23 x 33cm; 9 x 13in £400-600

328.

Continental School 19th Century Reading the Will Bears signature Oil on canvas 55.5 x 68.5cm; 22 x 27in £200-300

330.

English School 19th Century Boys fishing on a bridge by the Red Lion Inn, thought to be Olney, Bedfordshire Oil on canvas 43 x 53cm; 17 x 21in £300-500

327.

Eyre Crowe A.R.A. (1824-1910) Doctor Johnson receiving Boswell in the library Signed and dated 1899 Oil on canvas 86 x 112cm; 34 x 44in £1,000-1,500

329.

William Linnig (1819-1885) A tavern interior Thought to be signed below frame Oil on panel 46 x 61cm; 18 x 24in £250-350

331.

Follower of Stephen Elmer Dead game on a wooded bank Oil on panel, unframed 38 x 48cm; 15 x 19in £200-300

71

332

333

332. ‡ John E. Nicholls (1885-1955) Still life of lilies and summer flowers in a basket Signed and dated 47 Oil on board 61 x 51cm; 24 x 20in Provenance: Cooling Galleries, London £400-600 333.

Hermann Kern (Hungarian 1838-1912) The Cobbler Signed Oil on panel 39 x 30.5cm; 15¼ x 12in £600-800 334.

Samuel Spode (fl. 1825-1858) A dark bay hunter in a landscape Signed Oil on canvas 51 x 61cm; 20 x 24in £400-600

334

72 335.

Edgar Bundy A.R.A. (1862-1922) The soldiers return Signed and dated 1901 Oil on canvas 71 x 61cm; 28 x 24in £2,000-3,000

335 336. ‡ Harry Robert Mileham (1873-1957) Tess baptises her child, from Tess of the D’Urbervilles Signed with a monogram and dated 1932 Oil on canvas 66 x 61cm; 26 x 24in Literature: Harry Mileham, A catalogue, published by Patrick Mileham, 1995, pg. 16, ill. plate 36 Exhibited: Royal Academy, 1933 £2,000-3,000

336

73

337

338

337.

Solomon Joseph Solomon R.A. (1860-1927) Portrait of a young boy Signed twice with a monogram Oil on canvas 50 x 35.5cm; 20 x 14in Solomon painted his children on a regular basis and this is possibly a portrait of the artist’s son Dorian £2,000-3,000 338.

Arthur Hacker R.A. (1858-1919) Portrait of an Edwardian lady Signed Oil on panel 35.5 x 26cm; 14 x 10in £800-1,200 339. ‡ Edith Hayllar (1860-1948) Making blackberry pie Signed and dated 1886 Oil on board 41.5 x 31.5cm; 16¼ x 12in £5,000-8,000

339

74 340.

Alfred Walter Williams (1824-1905) Cattle and a traveller on a misty heath Signed with initials and dated 1870 Oil on canvas 26 x 40cm; 10¼ x 16in £200-400

340

341

341.

Follower of George Morland The milkmaid Oil on canvas 51 x 61cm; 20 x 24in £150-250 342.

Georg Schlugg (German 19/20th Century) Traveller in a wooded mountain landscape Signed Oil on canvas 56 x 68.5cm; 22 x 27in £80-120

342

343

344

345

346 345.

A. P. (19th Century) Gone to ground Signed with initials Oil on panel 7 x 14.5cm; 2¾ x 5¾in £100-150

346.

Frank Paton (1855-1909) Cockerels and peacocks; Turkey and ducks A pair, one signed Both oil on panel Each 12 x 16cm; 4¾ x 6¼in (2) £300-500

343.

James William Stamper (1873-?)

A pair of coastal scenes Both signed Both oil on board Each 40 x 54.5cm; 15¼ x 21½in (2) £200-300 344.

Ramsay Richard Reinagle R.A. (1775-1862) View of Borrowdale at Castle Crag, slate quarry Signed and dated, also signed and inscribed verso Oil on canvas laid on board 48.5 x 75cm; 19 x 29½in Painted in 1814 and inscribed 1855 £300-500

75 347.

Edmund Morison Wimperis (1835-1900) Sheep resting in an open landscape Signed and dated 93 Oil on canvas 61 x 92cm; 24 x 36in £1,000-1,500 347A. Edmund Morison Wimperis (1835-1900) Across the moor Signed with initials and dated 98 Oil on canvas 61 x 92cm; 24 x 36in £1,200-1,800 348.

Willem Steelink (Dutch 1856-1928) A shepherd and flock on a shady track Signed Oil on canvas 33 x 48cm; 13 x 19in £600-800

347

349.

Alexis de Leeuw (Belgian 1848-1883) A hay wain in a landscape Signed Oil on canvas 76 x 127cm; 30 x 50in £1,000-1,500

347A

348

349

76

350

353

356

352

351

354

355

350.

Morgan (German c.1837) Portrait of a young boy on the coast Signed, inscribed Wien and dated 1837 Oil on panel 26 x 20.5cm; 10 x 8in £300-500

352.

Ernst Karl Georg Zimmermann (German 1852-1901) A cavalier in an interior Signed Oil on panel 38 x 30cm; 15 x 12in £300-500

354.

Polish School 19th Century Portrait of a bearded gentleman wearing a fur coat and sash Oil on panel 40 x 30.5cm; 15¾ x 12in £150-250

351.

Follower of Jan Van Huysum Flowers in an urn in a painted alcove Oil on canvas 76 x 63cm; 30 x 25in £200-300

353.

Albert Ludovici (1820-1894) A bit from Normandy Signed with a monogram and dated 1884, titled on a label verso Oil on board 46 x 30.5cm; 18 x 12in £300-500

355.

Henri Marcette (Belgian 1824-1890) Figure in a summer landscape Signed and dated 1869 Oil on panel 13.5 x 9.5cm; 5¼ x 3¼in £200-300

77 356.

