Woolley & Wallis 20th Century & Contemporary Art 3rd June by ATGMEDIA

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20th Century & Contemporary Art Wednesday 3rd June 2015

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20th Century & Contemporary Art Wednesday 3rd June 2015 at 11am Enquiries

Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jobutler@woolleyandwallis.co.uk Viewing Times Saturday 30th May 10.00am – 1.00pm Monday 1st June 10.00am – 5.00pm Tuesday 2nd June 10.00am – 4.00pm Wednesday 3rd June 9.00am – 10.45am

Front and back cover: Lot 192 This page: Lot 189 Overleaf: Lot 14

ARTIST’S RESALE RIGHT / DROIT DE SUITE

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COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Salt Lane on 4th and 5th June - collection of lots on these days and Saturday 6th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 8th June collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street. COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES

3 1. ‡ Victor Marais-Milton (French 1872-1948) Portrait of a young lady, half-length Signed, dated July 1935 and inscribed À Mauricette Beaumont/ en Souvenir de/ V. Marais-Milton Oil on board 62 x 51cm Provenance: Christie’s, 13th April 2005, lot 918 £700-1,000 2. Attributed to Allan Davidson (1873-1932) Artist and seated model Oil on canvasboard 25.5 x 21.5cm £150-250 3. ‡ Edwin Byatt (1888-1948) Portrait of a girl in a hat Oil on board 35.5 x 25.5cm Provenance: Sotheby’s, 13.6.88, Lot 2219 £200-300

4 4. ‡ Wilfred Gabriel de Glehn R.A. (1870-1951) Reclining nude, Jane de Glehn Red chalk 30.5 x 50.5cm Provenance: David Messum, Studio Collection, 768 £800-1,200

5. ‡ Frank O. Salisbury (1874-1962) 62 Avenue Road, St. John’s Wood Oil on canvas 51 x 61cm; 20 x 24in Provenance: By direct descent from the artist £400-600 6. ‡ Frank O. Salisbury (1874-1962) Sunlight, Azaleas Signed and dated 16.5.52 Oil on canvas 51 x 61cm; 20 x 24in Provenance: By direct descent from the artist £400-600 7. ‡ Frank O. Salisbury (1874-1962) Rose Arches Signed and dated 7.7.50 Oil on board 64 x 76cm; 25¼ x 30in Provenance: By direct descent from the artist Exhibited: United Society of Artists, 1953 £400-600

8 8. â&#x20AC;Ą Austin Osman Spare (1888-1956) A set of four Greek Vase Figures All signed with initials All pen and black ink Each 23 x 18cm (4) ÂŁ1,500-2,500

8A 8A. Sir William Russell Flint P.R.W.S., R.A. (1880-1969) The Departing of the Knights from Le Morte d’Arthur Signed and dated MCMXI Watercolour heightened with bodycolour on buff paper 21.5 x 27.5cm Literature: Le Morte d’Arthur, Book VIII, chapter VIII £2,000-3,000

10 10. ‡ Sir Frank Brangwyn R.A. (1867-1956) Breaking up the Hannibal, c.1904 Signed Etching 55 x 80.5cm £300-500

9 9. ‡ Sir Frank Brangwyn R.A. (1867-1956) The prisoner Signed with initials Oil on board 62 x 75cm £2,000-3,000

11 11. ‡ Lionel Floch (French 1895-1972) Harvesting scene Signed Oil on board, unframed 22 x 26.5cm £300-500

7 12. Sir George Clausen R.A. (1852-1944) Sunset Signed, also signed and titled verso Oil on canvas 30.5 x 41.5cm Provenance: Sotheby’s London 9th November 1988, lot 31 £3,000-5,000

13. ‡ Julius Olsson R.A. (1864-1942) Ground Sea, Newquay, Cornwall Signed, also titled verso Oil on panel 34.5 x 45.5cm Provenance: L. R. Nightingale, The Studio Gallery, Wroxham, Norfolk £1,500-2,000

8 14. Albert Goodwin R.W.S. (1845-1932) Stonehenge Signed, titled and dated 1909 Watercolour 28 x 40.5cm Provenance: Bonhams, London, 11th March 2003, lot 95 ÂŁ1,200-1,800

15. Albert Goodwin R.W.S. (1845-1932) Winchester Signed, titled and dated 1900 Watercolour with scratching out 22.5 x 28.5cm Provenance: Chris Beetles, Albert Goodwin Ex., No. 1 ÂŁ1,000-1,500

9 16. Albert Goodwin R.W.S. (1845-1932) Atrani, near Amalfi Signed, titled and dated 1901 Watercolour 25.5 x 36cm Provenance: Bonhams, London, 9th March 2004, lot 115 £1,000-1,500

17. Albert Goodwin R.W.S. (1845-1932) Spiez, Lake Thun Signed, titled and dated 1918 Gouache with pen and ink 25 x 37cm Provenance: Christie’s, London, 9th June 1995, lot 217 £1,200-1,800

10 19. ‡ Leonard Russell Squirrell R.W.S. (1893-1979) Children playing by a quay Signed Etching 16.5 x 26.5cm £150-250 20. Cecil Aldin (1870-1935) Scenes of foxes and hunting Three, all mixed media over a printed base on ivorine, unframed Each 15 x 20cm (3) £500-700

18 18. ‡ Maurice de Vlaminck (French 1876-1958) Marine Eglise Signed and numbered 6/15 Lithograph 22 x 30cm £200-300

21. Leslie F. Everett (early 20th Century) Illustration of soldiers marching to war Signed and dated July 1915 Watercolour 32.5 x 50.5cm £300-400 22. Leslie F. Everett (early 20th Century) Illustration of knights jousting Signed and dated 1914 Gouache 28.5 x 39.5cm £200-300

11 23. Anton Hirschig (Dutch 1867-1939) Boy with a goat Signed with a monogram Oil on canvas 56 x 75cm Provenance: By descent from the Artist Duke & Son, Dorchester, 10.4.14, lot 278 Hirschig was a friend of Vincent Van Gogh and lodged in the attic room next door to Van Gogh at the time of his death. £1,000-1,500

