Woolley & Wallis Paintings 19 March 2014 by ATGMEDIA

WOOLLEY & WaLLis

WOOLLEY & WaLLis SALISBURY SALEROOMS

Paintings Wednesday 19th March 2014

www.woolleyandwallis.co.uk

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AsiAn Art John Axford MRICS ASFAV Sophie Lister Alexandra Doméracki Freya Yuan CloCks Richard Price Gemma Bush english & europeAn CerAmiCs & glAss Clare Durham

424506 424591 424506 424506

07741 242421 339752

424507

Furniture Mark Richards Jim Gale

411854 339161

JeWellery Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

vAluAtions For insurAnCe & probAte Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA mArketing Tamzin Corbett ACCounts Janice Clift (Office Manager) Ruth Pike generAl oFFiCe Linda Garthwaite Pauline West Sharon Ringwood Nicola Young sAleroom mAnAger David Jordan

424503 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

Clive Stewart-Lockhart FRICS FRSA Managing Director

424505

CompAny seCretAry Jim Macarthur CA

20th Century design Michael Jeffery tribAl Art, Antiquities, Arms & Armour Will Hobbs Gemma Bush

339752 339752

Furniture, Works oF Art 1st April 2014 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 • jamesgale@woolleyandwallis.co.uk 424509

424590

424500 424599

424500

boArd oF direCtors Paul Viney ASFAV Chairman

pAintings Victor Fauvelle Jo Butler

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

silver 29th & 30th April 2014 Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JeWellery 1st May 2014 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk english & europeAn CerAmiCs & glAss 7th May 2014 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk AsiAn Art 21st & 22nd May 2014 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk pAintings - modern & ContemporAry 4th June 2014 Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

AssoCiAte direCtors Janice Clift Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Clare Durham

Page width 202mm. Use this box to centre artwork!

Arts & CrAFts 18th June 2014 Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk 424599

tribAl Art, Antiquities, Arms & Armour 19th June 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Gemma Bush +44 (0) 1722 339752 • gemmabush@woolleyandwallis.co.uk CloCks, WAtChes & sCientiFiC instruments 30th July 2014 Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

Oil Paintings, Watercolours, Prints, Miniatures & Sculpture Wednesday 19th March 2014 at 11.00am

EnquiriEs

Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jobutler@woolleyandwallis.co.uk Viewing Times Saturday 15th March 10.00am – 1.00pm Monday 17th March 10.00am – 5.30pm Tuesday 18th March 10.00am – 4.00pm Wednesday 19th March 9.00am – 10.45am

Front cover: Lot 494 Back cover: Lot 277 This page: Lot 100 Overleaf: Lot 347

THE PICTURE DEPARTMENT IS MOVING PLEASE NOTE THAT PAINTINGS THAT ARE NOT COLLECTED BEFORE 24TH MARCH WILL NEED TO BE COLLECTED FROM OUR NEW PREMISES AT: CARTER HOUSE, 6-10 SALT LANE, SALISBURY SP1 1EE

INDEX Miniatures

1-34

ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply

Prints

35-78

Private Collection

79-119

Sculpture

122-135

Oil Paintings

136-392

GLOSSARy OF TERMS

Watercolours

393-568

Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

for this lot – please see our Terms & Conditions, Section 21, for details CITES

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COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAyS OF THE SALE – FAILURE TO COLLECT WITHIN THIS TIME MAy RESULT IN STORAGE FEES

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Catalogue: £12.00 (£15.00 by post) images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

of Fine Art Auctioneers

MiniATurEs 1. English School 18th Century Portraits of a gentleman and Mrs Newton A pair, one inscribed verso Pastel on black paper, oval Each 24.5 x 19cm; 9½ x 7½in (2) £150-250

2. English School c.1800 A gentleman and a lady and child in a landscape A pair, both signed with a monogram PMc? Both watercolour on paper, oval in ebonised frames 125 x 92mm £120-180

3. English School 19th Century A lady standing, three-quarter length, wearing white with a black shawl Oval, 123 x 92mm £150-250

4. English School late 18th Century James 9th Earl of Lauderdale as a boy, wearing a hat Oval in a velvet frame with corner mountings 43 x 35mm £80-120

5. English School 18th Century An officer in uniform Oil on copper, unframed 175 x 148mm £100-150

6. English School 17th Century A gentleman, wearing a lace collar Inscribed 31, possibly later Oil on copper, oval, unframed 47 x 37mm £80-120 5

4 7. λ Horace Hone (1756-1825) John Glendinning of Westport, Co. Mayo Signed with initials Oval in a gilt frame with a hair back 70 x 56mm Brother of Andrew Glendinning, lot 8 £1,000-1,500

8. λ English School early 19th Century Andrew Glendinning of Westport, Co. Mayo, in uniform Oval in a gilt frame with a hair back 74 x 60mm Brother of John Glendinning, lot 7 £150-250 9. λ English School late 18th Century A gentleman, wearing red, head and shoulders Oval, set in a tortoiseshell trinket box 35 x 30mm With a further small portrait of a lady (2) £150-250

10. λ Follower of Henry Bone Charles James Fox, head and shoulders, wearing blue Oval in a scrolling foliate and shell gold bracelet-mounted frame with a glazed locket compartment verso 23 x 20mm £400-600 11. λ James Jennings (act.1763-1793) A naval officer, head and shoulders wearing blue, facing right Signed with initials and dated 1771, oval in a gilt clasp 33 x 28mm £200-300

5 12. λ English School late 18th Century A lady, half length wearing pink, possibly named Manners of Sutton Fronderw Oval in a gold pendant frame 46 x 38mm With another (2) £200-300 13. λ English School early 19th Century John Magrath in uniform on East India Company’s Service, seated Later inscribed verso 100 x 75mm With another of a lady and one of a young man by different hands (3) £100-150 12

14. λ English School late 18th Century Ann Lockhart, Lady Miller, head and shoulders Oval in a gilt metal and blue glass frame with a hair back 33 x 28mm £100-150 15. λ English School c.1800 A gentleman in blue; A gentleman in black, both facing right Two, both in oval gilt frames 65 x 54mm and 68 x 53mm With another of a lady signed indistinctly in a rococo style gilt frame (3) £150-250 16. λ English School 19th Century A lady, head and shoulders with a lace collar Oval, in a rectangular ebonised frame 70 x 56mm With 4 others, 2 ladies and 2 gentlemen £80-120

6 17. λ*** Herman (fl 1820-1840) Maria Wilson, half length wearing white Signed and dated 1836 Rectangular, in a red leather case 80 x 75mm £250-350

18. λ Leon Brzezinski (Polish 1809-1865) A lady with a red shawl, half length Signed and dated 1840 93 x 83mm £100-150

19. λ Follower of Thomas Hargreaves A gentleman wearing a blue coat and white stock; A lady wearing white with a yellow shawl A pair, both rectangular in swept frames Each 69 x 55mm (2) £100-150

19 20. λ English School c.1800 Portraits of the Hughes and Forbes family Seven, all later titled verso, all framed together Each 72 x 60mm £300-500

7 21. λ English School early 19th century Catherine Magrath and Mary Magrath née Nicholson, both half length, seated Two, both rectangular in ebonised wood frames 92 x 72mm and similar (2) £100-150 22. λ After Jean Baptiste Isabey The Empress Josephine Oval 70 x 57mm With a portrait of the Parsons’ Daughter after Romney by H. Maithe Cooper and 2 further miniature portraits £150-200

23. λ Miss Mabel B. Messer (fl.1910) A bearded gentleman, head and shoulders Signed Oval, in a gilt metal frame 50 x 40mm With 4 further portraits by different hands, some over photographs (5) £80-120 24. A box of 13 framed miniature photographs and prints (13) £100-150 25. English School early 19th Century Silhouettes of a family group including Guy Carleton, Robert Hughes and John Magrath 13, most oval in rectangular ebonised frames 85 x 70mm and similar (13) £150-250 26. Irish School early 19th Century Silhouette of Georgina Sultana Magrath holding a posy on the Plain of Chuckawatee, 1837 22 x 16.5cm with 3 further silhouettes of Robert Hughes of Ely House, Co. Wexford, Georgina Bridget Anne Deborah Butler of Bawn James, New Ross and Sarah McCarty Colclough of Mount Sion, Carlow (4) £100-150

27. English School c.1800 Captain George Urquhart, 66th Regiment Pencil, wash and coloured chalk In a red leather case 90 x 68mm With a small relief portrait and 4 daguerreotypes (6) £80-120 26

8 28. λ M.E.S. c.1900 A young girl, head and shoulders, wearing a white dress Signed with initials Oval, in an ebonised frame 63 x 50mm With a further miniature of a child signed with a monogram E.J.R and dated 1892 (2) £150-250

29. After Thomas Gainsborough Lavinia, the milk maid Watercolour on paper 112 x 83mm £80-120

30. English School early 20th Century A young girl with flowers in her hair Watercolour on paper, circular 102mm £100-150

31. λ English School early 20th Century A lady, head and shoulders, wearing a white lace dress Oval in a gilt metal frame 75 x 60mm With a further portrait of a lady initialled C.H.T. (2) £100-150

31 32. λ Eveline Corbould-Ellis (fl.1898-1913) A lady, head and shoulders in a sheer wrap Signed and dated 1911 Oval in a gilt frame 68 x 55mm With a further portrait of a lady in an enamelled gilt metal frame (2) £100-150

33 33. Indian School c.1837 Maharaja Ranjit Singh; Amin Khan: Appa Sahib Three, the first indistinctly signed with initials and inscribed The Maha Raja Ranjit Singh, Prince of Lahore and Cashmere, Lahore, March 1837, framed together All watercolour on paper The first 100 x 97mm and two at 92 x 74mm and similar ÂŁ250-350

34. Indian School 19th Century Views of India 12, all inscribed in Hindi, and later inscribed verso, in two frames All pen, sepia ink and watercolour All approx. 67 x 120mm (2) List of locations on our website ÂŁ300-500

PrinTs 35. After Rembrandt Harmensz. van Rijn Six’s Bridge Etching 12 x 20.5cm; 4¾ x 8in £100-150

36. James Collins (act.1713-1724) The North West prospect of the Cathedral of St. Mary, Salisbury Hand coloured engraving 48 x 60cm; 19 x 24in With 7 further smaller, later engravings of Cathedrals after F. Mackenzie (8) £100-150 37. After Robert Dighton Labour in vain - or, Fatty in distress Mezzotint, published by Carington Bowles, 1783 35.5 x 25.5cm; 14 x 10in With a further mezzotint published 1786 by Robert Sayer of The Hearty Good Fellow and one after John Raphael Smith of Miss Macaroni and her Gallant, 1773 (3) £100-200

38. After Jean-Baptiste Le Prince (French 1734-1781) The Russian Dance Grisaille watercolour over aquatint 29.5 x 23cm; 11½ x 9in £100-150 39. After Lemuel Francis Abbott, Golf interest To the Society of Goffers at Blackheath Mezzotint with aquatint by Valentine Green 1790 26 x 39cm; 10¼ x 15¼in £80-120 40. After Pierre Mignard Portrait of Edouard Colbert Engraving by Gerard Edelinck 48.5 x 35.5cm; 19 x 14in £80-120

41. Thomas Daniell (1749-1840) and William Daniell (1769-1837) Views in India from from the second and third sets of Oriental Scenery: The Rock of Tritchinopoly, taken on the River Cauvery; The great bull, an Hindoo idol, at Tanjore; Jag Deo & Warrangur, Hill Forts in the Barramah’l; Ousoor, in the Mysore A set of four, all aquatints, published Dec 1797, Jul 1798, June 2 1802, Aug 1 1802 Each 48 x 65cm; 19 x 25½in (plate size) (4) £150-250

11 42. After Lt. Joseph Moore Rangoon views and combined operations in the Birman Empire Group of 15, all coloured aquatints, engraved by George Hunt and published by Kingsbury & Co. c.1825 All approx. 26 x 37cm; 10¼ x 14½in (15) £200-300 43. Luigi Rossini (Italian 1790-1857) Veduta dell Arco di Settimio, Veduta del Campidoglio Romano Two, both hand coloured etchings, published 1820 and 1823, framed as a pair Each 37.5 x 56.5cm; 14¾ x 22¼in and similar (2) £100-200

44. Robert Bowyer (1758-1834) Triumphs of Europe 12 hand coloured aquatints, 4 double bound, published 1815 and 1816 2 at 31 x 52cm; 12 x 20½in and 8 at approx. 26 x 33cm; 10¼ x 13in (10) £400-600

45. Andrew Fisher Bunner (1841-1897) Boats on the canals, Venice Signed by artist and engraver Etching by Thomas Moran 57 x 80cm; 22½ x 31½in £100-150 46

46. William Powell Frith (1819-1909) Derby Day Signed Engraving by Auguste Blanchard 72 x 131cm; 28¼ x 51½in sheet size £150-250 47. Samuel and Nathaniel Buck (17/18th Century) The South-West prospect of the city of Chichester, 1738 Hand coloured engraving 31 x 81cm; 12¼ x 32in £100-150

48. After Elisabeth Louise Vigée-Le Brun and Charles-Clément Bervic Marie Antoinette; Louis Seize Two, both colour engravings, framed as a pair 44 x 29.5cm; 17¼ x 11½in With a further print titled The Palais Royal Garden Walk £100-150 49. Norman Hirst (1862-1956) after Sir Joshua Reynolds P.R.A. Mrs Stephen Payne-Gallway and her son Mezzotint 37 x 29.5cm; 14½ x 10½in £80-120 48

53. ‡ Charles Johnson Payne (Snaffles) (1884-1967) Gunners; A Heilan’ lad Two, both with snaffles blindstamp Both hand coloured photographic reproductions 38 x 61cm; 15 x 24in and 43 x 34.5cm; 17 x 13½in (2) £150-250

54. After John Gould and Henry C. Richter Study of kingfishers Colour lithograph 51 x 33cm; 20 x 13in £100-150 55. After Antonio Baratti Histoire Naturele A set of 17, all etchings, 6 hand-coloured and 13 unframed All approx. 35 x 26cm; 13¾ x 10¼in and similar (17) £100-150 53

52 50. Wiliam Lionel Wyllie R.A. (1851-1931) Warships in the Grand Harbour, Valetta, Malta Signed Etching 16.5 x 38cm; 6½ x 15in £250-350

51. Wiliam Lionel Wyllie R.A. (1851-1931) Off the round tower, Portsmouth harbour Signed Etching 19 x 24.5cm; 7½ x 9¾in £250-350 52. John James Audubon (1785-1851) Caprimulgus Carolinensus, Chuck Will’s widow, from Birds of America, plate 52 Hand coloured aquatint, published by R. Havell, 1829 100 x 66cm; 39¼ x 26in (sheet size) £1,200-1,800

56. Spy, Leslie Matthew Ward (1851-1922) Captain Robert Falcon Scott R.N.C.V.O. from Supplement to The World Lithograph 36 x 24cm; 14 x 10¼in with a further 10 spy prints from the same supplement including Lloyd George (11) £100-150 57. Richard Dighton (1795-1880) Duke of Devonshire; Earl of Northumberland and other nobility Nine, all coloured engravings, published 1822/1823 by S.W. Fores of Piccadilly All 29 x 19cm; 11½ x 7½in and similar (9) £100-150

62 58. Max Liebermann (German 1847-1935) The garden terrace c.1922 Signed Drypoint etching 20 x 25.5cm; 8 x 10in £1,000-1,500

60. ‡ James Henry Dowd (1883-1956) Rough day Signed Etching, mounted, unframed 15.5 x 15.5cm; 6 x 6in £300-400

59. Sir Lawrence Alma-Tadema R.A. O.M. (1836-1912) The favourite poet Signed, also dedicated indistinctly Engraving 34 x 46cm; 13½ x 18in £300-500

61. ‡ James Henry Dowd (1838-1956) The Xylophone Signed Etching 12.5 x 16cm; 5 x 6¼in £120-180

62. ‡ Eileen Alice Soper (1905-1990) The scooters; Skipping Two, both signed and dated 1923 Both etchings, framed as a pair 12.5 x 18.5cm; 5 x 7¼in and similar (2) £300-500

14 63. ‡ Edward Montgomory O’Rorke Dickey (Irish, 1894-1977) The Crowd; The train Two, both signed Both woodcuts 13.5 x 11cm; 5¼ x 4¼in and smaller (2) £100-150

64. ‡ J. Lewis Stant (act.1931-1955) The Pantiles, Tunbridge Wells Signed, titled and dated 1961 Etching 12.5 x 17cm; 5 x 6¾in £80-120

65. Joseph Simpson (1879-1939) Lord Lonsdale Signed Etching 23 x 30cm; 9 x 12in £80-120

66. ‡ Edgar Chahine (French 1874-1947) Mademoiselle Souty Signed Etching 31.5 x 21.5cm; 12¼ x 8½in Provenance: James Connell & Sons, Glasgow £100-200 67. Continental School early 20th Century Nudes and a four poster bed Signed indistinctly Etching 30 x 25cm; 11¾ x 9¾in £60-80

68. ‡ Sir Frank Brangwyn R.A. (1867-1956) Wounded men begging Signed Etching 22 x 16cm; 8 x 5½in £100-150 69. ‡ Henry George Rushbury (1889-1968) St. Mary Le Bow, 1943; St. Martin in the Field, 1944 Two both signed Both etchings 28 x 21cm; 11 x 8½in and 29 x 26cm; 11½ x 10¼in (2) £100-150

70. Cecil Aldin (1870-1935) Canterbury high street Signed Colour lithograph with hand colouring, published by Alfred Bell & Co. 1925 55 x 29cm; 21½ x 11½in plate size £100-150

15 71. ‡ After Sir William Russell Flint R.A., P.R.W.S. Reclining Nude 1 Photographic reproduction, artist’s proof inscribed and annotated with print instructions 42.5 x 67cm; 16¾ x 26½in £80-120 72. Continental School 19/20th Century Still life of a doll and fruit Signed indistinctly Hand coloured linocut 38 x 46cm; 15 x 18in £150-250

73. ‡ Elizabeth Violet Blackadder (b.1931) Beetles and flowerheads Signed and numbered 14/30 Etching 25 x 15cm; 9¾ x 6in (plate size) £100-150 74. After Franciszek Smuglewicz Classical wall decoration Engraving 49 x 52cm; 19¼ x 10½in £80-120 75. ‡ Carel Weight (1908-1997) Allegro Strepitoso Signed, titled and numbered 144/250 Colour lithograph, unframed 51 x 65cm; 20 x 25½in £100-150

76. ‡ Emile Antoine Verpilleux (1888-1964) York Signed Woodcut 35 x 45cm; 13¾ x 17¾in £100-200 76

77. After Toyohara Kunichika An actor as a Samurai Woodcut 35 x 24cm; 13½ mx 9¼in £100-150 78. After Hokusai, Toyoharu, Hiroshige and others A group of 9 Japanese landscapes and figures All wood cuts, unframed All 20 x 30cm; 8 x 12in (9) £100-150 77

Lots 79 to 119 – Dicksee Family Lots 79 to 119 are works by the remarkable Dicksee family of painters and have been consigned by their direct descendants. The majority are etchings by Herbert Thomas Dicksee, one of the most accomplished painters and etchers of his day. He was well known for his skilfully observed studies of animals, which are still just as fresh today as when they were first published. Herbert’s first cousin was Sir Frank Dicksee P.R.A., and both of their fathers, John Robert Dicksee and Thomas Francis Dicksee respectively and Frank’s sister Margaret were also accomplished painters. Many of Herbert’s etchings depict his own pets, especially his deerhound Sir Brian. He was also a fellow of London Zoo and there he observed the big cats. These prints, mostly unframed, have been kept in a folio for many years and are therefore generally in good condition.

79 79. Thomas Francis Dicksee (1819-1895) Self portrait Oil on canvas 61 x 51cm; 24 x 20in Provenance: By direct descent from the artist £600-800

80. Sir Frank Dicksee P.R.A. (1853-1928) Portrait of a lady Oil on canvas over pencil, unfinished 51 x 40.5cm; 20 x 16in Provenance: By direct descent from the artist £1,000-1,500

81. Sir Frank Dicksee P.R.A. (1853-1928) The bridge at Lucerne Watercolour 39 x 28cm; 15¼ x 11in Provenance: By direct descent from the artist £400-600

82. After Sir Frank Dicksee P.R.A. (1853-1928) Hesperia Etching on satin by Herbert Dicksee with a remarque of oranges 72 x 44.5cm; 28¼ x 17½in (plate size) Provenance: By descent from the artist £100-150

17 Lots 83-115 all by Herbert Thomas Dicksee (1862-1942), all with Provenance as per lot 83 83. Head of a Siberian Tiger Signed Etching, unframed 21.5 x 28cm; 8½ x 11in (plate size) Provenance: By descent from the artist £250-350 84. Head of a lioness Signed Etching, unframed 19 x 24cm; 7½ x 9½in (plate size) £200-300

85. In the reeds, 1928 Signed Etching, unframed 21.5 x 39cm; 8½ x 15¼in (plate size) £200-300

86. Leopard drinking Signed Etching, unframed 21 x 35cm; 8¼ x 13¾in (plate size) £150-250 87. Study of a male lion at rest Signed Etching, unframed 19 x 49cm; 7½ x 19¼in (plate size) £150-250 88. Study of a lioness Signed Etching, published by Frost & Reed 1914, unframed 19 x 48cm; 11½ x 19in (plate size) £150-250

89 89. The jungle pool Signed Etching, unframed 20 x 30.5cm; 8 x 11¾in (plate size) £120-180

90 90. The ambush, 1926 Signed Etching, published by Frost & Reed 1926, unframed 34 x 56cm; 13¼ x 22in (plate size) £150-250

18 Lots 83-115 all by Herbert Thomas Dicksee (1862-1942), all with Provenance as per lot 83

92 91. Idlers Signed Etching, unframed 23 x 53.5cm; 9 x 21in (plate size) £200-300

92. Study of a tiger eating Signed Etching, unframed 19 x 45cm; 7½ x 17¾in (plate size) £200-300

93. Suspense, 1920 Signed Etching, unframed 45.5 x 68.5cm; 18 x 27in (plate size) £200-300

94. A siesta Signed Etching, unframed 18 x 28cm; 7 x 11in (plate size) £150-250 97 95. Along the ridge, 1927 Signed Etching, unframed 26.5 x 45cm; 10½ x 17¾in (plate size) £150-250

98 96. A place in the sun, 1924 Signed Etching on vellum, published by Frost & Reed 1924, unframed 36.5 x 56cm; 14¼ x 22in (plate size) £150-250

97. Patience, 1922 Signed Etching on vellum, published by Frost & Reed 1922, unframed 39 x 64cm; 15¼ x 25½in (plate size) £150-250

98. Comrades, 1928 Signed Etching, published by Frost & Reed 1928, unframed 33 x 46cm; 13 x 22in (plate size) £150-250

19 Lots 83-115 all by Herbert Thomas Dicksee (1862-1942), all with Provenance as per lot 83 99. Deerhound, on the moors Signed Etching, unframed 24 x 26.5cm; 9½ x 10½in (plate size) £150-250 100. The prodigal, 1926 Signed Etching on vellum, published by Frost & Reed 1926, unframed 47 x 36cm; 18½ x 14in (plate size) £150-250 101. Footsteps, 1925 Signed Etching on vellum, unframed 37.5 x 55.5cm; 14¾ x 22in (plate size) £150-250 102. Ready, 1928 Signed Etching, published by Frost & Reed 1928, unframed 34 x 54cm; 13¼ x 21in (plate size) £150-250

100

101

102

103. Hope, 1929 Signed Etching, published by Frost & Reed 1929, unframed 29 x 41.5cm; 11½ x 16¼in (plate size) £200-300 104. Forgotten Signed Etching, unframed 29 x 40cm; 11½ x 15¾in (plate size) £150-250 105. Waiting; Study of a Scottish deerhound head Two, both signed Both etchings, unframed 21 x 42.5cm; 8¼ x 16¾in and 15 x 25cm; 6 x 10in (plate size) (2) £120-180

103

104

105

20 Lots 83-115 all by Herbert Thomas Dicksee (1862-1942), all with Provenance as per lot 83

106 106. Onward Signed Etching, unframed 27.5 x 51cm; 11 x 20in (plate size) £200-300

107 107. Two tigers at a pool, 1930 Signed Etching, unframed 21.5 x 40cm; 9½ x 15¾in (plate size) £200-300

108. Jaguar in moonlight Etching, unframed 18 x 28cm; 7 x 11in (plate size) £150-250

109. Play, 1907 Signed Etching on vellum, published by Frost & Reed 1907, unframed 53.5 x 69cm; 21 x 27in (plate size) £200-300 110. A Bengal tiger Signed Etching, published Frost & Reed 1915, unframed 19 x 35.5cm; 7½ x 14in (plate size) £150-250

108

110

109

111

111. Lioness on a rocky outcrop Signed Etching, unframed 16 x 25cm; 6¼ x 9¾in (plate size) £100-200 112. Leopard and jungle-fowl, 1920 Signed Etching, unframed 20 x 42.5cm; 8 x 16¾in (plate size) £200-300 113. Against the sky, 1928 Signed Etching, unframed 21 x 40cm; 8¼ x 15¾in (plate size) £150-250

112

113

21 114. Herbert Thomas Dicksee (1862-1942) The bend in the river Signed Etching, unframed 40.5 x 50cm; 16 x 19¾in (plate size) Provenance: By descent from the artist £150-250 115. Herbert Thomas Dicksee (1862-1942) On the threshold Signed Etching, unframed 45.5 x 32xm; 18 x 12½in (plate size) Provenance: By descent from the artist £120-180 116. Sir Frank Dicksee P.R.A. (1853-1928) Elephant folio Illustrated edition of Evangeline by Henry Longfellow India Proof edition of 1000 (no. 128), published by Cassell, Petter, Galpin & Co. 1882 23 bound original photogravures and wood engravings 45 x 35.5cm; 17½ x 14in With a further elephant folio of Othello, The Moor of Venice by William Shakespeare with Twelve Illustrations by Dicksee published Cassell, 1890 (2) £80-100

114

116

115

117

117. Margaret Isabel Dicksee (1858-1903) The young Mozart Photogravure published 1893 39 x 53cm; 15¼ x 21in Provenance: By direct descent from the artist £100-150 118. Thomas Francis Dicksee (1819-1895) Head of a child Etching Circular 36cm; 14in diameter £100-150 119. Thomas Francis Dicksee (1819-1895) Portrait of Eliza Dicksee (1826-1879), the artist’s wife Coloured chalks on buff paper, oval 50 x 42cm; 19¾ x 16½in Provenance: By direct descent from the artist £100-150

118

119

OTHEr PrOPErTiEs

120. A continental walnut metamorphic artist’s easel, 73in (185.5cm) high, 37in (94cm) wide £100-200 121. An Italian carved and pierced wood picture frame c.1800 71.5 x 48.5cm; 28 x 19in rebate size, 67 x 43.5cm; 26½ x 17in sight size £300-500

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sCuLPTurE 122. ‡ Ronald Cameron (b.1930) Ursula Signed, titled and numbered 16/25 Bronzed resin 33cm; 13in high £200-300

124. ‡ Ronald Cameron (b.1930) Zara Signed, titled and numbered 18/25 Bronzed resin 40.5cm; 16in high £200-300

123. ‡ Ronald Cameron (b.1930) Rosa Signed, titled and numbered 6/25 Bronzed resin 61.5cm; 24in high £200-300

125. ‡ Ronald Cameron (b.1930) Fiona Signed, titled and numbered 25/25 Bronzed resin 28.5cm; 11in high £200-300

122 126. ‡ Ronald Cameron (b.1930) Dancer 2 Signed, titled and numbered 5/25 Bronze on a painted wood base 25.5cm; 10in high £300-500

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127. ‡ Ronald Cameron (b.1930) Dancer 2 Signed, titled and numbered 2/7 Bronze on a lacquered base 28cm; 11in high (including base) £300-500

128. ‡ Ronald Cameron (b.1930) Anna Signed, titled and numbered 23/25 Bronze 35.5cm; 14in high £500-700

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129. ‡ Ronald Cameron (b.1930) Carley Signed, titled and numbered A/C 1 Bronze 27cm; 10¾in £400-600

132. ‡ Ronald Cameron (b.1930) Viola Signed, titled and numbered 20/25 Bronzed resin 24cm; 9½ high x 45cm; 17¾in long £200-300

130. ‡ Ronald Cameron (b.1930) Stephanie Signed, titled and numbered 22/25 Bronze 29.5cm; 11½in high £400-600

133. ‡ John Cotter (20th Century) Man saving woman; Hand holding nude Two, both signed, dated 1989 and numbered 1/18 and 7/25 Both patinated resin 53cm; 21in high and 17.5cm; 7in high With a resin nude on a rock by Dr. J. D. Price (3) £100-200

131. ‡ Ronald Cameron (b.1930) Carol Signed, titled and numbered 25/25 Bronze 27cm; 10½in high £400-600

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131 134. ‡ Klara Sever (b.1935) Sultry Awakening Signed and dated 1979 and inscribed Austin Proding Composite on a wood base 55cm; 21½in high including base £100-200 135. ‡ B. B. (20th Century) Nude seated on a rock Signed with initials and butterfly monogram, also numbered 114/450 Bronzed resin 38cm; 15in high £150-250

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OiL PAinTings

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136. Circle of Julius Caesar Ibbetson Figures, cattle and donkeys in pastoral scenes A pair, both oil on canvas Each 43 x 53cm; 17 x 21in (2) £1,200-1,800

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137. George Morland (1763-1804) Resting beneath a tree Signed and dated 1793 Oil on canvas 56 x 71cm; 22 x 28in £2,000-3,000

138. Follower of Angelica Kauffman An allegorical scene with putti offering apples and a dove Oil on canvas, oval 45 x 57cm; 17¾ x 22½in £1,000-1,500

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141 139. English School 19th Century Portrait of a lady, half length, wearing black with a lace collar Oil on canvas 76 x 63.5cm; 30 x 25in £700-1,000 140. Circle of Ramsay Richard Reinagle Portrait of a lady wearing a lace veil and gloves, seated half length Oil on canvas 76.5 x 64cm; 30 x 25in £1,500-2,500

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142 141. Attributed to John Hoppner R.A. (1758-1910) Portrait of John Browne of Salperton Park, Gloucester Oil on canvas 76 x 63cm; 30 x 25in Provenance: By descent in the family of the sitter until purchased by the present owner £2,000-3,000 142. English School 18/19th century Portrait of a gentleman thought to be Philip 6th Viscount Wenman ¾ length standing, wearing a blue coat Oil on canvas 100 x 72cm; 39½ x 28¼in £800-1,200

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146 143. English School 18th Century Portrait of a gentleman, head and shoulders Oil on canvas in a period frame 43 x 39cm; 17 x 15¼in £400-600

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147 144. English School 19th Century A country girl in a bonnet Oil on canvas 46 x 37cm; 18 x 14½in £600-800

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145. English School early 19th Century Portrait of a gentleman, seated, reading Oil on canvas 23 x 19cm; 9 x 7½in £200-300

146. English School late 18th century Portrait of a gentleman, half length, standing by a pillar, wearing a blue coat Oil on canvas 82 x 64cm; 32¼ x 25¼in £300-500 147. English School 19th Century Portrait of a gentleman, head and shoulders in a blue jacket Oil on canvas 62 x 51cm; 24½ x 20in £100-200

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27 148. English School, c.1850 Portrait of Richard Pountney, seated half length in a red chair wearing a black coat Oil on canvas, in an ornate pierced gilt composition frame 91.5 x 71.5cm; 36 x 28in £400-600 149. Mark William Langlois (act.1860-1890) The classroom Signed Oil on canvas 53 x 43cm; 21 x 17in £200-300 150. After Jean-Baptiste Greuze A child with an apple Oil on canvas 41 x 36cm; 16 x 14in A copy of the original in the National Gallery £250-350

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150A. Circle of John Hoppner R.A. Portrait of Rees Lloyd of Dinas Oil on canvas 76 x 64cm; 30 x 25in £500-700 151. Circle of George Romney Portrait of a gentleman, half length, wearing a green jacket Oil on canvas 76 x 64cm; 30 x 25in £2,000-3,000 152. English School c.1800 Portrait of a lady, wearing white with a red shawl, seated, a landscape beyond Oil on canvas 91 x 71cm; 36 x 28in £1,000-1,500

153 153. Samuel Woodforde R.A. (1763-1817) A Country Girl Signed and dated 1809 Oil on canvas 76 x 64cm; 30 x 25in Provenance: Private collection, West Country Exhibited: Possibly Royal Academy 1811, no 431 The artist was born at Castle Cary, Somerset in 1763 £1,500-2,500

154 154. Style of Sir Peter Lely (18th Century) Lady Diana Cooke, wife of Sir Henry Cooke of Wheatley, Yorkshire Oil on canvas 93 x 78cm; 36½ x 30¾in A similar later copy exists by Alexander Glasgow in the Doncaster Museum £1,500-2,500

28 155. French School 18/19th Century Cattle watering by a bridge Bears signature Oil on canvas 32 x 40.5cm; 12½ x 16in £200-300 156. Follower of Aert Van Der Neer A moonlit river landscape Oil on panel 50 x 61cm; 19½ x 24in £500-700 155

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157. Circle of Theobald Michau Peasants and a herdsman by cottages A pair, both oil on copper Each 17 x 20.5cm; 6½ x 8in (2) £400-600 158. Continental School 18/19th Century Figures by a rocky lakeland shore Oil on canvas 50 x 64cm; 19¾ x 25in £400-600 159. Follower of Hendrik Avercamp Dutch winter landscape with skaters on a river Oil on canvas 86 x 119cm; 34 x 46¾in £300-500

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160. H. Reed (19th Century) Foudroyant and HMY Alberta, the last trip of Queen Victoria to Osborne House, Isle of Wight, December 1900 Signed and dated DEC 24th 1902 Oil on board 35 x 66cm; 13¾ x 26in £400-600 161. Georges William Thornley (French 1857-1935) Fishing boats outward bound Signed Oil on canvas 25.5 x 40.5cm; 10 x 16in £300-400

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163 162. Circle of Arthur Devis A family group, in an interior Oil on canvas, unframed 68.5 x 104cm; 27 x 41in Provenance: Private collection, East Anglia £4,000-6,000

163. Samuel Spode (act.1825-1858) Portrait of Mr. Pinckney mounted on a horse at Stonehenge Signed Oil on canvas 87 x 112cm; 34¼ x 44in £6,000-8,000

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164. Dutch School 18/19th Century Figures by candle-light Oil on panel 22.5 x 18cm; 9 x 7in £150-200 165. Sir George Hayter (1792-1871) Portrait study of Colonel Samuel White M.P. for Leitrim, Ireland, 1824-1847 Later inscribed verso study for the inclusion in The Great Painting in the National Portrait Gallery - London Oil on board, oval 32 x 28cm; 12½ x 11in The inscription refers to the painting The House of Commons of 1833 £400-600 166. Continental School 19th Century A classical scene Oil on panel 32 x 22cm; 12½ x 8¾in £100-150

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167. After Guido Reni Portrait of Beatrice Cenci Annotated with the coat-of-arms of the Colonna family, Rome Oil on canvas 63.5 x 50cm; 25 x 19¾in An 19th century copy of the original in The Palazzo Barbarini, Rome £300-400 168. English School (19th Century) Portrait of a boy Signed indistinctly Charles Me**ci*, dated 1881 and inscribed a three hours study Oil on canvas 59 x 44cm; 23¼ x 17¼in £150-250 169. Dutch School 17th Century and later Portrait of a gentleman Oil on canvas 67 x 52cm; 26¼ x 20½in £200-300

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170. Frank Dixon After Joseph Laurentius Dyckmans The Blind Beggar Inscribed and dated 1902 verso Oil on panel 50 x 46cm; 19½ x 18in £200-300 171. W. E. Watkins c.1889 A young girl holding a basket of fruit and wine Signed and dated 1889 Oil on canvas 56 x 46cm; 22 x 18in £300-500

31 172. English School 19th Century Portrait of a girl in a red dress, half length, in a landscape Oil on canvas, oval in a carved wood frame 76 x 64cm; 30 x 25in £600-800 173. English School 19th Century Portrait of Henry, 3rd Earl Bathurst (1762-1834) Half length, wearing brown Oil on canvas 64 x 52cm; 25 x 20¼in Provenance: Haile Hall, Cumbria (the Ponsonby home since 1920) from whom purchased by the vendor. Earl Bathurst’s daughter Lady Emily Bathurst married Maj. Gen. Sir Frederick Ponsonby in 1825 £600-800

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174. After Hans Holbein Portrait of Desiderius Erasmus (1466-1536) Oil on panel 26.5 x 21cm; 10½ x 8¼in An early copy of the 1523 original by Holbein £1,000-1,500 175. English School 18th Century Portrait of Prince Charles Edward Stuart, the Young Pretender Inscribed faintly on backing panel verso Charles Stuart (Pretender) Oil on canvas laid on panel, oval 27 x 20.5cm; 10½ x 8in £200-300 176. J.G.B. (Mid 19th Century) Windsor Castle from the Copper Horse, at the top of the Long Walk in Windsor Great Park Signed with initials and inscribed Windsor Castle Oil on board 27 x 22cm; 10½ x 8½in £400-600 177. German School 19th Century Portrait of a lady, thought to be the mistress of Goethe Oil on canvas 65 x 54cm; 25½ x 21¼in £500-700

32 178. Allessandro La Volpe (Italian, c.1820-1887) Sorrento da Capodimonte Signed, also titled verso Oil on panel, unframed 24.5 x 41cm; 9¾ x 16¼in £300-500

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179. Charles Augustus Henry Lutyens (1829-1915) Cattle and sheep in a sunny meadow Oil on canvas 23 x 33cm; 9 x 13in £250-350 180. Daniel Sherrin (1868-1940) Evening by the river Signed Oil on canvas 45 x 65cm; 17¾ x 22½in £300-500

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181. John Ducker (19/20th Century) Sunset on the highlands Signed and dated 1921 Oil on canvas 51 x 76cm; 20 x 30in £200-300 182. Phillip Glading (early 20th Century) Figures by a lake Signed Oil on canvas 60.5 x 80cm; 24 x 31½in £80-100 183. English School 19th Century Pastoral scene with London monuments beyond Oil on board 39 x 59cm; 15¼ x 22¾in £300-500

184 184. English School 19th Century Rural scene with mother by a cottage Oil on panel 31 x 46cm; 12¼ x 18in £100-150

185 185. Charles Edward Johnson (1832-1913) Sunset Dorsetshire Oil on panel 20 x 30.5cm; 8 x 12in Provenance: Royal Institute of Oil Painters, No. 4 £100-150

33 186. George Cole (1810-1883) Evening Signed and titled verso Oil on board 20 x 34cm; 8 x 13¼in £200-300 187. J. T. Worters after Sir Edwin Landseer P.R.A. King Charles spaniels Signed Oil on board 30 x 40cm; 12 x 16in £200-300

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188. Charles L. Shaw (act. c.1880-c.1898) A gypsy camp Signed and dated 92 Oil on canvas 51 x 76cm; 20 x 30in £150-250 189. ‡ William McGregor (20th Century) Lake district in summer Signed Oil on canvas 46 x 86cm; 18 x 33in £200-300 190. ‡ William McGregor (20th Century) St. Austell, Cornwall Signed Oil on canvas 46 x 86cm; 18 x 33in Provenance: Frost & Reed, No. 32816 Lewis’s, Manchester, 11/3/1963 £200-300 191. Arthur Batt (1846-1911) Brockenhurst, New Forest, Looking towards Rhinefield Later titled verso and inscribed bought April 1911 Oil on board 19 x 31.5cm; 7½ x 12¼in £100-150

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192 192. John Wallace Tucker (1808-1869) View in the North of Devon Signed, titled and dated 1830 verso Oil on panel, unframed 25 x 33cm; 10 x 13in £300-500

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193 193. English School 19th Century An American man o’ war firing a salute Oil on board 35 x 48cm; 13¾ x 19in £100-150

Lots 194 to 202 – The Property of a Gentleman 195. James Loder of Bath (1784-1860) A chestnut hunter in a stable Signed and dated 1834 Oil on canvas 56 x 71cm; 22 x 28in Provenance: as lot 194 £1,000-1,500

194. James Loder of Bath (1784-1860) A gentleman on a hunter Signed and dated 1837 Oil on canvas 56 x 74cm; 22 x 29in

196. *Barker (late 18th Century) Robert Bayley with his horse Signed Oil on canvas 46 x 57cm; 18 x 22½in Provenance: as lot 194 £700-1,000

194 Provenance: Dyrham Park, Bath, the Phayre family of Belgaum, Woking, by descent £2,500-3,500

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197. Willem Van de Velde (1633-1707) Shipping off the coast Signed and dated 166* Oil on panel 19 x 35cm; 7½ x 13¾in Provenance: as lot 194 £1,000-1,500 198. Follower of David Roberts A busy continental river scene Bears signature and date Oil on canvas 35 x 48cm; 13¾ x 19in Provenance: as lot 194 £600-800

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199. Bisson (mid 18th Century) Portrait of Mrs. Goodwin neé Anne Muglesworth Signed and dated indistinctly Oil on canvas 76 x 63cm; 30 x 24¾in Provenance: The Phayre family of Belgaum, Woking, by descent £1,500-2,500 200. Bisson (mid 18th Century) Portrait of Austin Goodwin Signed Oil on canvas, framed as lot 199 76 x 63cm; 30 x 24¾in Provenance: as lot 199 £1,200-1,500 201. English School c.1810 Portrait of a member of the Goodwin family Oil on canvas, oval 76.5 x 60cm; 30 x 24in Provenance: as lot 199 £600-800

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202. Follower of Thomas Gainsborough R.A. Portrait of a Gentleman, from the Goodwin family Oil on canvas 76 x 64cm; 30 x 25in Provenance: as lot 199 £500-800

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36 203. Alfred Augustus Glendenning, Sen (fl.1861-1903) Lessness Common, Kent Signed and dated 97 Oil on canvas 51 x 80cm; 20 x 31½in £2,000-3,000

204. James Webb (c.1825-1895) A coastal fortress, possibly Bamburgh Castle Signed, also indistinctly signed and titled Castle Northumberland verso possibly by a later hand Oil on panel 25.5 x 38cm; 10 x 15in £1,500-2,500 203 205. Alfred Pollentine (1836-1890) San Giorgio Maggiore, Venice Signed, also signed and titled verso Oil on canvas 51 x 76cm; 20 x 30in £1,000-1,500

206. Charles Parsons Knight (1829-1897) High summer on the coast Signed Oil on canvas 51 x 76cm; 20 x 30in £1,000-1,500

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207 207. Jane Vivian (act.1869-1877) Scuola Grande di San Marco; The Doge’s Palace, Venice A pair, the first signed Both oil on canvas Each 46 x 81cm; 18 x 32in (2) £4,000-5,000

208. James Salt (1850-1903) Capriccios of Venetian canals Two, both signed Both oil on canvas Each 36 x 61.5cm; 14 x 24in (2) £1,000-1,500

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38 209. Abraham Cooper (1787-1868) An Irish red and white setter in a landscape Oil on canvas 46 x 61cm; 18 x 24in Provenance: Bonhams, 03/02/10, lot 176 £2,000-3,000

210. John Emms (1843-1912) Paddy and Ned Signed, titled and dated 1894 Oil on canvas, unframed 29 x 39cm; 11½ x 15½in £1,500-2,000

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211. John Emms (1843-1912) Studies of Tricksy A pair, both signed, titled and dated 1903 Both oil on canvas, one framed Each 20.5 x 15cm; 8 x 6in With a further unframed study of a cow in a barn by the same hand (3) £700-1,000

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39 212. ‡ Frances Mabel Hollams (1877-1963) Popalong Signed, titled and dated ‘35 Oil on panel 33 x 45cm; 13 x 17¾in £400-600 213. Manner of Daniel Clowes A hunter in a landscape Bears signature Oil on canvas 46 x 61cm; 18 x 24in £300-500 214. English School 19th Century A spaniel in a landscape Oil on panel, unframed, possibly over a print 25.5 x 33cm; 10 x 13in £100-200

215. John Paul (19th Century) The Racehorse King Victor in the livery of the Queens Own 4th Hussars Signed and dated 1885 Oil on canvas 45 x 60cm; 17¾ x 23¾in King Victor was sire of Vae Victus, dam of Grand National winner, Manifesto £1,000-1,500 216. Circle of James Barenger Four horses in a landscape Oil on paper laid down on panel 30 x 39cm; 11¾ x 15½in £600-800

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222 217. ‡ Jean Michel Laurent (1898-1988) The landing in Tralee Bay Signed Oil on panel 39 x 49cm; 15½ x 19¼in £400-600 218. Alexander Rosell (1859-1922) Good news Signed Oil on canvas 46 x 68.5cm; 18 x 27in £500-700

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219. Eugene Petit (French 1839-1886) Pheasant shooting with a spaniel Signed Oil on canvas 54 x 65cm; 21¼ x 25½in £500-700

221. Chinese School early 20th Century Blue Funnel liner S.S. Philoctetes at sea Remains of Hong Kong label verso Oil on linen 41 x 56cm; 16 x 22in £300-500

220. Attributed to Captain Charles Keith Miller (fl.1874-1880) The steamship The Queen, near the Bass Rock, Firth of Forth Oil on canvas 61 x 91cm; 24 x 36in Provenance: Sotheby's 30/5/96, Lot 380 £600-1,000

222. John Arthur Lomax (1857-1923) A courting couple Strengthened signature, and dated 1900 Oil on canvas, unframed 50 x 81cm; 19½ x 32in £600-800

223. English School 19th Century A hunter and terrier in a stable Signed and dated indistinctly Oil on canvas 44 x 54cm; 17¼ x 21¼in Provenance: Frost & Reed, 1/2/62, No. R4315 £300-400 224. ‡ Vincent Haddelsey (1929-2010) Indian Lancer Signed with initials, also signed, titled, dated 1986 and dedicated on a label verso Oil on board 58 x 56cm; 23 x 22in £300-500

225 225. Captain Charles Keith Miller (1836-1907) The steam ship S.S. Warrnambool passing Dover Strait Signed with initials and dated 1893 Oil on canvas 76 x 142.5cm; 30 x 56in Provenance: Sotheby’s 1/4/98, lot 39 £400-600

228. Georgina Lara (act.1840-1880) A busy village scene Oil on canvas 23 x 33cm; 9 x 13in £600-800

226. Colonial School 19th Century A rocky coastal scene, possibly in Jamaica Bears signature Oil on canvas laid down on board 44 x 57cm; 17¼ x 22½in £800-1,200

230. George Mears (fl.1870-1895) H.M.S. Warrior at sea, a lighthouse beyond Signed with initials Oil on canvas 41 x 66cm; 16 x 26in Provenance: Sotheby’s 28/4/99, lot 18 £400-600

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229. John Barker (1811-1886) Waiting for master Signed Oil on canvas 61 x 91cm; 24 x 36in £600-800

227. Thomas John Ewbank (Scottish fl.1826-1862) The Milkmaid’s Gossip Signed, also signed titled and inscribed verso: A scene on the Oxton Moor Cheshire Oil on canvas 38 x 55cm; 15 x 21¾in £400-600

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231. Dutch School 18th Century Still life of fruit, a corn cob and a beetle Oil on canvas, unframed 51 x 42cm; 20 x 16½in £150-250

233. Scottish School 19th Century Figures in a river landscape A pair, both oil on panel Each 24 x 16cm; 9½ x 6¼in (2) £200-300

232. Felice Auguste Rezia (Italian act.1857-1907) Views of Azzano, Italy A pair, both inscribed Azzano and dated 1885 Both oil on board, unframed Each 27 x 20cm; 10½ x 8in (2) £200-300

234. After J. Pratt Sr. (19th Century) Still life of a squash, grapes and fruit on a ledge Oil on board 56 x 46cm; 22 x 18in An unsigned copy of an original see Bonhams San Francisco 11/5/08 lot 4043 £200-300

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236 235. Arthur H. Davis (fl.1871-1893) At Parkstone near Bournemouth Signed Oil on canvas, unframed 61 x 40.5cm; 24 x 16in £100-150 236. George William Sartorius (1759-1828) Still life of strawberries in a basket and fruit on a ledge Oil on canvas 45 x 34.5cm; 17¾ x 13½in £500-700

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237. Edward Moore (d.1920) Carmarthen Bay Signed and dated ‘87 Oil on canvas 63.5 x 127cm; 25 x 50in £1,500-2,500

239. Arthur John Strutt (1819-1888) A view of Rome from the Villa Mattei Signed Oil on canvas 27 x 61cm; 10½ x 24in £600-800

238. Charles Leslie (1835-1890) A shepherd and son by a loch in the highlands Signed and dated 1878 Oil on canvas 76.5 x 128cm; 30 x 50½in £800-1,200

240. Francois Antoine Leon Fleury (French 1804-1858) Figures near a town on the Rhine Signed indistinctly Oil on canvas 56 x 91cm; 22 x 36in £700-1,000

241. Victor Charles Edouard Adam (French 1868-1938) Steam vessel Rubens leaving Le Havre Signed and dated 1898 Oil on canvas 63 x 93cm; 24¾ x 36½in Provenance: Hampshire Gallery 14/9/90 £300-500 242. English School c.1870 New Grimsby, Tresco, Scilly, from Monument Hill Titled Oil on canvas 46 x 93cm; 18 x 37in £600-800

44 243. Chinese School c.1898 The battleship H.M.S. Barfleur on the China station Oil on canvas 44.5 x 59.5cm; 17½ x 23½in Provenance: Christie's 26/5/04, lot 645 £100-150 243

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245 244. Nam Ting c.1870 A barque under full sail off Hong Kong Oil on linen 46 x 60cm; 18 x 23¼in Provenance: Hampshire Gallery 4/2/03 £400-600

245. J. Lewis (19th Century) The Thames at Richmond Bridge Signed Oil on canvas 40.5 x 61cm; 16 x 24in £400-600

246. J. Lewis (19th Century) Deer in Richmond Park, the Royal Ballet School beyond Signed Oil on canvas, unframed 51 x 76cm; 20 x 30in £300-500 247. J. Lewis (19th Century) Swans on a lily pond Signed Oil on canvas 51 x 76.5cm; 20 x 30in With 2 additional frames (3) £100-150

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248. J. Lewis (19th Century) Views of the Thames at Richmond Two, both signed Both oil on canvas 41 x 61cm; 16 x 24in and 25.5 x 38cm; 10 x 15in (2) £100-150 249. J. Lewis (19th Century) Views of the Thames at Richmond Two, one signed Both oil on paper in painted ovals Each 23 x 36cm; 9 x 14in (2) £100-150

45 250. Thomas Jacques Somerscales (1842-1927) A trader off the coast Signed Oil on canvas 33 x 47cm; 13 x 18½in £1,000-1,500

251. David James (1853-1904) Low Tide in a Cornish Bay Signed and dated ‘92, also signed titled and dated verso Oil on canvas 31 x 51cm; 12 x 20in £1,000-1,500

250 252. Attributed to John Berney Ladbrooke (1803-1879) Figures resting by a track and cottage with cattle by a river Oil on canvas 69 x 84cm; 27 x 33in £1,000-1,500

253. J. Coomans (19th Century) Figures in an extensive landscape Signed, also dated indistinctly Oil on canvas 76 x 127cm; 30 x 50in £1,000-1,500 251

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254 254. Thomas Worlidge (1700-1766) The legend of St. Catherine Signed Oil on canvas 74 x 53.5cm; 29 x 21in £2,000-3,000

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255. A. Mezca* (19/20th Century) Portrait of a lady Signed indistinctly Oil on canvas, in a carved wood frame 42 x 32cm; 16½ x 12½in £600-800 256. Edouard Alexandre Sain (French, 1830-1910) A redhead beauty in profile Oil on canvas 41 x 33cm; 16 x 13in £600-800

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257. Continental School 18th Century The serenade Oil on canvas 51 x 64cm; 20 x 25in £700-1,000 258. English School (19th Century) A trumeau mirror with a painted landscape Indistinctly signed with a monogram Oil on canvas 116 x 69cm; 45½ x 27in overall size £400-600 259. Francisco Candela (19th Century) Boats before the Torre del Oro, Seville, Spain Signed Oil on panel, unframed 32 x 18cm; 12½ x 7in £150-250

47 260. Albert Dürer Lucas (1828-1918) Still life of orchids on a forest floor Signed and dated 1881 Oil on canvas 61 x 46cm; 24 x 18in £800-1,200 261. Attributed to Albert Dürer Lucas Still life of dahlias and ferns Signed indistinctly Oil on canvas, unframed 51 x 35cm; 20 x 13¾in £200-300 262. Thomas Creswick R.A. (1811-1869) Fishermen by a river Oil on canvas 30.5 x 26cm; 12 x 10in £300-500 263. English School 19th Century Figures by a mill in a wooded river landscape, possibly South Wales Oil on canvas 59 x 47cm; 23¼ x 18½in £200-300

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264. R. Percy (19th Century) A cottage in a landscape Signed Oil on canvas 46 x 61cm; 18 x 24in £100-150 265. Sir John Gilbert (1817-1897) finished by Catherine A. Eggar Banks (19th Century) Ploughing in stormy weather Titled and Inscribed on a label verso by Mrs J. Oldham Banks Oil on canvas 77 x 192cm; 30 x 75½in Provenance: Brook Gallery, Wilton, April 2nd 1974 £700-1,000

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48 266. ‡ Terence Loudon (c.1900-1949) Still life of white summer flowers in a vase Signed Oil on canvas 92 x 71cm; 36 x 28in £700-900 267. ‡ Moricz Góth (Dutch 1873-1944) Still life of summer flowers in a blue vase Signed and dated 1927 Oil on canvas 69 x 53cm; 27 x 21in £300-500

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268. ‡ Cathleen S. Mann (1896-1959) A mixed bunch Signed and dated 1947, with a further sketch verso Oil on canvas 76.5 x 64cm; 30 x 25in Provenance: J. Leger & Son, 1948 £400-600 269. ‡ William Arthur Chase (1878-1944) Still life of Nigella and Cow Parsley in a vase Signed Oil on paper 60 x 50cm; 23½ x 19¾in £200-300 270. Marguerite Brun (19/20th Century) Still life of roses in a basket Signed Oil on canvas 54 x 65cm; 21¼ x 25½in £200-300

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271. ‡ William Arthur Chase (1878-1944) Still life of roses in a china bowl Signed Oil on canvas 30.5 x 38cm; 12 x 15in £200-300

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276 272. ‡ Edward Le Bas R.A. (1904-1966) Untitled Oil on canvas laid on board 18 x 25cm; 7 x 10in Provenance: Abbott & Holder Derek Hill Richard Burrows £600-800

273. ‡ Ruskin Spear R.A. (1911-1990) Life Class, c.1948 Oil on board 26 x 35cm; 10¼ x 13¾in Exhibited: New Grafton Gallery, 26/1/78 £800-1,200

275. ‡ Barrington Bramley (b.1950) The Hireling Shepherd After William Holman Hunt Signed Oil on canvas 110 x 77cm; 43¼ x 30¼in £1,000-1,500

274. Dutch School 20th Century Children playing in the sea Signed with a monogram SB Oil on canvas 41 x 61cm; 16 x 24in £150-250

276. Oliver Clare (1953-1927) Primroses and plums on a mossy bank A pair, both oil on canvas Both signed Each 18 x 25.5cm; 7 x 10in (2) £800-1,200

277

51 277. ‡ Frank O. Salisbury (1874-1962) Portrait of Sylvia, daughter of the artist, 1929 Signed Oil on canvas 112 x 87cm; 44 x 34in Provenance: By direct descent from the artist Exhibited: Royal Society of Portrait Painters £3,000-5,000

278. ‡ Frank O. Salisbury (1874-1962) The mother’s kiss Signed Oil on canvas, in a carved wood frame 112 x 87cm; 44 x 34in Provenance: By direct descent from the artist Exhibited: Coronation Exhibition, 1911, No. 879 Sitters are the artist’s wife and daughter Monica £2,000-3,000

278

279

279. ‡ Frank O. Salisbury (1874-1962) The morning Signed Oil on canvas, in a carved wood frame 112 x 87cm; 44 x 34in Provenance: By direct descent from the artist Sitters are the artist’s wife and twin daughters, Sylvia and Monica £2,000-3,000

280

281

280. ‡ Frank O. Salisbury (1874-1962) Loch Quoich Signed, titled and dated 1950? Oil on canvas 57 x 70cm; 22½ x 27½in Provenance: By direct descent from the artist £500-800

282. ‡ Frank O. Salisbury (1874-1962) Design for stained glass windows Signed Oil on board, unframed 50.5 x 38cm; 20 x 15in Provenance: By direct descent from the artist £150-250

281. ‡ Frank O. Salisbury (1874-1962) Glen Strathfarrar, Scotland Signed Oil on board 39 x 51cm; 15¼ x 20in Provenance: The Auction Centre, Leyburn, 24 November 1995 £600-800

283. Catherine R. Walton (act.1898-1935) A Church doorway; An orchard with blossoms A pair, both signed Both oil on board Each 21.5 x 13cm; 8½ x 5in (2) £100-200

282

283

284

284. Catherine R. Walton (act.1898-1935) The old banners of the Knights of Bath, Henry VII Chapel, Westminster Abbey Signed Oil on canvas 61 x 40.5cm; 24 x 16in £100-200 285. ‡ Bernard Ninnes (1899-1971) Moorish gateway, Mallorca Signed Oil on board 40.5 x 33cm; 16 x 13in £100-150

285

53 286. H. E. Locke (19/20th Century) The western shore Southampton Signed, also signed, titled and dated 1890 verso Oil on canvas 23 x 30.5cm; 9 x 12in £100-150 287. British School early 20th Century Indian scene Oil on canvas 36 x 51cm; 14 x 20in £300-500

286

287

288. Continental School 20th Century Alpine lakeland view Signed indistinctly T. V******* Oil on canvas 30.5 x 40.5cm; 12 x 16in £100-150 289. Dutch School 19th Century Fishing boats on an estuary Oil on canvas 39 x 61.5cm; 15¼ x 24in £300-400

288

289

290. ‡ Charles Lynch (20th Century) Poole Harbour from Shell Bay Signed Oil on canvas board 24.5 x 35cm; 9¾ x 13¾in £100-150 291. ‡ Vera Waddington (1886-1954) Ponte Vecchio, Florence Oil on board 27 x 35cm; 10½ x 13¾in Provenance: The Goupil Gallery £80-120

290

291

292. ‡ Clifford Frith (b.1924) The Fair, Harpenden Signed and dated 46 Oil on canvas laid on panel 25 x 40.5cm; 10 x 16in £100-150 293. Follower of Charles Cooper Henderson A stage coach passing Stonehenge Signed indistinctly Oil on canvas 34 x 72cm; 13½ x 28¼in £300-500

292

293

54 294. ‡ T. Sitch (20th Century) Coastal view of a village with a church Signed Oil on board 27 x 36cm; 10½ x 14in £80-120

294

295

295. ‡ Thomas Binney Gibbs (1870-1947) Cattle in a summer landscape Oil on board 30.5 x 40cm; 12 x 16in £200-300 296. Continental School 20th Century View to the mountains Signed indistinctly Oil on canvas 38 x 61cm; 15 x 24in £150-250

296

297

297. ‡ Sidney Page (20th Century) French coastal scene Signed Oil on canvas 25.5 x 36cm; 10 x 14in £80-120 298. ‡ Allan Gwynne-Jones (1892-1982) Farmland with moors beyond Signed with initials and dated 1921 Oil on board 25.5 x 36cm; 10 x 14in £400-600

298

299

299. ‡ John Ambrose (1931-2010) Westminster Bridge, London Signed OIl on board 30 x 40cm; 12 x 16in £200-300 300. ‡ William Ongley Miller (1883-?) A summer landscape Signed and dated 1949, also inscribed on a label verso Oil on canvas board 57 x 74cm; 22½ x 29in £100-150

300

301

301. ‡ E. Gentry (20th Century) Barges Signed, also signed and titled verso Oil on board 44.5 x 58.5cm; 17½ x 23in £120-180

55 302. ‡ Ludlow (20th Century) Arranging flowers Signed, dated 1956 and inscribed To Joyce Oil on canvas laid on panel 38 x 50 cm; 15 x 19.75in £150-250 303. Robert Fowler (1853-1926) View of Conwy Estuary Signed Oil on canvas 41 x 56cm; 16 x 22in £300-500

302

303

304

305

304. Frederick Golden Short (1863-1936) Winter tree study Signed Oil on board 16 x 21.5cm; 6¼ x 8½in £150-250 305. English School (20th Century) Coastal scene with boats in harbour Signed with initials A.L. Oil on board 30.5 x 40.5cm; 12 x 16in £150-250 306. Elizabeth Lucy Gabell Smith (1861-1934) Aldbourne Mill Oil on canvas 51 x 61cm; 20 x 24in Exhibited: Royal Academy, 1930 £300-500 307. ‡ Sir Ambrose Elton (1859-1951) Bradford on Avon, a view looking north-west from the top window of the artist’s home, White Hill House Oil on board, unframed 30.5 x 40.5cm; 12 x 16in £100-150

306

307

308. ‡ ** Pratella (20th Century) Sunny garden terrace in spring Signed, also signed and dated 1946 on stretcher Oil on canvas 40.5 x 51cm; 16 x 20in £150-250 309. ‡ John Murray-Thomson R.S.A. (1885-1974) Sheep on a hillside in Provence Signed Oil on canvas 46 x 61cm; 18 x 24in £300-500

308

309

56 310. Arthur Radclyffe Dugmore (American 1870-1955) Mountain landscapes Two, framed as a pair, signed and dated 54 Both oil on canvas board Each 23 x 34cm; 9 x 13¼in With two landscape paintings and a yacht on a calm sea by the same hand (5) £250-350

311. Arthur Radclyffe Dugmore (American 1870-1955) A Kerry Cove (Kenmare Estuary); Kenmare Estuary, County Kerry Two, one signed and dated 54 and also titled on a label verso Both oil on canvas board 23.5 x 33.5cm; 9¼ x 13¼in and similar (2) £250-350

310

312. Arthur Radclyffe Dugmore (American 1870-1955) A lakeland landscape with snow-capped mountains beyond Signed and dated 52 Oil on canvas, unframed 50.5 x 61cm; 20 x 24in With a further signed oil on board of the Valley of Mount Adoro, Corsica, by the same hand (2) £150-250

311

313. Arthur Radclyffe Dugmore (American 1870-1955) Spring on the Avon Signed, also signed and titled on a label verso Oil on canvas 30.5 x 46cm; 12 x 18in £150-250

314. Manner of Frank Henry Mason Airship tethered to a warship Inscribed June 7 1921, Machan, Jan to June 1918 verso Oil on board 35 x 25cm; 13¾ x 9¾in £100-200

312

313

314

57 315. ‡ Ronald Ossory Dunlop (1894-1973) The Haystack Oil on board 19.5 x 25cm; 7¾ x 9¾in £400-600 316. Barbizon School 19th Century Gleaners in the fields Oil on canvas 36 x 56cm; 14 x 22in £500-700

315

316

317. Ivan Skorroff (Russian 19/20th Century) Winter landscape Signed Oil on canvas 51 x 76cm; 20 x 30in £500-700 318. ‡ Leslie Kent (1890-1980) The river at Looe Signed Oil on canvas 51 x 61cm; 20 x 24in £600-800

317

319. James Paterson (Scottish, 1854-1932) Still life of books, armour, a bust and vase Signed, also signed and inscribed still life verso Oil on canvas 51 x 61cm; 20 x 24in £1,500-2,000

319

318

320. ‡ Gladys Maccabe (Irish b.1918) Garden fête Signed, also titled verso Oil on board, unframed 51 x 64.5cm; 20 x 24in £700-1,000

320

58 321. ‡ Beryl Tilley (20th Century) Blue Shadows, Durdle Door Signed and dated 94 Oil on paper 76 x 56cm; 30 x 22in £100-150

321

322

322. ‡ Lucien Henri Grandgérard (French, 1880-1970) Le Lever Signed and dated 57 Oil on canvas laid on board 61 x 50cm; 24 x 19¾in Provenance: Frost & Reed 04/05/89, G568 E. Stacy Marks £600-800

323. ‡ Jennifer Maskell-Packer (b.1944) The Bee Man’s youngest daughter Signed with initials and dated 91, also signed, titled and dated verso Oil on canvas 91 x 76cm; 36 x 30in Provenance: Sally Hunter Fine Art, May 1992, No. 5 £300-500

323

324

325

324. After Tom Chadwick Wayside laundry Inscribed on stretcher verso Pinxit Douglas Martin Oil on linen 61 x 51cm; 24 x 20in £100-200

325. ‡ Alfred John Billinghurst (1880-1963) View over Windsor Castle and Richmond; Winter river landscape Two, the second signed Both oil on canvas board 30.5 x 38cm; 12 x 15in and 33 x 43cm; 13 x 17in (2) £200-300

326. ‡ Bernard Finegan Gribble (1873-1962) Poole Quay; The Skylark boatyard, Poole A pair, both signed Both oil on panel 29 x 39.5cm; 11½ x 15½in (2) £500-700

326

59 327. Australian School 20th Century Views of Darwin, Northern Territory, Australia Two, both titled and dated 1946, 1948 verso One oil on board, one on canvas board Each 29 x 39cm; 11½ x 15¼in (2) £150-250 328. Albert J. Hanson (Australian 1866-1914) New South Wales Coast, Australia Signed, also titled verso Oil on panel 20 x 29.5cm; 8 x 11½in With a watercolour of goats under trees signed indistinctly and dated 1910 under mount, probably by the same hand (2) £200-300

327

329. ‡ A. C. Dalzell (20th Century) Wooded mountain view Signed Oil on canvas 61 x 51cm; 24 x 20in £120-180

328

330. William Dunn Knox (Australian 1880-1945) On the old diggings Signed Oil on board 24.5 x 33cm; 9½ x 13in £100-150 331. ‡ Ian Strang (1886-1952) London from Hampstead Heath, 1921 Signed, titled and inscribed study for larger oil painting on a label verso Oil on panel 33 x 40cm; 13 x 15½in £300-500

329

330

332. ‡ K. M. Lloyd (20th Century) Punting on the river, possibly Cambridge Signed indistinctly Oil on canvas 35.5 x 46cm; 14 x 18in £100-200

331

332

60 333. ‡ Peter Cosslett (b.1971) Waves on the shore by moonlight Signed Oil on board 41 x 51cm; 16 x 20in Provenance: Triton Gallery £100-200

333

334

334. ‡ Rosemary Sarah Welch (b.1946) Shoeing the grey Signed Oil on canvas 46 x 61cm; 18 x 24in £200-300 335. T. Buttler (19th Century) Fishing boats moored off the coast Signed Oil on canvas 38 x 58cm; 15 x 22¾in £200-300

335

336

336. ‡ Guy Allan (20th Century) Landscape in Provence Signed and dated 1948 Oil on board 40 x 56cm; 16 x 22in £100-150 337. ‡ John Joseph Bellman (b.1949) Fishing boats in a port Signed Oil on board 42 x 56cm; 16½ x 22in £200-300

337

338

338. Waterman (20th Century) Ships in harbour Signed Oil on canvas 30 x 40.5cm; 12 x 16in £100-150 339. ‡ Jacques Kupfermann (1926-1987) Winter landscape Signed and dated 79 Oil on canvas 66 x 76cm; 26 x 30in £100-150

339

340

340. ‡ Henry Ruegger (Swiss early 20th Century) View of Geneva Signed Oil on canvas 33 x 46cm; 13 x 18in £100-150

341

342

343

344

341. French School (20th Century) Reclining nude with a bowl of fruit Oil on canvas 46 x 61cm; 18 x 24in £500-700 342. ‡ John Maclauchlan Milne R.S.A. (1885-1957) Looking towards Ben More Oil on board 27 x 38cm; 10½ x 15in Provenance: Private collection, Edinburgh £600-800 343. ‡ Paul Kerouédan (French 20th Century) Reflets dans le port Signed, also titled verso Oil on board 46 x 54cm; 18 x 21¼in £400-600

344. ‡ Louis Labro-Font (French 1881-1952) Marseille - Bassin de Carénage Signed, also signed, titled and dated 1 Fev. 1928 verso Oil on panel 50 x 65cm; 19¾ x 26in £400-600 345. ‡ Sue Ryder (b.1944) Early evening, Peyton Hall Signed Oil on canvas 96.5 x 71cm; 38 x 28in Exhibited: David Messum, British Figurative Painting Winter 1996, No. 36 £700-1,000

345

346

348

347 346. ‡ Jonathan Truss (b.1960) Head of a lion Oil on canvas 45.5 x 35.5cm; 18 x 14in £700-1,000

347. ‡ Jonathan Truss (b.1960) Three giraffes Signed and dated 99 Oil on canvas 40.5 x 76cm; 16 x 30in £700-1,000

348. ‡ Stephen J. Renard (b.1947) Velsheda & Endeavour off Norris Castle, Solent; Velsheda & Endeavour off the Royal Yacht Squadron, Solent A pair, both signed Both oil on panel Each 23 x 32cm; 9 x 13in (2) £2,800-3,200

349. ‡ Marcel Dyf (French 1899-1985) Pecheurs de grande marée, Bretagne Signed Oil on canvas 47 x 56cm; 18½ x 22in Provenance: Frost & Reed, No. 47204 E. Stacy Marks, 3/8/72, No. 1575 £6,000-8,000 349

350. ‡ Pierre de Clausade (French 1910-1976) L’eclaircie, Loire Signed Oil on canvas 46 x 55cm; 18 x 21½in Provenance: Frost & Reed, No. 15362 E. Stacy Marks, 4/6/53 No. 15362/D245 £1,000-1,500 350

64 351. Joseph Heiss-Dionysen (Austrian 1894-?) Alpine lakeside town Signed Oil on panel 34 x 33cm; 13¼ x 13in £100-150 352. ‡ Edward Wesson R.I., R.B.A. (1910-1983) Barges at rest Signed Oil on board 25.5 x 26.5cm; 10 x 10½in £350-450 351

352

353. ‡ Marie-Ange Gerodez (French 20/21st Century) Provence Signed Oil on canvas 61 x 81cm; 24 x 32in £100-200 354. ‡ English School (20th Century) View over Bingley Oil on canvas laid on board 46 x 71cm; 18 x 28in £200-300

353

354

355. ‡ Roy Petley (b.1950) Figures in a poppy field Signed Oil on board 39 x 60cm; 15¼ x 23½in £300-500 356. ‡ Roy Petley (b.1950) Walking home from the beach Signed Oil on board 39 x 59cm; 15¼ x 23¼in £300-500

355

356

357. ‡ Roy Petley (b.1950) A picnic by the river Signed Oil on board 54 x 74cm; 21¼ x 29in £400-600 358. ‡ Roy Petley (b.1950) Figures in a park Signed Oil on board 17.5 x 29cm; 7 x 11½in £150-250

357

358

65 359. ‡ Deborah Jones (b.1921) Shop fronts and interiors Four, all signed, all titled verso All oil on board 30 x 38cm; 12 x 15in and smaller (4) £400-600 360. English School c.1960s Figures in a sunlit garden Oil on canvas board 62 x 75cm; 24½ x 29½in £100-150

359

360

361. ‡ Peter van Gould (20th Century) Boats on the shore Signed with a monogram Oil on canvas, unframed 48 x 61cm; 19 x 24in £80-120 362. ‡ Rosita Marlborough, Duchess of Marlborough (b.1943) Arabella Signed with initials and dated 93 Oil on board 33.5 x 44cm; 13¼ x 17¼in Provenance: Hahn Fine Art dealers, No. 2 1995 £200-300

361

362

363. ‡ Walter John Beauvais (1942-1998) The toy boat Signed Oil on board 34 x 24cm; 13½ x 9½in £300-400 364. Continental School (20th Century) Boats in a harbour Oil on canvas 46 x 56cm; 18 x 22in £200-300

363

364

365. ‡ Mark Adlington (b.1965) Nude seated Signed with initials and dated 93 Oil on canvas 61 x 51cm; 24 x 20in Provenance: New Grafton Gallery, Barnes, 4/09/97 With an unframed watercolour titled Seduction by Asa G. Schweder (2) £100-150 366. Continental School 20th Century Spanish lady with an urn Signed with initials, bears label verso Oil on canvas 70 x 50cm; 27½ x 19¾in Previously attributed to Van Meegeren £100-150

365

366

66 367. Chinese School (20th Century) A young girl in a winter landscape Oil on canvas 74 x 76cm; 29 x 30in £300-500 368. ‡ Ernest Pascoe (1922-1996) Waterfront Signed Oil on board 40 x 56cm; 16 x 22in £200-300 367

368

369

369. ‡ Bernard Venables (1907-2001) On the farm Signed Oil on canvas 40.5 x 61cm; 16 x 24in Provenance: Lacewing fine art gallery, Marlborough, 23/7/94 £100-150

370

370. ‡ Glyn Morgan (Welsh, b.1926) Boats at Walberswick Signed and dated 98 Oil on canvas 61 x 76cm; 24 x 30in £100-150 371. ‡ Glyn Morgan (Welsh, b.1926) View over a hill town Signed verso Oil on canvas 71 x 92cm; 28 x 36in £150-250

371

372

372. ‡ Glyn Morgan (Welsh, b.1926) Cottage by a poppy field Signed and dated 02 Oil on canvas 51 x 76.5cm; 20 x 30in £100-150 373. ‡ Albert Barlow (b.1944) Long walk home Signed Acrylic on board 15 x 20cm; 6 x 8in £250-350 374. ‡ S. Mynors (20th Century) A polo player and mount Signed Acrylic on board 54 x 71cm; 21¼ x 28in £200-300

373

374

67 375. ‡ Baron (20/21st Century) Geese over the reeds Signed Oil on canvas 25.5 x 20cm; 10 x 8in £50-80

376. ‡ Tom Quinn (b.1918) The Architects wife - Gina Signed, also titled verso Oil on board 33 x 16cm; 13 x 10¼in £100-150

377. ‡ C. Herd (20th Century) A nude holding flowers Signed Oil on board 73 x 46cm; 28¾ x 18in £100-200

375

376

377

378. ‡ Binny Mathews (b.1960) Untitled, 1977 Signed verso, also signed on a certificate Oil on canvas 89 x 69cm; 35 x 27in £300-500

379. ‡ Ken Moroney (b.1949) Artists en plein air Signed Oil on board 25.5 x 28cm; 14 x 11in Provenance: Hollywood Road Gallery, Chelsea, 4665 £400-600

378

379

380. ‡ Roger Bliss (20th Century) Portraits, landscapes and still lifes Seven, two signed and titled verso All oil on board, unframed 51 x 61cm; 20 x 24in and smaller (7) £100-150

380

68 381. ‡ H. Ellis (20th Century) Setting sail Signed Oil on board 45 x 61cm; 16 x 24in £300-500

381

382

382. ‡ Hans Smatlak Barma (1903-1978) Sunset on the peaks Signed Oil on canvas 51 x 65cm; 20 x 25½in £100-150 383. ‡ Carolyn Sergeant (b.1947) ...the leaf, the bud, the flower... Signed with initials and dated 97 Oil on board 24.5 x 33cm; 9½ x 13in Exhibited: Hazlitt, Gooden & Fox, 6-28 May 1999, No. 29 £300-500

383

384

384. ‡ Janet Ledger (b.1931) Thames Reach Signed Oil on board 15 x 22.5cm; 6 x 9in £200-300 385. Continental School 20th Century Still life of flowers, fruits and pots Signed and titled indistinctly verso Oil on board 61 x 50cm; 24 x 19¾in £200-300 386. English School 20th Century Fishing hut, Brittany Signed indistinctly verso Oil on board 24 x 19cm; 9½ x 7½in £100-200

385

386

387

387. ‡ Gaynor Elizabeth Bury (1889-1975) Continental garden views Two, both signed and dated 1934 and 1962 Oil on panel and oil on canvas board, in matching frames 26.5 x 35.5cm; 10½ x 14in and similar (2) £100-200

69 388. ‡ Gaynor Elizabeth Bury (1889-1975) View of Sark coastline; Coastal views Five, 4 signed and dated 1950s Four watercolour with gouache on board, one oil on board, all unframed 33 x 24cm; 13 x 9½in and similar (5) £80-120 389. ‡ Gaynor Elizabeth Bury (1889-1975) The old Toulon Road, Hyeres; Continental landscapes Seven, most signed and dated 1927/8 and 1949 All gouache or watercolour with gouache on board, unframed All approx. 33 x 24cm; 13 x 9½in (7) £100-200 390. ‡ Gaynor Elizabeth Bury (1889-1975) Continental town views Five, 3 signed and dated 1926, 1927 and 1935 All gouache or gouache and watercolour on board, unframed All approx. 33 x 21.5cm; 13 x 8½in With 4 further landscapes by the same hand (9) £100-200

390

388 391. ‡ Gaynor Elizabeth Bury (1889-1975) Garden views Five, one signed and dated 1963 All oil on canvas board, 3 unframed Each 35.5 x 25.5cm; 14 x 10in and similar (5) £100-200 392. ‡ Gaynor Elizabeth Bury (1889-1975) Continental river views; Medieval glass; A lady playing music in an interior Four, one signed and dated 1938 All oil on panel, unframed 35.5 x 27cm; 14 x 10½in and smaller With 5 further sketches by the same hand including 2 portraits (9) £200-300

391

389

392

WATERCOLOURS 393. English School 17/18th Century Portrait of a lady and a gentleman, thought to be the Hope family A pair, both pastel in carved wood frames with crown surmounts Each 55 x 45cm; 21½ x 17¼in (2) Provenance: Hope family, East Anglia £600-800

394. William Osborne Hamilton R.A. (1751-1801) Achilles departing for Troy Watercolour over pencil 19 x 14cm; 7½ x 5½in £300-500

393

395. John Downman A.R.A. (1750-1824) Portrait of a lady Signed and dated indistinctly Pencil, chalk and watercolour, oval 16.5 x 12cm; 6½ x 4¾in Provenance: Abbott & Holder £400-600

394

395

396. Stephen Catterson Smith Sr. (1806-1872) Nude studies Two, both pencil and red chalk 41 x 33cm; 16 x 13in and similar (2) £300-500

396

397 397. Isaac Cruikshank (Scottish 1756-1811) Breaking the silence; Call again tomorrow A pair, both pen, ink and watercolour 16 x 23cm; 6¼ x 9in and similar (2) £800-1,200 398. George Morosini (Italian/Irish d.1882) Major John Doran of Ely House, Co. Wexford (1782-1866); Robert Doran son of John Doran A pair, both signed Both coloured chalks on buff paper Each 29 x 24cm; 11½ x 9½in (2) £150-250 399. Italian School c.1700 Death of Joseph Red chalk and wash 32 x 29cm; 12½ x 11½in £1,000-1,500

400

398 400. J. B. Güct (18th Century) Study of piglets Signed and dated 1786 Pencil and watercolour 24 x 37cm; 9½ x 14½in Provenance: Frost & Reed, 26.6.52, No. *9720 Siegfried Sassoon, given by his son to the current owner £100-150

399 401. After Guido Reni A 19th Century drawing of Apollo on the Sun Chariot preceded by Dawn Pencil 19 x 45cm; 7½ x 17½in £200-300

401

72 402. Edward Hastings (1781-1861) Salisbury Cathedral in a landscape Signed and dated 1815 verso Watercolour, heightened with white and gum arabic 23 x 35cm; 9 x 13¾in Provenance: Woolley & Wallis 2004 £100-150

403. J. H. Glover (19th Century) Travellers in a Continental mountain river landscape Signed with initials and inscribed, also signed and inscribed on backing board verso Watercolour 38 x 58cm; 15 x 23in £100-150

404. Manner of David Cox Harvest scene Bears signature Watercolour 11 x 16.25cm; 4½ x 6½in £100-150

405. William Samuel Howitt (c.1765-1822) Cattle grazing at Easby Abbey, Yorkshire Signed Pen, ink and watercolour 14 x 20.5cm; 5½ x 8in Provenance: Michael Bryan, London £200-300

402

404

403

405

406. English School early 19th Century Road from Llangolen to Corwen; Tintern Abbey, Monmouthshire A pair, both watercolour Each 40 x 56cm; 16 x 22in (2) £250-350

407. John Varley (1778-1842) A village scene with gateway and church Signed verso Watercolour 22 x 33cm; 8¾ x 13in £200-300

408. Neapolitan School 19/20th Century A paddle steamer Gouache 49 x 79cm; 19¼ x 31in £100-150 406

407 409. William Turnbull (Scottish, act.1790-1827) Traveller in a landscape Signed, inscribed Edinr and dated 1794 Watercolour 38 x 56cm; 15 x 22in £150-250

408

409

73 410. Samuel Owen (1768/69-1857) Bustling river traffic on a Dutch estuary Watercolour 10 x 15cm; 4 x 5¾in £120-180

411. Attributed to John Middleton Leigh Downs, July 185* Inscribed later, possibly by the artist’s mother Watercolour, in an arched mount 29 x 46cm; 11½ x 18in £200-300

410

412. Edward Arden/Tucker (c.1847-1910) Alnwick Castle; Warkworth Castle Two, both signed Both watercolour Each 29 x 44.5cm; 11½ x 17½in (2) £150-250

411

412

413 413. Sir Herbert Hughes-Stanton (1870-1937) Hill head from the Solent Signed and dated 1922 Watercolour 26 x 50cm; 10¼ x 19¾in Provenance: The Fine Art Society, March 1962 £200-300

415. François Louis T. Francia (French 1772-1839) Cave at Freshwater, Isle of Wight, c.1806 Signed Watercolour 8 x 16.5cm; 3 x 6½in Provenance: Spink & Son K3/2343 Anthony Reed 1985 £200-300

414. George Sidney Shepherd (1784-1862) A country house Signed and dated 1813 Watercolour 40 x 72cm; 16 x 28¼in £150-250

416. Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape nocturne No. 7 Inscribed with device lower right Pastel heightened with white 10 x 13.5cm; 4 x 5¼in Provenance: Nordness Madison, New York £200-300

414

415

416

418

417

417. J. Hardy (19/20th Century) Middle eastern scenes with figures beneath arches A pair, both signed Both gouache over watercolour 75 x 52cm; 29½ x 20½in and smaller (2) £500-800 418. Antonio Maria Fabes y Costa (Spanish 1854-1936) A town from beyond the walls Signed Watercolour 34 x 19cm; 13½ x 7½in £500-700 419. Angelos Giallina (Greek 1857-1939) Greek temples and views Three, one signed All watercolour 23.5 x 35cm; 9¼ x 13¾in and smaller (3) £200-300

419

420. A. Bransom*** (19/20th Century) Arabs seated in a woodland clearing Signed indistinctly Watercolour with pastel 30 x 44cm; 11¾ x 17¼in £100-150

420

421

421. Tony Binder (1868-1944) View of Luxor, Egypt Signed, titled and dated 1924 Watercolour and bodycolour 36 x 54cm; 14 x 21in £150-250

75 422. A. Z. (c.1918) Study of a sculpture of a buddha Signed with initials and dated 1918 Watercolour, unframed 24 x 12cm; 9½ x 12¼in £80-120 423. ‡ Frank O. Salisbury (1874-1962) Portrait of His Highness the Maharaja of Patalia [in uniform] Signed and titled Coloured chalks on grey paper 49.5 x 37cm; 19½ x 14½in Provenance: By direct descent from the artist £400-600 424. Indian School 19th and 20th Century Illustrations and genre scenes with calligraphy 10, most pen, ink and gouache, in matching decorative frames 28 x 17.5cm; 11 x 7in and smaller With 4 further illustrations and 2 prints (16) £150-250 425. Chinese School 19th Century Pith paintings of costumes, boats and workers A group of 13, all watercolour 9 x 19cm; 3½ x 7½in and smaller (13) £200-300

423

422

425

424

426

426. John Brownrigg Bellasis (1806-1890) Lake on the summit of Mt Abu, Gujarat Pen ink and watercolour 11 x 19cm; 4¼ x 7½in £100-150

427

427. Indian School 19th Century Ladies in the forest; The loving couple Three, all pen, ink, watercolour and wash over pencil, heightened with gold paint, framed as a set 19 x 14cm; 7½ x 5½in and smaller With 3 further similar scenes by a different hand (6) £200-400

428

429

428. Francis Philip Barraud (1824-1901) Entrance to a quadrangle, possibly Oxford Signed Watercolour 37 x 26cm; 14½ x 10in £100-200

430

429. Clara Montalba (1842-1939) A sailing ship with the mast down in a busy harbour Signed and dated 79 Watercolour 36 x 25cm; 14 x 10in £250-350

430. Carl Friedrich Heinrich Werner (German 1808-1894) Corte Vecchia Watercolour 57 x 41.5cm; 21½ x 16¼in £500-700 431. John Cart Burgess (1798-1863) The Abbey gatehouse Bristol Signed and dated 1836 Watercolour with gum arabic 38 x 28cm; 15 x 11in £100-150 432. Patrick Gibson (1782-1829) A loading tower by a lake Watercolour 16 x 11cm; 6¼ x 4¼in Provenance: Sotheby’s, Cornish Torbock sale £150-250

431

432

433 434. English School 19th Century Piccolo Teatro a Pompei; Tempio della Fortuna; Temple in Pompeii Three, the first 2 titled verso All watercolour over an etched line, unframed Each 14 x 20cm; 5½ x 8in (3) £100-150

434

433. Frederick Hawkins Piercy (1830-1891) Stonehenge Signed Watercolour heightened with white 21.5 x 17cm; 8½ x 6¾in Piercy illustrated Route from Liverpool to the Great Salt Lake Valley, 1855 £80-120

435 435. Attributed to Myles Birket Foster (1825-1899) Lyme Regis, Dorset; The way to the Beach, Charmouth, Dorset A pair, both signed with a monogram Both watercolour Each 9 x 14cm; 3½ x 5½in £1,000-1,500 436. Gustave Doré (French 1832-1883) Sunset on a mountain fort with sheep and shepherd in the foreground Signed and stamped Watercolour 32 x 51cm; 12½ x 20in £2,000-3,000 437. Wiliam Lionel Wyllie R.A. (1851-1931) Figures on the beach, Normandy Signed Watercolour 14.5 x 44cm; 5¾ x 17¼in £2,000-3,000

436

437

78 438. Paul Marny (1829-1914) Boats in a Continental town Signed Pen, sepia ink and watercolour 44.5 x 30.5cm; 17½ x 12in £100-200

438

439

440

439. L. Kingsley Kefford (c.1909) Illustrations of Exotic Species of birds from South America and the Caribbean All signed and titled, some dated 1909 All watercolours, mounted, unframed Each approx. 20 x 16cm; 8 x 7in (17) £300-400

441 440. Frederick James Aldridge (1850-1933) Sailboats on a Venetian lagoon Signed Watercolour 35.5 x 25.5cm; 14 x 10in £150-250 441. Albert Dürer Lucas (1828-1918) Eyemouth, N.B.; Beneventum in Samnium; Black Forest; Untitled Four, all signed, and dated 1903 and 1904, three titled All watercolour with gouache 14 x 20cm; 5½ x 8in and similar (4) £600-1,000

442

442. William Samuel Howitt (c.1765-1822) Bos Taurus; Bos Zebu from Life in Exeter Change Two, both signed and titled Both watercolour over pencil Each 18.5 x 12.5cm; 7¼ x 5in With 2 further pencil sketches, attributed to Howitt of a tiger and a crocodile (4) £600-800

443

444

445

446

447

448

443. Ebenezer Wake Cook (1843-1926) Florence from near Fiesole Signed Watercolour 16.5 x 24cm; 6½ x 9½in £400-600 444. ‡ Henry John Sylvester Stannard (1870-1951) Surprise view near Sheffield Signed Watercolour 51 x 71cm; 20 x 28in £600-800

445. Follower of William Callow R.W.S. Busy market in Paris Watercolour 58 x 84cm; 22¾ x 33in £400-600 446. Herbert John Finn (1860-1942) The lower reaches of the Thames Signed and dated 1912 Watercolour 53.5 x 75cm; 21 x 29½in £80-120

447. John Varley (1778-1842) A river crossing Signed and dated 1830 also signed on a label verso Watercolour 8 x 13.5cm; 3¼ x 5¼in £200-300 448. Charles Topham Davidson (1848-1902) North Cornwall Signed Watercolour 30.5 x 47cm; 12 x 18½in £400-600

449

450

451

449. William Minshall Birchall (1884-1941) Leaving port; A ship of yesterday A pair, both signed and titled, one dated 1929 Both watercolour Each 21.5 x 29cm; 8½ x 11½in (2) £300-500 450. Frank Henry Mason (1876-1965) A busy harbour Signed, also titled indistinctly Watercolour with bodycolour and gum arabic 16.5 x 43cm; 6½ x 17in £200-300

452

451. ‡ Henry E. Tozer (1864-c.1938) A Thames barge race Signed Watercolour 38 x 68cm; 15 x 26¾in £150-250 452. ‡ John Foster (20th Century) Towards Salute; Dogana, Grand Canal, Venice A pair, both signed Both watercolour over pencil Each 25.5 x 35cm; 10 x 13¾in With a further watercolour of 2 views of Venice by a different hand (3) £120-180

453

453. William Edward Atkins (1842-1910) H.M.S. Victory and other ships, Portsmouth Signed and dated 1865 Watercolour 26.5 x 45cm; 10½ x 17¾in £200-300

454

454. English School 19/20th Century On Loch Katrine N.D. Signed indistinctly and titled Watercolour 43 x 73cm; 17 x 28¾in £100-200

81 455. William Harris Weatherhead (1843-1903) The Dairy Maid Signed Watercolour 58.5 x 36.5cm; 23 x 14½in £1,000-1,500

456. Edward Killingworth Johnson (1825-1896) A slight shower Signed and dated below mount Watercolour with bodycolour 27 x 20cm; 10½ x 7¾in £300-400

457. Thomas Frederick Mason Sheard (1866-1921) A boy with a catapult on a summer day Signed Watercolour with scratching out 55 x 39cm; 21½ x 15¼in £500-700

458. Charles McArthur (fl.1860-1914) St. Mark’s Square, Venice Signed and dated 1881 Watercolour 64 x 51cm; 25 x 20in £400-600

455

456

457

458

82 459. Henry E. Tozer (1864-c.1938) Making sail Watercolour 30.5 x 48cm; 12 x 19in £250-350

459

460

460. Edwin Charles Pascoe-Holman (19/20th Century) Ogwen Falls, N. Wales Signed and titled Watercolour 27 x 38cm; 10½ x 15in £100-200 461. ‡ W. H. Jones (early 20th Century) An elegant lady seated in an interior Signed and dated 29.10.05 Watercolour 18 x 25.5cm; 7 x 10in £100-150

461

462

462. Frank Richards (1863-1935) Brownsea Castle, Poole Said to be signed and titled verso Watercolour 44.5 x 68cm; 17½ x 26¾in £200-300 463. Thomas Nicholson Tyndale (1860-1930) Cottages at Woolensbrook, Hertfordshire Signed Watercolour 16 x 22.5cm; 6¼ x 9in £100-150

463

464

464. Ferdinand E. Gröne (c.1850-1920) Auckworthy Said to be signed and titled verso Watercolour with bodycolour 24 x 38cm; 9½ x 15in £150-250 465. Charles Wilkinson (fl.1881-1892) An evening street scene, a spire beyond Signed Watercolour 24 x 33cm; 9½ x 13in £100-150

465

466

466. ‡ Richard Jack R.A. (1866-1952) Summer in Hyde Park Signed and dated 1913 Watercolour 24 x 33cm; 9½ x 13in £250-350

83 467. Walter Follen Bishop (1856-1936) The Ambush Signed and dated 1892 Watercolour 59 x 99.5cm; 23 x 39in £2,000-3,000

468. Robert Thorne Waite (1842-1935) Cornfield near Lewes, Sussex Signed and dated 1906 Watercolour 34 x 42cm; 13¼ x 20½in £300-500

467 470. P. Gerard (19th Century) Amphitheatre, Taormina, Sicily Watercolour 40 x 58cm; 15¾ x 22¾in Provenance: Southerans, 1/1/59 £300-500

469. ‡ Frank J. Egginton (Irish, 1908-1990) Derryreel, Co. Donegal Signed and dated 74 Watercolour 37 x 53cm; 14½ x 21in £300-500

471. John Fulleylove (1845-1908) The Medici Gardens, Rome Signed, dated 1881 and inscribed Roma Watercolour 18 x 33cm; 7 x 13in £150-250

468

470

469

471

472

473 473. W. J. Ophelia Billinge (early 20th Century) Rustic Signed and dated 1914 Watercolour over pencil on buff paper, circular 28.5cm; 11in diameter £150-250

475 472. Frederick John Skill (1824-1881) A young girl with a work horse Signed and dated 1874 Watercolour 22 x 15cm; 8½ x 6in £150-200

476

474. William Henry Hunt (1790-1864) Studying hard Watercolour 33 x 22cm; 13 x 8¾in £200-300

474 475. ‡ Arthur Wardle (1864-1949) Musquach; Squirrels; Pine Martin Three, one coloured chalks, two pencil, all mounted, unframed 21 x 28cm; 8¼ x 11in and similar (3) £100-150 476. Henry H. Parker (1858-1930) Cattle watering; A girl crossing a bridge A pair, both signed Both watercolour Each 51.5 x 33cm; 20¼ x 13in (2) £100-200

477

477. ‡ Hirst Walker (1868-1957) A river at dusk Signed Watercolour with bodycolour 43 x 29cm; 17 x 11½in £100-150 478. Thomas Mortimer (19/20th Century) Path through the woods; Trees by the river A pair, one signed Both watercolour with gum arabic and heightened with white 52.5 x 30cm; 20½ x 11¾in (2) £100-200

478

85 479. Robert Anning Bell (1863-1933) And whilst I sing Euphelia’s praise ... from Palgrave’s Golden Treasury Signed Watercolour over crayon 34 x 26.5cm; 13¾ x 10½in £500-700

480. Josph Bouvier (19/20th Century) Sophie Signed and titled Watercolour, in a William Kent style frame 37 x 25.5cm; 14½ x 10in £400-600 479

480

481

482

483

484

481. ‡ John McKirdy Duncan (1866-1945) Head study of a young lady Signed with initials Crayon with chalk 26 x 20cm; 10¼ x 8in £400-600

482. ‡ Jean Droit (French 1884-1961) A lady in evening dress Signed Pencil heightened with red chalk 165 x 120mm £100-150

483. ‡ A. Dudley (20th Century) In days of old Signed Watercolour 36 x 25.5cm; 14 x 10in £500-700

484. David Woodlock (1842-1929) Fetching water Signed Watercolour 24 x 17cm; 9½ x 6¾in £300-500

86 485. John Baragwanath King (1864-1939) Afterglow, Dartmoor; The Bridge Two, both signed Both watercolour 28 x 45cm; 11 x 17¾in and 25.5 x 36cm; 10 x 14in (2) £150-250

485

487

486

488

486. John Baragwanath King (1864-1939) A medley of sailing boats on a calm sea; Sailing boats Two, both signed Both watercolour 26 x 36cm; 10¼ x 14in and 25 x 35cm; 10 x 13¾in (2) £200-300 487. ‡ Edwin Earp (1851-1945) Fishermen and sailboats on a lake at dusk Signed Watercolour 22 x 58.5cm; 8½ x 23in £100-150 488. Charles Frederick Draper (Guernésiais 1840-1910) Sunset over a mountain lake, possibly Guernsey Signed and dated 75 Watercolour 37 x 63.5cm; 14½ x 25in £150-250 489. Frederick John Widgery (1861-1942) A moorland landscape Signed Watercolour with gouache 28 x 46cm; 11 x 18in £200-300

489

490

491

492

490. Frederick John Widgery (1861-1942) Mouth of the Gannel, Newquay Signed Watercolour with bodycolour 47 x 73cm; 18½ x 25¾in Provenance: Devon and Exeter Exhibition, 1902, No. 136 £200-300

491. Frederick John Widgery (1861-1942) The Doone valley, Exmoor; A moorland landscape Two, both signed, the first titled, dated 91 and numbered 6814 verso Both watercolour with gouache and scratching out 18 x 28cm; 7 x 11in and 18 x 53cm; 7 x 21in (2) £200-300

492. Frederick John Widgery (1861-1942) A rock pool by the sea Signed Gouache 25 x 35.5cm; 10 x 14in £100-150

493. Albert Goodwin R.W.S. (1845-1932) The coral beach, Barbados Signed and titled Watercolour 19.5 x 26cm; 7¾ x 10¼in £800-1,200

493

494. Albert Goodwin R.W.S. (1845-1932) Winchester Signed and titled Pen, ink and watercolour 24.5 x 37cm; 9¾ x 14½in Provenance: Fine Art Society, March 1951, No. 13 £800-1,200

494

495. Luca Papaluca (Italian 1890-1934) M.Y. Flying Cloud R.Y.S. Signed and titled Gouache 31.5 x 45cm; 12½ x 17¾in £800-1,200 495

88 496. ‡ Samuel John Lamorna Birch (1869-1955) Mills at Montreuil Signed Watercolour 49 x 59cm; 19¼ x 23¼in £250-350

497. Mary Goudie Simpson (d.1934) The cattle market Signed Watercolour with bodycolour, unframed 30 x 48.5cm; 12 x 19in £100-150

496

499. English School early 20th Century River landscape Signed with a monogram D.B.C. Watercolour over pencil 21 x 34.5cm; 8¼ x 13½in Provenance: Christine Silver (Mrs. Roland Sturgis) from whence given to current owner £80-120

497

498

498. ‡ Leonard Russell Squirrell R.W.S. (1893-1979) Shadowed Hill near Youlgreave, Derbyshire Signed and dated 1949, also signed and titled on a label verso Watercolour with gum arabic 19 x 34.5cm; 7½ x 13¼in £150-250

499

500. Frederick William Baldwin (1899-1962) Blackshore, Southwold from across the river Signed and dated 1956 Watercolour over pencil 30 x 41cm; 12 x 16in £150-250 501. ‡ Claude Muncaster R.O.I. (1903-1974) Majorcan landscape Signed and dated 1926 Watercolour 33 x 49.5cm; 13 x 19½in £100-200

500

501

502

502. Albert George Stevens (1863-1925) Malvern Hills from Hanley Castle Signed Watercolour, unframed 18.5 x 23cm; 7¼ x 9in With an album of unframed watercolours by different hands and one oil sketch by F.G.Short and 2 further framed classical scenes from Herculaneum one signed with a monogram G.M. (15) £100-200

89 503. Helen Howard Hatton (1860-c.1904) Reflection Signed Pastel 43 x 66cm; 17 x 26in £1,000-1,500 504. Charles Robinson (1870-1937) In the Harem Signed Watercolour and bodycolour over pencil 37 x 61cm; 14½ x 24in £1,500-2,500 505. ‡ Miguel Canals (1925-1995) after Edgar Degas Two women Bears signature Pastels over black chalk 49 x 38cm; 19¼ x 15in £100-150

503

506. William Edward Frost R.A. (1810-1877) Nora Greena, Xmas ‘69 Watercolour with gouache 17.5 x 11cm; 7 x 4¼in Provenance: Abbott & Holder £150-250 507. ‡ Marcel Pouget (French 1923-1985) Portrait of a lady Stamped Mixed media 71 x 49.5cm; 28 x 19½in With a further drawing of a nude lady by a different hand (2) £200-300

505

504

506

507

90 508. James Watterson Herald (1859-1914) Edinburgh with the castle beyond Signed and dated 92 Watercolour 25 x 28cm; 9¾ x 11in £100-150 509. Edward Loxton Knight (1905-1933) The bridge Signed Watercolour 24.5 x 35cm; 9¾ x 13¾in With a colour woodcut of Breedon-on-the Hill by the same hand (2) £200-300

509

508 510. Thomas Rowden (1842-1926) Cattle at Birkbury and Ponies on Dartmoor A pair, both signed Both watercolour Each 21.5 x 52cm; 8½ x 20½in (2) £100-200 511. ‡ Walter Stuart Lloyd (1845-1959) Julian’s Bridge, Wimborne Signed and dated 1907 Watercolour 29 x 64cm; 11½ x 25¼in £150-250

510

512. James Allanson Cull (act.1872-1886) Little red riding hood Signed Watercolour 24.5 x 19cm; 9¾ x 7½in £80-120

511

512

513

513. Attributed to Wolf Craig Hainisch (German c.1900) Portrait of Jocelyn Reavey (1928-2013) Signed Pastel 72 x 51cm; 28¼ x 20in The sitter was one of the first lady jockeys in the U.K. and went on to hold a trainers licence. Included are her own racing silks. £200-300 514. ‡ Franco Matania (1922-2006) Old Jock Signed Pastel on grey paper 39.5 x 29cm; 15½ x 11½in £100-150

514

91 515. ‡ Sir Stanley Spencer R.A. (1891-1959) Study for At the Piano 1957, c.1936 Watercolour over pencil 12 x 8.5cm; 4¾ x 3¼in Provenance: Archeus Fine Art, No. 840/20 £600-800

517. ‡ Lionel Dalhousie Robertson Edwards (1878-1966) Rounded at last! Sunday morning in the Bush Signed, titled and dated 06 Watercolour over pencil 29 x 47cm; 11¼ x 18½in £800-1,200

516. ‡ Max Cyprien Jacob (French 1876-1944) Homme assis sur une pierre, Douarnenez Signed, dated sept 19 and inscribed Douarnenez Gouache and watercolour 27 x 35cm; 10½ x 13¾in £300-500

518. ‡ Margaret Winifred Tarrant (1888-1959) Sheltering from the cold Signed Watercolour 21.5 x 29cm; 8½ x 11½in £800-1,200 519. Andrew Nicholl (1804-1886) A bank of wild flowers Watercolour with gum arabic 32 x 43cm; 12½ x 17in £1,000-1,500 515

516

518

517

519

92 520. ‡ Sir Cecil Beaton C.B.E. (1904-1980) Prince Charming Lady Margaret Drummond Hay Titled, also signed verso under backing board Gouache 41 x 25cm; 16 x 9¾in Beaton and film director Alexander Korda staged Heil Cinderella for troops stationed on Salisbury Plain in 1940. As well as designing the costumes Beaton played an ugly sister £300-500

520

521

521. ‡ Albert Houthousen (1903-1979) Danny Polo, Doncaster, 1944 Signed and titled Watercolour with chalk and heightened with white and scratching out 74 x 55cm; 29 x 21½in Provenance: Mercury Gallery, Cork Street, 14/11/90 £300-400 522. Ernest Edward Briscoe (1882-c.1928) Entrance to Staple Inn, Holborn; The Guildhall; Williamson’s; St. Andrew Undershaft Four, all signed and dated 1924 and 1927 All pen and ink, unframed 2 at 50 x 38cm; 19¾ x 15in and 2 at 33 x 24cm; 13 x 9½in (4) £150-200 523. Harry Bright (1846-1895) Chaffinches on a branch Signed Watercolour 20 x 14.5cm; 8 x 5¾in £100-150

522

523

524. Harold Hope Read (act.1905-1935) Going for a swim Inscribed indistinctly upper left and dated 25 Pen, sepia ink and watercolour 23 x 30.5cm; 9 x 12in £300-500 525. Thomas William Morley (1859-1925) Breton market Signed and dated 15 Watercolour 28 x 42cm; 11 x 16½in £300-500

524

525

93 526. F. Coates (early 20th Century) WWI: 1914-1919 The lighter side; Some places of Interest A pair, both signed Both pen and ink, one with watercolour 38.5 x 27.5cm; 15 x 10½in (2) £200-300

527. Charles Mendelssohn Horsfall (1865-1942) Portrait of W. J. Crossland Briggs Signed, dated and inscribed Ruhleben Sep. 16th 1916 Pencil 34 x 26.5cm; 13¼ x 10½in Sold on behalf of the Charity Mencap £80-120

526

528. H. Harry Sheldon (20th Century) World War II illustration of an air attack on soldiers crossing a river Signed and dated 42 Watercolour, unframed 63 x 85cm; 24¾ x 33½in £100-200

527

529. O. H. (German c.1914/18) World War I soldiers and civilians Seven, two signed with initials All pencil, framed together Each approx. 14 x 9.25cm; 5½ x 3¾in £200-300 530. F. L. Blanchard (early 20th Century) Regina Eleanor, Italian Battleship; Preussen, German Battleship Two both signed, titled and dated 1907 and 1905, the first also titled and inscribed verso, the second dated June 14th verso Both grisaille watercolour, one heightened with white 22.5 x 33cm; 9 x 13in and 20.5 x 30.5cm; 8 x 12in (2) £150-250

528

529

530

94 531. Louis William Wain (1860-1939) Dr. Alan Barham Carter as a cat Signed Gouache 22.5 x 17cm; 8¾ x 6¾in Louis Wain was a patient of Dr. Carter who became a neurologist of repute and this was painted for him at Napsbury Hospital in 1933 £300-500 531

532. Louis William Wain (1860-1939) Cats playing tennis Pen, ink and watercolour heightened with white and gum arabic 15 x 24.5cm; 6 x 9½in £200-300

532

533. Francis Edward James (1849-1920) A still life of a bouquet of ranunculus Signed Watercolour 25 x 34.5cm; 10 x 13½in Provenance: Michael Bryan, London £100-200 533 534. ‡ Rebecca John (b.1947) From the hedgerow, Ty Draw Signed with initials and dated Fev 99 Watercolour over pencil on vellum 30.5 x 23cm; 12 x 9in Exhibited: Lefevre Gallery, Plant Life, 20th May - 11th June 1999, No. 8 with a watercolour of Albert Memorial by F. Gosling (2) £200-300

534

535

536

535. Francis Edward James (1849-1920) Geraniums Signed Watercolour, mounted, unframed 24 x 33cm; 9½ x 13in £100-150 536. English School mid 20th Century Pearly kings and queen at the Fairground Watercolour over pencil, unframed 49.5 x 72cm; 19½ x 28¼in £100-150 537. ‡ Peter Markham Scott (1909-1989) Canada Goose Signed Pen, ink and watercolour over pencil 14 x 16.5cm; 5½ x 6½in Provenance: Arthur Ackermann & Son Ltd. £100-150

537 538. ‡ Richard Eurich (1903-1992) The Grandfather Signed and dated 1929 Pencil 26.5 x 30cm; 10½ x 11¾in Provenance: Austin/Desmond Fine Art Thomas Agnew & Sons, 30-12-87, Stock No. DB0939 £300-500

538

95 539. ‡ Eustace P. E. Nash (1886-1967) Poole Quay from the Custom’s House Signed Watercolour over pencil 31 x 40.5cm; 12¼ x 16in £150-250 540. ‡ John Stanton Ward (1917-2007) A country house Pen, ink and watercolour 34 x 48cm; 13½ x 19in Provenance: Abbott & Holder £100-200 541. ‡ Arthur Henry Knighton-Hammond (1875-1970) A Somerset village Signed, also inscribed Old Court, Misterton faintly on a label verso Watercolour on buff paper heightened with white 19 x 25.5cm 7½ x 10in Exhibited: Ridley Art Club £200-300

539

540

541

542

543

544

542. William Ednie Rough (1892-1935) A ruin on the coast; A shop on a back street; A street scene Three, all signed and dated 1925 All watercolour 36 x 52cm; 14 x 20½in and similar (3) £100-200 543. ‡ Jane Corsellis (b.1940) Walk in Hyde Park Signed Watercolour 19 x 25cm; 7½ x 10in Provenance: David Messum, British Figurative Painting, Winter Exhibition, 1996 £100-150 544. A. W. Robertson (American 20th Century) San Francisco, California Signed, titled and dated 1926 Watercolour over pencil 18.5 x 26cm; 7¼ x 10¼in £250-350 545. ‡ Gwilym John Blockley (b.1921) Fron, North Wales Signed, also signed and titled on a label verso Pastel 50.5 x 43cm; 20 x 17in £200-300

545 546. German School 20th Century Bold knights jousting A pair, both inscribed in German and bearing date 1265 Both watercolour on vellum or mock vellum 42.5 x 74cm; 16¾ x 29in (2) £100-200

546

96 547. ‡ Sunderland Rollinson (1872-1950) Still lifes of ceramics, books and a shell A pair, one signed and dated 92 Both watercolour with bodycolour, unframed Each 46 x 62.5cm; 18 x 24½in With 11 further unframed watercolours of landscapes, seascapes and a still life, by the same hand (13) £120-180 548. ‡ George Ayling (1887-1960) The coastal run Signed Watercolour 35 x 48cm; 13¾ x 19in £200-300

547

548

549. ‡ George Ayling (1887-1960) Off to the fishing grounds Signed Watercolour 35 x 48cm; 13¾ x 19in £200-300

549

550. ‡ John Peter Pernath (German b.1941) Bellflowers and Lemons Signed, also signed, titled and dated 1966 verso Watercolour on hand-made paper 36 x 58cm; 14 x 22¾in With a pastel of a tulip border by P. Winsley dated 96 (2) £200-300 551

550

551. ‡ Tina Morgan (b.1952) Elaine on red Signed Oil on canvas 30 x 30cm; 12 x 12in £100-150 552. ‡ Emma Sergeant (b.1959) Portrait of Imran Khan Pencil heightened with white 24 x 16cm; 9½ x 6¼in £200-300 553. Attributed to Arnold Auerbach (1896-1979) Two lovers Signed and dated 1922 Pastel and black crayon 28 x 17.5cm; 11 x 7in £200-300

552

553

97 554. ‡ Pal Fried (American/ Hungarian 1893-1976) Nude portrait Signed Pastel 68.5 x 49cm; 27 x 10¼in £600-800 555. ‡ Vicente Romero (Spanish b.1956) Portrait of a young lady dressing Signed Pastel 65 x 50cm; 25½ x 19¾in Provenance: The estate of Mr. William Campbell Allan £600-800 556. ‡ Franco Matania (1922-2006) Kneeling female nude Signed Pastel 58 x 43cm; 22¾ x 17in £70-100

555

554

557. ‡ Franco Matania (1922-2006) Seated nude Signed Pastel 34 x 43cm; 13¼ x 17in With a reproduction by the same hand (2) £150-250 558. ‡ Robert van Cleef (b.1914) Seated ballet dancer by a mirror Signed Pastel 56 x 43cm; 22 x 17in Provenance: Gladwell & Co. £100-150

556

557

559. ‡ Tom Quinn (b.1918) A girl in a hat Signed Oil on paper 40.5 x 25.5cm; 16 x 10in £100-150 560. ‡ Roy Petley (b.1950) Seated nude in stockings Signed Pastel on grey paper 48.5 x 39.5cm; 19 x 15½in £100-150 558

559

560

98 564. ‡ Roy Petley (b.1950) Female nude reclining on a bed Signed and dated 1989 Black chalk 36 x 54cm; 14¼ x 21¼in £100-150 565. ‡ Roy Petley (b.1950) A nude standing, her leg resting on a bed Signed Red chalk 37 x 27cm; 14½ x 10½in With a further red chalk study of a nude 42 x 20cm; 16½ x 8in (2) £100-150 561

562

563

561. ‡ Roy Petley (b.1950) A Venetian backwater Watercolour heightened with mixed media 74 x 54cm; 29 x 21¼in Provenance: David Messum, Spring 1994 £300-500

566. ‡ Roy Petley (b.1950) Head study of a young woman in a hat Signed Red chalk 32 x 34cm; 12½ x 13½in With another similar, signed £100-150

562. ‡ Roy Petley (b.1950) A female nude, three-quarter length Signed Red chalk 40 x 20cm; 15¾ x 8in Provenance: David Messum, Spring 1994 With another similar, signed (2) £100-150

567. ‡ Roy Petley (b.1950) A female nude, three-quarter length Two, both signed and one dated 84 Both red chalk 46 x 25.5cm; 18 x 10in and 50 x 23cm; 19¾ x 9in (2) £100-150

563. ‡ Roy Petley (b.1950) The shawl Signed Pastel 44 x 29cm; 17¼ x 11½in Provenance: David Messum, Autumn Exhibition 1998, No. 29 £200-300

568. ‡ Roy Petley (b.1950) A female nude, half length Signed Red chalk 33 x 20cm; 13 x 8in With another similar, signed and dated 88 (2) £80-120

564

565

566

567

568

INDEX OF ARTISTS A

A.Z. Abbott, After Lemuel Francis Adam, Victor Charles Ed. Adlington, Mark Aldin, Cecil Aldridge, Frederick James Allan, Guy Alma-Tadema, Sir Lawrence Ambrose, John Arden/Tucker, Edward Atkins, William Edward Audobon, John James Auerbach, Attrib. to Arnold Australian School Avercamp, Foll. Of Hendrik Ayling, George

422 39 241 365 70 440 336 59 299 412 453 52 553 327 159 548, 549

B.B. 135 Baldwin, Frederick William 500 Banks, Catherine A. Eggar 265 Baratti, After Antonio 55 Barbizon School 316 Barenger, Circle of James 216 Barker 196 Barker, John 229 Barlow, Albert 373 Barma, Hans Smatlak 382 Baron 375 Barraud, Francis Philip 428 Bas, Edward Le 272 Batt, Arthur 191 Beaton, Sir Cecil 520 Beauvais, Walter John 363 Bell, Robert Anning 479 Bellasis, John Brownrigg 426 Bellman, John Joseph 337 Billinge, W. J. Ophelia 473 Billinghurst, Alfred John 325 Binder, Tony 421 Birch, Samuel J. Lamorna 496 Birchall, William Minshall 449 Bishop, Walter Follen 467 Bisson 199, 200 Blackadder, Elizabeth Violet 73 Blanchard, F. L. 530 Bliss, Roger 380 Blockley, Gwilym John 545 Bone, Foll. Of Henry 10 Bouvier, Joseph 480 Bowyer, Robert 44 Bramley, Barrington 275 Brangwyn, Sir Frank 68 Bransom**, A. 420 Bright, Harry 523 Briscoe, Ernest Edward 522 British School 287 Brun, Marguerite 270 Brzezinski, Leon 18 Buck, Samuel and Nathaniel 47 Bunner, Andrew Fisher 45 Burgess, John Cart 431 Bury, Gaynor Elizabeth 387, 388, 389, 390, 391, 392 Buttler, T. 335

Callow, Foll. Of William 445 Cameron, Ronald 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132 Canals, Miguel 505 Candela, Francisco 259

Chadwick, After Tom 324 Chahine, Edgar 66 Chase, William Arthur 269, 271 Chinese School 221, 243, 367, 425 Clare, Oliver 276 Clausade, Pierre de 350 Cleef, Robert van Clowes, Manner of Daniel 213 Coates, F. 526 Cole, George 186 Collins, James 36 Colonial School 226 Continental School 67, 72, 158, 257, 288, 296, 364, 366, 385 Cook, Ebenezer Wake 443 Coomans, J. 253 Cooper, Abraham 209 Corbould-Ellis, Eveline 32 Corsellis, Jane 543 Cosslett, Peter 333 Costa, Antonio Maria F. y 418 Cotter, John 133 Cox, Manner of David 404 Creswick, Thomas 262 Cruikshank, Isaac 397 Cull, James Allanson 512

Dalzell, A. C. 329 Daniell, Thomas & William 41 Davidson, Charles Topham 448 Davis, Arthur H. 235 Devis, Circle of Arthur 162 Dickey, Edward M. Oâ&#x20AC;&#x2122;Rorke 63 Dicksee, Herbert Thomas 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115 Dicksee, Sir Frank 80, 81, 116 Dicksee, Thomas Francis 79, 118, 119 Dighton, After Robert 37 Dighton, Richard 57 Dixon, Frank 170 Dore, Gustave 436 Dowd, James Henry 60, 61 Downman, John 395 Draper, Charles Frederick 488 Droit, Jean 482 Ducker, John 181 Dudley, A. 483 Dugmore, Arthur Radclyffe 310, 311, 312, 313 Duncan, John McKirdy 481 Dunlop, Ronald Ossory 315 Dutch School 164, 231, 274, 289 Dyckmans, After Joseph L 170 Dyf, Marcel 349

Earp, Edwin 487 Easel 120 Edwards, Lionel D. R. 517 Egginton, Frank J. 469 Ellis, H. 381 Elton, Sir Ambrose 307 Emms, John 210, 211 English School 1, 2, 3, 4, 5, 6, 8, 9, 12, 13, 14, 15, 16, 19, 20, 21, 25, 27, 30, 31, 139, 140, 142, 143, 144, 145, 146, 147, 148, 152, 172, 173, 175, 183, 184, 193, 201, 214, 223, 242, 258, 263, 305, 354, 360, 386, 393, 406, 434, 454, 499, 536

Eurich, Richard Ewbank, Thomas John

Finn, Herbert John Fleury, Francois A. Leon Flint, After Sir William R. Foster, Attrib. to Myles B. Foster, John Fowler, Robert Frame Francia, Francois Louis T. French School Fried, Pal Frith, Clifford Frith, William Powell Frost, William Edward Fulleylove, John

Gabell, Elizabeth Lucy Gainsborough, After Thomas Gainsborough, Foll. Of Thomas Gentry, E. Gerard, P. German School Gerodez, Marie-Ange Giallina, Angelos Gibbs, Thomas Binney Gibson, Patrick Gilbert, Sir John Glading, Phillip Glendenning, Alfred Augustus Glover, J. H. Goodwin, Albert Goth, Moricz Gould, After John Gould, Peter van Grandgerard, Lucien H. Greuze, After Jean Baptiste Gribble, Bernard Finegan Grone, Ferdinand E. Guct, J. B. Gwynne-Jones, Allan

Haddelsey, Vincent Hainisch, Attrib. to Wolf C. Hamilton, William Osborne Hanson, Albert J. Hanson Hardy, J. Hastings, Edward Hatton, Helen Howard Heiss-Dionysen, Joseph Henderson, Foll. Of Charles C. Herald, James Watterson Herd, C. Herman Hirst, Norman Hokusai, After Holbein, After Hans Hollams, Frances Mabel Hone, Horace Hoppner, Attrib. to John Hoppner, Circle of John Horsfall, Charles M. Houthousen, Albert Howitt, William Samuel Hughes-Stanton, Sir Herbert Hunt, William Henry

538 227 446 240 71 435 452 303 121 415 155, 341 554 292 46 506 471 306 29 202 301 470 177, 546 353 419 295 432 265 182 203 403 493, 494 267 54 361 322 150 326 464 400 298 224 513 394 328 417 402 503 351 293 508 377 17 49 78 174 212 7 141 150A 527 521 405, 442 413 474

Ibbetson, Circle of Julius C. 136 Indian School 33, 34, 424, 427 Irish School 26

100 Isabey, After Jean Baptiste Italian School

22 399

J.G.B. Jack, Richard Jacob, Max Cyprien James, David James, Francis Edward Jennings, James John, Rebecca Johnson, Charles Edward Johnson, Edward Killingworth Jones, Deborah Jones, W. H.

176 466 516 251 533, 535 11 534 185 456 371 461

Kauffman, Foll. Of Angelica Kefford, L. Kingsley Kent, Leslie Kerouedan, Paul King, Baragwanath Knight, Charles Parsons Knight, Edward Loxton Knighton-Hammond, Arthur H. Knox, William Dunn Kunichika, After Toyohara Kupfermann, Jacques

138 439 318 343 485, 486 206 509 541 330 77 339

Labro-Font, Louis 344 Ladbrooke, Attrib. to John B. 252 Landseer, After Sir Edwin 187 Langlois, Mark William 149 Lara, Georgina 228 Laurent, Jean Michel 217 Le Brun, After Elisabeth L. 48 Ledger, Janet 384 Lely, After Sir Peter 154 Leslie, Charles 238 Lewis, J. 245, 246, 247, 248, 249 Liebermann, Max 58 Lloyd, K. M. 332 Lloyd, Walter Stuart 511 Locke, H. E. 386 Loder of Bath, James 194, 195 Lomax, John Arthur 222 Loudon, Terence 266 Lucas, Albert Durer 260, 441 Lucas, Attrib. to Albert Durer 261 Ludlow 302 Lutyens, Charles Augustus H. 179 Lynch, Charles 290

M. E. S. Maccabe, Gladys Maclauchlan, John Mann, Cathleen Marlborough, Rosita Marny, Paul Maskell-Packer, Jennifer Mason, Frank Henry Mason, Manner of Frank H. Matania, Franco Mathews, Binney McArthur, Charles McGregor, William Mears, George Messer, Mabel B. Mezca*, A. Michau, Circle of Theobald Middleton, Attrib. to John Mignard, After Pierre Miller, Attrib. to Capt. C. K. Miller, William Ongley Montalba, Clara Moore, After Lt. Joseph

28 320 342 268 362 438 323 450 314 514, 556, 557 378 458 189, 190 230 23 255 157 411 40 220 300 429 42

Moore, Edward Morgan, Glyn Morgan, Tina Morland, George Morley, Thomas William Moroney, Ken Morosini, George Mortimer, Thomas Muncaster, Claude Murray-Thomson, John Mynors, S.

Nam Ting Nash, Eustace P. E. Neapolitan School Neer, Foll. Of Aert Van der Nicholl, Andrew Ninnes, Bernard

O. H. Owen, Samuel

237 359, 370, 372 551 137 525 379 398 478 501 309 374 244 539 408 156 519 385 529 410

Page, Sidney 297 Papaluca, Luca 495 Parker, Henry H. 476 Pascoe, Ernest 368 Pascoe-Holman, Edwin Charles 460 Paterson, James 319 Paul, John 215 Payne, Charles Johnson 53 Percy, R. 264 Pernath, John Peter 550 Petit, Eugene 219 Petley, Roy 355, 356, 357, 358, 560, 561, 562, 563, 564, 565, 566, 567, 568 Piercy, Frederick Hawkins 433 Pollentine, Alfred 205 Pouget, Marcel 507 Pratella 308 Pratt, After J. 234 Prince, After Jean-Baptiste Le 38

Quinn, Tom

Read, Harold Hope Reed, H. Rembrandt H. van Rijn, After Renard, Stephen J. Reni, After Guido Rezia, Felice Auguste Richards, Frank Roberts, Foll. Of David Robertson, A.W. Robinson, Charles Rollinson, Sunderland Romero, Vicente Romney, Circle of George Rosell, Alexander Rossini, Luigi Rough, William Ednie Rowden, Thomas Ruegger, Henry Rushbury, Henry George Ryder, Sue

Sain, Edouard Alexandre Salisbury, Frank O.

376, 559 524 160 348 401 232 462 198 544 504 547 555 151 218 43 542 510 340 69 345

256 277, 278, 279, 280, 281, 282, 423 Salt, James 208 Sartorius, George William 236 Scott, Peter Markham 537 Scottish School 233 Sergeant, Carolyn 383

Sergeant, Emma Sever, Klara Shaw, Charles L. Sheard, Thomas Frederick M. Sheldon, H. Harry Shepherd, George Sidney Sherrin, Daniel Short, Frederick Golden Simpson, Joseph Simpson, Mary Goudie Sitch, T. Skill, Frederick John Skorroff, Ivan Smith, Stephen Catterson Smuglewicz, After Franciszek Somerscales, Thomas Jacques Soper, Eileen Alice Spear, Ruskin Spencer, Sir Stanley Spode, Samuel Squirrell, Leonard Russell Stannard, Henry John Stant, J. Lewis Stevens, Albert George Strang, Ian Strutt, Arthur John

Tarrant, Margaret Winifred Thornley, Georges William Tilley, Beryl Tozer, Henry E. Truss, Jonathan Tucker, John Wallace Turnbull, William Tyndale, Thomas Nicholson

Varley, John Velde, Willem Van de Venables, Bernard Verpilleux, Emile Antoine Vivian, Jane Volpe, Allessandro La

552 134 188 457 528 414 180 304 65 497 294 472 317 396 74 250 62 273 515 163 498 444 64 502 331 239 518 161 321 451, 459 346, 347 192 409 463 407, 447 197 369 76 207 178

Waddington, Vera 291 Wain, Louis William 531, 532 Waite, Robert Thorne 468 Walker, Hirst 477 Walton, Catherine R. 283, 284 Ward, John Stanton 540 Ward, Leslie Matthew 56 Wardle, Arthur 475 Waterman 338 Watkins, W. E. 171 Weatherhead, William Harris 455 Webb, James 204 Weight, Carel 75 Welch, Rosemary Sarah 334 Werner, Carl Friedrich H. 430 Wesson, Edward 352 Whistler, Attrib. to James A. M. 416 Widgery, Frederick John 489, 490, 491, 492 Wilkinson, Charles 465 Woodforde, Samuel 153 Woodlock, David 484 Worlidge, Thomas 254 Worters, J. T. 187 Wyllie, William Lionel 50, 51, 437

20th Century & Contemporary Paintings Wednesday 4th June 2014 Entries are now being accepted for this sale John Bratby R.A. (1928-1992) The Gondola and Bridge of Sighs Signed Oil on canvas 122 x 91cm Provenance: Thackeray gallery, purchased by Michael Burns 12.3.85 Estimate: ÂŁ2,000 - ÂŁ3,000

ENQUIRIES

Victor Fauvelle Tel: +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk Jo Butler Tel: +44 (0) 1722 424592 jobutler@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays. VIEwING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIddING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING wITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies.

LIVE ONLINE BIddING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with woolley and wallis Salisbury Salerooms Ltd, you: 1. authorise woolley and wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to woolley and wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that woolley and wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONdITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

SALE RESULTS These will be posted on our website shortly after the sale.

COMMISSION BIddING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

TELEPHONE BIddING It is usually possible to bid on the telephone by prior arrangement with the office.

PAYMENT ANd CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

ARTIST’S RESALE RIGHT / dROIT dE SUITE ‡ droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. we are no longer able to accept card payments of over £1,000 where the cardholder is not present.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYd30974100957707 BIC code LOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: delta, Switch, Connect

droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

Valuations PROBATE VALUATIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

we also carry out valuations for Family division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

woolley and wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Absentee Bid Form Oil Paintings, Watercolours, Prints, Miniatures & Sculpture Wednesday 19th March 2014 PW190314

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print) �� Address �� Postcode �� daytime Telephone �� Email�� debit/Credit Card details: VISA OTHER

MASTERCARd

SwITCH

(please specify)

we do not accept American Express cards

If you have not settled your account within 21 days of the auction woolley and wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+ VAT) surcharge. By signing below you are authorising this payment to be taken by us. Id is required for all first time bidders. Signature �� Salisbury Salerooms, 51-61 Castle Street, Salisbury, wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief description

Price excluding buyer’s premium & VAT

SOCIETY OF FINE ART AUCTIONEERS ANd VALUERS and the ROYAL INSTITUTION OF CHARTEREd SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the dealers Margin Scheme or because VAT is due at 20% on importation into the Uk. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.

where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE woolley & wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (when the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500