English School mid 19th Century Portrait of a lady with her spaniel Oil on canvas 102 x 81cm; 40 x 32in £500-800 357.

Cipriano Cei (Italian 1864-1922) Alla Piu Buona; L’Asino A pair, both signed Both oil on canvas Each 97 x 55cm; 38 x 21½in (2) £2,000-3,000

357

358 358.

English School c.1864 Children with a hedgehog in a wood; Children playing with toy boats A pair, one signed indistinctly with initials and dated 64 Both oil on panel Each 25.5 x 20cm; 10 x 8in (2) £600-800

359 359.

Neapolitan School late 19th Century Portrait of a young lady, bust length, wearing a cap Oil on canvas 43.5 x 37cm; 17 x 14½in £150-250

78

360 360.

John Wilson (20th Century) Still life of roses and summer flowers in an urn Signed Oil on board 94 x 74cm; 37 x 29in £200-300 361.

Pierre Edouard Frère (French 1819-1886) The Connoiseur Signed and dated 79 Oil on panel 25.5 x 2.5cm; 11 x 8in £400-600

363

361

362

362.

Follower of Valentine Cameron Prinsep Lady in tudor dress Bears signature Oil on canvas 200 x 97cm; 78.5 x 38in £400-600

364.

G. Bonardi 19/20th Century Views on the Amalfi Coast A pair, both signed Both oil on board 24.5 x 16.5cm; 9½ x 6½in (2) £200-300

363.

Ernest Thompson (19th Century) Brittany Peasant at Prayer Signed, titled and dated 1878 Oil on canvas 44.5 x 35.5cm; 17½ x 14in £200-300

365.

Robert William Wright (fl. 1870-1906) Feeding the pigeons Signed and dated 97 Oil on panel 19.5 x 14cm; 7¾ x 5½in £300-500

364

365

79

366

367

368

369

370 366. ‡ Michael Matthews (b.1933) A Church on a river, possibly Holy Trinity Church, Stratford-upon-Avon Signed Oil on canvas 46 x 61cm; 18 x 24in £200-300 367.

John Samuel Raven (1829-1877) A lake scene 1860 Dated verso June 1860, No. 15 Oil on board 20 x 31cm; 8 x 12¼in Provenance: Christie’s June 8th 1878 lot 146 £400-600

371 368.

John William Buxton Knight (1842-1908) Turnip gatherers Signed Oil on canvas 25.5 x 35.5cm; 10 x 14in £400-600 369.

Henri van Seben (Belgian 1825-1930) The boat anchored on the ice Signed and dated 77 Oil on panel 16.5 x 26cm; 6½ x 10¼in Provenance: Kunsthandel Roelofs, Amsterdam £200-300

370.

Scottish School early 20th Century Feeding the chickens Oil on canvas 41 x 51cm; 16 x 20in £150-250 371.

English School c.1930 Boats in the shade by the river Inscribed indistinctly on stretcher verso Oil on canvas 48.5 x 61cm; 19 x 24in £250-350

80

372

373

374

375

372.

William Holmes Sullivan (fl. 1870-1908) On the way to battle, possibly William of Orange Signed and dated 1881 Oil on canvas 86 x 113cm; 34 x 44½in £700-1,000

374.

Louis Welden Hawkins (French 1849-1910) Figure on a track in a Breton scene Signed Oil on panel 19 x 26.5cm; 7½ x 10½in £500-800

373. ‡ Gilbert Scott Wright (1880-1958) A hunt waiting for the London to Exeter mail coach to pass Signed Oil on canvas 61 x 92cm; 24 x 36in £3,000-4,000

375.

Continental School 19/20th Century Still life of flowers in an urn Oil on canvas, in an architectural frame 76 x 91cm; 30 x 36in £200-300

376

376.

Henry Moore R.A. (1831-1895) Sunset on the coast Oil on canvas 21 x 45.5cm; 8¼ x 18in £600-800 377.

Sidney Yates Johnson (fl. 1890-1926) Portelet Bay, Jersey, Channel Islands Signed, also titled on stretcher verso Oil on canvas 30 x 61cm; 12 x 24in £200-300

377

81

378

379

378.

Edmond Marie Petitjean (French 1844-1925) Boulevard des Patignoles Signed with initials Oil on board 16 x 24cm; 6¼ x 9½in £800-1,200

380.

Vincent Clare (1855-1930) Primroses, primula and violets in a basket, blossom and a birds nest on a forest floor Signed, also signed verso Oil on canvas 25.5 x 36cm; 10 x 14in Provenance: Christopher Cole, Beaconsfield £300-500

379.

John Mulcaster Carrick (1833-1896) Near Nice Signed and dated 1872, also signed, titled and dated verso Oil on canvas 24.5 x 36cm; 9½ x 14in £1,000-1,500

381.

John Syer (1846-1913) Fishermen on a harbour Signed and dated 77 Oil on canvas 31 x 46cm; 12 x 18in £300-500

380

382

382.

Vincenzo Colucci (Italian 1898-1968) A fishing boat by a rocky shore Signed Oil on panel 28 x 39cm; 11 x 15½in £200-300 383.

Niels Hans Christiansen (Danish 1850-1922) Wildlife in a winter river landscape Signed and dated 1886 Oil on canvas 66 x 97cm; 26 x 38in £300-500

381

383

82

384

385 384.

Henri-Arthur Bonnefoy (French 1839-1917) Wild flowers Signed Oil on canvas 50 x 64cm;19¾ x 25in £500-800

386

387

385. ‡ Arthur Spooner (1873-1962) A mare and foal in springtime Signed Oil on canvas laid on board 35 x 43cm; 13¾ x 17in £400-600 386. ‡ Gabriel Dauchot (French 1927-2005) Figures on a street Signed Oil on canvas 26.5 x 40cm; 10½ x 15in £200-300

388 387. ‡ Richard Jack R.A. (1866-1952) Houses by a slipway Signed and dated 1903?

Oil on panel 25 x 35.5cm; 10 x 14in £200-300

389 388.

Robert Charles Goff (1837-1922) A fishing boat and gondolas on a canal in Venice Signed and dated 1910 Oil on canvas laid on board, unframed 22 x 26cm; 8½ x 10½in £250-350

389.

Frederick Golden Short (1863-1936) Winter woodland Signed and dated 1916 Oil on canvas 36 x 46cm; 14 x 18in £150-250

83

390

391

390.

Eugène Galien-Laloue (French 1854-1941) The Watermill Signed L. Dupuy (pseudonym) Oil on canvas 50 x 66cm; 19½ x 26in £1,000-1,500 391.

Eugène Galien-Laloue (French 1854-1941) Harbour in Normandy Signed J. Lievin (pseudonym) Oil on canvas 33 x 46cm; 13 x 18in £2,000-3,000 392. ‡ Oliver Hall R.A. (1869-1957) The road to Fort William, 1936 Signed Oil on canvas 36 x 51cm; 14 x 20in £300-500 393. ‡ Peter Morris (20th Century) Olive Grove, Cote D’Or Signed on stretcher verso Oil on canvas 50 x 61cm; 19½ x 24in Provenance: William Gaspard Guy Romilly, 4th Baron Romilly, Chiltern Foliat from whence bought by current owner £200-300

393

392

394 394. ‡ Peter Morris (20th Century) A lodging in the mountains in Mexico; A wooded landscape Two, the first signed Both oil on canvas, one unframed Each 50 x 61cm; 19½ x 24in (2) £200-300

84

395

398

395. ‡ Igor Talwinski (Polish 1907-1983) The new ring Signed Oil on canvas 55 x 46cm; 21½ x 18in £400-600 396. ‡ Gerhard Nesvadba (German b.1941) Meadow flowers Signed Oil on canvas 71 x 60cm; 28 x 23½in £200-300

396

399

397.

Alexandre Auffray (French 1869-1942) Still life of ranunculus and anemones in a white vase Signed Oil on canvas 56 x 45cm; 22 x 17½in Provenance: Salon des Tuileries, 1936 £200-300 398. ‡ Desmond Kenny (b.1956) Still life of summer flowers in a glass vase Signed Oil on board 50 x 40cm; 19½ x 15¾in £120-180

397

400

399.

John Bates Noel (fl.1870-1927) Foxgloves by a wood Signed Oil on canvas 46 x 35cm; 18 x 14in £250-350 400. ‡ Lina Monier (19/20th Century) Still life of summer flowers in a vase Signed Oil on panel 61 x 51cm; 24 x 20in £150-250

85

401

402

401. ‡ Adrian Hill (1895-1977) Tower Bridge Oil on board 30 x 45cm; 12 x 17¾in Provenance: The Fine Art Society, London, November 1940 £800-1,200 402.

Charles Alexandre Bertier (French 1860-1924) Bords de la Seine, à Billancourt Signed, also signed, titled and dated 1906 verso Oil on board 27 x 41cm; 10½ x 16in Provenance: Collection Stephane Rouvet £800-1,200 403. ‡ Rudolph Onslow-Ford (b.1875) Castle rocks, near Bees Head, Branscombe, Devon Signed and dated 19 Oil on panel, unframed 33 x 40.5cm; 13 x 16in £250-350 404.

Brian Mitchell (20th Century) Tidal Pool, Cornish Coast Signed Oil on board 32 x 37cm; 12½ x 14½in Provenance: The Mall Galleries, 2003 £150-250

403

405 405. ‡ William Caldwell Crawford (1879-1960) Cattle on the shore, Kyle of Bute Signed and dated 48 Oil on board with a further painting verso by the same hand 38 x 46cm; 15 x 18in £300-500

404

406 406. ‡ Julian Barrow (b.1939) River Li, near Guilin, China Signed Oil on canvas 20 x 25cm; 8 x 10in £300-500

86

407 407.

William Samuel Henry Llewellyn P.R.A. (1858-1941) Willows in a river landscape Signed Oil on canvasboard 33 x 40.5cm; 13 x 16in £400-600

408. ‡ Hugh Monahan (Irish 1914-1970) Pinkfeet on the Solway Signed and dated 1950 Oil on canvas 63.5 x 76cm; 25 x 30in Provenance: Rowland Ward, London £500-800

409

408 409. ‡ Norman Elford (1931-2007) Fishing boat off the coast Signed Oil on canvas 61 x 92cm; 24 x 36in £150-250

410

411

410.

Frank Richards R.B.A. (1863-1935) The rose arch Signed Oil on board 12.5 x 20cm; 5 x 8in £200-300 411. ‡ Llewellyn Petley Jones (1908-1986) Afternoon sunlight Signed and dated 64 Oil on board, unframed 40.5 x 51cm; 16 x 20in £250-350 412. ‡ Louis Reckelbus (Belgian 1864-1958) Canal in Flanders Signed Gouache on brown paper 57 x 68cm; 22½ x 27in £300-500

412

87

413 413. ‡ Montague Dawson (1895-1973) Rolling Home Signed Oil on canvas 91 x 61cm; 36 x 24in £10,000-15,000

88 416.

Continental School 19th Century Still life of summer flowers Oil on canvas 57 x 82.5cm; 22½ x 32¼in £250-350

414

415

414.

W. B. von Goldstein (Exh.1911-1913) On the Seine, Paris Signed and dated 07 Oil on canvas 28.5 x 38cm; 11¼ x 15in £150-250

416

415.