23 24. ‡ John Joseph Bellman/ Ken Moroney (b.1949) A hen and chicks in straw Signed with initials Oil on canvas 35.5 x 46cm £800-1,200

12 25. ‡ René Clarot (Belgian 1882-1972) The Port of Blankenburge, Belgium Signed and dated 20 Oil on canvas 39 x 120cm £600-800

26. ‡ James McBey (1883-1959) Warehouses on the shore Signed, dated 22 July 1930 and inscribed to Elizabeth Ewing Pen, ink and watercolour with pencil 16.5 x 31.25cm £100-150

27. ‡ Alexander N. Paterson (1862-1947) Boats at anchor in a harbour, possibly Wick, Scotland Signed Watercolour 24.5 x 35cm £150-250

28. Attributed to Barry Mason (b.1947) Clipper at sea Inscribed verso Study for Bellands Oil on canvas board 45.5 x 69cm £250-350

29. French School 20th Century Joan of Arc Signed with a monogram and dated 1930 Oil on board, in a decorative frame 47 x 43cm £600-800

30. French School 20th Century Musa Signed with a monogram, titled and dated 1929 Oil on board, in a decorative frame 43.5 x 46.5cm £400-600 31 31. ‡ Clemence Dane (1885-1965) Still life of tulips in a vase Oil on canvas 76 x 102cm £400-600

32. ‡ Teddy Millington-Drake (1932-1994) Indian riverside town Signed and dated 1978 Watercolour with pencil 56 x 76cm £200-300 32

14 33. José Weiss (1859-1919) Harvest scene with children seated by corn stooks Signed Oil on panel 42 x 53cm £600-800

34. ‡ Leonard McComb (b.1930) Peaches in a vase Signed with initials and dated 1989 Watercolour 38 x 56cm £400-600

35. Léon François Comerre (French 1850-1916) Boys bathing and feeding a swan Signed Oil on canvas 38 x 47cm; 15 x 18½in £700-1,000

36. ‡ Cyril Walduck Edwards (1902-1982) Fishing boats in harbour Signed Oil on canvas 50 x 63cm £200-300

37 37. ‡ André Derain (French 1880-1954) Paysage de Provence, c.1925 Signed Oil on canvas 60.5 x 49.5cm Provenance: Theo Waddington Fine Art, London Christie’s New York, 8th November 1995, lot 255 £6,000-8,000

39 38. ‡ Cecil Kennedy (1905-1997) Winter - Hellebores and Snowdrops Signed Oil on canvas 25 x 20cm Provenance: MacConnal-Mason & Son Ltd. £1,000-1,500

39. ‡ James Sinton Sleator (1885-1950) Still life of peonies in a green vase Signed Oil on canvas 61 x 50.5cm £800-1,200

40. Pierre Auguste Bellet (French 1865-1924) Still life of peonies in two vases Signed Oil on canvas 62 x 44cm £400-600

41 41. ‡ Gordon Beningfield (1936-1998) Chequered Skipper butterfly Signed Watercolour 15 x 17.5cm With a copy of the book Hardy Country by the artist (2) £500-800

42. ‡ Gordon Beningfield (1936-1998) A heron in a winter river landscape Signed Watercolour on pale grey paper 30 x 44cm Provenance: The Moorland Gallery, London, GB62 £400-600

43. ‡ Gordon Beningfield (1936-1998) A barn owl Signed Watercolour on buff paper 32 x 44cm Provenance: The Moorland Gallery, London, GB62 £400-600

44. Piotr Ivanovich Petrovichev (Russian 1874-1947) Still life of flowers in a vase with a teapot Signed Oil on canvas 46 x 38cm £1,000-1,500

45. ‡ André Minaux (French 1923-1986) Still life of flowers in a carafe Signed Oil on canvas 81 x 61cm £1,000-1,500

46. ‡ Alan Runagall (b.1941) Evening Glow, Leigh-on-Sea Signed Watercolour 26.5 x 37cm Runagall is a member of the Wapping Group of artists £250-350

47. Kim Donaldson (South African b.1952) Waves on a rocky shore Signed Pastel on buff paper 52 x 71cm £200-300

19 48. Circle of George William Russell A lakeland landscape Possibly signed with initials lower right Oil on canvas 65 x 94cm £500-800

49. ‡ Ronald Ossory Dunlop R.A. (1894-1973) Woodland stream with a cottage beyond Signed Oil on board 40 x 50cm £400-600 48

50. ‡ Dorothy Williams (20th Century) Pigeon on a balcony with passion flowers Oil on board 50.5 x 58.5cm £150-250

51. ‡ Henri Milloch (French 1898-1979) Saint-Cado, Brittany France Signed Oil on board 33 x 41cm £150-250

20 52. ‡ Gladys D. Davison (1849-1922) Portrait of the artist’s sister J. D. Davison 1911-1916 Signed verso Oil on canvas, unframed 51 x 41cm £150-250 53. ‡ Nora Lucy Mowbray Cundell (1889-1948) Still life of Cyclamen in a Chinese bowl Signed, also signed and inscribed The Cyclamen verso Oil on board 40.5 x 30.5cm; 16 x 12in £300-400

54. ‡ Robert Mendoze (French b.1930) Il paysage au grand chêne Signed and dated 83 Oil on canvas 27 x 46cm £300-500

55. English School 20th Century A lady painting in a wooded glade Signed and dated indistinctly Oil on canvas 51 x 61cm £200-300 56. ‡ Ian Houston (b.1934) Canada geese in summer, Gloucester Signed Oil on board 40.5 x 50.5cm £300-500 54

57 57. ‡ Charles Vincent Lamb (1893-1964) A paddock by a stream Signed Oil on board 30 x 40cm £800-1,200 58. ‡ Mark Senior (1864-1927) The flower market Signed with initials Oil on canvas laid on board 41 x 33cm £700-1,000

Lots 59 to 70 – by Erich Wolfsfeld Erich Wolfsfeld (1884-1956) was a German painter, and printmaker. Of Jewish descent and educated in Berlin, he studied at the Berlin Academy. In 1905 Wolfsfeld visited Turkey on behalf of the Prussian government to make etchings of the Byzantine frescoes of Priene and this inspired a love of travel. His studies were interrupted by the start of WW1 but when he returned he taught at the Berlin Academy and was made professor of printing and etching in 1920. During this time he travelled to Morocco, Egypt and Palestine and his works centred on Arab and Orientalist subjects. When Germany became too uncomfortable for Wolfsfeld under the Nazi regime, he left and came to England and was interned on the Isle of Mann but eventually settled here. He exhibited at the Royal Academy between 1943 and 1953. A large exhibition of his works was held at the Derby Art Gallery in 1953 and another in 1956 at the Ben Uri Art Gallery in London. Further re-appraisals of his works followed and his work is held by many national and international art galleries.

59. ‡ Erich Wolfsfeld (1885-1956) A woman on a donkey, led by an Arab Signed Oil on paper, laid down on board, unframed 56 x 78.5cm Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £400-600

59 60. ‡ Erich Wolfsfeld (1885-1956) A Turkish shepherd and his flock Signed Oil on paper, mounted, unframed 39 x 57cm Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

Lots 59 to 70 – by Erich Wolfsfeld

61. ‡ Erich Wolfsfeld (1885-1956) A mother carrying her son on her back Signed with initials Oil on paper, unframed 39 x 56.5cm Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

61 62. ‡ Erich Wolfsfeld (1885-1956) Three Arabs seated Signed Watercolour and bodycolour, unframed 39 x 55.5cm Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £150-250

62 63. ‡ Erich Wolfsfeld (1885-1956) Two studies of Arab children Both signed with initials Both oil on paper, unframed Each 35 x 27cm (2) Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

Lots 59 to 70 – by Erich Wolfsfeld

64. ‡ Erich Wolfsfeld (1885-1956) A seated labourer Signed with initials Sepia watercolour, unframed 61 x 48cm With three unframed studies of old women by the same hand (4) Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

64 65. ‡ Erich Wolfsfeld (1885-1956) A mother and her son Signed Oil on board, unframed 78 x 56cm With another of a rustic, signed, oil on paper 80 x 49cm (2) Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

65 66. ‡ Erich Wolfsfeld (1885-1956) A rustic by a barn Signed, inscribed No. 12 also inscribed verso Alt .... Sepia washes, mounted, unframed 25 x 32.5cm Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

Lots 59 to 70 – by Erich Wolfsfeld

67. ‡ Erich Wolfsfeld (1885-1956) A gathering of Dutch women Signed with initials Oil on paper, unframed 53 x 74.5cm Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

68. ‡ Erich Wolfsfeld (1885-1956) A man eating spaghetti Signed with initials Oil on paper, unframed 38 x 44cm With an unframed watercolour of a couple at a window and a group of 7 small sketches by the same hand (9) Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

69. ‡ Erich Wolfsfeld (1885-1956) Studies of musicians Watercolour and bodycolour on paper, unframed 42 x 56cm Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

70. ‡ Erich Wolfsfeld (1885-1956) A couple at a window Oil on paper, unframed 57 x 77cm With another charcoal of workers inscribed Brussels and one of workers with horses and carts (3) Provenance: The Belgrave Gallery, London, purchased in the mid 1970s £200-300

26 71. ‡ Eric Ward (b.1945) The Quay, St. Ives Signed Oil on board 45 x 81cm £400-600

72. ‡ Eric Ward (b.1945) Ships leaving a Cornish harbour at sunrise Signed Oil on canvas 25 x 30cm £150-250

73. ‡ Eric Ward (b.1945) Porthmeor Beach, St. Ives Cornwall Signed Oil on board 25 x 30cm £150-250

74. ‡ Eric Ward (b.1945) Looking towards Godrevy, St Ives, Cornwall Signed, titled verso Oil on canvasboard 25 x 30cm £150-250

75. ‡ Eric Ward (b.1945) Flowers and oranges Signed Oil on board 25 x 23cm £150-250

78 76. ‡ Eric Ward (b.1945) Cornish harbour at low tide Signed Oil on canvas 25 x 30cm £150-250 77. ‡ Eric Ward (b.1945) Sailing boats by a jetty Signed Oil on canvas 25 x 30cm £150-250

78. ‡ Stan Smith (1929-2001) Nude male seated; Nude female on a bed Two, the first signed The first pencil, the second pastel and watercolour 31 x 31cm and smaller (2) £150-250 79. ‡ André Albert Marie Dunoyer de Segonzac Hon. R.A. (French 1884-1974) Portrait of a young lady seated on a bed Signed Pen and ink 30.5 x 21cm £150-250

28 80. Modern British School c.1940 Figures in a town square Oil on canvas 71 x 91cm £700-1,000

80 81. ‡ Watson Charlton (c.1930) 28 interior designs Most signed Watercolour, 27 unframed 35 x 38cm (and similar) With 12 further designs for accessories (c.40) £1,000-1,500

81 part

29 82. ‡ Sir Matthew Smith (1879-1959) Still life of dahlias Thought to be signed in the composition centre left Coloured crayon on buff paper 56 x 42cm £900-1,200

83. ‡ Dame Laura Knight R.A. (1877-1970) Ballerina in a Green Dress Pen, ink and washes over pencil on buff paper 33.5 x 24.5cm Provenance: Blond Fine Art, 9th April 1980, purchased by Howard Strowman Esq. £400-600

84. ‡ Owen Bowen (1873-1967) Still life of delphiniums and roses in a glass Signed Oil on canvas 61 x 51cm £300-500

30 85. ‡ José Mingret (Spanish 1880-1969) Les Meules Blondes Signed and dated 1920 Oil on panel 38 x 46cm Provenance: Hollywood Road Gallery, Chelsea, 1938, No. 583 £1,000-1,500

85 86. Hans Richard von Volkmann (German 1860-1927) Cattle in a summer landscape Signed Oil on canvas 56 x 75cm £800-1,200

87 87. ‡ Pierre Eugène Montézin (French 1874-1946) The Poplars Signed Oil on canvas 33 x 46cm £2,000-3,000

88. Jules Louis Rame (French 1855-1927) A landscape in Normandy Signed Oil on canvas 45 x 55cm From Rame’s second period when he shows the influence of Van Gogh and Monet £1,000-1,500

89. ‡ Emil Marie Baume (French 1888-1967) Baigneuses au Parc Signed Oil on canvas, oval 114.5 x 92cm £1,000-1,500

89 90. Alexander Jamieson (1873-1937) Jardin de Tuileries Signed and dated 1922 Oil on board 78 x 98cm £500-700

33 91. ‡ Octave Guillonnet (French 1872-1967) The artist’s wife and daughter in a summer garden Signed indistinctly Oil on panel 46 x 37cm £1,000-1,500

92. ‡ John Anthony Park (1880-1962) St. Ives harbour Signed indistinctly Oil on panel 28 x 36cm £1,000-1,500

34 93. ‡ Marcel Dyf (French 1899-1985) Blés et petit mas en Provence Signed with a studio stamp Oil on canvas 33 x 41cm Provenance: Number 5015 in the Catalogue Raisonné, painted c.1940 Succession Pouliquen 2014 (Antibes) £800-1,200 94. ‡ Marcel Dyf (French 1899-1985) Maison en Espagne Signed Oil on board 68 x 60cm Provenance: Number 4801 in the Catalogue Raisonné, painted c.1930 £1,000-1,500

95. ‡ Marcel Dyf (French 1899-1985) Le marché aux poissons à Marseilles Signed with a studio stamp Oil on board 33.5 x 22.25cm Provenance: Number 4963 in the Catalogue Raisonné, painted c.1940 Succession Pouliquen 2014 (Antibes) £500-800

96 96. Abolghassem Saidi (Iranian b.1926) Still life of flowers and grapes Signed and dated 62 Oil on canvas 65 x 81cm ÂŁ1,500-2,000 97. B. L. Mukerji (Indian 20th Century) View of snow capped mountains, possibly the Himalayas Signed and dated 54 Oil on canvas 40.5 x 50.5cm ÂŁ200-300

98 98. ‡ John Piper (1903-1992) A house in a wooded landscape Signed, also inscribed indistinctly Mixed media 35 x 53cm Provenance: The Piccadilly Gallery, December, 1965 £3,000-4,000

99. ‡ John Piper (1903-1992) Willington Dovecote, Bedfordshire Signed and numbered 11/120 Lithograph 57 x 77cm (sheet size) £400-600

100. ‡ Julian Trevelyan R.A. (1910-1988) Self portrait Signed, titled and numbered 68/100 Aquatint 47 x 34.5cm (image size) £300-500

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101 101. ‡ Pablo Picasso (Spanish 1881-1973) Colombe volant (à l’Arc en Ciel) (Bloch 712; Mourlot 214) Signed and numbered 83/200 Colour lithograph, published 1952 50 x 64.5cm £2,000-3,000 102. ‡ Paul Lucien Maze (French 1887-1976) Bonheur Signed and titled, also inscribed with artist’s colour notes Watercolour with pencil 19.5 x 31.75cm £600-800 102

38 103. ‡ Reg Gardner (b.1948) Winter sunset, North Bay, Trafford Wharf, Manchester Signed, also titled verso Oil on canvas 25.5 x 30.5cm £500-700

104. ‡ Reginald Brill (1902-1974) Hilltop village, Italy Signed Oil on canvas 38 x 45.5cm £600-800

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105. ‡ Rudolf Helmut Sauter (1895-1977) Etna’s Early Magic Signed Oil on canvasboard 40 x 50.5cm £200-300

106. ‡ Ruth Burden (1925-2011) The footpath, St. David’s Signed and dated 1975 Oil on canvas 76 x 76cm £300-500

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39 107. ‡ Fred Yates (1922-2008) The Fowey Direct Bld. Co. Signed Oil on board 25 x 51cm £500-700

108. ‡ Nora Jean Kerr (20th Century) The Procession Signed Oil on canvasboard 83 x 66cm £200-400

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109. ‡ Antony Williams (20th Century) Study of a male nude from behind Signed and dated 99 Oil on board 38 x 30cm £100-150

110. ‡ Kate Eric (Kate Tedman, British b.1979 and Eric Siemens, American b.1974) Meadow Maker III Signed with a monogram Acrylic and oil on canvas, unframed 120 x 60cm With a copy of the catalogue (2) Provenance: Albemarle Gallery, What is Realism, No. 18 £200-300

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111. ‡ William Selby (b.1933) The Jug and Bottle Signed Oil on board 38 x 30.5cm £300-500

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112 112. ‡ Guy Taplin (b.1939) Blue winged teal Signed, titled and numbered 17 Painted wood 30 (l) x 13 (h)cm £500-800 113. ‡ Margaret Mellis (1914-2009) Abstract construction, 1980/90 Painted found timbers and fibreglass 19 (h) x 21 (w) x 11 (d)cm £400-600

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114 114. ‡ Henry Moore, O.M., R.A. (1898-1986) Wall Relief: Three Forms Signed and numbered 9/12, also with foundry stamp: H. NOACK BERLIN Bronze, with a golden brown patina 18 x 33cm Literature: Bowness, III, 374; Jianou 360; Melville 502 £4,000-6,000 115. ‡ Henry Moore O.M., R.A. (1898-1986) Reclining Figure Architectural Background I (C. 454), 1977 Signed and numbered 13/50 Colour lithograph on TH Saunders paper, published by Raymond Spencer for The Henry Moore Foundation 31.75 x 40cm £700-1,000 115

42 116. ‡ Brian Bradshaw (b.1923) Sheep grazing on a moor Signed Pastel 37 x 54.5cm £300-500

117. ‡ Brian Bradshaw (b.1923) A sheep by a dry-stone wall Grisaille pastel 37 x 54cm £300-500

116

118. ‡ Brian Bradshaw (b.1923) Moorland tracks Signed and dated 53 Pen and ink 38 x 50cm £300-500

119. ‡ Brian Bradshaw (b.1923) A coastal road Signed, also inscribed with artist’s notes Pencil 36.5 x 55.5cm £300-500

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120. ‡ Hans Feibusch (German 1898-1998) Fish Signed with initials Oil on canvas 51 x 91.5cm £3,000-5,000

121. ‡ Richard Eurich R.A. (1903-1992) Red Funnel Steamer Signed and dated 79, also signed, dated and inscribed on wooden label verso Red Funnel steamer of 1930 to the Isle of Wight - from drawing Oil on board 9 x 26cm Provenance: Alresford Gallery £1,200-1,800

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122 122. ‡ Ken Howard R.A. (b.1932) Venice, the Grand Canal Signed and dated 2.10.88 Watercolour with bodycolour 12.5 x 17.5cm Provenance: Oscar and Peter Johnson Ltd., London £400-600

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123. ‡ Michael Felmingham (b.1935) A Venetian backwater Signed Watercolour 25.25 x 35.25cm £300-400

124. ‡ Rowland Suddaby (1912-1972) The Atlantic Coast, Cornwall Watercolour and bodycolour on cream paper 40 x 56cm £300-500

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45 125. ‡ Ruskin Spear R.A. (1911-1990) Looking over the beach Signed Oil on board 81 x 76cm Provenance: Royal Academy Summer Exhibition 1985 £1,500-2,500

125 126. ‡ Oliver Heywood (1920-1992) Blue thistle near Corinth Signed and dated 1965 Oil on canvas 50.5 x 91cm £300-500

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46 127. ‡ Scottie Wilson (1888-1972) Butterflies, birds and fish Signed Gouache on black paper 48 x 35cm £700-1,000

128. ‡ David L. Davies (20th Century) The Circus Signed and dated 1966 Gouache 44.5 x 68.5cm £300-500

129. ‡ Terry Barron Kirkwood (20/21st Century) Red Sky, Golden Shore Signed with initials Oil on canvasboard 24.5 x 34.5cm £250-350

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47 130. ‡ William Gear R.A. (1915-1997) Untitled, blue, red and orange Signed and dated 64 Mixed media on paper 48 x 63.5cm £800-1,200 131. ‡ William Gear R.A. (1915-1997) Untitled, green, blue and yellow Signed and dated 61 Mixed media on paper 66 x 41.5cm £800-1,200 132. ‡ Lawrence James Isherwood (1917-1988) Snow Lane; Rain Ash-Wed Church Two, both signed and titled verso, the first also dated ‘68 verso Both oil on board, unframed Each 25 x 35.5cm (2) £200-400

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48 133. ‡ Jack Lawrence Miller (20th Century) Ascot Signed and dated 1986 Watercolour 114 x 70cm £600-800

135. Seya Parboosingh (American/Jamaican 1925-2010) Abstract scene Signed Oil on canvas 55 x 50cm £120-180

134. ‡ Denis Bowen (1921-2006) From Studland Beach; Bullard Point Two, both signed, titled and dated 2004 Pastel and watercolour, one with pencil 25.5 x 34cm and smaller (2) £200-300

133

135

136. ‡ Ray Evans R.I. (b.1920) The farm machine, Brittany Signed, titled and dated 9/65 Mixed media 21.5 x 30.5cm £150-250

134

136

137 137. ‡ Mersad Berber (Bosnian 1940-2012) Two figures with a horse Signed and dated 1999 Oil and collage on canvas 120 x 160cm With a copy of the book Mersad Berber by Vlado V. Buzancic, 1997 (2) Provenance: Albemarle Gallery, Mersad Berber, 2000 £2,000-3,000 138. ‡ Mersad Berber (Bosnian 1940-2012) Lady with Azer Signed Oil and collage on canvas 46.5 x 55.25cm With a copy of the catalogue (2) Provenance: Albemarle Gallery, Mersad Berber, 2000 £500-800

138

139

140

141

142

51 139. ‡ Tom of Finland (Finnish 1920-1991) The Saddle Thief II Pencil, unframed 31.25 x 22.5cm Provenance: Basil Clavering, photographer, Royal cinema chain John Parkhurst, photographer and friend of the artist Gift to the current owner The vendor has had the drawings identified by Volker Morlock through the Tom of Finland Foundation in California £2,000-3,000 140. ‡ Tom of Finland (Finnish 1920-1991) The Saddle Thief III Pencil, unframed 31.25 x 22.5cm Provenance: As lot 139 £2,000-3,000 141. ‡ Tom of Finland (Finnish 1920-1991) The Saddle Thief XII Pencil, unframed 31.25 x 22.5cm Provenance: As lot 139 £2,000-3,000

143

142. ‡ Tom of Finland (Finnish 1920-1991) The Saddle Thief XIII Pencil, unframed 31.25 x 22.5cm Provenance: As lot 139 £2,000-3,000 143. ‡ Claude Harrison (1922-2009) Tribute to the Commedia dell Arte Signed and dated ‘00, also signed, titled and dated March 2000 verso Oil on board 50.5 x 60.5cm Provenance: The Garrick Club, The Garrick/Milne Prize 2000 £600-800 144 144. ‡ Claude Harrison (1922-2009) Comedian at the Ferry Signed and dated 02, also signed, titled and dated Oct. 2002 verso Oil on board 25.5 x 30.5cm Provenance: The Contemporary Fine Art Gallery, Eton, July 2004 £300-500

145

146 145. ‡ Jake Sutton (b.1947) Lambeth Bridge Signed, titled and dated 83 Watercolour over pencil with bodycolour 73 x 55cm £700-1,000 146. Rita Alima (Israeli 1932-2013) Abstract Signed and dated 65, also signed, dated 1965 and inscribed Paris verso Oil on canvas, unframed 116 x 81cm Exhibited: Bede Gallery, Jarrow, New Vision 1955-65, 1984, No. 12 £500-800 147. ‡ Margaret Egan (Irish 20th Century) The artist Signed Oil on canvas 66 x 76cm £400-600

147

148

149

148. ‡ John Bratby R.A. (1928-1992) Portrait of Rupert Davies Signed Oil on canvas 76 x 50.5cm £500-700 149. ‡ John Christophorou (1921-2014) Seated figure Signed Oil on board 71 x 48cm £1,000-1,500 150. ‡ John Melville (1902-1986) Cat tree woman Signed and dated 1930, also titled and dated on frame verso Oil on canvas 66 x 51cm Provenance: Sotheby’s, 24th October 1997, lot 328 £500-800

150

54 151. ‡ William Ralph Turner (1920-2013) The Co-op Band, Stockport Signed Oil on canvasboard 51 x 40.5cm £700-1,000 152. ‡ Melanie Comber (b.1970) Untitled, white circle, red and green Signed, 1993 and artist’s address label verso beneath backing board Oil on paper 81 x 57cm £300-500 153. ‡ Theodore Mendez (1934-1997) Newspaper composition Signed and dated 1962/1973 verso Oil on newspaper laid on canvas, unframed 51 x 61cm £300-500 154. ‡ Christopher Sturgess-Lief (1937-2011) Red abstract Signed Oil on canvas 78 x 74cm Provenance: Gallery One Belgrave Gallery Julian Hartnoll £300-500

151

152

153

154

155 155. ‡ Jack Simcock (1929-2012) Cottages by a track Signed and dated 74 Oil on board 46 x 76cm £800-1,200

156. ‡ Stanley William Hayter Hon. R.A. (1901-1988) Night Sea Signed, titled, dated 62 and numbered 43/50 Etching 29.5 x 39.5cm £200-300

156

157. ‡ Stanley William Hayter Hon. R.A. (1901-1988) Poissons Volants Signed, titled, dated 58 and numbered 44/50 Etching 29.5 x 37cm £300-500

157

56 158. ‡ Ithell Colquhoun (1906-1988) Waves Signed with a monogram and dated ‘76 Enamel on board 61 x 58cm Provenance: Newlyn Art Gallery £300-500

158

159. ‡ Jeffrey Pratt (b.1940) Tending the garden Signed Oil on board 45.5 x 48cm £200-300

159

160. ‡ Anne Penchasoff (20th Century) Sunny balcony view Signed Oil on canvas 102 x 92cm Provenance: The Property of a Nobleman £200-300

160

161

161. ‡ Martin Mackeown (b.1931) The stripey pink cloth Signed Oil on canvas laid on board 46 x 32cm £350-450

162. ‡ Stuart Middlemas (b.1944) Newlyn Old Harbour Signed Oil on canvas 40.5 x 51cm £100-150

162

163

163. ‡ Donald Hamilton Fraser R.A. (1929-2009) Scottish Hills, possibly Kyle of Durness Gouache 6.25 x 31.75cm Provenance: Letter of authenticity from artist attached verso £400-600

164. ‡ Donald Hamilton Fraser R.A. (1929-2009) Rowing boat at anchor Signed and numbered 162/175 Silkscreen 52.5 x 38cm £150-250

165. ‡ Christine Slade (b.1943) One last game before bed, Sheringham Signed Christien Pastel 14.25 x 35cm £250-350 166. ‡ Christine Slade (b.1943) Cliffs east of Cromer Signed Christien Pastel 16.5 x 40cm £250-350

165

164

166

58 167. ‡ W. Smithson Broadhead (1888-1960) Chasing champions Signed Oil on canvas 51 x 81cm £400-600

167

168. Tyson Grumm (American b.1970) Matilda Parasols over Her Serene Highness Signed and inscribed with a number Acrylic on panel 36 x 46cm With a copy of the catalogue (2) Provenance: Albermarle Gallery, Selected works from the T. P. Grumm Society, 2006, No. 20 £200-300 169. ‡ Catherine Daniel (20th Century) Illustrations for the book Booby birds Two, both signed Both pen, ink and wash 25.5 x 31cm and 16 x 14cm With a copy of the book (3) £100-150 170. ‡ Tessa Walsh (1918-2012) Abstract drawings 10, most signed with initials, some titled, some dated from the 1960s and 1980s Various media including crayon, pastel, watercolour and chalk, 9 with mounts and unframed 30 x 54cm and smaller (10) £250-350

168

169

170

171 171. Margaret D. H. Keane (American b.1927) Transition Signed and dated 1962 Oil on canvas 61 x 46cm £800-1,200

172 172. ‡ Leonard H. Rosoman (1913-2012) Studio Window, Moonlight Signed Watercolour with bodycolour on buff paper 20.5 x 14.5cm £400-600

173

173. ‡ Kit Barker (1916-1988) Rotherhithe, London Signed, titled and dated 73 verso Oil on canvas 60 x 112cm £600-800

60 174. ‡ Donald McIntyre R.I. (1923-2009) Boats No. 1 Signed with initials Oil on panel 24 x 34cm £1,000-1,500

175. ‡ Donald McIntyre R.I. (1923-2009) Jura Signed with initials Oil on board 20 x 29cm Provenance: Fosse Gallery, Cheltenham £500-800

174 176. Christopher Haskins (South African 1957-1999) The Pig Pen Signed Oil on paper 36.5 x 60.5cm £300-500

177. Christopher Haskins (South African 1957-1999) Sheep in the Karoo Signed Oil on paper 34.5 x 57cm £300-500

175

176

177

178 178. ‡ Frederick Gore R.A. (1913-2009) Sunflowers and butterfly Signed Oil on canvas 50.5 x 61cm £4,000-6,000

62 179. ‡ * Paul Morrison (b.1966) Anther 2002/3 Oil on canvas 460 x 306cm £2,000-3,000 * Lot 179 & 180 are subject to VAT on the hammer price

180. ‡ * Paul Morrison (b.1966) Ash 2001 Triptych, oil on canvas Each 274 x 184cm (3) £3,000-5,000 * See lot 179

179

180

Lots 181 to 192 – The Property of a Gentleman

181 181. ‡ Hans Reichel (French 1892-1958) Rectangles with leafy branches, squirls and hatching Signed with initials, dated 1957 and numbered 34 Watercolour 21 x 23cm £2,000-3,000

182. ‡ Hans Reichel (French 1892-1958) Squirls, stars and leaves Signed with initials, dated 1951 Watercolour 21 x 23cm £1,000-1,500

182

Lots 181 to 192 – The Property of a Gentleman

183. ‡ William Ratcliffe (1870-1955) The Boston Stump, St Botolph’s, Boston, Lincolnshire Signed Pen, ink and watercolour 42.5 x 28cm Provenance: Christie’s, London, 19th March 1971, lot 31 The Leicester Galleries £800-1,200

184. ‡ Charles Ginner A.R.A. (1878-1952) View on the Bath Canal, 1926 Signed Pen, ink and watercolour 40.5 x 27.25cm Provenance: The Leicester Galleries Christie’s, 30th October 1970, lot 43 The Piccadilly Gallery From whence bought by the present owner Exhibited: Goupil Gallery, Salon, 1926 £3,000-4,000

183

Lots 181 to 192 â&#x20AC;&#x201C; The Property of a Gentleman

184

Lots 181 to 192 – The Property of a Gentleman

185. ‡ Simon-Albert Bussy (French 1869-1954) Crevette Rouge de Madere Signed with initials, also signed and titled on stretcher verso Oil on canvas 24 x 19cm Exhibited: Venice Biennale 1938 Provenance: Sotheby’s London, December 4th 1968, lot 187 £5,000-7,000

Simon-Albert Bussy (1869-1954) Simon Bussy was born in France and studied under Gustave Moreau at the Ecole des Beaux-Arts in Paris. His first exhibition was at the Galerie Durand-Ruel in 1897. In 1901 Bussy came to England where he taught Duncan Grant and married Lytton Strachey’s sister Dorothy. They had a wide circle of friends that included Virginia Woolf, Rudyard Kipling, Bernard Berenson, Roger Fry, Vanessa Bell and André Gide. Bussy held several exhibitions at the Leicester Galleries and also at the Galerie Druet in Paris. He died in London in 1954 aged 88 and his studio sale was held two years later.

Lots 181 to 192 â&#x20AC;&#x201C; The Property of a Gentleman

185

Lots 181 to 192 – The Property of a Gentleman

186 186. ‡ Simon-Albert Bussy (French 1869-1954) Poissons Guranis (E. Indies) Signed with initials, also signed and titled on stretcher verso Oil on canvas 27 x 22cm Exhibited: Venice Biennale 1936 Provenance: Sotheby’s London, December 15th 1967, lot 27. £5,000-7,000

Lots 181 to 192 – The Property of a Gentleman

187 187. ‡ Simon-Albert Bussy (French 1869-1954) Poisson Argent Signed with initials and dated ‘46, also signed and titled on stretcher verso Oil on canvas 25 x 20cm Provenance: Sotheby’s London, December 4th 1968, lot 187 £4,000-6,000

Lots 181 to 192 – The Property of a Gentleman

188. ‡ Simon-Albert Bussy (French 1869-1954) Vue de Rabat Signed Watercolour and pastel 23 x 18cm Provenance: Sotheby’s London, October 29th 1970, lot 103 £1,500-2,500

188 189. ‡ Simon-Albert Bussy (French 1869-1954) Paradis Bleu Signed, also titled on stretcher verso Oil on canvas 42 x 33cm £3,000-5,000

190. ‡ Christopher Richard Wynne Nevinson (1889-1946) Three boys bathing in the sea Signed Oil on canvas 35.5 x 25.5cm £8,000-10,000

189

Lots 181 to 192 â&#x20AC;&#x201C; The Property of a Gentleman

190

Lots 181 to 192 – The Property of a Gentleman

191 191. ‡ John Minton (1917-1957) Fisher boys Signed and dated 1951 Oil on board 26 x 40cm Provenance: The Lefevre Gallery Sotheby’s Modern British, 5th July 1972, No. 140 Exhibited: John Minton, A Selective Retrospective, Royal College of Art, Jan/Feb 1994 £10,000-15,000

Lots 181 to 192 – The Property of a Gentleman

192 192. ‡ Paul Nash (1889-1946) Whiteleaf Orchard, 1921-22 Signed Oil on canvas 51 x 58.5cm Provenance: The Nash Trustees Thomas Agnew & Sons, 1968, No. 29594 Exhibited: The Tate Gallery, 1975 No. 62 [catalogue printed as No. 59] Literature: Andrew Causey, Clarendon Press, Oxford 1980, No. 317 pg. 375, photo no. 85, p.85 £20,000-30,000

INDEX OF ARTISTS A Aldin, Cecil Alima, Rita

20 146

B 173 Barker, Kit Baume, Emil Marie 89 40 Bellet, Pierre Auguste Bellman, John Joseph 24 Beningfield, Gordon 41, 42, 43 137, 138 Berber, Mersad Bowen, Denis 134 84 Bowen, Owen Bradshaw, Brian 116, 117, 118, 119 Brangwyn, Sir Frank 9, 10 148 Bratby, John Brill, Reginald 104 167 Broadhead, W. Smithson Burden, Ruth 106 Bussy, Simon-Albert 185, 186, 187, 188, 189 Byatt, Edwin 3 C Charlton, Watson Christophorou, John Clarot, Rene Clausen, Sir George Colquhoun, Ithell Comber Melanie Comerre, Leon Francois Cundell, Nora Lucy D Dane, Clemence Daniel, Catherine Davidson, Attrib. to A. Davies, David L. Davison, Gladys D Derain, Andre Donaldson, Kim Dunlop, Ronald Ossory Dyf, Marcel E Edwards, Cyril Walduck Egan, Margaret English School Eric, Kate Eurich, Richard Evans, Ray Everett, Leslie, F.

81 149 25 12 158 152 35 53 31 169 2 128 52 37 47 49 93, 94, 95 36 147 55 110 121 136 21, 22

F Feibusch, Hans 120 Felmingham, Michael 123 Finland, Tom of 139, 140, 141, 142 Floch, Lionel 11 Fraser, Donald Hamilton 163, 164 French School 29, 30

G Gardner, Reg Gear, William Ginner, Charles Glehn, Wilfred Gabriel de Goodwin, Albert Gore, Frederick Grumm, Tyson Guillonnet, Octave

103 130, 131 184 4 14, 15, 16, 17 178 168 91

H Harrison, Claude Haskins, Christopher Hayter, Stanley William Heywood, Oliver Hirschig, Anton Houston, Ian Howard, Ken

143, 144 176, 177 156, 157 126 23 56 122

I Isherwood, Lawrence J.

132

J Jamieson, Alexander

K Keane, Margaret D. H. Kennedy, Cecil Kerr, Nora Jean Kirkwood, Terry Barron Knight, Dame Laura

171 38 108 129 83

L Lamb, Charles Vincent

M Mackeown, Martin Marais-Milton, Victor Mason, Attrib. to Barry Maze, Paul Lucien McBey, James McComb, Leonard McIntyre, Donald Mellis, Margaret Melville, John Mendez, Theodore Mendoze, Robert Middlemas, Stuart Miller, Jack Lawrence Millington-Drake, Teddy Milloch, Henri Minaux, Andre Mingret, Jose Minton, John Modern British School Montezin, Pierre Eugene Moore, Henry Morony, Ken Morrison, Paul Mukerji, Biswanath N Nash, Paul Nevinson, Christopher R. W.

161 1 28 102 26 34 174, 175 113 150 153 54 162 133 32 51 45 85 191 80 87 114, 115 24 179, 180 97 192 190

O Olsson, Julius

P Parboosingh, Seya Park, John Anthony Paterson, Alexander N. Penchasoff, Anne Petrovichev, Piotr I. Picasso, Pablo Piper, John Pratt, Jeffrey

135 92 27 160 44 101 98, 99 159

R Rame, Jules Louis Ratcliffe, William Reichel, Hans Rosoman, Leonard H. Runagall, Alan Russell, Circle of G. W.

88 183 181, 182 172 46 48

S Saidi, Abolghassem Salisbury, Frank O. Sauter, Rudolf Helmut Segonzac, A. A. M. D. de Selby, William Senior, Mark Siemens, Eric Simcock, Jack Slade, Christine Sleator, James Sinton Smith, Sir Matthew Spare, Austin Osman Spear, Ruskin Squirrell, Leonard Russell Sturgess-Lief, Christopher Suddaby, Rowland Sutton, Jake

96 5, 6, 7 105 79 111 58 110 155 165, 166 39 82 8 125 19 154 124 145

T Taplin, Guy Tedman, Kate Turner, William Ralph V Vlaminck, Maurice de Volkmann, Hans Richard von

112 110 151 18 86

W 170 Walsh, Tessa Ward, Eric 71, 72, 73, 74, 75, 76, 77 Weiss, Jose 33 Williams, Antony 109 Williams, Dorothy 50 Wilson, Scottie 127 Wolfsfeld, Erich 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70 Y Yates, Fred

107

Asian Art Wednesday 20th & Thursday 21st May 2015

Sven Hedin Sven Hedin (1865-1952) was a Swedish pioneer and one of the worldâ&#x20AC;&#x2122;s greatest explorers. He travelled extensively throughout his life in China, Tibet, Central Asia, Turkey, Iran, Iraq and Russia. In 1901 he discovered the ancient Chinese garrison town of Lou-Lan in the Taklamakan dessert and the many manuscripts he found there are of immense historical importance and value. He was also a geographer, photographer and topographer, producing the first detailed maps of the Pamir Mountains, the Taklamakan Desert, Tibet, the Silk Road and the Transhimalaya (Gangdise), as well as publishing several works about his expeditions and discoveries.

ENQUIRIES John Axford +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

A collection of drawings, photographs, stamps and personal effects belonging to Sven Hedin (1865-1952). Estimate: ÂŁ4,000-6,000

Arts and Crafts Wednesday 17th June 2015

A rare Liberty & Co silver clock, model no. 579, swollen rectangular body with overhanging, slightly domed mantel, cast in low relief with scrolling foliate border, the circular dial inscribed Tempus Fugit numerals and heart motif, stamped marks, London 1900, 9cm high. Estimate: ÂŁ3,000-5,000

Michael Jeffery +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Paintings Wednesday 23rd September 2015 Entries are invited

ENQUIRIES Victor Fauvelle +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0)1722 424592 jobutler@woolleyandwallis.co.uk

Barbara Bodichon (1827-1891) Ventnor, Isle of Wight Signed, titled and dated 1856 Watercolour, in the original leaf and berry frame 71 x 108cm Estimate: ÂŁ1,000-1,500

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays. Viewing All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. Bidding in the Room To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. Commission Bidding If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. Telephone Bidding It is usually possible to bid on the telephone by prior arrangement with the office.

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Brief Description

Price excluding buyer’s premium & VAT

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Auction Calendar Asian Art 20th & 21st May 2015 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk Paintings 3rd June 2015 – 20th Century & Contemporary Art 23rd September 2015 – Paintings Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20th Century Design 17th June 2015 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Furniture & Works of Art 1st July 2015 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk Silver 14th & 15th July 2015 – Silver, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk Jewellery 16th July 2015 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk Clocks, Watches & Scientific Instruments 17th July 2015 Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk Tribal Art, Antiquities 2nd September 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Arms & Armour 7th October 2015 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk English & European Ceramics & Glass 15th September 2015 – Fine Pottery & Porcelain Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to eight weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk