Woolley & Wallis Asian Art 17-18 May Day One by ATGMEDIA

WOOLLEY & Wallis SALISBURY SALEROOMS

威立士

Asian Art i Tuesday 17th May 2016

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan English & EuropEAn CErAmiCs & glAss Clare Durham

424506 424591 424583 424589

424507

vAluAtions For insurAnCE & probAtE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

mArkEting Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager)

424500

FurniturE, Works oF Art & CloCks Mark Richards Jim Gale Anna Brown

411854 339161 411859

JEWEllEry Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

sAlEroom mAnAgEr David Jordan

pAintings Victor Fauvelle Jo Butler

424503 424592

boArD oF DirECtors Paul Viney ASFAV Chairman

silvEr Rupert Slingsby Lucy Chalmers

424501 424594

20th CEntury DEsign Michael Jeffery Zoe Smith

424505 329477

tribAl Art & AntiquitiEs Will Hobbs

339752

Arms & Armour, Coins & mEDAls Ned Cowell

339752

gEnErAl oFFiCE Pauline Jones Sharon Ringwood Nicola Young Amanda Lawrence

424500

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director CompAny sECrEtAry James Macarthur CA AssoCiAtE DirECtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Catalogue £20.00 (£25.00 by post) (£30.00 by post outside Europe)

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424500

424599

Asian Art i

亞洲藝術品 I

Tuesday 17th May 2016 at 10.30am Viewing Times London Selected highlights at Brian Haughton, 15 Duke St, St James SW1Y 6DB John Axford

Sophie Lister Alex Aguilar Doméracki

Freya Yuan

John Axford +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Freya Yuan +44 (0)1722 424589 freyayuan@woolleyandwallis.co.uk

Alex Aguilar Doméracki +44 (0)1722 424583 alexaguilar@woolleyandwallis.co.uk

Monday 9th May 10.00am – 4.30pm Tuesday 10th May 10.00am – 4.30pm Salisbury Saturday 14th May 10.00am – 1.00pm Monday 16th May 10.00am – 5.30pm Tuesday 17th May 9.00am – 10.30am

Trains from London There are regular trains from London Waterloo to Salisbury Waterloo to Salisbury – at twenty past and at ten minutes to the hour Salisbury to Waterloo – at twenty past and fifteen minutes to the hour The journey takes approximately 90 minutes 每天來往于倫敦滑鐵盧和索爾茲伯里之間的火車為每半個小時一班，車程需要九十分鐘左右。 **注：本中文條款如有任何詮釋上的問題，一概以英語版本為準

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CHRONOLOGY OF CHINA 中國歷代年表

NEOLITHIC 新石器時代 c.6500-1700 BC XIA DYNASTY 夏 c.2100-1600 BC SHANG DYNASTY 商 c.1600-1100 BC ZHOU DYNASTY 周 c.1100-221 BC Western Zhou 西周 c.1100-771 BC Eastern Zhou 東周 770-256 BC Spring and Autumn Period 春秋 770-476 BC Warring States Period 戰國 475-221 BC QIN DYNASTY 秦 221-206 BC HAN DYNASTY 漢 206 BC-AD 220 Western Han 西漢 206 BC-AD 8 Eastern Han 東漢 AD 25-220 THREE KINGDOMS 三國 220-280 Wei 魏 220-265 Shu Han蜀漢 221-263 Wu 吳 222-280 JIN DYNASTY 晉 265-420 Western Jin 西晉 265-317 Sixteen Kingdoms 十六國 304-439 Dong Jin 東晉 317-420 SOUTHERN DYNASTIES 南朝 420-589 Liu Song 劉宋 420-479 Southern Qi 南齊 479-502 Liang 梁 502-557 Chen 陳 557-589

NORTHERN DYNASTIES 北朝 386-581 Northern Wei 北魏 386-534 Eastern Wei 東魏 534-550 Western Wei 西魏 535-556 Northern Qi 北齊 550-577 Northern Zhou 北周 557-581 SUI DYNASTY 隋 581-618 TANG DYNASTY 唐 618-907 FIVE DYNASTIES 五代 907-960 Later Liang 後梁 907-923 Later Tang 後唐 923-936 Later Jin 後晋 936-946 Later Han 後漢 947-950 Later Zhou 後周 951-960 LIAO DYNASTY 遼 907-1125 SONG DYNASTY 宋 960-1279 Northern Song 北宋 960-1127 Southern Song 南宋 1127-1279 JIN DYNASTY 金 1115-1234 YUAN DYNASTY 元 1271-1368

MING DYNASTY 明 1368-1644 Hongwu 洪武 1368-1398 Jianwen 建文 1399-1402 Yongle 永樂 1403-1425 Hongxi 洪熙 1425 Xuande 宣德 1426-1435 Zhengtong 正統 1436-1449 Jingtai 景泰 1450-1456 Tianshun 天順 1457-1464 Chenghua 成化 1465-1487 Hongzhi 弘治 1488-1505 Zhengde 正德 1506-1521 Jiajing 嘉靖 1522-1566 Longqing 隆慶 1567-1572 Wanli 萬曆 1573-1620 Taichang 泰昌 1620 Tianqi 天啟 1621-1627 Chongzhen 崇禎 1628-1644 QING DYNASTY 清 1644-1911 Shunzhi 順治 1644-1661 Kangxi 康熙 1662-1722 Yongzheng 雍正 1723-1735 Qianlong 乾隆 1736-1795 Jiaqing 嘉慶 1796-1820 Daoguang 道光 1821-1850 Xianfeng 咸豐 1851-1861 Tongzhi 同治 1862-1874 Guangxu 光緒 1875-1908 Xuantong 宣統 1908-1911 REPUBLIC OF CHINA 中華民國 1912HONGXIAN (YUAN SHI KAI) 洪憲（袁世凱）1915-1916 PEOPLE’S REPUBLIC OF CHINA 中華人民共和國 1949-

Asian Art i

亞洲藝術品 I

Tuesday 17th May 2016 at 10.30am

1 A COLLECTION OF CHINESE GILT METAL AND KINGFISHER FEATHER HAIR ORNAMENTS QING DYNASTY Variously modelled as butterflies and flowers, mounted with small coloured beads, 25cm max. (17)

£1,500-2,500 清

點翠頭飾一組十七件

2 A PAIR OF CHINESE ENAMEL EARRINGS QING DYNASTY Formed as reticulated filigree baskets of flowers, with jadeite and rose quartz pendants, together with six small kingfisher feather appliqués, variously decorated with foliate designs, butterflies and birds, five mounted as brooches, 8cm max. (8)

£800-1,200 清

點翠飾品及畫琺瑯耳飾一組八件

3 NINE CHINESE GILT METAL AND KINGFISHER FEATHER HAIR ORNAMENTS QING DYNASTY

4 A COLLECTION OF CHINESE GILT METAL AND KINGFISHER FEATHER ITEMS QING DYNASTY

And a pair of earrings, variously decorated with bats, fruiting and flowering branches, dragons and Buddhist emblems, with beaded glass pendants and other appliqués in coloured stones, 22cm. (11)

Comprising earrings, hairpins and small appliqués, variously formed as fish, birds, insects, vases, flowers and leaves, some mounted with coloured stones, 16cm max. (15)

£2,000-3,000

£1,000-2,000

清

Provenance: a private collection, London.

點翠耳飾及頭飾一組十一件

清點翠飾品及頭簪一組十五件來源：倫敦私人收藏

5 THREE CHINESE HAIR ORNAMENTS QING DYNASTY

6 FIVE CHINESE SILVER METAL HAIRPINS QING DYNASTY

One mounted with a pale celadon jade phoenix in flight, flanked by jade and enamel dragons, another as a large flower, the petals in celadon and spinach-green jade surrounding a central kingfisher feather flowerhead, the third a pair of gilt metal and kingfisher feather openwork phoenix, a white glass cylindrical bead surmounted by a butterfly between them, 19cm max. (3)

Each mounted with a butterfly with curling antennae, a pair of filigree Buddhist lions dogs with brocade balls, and a gilt metal articulated pendant of a fish, three of the hairpins with faint impressed marks, 12.2cm max. (8)

£1,000-2,000 Provenance: a private collection, London. Cf. Classics of the Forbidden City, Jewelry of the Empress and Imperial Concubines in the Collection of the Palace Museum, nos.91 and 92 for related flower hairpins.

清點翠花卉紋髮簪一組三件來源：倫敦私人收藏

£500-1,000 Provenance: a private collection, London.

清銀製髮簪及點翠頭飾一組八件來源：倫敦私人收藏

7 SIX CHINESE GILT METAL AND KINGFISHER FEATHER HEAD BANDS QING DYNASTY

8 FOUR CHINESE GILT METAL AND KINGFISHER FEATHER HAIR ORNAMENTS QING DYNASTY

Each decorated with reticulated designs of flowers, leaves and butterflies, one mounted with coloured beads, 21.5cm max. (6)

Two formed as plaques decorated with bats perched upon peach and finger citron, the others as hairpins with bats, flowers and leaves, together with a gilt metal filigree and enamel fan decorated with a central phoenix, bordered by flower sprays and animals, the latter with a fitted box, 31.5cm. (5)

£1,000-2,000 Provenance: a private collection, London.

清點翠鈿口及結子一組六件來源：倫敦私人收藏

£800-1,200 清

點翠頭飾及畫琺瑯鳳戲牡丹折扇一組五件

10 9 A CHINESE GILT METAL AND KINGFISHER FEATHER PENDANT QING DYNASTY Modelled as a fish beneath a lotus flower, supporting a peach-shaped agate bead, the chain with red and turquoise beads, together with two hair ornaments, one depicting two crickets, the other a pair of articulated Buddhist lion dogs with brocade balls, and a model of a bird, 32.5cm max. (4)

£800-1,200 Provenance: a private collection, London.

清點翠頭簪及飾品一組四件來源：倫敦私人收藏 10 λ A CHINESE IVORY CHATELAINE QING DYNASTY With four plaques, two stained green, carved with C-scrolls and scrolling foliage and inlaid with mother of pearl designs, all joined by link chains, a smaller ruyi plaque to one end, 75cm.

£6,000-8,000 清

象牙嵌螺鈿如意蓮花紋飾品

11 A COLLECTION OF CHINESE GILT METAL AND KINGFISHER FEATHER HAIRPINS QING DYNASTY Formed as flowerheads, butterflies and a bird, embellished with small beads and delicate springs, 7.2cm max. (37)

£1,000-2,000 清

點翠髮飾一組三十七件

12 λ AN ELABORATE CHINESE GILT METAL AND KINGFISHER FEATHER HEADDRESS QING DYNASTY

An openwork foliate band supporting a row of phoenix, each with a beaded tassel suspended from its mouth, with six Chinese characters reading yi pin gao ming fu in (for the wife of a top ranking official), mounted on mirrored roundels above and divided by nine small models of standing figures, all surmounted by two dragons contesting a central flaming pearl of wisdom, a green and pink silk tassel suspended from endless knots to each side, a modern perspex stand, 33.5cm wide. (2)

£4,000-6,000 Provenance: a private collection, London.

清點翠頭冠《一品誥命夫人》來源：倫敦私人收藏

13 A RARE CHINESE IMPERIAL MIDNIGHT-BLUE SILK FORMAL ROBE, CHAOPAO MID-19TH CENTURY Embroidered in satin stitch and Peking knot, the upper half with four five-clawed dragons, each with a flaming pearl of wisdom amongst Buddhist emblems, bats, flowers and clouds, the narrow waist band with confronting dragons, the pleated skirt with thirteen dragon roundels above a wider band of confronting dragons with flaming pearls, divided by a central qin and waves crashing upon rocks, all reserved on a deep blue ground and bordered by gilt brocade, 208cm across.

£10,000-20,000 Provenance: from the collection of Dr Richard Wolfendale L.R.C.P. and S. (Edin.)(1866-1921), and thence by family descent. Cf. Y Li & Y Li, Embroideries of Ming and Qing Dynasties, p.145, no.YZ026 for a related robe; see also Christie’s Hong Kong, The Imperial Sale, Important Chinese Ceramics and Works of Art, 28th May 2014, lot 3349. Dr Wolfendale travelled to China in 1896 with the London Missionary Society, having qualified in Edinburgh as a Medical Missionary. He was appointed to the hospital in Chongqing (Chungking), where he was known as Dr Fan I Sen. He spoke fluent Chinese, and was a respected physician. In 1910 he transferred to the Canadian Missionary Society to continue his work, including rebuilding hospital buildings in Luzhou (Luchow) in 1915, and treating wounded soldiers from both sides during fighting between Yunnan and Sichuan (Szechuan) forces. Dr and Mrs Wolfendale were presented this robe as a gift in 1914 when he left Chongqing, in gratitude for his service which would eventually span a twenty-five year period.

十九世紀石青色雲龍紋朝袍來源：Dr Richard Wolfendale L.R.C.P. and S. 舊藏 1896年，Wolfendale醫生在成功于愛丁堡獲得醫學傳教士證書後，隨倫敦傳教會組織一起到訪中國，之後便被任命前往一

Thomas Fisher Rare Book Library, University of Toronto, courtesy of the family

家位於重慶的醫院就職。因其持一口流利的中文及在精湛的內科醫術被當地人尊敬，并親熱的稱他為樊醫生。直到1910年轉任加拿大傳教會后，于1915年被派去瀘州。期間他參于修建瀘州醫院建築及治療在雲南及四川戰區的受傷士兵。Wolfendale 夫婦在1914年離開重慶工作區時，當地政府為了感謝他長期來對他們幫助贈與此袍。

Left to Right: Dr Richard Wolfendale, J. Hudson Taylor and William Wharton Cassels, 1905

14 A CHINESE LADY’S SILK TUNIC AND SKIRT 19TH CENTURY The tunic embroidered with four-clawed dragons, birds, bats and cloud scrolls, and with rank badges in gold thread and coral depicting silver pheasants (for a fifth rank civil official), the skirt in the form of a pair of aprons, embroidered with five-clawed dragons and phoenix, 108cm high max.

£800-1,200 Provenance: from the collection of Dr Richard Wolfendale L.R.C.P. and S. (Edin.) (1866-1921), and thence by family descent.

十九世紀對襟坎肩及馬面裙來源：Dr Richard Wolfendale L.R.C.P. and S. 舊藏

15 A CHINESE SILK PANEL 18TH CENTURY Taken from a blue silk robe, depicting a confronting dragon amongst flowers, contained in a glazed case, the panel 35cm.

£800-1,200 Provenance: purchased from Spink & Son Ltd., c.1990s.

十八世紀趕珠龍紋繡品來源：1990年代購於Spink & Son Ltd

16 A CHINESE SILK DRAGON COLLAR, PI LING LATE QING DYNASTY Embroidered in gold with five five-clawed dragons with flaming pearls of wisdom and clouds, all above a band of waves and bordered by key fret, mounted in a glazed frame, the collar 72cm across.

£500-1,000 Provenance: from the collection of Lady Stewart, London. Given as a gift c.1960-61 in Beijing by Rong Ling who, along with her sister Der Ling was a lady in waiting to the Dowager Empress Cixi. Lady Stewart’s husband, Sir Michael was the Chargé d’affaires to Peking 1959-1962. Cf. V Garrett, A Collector’s Guide to Chinese Dress Accessories, p.91, pl.1 where another pi ling is illustrated.

晚清緞地趕珠龍紋披領來源：Stewart女士收藏，此件披領是由Rong Ling作為禮物送給她的附慈禧太后與Rong Ling和她的姐姐的相片

The Dowager Empress Cixi with Der Ling and Rong Ling

17 A CHINESE BLUE SILK GAUZE SUMMER SKIRT FOR A ROBE MID-19TH CENTURY Worked in counted stitch (petit point) with thirteen roundels containing five-clawed dragons and flaming pearls of wisdom above pairs of larger dragons amongst bats, peaches and clouds, all above crashing waves and bordered by gold scrolling lotus borders, with a later-added cotton sleeve for display, 104cm long.

£2,000-3,000 Provenance: purchased from Linda Wrigglesworth c.1980s. Cf. G Dickinson & L Wrigglesworth, Imperial Wardrobe, p.147, pl.128 for a closely related example.

十九世紀中期石青色趕珠龍紋朝袍裙來源：1980年代購於Linda Wrigglesworth

18 A CHINESE RED-BROWN SILK DRAGON ROBE, JIFU LATE QING DYNASTY Embroidered with nine dragons amongst cloud scrolls, flaming pearls and other auspicious things, 209cm across.

£500-1,000 Provenance: an English private collection, acquired in 1920 from Olive Grime.

晚清绛紅緞地趕珠龍紋吉服來源：英國私人收藏，1920年購於Olive Grime

19 A CHINESE BLUE SILK DRAGON ROBE, JIFU 19TH CENTURY Embroidered with nine dragons amongst clouds and flaming pearls of wisdom, 184cm across.

£400-600 十九世紀

藍地趕珠龍紋吉服

20 A CHINESE ORANGE SILK SKIRT IN THE FORM OF A PAIR OF APRONS 19TH CENTURY Finely embroidered in gold and green with panels depicting two phoenix amongst peony flowers and butterflies, all above waves and clouds, bordered in blue with continuous bands of peony, prunus and other flowers, reserved on an orange ground decorated with Buddhist emblems and bats, 104cm long.

£600-1,000 Provenance: purchased from Linda Wrigglesworth.

十九世紀珊瑚紅紅地繡金線鳳戲牡丹裙來源：購於Linda Wrigglesworth

21 A LARGE CHINESE CUT-VELVET PANEL QING DYNASTY Constructed with three panels, decorated in orange and spinach-green velvet with a geometric floral design, with peony blooms and scrolling leafy tendrils, within borders of key fret, lotus and dragons, 352cm x 185cm.

£4,000-6,000 Cf. R Soame Jenyns & W Watson, Chinese Art, Vol.III, p.41 and pl. no.14, for a related panel; see also Victoria & Albert Museum, Chinese Art and Design, p.116, no.45.

清早期

綠地花卉紋織毯

22 A CHINESE HARDWOOD RECTANGULAR LOW TABLE, KANG QING DYNASTY The top inset with a burr wood panel, the short curving legs joined by stretchers, 8cm x 31cm x 48cm.

£500-800 清

硬木拖泥几

23 A CHINESE HARDWOOD RECTANGULAR LOW TABLE, KANG QING DYNASTY The top inset with a burr wood panel, the curved legs raised on a rectangular stretcher, 12.5cm x 30cm x 49cm.

£500-800 清

硬木拖泥几

24 A CHINESE HARDWOOD RECTANGULAR LOW TABLE, KANG QING DYNASTY With a frieze of stylized scrolls, the curving legs joined by stretchers, 10cm x 34.7cm x 54.4cm.

£500-800 清

硬木拖泥几

25 λ A LARGE CHINESE HARDWOOD, LACQUER AND JADE SIX PANEL SCREEN LATE QING DYNASTY AND EARLIER Each panel inlaid with appliqués, some from earlier reigns in jade, ivory, various woods and hardstones, carved as scholar’s objects and Buddhist emblems, all bordered by carved wood panels depicting the wu fu peng shou, the lower panels carved with stylized dragon heads and bats, 196cm x 216cm. (6)

£30,000-40,000 晚清

硬木嵌百寶博古圖紋屏

26 A CHINESE ZITAN MINIATURE ALTAR TABLE QING DYNASTY The rectangular top with up-turned ends above a reticulated key fret frieze, the legs joined by stretchers and scrolling foliate panels, 13.5cm x 17.2cm x 38cm.

£4,000-6,000 清

紫檀供桌

27 A SMALL CHINESE HARDWOOD STAND OR TRAY QING DYNASTY The rectangular top with reticulated stylized dragon friezes, raised on four scroll-ended feet, each surmounted by a griffin’s head and joined by a foliate ruyi apron and stepped stretchers, 10cm x 19cm x 31.3cm.

£800-1,000 Provenance: formerly in the collection of Melplash Court, Melplash, Dorset.

清硬木鏤雕靈芝龍紋托盤來源：多賽特Melplash Court收藏

28 A CHINESE DREAMSTONE TABLE SCREEN QING DYNASTY The square panel with dark grey striations, simulating a distant rocky ravine beneath a stormy sky, contained in a hardwood reticulated stand, carved with scrolling panels, 61cm x 48.5cm overall. (2)

£1,000-2,000 清

硬木嵌大理石插屏

29 two views

29 A LARGE CHINESE EIGHT PANEL BLACK AND GOLD LACQUER SCREEN 19TH CENTURY Painted to one side with six oval cartouches containing mountainous pagoda landscapes, with figures in boats, pine and willow trees, encircled by a dense scrolling foliate ground, bordered with further rectangular panels containing figures engaged in domestic pursuits reserved on a cell diaper ground, all divided by a key fret band, the reverse with peony and finger citron emerging from rocks, with small birds and butterflies, 187cm x 432cm overall. (8)

£2,000-3,000 Provenance: Christie’s New York, 19th and 20th October 2011, lot 555. Cf. D S Howard, A Tale of Three Cities, Canton, Shanghai & Hong Kong, pp.182-3, no.239 for another black and gold lacquer eight panel screen.

十九世紀黑漆描金山水花卉紋屏來源：紐約佳士得2011年10月19&20日·編號555

30 A CHINESE BLACK LACQUER SMALL TABLE CABINET 17TH CENTURY Decorated with mother of pearl, bone and coloured stones, with five children playing in a garden, and with flowers and foliage, the top with a hinged lid, the doors enclosing four drawers, 34cm x 34cm x 27cm.

£800-1,200 十七世紀

黑漆嵌螺鈿官皮箱

31 A CHINESE BLACK LACQUER RECTANGULAR LOW TABLE, KANG MING DYNASTY Inlaid with mother of pearl, the top depicting scholars and an attendant in a fenced garden, two drinking tea beneath a pine tree, another with a deer, a crane in flight above them, the shaped apron with kylins, phoenix and Mandarin ducks reserved on cell diaper grounds, all raised on short scrolling feet, 18.5cm x 42cm x 65.5cm.

£1,500-2,500 Cf. Spink & Son Ltd., The Minor Arts of China IV, p.16, no.6 for a related table.

明

31 detail

黑漆嵌螺鈿人物炕桌

32 A CHINESE BLACK LACQUER RECTANGULAR TABLE CABINET 17TH/18TH CENTURY The front panel removable to reveal two long drawers divided by two smaller drawers beside an inner open compartment, the interior lacquered red with gilt splashes, the fittings paktong, the exterior inlaid with bone, depicting an extensive garden scene of boys and scholars amongst trees, with pagodas beneath clouds in the distance, the top with an Immortal holding a baby on a cloud above a procession, 35cm x 21.4cm x 32.8cm.

£10,000-12,000 Provenance: formerly in a private European collection. Cf. The Complete Collection of Treasures of the Palace Museum, Lacquer Wares of the Qing Dynasty, p.259, no.193 for a box with similar inlaid decoration; see also H Garner, Chinese and Associated Lacquer from the Garner Collection, no.144, pl.56c.

十七/十八世紀黑漆嵌百寶官皮箱來源：歐洲私人收藏

33 A SMALL CHINESE BLACK LACQUER SIX-LEGGED STAND YUAN DYNASTY 1271-1368 The circular top supported by a short waisted section above a flared apron, the delicate scroll-ended legs with leaf-shaped terminals, joined at the base by a low circular platform, 38.7cm.