James Morton (1881-1918) Winter landscape Signed and dated 07 Oil on canvas 23 x 33cm; 9 x 13in Provenance: The Rendezvous Gallery, Aberdeen £200-300

417

417.

North American School 20th Century Trekking across ice floes with a canoe Oil on canvas 51 x 76cm; 20 x 30in £200-300 418. ‡ Clifford Hall (1904-1973) Putney Signed, also signed and dated 28/9/49 verso Oil on board 11 x 21cm; 4½ x 8¼in £200-300 419. ‡ Llewellyn Petley Jones (1908-1986) Vale of Heath, Hampstead, Winter Signed and dated 59 Oil on canvas 31 x 61cm; 12 x 24in £150-250 420. ‡ Stuart Scott Somerville (1908-1983) Still life of fruit with a bowl Signed Oil on board 35 x 51cm; 13¾ x 20in £250-350 421.

David Bruce (Australian 20th Century) Across the Darling Downs, Queensland Signed Oil on canvasboard 35 x 45cm; 13 x 17¾in £100-200

418

419

420

421

89

422

423 422. ‡ Pierre de Clausade (French 1910-1976) A view in the Loire Signed Oil on canvas 54 x 73cm; 21 x 29in £700-1,200

424 423. ‡ Pierre de Clausade (French 1910-1976) Bord de Loire Signed Oil on canvas 46 x 55cm; 18 x 21½in £500-1,000

424. ‡ Pierre de Clausade (French 1910-1976) The Calm Lagoon Signed Oil on canvas 54 x 65cm; 21¼ x 25½in £700-1,000

90 425. ‡ Marcel Dyf (French 1899-1985) Scene de Golf Signed Oil on canvas 46 x 55cm; 18 x 21¾in Provenance: No. 5062 in the Catalogue Raisonné, 1950 £2,500-3,500

425 426. ‡ Marcel Dyf (French 1899-1985) Arbres en Provence à Eygalières Signed 60 x 73cm; 23½ x 29in Provenance: No. 5070 in the Catalogue Raisonné, 1980 £4,000-6,000

426

91

427 427. ‡ Othon Coubine (Czech 1883-1969) Table still life Signed Oil on panel 27 x 35cm; 10½ x 13¾in £2,000-3,000 428. ‡ Marcel Dyf (French 1899-1985) Still life of roses in a vase Signed Oil on canvas 46 x 38cm; 18 x 15in Provenance: No. 5063 in the Catalogue Raisonné, 1970 £3,000-5,000

428

92 429. ‡ Mike Bernard (b.1946) Shamrock Quay Signed, titled verso Oil on board 51 x 71cm; 20 x 28in £300-500

429

430

430. ‡ Eva Fischer (b.1920) Boats on a hard with a classical town beyond, c.1960 Signed Oil on canvas 54 x 73cm; 21¼ x 29in £200-300 431. ‡ Tom Coates R.W.S. (b.1941) A shady street in Zanzibar Signed with initials Oil on canvasboard 25 x 30cm; 10 x 12in £150-250

431

432

432. ‡ Tom Coates R.W.S. (b.1941) A street scene in Zanzibar Signed with initials Oil on canvasboard 25 x 30cm; 10 x 12in £150-250 433. ‡ Rosemary Sarah Welch (b.1946) Rounding up the New Forest ponies Signed Oil on canvas 61 x 81cm; 24 x 32in £500-700

433

434

435

434. ‡ Anthony Oakshett (b.1955) The Redentore from the Zattere, Venice Signed and dated 91 Oil on canvas 15 x 20cm; 6 x 8in £150-250 435. ‡ Tomás Harris (1908-1964) La Garaffa, near Andraity; Untitled Two, both dated 16/1/54 Both oil on canvas 65 x 81cm; 25½ x 32in and 61 x 76cm; 24 x 30in (2) Provenance: The Lefevre Gallery, London £300-500

93

436 436. ‡ James McBey (1883-1959) On the beach, North Africa Signed and dated Nov 1935 Oil on canvas 70 x 90cm; 27½ x 35½in £2,500-3,500

437.

Adrian Scott Stokes R.A. (1854-1935) Winter river landscapes A pair, both oil on panel Each 19.5 x 25.5cm; 7¾ x 10in (2) £400-600

437

94 438. ‡ Thomas Saunders Nash (1891-1968) The farm yard Signed and dated 1955 Mixed media on board 35 x 27.5cm; 13¾ x 10¾in Provenance: The Redfern Gallery, Oct. 1935 £800-1,200 439. ‡ Piotr Ivanovich Petrovichev (Russian 1874-1947) Still life of flowers in a vase with a teapot Signed Oil on canvas 46 x 38cm; 18 x 15in £300-500

438

439 440.

Attributed to Bernard Meninsky (1891-1950) Head of girl wearing an orange headscarf Oil on canvas 51 x 41cm; 20 x 16in £200-300 441. ‡ Doris Brabham Hatt (1890-1969) A winter’s day Signed on the stretcher verso, possibly in a different hand Oil on canvas 61 x 54cm; 24 x 21in £150-250

441

440

442

442.

Alexandre Auffray (French 1869-1942) Still life of fish on a plate and a large jug Signed Oil on canvas 43 x 53cm; 17 x 21in £200-300

443

95

444 443.

Circle of Sir Stanley Spencer The Ascension Three, all oil on board mounted in a pair of Gothic style carved oak frames 131.5 x 99.8cm; 51½ x 39in (2) £200-300 444. ‡ John Armstrong A.R.A. (1893-1973) Sunset Fruit Signed and dated 67 Oil on canvas 35 x 40.5cm; 14 x 16in Literature: Andrew Lambirth, with catalogue raisonné

by Annette Armstrong and Jonathan Gibbs, John Armstrong, The Paintings, Philip Wilson Publishers, London, 2009 No 869 £1,200-1,800 445. ‡ Alfred Aaron Wolmark (1877-1961) Self portrait Signed with a monogram Oil on canvas with a partly over-painted study verso 61 x 51cm; 24 x 20in £2,000-3,000

445

96

446 446. ‡ Cissie Kean (1871-1961) Pictures and a bird cage Signed verso Oil on canvas 33 x 46cm; 13 x 18in Exhibited: Whitford Fine Art, London, February 1999, No. 9 £500-800

447 447. ‡ Alistair Grant (1925-1997) Ravenscourt Park Signed Oil on canvas 76 x 76cm; 30 x 30in £300-500 448. ‡ Martin Mooney (b.1960) Interior, San Sebastian Set of 3, all signed and dated Oct Nov 84 and numbered 3, 4 and 5 All oil on canvas Each 36 x 30.5cm; 14 x 12in (3) Provenance: The Solomon Gallery London £300-400

448

449

450

97 449. ‡ Cecil Leslie (20th Century) Still life of summer flowers Signed Oil on canvas 61 x 51cm; 24 x 20in £200-300 450. ‡ George Kennerley (1908-2009) White Roses Signed Oil on canvas 40.5 x 51cm; 16 x 20in £100-200 451. ‡ John Houston O.B.E., R.S.A. (Scottish 1930-2008) Poppies and fruit Signed and dated 1996 on the stretcher verso Oil on canvas 112 x 86.5cm; 44 x 34in Provenance: Roger Billcliffe Fine Art, Glasgow £1,200-1,800 452. ‡ David Michie (b.1928) Skunk Cabbage at Arduaine Gardens Signed, also signed and titled on a label verso Oil on canvas 38 x 38cm; 15 x 15in £250-350 453. ‡ Jo Barker (Scottish b.1963) A Happening Tapestry 188 x 163cm; 74 x 64in £150-250

451

454. ‡ Jeffrey Pratt (b.1940) Lavender Field with Hut Signed Oil on board 30.5 x 35.5cm; 12 x 14in Provenance: Cricket Fine Art £200-300 455. ‡ Clarke Hutton (1898-1985) A hot afternoon Signed with initials and dated 58 Oil on canvasboard 25.5 x 28cm; 10 x 11in £200-300

452

454

453

455

98

456 456. ‡ Cecil D’Oyly-John (1906-1993) Summer sunshine, Italian Riviera Signed Oil on board 43 x 53cm; 17 x 21in £500-700

457 457. ‡ Cecil D’Oyly-John (1906-1993) Near Arles, café scene Signed Oil on board 45 x 54cm; 17½ x 21in £500-700

458.

English School 20th Century World map with distilleries and other notations Mixed media on panel 152 x 220cm; 60 x 87in £200-400 459. ‡ June Redfern (b.1951) West Signed, titled and dated 1995/96 verso Oil on canvas 58 x 86cm; 23 x 34in £200-300

458

459

460

460. ‡ Gerhard Merfort (German b.1927) A family of ducks Signed Oil on canvas 70 x 80cm; 27½ x 31½in £100-150

461

99

462 461. ‡ Jerzy Marek (1925-2014) Portrait; Playtime Two, both signed, also both signed, titled and dated 1977 and 1973 verso Both oil on board 21.5 x 17cm; 8½ x 6½in and 16.5 x 18.5cm; 6½ x 7¼in (2) Provenance: The first with The Tib Lane Gallery, Manchester £150-250

463

462. ‡ Roger Hilton (1911-1975) Abstract composition c.1951 Oil on board 23 x 43cm; 9 x 17in Provenance: Sotheby’s, 13.12.07, Lot 145 Jonathan Clark & Co., London The artist’s estate £3,000-5,000 463. ‡ Guy Bardone (French b.1927) L’Allée Glise, Piguey Signed, also signed, inscribed and dated 65 verso beneath backing board Oil on canvas 56 x 33cm; 22 x 13in £200-300

464

464. ‡ Tom Christopher (American b.1952) Grey green elephant; Blue elephant Two, one signed verso Both oil on canvas Each 78 x 51cm (2) £400-600 465. ‡ Bryan Hanlon (b.1956) A young girl on the wet sand Signed, also signed and inscribed verso Oil on board 23 x 17.5cm; 9 x 7in £150-250

465

100

466

467

466. ‡ Stanley Reginald Wilson (1890-1973) Still life of flowers in a vase on a book Oil on canvas 66 x 50.5cm; 26 x 20in £200-300

467. ‡ Vincenzo Balsamo (Italian b.1935) Untitled, 2003 Signed verso Oil on panel 50 x 35cm; 19¾ x 13¾in £400-600

469

468 468. ‡ Anthony Wyatt (20th Century) Interior Oil on board 79 x 53cm; 31 x 21in Provenance: Beaux Arts Gallery, London £200-300

470

471 469. ‡ John Horsewell (b.1952) Beach Signed Oil on canvas 101.5 x 76cm; 40 x 30in £150-250

472

470. ‡ Harry Ousey (1915-1985) Painting movement IV; Impact Two, both signed Both oil on canvas 76 x 63cm; 30 x 25in and 45.5 x 55.5cm; 18 x 22in (2) £200-300

471.

Fauve School early 20th Century Figures with a donkey Oil on canvas, unframed 91.5 x 61cm; 36 x 24in With another of a mother and child signed Ana (2) £100-150 472. ‡ G.H. Scales (20th Century) Impala in a landscape Signed and dated 20/2/60 Oil on board 91 x 137cm; 36 x 54in £200-300

101

473

474

473. ‡ John Mathison (Scottish 1935-1991) Wester Ross and Sutherland Signed and dated 86 Oil on canvas 122 x 183cm; 48 x 72in £300-500 474. ‡ John Mathison (Scottish 1935-1991) Carbost, Skye, Scotland Signed, and dated ‘91 Oil on canvas 71 x 114cm; 28 x 45in £150-250

476. ‡ Michael Lewis (b.1943) Cricket match by the sea Signed and dated 80 Oil on canvas laid on board 50 x 60cm; 19½ x 23½in £300-400

477.

Castelnau V. Benoit (Haitian b.1950) Voo Doo dance Signed and dated 8/8/75 Oil on board 61 x 91cm; 24 x 36in £400-600

478.

Guy Joachim (Haitian b.1955) Entrance to the chapel Signed and inscribed Cap-Haitien Oil on board 61 x 76cm; 24 x 30in £300-500

475. ‡ Ben Tobias (1901-1985) North Cornwall Signed with initials, also signed and titled verso Oil on panel 20 x 25.5cm; 8 x 10in £150-250

475

477

476

478

102

INDEX OF ARTISTS A 345 A.P. A.S. 202 79 Abbott, John White Adam, Marie-Edouard 288 105 Aldridge, Frederick J Alken, After Henry 31, 32 167 Allcott, Walter Herbert Allingham, Helen 164 275 Armfield, Attrib. to G Armfield, Maxwell A 200 444 Armstrong, John Arnold, William A 176 285 Atkinson, George M W Auffray, Alexandre 397, 442 216 Austen, Winifred M L Austrian School 299 B 25 Baillie, Capt. Wm 317 Baker, Attrib to Thos.

Balsamo, Vincenzo 467 463 Bardone, Guy Barker of Bath, Benjamin 296 Barker, Jo 453 157 Barnett, Walter Durac Barrow, Julian 406 Batchelor, Roland 207 66 Bawden, Edward Beale, Foll. Of Mary 234 181 Beaton, Sir Cecil Bell, Arthur D 177 Benoit, Castelnau V 477 188 Beran, Bruno Bernard, Mike 429 Bertier, Charles A 402 Besnard, Albert 185 Beverley, William Roxby 97 295 Bird, Edward Bladon, T. Murray B 168 18 Bonaparte, Napoleon Bonard, G 364 Bonington, Richard Parks 114 384 Bonnefoy, Henri-Arthur Bouvier, Attrib. to Agnes R 116 282 Bowden, W J Boys, Thomas S 286 Brabazon, Hercules B 123, 124 Brangwyn, Sir Frank 44 British School 258, 263, 293, 294, 313 421 Bruce, David Bryant, Henry Charles 301 Buck, Samuel & Nat 24 Buckley, John Edmund 140, 141 Buhot, Felix Hilaire 109 Bundy, Edgar 335 Burleigh-Bruhl, Louis 154 Burt, Charles Thomas 302 C Callow, John 107 Callow, William 95 Cameron, David Young 41 Canal, After G A 267 Canal, Foll. of G A 265, 268 Canal, Manner of G A 119 Cei, Cipriano 357 Chaplin, Charlie 21 Charlet, Nicholas-T 75 Chinese School 322 Christiansen, Niels Hans 383 Christopher, Tom 464

Clare, Vincent 380 68, 69 Clarke, Graham Clausade, Pierre de 422, 423, 424 91 Clerian, Noel Thomas J Coates, Tom 431, 432 382 Colucci, Vincenzi Constable, Foll. Of J 319 316 Constable, Manner of J Continental School 6, 14, 118, 261, 280,

283, 315, 318, 328, 375, 416 Cook, Capt. James 19 153 Cooper, Alfred Heaton Corbet, Matthew 112 40 Corot, Jean-Baptiste-C Cotman, Frederick George 171 427 Coubine, Othon Crawford, William C 405 65 Craxton, John Cristall, Joshua 93 334 Crofts, Ernest Crosse, Attrib. to Richard 9 327 Crowe, Eyre Curry, Harry S 131 D Daintrey, Adrian Maurice 160 279 Daniels, William Dauchot, Gabriel 386 99 Davis, John Scarlett Dawson, Henry T 287 Dawson, Montague 413 Dawson, Paul 199 78 Devis, Anthony Thomas 276 Diest, Circle of W H Dollman, John Charles 122 D’Oyly-John, Cecil 456, 457 Drummond, After William 38 Duff, John Robert K 150 193 Durrant, Roy Turner Dutch School 256, 259 220 Dyck, After Sir Anthony Van Dyer, William Henry 136 Dyf, Marcel 425, 426, 428 E Edouart, Foll. Of A A 16 409 Elford, Norman Elmer, Foll. Of Stephen 331 English School 1, 4, 5, 10, 11, 76, 89, 98,

101, 120, 144, 210, 237, 246, 264, 266,

298, 305, 309, 330, 356, 358, 371,. 458 F 178 Fantin-Latour, Attrib. to H Fare, Arthur Charles 117 Farrelley, James 201 Fauve School 471 Fiebusch, Hans 187 Fischer, Eva 430 Flashar, Max 326 Fletcher-Watson, James 172 Fort, Simeon 100 Foster, Myles Birket 163 Francken, Foll. Of Frans 230 Fraser, George Gordon 132 Frere, Pierre E 361 Fyt, Circle of Jan 249 G Galien-Laloue, Eugene 390, 391 Gandy, John Michael 143 Gardner, Phillip 175 Gell, Paul 212 Gemmell, John M 73

George, Sir Ernest 104 13 Giordano, After Luca Glaoui, Hassan El 186 388 Goff, Robert Charles Goldstein, W B fon 414 108 Goodwin, Albert Gotch, Bernard Cecil 170 213 Goudie, Lachlan Goya, Francisco de 22 447 Grant, Alistair Grant, Duncan 180 250 Grant, Sir Francis Gross, Anthony 196 H Hacker Arthur 338 2 Hall, Attrib. to Peter A Hall, Clifford 418 392 Hall, Oliver Halliday, Alan 214 203 Halouze, Edouard Hamnett, Nina 209 465 Hanlon, Bryan Hardie, Martin 158 Harding, George Perfect 3 Hardy, Thomas Bush 110 435 Harris Tomas Hatt, Doris Brabham 441 Hawkins, Louis Welden 374 339 Hayllar, Edith Hill, Adrian 401 Hilton, Roger 462 Hoppner, After John 269 236 Hoppner, John 303, 304 Horlor, Joseph Horsewell, John 469 Houston, John 451 How, Beatrice 204 455 Hutton, Clarke Huysum, Foll. Of Jan van 351 I Ibbetson, Foll. Of J C 255 278 Ibbetson, Julius C Ingham, Bryan 192 Italian School 77, 222, 223, 227, 274 J J.S.W. 17 387 Jack, Richard Jackson, Samuel Phillips 96 Joachim, Guy 478 Johnson, Sidney Yates 377 Jones, Llewellyn Petley 411, 419 Judkins, Roy 208 K Karloff, Boris 20 Kenan, Cissie 446 Kennerley, George 450 Kenny, Desmond 398 Kern, Hermann 333 Kinnaird, Henry John 147 Kneller, Foll. Of Sir G 240 Knight, Dame Laura 46 Knight, John William B 368 Knox, Wilfred 177 Kretzschmer, Johann H 312 L Langford, Martin 64 Lanza, Giovanni G 145, 146 Lauri, Manner of Fillipo 257 Lawrence, After Sir T 262 Lawrence, Sir Thos.

244

103

INDEX OF ARTISTS Lear, Edward 125 34 Leech, John Leeuw, Alexis de 349 139 Leitch, Attrib. to William L Leitch, William Leighton 90, 94 30 Lerpiniere, Daniel Leslie, Cecil 449 476 Lewis, Michael Leyden, Lucas van 23 49, 197 Lindsay, Norman Linnig, William 329 407 Llewellyn, William S H Lockhart, William E 106 26 Lucas, David Ludovici, Albert 353 M 70 Mack, Alastair 152 Mackay, Florence Maddox, Ronald 215 300 Maiden, Joseph Manners, Charles 179 355 Marcette, Henri Marek, Jerzy 461 Marion, Elsie 183 Mathison, John 473, 474 Matthews, Michael 289, 366 Maxwell, James Scott 127 Mayor, William Frederick 128 311 McAlpine, William McBey, James 436 McCormick, Arthur D 111 McCulloch, Horatio 134 284 McMinn, William K Meadows, Arthur Joseph 248 Meissonier, Ernest 83 440 Meninsky, Circle of Bernard Merfort, Gerhard 460 Michie, David 452 Mileham, Harry Robert 336 247 Millet, Jean F Jr. Minton, John 184 Mitchell, Brian 404 408 Monahan, Hugh 228 Moni, Louis de Monier, Lina 400 Mooney, Martin 448 194, 376 Moore, Henry Morgan 350 224 Morier, Foll. Of David Morland, Foll. Of G 321, 341 Morland, George 314 Morris, Peter 393, 394 Mortimer, Thomas 133 Morton, James 415 Mulcaster, John 379 Muncaster, Claude 156 Mytens, Martin van 235 N Nash, Thomas Saunders 438 Neapolitan School 121, 359 198 Neasom, Norman Neer, Attrib. to A van der 231 Nesvadba, Gerhard 396 Nicholls, John E 332 Njobo 62 399 Noel, John Bates North American School 417 Northcote, Foll. Of 281 Norwich School 273

O Oakshett, Anthony 434 403 Onslow-Ford, Rudolph Ostade, Manner of A 254 470 Ousey, Harry Oxtoby, David 61 P 346 Paton, Frank 33 Payne, After Charles J Payne, Arthur Frederick 126 82 Payne, William Pechstein, Hermann M 67 182 Pemberton, Muriel Perry, Arthur W 135 72 Peterson, Susie Petitjean, Edmond M 378 439 Petrovichev, Piotr I Philips, J W 88 151 Pike, Jonathan Piper, John 191 27 Piranesi, Giovanni B Pocock, Nicholas 86 354 Polish School Pratt, Jeffrey 454 362 Prinsep, Foll. Of Pyall, Henry 29 R Raven, John Samuel 367 Reckelbus, Louis 412 459 Redfern, June Reed, Bryan 218 Reinagle, Philip 245 Reinagle, Ramsay R 344 Reynolds, Circle of Sir J 243 410 Richards, Frank Rickman, Philip 155 Riley, Foll. Of John 232 162 Robins, William Palmer Robinson, W 113 Roget, John Lewis 142 Rooke, Thomas Matthew 169 241 Rosa, Foll. Of Salvator Ross, William Charles 7 80, 81, 84 Rowlandson, Thomas Rubens, After Peter P 277 Russell, Janette Catherine 165 Russian School 270, 272 S Sailsbury, Frank O 189, 190 Sainthill, Loudon 219 Sartorious, John Nost 238 Scales, G H 472 Schetky, John Christian 291 Schlugg, George 342 Schouman, Marinus 87 Schwanfelder, Charles H 242 Scott, Maggie 8 Scott, Tom 102 Scottish School 229, 370 Seben, Henri van 369 Seeman, Circle of Enoch 233 Shapland, John 137 Shayer, Manner of Wm 306 Short, Frederick G 389 Sidney Tushingham 45 Smith, Alfred Carlton 323, 324 Solomon, Foll. Of S 166 Solomon, Solomon J 337 Somerville, Stuart Scott 420 Soper, Eileen Alice 54, 55, 56, 57, 58, 59, 60

271 Spanish School Spelter, Jacob 12 Spencer, Circle of Sir S 443 385 Spooner, Arthur Stacey, Walter Sidney 159 343 Stamper, James William 148, 149 Stannard, Henry John S Stark, Attrib. to James 310 Steelink, Willem 348 437 Stokes, Adrian Scott Stokes, George Vernon 43 Stork, Mary 217 292 Strang, William 252 Stuven, Ernst Sullivan, Edmund Joseph 205 Sullivan, William Holmes 372 260 Sully, Foll. Of Thos Syer, John 129, 381 T 395 Talwinski, Igor Tanner, Robin 50, 51, 52, 53 Taylor, Henry King 297 Thompson, Ernest 363 Thors, Joseph 308 Tobias, Ben 475 85 Turner, Attrib. to J M W V Valckert, Attrib. to W van 226 28 van Rijn, After Rembrandt H Velazquez, After Diego 221 Verelst, Circle of Herman 251 Vollon, Antoine 325 W Wainwright, Wm John 115 Waldmuller, J H 130 Wasse 15 103 Watanaby, T H Weedon, Augustus W 138 Weenix, Foll. Of 320 Weight, Carel 63 Welch, Rosemary Sarah 433 Wheatley, After Francis 35 307 Wheeler, Foll. Of Alfred Whistler, Attrib. to James A M 161 Wilkinson, Henry 42 Williams, Alfred Walter 340 Williams, Attrib. to E 253 Wilson, John 360 Wilson, Stanley R 466 Wilson, Sydney 36 Wimperis, Edmund M 347 Wint, Attrib. to Peter de 92 Wolfe, Edward 195 Wolmark, Alfred Aaron 445 Wood, Lawson 211 Wright, Gilbert Scott 373 Wright, Robert William 365 Wyatt, Anthony 468 Wyllie, William 37, 39 X Xu, Zhongmin 74 Y Yardley, John 173, 174 Yeomans, Paul R 206 Yoshida, Hiroshi 47, 48 Z Zimmermann, Ernst K G 352 Zucarro, Manner of F 225

20th Century & Contemporary Art Wednesday 8th June 2016

Frederick Gore R.A. (1913-2009) Roses d’Inde et Pastis Signed, also signed and titled on stretcher verso Oil on canvas, 76 x 101.5cm Estimate: £8,000-12,000

ENQUIRIES Victor Fauvelle | Tel: +44 (0) 1722 424503 | victorfauvelle@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0) 1722 424592 | jobutler@woolleyandwallis.co.uk

Furniture, Works of Art & Clocks Wednesday 6th April 2016

Georges Malissard (French 1877-1942) A bronze equestrian group of Field Marshal Ferdinand Foch From a private collection of over twenty-five lots of bronzes Estimate: ÂŁ1,000-1,500 ENQUIRIES Mark Richards | Tel: +44 (0) 1722 411854 markrichards@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays.

Viewing All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

Bidding in the Room To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk.

You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

Commission Bidding If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

Telephone Bidding It is usually possible to bid on the telephone by prior arrangement with the office.

Live Online Bidding Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% plus VAT charge for this service.

In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

Condition Reports The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

Sale Results These will be posted on our website shortly after the sale.

Buyer’s Premium Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

Payment and clearance Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

Artist’s Resale Right / Droit De Suite ‡ Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the cardholder is not present.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Wire transfers should be sent to: Lloyds Bank plc, 38 Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Packing and Shipping Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street

Design & Production by

Woolley & Wallis Absentee Bid Form Oil Paintings, Watercolours, Miniatures & Prints Wednesday 16th March 2016 PW160316

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) ���������������������������� ��������������������������������������������������� Address �������������������������������������������� ��������������������������������������������������� ��������������������������������������������������� _________________________ Postcode ����������������� Daytime Telephone ���������������������������������� Signature ������������������������������������������� There is no surcharge for debit card payments, but for credit cards there will be a 2% + VAT surcharge. ID is required for all first time bidders.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms.

All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues.

Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium).

Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense.

We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

After Edward Lear: In our opinion a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

20th Century Design Michael Jeffery Zoe Smith

424505 329477

Asian Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

424506 424591 424583 424589

English & European Ceramics & Glass Clare Durham

424507

Furniture, Works Of Art & Clocks Mark Richards Jim Gale Anna Brown

411854 339161 411854

Jewellery Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

Paintings Victor Fauvelle Jo Butler

424503 424592

Silver Rupert Slingsby Lucy Chalmers

424501 424594

Tribal Art & Antiquities Arms & Armour Will Hobbs Ellie Osmond

339752 339752

Furniture, Works Of Art, Arms & Armour & Clocks 6th April – Furniture, Works of Art, Arms & Armour 6th July – Furniture, Works of Art & Clocks Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk

Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

Marketing Tamzin Corbett

424590

Accounts Janice Clift (Office Manager)

424500

General Office Pauline West Sharon Ringwood Nicola Young Amanda Lawrence Saleroom Manager David Jordan

424500

424500

Board of Directors Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman

Associate Directors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

20th Century Design 20th April – Clarice Cliff, Art Deco & 20th Century Design 22nd June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Silver 27th April – Fine Silver & Objects of Vertu 19th & 20th July – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk Jewellery 28th April 21st July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk Asian Art 17th & 18th May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

Clive Stewart-Lockhart FRICS FRSA Managing Director Company Secretary Jim Macarthur CA

English & European Ceramics & Glass 19th April Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

424599

Paintings 8th June – 20th Century & Contemporary Art 7th September – Old Masters & 19th Century Paintings Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

Paintings Wednesday 16th March 2016

Paintings Wednesday 16th March 2016

www.woolleyandwallis.co.uk