Woolley & Wallis Asian Art Day I 17th November by ATGMEDIA

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

威立士

SALISBURY

Asian Art i Tuesday 17th November 2015

A siAn A rt i

t uesdAy 17 th n ovember 2015

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan English & EuropEAn CErAmiCs & glAss Clare Durham

424506 424591 424583 424589

424507

FurniturE & CloCks Mark Richards Jim Gale Anna Brown

411854 339161 411859

JEwEllEry Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

vAluAtions For insurAnCE & probAtE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

mArkEting Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

gEnErAl oFFiCE Pauline Jones Sharon Ringwood Nicola Young Amanda Lawrence sAlEroom mAnAgEr David Jordan

pAintings Victor Fauvelle Jo Butler

424503 424592

silvEr Rupert Slingsby Lucy Chalmers

424501 424594

John Axford MRICS ASFAV Deputy Chairman

424505

Clive Stewart-Lockhart FRICS FRSA Managing Director

20th CEntury DEsign Michael Jeffery tribAl Art & AntiquitiEs, Arms & Armour Will Hobbs Ellie Osmond

339752 339752

424500

boArD oF DirECtors Paul Viney ASFAV Chairman

CompAny sECrEtAry Jim Macarthur CA AssoCiAtE DirECtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Catalogue £20.00 (£25.00 by post) (£30.00 by post outside Europe)

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424500

424599

Asian Art i

亞洲藝術品 I

Tuesday 17th November 2015 at 10.30am Viewing Times London Selected highlights at Brian Haughton, 15 Duke St, St James SW1Y 6DB John Axford

Sophie Lister Alex Aguilar Doméracki

Freya Yuan

John Axford +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Freya Yuan +44 (0)1722 424589 freyayuan@woolleyandwallis.co.uk

Alex Aguilar Doméracki +44 (0)1722 424583 alexaguilar@woolleyandwallis.co.uk

Monday 9th November 10.00am – 4.30pm Tuesday 10th November 10.00am – 4.30pm Salisbury Saturday 14th November 10.00am – 1.00pm Monday 16th November 10.00am – 5.30pm Tuesday 17th November 9.00am – 10.30am

Trains from London There are regular trains from London Waterloo to Salisbury Waterloo to Salisbury – at twenty past and at ten minutes to the hour Salisbury to Waterloo – at twenty past and fifteen minutes to the hour The journey takes approximately 90 minutes 每天來往于倫敦滑鐵盧和索爾茲伯里之間的火車為每半個小時一班，車程需要九十分鐘左右。 **注：本中文條款如有任何詮釋上的問題，一概以英語版本為準

新浪微博 @艾思福

Live internet bidding via

Condition of lots Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults. 品相報告競買人應於拍賣之前的預展中視察拍品。純為方便買家威立士可以在拍賣開始前提供品相報告，但未記載的品相報告並不代表其品相完美，如果您有需要請聯繫我們咨訊相關信息。

Please note there is a 3% plus VAT surcharge for using this service 網上競投服務平台會有3%額外手續費（+VAT稅）

Please note that registration to bid will close at midday GMT on Monday 16th November

CHRONOLOGY OF CHINA 中國歷代年表

NEOLITHIC 新石器時代 c.6500-1700 BC XIA DYNASTY 夏 c.2100-1600 BC SHANG DYNASTY 商 c.1600-1100 BC ZHOU DYNASTY 周 c.1100-221 BC Western Zhou 西周 c.1100-771 BC Eastern Zhou 東周 770-256 BC Spring and Autumn Period 春秋 770-476 BC Warring States Period 戰國 475-221 BC QIN DYNASTY 秦 221-206 BC HAN DYNASTY 漢 206 BC-AD 220 Western Han 西漢 206 BC-AD 8 Eastern Han 東漢 AD 25-220 THREE KINGDOMS 三國 220-280 Wei 魏 220-265 Shu Han蜀漢 221-263 Wu 吳 222-280 JIN DYNASTY 晉 265-420 Western Jin 西晉 265-317 Sixteen Kingdoms 十六國 304-439 Dong Jin 東晉 317-420 SOUTHERN DYNASTIES 南朝 420-589 Liu Song 劉宋 420-479 Southern Qi 南齊 479-502 Liang 梁 502-557 Chen 陳 557-589

NORTHERN DYNASTIES 北朝 386-581 Northern Wei 北魏 386-534 Eastern Wei 東魏 534-550 Western Wei 西魏 535-556 Northern Qi 北齊 550-577 Northern Zhou 北周 557-581 SUI DYNASTY 隋 581-618 TANG DYNASTY 唐 618-907 FIVE DYNASTIES 五代 907-960 Later Liang 後梁 907-923 Later Tang 後唐 923-936 Later Jin 後晋 936-946 Later Han 後漢 947-950 Later Zhou 後周 951-960 LIAO DYNASTY 遼 907-1125 SONG DYNASTY 宋 960-1279 Northern Song 北宋 960-1127 Southern Song 南宋 1127-1279 JIN DYNASTY 金 1115-1234 YUAN DYNASTY 元 1271-1368

MING DYNASTY 明 1368-1644 Hongwu 洪武 1368-1398 Jianwen 建文 1399-1402 Yongle 永樂 1403-1425 Hongxi 洪熙 1425 Xuande 宣德 1426-1435 Zhengtong 正統 1436-1449 Jingtai 景泰 1450-1456 Tianshun 天順 1457-1464 Chenghua 成化 1465-1487 Hongzhi 弘治 1488-1505 Zhengde 正德 1506-1521 Jiajing 嘉靖 1522-1566 Longqing 隆慶 1567-1572 Wanli 萬曆 1573-1620 Taichang 泰昌 1620 Tianqi 天啟 1621-1627 Chongzhen 崇禎 1628-1644 QING DYNASTY 清 1644-1911 Shunzhi 順治 1644-1661 Kangxi 康熙 1662-1722 Yongzheng 雍正 1723-1735 Qianlong 乾隆 1736-1795 Jiaqing 嘉慶 1796-1820 Daoguang 道光 1821-1850 Xianfeng 咸豐 1851-1861 Tongzhi 同治 1862-1874 Guangxu 光緒 1875-1908 Xuantong 宣統 1908-1911 REPUBLIC OF CHINA 中華民國 1912HONGXIAN (YUAN SHI KAI) 洪憲（袁世凱）1915-1916 PEOPLE’S REPUBLIC OF CHINA 中華人民共和國 1949-

Asian Art i

亞洲藝術品 I

Tuesday 17th November 2015 at 10.30am

1 TWO CHINESE SCHOOL GOUACHE PAINTINGS 19TH CENTURY One depicting Sugarloaf Mountain, Rio de Janeiro with small sailing vessels, the other a view of the Brazilian coastline, contained within card mounts, 12.3cm x 20.5cm. (2) £1,500-2,500 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀《巴西海域》水粉畫來源：Lord and Lady Fairhaven收藏

2 FOUR CHINESE SCHOOL GOUACHE PAINTINGS 19TH CENTURY Depicting four views, including Whampoa anchorage with ships awaiting cargo, the Praya Grande, Macau, the Hongs of Canton and the Dahuangiao Fort in the Macao Passage, all contained within card mounts, 11.2cm x 17.5cm. (4) £4,000-6,000 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀《香港澳門海岸》水粉畫來源：Lord and Lady Fairhaven收藏

3 FOUR CHINESE SCHOOL GOUACHE PAINTINGS 19TH CENTURY All depicting views of buildings with figures, flowers and gardens, all contained within card mounts, 14cm x 17.5cm. (4) £3,000-5,000 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀水粉畫來源：Lord and Lady Fairhaven收藏

4 FOUR CHINESE SCHOOL GOUACHE PAINTINGS 19TH CENTURY One depicting a floating duck farm, another a pleasure boat, another of three sailing vessels before the Bocca Tigris forts, the fourth of a dragon boat with many oarsmen and ceremonial umbrellas, all contained within card mounts, 13.5cm x 18cm. (4) £4,000-6,000 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀水粉畫來源：Lord and Lady Fairhaven收藏

5 THREE CHINESE SCHOOL GOUACHE PAINTINGS 19TH CENTURY One depicting Hong Kong harbour, another of a junk and other boats before a nine-tiered pagoda, the third a coastal view, possibly of Brazil, all contained within card mounts, 12.5cm x 20cm. (3) £3,000-5,000 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀水粉畫來源：Lord and Lady Fairhaven收藏

6 TWO CHINESE SCHOOL GOUACHE PAINTINGS 19TH CENTURY One depicting Sugarloaf Mountain, Rio de Janeiro with small sailing vessels, the other a view of the Brazilian coastline, contained within card mounts, 12.3cm x 20.5cm. (2) £1,500-2,500 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀《巴西海域》水粉畫來源：Lord and Lady Fairhaven收藏

7 FOUR CHINESE SCHOOL GOUACHE PAINTINGS 19TH CENTURY Two depicting pagodas, two of interiors within the palace, depicting figures engaged in everyday life, all contained within card mounts, 11cm x 17.5cm. (4) £3,000-5,000 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀水粉畫來源：Lord and Lady Fairhaven收藏

part lot illustrated

8 A SET OF EIGHT ORNITHOLOGICAL PAINTINGS ON MICA 19TH CENTURY Depicting exotic birds perched on trees with landscapes beyond, all contained within card mounts, 14cm x 10cm. (8) £1,000-2,000 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀

《花鳥》

來源：Lord and Lady Fairhaven收藏

9 THREE SMALL CHINESE SCHOOL GOUACHE PAINTINGS 19TH CENTURY Two depicting scenes of everyday life in the South China sea, the other of a European-style village scene, all contained within card mounts, 9.5cm x 14.5cm max. (3) £800-1,200 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀水粉畫來源：Lord and Lady Fairhaven收藏

10 TWO CHINESE SCHOOL GOUACHE PAINTINGS 19TH CENTURY One depicting figures in a domestic setting spinning silk, the other a ten-tiered pagoda beside a castellated wall, a man with a horse in the foreground, contained within card mounts, 14cm x 17.5cm. (2) £1,000-2,000 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀水粉畫來源：Lord and Lady Fairhaven收藏

11 FOUR CHINESE SCHOOL ORNITHOLOGICAL PAINTINGS EARLY 19TH CENTURY Watercolour on paper, depicting a hoopoe, a partridge, a large bee-eater and a small thrush-like bird, all titled and contained within card mounts, 32cm x 40cm. (4) £4,000-6,000 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀水粉畫來源：Lord and Lady Fairhaven收藏

12 FOUR ANGLO-CHINESE SCHOOL ORNITHOLOGICAL PAINTINGS EARLY 19TH CENTURY Watercolour on paper, one depicting an Indian cuckoo, the others with different exotic species of bird, contained within card mounts, 32.5cm x 27cm. (4) £1,500-2,500 Provenance: from the collection of Lord and Lady Fairhaven. 十九世紀早期水彩畫來源：Lord and Lady Fairhaven收藏

part lot illustrated 13 THIRTEEN CHINESE SCHOOL GOUACHE PENZAI PAINTINGS 18TH/19TH CENTURY Depicting jardinières containing dwarf trees and rockwork, unmounted, 39cm x 48cm. (13) £3,000-5,000 Provenance: from the collection of Lord and Lady Fairhaven. 十八/十九世紀水粉畫來源：Lord and Lady Fairhaven收藏

14 FOUR CHINESE WATERCOLOURS ON PAPER 19TH CENTURY Depicting figures going about their daily life, framed and glazed, 25cm x 34cm. (4) £2,000-3,000 十九世紀

水彩畫

part lot illustrated 15 ELEVEN CHINESE PAINTINGS ON SILK 19TH CENTURY Depicting scenes from court life, with ladies, gentlemen and children in interiors and in gardens, together with two panels of calligraphy, nine framed, 42cm x 37cm. (11) £5,000-8,000 十九世紀

《無名》設色絹本

16 A TIBETAN THANGKA 19TH CENTURY

17 A TIBETAN THANGKA 19TH CENTURY

Depicting a central figure of Green Tara, and with twenty further figures, 63cm x 41.5cm.

Depicting Sakyamuni Buddha, calling the Earth to witness and surrounded by many smaller Buddhas, 73cm x 55cm.

£1,000-2,000

Provenance: Mildred B Beckstrand, Palos Verdes, California (d.1994).

Provenance: purchased c.1940, and thence by descent.

十九世紀綠度母唐卡來源：加利福尼亞州Mildred B Beckstrand收藏（逝于1994年）

十九世紀釋迦摩尼唐卡來源：購於1940年代

18 A TIBETAN THANGKA 19TH CENTURY

19 A TIBETAN THANGKA 19TH CENTURY

Depicting Green Tara in her wrathful aspect, wearing a necklace of decaying heads, and with her right foot on a lotus, eight further deities encircling her, 62cm x 44cm.

From the Nymapa school of Tibetan Buddhism, depicting a central figure of Guru Rimpoche surmounted by deities and teachers, above a small figure of wrathful Vajrakilaya with his attendant cohorts and further deities, titled in gilt script, mounted on a silk panel, 80cm x 51cm.

£1,000-2,000 Provenance: purchased c.1940, and thence by descent. 十九世紀綠度母唐卡來源：購於1940年代

£3,000-5,000 Provenance: purchased c.1940, and thence by descent. 十九世紀蓮花生大士唐卡來源：購於1940年代

20 A TIBETO-CHINESE GILT BRONZE FIGURE OF PROTOTYPICAL SHAMVARA 18TH CENTURY Formed in two parts, the figures depicted in yabyum, Shamvara seated in dhyanasana, each wearing a headdress of skulls, raised on a double lotus throne, 16.5cm. (2) £3,000-5,000 Provenance: from the Estate of George Harwood (d.1985), and thence by descent. 十八世紀銅鎏金本生上樂金剛坐像來源：George Harwood舊藏（逝于1985年）

21 A TIBETO-CHINESE GILT BRONZE FIGURE OF A BODHISATTVA 18TH CENTURY Sitting in dhyanasana with his right arm outstretched, and with an elaborate headdress and earrings, raised on a double lotus base, 16.5cm. £1,000-2,000 Provenance: from the Estate of George Harwood (d.1985), and thence by descent. 十八世紀銅鎏金菩薩坐像來源：George Harwood舊藏（逝于1985年）

22 A TIBETAN RITUAL GHANTA AND VAJRA SET 17TH/18TH CENTURY The bell with a gilt handle cast with a head wearing an eight-petalled crown, surmounted by a four-pronged vajra finial, the eight-pronged vajra with a central girdle and eight petals radiating to each end, together with a fitted case, 18.5cm. (3) £3,000-5,000 Cf. Christie’s, 27th March 2003, lot 138, for a 16th century example; see also Sotheby’s, 20th March 2013, lot 258 for another. 十七/十八世紀

銅鎏金金剛杵及金剛鈴一組兩件

23 TWO TIBETAN DENSATIL-STYLE GILT BRONZE SUPPORTS 15TH CENTURY Each cast with two four-armed Bodhisattvas standing on a lotus throne above a large kalasa vase, with jewelled adornments and an elaborate headdress set with turquoise and glass beads, holding various implements and supporting a double lotus throne under a square capital, 26.4cm. (2) £2,000-3,000 Cf. P F Mele, Tibet, pp.61-62, where photographs of comparable supports in situ are illustrated. These pillar supports are in a style typical of the complex at Densatil. The monastery, destroyed during China’s Cultural Revolution (1966-1978) was regarded as one of the greatest treasures of central Tibet. 十五世紀

銅鎏金菩薩立像一對

24 A TIBETAN GILT COPPER REPOUSSE PLAQUE 17TH/18TH CENTURY Depicting a lion, with a bushy tail and a ferocious expression, its front paws raised above its head, mounted on a modern perspex stand, 18.5cm. (3) £200-300 十七/十八世紀

銅鎏金瑞獸匾飾

25 A CHINESE LACQUERED GILT BRONZE FIGURE OF A BODHISATTVA 17TH/18TH CENTURY Seated in dhyanasana on a double lotus base, wearing draped robes and an elaborate headdress, holding a ball in his upturned left hand, 26cm. £800-1,200 Provenance: a private collection, Hampshire. 十七/十八世紀銅鎏金菩薩坐像來源：漢普郡私人收藏

26 A CHINESE BRONZE FIGURE OF WENCHANG MING DYNASTY The scholar seated on a tall plinth, his flowing robes secured with a cord, wearing a tall hat and holding a ruyi sceptre in his left arm, 26.2cm. £800-1,200 Provenance: a private collection, Hampshire. 明銅文昌君坐像來源：漢普郡私人收藏

27 A MASSIVE GILT BRONZE FIGURE OF THAI RATTANAKOSIN BUDDHA 19TH CENTURY Sitting in dhyanasana, wearing a robe decorated with elaborate geometric floral patterns, the eyes inlaid with shell, 79cm. £5,000-6,000 十九世紀

泰國佛坐像

28 A TIBETO-CHINESE GILT BRONZE FIGURE OF AVALOKITESHVARA 18TH CENTURY Seated in dhyanasana on a double lotus base with his head tilted slightly to one side, his headdress and jewellery inset with turquoise and paste gems, 17.4cm. £800-1,200 Provenance: bought by Alan Allen in China in 1968. 十八世紀銅鎏金菩薩坐像來源：Alan Allen于1968年購於中國

29 A TIBETAN GILT BRONZE MODEL OF BUDDHA 16TH/17TH CENTURY Seated in dhyanasana, and with his right hand raised, with his eyes downcast, his earlobes extended, 14cm. £800-1,200 十六/十七世紀

銅鎏金佛坐像

30 A NEPALESE GILT COPPER MODEL OF WHITE TARA C.16TH CENTURY Seated on a double lotus base with the right foot resting on a lotus flower, adorned with coloured jewels, ribbons and an elaborate headdress, 13cm. £1,500-2,500 十六世紀

尼泊爾銅鎏金白度母坐像

31 A NEPALESE GILT BRONZE MODEL OF AMITAYUS BUDDHA 18TH/19TH CENTURY Seated in dhyanasana on a double lotus base with turquoise-jewelled necklaces and ribbons, wearing a tall headdress, the earlobes elongated by large circular earrings, 17.2cm. £1,500-2,500 十八/十九世紀

尼泊爾銅鎏金無量壽佛坐像

32 A SMALL TIBETO-CHINESE GILT BRONZE MODEL OF AMITAYUS BUDDHA 17TH/18TH CENTURY Seated on a double lotus base in dhyanasana, wearing an elaborate crown, and with his hands held upturned before him, 12cm. £1,000-1,500 十七/十八世紀

銅鎏金無量壽佛坐像

33 A TIBETO-CHINESE GILT BRONZE MODEL OF AMITAYUS BUDDHA 17TH/18TH CENTURY Seated on a double lotus base in dhyanasana, wearing an elaborate crown, and with his hands held upturned before him, 17cm. £2,000-3,000 十七/十八世紀

銅鎏金無量壽佛坐像

34 A TIBETO-CHINESE GILT BRONZE FIGURE OF AMITABHA BUDDHA 18TH CENTURY

35 A MONGOLIAN PAINTED GILT METAL MODEL OF TARA 19TH CENTURY

Seated in dhyanasana, wearing an elaborate headdress and adorned with ribbons and jewels, raised on a double lotus base, 17cm.

Seated on a double lotus base with her right foot resting on a lotus seed pod, adorned with ribbons and with two elaborate detachable flower garlands, her tall headdress with five petals and coloured jewels, 20cm.

£3,000-5,000

£2,000-3,000

Provenance: from the Estate of George Harwood (d.1985), and thence by descent.

Provenance: formerly in the collection of Alice Kandell and Phil Rudko, New York.

十八世紀無量壽佛坐像來源：George Harwood舊藏（逝于1985）

十九世紀銅鎏金加彩綠度母坐像來源：紐約Alice Kandell and Phil Rudko收藏

36 A LARGE AND RARE CHINESE GILT BRONZE FIGURE PROBABLY LATE MING The three-faced deity with a flaming headdress and eight outstretched arms, holding a ghanta, a vajra and other Buddhist attributes, seated on a separately cast throne, all raised on a later hardwood stand, 34.5cm. (3) £5,000-8,000 明晚期（可能）

銅鎏金金剛坐像

37 A RARE CHINESE GILT BRONZE FIGURE OF MAITREYA SIX CHARACTER XUANDE MARK AND OF THE PERIOD 1426-35 Seated in dhyanasana and raised on a double lotus base, the hands joined before his chest, wearing draped robes and with an elaborate arrangement of jewellery, the earlobes elongated by large circular earrings, the high chignon cold painted in blue and adorned by a tall headdress, with a benevolent expression, the central urna protruding from the forehead, the baseplate engraved with a double vajra, 18.1cm. £150,000-250,000 Provenance: purchased from Spink & Son in 1966, and thence by descent. Cf. Sotheby’s, 7th October 2010, lot 2144; see also The Complete Collection of Treasures of the Palace Museum, Buddhist Statues of Tibet, p.230, no.219. 明宣德銅鎏金彌勒菩薩坐像《大明宣德年施》款來源：1966年購於Spink and Son 彌勒菩薩為廣受佛教信徒供奉的重要尊神之一，普度天下信眾，被稱之為未來佛。彌勒菩薩面相飽滿，臉型方正，垂目俯視，高鼻薄唇，略含笑意。頭戴五葉寶冠精美細緻，束菩薩髻，頂綴髻寶，耳後繒帶優雅揚起緊貼肩部。雙手施轉法輪印，袒上身，腰系寶帶，腰部纖細，微扭身姿，姿態優美。身配瓔珞、耳環、環釧，下著長裙，裙褶流暢如波紋在全跏趺坐的雙腿之上隨意散開，寬大的裙緣披落落座之上。下承標準永宣式樣仰覆蓮座，上下沿細密精細的連珠紋，蓮瓣飽滿，尖端上卷雕卷雲紋，座前陰刻“大明宣德年施”六字楷書款。現存的明永樂宣德時期鎏金銅造像中，彌勒像相對較少見，此尊造像製作精巧很好地詮釋了宮廷造像優雅的美學修養及高超的藝術水平，是永宣造像中難得的精品。香港蘇富比于2010年10月7日在《明心菩提-Stephen Markbreiter伉儷重要明代御製劉金佛珍藏》專場中曾出售過類似永樂時期造像（編號2144）。北京故宮博物院也藏有一尊製作工藝相仿的宣德金剛薩捶菩薩坐像，并著錄于《故宮博物院藏文物珍品全集：藏傳佛教造像》230頁，圖版219。

37 detail

38 λ A NEPALESE RITUAL RHINOCEROS HORN PUJA DISH 17TH CENTURY Carved to the interior with Vishnu, his twelve acolytes to the reverse, the border with chevron designs, 14.7cm, 152g. £20,000-30,000 Provenance: purchased in London in 1978. Cf. J Chapman, The Art of Rhinoceros Horn Carving in China, pp.273-274 for examples in the Gerard Levy collection, Paris, and the Gerard Arnhold collection, Brazil. 十七世紀尼泊爾犀角雕祭祀器來源：1978年購於倫敦

39 λ A RARE RHINOCEROS HORN CARVING OF SAKYAMUNI BUDDHA 19TH CENTURY Seated in dhyanasana, his left hand upturned, his elongated earlobes framing his slightly down-turned face, bearing a serene expression and a raised urna to his forehead, mounted on a carved ivory lotus base, the figure 15cm, 17.5cm overall. £20,000-30,000 十九世紀

犀角雕釋迦摩尼坐像及象牙雕蓮花座

40 A MASSIVE CHINESE BRONZE VASE 19TH CENTURY Modelled as a large tree trunk, cast with prunus flowerheads and leaves, 58cm. £3,000-4,000 Cf. Christie’s, 19th September 1996, lot 385, for a comparable example. 十九世紀

銅臘梅花插

41 A MASSIVE CHINESE BRONZE MODEL OF AN ELEPHANT 17TH CENTURY Standing four-square, with a large detachable gu beaker vase on its back and with two other vases bound to its sides, 64cm. (2) £2,000-3,000 十七世紀

銅太平有象擺件

42 A LARGE AND RARE CHINESE LACQUERED WOOD FIGURE OF A BODHISATTVA 14TH CENTURY Seated in dhyanasana with both arms raised, adorned with elaborate jewellery and a headdress, a shawl draped across the shoulders, the face framed by elongated earlobes, with a serene expression and downcast eyes, 50.7cm. £30,000-50,000 Cf. Sotheby’s, Paris, 10th June 2015, lot 189 for an almost identical figure. See also The British Museum, Buddhism: Art and Faith, p.207, no.298; and Fojiao diaosu Mingpin tulu (Images of Famous Buddhist Sculpture), p.451, no.431. Sold with a copy of RCD Radio Carbon Dating report, ref. RCD-8161, dated October 2013. 十四世紀漆木雕菩薩坐像附RCD碳年紀測定報告，測定結果與斷代相符

43 SIX PAIRS OF CHINESE GILT METAL AND KINGFISHER FEATHER EARRINGS QING DYNASTY

44 A COLLECTION OF SMALL CHINESE GILT METAL AND KINGFISHER FEATHER HAIRPINS AND APPLIQUES QING DYNASTY

Together with a pair of small hairpins, and a further thirteen single earrings, delicately formed with filigree and modelled as birds, dragons, butterflies and foliate designs, some mounted with small coloured beads, and leaf-shaped pendants, 7cm max. (27)

Variously formed with openwork designs as flowers, insects, bats and other animals, some mounted with coloured beads, 8.2cm max. (30)

£1,000-2,000 Provenance: a private collection, London. 清點翠耳飾一組二十七件來源：倫敦私人收藏

£2,000-3,000 Provenance: a private collection, London. 清點翠頭簪一組三十件來源：倫敦私人收藏

45 A COLLECTION OF CHINESE GILT METAL AND KINGFISHER FEATHER HAIR ORNAMENTS QING DYNASTY

46 A SMALL COLLECTION OF CHINESE GILT METAL AND KINGFISHER FEATHER HAIRPINS AND EARPICK HAIRPINS QING DYNASTY

Of various intricate openwork designs, formed as jardinières of flowers and foliate sprays with bats, insects and fruits, 17.2cm max. (18)

Variously decorated with flower, animal and bird designs, one pair depicting Moor fish, another earpick hairpin modelled as a dragon surmounted by a phoenix, four hairpins depicting phoenix, their outstretched wings and heads depicted in jadeite, 25cm max. (18)

£1,500-2,500 Provenance: a private collection, London. 清點翠頭簪及面簪一組十八件來源：倫敦私人收藏

£2,000-3,000 Provenance: a private collection, London. 清點翠頭簪一組十八件來源：倫敦私人收藏

47 A PAIR OF CHINESE GILT METAL AND KINGFISHER FEATHER HAIR ORNAMENTS QING DYNASTY

48 SIX CHINESE GILT METAL AND KINGFISHER FEATHER HAIR ORNAMENTS QING DYNASTY

Each with an articulated oval plaque, a butterfly perched on flower sprays before it, and eight other hair ornaments variously decorated with flowers and fruit, two mounted with amber plaques, 17.5cm max. (10)

Each formed with elaborate flower and leaf designs, with birds and insects in flight and fruiting branches, the extremities extended on springs and embellished with coloured stones, 19cm max. (6)

£1,500-2,500 Provenance: a private collection, London. 清點翠頭簪及面簪一組十件來源：倫敦私人收藏

£2,000-3,000 Provenance: a private collection, London. 清點翠頭簪一組六件來源：倫敦私人收藏

49 A COLLECTION OF CHINESE GILT METAL AND KINGFISHER FEATHER ITEMS QING DYNASTY

50 SIX CHINESE GILT METAL AND KINGFISHER FEATHER HAIR ORNAMENTS QING DYNASTY

Comprising earrings, hairpins and small appliques, variously formed as fish, birds, insects, vases, flowers and leaves, some mounted with coloured stones, 16cm max. (15)

Variously formed in gilt metal and filigree, embellished with coloured stones and beads and depicting auspicious things and longevity symbols, one with two articulated Buddhist lion dogs and a brocade ball, another a large flowerhead with agate petals, 21.5cm max. (6)

£1,000-2,000 Provenance: a private collection, London. 清點翠飾品及頭簪一組十五件來源：倫敦私人收藏

£1,500-2,500 Provenance: a private collection, London. 清點翠飾品及頭簪一組六件來源：倫敦私人收藏

51 SIX CHINESE GILT METAL AND KINGFISHER FEATHER HEAD BANDS QING DYNASTY

52 EIGHT CHINESE GILT METAL KINGFISHER FEATHER HAIRPINS QING DYNASTY

Each decorated with reticulated designs of flowers, leaves and butterflies, one mounted with coloured beads, 21.5cm max. (6)

Two a pair with colourful bead tassels, all variously depicting flowers, fruit, insects, birds and a shou character, mounted with coloured stones and cabochons, 15.2cm max. (8)

£2,500-3,500

£1,500-2,500

Provenance: a private collection, London.

清點翠鈿口及結子一組六件來源：倫敦私人收藏

清點翠頭簪一組八件來源：倫敦私人收藏

53 EIGHT CHINESE GILT METAL AND KINGFISHER FEATHER HAIRPINS QING DYNASTY

54 NINE CHINESE GILT METAL AND KINGFISHER FEATHER HAIR ORNAMENTS QING DYNASTY

Each surmounted by an openwork design, three similarly formed as phoenix, a fourth phoenix with a chime pendant, others with a bat, a fish and ruyi designs, the last with a dragon’s head and long foliate pendant, 29cm max. (8)

The curved bases variously decorated with designs of flowers, birds, fish and insects and mounted with coloured stones and beads, 13.5cm max. (9)

£1,000-2,000 Provenance: a private collection, London. Cf. Classics of the Forbidden City, Jewelry of the Empress and Imperial Concubines in the Collection of the Palace Museum, nos.101-105, for related examples.

£1,500-2,500 Provenance: a private collection, London. 清點翠頭簪及結子一組九件來源：倫敦私人收藏

清點翠頭簪及步搖一組八件來源：倫敦私人收藏

55 A CHINESE GILT METAL AND KINGFISHER FEATHER PENDANT QING DYNASTY

56 THREE CHINESE CORAL AND JADEITE HAIRPINS QING DYNASTY

Modelled as a fish beneath a lotus flower, a peach-shaped agate bead beneath, the chain with red and turquoise beads, together with two hair ornaments, one depicting two crickets, the other a pair of articulated Buddhist lion dogs with brocade balls, and a model of a bird, 32.5cm max. (4)

Each with a coral dragon’s head terminal, suspending coral and jadeite bats and chimes, and with small hardstone pendants, 31cm. (3)

£1,500-2,500 Provenance: a private collection, London. 清點翠頭簪及飾品一組四件來源：倫敦私人收藏

£1,000-2,000 Provenance: a private collection, London. Cf. National Palace Museum, Royal Style, Qing Dynasty and Western Court Jewelry, pp.198-199, for related examples of coral hairpins. 清銅鎏金嵌珊瑚及翡翠步搖一組三件來源：倫敦私人收藏

57 THREE CHINESE HAIR ORNAMENTS QING DYNASTY

58 FIVE CHINESE SILVER METAL HAIRPINS QING DYNASTY

One mounted with a pale celadon jade phoenix in flight, flanked by jade and enamel dragons, another as a large flower, the petals in celadon and spinach-green jade surrounding a central kingfisher feather flowerhead, the third a pair of gilt metal and kingfisher feather openwork phoenix, a white glass cylindrical bead surmounted by a butterfly between them, 19cm max. (3)

Each mounted with a butterfly with curling antennae, a pair of filigree Buddhist lions dogs with brocade balls, and a gilt metal articulated pendant of a fish, three of the hairpins with faint impressed marks, 12.2cm max. (8)

£3,000-5,000 Provenance: a private collection, London. Cf. Classics of the Forbidden City, Jewelry of the Empress and Imperial Concubines in the Collection of the Palace Museum, nos.91 and 92 for related flower hairpins.

£1,000-2,000 Provenance: a private collection, London. 清點翠髮飾一組八件來源：倫敦私人收藏

清點翠髮飾一組三件來源：倫敦私人收藏

59 SIX PAIRS OF CHINESE GILT METAL AND KINGFISHER FEATHER EARRINGS QING DYNASTY

60 SIX PAIRS OF CHINESE GILT METAL AND KINGFISHER FEATHER EARRINGS QING DYNASTY

One pair formed as dragons, another as phoenix, each with a miniature compass to its back, the others with insects, flowers and leaf designs, 9cm max. (12)

Each elaborately constructed with designs of flowers and leaves, with bats, butterflies and auspicious symbols and with intricate articulated pendants, 10.2cm max. (12)

£2,000-3,000

Provenance: a private collection, London.

Cf. National Palace Museum, Royal Style, Qing Dynasty and Western Court Jewelry, pp.136-137, for related examples of earrings.

清點翠耳墜一組十二件來源：倫敦私人收藏

清點翠耳墜一組十二件來源：倫敦私人收藏 61 λ AN ELABORATE CHINESE GILT METAL AND KINGFISHER FEATHER HEADDRESS QING DYNASTY An openwork foliate band supporting a row of phoenix, each with a beaded tassel suspended from its mouth, with six Chinese characters reading yi pin gao ming fu in (for the wife of a top ranking official), mounted on mirrored roundels above divided by nine small models of standing figures, all surmounted by two dragons contesting a central flaming pearl of wisdom, a green and pink silk tassel suspended from endless knots to each side, a modern perspex stand, 33.5cm wide. (2) £8,000-12,000 Provenance: a private collection, London. 清點翠頭冠《一品誥命夫人》來源：倫敦私人收藏

62 A FINE AND RARE CHINESE IMPERIAL ORMOLU-MOUNTED STRIKING GOURD-SHAPED CLOCK WITH SWINGING MOVEMENT QING DYNASTY, QIANLONG 1736-95 The clock case mounted on a steel and gilt brass rod with knife-edge suspension, decorated with a band of feathered multi-coloured paste gem stones, rising to a circular medallion containing a relief-cast shou character bordered by ruby-coloured paste gems, the rear with two clips to secure the movement, all enclosed within the gourd-shaped frame, a band of square-cut turquoise paste gems bordered by leaf scrolls and a beaded inner band, supported by an elaborate acanthus clasp, the waisted white marble base beneath with a pierced engraved foliate collar between beaded bands above a waisted ormolu plinth, all surmounted by an inverted bat with outstretched wings with stylized foliage and a pineapple, 61.2cm overall. The dial with white enamel, Roman hours and Arabic quarter minute markers to the crossed white track, the pierced gilt hour and minute hands with paste gem mounts and sweep second hands, all within a multi-coloured paste gem set bezel and beading. The movement with gilded circular plates joined by five gilded pillars, the swinging twin barrel movement with dead-beat escapement mounted on the backplate, with apparent ‘nonsense signature’ Luliorli? within engraved leaf scrolls, quarter striking on a bell via two hammers. £200,000-300,000 Provenance: the property of a Gentleman. Formerly in the collection of Dimitri Mavrommatis, acquired directly by the current owner. Cf. Christie’s London, The Exceptional Sale, 5th July 2012, lot 15; see also Christie’s Hong Kong, Magnificent Clocks for the Chinese Imperial Court from the Nezu Museum, 27th May 2008, lot 1501. It appears that this is one of only three recorded examples of Chinese clocks of this form. 清乾隆御製鎏金銅嵌料石大理石座葫蘆式自擺鐘來源：紳士收藏。Dimitri Mavrommatis舊藏參考：佳士得2012年7月5日the Exceptional Sale·編號15 佳士得香港2008年5月27日 Magnificent Clocks for the Chinese Imperial Court from the Nezu Museum·編號1501 鐘呈鎏金葫蘆形，邊鑲嵌藍寶石色料石一周，底呈橢圓形為大理石嵌鎏金銅纏枝蓮花紋，葫蘆中空懸掛垂直柱，三針白琺瑯鐘面為擺，繪有代表時間的阿拉伯及羅馬數字分別顯示時及分，時針及分針嵌寶石紅料石各一；鐘為擺，邊嵌紅、白、黃和藍色料石。鋼柱上部飾鎏金團壽字，圍繞一圈紅寶石色料石一周，頂部為鎏金蝙蝠和菠蘿花造型。鐘由背後上弦，鐘面擺動，此鐘具走時、報時及報刻功能。為一件具有濃郁中國風格的自擺鐘。傳世藏品中除參考資料中提到的另外兩件相同作品之外，此拍品為所知僅有的第三件此類自擺鐘。

62 signature

62 reverse

63 A CHINESE PALE CELADON JADE BOULDER CARVING 18TH CENTURY Depicting two small figures on a bridge beside a pagoda, with pine trees and a waterfall in the distance, the reverse with a four phrase poem and two seal marks, the stone with brown striations and mottling, a later wood stand, 13.5cm. (2) £5,000-8,000 Provenance: formerly in the Arthur Flynn collection, purchased from Bluett’s in the 1960s. 十八世紀青白玉雕山子題識：山中相送罷，日暮掩柴扉。春草明年綠，王孫歸不歸。來源：Arthur Flynn收藏，1960年代購於Bluett’s

63 reverse

64 A SMALL CHINESE WHITE JADE CARVING OF A CEREMONIAL DAGGER 18TH CENTURY The blade surmounted by a sinuous dragon, a smaller dragon clambering to the reverse, 5cm. £1,500-2,500 Provenance: a private collection, Hampshire. 十八世紀白玉雕螭龍佩來源：漢普郡私人收藏

65 A CHINESE PALE CELADON JADE OVAL BRUSH WASHER 18TH/19TH CENTURY The plain elongated ovoid body carved with a single sinuous bifid-tailed chilong climbing on the rim, a flaming pearl of wisdom to one corner, the stone with russet markings to the exterior, raised on a fitted hardwood stand, 8.5cm. (2) £1,000-2,000 Provenance: a private collection, Hampshire. 十八/十九世紀青白玉雕螭龍水盂來源：漢普郡私人收藏

66 A SMALL CHINESE WHITE AND GREY JADE BELT BUCKLE 18TH/19TH CENTURY Carved with a single bifid-tailed chilong, the stone’s two shades highlighting the dragon, with a modern display stand, 4.5cm. (2) £500-1,000 Provenance: a private collection, Hampshire. 十八/十九世紀螭龍帶扣來源：漢普郡私人收藏

67 A CHINESE PALE CELADON JADE CARVING OF A COCKEREL 18TH CENTURY

68 A CHINESE PALE CELADON JADE BELT BUCKLE 18TH CENTURY

The bird in a crouched position, his head slightly turned to the right in an inquisitive posture, his feathers and tail plumage naturalistically carved, the stone with russet markings, together with a fitted hardwood stand, 7cm. (2)

Carved as a recumbent horse, its feet tucked beneath its body and its head turned over its back, wearing a bridle, a small monkey clambering on its back and holding the reigns, together with an openwork hardwood fitted stand, 8.3cm. (2)

£3,000-5,000

£2,000-3,000

Provenance: a private collection, Hampshire.

十八世紀青白玉雕公雞擺件來源：漢普郡私人收藏

Cf. For a related buckle, see Marchant, Chinese Jades from the O J R Allen Collection, p.72, no.35. 十八世紀青白玉雕馬上封侯擺件來源：漢普郡私人收藏

69 A CHINESE PALE CELADON JADE CARVING OF A KYLIN HAN DYNASTY 206BC - 220AD

70 A CHINESE CELADON JADE CARVING OF A DUCK 18TH CENTURY

Crouching with its head raised and its single horn curled across its back, the stone with black and brown mottling and striations, 8.5cm.

Crisply carved and sitting with its tail raised and its feathers well defined, the stone with brown and cream inclusions, 8.5cm.

£3,000-5,000 漢

青白玉雕麒麟擺件

£2,500-3,500 十八世紀

青白玉雕水鴨擺件

71 A CHINESE PALE CELADON JADE CARVING OF A BACTRIAN CAMEL QING DYNASTY OR LATER

72 A CHINESE PALE CELADON JADE CARVING OF A GOAT AND ITS KID QING DYNASTY OR LATER

In a recumbent position, its neck curving towards its back with its mouth open, the features and curling mane delicately defined, the stone with russet markings, 6.5cm.

Seated together, both with lingzhi sprays held in their mouths, 10cm.

£5,000-8,000 清或更晚

青白玉雕駱駝擺件

£15,000-20,000 Provenance: formerly in a private Argentinian collection. 清或更晚

青白玉雕如意靈芝山羊擺件

73 A LARGE CHINESE CELADON JADE CARVING OF A PEACH QIANLONG 1736-95 Growing from a gnarled branch which forms the base, with curling leaves extending around the body, a single bat clambering to one side of the fruit, the stone with cream mottling, 11.5cm. £12,000-15,000 清乾隆

青白玉雕福壽擺件

74 A GOOD CHINESE PALE CELADON JADE MARRIAGE DISH QIANLONG 1736-95 The shallow flared body carved in relief to the exterior with lotus flowers and leaves emerging from water, the interior with two fish, all raised on four short ruyi feet, a paper label for Bluett & Sons, 16.5cm. £10,000-20,000 Provenance: formerly in an English private collection. Cf. Marchant, 85th Anniversary Exhibition of Jades from Tang to Qing, pp.180-81, no.128, where a related dish also carved with twin fish is illustrated. See also Chinese Jade Throughout the Ages, The Oriental Ceramic Society, no.420 for another example exhibited at the Victoria & Albert Museum, 1975. 清乾隆青白玉雕雙魚如意足碗來源：英國私人收藏，附Bluett & son標籤

75 THREE CHINESE WHITE JADE CARVINGS 18TH/19TH CENTURIES

76 A CHINESE PALE CELADON JADE CARVING OF A GOURD 18TH/19TH CENTURY

One a small scroll-ended brush rest, another depicting a boy with a goose, holding a millet stalk over his shoulder, the third a miniature boy carrying lotus with a treasure box at his feet, 7.6cm max. (3)

Carved with a monkey and a bat clambering to the edge, and with small fruits, together with a small celadon jade carving of a seated crane holding a peach spray, each with a hardwood stand, 5cm max. (4)

£3,000-4,000 十八/十九世紀

白玉雕人物擺件及筆擱一組三件

£400-600 十八/十九世紀

青白玉雕擺件一組兩件

77 A CHINESE WHITE JADE BELT BUCKLE 18TH CENTURY

78 A CHINESE YELLOW JADE BRUSH WASHER 19TH CENTURY

Formed in two ovoid halves, each carved with a sinuous chilong, a lingzhi stem held in its mouth, the hook carved as a dragon’s head, 12.3cm overall. (2)

Carved in an organic shallow undulating form, the stone with russet markings and brown striations, 10cm.

£5,000-6,000 十八世紀

£1,200-1,500 十九世紀

黃玉雕筆洗

白玉雕螭龍帶扣

79 A CHINESE LACQUERED SOAPSTONE FIGURE OF GUANYIN 19TH CENTURY Seated with her right knee raised, her gilt robes draped around her, holding a small vase in her left hand, her high chignon covered by a shawl, 15cm. £800-1,200 十九世紀

壽山石雕加彩淨瓶觀音坐像

80 A MASSIVE CHINESE SOAPSTONE FIGURE OF GUANYIN 19TH CENTURY Standing on the mythical marine turtle, Ao, wearing flowing robes and holding a scroll in her left hand, 56cm. £1,000-2,000 Provenance: formerly in the Arthur Flynn collection, purchased from Bluett’s in the 1960s.

十八/十九世紀壽山石雕獨佔鰲頭觀音立像來源：購於1960年代Bluett’s，Arthur Flynn收藏

81 two views

81 A CHINESE CELADON AND RUSSET JADE BOULDER CARVING MING DYNASTY OR LATER One side carved with two deer on a rocky path above a set of mountain steps, the reverse carved in relief with two figures approaching a small settlement, with maple trees and mountain crags above, the stone with deep russet markings, 13cm. £2,500-3,000 Provenance: Christie’s, 8th November 2013, lot 1346. 明或更晚青玉雕山子來源：佳士得2013年11月8日編號1346

82 A CHINESE CELADON JADE OVAL PLAQUE MING DYNASTY Carved in relief with a single goose with a lotus flower and openwork curling leaves, 9.3cm. £1,500-2,000 明

青白玉雕鵝銜蓮佩

83 A CHINESE CELADON JADE GILT METAL-MOUNTED BELT BUCKLE 18TH CENTURY Set with two panels carved with sinuous chilongs and lingzhi, 13cm overall. (2) £1,000-2,000 十八世紀

銅鎏金嵌青白玉螭龍帶鉤

84 A TIBETAN SILVER METAL OVAL BOX AND COVER 19TH CENTURY AND EARLIER Decorated in relief to the exterior with two shaped panels depicting an aquatic bird with lotus, divided by flowerhead roundels in coral and turquoise stones, all reserved on a scrolling foliate ground, the hinged cover mounted with a Chinese pale celadon jade openwork plaque, Yuan dynasty, depicting three cranes amongst lotus flowers, 12cm high, the plaque 9.5cm. £4,000-6,000 十九世紀或早期

西藏嵌青白玉銀盒

85 A CHINESE FURONG SOAPSTONE CARVING OF GUANYIN 18TH CENTURY Seated with her left knee raised, her robes carved with clouds, her hair secured in a high chignon and covered with a shawl, a lingzhi fungus held in her arms, raised on a modern stand, 13.3cm. (2) £3,000-4,000 Provenance: formerly in a private European collection. 十八世紀壽山白芙蓉雕觀音坐像來源：英國私人收藏

86 A CHINESE AGATE WATER POT 18TH/19TH CENTURY Carved to the exterior with pine leaves and branches around a deep rustic bowl, a later wood stand, 6cm. (2) £2,500-3,500 十八/十九世紀

瑪瑙雕水盂

87 A CHINESE CELADON JADE BRUSH WASHER 18TH CENTURY Of oval form, the exterior carved as rocks, with two lingzhi fungi emerging from the centre, the stone with grey striations, raised on a reticulated hardwood stand, 14cm. (2) £2,000-3,000 十八世紀

青白玉雕如意筆洗

88 TWO CHINESE JADEITE PENDANTS LATE QING DYNASTY

89 THREE SMALL CHINESE TOURMELINE CARVINGS QING DYNASTY

One carved with lotus and a catfish, the other with a fruiting vine and a squirrel, 4.5cm. (2)

One a miniature snuff bottle carved with a boat, another a monkey with two large peaches, the third a scaly dragon surmounting a lingzhi fungus, 5.6cm max. (3)

£800-1,200 Each sold with a certificate from the Gem & Pearl Laboratory, stating that ‘no evidence of treatment was observed’. 清晚期翡翠雕松鼠葡萄及年年有餘佩一組兩件附翡翠證書

£800-1,200 清

碧璽雕鼻煙壺及佩

一組三件

90 A CHINESE SPINACH-GREEN JADE DISH QIANLONG 1736-95 The shallow flaring body carved to the well in relief with a flowering peony stem, with two bats in flight above, 18.2cm. £8,000-10,000 Cf. Translucent World, Chinese Jade from the Forbidden City, p.189, no.128 for a related example. 清乾隆

碧玉雕福壽富貴紋碟

91 A CHINESE CELADON JADE TWO-HANDLED CUP 18TH CENTURY The shallow U-shaped body carved with four rows of studs, the handles with squared terminals, raised on a fitted hardwood stand, 14.2cm. (2) £1,000-1,500 Provenance: the property of a Lady of title. 十八世紀青白玉雕鼓釘紋雙耳杯來源：貴族夫人收藏

92 A CHINESE WHITE JADE CARVING OF A HORSE 19TH/20TH CENTURY In a recumbent position, its head resting on its outstretched front legs, its tail sweeping to one side, the stone an even, translucent tone, 6.4cm. £3,000-4,000 十九/二十世紀

青白玉雕臥馬擺件

93 A SMALL CHINESE PALE CELADON JADE HAT FINIAL MING DYNASTY The openwork finial carved with five aquatic birds amongst large lotus leaves and flowers, the stone with grey mottling, 4.1cm. £300-500 Provenance: a French private collection. 明青灰玉雕仙鶴爐頂來源：法國私人收藏

94 A GOOD CHINESE PALE CELADON JADE MODEL OF A BUDDHIST LION DOG YUAN/MING DYNASTY In a recumbent position, its mouth slightly open to reveal its teeth, its ears flattened against its head, the stone with an even tone speckled with brownish markings, 6.8cm. £3,000-5,000 元/明

青白玉雕瑞獸擺件

95 A CHINESE ARCHAISTIC CELADON JADE RHYTON QING DYNASTY Carved with a sinuous chilong and a loose ring beneath the rim, the body carved in relief with scrolls and a mythical beast, 9cm. £2,500-3,500 清

青白玉雕螭龍杯

96 A CHINESE PALE CELADON JADE CARVING OF THE MOON 18TH/19TH CENTURY Carved in relief to each side with a gnarled prunus branch issuing from rockwork, raised on a fitted hardwood reticulated stand, 10cm. (2) £300-500 Provenance: formerly from the Estate of Luz Papasian. 十八/十九世紀青白玉雕月影梅擺件來源：Luz Papasian收藏

97 A CHINESE FAMILLE ROSE PORCELAIN PANEL 19TH CENTURY Brightly enamelled with figures engaged in ceremonial events, one offering a fish to a seated offical, others carrying banners and swords, 43cm x 32cm. £1,500-2,500 十九世紀

98 A SET OF FOUR CHINESE RECTANGULAR FAMILLE ROSE PLAQUES 20TH CENTURY Each depicting different birds amongst foliate sprays of peony, prunus, bamboo and lily, and with a poem and a red seal mark, all within a gilt frame, 30.3cm x 20.8cm. (4) £2,000-3,000 Provenance: from the collection of Anthony Du Boulay. 二十世紀粉彩題詩花鳥瓷板一組四件來源：Anthony Du Boulay收藏

粉彩人物故事瓷板

99 A CHINESE WUCAI GOURD-SHAPED VASE 17TH CENTURY The ovoid body with peony blooms and scrolling foliage, the neck with two scaly dragons divided by flaming pearls of wisdom and waves crashing on rocks, 45cm. £5,000-8,000 十七世紀

五彩雲龍紋葫蘆瓶

100 A PAIR OF CHINESE FAMILLE VERTE TRIPLE GOURD VASES KANGXI 1662-1722 Each painted with shaped panels containing the 100 antiques, bogu tu, reserved on a powder-blue ground, the necks with ormolu mounts, 27.3cm. (2) £1,000-1,500 Provenance: formerly in the collection of Dr Günter Schaper, Sweden. 清康熙潵藍地開光粉彩博古紋葫芦瓶一對來源：Günter Schaper博士收藏

101 A CHINESE FAMILLE ROSE CHICKEN BOWL 19TH/EARLY 20TH CENTURY The U-shaped body painted to the exterior with a young boy and a cockerel with blue rockwork and peony, the reverse with a hen and her chicks below a poetic inscription, the base with a six character Qianlong seal mark, 7.9cm dia. £1,000-2,000 十九/二十世紀粉彩雞缸杯《大清乾隆年製》青花篆書仿款

102 A CHINESE BLUE AND WHITE KO-SOMETSUKE DISH TIANQI 1621-27 Made for the Japanese market, painted with three ladies and a gentleman in a fenced garden, with tall bamboo growing above, 28.5cm. £2,500-3,000 明天啟

青花人物故事紋盤

103 A CHINESE IRON-RED REVERSE DECORATED BOWL SIX CHARACTER QIANLONG MARK BUT POSSIBLY LATER The flared body decorated to the exterior with a continuous scrolling foliate lotus and peony design, the interior glazed white, 13cm. £800-1,200 Cf. Sotheby’s, Hong Kong, 8th April 2013, lot 3181 for another bowl of this design. 清乾隆或更晚珊瑚地纏枝花卉紋碗《大清乾隆年製》青花篆書仿款

104

105

104 A CHINESE FAMILLE ROSE VASE PROBABLY DAOGUANG The body decorated with a formal lotus design on a lime green ground, the shoulder with a bright pink ribbon moulded around the body, the interior turquoise, the base ground and drilled, 29cm. £1,500-2,500 清道光（可能）

粉彩折枝蓮花包袱紋瓶

105 A RARE CHINESE BLACK GROUND AND GREEN ENAMELLED DISH SIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95 The shallow body with gently flaring sides, painted to the well with a central roundel depicting delicate flowers, lingzhi fungus and fruiting berry sprays emerging from rockwork, decorated to the rim’s reverse with a continuous scroll of lotus flowers and foliage, 20.9cm. £15,000-20,000 Provenance: from a private collection in Nottinghamshire, formed in the 1970s and early 1980s. 清乾隆墨地綠彩花卉碟《大清乾隆年製》青花篆書款來源：諾丁漢郡私人收藏，1970 1980年間收藏

106 A PAIR OF CHINESE FAMILLE ROSE BOWLS SIX CHARACTER QIANLONG SEAL MARKS AND PROBABLY LATE IN THE PERIOD Each brightly enamelled with four pink flowerheads, encircled by a continuous scroll of foliage and smaller flowers, the interiors glazed white, 12.8cm. (2) £15,000-20,000 清乾隆（可能）粉彩折枝花卉紋碗一對《大清乾隆年製》青花篆書款

107 A PAIR OF CHINESE FAMILLE ROSE CUPS REPUBLIC PERIOD The U-shaped bodies each painted with seven boys in a garden beneath floral borders, the feet with blue key fret, iron-red four character marks which read lin zhi cheng xiang, 7cm. (2) £500-1,000 民國粉彩人物故事杯一對《麟趾呈祥》礬紅楷書款

108 A SMALL CHINESE FAMILLE ROSE BOWL SIX CHARACTER YONGZHENG MARK IN UNDERGLAZE BLUE AND OF THE PERIOD 1723-35 Brightly enamelled with a single figure, seated beside rocks beneath a willow tree, pointing towards a vase of lotus, the interior glazed white, 11.6cm. £7,000-10,000 清雍正粉彩人物故事紋碗《大清雍正年製》青花楷書款

109 A CHINESE WUCAI WINE CUP SIX CHARACTER KANGXI MARK BUT PROBABLY LATER Painted with narcissi and peony growing around blue rocks, 6cm dia. £200-300 清康熙或晚期五彩水仙花盃《大清康熙年制》青花楷書仿款

110 A CHINESE FAMILLE ROSE WARMING DISH AND COVER 19TH CENTURY The domed cover and dish similarly decorated with four roundels containing the phrase ji xiang ru yi, divided by vases supporting a halberd and a chime, ping’an jiqing (auspicious happiness), foliate lotus scrolls and ruyi-heads, all encircling a central shou character, 25cm. (2) £500-1,000 十九世紀

粉彩平安吉慶盆及蓋一組兩件

111 A CHINESE UNDERGLAZE BLUE AND COPPER-RED INCENSE BURNER 18TH CENTURY The compressed ovoid body painted with two scaly dragons and a flaming pearl of wisdom amongst cloud wisps, 29cm. £2,000-3,000 十八世紀

青花釉里紅趕珠龍紋香爐

112 A RARE CHINESE CORAL GROUND INGOT-SHAPED BOWL SIX CHARACTER XIANFENG MARK AND OF THE PERIOD 1851-61 The shallow oval body raised on a stepped foot, decorated to the exterior with gilt mons on a deep coral ground, the interior and base turquoise, 27.8cm. £1,500-2,500 清咸豐珊瑚地描金團花紋碗《大清咸豐年製》礬紅篆書款

113 A CHINESE FAHUA BALUSTER VASE 15TH/16TH CENTURY Decorated with four Mandarin ducks swimming in a lotus pond, the shoulder with seven cloud-shaped panels containing further lotus, the foot with stylized lappets, 28cm. £8,000-12,000 Cf. The Museum of Oriental Ceramics, Osaka, Exhibition of Chinese Ceramics from Neolithic Age to Qing Dynasty, no.59, for a related fahua jar. 十五/十六世紀

法華釉蓮池鴛鴦瓶

114 A RARE CHINESE BLANC DE CHINE GILT COPPER-MOUNTED LIBATION CUP C.1700

115 A PAIR OF CHINESE BLANC DE CHINE GILT COPPER-MOUNTED LIBATION CUPS C.1700

The porcelain decorated with a tiger, a dragon, a deer and a crane, the gilded mounts with an acanthus-capped handle, together with a spoon, 17.2cm. (2)

Each moulded to the exterior with a kylin to one side, with cranes in flight above, the reverse with a dragon above tigers playing, the gilt copper mounts with loose ring handles, 15.3cm across. (2)

£2,000-3,000

£1,500-2,500

1700年代鑲銅德化福壽龍虎盃

1700年代

116 A CHINESE FAMILLE VERTE INCENSE BURNER KANGXI 1662-1722 Modelled to the exterior with the Eight Immortals, divided by two lion mask handles, decorated with aubergine, green and yellow glazes, 11.5cm. £1,500-2,500 清康熙

素三彩八仙香爐

鑲銅德化麒麟盃

117 A PAIR OF CHINESE FAMILLE VERTE FIGURES 19TH CENTURY

118 A PAIR OF CHINESE FAMILLE VERTE MODELS OF PARROTS KANGXI 1662-1722

Each with a long beard and a happy expression, seated on a throne raised upon a rectangular plinth, holding a fly whisk in one hand, a small pot in the other, decorated with yellow, aubergine and green glazes, 26cm. (2)

Each modelled on an openwork rocky base, the head tilted to one side, the plumage a vibrant green, raised on 19th century scrolling foliate ormolu bases, the ormolu inscribed ‘ESCALIER DE CRISTAL PARIS’, 25.5cm. (2)

£1,000-1,500

£4,000-6,000

十九世紀

清康熙

素三彩官人坐像一對

鑲銅素三彩鸚鵡一對

119 A CHINESE JUNYAO BOWL JIN DYNASTY 1115-1234 AD

120 A CHINESE JUNYAO OVOID VASE YUAN DYNASTY 1271-1234 AD

The compressed circular body raised on a short ring foot, decorated with a smoky-blue glaze with lavender splashes, the well and foot unglazed to reveal the reddish stoneware, 11.8cm.

The compressed circular body tapering to the neckrim, raised on a short circular foot, decorated with a blue-grey glaze with small purple splashes stopping short of the foot, 9cm.

£2,500-3,500

£2,000-3,000

金

元

鈞窯直口碗

鈞窯水盂

121 A CHINESE JUNYAO U-SHAPED BOWL SONG DYNASTY 960-1279 AD

122 A CHINESE POTTERY U-SHAPED CUP TANG DYNASTY 618-907 AD

The compressed circular body slightly narrowing at the rim, decorated with a lavender-blue glaze stopping short of the foot to reveal the pale brown stoneware, the well unglazed, 11.3cm.

Decorated with a slightly smoky transparent glaze, raised on a flared unglazed foot, 9cm dia.

£800-1,200 Provenance: formerly the collection of the late Lt. Col. MVB Hill DSO MC. 宋鈞窯直口碗來源：Lt. Col.MVB Hill DSO M收藏

£500-700 Provenance: previously in the C D Collins collection. 唐白釉盃來源：C D Collins舊藏

123

124

125

126

123 A CHINESE JUNYAO SHALLOW DISH JIN DYNASTY 1115-1234 AD

124 A KOREAN INLAID CELADON GLAZED BOWL 12TH CENTURY

With a widely flaring body raised on a short ring foot, decorated with a pale blue glaze stopping short of the footrim, 14.8cm.

The U-shaped body decorated with slip, the exterior with four dragons amongst clouds, the interior with a continuous scrolling design of four phoenix in flight divided by lotus flowers, all encircling a central medallion with a pair of phoenix, 19.8cm.

£600-800 Provenance: from the Estate of John and Betty Menke.

£600-800

金鈞窯撇口碗來源：John and Betty Menke收藏

Provenance: Christie’s New York, 11th/12th July 2006, lot 580.

125 A CHINESE CIZHOU-TYPE BOWL JIN DYNASTY 1115-1234 AD

126 A CHINESE BLACK GLAZED BOWL SONG DYNASTY 960-1279 AD

The conical body decorated with an unctuous black glaze with an irregular russet-splash design stopping short of the foot to reveal the pale stoneware to the exterior, 14.3cm.

The wide conical body decorated with a dense black glaze, the rim with a thick white band, the foot unglazed, 14.2cm.

£400-600 金

黑釉鐵鏽花碗

十二世紀韓國青釉碗來源：紐約佳士得2006年7月11 12日，編號580

£400-600 Provenance: with Priestley & Ferraro, 2001. 宋黑釉碗來源：Priestley

Ferraro 2001

127 A SMALL CHINESE DINGYAO BOWL SONG DYNASTY 960-1279 AD

128 A GOOD CHINESE LONGQUAN CELADON GLAZED STAND EARLY MING DYNASTY

The U-shaped body faintly incised to the interior with a single lotus flower, with leafy tendrils curling to one side, the rim with a metal band, a paper label for The British Antique Dealers’ Association, 9.2cm.

The shallow body moulded with lappets radiating from a central raised border, decorated with a central flowerhead within foliate scrolls, the rim with a scalloped edge, 21cm.

£4,000-6,000 Provenance: from the Estate of George Harwood (d.1985), and thence by descent.

£6,000-8,000 明早期

龍泉花口盞拖

宋定窯折枝蓮花紋碗來源：George Harwood舊藏（逝于1985），附英國古董家協會收藏標籤

129 A LARGE CHINESE CELADON GLAZED VASE SIX DYNASTIES 220-589 AD

130 A CHINESE YAOZHOU CONICAL BOWL SONG DYNASTY 960-1279 AD

The pear-shaped body raised on a tall flaring foot and with a garlic-mouthed neckrim moulded with petals, decorated with a slightly crackled celadon glaze, 46cm.

Delicately carved to the interior with peony, the exterior with incised bands radiating from a short ring foot, a paper label for The British Antique Dealers’ Association, 19.8cm.

£2,000-3,000

£6,000-10,000

Together with a copy of Oxford Thermoluminescence Analysis Report, sample no.C103b80, 19th February 2003.

Provenance: from the Estate of George Harwood (d.1985), and thence by descent.

六國青釉蒜頭瓶附年紀測定報告

宋耀州窯折枝牡丹碗來源：George Harwood舊藏（逝于1985）

131 A GOOD CHINESE DINGYAO SHALLOW DISH SONG DYNASTY 960-1279 AD Finely incised to the interior with a single lotus flower, with swirling leafy tendrils extending onto the wide flaring rim, a paper label for The British Antique Dealers’ Association to the reverse, the lobed edge mounted with a metal band, 20.5cm. £50,000-70,000 Provenance: from the Estate of George Harwood (d.1985), and thence by descent. Cf. Illustrated Catalogue of Sung Dynasty Porcelain in the National Palace Museum, Ting Ware and Ting-type Ware, pl.41, where a dish of similar form and decoration is illustrated. 宋定窯折枝蓮紋撇口碗來源：George Harwood舊藏（逝于1985）

132 AN UNUSUAL CHINESE ARM FROM A WEIGHING SCALE QING DYNASTY The hardwood boom with silver and brass pins indicating the scale and inscribed with characters to one end and along the length, 208cm. £400-600 清桿秤銘文：冠昌隆號

133

132

134

133 λ A CHINESE SILVER-MOUNTED RHINOCEROS HORN SWAGGER STICK 19TH CENTURY The mount embossed with a scaly dragon amongst clouds and bamboo, and with a second dragon to the knop, 78cm overall. £3,000-5,000 十九世紀

鑲銀犀角手杖

134 TWO LARGE CHINESE HARDWOOD STANDS 19TH CENTURY One raised on five scroll legs and with a burr wood panel to the top, the other carved with a lotus design, 30cm max. (2) £1,000-2,000 十九世紀

硬木底座一組兩件

135 A RARE PAIR OF CHINESE CHENGXIANGMU DRAGON AND PHOENIX LIBATION CUPS LATE MING/EARLY QING DYNASTY Each boldly carved, one with a pair of dragons amidst cloud scrolls, the other with two phoenix perched upon flowering peony branches, 8.3cm. (2) £10,000-20,000 Cf. The Complete Collection of Treasures of the Palace Museum, Bamboo, Wood, Ivory and Rhinoceros Horn Carvings, p.22, no.21, for a related example. Provenance: an English private collection, Wiltshire. 晚明/清沈香木雕龍鳳呈祥盃一對來源：威爾郡英國私人收藏

136 A CHINESE ZITAN TRAY LATE QING DYNASTY The rectangular base framed by shallow openwork sides, carved with a continuous scroll, the corners mounted with silver-coloured metal floral panels, 34cm x 21.5cm. £1,000-1,500 晚清

鑲銀紫檀托盤

137 A CHINESE BLACK LACQUER AND MOTHER OF PEARL BOX YUAN DYNASTY 1271-1368 AD

138 A CHINESE HUANGHUALI BITONG 18TH CENTURY

The outer box with a loose rectangular handle to each side and with two drawers within, the exterior inlaid with mother of pearl depicting shaped panels containing figures engaged in various activities in gardens, all contained within geometric borders, the drawers with chrysanthemum emerging from rockwork with a butterfly beneath a foliate spray, contained in a fitted wooden box, 16.2cm x 14cm x 16.2cm. (5)

The plain cylindrical body subtly flaring toward the rim, 14.4cm high.

£1,500-2,500 元

漆木嵌螺鈿人物故事紋盒

£2,500-3,500 十八世紀

黃花梨筆筒

139 A CHINESE SOAPSTONE EROTIC PANEL 1ST HALF 18TH CENTURY

140 λ A FINE CHINESE IVORY GOURD-SHAPED PLAQUE QING DYNASTY

Depicting a couple on a kang, lying together beneath a canopy adorned with hanging drapes decorated with flowers, 9.6cm.

The fruit surmounted by an elaborate curling stem, the interior carved in relief with a scene depicting Genghis Khan during battle at the walls of Peking, with other equestrian warriors holding weapons and standards, 13.2cm.

£1,000-2,000 十八世紀早期

象牙雕春宮圖匾飾

£3,000-5,000 清

象牙雕人物故事紋佩

141 A CHINESE DUAN STONE TABLE SCREEN QING DYNASTY Carved to one side in relief with three writhing scaly dragons chasing a flaming pearl of wisdom amongst clouds, the hardwood stand with a foliate panel and scroll-ended feet, 53.5cm x 34.5cm overall. (2) £500-800 清

祁陽石雕趕珠龍紋屏

142 A CHINESE DREAM STONE TABLE SCREEN QING DYNASTY The central stone panel mottled in shades of grey, black and cream, the hardwood stand with geometric cartouches, 47.5cm x 41cm. (2) £1,500-2,500 清

硬木嵌大理石屏

143 A SMALL CHINESE TABLE SCREEN QING DYNASTY Mounted with an openwork pale celadon jade plaque carved with a dragon, two deer, a bat and a bird amongst scrolls, the hardwood frame carved with fruiting vines, bamboo and prunus on key fret grounds, the feet formed as large lotus leaves, 19cm x 20cm overall. (2) £1,500-2,500 清

硬木嵌青白玉雕福壽屏

144 A QIYANG STONE TABLE SCREEN MING DYNASTY Carved in relief with a kylin and a phoenix in flight above, with a smaller bird perched on rockwork and clouds beyond, mounted in a later scrolling hardwood stand, 39.2cm x 32cm overall. (2) £400-600 明

祁陽石雕鳳毛麟角屏

145 A LARGE CHINESE RECTANGULAR SHE STONE INKSTONE MING/QING DYNASTY Of plain form, contained in a wooden box which is inscribed with a poem, and dated to the late Kangxi period, the stone 31cm, 35.5cm overall. (3) £500-800 明/清

歙石硯

146 A CHINESE HARDWOOD RETICULATED TABLE SCREEN 19TH CENTURY Carved with a foliate design and raised on scroll-ended feet, mounted with a mirror-backed circular spinach-green jade plaque carved with three sinuous chilongs amongst lotus, 25.5cm x 21.5cm overall. (2) £1,200-1,500 十九世紀

硬木鑲碧玉屏

147 λ A SMALL NEPALESE RHINOCEROS HORN PUJA DISH 18TH CENTURY The teardrop-shaped shallow body carved with a figure of Vishnu to the interior, 10.5cm, 27g. £800-1,200 Provenance: purchased in London, 1978. 十八世紀尼泊爾犀角雕碟來源：1978年購於倫敦

148 A RARE CHINESE BAMBOO OPENWORK CARVING OF A GOURD QING DYNASTY With smaller fruits and curling leafy tendrils intertwined to form the body, all extending from a gnarled stem, a silk suspension cord with an endless knot, 8.7cm. £8,000-10,000 清

竹雕福壽葫蘆佩

149 A SMALL CHINESE BAMBOO BRUSH REST QING DYNASTY Depicting scholars examining a scroll, while monkeys steal peaches in the trees above, 9cm. £1,000-2,000 清

竹雕靈猴獻壽筆擱

150 A PAIR OF CHINESE POLYCHROME LACQUER BOXES AND COVERS FOUR CHARACTER QIANLONG MARKS AND PERHAPS OF THE PERIOD Each with a flattened central panel to the cover, one depicting peony, the other mallow, encircled by radiating lappets and with key fret bands to the rims, the base mirroring the design, 14cm. (4) £2,000-3,000 Cf. The Complete Collection of Treasures of the Palace Museum, Lacquer Wares of the Qing Dynasty, pp.104-105, nos.72 and 73 for related examples dated to the early Qing dynasty. 清乾隆（可能）

漆木富貴牡丹紋蓋盒一對

151 A CHINESE CLOISONNE BOWL LATE MING DYNASTY Decorated to the interior with two winged dragons chasing a flaming pearl of wisdom amongst clouds, all encircling a central geometric cruciform medallion bordered by lappets, the exterior with a continuous lotus flowerhead design, all reserved on a turquoise ground, 20.3cm. £6,000-8,000 Provenance: the property of a Lady of title. 晚明銅胎掐絲琺瑯趕珠龍紋碗來源：貴族夫人收藏

152 A CHINESE BRONZE MODEL OF GUANYIN EARLY QING DYNASTY Seated on a rocky base, wearing flowing robes decorated with clouds, holding a scroll in her outstretched left hand, a bottle vase placed on a rocky plinth beside her, the reverse with a two character mark which reads shi sou, 38cm. £10,000-15,000 清早期銅製淨瓶觀音坐像《石叟》款

153 A CHINESE BRONZE MODEL OF GUANYIN 17TH CENTURY Standing with her robes drawn around her, with downcast eyes, her hair covered by a shawl, holding a ruyi sceptre in her left arm, her right hand raised, her robes inlaid with silver wire depicting lotus flowers, the reverse with a faint mark which reads shi sou, 33.8cm. £1,000-2,000 Provenance: formerly in an English private collection. 十七世紀銅製如意觀音立像來源：英國私人收藏

154 A LARGE CHINESE SILVERED BRONZE INCENSE BURNER AND COVER, DING WARRING STATES PERIOD 475-221 BC The cover with three ring lugs which act as feet when inverted, the body with upturned handles and decorated with interlocking geometric bands, raised on three tall feet, the interior with extensive malachite encrustations, a later wood stand inlaid with silver wire, 41cm across. (3) £20,000-30,000 戰國時期

銅錯銀鼎

155 A PAIR OF CHINESE IMPERIAL CLOISONNE DUCK AND TORTOISE PRICKET CANDLESTICKS QIANLONG/JIAQING Each modelled as a duck, its wings outstretched and its beak open to reveal a ball, standing on the shell of a turtle, which in turn rests on two large snakes, the shallow dish beneath depicting rocks emerging from waves, the exterior with a band of lappets, all raised on three ruyi feet, 18.6cm. (2) £40,000-60,000 Provenance: an English private collection. Cf. Classics of the Forbidden City, Enamels in the Collection of the Palace Museum, p.199, no.183, where a single similar example is illustrated. 清乾隆/嘉慶銅胎掐絲琺瑯海晏河清燭臺一對來源：英國私人收藏

156 A LARGE CHINESE CLOISONNE CIRCULAR PANEL 1ST HALF 19TH CENTURY Decorated with a central vase of flowers, a rectangular jardinière with flowering narcissus, a ruyi sceptre, a jue vessel and other auspicious things, all within lotus and peony lappets and reserved on a turquoise ground, a four character mark to one side which reads bai shi ru yi, 67cm. £18,000-22,000 十九世紀早期

銅胎掐絲琺瑯博古紋匾飾

157 A CHINESE CLOISONNE GOURD-SHAPED VASE 18TH/EARLY 19TH CENTURY Decorated with flowers, gourds and swastikas, the waist and foot with key fret bands, all reserved on a turquoise ground, 35cm. £10,000-12,000 十八/十九世紀早期

158 A CHINESE CLOISONNE LOZENGE-SHAPED VASE AND COVER 18TH CENTURY Decorated with six lotus flowerheads, each encircled by scrolling leaves, the neck and shoulder with key fret borders, all reserved on a bright turquoise ground, the gilt metal handles and finial formed as ribbons, 21.5cm. (2) £6,000-8,000 Cf. Compendium of Collections in the Palace Museum, Enamels 4, pp.164-5, no.115 for a related example. 十八世紀

銅胎掐絲琺瑯勾蓮紋方勝式蓋盒

福壽萬年葫蘆瓶

159 A RARE CHINESE GILT BRONZE INCENSE BURNER AND COVER, DING 18TH CENTURY The rectangular body raised on four scroll-ended feet, with a flange to each corner and with two upright strap handles decorated with chevrons, cast in high relief with panels containing small birds and insects with prunus, pine, lotus and chrysanthemum, all encircled by inscribed leaf designs, the cover depicting elaborate peony flowers and with a Buddhist lion dog forming the finial, 18cm high. (2) £5,000-8,000 Provenance: the property of a Lady of title. Cf. Sawasa, Japanese Export Art in Black and Gold 1650-1800, p.105, where a related incense burner is illustrated. 十八世紀銅鎏金獅鈕香爐鼎來源：貴族夫人收藏

160 A CHINESE OVOID CLOISONNE BOX AND COVER QIANLONG FOUR CHARACTER MARK BUT LATER The domed cover with a central swirling flower roundel encircled by four lotus flowerheads and scrolling foliage, 8.1cm. (2) £3,000-4,000 清乾隆或更晚銅胎掐絲琺瑯折枝蓮花紋蓋盒《乾隆年制》仿款

161 λ A CHINESE IVORY FIGURE LATE MING DYNASTY Standing wearing flowing robes and a tall hat, with a benevolent expression on his face and holding a lingzhi fungus, raised on a rectangular plaque, 16.2cm. £500-1,000 晚明

象牙雕人物立像

162 λ A CHINESE IVORY MODEL OF A STANDING FIGURE 19TH CENTURY Wearing long draped robes secured with a belt and a flattened tall hat, holding a hu tablet in his raised right hand, the base with a four character Qianlong mark, a waisted hardwood stand, 23.2cm. (2) £500-1,000 十九世紀

象牙雕人物立像

163 A CHINESE RED CINNABAR LACQUER CIRCULAR BOX AND COVER QIANLONG 1736-95 The domed cover carved in relief with a circular panel depicting two scholars and an attendant beneath tall pine trees, with rockwork and maple all within bands of lappets and key fret, the sides and base carved with peony emerging from rockwork on a diaper ground, 21cm. (2) £2,000-3,000 清乾隆

剔紅山水花卉紋蓋盒

164 A CHINESE TIXI LACQUER STEM CUP MING DYNASTY The U-shaped body with a gently flaring neckrim, deeply carved to the exterior with five layers of black and red lacquer, depicting a row of pommel scrolls above ruyi motifs, the knopped stem with stylized leaves, the interior and base lined with beaten silvered copper. £4,000-6,000 Provenance: formerly in a private European collection. Cf. H Garner, Chinese and Associated Lacquer from the Garner Collection, no.13, pl.6b; see also E Strange, pl.XLVIII for an example in the Victoria and Albert Museum. 明剔犀高腳杯來源：歐洲私人收藏

165 A GOOD PAIR OF CHINESE RECTANGULAR GILT BRONZE PLAQUES ORDOS C.2ND - 1ST CENTURY BC Each with a crouching buffalo to the centre and with a herring-bone border, the reverse with two loops, 7.2cm. (2) £3,000-5,000 Cf. J Rawson and E Bunker, Ancient Chinese and Ordos Bronzes, pp.340-41, no.220, for a related pair of plaques. 公元一世紀

銅鎏金水牛佩一對

166 A LARGE CHINESE CORAL VASE AND COVER 19TH CENTURY The vase emerging from waves, carved in high relief with two scaly dragons contesting a flaming pearl at its base, two further dragons amidst clouds forming the handles, with bands of key fret at the rims, the cover’s finial a phoenix, raised on a high hardwood stand carved as waves, 17.7cm. (3) £2,000-3,000 Provenance: formerly the collection of Allan Gibson Hughes (1889-1938), of Chalfont, The Mount, Shrewsbury. Cf. R Davids and D Jellinek, Provenance, p.245 for details. 十九世紀珊瑚雕龍鳳呈祥瓶來源： Allan Gibson Hughes（1889 1938）收藏

167 A CHINESE BAMBOO CARVED LIBATION CUP 17TH/18TH CENTURY Carved in relief with a gnarled flowering prunus branch emerging from the base and extending towards the flaring rim, 12.5cm dia. £4,000-6,000 Cf. I Yee and L Tam, Chinese Bamboo Carving, Part II, pp.254-5, no.69 for related examples; see also R Keverne, Bamboo and Wood Carvings of China and the East, p.53, no.195. 十七/十八世紀

竹雕臘梅盃

168 A GOOD CHINESE HARDWOOD CARVING OF GUANYIN 17TH/18TH CENTURY Seated on an openwork rocky plinth, wearing flowing robes with a shawl covering her high chignon, her left foot resting upon large lotus flowers and leaves which grow from below, a small child seated on her right leg holding a bowl, 27.5cm. £4,000-6,000 十七/十八世紀

竹雕送子觀音立像

169 A CHINESE BAMBOO CARVING OF SHOULAO 18TH CENTURY Seated on a rock wearing draped robes secured with a cord, holding a ruyi sceptre and with five small boys clambering upon him, 17.5cm. £4,000-6,000 十八世紀

100

竹雕壽老坐像

170 A CHINESE BAMBOO CARVING OF DONGFANG SHUO 18TH CENTURY Standing, wearing flowing robes and holding a fruiting peach stem in his right hand, his features and beard finely carved, the wood with a warm patina, 12.5cm. £6,000-8,000 Cf. I Yee and L Tam, Chinese Bamboo Carving, Part II, pp.284-5, no.95 for a related example; see also C Clunas, Chinese Carving, p.56, fig.61 for an example in the Victoria and Albert Museum. 十八世紀

竹雕東方朔立像

171 A CHINESE BAMBOO CARVING OF A SEATED FIGURE 18TH CENTURY Depicted with his left leg raised and his robes open to reveal his chest, a ruyi sceptre resting in his right hand, 14.8cm. £2,000-3,000 十八世紀

竹雕人物坐像

172 A CHINESE BAMBOO CARVING OF LIU HAI QING DYNASTY Seated wearing a flowing robe and holding a coin, his three-legged toad and a bottle gourd at his side, 14.5cm. £3,000-5,000 清

竹雕劉海戲蟾坐像

101

173 A CHINESE PAINTING ON PAPER ATTRIBUTED TO WU HU FAN 20TH CENTURY Depicting two figures in an extensive mountain landscape with pine trees and distant waterfalls, inscribed and dated with the cyclical date Jia Xu and with two red seal marks, 140cm x 350cm. £1,000-2,000 吳湖帆（傳）山水設色紙本題識：甲戌十月，吳湖帆

174 THREE CHINESE PAINTINGS OF IMMORTALS QING DYNASTY Painted in the Ming style, each with a female deity, two with mythical beasts, the third with a tiger, framed and glazed, 61cm x 34cm. (3) £1,000-1,500 Provenance: the property of the late Anthony Hobson, The Glebe House, Whitsbury, Hampshire. 清《仕女》設色紙本來源：漢普郡Anthony Hobson收藏

102

175 A LARGE CHINESE LANDSCAPE PAINTING ON SILK AFTER JU RAN 18TH CENTURY In ink and colour, depicting an extensive mountain landscape with waterfalls, with two figures seated beneath a central tall pine tree, inscribed with extensive calligraphy in various styles to the image and margins, and with numerous seals, 186cm x 89cm. £2,000-3,000 Provenance: formerly in a private Canadian collection, Montreal. Purchased in 1966 at the Gurie Gallery, Montreal.

176 A CHINESE SCROLL PAINTING BY DA ZHONGGUANG 17TH CENTURY Painted with a small hut in a mountain landscape beside trees, with columns of calligraphy and two red seals, 89cm x 39cm. £300-500 笪重光《山水》印文：江上外史

水墨紙本

巨然（傳）《山水》設色絹本來源：加拿大私人收藏，1966年購於Gurie 畫廊

103

177 A CHINESE BAMBOO BITONG BY XIAO GU QING DYNASTY Carved with pak choi emerging from the ground, and with calligraphy including the kui mao date cipher and a poem to the reverse, 14cm. £600-1,000 Cf. Zhejiang Provincial Museum, Charm of Bamboo, p.55, no.13.3 for a comparable example. 清竹雕題識筆筒銘文：丈夫成事業，都昱菜根香。葵卯冬日，小谷。

178 A CHINESE BAMBOO INCENSE STICK HOLDER QIANLONG/JIAQING The cylindrical body carved in relief with many vases, incense burners, fans and other auspicious objects on a ground of openwork columns, all within key fret bands, the end fittings carved from buffalo horn, 19.2cm. (3) £600-1,000 清乾隆/嘉慶

104

竹雕燭盒

179 A SMALL CHINESE WINTER DRAGON ROBE LATE QING DYNASTY Fur-lined and with a fur collar, decorated with eight dragons, cloud scrolls, bats, vases and other auspicious things, all reserved on a blue ground, 134cm across. £800-1,200 晚清

藍地龍紋福壽平安綵繡龍袍

180 A CHINESE PAINTING ON PAPER 20TH CENTURY Depicting figures on a bridge gazing at a train on a viaduct, inscribed and dated 1972 and with a single red seal, 124cm x 166cm. £1,000-2,000 1972年鐵索橋畔設色紙本題識：鐵索橋畔，一九七二年

181 A TIBETAN SILVER STEM CUP OR BUTTER LAMP QING DYNASTY The flaring body raised on a tall knopped foot, modelled with radiating bands of petals, 15.9cm. £300-500 清

西藏銀製高腳杯

105

182 † λ THREE CHINESE JADE SNUFF BOTTLES 18TH/19TH CENTURY One a white jade pebble with a coral stopper, another jadeite, of plain ovoid form, the stopper rose quarz, the third pale celadon jade with a basket weave design, 7.5cm max. (3) £2,000-3,000 Provenance: the latter snuff bottle formerly in the collection of Lady Mary Stewart. 十八/十九世紀白玉及翡翠雕鼻煙壺一組三件來源：青白玉雕鼻煙壺由Lady Mary Stewart收藏

183 λ THREE CHINESE GLASS SNUFF BOTTLES 19TH/20TH CENTURY One moulded in relief with a crane at the water’s edge carrying a lingzhi fungus, with large lotus flowers and insects in flight, another with two maidens in a garden beneath a tree, the third with aquatic birds with lotus and bamboo, 7.3cm. (3) £2,000-3,000 十九/二十世紀

料制鼻煙壺一組三件

184 † λ THREE CHINESE JADE SNUFF BOTTLES 19TH CENTURY Two in jadeite, the third nephrite, one disc-shaped, another carved in relief with a prunus branch and bamboo and with a faint inscription which reads mei hua pian yu, 6cm. (3) £2,000-3,000 十九世紀

106

翡翠及玉雕鼻煙壺

一組三件

185 λ FOUR CHINESE SNUFF BOTTLES QING DYNASTY AND LATER One of fossiliferous limestone, two in amber, the fourth interior decorated, depicting Liu Hai, signed and dated Chow Chung (1962), 7.5cm. (4) £800-1,200 Provenance: from the collection of a former member of the International Snuff Bottle Society. 清或更晚鼻煙壺一組四件來源：國際鼻煙壺收藏協會會員收藏

186 A CHINESE YELLOW JADE SNUFF BOTTLE QIANLONG 1736-95 The flattened ovoid body carved in shallow relief with a ribbon-tied sash, 5cm. £4,000-6,000 清乾隆

黃玉雕鼻煙壺

107

187 A CHINESE CORAL SNUFF BOTTLE 19TH CENTURY Carved naturalistically to simulate a section of bamboo, with two smaller branches issuing from one side, the stopper jadeite, 5.8cm. £800-1,200 十九世紀

珊瑚雕竹節鼻煙壺

188 A CHINESE BLUE OVERLAY GLASS SNUFF BOTTLE 18TH/19TH CENTURY The compressed ovoid body raised on an oval ring foot, decorated in relief with scrolling flowering tendrils, reserved on a snowflake ground, 6.7cm. £200-300 十八/十九世紀

雪霏地套藍料鼻煙壺

189 A CHINESE JADEITE BRUSH WASHER 19TH CENTURY Formed as a large leaf, the edges curling inwards, a single flowerhead to one edge, the stone with green and russet mottling, raised on a fitted scrolling reticulated stand, 25.2cm. (2) £600-800 Provenance: formerly in an English private collection. 十九世紀翡翠雕荷葉紋筆洗來源：英國私人收藏

108

190 A LARGE CHINESE JADEITE VASE 19TH CENTURY Carved with gnarled lingzhi fungus curling around a central U-shaped cup, with a single bird perched on a branch, a bat to the rim of the cup, raised on a fitted reticulated hardwood stand carved with fruits and foliage, 16.2cm. (2) £2,000-3,000 Together with Gemmological Certificate no.5775-2544 dated 15th July 2015, stating the vase is ‘natural jadeite’. 十九世紀翡翠雕如意福壽瓶附翡翠證書

191 A CHINESE SPINACH-GREEN JADE VASE AND COVER QING DYNASTY The pear-shaped body with two lugs supporting a bail handle, carved in relief with a band of taotie masks and S-scrolls between borders of stiff leaves, lappets and key fret, the domed cover with a flower bud knop, 18.5cm. (2) £1,500-2,500 清

碧玉雕饕餮紋瓶

192 A CHINESE YELLOW JADE SNUFF BOTTLE 1780-1850 Carved as a crouching animal, its paws facing forward and its tail curling around its haunches, the stopper in rose quartz, the stone with russet markings, 7.5cm. £500-1,000 十八/十九世紀

黃玉雕瑞獸紋鼻煙壺

109

193

194

195

196

193 A CHINESE PALE CELADON JADE RETICULATED PLAQUE QING DYNASTY Carved as a single long-tailed bird with two bats amongst flowering leaf scrolls within a bamboo border, mounted as a brooch, 7.5cm. £600-1,000 清

青白玉雕福壽齊眉佩

194 A CHINESE PALE CELADON JADE CARVING OF THE HEHE ERXIAN QING DYNASTY The twins standing side by side, one holding a stem of lotus, the other with a bat on his shoulder, carrying a small basket, 4.1cm. £1,000-1,500 清

195 A CHINESE PALE CELADON JADE CARVING OF A RECLINING CAT 19TH CENTURY

青白玉雕合和二仙擺件

196 A CHINESE PALE CELADON JADE OPENWORK PENDANT 18TH/19TH CENTURY

And a dark brown jade carving of a deer, 6.5cm. (2)

Carved with two gourds amongst curling leafy tendrils, the stone with russet markings to the extremities, 5cm.

£1,000-1,500

£3,000-4,000

Provenance: the latter formerly in an English private collection, purchased from Victor Shaw, Hong Kong, in 1977.

十八/十九世紀

十九世紀青白玉雕貓及褐玉雕鹿擺件一組兩件來源：鹿擺件由英國私人收藏，1977年購於香港Victor Shaw

110

青白玉雕葫蘆擺件

197

198

199

200

197 A CHINESE PALE CELADON JADE CARVING OF TWO BOTTLE GOURDS QING DYNASTY OR LATER The larger gourd with a smaller fruit issuing from a curling branch, with leaves and a single bat to the reverse, 7.5cm. £1,500-2,500 清或更晚

198 A CHINESE PALE CELADON JADE BOX AND COVER QING DYNASTY Formed as a prunus blossom, the top carved in shallow relief with a gnarled flowering prunus branch, 6.3cm. (2) £1,200-1,500 清

青白玉雕臘梅紋蓋盒

青白玉雕福壽連綿佩

199 A CHINESE PALE CELADON JADE SPOON MODELLED AS A BOAT MING DYNASTY The exterior carved with swirling and crashing waves, the interior with a six character mark which reads …feng tou nong lian, a fitted hardwood stand, 15.8cm. (2) £1,000-1,500 Provenance: formerly in a private collection, acquired in Hong Kong in the 1950s. Cf. X G Sheng, Appreciation and Examination of Chinese Jade, p.311, no.608, for a related example shaped as a lotus petal.

200 A CHINESE CELADON JADE CARVING OF A HOUND POSSIBLY SONG DYNASTY In a reclining posture, with its ears flattened to its body and a bell tied at its neck, its tail curling around its flank, the stone with brown and russet mottling, 9cm. £1,000-1,500 Cf. Victoria & Albert Museum, An Exhibition of Chinese Jade Throughout the Ages, organised by The Arts Council of Great Britain and The Oriental Ceramic Society, 1st May - 22nd June 1975, for a similar hound illustrated from the Dr Arthur Sackler collection. 宋（可能）

青白玉雕獵狗擺件

明青白玉雕船型擺件來源：1950年代購於香港，私人收藏

111

201 A CHINESE PALE CELADON JADE ARCHAISTIC INCENSE BURNER AND COVER PROBABLY LATE QING DYNASTY The ovoid body raised on a tall flaring foot, carved in shallow relief with a band containing three stylized animal masks, the shoulder with three dragon’s head handles, each supporting a loose ring, the domed cover with further animal masks divided by three phoenix encircling a flared finial, 16.3cm. (2) £10,000-15,000 晚清（可能）青白玉雕仿古龍銜環香爐

112

202 A CHINESE PALE CELADON JADE VASE QIANLONG 1736-95 The elongated body rising to a tall neck with scrolling handles, carved in shallow relief with taotie masks, raised on a fitted spinach-green jade oval stand, 15.7cm overall. (2) £8,000-12,000 清乾隆

青白玉雕饕餮紋瓶

203 A CHINESE PALE CELADON JADE MODEL OF A BUDDHIST LION DOG 18TH CENTURY In a recumbent position, with a bushy tail, the ears flattened against its body, the spine protruding from the back, the stone with russet markings, 9.8cm. £10,000-15,000 Cf. Chung, Michaelson and So, Chinese Jade Animals, pp.158-9, no.141 for a related example. 十八世紀

青白玉雕瑞獸擺件

113

204 A SMALL CHINESE PALE CELADON JADE CARVING OF A MAN WITH A BOY QING DYNASTY OR LATER Crouching together on a circular platform carved with studs, the man showing the boy how to throw a pot, the stone with russet markings to the man’s hair, 4.5cm. £1,000-2,000 清或更晚

青白玉雕童子擺件

205 A CHINESE CELADON JADE CARVING OF A ZODIAC OX 18TH CENTURY Seated with his legs crossed and wearing draped robes, holding a fly whisk in his right hand, 4cm. £3,000-4,000 Cf. The Complete Collection of Treasures of the Palace Museum, Jadeware (III), pp.133-4, no.111, where a complete set of Zodiac figures is illustrated. 十八世紀

青白玉雕生肖牛擺件

206 A CHINESE WHITE JADE CARVING OF A CAT AND TWO KITTENS QING DYNASTY OR LATER The mother in a crouched position and holding a butterfly in her mouth, the two kittens playing at her side, the stone with russet markings to the extremities, 4.2cm. £1,000-2,000 清或更晚

114

青白玉雕歡天喜地擺件

207 A CHINESE WHITE JADE DRAGON PLAQUE QING DYNASTY OR LATER The sinuous chilong twisting back on itself, a smaller chilong at its side, 6.8cm. £2,000-3,000 清或更晚

青白玉雕螭龍佩

208 A FINE CHINESE WHITE JADE LOTUS WATER POT AND COVER QING DYNASTY Formed as a large seed pod, with petals radiating from the base, the twisted stem with a curled leaf and a flower extending towards the rim, the cover carved in relief with the seeds, a fitted hardwood stand carved with clouds, 8.3cm across. (3) £7,000-8,000 清

白玉雕蓮花水盂

209 TWO CHINESE PALE CELADON JADE CARVINGS 18TH/19TH CENTURY One depicting a monkey and her baby, holding a fruiting peach spray and with lingzhi fungus, the stone with grey markings, the other an openwork plaque with three gourds amongst scrolling tendrils, a rat clambering above, 7.2cm. (2) £1,500-2,000 Provenance: formerly in a French private collection. 十八/十九世紀青白玉雕靈猴獻壽及靈芝佩一組兩件來源：法國私人收藏

115

210 THREE CHINESE PALE CELADON JADE CARVINGS 18TH/19TH CENTURY One formed as a recumbent camel, another a reclining hound, the third a turtle with a snake on its back, the latter with a wood stand, 6.5cm. (4) £1,500-2,000 Provenance: the camel formerly in the Larry Lane collection, USA. The turtle formerly in a private collection, acquired in Hong Kong in the 1950s. 十八/十九世紀青白玉雕玉擺件一組三件來源：玉雕駱駝來自於美國Larry Lane舊藏，玉雕烏龜來自於私人收藏1950年代購於香港

211 TWO CHINESE WHITE JADE PENDANTS 18TH/19TH CENTURY One formed as three fungi, the reverse with a cicada, the other formed as two gourds with a bat to the side, 6.5cm. (2) £1,500-2,000 十八/十九世紀青白玉雕福壽及蘑菇擺件一組兩件

212 THREE CHINESE PALE CELADON JADE CARVINGS 18TH AND 19TH CENTURIES One a quatrefoil bracket button pendant, carved in shallow relief to one side with a lady in a boat, a bat in flight above, a lingzhi fungus to the reverse, another a dragon-head turtle holding a branch in its mouth, the third a boy, holding a lingzhi stem and a fruiting peach spray, a flywhisk on his back, 6.5cm max. (3) £1,200-1,500 十八/十九世紀

116

青白玉雕擺件一組三件

213 A FINE CHINESE IMPERIAL WHITE JADE PLAQUE QIANLONG 1736-95 Delicately carved in shallow relief with a pair of phoenix facing one another, their beaks and crests touching, their wings and tail plumage in mirror image, the stone a pale even tone, 8.4cm. £8,000-12,000 Provenance: the property of a Lady of title. 清乾隆御製白玉雕雙鳳紋佩來源：貴族夫人收藏

117

214 A CHINESE PALE CELADON JADE CUP 18TH/19TH CENTURY The flaring body carved to the exterior with two sinuous chilongs clambering to the edge, their heads looking towards the centre, each supporting a loose ring, 10.5cm across. £4,000-5,000 Provenance: formerly in a Swiss private collection. 十八/十九世紀青白玉雕雙耳杯來源：瑞士私人收藏

215 A CHINESE PALE CELADON JADE CARVING OF TWO GEESE QING DYNASTY Each seated with its feet tucked neatly beneath its body, a fruiting peach spray held in their beaks, raised on a fitted hardwood stand, 7.4cm. (2) £2,500-3,500 清

青白玉雕鴛鴦銜桃擺件

216 A CHINESE SPINACH-GREEN JADE BOWL SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The U-shaped body with a flaring rim, raised on a ring foot, the stone with darker mottling and strations, and a spinach-green jade belthook, with a dragon’s head terminal, 10cm. (2) £1,000-1,500 清乾隆碧玉雕酒杯及螭龍帶鉤一組兩件《大清乾隆年製》款

118

217 A CHINESE WHITE JADE CARVING OF A BOY 18TH/19TH CENTURY

218 THREE CHINESE PALE CELADON JADE CARVINGS 18TH/19TH CENTURY

Standing holding a vase to one side, a small hare at his feet, 6.7cm.

One carved as a boy standing on a large lotus leaf and holding a flower over his shoulder, another a small gourd issuing from a branch, a smaller fruit to the reverse, the third a bi disc carved in relief with C-scrolls and studs, 7.1cm. (3)

£800-1,200 十八/十九世紀

白玉雕童子玉兔擺件

£2,500-3,000 Provenance: the latter two formerly in the collection of Dr John Campbell, USA. 十八/十九世紀青白玉雕葫蘆、童子擺件及玉璧一組三件來源：葫蘆及童子擺件來自美國Dr John Campbell收藏

119

219 A CHINESE PALE CELADON JADE WINE EWER AND COVER 18TH CENTURY The tapering body with a hexagonal spout and handle, carved in shallow relief with two circular panels, one depicting two scholars standing beside a stream beneath a large fruiting peach tree, the other with a five phrase poem, the rim with a band of stiff leaves, the domed cover surmounted by a sinuous chilong, the base with a mark which reads xuan he, paper label for Sydney L. Moss Ltd., raised on a hardwood five-legged stand, 18.7cm. (2) £8,000-12,000 Provenance: the property of a Lady of title. 十八世紀青白玉雕開光人物山水紋酒壺《宣和》款附Sydney L Moss Ltd 標籤來源：貴族夫人收藏

120

220 A SMALL CHINESE IMPERIAL WHITE JADE U-SHAPED CUP SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The deep gently-flaring body raised on a short ring foot, carved in relief to the exterior with lingzhi fungus, with leafy tendrils extending around the base and a single bat in flight, 7cm high. £8,000-12,000 Provenance: the property of a Lady of title. 清乾隆御製白玉雕福壽靈芝紋杯《大清乾隆年製》款來源：貴族夫人收藏

121

221 A FINE PAIR OF CHINESE IMPERIAL WHITE JADE DISHES FOUR CHARACTER JIAQING MARKS AND OF THE PERIOD 1796-1820 The plain shallow bodies with a gently flaring rim, raised on a short ring foot, the stone an even translucent tone, 14.3cm. (2) £50,000-80,000 Provenance: from the Estate of George Harwood (d.1985), and thence by descent. 清嘉慶御製白玉雕碟一對《嘉慶年製》款來源：George Harwood舊藏（逝于1985年）

122

222 A CHINESE BLUE AND WHITE BASIN 1ST HALF 19TH CENTURY

223 A LARGE CHINESE BLUE AND WHITE BITONG TRANSITIONAL PERIOD, C.1640

The centre painted with a scaly dragon and a flaming pearl of wisdom amongst clouds, the inner border with four carp emerging from waves, divided by rocks and lingzhi, with eight bats in flight above, the wide rim with stylized lappets, the underside with four sinuous dragons, 40.6cm.

Painted with four boys and two attendant ladies, in a garden with rocks, clouds and a banana tree, one boy flying a kite, raised on a circular hardwood stand, 19.8cm dia. (2)

£2,000-3,000 Provenance: an English private collection, Hampshire. 十九世紀早期青花趕珠龍紋大盤來源：英國漢普郡私人收藏

124

£1,000-2,000 Provenance: from the collection of Anthony Du Boulay. 明末清初青花人物故事筆筒來源：Anthony Du Boulay收藏

224 A CHINESE BLUE AND WHITE OVOID JAR AND COVER KANGXI 1662-1722

225 A CHINESE BLUE AND WHITE SQUARE SECTION VASE SIX CHARACTER JIAJING MARK AND OF THE PERIOD 1522-66

Painted with four shaped cartouches, each containing fan-shaped panels depicting a figure beside lanterns, and with vases, scrolls and other auspicious objects, divided by sprays of lotus and peony flowers, the domed cover with a circular panel containing a vase of peacock feathers encircled by foliate lappets, painted mark, 32cm. (2)

Each face painted with a scaly five-clawed dragon amongst lotus, between bands of ruyi-heads and stiff lappets, raised on a hardwood stand, 18.5cm. (2)

£4,000-6,000

明嘉靖青花如意雲龍紋瓶來源：Brian McElney收藏

清康熙

青花開光博古紋蓋罐

£1,000-2,000 Provenance: from the collection of Brian McElney.

125

226 A CHINESE SWATOW DISH WANLI 1573-1620

227 A CHINESE SWATOW DISH FOR THE ARABIC MARKET WANLI 1573-1620

Painted in turquoise, black and iron-red with a central roundel containing pagodas at the water’s edge, a range of mountains in the distance, the wide rim with four seal script panels divided by cartouches of figures with boats, 39.3cm.

Painted in red and green enamels with eight circular medallions, with extracts of the Quran surrounding a larger medallion with further calligraphy, a Japanese wood box, 37.5cm. (3)

£2,000-3,000

£4,000-5,000

Cf. For a similar dish given as a gift by Gerald Reitlinger in 1978 see The Ashmolean Museum, Oxford, Accession number EA1978.1074.

Cf. S Adhyatman, Zhangzhou (Swatow) Ceramics, Sixteenth to Seventeenth Centuries Found in Indonesia, p.60, pl.216; see also B Harrison, Swatow, Museum Het Princessehof, p.234, pl.205.

明萬曆

126

五彩山水紋盤

五彩阿拉伯文盤

228 A RARE CHINESE BLUE AND WHITE KENDI 15TH/16TH CENTURY Made for the Islamic market, unusually formed after a leather water bag, the crescent-shaped body raised on four short feet and with a narrow spout to one end, with a tall garlic-mouthed neck to the centre, a pointed finial to each end, decorated with a diamond-shaped cartouche containing dense geometric designs and cloud scrolls, 22.4cm. £30,000-40,000 Cf. C Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, p.36, no.10, where a similar example formerly in the C T M Groenevelt collection is illustrated. 十五/十六世紀

青花船型軍持

127

229 A CHINESE BLUE AND WHITE SMALL ARMORIAL PLATE KANGXI 1662-1722 Made for the Dutch market, painted with a single pheasant perched on rocks beneath large peony blooms, the rim with the arms of Pelgrans encircled by alternating shell motifs and foliate roundels, the base with a twin fish mark, 20.8cm. £1,000-1,500 Provenance: from the collection of Anthony Du Boulay. Cf. D Howard and S Ayers, China for the West, p.82, where another plate of this design is illustrated, and where it is noted this service was made for Jacob Pelgrans, a Director of the Dutch East India Company who lived in Bengal from 1702-8, and died in Batavia in 1713. 清康熙青花錦上添花碟來源：Anthony Du Boulay收藏

229 230 A LARGE CHINESE BLUE AND WHITE KRAAK BOWL WANLI 1573-1620 Typically painted with a central bird on rocks and panels of flowers, bamboo and landscapes, 36.5cm. £1,000-2,000 Provenance: an English private collection, Hampshire. 明萬曆青花人物山水紋碗來源：英國漢普郡私人收藏

230 231 A CHINESE BLUE AND WHITE BOTTLE VASE KANGXI 1662-1722 The pear-shaped body raised on a high flared foot, painted with a scrolling interlocking lotus design, 18.5cm. £1,500-2,000 清康熙

231

128

青花花卉紋瓶

232 TWO LARGE CHINESE BLUE AND WHITE BOWLS KANGXI 1662-1722 Each moulded with petal-shaped panels radiating from the base, containing flowering branches of prunus, peony and other blooms emerging from rockwork, with similarly-decorated twisted panels above, the interior with a roundel of flowers, rockwork, birds and butterflies, paper labels for Jorge Welsh Oriental Art, 34.4cm. (2) £8,000-12,000 清康熙

青花花口碗一對

129

233 A GOOD PAIR OF CHINESE BLUE AND WHITE LOTUS DISHES SIX CHARACTER QIANLONG MARKS AND OF THE PERIOD 1736-95 Each painted with a central roundel of three large stylized flowerheads amidst scrolling leaves, tendrils and smaller flowers, the reverse borders with six further lotus flowerheads, 15.3cm. (2) £10,000-12,000 清乾隆

青花纏枝蓮紋碟一對

234 A CHINESE BLUE AND WHITE BOTTLE VASE, SHANGPING SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The ovoid body with a continuous flowerhead design within concentric bands, with further foliate bands, ruyi lappets and key fret, the tall flaring neck with stiff leaves beneath a band of waves, 37.5cm. £20,000-25,000 Provenance: formerly in a German private collection. 清乾隆青花纏枝蓮紋賞瓶來源：德國私人收藏

235 A CHINESE ARCHAISTIC BLUE GLAZED HU VASE 18TH CENTURY Heavily potted, the ovoid body raised on a spreading foot and with two biscuit lion mask handles joined by concentric bands to the shoulder, decorated with a deep mottled blue glaze, the interior glazed white, 24.5cm. £2,000-3,000 Provenance: from the collection of Anthony Du Boulay, purchased from Christie’s, 19th July 1982, lot 65 for £273. 十八世紀霽藍釉獸首壺來源：Anthony Du Boulay收藏，以£273的價格購於佳士得1982年7 月19日，編號65

236 A SMALL CHINESE OVOID VASE 18TH CENTURY The compressed circular body with an in-turned flattened rim, decorated all over with a deep red glaze, the base glazed white, 10.5cm. £1,800-2,500 十八世紀

紅釉水盂

237 A CHINESE GOURD-SHAPED VASE 18TH CENTURY The waisted ovoid body with an intense cobalt-blue glaze, 28cm. £1,000-2,000 十八世紀

132

藍釉葫蘆瓶

238 A SMALL CHINESE MONOCHROME HU-SHAPED VASE 18TH CENTURY The pear-shaped body raised on a short foot, decorated with an even dark red glaze, the rim and interior glazed white, 13.7cm. £300-500 十八世紀

紅釉壺形瓶

239 A CHINESE LANGYAO BOTTLE VASE 18TH/19TH CENTURY The globular body with a tall flaring neckrim and a splayed foot, decorated with an unctuous deep red glaze, the interior glazed white, 32cm. £6,000-8,000 Provenance: formerly in the collection of the Portman family, Somerset. 十八/十九世紀郎窯紅瓶來源：Somerset波特曼家族收藏

240 A CHINESE ANHUA-DECORATED BLUE GLAZED BOWL FROM THE HATCHER CARGO C.1640 Incised to the exterior with two dragons pursuing a flaming pearl of wisdom amongst cloud scrolls, decorated with a deep blue glaze, the base unglazed, 18.2cm. £1,000-1,500 Provenance: from the collection of Anthony Du Boulay. Cf. S Pierson & A Barnes, A Collector’s Vision: Ceramics for the Qianlong Emperor, p.99, no.86, where a related bowl of similar decoration is illustrated. 1640年代藍釉暗花碗來源：Anthony Du Boulay收藏，來自於Hatcher沉船

133

241 A LARGE CHINESE FLAMBE GLAZED MEIPING 18TH CENTURY

242 A CHINESE LAVENDER-BLUE GLAZED MOON FLASK, BIANHU QIANLONG 1736-95

The ovoid body with a flaring neckrim, decorated all over with a vibrant mottled purple and deep red glaze, 34.5cm.

The flattened circular body slip decorated, one side with two cranes beneath lotus, the reverse with two magpies on a prunus branch, the neck flanked by ruyi-head strap handles, 23.5cm.

£3,000-5,000 十八世紀

窯變釉梅瓶

£10,000-20,000 Provenance: from the collection of Anthony Du Boulay. Formerly in the collection of H R N Norton, purchased from Spink & Son for £400. 清乾隆天藍釉喜上眉梢抱月壺來源：Anthony Du Boulay收藏， H R N Norton舊藏，以£400的價格購於Spink Son

134

243 A CHINESE FLAMBE GLAZED BOTTLE VASE 18TH CENTURY

244 A CHINESE TURQUOISE GLAZED MOON FLASK 18TH CENTURY

The bulbous body with a garlic-mouthed neckrim, decorated all over with an unctuous deep red glaze with blue mottling, 28.2cm.

The flattened circular body raised on a flared foot and with two cloud-shaped handles to the neck, decorated all over with a rich turquoise glaze, 25.3cm.

£2,500-3,500 十八世紀

窯變釉蒜頭瓶

£8,000-12,000 Cf. Christie’s Hong Kong, The Imperial sale, Important Chinese Ceramics and Works of Art, 3rd June 2015, lot 3247 for a related moon flask. 十八世紀

孔雀綠釉抱月瓶

135

245 A SET OF EIGHT CHINESE FAMILLE ROSE BOWLS 19TH CENTURY

246 A CHINESE BLANC DE CHINE VASE 17TH CENTURY

Arranged to fit one within another in descending order, each painted to the exterior with figures engaged in various pursuits, to the well with two peaches and a bat, the smallest depicting two figures in a boat on a lotus pond, 9.2cm. (8)

The tapering body with a narrow flaring neckrim, faintly incised to each side with flower sprays, divided by lion mask handles, 33.5cm.

£2,000-3,000 十九世紀

粉彩人物故事酒杯一組八件

£2,000-3,000 Cf. Marchant, Exhibition of Blanc de Chine, 30th October 21st November 2014, pp.120-121, nos.91 and 92 for similar examples. 十七世紀

136

德化獸耳瓶

247 A CHINESE BLANC DE CHINE RETICULATED CYLINDRICAL BITONG KANGXI 1662-1722 The openwork sides with three peony flowers amongst leafy foliage between borders, a paper label for John Sparks Ltd., 12.4cm. £6,000-10,000 Provenance: the property of a Lady of title. Cf. S. Marchant & Son, Exhibition of Blanc de Chine, 8th December 20th December 1985, p.24, nos.37 and 38 for related bitongs. 清康熙德化鏤雕富貴牡丹紋筆筒來源：貴族夫人收藏，附John Sparks Ltd標籤

248 A CHINESE BLANC DE CHINE INCENSE BURNER C.1700 Of archaic form, the compressed circular body raised on a tall flaring footrim incised with key fret designs, mounted with two loop handles, each surmounted by a buffalo’s head, a moulded band beneath the rim depicting flowerheads and discs, raised on a later hardwood stand, 19.5cm. (2) £5,000-8,000 Provenance: the property of a Lady of title. Cf. P J Donnelly, Blanc de Chine, pl.14B, where a similar incense burner is illustrated. 1700年代德化雙耳香爐來源：貴族夫人收藏

137

249 A CHINESE BLANC DE CHINE INCENSE BURNER 18TH/19TH CENTURY The tapering body raised on three scroll feet, decorated in relief to the exterior with a band of shou characters between flowerhead and ruyi motifs, 14.1cm. £300-500 十八/十九世紀

德化如意萬壽香爐

250 A LARGE CHINESE BLANC DE CHINE MODEL OF GUANYIN 18TH CENTURY Seated on a high rocky plinth with a small child on her knees, and with acolytes at her sides and beneath her, two scaly dragons writhing above waves divided by a lotus flower at her feet, 35.2cm. £1,500-2,000 十八世紀

德化送子觀音坐像

251 A SMALL CHINESE WHITE GLAZED PORCELAIN UNCUT SEAL 18TH CENTURY The square section body surmounted by a seated mythical beast, its head raised and the mouth open to reveal its sharp teeth, a paper label for the Watney Collection, 6.8cm. £800-1,200 Provenance: from the collection of Anthony Du Boulay. 十八世紀白釉獅扭章來源：Anthony Du Boulay收藏

138

252 A LARGE CHINESE BLANC DE CHINE CYLINDRICAL BITONG OR INCENSE BURNER 18TH CENTURY Moulded to the exterior with concentric bands, the body raised on three short ruyi-shaped feet, a fitted hardwood stand, 18.8cm dia. (2) £2,000-3,000 Provenance: the property of a Lady of title. 十八世紀德化弦紋香爐來源：貴族夫人收藏

253 A CHINESE WHITE GLAZED BITONG 18TH CENTURY The flared body incised with a continuous design of leaves and flowers, with bands of ruyi-heads and spirals, 18.6cm. £2,000-3,000 十八世紀

白釉花卉紋筆筒

254 A CHINESE BLANC DE CHINE VASE C.1700 The tapering body incised with a band of key fret to the shoulder and with a mythical animal mask to each side, a paper label for S. Marchant & Son, 20.5cm. £500-1,000 Provenance: the property of a Lady of title. 1700年代德化獸耳瓶來源：貴族夫人收藏

139

255 A SMALL CHINESE YELLOW GROUND BOWL SIX CHARACTER YONGZHENG MARK AND OF THE PERIOD 1723-35 The U-shaped body decorated all over with a vibrant yellow glaze, 10.2cm. £10,000-15,000 Provenance: from a private collection in Nottinghamshire, formed in the 1970s and early 1980s. 清雍正黃釉小碗《大清雍正年製》青花楷書款來源：1970年代至1980年代早期的諾丁漢郡私人收藏

140

256 A CHINESE COPPER-RED GLAZED STEM BOWL 18TH CENTURY The U-shaped bowl raised on a tall flaring foot, decorated to the exterior with a rich copper-red glaze, the interior glazed white and with a six character Xuande mark within concentric bands, 9.5cm high. £2,000-3,000 Provenance: from the collection of Anthony Du Boulay, purchased from Christie’s, 16th April 1980, lot 65 for £800. Formerly the collection of G de Menasce, sold at Spink, Part I, May 1971, no.208. 十八世紀紅釉高腳碗來源：Anthony Du Boulay收藏以£800的價格購於佳士得1980年4月16日，編號 65。 G de Menasce舊藏，Part I編號208，1971年5月由 Spink售出

257 A CHINESE CELADON GLAZED STEM BOWL SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95

258 A CHINESE COPPER-RED GLAZED DISH SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95

The shallow body decorated to the interior with scrolling foliage radiating from a central flowerhead medallion, the flaring foot with stylized leaf and ruyi designs, a band of lotus flowers divided by leaves to the rim, a paper label for Marchant London, 17cm.

The shallow body with a gently curving rim, decorated all over with a copper-red glaze draining from the rim, the base glazed white, 16.4cm.

£3,000-5,000 Provenance: the property of a Lady of title. 清乾隆豆青釉纏枝花卉紋高足盤來源：貴族夫人收藏

£2,000-3,000 Provenance: from the collection of Anthony Du Boulay. Formerly the collection of E Sonsino, Geneva. 清乾隆紅釉碟《大清乾隆年製》青花篆書款來源：Anthony Du Boulay收藏，日內瓦E Sonsino 舊藏

141

259 A CHINESE LANGYAO OGEE-SHAPED BOWL 18TH CENTURY

260 A PAIR OF CHINESE CELADON GLAZED VASES 19TH CENTURY

The flaring body raised on a circular foot, decorated all over with a deep red glaze, the rim with a white band, a paper label for John Sparks Ltd., raised on a fitted hardwood stand, 20.6cm. (2)

Each with flattened moulded bodies and zoomorphic handles, a six character Qianlong mark to the base, 24cm. (2)

£1,000-2,000 十八世紀

142

郎窯紅折腰碗

£1,800-2,500 十九世紀豆青釉獸耳扁瓶一對《大清乾隆年製》仿款

261 A RARE CHINESE BEIJING YELLOW GLASS WATER POT, ZHADOU QIANLONG 1736-95 The ovoid body with a flaring rim and foot, carved to the exterior with four Manchu characters, and an inscription which reads Qian Long yu zhi wan shou tian zi guan, the base with a tian (heaven) mark in relief, and a smaller incised bing mark, contained in a fitted silk box, 7.5cm dia. (2) £15,000-25,000 Cf. A Chorus of Colors, Chinese Glass from Three American Collections, p.96, no.69 for a comparable zhadou. The character bing is one of the Heavenly Stems used in counting cyclical years, and is also used in inventory systems. 清乾隆黃料天字罐渣斗銘文：乾隆御製萬壽天字罐《天》款

262 A CHINESE FAMILLE ROSE CHICKEN BOWL 19TH/EARLY 20TH CENTURY

263 A SMALL CHINESE FAMILLE ROSE CHICKEN BOWL 19TH/EARLY 20TH CENTURY

Finely painted to the exterior with a young boy and a cockerel with blue rockwork and peony, the reverse with a hen and her chicks below a poetic inscription, six character Qianlong seal mark, 8.1cm dia.

Painted to the exterior with a young boy and a cockerel with blue rockwork and peony, the reverse with a hen and her chicks below a poetic inscription, six character Qianlong seal mark, 6.6cm dia.

£1,000-2,000 Cf. Woolley & Wallis, 21st May 2014, lot 4 for a similar bowl. 十九/二十世紀粉彩雞缸杯《大清乾隆仿古》青花篆書仿款

144

£1,000-2,000 十九/二十世紀粉彩雞缸杯《大清乾隆仿古》青花篆書仿款

264 A CHINESE BLUE AND WHITE BRUSH WASHER SIX CHARACTER QIANLONG SEAL MARK AND OF THE PERIOD 1736-95 The exterior painted with two five-clawed dragons amongst cloud scrolls, with breaking waves beneath, 21cm dia. £2,000-3,000 Provenance: purchased c.1940, and thence by descent. 清乾隆青花雲龍紋筆洗來源：購於1940年代

265 A CHINESE GREEN GLAZED OVOID DRAGON JAR AND COVER PROBABLY LATE QING Decorated with two scaly dragons chasing flaming pearls of wisdom amongst clouds and flame wisps, the shoulder with a band containing the eight Buddhist Emblems, the base with a six character Qianlong mark, the cover with a single dragon, 19.8cm. (2) £200-300 晚清（可能）

五彩趕珠龍紋蓋罐

145

266 A CHINESE FAMILLE VERTE SMALL DISH KANGXI 1662-1722 Painted with peony and other flowers beneath a poem and a single seal, 15.5cm. £2,000-3,000 清康熙

五彩富貴牡丹詩文碟

267 A CHINESE FAMILLE VERTE TWO-HANDLED OVAL DISH KANGXI 1662-1722 Raised on three pointed feet, painted to the interior with two cranes in flight above the Three Friends of Winter, all within bands of flower sprays, foliate grounds and butterfly panels, the exterior with small birds perched amongst prunus and peony branches, with lotus and bamboo, 31cm. £1,500-2,500 清康熙

五彩松鶴延年碗

268 THREE CHINESE SILVER-MOUNTED BLUE AND WHITE ITEMS KANGXI 1662-1722 Comprising a teapot and cover, decorated with auspicious things, a small canister, painted with two ladies in a garden, and a jug and cover, decorated with flowering peony and prunus emerging from rocks, the former two with an artemesia leaf mark, all with European mounts, 16cm max. (4) £2,500-3,500 清康熙

146

鑲銀青花壺及瓶一組三件

269 A CHINESE FAMILLE ROSE SMALL BOWL AND SAUCER YONGZHENG 1723-35 The saucer brightly enamelled to the interior with flowering sprays, two butterflies in flight above, the bowl with a single peony spray to the well, each decorated to the exterior with a vibrant pink glaze, 15.6cm. (2) £2,500-3,500 Provenance: from the collection of Anthony Du Boulay, purchased from Christie’s, 1st November 1982, lot 230 for £190. Formerly the collection of Sir Anthony Hornby. Cf. L Legeza, The Grace of 18th century Ching-te-chen Monochromes, p.95, no.16, where a similar bowl and dish are illustrated. 清雍正粉彩蝶戀花碟及胭脂紅釉小碗來源：Anthony Du Boulay收藏，以£190的價格購於佳士得1982年11月1日，編號230 Sir Anthony Hornby舊藏

270 AN UNUSUAL CHINESE PEAR-SHAPED VASE LATE MING DYNASTY The plain globular body raised on a short straight foot and with a flaring neckrim, decorated all over with a creamy-white glaze, 33.3cm. £1,000-2,000 Provenance: E H Villiers Esq. DSO (d.1964). 晚明白釉瓶來源：E H Villiers Esq DSO收藏（逝于1964年）

271 A CHINESE UNDERGLAZE BLUE AND COPPER-RED SMALL PLATE KANGXI 1662-1722 Painted with flowering chrysanthemum, with insects in flight above, the base with a six character Chenghua mark, 16.1cm. £800-1,200 清康熙

青花釉里紅蝶戀花碟

147

272 A CHINESE YIXING TEAPOT AND COVER 20TH CENTURY

273 A CHINESE YIXING RECTANGULAR TEAPOT AND COVER DAOGUANG 1821-50

The compressed circular body incised with calligraphy around the shoulder, the base and cover with seal marks attributed to Wang Ying Chun, 20.5cm. (2)

Moulded to one side with a four character which reads chi niao yuan nian, relating to the year 238 AD, to the reverse with flowers emerging from rocks, the base marked cha shu xiang wen, the cover with an artist’s seal mark Shen Xi, 15cm. (2)

£1,000-2,000 二十世紀宜興紫砂壺蓋底：寅春壺底：王寅春

148

£5,000-8,000 清道光申錫款段泥‘赤鳥元年’方磚壺蓋底：申錫壺底：茶熟香溫

274 A PAIR OF CHINESE FAMILLE ROSE BOTTLE VASES 19TH CENTURY

275 A MASSIVE CHINESE FAMILLE ROSE BOTTLE VASE 19TH CENTURY

Each decorated with a stylized lotus scroll, with peaches, other flowers and leafy tendrils and with bats and ruyi-heads beneath the rim, the foot with formal stiff lappets and a blue key fret design, the interiors and bases glazed turquoise, each with an iron-red six character Qianlong seal mark, 33.5cm. (2)

Brightly enamelled with peony, poppy, lotus and hibiscus entwined together with other flowers and foliage, all reserved on a yellow ground, the rim with a band of ruyi-heads, the foot with formal stiff lappets, the base and interior glazed turquoise, a six character Qianlong seal mark in iron-red, 60cm.

£4,000-6,000

£5,000-8,000

Provenance: an English private collection, Surrey.

十九世紀黃地粉彩纏枝蓮紋瓶一對《大清乾隆年製》礬紅篆書款來源：英國塞里私人收藏

十九世紀黃地粉彩花卉紋瓶《大清乾隆年製》礬紅篆書款來源：英國塞里私人收藏

149

276 A RARE CHINESE DOUCAI DRAGON BOWL SIX CHARACTER KANGXI MARK AND OF THE PERIOD 1662-1722 Brightly enamelled to the exterior with four scaly five-clawed dragons amongst clouds, with waves crashing upon rocks beneath, all within concentric bands in underglaze blue, the interior with a fifth single dragon within a roundel with flames, 18.5cm. £6,000-8,000 Cf. Christie’s, 27th May 2008, lot 1760, for a similar bowl dating to the Kangxi period. 清康熙鬥彩雲龍紋撇口碗《大清康熙年制》青花楷書款

150

277 A CHINESE IMPERIAL FAMILLE ROSE YELLOW GROUND BOWL SIX CHARACTER DAOGUANG MARK IN UNDERGLAZE BLUE AND OF THE PERIOD 1821-50 The U-shaped body gently flaring and raised on a tall foot, brightly enamelled to the exterior with four roundels containing the characters fo ri chang ming (eternally bright Buddha) on a pink scroll ground, all reserved on a pale yellow ground, with scrolling lotus designs divided by iron-red double vajras, the interior glazed white, 11.7cm. £20,000-25,000 Provenance: formerly in a private European collection, purchased in Hong Kong c.1985. Cf. G Lang, The Powell-Cotton Collection of Chinese Ceramics, p.142, no.119, where a similar bowl formerly in the Pope Collection is illustrated; see also P Lam, Imperial Porcelain of Late Qing, p.65, no.39. 清道光御製黃地粉彩纏枝花卉紋碗銘文：佛日常明來源：歐洲私人收藏，購於1985年香港

151

278 A PAIR OF CHINESE ANHUA-DECORATED TEA BOWLS FOUR CHARACTER QIANLONG MARKS AND OF THE PERIOD 1736-95 Each delicately incised to the exterior with three lotus flowers encircled by scrolling foliage, decorated with a translucent pale blue glaze, the interior glazed white, each with a five-legged hardwood stand, 8.5cm. (4) £4,000-6,000 Provenance: the property of a Lady of title. 清乾隆青釉暗花杯一對《乾隆年製》青花款來源：貴族夫人收藏

152

279 † A RARE CHINESE IMPERIAL MOGU FAMILLE ROSE BOWL SIX CHARACTER YONGZHENG MARK IN UNDERGLAZE BLUE AND OF THE PERIOD 1723-35 Delicately painted in mogu (boneless) enamels to the exterior with flowering chrysanthemum and peony amongst leafy branches, with two butterflies in flight, the interior with a single flower bud, 17.5cm. £50,000-60,000 Provenance: formerly in an English private collection. Purchased from the collection of Peter Boode (d.1972) in London c.1950. Cf. Y Boda, The Tsui Museum of Art, Chinese Ceramics IV, Qing Dynasty, no.151. For further information about Peter Boode, see R Davids & D Jellinek, Provenance, pp.83-4. 清雍正御製粉彩沒骨畫蝶戀花碗《大清雍正年製》青花楷書款來源：英國私人收藏，1950年代購於倫敦Peter Boode收藏

English & European Ceramics & Glass Tuesday 24th November 2015

Three Thomas Webb & Co (Stourbridge) cameo glass scent bottles. Estimates between ÂŁ800-3,000

EnquiriEs Clare Durham +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

British Art Pottery Wednesday 25th November 2015

Dame Lucie Rie DBE A fine blue glazed bowl with bronzed rim. Purchased as a present for the vendor directly from the artist. Estimate: ÂŁ6,000-9,000

ENQUIRIES Michael Jeffery +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Paintings Part I – Fine Old Masters & 19th Century Part II – 20th Century & Contemporary Art Wednesday 9th December 2015

Richard Karlovich Zommer (Russian 1866-1939) At Prayer (detail) Signed, oil on canvas, 82 x 143cm Estimate: £20,000-30,000

EnquiriEs Victor Fauvelle +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

Furniture, Works of Art & Clocks Thursday 7th January 2016 Entries close 6th November 2015

A Collection of Bronzes, 17th â&#x20AC;&#x201C; 19th century. The property of a deceased estate.

EnquiriEs Mark Richards +44 (0)1722 411854 markrichards@woolleyandwallis.co.uk

Silver, Vertu, Coins & Medals Tuesday 19th & Wednesday 20th January 2016 Entries are now being accepted for this sale

A Fine Boer War â&#x20AC;&#x201C; Great War Group of Decorations and Medals awarded to Major-General Harold Arthur Lewis Tagart, KCMG, CB, DSO, commander of the Legion of Honour, 15th Hussars. Sold for ÂŁ4,500

EnquiriEs Rupert Slingsby +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

Jewellery Thursday 21st January 2016 Entries are now being accepted for this sale

A pair of natural pearl and diamond drop earrings. Sold for ÂŁ292,800

Enquiries Jonathan Edwards +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

Tribal Art Tuesday 9th February 2016 Entries close 30th November 2015

A Guro Zamble mask, Ivory Coast, 44cm high. Provenance: Elizabeth Banks (nĂŠe Nicholson), daughter of William Nicholson, artist (1872-1949). Estimate: ÂŁ5,000-7,000

Enquiries Will Hobbs +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

Fine Silver & Objects of Vertu Wednesday 27th April 2016 Entries are now being accepted for this sale

A George II silver two-handled cup and cover, by Ayme Videau, London 1745. Estimate: ÂŁ8,000-12,000

EnquiriEs Rupert Slingsby +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

Auction Information OPEninG HOurs Monday to Friday 9am to 5.30pm and 10am to 1pm on saturdays. ViEwinG All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BiddinG in tHE rOOM to bid at auction you will need a paddle number. this can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered. rEGistErinG witH us All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. to register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMissiOn BiddinG if you are unable to attend the sale you can leave a commission bid. this will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. tElEPHOnE BiddinG it is usually possible to bid on the telephone by prior arrangement with the office.

liVE OnlinE BiddinG live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. to bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% charge + VAt for this service. In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise woolley and wallis salisbury salerooms ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to woolley and wallis salisbury Salerooms Ltd through www.the-saleroom.com and agree that woolley and wallis salisbury salerooms ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. COnditiOn rEPOrts the relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. the colours printed in the catalogue are not necessarily true. sAlE rEsults these will be posted on our website shortly after the sale. BuYEr’s PrEMiuM Each lot is subject to a Buyer’s Premium of 22% + VAt on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMEnt And ClEArAnCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

Artist’s rEsAlE riGHt / drOit dE suitE droit de suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. we are no longer able to accept card payments of over £1,000 where the cardholder is not present.

royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Wire transfers should be sent to: lloyds Bank plc, Blue Boar row, salisbury sP1 1dB. Account no. 00957707 Sort code 30-97-41 iBAn no. GB20lOYd30974100957707 BiC code lOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAt Debit cards: delta, switch, Connect

droit de suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. this will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAt lots marked with a dagger (†) are subject to VAt on the hammer price. lots marked with an omega (Ω) have been temporarily imported from outside the Eu and are subject to VAt at 5% on the hammer price and the buyer’s premium. in online catalogues, the sales tax % column indicates the rate of VAt on hammer price. CitEs rEGulAtiOns Please note that lots marked λ may be subject to CitEs regulations when exported. the CitEs regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% in excess of €500,000 up to a maximum levy of €12,500 PACkinG And sHiPPinG woolley & wallis do not offer a packing and despatch service but the following are carriers in our area. Alban shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APs 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

拍賣須知營業時間：週一至週五9:00-17:30，週六10:00-13:00 拍賣前預展：本公司所有拍賣預展都會在正式拍賣的前兩天舉行，詳細資訊請查閱相關拍賣圖錄。登記競投：競買人應在拍賣日前於公司前臺接待處申領競投號牌。本公司現提供永久競投號牌，競買人登記後可在未來的拍賣中使用。登記時，您需要出示身份證、護照（如果有）和地址證明（有注明住址的水電煤帳單或駕駛證），或者將以上資料以郵件的形式發送至enquiries@ woolleyandwallis.co.uk 注：the-saleroom.com（網絡實況轉播競投）註冊也需要以郵件的形式發送以上資料至本公司。委託競投：不能出席拍賣的競買人可通過書面形式委託本公司代為競投，工作人員將參考底價，盡力以最低價進行競投。電話競投：委託人可在拍賣會進行時通過電話競投，該項服務須在拍賣會開始前與本公司前臺接待處預約。網絡實況轉播競投：本公司大部份拍賣都可以通過網絡實況轉播競投，該項服務可以滿足競買人在世界各地進行競投的需求。網上競投需在www.the-saleroom.com上登記。同時您務必掃描并以電子郵件的形式將身份證、護照（如果有）和地址證明（有注明住址的水電煤帳單或駕駛證）發給我們。除已經和威立士索爾茲伯裏拍賣有限公司達成協議的買家外，網絡登記時競買人務必提供銀行信用卡資訊： 1.

授權威立士索爾茲伯裏拍賣有限公司，在成功由the-saleroom.com競投到拍品後，本公司可以從信用卡收取部份或全部的成交金額（包括其他所有費用）。網上競投服務平台會有3%額外手續費（+VAt 稅）確認競買人是信用卡授權的使用人，並確認威立士索爾茲伯裏拍賣有限公司有權向持卡人在拍賣登記表上提供的地址運輸貨物。

拍品情況報告：本公司會提供有關拍品的品相報告，所有拍品的尺寸或重量可以在相關圖錄裏瞭解。注：所有測量數據視為近似值，因印刷或攝影造成圖錄作品的色調、顏色等與原物有誤差者，以原物為准。成交價：所有拍品的成交價會在拍賣會結束後在本公司網站上公佈。付款：競買成功後，所有拍品的購買款項應以英鎊支付，本公司收到款項後方可領取拍品。第一次在威立士拍賣行交易的買家需提供姓名、地址和銀行資訊。付款可以通過以下方式：銀行匯票、現金匯票、個人支票、旅遊支票、信用卡、銀行借記卡和不超過相當於€15,000的英鎊現金。如果持卡人不在現場，本公司將不能收取超過 £1,000的引用卡付款。本公司電匯資訊： lloyds Bank plc, Blue Boar row, salisbury sP1 1dB. Account no. 00957707 Sort code 30-97-41 iBAn no. GB20lOYd30974100957707 BiC code lOYdGB21063 信用卡：VisA或者MAstErCArd會有2%的手續費和增值稅（VAt）借記卡：delta, switch, Connect 付款和取貨都可以在拍賣現場進行。傢具和鐘錶類的拍品通常會在拍賣結束後留在拍賣現場三個工作日，然後轉移至倉庫。請買家取貨時請務必提前和本公司預約。拍賣結束三十天后開始徵收存放費用，費用包括：保管費：每件拍品£20（+增值稅VAt）存放費：每天每件拍品£2 （+增值稅 VAt）以上所有費用全部結清才能取貨。增值稅VAT：帶有星號（†）的拍品需要在落錘價上徵收增值稅。帶有希臘字母（Ω）的拍品表示從歐洲以外的國家進口，並且在落錘和買家支付之傭金上收取5% 的增值稅。在本公司網上圖錄‘the sales tax % 一欄顯示的是在落錘價上徵收的增值稅比例。

瀕危野生動植物種國際貿易公約（CITES）標註λ的拍品在從英國出口之前需要查詢其進口地的進出口條例，詳細信息請登錄網站查詢www. ukcites.gov.uk 藝術家的追續權：追續權是付給藝術家的專利稅。如果藝術家還在世或者去世以後的70年內，那麼每次出售和轉售都要付給該藝術家或者其繼承人專利稅。追續權不是增收稅，會加在競買人購買價格之上，然後轉給相關仲介機構。專利稅是在落錘價錢（不包括買家支付之傭金）上以百分率的方式徵收。€1,000以下的拍品不收取專利稅，每個拍品的專利稅最高可以收取€12,500 請詢問拍賣當天的英鎊匯率。追續權的專利稅百分比率請參照下表： 4% 3% 1% 0.5% 0.25%

€50,000以下 €50,000.01 – 200,000 €200,000.01 – 350,000 €350,000.01 – 500,000 €500,000以上

最高的專利稅可以收取€12,500 帶有‡符號的拍品需要在成交價上收取專利稅。

包裝和運送：威立士拍賣行不提供包裝和運送的服務。以下是在本公司周邊的運送公司及其聯繫方式： Alban shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APs 0800 118 5868 sale@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk 若拍品已轉交運輸公司，任何丟失及損壞威立士將不承擔一切責任 **注：本須知如有任何詮釋上的問題，一概以英文版本爲準。

Valuations PrOBAtE VAluAtiOns we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. insurAnCE VAluAtiOns written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

we also carry out valuations for Family division, Capital Gains tax, and Private treaty sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. in addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FrEE AuCtiOn VAluAtiOns Free verbal valuations of items for sale are available at our Castle street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

woolley and wallis valuations are accepted by all leading insurance companies.

dirECtiOns tO Old sAruM

T) C

WILTON & WARMINSTER

CENTRAL CAR PARK

SALISBURY S OUT H

F IS

HER TO N

N SCOTS L CHIPPER

Woolley & Wallis 2 Danebury Court

MR HA ND WY

LW AY W ES T

A 3 6(

EET STR TLE

D SR SE VI DE

WILTO NR DA

R HU

CAS

A3 60

The Portway

A36 CH UR CH ILL WA YN OR TH D

W AY E

AD RO EY

AMESBURY & MARLBOROUGH

A36(T) CH URC HIL L

E LS

HL AS

CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

T WIN S BED

LN SALT

WINCH ESTER ST

NEW

LL R OAD

CANA

Furniture, works of Art, Clocks & tribal Art. 2 danebury Court, Old sarum Park, salisbury, wilts sP4 6EB

NEW ST RE

dirECtiOns FrOM wOOllEY & CASTLE wAllisSTREET CAstlE strEEt DIRECTIONS FROM WOOLLEY & WALLIS TO SALT LANE tO sAlt lAnE

T ST ANN S

( T)

ROA

ROLLES

Woolley Wallis WOOLLEY & &W ALLIS Salt Salt Lane Lane

A338 BOURNMOUTH & RINGWOOD OW

NT ON

RO AD

Woolley WOOLLEY & & Wallis WALLIS Salisbury Salisbury Salerooms Salerooms

Qudos A33 8

CASTLE STREET

R OA D

A354 DORCHESTER WEYMOUTH & BLANDFORD

woolley & wallis salisbury salerooms ltd. 51-61 Castle Street, Salisbury, wiltshire sP1 3su registered in England no.2998482 VAT No: 631 9832 29

LANE

ARN HAM

EET

ENDLESS STR

CHIPPER

NEW H

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

LANE

D PAY AN Y DISPLA RK CAR PA

SCOTS LANE

A30 9

A W

A36

HAR NH AM RO AD

U CH

H RC

DRIVING ROUTE TO CASTLE ST.

SALT

W OOLLEY & &W ALLIS Woolley Wallis SSalerooms ALEROOMS

A36(T) SO UTHA MPT ON

BED

DRIVING ROUTE TO SALT LANE

E STR WIN

PEDESTRIAN ROUTE

SOUTHAMPTON CATHEDRAL

TESCO Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street. Due to the one-way system of Salisbury, please follow the red route when driving from salt lane to Castle street

design & Production by

Woolley & Wallis Absentee Bid Form Asian Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS lot number in numerical order

17th & 18th November 2015 Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Billing name (please print) �� Address �� Postcode �� daytime telephone �� signature �� there is no surcharge for debit card payments, but for credit cards there will be a 2% + VAt surcharge. id is required for all first time bidders.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief description of lot

Price excluding buyer’s premium & VAt

Woolley & Wallis 書面競投表格中國藝術品敬請以本公司的名義為競買人進行競投，以下所填的價錢上限不包括拍品所需的任何買家保險價和任何VAt增值稅。這些拍品會以圖錄上說明的底價以上的拍賣價成交。

拍品編號（按數字順序）

競買人資料（請用英語大寫字母書寫）姓：名：

地址：

郵編：聯繫電話：

簽名：

使用借記卡付款沒有手續費，但各類銀行信用卡都將會有 2%+VAt稅的手續費，新買家付款是將需要提供身份證或護照。

salisbury salerooms (威立士拍賣行), 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

簡要的拍品描述

競拍價格（請除去VAt 增值稅和買家保險價）

藝術品拍賣和股價協會（sOFAA）、英國皇家註冊測量師協會（riCs）

拍賣規則

競買人須知 1.

簡介：本規則適用於本公司的買家，特別是對於新加入拍賣的競買人。所有拍賣品的資訊和估價都可以在相關拍賣圖錄中翻閱。如果您有任何疑問，本公司的工作人員將非常樂意為您服務。本中文條款如有任何詮釋上的問題，一概以英語版本爲準。

仲介：作為拍賣行，本公司通常以代理買方的身份簽署合同。爲了保護客戶隱私權，本公司不會公開競買人的資訊。

估價：估價是爲了提供競買人一個大概的價格浮動範圍。所有提供的拍賣品均設有賣家所定的保密的最低價，拍品不會以低於此價出售。圖錄上較低的估價價格即可能是該拍賣品的底價。估價不包括競買人支付的傭金和VAt增值稅。估價會在拍賣之前提供給競買人。

買入價格：競買人需要付成交價和傭金（每件拍品的成交價低於£500,000 取22%，超過 £500,000 上部份取12%）+ VAt增值稅 VAt增值稅：買家須以有關法律所規定的稅率及時間繳付增值稅。增值稅會在成交價和傭金之上收取。帶有星號（*）的拍品是從歐盟國家進口的，將徵收20%進口VAt增值稅。帶有雙星符號（**）的拍品是從歐盟以外的國家進口的，當下的VAt增值稅為5%。如果沒有以上敘述的兩種符號，該拍品就不需要徵收VAt增值稅。威立士拍賣行：本公司是賣家的仲介，所有拍品的資訊均源自於賣家，同時也會檢查拍品的情況。本公司在關於拍品的目錄、品相報告和另外口頭與書面的所有陳述，均只屬於意見的表述，而不應依據為事實的陳述。目錄和品相報告中所提及的有關瑕疵和未經修復的敘述只作為對該拍品的參考，不應被依據為拍品的真實狀況。所以競買人在拍賣前仔細檢查拍品情況是一個明智的選擇。但如果發現拍品存在‘ 蓄意偽造’的情況，在三個星期內可能可以被退還。（蓄意偽造的詳細解釋可以在本公司的拍賣條款裏查閱）電器拍品：所有電器拍品都以古董的形式進行拍賣，如果是用於日常使用請在拍賣之前與專業電器公司確認其安全性。出口拍品：買家如果想要出口競拍所得物品需要查明：a）是否需要出口許可證。b)要攜帶入境的國家是否對該類拍品有禁令。比如說，可能會禁止攜帶象牙。如有需要請詢問本公司前臺服務。但上述的兩種情況都不作為取消交易和推遲付款的原因。

競投：競買人需要在拍賣前進行註冊，登記時需要提供姓名，位址。新客戶需要向本公司提供身份證明。如需要電話競投服務，請儘早與本公司進行登記。

10. 競投委託：該項服務是以書面的形式委託威立士在不超過其指定金額下競投拍賣品。工作人員將參考底價，盡力以最低價進行競投，如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 付款方式：按照規定，成交拍品需要付清所有遺留款項以後才能取貨。關於付款方式請提前與本公司前臺聯系。 12. 取貨和存儲：請查閱本公司拍賣條款裏關於取貨和儲存的有關信息。所有推遲提取的拍品都會徵收相應的存儲費用。賣家委託條件 1.

解釋：下文中用到‘您’代表賣家或仲介機構，同樣‘我們’代表拍賣行。

傭金：拍品成交價在£999 內收取15%的傭金 +VAt增值稅，超過£1,000 拍品需要徵收10% 的傭金+VAt。

運輸費：所有拍品務必要在截止日期前送達我們拍賣行，且所有費用將由您來承擔。我們可以在運送過程中幫助您但是本公司不承擔運輸中發生任何狀況的責任。

丟失和損傷保險：我們沒有為客戶準備FsA的保險，但本公司用拍品的最低估價作為保護承擔責任賠償。我們會收取成交價的1.5%作為責任賠償的保險費用，如果您的拍品沒有成交那麼我們會以估價的中間值為標準收取費用。如果您不需要這項服務，那麼您將承擔丟失和損傷的風險，直到買家取走該拍品。

插圖：插圖的費用由您來承擔。若我們覺得拍品需要插圖會尋求您的允許，我們會事先通知您。但所有圖像和文字說明的版權都屬本公司所有。

底價和我們的判斷：在拍賣會開始之前我們會和您關於拍品的預訂價達成共識。

我們可以賣出低於拍品預訂價，但我們會支付您該拍品的保留價。但如果您給予本公司‘裁決’的權利，我們會同意以低於預訂價10%的價格出售。

拍賣條例

保留價：（a）

敬請您務必在拍賣前提供給我們您需要的保留價。保留價必須是我們認為合理的成交價格，本公司有權利下降不合理的高保留價。

（b）

保留價確定之後不能被改動。

（c）

保留價被確定以後，您不能自己進行競投。

電器拍品：這些拍品需要詳細的安全證明和防火安全證明。若發現拍品有安全隱患，該拍品將不被進行競投，我們有權要求您取走該拍品。

室內裝飾品：室內裝飾品如果發現有防火安全隱患，根據Provisions of the torts interference with Goods) Act 1997, schedule 1 條例，我們有權要求您取走該拍品。

10. 拍品描述：請告知我們正確的拍品資訊，包括拍品來源等等。對於拍品的描述的正確性有嚴格的責任賠償，且在很多情況下您將承擔該責任。如果您沒有反對我們對您的拍品描述，我們將假定您同意您已認可。若競買人發現拍品描述和實際拍品不符我們將退還買家所付金額。我們必須引提醒您，即使您確實不知道拍品描述和實際不相符也必須遵循該條例。 11. 未成交的物品：如果拍品沒有成交，可以在您的允許下在下一次拍賣中再次進行競投。如果我們認為該拍品無法賣出，請您務必儘快從本公司提貨，因為我們有權向您徵收倉庫儲存費。 12. 撤拍和買入的物品：撤拍或自行買入的拍品若已列入圖錄或已經開始印刷，則應支付保留價或者圖錄中最低估價的10%的傭金加上VAt增值稅。 13. 拍賣條例：您所有同意的物品將根據拍賣條例進行出售，您或者仲介有權出售該物品。如違反該條例您將承擔我們、買家和第三方的所有損失和賠償。

威立士索爾茲伯裏拍賣有限公司是與競買人、賣家和在拍賣現場的人進行業務運作。拍賣條例可以從這裡參考查閱。 1. a)

‘拍賣官’代表威立士索爾茲伯裏拍賣公司或他授權的拍賣官。

‘蓄意偽造’是指一件仿品試圖偽造原創作者、時期、年紀、年代、文化或來源於圖錄中描述的不同，而在拍賣當天拍出了與該仿品的本身價值不符的價格。

‘成交（落錘）價’是指競拍價格超過了保留價，而拍賣師落錘成交的價格。

‘委託條款’是指威立士拍賣行規定的賣家或仲介的條約和傭金的百分比率。

‘總額’是指成交價、買家傭金，VAt增值稅和其他費用加起來買家付款的總和。

‘銷售收益’指賣家的淨收益，成交價減去賣家傭金、VAt增值稅和其他費用的餘額。

‘你，你們’等等指買家請參考條例第二條。

您可以授權要求我們取消傭金和所有相關費用，但是我們有權利保留買家所支付的傭金和相關費用所產生的利息。

（b）

您可以授權我們在拍賣結束印業當天進行私下協議出售沒有成交的拍品，但我們可以收取和拍賣成交時同樣的傭金和費用。

15. 存儲：我們對任何不能馬上上拍的物品不負責，且我們有權收取每天£2 儲存費。如果三個星期以後還是沒有前來領取，我們有權利出售該物品並收取相關費用。 16. 結算：通常拍賣結束以後28天內可以完成款項結算，除非買家未付款。

拍賣過程和買家:

競買人在競投之前，必須填妥及簽注登記表格才能參加本公司拍賣。

在拍賣官的決定下，競買人出價最高且被拍賣官接受的競買人才能成為該物品的買家。下錘則表示賣家和買家之間的拍賣合約已經達成。

競買人會被我們視作委託人。我們有權利為賣家競投到其設定的保留價，且有權利拒絕任何競投。

加價：拍賣官有權自行決定加價幅度

買入價格：競買人需要付成交價和傭金（每件拍品的成交價首£500,000 取22%，另外超過 £500,000 上部份收取12%）+ VAt增值稅

增值稅：根據法律規定，買家所有成交的拍品的成交價上要支付VAt增值稅。（具體信息請查閱買家須知的增值稅部份）

付款：拍下拍品以後：

14. 扣除賣家傭金和費用以及保留買家傭金和利息的權利：（a）

定義：

如果需要請提供我們您的身份證明

ii)

以英鎊為貨幣形式付款

b）買家需要付清我們計算出的應付金額，包括以您或您仲介名義下的所有款項。 7. a)

所有權和領取已購買物品：物品的所有權只有在您付清全部應付金額之後才能被轉移。

您需要在拍賣結束後三個工作日付清金額，且取走物品以後所發生的所有責任都由您來擔當。

在付款之前，任何物品不能被提取。

如果有買家沒有全部付清應付金額，根據條例我們作為賣家仲介和拍賣行可以執行以下權利和提醒：

對您的違約進行法律訴訟程式。

ii)

撤回您從本公司競投的所有成交拍品

iii)

如果重新賣出拍品（通過拍賣或私人交涉成交），您就要承擔所有重新拍賣所造成的任何高於您的成交價的部份歸賣家所有。

v) vi) vii)

您拍品的運送、存放和投保的費用都由您承擔，至於存放地點可以在我們的儲藏室或者其他地方。

直到您付清所有的應付金額，我們才能取消利息的收取。在今後的任何拍賣中，不接受您做出的競投，或在接受任競投之前加一些必要條件。

1b) 我們作為賣家的仲介和拍賣行，我們執行以上的權利和提醒是爲了做出合理的補償。第三方責任：所有現場的公眾人員都必須注意現場的安排和安全隱患。拍賣官、我們的員工和都不對任何的死亡和人員傷亡負責（除法律認定是我們的疏忽外）。

10. 委託拍賣：雖然我們建議買家參加拍賣現場對所有競投負責，但如果需要我們可以為買家進行競投。工作人員將參考底價，盡力以最低價進行競投。如果威立士收到兩個或以上相同價格的書面競投，則以最先與本公司簽訂委託競投協定者為成功競投者。 11. 所有權保證和有效性：賣家向拍賣行和您保證，物品的所有權和出處是該買家，且物品不受任何第三方索賠。 12. 仲介：拍賣行通常作為仲介不履行任何買家和賣家的義務。 13. 銷售條例：買家將在委託拍賣之時起承認履行所有委託條款。 14. 描述和條例： a)

在這些條件下的成交的私人財產轉讓根據消費者權益法視為交易。

15. 偽造者：儘管有之前的條件，但任何拍品被證明是蓄意偽造，或可以在拍賣結束後21 以內原封不動的與相關證明材料一起歸還於我們。如果我們認可您提供的資料證據可以證明該拍品存在蓄意偽造的事實，我們將退還您所付的傭金和成交價。但是如果1 從成交日起，眾學者和鑒定專家都認可圖錄中的描述。或者2 您個人無法提供一個更好的解釋給我們，那麼根據條例您就沒有權利要求我們退還拍品。常規信息 16. 我們有絕對權利拒絕任何人士進入拍賣場地進行拍賣。 17.

如果沒有在拍賣結束後三個工作日內付款，我們將以每個月1.5%的比率收取利息。

viii) 申請出售任何其他拍品的收益，或在將來您在結算的時候，可以行使留置權。

不付款或未領取已購買拍品的提醒：

iv)

拍品充分查看和調查的機會。競買人將會對我們的描述有不同的見解。我們承諾，任何此類意見會被相當誠實合理的接受。

在我們尋找對拍品正確的描述的時候，可能不能對每個拍品都做到最詳盡的調查。在拍賣開始之前競買人和他們的鑒定師會被給予對每件

a) 所有損壞賠償責任和毀約所帶來的費用都應該酌情賠償給賣家和拍賣行。 b) 這種權利可以由拍賣行和其員工或賣家強制執行。

18. 任何對買家、賣家、競買人和觀展人的通知都會都以第一類郵件的方式在48 時內寄到其提供給我們的地址。 19. 圖錄描述中出現的特殊名詞都會在術語表中做詳細解釋。 20. 任何沒有節制的拖延或延長競投時間的買主或賣主我們會合情做出一定的讓步。 21. 英國法律可以用於解釋這些條例。圖畫、素描、平板印刷、雕刻品和印刷任何關於作者、歸屬，出處，時期，年份，來源和情況的敘述都是一件的聲明。不能把他當做事實敘述。公司有權利敘述意見用來提供相對可靠的顧問資訊。書籍如果發現書籍收藏中的描述和插圖中被證明有一些缺陷，請您以書面的形式解釋該收藏的問題，并在14天內退回該收藏。在圖錄中已經提及或在拍賣該物品之前指出的缺陷都不予接受。另外包括書中空白處、半個標題、廣告、書籍裝訂損壞、水漬和污漬。

sOCiEtY OF FinE Art AuCtiOnEErs And VAluErs and the rOYAl institutiOn OF CHArtErEd surVEYOrs CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. the lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAt (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. they are in no sense definitive.

The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

VAT. (†) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European union and is not operating the dealers Margin scheme or because VAt is due at 20% on importation into the uk. the symbol (Ω) indicates that the lot has been imported from outside the European union and the present position is that these lots are liable to a reduced rate of VAt (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of sale. neither the seller nor we, as the auctioneers, accept any responsibility for their condition. in particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. there is a 3 week time limit. (the expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. if two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of sale state about collection and storage. it is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. in these terms the words ‘you’, ‘yours’, etc. refer to the seller and if the consignment of goods to us is made by an agent we assume that the seller has authorised the consignment and that the consignor has the seller’s authority to contract. similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. we are not regulated by the FsA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. to justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. if the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. the cost of any illustrations is borne by you. if we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. these are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. they must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. the rights of disposal referred to in clause 8 and 9 are subject to the provisions of the torts (interference with Goods) Act 1977, schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. if an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of sale. in particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. subject to our normal trading conditions, payment will be made by BACs or cheque four weeks after the sale unless the buyer has not paid for the goods. in this case no settlement will then be made but we will take your instructions in the light of our Conditions of sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE woolley & wallis salisbury salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis salisbury salerooms ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis salisbury salerooms ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALUE ADDED TAX Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘information for Buyers’ for a brief explanation of the VAt position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COllECt any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (iF lAtEr) after which you shall be responsible for any COllECtiOn, storage and insurance charges. (c) no purchase MAY be COllECtEd And wE sHAll nOt rElEAsE AnY lOt tO YOu Or YOur AGEnt until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) if any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS in accordance with long standing practice in Fine Art sale rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE the seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. this Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of sale. GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. the term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. the term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% in excess of €500,000 up to a maximum levy of €12,500

Auction Calendar Silver 28th October 2015 – Fine silver and Objects of Vertu rupert slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk Jewellery 29th October 2015 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASiAn Art 17th & 18th november 2015 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk sophie lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk engliSh & europeAn CerAmiCS & glASS 24th november 2015 Clare durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20th Century DeSign 25th november 2015 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk pAintingS 9th december 2015 Part i – Fine Old Masters & 19th Century Part ii – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk Furniture, workS oF Art & CloCkS 7th January 2016 Mark richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk tribAl Art, AntiquitieS, ArmS & Armour 9th February 2016 will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk

• Entries can usually be accepted up to eight weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WALLIS SALISBURY

A siAn A rt i

t uesdAy 17 th n ovember 2015