£5,000-7,000 Cf. Lee, Oriental Lacquer Art, pl.234, for a larger red lacquered example in the Royal Scottish Museum, Edinburgh.

元

黑漆如意花几

34 λ A PAINTED RECTANGULAR PANEL 18TH CENTURY AND LATER Onlaid in ivory with carved figures in dragon boats and at the water’s edge, with pagodas and other small dwellings amongst maple and pine trees, mounted on a modern panel painted with a harbour scene, contained in a wood frame, 36cm x 81cm.

£1,000-2,000 Provenance: from the collection of Edmund Ommaney, acquired in Peking in 1860, by repute.

十八世紀或晚期硬木嵌百寶賽龍舟掛屏來源：Edmund Ommaney收藏，1860年購於北京

35 λ A PAIR OF CHINESE PAINTINGS ON PAPER EARLY 19TH CENTURY Depicting many figures in gardens and on terraces in various sociable pursuits, the faces applied with ivory, their robes in woven silk, contained in hardwood frames, 30cm x 46cm. (2)

£3,000-4,000 十九世紀早期

刺繡嵌象牙人物故事紋掛屏一對

36 A CHINESE BLACK LACQUER AND MOTHER OF PEARL BOX YUAN DYNASTY 1271-1368 AD The outer box with a loose rectangular handle to each side and with two drawers within, the exterior inlaid with mother of pearl depicting shaped panels containing figures engaged in various activities in gardens, all contained within geometric borders, the drawers with chrysanthemum emerging from rockwork with a butterfly beneath a foliate spray, contained in a fitted wooden box, 16.2cm x 14cm x 16.2cm. (5)

£400-600 元漆木嵌螺鈿人物故事紋盒

37 λ A RARE CHINESE CANTON IVORY BRISE COCKADE FAN AND WALL CASE 18TH CENTURY Carved with a continuous design of delicately pierced foliate scrolls, with vases of flowers and squirrels climbing upon fruiting vines, and with seven oval cartouches each containing figures amongst pagoda landscapes, one with the monogram ‘J L’, contained within a rectangular ivory wall case pierced for suspension, similarly monogrammed and carved in shallow relief with figures engaged in daily pursuits amongst pagodas, leafy trees and small boats, the guardsticks 38cm long. (2)

£1,000-2,000 Cf. Bonhams, 12th May 2011, lot 511 for a comparable armorial example; see also C L Crossman, The China Trade, p.330, pl.192 for a smaller example with ‘scissor’ guardsticks.

十八世紀

象牙鏤雕扇及盒子一組兩件

38 A PAIR OF CHINESE HUANGHUALI HORSESHOE-BACKED ARMCHAIRS, QUANYI QING DYNASTY Each with a curved toprail terminating in an outward-turning serpentine hook to each side and supported by shaped spandrels, mounted with six silver metal supports decorated with scrolls, the central splat with a ruyi-shaped cartouche carved in shallow relief with two sinuous dragons, the rectangular frame with a woven mat seat, the legs joined by stepped stretchers and an arching apron embellished with intertwining leaf scrolls, 100cm x 61.8cm x 47cm. (2)

£30,000-40,000 Provenance: a European private collection.

清黃花梨圈椅一對來源：歐洲私人收藏

39 A PAIR OF CHINESE HUANGHUALI HORSESHOE-BACKED ARMCHAIRS, QUANYI QING DYNASTY Each with a curved toprail terminating in an outward-turning serpentine hook to each side and supported by shaped spandrels, the central splat with a ruyi-shaped cartouche carved in shallow relief with two sinuous dragons, the rectangular frame with a woven mat seat, the legs joined by stepped stretchers and an arching apron embellished with intertwining leaf scrolls, 100.4cm x 61.8cm x 46.8cm. (2)

£30,000-40,000 Provenance: a European private collection.

清黃花梨圈椅一對來源：歐洲私人收藏

40 A MASSIVE CHINESE CAMPHOR WOOD CHEST 19TH CENTURY Of rectangular form with two loose ring handles to each end, the base with a frieze carved in relief with two dragons amongst scrolls, mounted on rollers, 90cm x 167cm x 73cm. (2)

£2,000-3,000 Cf. The Victoria & Albert Museum, Accession no.FE.77-1983 for a related chest.

十九世紀

樟木龍紋箱

41 A LARGE CHINESE HARDWOOD TABLE LATE QING DYNASTY With three frieze drawers carved with mythical beasts, flowers and leaf scrolls, the cabriole legs carved with leaf and flame motifs, 85cm x 150cm x 84cm.

£1,000-1,500 晚清

硬木雕瑞獸紋桌

42 A LARGE PAIR OF CHINESE HUALI MING-STYLE OPENWORK BOOK SHELVES QING DYNASTY Each with four shelves and two drawers, carved with stylized dragons, the vertical and horizontal rails with subtle concave moulding, 191cm x 105cm x 48cm. (2)

£8,000-12,000 清

硬木雕書架一對

43 λ A CHINESE RHINOCEROS HORN CANE MOUNTED WITH A SILVER HANDLE QING DYNASTY The tapering handle embossed with dragons and cloud scrolls and with two punch marks, 63cm overall.

£2,000-3,000 清

犀角鑲銀手杖

44 λ A CHINESE RHINOCEROS HORN CANE MOUNTED WITH A SILVER HANDLE QING DYNASTY The tapering handle modelled as bamboo and with three punch marks, 84cm overall.

£2,000-3,000 清

犀角鑲銀手杖

45 AN INDIAN SPINACH-GREEN JADE DAGGER 19TH/20TH CENTURY Doubling as a back scratcher, the cylindrical shaft with concentric metal bands, the screw handle carved with a hand, 45.5cm. (2)

£800-1,200 十九/二十世紀

碧玉雕手型暗刺如意

46 A CHINESE HARDWOOD DISPLAY CABINET 1ST HALF 20TH CENTURY Elaborately carved with flowers and scrolls, with two openwork doors enclosing four shelves above a pair of cupboard doors and raised on ball and claw feet, 184cm x 86cm x 37cm.

£4,000-6,000 二十世紀初期

硬木雕花卉紋櫃

47 A LARGE CHINESE HARDWOOD DISPLAY STAND LATE 19TH/EARLY 20TH CENTURY Elaborately carved with two dragons to the cresting rail, and with prunus and bands of berries, with an arrangement of shelves above a pair of cupboard doors, all raised on ball and claw feet, 204cm x 103cm x 39cm.

£3,000-5,000 十九/二十世紀

硬木雕龍紋櫃

48 A LARGE COLLECTION OF CHINESE JADE AND HARDSTONE VESSELS QING DYNASTY Variously formed as incense burners, vases, bowls and water pots, together with an agate snuff bottle, two table screens, one formed as a scroll and carved in relief with Shoulao, and a large carving of a qin, the stones in celadon, spinach-green, grey and cream, nine mounted on stands and with seven separate wood stands, 24.5cm max. (47)

£1,500-2,000 Provenance: from the collection of Robert Frederick Hathaway (d.1991) of Cape Town, South Africa, collected 1970s-1990.

清玉及壽山石雕擺件一組來源：南非開普敦Robert Frederick Hathaway收藏

49 A LARGE COLLECTION OF CHINESE ITEMS QING DYNASTY Comprising: a jadeite-mounted letter opener, two celadon jade daggers, a small enamel bowl mounted with a jade belthook and various other jade, agate and hardstone carvings, two hardwood stands, 29.5cm. (A lot)

£400-600 Provenance: from the collection of Robert Frederick Hathaway (d.1991) of Cape Town, South Africa, collected 1970s-1990.

清玉、壽山石及瑪瑙雕鼻煙壺、盃及擺件一組來源：南非開普敦Robert Frederick Hathaway收藏

50 A CHINESE SPINACH-GREEN JADE SEAL QING DYNASTY The uncut base surmounted by a recumbent Buddhist lion dog, together with another four character jade seal, four jade rings, variously decorated with shou characters, dragons and C-scrolls, a jade bi disc and a jade model of a dagger handle, all in shades of celadon, grey, russet and brown, 17cm. (8)

£400-600 Provenance: from the collection of Robert Frederick Hathaway (d.1991) of Cape Town, South Africa, collected 1970s-1990.

清玉雕獅钮章、玉璧及手鐲一組八件來源：南非開普敦Robert Frederick Hathaway收藏

51 A LARGE COLLECTION OF CHINESE MODELS OF FIGURES AND ANIMALS QING DYNASTY Variously carved in nephrite, jadeite, agate, rock crystal, lapis lazuli and other stones, some raised on hardwood stands, 18cm max. (46)

£200-300 Provenance: from the collection of Robert Frederick Hathaway (d.1991) of Cape Town, South Africa, collected 1970s-1990.

清玉、翡翠、壽山石及石雕動物擺件一組來源：南非開普敦Robert Frederick Hathaway收藏

52 TWO CHINESE PALE CELADON JADE PENDANTS LATE QING DYNASTY One carved as a squirrel clambering upon a fruiting vine, the other as gourds issuing from a leafy branch, a butterfly to one side, each suspended by a cord from a hardwood stand, the pendants 5.7cm max. (2)

£800-1,200 Provenance: the Benveniste collection, Montreal. Purchased in the 1960s and ‘70s.

晚清青白玉雕松鼠葡萄及瓜瓞綿綿佩一組兩件來源：Benveniste收藏，購於1960-70年代

53 A CHINESE PALE CELADON JADE CARVING OF A FINGER CITRON 18TH/19TH CENTURY With smaller fruits and leaves issuing from the stem, raised on a fitted hardwood stand, 6.7cm. (2)

£800-1,200 Provenance: the Benveniste collection, Montreal. Purchased in the 1960s and ‘70s.

十八/十九世紀青白玉雕佛手擺件來源：Benveniste收藏，購於1960-70年代

54 TWO CHINESE PALE CELADON JADE RETICULATED PLAQUES QING DYNASTY One carved as an endless knot flanked by bats and peaches, the other with a pair of Mandarin ducks amongst lotus leaves and flowers, together with a celadon jade two-handled U-shaped cup, carved in shallow relief with spirals and key fret, 13.1cm. (3)

£800-1,200 Provenance: the Benveniste collection, Montreal. Purchased in the 1960s and ‘70s.

清青白玉雕福壽如意、蓮池鴛鴦及饕餮紋雙耳杯一組三件來源：Benveniste收藏，購於1960-70年代

55 TWO CHINESE ARCHAISTIC BROWN JADE CARVINGS QING DYNASTY One modelled as a recumbent hound, its flank decorated with C-scrolls, the other carved as a bi disc carved with stylized dragons, intersected with a hu tablet, carved to one side with Ursa Major, each with a fitted hardwood stand, 22.6cm. (4)

£500-1,000 Provenance: the Benveniste collection, Montreal. Purchased in the 1960s and ‘70s.

清褐玉雕螭龍擺件及玉璧一組兩件來源：Benveniste收藏，購於1960-70年代

56 A CHINESE PALE CELADON JADE VASE LATE QING DYNASTY The elongated body carved as a section of bamboo, with leaves and lingzhi fungus growing from a smaller stem, a single long-tailed bird perched to one side, together with a fitted hardwood stand, 13.3cm. (2)

£600-1,000 Provenance: the Benveniste collection, Montreal. Purchased in the 1960s and ‘70s.

晚清青白玉雕如意翠竹瓶來源：Benveniste收藏，購於1960-70年代

57 THREE SMALL CHINESE PALE CELADON JADE CARVINGS QING DYNASTY One depicting a boy clambering on the back of a buffalo, the stone with russet-brown markings, another a standing boy holding a lingzhi fungus, the third an Immortal, holding a fruiting peach spray and with a recumbent deer at her feet, each with a hardwood stand, 6.8cm max. (6)

£1,000-2,000 Provenance: the Benveniste collection, Montreal. Purchased in the 1960s and ‘70s.

清青白玉雕童子擺件及糖玉雕童子母牛一組三件來源：Benveniste收藏，購於1960-70年代

58 TWO CHINESE JADE RUYI SCEPTRES LATE QING DYNASTY

59 FIVE CHINESE PALE CELADON JADE BELTHOOKS QING DYNASTY

One carved in shallow relief with lotus flowers and leaves, the stone mottled spinach-green and cream, the other celadon jade, naturalistically carved with bamboo and lingzhi fungus to the shaft and head, each with a brightly-coloured silk tassel, 39.5cm. (2)

Each carved with a sinuous chilong to the shaft, the head modelled as a dragon’s head, 10.2cm. (5)

£1,000-2,000 Provenance: the Benveniste collection, Montreal. Purchased in the 1960s and ‘70s.

晚清碧玉如意一組兩件來源：Benveniste收藏，購於1960-70年代

£2,000-3,000 Provenance: the Benveniste collection, Montreal. Purchased in the 1960s and ‘70s.

清青白玉雕螭龍帶鉤一組五件來源：Benveniste收藏，購於1960-70年代

60 A CHINESE CELADON JADE BOULDER CARVING LATE QING DYNASTY

61 A CHINESE CIRCULAR JADE-MOUNTED HAND MIRROR QING DYNASTY

Carved with a crane standing beside a waterfall, with lingzhi fungus and pine at the water’s edge, another crane in flight above, together with a celadon jade ruyi sceptre, naturalistically carved with smaller fungi to the shaft, the head with a shou character encircled by C-scrolls, a red silk tassel, the former with a wood stand, 33.5cm max. (3)

The handle formed from a pale celadon jade belthook with a dragon’s head terminal, flanked by two bats, the mirror backed by a pale celadon jade reticulated plaque with a central articulated shou character, encircled by coloured stones set into silver-coloured metal decorated in relief with incense burners and vases, 18.8cm overall.

£800-1,200

£1,500-2,500

Provenance: the Benveniste collection, Montreal. Purchased in the 1960s and ‘70s.

晚清青白玉雕山子及如意擺件一組兩件來源：Benveniste收藏，購於1960-70年代

清玉雕嵌百寶執鏡來源：Benveniste收藏，購於1960-70年代

62 two views

62 A CHINESE PALE CELADON JADE BOULDER CARVING QING DYNASTY Carved in shallow relief as a mountain, one side depicting a scholar and an attendant crossing a bridge under a pine tree, a distant pagoda visible amongst clouds, with an inscription for longevity which reads nan shan zhu shou tu, cheng shang xian shou le diao tian, yuan zhang, the reverse with a deer beneath a tree and an extensive poem by Du Fu, the stone with russet markings, raised on a fitted wood stand, 10cm. (2)

£5,000-8,000 Provenance: the Benveniste collection, Montreal. Purchased from the Gurie Gallery, 18th March 1961.

清青白玉雕南山祝壽圖山子銘文：南山祝壽圖稱觴獻壽樂钧天，元章蓬萊宮闕對南山，承露金莖霄雲間。西望瑤池降王母，東來紫氣滿函關。雲移雉尾開宮扇，日繞龍鱗識圣顏。一臥滄江驚歲晚，幾回青瑣點朝班。來源：Benveniste收藏，1961年3月18日購於Gurie Gallery，附發票

Purchase invoice from the Gurie Gallery, Montreal, 1961

63 A CHINESE BRONZE MODEL OF A BUDDHIST LION DOG AND HER PUPPY 17TH CENTURY In two parts, the bitch with its front paw resting on a brocade ball with ribbons, the smaller dog with its head turned over its back, both raised on one fitted hardwood reticulated stand carved with lingzhi, 15cm. (3)

£600-1,000 Provenance: a European private collection, acquired 1965-85.

十七世紀銅製少獅太獅擺件來源: 歐洲私人收藏，購於1965-85年

64 A MASSIVE CHINESE BRONZE MODEL OF A BUDDHIST LION DOG 17TH CENTURY Crouching with a brocade ball under its left paw, its head turned and baring its teeth, its mane defined along its spine and bushy tail upturned, 49cm across.

£2,500-3,500 十七世紀

銅製獅子繡球擺件

65 A PAIR OF CHINESE PEWTER PRICKET CANDLESTICKS C.1800 Modelled as caparisoned elephants, each with his head lowered and a European rider crouched on his back, raised on a rectangular base with a shop mark beneath which reads yong ning shun xing, traces of red and gold lacquer, 26.5cm max. (4)

£2,000-3,000 Cf. D S Howard, A Tale of Three Cities, Canton, Shanghai and Hong Kong, pp.196-199 for related pewter figures. 1800年代

錫加彩胡人燭臺一對

66 A LARGE CHINESE BRONZE ARCHAISTIC VASE AND COVER, YOU 17TH/18TH CENTURY The pear-shaped body raised on a tall flaring foot and cast with flanges, damascened in gold and silver and decorated in relief with taotie masks reserved on a key fret ground, the bail handle formed as twisted rope with animal mask terminals, 35cm. (2)

£3,000-5,000 Cf. S L Moss Ltd., The Second Bronze Age, Later Chinese Metalwork, no.58, for another very similar example dated to the 18th century.

十七/十八世紀

銅錯金銀仿古饕餮紋卣

67 A LARGE CHINESE BRONZE AND PARCEL-GILT ARCHAISTIC VASE 17TH CENTURY The ovoid body cast in shallow relief with bands of taotie designs and flower roundels above eight taotie mask lappets, the shoulder with two loop handles formed with mythical beasts’ heads, an inscription to the foot which reads ‘SOUVENIR A L.MEGNEN MON GENDRE ET MEILLEUR AMI J.SEBILLE’, 48cm.

£2,500-3,000 十七世紀

銅鎏金仿古饕餮紋雙耳瓶

68 A CHINESE BRONZE TRIPOD INCENSE BURNER 18TH/19TH CENTURY

69 A CHINESE BRONZE TRIPOD INCENSE BURNER 18TH/19TH CENTURY

The compressed circular body raised on three elephant head feet, the trunks extending upwards, the loop handles formed from the bodies of two curling chilongs clambering to the rim, the base with a six character Xuande mark, 16cm.

The compressed circular body with loop handles, the base with a Xuande mark, 16cm.

£800-1,200

十八/十九世紀銅製雙耳香爐《大明宣德年製》仿款

十八/十九世紀銅螭龍耳三足爐《大明宣德年製》款

£2,000-3,000

70 A RARE CHINESE BRONZE INCENSE BURNER TWELVE CHARACTER KANGXI SEAL MARK AND OF THE PERIOD 1662-1722 The compressed circular body with two loop handles, a mark to the base which reads da Qing Kang Xi nian zhi yan tai shi shi jing zao, 17.5cm.

£4,000-6,000 清康熙銅製香爐《大清康熙年製煙台施氏敬造》款

71 A CHINESE SILVER WIRE-INLAID BRONZE INCENSE BURNER QING DYNASTY The compressed ovoid body with two lug handles and raised on a short flared foot, inlaid with silver wire depicting archaistic taotie designs, cloud scrolls and key fret above a band of stylized dragons, the base with a six character Xuande mark dividing a two character shi sou mark, with a carved hardwood ruyi stand and cover, the cover with a pale celadon jade finial carved as a fish, 19.8cm. (3)

£1,000-2,000 Cf. R Jenyns & W Watson, Chinese Art, p.92, no.58 where a related incense burner with comparable decoration is illustrated.

清銅錯金銀雙耳爐《石叟》、《大明宣德年製》款

72 A MASSIVE CHINESE PAINTED WOOD FIGURE OF A LUOHAN YUAN DYNASTY 1271-1368 Standing wearing flowing robes, with his hands clasped before him and his eyes downcast, with traces of pigments and gilding, raised on a lotus base, 134cm.

£3,000-5,000 元

木雕加彩羅漢立像

73 A CHINESE BRONZE BOTTLE VASE HAN DYNASTY 206BC - 220AD The plain ovoid body rising to a garlic-mouthed neckrim, the surface with verdigris and a mottled patina, 36.5cm.

£300-500 漢

銅蒜頭瓶

74 A MASSIVE CHINESE MARBLE TORSO OF A BODHISATTVA TANG DYNASTY 618-907 AD The standing figure adorned with ribbons and draped robes, raised on a modern stand, 75cm. (2)

£20,000-30,000 Provenance: Jan Van Beers Oriental Art, 6th November 2010. Cf. The Shanghai Museum, Ancient Chinese Sculpture Gallery, no.57 for a comparable figure. Other related figures are displayed in the Victoria & Albert Museum.

唐大理石雕菩薩立像來源：2010年11月6日購於Jan Van Beers Oriental Art

75 A MASSIVE THAI RATTANAKOSIN BUDDHA 19TH CENTURY Sitting in dhyanasana, wearing a robe decorated with elaborate geometric floral patterns, the eyes inlaid with shell, 79cm.

£1,000-2,000 十九世紀泰國佛坐像

76 A TIBETO-CHINESE GILT BRONZE MODEL OF A WHITE MAHAKALA 18TH CENTURY Standing on the backs of two prostrate elephant-headed figures, his six arms extended and holding his various attributes, his hair flaming and adorned with a five-pointed crown, with ribbons and jewels draped about his robes, his face with a ferocious expression, the third eye bulging, all raised on a lotus base, 18.3cm. (2)

£10,000-15,000 Cf. The Complete Collection of Treasures of the Palace Museum, Buddhist Statues of Tibet, p.210, no.200 for another figure of White Mahakala.

十八世紀

銅鎏金大黑天立像

77 A TIBETO-CHINESE GILT BRONZE FIGURE OF AMITABHA BUDDHA DATED 1770 QIANLONG 1736-95 Seated on a draped robe in dhyanasana, his eyes downcast in a serene expression, his head adorned with a pointed headdress, the hair secured with ribbons in a high chignon, all raised on an openwork rectangular base which bears the inscription da Qing Qian Long geng yin nian jin zao, with traces of cold painting, 18.9cm.

£1,500-2,500 清乾隆銅鎏金無量壽佛坐像《大清乾隆庚寅年敬造》款

78 A LARGE PAIR OF CHINESE BRONZE VASES, HU, WITH REMOVABLE CROWNS WARRING STATES PERIOD 475-221 BC Each pear-shaped body raised on a flaring foot, decorated in relief with four concentric relief bands simulating twisted rope, the shoulder with two mythical beast masks, each supporting a loose-ringed handle decorated with incised lines and scrolls, surmounted by a separate crown, with eight ogee-shaped radiating petals decorated with stylized geometric scrolls, the surface with evidence of malachite encrustations, 40cm overall. (4)

£20,000-30,000 Cf. J So, Eastern Zhou Ritual Bronzes from the Arthur M. Sackler Collections, Vol.III, p.255, figs.43.1 & 43.3 for comparable examples; see also W T Chase, Ancient Chinese Bronze Art: Casting the Precious Sacral Vessel, p.62, no.25. and The International Exhibition of Chinese Art, The Royal Academy of Arts, London, 1935/6 catalogue no.133 for a single similar hu vase lent by Edgar Worch.

戰國時期

青銅玄紋雙耳壶一對

79 A NEPALESE GILT METAL NECKLACE OR BREAST PLATE 18TH/19TH CENTURY Decorated in relief with two elaborate writhing dragons, their scales embellished with red and turquoise stones, divided by a central horned dragon’s head, all encircled by bands of further coloured stones and suspending a central large baroque pearl, 21.5cm.

£500-1,000 十八/十九世紀

鎏金嵌百寶佩

80 A TIBETAN SILVER METAL VASE AND COVER 19TH CENTURY

81 TWO TIBETAN RITUAL HORNS, GYALING 19TH CENTURY

The ovoid body mounted with four Chinese pale celadon jade plaques, each carved in relief with a dragon and encircled by red, green and turquoise-coloured stones, the vase with further relief dragons amongst clouds, the stepped foot with waves, the bulbous cover decorated with clouds and surmounted by a finial of two dragons, 36cm. (2)

The oboe-like instruments decorated in relief in gilt metal with foliate designs, Buddhist emblems, dragons and birds, each cylindrical flared body with seven air holes divided by concentric bands, inlaid with glass and coloured stones, one with a suspension chain, 47cm. (2)

£2,500-3,000 十九世紀

西藏銀製嵌百寶蓋瓶

£400-600 Provenance: the collection of Mark Dineley, and thence by family descent. Formerly in the Bellamy collection.

十九世紀西藏甲鈴一組兩件來源：Mark Dineley收藏，Bellamy舊藏

82 A RARE BHUTANESE THANGKA 19TH CENTURY

83 A TIBETAN THANGKA 18TH CENTURY

Depicting the seated figure of Je Jampyel Drakpa (1766-1834), raised on a throne encircled by smaller figures, 27cm x 24cm.

Painted with a central figure of Padmasambhava, surrounded by other seated deities, 65cm x 42cm.

£1,800-2,200

£1,000-1,500

Cf. Au pays du Dragon, Arts Sacrés du Bhoutan, no.92 for a related thangka detailing the life of Je Jampyel Drakpa.

十八世紀

十九世紀

西藏唐卡

不丹唐卡

84 A TIBETAN CIRCULAR GILT METAL BOX AND COVER 19TH CENTURY The compressed circular body with a central aperture, decorated with a relief band of bats and lion masks, encircled by a larger band of reticulated dragon cartouches, inset with coral and turquoise-coloured stones and divided by key fret and interlocking ruyi-heads, 34cm.

£1,000-2,000 十九世紀

西藏銅鎏金嵌百寶盒

85 A CHINESE SILVER GILT OCTAGONAL TWO-HANDLED CUP QING DYNASTY Decorated to the exterior with panels containing poems to two sides, divided by relief panels of fruiting and flowering sprays with birds, a band of key fret to the rim, 10cm across.

£1,000-2,000 清

銀鎏金八棱雙耳杯

86 A CHINESE AGATE EWER AND COVER LATE QING DYNASTY The flattened ovoid body raised on a flaring foot, the handle with a dragon’s head terminal, the domed cover with a pointed finial, raised on a fitted hardwood stand, 18.7cm. (3)

£800-1,200 Provenance: a European private collection, acquired 1965-85.

晚清瑪瑙雕酒壺來源: 歐洲私人收藏，購於1965-85年

87 A CHINESE BEIJING OVERLAID GLASS BOTTLE VASE 18TH CENTURY The ovoid body with a tall cylindrical neck, overlaid with red on a snowflake ground, carved in relief with two panels, one depicting a phoenix with bamboo, peony and lingzhi, the other a small bird perched on prunus beside bamboo, 27.7cm.

£3,000-4,000 十八世紀

雪霏地套紅料如意竹報富貴長頸瓶

88 A MASSIVE TIBETAN PARCEL-GILT SILVER MONK’S CAP EWER 18TH/19TH CENTURY The hammered body tapering toward the foot, with panels of gilt openwork Buddhist emblems amongst scrolls and foliage, the powerfully-modelled handle formed as a dragon, 52cm.

£5,000-8,000 Provenance: from an English private collection. Cf. Treasures of the Snow Mountains, p.180, no.91 for a closely related example in the Potala Palace collection.

十八/十九世紀西藏銀鎏金僧帽壺來源：英國私人收藏

89 TWO SMALL CHINESE SCHOLAR’S ROCKS

Each vertically oriented, with a jagged surface and irregular striations, one with a circular aperture, each raised on a hardwood stand, 20.5cm. (3)

£500-1,000 天然赏石一組兩件

90 TWO SMALL CHINESE SCHOLAR’S ROCKS

Each vertically oriented and with a gnarled pitted surface, the asymmetric forms with irregular jagged striations, each raised on a fitted hardwood stand, 28cm. (4)

£500-1,000 天然赏石一組兩件

91 TWO CHINESE SCHOLAR’S ROCKS

The smaller with a gnarled pitted surface, elongated in a low formation with a central irregular aperture, the other with two jagged peaks, the stone with flattened diagonal striations, the latter with a hardwood stand, 54cm. (3)

£1,000-2,000 天然赏石一組兩件

92 λ A CHINESE IVORY PANEL 17TH CENTURY Decorated to one side with an extensive mountain landscape, with many figures engaged in agricultural life, the reverse with an inscription and three seal marks, contained in a hardwood frame and raised on an elaborate base, 36.5cm. (2)

£1,000-2,000 十七世紀

硬木嵌象牙山水人物紋插屏

93 A CHINESE BLACK LACQUER BOX AND COVER CONTAINING NINE INK STICKS QING DYNASTY Each rectangular stick decorated in relief with a figural scene and with a gilt inscription, the reverse with further calligraphy, the box’s cover with a four character inscription, the box 21.5cm. (11)

£800-1,200 清

題詩人物故事紋墨及黑漆盒一組九件

94 A SMALL CHINESE ROCK CRYSTAL SEAL QING DYNASTY Surmounted by a crouching mythical beast, the base with a six character mark, 6.9cm.

£300-500 Provenance: a European private collection, acquired 1965-85.

清水晶獅钮方章來源：歐洲私人收藏，購於1965-85年

95 λ A CHINESE CARVED IVORY RECTANGULAR DRAGON SEAL 19TH CENTURY The domed top depicting two scaly dragons contesting a flaming pearl of wisdom amongst clouds, all above crashing waves, an incised seal mark to the base which reads San dai hu fu xuan, 7.8cm.

£2,000-3,000 Cf. Christie’s, 13th May 2011, lot 1130.

十九世紀象牙雕雲龍紋方章印文：三代虎符軒

96 A SMALL CHINESE PALE CELADON JADE SEAL QING DYNASTY The square base surmounted by a sinuous bifid-tailed chilong, its head curling over its back, the base with a four character mark, 6.3cm.

£5,000-8,000 Provenance: a European private collection, acquired 1965-85.

清青白玉雕螭龍钮方章來源：歐洲私人收藏，購於1965-85年

97 A CHINESE MINIATURE JADE CONJOINED CONG VASE PROBABLY MING DYNASTY

98 A CHINESE PALE CELADON JADE BRUSH QING DYNASTY

Carved to one side with a sinuous chilong, the vases with rectangular-section designs, and a miniature jade four character seal, the stones in celadon, grey and russet-brown, 3.8cm max. (2)

The cylindrical handle with a bulbous terminal and with horse hair bristles, the box with paper labels for the Sze Yuan Tang collection, the jade 13.5cm, 21.5cm overall. (2)

£1,200-1,800

£1,500-2,000

明（可能）

玉雕方章及螭龍紋琮瓶一組兩件

清

青玉雕毛筆

99 A LARGE CHINESE HUANGHUALI BITONG QING DYNASTY The plain cylindrical body with a deep rich patina, 20.6cm dia.

£500-1,000 清

黃花梨筆筒

100 A CHINESE HARDWOOD BITONG QING DYNASTY With a plain cylindrical body, 14.5cm.

£400-600 清

硬木筆筒

101 A CHINESE HUANGHUALI BITONG QING DYNASTY The plain cylindrical body with a warm patina, 16.7cm.

£1,500-2,500 十九世紀

黃花梨筆筒

102 two views

102 A CHINESE BAMBOO BITONG BY ZHOU HAO (ZHOU ZHIYAN 1685-1773) EARLY QING DYNASTY Carved in shallow relief with a mountainous landscape, with pine trees and small figures in domestic settings, the reverse inscribed with a poem and signed Zhiyan, 15.2cm.

£2,000-3,000 周芝岩款題詩筆筒

103 TWO CHINESE HARDWOOD BITONGS QING DYNASTY One burr wood of plain cylindrical form, the other simulating bamboo with two raised horizontal bands, 19.2cm max. (2)

£300-500 清

硬木雕筆筒一組两件

104 λ A CHINESE IVORY HU TABLET MING DYNASTY Of plain tapering form, 54.5cm.

£1,000-2,000 明

象牙雕笏

105 A CHINESE BAMBOO WRIST REST SIGNED BY ZHAO HAN LATE 18TH/EARLY 19TH CENTURY Inscribed with a li-shu poetic inscription after the Six Dynasties original entitled ‘In Praise of the Kingfisher’, 36.5cm.

£1,500-2,500 Chao Han was a graduate of the Wanli period of the late Ming dynasty. Over a period of more than thirty years he amassed a large collection of stele inscriptions, taken from stone carvings in ancient locations. It is likely this carving is taken from his writing after one of these inscriptions. Cf. S L Moss, In Scholar’s Taste, no.47, where this wrist rest is illustrated.

十八世紀晚期/十九世紀早期

赵涵款題詩竹雕臂擱

106 A CHINESE RED CINNABAR LACQUER STAND QIANLONG 1736-95 The circular top decorated with a stylized lotus, the border with key fret, the base with a complex cell diaper and five ruyi-shaped feet, 13cm.

£1,000-2,000 清乾隆

剔紅如意花卉紋底座

107 A PAIR OF CHINESE RED CINNABAR LACQUER AND JADE WALL VASES QIANLONG 1736-95 Formed as bottle vases and carved in relief with butterflies, fruit and flowers on a cell diaper ground, the flaring neck carved with stylized leaves, divided by pairs of dragons with shou characters, each inlaid with a pale celadon jade oval plaque, carved in relief with fruiting melon vines and with gilt borders, all raised on a carved hardwood reticulated stand, 20cm. (2)

108 A CHINESE RED CINNABAR LACQUER DISH LATE MING DYNASTY Carved in relief with a circular panel depicting two scholars seated beneath a pine tree at the water’s edge, and with a pavilion on a distant cliff, the rim with a wide band of peony flowers and foliage, the reverse with peony and chrysanthemum, 25.7cm.

£6,000-8,000 十五世紀

剔紅開光松下論道紋碟

£8,000-12,000 清乾隆

剔紅嵌白玉璧瓶一對

109 A SMALL HARDWOOD OCTAGONAL BOX AND COVER OR BIRD FEEDER 18TH/19TH CENTURY Carved in shallow relief to simulate a woven basket, the cover depicting a dog beneath a pine tree, the base with a mythical creature, a small loop for suspension, 6cm. (2)

£500-800 Jin Shiheng was a student of Qu Zi Yi during the late Qing dynasty. He was a scholar, and a renowned Yixing potter. In Guangxu’s third year he travelled to Japan to teach the art of Yixing pottery. His Yixing pottery has always been in high demand both in Japan and China.

十八/十九世紀

硬木雕松鹿紋八棱小盒

110 A CHINESE TIXI LACQUER BOWL 16TH CENTURY With a gently flaring rim, deeply carved to the exterior with layers of black and red lacquer depicting a row of pommel scrolls above ruyi motifs, 19.5cm.

£2,000-3,000 十六世紀

剔犀如意紋碗

111 A CHINESE LACQUER RUYI SCEPTRE QING DYNASTY Inlaid with mother of pearl forming checkered borders, the head with a four character mark which reads zu xia yun sheng, an inscription to the back, 37.4cm.

£1,000-2,000 清漆木雕如意《足下雲生》款

112 TWO CHINESE CARVED WOOD BITONGS 19TH CENTURY

113 A SMALL CHINESE BAMBOO LIBATION CUP 17TH CENTURY

One hardwood, of irregular organic form and with an inscription to the reverse, the other formed from a section of bamboo, carved in relief to one side with a single crane standing beneath pine, and with fungi growing to one side, the latter with traces of gold pigment, 17.5cm max. (2)

Carved as a section of tree trunk, the exterior with a gnarled blossoming prunus branch extending from the rim, 7.8cm.

£1,000-2,000 十九世紀

木雕松柏筆筒一組兩件

£3,000-4,000 Cf. L C S Tam, Chinese Bamboo Carving, Part II, pp.254-55 for a closely related example.

十七世紀

竹雕臘梅盃

112 detail

114 A CHINESE SOAPSTONE BITONG 19TH CENTURY Modelled as a section of bamboo, the exterior carved in relief with a mountainous scene of pagodas, trees and small dwellings, with three intertwining stems of bamboo to one side, 12.2cm.

£600-800 十九世紀

壽山石雕山水筆筒

115 A CHINESE HARDWOOD BITONG QING DYNASTY The cylindrical body carved to the exterior to simulate natural knots in the wood, 19cm.

£500-1,000 清

硬木筆筒

116 A CHINESE ZITAN BITONG PROBABLY LATE QING DYNASTY Carved in relief to the exterior with a group of scholars examining a scroll, another group playing a board game, all amongst craggy rocks, bamboo, pine and maple trees, with an inscription which reads kui chou zhong dong yue, Jiang Chun Bo zhi, 13.5cm.

£500-1,000 晚清（可能）紫檀雕山水人物紋筆筒題識：葵丑中冬月，江春波製

117 λ A CHINESE IVORY CARVING OF A LADY AND A PHOENIX 18TH/19TH CENTURY Raised on a rocky base, the lady wearing draped robes secured with an endless knot tie, her hair secured in a high chignon decorated with flowers, the bird with its right leg raised, its long tail feathers tucked beneath its body, 23.5cm.

£1,800-2,500 十八/十九世紀

象牙雕仕女及鳳凰立像

118 λ A CHINESE CARVED IVORY FIGURE 19TH CENTURY Seated on a rocky base, his hands covered by his draped robe, his face with a serene expression, raised on a fitted hardwood stand, 11.3cm. (2)

£400-600 十九世紀

象牙雕人物坐像

119 A CHINESE SILK BOOK COVER 17TH/18TH CENTURY Onlaid with stained soapstone, depicting scholars drinking tea with an attendant and a horse, with rocks and a pavilion to one side and a leafy tree, contained in a glazed case, 22cm x 17cm.

£800-1,200 十七/十八世紀

絲綢嵌壽山石冊頁封面

120

121

123

122

120 A CHINESE PALE CELADON JADE OVAL PLAQUE LATE QING DYNASTY

121 λ A CHINESE LEMON-YELLOW GLASS SNUFF BOTTLE C.1800

Carved in relief with a dragon hidden beneath clouds, 9.5cm.

With a plain ovoid body, 5.2cm.

£200-300

£1,000-2,000

晚清

Provenance: formerly from the collection of Robert Kleiner.

青白玉雕雲龍紋牌

1800年代檸檬黃料鼻煙壺來源：Robert Kleiner收藏

122 λ A CHINESE AGATE SNUFF BOTTLE 19TH CENTURY

123 λ A RARE CHINESE ARAGONITE SNUFF BOTTLE 19TH CENTURY

The stone with irregular markings suggesting a family of quail, 6.2cm.

The flattened ovoid body carved with ring handles in relief to the sides, 7.5cm.

£600-1,000 十九世紀

瑪瑙鷓鴣紋鼻煙壺

£1,200-1,500 十九世紀 124

No lot

霞石雕鼻煙壺

125

126

127

128

125 λ TWO CHINESE GLASS SNUFF BOTTLES 18TH/19TH CENTURY

126 λ A CHINESE AGATE SNUFF BOTTLE 19TH CENTURY

One overlaid in red with lotus leaves, the other faceted with electric blue glass, 6cm. (2)

The plain ovoid body on an oval foot, and a small rock crystal carving of peaches, with two bats climbing on the fruits, 6cm. (2)

£500-800

£600-800

十八/十九世紀

雪霏地套紅料及藍料鼻煙壺一组两件

十九世紀

瑪瑙雕鼻煙壺及水晶雕雙福捧壽佩一組兩件

127 λ A CHINESE AGATE SNUFF BOTTLE LATE QING DYNASTY

128 A SMALL CHINESE WHITE JADE OVAL PLAQUE QING DYNASTY

The compressed ovoid body carved in relief to one side with Shoulao and an attendant, the stone with brown markings highlighting the figures, 7cm.

Reticulated with chrysanthemum flowers amongst delicate leafy stems, 5.7cm.

£800-1,200 晚清

£1,200-1,800 清

白玉鏤雕秋菊牌

瑪瑙浮雕人物故事紋鼻煙壺

129 λ A CHINESE TORTOISESHELL SQUARE-SECTION SNUFF BOTTLE QING DYNASTY Decorated in gilt with inscriptions to each side, one a hall mark which reads shi zhen xuan cang, another the collector’s name Wu Rang zhi Qing Wan, the base with the four character collection mark Jin Shi Cang Yin, 8cm.

£5,000-6,000 清玳瑁雕鼻煙壺題識：吳讓之清玩，師慎軒藏弘揚五典，恒文怡趾，迓天滋基，恒之始基《金石藏印》款

130 two views 130 A CHINESE RUSSET JADE PEBBLE SNUFF BOTTLE QING DYNASTY Carved to one side with a prunus spray, to the other with a poem by the Qianlong emperor, 5cm.

£5,000-8,000 清玉雕題詩鼻煙壺銘文：御製梅花詩，貞姿宜雪后，芳信報春前，澧皋將洛浦，可以結忘年。

From the Qianlong Yu Zhi Shi Ji

131 A MASSIVE CHINESE SPINACH-GREEN JADE BOULDER CARVING QIANLONG 1736-95 Well carved to one side with three figures riding mules and an attendant crossing a bridge, with large pine and maple trees bordering the path and two further mules amongst rocks above, a castellated wall enclosing a pagoda in the distance, the reverse with two figures, one carrying a yolk amongst rockwork and trees, a paper label for Spink & Son Ltd., raised on a reticulated fitted hardwood stand, 28cm. (2)

£30,000-50,000 Provenance: formerly in the collection of David Cooper Esq., Monaco, purchased at Spink & Son Ltd. before 1982; sold in these rooms on 19th May 2010, lot 335. Cf. A related spinach-green jade mountain carving from the collection of Miss H E Ionides was exhibited at The Royal Academy of Arts as part of the International Exhibition of Chinese Art, 1935-36, catalogue no.2785.

清乾隆碧玉雕山水人物山子來源：摩納哥私人收藏 1982年購於Spink & Son Ltd. 英國威立士2010年5月19日，標號·335 摩洛哥David Cooper先生收藏

131 reverse

132 A CHINESE WHITE JADE CARVING OF DRAGONS LATE QING DYNASTY Depicting a large dragon and three young, crouching closely together and with a gnarled lingzhi fungus clasped in their jaws, the spines and features delicately defined, 6.5cm.

£2,500-3,500 晚清

白玉雕如意龍紋擺件

133 A CHINESE PALE CELADON JADE CARVING OF A BOY LATE QING DYNASTY Crouching with a large lingzhi fungus grasped in his hands, a taotie pendant suspended down his back, the stone with small russet markings, 7.2cm.

£2,000-3,000 晚清

134 A CHINESE PALE CELADON JADE CARVING OF A BUDDHIST LION DOG LATE MING DYNASTY In a recumbent position with its legs stretched out before its body, a brocade ball between its forepaws, the spine and curling mane carved in shallow relief, 6cm.

£800-1,200 晚明

青白玉雕獅子繡球擺件

青白玉雕靈芝童子擺件

135 A SMALL CHINESE PALE CELADON JADE CARVING OF A SQUIRREL 17TH CENTURY Crouching with its head lowered and the tail curled behind it, a fruiting vine held in its mouth, 5.7cm.

£1,500-2,500 Provenance: from a private collection, Bristol, and thence by descent. Purchased from Roger Keverne Ltd., Winter Exhibition 2007, no.85.

十七世紀青白玉雕松鼠擺件來源：布里斯托私人收藏，購於Roger Keverne Ltd，2007年古董展·編號85

136 TWO CHINESE AGATE CARVINGS OF BOYS QING DYNASTY One standing holding a lotus flower, a bat to his back, the other crouched over a goose and holding a lingzhi fungus, a bat clambering on his shoulder, 6.2cm. (2)

£1,500-2,500 清

瑪瑙雕靈芝童子擺件一組兩件

137 A CHINESE WHITE JADE RUYI-SHAPED PLAQUE QING DYNASTY Carved in relief to one side with a boy holding a drum and a chime, a bat in flight above, suspended from a cord with a glass bead, 5.8cm.

£1,200-1,800 清

白玉雕如意童子佩

138 A LARGE CHINESE PALE CELADON JADE BRUSH WASHER 18TH/EARLY 19TH CENTURY Formed as a gourd, the large fruit issuing from a gnarled leafy stem, with two bats clambering to the sides, raised on a hardwood reticulated stand carved with a leafy vine, with a single stained bone gourd, 13cm. (2)

£8,000-10,000 十八/十九世紀早期

青白玉雕福祿筆洗

139 A LARGE CHINESE CELADON JADE DISH FOUR CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 Carved in shallow relief with a scrolling foliate lotus design encircling a central flowerhead motif, the flared body raised on a short straight foot, the stone with a single grey striation, 26.6cm.

£3,000-5,000 清乾隆青玉雕纏枝蓮紋碟《乾隆年製》款

140 † A CHINESE PALE CELADON JADE QUATREFOIL BRUSH WASHER 18TH CENTURY

141 A SMALL CHINESE IMPERIAL WHITE JADE U-SHAPED CUP SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95

Carved in relief to the interior with a flowering prunus sprig, raised on a fitted hardwood stand carved with reticulated foliate borders, 13cm. (2)

The deep gently-flaring body raised on a short ring foot, carved in relief to the exterior with lingzhi fungus, with leafy tendrils extending around the base and a single bat in flight, 7cm high.

£3,500-4,500

£4,000-6,000

十八世紀

Provenance: the property of a Lady of title.

青白玉雕臘梅紋海棠口筆洗

清乾隆御製白玉雕福壽靈芝紋杯《大清乾隆年製》款來源：貴族夫人收藏

142 A CHINESE PALE CELADON JADE CARVING OF A LUOHAN QING DYNASTY Seated on rocks with his long flowing sleeves covering his hands, an open book resting on his left knee, 10.5cm.

£4,000-5,000 清

143 A RARE CHINESE IMPERIAL JADEITE AND ZITAN HAT STAND 19TH CENTURY Constructed in sections, the domed base carved in shallow relief with bats amongst cloud scrolls above a band of key fret, the flowerhead-shaped hat rest carved with two layers of petals, the flaring knopped zitan supports separated by a large central segmented ovoid jade bead, all contained within a fitted zitan box, the stand 28.5cm overall. (2)

£3,000-5,000 Provenance: formerly the property of Dr Little, surgeon and physician in Shanghai from 1869-1901. Admiral Sir Charles Little and thence by descent. A closely related hat stand is on display at the Beijing Capital Museum.

十九世紀紫檀柄翡翠荷花帽架來源：海軍元帥查爾斯·雷特舊藏，后由其後人雷特醫生繼承（從 1869年至1901年曾任軍隊內科醫生）

青白玉雕羅漢坐像

144 A CHINESE CELADON JADE CARVING OF SAKYAMUNI BUDDHA PROBABLY LATE QING DYNASTY Standing on a double lotus base with a flaming mandala behind him, wearing draped robes with his right hand raised, his left held at his side, his hair in tight whorls, the reverse of the mandala with an extensive inscription, contained in a fitted silk-lined wooden box, 21.7cm. (2)

£3,000-5,000 十八/十九世紀附木盒 145

No lot

青白玉雕釋迦摩尼像

146 A CHINESE PALE CELADON JADE TRIPOD INCENSE BURNER AND COVER QING DYNASTY The compressed circular body carved in shallow relief with a band of taotie masks, with two dragon head handles suspending loose rings, the domed cover’s finial with four further loose ring ruyi terminals, all raised on three squat animal mask feet, 18cm. (2)

£6,000-8,000 清

青白玉雕三足爐

147 TWO CHINESE JADEITE MELON-SHAPED VASES AND COVERS LATE QING DYNASTY With leafy tendrils extending around the body, each with openwork stems forming the base, one with two squirrels clambering upon the fruit, the other with a crane and lotus finial, together with a shallow leaf-shaped dish, each raised on a hardwood stand, 14.6cm. (8)

£300-500 晚清

翡翠雕小瓶一對及葉型碟一組三件

148 A CHINESE PALE CELADON JADE INCENSE BURNER AND COVER 20TH CENTURY Formed as a pagoda, the base with three squat feet and loose ring handles with dragons, the cylindrical cover with reticulated windows, the finial carved as a flower bud, all raised on an elaborate hardwood three-legged stand carved with C-scrolls and key fret, 17.3cm overall. (3)

£500-1,000 Provenance: a private European collection, exhibited at Graves Art Gallery, Sheffield, c.1985-95.

二十世紀青白玉鏤雕香爐來源：歐洲私人收藏，曾由謝菲爾德Garaves Art Gallery展出

149 A PAIR OF CHINESE SPINACH-GREEN JADE BOWLS 19TH/20TH CENTURY The plain bodies gently flaring, raised on a short ring foot, the stone with darker striations, 20.3cm. (2)

£2,000-3,000 十九/二十世紀

碧玉雕凈碗一對

150 A CHINESE PALE CELADON JADE WATER POT QING DYNASTY Carved as two peaches, a gnarled leafy stem joining the two fruits and with leaves extending across the bodies, a four character Qianlong mark to the base, 8.5cm.

£1,000-2,000 Cf. M Wilson, Chinese Jades, p.98, pl.93 for a related carnelian example.

清青白玉雕壽桃水盂《乾隆年製》仿款

151 A CHINESE PALE CELADON JADE TWO-HANDLED CUP MING DYNASTY The U-shaped cup carved with two sinuous chilongs climbing to the rim, each with a lingzhi fungus in its mouth, the stone with russet-brown striations, 9.5cm.

£1,000-2,000 Cf. Compendium of Collections in the Palace Museum, Jade 7, p.160, no.139 for a related cup.

明

青玉雕螭龍雙耳杯

152 A SMALL CHINESE WHITE HARDSTONE CARVING OF TWO BUDDHIST LION DOGS QING DYNASTY OR LATER The two recumbent beasts facing one another, their noses touching and their tails curling around their legs, the stone a very white even tone, 4cm.

£300-500 清或更晚

壽山石雕少獅太獅擺件

153 A CHINESE WHITE JADE CARVING OF A RECUMBENT HOUND QING DYNASTY With its head resting on its forepaws, its ears and muzzle slightly raised in an alert pose, its tail curling to one side, 6.7cm.

£2,000-3,000 Provenance: a European private collection, acquired 1965-85.

清青白玉雕臥犬來源：歐洲私人收藏，購於1965-85年

154 A SMALL CHINESE WHITE JADE BRUSH WASHER QING DYNASTY Carved as a curling lotus leaf, with two flowers’ stems forming the base, a rhizome to one side joined by tendrils, the stone a pale and translucent tone, 5cm.

£3,000-5,000 清

白玉雕蓮藕擺件

155 A SMALL CHINESE WHITE JADE CARVING OF POMEGRANATES QING DYNASTY With two fruits issuing from intertwined leafy stems, with flowers to the surface and a single bat clambering to one side, the stone with russet markings, 7cm.

£500-800 清

白玉雕石榴擺件

156 A CHINESE PALE CELADON JADE ARCHAISTIC DRAGON PENDANT QING DYNASTY The flattened stylized body carved in shallow relief with C-scrolls and swirling designs and surmounted by a rat, the stone with russet and calcified markings, 6.2cm.

£500-800 清

青白玉雕龍紋璧

157 A SMALL CHINESE AGATE PENDANT QING DYNASTY Carved in shallow relief with two children at play beneath a pine tree, a cord for suspension, 4cm.

£350-450 清

瑪瑙浮雕人物故事紋佩

158 A SMALL CHINESE JADEITE PLAQUE LATE QING DYNASTY Formed as a rectangular disc with a sinuous dragon clambering through the centre, another dragon to one side, 5.6cm.

£1,200-1,800 晚清

翡翠雕螭龍佩

159 A CHINESE CELADON JADE MODEL OF A TIGER MING DYNASTY In a recumbent position, its long slender tail curving over its back, its paws neatly tucked beneath its body, its rounded ears flattened against its head and the mouth open to reveal pointed teeth, the stone with brown mottling, 8.5cm.

£4,500-5,500 明

青玉雕臥虎擺件

160 A GOOD CHINESE WHITE JADE BELTHOOK QIANLONG 1736-95 The shaft decorated in shallow relief with C-scrolls and geometric designs, the terminal formed as a dragon’s head, 9cm.

£3,000-4,000 清乾隆

白玉雕螭龍帶鉤

Lots 161-187 Painted Canton Enamels

161 † A CHINESE CANTON ENAMEL FAMILLE ROSE TEAPOT AND COVER QIANLONG 1736-95 The fluted body with a bail handle, decorated with rectangular panels containing European figures with vases beneath pine trees, all within scroll borders, 17cm. (2)

£500-700 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯開光西洋人物提梁壺來源：美國私人收藏

162 † A CHINESE CANTON ENAMEL FAMILLE ROSE FLUTED TEAPOT AND COVER QIANLONG 1736-95 Decorated with a continuous scene of Immortals with attendants in a mountain landscape, one playing a qin at a rocky table, bordered by foliate scroll panels and with a metalwork bail handle, 12cm. (2)

£500-700 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯人物故事紋茶壺來源：美國私人收藏

163 † A CHINESE CANTON ENAMEL FAMILLE ROSE TEAPOT AND COVER QIANLONG 1736-95 The rectangular body with a bail handle, decorated with panels of European figures and attendants in rocky gardens, all within scroll borders, 17cm. (2)

£600-800 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯開光西洋人物提梁壺來源：美國私人收藏

164 † A CHINESE CANTON ENAMEL FAMILLE ROSE TEAPOT AND COVER 18TH CENTURY The lobed body decorated with tapering panels depicting peony, prunus, chrysanthemum and camellia, the neck with roundels containing a dog, a rabbit and a mythical creature, all reserved on foliate and geometric grounds with key fret borders, the domed cover with foliate scrolls, 17.8cm. (2)

£4,000-6,000 Provenance: formerly an American private collection.

十八世紀銅胎畫琺瑯開光富貴牡丹茶壺來源：美國私人收藏

165 † A SMALL CHINESE CANTON ENAMEL FAMILLE ROSE TEA CANISTER AND COVER QIANLONG C.1780 Decorated with rectangular panels of seated dignitaries and attendants, together with a square openwork ink well, the reticulated foliate panels reserved on a yellow ground, 9cm. (4)

£500-700 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯開光人物故事及花卉紋茶葉罐一組兩件來源：美國私人收藏

166 † A SET OF THREE CHINESE CANTON ENAMEL SQUARE TRAYS QIANLONG C.1780 With chamfered corners and grisaille and gilt decoration, each depicting a vase containing peacock feathers and a ruyi sceptre, a dish of flowers and precious objects, the reverse with finger citron, 10.2cm. (3)

£600-800 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯博古紋方碟一組三件來源：美國私人收藏

167 † A PAIR OF CHINESE CANTON ENAMEL FAMILLE ROSE TEA CANISTERS AND COVERS QIANLONG 1736-95 Of chamfered rectangular form, each decorated in relief with vases in grisaille and gilt on a white ground, all within scroll borders, 9.7cm. (4)

£600-800 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯博古紋茶葉罐一對來源：美國私人收藏

168 † A CHINESE CANTON ENAMEL FAMILLE ROSE DISH YONGZHENG/QIANLONG Painted with a circular panel depicting a European subject of a lady and an attendant looking at a butterfly on a terrace, the wide rim with shaped foliate panels reserved on a bright yellow cell ground, the reverse with prunus, peony and bamboo, the rim with a ruby ground, 21.5cm.

£600-800 Provenance: formerly an American private collection.

清雍正/乾隆銅胎畫琺瑯開光西洋人物紋碟來源：美國私人收藏

169 † A CHINESE CANTON ENAMEL FAMILLE ROSE CIRCULAR BOX AND COVER QIANLONG 1736-95 The cover with a central roundel depicting European figures and attendants beneath a pine tree, one carrying a banner, another a plate of fruit, encircled by scrolling foliate borders reserved on a bright yellow ground, the base with a two character mark which reads shang xin (truly appreciated), raised on a fitted hardwood reticulated stand, 16cm. (3)

£2,000-3,000 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯西洋人物圓盒來源：美國私人收藏

170 † A CHINESE CANTON ENAMEL FAMILLE ROSE DESK SET QIANLONG 1736-95 With a hinged compartment for pens and three ink wells, raised on four gilt stepped feet, decorated with shaped panels of lotus reserved on a white ground with foliate scrolls, 22cm.

£500-700 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯花卉紋盒來源：美國私人收藏

171 † A RARE PAIR OF CHINESE CANTON ENAMEL FAMILLE ROSE TRAYS YONGZHENG/QIANLONG Each delicately decorated with butterflies in flight amongst peony, morning glory and other flowers, the base with a fruit, a bat and a chime, the rim with a vibrant ruby ground, 10cm. (2)

£600-800 Provenance: formerly an American private collection.

清雍正/乾隆銅胎畫琺瑯蝶戀花方碟一對來源：美國私人收藏

172 † A PAIR OF CHINESE CANTON ENAMEL FAMILLE ROSE DISHES QIANLONG 1736-95 Each decorated with dragons and flaming pearls, the base with a phoenix roundel, 21.7cm. (2)

£1,200-1,800 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯福壽富貴紋碟一對來源：美國私人收藏

173 TWO CHINESE CANTON ENAMEL FAMILLE ROSE SQUARE TRAYS 18TH CENTURY Each with lobed corners, one decorated with a European lady and three small children beneath a tiered canopy, the base marked qing wan (plaything for appreciation), the other with European figures in a riverside scene, the base marked shangz xin (truly appreciated), 10cm. (2)

£2,000-2,500 十八世紀

銅胎畫琺瑯西洋人物花口碟一組兩件

174 † A PAIR OF SMALL CHINESE CANTON ENAMEL FAMILLE ROSE DISHES QIANLONG C.1780 One delicately enamelled with butterflies amongst peony, fruiting peach and rose, the other with a cockerel perched on rocks beside a peony flower, all within foliate borders divided by dragon roundels, the reverse with stylized dragons, 16cm. (2)

£500-700 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯雲龍紋碟一對來源：美國私人收藏

175 † A SET OF FIVE SMALL CHINESE CANTON ENAMEL FAMILLE ROSE TWO-HANDLED CUPS QIANLONG 1736-95 Decorated with figures in mountainous river landscapes, 5.1cm. (5)

£800-1,200 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯人物山水紋小杯一組五件來源：美國私人收藏

176 † THREE CHINESE CANTON ENAMEL FAMILLE ROSE BOWLS QIANLONG 1736-95 Together with a U-shaped cup, variously decorated with figures, flowers and birds, 19.5cm max. (4)

£400-600 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯花卉人物故事紋盃及碗一組四件來源：美國私人收藏

177 † A PAIR OF CHINESE CANTON ENAMEL CUPS AND SAUCERS QIANLONG 1736-95 With grisaille and gilt decoration, depicting vases and auspicious objects, together with a pair of famille rose square dishes, depicting figures and a poem, each with a two character mark which reads rui guang (auspicious light), 10cm. (6)

£500-700 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯人物故事紋及博古紋方碟及小杯一組六件來源：美國私人收藏

178 † THREE PAIRS OF CHINESE CANTON ENAMEL FAMILLE ROSE BOWLS QIANLONG C.1780 In three sizes, the largest pair with panels of figures playing a board game and flowering chrysanthemum on a white foliate ground, another with a continuous scene of seated figures in a garden beneath pine trees, the smallest with a scrolling flowerhead design reserved on a yellow ground, 11.9cm. (6)

£300-400 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯人物故事及花卉紋小碗來源：美國私人收藏

一組六件

179 † TWO CHINESE CANTON ENAMEL FAMILLE ROSE TRAYS QIANLONG 1736-95 One circular, decorated with an emperor and attendants on a terrace, the other rectangular, depicting a scholar and attendants watching a pair of cranes in flight, the base marked bao li (treasured gift); a shallow dish depicting a family with attendants and a crane, and four wine cups, two a pair decorated with flowers and fruit, one an unusual black ground dragon cup, the fourth quatre-lobed, 27.3cm. (7)

£400-600 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯人物故事紋盃及碟一組七件來源：美國私人收藏

180 † A PAIR OF CHINESE CANTON ENAMEL FAMILLE ROSE BOWLS AND COVERS QIANLONG C.1780 Decorated with panels of vases and incense burners with precious objects reserved on a white ground, together with a pair of tea bowls and saucers of similar decoration, one tea bowl with dragons and shou characters, 10.3cm. (8)

£300-400 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯博古紋蓋碗、方碟及小盃一組六件來源：美國私人收藏

181 † A RARE CHINESE MINIATURE CANTON ENAMEL FAMILLE ROSE SQUARE CUP QIANLONG 1736-95 With chamfered corners, decorated with circular panels containing a European gentleman and a lady, divided by panels of flowers and rockwork, reserved on green and blue grounds, 5cm.

£1,000-1,500 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯西洋人物盃來源：美國私人收藏

182 † A RARE SET OF FIVE CHINESE CANTON ENAMEL FAMILLE ROSE SQUARE TRAYS QIANLONG 1736-95 The shallow bodies with chamfered corners, each depicting European figures in rocky gardens engaged in various pursuits, the bases marked shang xin (truly appreciated), 10cm. (5)

£1,000-1,500 Provenance: formerly an American private collection.

清乾隆銅胎畫琺瑯開光西洋人物花口方碟一組五件來源：美國私人收藏

183 A CHINESE CANTON ENAMEL FAMILLE ROSE EWER AND COVER 18TH/19TH CENTURY Decorated with a dense scrolling flower design with leaves and foliage beneath a band of petals, the neck with foliate panels on a scrolling ground, the base with a four character Qianlong mark, 17cm. (2)

£400-600 十八/十九世紀銅胎廣彩花卉紋壺《乾隆年製》仿款

184 A CHINESE CANTON ENAMEL FAMILLE ROSE VASE AND COVER 18TH CENTURY Painted with quatrefoil panels, variously decorated with European figures, mountain landscapes, birds, a deer and a tiger, divided by flowerhead roundels and reserved on a taupe ground with scrolling peony blooms, the neck with prunus on a cracked-ice ground, the cover associated, 30.4cm. (2)

£2,000-3,000 十八世紀

銅胎畫琺瑯西洋人物蓋瓶

185 THREE CHINESE CANTON ENAMEL FAMILLE ROSE ITEMS 18TH/19TH CENTURY Comprising a brush rest in two parts, a water pot and a mirror, all decorated with fruits and flowers amongst scrolling foliage, reserved on a bright yellow ground, 17cm max. (4)

£8,000-10,000 十八/十九世紀

銅胎畫琺瑯花卉紋筆山、水盂及立鏡一組三件

186 A CHINESE CANTON ENAMEL FAMILLE ROSE VASE 18TH CENTURY Decorated to each side with two phoenix facing outwards, a central raised panel formed as a vase dividing them, the sides with peony emerging from rocks, together with a cloisonné domed cover, decorated with taotie masks, the latter with a paper label for G & T Portier, Paris, 16cm and 13.6cm respectively. (2)

£500-1,000 Cf. Chinese Export Art in the Hermitage Museum, Late 16th-19th Centuries, p.80, no.94 for a comparable vase.

十八世紀兩件

187 A CHINESE ENAMEL AND IVORY-MOUNTED MIRROR 19TH CENTURY The oval mirror with a blue enamel frame painted with gilt flowers, the reverse with a panel containing the eight Buddhist Emblems encircling a xi character on a diaper ground, all raised above a carved stained ivory bat inverted above a shou character, 28cm.

£3,000-5,000 十九世紀

銅胎畫琺瑯嵌象牙雙喜持鏡

銅胎畫琺瑯鳳凰扁瓶及銅胎掐絲琺瑯蓋一組

188 A PAIR OF CHINESE CLOISONNE MODELS OF CHICKENS LATE QING DYNASTY Each crouching on a rocky base, the comb raised high on its head, the colourful wings resting alongside its body, 19cm. (2)

£2,000-3,000 晚清

銅胎掐絲琺瑯公雞擺件一對

189 A PAIR OF CHINESE CLOISONNE MODELS OF CAPARISONED ELEPHANTS LATE QING DYNASTY Each standing with its head slightly turned to one side, with a colourful saddle cloth to its back decorated with bats, lotus and shou designs and adorned with beaded bridles, 18.2cm. (2)

£3,000-5,000 晚清

銅胎掐絲琺瑯象擺件一對

Lots 190-226 A Private Collection of Blue and White Porcelain

190 A CHINESE BLUE AND WHITE BEAKER VASE KANGXI 1662-1722

191 A CHINESE BLUE AND WHITE GU BEAKER VASE KANGXI 1662-1722

The octagonal body with a flaring foot and rim, each facet painted alternately with flowering magnolia, peony and prunus emerging from rockwork and with insects in flight above, 40cm.

Painted with many panels, containing mountainous landscapes, small figures in boats and flowering sprays of peony emerging from rocks, the flaring rim with a chevron band to the interior, the base with an artemesia leaf, 42.7cm.

£1,000-1,500 Provenance: a private collection, Holland Park, London.

清康熙青花花卉紋花觚來源：倫敦Holland Park私人收藏

£1,500-2,500 Provenance: a private collection, Holland Park, London. Cf. C Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, p.100, no.90a, where a garniture with a comparable design is illustrated.

清康熙青花花卉紋花觚來源：倫敦Holland Park私人收藏

192 A LARGE CHINESE BLUE AND WHITE VASE AND COVER KANGXI 1662-1722 The tapering body decorated with many panels, variously depicting rocky mountainous scenes with willow, pine and small dwellings, the neck with two raised bands dividing foliate and landscape designs, the domed cover with a scalloped rim, painted with six triangular landscape cartouches, 60.5cm. (2)

£3,500-4,500 Provenance: a private collection, Holland Park, London. Cf. C Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, p.100, no.90b, where a related vase is illustrated.

清康熙青花山水紋蓋瓶來源：倫敦Holland Park私人收藏

193 A RARE CHINESE UNDERGLAZE BLUE AND COPPER RED YEN YEN VASE KANGXI 1662-1722 The body decorated with two large shaped cartouches, each containing a ferocious Buddhist lion dog, divided by smaller panels painted with landscapes, the neck with rectangular panels containing birds in flight above flowering peony, a band of stylized dragons to the shoulder, all reserved on a dense shagreen-like ground between borders of key fret and ruyi-heads, 44.8cm.

£4,000-6,000 Provenance: a private collection, Holland Park, London.

清康熙青花釉里紅花鳥紋鳳尾尊來源：倫敦Holland Park私人收藏

194 A CHINESE BLUE AND WHITE BOTTLE VASE KANGXI 1662-1722 The ovoid body rising to a tall cylindrical neck, decorated with an interlocking ruyi-head design, with four large cartouches containing lotus flowers and scrolling foliage, the handle and neckrim mounted in silver, 27cm. (2)

£500-1,000 Provenance: a private collection, Holland Park, London.

清康熙青花如意花卉紋瓶來源：倫敦Holland Park私人收藏

195 A CHINESE BLUE AND WHITE WINE POT AND COVER KANGXI 1662-1722 The tapering square-section body painted to each face with lotus, chrysanthemum, prunus and peony, with small birds and insects in flight above, the bail handle and spout mounted with silver fittings, 19.2cm. (2)

£600-1,000 Provenance: a private collection, Holland Park, London.

清康熙鑲銀青花花鳥紋提梁壺來源：倫敦Holland Park私人收藏

196 A CHINESE BLUE AND WHITE PHOENIX HEAD KENDI KANGXI 1662-1722 The quatrefoil body moulded with panels of flowering peony, prunus, chrysanthemum and lotus, the spout modelled as a phoenix’s head, the waisted neck with an inverted rim painted with foliate panels, 23.5cm.

£1,000-2,000 Provenance: a private collection, Holland Park, London. Cf. C Jörg, Chinese Ceramics of the Rijksmuseum, Amsterdam, p.162, no.177, where a pair of kendis of similar form painted in the famille verte palette are illustrated.

清康熙青花花卉紋鳳首軍持來源：倫敦Holland Park私人收藏

197 A LARGE CHINESE BLUE AND WHITE KETTLE AND COVER WANLI 1573-1620 Painted to the exterior with a continuous landscape scene, with two ladies on horseback to one side, the other with three attendants carrying a parasol, a fan and a yolk, all within bands of lappets containing key fret, foliate and geometric grounds, the bail handle formed in silver simulating interwoven rope, 27cm high. (2)

£3,000-5,000 Provenance: a private collection, Holland Park, London.

明萬曆青花人物故事紋提梁壺來源：倫敦Holland Park私人收藏

198 A CHINESE BLUE AND WHITE EWER C.1640 With an octagonal base and a straight bail handle, painted with sprays of peony, lotus, bamboo, lingzhi and other small flowers, a band of lotus lappets to the shoulder, the cover and spout in silver, the finial joined by two chains to the handle, 24cm.

£500-1,000 Provenance: a private collection, Holland Park, London. 1640年代鑲銀青花花卉紋提梁壺來源：倫敦Holland Park私人收藏

199 A CHINESE BLUE AND WHITE EWER C.1640 The pear-shaped body painted with scholars in a rocky fenced garden, with clouds and plantain, the neck with bands of flowers, 21.8cm.

£1,000-2,000 Provenance: a private collection, Holland Park, London. 1640年代青花人物紋持壺來源：倫敦Holland Park私人收藏

200 A CHINESE BLUE AND WHITE TEAPOT AND COVER KANGXI 1662-1722 The body moulded with hexagonal and petal-shaped panels containing flowers and rockwork, the cover joined to the handle with a silver chain, together with a spiral-moulded jug and cover, also Kangxi, painted with flower sprays, 17cm. (3)

£500-800 Provenance: a private collection, Holland Park, London.

清康熙青花花卉紋壺一組两件《怡玉》款來源：倫敦Holland Park私人收藏

201 A SMALL PAIR OF CHINESE OVOID VASES KANGXI 1662-1722 Each painted with two ladies seated at a table playing a board game, with later wood covers, together with an octagonal fluted tea canister, 18th century, decorated with flower designs, the cover in silver, 10.7cm. (6)

£400-600 Provenance: a private collection, Holland Park, London.

清康熙青花小瓶一組三件來源：倫敦Holland Park私人收藏

202 TWO CHINESE BLUE AND WHITE U-SHAPED BOWLS AND COVERS KANGXI 1662-1722 One painted with baskets of flowers, the other with a continuous lotus flower scroll, each domed cover of similar decoration, 13cm. (4)

£500-800 Provenance: a private collection, Holland Park, London.

清康熙青花花卉紋蓋盅一組两件來源：倫敦Holland Park私人收藏

203 A CHINESE BLUE AND WHITE TWO-HANDLED VASE AND COVER LATE 18TH CENTURY Made for the American market, the tapering body painted with pagoda landscapes amongst pine, willow and other trees, decorated in gilt with geometric designs, with two chilongs forming the handles, the domed cover with a Buddhist lion dog finial, 31.5cm. (2)

£300-500 Provenance: a private collection, Holland Park, London.

十八世紀晚期青花山水紋龍耳瓶來源：倫敦Holland Park私人收藏

204 A COLLECTION OF CHINESE BLUE AND WHITE TEA AND COFFEE WARES 18TH CENTURY Comprising: a coffee pot and cover, a teapot and cover, a milk jug and cover, nine saucers and six tea bowls, all similarly decorated with flowering peony beneath spearhead borders, the teapot, coffee pot and jug all with silver mounts, 27.5cm max. (18)

£1,000-1,500 Provenance: a private collection, Holland Park, London.

十八世紀鑲銀青花茶壺、盃及小碟一組十八件來源：倫敦Holland Park私人收藏

205 A CHINESE BLANC DE CHINE MODEL OF TWO BUDDHIST LION DOGS 17TH CENTURY Playfully modelled with one dog crouching, its head cocked to one side, the other on its haunches and resting its forepaw on his back, a brocade ball at their feet, all raised on a tall rectangular plinth, 21cm.

£400-600 Provenance: a private collection, Holland Park, London.

十七世紀德化太獅少獅擺件來源：倫敦Holland Park私人收藏

206 A PAIR OF CHINESE BLUE AND WHITE LOBED VASES 19TH CENTURY

207 A CHINESE BLUE AND WHITE OVOID VASE C.1640

Each painted with six five-clawed scaly dragons emerging from crashing waves, the flaring neck with bats and fruiting pomegranate sprays, the bases with a four character Chenghua mark, 31cm. (2)

Painted with the Three Friends of Winter emerging from rockwork, the large gnarled pine tree extending to the reverse, and with two small birds in flight above, together with a hardwood reticulated cover carved with scrolling foliage, 27cm. (2)

£1,000-2,000 Provenance: a private collection, Holland Park, London.

十九世紀青花海水龍紋海棠瓶一對來源：倫敦Holland Park私人收藏《成化年製》仿款

£2,000-3,000 Provenance: a private collection, Holland Park, London. 1640年代青花歲寒三友罐來源：倫敦Holland Park私人收藏

208 A NEAR PAIR OF CHINESE BLUE AND WHITE GOURD-SHAPED VASES C.1640 Painted with scholars seated in fenced gardens, with attendant boys carrying parasols, vases and other objects, with plantain, pine and willow amongst rockwork, the necks with foliate sprays, 35.5cm. (2)

£5,000-8,000 Provenance: a private collection, Holland Park, London. 1640年代

青花人物故事紋葫蘆瓶一對來源：倫敦Holland Park私人收藏

209 A CHINESE BLUE AND WHITE MOULDED LOTUS DISH WANLI 1573-1620 The shallow body with a scalloped rim, painted to the interior with lappets containing shou characters and flowers, all encircling four butterflies, moulded to the underside with twelve petals radiating from the foot, each containing a swastika, and with further shou characters and flowers, 19.8cm.

£1,000-2,000 Provenance: a private collection, Holland Park, London. Cf. J Harrison-Hall, Ming Ceramics in the British Museum, p.313, nos.11:101 and 11:102, where two related dishes of the same form are illustrated.

明萬曆青花蓮花壽字紋碗來源：倫敦Holland Park私人收藏

210

211

212

213

210 A CHINESE BLUE AND WHITE BOWL AND COVER KANGXI 1662-1722

211 A CHINESE BLUE AND WHITE TRIPOD INCENSE BURNER JIAJING 1522-66

The shallow U-shaped bowl painted with landscapes of pagodas, boats and lingzhi fungus, with loop handles modelled as fish, 19.5cm. (2)

The compressed circular body raised on three short animal mask feet, painted with a continuous fruiting vine on a spiral ground, all beneath a flowerhead band, 28.8cm.

£400-600 Provenance: a private collection, Holland Park, London.

清康熙青花山水紋蓋碗來源：倫敦Holland Park私人收藏

£1,500-2,500 Provenance: a private collection, Holland Park, London.

明嘉靖青花三足爐來源：倫敦Holland Park私人收藏

212 A CHINESE BLUE AND WHITE LATER-DECORATED OVOID JAR WANLI 1573-1620

213 A CHINESE BLUE AND WHITE BOWL KANGXI 1662-1722

Painted with a solitary figure seated beside a lotus pond, with two further figures standing in a fenced garden with rockwork, pine and plantain, the rim with four flower roundels on a scale ground, together with a silver cover, 16cm across. (2)

The interior painted with four representations of Ma Gu, each carrying a basket of flowers, and with a circular band containing the eight Buddhist Emblems encircling a central boss, the exterior painted with four flower sprays beneath a band of blind key fret, 19cm.

£600-1,000

£800-1,200

Provenance: a private collection, Holland Park, London.

明萬曆五彩人物罐來源：倫敦Holland Park私人收藏

清康熙青花麻姑獻壽紋碗來源：倫敦Holland Park私人收藏

214 A LARGE CHINESE BLUE AND WHITE BALUSTER VASE KANGXI 1662-1722 Painted with a continuous flowering peony scroll with leafy tendrils, the neck with a band of stylized leaf lappets, 41.5cm.

£1,000-2,000 Provenance: a private collection, Holland Park, London.

清康熙青花花卉紋罐來源：倫敦Holland Park私人收藏

215 A LARGE CHINESE BLUE AND WHITE OVOID VASE KANGXI 1662-1722 The compressed circular body painted with an interlocking design, the ruyi-shaped lappets decorated with a dense peony scroll, with rhomboid cartouches and lotus flowerheads beneath, 37cm across.

£2,000-3,000 Provenance: a private collection, Holland Park, London.

清康熙青花如意花卉紋罐來源：倫敦Holland Park私人收藏

216 A CHINESE BLUE AND WHITE OVOID VASE MID-17TH CENTURY Painted with a single kylin beneath flame wisps, in a fenced garden with plantain and other foliage emerging from rockwork, together with a later wood cover, 27.3cm. (2)

£1,000-2,000 Provenance: a private collection, Holland Park, London.

十七世紀中期青花麒麟紋罐來源：倫敦Holland Park私人收藏

217 A CHINESE BLUE AND WHITE OVOID VASE C.1640

218 A CHINESE BLUE AND WHITE OVOID VASE KANGXI 1662-1722

Decorated with a flowering prunus tree emerging from rockwork, a small bird perched in its branches, with three further birds in flight above, a later hardwood reticulated cover, 16.7cm. (2)

Painted with four panels of flowering sprays emerging from rocks, all beneath a band of ruyi lappets containing scrolling designs, the waisted cover in silver with a pointed finial, 15.7cm. (2)

£600-1,000

£500-800

Provenance: a private collection, Holland Park, London.

1640年代青花花鳥紋罐來源：倫敦Holland Park私人收藏

清康熙青花花卉紋罐來源：倫敦Holland Park私人收藏

100

219 A CHINESE BLUE AND WHITE OVOID VASE C.1640

220 A MASSIVE CHINESE BLUE AND WHITE CHARGER 18TH CENTURY

The elongated circular body painted with lily, bamboo and small flowers emerging from rocks, with insects in flight and the distant sun to the reverse, together with a silver cover formed as a flowerhead, 18cm. (2)

Depicting an extensive mountainous landscape, with boats sailing on a lake and a pagoda on a rocky outcrop, the rim with a scrolling border containing cell diaper and geometric designs, 54.5cm.

£1,000-2,000 Provenance: a private collection, Holland Park, London. 1640年代

青花松石紋蓮子罐來源：倫敦Holland Park私人收藏

£150-250 Provenance: a private collection, Holland Park, London.

十八世紀青花山水紋大盤來源：倫敦Holland Park私人收藏

221 A SMALL CHINESE BLUE AND WHITE SLEEVE VASE C.1640 Painted with sprays of fruiting pomegranate and flowering lotus, divided by calligraphic columns of a poem, 24.5cm.

£400-600 Provenance: a private collection, Holland Park, London. 1640年代青花花卉紋花觚來源：倫敦Holland Park私人收藏

101

222 A NEAR PAIR OF CHINESE BLUE AND WHITE OCTAGONAL VASES AND COVERS C.1640 Each painted with sprays of prunus, chrysanthemum, iris and lotus, all beneath ruyi-shaped borders to the shoulder containing flowerhead designs, the necks with Buddhist emblems, 25.5cm. (4)

£1,000-2,000 Provenance: a private collection, Holland Park, London. 1640年代青花花卉紋八棱蓋罐一對來源：倫敦Holland Park私人收藏

223 A CHINESE BLUE AND WHITE OCTAGONAL VASE C.1640 The ovoid body painted with flowering lotus, peony, prunus and other foliate sprays, with insects in flight, all beneath a band of ruyi-shaped flower lappets, the cover a replacement in silver, 22.5cm. (2)

£600-1,000 Provenance: a private collection, Holland Park, London. 1640年代青花如意花卉紋八棱瓶來源：倫敦Holland Park私人收藏

224 A CHINESE BLUE AND WHITE OCTAGONAL VASE C.1640 The ovoid body painted with figures in a rocky garden, one holding a vase, another a fan, a band if ruyi-shaped lappets to the shoulder containing lotus scrolls, 30.5cm.

£500-800 Provenance: a private collection, Holland Park, London. 1640年代青花連升三級六棱瓶來源：倫敦Holland Park私人收藏

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225 A CHINESE BLUE AND WHITE BITONG KANGXI 1662-1722 Painted with Kui Xing, standing on the head of a giant turtle amidst waves, holding a calligraphy brush in his right hand, with flowering prunus and rockwork to one side, 13cm.

£1,000-1,500 Provenance: a private collection, Holland Park, London.

清康熙青花魁星點斗筆筒來源：倫敦Holland Park私人收藏

226 A CHINESE BLUE AND WHITE DISH SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Painted to the well with two warriors on horseback, the flattened rim with six petal-shaped panels radiating from the centre, each alternately painted with further warriors and flower sprays, reserved on key fret grounds, the reverse with six ruyi-heads, 23.5cm.

£600-1,000 Provenance: a private collection, Holland Park, London.

清康熙青花人物故事紋碟《大清康熙年制》青花楷書款來源：倫敦Holland Park私人收藏

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227 A CHINESE YIXING HEXAGONAL TEAPOT AND COVER 18TH CENTURY The plain body raised on a straight flared foot, the cover surmounted by a Buddhist lion dog facing a large brocade ball, 21cm. (2)

£2,000-2,500 十八世紀

宜興紫砂獅扭六棱壺

228 A CHINESE YIXING TEAPOT AND COVER 18TH/19TH CENTURY The tapering ovoid body raised on a flaring foot, decorated in relief with flowering prunus branches, the spout, handle and finial all modelled as branches, 16.5cm. (2)

£1,500-2,000 十八/十九世紀

宜興紫砂臘梅紋壺

229 A SMALL CHINESE YIXING TEAPOT AND COVER 18TH CENTURY Decorated in relief to one side with Shoulao riding a deer, to the other with a phoenix, the cover with flowerheads, the base inscribed with a poem and a signature, 10.6cm. (2)

£2,000-2,500 十八世紀宜興紫砂壽老壺底款：芝草白雲是友，逸公

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230 A CHINESE YIXING TEAPOT AND COVER QING DYNASTY Of plain ovoid form, the base inscribed with the signature Jing xi Chen Wan Yu zhi, together with a small ovoid teapot and cover, the base with a two character mark which reads Meng Chen, and a quatre-lobed cup, a poem to one side and an inscribed mark to the base, the latter with a metal liner, 14cm. (5)

£2,000-3,000 清宜興紫砂茶壺一組三件《荊溪陳萬餘制》、《孟臣》款

231 A SMALL CHINESE YIXING TEAPOT AND COVER BY HUI MENGCHEN LATE 17TH CENTURY With a compressed circular body, the stoneware a dark brown tone, the base with a three character signature, 11.5cm. (2)

£3,000-4,000 十七世紀晚期《孟臣製》款

惠孟臣製宜興紫砂壺

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232 λ AN UNUSUAL CHINESE SILVER PARCEL-GILT AND ENAMEL TEAPOT AND COVER 19TH CENTURY The cylindrical body embossed with figures engaged in various pursuits, on horseback, fishing and carrying flags and with pagodas, pine, maple and other trees, all reserved on blue enamel, the bail handle with an ivory fitting decorated with a flowerhead design, the base with a punch mark which reads Da Xing, 19cm. (2)

£800-1,200 十九世紀

銀加彩人物故事紋提樑壺

233 A CHINESE PEWTER MOUNTED YIXING TEAPOT AND COVER QING DYNASTY The ruyi-shaped body incised with bamboo to one side, an inscription to the reverse, the rectangular finial in celadon hardstone, the handle wood, 16.5cm. (2)

£3,000-4,000 清

宜興錫壺

234 A CHINESE YIXING BITONG 19TH CENTURY Decorated in relief to the exterior with two ferocious dragons contesting a flaming pearl of wisdom, all beneath a narrow band of key fret to the rim, the base marked chen ming yuan, 16cm.

£1,500-2,500 十九世紀宜興紫砂趕珠龍紋筆筒《陳鳴遠》款

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Lots 235-253 Paintings and Fans

235 A CHINESE SCROLL PAINTING ON SILK EARLY 20TH CENTURY

236 A CHINESE SCROLL PAINTING ON SILK 18TH/19TH CENTURY

Attributed to Wang Hui, depicting pine trees and a distant village beneath mountains, inscribed with calligraphy and with four seal marks, 126cm x 59cm.

After Ni Zan, depicting an extensive landscape with mountains and trees beneath calligraphy and with eight collectors’ and artists’ seals, 120cm x 57cm.

£1,000-2,000

£2,000-3,000

王翚（傳）《倣趙歐波秋山積翠圖》水墨設色絹本立軸題識：倣趙歐波秋山積翠圖，庚寅春正月望後畫于嘉禾客舍，石谷王翚鈐印：王翚之印（朱）、石谷子（白）

倪瓚（傳）《幽居》水墨絹本立軸題識：遙山近山青欲滴，大木小木夜已踈。斜日丛篁无鳥雀，一灣溪水遠幽居。張雨次韵奉題峰巒疊，翠欲落，谿葉重重綠末踈。我愛長安洪谷子，澹將顏色着幽居。至正癸卯春三月，偶得荊浩設色小幀，閑窗無事，回以素縑，漫興摹此，聊寄遐心，正不必有合也。倪瓚鈐印：雲林（白）、見元鎮氏（白）、張雨（朱）、季彤秘玩（白）、潘氏听帆楼藏（白）

108

237 A RARE CHINESE BAMBOO ROOT STAFF CARVED BY JIN SHIHENG LATE 19TH CENTURY Carved in shallow relief with a fruiting vine and a cartouche with the mark shiheng hui dao, together with a pair of calligraphic paintings, duilian, also by this artist, each with a seal mark, fitted boxes, 95cm and 135cm x 15cm respectively. (3)

£12,000-15,000 Jin Shiheng was a student of Qu Ziyi during the late Qing dynasty. He was a scholar, and a renowned Yixing potter. In Guangxu’s third year he travelled to Japan to teach the art of Yixing pottery. His Yixing pottery has always been in high demand both in Japan and China.

十九世紀晚期金士恒款竹雕杖及對聯一組三件金士恒為清光緒年間宜興紫砂名匠，江蘇彭城（今江蘇省徐州）人，師承瞿子冶，于光緒三年（1877）應邀赴日，為傳授日本匠人製陶技法，其旅日期間作品深受追捧，供不應求，大多傳世于日本。金士恒生平與創作活動，及紫砂技藝史不為人所聞，因其東渡日本傳授紫砂技藝一事于上世紀80年代為日本人所發覺并發表開展相關研究，始漸偉人所知悉。

109

238

239

238 TWO CHINESE FANS MING-QING DYNASTY

239 TWO CHINESE FANS 20TH CENTURY

One by Huang Yue (1750-1841), depicting a romantic landscape scene, inscribed with a poem and an artist’s seal, the other Wu school, painted with the Red Cliffs, 51cm. (2)

One attributed to Pan Tianshou, depicting an aquatic bird perched above a colourful flower, the other attributed to Xu Bei Hong, with a figure on a small boat in a watery landscape, each with calligraphy and seals, 50cm. (2)

£400-600

£2,000-3,000

黃鉞及吳門畫家墨色紙本扇面兩幀

徐悲鴻（傳）《山水》及潘天寿《花鸟》設色紙本扇面兩幀

240 A CHINESE FAN BY WANG YU QING DYNASTY Depicting three figures beneath a leafy tree with a poem to one side, signed with an artist’s seal, 52cm.

£200-400 王堉設色紙本扇面鈐印：王堉（白）

240

110

241 part lot illustrated 241 FIFTEEN CHINESE FANS 19TH/20TH CENTURY Variously depicting landscapes, figures, flowers and calligraphy, mounted on fourteen panels, 54cm. (14)

£1,000-2,000 十九/二十世紀

扇面十四幀（十四選三）

242 two views 242 A CHINESE SPOTTED BAMBOO AND PAINTED PAPER FAN BY CHEN ZHI DATED 1948 20TH CENTURY Painted to one side with a pine tree and with an artist’s signature, the other with an extensive inscription, the markings of the bamboo used to depict blossoming trees, 64cm across.

£1,000-1,500 1948年

陳植畫松柏折扇

243 A CHINESE PAPER AND XIPI LACQUER FAN BY CAI XIAN QING DYNASTY Painted to one side with a lady in a garden beside bamboo, with butterflies amongst flower blossoms, the other with a magpie perched on a rose and two rabbits, each side with extensive inscriptions, signed and with a cyclical date wu yin, 47.5cm across.

£400-600 蔡冼

《仕女圖》犀皮折扇

243

111

244 A CHINESE PAINTING ON PAPER BY FENG NING LATE 18TH CENTURY Painted with two small figures in a landscape with distant mountains, inscribed with calligraphy and an artist’s seal mark, 25.5cm x 33cm.

£1,000-2,000 馮寧《楓逕停車》設色紙本題識：山青云白幾人家，楓葉含丹決勝花。為詠牧之詩句好，西風殘日一停車、鈐印：馮寧（白）

245 A PAIR OF CHINESE PAINTINGS ON PAPER BY QIAN WEICHENG (1720-1772) 18TH CENTURY Depicting rocky landscape scenes, each with an inscription and an artist’s seal, 28cm x 34cm. (2)

£1,500-2,500 錢維城

112

《山水》水墨紙本兩頁

246 A CHINESE SCROLL PAINTING BY MA YUANYU (1669-1722) QING DYNASTY

247 A CHINESE SCROLL PAINTING BY REN YI (REN BONIAN, 1840-1896) 19TH CENTURY

Depicting small huts beneath trees in a mountain landscape, inscribed with calligraphy and with four red seal marks, 112cm x 39cm.

Depicting two figures with a pigeon beneath a tree, 143cm x 38cm.

£5,000-6,000

£3,000-4,000

馬元馭《山水》水墨紙本立軸

任頤《人物》設色紙本立軸鈐印：任伯年（紅）

113

248 A CHINESE ALBUM OF TEN PAINTINGS ON PAPER QING DYNASTY Painted in the Qian Du style, depicting scenes of the Lu Lake with small dwellings at the water’s edge amongst trees and boats on the water, 34.5cm x 41cm. (10)

£400-600 錢杜（傳）

《盧湖十景》冊頁（十選二）

part lot illustrated 249 A CHINESE SCROLL PAINTING ON SILK BY CHENG CHICHENG LATE 17TH/EARLY 18TH CENTURY Painted with columns of calligraphy taken from the Mao Shi (The Book of Odes), which read si yan shi xi, bin ji zui zhi, de yin kong zhao. Le zhi jun zi, yun hu bu xi, and with three red seal marks, 43cm x 40cm.

£600-800 Cheng Chi Cheng was a painter and calligrapher, who fled China on the advent of the Manchu conquest. He spent twenty years in Nagasaki teaching both painting and calligraphy, and was considered an authority on old Chinese works of art. 程赤城書法立軸肆筵式席，宾既醉止，德音孔昭，介以繁祉。乐只君子，云胡不喜。集毛诗句，吴趋程赤城。

114

250 250 A CHINESE PAINTING ON SILK OF A PAVILION SONG/MING DYNASTY Depicting two figures looking out across a rocky landscape from the balcony, with distant swirling clouds above, a paper label for the Ralph M. Chait collection, framed in a circular mount and glazed, 28cm.

£400-600 宋/明《亭台樓閣》設色絹本附Ralph M. Chait收藏標籤

251 A CHINESE SONG-STYLE SCROLL PAINTING AFTER LIN CHUN LATE QING DYNASTY Depicting a raptor above a rabbit and a melon vine, inscribed in seal script chun xi shu yuan dai zhao lin chun (Lin Chun, Painter in Waiting at the Chunxi Painting Academy), and with seven red seal marks, 137cm x 56cm.

£300-500 The Chunxi reign covers the period 1174-1189 during the Southern Song dynasty. The inscription is not a signature, but rather is intended to identify the source of the composition. Seal script was often used in such circumstances. Lin Chun, a native of Hangzhou, specialised in flower and bird subjects, including a handscroll of plants of the four seasons, dated 1178. He was rewarded with a golden belt.

晚清林椿（傳）設色絹本題識：春熙書院待詔林椿

251 marks

115

252 A CHINESE HAND SCROLL ON PAPER BY WU DONGFA (1747-1803) QING DYNASTY Depicting small figures beside a red bridge bidding farewell to friends, with a fishing boat in a river landscape, signed and dated, with a title panel and extensive collectors’ inscriptions, a white jade scroll clasp and mounts, 29cm x 135cm.

£2,000-3,000 吳東發《楓橋話別圖》設色紙本手卷

252

252 detail 252 detail

253 A CHINESE SCROLL PAINTING ON PAPER BY FANG SHISHU (1692-1751) 18TH CENTURY Depicting lingzhi growing beneath a pine tree and entitled Song Ling Tu, 31cm x 59cm.

£1,500-2,500 方士庶《松齡圖》設色紙本

253

116

Lots 254-352 Pottery and Porcelain

254 A CHINESE RECTANGULAR PLAQUE BY YU ZHENG QING 20TH CENTURY C.1960 Depicting the ‘Hundred Islets Picture Palace’ in Nanchang, with trees visible to each side, and further buildings in the distance, with an inscription including the artist’s name, 22.4cm x 31.8cm.

£500-1,000 Provenance: purchased from Chiang’s Gallery, Hong Kong in 1999.

近代余正青作粉彩南昌百花洲電影院瓷板題識：南昌百花洲電影院，余正青畫來源：1999年購於香港博古堂（附發票）

255 A SMALL CHINESE RECTANGULAR PLAQUE BY YU ZHENG QING AND LIN FENG CHU C.1960 Depicting a riverside embankment leading to the bridge at Nanchang, with small boats moored and figures walking beneath trees, an inscription for the artists, 22.3cm x 31.6cm.

£500-1,000 Provenance: purchased from Chiang’s Gallery, Hong Kong in 1999.

近代余正青林風初作粉彩南昌沿江路瓷板題識：南昌沿江路，余正青林風初合作來源：1999年購於香港博古堂（附發票）

256 A SMALL CHINESE RECTANGULAR PLAQUE DATED 1960 20TH CENTURY Depicting figures climbing on a bridge before the distant Jinggang Mountain, with rockwork emerging from the calm river below and tall pine trees to the water’s edge, with an inscription including the date March 1960, 22.2cm x 31.8cm.

£500-1,000 Provenance: purchased from Chiang’s Gallery, Hong Kong in 1999. 1960年

粉彩井岡山下花橋瓷板題識：金剛山下花橋，一九六零年三月來源：1999年購於香港博古堂（附發票）

118

257 A CHINESE BLANC DE CHINE MODEL OF GUANYIN C.1620 Standing on an over-turned vase, wearing long flowing robes, her hair covered by a shawl and secured with a lotus diadem, her eyes downcast, the base with lotus flowers and swirling waves, an impressed mark to the reverse for He Chaozong, 37.8cm.

£8,000-10,000 Provenance: formerly in the collection of Captain H Meuldijk, The Netherlands. Cf. Marchant, Blanc de Chine, 2006 Exhibition, pp.8-9, no.1 for a comparable model from the collection of Elizabeth Gibson Holahan. See also P J Donnelly, Blanc de Chine, pl.145c, where an example modelled with a small boy is illustrated. 1620年代德化南海觀音立像《何朝宗》仿款來源：荷蘭H Meuldijk上尉收藏

119

258 A CHINESE TURQUOISE GLAZED EWER AND COVER KANGXI 1662-1722 Modelled as a shou character, with a central vacant cartouche to each side, the cover surmounted with a Buddhist lion dog, 23.5cm. (2)

£800-1,200 Provenance: a European private collection, acquired 1965-85.

清康熙孔雀藍釉壽字壺來源: 歐洲私人收藏，購於1965-85年

259 A CHINESE BLANC DE CHINE CYLINDRICAL WINE POT C.1640 The body decorated in relief with a tied double ribbon, the spout and handle formed as chilongs, with a hardwood cover, 14.6cm.

£2,000-2,500 Provenance: formerly in the collection of Derek Bolton; Captain J Meuldijk, The Netherlands. Cf. B Gyllensvärd, Chinese Ceramics in the Carl Kempe Collection, p.181, no.595, where a similar piece is illustrated. Exhibited: Marchant, Blanc de Chine Exhibition 1994, no.63. 1640年代德化螭龍紋酒壺來源：Derek Bolton收藏，荷蘭J Meuldijk上尉舊藏展覽：Marchant德化瓷展1994年·編號63

260 A LARGE AND RARE CHINESE TURQUOISE GLAZED WATER POT, ZHADOU KANGXI 1662-1722 The ovoid body with a scalloped rim, together with a pair of reticulated square-section bitongs, decorated with peony, lotus, chrysanthemum and prunus to each face, an ovoid vase, incised with scrolling peony blooms, and a pair of flared bowls, all decorated with a bright turquoise glaze, the bitongs each with a hardwood stand, 21.3cm. (8)

£1,000-2,000 Provenance: a European private collection, acquired 1965-85.

清康熙孔雀藍釉渣斗、筆筒、小口瓶及碗一組八件來源: 歐洲私人收藏，購於1965-85年

120

261 A CHINESE BLANC DE CHINE MODEL OF GUANYIN QING DYNASTY Standing on a lotus leaf above swirling waves, her robes secured with ribbons, her hair flowing over her shoulders, a basket of fish in her right hand, 37cm.

£1,000-2,000 清

德化瓷觀音立像

262 A SMALL COLLECTION OF CHINESE MONOCHROME VASES MING/QING DYNASTY Of baluster, gourd and ovoid forms, one with handles to the cylindrical neck, decorated in turquoise, purple and creamy-white glazes, 23.8cm max. (6)

£1,000-2,000 Provenance: a European private collection, acquired 1965-85.

明/清單色釉葫蘆瓶、雙耳瓶及小罐一組六件來源：歐洲私人收藏，購於1965-85年

263 THREE CHINESE TURQUOISE GLAZED ITEMS KANGXI 1662-1722 Comprising two brush rests, one formed as two fish emerging from waves, and a circular openwork five-legged stand, one brush rest with a wood stand, 12cm. (4)

£1,000-1,500 Provenance: a European private collection, acquired 1965-85.

清康熙孔雀藍釉筆擱及底座一組三件來源: 歐洲私人收藏，購於1965-85年

121

264 A RARE CHINESE BLANC DE CHINE GILT COPPER-MOUNTED LIBATION CUP LATE 17TH CENTURY The porcelain decorated with a tiger, a dragon, a deer and a crane, the gilded mounts with an acanthus-capped handle, together with a spoon, 17.2cm. (2)

£1,000-1,500 十七世紀晚期

鑲銅德化福壽龍虎盃

265 A LARGE CHINESE BLANC DE CHINE DISH MID-17TH CENTURY The centre incised with a large peony, 34.5cm.

£500-700 十七世紀中期

德化牡丹紋盤

266 A CHINESE BLANC DE CHINE INCENSE BURNER C.1700 Of archaic form, the compressed circular body raised on a tall flaring footrim incised with key fret designs, mounted with two loop handles, each surmounted by a buffalo’s head, a moulded band beneath the rim depicting flowerheads and discs, raised on a later hardwood stand, 19.5cm. (2)

£2,000-3,000 Provenance: the property of a Lady of title. Cf. P J Donnelly, Blanc de Chine, pl.14B, where a similar incense burner is illustrated. 1700年代德化雙耳香爐來源：貴族夫人收藏

122

267 two views

267 A CHINESE BLANC DE CHINE CUP 17TH CENTURY Formed as a lychee fruit, the curling stem forming the handle, with a smaller fruit and leaves extending down the body, paper labels for Bluett London, the Franzero Collection and the Thompson Collection, no.13, 9.5cm.

£600-1,000 Provenance: formerly from the collection of Peter and Nancy Thompson; the Franzero collection.

十七世紀德化荔枝型小盃來源：Franzero舊藏，Peter and Nancy Thompson收藏附Bluett London、Franzero及Thompson收藏標籤

268 A CHINESE FLAMBE GLAZED VASE QING DYNASTY The lobed ovoid body rising to a flaring fluted neckrim, decorated all over with a vibrant flambé glaze of dark puce and lavender blue, 28.8cm.

£1,000-2,000 Provenance: an English private collection, purchased c.1970s.

清窯變釉花口瓶來源：英國私人收藏，購於1970年代

123

269 A MASSIVE PAIR OF CHINESE CANTON FAMILLE ROSE VASES 19TH CENTURY

270 A LARGE CHINESE BLUE AND WHITE VASE 19TH/20TH CENTURY

Typically enamelled with panels of figures engaged in courtly duties, reserved on dense grounds of fruiting and flowering sprays, with phoenix, butterflies and other insects, the foot with a band of formal lappets, moulded to the shoulders with gilt dragons, the handles formed from further pairs of iron-red dragons, 77.5cm. (2)

The ovoid body painted with concentric bands depicting crashing waves, scrolling lotus designs and stylized acanthus leaves, with elephant head handles, the base with a six character Qianlong seal mark, raised on a reticulated hardwood five-legged stand carved with lotus, 60.5cm. (2)

£2,000-3,000 十九世紀

124

粉彩人物故事紋大瓶一對

£2,000-3,000 十九/二十世紀青花花卉紋大瓶《大清乾隆年製》青花篆書仿款

271 A MASSIVE PAIR OF CHINESE POLYCHROME VASES LATE QING DYNASTY Painted in mirror image with continuous scenes depicting a band of musicians entertaining a seated official on a terrace, with plantain and maple in a fenced rocky garden beyond, bordered by bands of key fret and scroll designs, the shoulder with panels containing auspicious objects and ribbons on a cell diaper ground, 79.5cm. (2)

£20,000-30,000 晚清

粉彩人物故事大瓶一對

272 A CHINESE FAMILLE ROSE OCTAGONAL JARDINIERE 18TH CENTURY Painted to each face with small birds perched amongst flowering lotus, peony and chrysanthemum with small insects in flight above, beneath smaller panels of flower sprays, the rim with key fret and foliate bands, 36cm.

£5,000-6,000 十八世紀

粉彩花鳥紋八棱大盆

125

273 A CHINESE BLUE AND WHITE EWER AND COVER KANGXI 1662-1722 Painted to each side with a peach-shaped foliate panel, divided by smaller panels and reserved on a cracked-ice ground, 20.5cm. (2)

£1,800-2,200 清康熙

青花桃形花卉紋执壺

274 THREE CHINESE SILVER-MOUNTED BLUE AND WHITE ITEMS KANGXI 1662-1722 Comprising a teapot and cover, decorated with auspicious things, a small canister, painted with two ladies in a garden, and a jug and cover, decorated with flowering peony and prunus emerging from rocks, the former two with an artemesia leaf mark, all with European mounts, 16cm max. (4)

£1,500-2,500 清康熙

鑲銀青花壺及瓶一組三件

275 A CHINESE BLUE AND WHITE STAND LATE QING DYNASTY The flaring base painted with a scaly five-clawed dragon chasing a flaming pearl of wisdom, with a fish and rockwork emerging from the crashing waves below, the upturned rim with a band of interlocking florets, the base with a six character Qianlong mark, 23.6cm dia.

£800-1,200 晚清青花趕珠龍紋高足盘《大清乾隆年製》仿款

126

276 A CHINESE BLUE AND WHITE FLARED VASE C.1640 Painted with peony and roses with a pair of small birds above a band of clouds and ruyi-heads, finely incised with anhua bands, 20.5cm.

£1,000-1,500 1640年代

青花如意花卉紋花觚

277 A CHINESE CELADON GLAZED RECTANGULAR-SECTION VASE 18TH CENTURY Decorated with bands of key fret and fruiting peach sprays, painted in underglaze blue with panels of vases, incense burners and auspicious things, mounted with a contemporary European ormolu base, 29.4cm overall.

£1,000-2,000 十八世紀

粉青釉地開光博古圖貫耳瓶及鎏金底座

278 A LARGE CHINESE BLUE AND WHITE VASE C.1640 Illustrating a scene from the story of Bing Ji Wen Niu, with a procession walking on a rocky path behind a buffalo, with plantain and pine trees amongst swirling clouds, the shoulder with a band of stylized leaves, 46.3cm.

£500-1,000 Cf. S Marchant and Son, Exhibition of Transitional Wares for the Japanese and Domestic Markets, p.32, no.43 where a bitong with the same subject is illustrated; see also Seventeenth Century Jingdezhen Porcelain from the Shanghai Museum and the Butler Collections, p.110 where the story of Bing Ji Wen Niu is explained in more detail. 1640年代

青花丙吉問牛紋瓶

127

279 A CHINESE BLUE AND WHITE CYLINDRICAL BITONG KANGXI 1662-1722

280 A CHINESE BLUE AND WHITE ROULEAU VASE KANGXI 1662-1722

Painted to one side with a crane and a Buddhist lion dog on a large lotus leaf, with tables displaying vases, a qin, incense burners and auspicious things, the reverse with blossoming chrysanthemum and other flowers with rockwork and insects, 18.6cm dia.

The cylindrical body painted with quatre-lobed, fan-shaped and chamfered cartouches, variously containing mountain landscapes, arrangements of flowers, animals, birds and auspicious things, all reserved on a dense ground of lotus and peony flowers and foliage, the neck with bands of ruyi and key fret, 45.7cm.

£5,000-8,000 Provenance: an English private collection, Wiltshire.

清康熙青花博古圖紋筆筒來源：英國威爾郡私人收藏

128

£4,000-6,000 Provenance: Bonhams London, 7th November 2013, lot 49; previously an English private collection.

清康熙青花花卉紋棒槌瓶來源：英國私人舊藏，倫敦邦瀚斯2013年11月7日·編號49

281 A CHINESE BLUE AND WHITE JARDINIERE, GANG KANGXI 1662-1722

282 A CHINESE BLUE AND WHITE YEN YEN VASE KANGXI 1662-1722

Brightly painted with a panel containing a dragon amongst auspicious things, the reverse with a leaf-shaped panel containing a bird, a butterfly, rocks and flowers, 23cm.

Painted with two deer in an extensive mountain landscape crossing a rocky bridge, with a single crane in flight above, the flaring neck with a further deer beneath a pine tree, 47.2cm.

£5,000-6,000

£6,000-8,000

Provenance: from the collection of Karl Wilhelm Gerdhem (1868-1932). Gerdhem was a famous Swedish engineer who in 1905 was in Peking, negotiating a telecommunications contract for the city of Guangzhou (Canton).

Provenance: a European private collection, acquired 1965-85.

清康熙青花鶴鹿同春鳳尾尊來源：歐洲私人收藏，購於1965-85年

Cf. C Runmin, Qing Dynasty, Shunzhi and Kangxi Underglaze Blue in the Gugong Museum, pp.384-5, no.246.

清康熙青花博古紋缸來源：Karl Wilhelm Gerdhem收藏，Karl曾今于1905年在北京與廣州的電信公司工作

129

283 A CHINESE WUCAI BALUSTER VASE AND COVER 2ND HALF 17TH CENTURY

284 A LARGE CHINESE BLUE AND WHITE VASE C.1640

Brightly painted with fruiting vines in red, yellow, green and aubergine, with many squirrels scampering amidst the fruits and hanging tendrils, a band of peony to the neck, the domed cover similarly decorated, 40cm. (2)

The tapering cylindrical body with two incised bands of scrolls and painted with vases and jardinières containing arrangements of flowering peony, chrysanthemum, plantain and other blooms, a fan-shaped panel depicting a small figure beside a dwelling amongst tall trees, the shoulder with a single kingfisher beside lotus, 44.5cm.

£12,000-15,000 Cf. The World’s Great Collections: Oriental Ceramics, Vol.7, Musée Guimet, col. pl.83, where a related vase is illustrated. The vine and squirrel, songshu putao, when seen together represent the wish for ceaseless generations of male descendants.

十七世紀晚期五彩松鼠葡萄將軍罐

130

£18,000-22,000 1640年代

青花博古圖紋棒槌瓶

285 A MASSIVE CHINESE ARCHAISTIC BLUE AND WHITE OVOID VASE QIANLONG 1736-95 Painted to the exterior with stylized dragons and taotie panels reserved on dense geometric grounds, the flaring neck with a band of stiff leaves mirrored at the foot, the body with raised concentric double bands containing key fret, the shoulder with ring handles surmounted by mythical creatures’ masks, raised on an intricately-tiered reticulated zitan and hardwood five-legged stand, carved with bands of the Three Friends of Winter divided by foliage and C-scrolls, and further taotie masks, 36.2cm, 51cm overall. (2)

£20,000-30,000 清乾隆

青花饕餮纹双耳尊

131

286 A CHINESE BLUE AND WHITE OVOID VASE KANGXI 1662-1722 The fluted body painted with four roundels, each containing figures in interiors, all within bands of fruiting and foliate sprays, with a hardwood reticulated cover and stand, 22cm. (3)

£300-500 清康熙

青花開光人物故事紋瓶

287 A CHINESE BLUE AND WHITE PORCELAIN INCENSE BURNER 19TH CENTURY The compressed ovoid body with a flaring neckrim, painted to the exterior with two scaly dragons and a flaming pearl of wisdom amongst flame wisps and clouds, 18.5cm.

£500-800 十九世紀

青花趕珠龍紋香爐

288 A PAIR OF CHINESE SOFT-PASTE BLUE AND WHITE BOWLS AND STANDS 18TH CENTURY Each decorated with stylized dragons between bands of key fret and tapering lappets, the interiors with a central shou character encircled by a pair of dragons, the bases with six character Chenghua marks, 16.2cm. (4)

£1,000-2,000 Provenance: from an English private collection.

十八世紀青花螭龍壽紋碗及碟一組四件來源：英國私人收藏

132

289 A LARGE CHINESE BLUE AND WHITE OVOID VASE AND COVER 17TH CENTURY Painted with three large panels, variously depicting a landscape scene, a basket of flowers, peony and small birds, 47cm. (2)

£800-1,200 清康熙

青花開光山水紋瓶

290 A CHINESE BLUE AND WHITE YEN YEN VASE KANGXI 1662-1722 Painted with deer and cranes amongst pine trees, with lingzhi fungus emerging from rockwork and swirling clouds above, 45.7cm.

£1,000-2,000 Provenance: a European private collection, acquired 1965-85.

清康熙青花鶴鹿同春鳳尾尊來源：歐洲私人收藏，購於1965-85年

291 A CHINESE BLUE AND WHITE DISH WANLI 1573-1620 Painted with a circular panel depicting six boats in a mountainous river landscape, the border with birds and flowers, 34.5cm.

£1,500-2,500 明萬曆

青花山水碟

133

292 A MASSIVE CHINESE FAMILLE ROSE PUNCH BOWL 18TH CENTURY Brightly enamelled to the exterior with panels containing scenes of figures and attendants in domestic settings and rocky fenced gardens, bordered by stylized gilt scrolls and bats, divided by smaller panels of landscape scenes and birds, all reserved on a gilt cell diaper ground above a band of key fret, the interior with a wide band depicting blossoming peony, chrysanthemum, prunus, and rose hips with butterflies and other insects, the well with a central roundel painted with a shepherdess and her flock, encircled by a band of Moor fish amongst ferns, 55.2cm.

£20,000-30,000 Provenance: Lieutenant-General John Campbell, 1st Marquess of Breadalbane, FRS (1762-1834) of Taymouth Castle, and thence by family descent. Cf. The National Archives of Scotland, where this bowl is recorded in the 1880 Christie, Manson and Woods inventory of Taymouth Castle, located in the Tapestry Sitting Room, no.369.

十八世紀廣東粉彩人物故事大碗來源：泰矛斯城堡侯爵一世，John Campbell中將家族收藏

John Campbell, 4th Earl and 1st Marquess of Breadalbane (1762-1834) by Angelica Kauffman (1741-1807)

134

292 detail

135

293 A LARGE CHINESE SWATOW BROWN GLAZED DISH 17TH CENTURY Decorated in slip with two dragons and a kylin, with chrysanthemum and peony stems to the rim, 42cm.

£1,000-2,000 十七世紀

醬釉麒麟碟

294 A LARGE CHINESE BOWL 18TH CENTURY Decorated in pink enamels and gilt with a pair of phoenix in a fenced garden with large flower blooms and fruiting branches, the interior with a ruyi-decorated border with cell diaper and chevron grounds, 40.6cm.

£2,000-3,000 十八世紀

136

礬紅鳳戲牡丹碗

295 A CHINESE CIZHOU-TYPE VASE MING DYNASTY The ovoid body painted in brown with hexagonal panels, depicting scenes from the tale of Deng Bodao and the abandonment of his son, all between bands of spirals and chevrons and reserved on a cream ground, 28.5cm.

£4,000-6,000 This vase tells the Jin (265-420 AD) story of Deng Bodao, who was taken prisoner while serving as the governor of Hedong by the rebel leader Shi Le. Following his eventual escape, Bodao, along with his wife, son and nephew were pursued by the rebel mounted troop. The couple realised they would be unable to remain uncaptured carrying both young boys. Thus in the knowledge that they could have another child, they agreed to abandon their own son, tying him to a tree, in order to continue the bloodline of his late brother. Cf. Freedom of Clay and Brush through Seven Centuries in Northern China: Tz’u-chou Type Wares, 960-1600 A.D., p.192, fig.231 for a related vase. Together with a copy of Thermoluminescence Analysis Report, sample no.P115e31, dated 24th June 2015.

明

磁州窯鄧伯道棄子救侄瓶

295 reverse

137

296 A PAIR OF CHINESE FAMILLE ROSE DISHES 18TH CENTURY Each painted with leafy stems of flowering peony, begonia and gardenia, a shop mark to the bases, 16cm. (2)

£500-800 Provenance: from an English private collection.

十八世紀粉彩富貴滿堂碟一對來源：英國私人收藏

297 A CHINESE FAMILLE ROSE BOWL 18TH/19TH CENTURY Brightly enamelled with flowering chrysanthemum and peony, the foliage extending around the flaring body, and with two iron-red bats in flight to the reverse, 17.7cm.

£200-300 十八/十九世紀

粉彩花卉紋碗

298 A CHINESE FAMILLE ROSE TEA BOWL AND SAUCER YONGZHENG 1723-35 Of lobed form, painted with two men and a lady in conversation before a table, with large peony blooms and rockwork visible in the garden beyond, paper labels for the Loan Exhibition, Dorchester Hotel, 28th May-18th June 1931, no.384; the Martin Hurst collection; and a portion of the Hope Heirlooms label, 13.1cm. (2)

£400-600 Provenance: from an English private collection. Formerly the Martin Hurst collection.

清雍正粉彩人物故事紋碗及碟一組兩件來源：英國私人收藏，Martin Hurst舊藏

138

299 two views

299 A CHINESE FAMILLE ROSE BASIN YONGZHENG 1723-35 The well delicately painted with an extensive mountain landscape with a small boat on a lake, the rim with butterflies, peony sprays and fish, the exterior with five iron-red bats, 39cm.

£1,500-2,500 清雍正

浅绛彩山水折沿盤

300 A CHINESE FAMILLE ROSE VASE 18TH CENTURY Painted with a lady seated on rocks beside a spiny tree, her attendant carrying a musical instrument wrapped in a cloth, another with a vase across his back, 20.7cm.

£500-800 Provenance: from an English private collection.

十八世紀粉彩人物故事紋瓶來源：英國私人收藏

139

301 A CHINESE BLUE AND WHITE KLAPMUTS BOWL SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Painted to the exterior with ladies in an extensive garden amongst plantain and rockwork, with pine and other trees, all beneath a band of foliate panels reserved on cell diaper and ruyi grounds, the interior with lingzhi, 20.2cm.

£500-800 清康熙青花如意人物故事紋折沿碗《大清康熙年製》青花楷書款

302 A SMALL CHINESE BLUE AND WHITE PLATE SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Painted with Mandarin ducks swimming amongst reeds, the rim with a band of the Three Friends of Winter, 20.8cm.

£600-800 清康熙青花蓮池鴛鴦紋碟《大清康熙年製》青花楷書款

303 A LARGE CHINESE BLUE AND WHITE SHALLOW BOWL SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Painted with a roundel containing a scholar standing in a garden beside an incense burner, an attendant boy holding a fan beside him, a crane in flight above, the wide rim with eight petal-shaped panels, painted with pairs of ladies and peony with rockwork, all reserved on key fret, 34.3cm.

£1,500-2,500 清康熙青花開光人物故事紋盤《大清康熙年製》青花楷書款

140

304 A PAIR OF CHINESE BLUE AND WHITE GU BEAKER VASES KANGXI 1662-1722 Each painted with very similar scenes, the upper section depicting attendants carrying banners and swords and greeting a general who stands before an altar, the lower section with a scholar in a fenced rocky garden and a boy with two geese, all divided by floral sprays to the centre, each with a six character Chenghua mark to the base, 43.2cm. (2)

£20,000-30,000 Cf. C Runmin, Qing Shunzhi Kangxi Chao Qinghuaci, no.317 for a single similar vase.

清康熙青花人物故事紋花觚一對《大明成化年製》仿款

141

305 A PROCESSION OF TWELVE CHINESE POTTERY STANDING FIGURES MING DYNASTY Together with a pottery model of a caparisoned horse and a model of a canopy, decorated in green, red and ochre glazes and earth pigments, 24cm max. (14)

£250-350 明

素三彩陶俑一組十四件

306 ELEVEN CHINESE POTTERY STANDING FIGURES MING DYNASTY

307 A CHINESE POTTERY MODEL OF A BACTRIAN CAMEL TANG DYNASTY 618-907 AD

Variously modelled, some wearing hats and carrying attributes, decorated in green and ochre glazes, 40.5cm. (11)

£1,000-2,000

Standing with its head thrown back, its mouth open to reveal its teeth, a colourful saddle cloth covering its humps, decorated in green, cream and ochre glazes and raised on a rectangular plinth, 60cm.

明

£1,000-2,000

素三彩陶俑一組十一件

Provenance: from the collection of David Ferguson Esq. Purchased from R & G McPherson on 26th May 2005. A copy of the original invoice is available.

唐三彩駱駝來源：David Ferguson先生收藏，2005年5月26日購於 R&G McPherson，附發票

142

308 TWO CHINESE POTTERY FIGURES OF COURT LADIES TANG DYNASTY 618-907 AD

309 A CHINESE POTTERY MODEL OF A HORSE NORTHERN WEI 386-534 AD

Each standing wearing flowing robes, her hands clasped before her, with traces of earth pigments, 35cm. (2)

Standing with its head bowed, mounted with a saddle to its back, with traces of red and brown earth pigments, all raised on a rectangular base, 25cm.

£1,000-2,000 唐或更晚

仕女俑一組兩件

£500-800 Together with a copy of Thermoluminescence Analysis Report, sample no.C97d78, dated 8th July 1997.

北魏陶加彩馬俑附1997年7月8日年代測試報告證明此件拍品為北魏時期

310 A PAIR OF CHINESE POTTERY OVOID JARS EARLY TANG DYNASTY 618-907 AD Painted with a continuous design of flowerheads within bands of lappets, with traces of orange pigment, 27cm. (2)

£400-600 Together with a copy of Thermoluminescence Analysis Report, sample no.766t86, dated 18th July 1996.

唐早期陶加彩大罐一對附1996年7月18日年代測試報告證明此件拍品為唐早期

143

311 A CHINESE CIZHOU ‘PARTRIDGE FEATHER’ GLAZED BOWL JIN DYNASTY 1115-1234 AD The compressed circular body raised on a short flaring foot, decorated with an unctuous black glaze with mottled russet-brown markings, the glaze stopping short of the footrim to the exterior, 13.9cm.

£1,000-2,000 金

磁洲窯鷓鴣斑釉碗

312 A CHINESE GREEN JUNYAO BOWL JIN DYNASTY 1115-1234 AD The conical body with an incised band beneath the gently in-turned rim, decorated with a blue-green mottled glaze, 22cm.

£1,000-2,000 Provenance: formerly in a Dutch private collection, acquired in the 1980s.

金鈞窯碗來源：荷蘭私人收藏，購於1980年代

313 A SMALL CHINESE JUNYAO U-SHAPED BOWL SONG DYNASTY 960-1279 AD The asymmetric body subtly tapering, raised on a short ring foot, decorated with a lavender-blue glaze fading to grey-brown at the rim, the base unglazed, 8.7cm.

£2,000-3,000 宋

144

鈞窯直口碗

314 A CHINESE CIZHOU ‘PARTRIDGE FEATHER’ GLAZED VASE SONG/JIN DYNASTY, C.12TH CENTURY The ovoid body with a tall flaring neckrim, decorated with an unctuous black glaze with russet-brown splashes, the glaze stopping short of the foot, 21.5cm.

£4,000-6,000 宋/金

磁洲窯鷓鴣斑釉瓶

145

315 A SMALL CHINESE LONGQUAN CELADON GLAZED VASE MING DYNASTY

316 A SMALL CHINESE LONGQUAN CELADON EWER MING DYNASTY

The pear-shaped body with a a tall flaring neckrim, with two loop handles supporting rings, together with a similarly-glazed small flared bowl, 16.2cm. (2)

The ovoid body with a narrow flaring neckrim, the spout joined by a cloud-shaped support, the strap handle with a leaf-shaped terminal, 11cm.

£1,000-2,000

£1,000-1,500

Provenance: a European private collection, acquired 1965-85.

Provenance: from an English private collection.

明龍泉青釉碗及雙耳瓶一組兩件來源：歐洲私人收藏，購於1965-85年

明龍泉窯青釉酒壺來源：英國私人收藏

317 A CHINESE YAOZHOU SMALL DISH JIN DYNASTY 1115-1234 AD The gently flaring body carved to the interior with a central flower encircled by leafy foliage, 13.5cm.

£300-400 Provenance: formerly in the collection of Sister Wendy Beckett.

金耀州窯青釉小碗來源：Sister Wendy Beckett收藏

146

318 A CHINESE LONGQUAN CELADON RETICULATED STAND 15TH CENTURY Of baluster form on a ring foot, with circular and ingot-shaped apertures, faintly carved with chevrons, together with a Japanese gilt metal cover reticulated with chrysanthemum, a fitted wood box,10.4cm. (4)

£800-1,200 十五世紀

龍泉窯青釉盃座

319 A CHINESE LONGQUAN CELADON VASE, MEIPING MING DYNASTY

320 A CHINESE QINGBAI CUP STAND SONG DYNASTY 960-1279 AD

Moulded with lotus flowers, a band of cloud scrolls to the shoulder, 25cm.

The lobed dish raised on a flaring foot, the central stand modelled as a flower bud, decorated all over with a pale green glaze, 13cm.

£1,500-2,000

£2,500-3,500

明龍泉青釉花卉紋梅瓶

宋

青白釉花型盃座

147

321 A SMALL CHINESE JIANYAO ‘HARE’S FUR’ GLAZED BOWL SONG DYNASTY 960-1279 AD Decorated with an unctuous black and brown glaze stopping short of the foot, 10cm.

£500-700 宋

建窯兔毫盞

322 A CHINESE SMALL LONGQUAN CELADON JAR MING DYNASTY The compressed circular body decorated with irregular brown splashes, a hardwood cover, 8.8cm. (2)

£800-1,200 Provenance: from an English private collection. Cf. J Harrison-Hall, Ming Ceramics in the British Museum, p.463, no.16:1 for a stem cup with similar decoration.

明龍泉窯青釉褐斑小罐來源：英國私人收藏

323 A CHINESE JIANYAO ‘HARE’S FUR’ GLAZED BOWL SONG DYNASTY OR LATER The conical body decorated with an unctuous brown glaze, falling short of the foot, 12cm.

£300-500 宋或更晚

148

兔毫盞

324 A CHINESE POTTERY SANCAI GLAZED POURING VESSEL TANG DYNASTY 618-907 AD The ovoid body with a short circular spout, decorated in green, blue, ochre and cream glazes with flowerheads divided by vertical bands, the lower body unglazed, 13cm.

£600-1,000 Cf. The Complete Collection of Treasures of the Palace Museum, Porcelain of the Jin and Tang Dynasties, pp.222-3, no.205, where a related jar is illustrated.

唐素三彩小壺

325 A CHINESE FAMILLE VERTE MODEL OF GUANYIN KANGXI 1662-1722 Seated wearing draped foliate robes, a small child on her right knee, the separate famille verte double-lotus base on a tall hexagonal plinth, painted with foliate and cracked-ice designs, all raised on a hexagonal hardwood stand, a paper label for L. Wannieck, Paris, the figure 39.7cm overall. (3)

£800-1,200 Provenance: a European private collection, acquired 1965-85.

清康熙五彩送子觀音坐像來源：歐洲私人收藏，購於1965-85年附巴黎L. Wannieck, 標籤

149

326 A CHINESE DRAGON VASE, SHANGPING SIX CHARACTER GUANGXU MARK AND POSSIBLY OF THE PERIOD Brightly enamelled with two scaly five-clawed dragons and a flaming pearl of wisdom amongst clouds, the neck with many bats beneath a band of ruyi-heads, the shoulder with lotus and shou characters, 40.5cm.

£2,000-3,000 Provenance: a European private collection, acquired 1965-85.

清光緒粉彩趕珠龍紋賞瓶《大清光緒年製》青花楷書款來源：歐洲私人收藏，購於1965-85年

150

327 A SMALL CHINESE FAMILLE ROSE ‘HUNDRED BIRDS’ VASE BY ZHANG SHI BAO (1909-1987) 20TH CENTURY Delicately painted with a pair of phoenix and a multitude of other birds, bainiao chaofeng, all amongst flowering peony and rockwork with pine and maple trees, the flared neckrim painted with formal leaves and geometric bands, the base inscribed Jeng de Zhen yi shu ci chang chu pin, 16cm.

£2,000-3,000 二十世紀章仕保製粉彩百鳥朝鳳小瓶

328 A CHINESE BLUE AND WHITE RECTANGULAR TRAY SIX CHARACTER JIAQING MARK AND OF THE PERIOD 1796-1820 Painted with a solitary fisherman overlooking a lake in an extensive mountainous landscape, with three fishing boats and small houses amongst pine trees, all bordered by fruiting branches, the exterior with river scenes, 35.3cm x 18.6cm.

£4,000-6,000 Provenance: formerly from the collection of Carl-Erik Gadelius (1866-1928), who was head of the Gadelius Company, Japan, 1904-1913. Cf. Marchant, Nineteenth Century Mark and Period Porcelain, 1991, p.15 & 18, where two related trays with Jiaqing marks are illustrated, and where it is noted these items are derived from Tianqi ko-sometsuke tea ceremony wares.

清嘉慶青花山水托盤《大清嘉慶年製》青花篆書款來源：日本Carl-Erik Gadelius (1866-1928) 收藏

329 A CHINESE BLUE AND WHITE BOTTLE VASE SIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95 The pear-shaped body painted with eight flowerheads amongst scrolling leafy foliage, all between bands of stylized lappets, the neck with overlapping stiff leaves, paper labels for Marchant and Professor Laurence, 44.5cm.

£1,500-2,500 Provenance: from the collection of David Ferguson Esq. Formerly in the collection of Professor D R Laurence MD. Purchased from Marchant on 13th December 1991. A copy of the original invoice is available.

清乾隆青花纏枝花卉紋淨瓶《大清乾隆年製》青花篆書款來源：David Ferguson先生收藏，D R Laurence MD教授舊藏，1991年12月13日購於Marchant，附發票

151

330 A SMALL CHINESE UNDERGLAZE BLUE AND IRON-RED DECORATED BOWL 19TH CENTURY Painted to the exterior with four bats in flight amongst swirling clouds, the interior with five further bats encircling a shou character, the base with a four character mark which reads qing hua zhen pin, 9.8cm.

£500-800 Provenance: from an English private collection.

十九世紀青花礬紅五福捧壽碗來源：英國私人收藏

331 A CHINESE BLUE AND WHITE BOWL SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Painted to the exterior with a dense foliate design of peony, chrysanthemum, lotus and other flowers, the interior with a central roundel of peony, 20.5cm.

£1,800-2,000 清康熙青花花卉紋碗《大清康熙年製》青花楷書款

332 A PAIR OF CHINESE FAMILLE ROSE BOWLS AND COVERS SIX CHARACTER GUANGXU MARKS AND OF THE PERIOD 1875-1908 Painted with small birds perched on blossoming branches of chrysanthemum, peony and prunus, and with inscriptions to the reverse, 10.8cm. (4)

£1,000-2,000 清光緒粉彩花鳥紋蓋杯一對《大清光緒年制》青花楷書款

152

333 A SMALL CHINESE FAMILLE ROSE CUP FOUR CHARACTER HONGXIAN MARK AND DATING TO 1916 Delicately painted with a bitter melon vine, with blossoming flowers and bamboo extending onto the interior, 7.8cm.

£200-300 Provenance: from an English private collection.

民國粉彩多子多福小杯《洪憲年製》礬紅楷書款來源：英國私人收藏

334 A RARE CHINESE GREEN AND AUBERGINE GLAZED BOWL SIX CHARACTER DAOGUANG MARK IN UNDERGLAZE BLUE AND OF THE PERIOD 1821-50 Painted to the exterior with two scaly five-clawed dragons, chasing flaming pearls of wisdom amongst flame wisps, all above crashing waves, the interior white, 11cm.

£1,500-2,000 Cf. J Stuart, Imperial Porcelain and Court Values, Orientations, August 1993, fig.3 for a Kangxi dish in the same palette from the Tianminlou Foundation, Hong Kong.

清道光綠地趕珠龍紋撇口碗《大清道光年製》青花篆書款

335 A CHINESE DOUCAI MEDALLION BOWL SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The flaring body painted with five roundels of flowering and fruiting trees, divided by sprays of pomegranate, all above a band of leaf lappets, 15.4cm.

£500-1,000 清乾隆

鬥彩花卉紋馬蹄碗

153

336 A CHINESE VIOLET-BLUE GLAZED ANHUA-DECORATED BOTTLE VASE SIX CHARACTER JIAQING SEAL MARK AND OF THE PERIOD 1796-1820 Incised with two five-clawed scaly dragons amongst clouds and flame wisps, all above crashing waves, the flaring foot with a band of key fret, decorated all over with a rich violet-blue glaze, 32.5cm.

£4,000-6,000 清嘉慶霽藍釉暗刻雲龍紋瓶《大清嘉慶年製》款

154

337 A CHINESE VASE, MEIPING 18TH CENTURY The tapering body decorated with the Three Abundances, sandou, with fruiting sprays of finger citron, peach and pomegranate, a band of lappets to the shoulder, decorated all over in a rich purple glaze, 29.5cm.

£3,000-5,000 十八世紀

茄皮紫釉三多梅瓶

338 A CHINESE POWDER-BLUE GLAZED BITONG KANGXI 1662-1722 The cylindrical body decorated in gilt with an extensive mountain landscape, reserved on a mottled blue ground, the interior glazed white, the base with a paper label for Bluett London, 17.7cm dia.

£1,000-2,000 Provenance: from the collection of David Ferguson Esq. Formerly in the collection of Professor D R Laurence MD, purchased from Bluett & Sons on 28th September 1992. A copy of the original invoice is available.

清康熙灑藍釉描金山水筆筒附Bluett London標籤

339 A RARE CHINESE BROWN GLAZED ALTAR VASE SIX CHARACTER YONGZHENG MARK AND OF THE PERIOD 1723-35 The ovoid body with a cylindrical neck, moulded to each side with a peach-shaped panel, all raised on a domed elliptical foot, with two handles formed as birds to the shoulder, decorated with a rich brown glaze, 22.3cm.

£10,000-15,000 Cf. J Ayers, The Baur Collection, Chinese Ceramics IV, no.472, where an example in underglaze blue and yellow is illustrated; see also the Victoria & Albert Museum, Museum no.C.487-1910 for a tea-dust glazed vessel of this form.

清雍正紫金釉鸚鵡耳扁瓶《大清雍正年製》款

155

340 A RARE CHINESE LACQUE BURGAUTE PORCELAIN BITONG KANGXI 1662-1722 The cylindrical body decorated to the exterior with black lacquer, inlaid with mother of pearl depicting a scholar in a bamboo grove, accompanied by an attendant carrying a qin, with the sun amidst clouds above, 12cm.

£500-1,000 Cf. Christie’s, 25th March 2010, lot 954 for a comparable bitong from the Victor Farmer collection.

清康熙

黑漆描金彩繪嵌螺鈿人物故事紋筆筒

341 A PAIR OF CHINESE LACQUE BURGAUTE PORCELAIN BOWLS 18TH CENTURY Lacquered in black to the exterior and inlaid with mother of pearl, each depicting a continuous rocky garden with willow and maple trees, one with a scholar and an attendant carrying a parasol, the other with two scholars in conversation, 9.5cm. (2)

£500-800 Cf. Do Neolitico Ao Ultimo Imperador, A Perspectiva de um Coleccionador de Macao, p.128, no.87 for a related tea bowl and saucer.

十八世紀

黑漆描金彩繪嵌螺鈿小碗一对

342 A CHINESE LOBED DRAGON VASE 19TH CENTURY Painted in underglaze blue and overglaze red enamels with three five-clawed dragons with flaming pearls of wisdom amongst clouds, all above crashing waves, raised on a fitted hardwood stand, 30cm. (2)

£2,000-3,000 十九世紀

156

青花礬紅趕珠龍紋海棠瓶

343 A CHINESE FAMILLE ROSE BITONG YONGZHENG 1723-35 The gently tapering cylindrical body painted with three figures in a fenced garden, each wearing colourful robes, one holding a fan, 12.6cm.

£1,000-2,000 清雍正

粉彩人物故事紋筆筒

344 A PAIR OF CHINESE OCTAGONAL FAMILLE VERTE DISHES KANGXI 1662-1722 One depicting a gentleman giving a gift to a lady before a table, the other with a couple conversing, the rims with panels of auspicious objects and ribbons on a foliate cell ground, 19.2cm. (2)

£500-600 清康熙

五彩人物故事紋八棱碟一對

345 A CHINESE FAMILLE ROSE BOWL 19TH CENTURY Depicting Shoulao and a small boy beside a pine tree and rockwork, a bat in flight above carrying a gourd, the base with a four character mark which reads jing si tang zhi, 14.5cm.

£1,000-2,000 十九世紀粉彩福從天降碗《經笥堂制》礬紅楷書款

157

346 A SMALL CHINESE MONOCHROME DISH SIX CHARACTER DAOGUANG SEAL MARK AND OF THE PERIOD 1821-50 The shallow body with gently flaring sides, decorated all over with a sang de boeuf glaze, the rim white, 8.3cm.

£1,000-2,000 清道光紅釉碟《大清道光年製》青花篆書款

347 A CHINESE YELLOW GLAZED BOWL KANGXI 1662-1722 The gently flaring body raised on a straight foot, decorated with a bright yellow glaze, the base with a six character Jiajing mark, 20.6cm.

£2,000-3,000 清康熙黃釉碗《大明嘉靖年製》仿款

348 A PAIR OF CHINESE MONOCHROME BOWLS SIX CHARACTER YONGZHENG MARKS AND OF THE PERIOD 1723-35 Each decorated with a sang de boeuf glaze, the interior glazed white, raised on five-legged hardwood stands, 14.4cm. (4)

£1,000-2,000 Provenance: formerly in the estate of Elyse Lord, Artist and Printmaker (d.1971).

清雍正紅釉碗一對《大清雍正年製》青花楷書款來源：Elyse Lord舊藏（逝于1971年）

158

349 A CHINESE BLUE AND WHITE SWEETMEAT DISH SIX CHARACTER WANLI MARK AND OF THE PERIOD 1573-1620 Divided into six flaring sections encircling a central compartment, painted with boys in rocky garden landscapes, 23cm.

£1,200-1,800 Cf. Enlightening Elegance, Imperial Porcelain of the Mid to Late Ming, The Huaihaitang Collection, p.310, no.91 for another polychrome dish of the same form.

明萬曆青花嬰戲圖碟《大明萬曆年製》青花楷書款

350 A PAIR OF CHINESE BLUE AND WHITE STEM CUPS WANLI 1573-1620 Each gently flaring body raised on a spreading foot, painted to the exterior with a fruiting grape vine, the bases with six character Chenghua marks, 6.7cm. (2)

£2,000-3,000 明萬曆青花多子多福高腳盃一對《大明成化年製》仿款

159

351 A FINE PAIR OF CHINESE IMPERIAL FAMILLE ROSE PINK GROUND MEDALLION BOWLS SIX CHARACTER DAOGUANG SEAL MARKS AND OF THE PERIOD 1821-50 Each delicately enamelled to the exterior with four roundels containing blossoming trees, divided by stylized lotus sprays and reserved on a pink sgraffito ground, the interior painted in underglaze blue with a central roundel containing a rabbit resting beneath a tree, encircled by four foliate sprays of peony, lily, chrysanthemum and other small flowers, 14.8cm. (2)

£30,000-50,000 Provenance: from the collection of Colonel Geoffrey R Pridham (1872-1951), Royal Engineers, CBE, DSO, who was stationed in Peking c.1900, and thence by family descent. Cf. The Hong Kong Museum of Art, The Wonders of the Potter’s Palette (1984), cat. no.103, which included another pair of bowls of this design; see also Christie’s Hong Kong, 1st December 2010, lot 3207.

清道光粉地軋道開光花卉紋碗一對《大清道光年製》青花篆書款來源：皇家工程師Colonel Geoffrey R Pridham收藏， 1900年代曾安置在北京注：照片為Colonel Pridham與其妻子

351 marks

Colonel Geoffrey R Pridham (1872-1951) with his wife

160

161

352 A MASSIVE AND RARE CHINESE BLUE AND WHITE BOYS JAR, GUAN SIX CHARACTER JIAJING MARK IN UNDERGLAZE BLUE AND OF THE PERIOD 1522-66 The baluster body vividly painted with a continuous garden landscape of plantain and pine trees amongst rocks and grass, with sixteen boys at play, one riding a hobby horse whilst being sheltered by a lotus leaf held by another, a group simulating school lessons before a screen beside a single boy pulling a small toy on a string, another small group playing with a cart, one holding a fan, three further boys at a table concentrating intently on a game, all above a band of overlapping lotus leaf lappets to the base, the shoulder with a band of shaped cartouches containing sprays of flowering and fruiting branches, all reserved on a cell ground divided by auspicious symbols, 38.8cm.

£100,000-200,000 Provenance: an English private collection. Christie’s London, 8th June 1987, lot 151. Cf. The Complete Collection of Treasures of the Palace Museum, Blue and White Porcelain with Underglaze Red (II), pp.110-111, no.101, where a comparable jar with a cover is illustrated; see also J Harrison-Hall, Ming Ceramics in the British Museum, pp.237-8, no.9:50 for an example from the Mrs Alfred Clark collection. This auspicious subject of boys at play represents a wish for an abundance of male descendants and the continuing performance of filial duties. It can also be linked to the ‘hundred boys’ decoration, which refers to Zhou Wenwang, the founder of the Zhou dynasty who was blessed with ninety-nine sons by his twenty-four wives, as well as an adopted son.

明嘉靖青花十六子戲春圖大罐《大明嘉靖年製》來源：英國私人收藏，倫敦佳士得 1987年6月8日編號·151 大罐厚唇口，短頸，豐肩，鼓腹下斂，圈足。該器器型宏大，佈局考究，整器均以青花為飾，肩部施卍字錦地開光折枝花卉紋，足墻為蓮瓣紋。器身通景繪《十六子戲春圖》，嬰戲百樣，三三兩兩相簇，或嬉戲玩耍，苦讀詩書，拜先生、斗蟋蟀、騎竹馬、拖車、結花燈等等；孩童面目飽滿，衣著繪畫細緻，動靜相宜，文武皆備，生動傳神，甚是活靈活現。底青花書“大明嘉靖年製”楷書款。此罐與北京故宮博物院所藏的嬰戲蓋罐紀委相似，詳見《故宮博物院藏文物珍品大系——青花釉里紅》（中）頁110-111，圖101。Mrs Alfred Clark的收藏也有一件類似藏品，見J Harrison-Hall，Ming Ceramics in the British Museum, 頁237-8, 編號9:50。嬰戲圖即描繪兒童遊戲時的畫作，是中國人物畫的一種，以表現童真為主要目的，所以畫面豐富，形態有趣。嬰戲圖最早可以追溯到唐代長沙窯，從簡單的一兩個兒童嬉戲發展到百多個小童，嬰戲圖的發展反映了當時封建社會對於傳宗接代的觀念深入人心。嬰戲圖為嘉靖瓷器主要紋飾之一，多繪為十六子，其典出《左傳》，後用為稱頌皇帝的輔政大臣。此罐製于嘉靖時期，青花以回青作為原料，色調鮮艷明亮。胎厚，釉色豐腴瑩潤，尤具嘉靖青花的時代特色。畫師畫法古樸而生動，層次豐富而不凌亂，展嘉靖製瓷一時之貌，為當時御窯之佳品。

352 mark

352 other views

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Asian Art Tuesday 15th & Wednesday 16th November 2016

A rare Chinese green dragon dish, Zhengde mark and of the period 1506-1521. From a collection of fine Chinese Porcelain purchased from Bluett & Son, London, in the 1930s.

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | johnaxford@woolleyandwallis.co.uk

20th Century & Contemporary Art Wednesday 8th June 2016 Michael Ayrton (1921-1975) Archilochos, a portfolio of prints Sixteen, all numbered 13/75 Etchings, unframed in original portfolio Each 46 x 38cm Estimate: ÂŁ2,500-3,500

ENQUIRIES: Victor Fauvelle | +44 (0)1722 424503 | victorfauvelle@woolleyandwallis.co.uk Jo Butler | +44 (0)1722 424592 | jobutler@woolleyandwallis.co.uk

Arts & Crafts Wednesday 22nd June 2016 A Martin Brothers stoneware triple bird jar and cover sculpture. Estimate ÂŁ8,000-12,000

ENQUIRIES: Michael Jeffery | +44 (0)1722 424505 | michaeljeffery@woolleyandwallis.co.uk

Jewellery Thursday 21st July 2016

A natural pearl and diamond pendant, the pearl weighs 32.81cts. Sold for ÂŁ280,000

ENQUIRIES Hannah Galbraith | +44 (0)1722 424586 | hannahgalbraith@woolleyandwallis.co.uk

Tribal Art Tuesday 20th September 2016 Entries are now invited

An Aborigine broad shield, South East Australia, 98.5cm high. Estimate: ÂŁ3,000-5,000

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

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Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

拍賣須知營業時間：週一至週五9:00-17:30，週六10:00-13:00 拍賣前預展：本公司所有拍賣預展都會在正式拍賣的前兩天舉行，詳細資訊請查閱相關拍賣圖錄。登記競投：競買人應在拍賣日前於公司前臺接待處申領競投號牌。本公司現提供永久競投號牌，競買人登記後可在未來的拍賣中使用。登記時，您需要出示身份證、護照（如果有）和地址證明（有注明住址的水電煤帳單或駕駛證），或者將以上資料以郵件的形式發送至enquiries@ woolleyandwallis.co.uk 注：the-saleroom.com（網絡實況轉播競投）註冊也需要以郵件的形式發送以上資料至本公司。委託競投：不能出席拍賣的競買人可通過書面形式委託本公司代為競投，工作人員將參考底價，盡力以最低價進行競投。電話競投：委託人可在拍賣會進行時通過電話競投，該項服務須在拍賣會開始前與本公司前臺接待處預約。網絡實況轉播競投：本公司大部份拍賣都可以通過網絡實況轉播競投，該項服務可以滿足競買人在世界各地進行競投的需求。網上競投需在www.the-saleroom.com上登記。同時您務必掃描并以電子郵件的形式將身份證、護照（如果有）和地址證明（有注明住址的水電煤帳單或駕駛證）發給我們。除已經和威立士索爾茲伯裏拍賣有限公司達成協議的買家外，網絡登記時競買人務必提供銀行信用卡資訊： 1.

授權威立士索爾茲伯裏拍賣有限公司，在成功由the-saleroom.com競投到拍品後，本公司可以從信用卡收取部份或全部的成交金額（包括其他所有費用）。網上競投服務平台會有3%額外手續費（+VAT 稅）確認競買人是信用卡授權的使用人，並確認威立士索爾茲伯裏拍賣有限公司有權向持卡人在拍賣登記表上提供的地址運輸貨物。

拍品情況報告：本公司會提供有關拍品的品相報告，所有拍品的尺寸或重量可以在相關圖錄裏瞭解。注：所有測量數據視為近似值，因印刷或攝影造成圖錄作品的色調、顏色等與原物有誤差者，以原物為准。成交價：所有拍品的成交價會在拍賣會結束後在本公司網站上公佈。付款：競買成功後，所有拍品的購買款項應以英鎊支付，本公司收到款項後方可領取拍品。第一次在威立士拍賣行交易的買家需提供姓名、地址和銀行資訊。付款可以通過以下方式：銀行匯票、現金匯票、個人支票、旅遊支票、信用卡、銀行借記卡和不超過相當於€15,000的英鎊現金。如果持卡人不在現場，本公司將不能收取超過 £1,000的引用卡付款。本公司電匯資訊： Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 信用卡：VISA或者MASTERCARD會有2%的手續費和增值稅（VAT）借記卡：Delta, Switch, Connect 付款和取貨都可以在拍賣現場進行。傢具和鐘錶類的拍品通常會在拍賣結束後留在拍賣現場三個工作日，然後轉移至倉庫。請買家取貨時請務必提前和本公司預約。拍賣結束三十天后開始徵收存放費用，費用包括：保管費：每件拍品£20（+增值稅VAT）存放費：每天每件拍品£2 （+增值稅 VAT）以上所有費用全部結清才能取貨。增值稅VAT：帶有星號（†）的拍品需要在落錘價上徵收增值稅。帶有希臘字母（Ω）的拍品表示從歐洲以外的國家進口，並且在落錘和買家支付之傭金上收取5% 的增值稅。在本公司網上圖錄‘the Sales Tax % 一欄顯示的是在落錘價上徵收的增值稅比例。

瀕危野生動植物種國際貿易公約（CITES）標註λ的拍品在從英國出口之前需要查詢其進口地的進出口條例，詳細信息請登錄網站查詢www. ukcites.gov.uk 藝術家的追續權：追續權是付給藝術家的專利稅。如果藝術家還在世或者去世以後的70年內，那麼每次出售和轉售都要付給該藝術家或者其繼承人專利稅。追續權不是增收稅，會加在競買人購買價格之上，然後轉給相關仲介機構。專利稅是在落錘價錢（不包括買家支付之傭金）上以百分率的方式徵收。€1,000以下的拍品不收取專利稅，每個拍品的專利稅最高可以收取€12,500. 請詢問拍賣當天的英鎊匯率。追續權的專利稅百分比率請參照下表： 4% 3% 1% 0.5% 0.25%

€50,000以下 €50,000.01 – 200,000 €200,000.01 – 350,000 €350,000.01 – 500,000 €500,000以上

最高的專利稅可以收取€12,500 帶有‡符號的拍品需要在成交價上收取專利稅。

包裝和運送：威立士拍賣行不提供包裝和運送的服務。以下是在本公司周邊的運送公司及其聯繫方式： Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sale@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk 若拍品已轉交運輸公司，任何丟失及損壞威立士將不承擔一切責任 **注：本須知如有任何詮釋上的問題，一概以英文版本爲準。

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS TO OLD SARUM

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WILTON & WARMINSTER

CENTRAL CAR PARK

SALISBURY S OUT H

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Woolley & Wallis 2 Danebury Court

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The Portway

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AMESBURY & MARLBOROUGH

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CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

T WIN S BED

LN SALT

WINCH ESTER ST

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Furniture, Works of Art, Clocks & Tribal Art. 2 Danebury Court, Old Sarum Park, Salisbury, Wilts SP4 6EB

NEW ST RE

DIRECTIONS FROM WOOLLEY & CASTLE WALLISSTREET CASTLE STREET DIRECTIONS FROM WOOLLEY & WALLIS TO SALT LANE TO SALT LANE

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Woolley Wallis WOOLLEY & &W ALLIS Salt Salt Lane Lane

A338 BOURNMOUTH & RINGWOOD OW

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Woolley WOOLLEY & & Wallis WALLIS Salisbury Salisbury Salerooms Salerooms

Qudos A33 8

CASTLE STREET

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A354 DORCHESTER WEYMOUTH & BLANDFORD

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.2998482 VAT No: 631 9832 29

LANE

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

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SCOTS LANE

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DRIVING ROUTE TO CASTLE ST.

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W OOLLEY & &W ALLIS Woolley Wallis SSalerooms ALEROOMS

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DRIVING ROUTE TO SALT LANE

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PEDESTRIAN ROUTE

SOUTHAMPTON CATHEDRAL

TESCO Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street. Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street

Design & Production by

Woolley & Wallis Absentee Bid Form Asian Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

17th & 18th May 2016 Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Billing Name (please print) �� Address �� Postcode �� Daytime Telephone �� Signature �� There is no surcharge for debit card payments, but for credit cards there will be a 2% + VAT surcharge. ID is required for all first time bidders.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description of lot

Price excluding buyer’s premium & VAT

Woolley & Wallis 書面競投表格中國藝術品敬請以本公司的名義為競買人進行競投，以下所填的價錢上限不包括拍品所需的任何買家保險價和任何VAT增值稅。這些拍品會以圖錄上說明的底價以上的拍賣價成交。

拍品編號（按數字順序）

競買人資料（請用英語大寫字母書寫）姓：名：

地址：

郵編：聯繫電話：

簽名：

使用借記卡付款沒有手續費，但各類銀行信用卡都將會有 2%+VAT稅的手續費，新買家付款是將需要提供身份證或護照。

Salisbury Salerooms (威立士拍賣行), 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

簡要的拍品描述

競拍價格（請除去VAT 增值稅和買家保險價）

藝術品拍賣和股價協會（SOFAA）、英國皇家註冊測量師協會（RICS）

拍賣規則

競買人須知 1.

簡介：本規則適用於本公司的買家，特別是對於新加入拍賣的競買人。所有拍賣品的資訊和估價都可以在相關拍賣圖錄中翻閱。如果您有任何疑問，本公司的工作人員將非常樂意為您服務。本中文條款如有任何詮釋上的問題，一概以英語版本爲準。

仲介：作為拍賣行，本公司通常以代理買方的身份簽署合同。爲了保護客戶隱私權，本公司不會公開競買人的資訊。

估價：估價是爲了提供競買人一個大概的價格浮動範圍。所有提供的拍賣品均設有賣家所定的保密的最低價，拍品不會以低於此價出售。圖錄上較低的估價價格即可能是該拍賣品的底價。估價不包括競買人支付的傭金和VAT增值稅。估價會在拍賣之前提供給競買人。

買入價格：競買人需要付成交價和傭金（每件拍品的成交價低於£500,000 取22%，超過 £500,000 上部份取12%）+ VAT增值稅 VAT增值稅：買家須以有關法律所規定的稅率及時間繳付增值稅。增值稅會在成交價和傭金之上收取。帶有星號（*）的拍品是從歐盟國家進口的，將徵收20%進口VAT增值稅。帶有雙星符號（**）的拍品是從歐盟以外的國家進口的，當下的VAT增值稅為5%。如果沒有以上敘述的兩種符號，該拍品就不需要徵收VAT增值稅。威立士拍賣行：本公司是賣家的仲介，所有拍品的資訊均源自於賣家，同時也會檢查拍品的情況。本公司在關於拍品的目錄、品相報告和另外口頭與書面的所有陳述，均只屬於意見的表述，而不應依據為事實的陳述。目錄和品相報告中所提及的有關瑕疵和未經修復的敘述只作為對該拍品的參考，不應被依據為拍品的真實狀況。所以競買人在拍賣前仔細檢查拍品情況是一個明智的選擇。但如果發現拍品存在‘ 蓄意偽造’的情況，在三個星期內可能可以被退還。（蓄意偽造的詳細解釋可以在本公司的拍賣條款裏查閱）電器拍品：所有電器拍品都以古董的形式進行拍賣，如果是用於日常使用請在拍賣之前與專業電器公司確認其安全性。出口拍品：買家如果想要出口競拍所得物品需要查明：a）是否需要出口許可證。b)要攜帶入境的國家是否對該類拍品有禁令。比如說，可能會禁止攜帶象牙。如有需要請詢問本公司前臺服務。但上述的兩種情況都不作為取消交易和推遲付款的原因。

競投：競買人需要在拍賣前進行註冊，登記時需要提供姓名，位址。新客戶需要向本公司提供身份證明。如需要電話競投服務，請儘早與本公司進行登記。

10. 競投委託：該項服務是以書面的形式委託威立士在不超過其指定金額下競投拍賣品。工作人員將參考底價，盡力以最低價進行競投，如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 付款方式：按照規定，成交拍品需要付清所有遺留款項以後才能取貨。關於付款方式請提前與本公司前臺聯系。 12. 取貨和存儲：請查閱本公司拍賣條款裏關於取貨和儲存的有關信息。所有推遲提取的拍品都會徵收相應的存儲費用。賣家委託條件 1.

解釋：下文中用到‘您’代表賣家或仲介機構，同樣‘我們’代表拍賣行。

傭金：拍品成交價在£999 內收取15%的傭金 +VAT增值稅，超過£1,000 拍品需要徵收10% 的傭金+VAT。

運輸費：所有拍品務必要在截止日期前送達我們拍賣行，且所有費用將由您來承擔。我們可以在運送過程中幫助您但是本公司不承擔運輸中發生任何狀況的責任。

丟失和損傷保險：我們沒有為客戶準備FSA的保險，但本公司用拍品的最低估價作為保護承擔責任賠償。我們會收取成交價的1.5%作為責任賠償的保險費用，如果您的拍品沒有成交那麼我們會以估價的中間值為標準收取費用。如果您不需要這項服務，那麼您將承擔丟失和損傷的風險，直到買家取走該拍品。

插圖：插圖的費用由您來承擔。若我們覺得拍品需要插圖會尋求您的允許，我們會事先通知您。但所有圖像和文字說明的版權都屬本公司所有。

底價和我們的判斷：在拍賣會開始之前我們會和您關於拍品的預訂價達成共識。

我們可以賣出低於拍品預訂價，但我們會支付您該拍品的保留價。但如果您給予本公司‘裁決’的權利，我們會同意以低於預訂價10%的價格出售。

拍賣條例

保留價：（a）

敬請您務必在拍賣前提供給我們您需要的保留價。保留價必須是我們認為合理的成交價格，本公司有權利下降不合理的高保留價。

（b）

保留價確定之後不能被改動。

（c）

保留價被確定以後，您不能自己進行競投。

電器拍品：這些拍品需要詳細的安全證明和防火安全證明。若發現拍品有安全隱患，該拍品將不被進行競投，我們有權要求您取走該拍品。

室內裝飾品：室內裝飾品如果發現有防火安全隱患，根據Provisions of The Torts Interference with Goods) Act 1997, Schedule 1 條例，我們有權要求您取走該拍品。

10. 拍品描述：請告知我們正確的拍品資訊，包括拍品來源等等。對於拍品的描述的正確性有嚴格的責任賠償，且在很多情況下您將承擔該責任。如果您沒有反對我們對您的拍品描述，我們將假定您同意您已認可。若競買人發現拍品描述和實際拍品不符我們將退還買家所付金額。我們必須引提醒您，即使您確實不知道拍品描述和實際不相符也必須遵循該條例。 11. 未成交的物品：如果拍品沒有成交，可以在您的允許下在下一次拍賣中再次進行競投。如果我們認為該拍品無法賣出，請您務必儘快從本公司提貨，因為我們有權向您徵收倉庫儲存費。 12. 撤拍和買入的物品：撤拍或自行買入的拍品若已列入圖錄或已經開始印刷，則應支付保留價或者圖錄中最低估價的10%的傭金加上VAT增值稅。 13. 拍賣條例：您所有同意的物品將根據拍賣條例進行出售，您或者仲介有權出售該物品。如違反該條例您將承擔我們、買家和第三方的所有損失和賠償。

威立士索爾茲伯裏拍賣有限公司是與競買人、賣家和在拍賣現場的人進行業務運作。拍賣條例可以從這裡參考查閱。 1. a)

‘拍賣官’代表威立士索爾茲伯裏拍賣公司或他授權的拍賣官。

‘蓄意偽造’是指一件仿品試圖偽造原創作者、時期、年紀、年代、文化或來源於圖錄中描述的不同，而在拍賣當天拍出了與該仿品的本身價值不符的價格。

‘成交（落錘）價’是指競拍價格超過了保留價，而拍賣師落錘成交的價格。

‘委託條款’是指威立士拍賣行規定的賣家或仲介的條約和傭金的百分比率。

‘總額’是指成交價、買家傭金，VAT增值稅和其他費用加起來買家付款的總和。

‘銷售收益’指賣家的淨收益，成交價減去賣家傭金、VAT增值稅和其他費用的餘額。

‘你，你們’等等指買家請參考條例第二條。

您可以授權要求我們取消傭金和所有相關費用，但是我們有權利保留買家所支付的傭金和相關費用所產生的利息。

（b）

您可以授權我們在拍賣結束印業當天進行私下協議出售沒有成交的拍品，但我們可以收取和拍賣成交時同樣的傭金和費用。

15. 存儲：我們對任何不能馬上上拍的物品不負責，且我們有權收取每天£2 儲存費。如果三個星期以後還是沒有前來領取，我們有權利出售該物品並收取相關費用。 16. 結算：通常拍賣結束以後28天內可以完成款項結算，除非買家未付款。

拍賣過程和買家:

競買人在競投之前，必須填妥及簽注登記表格才能參加本公司拍賣。

在拍賣官的決定下，競買人出價最高且被拍賣官接受的競買人才能成為該物品的買家。下錘則表示賣家和買家之間的拍賣合約已經達成。

競買人會被我們視作委託人。我們有權利為賣家競投到其設定的保留價，且有權利拒絕任何競投。

加價：拍賣官有權自行決定加價幅度

買入價格：競買人需要付成交價和傭金（每件拍品的成交價首£500,000 取22%，另外超過 £500,000 上部份收取12%）+ VAT增值稅

增值稅：根據法律規定，買家所有成交的拍品的成交價上要支付VAT增值稅。（具體信息請查閱買家須知的增值稅部份）

付款：拍下拍品以後：

14. 扣除賣家傭金和費用以及保留買家傭金和利息的權利：（a）

定義：

如果需要請提供我們您的身份證明

ii)

以英鎊為貨幣形式付款

b）買家需要付清我們計算出的應付金額，包括以您或您仲介名義下的所有款項。 7. a)

所有權和領取已購買物品：物品的所有權只有在您付清全部應付金額之後才能被轉移。

您需要在拍賣結束後三個工作日付清金額，且取走物品以後所發生的所有責任都由您來擔當。

在付款之前，任何物品不能被提取。

如果有買家沒有全部付清應付金額，根據條例我們作為賣家仲介和拍賣行可以執行以下權利和提醒：

對您的違約進行法律訴訟程式。

ii)

撤回您從本公司競投的所有成交拍品

iii)

如果重新賣出拍品（通過拍賣或私人交涉成交），您就要承擔所有重新拍賣所造成的任何高於您的成交價的部份歸賣家所有。

v) vi) vii)

您拍品的運送、存放和投保的費用都由您承擔，至於存放地點可以在我們的儲藏室或者其他地方。如果沒有在拍賣結束後三個工作日內付款，我們將以每個月1.5%的比率收取利息。直到您付清所有的應付金額，我們才能取消利息的收取。在今後的任何拍賣中，不接受您做出的競投，或在接受任競投之前加一些必要條件。

viii) 申請出售任何其他拍品的收益，或在將來您在結算的時候，可以行使留置權。 1b) 我們作為賣家的仲介和拍賣行，我們執行以上的權利和提醒是爲了做出合理的補償。 9.

第三方責任：所有現場的公眾人員都必須注意現場的安排和安全隱患。拍賣官、我們的員工和都不對任何的死亡和人員傷亡負責（除法律認定是我們的疏忽外）。

10. 委託拍賣：雖然我們建議買家參加拍賣現場對所有競投負責，但如果需要我們可以為買家進行競投。工作人員將參考底價，盡力以最低價進行競投。如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 所有權保證和有效性：賣家向拍賣行和您保證，物品的所有權和出處是該買家，且物品不受任何第三方索賠。 12. 仲介：拍賣行通常作為仲介不履行任何買家和賣家的義務。 13. 銷售條例：買家將在委託拍賣之時起承認履行所有委託條款。 14. 描述和條例： a)

在這些條件下的成交的私人財產轉讓根據消費者權益法視為交易。

不付款或未領取已購買拍品的提醒：

iv)

拍品充分查看和調查的機會。競買人將會對我們的描述有不同的見解。我們承諾，任何此類意見會被相當誠實合理的接受。

在我們尋找對拍品正確的描述的時候，可能不能對每個拍品都做到最詳盡的調查。在拍賣開始之前競買人和他們的鑒定師會被給予對每件

15. 偽造者：儘管有之前的條件，但任何拍品被證明是蓄意偽造，或可以在拍賣結束後21 以內原封不動的與相關證明材料一起歸還於我們。如果我們認可您提供的資料證據可以證明該拍品存在蓄意偽造的事實，我們將退還您所付的傭金和成交價。但是如果1 從成交日起，眾學者和鑒定專家都認可圖錄中的描述。或者2 您個人無法提供一個更好的解釋給我們，那麼根據條例您就沒有權利要求我們退還拍品。常規信息 16. 我們有絕對權利拒絕任何人士進入拍賣場地進行拍賣。 17. (a) 所有損壞賠償責任和毀約所帶來的費用都應該酌情賠償給賣家和拍賣行。 b) 這種權利可以由拍賣行和其員工或賣家強制執行。 18. 任何對買家、賣家、競買人和觀展人的通知都會都以第一類郵件的方式在48 時內寄到其提供給我們的地址。 19. 圖錄描述中出現的特殊名詞都會在術語表中做詳細解釋。 20. 任何沒有節制的拖延或延長競投時間的買主或賣主我們會合情做出一定的讓步。 21. 英國法律可以用於解釋這些條例。圖畫、素描、平板印刷、雕刻品和印刷任何關於作者、歸屬，出處，時期，年份，來源和情況的敘述都是一件的聲明。不能把他當做事實敘述。公司有權利敘述意見用來提供相對可靠的顧問資訊。書籍如果發現書籍收藏中的描述和插圖中被證明有一些缺陷，請您以書面的形式解釋該收藏的問題，并在14天內退回該收藏。在圖錄中已經提及或在拍賣該物品之前指出的缺陷都不予接受。另外包括書中空白處、半個標題、廣告、書籍裝訂損壞、水漬和污漬。

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Auction Calendar AsiAn Art 17th & 18th May 2016 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk pAintings 8th June 2016 – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20th CEntury DEsign 22nd June 2016 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk FurniturE, Works oF Art & CloCks 6th July 2016 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk silvEr 19th & 20th July 2016 – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWEllEry 21st July 2016 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk

• Entries can usually be accepted up to eight weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk