Lindsay Burns by Park Communications

ANTIQUES AND FINE ART Tuesday 1st & Wednesday 2nd December 2020

Lot 238

Antiques & Fine Art Sale Two day Auction To include: The Property of a Gentleman of Title, Selected items from Inchrya House, Perthshire, The residual contents of Craigantaggart House, Dunkeld, Works from the Studio of Avril J.D. Gilmore and The remaining Jewellery stock from the Gallery of the late Graham Stewart, Silversmith, Dunblane. Day One: Lots 1-354 Tuesday 1st December 2020 at 10.30am

To include; Longcase Clocks, Furniture, Mirrors, Rugs & Carpets, Garden Antiques, Works of Art, Clocks, Travel & Topography Books, Portrait Miniatures, Prints, Watercolours, Oil Paintings and works from the Studio of Avril. J.D. Gilmore.

Day Two: Lots 355-726 Wednesday 2nd December 2020 at 10.30am

To include; Silver, Jewellery & Gold, The remaining Jewellery stock from the Gallery of the late Graham Stewart, Silversmith, Dunblane, Whisky, Wine & Port, Monart, Glass by Emile Galle and Rene Lalique, British & European Ceramics, Asian Art to include Chinese and Japanese Works of Art

At 6 King Street, Perth, PH2 8JA Viewing by appointment only Friday 27th November 2020 Saturday 28th November 2020 Sunday 29th November 2020 Monday 30th November 2020

9am – 5pm, Subject to Covid-19 Protocols 9am – 2pm, Subject to Covid-19 Protocols 1pm – 3pm, Subject to Covid-19 Protocols 9am – 5pm, Subject to Covid-19 Protocols

Limited Viewing on the Morning of Sale, Subject to Covid-19 Protocols Illustrated Catalogue £10.00 Buyer’s Premium 20% plus VAT Enquiries: Nick Burns Email: mail@lindsayburns.co.uk Website: www.lindsayburns.co.uk Live Auction: www.the-saleroom.com/lindsayburns Telephone: 01738 633888 Fax: 01738 441322

Front cover Illustration – Lot 687 (detail) Back cover Illustration – Lot 226 (detail)

Lindsay Burns & Company

CONDITIONS OF SALE 1. The highest bidder shall be the Buyer. If any dispute arises, the Auctioneers shall have absolute discretion to settle it and put up any disputed Lot again. The Auctioneers reserve the right to refuse any bidding. 2. All lots are put up for sale subject to any agreed reserve price imposed by the seller. The Auctioneers and Vendors reserve the right to bid for each Lot and to alter the Lotting as may be considered necessary, and to withdraw any Lot or Lots from the Sale. 3. The full purchase money for each Lot is to be paid at the fall of the hammer. The declaration of the name of the buyer shall be deemed a full and sufficient acceptance of the Lot, which shall then be and remain in every respect at the absolute risk of the respective buyer or buyers thereof, and shall be removed from the place of sale at the buyer’s expense, and taken with all faults and errors of description, the Auctioneers not holding themselves responsible for the correctness of the description, the genuineness or authenticity of, or any fault or defect in any Lot. The Contract of Sale is to be deemed in all cases as made exclusively with the Auctioneers, and the payment is to be made to them alone. 4. No lot or lots shall be removed from the premises on which the sale is held until paid for, nor shall any person be allowed to retract his or her bidding, but must give his or her name and residence on demand. No lot under any circumstances to be removed during the hours of the sale but all Lots must be removed within five working days of the sale. No relaxation whatever can be made to this condition. Should any damage be occasioned by any buyer to any property of any Vendor which is either reserved or unsold, the buyer shall make good the same or pay a sum in damages which may be agreed between the Auctioneers, as representing the vendor, and such buyer, or failing agreement as to said damages, the amount shall be settled by the Auctioneers whose decision shall be final. 5. Methods of Payment Cheques – All cheques must be made payable to Lindsay Burns and Company. It is necessary to allow at least six working days for the cheque to clear before collecting the lots (unless agreed with the auctioneers prior to sale). Cash - Lindsay Burns & Company accepts cash payments up to £5,000.00 Bank transfer - All bank transfers must state the relevant paddle number (found on the top right of your invoice, if you are unsure of this number please contact the office) If transferring from a foreign currency, the total Lindsay Burns & Company receive must be the amount due in pounds sterling after a currency conversion. All transfers must include anticipated bank charges. Our bank details are available on request. We do not accept cash deposits into our account. Credit card and debit card payments -There are no charges for using debit or credit cards. Lindsay Burns & Company does not accept card payments over the telephone or internet, only in person on the premises (unless agreed with the auctioneers prior to sale). 6. It is hereby expressly stipulated that all sales be cash transactions at the fall of the hammer. Notwithstanding this a bill statement may be delivered to the buyer at the end of the sale, for the convenience of such buyer, no stamped receipt shall be required by such a buyer. Except at his or her own expense. 7. If any buyer shall fail to comply with the above conditions or any of them, the Auctioneers shall be at liberty to recover in full the amount outstanding for the Lot or Lots bought by such buyer, together with a 5% administrative charge, and all costs, charges and expenses incurred; or to re-sell any Lot or Lots bought by such buyer, either by public or private sale, and the full amount of the purchase money at the present sale, or the deficiency (if any) arising from the second sale together with all interest, cost, charges and expenses, shall be made good by the defaulter.

Hammer price Percentage From €0-€50,000 4% From €50,000.01 to €200,000 3% From €200,000.01 to €350,000 1% From €350,000.01 to 500,000 0.5% Exceeding €500,000 0.25% 12. Registering To Bid To register as a private individual we will require full contact details along with government issued photo identification (passport, driving licence) and a proof or address (utility bill, council tax bill, bank statement) To register as a corporate client we will require a copy of the certificate of incorporation or equivalent documentation and proof of identification of directors and owners. If you are a partnership, trust or other legal structure please contact us to discuss the registration requirements. Buyer’s premium is charged at 20% plus VAT at the prevailing rate on the hammer price of all lots sold. 13. Lindsay Burns & Company offers an online bidding service via the-saleroom.com. This service is provided for bidders who cannot attend the sale. Online auctions allow you to listen, bid and watch the sale in real time. To view the catalogue and register for the sale please go to www.the-saleroom.com/ lindsayburns . Please note that successful bids made via the-saleroom.com live auction service will be subject to an additional 4.95% charge plus VAT at the prevailing rate over and above Lindsay Burns & Company’s buyer’s premium. 14. Lindsay Burns & Company prepare Condition Reports and state the physical condition of the lots offered for sale. Lindsay Burns & Company do this free of charge and on behalf of our vendors. Should any potential buyer request a Condition report then Lindsay Burns & Company will provide this. Lindsay Burns & Company are not entering into a contract with the potential buyer. Whilst every effort is taken to ensure the accuracy of the Sale Catalogue and such Condition Reports, they and all descriptions given are prepared by us to the best of our knowledge and any dates and descriptions relating to lots are the Opinion of Lindsay Burns and Company. They do not assume responsibility for them in any way. All lots are available for inspection to potential buyers during the viewing period prior to the Auction. 15. Definitions Auctioneer the representative of Lindsay Burns & Company conducting the sale. Buyer the person to whom a lot is knocked down to by the Auctioneer and will include any bidder or potential buyer. Buyer’s Premium is the sum calculated on the Hammer Price currently 20% +VAT. Condition Report is a report on the physical condition of a lot prepared by Lindsay Burns & Company for potential buyers, (see 15). Hammer Price is the price for which the lot is knocked down by the Auctioneer on the day of sale, (not subject to Buyers Premium or VAT). Lindsay Burns & Company The Auctioneers as referred to as Lindsay Burns & Company. Lot any item consigned to Lindsay Burns & Company with a view to being sold at auction. Sale the auction sale at for which a lot is to be offered for sale by Lindsay Burns & Company. VAT Value Added Tax at the prevailing rate at the day of sale. Vendor the seller of lots consigned to Lindsay Burns & Company.

9. All Lots marked with the prefix * indicates VAT is payable in addition to the Selling Price.

Customer Due Diligence Art Market Participants are obliged to undertake measures to ensure that transactions are not part of money laundering. The threshold for these checks is 10,000 EUROS or the equivalent in British pounds. We will be required to undertake the necessary identification checks prior to the conclusion of any transaction exceeding this threshold for both buyers and vendors. For further information please contact the office.

10. All Lots prefixed with @ indicates that VAT is included in the Selling Price.

Published by Lindsay Burns & Company 15th September 2020

11. All lots prefixed with AR indicate that they are subject to Artists Resale Right. This will only apply to items selling for a hammer price of €1000 or greater, converted into the currency of the sale using the European Central Bank reference rate prevailing on the date of sale. The additional premium will be payable to Lindsay Burns & Company by the buyer to cover our expenses relating to the payment of royalties under the Artists Resale Right Regulations 2006 and The Artists Resale Right (Amendment) Regulations 2011. The Royalty is calculated as a percentage of the Hammer Price and is set out on a sliding scale from 4% to 0.25%, see table below. The maximum Royalty is capped at €12,500 which applies to works sold for €2 million or more.

Lindsay Burns & Company is the trading name of N Burns & C Burns Ltd., a limited company registered in Scotland.

8. Neither the Vendor nor the Auctioneers shall be responsible for any loss, damages or injury occasioned to or sustained by any person on the premises, before, during or after the sale howsoever the same may arise.

Registration number SC412672. Registered office is at 6 King Street, Perth, PH2 8JA VAT Reg. 177947251

Lindsay Burns & Company is the trading name of N Burns & C Burns Ltd., a limited company registered in Scotland. Registration number SC412672. Registered office is at 6 King Street, Perth, PH2 8JA VAT Reg. 177947251

Lindsay Burns & Company

TUESDAY 1ST DECEMBER LONGCASE CLOCKS

Lot 1

Lot 2

Lot 3

1. A George III oak longcase clock, David Craig Ford, Pathhead, the enamelled dial with Arabic and Roman numerals, subsidiary seconds and date dials, the arch decorated with songbird on flowering branch, the spandrels decorated with flowers and foliage, the twin train four pillar movement striking on a bell, within a broken swan neck hood centred with a brass ball finial supported by reeded columns with blind fret work details, the shaped trunk door flanked by reeded quarter columns, on a rectangular base with bracket feet, pendulum, weights and key present, 216cm high. £200-300 (+24%BP*)

3. A 19th century mahogany longcase clock, Geo. Innes, Glasgow, the square silvered dial with Roman numerals, subsidiary seconds dial and date dial, the twin train four pillar movement striking on a bell within an architectural hood with vertical fluted frieze, the rectangular arched top trunk door above a rectangular panelled base with ebony line detail, raised on a plinth, pendulum, key and weights present, 195.5cm high. £300-500 (+24%BP*)

2. A 19th century mahogany drum head longcase clock, C. Wessenberg, Coatbridge, the circular enamel and gilded dial with Roman numerals, subsidiary seconds and date dials, the twin train four pillar movement striking on a coiled gong, within a circular hood with acorn, foliate and scroll carved pediment, the tapered rectangular trunk with a glazed cupboard door, on a rectangular panelled base and plinth base with short feet, winding key, pendulum and weights present, 208cm high. £100-200 (+24%BP*)

4. An early 20th century mahogany Grandmother clock, the silvered dial with Arabic numerals, the three train movement striking on gongs, within a broken scroll pediment hood centred with brass finial, the case with chequer banded detail, raised on bracket feet, 157cm high. £150-300 (+24%BP*)

Lindsay Burns & Company

Lot 5

Lot 6

Lot 7

5. An early 19th century mahogany and boxwood lined longcase clock, makers name indistinct, Blairgowrie, the circular dial with Roman numerals, subsidiary seconds dial and date dial, the twin train four pillar movement striking on a bell, contained within a dome top case set with three brass ball finials, the shaped trunk door flanked by quarter columns with inlaid line detail, on a rectangular base and shaped plinth, pendulum, key and weights present, 210cm high. £150-300 (+24%BP*)

6. A George III mahogany longcase clock, John Mercer, Liverpool, the enamelled dial with Arabic and Roman numerals, with subsidiary dial, the arch decorated with gilded basket of flowers, the spandrels decorated with colourful foliate sprays, the twin train four pillar movement striking on a bell, within a broken scroll pediment hood centred by brass foliate finial, supported by gilt metal capped Corinthian columns with fluted detail, the shaped trunk door flanked by reeded quarter columns, on a rectangular base raised on bracket feet, pendulum, key and weights present, 238cm high. £300-500 (+24%BP*)

7. An 18th/early 19th century mahogany tall longcase clock, the brass dial with brass chapter ring bearing Arabic and Roman numerals, with subsidiary seconds dial and date aperture, the arch decorated with sunburst motif, the spandrels of pierced and chased form with urn and scroll detail, the twin train four pillar movement striking on a bell within a dome top hood with blind sound fret, supported by tapered cylindrical columns, the trunk with arched top door, on a rectangular base with bracket feet, key, pendulum and weights present, 232.5cm high. £200-300 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

FURNITURE, MIRRORS, RUGS & CARPETS & GARDEN ANTIQUES

Lot 9 9. A George III mahogany chest of small proportions and shallow depth, the rectangular top with moulded edge above two short and three long cockbeaded drawers, raised on bracket feet, 79cm wide x 81.5cm high x 31cm deep. £250-500 (+24%BP*) 10. A matched pair of adapted George III mahogany tray top commodes, each with a rectangular top and galleried edge, with pierced cut out handles, both with open shelves below, raised on square chamfered supports, the larger 56cm wide x 77cm high x 40.5cm deep, the smaller example 47cm wide x 76cm high x 34cm deep. £200-300 (+24%BP*)

Lot 8 8. A George III chinoiserie decorated red lacquer longcase clock, the brass dial and chapter ring bearing Arabic and Roman numerals, the arch decorated with circular roundel of sunburst motif, the spandrels of pierced mask and scroll form, the twin train five pillar movement striking on a bell, within a caddy top hood supported by tapered cylindrical columns, the trunk with arched top door, on a rectangular base raised on a plinth, pendulum and single weight present, 233cm high. £1000-2000 (+24%BP*)

11. A George III mahogany bow front chest, the shaped top with an applied reeded edge, over two short and three long graduated cockbeaded drawers, raised on splayed bracket feet, 107.5cm wide x 107.5cm high x 55.5cm deep. £150-250 (+24%BP*) 12. A George III style mahogany dwarf chest, the rectangular top with moulded edge above two short and three long graduated cockbeaded drawers, raised on bracket feet, 68cm wide x 67.5cm high x 47cm deep. £100-200 (+24%BP*)

Lindsay Burns & Company 13. A George III mahogany, satinwood and ebony lined secretaire linen press, the moulded cornice above a frieze centred with shell inlay, over two panelled cupboard doors inlaid with oval patera, opening to a fitted interior with five sliding shelves, the base fitted with a secretaire drawer opening to a fitted interior of drawers and pigeon holes, with baize lined writing surface, over three long graduated cockbeaded drawers, raised on bracket feet, 131cm wide x 233cm high x 63cm deep. £500-800 (+24%BP*) 14. A late 19th/early 20th century satinwood, rosewood and ebony lined console table of altered form, the demi lune top with a broad border of vitruvian scroll and flower head inlays above a plain frieze, raised on four tapered square supports with spade feet and patera inlaid details, 133cm wide x 80.5cm high x 47.5cm deep. £300-500 (+24%BP*)

15. An Arts & Crafts oak and marquetry inlaid cabinet on stand, the cabinet section with rectangular top and chequer line inlay above a central inlaid panel centred with a star shaped motif, flanked by two cupboard doors with lozenge shaped panels inlaid with flowers and foliage, on a stand with cabriole supports and painted pad feet, 120cm wide x 95.5cm high x 46cm deep. £100-200 (+24%BP*) 16. A late 19th century oak occasional table, the rectangular top above a foliate carved frieze, raised on four tapered cylindrical supports united by stretchers, raised on four bun feet, 63cm wide x 44cm high x 44.5cm deep. £50-100 (+24%BP*) 17. An Edwardian satinwood and ebony lined occasional table, the circular top above a plain frieze, raised on four tapered square supports with spade feet, bearing ivorine label inscribed ‘S & H Jewell’, 76cm diameter x 75cm high. £100-200 (+24%BP*) 18. A late 19th/early 20th century French Louis XVI style kingwood, marquetry and gilt metal mounted side cabinet, the black, white, grey and red marble top with a moulded edge, above a single panelled cupboard door centred with a lozenge shaped panel bearing inlaid oval monogram MCC within laurel leaf surround, on a parquetry inlaid ground of flowers and lattice work, enclosed by acanthus scroll mounts flanked by corresponding parquetry panels, raised on four tapered cylindrical supports with gilt metal ball feet, 92cm wide x 91cm high x 35.5cm deep. £4000-6000 (+24%BP*)

Lot 18

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 22. A William IV mahogany dressing table mirror, the rectangular mirror plate supported by scroll carved uprights with carved wheat sheaf detail, on a rectangular base with gadrooned edge over a long frieze drawer carved in relief with two corn stooks, raised on four scroll carved feet, 73cm wide x 84cm high x 29.5cm deep. £150-250 (+24%BP*) 23. A George III mahogany square shaped stool, the later upholstered drop in seat on a plain frame, raised on four square chamfered supports with channelled line detail, 55cm square x 45cm high. £150-300 (+24%BP*)

Lot 19 19. A George III Laburnum chest, the rectangular top with a moulded edge above two short and three long cockbeaded drawers, raised on shaped and splayed bracket feet, 92cm wide x 82cm high x 52.5cm deep. £400-600 (+24%BP*) 20. A George III mahogany boxwood and ebony lined side table, the rectangular top with boxwood lined edge over a single frieze drawer, raised on four tapered square supports with boxwood and ebony line inlay, terminating in four shaped feet, 91cm wide x 71.5cm high x 46cm deep. £100-200 (+24%BP*) 21. A late 19th century Louis XVI style carved walnut fauteuil, with tartan upholstered panelled back and stuffover seat, with scroll and foliate carved details, raised on short cabriole supports, 83cm high. £150-250 (+24%BP*)

24. A late 19th century French kingwood, parquetry and gilt metal mounted Transitional style commode, the mottled purple, grey and ochre coloured marble top with a moulded edge, above three frieze drawers and two deep graduated drawers, inlaid with marquetry panel of urn and basket issuing flowers and foliage enclosed by chased gilt metal mounts, raised on short cabriole supports with gilt metal paw feet, 118cm wide x 85.5cm high x 59.5cm deep. £1500-2000 (+24%BP*) 25. A 19th century Scandinavian painted pine coffer, the hinged rectangular cover opening to a plain interior above a front panel decorated with two lozenge shaped panels and four small raised rectangular panels, with painted floral ornamentation and cut out applique putti and other figures, the sides with drop carry handles, raised on four bun feet, 118cm wide x 63cm high x 48cm deep. £300-500 (+24%BP*)

Lot 24 7

Lindsay Burns & Company 26. A pair of French gilt wood Neo Classical style occasional tables, the faux painted marble tops above a single frieze drawer, raised on four tapered cylindrical supports with fluted details, united by X-shaped stretchers centred with an urn shaped finial, 60.5cm wide x 71cm high x 46.5cm deep. £200-300 (+24%BP*)

29. A Chinese dark wood occasional table, Qing Dynasty, the circular top with a red and white marble insert, within a foliate carved border over a pierced and foliate carved frieze with fruit and leaf carved details, raised on a carved and pierced dragon form column with three mask carved downswept supports terminating in claw and ball feet, 56cm diameter x 80cm high. £800-1200 (+24%BP*) 30. A George III mahogany tray top commode, the rectangular top with three quarter gallery and pierced cut out handles, over a pair of cupboard doors and pull out section with dark blue leather lined surface, raised on square section supports, 56cm wide x 81.5cm high x 42cm deep. £250-400 (+24%BP*)

Lot 31 31. A pair of 19th century mahogany fan back hall chairs, the fan shaped backs carved with floral roundel above solid planked seats, raised on tapered cylindrical supports, 89cm high. £150-300 (+24%BP*) Lot 27 27. A Chinese dark wood display cabinet, late Qing Dynasty, the rectangular panelled top with a pierced and foliate carved three quarter gallery, above a three asymmetric shelves within a profusely carved and pierced framework with later velvet upholstered back panel, 77cm wide x 151.5cm high x 34cm deep. £1000-2000 (+24%BP*) 28. A late 19th century satinwood and gilt metal mounted three tier etagere, the square shaped top with pierced gallery and glass insert, raised on cylindrical supports above two further square shaped shelves, raised on four brass castors, 34cm square x 71cm high. £800-1200 (+24%BP*)

Lot 32 32. A William IV mahogany centre stool, with green button down leather upholstered cushion, raised on four tapered cylindrical supports with reeded detail, brass cups and castors, 122.5cm wide x 42.5cm high x 73cm deep. £400-600 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 33. A Chinese dark wood urn stand, Qing Dynasty, the trefoil shaped top centred with a circular marble panel above a pierced and foliate carved frieze, raised on three cabriole supports united by a pierced and foliate carved under tier, 33cm diameter x 85cm high. £150-250 (+24%BP*)

38. A late 19th century mahogany and ebony lined Egyptian Revival open bookcase, the rectangular top with gilt metal three quarter gallery, above two open shelves supported by four Egyptianesque monopodia over a deep open recess, raised on six hairy paw feet, 257.5cm wide x 120cm high x 33cm deep. £2000-3000 (+24%BP*) 39. A late Victorian cast iron stick stand, cast with foliate and scroll details, with detachable drip pan, 72cm high x 51.5cm wide. £100-200 (+24%BP*)

Lot 34 34. A pair of late 19th century mahogany wing armchairs, the upholstered back, arms and seats raised on short cabriole supports with brown ceramic castors. £250-500 (+24%BP*) 35. A late 19th century French Louis XVI style kingwood, marquetry and gilt metal mounted bedside table, the mottled green marble top above a frieze inlaid with inkwell, books and scroll, over a single cupboard door inlaid with urn issuing flowers and foliage, opening to a fitted interior with two small drawers, raised on four tapered cabriole supports with foliate cast mounts and scroll sabots, 35.5cm wide x 78cm high x 28.5cm deep. £800-1200 (+24%BP*) 36. A George III mahogany architects desk/table, the hinged rectangular top with moulded edge and centre hinge, opening to a baize lined interior, above a pull out drawer section with baize lined slide over a fitted interior of four small drawers and adjustable divisions, raised on square chamfered supports and castors, 107cm wide x 83cm high x 67.5cm deep. £2000-3000 (+24%BP*) 37. A George III mahogany and boxwood lined secretaire bookcase, the arched cornice centred with a rectangular shaped tablet above a pair of astragal glazed cupboard doors, opening to a fitted interior with three adjustable sliding shelves, on base fitted with a deep secretaire drawer opening to a fitted interior of six small drawers and pigeon holes, over two panelled cupboard doors opening to a fitted interior with single drawer and two pull out sliding shelves, 108cm wide x 234.5cm high x 58.5cm deep. £1500-2000 (+24%BP*)

Lot 40 40. An early 20th century oak Gothic altar font, John Hay & Son, Duddingston Mills, Portobello, the octagonal top with a circular recess and associated circular lift off cover, above a frieze carved with fruit and foliate panels, raised on an octagonal column with relief carved Gothic and fleur de lys details on a stepped octagonal plinth, 60cm diameter x 106.5cm high. Provenance: Redgorton and Stanley Parish Church. £200-300 (+24%BP*)

Lindsay Burns & Company

Lot 41

Lot 43

Lot 42 41. An early 20th century oak presentation altar armchair, the rectangular panelled back with Gothic tracery over a solid planked seat flanked by scroll open arms, raised on square chamfered supports united by an H-shaped stretcher, bearing brass presentation plaque inscribed ‘Dedicated to the glory of God and in memory of Rev. James Fleming Thomson MA, 1870-1924 and the late Rev. Lewis MacPherson 1909-1923, ministers of this congregation 20th February 1927 “Blessed Are The Pure In Heart For They Shall See God”, 128cm high. Provenance: Redgorton and Stanley Parish Church. £100-200 (+24%BP*) 10

42. A pair of early 20th century oak Gothic presentation altar chairs, the rectangular panelled backs with Gothic tracery over solid planked seats, raised on square chamfered supports united by H-shaped stretchers, one bearing brass presentation plaque inscribed ‘Dedicated to the glory of God and in grateful memory of Rev. A.W. Mackie, M.A. PHD. Minister of this congregation 1929-1946’, 114.5cm high. Provenance: Redgorton and Stanley Parish Church. £150-250 (+24%BP*) 43. An early 20th century oak Gothic altar chair, the triangular panelled back centred with a relief carved shield in a border of Gothic tracery with stylised fruit and foliate finial, over a rectangular panelled seat, the sides with quatrefoil roundel carvings, 150cm high. Provenance: Redgorton and Stanley Parish Church. £200-300 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 44 44. A late 19th/early 20th century brass and frosted glass hanging light, with fleur-de-lys and pierced quatrefoil ornamentation over frosted glass shade. Provenance: Redgorton and Stanley Parish Church. £200-300 (+24%BP*) 45. A late 19th/early 20th century Chinese lacquered five fold screen of small size, with carved decoration of figures in pavilions and on terraces to one side, the other carved with peacock, flowers and other birds, 91cm high x 124.5cm wide. £300-500 (+24%BP*) 46. A Chinese dark wood corner table, Qing Dynasty, the shaped rectangular top with a red and white marble insert, above a pierced frieze carved with fruit, flowers and foliage, raised on three mask and foliate carved supports terminating in claw and ball feet, united by stretchers, 67cm wide x 81.5cm high x 46cm deep. £300-500 (+24%BP*) 47. A 19th century French gilt wood and needlework embroidered three fold screen, the rectangular shaped panels set with needlework embroidered panels of figures in gardens worked in shades of red, blue and green, the reverse upholstered in ochre coloured satin, each panel with a laurel wreath surmount, raised on later castors, overall 156cm high x 204cm wide. £500-800 (+24%BP*)

Lot 48 48. A late 19th century painted satinwood cylinder bureau, the rectangular top with painted scroll details and pierced gilt metal three quarter gallery, above a roll top painted with putti and ribbon tied floral garlands, opening to a fitted interior with three small drawers, pigeon holes and leather lined pull out writing surface, over two blind frieze drawers, raised on four tapered square supports with brass cups and castors, 87cm wide x 104cm high x 55cm deep. £2000-3000 (+24%BP*) 49. A Chinese dark wood two part display cabinet, late 19th/early 20th century, the upper part with glazed cupboard doors opening to a fitted interior with three shelves, on a base fitted with two panelled cupboard doors opening to a fitted interior with single shelf, raised on square section supports, 83.5cm wide x 189cm high x 36cm deep. £700-900 (+24%BP*) 50. A Chinese dark wood square shaped low table, late 19th/early 20th century, the panelled rectangular top above a pierced and scroll carved frieze, raised on four square section supports, 76cm square x 51.5cm high. £300-500 (+24%BP*)

Lindsay Burns & Company

Lot 51 51. A 19th century Regency style rosewood and parcel gilt breakfront side cabinet, the mottled green and white marble top above a plain frieze and pair of panelled cupboard doors with yellow folded satin panels, opening to a fitted interior of two shelves flanked by smaller panelled cupboard doors with folded satin inserts, opening to a fitted interior of two shelves, raised on a plinth base, 195cm wide x 98cm high x 36cm deep. £1500-2000 (+24%BP*) 52. A George III mahogany dome top chest on stand, the hinged cover opening to an embroidered cloth lined interior with oval ribbon tied panels of flowers, on a rectangular stand with four tapered square supports, brass cups and castors, overall 56cm wide x 75.5cm high x 33cm deep. £150-250 (+24%BP*) 53. A Chinese dark wood urn stand, Qing Dynasty, the shaped square top with a mottled red and white marble insert, above a carved and pierced frieze decorated with flowers and fruit, over a further frieze centred with fan shaped panels enclosing kylin, raised on four cabriole supports with hippopotamus mask carved capitols, united by concave shaped stretchers, 41cm square x 81.5cm high. £200-400 (+24%BP*) 54. A Chinese dark wood urn stand, Qing Dynasty, the shaped circular top with a mottled red and white marble insert, above a pierced and foliate carved frieze, raised on four shaped square section supports with claw and ball feet united by an X-shaped stretcher centred with a carved flower head, 46cm diameter x 55cm high. £100-200 (+24%BP*) 12

Lot 55 55. A Victorian mahogany cheval mirror, the arched mirror plate enclosed by tapered cylindrical columns with fluted details and gadroon carved finials, on a serpentine platform back with four scroll feet and later castors, 166cm high x 105cm wide. £150-300 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 59. A nest of three Chinese dark wood occasional tables, late 19th/early 20th century, the rectangular tops raised on four simulated bamboo carved supports, with pierced and foliate carved frieze, united by stretchers, 44cm wide x 62cm high x 32.5cm deep. £300-500 (+24%BP*)

Lot 56 56. A pair of William IV mahogany and brass inlaid hall chairs, the convex and concave uprights supporting rectangular panelled backs with horizontal brass line and ebony line detail, over drop in red leather upholstered seat pads with beaded edge, raised on reeded tapered cylindrical supports. £150-300 (+24%BP*) 57. A George III mahogany and brass bound oval shaped cellarette, with brass drop handles to the sides, 60cm wide x 47.5cm deep x 20cm high. £150-300 (+24%BP*) 58. A Chinese dark wood Kang table, late 19th/ early 20th century, the rectangular panelled top above a pierced and scroll carved frieze, raised on four square section supports with inverted scroll carved detail, 94.5cm wide x 45cm high x 52cm deep. £400-600 (+24%BP*)

60. A late 19th century French kingwood, porcelain and ormolu mounted ladies writing table, the rectangular top with tooled gilt leather insert centred with monogram and coronet, above a single frieze drawer centred with apple green ground Sevres style porcelain panel bearing interlaced ‘L’ monogram under coronet, flanked by apple green ground porcelain panels decorated with colourful flowers and fruit, the reverse frieze with corresponding ornamentation, the sides of similar ornamentation decorated with porcelain panels of colourful birds, raised on four tapered cabriole supports with scroll and foliate cast mounts, 67.5cm wide x 73cm high x 42cm deep. £3000-5000 (+24%BP*) 61. A pair of Neo Classical style gilt wood console tables, the demi lune red and white marble tops above pierced and foliate carved friezes with foliate swags, raised on two tapered cylindrical supports with foliate carved and fluted details, united by a concave stretcher centred with urn shaped finial issuing flowers, 83.5cm high x 51cm wide x 28.5cm deep. £800-1200 (+24%BP*)

Lot 60 13

Lindsay Burns & Company

Lot 64 64. A 19th century mahogany and chequer lined serpentine chest, the shaped rectangular top with moulded edge, above two short and three long graduated cockbeaded drawers, the first long drawer inlaid with oval conch shell motif, raised on bracket feet, 118cm wide x 97cm high x 58.5cm deep. £250-500 (+24%BP*) 65. A 19th century mahogany boxwood and ebony lined dressing table mirror, the oval mirror plate within scroll supports, on a serpentine base fitted with three frieze drawers raised on shaped bracket feet, 46cm wide x 60.5cm high x 23.5cm deep. £50-100 (+24%BP*)

Lot 62 62. A pair of late 19th century Venetian carved and painted wood ornamental figurative stands, each carved as a female supporting a circular plinth with polychrome decorated robes, standing on stepped octagonal plinths with paw feet, mask and foliate roundel details, 106cm high. £2000-3000 (+24%BP*) 63. A pair of 19th century mahogany, satinwood and gilt wood console tables in the Neo Classical style, the demi lune tops with flame mahogany veneers within boxwood and ebony lined borders of satinwood, over a gilt wood frieze with repeating ornamentation of patera and foliate motifs, raised on four tapered square supports with spade feet and patera detail, 132.5cm wide x 85cm high x 58cm deep. £5000-7000 (+24%BP*)

Lot 66 66. A George III mahogany and serpentine chest, the shaped rectangular top above four long graduated cockbeaded drawers with turned wood handles, each with mother of pearl inlaid discs, raised on splayed bracket feet, 119cm wide x 104cm high x 56.5cm deep. £300-500 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 67. A late 19th/early 20th century mahogany and chequer banded dressing table mirror, the oval mirror plate with a bevelled edge, supported on scroll uprights and trestle ends with boxwood line detail, 81cm wide x 75cm high. £50-100 (+24%BP*)

Lot 70 70. A pair of late 19th century mahogany, marquetry and gilt metal mounted bedside tables, the rectangular tops inlaid with baskets of flowers and foliage suspended from ribbon tied floral garlands, above two frieze drawers, raised on four tapered cylindrical supports with fluted detail, 43cm wide x 77cm high x 35cm deep. £200-400 (+24%BP*) 71. A Chinese dark wood centre table, Qing Dynasty, the rectangular top with mottled red and white marble insert, above a relief carved frieze decorated with lotus scroll, raised on four mask carved supports terminating in claw and ball feet, united by an under tier with pierced open scroll work frieze, 86.5cm wide x 81cm high x 68cm deep. £1000-2000 (+24%BP*) Lot 68 68. A George III mahogany linen press, the plain cornice above a pair of arched panelled doors, opening to a fitted interior with four sliding shelves, on a base fitted with two short over two long graduated cockbeaded drawers, raised on bracket feet, 128cm wide x 197cm high x 59.5cm deep. £200-400 (+24%BP*) 69. A 19th century mahogany pedestal tea table, the hinged rectangular top above a plain frieze, raised on a tapered square column with foliate carved collar, resting on a concave platform base with four bun feet, 91cm wide x 78cm high x 45.5cm deep. £100-200 (+24%BP*)

72. A Continental gilt wood and polychrome decorated console table in the 18th century style, the mottled green, black and white rectangular marble top above a frieze decorated with scrolls and stylised fleur de lys motifs, above a circular polychrome decorated armorial pendant inscribed ‘Hope to Speed’, raised on scroll and foliate carved cabriole supports with oval armorial panels, united by pierced and scroll stretchers, 104.5cm wide x 88.5cm high x 51cm deep. £800-1200 (+24%BP*) 73. A 19th century mahogany hall bench, the rectangular top with moulded edge and two upright elongated cylindrical end sections, above a plain frieze centred on both sides with a target shaped roundel, raised on four tapered cylindrical supports, 106cm wide x 51cm high x 30.5cm deep. £150-250 (+24%BP*)

Lindsay Burns & Company

Lot 79 74. A George III mahogany and brass bound octagonal shaped wine cooler on integral stand, the hinged cover opening to a lead lined interior with X-shaped divider, the tapered sides raised on integral stand with four tapered square fluted supports terminating in brass cups and castors, 43.5cm diameter x 65cm high. £1500-2000 (+24%BP*) 75. A late 19th/early 20th century Continental Transitional style kingwood, mahogany, parquetry and marquetry inlaid gueridon, the circular top inlaid with a parquetry panel within a foliate inlaid border, above a frieze inlaid with scrolling motifs, raised on four tapered square section supports with rams mask terminals and foliate cast hoof shaped sabots, united by a circular under tier, 52cm diameter x 76cm high. £800-1200 (+24%BP*) 76. A 19th century French Louis XVI Transitional style mahogany, marquetry and gilt metal mounted display cabinet, the white and green marble top with a moulded edge, above a frieze set with gilt metal foliate scrolls over a glazed cupboard door, opening to a mirrored interior with glass shelves, raised on four tapered octagonal supports with gilt metal feet, 80cm wide x 100.5cm high x 36cm deep. £2000-3000 (+24%BP*) 77. A Victorian burr walnut, ebony, marquetry and gilt metal mounted card table, the hinged rectangular top inlaid with oval panel of twin handled urn issuing flowers within a foliate scroll border, opening to a green baize lined interior, raised on four tapered cylindrical supports with fluted detail, 86cm wide x 78.5cm high x 45cm deep. £800-1200 (+24%BP*) 78. A George III mahogany snap top occasional table, the hinged circular top with scalloped edge, raised on a foliate carved tapered cylindrical column with foliate carved details, raised on three foliate carved downswept supports with claw and ball feet, 75cm diameter x 72.5cm high. £150-250 (+24%BP*)

Lot 82 79. A 19th century rosewood and gilt metal mounted bureau plat, the shaped rectangular top with a velvet lined interior above a single frieze drawer with ribbon tied gilt metal mount, raised on four cabriole supports with scroll and acanthus cast gilt metal mounts, inscribed on paper label underneath ‘Major M.Q. Fraser, Queens Own Hussars, c/o Lloyds Bank Ltd, 6 Pall Mall, SW1’, 139cm wide x 78cm high x 61.5cm deep. £200-400 (+24%BP*) 80. A Victorian mahogany stool, the shaped rectangular top with serpentine edge, raised on four foliate carved cabriole supports with scroll feet, 52cm wide x 44cm high x 44cm deep. £80-120 (+24%BP*) 81. A Chinese dark wood urn stand, Qing Dynasty, the circular top with a mottled red and white marble insert, above a pierced and foliate carved frieze, raised on four mask carved square section supports terminating in claw and ball feet, united by a circular under tier, 45cm diameter x 57cm high. £100-200 (+24%BP*) 82. A George III Scottish mahogany and ebony lined sideboard, the upright stage back with two sliding doors over a shaped top, two frieze drawers with lion mask and ring handles and two tambour slides, flanked by two deep drawers, raised on six tapered cylindrical bobbin turned supports, 229cm wide x 109.5cm high x 68.5cm deep. £500-800 (+24%BP*) 83. A late 19th/early 20th century Scottish pine Orkney chair, with woven back and scroll details to the arms, on tapered square supports, 104.5cm high. £400-600 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 84. A late 19th century French mahogany and gilt metal mounted bedside cabinet in the manner of Francois Linke, the rectangular white and mottled purple marble top with a moulded edge over a single frieze drawer and tambour shutter, opening to reveal a marble lined interior, over an open recess with scroll and foliate cast mounts, raised on short tapered cabriole supports with gilt metal feet, 47.5cm wide x 82cm high x 42cm deep. £800-1200 (+24%BP*) 85. An 18th century walnut chest on chest, the moulded cornice above three short and three long graduated drawers, on a base fitted with three long graduated drawers, each drawer with herringbone inlay and cross banded details, 106cm wide x 170.5cm high x 54cm deep. £2000-3000 (+24%BP*) 86. A George III mahogany bookcase, with moulded cornice and dentil frieze above a pair of astragal glazed cupboard doors, opening to a fitted interior with three adjustable sliding shelves, the sides with brass swan neck carry handles, on a base fitted with two panelled cupboard doors opening to a fitted interior with two adjustable sliding shelves, the sides with brass swan neck carry handles, raised on bracket feet, 110cm wide x 214cm high x 50cm deep. £1500-2500 (+24%BP*)

Lot 83

87. A George III mahogany linen press, the moulded cornice above two panelled cupboard doors opening to a fitted interior with five sliding shelves, on a base fitted with two short over two long graduated cockbeaded drawers, raised on bracket feet, 129cm wide x 195.5cm high x 62.5cm deep. £300-500 (+24%BP*) 88. A quartetto of four Chinese dark wood occasional tables, late 19th/early 20th century, the rectangular tops raised on shaped square section supports united by stretchers, each with a pierced and foliate carved frieze, 50cm wide x 71.5cm high x 36cm deep. £300-500 (+24%BP*) 89. A late 19th century mahogany, marquetry and gilt metal mounted credenza of neat proportions, the white marble top above a frieze inlaid with repeating lozenge motif, over a central glazed panel cupboard door opening to a velvet lined fitted interior, with glazed side panels, raised on a plinth base, 112cm wide x 101.5cm high x 39cm deep. £1500-2000 (+24%BP*)

Lot 85 17

Lindsay Burns & Company 90. A Chinese dark wood food cupboard, the rectangular top above two panelled cupboard doors, opening to a fitted interior with two shelves and two shallow drawers, raised on rectangular section supports with elongated brass door furniture and pierced drop handles, 97cm wide x 162cm high x 41cm deep. £800-1200 (+24%BP*)

Lot 93

Lot 91 91. Beaverman - A set of six oak dining chairs, the rectangular top rails with pierced cut out above a tapered rectangular splat over shaped seats, raised on four splayed octagonal section supports, united by an X-shaped stretcher carved with signature beaver, 91.5cm high. £400-600 (+24%BP*)

93. Mouseman - A pair of oak bar stools, the dished rounded rectangular tops raised on four splayed octagonal section supports united by stretchers, with external wrought iron hoop stretcher, carved with signature mouse, 78cm high x 37cm wide. £100-200 (+24%BP*)

Lot 94

Lot 92

94. Mouseman - An oak knee hole desk, the rectangular adzed top above a central knee hole flanked by banks of three drawers on each side, raised on six octagonal shaped feet, with carved signature mouse, 136.5cm wide x 73.5cm high x 50cm deep. £400-600 (+24%BP*)

92. Beaverman - A carved oak octagonal shaped pedestal table, the adzed octagonal top raised on a shaped octagonal column with four elongated supports, with carved signature beaver, 122cm diameter x 74.5cm high. £400-600 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 97. A pair of Victorian Gothic oak X-frame stools, the velvet upholstered rectangular tops with brass studded details and fringe, raised on chamfered square section X-frame base with red and gilt painted details, 39cm wide x 43.5cm high x 36cm deep. £400-600 (+24%BP*) 98. A George III mahogany snap top bird cage occasional table, the hinged circular top with bird cage mechanism, raised on a tapered cylindrical support with three downswept legs terminating in claw and ball feet, 79cm diameter x 69.5cm high. £500-700 (+24%BP*) Lot 95 95. A late 19th century mahogany sofa, Howard & Sons, London, the button down upholstered back and stuff over seat flanked by upholstered arms resting on turned supports, on short tapered cylindrical feet with brass castors, the front castors stamped ‘HOWARD & SONS, LONDON’, the back right leg stamped ‘134** over 8263’, 142wide x 72cm high x 85cm deep. £500-1000 (+24%BP*) 96. A George III mahogany chamber table in the manner of Gillows, stamped M. WILLSON, 68 GREAT QUEEN STREET, the rounded rectangular top with a reeded edge and hinged rectangular cupboard to the rear, opening to a fitted interior with pen tray and three recesses, above a single cockbeaded frieze drawer with turned target shaped handles, raised on four tapered cylindrical reeded supports with brass cups and castors, 63.5cm wide x 72cm high x 48cm deep. £1500-2000 (+24%BP*)

99. A 19th century Continental yew wood chest, the shaped rectangular top with moulded edge and boxwood line inlay above four long graduated drawers, raised on ebonised bun feet, 89cm wide x 81cm high x 52.5cm deep. £1500-2000 (+24%BP*) 100. A late 19th century French stained beech and gilt metal mounted occasional table, the circular top with mottled white, yellow and grey marble insert, above a frieze set with rectangular panels of putti divided by smaller panels with foliate garlands, raised on four tapered cylindrical supports with fluted detail and gilt metal ball feet, 52cm diameter x 77cm high. £300-500 (+24%BP*) 101. A late 19th/early 20th century Chinese lacquer and hardstone circular low table, the top centred with a gilded roundel of lotus scroll within a border of figures and trees inlaid in various hardstones, raised on six pierced vertical supports united by a circular stretcher, 70cm diameter x 46cm high. £700-900 (+24%BP*)

Lot 96 19

Lindsay Burns & Company 102. A pair of white painted beech wood side chairs in the French style, the oval upholstered backs and stuffover upholstered seats raised on tapered cylindrical supports with fluted detail and foliate carved capitols, 91cm high. £200-300 (+24%BP*)

107. A pair of late 19th/early 20th century George III style mahogany elbow chairs, the shaped top rails above pierced interlaced splats with foliate carved details, over brown leather upholstered seats with brass studded details flanked by shaped arms with foliate carved detail, raised on acanthus carved cabriole supports with claw and ball feet, 104.5cm high. £150-250 (+24%BP*) 108. A Chinese dark wood urn stand, Qing Dynasty, the circular top with mottled red and white marble insert, above a frieze carved in relief with flowers and scrolls, raised on four square section supports with claw and ball feet, 42.5cm diameter x 45.5cm high. £100-200 (+24%BP*)

Lot 103 103. A George III mahogany, boxwood and ebony lined serpentine chest, the shaped rectangular top over four long graduated cockbeaded drawers, raised on bracket feet, 115cm wide x 95cm high x 57cm deep. £250-500 (+24%BP*) 104. A 19th century Regency style mahogany extending dining table, the D-ends extending to enclose three additional leaves, raised on six tapered cylindrical ring turned supports terminating in brass cups and castors, 325cm long including leaves x 122cm wide x 72cm high. £300-600 (+24%BP*) 105. A Chinese padouk wood European style snap top occasional table, Qing Dynasty, the close grained circular top with shaped scalloped edge, on a tapered cylindrical column with fluted detail, raised on three shell carved downswept supports with claw and ball feet, 73cm diameter x 72cm high. £400-600 (+24%BP*) 106. A Chinese dark wood Kang table, Qing Dynasty, the rectangular top with three burr wood panels, above a frieze carved in relief with scrolls, raised on four shaped supports, 103cm wide x 41.5cm high x 33.5cm deep. £400-600 (+24%BP*)

109. A near pair of late 19th/early 20th century Indian elephant head occasional tables, the circular tops centred with figural carved panels within a scroll and foliate carved border, raised on three elephant mask and trunk form supports, the larger 64cm diameter x 63cm high, the smaller 60cm diameter x 62.5cm high. £400-600 (+24%BP*) 110. A George III mahogany Gainsborough chair, the velvet upholstered back, arms and seat with brass studded details, raised on square chamfered supports resting on castors, united by an H-shaped stretcher, 99cm high. £800-1200 (+24%BP*) 111. A late 19th century French kingwood, marquetry and gilt metal mounted side cabinet, the mottled red rectangular marble top above a blind frieze drawer and pair of marquetry inlaid cupboard doors, opening to a fitted interior with single shelf, over a pull out writing slide and pair of cupboard doors with vertical line details, opening to a fitted interior with three divisions, raised on short cabriole supports with foliate cast sabots, 69cm wide x 146.5cm high x 35cm deep. £500-700 (+24%BP*) 112. A Victorian walnut, marquetry and gilt metal mounted bonheur du jour, the upright back with mirrored cupboard opening to a velvet lined fitted interior with single shelf, over a shallow drawer flanked by banks of three small drawers on either side, the serpentine writing surface with green and gilt leather skiver, over a single frieze drawer, raised on tapered cabriole supports with pierced and foliate chased mounts, 106cm wide x 125cm high x 60cm deep. £800-1200 (+24%BP*) 113. A Victorian burr walnut and marquetry centre table, the oval top inlaid with a scrolling lozenge shaped medallion to the centre, raised on four tapered cylindrical supports with four downswept legs, resting on white ceramic castors, 90.5cm wide x 72cm high x 59.5cm deep. £200-300 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 114. A pair of late 19th/early 20th century painted satinwood waterfall bookcases, the upright backs painted with green ground oval portrait profiles of male and female within ribbon tie and floral garland borders, over three graduated open shelves with faux painted drapery, the cupboard doors painted with ribbon tied panels of baskets of colourful flowers, opening to cloth lined interiors, raised on four tapered square supports with spade feet, 58.5cm wide x 125cm high x 22cm deep. £2000-3000 (+24%BP*) 115. A quartetto of Regency style satinwood, rosewood and ebony lined occasional tables, of rectangular form with slightly raised ebonised gallery line, on four ring turned cylindrical supports with trestle ends, united by convex cross stretchers, 49.5cm wide x 69cm high x 34.5cm deep. £800-1200 (+24%BP*)

Lot 114 116. A pair of George III mahogany card tables, the hinged rectangular tops with oval and foliate carved edge, one opening to a mahogany veneered interior, the other opening to a green baize lined interior, above two frieze drawers with incised line detail, raised on four tapered square supports with square shaped feet, pierced and scroll spandrel details, 81cm wide x 75cm high x 40cm deep. £2000-3000 (+24%BP*)

117. A 19th century rosewood and satinwood banded card table, the hinged rectangular top with canted angles opening to a green baize lined interior, above a plain frieze centred with rectangular tablet, raised on four turned supports with four down swept supports terminating in brass paw feet and castors, 90cm wide x 74cm high x 44cm deep. £500-700 (+24%BP*)

Lot 116 21

Lindsay Burns & Company 118. A 19th century ebonised, boxwood lined and gilt metal mounted credenza, the shaped rectangular top above a rectangular panelled cupboard door decorated with a blue ground porcelain panel enclosing figures in a garden, opening to a velvet lined interior with single shelf, flanked by glazed cupboard doors opening to fitted interiors with two shelves, raised on four bun feet, 155.5cm wide x 106cm high x 43.5cm deep. £300-500 (+24%BP*)

124. A George III mahogany and boxwood lined demi lune tea table, the hinged top above a plain frieze, raised on four tapered cylindrical supports with reeded detail, 91cm wide x 74cm high x 44cm deep. Provenance: Property of a gentleman of title. £150-250 (+24%BP*)

119. A late 19th century French Louis XVI Transitional Style kingwood and gilt metal mounted vitrine, the upper section with glazed cupboard door opening to a fitted interior with glass shelves, with gilt metal pierced and foliate scroll surmount, on a serpentine base with single panelled cupboard door with Vernis Martin style decoration of figures in garden, the side panels with corresponding decoration, raised on four short cabriole supports with gilt metal mounts, 79cm wide x 187cm high x 41cm deep. £800-1200 (+24%BP*) 120. A French Louis XVI style kingwood, marquetry and gilt metal mounted commode, the mottled red and white marble top with moulded serpentine edge, above two deep drawers inlaid with flowers and foliage, with pierced and scroll chased mounts, raised on tapered cabriole supports with foliate cast sabots, 145cm wide x 87cm high x 66cm deep. £2000-3000 (+24%BP*) 121. A George III mahogany inlaid tray top commode, the rectangular top with raised gallery edge and two pierced cut out handles, above a tambour slide and single drawer, raised on square section supports with channelled line detail, 49cm wide x 76cm high x 42cm deep. Provenance: Property of a gentleman of title. £80-150 (+24%BP*) 122. A 19th century Dutch mahogany and marquetry inlaid occasional table, the rectangular top with two hinged flaps inlaid with urns issuing flowers and foliage, opening and resting on pull out loppers to a marquetry inlaid interior with circular roundel of flowers and foliage, flanked by two lozenge shaped marquetry panels, over two shallow frieze drawers, raised on square supports with brass castors united by two marquetry inlaid open shelves, 45.5cm wide x 72.5cm high x 39cm deep. Provenance: Property of a gentleman of title. £100-200 (+24%BP*) 123. A 19th century country made ash and beech wood comb back chair, the horseshoe shaped top rail enclosing cylindrical shaped vertical uprights above a shaped demi lune seat, raised on four splayed cylindrical supports united by an H-shaped stretcher. Provenance: Property of a gentleman of title. £100-200 (+24%BP*)

Lot 125 125. A pair of George III style mahogany Gainsborough wing armchairs, the upholstered backs, arms and seats raised on square channelled supports united by H-shaped stretchers, 94.5cm high. Provenance: Property of a gentleman of title. £300-500 (+24%BP*) 126. A late 19th/early 20th century mahogany sofa by Howard & Sons, the upholstered back, arms and loose cushions retaining original H & S ticking, raised on four tapered square section supports with brass cups and castors, each castor stamped ‘HOWARD & SONS, LONDON’, the back right leg stamped ‘15933’ over ‘5973’, ‘HOWARD & SONS LTD, BERNERS ST.’, 173cm wide x 83cm high. Provenance: Inchyra House, Perthshire. £2000-4000 (+24%BP*) 127. A pair of late 19th/early 20th century mahogany armchairs by Howard & Sons, the upholstered backs and arms with loose cushion seats, raised on tapered square section supports with brass cups and castors, one armchair retaining some of the original H & S ticking to the back, arms and cushion, one chair with each castor stamped ‘HOWARD & SONS, LONDON’, the back right leg stamped ‘15859’ over ‘5751’, ‘HOWARD & SONS LTD, BERNERS ST.’, the other with each castor stamped ‘HOWARD & SONS, LONDON’, the back right leg stamped ‘16013’ over ‘6113’, ‘HOWARD & SONS LTD, BERNERS ST.’, 86cm high x 71cm wide. Provenance: Inchyra House, Perthshire. £5000-7000 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 128. A late 19th/early 20th century Florentine gilt wood Rococo style wall mirror, the pierced carved scroll and foliate frame enclosing an oval mirror plate, 68cm high x 51.5cm wide. £100-200 (+24%BP*) 129. A 19th century George II style walnut and parcel gilt wall mirror, the moulded cornice with egg and dart frieze, above a rectangular mirror plate and shaped apron with scroll and foliate applied roundels, 130.5cm high x 66.5cm wide. £100-200 (+24%BP*) Lot 126

