Woolley & Wallis 20th Century & Contemporary Art 8th June 2016

WOOLLEY & Wallis SALISBURY SALEROOMS

20th Century & Contemporary Art Wednesday 8th June 2016

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan English & EuropEAn CErAmiCs & glAss Clare Durham

424506 424591 424583 424589

424507

vAluAtions For insurAnCE & probAtE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

mArkEting Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager)

424500

FurniturE, Works oF Art & CloCks Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWEllEry Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

sAlEroom mAnAgEr David Jordan

pAintings Victor Fauvelle Jo Butler

424503 424592

boArD oF DirECtors Paul Viney ASFAV Chairman

silvEr Rupert Slingsby Lucy Chalmers

424501 424594

20th CEntury DEsign Michael Jeffery Zoe Smith

424505 329477

tribAl Art & AntiquitiEs Will Hobbs Gemma Bush

339752 339752

Arms & Armour, mEDAls & Coins AnD militAriA Ned Cowell

341469

gEnErAl oFFiCE Pauline Jones Sharon Ringwood Nicola Young Amanda Lawrence

424500

424500

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director CompAny sECrEtAry James Macarthur CA AssoCiAtE DirECtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

424599

20th Century & Contemporary art

EnquiriES

Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Wednesday 8th June 2015 at 11am

Jo Butler Tel: 01722 424592 jobutler@woolleyandwallis.co.uk

Viewing Times Saturday 4th June 10.00am – 1.00pm Monday 6th June 10.00am – 5.00pm Tuesday 7th June 10.00am – 4.00pm Wednesday 8th June 9.00am – 10.45am

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Catalogue: £12.00 (£15.00 by post)

Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Salt Lane on 9th and 10th June - collection of lots on these days and Saturday 11th MuST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details

From 13th June collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street.

λ This symbol indicates that Cites regulations may apply. Please see the auction information page GLOSSARY OF TERMS

COLLECTiOn OF SOLD AnD unSOLD LOTS MuST BE WiTHin 21 DAYS OF THE SALE - FAiLurE TO COLLECT WiTHin THiS TiME MAY rESuLT in STOrAGE FEES

Member of The Society

of Fine Art Auctioneers

Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

Front cover: Lot 234 Back cover: Lot 16 This page: Lot 259

2

Lots 1 to 57 From the Estate of the late Professor rodney Fitch CBE Professor Rodney Fitch, CBE, (1938-2014) was one of the leading retail designers of this and the last century, working on the images of many high street giants such as Topshop, M & S, Boots, Ikea, Tesco, Asda, Ryman and Debenhams.

He also worked on other areas outside retail such as Lloyds of London, BT, and the Liberal Democrats. Cutting his teeth and excelling at Conran Design Group he then bought out the Burton Group and set up Fitch & Co., through the boom retail markets of the 1980s. He was passionate about the world of design and an avid proponent of the tenets of indefatigable Arts and Crafts innovator William Morris - sharing his energy and belief in the ability for good design to affect and improve the lives of the public. The many people who worked for him over the years were clearly fond of him and many credit him with inspiring them and changing their lives.

He and his family lived at the Court House, Aldbourne, Wiltshire where he was involved with the local cricket team and even had his own team the ‘Rodney Royals’. He worked with Vanessa Redgrave to create a school for disadvantaged children, was a trustee of the Victoria and Albert and chairman of the museum’s commercial wing, a member of the Design Council, chairman of the finance committee of the Royal College of Art and deputy chairman of London’s University of the Arts. After retiring from Fitch & Co., in 2009, he found a new career, becoming Professor of Retail Design at Delft University of Technology in the Netherlands.

Rodney’s wife Janet recalls ‘Rodney’s love of art collecting was an extension of his style as a designer and reflected his generous and warm character. He bought so many pictures from his friend - and mine - the colourful Michael Parkin. He commissioned the painter John Sargent to do many family portraits, recording babies, children, pets and houses. He loved Ravilious, Edward Bawden and our friend Glynn Boyd Harte but mainly collected Edward Ardizzone who, alongside Raymond Lowey and William Morris, inspired him as a draughtsman and designer.

I remember most the 80s when I was on a fund-raising committee of the Royal Academy of Arts - we used to go to the annual party for the opening of the Summer Exhibition and the Buyers’ Day where Rodney bought many paintings in particular from the room traditionally filled with smaller works. He bought what he liked and in particular he loved Carel Weight’s work and so did I. He always bought what he liked and with real conviction!

His family speak fondly of growing up with such a rich and varied collection and how special it was because, as his son Edward says, ‘they were not just pictures on the walls but .. the stories Dad read to me when I was very young - The James Reeves Story Book and The Little Tim books - all so simple and reassuring. His daughter Tessa recalls ‘We were lucky to grow up in houses which had pictures everywhere, they decorated the house almost as a feature instead of wall paper or furniture.. And more than just the pictures, it was the beautiful frames that Rodney chose in which they were hung that made them special’. His daughter Polly says ‘I was always fascinated that dad had such modern ideas, and so much of his retail design life was lived at the cutting edge, and yet he loved these pictures, that were not at all modern and which were not hung in a modern way’. Presents to the family were invariably paintings and his daughter Louisa remarks ‘I grew up with Ravillious, Sickert, Ardizzone and Gill and Weight… and their wonderful images of this country and beyond are forever imprinted on my mind and form part of my identity now as a designer and collector’.

3

Edward Ardizzone CBE, rA Edward Ardizzone was an English illustrator and author renowned for his illustrated stories, the first of which Little Tim and the Brave Sea-Captain came out in 1936. This was followed by numerous imaginative and popular children’s books which have become firm favourites of many generations of readers. A student of Bernard Meninsky, he developed his own very distinctive style which was highly observant and comical, but usually sympathetic, not caricatured. He also gained a reputation as a distinguished Official War Artist, through his recordings of actions in Europe and North Africa. His career continued after the war with a steady production of illustrative and ephemeral work in an instantly recognisable style that consisted of pen and ink with delicate washes. Woolley & Wallis are lucky enough to be offering this private group of works which have been carefully collected and include a rare Festival of Britain, On the beach at Deal and Miners on a beach among others.

1

1‡ EdwARd ARdizzonE CBE, RA 1900-1979

First Class Passengers, bathing Signed with initials Watercolour over pencil 19 x 27.75cm Provenance: Andrew Kimpton, London 10/10/85 £1500-2000

© IWM (Art.IWM ART LD 4056)

4

2

The collection of Professor rodney Fitch CBE

3

2‡ EdwARd ARdizzonE CBE, RA 1900-1979

Christian discourses with Piety, Prudence and Charity Titled Pen and ink 9.5 x 12.25cm £300-500

3‡ EdwARd ARdizzonE CBE, RA 1900-1979

Radio Times Competition Titled and dated 1937 verso Pen and ink 15 x 21.5cm £400-600

4‡ EdwARd ARdizzonE CBE, RA 1900-1979

Angel and Cherubs Pen, ink and watercolour with bodycolour 33 x 22cm £800-1200

4

The collection of Professor rodney Fitch CBE

5‡ EdwARd ARdizzonE CBE, RA 1900-1979

The artist with his model Signed with initials Pen, ink and watercolour 28.5 x 27.5cm £2000-3000

6‡ EdwARd ARdizzonE CBE, RA 1900-1979

Three ladies Signed with initials Watercolour over pencil 12.5 x 26.5cm £700-1000

6

5

5

6

The collection of Professor rodney Fitch CBE

7

7‡ EdwARd ARdizzonE CBE, RA

8‡ EdwARd ARdizzonE CBE, RA

9‡ EdwARd ARdizzonE CBE, RA

1900-1979

1900-1979

1900-1979

Miners on a beach

Man and dog on the shore

Illustration for Radio Times

Signed and dated 31 Pen, ink and watercolour 22 x 28cm

Pen and ink 12.5 x 16cm

Signed Diz Pen and ink 15 x 30cm

£300-500

£2000-3000

8

£400-600

9

The collection of Professor rodney Fitch CBE

7

10

10 ‡

12 ‡ EdwARd ARdizzonE CBE, RA

EdwARd ARdizzonE CBE, RA

11 ‡ EdwARd ARdizzonE CBE, RA

1900-1979

1900-1979

1900-1979

At the edge of the beach, possibly Holkham, Norfolk

Boxing; Law Courts

Three studies in the artist’s studio

Signed with initials Pen, red ink and watercolour over pencil 28.5 x 38.5cm

Two, both signed with initials Both pencil, framed together Each 21 x 17cm

Signed with initials Pen and ink 38 x 16.5cm

Provenance: Illustrators Art, London, 1982

£800-1200

£200-300

£2000-3000

11

12

8

The collection of Professor rodney Fitch CBE

13 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

On the beach at Deal Signed with initials Pen, sepia ink and watercolour 12.25 x 23.5cm Provenance: Wendy Bray, Rugby £1500-2000

14 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

Study for The Ogres 13

Signed with initials Pencil 9.5 x 28cm £500-700

15 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

Figure studies Four, all signed with initials All pencil, two framed together 18 x 12cm and similar (3) £200-300

14

15

The collection of Professor rodney Fitch CBE

16

17

16 ‡ EdwARd ARdizzonE CBE, RA

17 ‡ EdwARd ARdizzonE CBE, RA

1900-1979

1900-1979

A bicycle outing

Festival of Britain

Signed with initials Pen, ink, graphite and watercolour 38 x 60cm

Signed with initials Pen, ink and watercolour over pencil 24.5 x 40cm

Provenance: Andrew Kimpton

Provenance: Andrew Kimpton, 1985

£6000-8000

£2500-3500

9

10

The collection of Professor rodney Fitch CBE

18

19

18 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

Head studies Two, both signed Both pen and ink on buff paper, framed together Each 32 x 22cm £800-1200

19 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

Mixed studies 20

Signed with initials Pen and ink on P & O Canberra paper 19 x 14cm £500-700

20 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

Nude and Nose Pen and ink 8.5 x 11.5cm Exhibited: Sally Hunter and Patrick Seale Fine Art, December 1986, No. 20 £300-500

21 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

Go little book… after the poem Envoy by Robert Louis Stevenson Inscribed Pen and ink 29 x 19cm (sheet size)

21

£400-600

The collection of Professor rodney Fitch CBE

22

22 ‡ EdwARd ARdizzonE CBE, RA

23 ‡ EdwARd ARdizzonE CBE, RA

24 ‡ EdwARd ARdizzonE CBE, RA

1900-1979

1900-1979

1900-1979

Artist and model

Scenes from Great Expectations

Drawings including a sketch from Tim all Alone

Signed with initials Watercolour over pencil 19.5 x 26cm

Eight, all framed together 45.5 x 61cm

Four, three signed with initials Pencil, pen and ink and red conte on various coloured papers, all framed together, window mounted and on the back of invitations 34.5 x 38.5cm (mount size) With a print of Four Songs by the same hand (2)

£300-500

£1000-1500

£300-500

23

24

11

12

The collection of Professor rodney Fitch CBE

25 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

Geometric studies Signed with initials Pen and ink 44 x 29cm £1500-2000

26 ‡ EdwARd ARdizzonE CBE, RA 1900-1979

Reclining nude; Head studies Two, the first signed with initials Both pencil 17 x 24cm and 24 x 16cm (2) £200-300

25

26

The collection of Professor rodney Fitch CBE

27

27 ‡ ERiC RAViliouS

28 ‡ ERiC RAViliouS

1903-1942

1903-1942

A ballad upon a wedding

Serapion; Proserpina; Flower Spirit

A pair, both signed Both woodcuts Each 5 x 6.5cm With a further unsigned print of But the angel of the Lord… by the same hand (3) These are illustrations to the ballad by Sir John Suckling (1609-1642)

Three, two signed, the first titled and numbered 1/15 All woodcuts 15 x 7.5cm; 7.75 x 8.75cm and 12.5 x 8.5cm (3) £300-500

£300-500

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28

13

14

The collection of Professor rodney Fitch CBE

29 ‡ ERiC RAViliouS 1903-1942

Manor Gardens; Kensington Gardens; Procession Three, all signed, titled and two numbered 6/12 and 6/10 All woodcuts 12 x 17cm; 8.5 x 9.5cm; 7.5 x 22.5cm (3) £300-500

29

30 ‡ PAul JAMES logAn wyETh 1920-1983

Study of three men walking Pen, ink and wash 15 x 16cm Provenance: By family descent Wilkins & Wilkins, London 11/5/06 £200-300

30

The collection of Professor rodney Fitch CBE

31

31 ‡ olwyn BowEy RA

32 ‡ SiMon gARRow

b.1936

b.1946

Old Railway Bridge, No. 2

Icarus

Signed Gouache 65 x 90cm

Signed Oil on board 50 x 40cm

£800-1200

£400-600

32

15

16

The collection of Professor rodney Fitch CBE

33 wAlTER RiChARd SiCkERT 1860-1942

Jack ashore Signed in the print Soft ground etching, possibly 2nd state of 5 34 x 25.5cm Provenance: Christie’s, 6.2.79 Exhibited: Leicester Galleries, Nov. 1962, No. 14 £800-1200

34 wAlTER RiChARd SiCkERT 1860-1942

Noctes Ambrosianae Signed and titled in the print Etching and aquatint 18 x 22cm With a further signed print of Stooks, Broadwas, Worcester, 1884 by the same hand (2) £400-600

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34

The collection of Professor rodney Fitch CBE

35 ‡ PETER gREEnhAM RA 1909-1992

The Beach Oil on board 24.5 x 34.5cm Provenance: J. T. Burns & Co. Ltd., 1980 £1000-1500

35

36 ‡ PETER gREEnhAM RA 1909-1992

Mundesley, Norfolk Oil on canvas 40.5 x 50.5cm Provenance: J. T. Burns & Co. Ltd., 1984 £1000-1500

36

17

18

The collection of Professor rodney Fitch CBE

37 ‡ BERnARd dunSTAn RA b.1920

General Assembly of the Royal Academy with Sir Thomas Monnington and Alan Gwynne Jones Signed with initials, also signed, titled and dated 12.70 verso Oil on board 23 x 23cm Provenance: Michael Parkin Fine Art, October 1982 £1200-1800

38 ‡ PETER gREEnhAM RA 1909-1992

39 JAMES FERRiER PRydE

Sewing, 1982

1866-1941

Signed with initials Oil on canvas 60 x 45cm

A figure under Arches

Exhibited: Arts Council of Great Britain, 1984/5 Norwich School of Art, 1984/5 Newcastle, December 1988 Ashmolean Museum, Oxford, Autumn 1989 £800-1200

37

38

39

Signed Pen, ink and watercolour 15 x 14cm £600-800

The collection of Professor rodney Fitch CBE

40

41

40 ‡ hEnRy MooRE oM

41 ‡ RAoul duFy

42 ‡ glynn BoydE-hARTE

43 ‡ dAVid wAlkER BARkER

1898-1986

French 1877-1953

1948-2003

b.1947

Sculptural objects, 1949

The Band, 1949

Dining room, Charlecote

Landscape with quarry

Signed and dated in the print Lithograph, published by School Prints Ltd. 48.5 x 74cm

Signed in the print Lithograph, published by School Prints Ltd. 48.5 x 74cm

Signed and titled on a label verso Acrylic, gouache and watercolour 19.5 x 16.5cm

£300-500

£200-300

Signed, numbered VI/XX and inscribed Happy 50th Birthday Rodney with love from Glynn Lithograph 65 x 46cm £200-300

42

43

£100-150

19

20

The collection of Professor rodney Fitch CBE

44

45

44 ThéRèSE lESSoRE

46 ‡ kEiTh VAughAn

French 1884-1945

1912-1977

The stalls at the New Bedford

La Baignade, Avignon 1951

Signed and dated 1919 Pen, ink and watercolour 19.5 x 19cm

Signed with initials Pencil 10.25 x 13.25cm

Provenance: John Manning, London Michael Parkin Fine Art, London, 1983

Provenance: Austin Desmond Fine Art, Ascot, 14/3/87 £400-600

£400-600

46

45 ‡ ConSTAnCE AnnE PARkER b.1921

Portrait of a gentleman, wearing a green tie Oil on board 30 x 23cm Provenance: Royal Academy, Summer Exhibition, 1975 £200-300

47

47 ‡ JEhAn dAly 1918-2001

Study of young men in suits Signed and dated 55 Graphite with coloured chalk on buff paper 19 x 20cm £200-300

The collection of Professor rodney Fitch CBE

48 ‡ AllAn gwynnE-JonES RA 1892-1982

Sergeant Smith, Flight Engineer Signed and titled Pencil 25.5 x 18cm Executed as part of the Imperial War Museum’s commission £500-700

49 JEAn EMilE lABouREuR French 1877-1943

Les Soldats a L’Estaminet

48

Engraving, from Petites images de la guarre sur le front Brittanique, 1916 17 x 14cm Provenance: Michael Parkin Gallery, London With a signed etching by Pat Lear of an arched window in an interior (2) £120-180

50 ‡ CAREl wEighT RA 1907-1997

There stood a man over against him with his sword drawn in his hand Pen, ink and wash 28.5 x 17.25cm Provenance: Christie’s, March 1980 Illustration to The Book of Joshua, Chap. 5, Published in Oxford Illustrated Old Testament, Vol 2, p.13, 1968

49

Exhibited: Royal Academy 1968 £400-600

51 ‡ SiR FRAnk BRAngwyn RA 1867-1956

Design for the North Chancel, St. Aidan’s Church, Leeds Watercolour, the original executed in Rust’s vitreous mosaic 198 x 54cm Provenance: Royal Academy auction, June 1979 £2000-3000

50

51

21

22

The collection of Professor rodney Fitch CBE

52 ‡ gwEndolEn RAVERAT 1885-1957

Peupliers Signed, titled and inscribed indistinctly Woodcut 11.5 x 10cm £200-300

53 ‡ gwEndolEn RAVERAT 1885-1957

Anderson cutting out pictures

52

Signed, titled and numbered 16/50 Lithograph 11.5 x 10cm £400-600

54 ERiC gill ARA 1882-1940

Portrait of Mrs. Williams of Ditchling, 1924 Woodcut 22 x 15.5cm £100-150

53

54

55

56

55 Edwin EdwARdS

56 AFTER williAM PowEll FRiTh RA

1823-1897

Scenes from The Road to Ruin

Old Inn, Croscombe, Somerset Signed, titled and dated 72 in the plate Etching 18 x 22cm £80-120

Five, all etchings by L. Flameng Each 34 x 44cm (5) £400-600

The collection of Professor rodney Fitch CBE

57 ‥ AllAn gwynnE-JonES RA 1892-1982

Various subjects including Southwold Fair, Rosie and The House at the Crossroads Ten, all signed, some titled and dated All engravings and etchings 20 x 28cm and smaller (10) ÂŁ3000-4000

57

23

24

SCuLPTurE Other properties

58

58 ‡ guy TAPlin b.1939

Whales Two, one signed and titled verso Both painted driftwood 41cm long and 14cm long (2) £800-1200

59 ‡ MARy MARTin 1907-1969

Rotation MM1, 1968 Sculpture with mirrors, published by Unlimited of Bath, an edition of c.100 12.75 x 12.75 x 10cm In 1932 Mary Martin started exhibiting with the London Group becoming a member in 1959. Her work became increasingly abstract at this time £1000-1500

59

25

60 ‡ gill PARkER b.1957

Youngster Signed, dated 1985, and numbered 1/9 Bronze 17cm high (including plinth) £600-800

60

61 ‡ gill PARkER b.1957

Precocious Signed, dated 1985, and numbered 1/9 Bronze 17cm high (including plinth) £600-800

61

26

62 ‡ dAVid wynnE 1926-2014

Antelope Bronze on a green onyx base 25cm high including base £1000-1500

63 ‡ Jon AdAMS 20th Century

Lily Langtry, The Jersey Lily (1853-1929) Signed, dated 13.10.03 and numbered 1/5 Bronze on a marble base 50cm high (including base) £200-300

64 EngliSh SChool 20th Century

Pierced crucifix Bronze 29 x 21cm £150-200

62

63

64

27

65

65 ‡ JAMES BuTlER RA b.1931

Girl on a bed Signed, dated 96 and numbered I/X Bronze 46cm long (including base), 25cm high Provenance: Royal Academy of Arts Summer Exhibition, 1997, No. 875 £2000-3000

66 ‡ JAnE hAMilTon b.1950

African standing mother and child Signed and numbered 6/10 Bronze 49.5cm high £700-1000

66

28

67

67 ‡ MiChAEl AyRTon

68 ‡ MiChAEl AyRTon

69 ‡ MiChAEl AyRTon

1921-1975

1921-1975

1921-1975

Sleeping Minotaur

Narcissus

Without speaking

Numbered 10/12 Bronze, with a separate base, both cast by Morris Singer Foundry 7 x 5cm (base)

Numbered 14/75 Etching, unframed 14 x 17.5cm

Lithograph 46.5 x 59cm Provenance: The Redfern Gallery, London, 30th November 1951, No. 231

£300-500

£1000-1500

£300-400

68

69

29

70

70 ‡ MiChAEl AyRTon 1921-1975

The Archilochos Series Sixteen, all numbered 13/75 All etchings, unframed in original portfolio Each 46 x 38cm (16) £2500-3500

This highly skilled and evocative series of etchings turned out to be the last major creative work by Ayrton, they were ready for printing by November 1975 and he died suddenly on 16th November. He had been haunted by Achilochos, the first personal poet of the Greeks for many years saying ‘Archilochos is imprinted on me and I went looking for his ghost, on the islands of Paros and Thasos where he had lived in order to exorcise him by making etchings to illustrate his poems’.

30

71 ‡ MiChAEl AyRTon 1921-1975

Illustrations for the Suite Femmes/Hombres

by Paul Verlaine Fifteen, all artist’s proofs, numbered VI/XV All etchings, 1971, unframed, in a later folio Each 29.5 x 39cm (15) Paul Verlaine (1844-1896) composed the erotic verses Femmes/Hombres in 1890/91 based on his experiences, especially is affair in 1870/71 with the young Arthur Rimbaud. The verses were not well received at the time of publication in 1903, after Verlaine’s death. £1500-2500

71

31

Lots 72 to 89 A private collection of prints

72

73

72 JAMES ABBoTT MCnEill whiSTlER

73 JAMES ABBoTT MCnEill whiSTlER

American 1834-1903

American 1834-1903

An archive of reproductions of his etchings, in three albums, detailing each state of the etchings illustrated

The Lime Burner

Each album, 40 x 31 x 7.5cm containing approximately 140 cards

Etching, K 46.ii, 2nd state Thames Issue, mounted, unframed 25.25 x 17.5cm (plate size); 27.75 x 20cm (sheet size)

£300-500

£1500-2500

74 JAMES ABBoTT MCnEill whiSTlER American 1834-1903

Thames Warehouses Etching K 38 i, mounted, unframed 7.75 x 20cm (plate size); 21.5 x 31.5cm (sheet size) £600-800

74

32

A private collection of prints

75 JAMES ABBoTT MCnEill whiSTlER American 1834-1903

The Little Port Etching, 8th state, mounted unframed, 10.5 x 12.25cm (plate size); 22.5 x 31.5cm (sheet size) £400-600

76 JAMES ABBoTT MCnEill whiSTlER American 1834-1903

La Marchande de Moutarde Etching, 5th state, K 22 15.75 x 8.5cm (plate size); 23 x 15.75cm (sheet size) £300-500

77 ‡ EdMund BlAMPiEd 1886-1966

The Letter Drypoint, 1925, mounted, unframed 18 x 26cm (plate size) £250-350

75

76

77

A private collection of prints

78 williAM STRAng RA 1859-1921

Tinkers Signed in the plate Etching, unframed 17.5 x 22.5cm (plate size) With 4 further unframed etchings by Strang (5) £400-600

78

79 williAM STRAng RA

80 williAM STRAng RA

1859-1921

1859-1921

The Old Bridge Toledo

Old Walls and Roman Viaduct Segovia; Doorway of Santa Cruz, Toledo; Brick Field, Segovia; Burgos

Signed Etching 25.5 x 28.5cm (plate size) Together with 3 further etchings by Seymour-Haden; L.C. Rosenberg and Rushbury (4) £200-300

79

Four etchings, all signed, part of the Spanish Etchings series published by James Maclehose and Sons, with original folio 26 x 32cm (plate size) and smaller (4) £200-300

80

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34

A private collection of prints

82 williAM lionEl wylliE RA

84 ‡ JAMES MCBEy

1851-1931

Scottish 1883-1959

View of the Thames, London

Shipping on the Guidecca Canal, Venice; Sunrise at Tangiers

Signed, titled indistinctly Etching, unframed 11 x 10cm With 8 further etchings and prints by different hands (9) £200-300

83 FRAnCiS SEyMouR-hAdEn 1818-1910

81

81 FREdERiCk lAndSEER gRiggS RA 1876-1938

Purfleet; The Upper Thames; River Scene One signed Three etchings, all unframed 14 x 21cm (plate size) and similar (3) £150-250

The Cresset Signed Etching 19.5 x 27cm

84

£200-300

85 EugènE BéJoT French 1867-1931

Le Quai Van Dyck, Anvers Signed, also signed titled and dated 23 in the plate Etching 23 x 28.5cm (plate size) With 8 further etchings by different hands (9) £150-250

£200-300

82

One signed and numbered VIII, from 1924, the second signed and numbered XVIII, from 1911 Both etchings, mounted, unframed 19 x 38cm and 15 x 22cm (plate sizes) (2)

83

85

A private collection of prints

86 ‡ gERAld lESliE BRoCkhuRST RA 1890-1978

Portrait of James McBey; Aglaia Two, both signed Both etchings, from 1931 and 1926 27 x 18.5cm and 12.5 x 8.5cm (plate sizes) (2) £300-500

87 SiR EdwARd John PoynTER PRA 1836-1919

Portrait of Alphonse Legros Etching, unframed 26 x 17cm (plate size) With 7 further unframed etchings by Brangwyn; Burridge Pennell and others (8) In 1876 E.J. Poynter recommended Legros to succeed him as Professor of Fine Art at the Slade School

86

87

£250-350

88 SiR dAVid young CAMERon RA, RSA, RwS 1865-1945

Balquidder Signed Drypoint, unframed 23 x 32.75cm With four further etchings by the same hand (5) £300-500

89 ‡ MAx PiETSChMAnn german 1865-1952

The Bather Etching 27 x 19.5cm (plate size) With 10 further etchings and reproductions by different hands from The Studio Library (11) £200-300

88

89

35

36

Other properties 90 ARChiBAld ThoRBuRn 1860-1935

Studies of a fox Signed with initials, inscribed and dated June 6. 1912 Watercolour with pencil and bodycolour on buff paper 24.5 x 35cm Provenance: Sotheby’s Scottish Sale, September 2010, Lot 65 £2000-3000

91 williAM lionEl wylliE RA 1851-1931

The Thames at Westminster Signed and dated 1909 Watercolour 16 x 28cm Provenance: Bell Fine Art, Winchester

90

£800-1200

92 ‡ illingwoRTh VARlEy 1869-1942

Thatching a haystack Watercolour 23 x 31.5cm £100-200

93 EngliSh SChool 20th Century

View across the fields to a village Oil on board, with a further painting of a dock verso 60.5 x 73cm £200-300

91

92

93

37

94

95

96

94 hERBERT ThoMAS diCkSEE

96 ‡ SyliVA goSSE

98 ‡ SAMuEl John lAMoRnA BiRCh RA

1862-1942

1881-1968

1869-1955

The Prodigal

Nude in a doorway; The ballet dancer; Girl on a bed

Cottages at Sennen

Signed in pencil, with blind stamp Etching, published by Frost & Reed, 1926 46.5 x 36.5cm (plate size) £200-300

Three, two signed All etchings 29 x 18.5cm and smaller (3)

£200-300

£200-300

95 williAM STRAng RA 1859-1921

97 ‡ ClAudE dE RoMEFoRT

Portrait of Thomas Hardy OM (1840-1928)

b.1918

Signed and titled Etching 35 x 23.5cm Hardy regarded himself as primarily a poet but gained fame for his novels including Far from the Madding Crowd and Tess of the D’Urbervilles £300-500

St. Marks Square; The Doge’s Palace towards the Grand Canal

97

Signed Watercolour over pencil 18.5 x 23.5cm

Two, both signed Both watercolour with bodycolour on buff paper Each 28.5 x 43.5cm (2) £200-300

98

38

99 gEoRgE gASCoynE 1862-1933

Autumn Labour Signed and dated 1900 also signed, titled and inscribed Blackchild Court, Sittingbourne, Kent verso Oil on canvas 93 x 138cm Exhibited: London, Royal Academy, 1900, no. 238. £4000-6000

99

101

100

102

100 ‡ ERnEST howARd ShEPARd

101 ‡ STAnlEy AndERSon RA

102 ‡ dAVid STRAng

1879-1976 and

1884-1966

1887-1967 after george Clausen

AlAn AlExAndER MilnE

Haymaking by a windmill

Clavering Fields

Signed Etching 16.5 x 34cm

Signed by both artists Etching 15 x 22.25cm

£150-200

£100-150

1882-1956

Hoppity; Happiness; Vespers; Lines and Squares; Teddy Bear; The King’s Breakfast, illustrations from When we were very young Six, all signed by author and artist and numbered 11/20 All prints, unframed 50 x 39.5cm and smaller (6) £1500-2500

39

103

104

105

104 ‡ TEREnCE TEniSon CunEo oM, CVo, oBE

105 ‡ TEREnCE TEniSon CunEo oM, CVo, oBE

Derriere Notre Dame, Les Bouquinistes

1907-1996

1907-1996

A meeting at the Royal College of Surgeons

Signed, also signed and titled verso Oil on canvas 64.5 x 80cm

Signed Pencil heightened with red chalk 25 x 30cm

Stanley Holloway prepares to pick a quarrel with George Thorpe

103 ‡ JulES REné hERVé French 1887-1981

£2500-3500

£250-350

Signed and titled Pencil 37 x 28cm A scene from Meet me at Dawn £250-350

40

106

106 ‡ PETER BiEgEl

107 ‡ PETER BiEgEl

108 ‡ PETER BiEgEl

1913-1987

1913-1987

1913-1987

Copper Coin by Corner Boy and Penny Farthing (by Penny Royal, winner of EBOR)

A chestnut hunter by a stable, possibly at Uppark House

A brown hunter in a landscape

Signed and dated 67 Watercolour 37.5 x 54cm Inscribed in different hand verso A great hunter, bred and hunted all life by Jean Wilkinson

Signed Watercolour on buff paper 38.5 x 52.25cm £500-700

£600-800

107

108

Signed and dated ‘54 Watercolour on buff paper 39 x 52.25cm £500-700

41

109

109 ‡ FRAnCES MABEl hollAMS

110 ‡ FRAnCES MABEl hollAMS

111 ‡ E. R. hood

1877-1963

1877-1963

early 20th Century

Jo, a grey show cob

Freddy, a chestnut hunter in a stable

A racehorse in a landscape

Signed Oil on panel 38 x 51cm With a photograph of Jo wearing a rosette at the Horse of the Year Show (2)

Signed and inscribed Freddy Oil on panel 38 x 51cm

Signed Oil on panel 33 x 40.5cm

£1500-2000

£200-300

£2000-3000

110

111

42

112 John whiTE Ri, Roi

113 ConTinEnTAl SChool

1851-1933

early 20th Century

Coastal view

Drying Sails, St. Tropez

Signed Oil on panel 21 x 36cm

Signed indistinctly Oil on canvas 34 x 44cm

£150-250

£300-500

112

113

115

114

116

RoBERT TREnEMAn BACk

115 ‡ JoSEF PRoChAzkA

116 ‡ R. MCFAddEn

1912-2004

Czech 1909-1984

20th Century

Late 19th Century Collier brig at Pevensey Martello tower looking east toward Bexhill

Late autumn woodland

The road across Southampton Common to Highfield

114 ‡

Signed, titled and dated 1972 verso Oil on canvas 17.5 x 25cm £200-300

Signed Oil on canvas 32 x 42cm £150-250

Signed and titled on a label verso Oil on canvas 25.5 x 35.5cm £200-300

43

117

118

117 ‡ kATE gREEnAwAy Ri 1846-1901

Children with a goat and cart; Teasing crabs A pair, both signed with initials Pen, ink and watercolour on buff paper Each 5.5 x 7.5cm approx. (2) £1500-2000

118 John williAM godwARd 1861-1922

Dolce Far Niente; The betrothed A pair, both signed and stamped Both prints published by Thomas McLean, 1898 Each 40 x 65cm and 33 x 65cm (image size) (2)

119

£400-600

119 AFTER ChARlES JohnSon PAynE, SnAFFlES Gentlemen Unafraid Signed, blind-stamped and with remarques to backing paper Reproduction 28 x 50.5cm £200-300

44

120 ‡ hugo golli CAllEd VAllin b.1921

Gondola on a Venetian waterway Signed Oil on canvas 54 x 66cm Provenance: Omell Galleries, London £800-1200

120

121 ‡ SiR FRAnk BRAngwyn RA 1867-1956

The sandpit Signed with initials Oil on canvas laid on board 44.5 x 54cm Provenance: Hartnoll & Eyre, London, 5/3/69 £600-800

121

122 ‡ oSkAR lARSEn Austrian 1882-1972

The union of earth and water Signed and dated 1928 Oil on canvas 26.5 x 53cm £300-400

122

45

123 ‡ AuguSTuS Edwin John oM, RA 1878-1961

Study of a female standing nude, possibly Vivien Signed Pen, ink and wash 44 x 24.5cm Provenance: By direct descent from Euphemia Lamb £2000-3000

124 ‡ AuguSTuS Edwin John oM, RA 1878-1961

Study of a female standing with raised arm Pencil 44.5 x 27.5cm Provenance: By direct descent from Euphemia Lamb £1500-2000

125 ‡ AuguSTuS Edwin John oM, RA

123

124

1878-1961

Studies of a female standing nude Pencil 34 x 23.5cm Provenance: By direct descent from Euphemia Lamb £1000-1500

126 ‡ AuguSTuS Edwin John oM, RA 1878-1961

First World War soldier Signed Pencil 44 x 29cm £500-700

125

126

46

127 williAM wAllS 1860-1942

Polar bears sleeping Signed Watercolour over pencil 39.5 x 49.5cm £150-250

128 ‡ gEoRgE hAMMond STEEl 1900-1960

The haycart Signed and dated 37 Watercolour on buff paper 21 x 26cm £150-250

127

128

129

130

131

129 ‡ CliFFoRd C. wEBB RBA, ARE

130 FREdERiCk John widgERy

131 gEoRgE MARkS

1895-1972

1861-1942

1857-1933

Sheep grazing in a field

Near Perranporth, Cornwall

The Wye above Lydbrook

Signed Watercolour 36 x 52cm

Signed Gouache on cream paper 27 x 44.5cm

Signed Watercolour 24 x 36cm

£100-200

£200-300

£200-300

47

132

132 ‡ BARRy MASon b.1947

Off the Fastnet, Dreadnought 1853 Signed, also signed, titled and dated 75 verso Oil on canvas 61 x 92cm Dreadnought, a three-masted medium clipper was built in 1853

by Currier and Townsend of Massachusetts. She made 31 round trips between New York and Liverpool from 1853-1864. In 1869 she was wrecked off Tierra del Fuego, the crew were rescued after 17 days in 2 ship’s boats £2000-3000

133 ‡ noRMAn wilkinSon 1878-1971

The landing in Suvla Bay, Gallipoli, 7 August 1915; Suvla Bay attack 21 August, 1915 A pair, both signed, titled Suvla Bay and dated 1915, also inscribed in pencil with details of the battle and names of the ships Both watercolour Each 34 x 54cm (2) This action was an attempt to kick start the Gallipoli campaign by linking with a breakout from the Anzac sector. However the landings went wrong, despite Ottoman resistance of only 1500 soldiers and the planning and execution were later severely criticised £700-1000

133

48

135 ‡ Mervyn Peake

137 ‡ Hubert artHur Finney

1911-1968

1905-1991

Coastal landscape with a rainbow, probably Alderney or Sark

Nauplia, Greece

Signed and dated Christmas 1945 and dedicated to Ruth Marshall, wife of Howard, the Voice of Cricket Watercolour 17 x 24.5cm

Signed, titled and dated 1961 watercolour, unframed 24 x 35cm With 6 further signed, unframed watercolours by the same hand (7) £200-300

£300-400

136 ‡ CLaude MunCaster

138 HoraCe Mann Livens 1862-1936

1903-1974

Shifting stones

134

Drakensburg Mountains

134 ‡ Lazarro Pasini

Signed Watercolour 34 x 50cm

Signed and dated 07 Watercolour over pencil 27.5 x 37cm

italian 1861-1949

£100-200

£200-300

On the Amalfi Coast, possibly Capri Signed Oil on canvas 49 x 69cm £300-500

135

137

exhibited: New Grafton Gallery, London, 31.1.74

136

138

49

139

139 ‡ Montague dawson

140 ‡ george graHaM

141 engLisH sCHooL

1895-1973

1882-1949

20th Century

The pilot cutter

Rochester Harbour

Signed Gouache 41.5 x 62cm

Signed Oil on canvas 64 x 76cm

View of a coastal clifftop castle, previously thought to be Barnburgh Castle Oil on canvas 43 x 58.5cm

£4000-6000

£1000-1500

£200-300

140

141

50

142

142 JaMes beLL anderson rsa scottish 1886-1938

Portrait of a woman, seated, the artist reflected in the mirror Signed and dated 1921 Oil on canvas 102 x 127cm Provenance: Lauraine Diggins Fine Art, Melbourne, Australia ÂŁ2000-3000

51

143

144

143 ‡ Frank o. saLisbury 1874-1962

Portrait of Nancy Signed, also signed, dated 1927 and inscribed verso Oil on canvas 91 x 71cm Provenance: By direct descent from the artist £1000-1500

144 deLPHin enJoLras French 1857-1945

A lady at her dressing table Signed indistinctly Oil on canvas 65 x 54cm £3000-5000

145

146

145 Harry JoHn Pearson

146 Harry JoHn Pearson

1872-1933

1872-1933

Portrait of a girl in a sailor suit

Portrait of a lady in a floral robe

Signed Oil on canvas, unframed 61 x 51cm

Signed Oil on canvas 41 x 31cm

£300-500

£300-500

52

147 tHoMas HenneLL 1903-1945

Sheep in a wooded grove Signed and dated 1939 Pen, ink and watercolour 30 x 41cm £500-700

148 tHoMas HenneLL 1903-1945

Farmland view with a plough Signed and dated 1943 Pen, ink and watercolour 30 x 46.5cm £600-800

149 ‡ donaLd watson

147

1918-2005

Duck on an estuary Signed and dated 1948 Watercolour and bodycolour 43 x 63cm £200-300

150 ‡ FeLiks toPoLski Polish 1907-1989

Polish depot ship Titled Pen, ink and wash 14 x 18cm £200-300

148

149

150

53

151 ‡ dunCan grant 1885-1978 after Peter Paul rubens

Peace and War Signed with initials and inscribed Rubens, also inscribed on backing board verso For Anita and Bill from Paul R. gratefully, April 1979 Pencil and chalk 23 x 33cm Provenance: Given to the author Anita Lesley by Paul Roche By descent to the vendor £400-600

151

152 ‡ robin tanner

153 ‡ robin tanner

154 ‡ robin tanner

1904-1988

1904-1988

1904-1988

December, Elegy for the English Elm

April

August in Wiltshire

Signed Etching 20.5 x 23cm

Signed and dated 1976 Etching 23.5 x 29.5cm

£200-300

£200-300

Signed Etching 29.5 x 23.5cm £200-300

152

153

154

54

155 ‡ Constantine PartHenis

157 ‡ PerCy ivor Hunt 1903-1971

159 ‡ Portia Mary bennett

greek 1878-1967

Seated nude

1898-1989

A woman bearing a bowl of fruit

Signed Watercolour, unframed 37.5 x 53.5cm

Misty landscape

Signed Pastel on linen 41.5 x 28.5cm £1000-1500

156 PHiLiP sutton b.1928

£150-200

£150-200

158 ‡ katHerine Mary Fryer rbsa 1910-?

Christina

Interior with flowers on a table

Signed and titled Watercolour 60 x 44.5cm

Signed and dated 1949 Watercolour 35 x 52cm

£150-250

£100-200

155

156

158

Signed Watercolour 27 x 26.5cm

157

159

55

160

160 ‡ sir wiLLiaM russeLL FLint Prws, ra 1880-1969

Bellegra from near Subiaco Signed and titled, also, signed, inscribed To my old and dear friend, Ernest Proctor Dawbarn, with warmest good wishes, and dated 1 Dec 1950 on a label verso Pen, ink and wash on pale grey paper 19.5 x 34.5cm Provenance: Marshall Spink Ltd., London £800-1200

161 ‡ edward seago rws 1910-1947

The basket seller, Essaouira, Morocco Signed Watercolour over pencil 37 x 26.5cm Provenance: Richard Green, London, RH 441 The Wykeham Galleries, Stockbridge £2000-3000

161

56

162

163

162 ‡ JoHn striCkLand goodaLL 1908-1996

163 ‡ JoHn striCkLand goodaLL

Lorne Cottage garden, the artist’s house

1908-1996

Signed Watercolour with bodycolour 36 x 49cm

Billy Henderson’s garden

Provenance: Giles Eyre (of Hartnoll & Eyre) of Landford, served with the artist in India in the 1940s

Provenance: Christopher Wood Gallery, London, No. C0182 Giles Eyre (of Hartnoll & Eyre) of Landford, served with the artist in India in the 1940s

£300-500

Watercolour with bodycolour 37 x 53.5cm

£300-500

164 ‡ JoHn striCkLand goodaLL

164

1908-1996

House in Corfu, probably Giles Eyre’s house Signed Watercolour with bodycolour 36.5 x 52.5cm Provenance: Giles Eyre (of Hartnoll & Eyre) of Landford, served with the artist in India in the 1940s £300-500

165 ‡ neviLLe Lewis 1895-1972

165

166

Portraits of Hugh Gwynne Levick’s house boy, head and shoulder studies A pair, both signed Both oil on panel Each 24 x 24cm (2) £500-800

57

166 CirCLe oF MaxweLL arMFieLd

169 MiCHaeL ryasnyanskiy

Still lifes of flowers

Russian soldiers at Stalingrad, c.1955

Four, all gouache Each 28 x 20cm (4) £300-500

167 ‡ CHristoPHer riCHard wynne nevinson ara 1889-1946

russian 1926-2003

Inscribed in pencil verso, possibly in another hand, also painted with a study and inscribed verso Purchased from the artist’s studio Kiev c.1991 Oil on canvasboard 38 x 19cm £200-300

Three boys bathing in the sea Signed Oil on canvas 35.5 x 25.5cm

170 aLiCe Maud Fanner

£3000-5000

Autumn, Lake Garda

168 ‡ saLoMon van abbé 1883-1955

Illustrations from the Tanglewood Tales Five, four signed All watercolour with bodycolour Each 29.5 x 19.5cm (5)

1865-1930 Signed, also signed and titled verso Oil on board 34.5 x 25cm Provenance: Walker’s Galleries, New Bond Street, London Memorial Exhibition 1931, no. 41 £600-800

£250-350

167

168

169

170

58

171

171 ‡ sir CeCiL beaton Cbe

172

173 ‡ robin waLLaCe

174 beLgian sCHooL

1904-1980

172 ‡ sir geraLd Festus keLLy Pra

1897-1952

20th Century

The Squash Player

1879-1972

Still life of mushrooms

Still life with a bottle and clogs

Signed Watercolour 43 x 27.25cm

Sulamani pagoda, moonlight

Signed, also signed and titled verso Oil on canvas-board 30.5 x 40.5cm

Signed indistinctly Oil on canvas 60 x 70cm

£200-300

£200-300

Provenance: Exhibition of works by Cecil Beaton, Shaftesbury Art Centre 1976, purchased by Lieut. Colonel and Mrs Wilson

Titled and dated Jan-Feb 1909 verso Oil on panel 21.5 x 27cm £600-800

£400-600

173

174

59

175 ‡ Jeanette Leuers b.1942

A Summer’s Day Signed, also signed, titled and dated 88 verso Oil on canvas 40.5 x 50.5cm

£800-1200

176 ‡ PauL gunn b.1934

View of Bosham Signed, also signed, titled and dated 1992 verso Oil on panel 20 x 30cm £150-250

177 ‡ baroness ines taxis 20th Century

The Challenge Signed Oil on canvas 76 x 71cm

175

Provenance: Inscribed on a label verso The Royal Society of British Artists Art Club £200-300

178 ‡ riCHard sHirLey sMitH b.1935

Shelley’s poems Forty two, all signed, titled, dated 71 and numbered 5/25 All wood engravings, unframed in original folder Each 22.5 x 15cm £600-800

178

176

177

60

179 ‡ wiLFred gabrieL de gLeHn ra 1870-1951

The Palladian Bridge, Wilton Park Oil on canvas, unframed 51 x 76cm £2500-3500

179

180 ‡ wiLFred gabrieL de gLeHn ra 1870-1951

The Church Oil on canvas 51 x 61cm £2500-3500

180

61

181 ‡ wiLFred gabrieL de gLeHn ra 1870-1951

Stratford Tony, Manor House from the walnut tree Signed with initials and titled verso Oil on canvas, unframed 56 x 71cm £2000-3000

181

182 ‡ wiLFred gabrieL de gLeHn ra 1870-1951

Autumn elm trees Inscribed and dated Stratford Tony, Wilts, 1947 verso Oil on canvas, unframed 64 x 77cm £1500-2000

182

62

183 ‡ wiLFred gabrieL de gLeHn ra 1870-1951

Reclining nude, Jane de Glehn Red chalk 30.5 x 50.5cm Provenance: David Messum, Studio Collection, 768 £300-500

184 ‡ sir david MuirHead bone rws scottish 1876-1956

Winchester, Great Minster Street Signed and dated 1914, inscribed on a label verso Pencil and wash 15.5 x 19.5cm

183

£400-600

185 ‡ dennis Page b.1926

Window shopping, Burlington Arcade Signed Watercolour over pencil 22.5 x 31.5cm Provenance: Wykeham Gallery, Stockbridge £200-300

186 ‡ JoHn yardLey b.1933

Donkey Ride Signed Watercolour over pencil 24 x 34cm Provenance: Wykeham Gallery, Stockbridge £200-300

184

185

186

63

187 ‡ CyriL J. ross

190 ‡ CeCiL H. birtwHistLe

1891-1973

1910-1990

Still life of tulips in a vase

A Sheffield Street

Signed Oil on canvas 63 x 76cm

Signed and dated 59 Watercolour 36 x 52.5cm

£250-350

£200-300

188 ‡ M. a. MatHers

191 ‡ CeCiL H. birtwHistLe

20th Century

1910-1990

A bather in an interior

London street scene; Blasted trees, Richmond Park

Signed and dated 1914 Oil on canvas 61 x 57cm

A pair, both signed, one dated 47 Both oil on canvas, unframed Each 61 x 51cm (2)

£200-300

£150-250

189 Mary MCevoy

187

1870-1941

Still life of tulips in a vase Oil on canvas 60 x 56cm Provenance: Sheffield Art Galleries, No. H.L. 5092 £150-250

188

190

189

191

64

192 aLPHonse van beurden

195 kate wyLie

belgian 1878-1916

1877-1941

Still life of flowers with a plate and a dish

Still life of spring flowers in a jug

Signed Oil on canvas 102 x 85cm

Signed Oil on board 48 x 38cm £300-400

£400-600

196 ‡ M. a. MatHers

193 ‡ eMMa FauLL

20th Century

b.1956

Evening Glow, Singleton, Sussex, April 1918

Studies of parrots Three, two signed and dated 84 and 85 All watercolour 37 x 44.5cm and smaller (3)

Signed Oil on canvas 45.5 x 35.5cm £200-300

£200-300

192

194 ‡ CHarLes Harvey 1895-1970

The yacht club Dartmouth Harbour Signed Oil on board with a further oil sketch verso 37 x 45.5cm £300-500

193

194

195

196

65

197

197 ‡ daMe Laura knigHt ra 1877-1970

198 ‡ CLarenCe e. bLaCkburn

Alice with Kitty and her Donkeys on the Malvern Hills

1914-1984

Signed Oil on canvas 65 x 77cm

Signed Oil on canvas 63 x 99cm

Provenance: The Leicester Galleries, London, The Works of Dame Laura Knight R.A. April 1939 no. 21, On the Hill Top, purchased by Mrs E.J.H. Merry From 1929 onwards Harold and Laura Knight spent time in Malvern, especially during the Malvern Festival. Here they met Alice Betteridge who rented her pony, Kitty and two donkeys for rides in the Malvern Hills. Knight painted two versions of this group

£800-1200

exhibited: London, Royal Academy of Arts, 1965, no 49 £20000-30000

Circus life

198

66

199 ‡ ken Moroney

202 ‡ ken Moroney

b.1949

b.1949

Three girls on the sand dunes

Ladies at the seaside

Signed Oil on board 29 x 39cm Provenance: Hollywood Road Gallery, Chelsea £400-600

200 ‡ ken Moroney b.1949

A view of Blackpool Tower Signed, also stamped verso Oil on board 23 x 18cm £250-350

199

201 ‡ ken Moroney b.1949

Ladies in Paris Signed Oil on board 30.5 x 24.5cm £300-500

200

202

201

203

Signed Oil on board 24.5 x 30.5cm £300-500

203 ‡ ken Moroney b.1949

Gondola in the mist, Venice Signed Oil on canvas 24 x 30cm £300-500

67

204

204 ‡ ken Moroney b.1949

Figures on a beach; Harbour scene Two, both signed Both oil on board 19 x 24cm and 14 x 16cm (2) Provenance: Hollywood Road Gallery, Chelsea £250-350

205

205 ‡ ken Moroney

206 ‡ PaM MasCo

b.1949

b.1953

Beach scenes

Misty Canal, Venice

Two, both signed Both oil on board, framed as a pair Each 27 x 22cm (2)

Signed Oil on canvas 61 x 71cm

Provenance: Hollywood Road Gallery, Chelsea

Provenance: The City Gallery, London, 13th Sept. 1996

£400-600

£150-200

206

68

207 ‡ PatriCia Moran b.1944

Roses and Iris in a jug Signed Oil on canvas 71 x 61cm £600-800

208 ‡ georges bierand belgian 1895-c.1953

Still life of rhododendrons Signed Oil on canvas 69 x 89cm £500-800

207

208

209 ‡ sHeiLa MaCLeod robertson rsMa

210 andré PetroFF

211 ‡ denis MatHews

russian 1893-1975

welsh 1913-1997

b.1927

Still life of roses

St. Brelades Bay, Jersey

Signed, also signed and dated V ‘64 verso Mixed media on board 60 x 73cm

A public meeting in China

Signed Oil on board 20 x 25cm exhibited: The Mall Galleries, London £400-600

£300-500

Signed Watercolour and bodycolour 48 x 59cm Mathews visited China in the late 1950s and early 1960s £150-250

209

210

211

69

212

213

212 ‡ otHon Coubine

213 artHur baker CLaCk

214 ‡ ida siMPson

215 ‡ ida siMPson

Czech 1883-1969

australian 1877-1955

1898-1977

1898-1977

Table still life

Cottages on the water

Still life of fruit and a jug

Signed Oil on panel 27 x 35cm; 10½ x 13¾in

Signed Oil on board 7.5 x 21cm

Signed Oil on canvas 63 x 76cm

Figures in a continental street, possibly Spain

£1000-1500

£400-600

£300-500

214

Oil on canvas 77 x 45cm £300-500

215

70

216 ‡ orestis kaneLLis greek 1910-1979

Girls in an interior Signed Oil on canvas 73.5 x 101.5cm Provenance: Sotheby’s, London, 18th November 2003, lot 139 £2000-3000

217 ‡ david reMFry ra b.1942

Still life with Easter eggs Signed and dated 1987 Watercolour 62 x 103cm £300-400

218 ‡ sir HugH Casson Pra 1910-1999

Sea Wall Freshwater; Squall over Brownsea Island

216

Two, both signed with initials and titled Both watercolour 9 x 14cm and 7 x 15.5cm (2) £200-300

219 ‡ LesLie gooday obe 1921-2013

Flowers on a coloured cloth

217

218

Signed Watercolour with bodycolour 30 x 36cm Provenance: The estate of the Artist £100-150

220 ‡ LesLie gooday obe 1921-2013

Abdo nagi pot and pears Signed Acrylic on board 27.5 x 30cm Provenance: The estate of the Artist £100-150

219

220

71

221 ‡ JoHn yardLey

222 ‡ rodger MCPHaiL

b.1933

b.1953

The pony; Fishing

Oyster catchers in a landscape

Two, both signed Both watercolour 23.5 x 30.5cm and 25 x 34cm (2)

Signed Watercolour with bodycolour 39 x 51cm

Provenance: Fishing only - The Wykeham Gallery, Stockbridge £300-500

£400-600

223 ‡ rodger MCPHaiL b.1953

Salmon fishing - summer Signed Watercolour 28.5 x 30cm Provenance: The Tryon Gallery, London £300-500

222

221

223

224 ‡ geoFFrey dasHwood b.1947

Study of a pintail Signed Pastel on grey paper 28.5 x 42.5cm £150-200

225 ‡ Martin brooks 20th Century

Heron in a landscape Signed and dated 79 Watercolour 51 x 60cm £150-250

224

225

72

226 ‡ CorneLius arnoLd sMitt

228 ‡ dougLas anderson

dutch 1914-1977

b.1934

Dalmation

Pheasants in dappled shade

Signed Oil on canvas 50 x 40cm

Signed Oil on board 80 x 100cm

£150-200

£300-500

227 ‡ david vivian

229 ‡ dougLas anderson

20th Century

b.1934

Portman Hunt Race 4pm, 1965; I.O.W. Adjacent Hunts 4.30, 7.5.66

Otter and salmon

A pair, both signed and titled Both oil on canvasboard Each 46 x 71cm (2)

£300-500

£200-400

226

227

228

Signed Oil on board 76 x 60cm

229

73

230 HoraCe asHer brodsky australian 1885-1969

Groups of men and women in conversation and contemplation Three, all signed and dated 60, 63, 64 All oil on board Each 14 x 24.5cm and 14 x 22cm (3) £600-800

231 ‡ stanLey griMM 1891-1966

Flower piece, Anemones Signed Oil on canvas 61 x 52cm £300-500

232 ‡ aFter MarC CHagaLL

230

From The window of Jerusalem Numbered LXVIII/LXXV Lithograph 61 x 46cm £300-500

233 ‡ JoHn eLwyn 1916-1997

Dyfed landscape; The remote Welsh landscape Two, both signed, also both signed and titled on backing board verso Both acrylic on board 15.5 x 26cm and 20 x 30cm (2) £300-500

231

233

232

74

234 robert reMsen viCkrey american 1926-2011

Sister of Charity Signed Tempera on board 30 x 40cm £1000-1500

234

235 ‡ PruneLLa CLougH 1919-1999

Headstone 1992 Signed Watercolour, collage and gouache on paper 41 x 43.5cm Provenance: The Estate of the artist Annely Julia Fine Art exhibited: Tate Britain, Prunella Clough, 24th March - 27th August 2008 £800-1200

235

75

236 ‡ daMe eLisabetH Frink ra 1930-1993

Herakles in the Lion’s Mask Signed, titled and numbered 26/70 Etching with aquatint, from the series Children of the Gods 53.5 x 37.5cm (plate size) £500-800

237 ‡ Frank dobson ra 1886-1983

Montignac sur Vézère, Dordogne, France Signed and dated 52 Pen, ink and watercolour 44 x 34.5cm £400-600

238 ‡ Frank dobson ra 1886-1983

Figure studies Coloured chalks on buff paper 24 x 15.5cm £300-500

236

237

238

76

239

240

239 ‡ edward PiPer 1938-1990

Reclining nude Dated 26 IX 79 Watercolour 50 x 37cm £400-600

241

240 ‡ JoHn PiPer 1903-1992

9 Tickencote, Rutland: The Norman Chancel Arch, 1964 Signed and numbered 28/70 Lithograph 58 x 80cm £500-700

241 ‡ PatriCk ProCktor ra 1936-2003

A Japanese play Signed and numbered 27/500 Aquatint 27 x 68.5cm £100-150

242 ‡ Linda sutton b.1947

They met by candlelight Signed, also signed and titled verso Mixed media on board 63 x 57cm £300-500

242

77

243

243 ‡ aLan davie ra 1920-2014

Painting Signed and dated 59 Oil on board 42 x 53.5cm Provenance: Gimpel Fils Gallery London, April 1962 £10000-15000

244 PauL Jenkins american 1923-2012

Phenomena Upper Left Signed Watercolour 55 x 75.5cm Provenance: Galerie Farber, Brussels, 1974, No. 763 £2000-3000

244

78

247

245

248

245 ‡ david graHaM

246 ‡ JuLian treveLyan ra

247 ‡ antHony rossiter

b.1926

1910-1988

1926-2000

The golfer

Chiswick Eyot, 1971

Wet evening in Connemara

Signed, also dated 25.5.2005 verso Oil on canvas 64 x 49.5cm

Signed, titled and numbered 64/75 Aquatint 35 x 48cm

Signed with initials and dated 95 twice Watercolour and gouache, mounted, unframed 35 x 54cm

£300-500

£200-300

£200-300

248 ‡ Max guntHer german 1934-1974

Piccadilly Circus with the Shaftesbury Memorial Fountain (Eros) Signed and dated 57 Oil on canvas 51 x 61cm £200-300

246

79

249 ‡ JoHn bratby ra 1928-1992

John Bratby as Joss Ackland and Patti after the rain Signed Oil on canvas 121 x 91cm Painted in July 1990 £600-800

250 ‡ Fred yates 1922-2008

A country house Signed Oil on board 58 x 80cm £800-1200

250

249

80

251 ‡ Laurence Stephen Lowry ra 1887-1976

St. Luke’s Church, Old Street, London Signed, stamped and numbered 850/558 Colour lithograph, published 1973 61 x 46cm £1500-2500

252 ‡ Simon paLmer b.1956

Towards the Vale Signed and titled Watercolour 40.5 x 33cm provenance: Forest Gallery Fine Art, Guildford £800-1200

253 ‡ DaviD inShaw

254 ‡ Dora hoLzhanDLer

b.1943

1928-2015

Lake landscape

Spring

Signed dated and numbered 4/45 Etching with aquatint 40 x 33cm

Signed and dated 1968 Oil on canvas 109 x 91cm

£100-200

£5000-8000

251

252

253

81

254

82

255

255 ‥ rowLanD hiLDer 1905-1993

Landscape near Cowden, Kent Signed, also signed, titled, inscribed and dedicated to Treen and Betsy Hare verso Oil on canvas 77 x 102cm ÂŁ4000-5000

83

256

256 ‥ marceL Dyf french 1899-1985

Calle du Passage, South Brittany, Golfe de Morbihan Signed Oil on canvas 60 x 72.5cm provenance: Painted in 1980, No. ID 2969 ÂŁ5000-7000

84

257

257 ‡ freDerick Gore ra 1913-2009

Roses d’Inde et Pastis Signed, also signed and titled on stretcher verso Oil on canvas 76 x 101.5cm £8000-12000

258 ‡ freDerick Gore ra 1913-2009

Trafalgar Square, London Signed and dated 89 Oil on canvas 61 x 45.5cm £4000-6000

85

258

86

259 ‡ Sophie ryDer b.1963

Hare head and naked ladies dancing Signed and dated 95 Mixed media with collage 89 x 120cm £800-1200

259

260 ‡ Geoffrey robinSon b.1945

Untitled Signed and dated 92 Mixed media on board 58 x 89cm £800-1200

260

87

261 ‡ Geoffrey robinSon b.1945

Two vases, 2000 Signed Acrylic on canvas laid on board 48 x 38cm £700-900

262 ‡ John hitchenS b.1940

Valley Grey Signed, also signed, titled and dated 1968 on the stretcher verso Oil on canvas 32 x 47cm £400-600

263 ‡ roGer ceciL 1942-2015

Figure series II Mixed media 49 x 45cm £200-300

261

262

263

88

264 ‡ JameS huLL 1921-1990

Untitled Signed and dated III 86 Gouache 60 x 91cm £800-1200

264

265 ‡ GeorGe Dannatt 1915-2009

Collage composition in yellow and black Signed, titled and dated 1981 verso Mixed media with collage 12 x 13cm provenance: Paisnel Gallery, London £900-1200

265

266 ‡ GeorGe Dannatt 1915-2009

July Convergence Signed, titled and dated 1994 verso Oil on softboard 12 x 25.5cm £800-1200

266

89

267 ‡ aDrian heath 1920-1992

Composition Signed and dated 77 Mixed media 75 x 55cm £2500-3500

267

268 ‡ eDwarD woLfe ra 1896-1981

Still life, 1930s Signed Oil on canvas-board 33 x 39cm Sold with a book by John Russell-Taylor on the artist (2) £1400-1600

268

90

269

270

271

272

269 ‡ bankSy b.1974

Laugh now but one day we’ll be in charge; Keep it real Four, colour silkscreens on record sleeves with vinyl records All signed in the print, the records numbered Each 30.5 x 30.5cm (4) £400-600

270 ‡ manner of roy LichtenStein

271 ‡ D* face / Dean Stockton

272 ‡ marceL Janco

Star Trek

20th/21st century

Dragomir & Cotadi

Reproduction 70 x 149cm

I feel bad

Signed and dated 1969 2-sided colour lithograph, unframed 38.5 x 56.3cm

£200-300

Lithograph Signed, also signed with a cipher 195 x 116cm £200-300

1895-1984

£100-150

91

273

274

275

276

273 ‡ henry cLiffe

275 ‡ henry cLiffe

277 ‡ henry cLiffe

1919-1983

1919-1983

1919-1983

Untitled, black and green puzzle shape, c.1975

Untitled, blue with black arch

Black and white abstracts

Pastel, unframed 52 x 63.5cm

Signed and dated ‘74 Gouache, unframed 52 x 63.5cm

£150-250

£200-300

Two, both watercolour, unframed Each 76.5 x 56.5cm With a smaller signed, untitled abstract by the same hand (3)

274 ‡ henry cLiffe

276 ‡ henry cLiffe

1919-1983

1919-1983

Untitled, black and white with stripes, c.1975

Untitled, red and blue stripes with yellow and green, c.1975

Pastel, unframed 52 x 63.5cm

Pastel, unframed 52 x 63.5cm

£150-250

£150-250

£250-350

277

92

278 ‡ henry cLiffe 1919-1983

Standing nude Two both watercolour, unframed Each 55 x 38cm With an untitled abstract by the same hand (3) £250-350

279 ‡ henry cLiffe 1919-1983

Untitled, red with spiral, c.1975 Gouache, unframed 52 x 63.5cm

278

£150-250

279

280 ‡ henry cLiffe 1919-1983

Untitled, blue, black yellow, c.1975 Gouache, unframed 52 x 63.5cm £200-300

280

281

281 ‡ henry cLiffe 1919-1983

Untitled, blue square and arrow, c.1975 Pastel, unframed 52 x 63.5cm £150-250

282 ‡ henry cLiffe 1919-1983

Untitled Signed and dated ‘70 Mixed media, unframed 52 x 63.5cm £200-300

282

93

283 ‡ henry cLiffe 1919-1983

Rear view and black and white abstracts Three all watercolour, unframed Each 76 x 56cm With an untitled abstract print by the same hand (4) £300-500

284 ‡ henry cLiffe 1919-1983

Standing nude Two both watercolour, unframed Each 55.5 x 38cm With an untitled, unframed abstract by the same hand (3)

283

£250-350

285 ‡ raLph aDron b.1937

Black and white; Gouache Hands Hexagonal; Gouache Hands; Untitled, c.1965 Four, all signed (one with initials) and three dated 1965, two also dated verso All gouache on coloured papers, unframed 32.5 x 50cm (2 of 4); 35 x 49cm and 22 x 28cm (sheet sizes) (4) £250-350

284

285

94

286

288

289

286 ‡ anthony benJamin

289 ‡ keith miLow

1931-2002

b.1945

Untitled

Seated figure, 1966/74; Jeans, 1966/74; JRRB, 1966/74

Seven, three signed and four dated between 1958-1961 All gouache on paper, unframed 35 x 50cm (4 of 7) and 3 smaller (7) £400-600

£150-250

287 ‡ Jeanne maSoero

290 ‡ keith miLow

b.1937

Philip Johnson, 1967

Signed and dated verso Oil on canvas, unframed 91.5 x 91.5cm With a copy of the book Jeanne Masoero, A Survey

by Sacha Craddock (2)

Signed, dated ‘67 and inscribed For Stephen Watercolour on orange paper, unframed 52 x 77cm

288 ‡ keith miLow b.1945

Untitled, 1978; Drawing for Series, 123456…A/B, 1970; Sketch for Drawing for Series, 123456…A/B, 1970; Four, three signed, dated and two inscribed For Stephen and For Stephen with much love One watercolour and collage, three pencil on graph paper, all unframed 57 x 77cm (2 of 4); 35 x 43cm (2 of 4) (4 in total) £150-250

290

b.1945

Abstract in red and green

£800-1200

287

Two signed and dated 66 and 74 Three, all pencil, unframed All 76 x 56cm (3)

£150-200

95

INDEX OF ARTISTS A Abbé, Salomon van Adams, Jon Adron, Ralph Anderson, Douglas Anderson, James Bell Anderson, Stanley Ardizzone, Edward

168 63 285 228, 229 142 101 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26 Armfield , Circle of Maxwell 166 Ayrton, Michael 67, 68, 69, 70, 71 B Back, Robert Treneman 114 Banksy 269 Barker, David Walker 43 Beaton, Sir Cecil 171 Béjot, Eugène 85 Belgian School 174 Benjamin, Anthony 286 Bennett, Portia Mary 159 Beurden, Alphonse van 192 Biegel, Peter 106, 107, 108 Bierand, Georges 208 Birch, Samuel John L 98 Birtwhistle, Cecil H. 190, 191 Blackburn, Clarence E. 198 Blampied, Edmund 77 Bone, Sir David Muirhead 184 Bowey, Olwyn 31 Boyde-Harte , Glynn 42 Brangwyn, Sir Frank 51, 121 Bratby, John 249 Brockhurst, Gerald Leslie 86 Brodsky, Horace Asher 230 Brooks, Martin 225 Butler, James 65 C Cameron, Sir David Young 88 Casson, Sir Hugh 218 Cecil, Roger 263 Chagall, After Marc 232 Clack, Arthur Baker 213 Clausen, after George 102 Cliffe, Henry 273, 274, 275, 276, 277, 278, 279, 280, 281, 282, 284 Clough, Prunella 235 Continental School 113 Coubine, Othon 212 Cuneo, Terence Tenison 104, 105 D Daly, Jehan 47 Dannatt, George 265, 266 Dashwood, Geoffrey 224 Davie, Alan 243 Dawson, Montague 139 Delphin Enjolras 144 Dicksee, Herbert Thomas 94 Dobson, Frank 237, 238 Dufy, Raoul 41 Dunstan, Bernard 37 Dyf, Marcel 256 E Edwards, Edwin 55 Elwyn, John 233 English School 64, 93, 141 F Fanner, Alice Maud 170 Faull, Emma 193 Finney, Hubert Arthur 137 Flint, Sir William Russell 160 Frink, Dame Elisabeth 236 Frith, After William P 56 Fryer, Katherine Mary 158 G Garrow, Simon 32

Gascoyne, George Gill, Eric Glehn, Wilfred Gabriel de Godward, John William Golli, Hugo called Vallin Goodall, John Strickland Gooday, Leslie Gore, Frederick Gosse, Syliva Graham, David Graham, George Grant, Duncan Greenaway, Kate Greenham, Peter Griggs, Frederick L Grimm, Stanley Gunn, Paul Gunther, Max Gwynne-Jones , Allan H Hamilton, Jane Harvey, Charles Heath, Adrian Hennell, Thomas Hervé, Jules René Hilder, Rowland Hitchens, John Hollams, Frances Mabel Holzhandler, Dora Hood, E. R. Hull, James Hunt, Percy Ivor I Inshaw, David J Janco, Marcel Jenkins, Paul John, Augustus Edwin K Kanellis, Orestis Kelly, Gerald Festus Knight, Dame Laura L Laboureur, Jean Emile Larsen, Oskar Lessore, Thérèse Leuers, Jeanette Lewis, Neville Livens, Horace Mann Lowry, Laurence Stephen M Marks, George Martin, Mary Masco, Pam Masoero, Jeanne Mason, Barry Mathers, M. A. Mathews, Denis McBey, James McEvoy, Mary McFadden, R. McPhail, Rodger Milne, Alan Alexander Milow, Keith Moore, Henry Moran, Patricia Moroney, Ken Muncaster, Claude N Nevinson, Christopher R W P Page, Dennis Palmer, Simon Parker, Constance A

99 54 179, 180, 181, 182, 183 118 120 162, 163, 164 219, 220 257, 258 96 245 140 151 117 35, 36, 38 81 231 176 248 48, 57 66 194 267 147, 148 103 255 262 109, 110 254 111 264 157 253 272 244 123, 124, 125, 126 216 172 197 49 122 44 175 165 138 251 131 59 206 287 132 188, 196 211 84 189 116 222, 223 100 288, 289, 290 40 207 199, 200, 201, 202, 203, 204, 205, 136 167 185 252 45

Parker, Gill Parthenis, Constantine Pasini, Lazarro Payne, After C J (Snaffles) Peake, Mervyn Pearson, Harry John Petroff, André Pietschmann, Max Piper, Edward Piper, John Poynter, Sir Edward John Prochazka , Josef Procktor, Patrick Pryde, James Ferrier R Raverat, Gwendolen Ravilious, Eric Remfry, David Robertson, Sheila MacLeod Robinson, Geoffrey Romefort, Claude de Ross, Cyril J. Rossiter, Anthony Ryasnyanskiy, Michael Ryder, Sophie S Salisbury, Frank O. Seago, Edward Seymour-Haden , Francis Shepard, Ernest Howard Sickert, Walter Richard Simpson, Ida Smith, Richard Shirley F. Smitt, Cornelius Arnold Steel, George Hammond Stockton, Dean/D* Face Strang, David Strang, William Sutton, Linda Sutton, Philip T Tanner,Robin Taplin, Guy Taxis, Baroness Ines Thorburn, Archibald Topolski, Feliks Trevelyan, Julian V Varley, Illingworth Vaughan, Keith Vickrey, Robert Remsen Vivian, David W Wallace, Robin Walls, William Watson, Donald Webb, Clifford C. Weight, Carel Whistler, James Abbot M White, John Widgery, Frederick John Wilkinson, Norman Wolfe, Edward Wyeth, Paul James L Wylie, Kate Wyllie, William Lionel Wynne, David Y Yardley, John Yardley, John Yates, Fred

60, 61 155 134 119 135 145, 146 210 89 239 240 87 115 241 39 52, 53 27, 28, 29 217 209 260, 261 97 187 247 169 259 143 161 83 100 33, 34 214, 215 178 226 128 270, 271 102 78, 79, 80, 95 242 156 152, 153, 154 58 177 90 150 246 92 46 234 227 173 127 149 129 50 72, 73, 74, 75, 76 112 130 133 268 30 195 82, 91 62 186 221 250

Old Masters & 19th Century Paintings Wednesday 7th September 2016 Entries are invited

AndrĂŠ Perrachon (French 1827-1909) Still life of roses on a forest floor Signed, oil on canvas, 33 x 46cm Estimate: ÂŁ2,500-3,500

ENQUIRIES Victor Fauvelle | Tel: +44 (0) 1722 424503 | victorfauvelle@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0) 1722 424592 | jobutler@woolleyandwallis.co.uk

Arms & Armour, Medals & Coins and Militaria Wednesday 19th October 2016 Entries are invited

The Boer War D.S.O. group of two to Captain Harry Crewe Godley, Northamptonshire Regiment, comprising: Distinguished Service Order, V.R.; and scarce single clasp Queen’s South Africa Medal, clasp for Belmont.

Estimate: £2,000-3,000

ENQUIRIES Ned Cowell | Tel: +44 (0) 1722 341469 | nc@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk.

You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% plus VAT charge for this service.

In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

ARTIST’S RESALE RIGHT / DROIT DE SUITE ‡ Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the cardholder is not present.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Wire transfers should be sent to: Lloyds Bank plc, 38 Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACkING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Absentee Bid Form 20th Century & Contemporary Art Wednesday 8th June 2016 PW080616

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

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Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms.

All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues.

Our staff will be happy to help you if there is anything you do not fully understand.

2.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5.

VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the Uk. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium).

Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7.

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8.

Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense.

We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

2.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

3.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6.

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8.

REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

After Edward Lear: In our opinion a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Auction Calendar pAintings 8th June 2016 – 20th Century & Contemporary Art 7th September 2016 – Old Masters & 19th Century Paintings Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20th CEntury DEsign 22nd June 2016 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk FurniturE, Works oF Art & CloCks 6th July 2016 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk silvEr 19th & 20th July 2016 – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWEllEry 21st July 2016 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk English & EuropEAn CErAmiCs & glAss 13th September 2016 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk tribAl Art & AntiquitiEs 20th September 2016 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Arms & Armour, mEDAls & Coins AnD militAriA 19th October 2016 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk AsiAn Art 15th & 16th November 2016 John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

www.woolleyandwallis.co.uk