130. A 19th century George II style walnut and parcel gilt wall mirror, the fret cut frieze centred with a pierced fleur de lys roundel with gilded details, over a rectangular mirror plate, the shaped apron centred with a circular rounder with shell carved detail, 110cm high x 51.5cm wide. £200-300 (+24%BP*) 131. A Neo Classical style gilt wood wall mirror, the oval mirror plate suspended from ribbon tie and foliate swags, with pierced acanthus carved apron, 103.5cm high x 47.5cm wide. £200-300 (+24%BP*)

Lot 127

132. An Arts & Crafts brass wall mirror, the tapered embossed frame decorated with the stylised head of a woman, with studded detail and red glazed ceramic Ruskin type cabochon insert with pounced monogram, possibly JRR, 121cm high x 56cm wide at the base. £400-800 (+24%BP*)

Lot 129

Lot 132 23

Lindsay Burns & Company 139. A Tekke rug, late 19th/early 20th century, the rectangular madder ground field decorated with three rows of thirteen octagonal shaped guls, within multiple repeating foliate borders, fringed, 218cm including fringe x 136cm. £80-120 (+24%BP*)

Lot 133 133. A large Persian Ziegler type carpet, late 19th/early 20th century, the rectangular madder ground centred with an oval shaped medallion enclosing an eight petalled flower within a border of scrolling foliage, the foliate spandrels linked by tied foliate garlands, within a broad border of repeating flower heads and serrated leaves, 412cm x 616cm. £500-800 (+24%BP*) 134. A Kelim rug, 20th century, the abrashed blue ground decorated with stylised flower head motifs, within a madder border of repeating stylised flowers, fringed, 158cm including fringe x 84cm. £50-100 (+24%BP*) 135. A Kelim long rug, 20th century, the chocolate coloured ground decorated with sixteen square shaped panels enclosing lozenge shaped medallions in shades of burnt orange, madder and off white, fringed, 350cm x 130cm. £100-200 (+24%BP*) 136. A Kelim long rug, 20th century, the rectangular madder ground centred with two large lozenge shaped medallions within a repeating geometric border, worked in shades of orange, green, brown and red, fringed, 280cm including fringe x 118cm. £50-100 (+24%BP*) 137. An Afghan Belouch prayer mat, early 20th century, the rectangular blue ground decorated with two rectangular shaped medallions before a temple, within a repeating border of stylised flowers and foliage, fringed, 132cm x 87cm. £50-100 (+24%BP*) 138. Three Persian rugs, late 19th/early 20th century, to include: a madder ground rectangular rug decorated with two rows of six octagonal shaped guls, within a repeating foliate border, 112cm x 91cm, together with two similar blue ground rugs, both decorated in shades of madder with lozenge shaped medallions, 137cm x 85cm and 134cm x 136cm (3). £50-100 (+24%BP*)

Lot 140 140. A Persian rug, late 19th/early 20th century, the rectangular abrashed blue ground field decorated with flower heads and stylised foliate motifs, within a blue ground border of hooked medallions and serrated leaves, worked in shades of ochre, madder, green and blue, 223cm x 147cm. £100-200 (+24%BP*) 141. A Persian carpet, 20th century, the off white ground centred with a madder ground oval shaped medallion within a border of stylised foliate motifs and serrated leaves, within multiple borders centred by a madder ground border of repeating foliate palmettes, 335cm x 243cm. £150-300 (+24%BP*) 142. A Tekke rug, late/early 20th century, the rectangular madder ground decorated with three rows of six octagonal shaped guls, within a repeating border of stylised flower heads, 178cm x 118cm. £50-100 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 143. A Persian rug, late 19th/early 20th century, the rectangular sand coloured ground centred with a stylised flower head flanked by two urns issuing flowers and foliage, within blue and madder ground borders of repeating foliate motifs, 176cm x 155cm. £300-500 (+24%BP*)

Lot 145 145. A late 19th century Ushak carpet, the abrashed salmon pink ground decorated with three rows of stylised flower heads and serrated leaves, worked in shades of ochre, orange and blue, within a broad blue ground border of repeating foliate motifs, 355cm x 255cm. £500-800 (+24%BP*) 146. A near pair of 19th century cast iron Gothic Revival garden seats, after a design by James Yates, with later painted finish, 144.5cm wide x 90cm high and 143.5cm wide x 89cm high. £1000-2000 (+24%BP*) Lot 144 144. A Kazak rug, late 19th century, the dark blue rectangular field centred with nine octagonal shaped guls, each enclosing a stylised flower head, within an ochre border of repeating foliate motifs, worked in shades of madder, orange, blue and green, 222cm x 140cm. £300-500 (+24%BP*)

147. A late 19th century stoneware garden planter, modelled in two sections, the shallow circular bowl section resting on a base modelled as a tree stump, 89cm high x 49cm diameter. £100-200 (+24%BP*) 148. A 19th century carved stone garden planter. £150-300 (+24%BP*)

Lot 146

Lindsay Burns & Company 151. A Great War 1914-1918 British War medal to ‘92319 PTE. P. WOLSEY. R.A.M.C. together with collection of related items belonging to PTE. P. WOLSEY, to include, a sepia photograph full length portrait of P. Wolsey, his Red Cross Army Medal Service arm band as worn by him in the photograph, his red dog tag ‘PTE P WOLSEY 263 LMBFA RAMC’, another small full length portrait photograph card, ‘The Pocket Gospel of St. John’, ‘pocket sized ‘New Testament Khartoum Expedition Egypt 1898’, a French silk work postcard ‘To my Sweetheart’ enclosing a note card inscribed in pencil ‘12th March 1917’, a vintage Macdonald’s Glasgow “Kilty” Brand Cut Golden Bar Tin bearing paper label inscribed ‘Daddy’s Stuff W WAR I’ containing assorted badges, pocket knife, pens, medal ribbon etc. £100-200 (+24%BP*)

Lot 149 149. A reconstituted stone wild boar garden ornament, modelled sitting on a rectangular plinth. £150-300 (+24%BP*)

WORKS OF ART, CLOCKS, TRAVEL & TOPOGRAPHY BOOKS Lot 152 152. A poignant Great War double fatality group of six medals to brothers “Jack” and “Gunnie” Evans Killed in action in France 1916, comprising, a group of three medals to ‘12168 PTE. J.A.EVANS. SCO. RIF.’ British War Medal, Victory Medal and 1914-15 Star, his cap badge and related papers, a group of three medals to ‘15120 PTE. J.EVANS. HIGH.L.I’ British War Medal, Victory Medal and 1914-15 Star, his cap badge and related papers, his New Testament pocket Bible, ‘Photo of Jack’s Grave’, and importantly a sepia photograph of the brothers together pre-war and inscribed on the reverse ‘Jack and Gunnie, Killed in action in France. Jack- March 12th 1916, buried near Albert. Gunnie- July 20th 1916, buried near Longusal’. £150-300 (+24%BP*) Lot 150 150. A Crimea medal to ‘SERJT. J. EVANS. 95TH FOOT’ with three bars, ALMA, INKERMANN, SEBASTOPOL, together with two other ribbons, associated papers and newspaper cuttings relating to Joseph Evans and a black and white photograph of his grave. £300-500 (+24%BP*)

153. A Great War group of four medals, inscribed To Rev. J. Burr, comprising: 1914-1918 medal, 1914-1919 Great War for Civilisation medal, 1914-15 Star and Faithful Service In The Special Constabulary medal, together with corresponding miniatures, together with a 1939-45 Defence medal, 1939-1945 Service medal, three ribbon bars and two other medals. £100-200 (+24%BP*)

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Lindsay Burns & Company 154. A 19th century satinwood and ebony lined barometer, George King, Woodbridge, with broken architectural pediment centred by a brass urn shaped finial, over a Dry/Damp dial, silvered thermometer and circular register with silvered spirit level dial to the base, 116.5cm long. £200-300 (+24%BP*) 155. A pair of late 19th century French blue ground porcelain and gilt metal three light candelabra, with urn shaped nozzles supported on foliate cast scroll arms, raised on blue ground porcelain columns decorated with colourful panels of putti and Deutsche Blumen, raised on three leaf shaped supports divided by female masks, 34cm high. £200-300 (+24%BP*)

Lot 159 159. A rare late 19th century copper convex shaped whisky smugglers spirits flask, with brass screw cap and two vertical brass loops to accommodate fixing it to a belt, 26cm wide x 18cm high. £50-100 (+24%BP*)

Lot 156 156. A Russian icon of St. Nicholas, Tempera on pine panel with pierced and embossed silvered yellow metal oklad, 31.5cm x 26.5cm. £200-300 (+24%BP*) 157. A 19th century prisoner of war carved wood and bone decorated four pillar arch, with bagpipes and double cannon detail, raised on four turned feet, 51.5cm high x 28cm wide. £400-600 (+24%BP*) 158. Rene Gardille - An early 20th century bronze figure group of leopard and snake, signed in the bronze, 12.5cm wide x 2.5cm high. £200-300 (+24%BP*)

Lot 160 160. A pair of 19th century Anglo-Indian ebonised wall brackets, each carved with mythical winged figures supporting rectangular plinths, 28.5cm high x 25cm wide. £300-500 (+24%BP*)

Lindsay Burns & Company

Lot 161 161. A 19th century tortoiseshell tea caddy, the hinged rectangular top with serpentine front, opening to a fitted interior with two detachable covers, with white metal escutcheon, raised on four bun feet, 22cm wide x 15.5cm high x 14cm deep. £250-500 (+24%BP*) 162. A late 19th century Tunbridge ware coromandel, specimen wood and parquetry inlaid box by T. Barton, the hinged domed cover inlaid with parquetry panel of specimen woods within a repeating micro mosaic border, opening to a blue satin lined interior, bearing original makers paper label to base, 24.5cm wide x 8.5cm high x 10cm deep. £80-120 (+24%BP*) 163. A George III mahogany and marquetry inlaid tea caddy, the hinged rectangular cover inlaid with oval panel of fox chasing a bird, opening to a plain interior, the front inlaid with two oval shaped panels enclosing birds, the side decorated with circular panels enclosing stylised flowers, 30.5cm wide x 15.5cm high x 15cm deep. £100-200 (+24%BP*) 164. A pair of George III style mahogany and brass candlesticks, the brass urn shaped nozzles with foliate cast details, on tall tapered cylindrical columns with spiral carved detail and dished circular plinth bases, 55cm high. £80-120 (+24%BP*) 165. A pair of 19th century walnut and parquetry inlaid circular footstools, with green stuff over upholstered tops, raised on three bun feet, 28cm diameter x 10cm high. £50-100 (+24%BP*)

Lot 166 166. Franz Bergman - A cold painted Austrian bronze figure of a kneeling Arab praying on colourful carpet, 15cm wide x 13cm high x 10.5cm deep. £300-500 (+24%BP*) 167. Franz Bergman - A cold painted bronze figure group of three boy musicians on a fringed carpet, 17cm wide x 10cm high x 16cm deep. £150-300 (+24%BP*) 168. A cold painted bronze inkwell in the manner of Franz Bergman, in the form of an Arab kneeling and reading a book beside a hexagonal occasional table with hinged top, both on colourful carpet, impressed marks, 14.5cm wide x 9cm high x 10.5cm deep. £150-300 (+24%BP*) 169. Xavier Raphanel (1876-1957) - A silvered bronze and ivory figure modelled as an 18th century lady reclining in an armchair, signed in the bronze, impressed number 3203, 19cm high. £400-600 (+24%BP*) 170. An Indian patinated bronze figure of a warrior, modelled standing on lotus throne and square plinth base, 15cm high. £80-120 (+24%BP*) 171. Archibald Knox for Liberty, a Tudric pewter ‘Knox box’/biscuit box and cover, with embossed decoration of stylised flowers and square shaped leaves, impressed marks ‘TUDRIC 0194’, 11.5cm square x 11.5cm high. £150-250 (+24%BP*)

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Lindsay Burns & Company 176. A letter addressed to David Octavius Hill RSA (1802-1870), 39 Moray Place, Edinburgh, stamped with Penny Red, Postmarked Feb. 1843, laid flat, the interior with four landscape sketches in pencil. £100-200 (+24%BP*)

Lot 171A 171A. A cased set of four early 20th century cold painted bronze menu card holders in the form of game birds, comprising: cock pheasant, grouse, partridge and snipe, each on circular electroplated bases, in satin and velvet lined box for W.M. Ogden, 4 King Street, St. James’s, approximately 4.5cm high. £200-300 (+24%BP*) 172. A late 19th/early 20th century electroplated Corinthian column table lamp and shade, the Corinthian column on a stepped square plinth base with ram’s mask and laurel garland detail, with blue brushed satin shade, overall 65cm high. £100-200 (+24%BP*) 173. An early 20th century purple leather simulated crocodile skin vanity case, with silver mounted toilet bottles and ivory accoutrements, Drew & Sons, Piccadilly Circus, London, the interior fitted with five silver mounted toilet bottles hallmarked for London 1913, makers mark SSD over ED, together with assorted ivory brushes, hand held mirror, shoe horn, boot hook, circular box and cover, bearing initials JR, the case with original canvas and velvet lined sleeve, 40cm wide x 17cm high x 30cm deep. £200-300 (+24%BP*) 174. A late 19th/early 20th century ivory dressing table box, the hinged rectangular cover inscribed Enid, opening to a fitted interior with two recesses, 11.5cm wide x 2.2cm high x 6.5cm deep, together with a simulated ivory cylindrical shaped ring box with satin and velvet interior, 3.7cm diameter x 3.7cm high (2). £50-100 (+24%BP*) 175. Three assorted Edwardian Country House bamboo and white metal mounted shooting sticks, one with square cane work panel inserts, inscribed on collar ‘T.V.S.G.’, overall 88.5cm high, together with two others, 85.5cm high and 84.5cm high (3). £50-100 (+24%BP*)

Lot 177 177. Claire Colinet (1880-1950) - An early 20th century gilt bronze figure of a nude, modelled standing on shaped onyx plinth base, signed on top edge of the plinth, 25.5cm high. £500-800 (+24%BP*) 178. A late 19th century bronze and onyx inkwell in the form of a bear, the rectangular onyx base set with a bronze bear skin with articulated head, opening to a circular recess, raised on four acanthus cast bun feet, 35cm wide x 12cm high x 23cm deep. £400-600 (+24%BP*) 179. An early 20th century marble and cold painted bronze cendrier, mounted with the bust of a native American Indian, impressed marks AW within hexagonal surround, 20cm high x 21cm wide. £200-300 (+24%BP*) 29

Lindsay Burns & Company 180. A pair of 19th century gilt bronze twin handled urns, supported on figural columns and square plinths with scroll and paw cast feet, 23.5cm high. £400-600 (+24%BP*) 181. A red, black and green veined marble desk box and cover in the form of a pedestal, with recessed cover, on stepped circular base, 9.5cm diameter at the rim x 12.5cm high. £100-200 (+24%BP*)

Lot 184 184. A late 19th century Stags head taxidermy trophy, with eleven point antlers and glass eyes, approximately 92cm high x 66cm wide. £300-500 (+24%BP*)

Lot 182 182. A 19th century bronze inkwell, cast with three rampant bulls divided by satyr masks, the detachable cover with boy and goat finial, on a red and black circular stepped marble plinth, 18.5cm high x 15cm diameter. £200-300 (+24%BP*) 183. A taxidermy Great Cormorant, modelled standing on rectangular plinth, 57cm high. £50-100 (+24%BP*)

Lot 185 185. A late 19th/early 20th century officers dress sword, Wallace Scott & Co., Glasgow, with etched blade, pierced guard and red velvet lined leather inner with wire bound fish skin grip, with two scabbards, one metal, the other leather and original sleeve, overall 103cm long. £150-300 (+24%BP*)

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Lindsay Burns & Company 186. A George III flintlock pistol, with hexagonal shaped barrel, pull out ram rod, the hammer missing, with walnut stock and chequered grip, the stock faintly inscribed to one side ‘George Alepiot’s’, overall 37cm long. £80-120 (+24%BP*) 187. A rare late 17th century flintlock musket, probably Dutch, circa 1680-1700, with round three stage sighted barrel, with walnut stock, wooden ram rod and nailed butt plate, overall length 158.5cm long, barrel length 117.5cm. £700-1000 (+24%BP*)

Lot 186

Lot 187 188. An early 20th century Art Deco bronze and ivory figure group of a ballets russe dancer, modelled standing on one leg with arms outstretched, on stepped marble plinth base, 20.5cm high. £200-300 (+24%BP*) 189. A 19th century gilt metal and micro mosaic set triptych photograph/portrait miniature frame, the pierced foliate surround with engraved details, on strut support, 22.5cm high x 22cm wide. £300-500 (+24%BP*) 190. Burgstaller - A late 19th century Neo Classical style gilt bronze inkwell, in the form of a classical maiden reclining on day bed, the inkwell with circular hinged cover, on a rouge marble plinth, impressed marks, 17cm wide x 11cm high, together with matching vesta holder en suite, 7.5cm wide x 8cm high. £200-300 (+24%BP*)

195. A collection of 19th century boxes, to include: an Anglo Indian horn and ivory overlaid miniature casket, the hinged cover opening to a fitted interior with three divisions, 10.5cm wide, a 19th century European ivory rectangular box and cover, the detachable cover pierced with stylised flowers and birds, opening to a blue paper lined interior, 8.8cm wide and a 19th century faux tortoiseshell rectangular snuff box with circular yellow metal cartouche inlaid in the cover, 11cm wide. £100-200 (+24%BP*) 196. A late 19th century tortoiseshell and white metal inlaid card case, the rectangular cover inlaid with foliate spray and scroll panel, vacant, opening to a blue satin lined interior with gilt edged paper card divisions, 11cm x 7.7cm. £80-120 (+24%BP*)

191. A cold painted terracotta figure group of Venus blindfolding Cupid after Bracony, 55cm high. £50-100 (+24%BP*) 192. An early 20th century novelty cast metal and cold painted fresh fruit and vegetable horse and cart figure group, overall 36cm long. £100-200 (+24%BP*) 193. Osborne - A limited edition bronze figure of a horse titled ‘Burmese’, numbered 247/5000, on black and green veined marble plinth base, stamped marks, 17.5cm high x 18cm wide. £200-300 (+24%BP*) 194. A pair of 19th century Black Forest carved wood bear and cub figures, with inlaid eyes and teeth, 10.5cm high x 17cm wide. £150-300 (+24%BP*)

Lot 197 197. An Art Deco burr walnut, white metal mounted and ivory strung cigar box by Callow of Mount Street, Mayfair, of rectangular form with white metal carry handle set between two rectangular hinged covers, inscribed on circular ivory retailers disc to the blue velvet lined base, 26cm wide x 8.5cm high to the top surface of the box x 18cm deep. £100-200 (+24%BP*) 31

Lindsay Burns & Company

Lot 199 199. A late 19th century elephant foot waste paper bin, possibly Roland Ward of London, with detachable leather liner and brass collar, 28cm high x 24.5cm diameter at the rim. £50-100 (+24%BP*) Lot 198 198. Eric Schilsky RA RSA (1898-1974) Flora A Bronze figure, on green polished marble plinth base, 23cm high. £250-500 (+24%BP*)

Lot 200 200. A mid 19th century red and gilt tooled leather album with Bramah, 124 Piccadilly, patent lock, once the property of Jane Maude as inscribed on inner front page, of Jersey, Channel Islands, interest, to include: a watercolour of a figure rowing a boat by John Le Capelain (1812-1848), 22.5cm x 17cm, another watercolour of a group of trees with fence and sandy pathway, 18cm x 13.5cm, Jane Maude, a Jersey Lane watercolour, 23.5cm x 16.5cm, another watercolour by Jane Maude of two classical maidens and putti, signed JM, two other portraits, presumably by Jane Maude, watercolour of an apple branch bearing fruit by Caroline Tough and a small watercolour of Kensington Gardens by Jane Gunter, inscribed, signed with initials and dated 1845, 10.5cm x 15cm. £100-200 (+24%BP*) 201. Claire Colinet (1880-1950) - A gilt bronze figure of a nude juggler, on circular stepped marble plinth, signed on the top surface of the plinth, impressed number on the base 411, 25cm high. £800-1200 (+24%BP*) Lot 201 32

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Lindsay Burns & Company 202. A pair of 19th century gilt bronze four light candelabra, the urn shaped nozzles supported on scroll arms, raised on tapered cylindrical columns with reeded detail and acanthus cast collars, raised on three paw feet and concave triangular plinths, 46cm high. £300-500 (+24%BP*) 203. Ehleder - An early 20th century patinated bronze figure group of male and female clowns, modelled standing on circular plinth base with foliate cast edge, signed, 27cm high x 19cm diameter. £700-900 (+24%BP*) 204. A pair of early 19th century bronze and gilt bronze candlesticks, the urn shaped nozzles raised on classical maiden supports with facet cut glass drops, raised on white marble square plinth bases, 25cm high. £250-500 (+24%BP*) 205. A pair of 19th century ormolu putti, both modelled standing on one leg holding a cornucopia vase in one hand and quiver of arrows in the other, 30cm high. £400-600 (+24%BP*) 206. A collection of three wax seals, to include a 19th century Carnelian octagonal shaped seal, 5.7cm high, a 19th century ivory seal in the form of a hand clenching a ball with white metal matrix, 4.7cm high and an early 20th century green agate and white metal seal with circular matrix leaving a heart shaped impression centred with M, 4.5cm high (3). £50-100 (+24%BP*)

208. A late 19th/early 20th century bronze figure group of jockey on horseback, on rectangular plinth base, 55cm high x 61.5cm long. £500-700 (+24%BP*) 209. A late Victorian green leather simulated crocodile skin vanity case, Allen, 37 Strand, London, opening to a fitted interior with five assorted silver mounted toilet bottles bearing hallmarks for London 1899, makers mark of T.W., together with assorted monogrammed ivory accessories, wallet and mirror initialled D.C. £200-300 (+24%BP*) 210. A late 19th/early 20th century white marble figure of a young girl, carved sitting on a tree stump wearing a lace frilled dress and holding a bouquet of flowers in her right hand, 79cm high. £800-1200 (+24%BP*) 211. A pair of late 19th/early 20th century cast iron and brass andirons, the ball shaped finials above a foliate cast collar on tapered octagonal column, with applied brass fleur de lys collar, raised on three inverted scroll supports resting on bracket feet, 58cm high. £100-200 (+24%BP*) 212. An early 20th century bronze stag in the manner of Antoine-Louis Barye, modelled standing on a rocky outcrop, on black and white veined polished marble plinth, 48cm high x 41cm wide. £250-500 (+24%BP*)

Lot 207 207. A late 19th century Anglo Indian sandalwood, horn and ivory overlaid stationery casket, the domed hinged cover opening to a fitted interior, the exterior decorated with pierced floral motifs and ivory strap work with incised foliate detail, 27cm wide x 21cm high x 16cm deep. £200-300 (+24%BP*)

Lot 213 213. After Frederic Remington (1861-1909), a bronze figure of cowboy and horse, signed Frederic Remington, on polished black rounded rectangular plinth base, 57cm high x 62cm wide. £600-800 (+24%BP*)

Lindsay Burns & Company 217. A 19th century oak and brass bound decanter box, the hinged cover with recessed military type handle opening to a fitted interior with four clear glass decanters and stoppers, 23.5cm square x 28cm high. £80-120 (+24%BP*) 218. A Victorian Country House brass two light gasolier, of inverted T-shape form, 122.5cm high x 95cm wide. £50-100 (+24%BP*) 219. An Arts & Crafts embroidered panel, worked in coloured silk threads with three stylised Glasgow roses and other flowers, 72cm x 18.5cm. £50-100 (+24%BP*)

Lot 214 214. A pair of 19th century Gothic Revival brass three light candelabra, with urn shaped nozzles supported on a tapered cylindrical column with architectural scroll spandrels, raised on tapered square plinths, raised on pierced trefoil bracket feet, 40.5cm high x 24.5cm wide. £100-200 (+24%BP*)

220. A carved painted and gilt wood crest for Feldon School, Milverton Hill, Leamington Spa, carved in relief with open book, oak tree, inscribed on banner ‘Truth and Honour’, 44cm high x 36cm wide. £50-100 (+24%BP*)

Lot 221 221. Four boxed wooden dissected puzzles by Darton of London, comprising: Asia, Africa neatly dissected, North America from the latest authorities and Europe dissected upon the best principals to teach youth geography. £150-300 (+24%BP*) 222. Two souvenir sections of The Channel cable laid 1851 and The Atlantic cable laid 1858, mounted in mahogany, inscribed on paper labels, overall 8.5cm wide x 13cm high. £80-120 (+24%BP*) Lot 215 215. An early 20th century teddy bear, possibly Steiff, with golden mohair and brown/black button boot eyes, with brown stitched nose, mouth and claws, with jointed limbs and felt pads, 21.5cm long. £100-200 (+24%BP*) 216. A 19th century walnut artists ‘en plein air’ paint box and oak palette, the artists box opening to a fitted interior with detachable palette, small brass double water receptacle, two detachable white metal paint trays and small fixed compartments, the base with thumb hole, with brass swan neck carry handle, 23cm wide x 6cm high x 15th deep, the oak palette 40.5cm x 28cm (2). £50-100 (+24%BP*) 34

223. Antiquities - An ancient Egyptian turquoise blue glazed shabti, of typical form, 7.5cm long. £100-200 (+24%BP*) 224. Four assorted 19th century daguerreotype/ ambrotypes, comprising: one leather cased portrait miniature of a seated gentleman by Ross & Thomson, Edinburgh, photographers to the Queen, a leather cased double portrait photograph of a couple, the male figure standing with his left hand on her right shoulder, another double portrait miniature of a female and attendant male, in press moulded case and another portrait of a gentleman in a press moulded case (4). £100-200 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 225. Four assorted 19th century daguerreotype/ ambrotype portrait miniatures, comprising: two of the same female sitter wearing lace bonnet, one of a young gentleman seated wearing tweed overcoat and one of a young girl seated holding a basket in her right hand, her satin dress with a pink bow. Provenance: Property of a gentleman of title. £100-200 (+24%BP*) 226. Four assorted 18th century and later boxes, to include: a Scottish treen snuff box, the hinged cover decorated with oval armorial bearing the crest of Cunninghame-Graham, the sides decorated with thistles, 10cm wide, a treen snuff box by Stiven, of rectangular convex form centred with yellow metal disc engraved with coronet and initial H, 8cm wide, a painted papier mache rectangular snuff box decorated with seated female and attendant male, 8cm wide and a circular papier mache box and cover with named scene ‘The Cut Finger’, 9cm diameter (4). Provenance: Property of a gentleman of title. £50-100 (+24%BP*)

Lot 228 228. A late 19th century French brass and champlevé enamel repeating carriage clock, retailed by Hamilton & Inches, Edinburgh, the circular enamelled dial with Arabic numerals and floral garland, within a pierced and foliate chased slip, the case with champlevé enamel decoration of scrolls on a turquoise blue ground, the twin train movement striking on a coiled gong, within bevelled glass case raised on four short bracket feet, with original leather carry case, 19cm high with handle raised, 14.5cm high with handle flat. £800-1200 (+24%BP*) Lot 227 227. Royal Interest - Dorothy Wilding, London, a signed portrait photograph of the Royal Family in 1937. to include King George VI and Queen Elizabeth with Princesses Elizabeth and Margaret, signed by each member of the family and dated 1937, 28cm x 20.5cm. Provenance: Property of a gentleman of title. £500-800 (+24%BP*)

229. A late 19th century brass carriage clock, Hawley, Paris, the white enamelled dial with Roman numerals above a smaller alarm dial with Arabic numerals, the twin train movement striking on a bell, within rectangular bevelled glass case, together with original leather carrying case, 16cm high with handle raised, 12cm high. £200-300 (+24%BP*)

Lindsay Burns & Company

Lot 231 230. A late 19th century French gilt metal and porcelain mounted clock garniture, the clock with circular Arabic numeral dial and twin train movement striking on a bell, within Rococo style case with urn shaped finial, porcelain column supports and painted porcelain panel of female and attendant male, together with a pair of matching urns en suite, the clock 54.5cm high x 33cm wide, the urns 41.5cm high. £800-1200 (+24%BP*)

231. A late 19th century French gilt and white marble clock garniture, the clock with circular convex dial bearing Arabic numerals, the twin train movement striking on a bell, within domed case with urn shaped finial and trailing gilt metal foliate cast mounts, on a shaped oval plinth with six bun feet, together with a pair of two light candelabra en suite, the mantel clock 36cm high x 27.5cm wide, the candelabra 36cm high x 19cm wide. £600-800 (+24%BP*) 232. A 19th century Dutch carved and painted wood wall clock with gilt metal details, the painted rectangular dial with Roman numerals, moon phase and date aperture, the two pillar movement striking on a bell, the case carved with two herms, 75cm high x 39cm wide. £200-300 (+24%BP*) 233. A 19th century silvered metal and brass skeleton clock, Thomas Hammond, Anglesea, the silvered chapter ring with Roman numerals, with single fusee movement striking on a bell, on stepped marble plinth base with three demi lune marble bun feet, overall 42cm high x 27.5cm wide. £250-500 (+24%BP*)

Lot 237 36

234. A 19th century Empire marble and gilt metal mantel clock, the circular convex dial with Roman numerals, the twin train movement striking on a bell, within architectural case supported by tapered cylindrical columns with engine turned gilt metal collars, the clock with pierced drapery, mask and foliate cast apron, with sunburst and mask pendulum, on rectangular plinth with bun feet, 39cm high x 24.5cm wide x 10cm deep. £250-500 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 235. A 19th century gilt metal Regency style mantel clock, the circular engine turned dial with Roman numerals, within an architectural surround with twin handled urn surmount, raised on foliate and scroll cast base, 34.5cm high x 22.5cm wide. £200-300 (+24%BP*) 236. A late 19th century Paris Ed Honore porcelain clock garniture in the Rococo style, the clock with circular engine turned dial bearing Roman numerals, the twin train escapement striking on a bell, the movement signed Leroy, no. 1664, together with a pair of twin handled pear shaped urns en suite, the clock 35cm high x 21cm wide, the urns 23.5cm high. £250-500 (+24%BP*) 237. A Regency mahogany and brass inlaid bracket clock, the circular convex dial with Roman numerals, makers name and place rubbed, the twin train movement striking on a bell, within dome top case, the sides with pierced gilt metal sound frets and circular drop carry handles, raised on four bun feet, 40cm high x 28.5cm wide. £500-800 (+24%BP*) 238. A George III mahogany and gilt metal mounted Gothic Revival bracket clock, Arnold & Dent, Strand, LONDON, the circular convex dial with Roman numerals, the twin train four pillar movement striking on two bells, within architectural case with brass urn shaped finial, on beaded and gadroon carved plinth, the Gothic arch supported by ebonised trefoil columns with gilt metal collars, the side panels and back door with pierced Gothic Revival sound frets, raised on a rectangular plinth with beaded edge and four part gadrooned bun feet, pendulum and keys present, the back plate of the movement inscribed Arnold & Dent, Strand, London, 237, 62.5cm high x 32cm wide x 19cm deep. £1500-3000 (+24%BP*)

Lot 238

239. Shepherd, Thomas H. Metropolitan Improvements; or London In The Nineteenth Century, By A Series Of Views, volumes II, III and IV, London 1827, together with Jones’s Views of the Seats, Mansions, Castles & C. of Noblemen and Gentlemen in England, Wales, Scotland and Ireland, volumes II and III (5). £100-200 (+24%BP*) 240. A late 18th/early 19th century atlas, comprising; trimmed map of the world with the latest discoveries of Cooke, Vancouver & La Perouse, Neele, Strand, London, Eastern Hemisphere, Kirkwood & Sons, Edinburgh, etc., folio size 25cm x 32.5cm. £50-150 (+24%BP*)

Lot 239

Lindsay Burns & Company

Lot 241 38

241. Travel and Topography Interest - A late 18th/early 19th century folio of hand coloured engravings, to include: East View of Stirling Castle, Morning, Noon, Evening, Night, A Calm, A Small Breeze, Hazy Weather, Evening, Roma in four single leaf engravings after Pierre Mariette, AD 1642, The Church of St. Peter at Rome, The Inside of St Paul’s Church in Rome, The Church of St Mary, Eye Great, Rome, The Church of Santa Maria Della Rotonda at Rome, The Aelian Bridge and Castle of St. Angelo, The Magnificent Buildings and Fountains of the Piazza Navona at Rome, A View of the Chinese Pavilions and Boxes, A General Park Prospect of Vaux HALL Gardens, The Inside View of the Rotunda in Renelagh Gardens with the company at breakfast, A Prospective View of the Magnificent Structure Erected in Green Park with the Royal Fireworks exhibited the 27th April 1749 on account of the general peace, Veue De Fontainebleau, The Entrance Into The Temple Of The Sun in Palmira, A View of Purfleet in the country of Essex, A View of the Port of Marseilles, A View Taken Near Battersea Church Looking Towards Chelsea, A View of Lord Duncannons House in the County of Kent, A View of Richmond taken near Twickenham, A View of the Temple of Jupiter Olympus at Athens, A View of London taken off the Thames near York Buildings, A View of North Fleet in the County of Kent, A View taken near the Store House at Deptford, A View near Twickenham, The Temple Church No.37, St. Stephen Walbrook No.36, A View of Sheperton, A View of Florence taken without the Cross Gate near the River Arno, A View of the Streights in Dove Dale near Ashbourn in Derby Shire and a North West View of the Tower of London and The Attack of Two Bastions, The Breaches Being Made by the Miner, album size 33cm x 48cm, together with a smaller album of engravings with hand coloured details to include; Saincte Baume En Provence, La Montagne De Nostre Dame, La Cite De Alize, A View Taken near the Store House and Dock Yard at Deptford, A View of Blackwall and Dock Yard looking towards Grenwich, A View of Woolwich and Dock Yard in the County of Kent, A View of Purfleet in the County of Essex, A View of Northfleet in the County of Kent, A View of Gravesend in the County of Kent, A View of Tilbury Fort in the County of Essex, A View of the Downs in the County of Kent, A View of the Town and Castle of Dover in the County of Kent, A View of the Town and Fortifications at Portsmouth in Hampshire, etc., together with View of the City of Quebec The Capital of Canada, etc., A View of Louisburg in North America taken from the Lighthouse 1758, South West View of the City of New York in North America, A View of Charles Town, The Capital of South Carolina in North America, Views representing the Most Considerable Transactions In The Siege of a Place and other Views of London, etc., folio size 24cm x 37.5cm. £250-500 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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242. Travel & Topography Interest - Two late 18th/ early 19th century leather bound folios of hand coloured engravings, to include: A View of Blackfriars Bridge and St. Pauls, A General View of the City of London Next The River Thames, A North View of London, A North View of Westminster Bridge, A View of the New Theatre Royal Covent Garden, The Jubilee Naval Action on the Serpentine In Commemoration of the Battle Of The Nile, The Action Between The British and American Frigates On The Serpentine Hyde Park 1814, View in Hyde Park London with the Fleet At Anchor on The Serpentine River, The Chinese Pagoda and Bridge In St. James’s Park, View of the Bridge and Pagoda from the canal St. James’s Park, The Grand Pavilion in the Green Park, The Fortress (which inclosed The Grand Pavilion) in the Green Park With The Ascent of the Balloon, A General View of Grenwich Hospital taken from the River, views of Oxford, Worcester, Dublin, Edinburgh, View of St. Hellena from the road, Isles St. Marcou, plus other views in Rome, Quebec, Battle Of Waterloo, etc., the other folio to include: European views in Paris, Oporto, Constantinople, Roterdam, Venice, Florence, Lisbone, Petersburg in Russia, Madrid, Naples, Amsterdam, Copenhagen, Bombay on the Malabar Coast, Malta, etc., both folios measuring 33cm x 52.5cm. £500-800 (+24%BP*)

Lot 242

Lindsay Burns & Company

Lot 249

PORTRAIT MINIATURES 243. A Victorian yellow metal cased portrait miniature locket, the hinged oval portrait miniature painted with bust length portrait of a gentleman, the reverse with pearl set hair locket, in entwined outer frame with acorn and leaf detail, overall 6.5cm x 5.3cm. £80-120 (+24%BP*)

Lot 251 249. George Marshall Mather (fl.1827-1857) A pair of portrait miniatures, possibly two brothers painted on ivory, one inscribed in ink verso ‘Painted after Death by G.M.Mather, Edin: Oct 1841’ 8.5cm x 6.5cm £100-200 (+24%BP*)

244. A 19th century full length portrait miniature of a young lady, painted wearing full dress robes, standing on a staircase, within oval ivory frame, 15cm x 12.3cm, together with another oval carved ivory picture frame enclosing a decorative miniature of a child, 11cm x 9.4cm (2). £150-300 (+24%BP*) 245. A 19th century portrait miniature, depicting half length portrait of a young girl painted on ivory, the reverse with straw work decoration of twin handled urn issuing flowers, within yellow metal frame, 4.8cm diameter. £100-200 (+24%BP*) 246. A 19th century portrait miniature of maritime interest, depicting half length portrait of a gentleman, probably painted on ivory, the reverse with platted oval hair locket overset with a gilt metal anchor and initials, in a cobalt blue ground enamelled border and yellow metal surround, 6.7cm x 5.5cm. £150-300 (+24%BP*) 247. A late 19th century portrait miniature, depicting half length portrait of a young girl wearing night hat and gown, painted on ivory, in gilt metal frame, overall 7.2cm diameter. £50-100 (+24%BP*) 248. A 19th century enamelled portrait miniature, depicting a gentleman wearing a blue waistcoat, 4.9cm x 3.7cm. £50-100 (+24%BP*)

Lot 250 250. Emma Maria Maude after Bartolome Esteban Murillo (19th century) The Flower Girl portrait miniature painted on ivory, inscribed on paper label verso and dated 1842 14.5cm x 11.5cm £80-120 (+24%BP*)

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Lindsay Burns & Company 251. Two 19th century portrait shell cameo carvings, carved with Major Bontine, the other Mrs Bontine, circa 1870, 5.3cm x 4.1cm and 5.4cm x 4.2cm. Provenance: Property of a gentleman of title. £50-150 (+24%BP*) 252. A 19th century portrait miniature of a young lady, probably painted on ivory, the reverse paper inscribed Mr Durhum, 8.5cm x 6.7cm. Provenance: Property of a gentleman of title. £80-120 (+24%BP*)

PRINTS 255. Henry Wright Kerr (1857-1936) The Kirk Collection engraving, signed in pencil lower left 34cm x 48cm £40-80 (+24%BP*)

Lot 256

Lot 253 253. A leather cased portrait miniature of a young girl, probably painted on ivory, within gilt metal slip, 5.5cm x 4.2cm. Provenance: Property of a gentleman of title. £80-120 (+24%BP*) 254. A 19th century leather cased double portrait miniature, opening to reveal two sisters, one with blue shawl on the left, the other with pink shawl on the right, 3cm x 2.5cm and 2.5cm x 2cm. Provenance: Property of a gentleman of title. £50-100 (+24%BP*)

256. Pierre-Auguste Renoir (1841-1919) Portrait of Berthe Morisot etching, signed in the plate 11.5cm x 9.7cm together with another etching of mother and daughter 21cm x 15cm (2). £80-120 (+24%BP*) 257. After Winterhalter The Amazon (Portrait of HRH The Princess Helena) print 30.5cm x 22cm together with eight other assorted prints (9). £30-70 (+24%BP*) 258. Claire Eva Burton Steeplechase coloured limited edition print signed in pencil, numbered 338 of 950 embossed with Chelsea Green Editions blind stamp 50.5cm x 78.5cm £30-70 (+24%BP*)

Lindsay Burns & Company 260. AR Louis Conrad Rosenberg (American, 1890-1983) Fez Gate, Tangier etching, signed in pencil lower right 18cm x 20.5cm £40-80 (+24%BP*) 261. AR Kenneth Holmes (1902-1994) ‘Behind the Capitol, Rome’ and ‘Naples’ two etchings, both signed in pencil right and inscribed on labels verso 31cm x 20cm and 24cm x 29cm £80-120 (+24%BP*)

Lot 262 262. George Soper RE (1870-1942) Full Cry and another etchings, both signed lower right 19.5cm x 31.5cm and 21cm x 30.5cm £100-200 (+24%BP*)

Lot 259 259. AR Katherine Cameron RSW RE (1874-1965) Blossom and bumble bees coloured etching 27.5cm x 7.5cm £80-120 (+24%BP*) 42

263. Alexander Langlands (fl.1922-1946) Matrei, Austrian Tyrol, 23.5cm x 17cm, two etchings Arbroath Harbour, 18cm x 23.5cm, two etchings The Law Hill, Arbroath, 15.5cm x 19cm, etching, all signed and inscribed in pencil (5). £50-100 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 266. AR Jackson Simpson (1893-1963) On the Don and Dark Lochnagar two etchings, both signed lower right and both inscribed lower left both with artist’s blindstamp lower left 17cm x 22.5cm and 16.5cm x 24cm (2). £80-120 (+24%BP*)

WATERCOLOURS

Lot 264 264. AR Louis Icart (French 1888-1950) Marchande d’oranges etching and aquatint with hand coloured details signed in pencil lower right, numbered 264/500, with artist’s blind stamp 50.5cm x 39cm £50-100 (+24%BP*)

Lot 267 267. James Scott Kinnear (fl.1870-1917) Carpi Valley near Mentone, South of France watercolour, signed and inscribed lower left 31.5cm x 49.5cm £100-200 (+24%BP*) 268. 19th century Scottish School Fishwife in highland landscape with boat in background and another, a pair watercolours 19.5cm x 14.5cm (2). £50-100 (+24%BP*) 269. AR Elizabeth G. Molyneaux RSW GI RSA (1887-1969) A Spanish doorway watercolour, signed lower right 37cm x 24.5cm £80-120 (+24%BP*) 270. Circle of Sir William Russell Flint (1880-1969) Nude red chalk on paper 34cm x 24cm £150-250 (+24%BP*)

Lot 265 265. AR Louis Icart (French 1888-1950) Hydrangeas etching and aquatint with hand coloured details signed in pencil lower right, numbered E406/500, with artist’s blind stamp 45cm x 55.5cm £50-100 (+24%BP*)

271. Early 20th century Scottish School A misty morning in the upper Corrie watercolour 26.5cm x 17.5cm £80-120 (+24%BP*) 272. Mary Baillie McKelvie (fl.1933-1938) Bust length portrait of a lady in uniform watercolour, signed and dated 1944 46.5cm x 31.5cm £50-100 (+24%BP*)

Lindsay Burns & Company 273. AR George Edward Lodge (1860-1954) Winter watercolour and gouache, signed lower left and inscribed on label verso 16.5cm x 34cm £100-200 (+24%BP*)

Lot 274

274. Edwin John Alexander RSA RSW RWS (1870-1926) Majorca landscape watercolour, singed with the artists initials and dated 1904 lower left, inscribed on label verso 23.5cm x 35cm £200-300 (+24%BP*) 275. Mary Dempster MacEwan (fl.1896-1929) On the banks of The River Ness watercolour, signed and dated 1911 lower left 29cm x 20cm £80-120 (+24%BP*) 276. AR Martin Hardie CBE RE RI VPRI RSW (1875-1952) Mouthier, Eastern France watercolour, signed lower left 27cm x 35cm £100-200 (+24%BP*)

Lot 277

277. AR James McIntosh Patrick RSA ROI RGI (1907-1998) A French or Italian villa watercolour, signed and dated ‘43 lower left 15.5cm x 23.5cm £400-600 (+24%BP*) 278. AR Leszek Muszynski (Polish 1923-2012) Good Friday pastel, signed and dated ‘78 lower left 20.5cm x 30cm Provenance: Aitken Dott & Son, Summer Exhibition, 1980, Catalogue No.8 £100-200 (+24%BP*)

Lot 278

279. L. Da Costa (19th century) Fetching water watercolour, signed lower left 46.5cm x 31cm £50-100 (+24%BP*) 280. Thomas S. Hutton (Exh. 1887-1906) Staithes watercolour, signed lower left 24.5cm x 34.5cm £80-120 (+24%BP*) 281. James Alfred Aitken ARHA RSW (1846-1897) Loch Lomond watercolour, signed and inscribed lower right 16cm x 23.5cm £50-100 (+24%BP*)

Lot 280 44

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Lot 282 282. New Zealand interest - 19th century Colonial School Omata Stockade 1860 pen and ink wash, inscribed and signed in pencil lower right ‘a p’ 15.5cm x 23cm together with another similar depicting fortification and buildings 27cm x 19cm (2). Note: Omata Stockade was built to house soldiers during tensions at the time of the First Taranaki War in 1860-61, and is near the site of the Battle of Waireka, March 1860 £80-120 (+24%BP*)

Lot 284

283. Alexander Langlands (fl.1922-1946) Black Rock, Islay watercolour, signed lower right and inscribed lower left 33cm x 45.5cm together with five other assorted watercolours by the same hand (6). £100-200 (+24%BP*) 284. AR Brigadier General Robert Seymour Vandeleur (1869-1956) Nanga Parbat, Kashmir watercolour, signed R.S.V. lower left 36cm x 26cm £100-200 (+24%BP*) 285. James Watterson Herald (1859-1914) Harbour scene at sunset with fishing boats returning their catch watercolour, signed lower right 52cm x 38.5cm £600-800 (+24%BP*) 286. Andrew Archer Gamley RSW (1869-1949) Harbour at low tide with fishing boats watercolour, signed lower left 33.5cm x 44cm £100-200 (+24%BP*)

Lot 285 287. James Wright Greig RBA (1861-1941) Ballerina and half length portrait of A. M. Gibson, Photographer, Arbroath two watercolous, the Ballerina signed lower right, the half length portrait inscribed verso 25.5cm x 16cm and 23.5cm x 16.5cm (2). £80-120 (+24%BP*) 45

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OIL PAINTINGS

Lot 288 288. James Burrell Smith (1822-1897) Highland loch scene with figures and dog, and another, a pair watercolours, both signed and dated 1861 lower left 23cm x 54cm £250-500 (+24%BP*) 289. AR Richard Demarco OBE RSW HRSA (b.1930) The Path of Condie III watercolour, signed lower right and inscribed lower left 19.5cm x 24.5cm Provenance: Property of a gentleman of title. £100-200 (+24%BP*)

Lot 291 291. AR William Miller Frazer RSA (1864-1961) A river scene, Suffolk oil on canvas, signed lower right 69.5cm x 89.5cm £800-1200 (+24%BP*) 292. J.D. Liddell (19th century) Seascape at sunset oil on canvas, signed lower left 34cm x 54.5cm £100-200 (+24%BP*)

Lot 293 Lot 290 290. AR Richard Demarco OBE RSW HRSA (b.1930) The road to Newcastleton, Roxburghshire watercolour, signed and dated May ‘72 lower right and inscribed lower left 25.5cm x 36cm Provenance: Property of a gentleman of title. £150-300 (+24%BP*) 46

293. Alex Scott (19th century) Nepal oil on canvas, signed and dated ‘91 lower right 46cm x 62.5cm £400-600 (+24%BP*)

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Lindsay Burns & Company 297. 20th century British School Sunset over a loch oil on canvas, indistinctly signed and dated 1943 lower right 50cm x 70cm £100-200 (+24%BP*)

Lot 294 294. Robert Brydall (1839-1907) The Grand Canal, Venice oil on canvas, signed and dated 1891 lower left 50cm x 75cm £400-600 (+24%BP*)

Lot 298 298. AR Mary Armour RSA RSW (1902-2000) Peat Road, Wester Ross oil on board, signed and dated ‘46 lower right 28cm x 58cm £250-500 (+24%BP*) 299. Early 20th century European School Rowing to shore oil on canvas 63cm x 73cm £100-200 (+24%BP*) 300. Ed. Emsins (late 19th/early 20th century) Rudins- Autumnal landscape with silver birch oil on board, signed lower right and inscribed verso 57.5cm x 66.5cm £100-200 (+24%BP*) 301. Attributed to Tom Shanks RSW RGI (1921-2020) A Highland landscape in early spring oil on board 24cm x 39cm £100-200 (+24%BP*)

Lot 295 295. 19th century British school Portrait of a young girl and dog oil on canvas 113cm x 88cm £300-500 (+24%BP*) 296. Dewart (20th century) Houses at Pont-Aven acrylic, signed and dated ‘83 lower left 55.5cm x 47cm £100-200 (+24%BP*)

302. Attributed to Tom Shanks RSW RGI (1921-2020) Winter landscape with snow capped mountain oil on board 27.5cm x 33.5cm £100-200 (+24%BP*) 303. Sydney Houghton Miller (c.1884-1938) Nets drying, Catterline oil on canvas board, signed and dated 1927 lower left 24cm x 34cm £100-200 (+24%BP*)

Lindsay Burns & Company 304. Henry Hadfield Cubley (1858-1934) In the Trossachs, and L. Linnhe, a pair oils on panels, signed lower right and lower left respectively, inscribed verso 20.5cm x 30.5cm (2). £100-200 (+24%BP*)

314. 20th century British School Donkey ride oil on canvas 49cm x 59cm £100-200 (+24%BP*)

305. Peter S. Buchanan (1860-1910) A Galloway landscape oil on canvas, signed lower left 49.5cm x 75cm £200-300 (+24%BP*)

315. Late 19th century British School Portrait of Napoleon Bonaparte oil on board, indistinctly signed and possibly dated 1877 39cm x 30cm £100-200 (+24%BP*)

306. Andrew Reid (fl.1881-1932) The harvest moon oil on panel 24cm x 15cm £100-200 (+24%BP*)

316. AR Durk Ven Driest (Dutch 1889-1989) The cockerel fight oil on canvas, signed lower right 89cm x 150cm £200-300 (+24%BP*)

307. Manner of Constable (19th century) Tree lined avenue with figure and cottage oil on canvas 29.5cm x 39.5cm £200-300 (+24%BP*)

317. D. Markorov (Russian, 20th century) Nude, the red dress and another nude, the blue bow, a pair oils on board, signed lower left 32cm x 20.5cm £400-600 (+24%BP*)

308. J. Ness (early 20th century) The flower market oil on canvas, signed and dated 1903 lower right 39.5cm x 49.5cm £100-200 (+24%BP*) 309. F.G. Kinnaird Gathering timber from the shipwreck oil on canvas, signed lower left 71cm x 95cm £400-600 (+24%BP*) 310. D. Tayler (20th century) Three masted clipper oil on canvas, signed lower right 59cm x 90cm £400-600 (+24%BP*) 311. Joshua Anderson Hague (1850-1916) Still life oil on canvas, signed lower right 51cm x 38cm £150-300 (+24%BP*) 312. John Miller (20th century) Sun through haze, Venice oil on canvas, signed lower right and inscribed verso 49cm x 75cm £400-600 (+24%BP*)

Lot 318 318. AR Robert Hardie Condie (1898-1981) Pot plants and hanging Lobelia oil on board, signed lower right and inscribed on label verso 43.5cm x 75cm £150-300 (+24%BP*) 319. G. Thomson (19th century) Fisherman returning home empty handed oil on canvas, signed lower middle 39.5cm x 60cm £200-300 (+24%BP*)

313. Follower of Erskine Nicol (1825-1904) Interior scene with children oil on canvas, signed and dated 1847 lower right 60cm x 49.5cm £500-700 (+24%BP*)

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Lot 323 323. Reginald Aspinwall (1858-1921) Timber wagon crossing a stone bridge oil on canvas, signed lower right 21cm x 33.5cm £250-500 (+24%BP*)

Lot 320 320. AR Sir Oswald Birley RA (1880-1952) Half length portrait of a Gentleman oil on canvas, signed and dated 1919 lower right 105.5cm x 89cm £250-500 (+24%BP*)

324. R. Douglas Girl and Geese oil on panel, signed and dated 1886 lower right 29.5cm x 34cm £150-250 (+24%BP*) 325. 19th century British School Stable with tethered horses, stable hand and dog oil on canvas, indistinctly signed and dated 1847 28cm x 34cm £150-250 (+24%BP*)

Lot 321 321. Maritime Interest (19th century British School) A Barque at sea flying the Red Ensign oil on canvas 44.5cm x 58.5cm £100-200 (+24%BP*) 322. 19th century Scottish School Portrait of a Highland Piper oil on board 24.5cm x 17cm £100-200 (+24%BP*)

Lot 326 326. J. Shearbon The Knitting Lesson oil on canvas, signed and dated 1872 lower right 49.5cm x 39.5cm £300-500 (+24%BP*) 49

Lindsay Burns & Company

Lot 327 327. William Bradley Lamond RBA (1857-1924) Seascape oil on canvas, signed lower left 28.5cm x 49cm £250-500 (+24%BP*)

331. Tom Campbell (fl.1901-1943) On the banks of The River Tay, South of Perth, and another, a pair oils on canvas, signed and dated 1911, lower left and lower right 24cm x 34.5cm £100-200 (+24%BP*)

Lot 328 328. Attributed to Miss Nasmyth (Scottish, 18th/19th century) Heading home, country lane with cattle and figures oil on panel, inscribed on paper label verso ‘MISS NASMYTH 10’ 13cm x 17cm £150-300 (+24%BP*) 329. John Adam Plimmer Houston RSA RI (1812-1884) Landscape and figures, a little gem oil on panel, inscribed on paper label verso 13.5cm x 12cm £150-300 (+24%BP*) 330. AR Arthur A. Friedensen (1872-1955) Meandering river at sunset oil on canvas, signed lower left 24cm x 39cm £100-200 (+24%BP*) 50

Lot 332 332. 19th century Continental School The young artist oil on canvas 38.5cm x 28cm £100-200 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 333. J.W. McIntyre (late 19th/early 20th century) West coast sea loch with fishing boats oil on board, signed lower left 73.5cm x 78.5cm £150-300 (+24%BP*) 334. Violet Vicat Cole (b.1890) An Italian street scene oil on canvas board, signed lower left 44.5cm x 34cm Provenance: Property of a gentleman of title. £100-200 (+24%BP*)

Lot 335 335. 19th century British school Half length portrait of a lady oil on canvas 72cm x 57.5cm Provenance: Property of a gentleman of title. £150-250 (+24%BP*) Lot 336 336. 18th century British School A pair of half length portraits feigned oval, oils on canvas 76.5cm x 64cm Provenance: Property of a gentleman of title. £250-500 (+24%BP*)

WORKS FROM THE STUDIO OF AVRIL J.D. GILMORE East Lothian painter in oil and pastel; portraits, still life and landscapes generally in the Lothians, exhibited RSA regularly 1959-1966 and 1977-1979, also GI, from Rose Cottage, Garvald, Haddington. Lots 337- 354 have come directly from the Estate of Avril J.D. Gilmore. 337. AR Avril J.D. Gilmore (fl.1957-1983) Three sculpted terracotta figure groups - a kneeling dancer 38.5cm high, a bust, 26.5cm high and a seated nude, 15cm high. £50-100 (+24%BP*)

Lot 338 338. AR Avril J.D. Gilmore (fl.1957-1983) Two cold painted bronzed terracotta sculpted busts, one raised on turned wooden plinth, 42cm high and 22cm high. £50-100 (+24%BP*) 339. AR Avril J.D. Gilmore (fl.1957-1983) Five mixed media pictures to include: Sunset Boulevard, signed, 23cm x 32cm, Italian Sunrise, signed, 19cm x 11cm, Constellation, signed, 14cm x 21cm, Galaxy, signed, 9cm x 32.5cm and one other 23cm x 14.5cm (5). £50-100 (+24%BP*) 340. AR Avril J.D. Gilmore (fl.1957-1983) Shallots oil on board, signed and dated 1960 lower right 46cm x 61cm together with six other assorted oils by the same hand (7) £50-100 (+24%BP*) 341. AR Avril J.D. Gilmore (fl.1957-1983) Gillian reading watercolour, signed and dated ‘74 lower right 40.5cm square together with ten other assorted watercolours and drawings by the same hand £100-200 (+24%BP*) 342. AR Avril J.D. Gilmore (fl.1957-1983) Collection of the artists items to include: Windsor and Newton easel, a Reeves & Sons of London easel, two black and white rectangular paintings, signed and an exhibition sign in the form of an artists palette. £50-100 (+24%BP*) 52

343. AR Avril J.D. Gilmore (fl.1957-1983) Portrait of a young man sitting in a chair oil on board, signed and dated 1959 lower right 76cm x 50.5cm painted on the reverse with a landscape together with seven other assorted portraits of male sitters all oils on canvas (8) £100-200 (+24%BP*) 344. AR Avril J.D. Gilmore (fl.1957-1983) Half length portrait of Roger oil on canvas, signed lower left 74.5cm x 50cm together with a portrait of Wes oil on canvas, signed and dated ‘72 lower left 90.5cm x 60cm and portrait of a young boy oil on canvas, signed lower right 75.5cm x 50cm (3) £50-100 (+24%BP*) 345. AR Avril J.D. Gilmore (fl.1957-1983) Portrait of Caroline Anne Hobson, aged 19 oil on canvas, signed and dated 1964 lower left, inscribed verso 81cm x 63.5cm together with two other portraits of female sitters The Red Jacket, 76cm x 50cm, and The Green Jacket, 61cm x 51cm (3) £50-100 (+24%BP*) 346. AR Avril J.D. Gilmore (fl.1957-1983) Portrait of Jenny oil on board, signed and dated ‘59 lower right 67.5cm x 53.5cm Portrait of Dorothy Battle oil on canvas, signed and dated ‘67 lower right 75cm x 49.5cm Half length portrait ‘In Pensive Mood’ oil on canvas, signed lower right 60cm x 49.5cm and a half length portrait of a girl wearing green blouse and puce coloured cardigan oil on board, signed and dated ‘61 lower right 59cm x 44.5cm painted on the reverse with a half length portrait of a young lady wearing blue jacket dated ‘57 61cm x 45.5cm (4) £100-200 (+24%BP*)

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WORKS FROM THE STUDIO OF AVRIL J.D. GILMORE

Lot 348 347. AR Avril J.D. Gilmore (fl.1957-1983) Portrait of Jane oil on board, signed and dated ‘58 upper left and lower right 59.5cm x 44.5cm together with portrait of Moira oil on board, signed and dated 1961 the reverse painted with a self portrait reading a book 49cm x 24.5cm and another half length portrait of a lady with purple blouse oil on board, signed and dated ‘61 44cm x 34.5cm (3) £100-200 (+24%BP*)

Lot 349 348. AR Avril J.D. Gilmore (fl.1957-1983) Portrait of a nude oil on board the reverse painted with half length portrait of a male sitter 76cm x 51cm £50-100 (+24%BP*) 349. AR Avril J.D. Gilmore (fl.1957-1983) Portrait of a nude oil on board, signed lower right, dated 1958, painted verso with landscape orientation of a street scene with figures and nuns 100cm x 37.5cm £50-100 (+24%BP*)

WORKS FROM THE STUDIO OF AVRIL J.D. GILMORE

Lot 350

Lot 351

350. AR Avril J.D. Gilmore (fl.1957-1983) Portrait of a nude painted in oil on the reverse of a canvas, signed and inscribed on paper label 90.5cm x 50cm The front side of the canvas painted white £100-200 (+24%BP*)

353. AR Avril J.D. Gilmore (fl.1957-1983) Portrait of a young lady wearing a yellow striped neck scarf acrylic, signed lower right, on beech wood table top easel 34.5cm high x 24.5cm wide £50-100 (+24%BP*)

351. AR Avril J.D. Gilmore (fl.1957-1983) Portrait of mother and daughter oil on board 100.5cm x 74.5cm The reverse painted with a landscape orientation portrait of a lady reclining on a sofa, The Orange Shawl signed lower right 75.5cm x 101cm £100-200 (+24%BP*)

354. AR Avril J.D. Gilmore (fl.1957-1983) Self portrait painted on the reverse of a canvas Inscribed ‘Portrait’ and signed 67cm x 41.5cm The front side of the canvas painted with a half length portrait of a young man oil, signed lower left, dated ‘58 76cm x 50.5cm together with the artist’s easel £100-200 (+24%BP*)

352. AR Avril J.D. Gilmore (fl.1957-1983) The White Blouse, portrait of a female nude model in the studio oil on board, signed verso 101cm x 126cm £100-200 (+24%BP*) 54

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WORKS FROM THE STUDIO OF AVRIL J.D. GILMORE

Lot 352

Lot 353

Lot 354 55

Lindsay Burns & Company

WEDNESDAY 2ND DECEMBER SILVER 357. A cased set of four silver and silver gilt Victorian silver salts of nautical theme, London 1884, maker mark of EHS, the salts modelled in the form of pails resting on coiled rope with four matching salt spoons, each inscribed ‘Albert Barker Ltd., 4 New Bond Street’, in corresponding velvet lined case, the salts 3.5cm high x overall diameter of 5.5cm, 8.1 troy ozs. £200-300 (+24%BP*) 358. A cased set of twelve Victorian silver and mother of pearl fruit knives and forks, Birmingham 1859, makers mark of J.G., with silver blades and tines, the mother of pearl handles decorated with Armorial crest, in velvet lined burr walnut case. £100-200 (+24%BP*) Lot 355 355. A George IV Irish silver hot water pot, Dublin 1825, makers mark of ILB for James Le Bass, the cylindrical body with embossed decoration of flowers, foliage and scrolls, one cartouche inscribed ‘In loving memory of darling John’, the hinged cover with bud shaped finial, with silver foliate chased handle and spout, 18.8 troy ozs, 19.5cm high. £200-300 (+24%BP*) 356. A mid 20th century white metal bon bon dish, the circular bowl with beaded and foliate cast edge, raised on a fluted column raised on an octagonal plinth, impressed mark, 18.5cm diameter x 14.5cm high. £50-100 (+24%BP*)

359. A cased set of twelve Victorian electroplated fruit knives and forks, the handles of pistol shape, in velvet lined fitted oak case bearing retailers plaque for Brook & Son, 87 George Street, Edinburgh. £50-100 (+24%BP*) 360. A cased set of twelve Victorian electroplated fish knives and forks, in velvet lined mahogany case bearing retailers label R. Stewart, Glasgow. £50-100 (+24%BP*) 361. A Victorian silver serving spoon, London 1859, makers mark of GW, fiddle pattern with chased shell terminal and engraved armorial, 5.2 troy ozs, 30.5cm long. £50-100 (+24%BP*) 362. A pair of George III silver ladles, London 1801, makers mark of WE over WF, engraved with armorial and initials, 3.2 troy ozs. £40-80 (+24%BP*)

Lot 357 56

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 363. A composite suite of silver flatware, made up of London hallmarked silver 1852, makers mark of JW and Edinburgh hallmarked silver 1855, makers mark of J & WM, the London hallmarked silver comprising six table forks, six table spoons, five dessert spoons, one dessert fork, six teaspoons, four salt spoons, two pickle forks, a sifting ladle, pair of sauce ladles, pair of serving spoons, soup ladle and two other small silver spoons, the Edinburgh hallmarked silver comprising six table forks, six table spoons, five dessert forks and six dessert spoons, all Old English pattern, all engraved with the matching armorial crest, total weight 106.5 troy ozs. £1000-1500 (+24%BP*)

Lot 363

Lot 364 364. An early 20th century Continental silver and enamel circular box and cover, import marks for 1913, makers mark AK, the detachable circular cover with blue enamelled engine turned decoration within white line borders, the underside of the cover inscribed ‘I shall always remember Vera Dickson’, 8.5cm diameter x 2.8cm high, 6.4 troy ozs. £150-300 (+24%BP*) 365. An early 20th century Continental silver and enamel oval shaped box and cover, import marks for 1911, makers mark CS FS, the detachable oval cover decorated with S-shaped rose garland on an engine turned white enamel ground within a pink ground border with gilded ornamentation, 1.3 troy ozs, 5.5cm wide x 1.4cm high x 3.8cm deep. £50-100 (+24%BP*)

366. A late 19th/early 20th century white metal and enamel circular patch box, the hinged cover decorated in shallow relief with a whippet, within an engine turned sky blue ground border, opening to a fitted interior with mirrored underside, 5cm diameter x 1cm high. £50-100 (+24%BP*) 367. An early 20th century Continental silver and guilloche enamel needle case, the domed cover opening to a fitted interior, the exterior decorated with opalescent coloured enamel, stamped marks, 6cm high. £100-200 (+24%BP*)

Lot 368 368. An early 20th century Continental silver gilt and pink enamel cigarette box, import marks for 1925, makers mark PHV, of rounded rectangular form decorated with pink ground guilloche turned panels within bright cut borders, the thumb piece with blue polished stone cabochon, 8cm wide x 9mm high x 5.5cm deep, 3.8 troy ozs. £100-200 (+24%BP*) 57

Lindsay Burns & Company 369. A William IV silver gilt vinaigrette, Birmingham 1830, makers mark of TS for Thomas Shaw, the hinged cover centred with rectangular cartouche inscribed ‘Caroline’, on engine turned ground, opening to a gilded interior with pierced foliate hinged grille, 1.1 troy ozs, 4.4cm wide x 1.1cm high x 3cm deep. £50-100 (+24%BP*)

372. A Victorian silver and silver gilt cream jug, London 1849, makers mark DH over CH, with embossed frieze of flowers and foliage, the scroll cartouche engraved with armorial crest of a lion, with foliate scroll handle, raised on three pad feet, 12cm high, together with a pair of George V silver and Bristol blue glass lined pepper pots, Birmingham 1923, 9cm high, gross weight 12.4 troy ozs. £70-100 (+24%BP*) 373. A collection of silver, to include: a George V London silver and blue enamel circular box and cover, 1912, 5cm diameter x 1.9cm high, an Edwardian silver pepper mill, London 1900, 7cm high, an Edwardian silver candlestick with embossed ribbon tie and garland detail, Birmingham 1906, 11.5cm high, together with remaining cruets, napkin ring, cutlery and flatware, gross weight 39.2 troy ozs. £150-250 (+24%BP*) 374. A pair of Scottish William IV silver sauce ladles, Edinburgh 1831, makers mark of AW, Kings pattern, engraved with initials, 2.5 troy ozs. £30-70 (+24%BP*) 375. A set of three William IV silver table forks, London 1831, makers mark of JW, fiddle pattern, engraved with armorial crest to the reverse of the terminals, together with a similar table spoon, London 1832, makers mark of WC, with corresponding armorial, together with two other early 19th century English silver dessert forks, two early 19th century English table spoons and dessert spoon of similar date (9), 16.2 troy ozs. £100-200 (+24%BP*)

Lot 370 370. A group of late 18th/early 19th century Scottish provincial silver flatware, to include: a silver dessert spoon, Robert Keay of Perth, fiddle pattern, a table spoon by James Gordon of Aberdeen, old English pattern, a table spoon by Edward Livingston of Dundee, the pointed end engraved with initials, a table spoon by David Manson of Dundee, fiddle pattern engraved with initials and armorial crest and a fiddle pattern tea spoon, makers mark DG (5), 7.7 troy ozs. £100-200 (+24%BP*) 371. Two Georgian silver serving spoons, comprising a George III serving spoon, London 1801, makers mark of WE over WF, fiddle pattern, together with a George IV silver serving spoon, London 1829, makers mark of WC, fiddle pattern, engraved with armorial crest, gross weight 9.2 troy ozs, 30cm long. £80-120 (+24%BP*)

376. A pair of Victorian silver mounted cut glass dressing table bottles and stoppers, London 1892, makers mark of A.F., the hinged covers with gadrooned and foliate embossed details opening to reveal facet cut clear and frosted glass stoppers, the circular shaped bodies with wheel cut details, 18cm high. £80-120 (+24%BP*) 377. An early 20th century white metal and enamel circular shaped dressing table box, the hinged cover with engine turned ground of pink and white enamel centred with a marcasite set bow, opening to a velvet lined interior, raised on three foliate cast supports, 8.5cm diameter x 5cm high. £50-100 (+24%BP*) 378. A Victorian silver loving cup, London 1881, maker mark of JSB, the tapered cylindrical body with part gadrooned decoration and two scroll handles, engraved with armorial crest, 4.2 troy ozs, 15cm wide x 6.5cm high. Provenance: Property of a gentleman of title. £50-100 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 379. A Victorian silver beaker, London 1848, makers mark of ISH for John Samuel Hunt, of slightly tapered cylindrical form, with engraved border of scrolls and fruiting garlands above engraved initials, the foot edge stamped Hunt & Roskell 4043, 4.5 troy ozs, 8.8cm high x 7cm diameter. Provenance: Property of a gentleman of title. £50-100 (+24%BP*) 380. An Edwardian silver and clear glass spirits flask, Sheffield 1902, makers mark of JCV, the silver cover and detachable silver cup base section both with engine turned details, the detachable circular cup with circular cartouche engraved with coronet and initial, 12cm high. Provenance: Property of a gentleman of title. £80-120 (+24%BP*) 381. Americas Cup Sailing Interest - A silver snuff box owned by Susan Matilda CunninghameGraham Bartholemew, the first woman to sail in the Americas Cup, Birmingham 1905, makers mark CH, of circular form, the cover engraved with her initials, each initial enclosing the name, 5.5cm diameter, together with another similar but smaller silver pill box, engraved in the same way, Birmingham 1907, makers mark of GU for George Unite, gross weight 1.7 troy ozs. Provenance: Property of a gentleman of title. £50-100 (+24%BP*)

384. A collection of antique silver flatware, to include: three George II silver table spoons, London 1753, Hanoverian pattern, engraved with initials, together with another mid 18th century London silver table spoons, date letter rubbed, makers mark WW, engraved with initials G over R plus M, Hanoverian pattern, a George III silver ladle, London 1804, makers mark of GC, Old English Pattern, engraved with initials WAG, a George III silver serving spoon, London 1805, makers mark TB, Fiddle pattern, engraved with initials SMG and inscribed ‘April 1869’, a George III silver sauce ladle, London 1796, makers mark GS, Old English pattern, engraved with initials and a George III silver table spoon, London 1792, makers mark RC, Hanoverian pattern, engraved with initials on the reverse (8), total weight 21.3 troy ozs. £150-250 (+24%BP*) 385. A Victorian silver and mother of pearl eight place fruit set, Sheffield 1894, makers mark RFM, with silver blades and tines, with mother of pearl handles. £100-200 (+24%BP*)

382. Three silver cigarette cases, to include: a Damascened Bangkok sterling silver cigarette case, the hinged cover decorated with mythical warrior, impressed marks, 13.5cm wide, a Birmingham silver cigarette case hallmarked 1922, makers mark HM, with engine turned covers, 8cm wide and another Birmingham silver cigarette case hallmarked 1925, with line decorated covers and initial panel, 11cm wide (3), gross weight 14.5 troy ozs. £80-120 (+24%BP*) Lot 386 386. A part suite of George VI silver flatware, London, mainly 1937, Old English Rat Tail pattern, comprising: six table forks, three table spoons, six dessert forks, twelve dessert spoons, a sauce ladle, six smaller sauce ladles and ten teaspoons, total weight 70.5 troy ozs. £700-900 (+24%BP*) Lot 383 383. Two Art Deco silver cigarette boxes, the larger cigarette box hallmarked Birmingham 1933, makers mark of JR, with engine turned cover and sides, the front bearing initial panel engraved B, 18cm wide, the smaller box hallmarked London 1932, makers mark Rudd, the engine turned cover with rectangular initial panel inscribed J.R.M., 12.5cm wide (2). £50-100 (+24%BP*) 59

Lindsay Burns & Company

Lot 390 390. A Scottish Victorian silver signs of the zodiac footed bowl, Edinburgh 1876, makers mark of H & I for Hamilton & Inches, the tapered circular bowl with embossed decoration of panels representing the signs of the zodiac, on stepped circular foot, 4.1 troy ozs, 10.7cm diameter x 6.8cm high. £50-100 (+24%BP*)

Lot 387 387. A 17th century silver seal top spoon, West Country, the hammered bowl with impressed rosette motif, the reverse initialled MG, 1.1 troy ozs, 15.5cm long. £300-500 (+24%BP*)

391. A set of five late 18th century Scottish provincial silver toddy ladles by Edward Livingston of Dundee, circa 1795, the pointed end terminals each engraved with the initial O, 2.9 troy ozs. £200-300 (+24%BP*)

388. Collection of silver flatware, to include: six London silver table forks and six matching dessert forks, Hanoverian pattern, together with remaining flatware and two butter knives, total weight 32.6 troy ozs. £300-500 (+24%BP*) 389. A 18th/19th century Dutch white metal libation cup of quatrefoil form, the interior decorated with four relief cast female busts, the exterior with four female cast term supports on a domed circular foot with embossed scroll detail, the handle formed as an urn with scrolls, 10.8 troy ozs, 13.5cm diameter x 8cm high. £400-600 (+24%BP*)

Lot 392 392. A Victorian silver mounted cut glass claret jug in the manner of Dr Christopher Dresser, London 1896, makers mark of CB, with hinged cover, angular handle and diamond cut clear glass body, 21cm high. £100-200 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 393. A late 19th/early 20th century Continental white metal bowl in the form of an open flower, with embossed stigma and petal detail, 23.5cm diameter x 7.5cm high, 10.9 troy ozs. £80-120 (+24%BP*)

JEWELLERY & GOLD

Lot 396 396. A cultured pearl double strand necklace with 9ct gold ruby set clasp hallmarked for London, 1975, makers mark of BJ, Princess length, formed from two rows of fifty four and fifty six uniform slightly off round pearls of light cream body colour with rose overtones, the 9ct gold clasp set with nineteen round faceted rubies with a total estimated weight of 2.85ct. £300-500 (+24%BP*)

Lot 394 394. A 19th century Sheffield plate urn shaped wine cooler, with twin acanthus cast handles and part gadrooned decoration on stepped circular foot, with detachable collar at the rim, engraved with armorial crest, 25cm high. £100-200 (+24%BP*)

397. A Victorian 18ct gold open faced pocket watch, Chester 1874, makers mark of S & B, the circular engine turned dial with engraved foliate detail and Roman numerals, gross weight 54grams. £250-500 (+24%BP*) 398. A 9ct gold Albert, suspending T-bar and agate set fob, gross weight 58.8grams. £600-800 (+24%BP*) 399. A 9ct gold Albert, 32.3grams. £400-600 (+24%BP*) 400. A pair of 9ct gold oval cuff links, one panel engraved with initials, the other vacant, 10.5grams. £100-200 (+24%BP*) 401. A pair of late 19th/early 20th century yellow metal, turquoise and rose cut diamond set cuff links, the circular panels centred with a turquoise cabochon in a five pointed star border set with small rose cut diamonds, 10.3grams. £100-200 (+24%BP*)

Lot 395 395. A Scottish Edwardian silver loving cup, Edinburgh 1904, makers mark of H & I for Hamilton & Inches, with presentation inscription ‘To Mrs Sidey dated Perth November 1950’, 8.8 troy ozs 17.8cm wide x 7.5cm high. £80-120 (+24%BP*)

402. A pair of late 19th/early 20th century yellow metal, enamel and coral set cuff links, the oval domed panels set with nine coral cabochons on a turquoise blue enamel ground, gross weight 6.4grams. £80-120 (+24%BP*) 403. A late 19th century yellow metal signet ring set with bloodstone seal, together with a late 19th century yellow metal and agate set seal (2), gross weight 9.6grams. £80-120 (+24%BP*) 404. A pair of late 19th century yellow metal and green agate set cuff links, the oval panels set with four cut and polished green agates within engraved borders, 6.4grams. £80-120 (+24%BP*) 61

Lindsay Burns & Company

Lot 405 405. An Art Deco style white metal and diamond three stone ring, centred with a raised emerald cut diamond, calculated to weigh 1.03ct, flanked by two emerald cut diamonds, estimated to weight 0.27ct each. £800-1200 (+24%BP*) 406. A pair of 19th century yellow metal, enamel and diamond button style earrings, each centred with an old cushion cut diamond, estimated to weigh 0.08ct each, within three rows of rose cut diamonds on cobalt blue grounds with rose cut diamond detail, 1.1cm diameter. £100-200 (+24%BP*)

408. A red amber necklace, formed from twenty seven graduated oval beads, gross weight 46.3grams. £80-120 (+24%BP*) 409. A red amber bead necklace, formed from sixty five graduated oval beads, 60.4grams. £80-120 (+24%BP*) 410. A red amber necklace, formed from fifty five graduated oval beads, 65.7grams. £80-120 (+24%BP*) 411. A graduated butterscotch amber necklace, formed from thirty graduated oval beads, together with one loose bead and one bead fragment, gross weight 52grams. £150-300 (+24%BP*)

Lot 407 407. An early 20th century white metal, sapphire and diamond set bow and pear shaped centrepiece necklace, centred with an articulated pear shaped faceted sapphire, calculated to weigh 1.60ct, in an oval and bow tied frame set with seven round brilliant cut diamonds, estimated total weight of 0.28ct, and sixty two round brilliant cut diamonds, estimated total weight of 0.62ct. £500-800 (+24%BP*) 62

Lot 412 412. A graduated butterscotch amber necklace, formed from sixty three graduated oval shaped beads, gross weight 100grams. £300-500 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 414

Lot 413 413. A late 19th century yellow metal, amethyst and citrine set Scottish plaid brooch, centred with a round faceted citrine, calculated to weight 57.25ct, in a border of three round faceted citrines, estimated to weigh 6.23ct each, and three round faceted amethysts, estimated to weigh 5.75ct each, 5.5cm diameter. ÂŁ150-300 (+24%BP*)

414. A yellow metal Scottish citrine and pebble set brooch and pair of matching earrings, the brooch set with two round faceted citrines, estimated to weigh 6.77ct each, and eleven other cut and polished jaspers and agates, 5cm wide x 5.8cm high, together with a pair of corresponding earrings, each set with a round faceted citrine and ten other cut and polished jaspers and bloodstones, 4.7cm (3). ÂŁ400-600 (+24%BP*) 415. A Victorian Scottish yellow metal pebble and agate set bracelet, formed from a graduated row of eight oval panels set with cut and polished agates, bloodstones and other stone specimens, in original red leather fitted case, gross weigh 30.3grams, 17cm long. ÂŁ400-600 (+24%BP*)

Lot 415 63

Lindsay Burns & Company 416. A late 19th century Scottish Sterling silver pebble set kilt pin in the form of a basket hilted sword, 6.5cm long. £50-100 (+24%BP*) 417. A Victorian Scottish yellow metal pebble and agate set scarf ring, of oval form decorated with a rectangular panel enclosing entwined row of four oval shaped panels, 6.8grams, 2.7cm x 1.7cm. £80-120 (+24%BP*)

Lot 421

Lot 418 418. A 19th century Republica De Chile gold ten Pesos coin dated 1853, drilled, 14.7grams. £150-300 (+24%BP*)

Lot 419 419. A Queen Anne gold Guinea dated 1714, drilled, 8grams. £150-300 (+24%BP*)

421. A yellow metal and diamond cluster ring, centred with a raised oval brilliant cut diamond, estimated to weigh 0.65ct, flanked by two raised oval brilliant cut diamonds, one estimated to weigh 0.35ct, the other 0.30ct, in a border of sixteen round brilliant cut diamonds, estimated total weight of 0.72ct. £800-1200 (+24%BP*)

Lot 422 422. A Victorian style 9ct gold amethyst and diamond set half hoop bangle, set with a single line of nine oval faceted amethysts estimated to weigh 0.83ct each, estimated total weight of 7.47ct, divided by pairs of round brilliant cut diamonds, with a single diamond at both ends of the line, the eight round brilliant cut diamonds estimated to weigh 0.04ct each, estimated total weight of 0.63ct. £400-600 (+24%BP*)

Lot 420 420. A George III gold Guinea dated 1776, 8.3grams. £150-300 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

The following lots of modern Jewellers’ work are from the remaining stock of the late Graham Stewart, Silversmith, Dunblane after his recent retirement. The items comprise a diverse range of jewellery by various makers, including good quality gold chains, bracelets, diamond and gem-set rings, pendants, earrings, pearl necklaces, cufflinks and other attractive items.

425. LAUREL JEWELLERY, A 9 carat twocolour gold bracelet, with alternate two yellow/ one white gold tapering oval links. Stamped: LJ, 375 and London hallmarks for 2018, Weight 6.1g. £100-200 (+24%BP*) 426. A 9 carat two-colour gold bracelet, with alternate yellow and white gold spiral links. Stamped: FA, 375 and London hallmarks for 2018, Weight 6.6g. £100-200 (+24%BP*) 427. LAUREL JEWELLERY, A 9 carat twocolour gold necklace, with alternate yellow and white gold pierced oval links. Stamped: Laurel, 375 and London hallmarks for 2018, Weight 11.3g. £150-250 (+24%BP*)

Lot 423 423. LAUREL JEWELLERY, A 9 carat twocolour gold necklace, with alternate yellow and white gold entwined knot links. Stamped: Laurel, 375 and London hallmarks for 2018, Weight 16.6g. £250-350 (+24%BP*) 424. LAUREL JEWELLERY, A 9 carat twocolour gold bracelet, with alternate yellow and white gold entwined knot links. Stamped: Laurel, 375 and London hallmarks for 2018, Weight 8.0g. £100-200 (+24%BP*)

Lot 428 428. LAUREL JEWELLERY, A 9 carat two-colour gold bracelet, with alternate yellow and white gold tapering oval links. Stamped: LJ, 375 and London hallmarks for 2014, Weight 11.1g. £150-250 (+24%BP*) 65

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

Lot 432

Lot 434

429. LAUREL JEWELLERY, A 9 carat two-colour gold bracelet, with alternate two yellow/two white gold narrow oval links. Stamped: LJ, 375 and London hallmarks for 2019, Weight 6.6g. £100-200 (+24%BP*)

434. LAUREL JEWELLERY, A 9 carat twocolour gold necklace, with tapering yellow gold links and white gold connecting links. Stamped: Laurel, 375 and London hallmarks for 2019, Weight 20g. £300-500 (+24%BP*)

430. LAUREL JEWELLERY, A 9 carat twocolour gold bracelet, with alternate yellow and white gold entwined knot links. Stamped: Laurel, 375 and London hallmarks for 2018, Weight 7.7g. £100-200 (+24%BP*) 431. LAUREL JEWELLERY, A 9 carat twocolour gold bracelet, with four graduated alternate yellow/white gold circular spacers. Stamped: LJ, 375 and London hallmarks for 2018, Weight 5.3g. £80-120 (+24%BP*) 432. CURTEIS, A 9 carat yellow gold necklace formed as bar links. Stamped: CC, 375 and Birmingham marks, Weight 17.2g. £250-350 (+24%BP*) 433. LAUREL JEWELLERY, A 9 carat yellow gold necklace, with tapering links. Stamped: LJ, 375 and London hallmarks for 2015, Weight 11.9g. £200-300 (+24%BP*)

435. LAUREL JEWELLERY, A 9 carat twocolour gold necklace, with tapering yellow gold links and white gold connecting links. Stamped: Laurel, 375 and London hallmarks for 2019, Weight 19.9g. £300-500 (+24%BP*) 436. LAUREL JEWELLERY, A 9 carat yellow gold pendant, formed as a half matt/half polished leaf motif, on 9 carat gold trace-link chain. Stamped: Laurel, 375 and London hallmarks for 2016, Weight 4.8g. £80-120 (+24%BP*) 437. LAUREL JEWELLERY, A 9 carat yellow gold pendant, formed as a half matt/half polished leaf motif, on 9 carat gold trace-link chain. Stamped: Laurel, 375 and London hallmarks for 2018, Weight 4.8g. £80-120 (+24%BP*) 438. LAUREL JEWELLERY, A 9 carat yellow gold pendant, formed as a half matt/half polished open scroll motif, on 9 carat gold trace-link chain. Stamped: Laurel, 375 and London hallmarks for 2019, Weight 4.4g. £80-120 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

Lot 439

Lot 445

439. TEZER DESIGN, A 14 carat yellow gold necklace, with vari-sized tapering oval spacers in matt and polished, white, rose and yellow gold. Stamped: TEZER, 585, Weight 8.3g. £120-180 (+24%BP*)

444. LAUREL JEWELLERY, A 9 carat two-colour gold and diamond pendant, set with eight diamonds on pierced scroll mount, on 9 carat gold trace-link chain. Stamped: LJ, 375 and London hallmarks for 2019, gross weight 3.9g. £120-180 (+24%BP*)

440. LAUREL JEWELLERY, A 9 carat yellow gold necklace, with six faceted oval peridot spacers. Stamped: Laurel, 375 and London hallmarks for 2015, gross weight 6.0g. £100-200 (+24%BP*) 441. LAUREL JEWELLERY, A 9 carat two-colour gold and diamond pendant, set with eight diamonds on pierced scroll mount, on 9 carat gold trace-link chain. Stamped: LJ, 375 and London hallmarks for 2019, gross weight 3.9g. £120-180 (+24%BP*)

445. LAUREL JEWELLERY, A 9 carat yellow gold necklace, formed as entwined scroll links. Stamped: LJ, 375 and London hallmarks for 2019, Weight 9.1g. £150-250 (+24%BP*) 446. TRIANGEL, A 14 carat gold acorn pendant, set with a green tourmaline cabochon, on 9 carat gold trace-link chain. Stamped: Triangel mark, 585, gross weight 5.4g. £120-180 (+24%BP*)

442. A 9 carat yellow gold and diamond pendant, set with twelve diamonds on pierced teardrop mount, on 9 carat gold trace-link chain. Stamped: MP, 375 and London hallmarks for 2019, gross weight 2.9g. £100-200 (+24%BP*)

447. PRISM DESIGN, A 9 carat yellow gold pendant, set with pear-shaped faceted peridot, pink tourmaline and citrine, on 9 carat gold tracelink chain. Stamped: PD, 375, gross weight 4.7g. £120-180 (+24%BP*)

443. LAUREL JEWELLERY, A 9 carat yellow gold and single diamond double teardrop pendant, on 9 carat gold trace-link chain. Stamped: Laurel, 375 and London hallmarks for 2019, gross weight 4.7g. £100-200 (+24%BP*)

448. An 18 carat yellow gold cross pendant, on 18 carat gold trace-link chain. Stamped: WJP, 750 and London hallmarks for 2007, gross weight 5.0g. £150-250 (+24%BP*)

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

Lot 449 449. CURTEIS, An 18 carat yellow gold pendant necklace, formed as three entwined hoops, with six randomly set diamonds, on 18 carat gold chain. Stamped: CC, 750 and Birmingham marks, gross weight 6.5g. £200-300 (+24%BP*) 450. STUART GELNER, A 9 carat yellow gold cross pendant, set with six oval faceted peridot, on 9 carat gold chain. Stamped: SG, 375 and Edinburgh marks, gross weight 5.5g. £80-120 (+24%BP*) 451. An 18 carat yellow gold pendant set with a single circular cabochon peridot, on 18 carat gold chain. Stamped: COV, 750 and Birmingham marks, gross weight 6.1g. £150-250 (+24%BP*) 452. PRISM DESIGN, A 9 carat yellow gold pendant, set with a lozenge-shaped amethyst, on 9 carat gold rope-link chain. Stamped: PD, 375 and London marks, gross weight 5.8g. £100-200 (+24%BP*) 453. HERBERT MARX, An 18 carat two-colour gold circular pendant, set with four vari-sized diamonds, on 18 carat gold trace-link chain. Stamped: HM Ld, 750, gross weight 3.1g. £100-200 (+24%BP*)

Lot 454 454. DEAKIN & FRANCIS, An 18 carat yellow gold and enamel locket pendant, with blue and red enamel lattice pattern and gold stars, on 18 carat gold chain. Stamped: D&F, 750 and hallmarked Birmingham, 1999 plus Millennium mark, gross weight 35.4g. £1000-1500 (+24%BP*) 455. PRISM DESIGN, A 9 carat yellow gold pendant, set with two oval opals, pear-shaped green tourmaline and circular sapphire, on 9 carat gold tracelink chain. Stamped: PD, 375 and Sheffield hallmarks for 2018, gross weight 3.6g. £150-250 (+24%BP*) 456. An 18 carat yellow gold pendant, set with a pear-shaped opal, on 18 carat gold trace-link chain, Maker’s mark: S Ld, 750 and Sheffield hallmarks for 2004, gross weight 6.4g. £200-300 (+24%BP*) 457. STUART GELNER, A 9 carat yellow gold cross pendant, set with six faceted square citrines, on 9 carat gold chain. Stamped: SG and 375. Gross weight 5.6g. £80-120 (+24%BP*) 458. MISTRAL DESIGN, A 9 carat yellow gold pendant, set with a faceted pointed oval citrine, on 9 carat gold chain. Stamped: MD, 375 and Sheffield hallmarks for 2009, gross weight 6.3g. £150-250 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

Lot 456

Lot 459

459. DOMINO JEWELLERY, An 18 carat yellow gold and diamond flowerhead pendant, with four textured petals set with a single round brilliant cut diamond, estimated to weigh 0.13ct, on 18 carat gold trace-link chain. Stamped: DOM, 750 and Birmingham marks, gross weight 4.5g. £200-300 (+24%BP*) 460. A 9 carat white gold and diamond pointed oval pendant, with pavé-set diamonds, on 9 carat white gold trace-link chain. Stamped: ATC, 375 and London marks, gross weight 2.5g. £120-180 (+24%BP*) 461. A 9 carat white gold and diamond teardrop pendant, with loop of pavé-set diamonds, on 9 carat white gold trace-link chain. Stamped: ATC, 375 and London marks, gross weight 2.3g. £80-120 (+24%BP*) 462. PRISM DESIGN, A 9 carat white gold pendant, set with oval yellow sapphire, tanzanite and green tourmaline, on 9 carat white gold trace-link chain. Stamped: PD, 375 and London marks, gross weight 3.5g. £150-250 (+24%BP*) 463. GRAHAM WILLIAMS, A 9 carat white gold, amethyst and diamond pendant, set with a square cushion, faceted amethyst, calculated to weigh 1.54ct, within a border of thirty nine eight cut diamonds, estimated total diamond weight of 0.20ct, on 9 carat white gold trace-link chain. Stamped: GWA, 375 and Birmingham marks, gross weight 4.1g. £150-250 (+24%BP*)

Lot 463

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

Lot 466 464. PRISM DESIGN, A 9 carat white gold, amethyst and diamond scroll-shaped pendant, with pear-shaped amethyst and circular diamond, on 9 carat white gold chain. Stamped: PD, 375 and Sheffield hallmarks for 2011, gross weight 6.5g. £150-250 (+24%BP*) 465. GRAHAM WILLIAMS, An 18 carat white gold, peridot and diamond pendant, set with a faceted cushion-shaped peridot with diamond-set mount, on 18 carat white gold chain. Stamped: GW, 750 and Edinburgh marks, gross weight 5g. £150-250 (+24%BP*) 466. STUART GELNER, A 9 carat white gold, amethyst and diamond pendant, set with a rectangular cushion, faceted amethyst, calculated to weigh 4.26ct, and six eight cut diamonds, estimated diamond weight of 0.03ct., on 9 carat white gold chain. Stamped: SG, 375 and Edinburgh marks, gross weight 5.4g. £120-180 (+24%BP*) 467. GRAHAM WILLIAMS, A 9 carat twocolour gold and diamond pendant, formed as three suspended graduated rose and white gold hoops, on 9 carat white gold chain. Stamped: GW, 375 and London marks, gross weight 5.2g. £300-500 (+24%BP*)

Lot 468 468. A 18 carat white gold and diamond pendant, with three suspension bars set with fifteen round brilliant cut diamonds, estimated to weigh 0.03ct each with a total estimated weight of 0.41ct, in lozengeshaped mounts, on 18 carat white gold trace-link chain. Stamped: IBB, 750 and London marks, gross weight 3.1g. £200-300 (+24%BP*)

Lot 469 469. PRISM DESIGN, Two 18 carat white gold and diamond rings, of interlocking design, one set with a single round brilliant cut diamond, estimated to weigh 0.34ct, the other set with seven round brilliant cut diamonds with a total estimated weight of 0.14ct. Stamped: PD, 750 and Sheffield hallmarks for 2011. £600-800 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

Lot 470 470. ANTWERP DIAMONDS, A platinum single stone diamond ring set with diamond cut shoulders, centred with a Phoenix cut diamond estimated to weigh 0.42ct, flanked by two rows of eight round brilliant cut diamonds with an estimated total weight of approximately 0.13ct. Stamped: AD, 950 and London hallmarks for 2003. £500-800 (+24%BP*)

Lot 472 472. ANTWERP DIAMONDS, A platinum three stone diamond ring, centred with a phoenix cut diamond, estimated to weigh 0.32ct, flanked by two baguette cut diamonds, estimated to weigh 0.09ct. Stamped: AD, 950 and London hallmarks for 2004. £400-600 (+24%BP*)

Lot 473

Lot 471 471. DOMINO JEWELLERY, An 18 carat yellow gold and diamond ring formed as two interlocking coronet bands, set with thirty two round brilliant cut diamonds with a total estimated weight of 0.42ct, and ninety six round brilliant cut diamonds with an total estimated weight of 0.67ct. Stamped: DOM, 750 and Birmingham marks. £500-800 (+24%BP*)

473. STEPHEN TYLER, An 18 carat white gold diamond set eternity ring, set with nine round brilliant cut diamonds, total estimated weight of 0.27ct. Stamped: ST, 750 and London hallmarks for 2006. £150-250 (+24%BP*)

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

Lot 478

Lot 474

478. GEMEX, A Raphael Collection 18 carat white gold diamond set eternity ring, set with eleven Princess cut diamonds, estimated total weight of 0.83ct. Stamped: GX, 750. £300-500 (+24%BP*)

474. An 18 carat yellow gold sapphire and diamond set cocktail ring, centred with an emerald cut sapphire, estimated to weigh 1.86ct, and six round brilliant cut diamonds, estimated total weight of 0.15ct. Stamped: CG Co, 750 and London hallmarks for 1990. £400-600 (+24%BP*) 475. DOMINO JEWELLERY, A platinum and diamond entwined ring, with pavé-set diamonds (0.23ct.). Stamped: DOM, 950 and Birmingham marks. £250-400 (+24%BP*) 476. DOMINO JEWELLERY, A platinum and diamond entwined demi-eternity ring, with pavé-set diamonds (0.13ct.). Stamped: DOM, 950 and Birmingham marks. £250-400 (+24%BP*)

Lot 477 477. ANTWERP DIAMONDS, A platinum single stone diamond ring with diamond set shoulders, centred with a round brilliant cut diamond, estimated to weigh 0.61ct, flanked by two rows of six Princess cut diamonds, estimated total weight of 0.24ct. £700-900 (+24%BP*) 72

Lot 479 479. ANTWERP DIAMONDS, An 18 carat white gold diamond set eternity ring, set with seventeen Princess cut diamonds, total estimated weight of 0.66ct. Stamped: AD, 750 and London hallmarks for 2010. £300-500 (+24%BP*)

Lot 480 480. DAVID J THOMAS, An 18 carat white gold diamond set eternity ring, set with eighteen Princess cut diamonds, estimated total weight of 0.70ct. Stamped: DJT, 750 and London hallmarks for 2016. £300-500 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE 484. STUART GELNER, A 9 carat gold oval locket pendant. Stamped: SG, 375 and Edinburgh marks, gross weight 10.1g. £150-250 (+24%BP*) 485. STUART GELNER, A 9 carat gold oval locket pendant. Stamped: SG, 375 and Edinburgh marks, gross weight 2.6g. £40-80 (+24%BP*)

Lot 481

486. STUART GELNER, A 9 carat gold oval locket pendant. Stamped: SG, 375 and Edinburgh marks, gross weight 2.6g. £40-80 (+24%BP*)

481. ANTWERP DIAMONDS, A platinum single stone diamond ring with diamond set shoulders, centred with a Princess cut diamond, estimated weight of 0.55ct, flanked by two rows of six Princess cut diamonds, total estimated weight of 0.26ct. Stamped: AD, 950 and London hallmarks for 2007. £400-600 (+24%BP*) Lot 487 487. ORLAP STUDIO, A pair of 9 carat gold and lapis lazuli oval cufflinks. Stamped: OL, 375 and Sheffield hallmarks, gross weight 12.3g. £150-250 (+24%BP*)

Lot 482 482. ANTWERP DIAMONDS, A platinum and diamond set full eternity ring, with thirty Princess cut diamonds, total estimated weight of 1.08ct. Stamped: AD, 950 and London hallmarks for 2012. £500-800 (+24%BP*)

Lot 488 488. ORLAP STUDIO, A pair of 9 carat gold, Mother of Pearl and Black Lip Pearl oval cufflinks. Stamped: OL, 375 and Sheffield hallmarks for 2012, gross weight 10.0g. £150-250 (+24%BP*)

Lot 483 483. DOMINO JEWELLERY, An 18 carat white gold and diamond cluster ring, set two diagonally mounted round brilliant cut diamonds, estimated to weigh 0.26ct each, with three smaller brilliant cut diamonds to both sides, estimated to weigh approximately 0.06ct each. Stamped: DOM, 750 and Birmingham marks. £500-800 (+24%BP*)

Lot 489 489. ORLAP STUDIO, A pair of silver circular cufflinks, each set with carnelian, onyx and a single diamond. Stamped: OL, 925 and Edinburgh marks. £80-120 (+24%BP*) 73

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE 490. PHILIP KYDD, A pair of silver, pink and pale blue enamel oval cufflinks. Stamped: PGK, 925 and Edinburgh hallmarks for 2019. £50-100 (+24%BP*)

498. PHILIP KYDD, A pair of silver and blue enamel oval cufflinks. Stamped: PGK, 925 and London hallmarks for 2017. £50-100 (+24%BP*)

491. PHILIP KYDD, A pair of silver, deep blue and pale blue enamel oval cufflinks. Stamped: PGK, 925 and Edinburgh hallmarks for 2019. £50-100 (+24%BP*)

499. PHILIP KYDD, A pair of silver, deep blue and turquoise enamel oval cufflinks. Stamped: PGK, 925 and Birmingham hallmarks for 2015. £50-100 (+24%BP*)

492. PHILIP KYDD, A pair of silver and blue enamel oval cufflinks. Stamped: PGK, 925 and Edinburgh hallmarks for 2017. £50-100 (+24%BP*)

500. ORLAP STUDIO, A pair of silver square cufflinks, each set with blue agate. Stamped: OL, 925 and Edinburgh marks. £50-100 (+24%BP*)

493. DEAKIN & FRANCIS, A pair of silver, red, blue and green enamel oval cufflinks. Stamped: D&F, 925 and Birmingham hallmarks for 2014. £50-100 (+24%BP*)

501. ORLAP STUDIO, A pair of silver oval cufflinks, each set with lapis lazuli. Stamped: OL, 925 and Edinburgh hallmarks for 2010. £50-100 (+24%BP*)

494. DEAKIN & FRANCIS, A pair of novelty silver cufflinks, each formed as a vintage tractor with revolving rear wheels. Stamped: D&F, 925 and Birmingham hallmarks for 2013. £50-100 (+24%BP*)

502. A pair of silver circular cufflinks, each set with Isle of Skye marble. Stamped: CK, 925 and Edinburgh marks. £50-100 (+24%BP*) 503. A pair of silver oval cufflinks, each set with Montrose agate. Stamped: CK, 925 and Edinburgh marks. £50-100 (+24%BP*) 504. A pair of silver oval cufflinks, each set with Isle of Iona marble. Stamped: CK, 925 and Edinburgh marks. £50-100 (+24%BP*)

Lot 495 495. DEAKIN & FRANCIS, A pair of novelty silver cufflinks, each formed as an elephant. Stamped: D&F, 925 and Birmingham hallmarks for 2017. £50-100 (+24%BP*)

505. A pair of silver oval cufflinks, each set with Isle of Iona marble. Stamped: CK, 925 and Edinburgh marks. £50-100 (+24%BP*) 506. ORLAP STUDIO, A pair of silver oval cufflinks, each set with Ailsa Craig granite. Stamped: OL, 925 and Edinburgh marks. £50-100 (+24%BP*)

Lot 507 Lot 496 496. DEAKIN & FRANCIS, A pair of novelty silver cufflinks, each formed as a yellow enamel tennis ball. Stamped: D&F, 925 and Birmingham hallmarks for 2013. £50-100 (+24%BP*) 497. DEAKIN & FRANCIS, A pair of silver circular cufflinks, each set with two cabochon sapphires. Stamped: D&F, 925 and Birmingham hallmarks for 2015. £50-100 (+24%BP*) 74

507. ORLAP STUDIO, A pair of silver oval cufflinks, each set with marble from St Paul’s cathedral. Stamped: OL, 925 and Edinburgh marks. £50-100 (+24%BP*) 508. HERBERT MARX, A pair of 9 carat rose gold drop earrings. Stamped: HM Ld and 375, Weight 1.7g. £30-60 (+24%BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE 509. HERBERT MARX, A pair of 9 carat yellow gold and amethyst cabochon square earrings. Stamped: HM Ld and 375. £40-80 (+24%BP*)

515. A pair of 9 carat yellow gold and pearshaped amethyst earrings. Stamped: 375. £50-100 (+24%BP*) 516. A pair of 9 carat yellow gold and garnet cabochon square earrings. Stamped: 375. £50-100 (+24%BP*) 517. A pair of 9 carat yellow gold, faceted oval amethyst and diamond drop earrings. Stamped: GDL, 375 and London marks. £50-100 (+24%BP*) 518. MISTRAL DESIGN, A pair of 9 carat yellow gold and faceted oval blue topaz earrings. Stamped: MD, 375 and Sheffield hallmarks for 2002. £50-100 (+24%BP*)

Lot 510 510. PRISM DESIGN, A pair of 9 carat yellow gold and amethyst cabochon lozenge-shaped drop earrings. Stamped: PD, 375 and Sheffield marks. £50-100 (+24%BP*) 511. PRISM DESIGN, A pair of 9 carat yellow gold and garnet cabochon lozenge-shaped drop earrings. Stamped: PD, 375 and Sheffield marks. £50-100 (+24%BP*) 512. PRISM DESIGN, A pair of 9 carat yellow gold and amethyst cabochon pear-shaped drop earrings. Stamped: PD, 375 and Sheffield marks. £50-100 (+24%BP*) 513. PRISM DESIGN, A pair of 9 carat yellow gold, amethyst and diamond oval drop earrings. Stamped: PD, 375 and Sheffield marks. £50-100 (+24%BP*)

519. TEZER, A pair of 14 carat yellow gold earrings formed as two overlapping matt ovals. Stamped: TEZER, 585 and Sheffield marks, Weight: 2.2g. £50-100 (+24%BP*) 520. TEZER, A pair of 14 carat yellow gold oval earrings set with a small single diamond. Stamped: TEZER, 585, Weight: 2.2g. £50-100 (+24%BP*) 521. A pair of 9 carat yellow gold earrings. Stamped: MP, 375, Weight: 1.3g. £30-60 (+24%BP*) 522. A pair of 9 carat yellow gold earrings. Stamped: MP, 375, Weight: 1.6g. £30-60 (+24%BP*) 523. A pair of 9 carat yellow gold curled oval earrings. Stamped: MP, 375, Weight: 1.5g. £30-60 (+24%BP*) 524. LAUREL, A pair of 9 carat yellow gold curved oval earrings. Stamped: LAUREL, 375, Weight: 2.7g. £50-100 (+24%BP*) 525. SUENO, A pair of 9 carat yellow gold oval part-textured earrings. Stamped: SUENO, 375, Weight: 2.1g. £30-60 (+24%BP*) 526. SUENO, A pair of 9 carat yellow and white gold oval part-textured earrings. Stamped: SUENO, 375, Weight: 2.0g. £30-60 (+24%BP*) 527. SUENO, A pair of 9 carat yellow gold oval part-textured earrings. Stamped: SUENO, 375, Weight: 2.0g. £30-60 (+24%BP*)

Lot 514 514. PRISM DESIGN, A pair of 9 carat white gold, pear-shaped amethyst and diamond earrings. Stamped: PD, 375 and Sheffield hallmarks 2009. £80-120 (+24%BP*)

528. TEZER, A pair of 14 carat yellow gold earrings, formed as matt openwork rose motif. Stamped: TEZER, 585, Weight: 1.6g. £30-60 (+24%BP*) 529. COLLETTE WAUDBY, A pair of 9 carat yellow gold spiral fluted earrings. Stamped: CJW, 375 and Birmingham marks, Weight: 2.6g. £30-60 (+24%BP*) 75

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

Lot 530 530. STUART GELNER, A pair of 18 carat twocolour gold and single diamond bar and scroll earrings. Stamped: SG, 750 and Edinburgh, marks, Weight: 3.9g. £100-200 (+24%BP*) 531. PRISM DESIGN, A pair of 9 carat white gold hoop earrings. Stamped: PD, 375 and London hallmarks for 2011, Weight: 3.1g. £50-100 (+24%BP*) 532. A pair of 9 carat yellow gold oval matt earrings. Stamped: MP, 375, Weight: 1.6g. £30-60 (+24%BP*) 533. A pair of 9 carat yellow gold pierced triangular earrings. Stamped: MP, 375, Weight: 1.2g. £30-60 (+24%BP*) 534. A pair of 9 carat yellow gold pierced double scroll earrings. Stamped: 375, Weight: 1.2g. £30-60 (+24%BP*) 535. COLLETTE WAUDBY, A pair of 9 carat yellow gold tapering conical earrings with matt interior. Stamped: CJW, 375 and Birmingham marks, Weight: 1.8g. £30-60 (+24%BP*)

Lot 542 542. A pair of 18 carat white gold and diamond tapering scroll earrings. Stamped: 750, Weight: 2.8g. £100-200 (+24%BP*) 543. STUART GELNER, A pair of 18 carat white gold crossed earrings. Stamped: SG, 750, Weight: 1.0g. £30-60 (+24%BP*) 544. PRISM DESIGN, A pair of 9 carat white gold and oval green tourmaline earrings. Stamped: PD, 375. £50-100 (+24%BP*) 545. PRISM DESIGN, A pair of 18 carat white gold and square pink sapphire earrings. Stamped: PD, 750. £50-100 (+24%BP*) 546. GRAHAM WILLIAMS, A pair of 9 carat white gold earrings with square faceted amethysts. Stamped: GWA, 375 and Birmingham marks. £50-100 (+24%BP*) 547. A pair of 9 carat white gold raised edge circular earrings. Stamped: MP, 375, Weight: 1.6g. £30-60 (+24%BP*)

536. LAUREL, A pair of 9 carat yellow gold matt leaf-shaped earrings. Stamped: LAUREL, 375, Weight: 1.4g. £30-60 (+24%BP*)

548. A pair of 18 carat yellow gold, diamond and pink sapphire textured twig earrings. Stamped: BA, 750 and Birmingham marks, Weight: 1.6g. £50-100 (+24%BP*)

537. A pair of 9 carat yellow gold pierced double scroll earrings. Stamped: 375, Weight: 1.2g. £30-60 (+24%BP*)

549. PRISM DESIGN, A pair of 9 carat yellow gold faceted oval amethyst drop earrings. Stamped: PD, 375 and Sheffield marks. £50-100 (+24%BP*)

538. A pair of 9 carat white gold double leafshaped earrings. Stamped: MP, 375, Weight: 1.2g. £30-60 (+24%BP*)

550. A pair of 9 carat yellow gold entwined knot earrings. Stamped: 375, Weight: 1.5g. £30-60 (+24%BP*)

539. LAUREL, A pair of 9 carat yellow gold pierced oval earrings. Stamped: LAUREL, 375, Weight: 2.6g. £50-100 (+24%BP*) 540. A pair of 9 carat yellow gold pierced circular earrings. Stamped: MP, 375, Weight: 1.6g. £30-60 (+24%BP*) 541. A pair of 9 carat yellow gold heartshaped earrings. Stamped: 375, Weight: 1.2g. £30-60 (+24%BP*) 76

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE 559. Three pairs of 9 carat gold earrings, comprising: a pair of 9 carat gold open knot earrings, 375, a pair of 9 carat gold leaf-shaped earrings, 375 and a pair of 9 carat white gold knot earrings, 375, Weight: 2.4g (3). £50-100 (+24%BP*)

Lot 551 551. HERBERT MARX, A pair of 18 carat white gold and diamond oval drop earrings. Stamped: HM Ld, 750 and London hallmarks for 2010, Weight: 2.6g. £100-200 (+24%BP*) 552. STUART GELNER, A pair of 18 carat white gold crossed earrings. Stamped: SG, 750, Weight: 1.0g. £30-60 (+24%BP*) 553. Four pairs of 9 carat gold earrings, comprising: a pair of 9 carat gold knot pattern earrings, 375, together with a pair of 9 carat gold knot pattern earrings, 375, a pair of 9 carat gold knot pattern earrings, 375 and a pair of 9 carat gold knot pattern earrings, 375, Total weight 5.6g (4). £100-200 (+24%BP*)

560. Two pairs of 9 carat gold earrings, comprising: a pair of 9 carat gold overlapping leaf earrings, MP, 375, and a pair of 9 carat white and yellow gold entwined heart-shaped earrings, 9CT, Weight: 2.4g (2). £50-100 (+24%BP*) 561. PRISM DESIGN, A pair of 9 carat yellow gold and oval opal earrings. Stamped: PD, 375. £50-100 (+24%BP*) 562. HERBERT MARX, A pair of 9 carat yellow gold faceted oval amethyst earrings. Stamped: HM Ld, 375. £50-100 (+24%BP*) 563. A pair of 9 carat white gold and diamond double bar earrings. Stamped: 375. £50-100 (+24%BP*) 564. A pair of 14 carat yellow gold cube earrings. Stamped: GF, 585 and Edinburgh marks, Weight 1.1g. £30-60 (+24%BP*)

554. TEZER, A pair of 14 carat yellow gold nugget earrings. Stamped: TD, 585, Weight: 1.2g. £30-60 (+24%BP*)

565. Two pairs of 9 carat gold earrings, comprising: a pair of 9 carat white gold curled cone-shaped earrings MP, 375 and a pair of 9 carat yellow gold knot pattern earring, MP, 375, Weight 3.6g (2). £50-100 (+24%BP*)

555. Three pairs of 9 carat gold earrings, comprising: a pair of 9 carat two-colour gold fluted earrings, 375, a pair of 9 carat gold knot pattern earrings, 375 and a pair of 9 carat three-colour gold flowerhead earrings, 375, Weight: 4.5g (3). £50-100 (+24%BP*)

566. Three pairs of 9 carat gold earrings, comprising: a pair of 9 carat yellow gold pierced circular earrings, MP, 375, a pair of 9 carat yellow gold heart-shaped earrings, 375 and a pair of 9 carat rose gold Celtic knot earrings, 375, Weight 3.8g (3). £50-100 (+24%BP*)

556. Three pairs of 9 carat gold earrings, comprising: a pair of 9 carat gold overlapping leaf earrings, 375, a pair of 9 carat gold overlapping leaf earrings, 375 and a pair of 9 carat twocolour gold fluted earrings, 375, Weight: 3.5g (3). £50-100 (+24%BP*)

567. A pair of 9 carat yellow gold and diamond entwined knot pattern earrings. Stamped: MP, 375. £50-100 (+24%BP*)

557. Three pairs of 9 carat gold earrings, comprising: a pair of 9 carat two-colour gold fluted earrings, 375, a pair of 9 carat three-colour gold flowerhead earrings, 375 and a pair of 9 carat gold overlapping leaf earrings, MP, 375, Weight: 4.0g (3). £50-100 (+24%BP*)

568. Two pairs of 9 carat gold earrings, comprising: a pair of 9 carat yellow gold Celtic knot pattern earrings, 375 and a pair of 9 carat yellow gold beaded triangle loop earrings, Prism Design, 375, Weight 2.5g (2). £50-100 (+24%BP*)

558. Four pairs of 9 carat gold earrings, comprising: a pair of 9 carat three-colour gold knot pattern earrings, 375, a pair of 9 carat three-colour gold knot pattern earrings, 375, a pair of 9 carat gold pierced circular earrings, MP, 375 and a pair of 9 carat gold knot pattern earrings, 375, Weight: 4.6g (4). £50-100 (+24%BP*) 77

THE REMAINING JEWELLERY STOCK FROM THE GALLERY OF THE LATE GRAHAM STEWART, SILVERSMITH, DUNBLANE

Lot 569

Lot 571 569. A Tahitian South Sea cultured pearl necklace, with thirty seven graduated slightly off round pearls of subtly varying shades of grey, on 18 carat white gold ball clasp stamped JKa and 750. £1000-2000 (+24%BP*) 570. A Tahitian South Sea cultured pearl necklace, with thirty two uniform baroque/slight tail shaped pearls of various pastel and dark shade, on 18 carat yellow gold ball clasp stamped 750. £250-500 (+24%BP*) 571. A Tahitian South Sea single cultured pearl pendant with a diamond set bail, the off round pearl suspended on white metal mount set with three round brilliant cut diamonds, total estimated weight of 0.03ct, stamped 9K 375, on 9 carat white gold snake-link chain. £150-250 (+24%BP*) 572. A cultured pearl necklace, with fifty three slightly off round high lustre pearls in various pastel shades, on 9 carat yellow gold ball clasp stamped 375. £100-200 (+24%BP*) 573. A cultured pearl necklace, with fifty seven round pearls of light cream colour with a rose overtone, on 18 carat white gold ball clasp stamped JKa and 750. £200-300 (+24%BP*)

Lot 574

574. A Keshi cultured pearl necklace, with twenty seven baroque freshwater pearls of varying colours, on 18 carat yellow gold ball clasp stamped JKa and 750. £200-300 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 579

WHISKY, WINE & PORT 575. Two boxed bottles of blended whisky, comprising: one imported Suntory Royal, a blend of selected whiskies, 750ml., 43% by vol., together with one bottle of Johnnie Walker Black Label Old Scotch Whisky, aged 12 years, 43% vol., 75cl. (2). £50-100 (+24%BP*) 576. Three boxed bottles of Single Malt Scotch Whisky, comprising: The Glenmorangie Portwood Finish single highland malt whisky, 1 litre, 43% vol., one bottle of Knockando, pure single malt Scotch whisky, distilled in 1990, bottled in 2002, 70cl., 40% vol. and one bottle of Bowmore, Islay, single malt Scotch whisky, aged 8 years, 70cl., 40% vol. (3). £50-150 (+24%BP*) 577. Two bottles of Springbank 10 years old single malt Scotch whisky, 60th Anniversary of Speyside Cooperage, both matured in cask no.814, bottle numbers 134 and 326 of 359, 70cl., 46% vol. £150-300 (+24%BP*)

Lot 580 578. A boxed Midleton Very Rare Irish Whiskey, aged to perfection and bottled in the year 1999, bottle number 018469, 40% vol., 700ml., in presentation box with original paperwork bearing corresponding bottle number. £200-400 (+24%BP*) 579. A boxed bottle of Aberlour Pure Single Highland Malt Scotch Whisky, 25 years old, single malt distilled in 1964, bottled in 1989, 75cl., 43% vol., in original presentation case. £250-500 (+24%BP*) 580. One boxed bottle of Glenfarclas, Glenlivet, all malt unblended Scotch whisky, 25 years old, a Royal whisky for a stately occasion, 26 2/3fl.ozs, 75 proof. £150-300 (+24%BP*) 581. One bottle of The Macallan Royal Marriage Malt Whisky, to mark the historic occasion of the wedding of His Royal Highness The Prince of Wales & The Lady Diana Spencer, a unique marriage of our fine single malt whisky distilled in 1948 and 1961, respectively the years of the royal couples births, bottled in Scotland in 1981, 75cl, 43% vol. £2000-3000 (+24%BP*) Lot 581 79

Lindsay Burns & Company 582. Four bottles Chateau Chasse-Spleen, Moulis En Medoc 2004, 13% vol., 750ml. (4). £60-120 (+24%BP*) 583. One vintage bottle of Rene Brisset, Champagne, Brut 1964 and one bottle of Paul Jaboulet Aine, Hermitage, 1991, La Chapelle, 75cl., 13.5% vol. (2). £40-80 (+24%BP*) 584. Eight half bottles of mixed Port from the Symington Family Estates 2007 vintage port, comprising: two Warre’s 2007, 20% vol., 37.5cl., two W & J Graham’s 2007, 20% vol., 37.5cl., two Gould Campbell 2007, 20% vol., 37.5cl. and two SWC Smith Woodhouse 2007, 20% vol., 37.5cl., all bottled in 2009 (8). £150-250 (+24%BP*)

588. A Vasart tulip lamp, mottled green glass with band of typical whorls, 24cm high. £80-120 (+24%BP*) 589. Two Monart night lights, one mottled opaque white, yellow, purple and green, on ebonised plinth, 19cm high, the other mottled opaque white, purple, blue and green, on ebonised plinth, 20cm high. £150-300 (+24%BP*) 590. A Monart vase, shape RA, mottled purple and pink with gold coloured inclusions, the base retaining the original oval shaped Watson’s China Hall, High Street, Perth retailer’s sticker, 20cm high. £80-120 (+24%BP*)

585. Four bottles of assorted vintage Port, comprising: two bottles of Graham’s 1985 Vintage Port bottled in 1987, 75cl., one bottle of Sandeman Vintage 1977 Port, bottled in 1979, 75cl., the bottle branded ‘The Silver Jubilee Sandeman 1977 Vintage Port’ and one bottle of Graham Vintage Port 1963 (partial contents) (4). £70-100 (+24%BP*)

MONART 586. Five assorted Monart UB bowls, to include a mottled black and green bowl with gold coloured inclusions, bearing original paper label, UB, VIII, 18.5cm diameter, a smaller clear and green mottled glass bowl with silver coloured inclusions, bearing original paper label XI plus UB, 342, 15cm diameter, a mottled purple bowl with gold coloured inclusions, bearing original paper label UB, X, 14.5cm diameter and a near pair of mottled blue glass bowls with silver coloured inclusions, 14cm diameter and 13cm diameter (5). £100-200 (+24%BP*) 587. A pair of Monart pin dishes, shape Y, mottled green, purple and black, bearing original paper labels, XII, Y, 336, 9cm diameter, together with another Monart pin dish mottled black and green with gold inclusions, 10cm diameter (3). £40-80 (+24%BP*)

Lot 591 591. A Monart vase, shape RA, mottled black and green with all over design of typical whorls and gold coloured inclusions, 22.5cm high. £200-300 (+24%BP*)

Lot 589 80

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Lindsay Burns & Company

EMILE GALLE & RENE LALIQUE

Lot 592 592. A rare Monart fruit plate/shallow dish, shape YE, mottled blue, purple and green glass with three typical whorls and gold coloured inclusions, 20.5cm diameter. £80-120 (+24%BP*)

Lot 594 594. Emile Galle (French, 1846-1904) - A cameo glass vase, circa 1900, etched all round with fuchsia and foliage in shades of ruby red, signed Galle, 11cm high. £150-300 (+24%BP*)

Lot 593 593. A Monart mushroom lamp and shade, mottled green and purple glass with bands of typical whorls and gold coloured inclusions, with original chrome plated double light fitment, 33cm high. £250-500 (+24%BP*)

Lot 595 595. Rene Lalique, ‘Pouilly’, a set of four clear and blue stained liqueur glasses, etched mark ‘R.LALIQUE’, 7cm high. £100-200 (+24%BP*) 596. Rene Lalique, ‘Deux Colombes’, a clear and frosted glass cendrier, etched mark ‘R.LALIQUE FRANCE’, 10cm diameter x 5.5cm high, together with another clear and frosted glass cendrier ‘Faisan’, engraved signature ‘Lalique France’, 9.5cm diameter x 10.7cm high (2). £150-250 (+24%BP*) 81

Lindsay Burns & Company

Lot 597 597. Rene Lalique, ‘Genevieve’, an opalescent, clear and frosted glass powder bowl and cover, engraved mark ‘R.LALIQUE FRANCE’, 10.5cm diameter x 5.5cm high. £150-300 (+24%BP*)

Lot 600 600. Lalique, ‘Mesanges’ a clear and frosted glass table lamp and shade, etched mark ‘LALIQUE Cristal France’, overall 36cm high, glass lamp section 16.5cm high. £100-200 (+24%BP*)

Lot 598 598. Rene Lalqiue, ‘Inseparables’, an opalescent glass clock, the circular dial with Arabic numerals and 8 Day movement, with gilt metal strut support, relief moulded mark ‘R.LALIQUE’, 11.2cm square. £700-1000 (+24%BP*) 599. Lalique, three clear and frosted glass paperweights, comprising, Owl, 9cm high, Rapace, 6.3cm high, and Perdrix, 5cm high, each with engraved mark ‘Lalique France’ (3). £150-250 (+24%BP*)

Lot 601 601. Lalique, ‘Chrysis’ a frosted glass car mascot, etched mark ‘LALIQUE FRANCE’, 13.5cm high. £150-300 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company 602. Rene Lalique, ‘Coq Nain’ a clear and frosted glass car mascot, relief moulded mark ‘R.LALIQUE FRANCE’, 20cm high. £150-300 (+24%BP*)

Lot 604

Lot 603

604. Rene Lalique, ‘Eucalyptus’ An opalescent clear and frosted glass vase, relief moulded mark ‘R. LALIQUE’, 16.5cm high. £250-500 (+24%BP*)

603. Rene Lalique, ‘Coq Nain’ a clear and frosted glass car mascot, relief moulded mark ‘R.LALIQUE FRANCE’, 20cm high. £150-300 (+24%BP*)

605. Rene Lalique, ‘Poissons’ an opalescent and frosted glass vase, signed ‘R. Lalique’, 23cm high. £400-600 (+24%BP*)

Lot 605 83

Lindsay Burns & Company

BRITISH & EUROPEAN CERAMICS 606. A late 19th century Derby Crown Porcelain Company pilgrim vase/moon flask, decorated to one side with children fishing in a stream, the other side with figures by a pier, with moulded floral wreath terminals, raised on four scroll feet with richly gilded details, printed mark, 19cm high x 15cm wide. £80-120 (+24%BP*) 607. A 19th century Minton Majolica pottery jardiniere dated 1863, modelled in relief with lotus flowers and foliage, raised on four shaped feet, impressed marks and date cipher, 49cm diameter x 36cm high. £500-800 (+24%BP*) 608. A set of twelve late 19th/early 20th century Copelands Spode fruit plates, with cobalt blue ground rinse and moulded flower head and scroll details richly picked out in gilt with richly gilt spear head inner border, green printed marks, 24cm diameter. £100-200 (+24%BP*) 609. A pair of 19th century Minton Majolica pottery jardinieres, dated 1863, of tapered cylindrical forms, decorated in relief with six vertical straps with lion mask and ring terminals, raised on six paw feet with foliate scroll detail, the interiors pink, the exteriors turquoise blue with ochre and green glazed details, impressed marks and date cipher, 39cm diameter x 44.5cm high. £800-1200 (+24%BP*)

Lot 610 610. William S. Mycock, a Pilkingtons Royal Lancastrian lustre jar and cover dated 1922, decorated with red stylised flowers and scrolling foliage on a yellow ground, impressed marks and number ‘2841’, signed with the artists monogram and date 1922, 13cm high. £400-600 (+24%BP*)

Lot 609 84

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Lindsay Burns & Company

Lot 611 611. A Royal Worcester twin handled oval porcelain bowl and cover decorated by John Stinton, dated 1923, decorated with two Highland cattle watering in a Highland landscape, the oval shaped cover with bud shaped finial, the scroll handles with garland detail, puce printed marks, shape number 2753, 16.5cm high x 24.5cm wide. £250-500 (+24%BP*)

Lot 614 614. An Italian Castelli Maiolica dish, 17th/18th century, decorated with a boar hunt, 23cm diameter. £150-300 (+24%BP*) 615. A pair of late 19th century Dresden porcelain figure groups, modelled as female and attendant male wearing 19th century costume, pseudo blue crossed swords mark, 42.5cm high. £200-300 (+24%BP*) 616. A late 19th century Continental Paris porcelain cruet pot and cover, decorated with three panels of colourful Deutsche Blumen divided by relief moulded masks picked out in gilt, raised on circular base with three paw feet, the cover with bud shaped finial, 13cm high. £80-120 (+24%BP*) 617. A late 19th/early 20th century Meissen porcelain figure group of shepherd and shepherdess, modelled sitting under a flowering oak tree with attendant sheep, blue crossed swords mark, incised number ‘485’, impressed number 91, 24cm high x 25.5cm wide. £400-600 (+24%BP*)

Lot 612 612. A pair of Royal Worcester porcelain vases decorated by John Stinton, dated 1922, decorated with Highland cattle grazing on misty moorland landscapes, within richly gilded borders, signed, green printed marks, shape number G923, 19cm high. £600-800 (+24%BP*) 613. An 18th century Meissen porcelain twin handled vase, with polychrome decoration of female in garden with Pan, the reverse with Deutsche Blumen, on a richly gilded ground, 16.5cm high. £80-120 (+24%BP*)

618. A late 19th/early 20th century hand painted Vienna porcelain cabinet plate, decorated with a named view ‘Psychea Meer’, within richly gilded puce and pink panelled border, signed ‘Stiichler’, underglazed blue mark, 24cm diameter. £300-500 (+24%BP*) 619. A set of six late 19th century Meissen porcelain fruit plates, decorated with Deutsche Blumen within pierced and panelled borders decorated with scattered foliate sprays and insects, the details picked out in gilt, blue crossed swords marks, 23.5cm diameter. £500-800 (+24%BP*)

Lindsay Burns & Company

Lot 624 620. A late 19th century French Bisque porcelain figure group of teacher and boy, naturalistically modelled on a shaped oval plinth base, 44cm high. £250-400 (+24%BP*) 621. A late 19th/early 20th century Dresden porcelain twin handled urn and cover, decorated with courting figures in garden settings, on a pink ground decorated with panels of Deutsche Blumen within richly gilded borders, 43cm high. £200-300 (+24%BP*) 622. A late 19th/early 20th century Continental porcelain plaque in the manner of KPM, decorated with figure of a girl holding corn, in pierced and carved gilt wood frame, the porcelain panel impressed MR, 107, the porcelain panel 14.5cm x 9.3cm, overall size in frame 24cm x 19cm. £250-400 (+24%BP*) 623. A late 19th/early 20th century cold painted terracotta figure group of a musician, 39.5cm high. £100-200 (+24%BP*) 624. A late 19th/early 20th century Dresden porcelain nine piece monkey band, comprising: conductor and eight wind, percussion and stringed monkey musicians, underglazed blue marks, the conductor 17cm high. £400-600 (+24%BP*)

Lot 625 625. A late 19th/early 20th century Meissen porcelain figure group emblematic of the harvest, modelled with young lady holding a scythe in her right hand, corn sheath in her left, accompanied by attendant male holding a bouquet of flowers behind his back in his left hand, on oval plinth base, blue crossed swords mark, incised ‘P1h4’, impressed number ‘85’, 20cm high. £150-300 (+24%BP*)

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Lindsay Burns & Company

Lot 626 626. A 19th century Sevres porcelain gilt metal mounted quatrefoil form box, the shaped hinged cover decorated with courting couple in a richly gilded border, the front and sides decorated with oval panels enclosing landscape views within richly gilded borders, interlaced L’s mark enclosing ‘A’, 7cm diameter x 5cm high. £80-120 (+24%BP*)

Lot 628 628. A pair of 19th century Schoelcher, Paris porcelain twin handled urns, each decorated with a rectangular panel of classical maiden to one side, the other sides painted with interior scenes of figures within richly gilded borders, the scroll handles with mask ornamentation, raised on square plinth bases, iron red stencilled mark, 33.5cm high. £250-500 (+24%BP*) 629. A pair of late 19th century Sevres style porcelain gilt metal mounted twin handled urns, the bleu celeste grounds decorated with oval panels of colourful flowers and putti, within foliate scroll handles suspending foliate garlands, raised on foliate cast square plinth bases with four flattened bun feet, impressed marks ‘P.H. MOUREY’, 35.5cm high. £150-300 (+24%BP*) 630. A late 19th century Continental gilt metal mounted rectangular shaped porcelain box and cover decorated by Gachet, the hinged cover decorated with figure on donkey with attendant female, dogs and other figures, the sides decorated with small landscape views, signed, 8cm wide x 4.5cm high x 6cm deep. £50-100 (+24%BP*)

Lot 627 627. A 19th century Paris porcelain Chinoiserie Mandarin figure spill vase, the detachable upper section formed as the canopy of a palm tree pierced with large central hole flanked by 14 smaller holes, supported by a Mandarin figure sitting crossed legged on a pink cushion with gilded tassels, 31.5cm high x 16.5cm wide. £100-200 (+24%BP*) 87

Lindsay Burns & Company

Lot 631 631. A late 19th century Berlin, KPM porcelain plaque, decorated with a young boy with a basket of fruit and flagon, impressed sceptre mark, KPM, H, 25.5cm x 19.5cm. £150-300 (+24%BP*)

CHINESE PORCELAIN & WORKS OF ART 632. A Chinese porcelain blue and white vase, Qing Dynasty, decorated with vases issuing flowers and foliage, a painting table with brush pot and scattered precious objects, the neck with pairs of shishi terminals, 60.5cm high. £150-300 (+24%BP*) 633. A Chinese porcelain yellow ground garniture of four vases, Qing Dynasty bearing four character Kangxi marks but later, comprising a pair of yenyen vases decorated with shaped panels enclosing archers, scholar and shubunkin, on a lotus scroll ground, 30cm high, together with a pair of matching jars and covers decorated with shaped panels enclosing scholars and Court figures, 32cm high (4). £250-500 (+24%BP*) 634. A miniature Chinese Yixing teapot cover, Qing Dynasty, decorated with blue and white enamelled decoration of fan, knot and flowers, signed, 4cm high x 6cm wide. £40-80 (+24%BP*)

Lot 635 635. A pair of Chinese porcelain famille rose hexagonal shaped vases later mounted as table lamps, Qing Dynasty, decorated with rectangular shaped panels of court figures and scholars, on a ground decorated with precious objects and shaped panels of vertical Chinese characters, the necks with shi shi and ball terminals, the shoulders set with pairs of chilong, the porcelain 29.5cm high. £250-500 (+24%BP*) 636. A Chinese porcelain blue, white and copper red circular ink box and cover, Qing Dynasty, bearing Kangxi six character mark but later, the cover decorated with ‘Long Eliza’, 7cm diameter x 3.2cm high, together with a Chinese dark soapstone ink seal carved with flowers and foliage, with square matrix, 9.5cm high x 4.5cm square (2). £100-200 (+24%BP*) 637. A pair of Chinese porcelain footed bowls, four character Qianlong mark but later, decorated with lotus scroll and three phoenix, raised on carved wood stands, the porcelain bowls 15.5cm diameter x 7cm high, overall height on stands 10.5cm high. £500-800 (+24%BP*) 638. A Chinese porcelain famille rose ormolu mounted bowl and cover, Qing Dynasty, decorated with stylised flowers, peony and scrolling foliage, the cover with seated shi shi finial, the bowl with pierced gilt metal scroll handles, raised on four dragon scroll supports, 36cm high x 23cm diameter. £500-800 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 633

Lot 637 639. A Chinese porcelain famille rose basket on stand, the tapered cylindrical basket with rope twist handles and floral garland detail, on a circular stand with peony spray decoration and pierced border, the stand 22cm diameter x overall height 7.5cm. ÂŁ100-200 (+24%BP*)

641. A Chinese porcelain figure of a recumbent ox, late 19th/early 20th century, covered in a silvered lustre black glaze with incised line detail, 57cm long x 17cm high. ÂŁ400-600 (+24%BP*)

640. A Chinese porcelain blue and white jar, Qing Dynasty, decorated with peony on a foliate scroll ground above a formal border at the base, 32.5cm high. ÂŁ400-600 (+24%BP*) 89

Lindsay Burns & Company

Lot 642 642. A pair of Chinese porcelain famille rose crackle glazed vases, Qing Dynasty, decorated with warriors within burnished borders, the necks with pierced mask terminals, incised four character marks, 36cm high. £800-1200 (+24%BP*) 643. A Chinese porcelain famille rose figure of a scholar, late 19th/early 20th century, 34cm high. £100-200 (+24%BP*) 644. A Chinese porcelain blue and white dragon jar converted to a table lamp, Qing Dynasty, decorated with a pair of four clawed dragons, chrysanthemum and other foliage on a yellow enamelled ground within repeating formal and ruyi head borders, porcelain jar 39cm, overall height to top of lamp shade cradle 69.5cm. £300-500 (+24%BP*)

Lot 645 645. A Chinese porcelain famille rose Canton punch bowl, Qing Dynasty, decorated with panels of flowers, fruit, birds and butterflies on a richly gilded ground with foliate scroll decoration, 34.5cm diameter x 14.5cm high. £400-600 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 653 646. A pair of Chinese porcelain Imari circular dishes, Qing Dynasty, decorated with peony and chrysanthemum, the undersides with double ring mark enclosing artemisia leaf, 32cm diameter. £500-700 (+24%BP*) 647. A pair of Chinese porcelain crackle glazed vases, Qing Dynasty, decorated in coloured enamels with warriors in a mountain landscape, incised square seal marks, 43.5cm high. £500-800 (+24%BP*) 648. A Chinese porcelain blue and white oval shaped twin handled tureen and cover, Qing Dynasty, the cover decorated with pavilions and pine trees in a river landscape, with bud shaped finial, the tureen with corresponding decoration and entwined branch handles, 32cm wide x 21cm high. £250-400 (+24%BP*) 649. A pair of Chinese porcelain blue and white ‘Kraak’ dishes, Qing Dynasty, decorated with central roundel of peony in a fenced garden within a panelled border of flowers, fruit and foliage, double ring marks enclosing Ding incense burner, 21cm diameter. £400-600 (+24%BP*) 650. A Chinese porcelain blue and white Yen Yen vase, Qing Dynasty bearing four character Kangxi mark but later, decorated with blossom branches on a cracked ice ground, 36.5cm high. £150-300 (+24%BP*) 651. A Chinese porcelain famille rose vase, late 19th/early 20th century, decorated with chrysanthemum, foliage, pair of birds and rows of script, the neck with pairs of shi shi dog terminals, 44cm high. £80-120 (+24%BP*) 652. A Chinese porcelain blue and white jardiniere, late 19th/early 20th century, decorated with rectangular panel of script flanked by pair of dragons within Greek key and wave borders, raised on three bracket feet, 23cm diameter x 21.5cm high. £150-300 (+24%BP*)

653. A pair of Chinese porcelain yellow ground jardinieres and stands, Qing Dynasty bearing six character Guangxu marks and probably of the period, the tapered square jardinieres decorated with circular panels of iron red dragons and famille rose phoenix contesting flaming pearls, on a yellow ground decorated with fruit, bats and gilded shou characters, raised on four square bracket feet, the square shaped stands raised on bracket feet, bearing six character marks, 21cm square x overall 18cm high. £400-600 (+24%BP*) 654. A pair of Chinese porcelain blue and white garlic neck bottle vases, late Qing Dynasty bearing four character Kangxi marks but later, decorated with blossom on a cracked ice ground, 28.5cm high. £150-300 (+24%BP*) 655. A Chinese porcelain Sancai glazed mallet shaped vase, 19th/early 20th century, decorated in relief with fruiting branches of peaches with a pat on the neck, 17.5cm high. £100-200 (+24%BP*) 656. A Chinese porcelain bottle vase, late 19th/ early 20th century, decorated with mountainous landscape of pavilions, pine and blossom trees and three figures, decorated in famille rose and famille verte enamels, 19cm high. £100-200 (+24%BP*) 657. A Chinese porcelain powder blue ground triple gourd vase, late 19th/early 20th century, decorated with two shaped panels of scholar and deer, on a gilded ground decorated with smaller fan and oval shaped panels enclosing landscape views and flowers, double ring marks to base, 24.5cm high. £100-200 (+24%BP*) 658. A Chinese porcelain blue and white rouleau vase, 20th century, decorated with pair of birds on flowering branch, seal mark to base, 20.5cm high. £100-200 (+24%BP*)

Lindsay Burns & Company 659. A Chinese porcelain blue and white dragon vase, Qing Dynasty bearing four character Qianlong mark but later, decorated with three four clawed dragons, flaming pearls and cloud scrolls, 21.5cm high, together with another Chinese porcelain blue and white cylindrical vase of swollen form, decorated with pavilions and figures in a river landscape of trees and mountains, four character mark to base, 18cm high (2). £150-300 (+24%BP*) 660. A Chinese porcelain blue and white brush pot, late Qing Dynasty, decorated with continuous scene of fishermen, 12cm high x 10cm diameter. £100-200 (+24%BP*) 661. A Chinese porcelain blue and white square shaped vase in the Ming style, decorated with continuous frieze of lotus and birds within Greek key, ruyi and formal borders, 13cm high. £80-120 (+24%BP*) 662. A Chinese porcelain blue and white rose water sprinkler, late 19th/early 20th century, decorated with leaf shaped panels enclosing trailing flowers and foliage within diaper borders, 20cm high. £80-120 (+24%BP*) 663. A pair of Chinese porcelain monochrome bottle vases, late 19th/early 20th century, one yellow, the other red, 15cm high. £80-120 (+24%BP*) 664. A pair of Chinese porcelain blue ground dishes, Qing Dynasty bearing Qianlong seal mark, but later, decorated with central shou character within ruyi border, surrounded by five stylised bats and scrolls, 33cm diameter. £250-500 (+24%BP*)

666. A Chinese porcelain blue and white bowl, early 20th century, the interior decorated with circular panel enclosing figure of buddha and two boys within a border of stylised leaves, 16cm diameter x 4.5cm high. £50-100 (+24%BP*) 667. A pair of Chinese porcelain yellow ground footed bowls, bearing four character Tongzhi marks and possibly of the period, the exteriors decorated with six flowering plants within gilt line borders, 9cm diameter x 6.7cm high. £150-300 (+24%BP*) 668. A collection of six assorted Chinese porcelain snuff bottles, Qing Dynasty and later, to include a flattened pear shaped snuff bottle with robin’s egg glaze, 7.5cm high, a yellow ground snuff bottle decorated with shou characters, 7.5cm high, a white ground cylindrical snuff bottle decorated with four shou characters, 8.5cm high, a blue, white and copper red snuff bottle decorated with monkey, tiger, horse and other animals, 7.5cm high and a Bisque porcelain snuff bottle with pierced decoration of shi shi cubs within ruyi borders, impressed seal mark, 6.5cm high, a famille rose green ground pear shaped snuff bottle decorated with panel of flowering branch and cricket and panel of script, on a lotus scroll ground, impressed seal mark, 6cm high, together with a red ground porcelain bird feeder decorated with gilded shou characters, 4.5cm diameter x 3cm high (7). £100-200 (+24%BP*) 669. A pair of Chinese porcelain blue and white dragon dishes, 19th/20th century, the interiors with red painted dragon roundel, the exteriors decorated with four clawed dragons, double ring marks, 18cm diameter x 4cm high. £150-300 (+24%BP*) 670. A Chinese porcelain wine cup, Qing Dynasty bearing six character Guangxu mark and probably of the period, decorated with two iron red dragons contesting a gilded flaming pearl, 5.5cm high x 6cm diameter, together with a Chinese porcelain turquoise glazed shallow bowl, decorated in relief with lotus scroll, four character seal mark to base, 14.5cm wide x 4.5cm high (2). £80-120 (+24%BP*)

Lot 665 665. A Chinese porcelain Wucai dragon bowl, bearing Jiaquing seal mark but probably later, the interior with circular roundel enclosing five clawed dragon and flaming pearl, the exterior decorated with two dragons and flaming pearls divided by two phoenix, 16cm diameter x 7cm high. £200-300 (+24%BP*)

671. A Chinese porcelain blue, white and copper red wall vase, late 19th/early 20th century, decorated with flowering branch and bird, the handles with pierced detail, the vase on a simulated integral pierced stand with ruyi form detail, 18.5cm high. £100-200 (+24%BP*) 672. A Chinese porcelain powder blue ground miniature Meiping, late 19th/early 20th century, 11.5cm high. £50-100 (+24%BP*)

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Lindsay Burns & Company 673. A Chinese porcelain blue, white and iron red decorated brush pot, Qing Dynasty bearing Guangxu six character mark and probably of the period, decorated with numerous seals in iron red within repeating diaper and wave scroll borders, 11.5cm high. £100-200 (+24%BP*) 674. A Chinese porcelain blue and white bowl and cover, six character Yongzheng mark but later, decorated with phoenix and dragon amidst cloud scrolls, 12.2cm diameter x 9cm high. £50-100 (+24%BP*)

Lot 676 676. A Chinese porcelain yellow ground jar, Wang Bingrong, Qing Dynasty, decorated in relief with egret and lotus, relief moulded seal mark, on pierced and carved wood stand, the jar 21.5cm high, overall height on stand 26cm, together with a Chinese porcelain famille rose jar and cover, decorated with two dragons contesting a flaming pearl, 15cm high (2). £80-120 (+24%BP*)

Lot 675 675. A Chinese porcelain famille rose Canton vase, Qing Dynasty, decorated with rectangular shaped panels of warriors and court figures, on a turquoise green ground decorated with peony, chrysanthemum and butterflies, the neck with pierced stylised dragon form handles, 43.5cm high. £150-250 (+24%BP*) Lot 677 677. A Chinese porcelain celadon ground blue and white vase, Qing Dynasty, decorated with two horses in a rocky landscape, with shishi mask and ring terminals, on pierced and carved wood stand, 23cm high, overall height on stand 27cm high. £150-300 (+24%BP*) 93

Lindsay Burns & Company 680. A Chinese porcelain famille verte bottle vase, Qing Dynasty, decorated with female dancing on a sampan with attendant figures standing on the shore, within repeating diaper and foliate panelled borders, 15cm high, together with a Chinese porcelain famille rose Canton bottle vase, Qing Dynasty, decorated with panels of figures, flowers and foliage, bearing Kangxi six character mark, but later, 15.5cm high (2). £100-200 (+24%BP*)

Lot 678 678. A Chinese porcelain famille rose dragon and phoenix oval shaped turquoise blue ground oval shaped bowl, Qing Dynasty, Tongzhi seal mark and of the period, decorated with two dragons contesting flaming pearls, divided by two phoenix amidst cloud scrolls, raised on carved wood stand with four shaped feet, 18cm wide x 6cm high, height on stand 9.5cm high. £200-400 (+24%BP*) 679. A group of Chinese porcelain, Qing Dynasty, comprising: a blue and white sleeve vase decorated with two oval shaped panels enclosing precious objects on a cracked ice ground of blossom flowers, four character mark, 19.5cm high, a famille rose celadon ground plate decorated with peony, birds and butterflies, square seal mark, 26cm diameter, a famille rose Canton circular charger/dish, decorated with panels of figures divided by panels of peony, birds, butterflies and fruit, 30.5cm diameter and a famille rose plate decorated with foliate spray in ruyi shaped border of flowers on a richly gilded ground, six character mark, 24.5cm diameter (4). £100-200 (+24%BP*)

681. A Chinese porcelain famille rose armorial part tea set, Qing Dynasty, comprising five tea cups, three saucers, milk jug, tea caddy, hexagonal shaped circular tray, octagonal shaped oval tray, all decorated with roundel enclosing initials MW picked out in gilt within floral garland borders. Provenance: Property of a gentleman of title, ex Gartmore House, Stirlingshire, Seat of CunninghameGraham. £250-500 (+24%BP*) 682. A Chinese porcelain blue and white crackle glazed vase, Qing Dynasty, decorated with foliate sprays, birds and butterflies within burnished borders, the neck with applied prunus blossom branch terminals, square incised seal mark, 45.5cm high. Provenance: Property of a gentleman of title. £200-400 (+24%BP*) 683. A Chinese porcelain famille rose vase, late 19th/early 20th century, decorated with scholar and attendant females, four character mark, 32.5cm high. Provenance: Property of a gentleman of title. £150-300 (+24%BP*)

Lot 681 94

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Lindsay Burns & Company

Lot 682

Lot 683

684. A Chinese porcelain blue and white punch bowl, Qing Dynasty, probably Kangxi, decorated with onion shaped panels enclosing lotus and other flowers on a foliate scroll ground divided by circular panels enclosing figures, the interior decorated with rockwork garden of prunus blossom, 30cm diameter x 14.5cm high. ÂŁ200-300 (+24%BP*) 685. A Chinese porcelain Canton famille rose temple jar and cover, Qing Dynasty, decorated with rectangular shaped panels of figures divided by panels of birds, butterflies and flowers, on a richly gilded ground with flowers, butterflies and insects, the domed cover with gilded finial, 59cm high. ÂŁ150-300 (+24%BP*) 686. A Chinese pale celadon and russet jade figure of a boy holding a branch bearing two fruit, Qing Dynasty, with incised and pierced detail, 5.5cm high. ÂŁ150-300 (+24%BP*)

Lot 686

Lindsay Burns & Company 687. A Chinese export black and gilt lacquer table cabinet, Qing Dynasty, the rectangular top decorated with panel of figures, pavilions and trees in a river landscape within a border of dragons contesting flaming pearls, over a pair of panelled cupboard doors with corresponding decoration, opening to a fitted interior of two short over three long drawers, on a rectangular plinth base, 39cm wide x 39cm high x 26cm deep. See detail on front cover. £500-800 (+24%BP*)

Lot 687 688. A Burmese carved wood bracket/ architectural element, 19th century, mounted on rectangular board, carving 19cm x 10cm, overall size 43cm x 31cm. £50-100 (+24%BP*)

690. A Chinese inside painted snuff bottle, decorated with pairs of figures on each side, 8cm high. £40-80 (+24%BP*) 691. A miniature Chinese six fold table screen, early 20th century, with carved and painted decoration of oval panels enclosing flowering branches and birds, signed, 29.5cm high x 51.5cm wide. £200-300 (+24%BP*) 692. A Chinese white metal footed bowl, late 19th/ early 20th century, with embossed decoration of chrysanthemum, with vacant circular cartouche under a shaped rim, raised on a shaped circular plinth base, impressed marks, 21cm diameter, 17.4 troy ozs. £400-600 (+24%BP*) 693. A pair of Chinese bronze cloisonné decorated vases, late 19th/early 20th century, decorated with figures in a garden, the necks decorated with precious objects, signed on square raised seal, 37.5cm high. £300-500 (+24%BP*)

Lot 689 689. A late 19th century Burmese white metal bowl, with embossed decoration of a procession of archers being pulled in chariots driven by tigers, trees and other figures, on three semi-circular feet, 18.7 troy ozs, 17.5cm diameter x 11cm high. £200-300 (+24%BP*) 96

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Lindsay Burns & Company

Lot 694 694. A Chinese carved and pierced wood fan, Qing Dynasty, the end guards carved with figures, pavilions and pine trees, the interior sticks carved with corresponding decoration on a finely pierced vertical line ground, 19.5cm long. £80-120 (+24%BP*) 695. A Chinese celadon and russet jade boulder, carved and pierced with two deer and foliage, the base pierced with four small circular holes, 4cm high x 4.5cm wide. £100-200 (+24%BP*) 696. Two Chinese celadon jade figure groups, one carved and pierced with a girl and hare, 6cm high x 4cm wide, the other carved with a boy and goose, 4cm high x 5cm wide (2). £150-300 (+24%BP*)

Lot 698 698. A Chinese black and gilt lacquer sewing box, Qing Dynasty, the hinged rectangular cover centred with a rectangular panel and vacant oval cartouche, opening to a remarkably complete fitted interior with sewing accessories to include sewing clamps, needle case, bobbins, pin cushions, thimble, etc., above a blind pull out drawer fitted with hinged writing surface with all over gilded decoration of leaves and scrolls, with hoof shaped ink scribe and two white metal mounted glass inkwells, the sides with swan neck carry handles, 44cm wide x 15cm high x 30.5cm deep. £200-400 (+24%BP*)

Lot 697 697. A group of three pieces of Chinese jade, to include an archers ring, 3.5cm diameter x 3.4cm high, a pale celadon jade snuff bottle with incised decoration of figures and pine trees with stylised mask handles, 5.5cm high and a celadon jade rectangular panel carved in shallow relief with a fisherman under pine tree within a border of scrolls, the reverse with seal mark, 6.2cm x 4.1cm (3). £200-300 (+24%BP*)

Lot 699 699. A Chinese bronze vase, Qing Dynasty, six character Xuande seal mark but later, the gently tapered cylindrical body with applied shi shi mask terminals, the six character mark impressed in the base within a border of dragons, 22.5cm high. £150-300 (+24%BP*) 97

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Lot 701

Lot 702 701. A Chinese bamboo and ivory cricket cage, Qing Dynasty, the pierced and carved bamboo cage decorated with two figures, cave and pine tree, with detachable ivory end covers, 11.5cm long, together with a Chinese ink stick, decorated in relief with dragon, signed, 7.5cm long (2). Provenance: Property of a gentleman of title. £100-200 (+24%BP*)

Lot 700

702. An impressive Chinese silver twin handled dragon bowl, late Qing Dynasty, signed Cheongshing, the tapered circular body chased in relief with a four clawed dragon, the handles formed as four clawed dragons with arched backs, raised on a stepped circular foot, impressed marks, on original carved and pierced wood stand with four ruyi shaped feet, 25 troy ozs, the bowl diameter 19cm, width across dragon handles 28cm, height excluding stand 12cm, overall height on stand 17cm. £1000-2000 (+24%BP*)

700. A Chinese tortoiseshell circular shaped box and cover, Qing Dynasty, the detachable cover carved with pavilions, figures and pine trees, the underside of the box carved in shallow relief with pavilions, figures and pine trees, 9.5cm diameter x 2.5cm high. Provenance: Property of a gentleman of title. £200-300 (+24%BP*)

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JAPANESE CERAMICS & WORKS OF ART 703. A Japanese Satsuma pottery vase, Meiji Period, decorated with lohan and dragons, the details picked out in gilt, white and green enamel, signed, 36cm high. £400-600 (+24%BP*) 704. A pair of miniature Japanese Satsuma pottery twin handled bottle vases, Meiji Period, decorated with processions of figures to include scholars and bijin, within richly gilded black ground borders, signed, 9cm high. £250-500 (+24%BP*) 705. A Japanese Satsuma pottery plate, Meiji Period, decorated with mothers and children in a garden of flowers under tall pine tree, within richly gilded iron red ground border, impressed mark, 19cm diameter. £200-300 (+24%BP*)

708. A pair of Japanese Imari porcelain vases, decorated with oval shaped panels of peony on a scrolling ground, decorated with chrysanthemum and foliage, the details picked out in green and yellow enamel, signed, 18cm high. £80-120 (+24%BP*) 709. A Japanese Imari porcelain gourd shaped vase, late 19th/early 20th century, decorated with three rectangular panels of pavilions and trees, divided by blue ground panels decorated with stylised flowers and gilded mons, 18.5cm high. £80-120 (+24%BP*) 710. A pair of Japanese Imari plates, Meiji Period, decorated with central roundel of bamboo and pine, within a diaper foliate panelled border with gilded mons, 21.5cm diameter. £40-80 (+24%BP*) 711. A Japanese Satsuma pottery blue ground koro of large size, late 19th/early 20th century, the tapered cylindrical body decorated with samurai and scholars, with shi shi dog terminals, raised on three mask and scroll supports, 43cm high. £50-100 (+24%BP*)

706. A miniature Japanese Satsuma pottery vase, Meiji Period, decorated with two oval shaped panels enclosing figures, on a richly gilded ground decorated with colourful butterflies within richly gilded stylised foliate borders, signed, 9cm high. £200-300 (+24%BP*) 707. A Japanese Imari porcelain charger, late 19th/early 20th century, decorated with central roundel enclosing long tailed bird within a panelled border of flowers and birds, divided by diaper panels, 36.5cm diameter. £50-100 (+24%BP*)

712. A Japanese Satsuma pottery coffee cup, Meiji Period, decorated with a procession of figures in the style of Yabu Meizan, within gilt lined border at the rim and black ground border of gilded lozenges and stylised flowers at the base, 5cm diameter x 4.5cm high. £100-200 (+24%BP*)

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Lindsay Burns & Company

Lot 717 713. A Japanese Imari porcelain vase, late 19th/ early 20th century, decorated with two rectangular shaped panels of flowering gardens, on a richly decorated foliate scroll ground divided by three hexagonal shaped panels enclosing stylised mons, 25.5cm high. £80-120 (+24%BP*) 714. A Japanese Imari porcelain vase, late 19th/ early 20th century, decorated with two rectangular shaped panels enclosing flowering trees within a fenced garden, on a blue ground divided by lozenge shaped panels of phoenix, flaming pearl and cloud scrolls, 24.5cm high. £50-100 (+24%BP*) 715. A Japanese Satsuma pottery vase converted to a table lamp, Meiji Period, decorated with bijin, lohan and tiger in a river landscape, the details picked out in gilt and blue enamel, overall height including light fitting 33cm. £200-300 (+24%BP*) 716. A Japanese Imari porcelain charger, late 19th/early 20th century, decorated with fenced garden of peony, prunus, chrysanthemum and birds, 36.5cm diameter. £50-100 (+24%BP*) 717. A pair of Japanese Satsuma pottery vases, Meiji Period, decorated with oval shaped panels of samurai warriors and ladies in a garden, on a ground of wisteria, chrysanthemum, iris and other flowers, within black ground borders decorated with gilded scrolls and stylised foliage, signed, 24.5cm high. £250-500 (+24%BP*)

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Lot 718 718. A Japanese Satsuma pottery rectangular shaped koro and cover, Meiji Period, the koro decorated with rectangular panels of figures seated at a low table and mother and children by the water’s edge, within richly gilded borders of repeating Greek key motifs divided by landscape panels of figures walking on a bridge and fishermen pulling in a net, within richly gilded diaper borders, with shi shi mask terminals, raised on four bracket feet, the domed cover with pierced geometric detail, signed, 12cm high x 7cm wide x 7.7cm deep. £250-500 (+24%BP*) BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Lindsay Burns & Company

Lot 720 720. A Japanese Satsuma pottery white metal mounted belt, Meiji Period, formed with a large pentagonal shaped blue ground panel decorated with wisteria and Mt. Fuji and thirteen circular panels decorated with landscape views of pavilions and pine trees, each joined by double chain links, together with a another single circular panel with buckle clip section attached to the double chain, approximately 71cm long (excluding single panel section). £150-300 (+24%BP*) Lot 719 719. A Japanese Imari porcelain octagonal shaped jar and cover, Meiji Period, the tapered jar decorated with rectangular shaped panels enclosing peony and butterflies, divide by lozenge shaped panels enclosing long tailed birds, the domed cover with shishi finial, 59.5cm high. £250-500 (+24%BP*)

721. A Japanese bronzed spelter dish, Meiji Period, decorated in relief with seated figure with painting box, abacus and fish in a border of bamboo, the reverse decorated in shallow relief with basket, flounder fish, cuttle fish and other fish, 24.5cm x 20.5cm. £150-300 (+24%BP*)

722. A Japanese blue ground silver wirework cloisonné tray, Meiji Period, decorated with peony and wisteria on a blue ground within repeating stylised foliate border, the underside decorated with foliate scrolls on a cafe au lait ground, 24cm x 16.3cm. £400-600 (+24%BP*)

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Lindsay Burns & Company 723. A Japanese bronze figure group of tiger and crocodile, Meiji Period, signed, 38cm wide x 11.5cm high. £400-600 (+24%BP*) 724. A Japanese bronze figure group of lion and tiger, Meiji Period, signed, 44cm wide x 21cm high. £500-800 (+24%BP*) 725. Two Japanese woodblock prints, Meiji Period, 26.5cm x 20.5cm and 26.5cm x 16cm together with an ink drawing, 27cm x 40cm (3). £100-200 (+24%BP*) 726. A group of three Japanese woodblock prints, Meiji Period, comprising; Toyohara Chikanobu (1838-1912) triptych, interior scene with ladies, overall 34.5cm x 70.5cm, Kunichika (1835-1900) Sketches of Tokaido Highway, Small ferry boat at Lake Biwa, 32.5cm x 21.5cm, and Toyokuni 3rd (1786-1864) Kabuki, Court Lady, 24cm x 17.5cm (3). £100-200 (+24%BP*)

Lot 724

Lot 726

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Lindsay Burns & Company

We are currently inviting suitable entries for our forthcoming Antiques and Fine Art Sale to be held in Spring 2021. The sale will include Furniture, Longcase Clocks, Rugs, Works of Art, Clocks, Prints, Watercolours, Oil Paintings, Silver & Jewellery, Asian Art, European Ceramics & Glass. If you would like to discuss selling in this sale or for more information please contact Nick Burns. nick.burns@lindsayburns.co.uk www.thesaleroom.com

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Lindsay Burns & Company Auctioneers and Valuers 6 King Street Perth PH2 8JA Telephone: 01738 633888 Fax: 01738 441322 Email: mail@lindsayburns.co.uk Website: www.lindsayburns.co.uk

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Lot 241

Lindsay Burns & Company 6 King Street Perth PH2 8JA Telephone: 01738 633888 Fax: 01738 441322 mail@lindsayburns.co.uk www.lindsayburns.co.uk