Woolley & Wallis Auctioneers

MODERN

BRITISH & 20 TH CENTURY ART

WEDNESDAY 4TH & THURSDAY 5TH DECEMBER 2024

Lot 728 (detail)

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962

Victoria Sturgeon 446970

Heidi Easton 446970

20TH CENTURY DESIGN

Michael Jeffery 424505

Zoe Smith 446955

AFRICAN & OCEANIC ART | ANTIQUITIES

Will Hobbs 339752

Georgina Way 446980

ASIAN ART

John Axford MRICS 424506

Alexandra Aguilar 424583

Freya Yuan-Richards 424589

Jeremy Morgan +44 (0)7812 601098

Michelle Yu 424571

Olivia Jones 424591

Nelson Chui 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS

Clare Durham 424507

Hollie Morrison 446964

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan-Richards 424589

Michelle Yu 424571

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan-Richards 411854

Neil Grenyer MRICS 446974

Jim Gale 339161

Sarah Stone 339161

Victoria Elwell 339161

JAPANESE WORKS OF ART

Alexandra Aguilar 424583

Olivia Jones 424591

JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Megan Corbett

Sarah Lancaster

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469

Georgina Way 446980

SILVER

Rupert Slingsby 446956

Archie Swann 446959

Jacob Carpenter 446957

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS FRSA 424502

Neil Grenyer MRICS 446972

Frances Woodhams

Hannah Farthing (Trainee valuer)

CLIENT SERVICES

Ruth Pike (Client Services Manager) 424500

Sarah Bennie

Julie Langstaff

Gemma Pointer

Riin Rohtla-Szeverenyi

MARKETING

Chloe Davie 446951

ACCOUNTS

Ania Antkowiak

BOARD OF DIRECTORS

John Axford MRICS

Chairman

Natalie Milsted FCCA

Managing Director

ASSOCIATE DIRECTORS

Alexandra Aguilar

Ed Beer

Ned Cowell

Clare Durham

Victor Fauvelle

Will Hobbs

Michael Jeffery

Jeremy Lamond MRICS FRSA

Rupert Slingsby

Marielle Whiting FGA

Freya Yuan-Richards

Mark Yuan-Richards

424565

ILLUSTRATIONS

Front Cover: Lot 641 (detail) Back Cover: Lot 658 (detail) Catalogue £12.00 (£15.00 by post)

MODERN BRITISH & 20TH CENTURY ART

WEDNESDAY 4TH & THURSDAY 5TH DECEMBER 2024

11.00AM

AT OUR CITY CENTRE SALEROOMS, SP1 3SU

PAINTINGS

VIEWING AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury SP4 6QX

VIEWING

Friday 29th November 10.00am – 4.00pm

Saturday 30th November 10.00am – 1.00pm

Monday 2nd December 10.00am – 4.00pm

Tuesday 3rd December 9.00am – 4.00pm

Wednesday 4th December By appointment

Thursday 5th December By appointment

DIRECTIONS TO THE OLD SARUM GALLERIES

Victor Fauvelle +44 (0)1722 446961 vf@woolleys.live Ed Beer +44 (0)1722 446962 eb@woolleys.live

Victoria Sturgeon +44 (0)1722 446970 vs@woolleys.live

Heidi Easton +44 (0)1722 446970 he@woolleys.live

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury SP4 6QX

Client Parking Available

VIEWING

Friday 29th November 10.00am – 4.00pm

Saturday 30th November 10.00am – 1.00pm

Monday 2nd December 10.00am – 4.00pm

Tuesday 3rd December 9.00am – 4.00pm

Wednesday 4th December By appointment

Thursday 5th December By appointment

ALSO ON VIEW

British Art Pottery & Design Auction: Tuesday 3rd December

THE AUCTION ON 4TH & 5TH DECEMBER WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS

51-61 Castle Street, Salisbury SP1 3SU

BUYER’S PREMIUM

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices.

TELEPHONE BIDDING

Requests for telephone bidding cannot be accepted after 5pm on Tuesday 3rd December.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Φ This symbol indicates that an additional levy may apply for this lot –please see our Terms & Conditions, Section 21, for details.

COLLECTION OF LOTS

Collections will be from Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 01722 424500 to make an appointment. Please instruct carriers accordingly.

Collection of sold and unsold lots must be within 21 days of the sale –failure to collect within this time may result in storage fees.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU

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500

500 Φ ROBERT POLHILL BEVAN 1865-1925

Horse Dealers at the Barbican (Barbican No. 2) (Dry 35)

Lithograph, 1921, from an edition of 70 30.6 x 35.8cm (image)

Provenance: Thos Agnew & Sons, London

£2,000-3,000

501 CHRISTOPHER WOOD

1901-1930

Boris Kochno and Vladimir Dukelsky

Inscribed ZEPHIRE ET FLORE/and Co/By Kochno, music by/Maestro Dukeski (upper centre)

Pen and brown ink

34.4 x 22.6cm

Provenance:

Sotheby’s, Monaco, Collection Boris Kochno, 11 October 1991, lot 18; Stanley J. Seeger; His sale, Sotheby’s, London, The Eye of the Collector - Works from the Collection of Stanley J. Seeger, 14 June 2001, lot 2; Seymour Stein; His sale, Capsule Gallery Auction, New York, Property from the Collection of Seymour Stein, 27 January 2022, lot 66; Dreweatts, Newbury, Modern and Contemporary Art, 15 March 2023, lot 55

£1,000-1,500

502

HENRI GAUDIER-BRZESKA

French 1891-1915

Cockerel

Pen and ink

17.9 x 23cm

Provenance: Jim Ede; Midday Galleries, Manchester, where purchased by Mrs Hunt, 1940s; Lena Boyle Fine Art, London

£800-1,200

503 Φ

HENRY LAMB RA 1883-1960

Oaks at Westley

Inscribed Oaks at Westley (lower left)

Pen and brown ink, and pencil 17.3 x 21.3cm

Provenance: Messums Wiltshire, Tisbury

£300-500

504 Φ

HENRY LAMB RA 1883-1960

An avenue of trees

Pen and ink, pencil and coloured chalks 21.7 x 13.7cm

Provenance: Messums Wiltshire, Tisbury

£300-500

505 Φ AUGUSTUS JOHN OM, RA Welsh 1878-1961

Study of Dorelia

Charcoal 17 x 12.2cm

£800-1,200

506

JOSEPH CRAWHALL RSW NEAC 1861-1913

Bullfighting

Signed J.Crawhall (lower right)

Watercolour 23.9 x 29.8cm

Provenance: George Burrell; And by family descent

£1,500-2,500

506

507

HENRY SCOTT TUKE RA, RWS 1858-1929

Shortening Sail

Signed H.S.TUKE (lower left)

Pencil and watercolour

24.8 x 17.1cm

Exhibited: London, Royal Society of Painters in Watercolours, 1928

£200-300

508 Φ

SAMUEL JOHN LAMORNA BIRCH RA, RWS 1869-1955

Boats below the harbour wall at Newlyn

Signed and dated S J Lamorna Birch ‘43 (lower right)

Pen and ink, and watercolour, heightened with white 21.9 x 32.3cm

Provenance: H M Spreckley; And by descent

£300-500

509 Φ

SAMUEL JOHN LAMORNA BIRCH RA, RWS 1869-1955

Newlyn Harbour

Signed and dated SJ Lamorna Birch ‘43 (lower right)

Watercolour

24.3 x 34.3cm

Provenance: H M Spreckley; And by descent

£300-500

510

510 WILLIAM HENRY BARTLETT 1858-1932

By the Committee Boat: “Are you Ready?”

Signed and dated W H BARTLETT 1890 (lower right)

Oil on canvas

75.1 x 117.2cm

Exhibited:

London, Royal Academy, 1890, no.294

Literature: Henry Blackburn (ed), Academy Notes 1890 (London, Chatto and Windus, 1890), pp.11, 61 (illustrated); Philip Payton (ed), Cornish Studies, vol.18 (illustrated on cover); David Tovey, Pioneers of St. Ives Art at Home and Abroad (1889-1914) (Wilson Books, 2008), p.53-53, fig.2.8

The present work shows the start of a swimming race in St Ives. William Henry Bartlett exhibited the painting at the Royal Academy in 1890, but close comparison of contemporary illustrations with the present work shows that he subsequently made various compositional changes. These include painting out the racers’ swimming caps, removing a rowing boat, and adding in Smeaton’s Pier, before re-signing the painting.

£20,000-30,000

510 (framed)

511 Φ

ARTHUR HAYWARD

1889-1962

Boats in the harbour, St Ives

Signed A HAYWARD (lower right)

Oil on board

23.1 x 35.2cm

Unframed

£800-1,200

512 Φ

LEONARD CAMPBELL TAYLOR RA 1874-1969

Moonrise by the Sea

Signed and dated Leonard/C/Taylor/98 (lower left)

Oil on panel

24.8 x 31cm

Provenance: Trinity House, London

£600-800

513

FRANK WATSON WOOD

1862-1953

HMS Orion

Signed and dated FRANK WOOD 1923 (lower right); and inscribed HMS ORION AND 3rd DIVISION GRAND FLEET 1910-1918 (lower left)

Pencil and watercolour heightened with bodycolour

24.5 x 67.5cm

£400-600

514

TERRICK WILLIAMS 1856-1935

View of The Venetian Lagoon

Signed Terrick Williams (lower left) Oil on canvas

53.3 x 76.4cm

£2,000-3,000

514

514 (framed)

516 Φ

HERBERT JAMES GUNN RA 1893-1964

Portrait of Lewis John Eric Hooper (1879-1955), Chairman of Doulton and Co., seated in an interior

Oil on canvas

115 x 89.1cm

Provenance: By family descent from the sitter

£300-500

517 Φ

ATTRIBUTED TO JOHN WHEATLEY 1892-1955

Portrait of William Richard Morris (1877-1963), 1st Viscount Nuffield

Oil on canvas

63.8 x 76.5cm

Unframed

£300-500

518

GEORGE CROSLAND ROBINSON 1858-1930

Portrait of an officer of the Royal Warwickshire Regiment

Signed G Crosland Robinson (lower left)

Oil on canvas

50.9 x 40.8cm

£300-500

515 Φ SAM MORSE-BROWN 1903-2001

Portrait of Rudyard Kipling (1865-1936), half-length, wearing a grey suit

Signed MORSE BROWN (upper right)

Oil on canvas

61.5 x 51.5cm

Unframed

£400-600

519

RUTH GARNETT exh.1893-1919

Portrait of Lieutenant Gerald Bevis Lockhart of The Loyal North Lancashire Regiment (d.1915), three-quarter length, in uniform

Signed and dated Ruth Garnett/1916 (lower right)

Oil on canvas

126.7 x 75.9cm

£200-300

518

517

516

515

519

520 Φ

LIONEL ELLIS

1903-1988

Portrait of two women, one holding a fan, the other a posy of flowers

Signed and dated LIONEL ELLIS/1937 (upper right)

Oil on canvas

91.6 x 71.2cm

£300-500

521 Φ

PATRICK MILLARD

1902-1977

Portrait of Lora Marx (1900-1989)

Oil on canvas

46.6 x 35.6cm

Provenance:

Anthony Mould, London, where purchased by the previous private collector, 1991; And by descent

£300-500

522 Φ

MARY JOCELYN ROWE

d.1995

Portrait of Mrs Anson, seated in an interior, wearing a green bead necklace

Oil on canvas

77 x 63.9cm

£300-500

523

BRITISH SCHOOL

Early 20th Century

Female nude holding a ribbon; Female nude, half-length

Two, both oil on canvasboard

40.2 x 23cm; 27.3 x 20.3cm (2)

£300-500

523

522

521 520

524

CHARLES SIMS 1873-1928

On the dunes

Signed Sims (lower right)

Watercolour

21.2 x 34.2cm

£800-1,200

525 Φ HARRY DIXON

1888-1974

Portrait of Mabel Dixon (née Mann), the artist’s wife

Signed H DIXON (lower left), and further signed and inscribed The Artist’s

Wife/H Dixon ARCA (to reverse)

Oil on canvas

112 x 86.3cm

Provenance:

By family descent from the artist

£500-700

526

PAUL CÉSAR HELLEU

French 1859-1927

Etude de Femme au Chapeau

Signed Helleu (in pencil lower left)

Drypoint

59.4 x 34.5cm (plate)

£600-800

527

Φ

FRANK O. SALISBURY 1874-1962

Portrait of Maude, the artist’s wife, wearing a white and gold dress and fur-lined wrap

Signed Frank O. Salisbury (lower right)

Oil on canvas

153 x 86.8cm

Provenance:

By descent from the artist

£1,000-1,500 527

528 Φ

FRANK O. SALISBURY

1874-1962

Lake Maggiore; After a Rainy Day, the Sun Breaking Through, Pallanza

Two, both signed with monogram and dated 1937 (lower left)

The former gouache, the latter watercolour and pencil

37.4 x 55cm; 36.7 x 49.2cm (2)

Provenance:

By descent from the artist to the previous owner; By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 7 December 2021, lot 60, where purchased by the present private collector

£150-250

529 Φ

ARTHUR HENRY KNIGHTON-HAMMOND 1875-1970

Figures resting under a tree

Signed Knighton Hammond (lower right)

Black chalk, watercolour and bodycolour

52.8 x 75.1cm

£200-300

530 Φ

ARTHUR HENRY KNIGHTON-HAMMOND 1875-1970

Cattle resting in a field

Signed Knighton-Hammond (lower right)

Black chalk and watercolour

54.8 x 76.8cm

£200-300

531

532

531

PHILIP WILSON STEER OM RA

1860-1942

Coastal landscape with a steamboat, Harwich; Coastal landscape with two sailing boats, Harwich

A pair, the former inscribed and dated Harwich ’29 (to verso), the latter inscribed and dated Harwich 1913 (to verso, both according to label)

Both watercolour 15 x 22.8cm; 15.5 x 23.8cm (2)

Provenance: Christie’s, South Kensington, Modern British Drawings, Paintings and Sculpture, 20 March 1970, lot 217

£200-300

533 Φ

JOSEPH APPLEYARD

1908-1960

532

PHILIP WILSON STEER OM RA

1860-1942

The Horse Pond, Thame, Oxfordshire

Signed and dated PW Steer 1923 (lower right)

Watercolour 21.2 x 32cm

Provenance: Lincoln Fine Art, Lincoln, 1990 where purchased by the present private collector £200-300

533

A sketchbook containing seven studies, comprising Davies Huntsman on “Silver”; The Bramham Moor Hunt; York and Ainsty Point-to-Point at Easingwold; Sketch for a portrait to “Punt Gun” at Barker’s Stable, Redcar; The Aga Khan’s “Nasrullah” by Nearco-Mumtaz Begum; Study of “Fun Fair”; and Study of W. Riley Smith’s “Towton Rose”

Each signed, dated and variously inscribed Each pencil, 1939-1944, in a Geoge Rowney & Co ‘Spirax’ sketch book 40.5 x 46cm

Provenance: Private Collection, Yorkshire

£250-350

534 Φ

ERIC SLATER 1896-1963

The Stackyard

Signed and inscribed “THE STACKYARD Eric Slater (in pencil to margin)

Woodcut, from the edition of 200, published for the Woodcut Society, Kansas City, 1938, in original wrappers

21.6 x 29.4cm (sheet)

Unframed

£500-700

535 Φ

ERIC SLATER 1896-1963

A Sussex Farmstead

Signed and inscribed “A SUSSEX FARMSTEAD” Eric Slater (in pencil to margin)

Woodcut

25.8 x 35.5cm (image)

£500-700

536 Φ

ERIC SLATER 1896-1963

Eventide Eastbourne

Signed and inscribed “EVENTIDE EASTBOURNE” Eric Slater 6 (in pencil to margin)

Woodcut

22.5 x 30cm (image)

£400-600

537 Φ

ERIC SLATER 1896-1963

Evening

Signed and inscribed “EVENING” Eric Slater (in pencil to margin)

Woodcut

23.8 x 29.7cm (image)

£400-600

537

538 Φ

ERIC SLATER 1896-1963

Anemones

Signed and inscribed “ANEMONES”

ERIC SLATER (in pencil to margin)

Woodcut

24.7 x 20cm (sheet)

Unframed

£200-300

539 Φ

ERIC SLATER 1896-1963

Pyrethrums

Signed and inscribed “PYRETHRUMS”

Eric Slater (in pencil to margin)

Woodcut

31.3 x 26.9cm (sheet)

Unframed

£200-300

540 Φ

ERIC SLATER 1896-1963

Fishing Boats

Signed and inscribed “Fishing Boats”

Eric Slater (in pencil to margin)

Woodcut

28.5 x 23.2cm (sheet)

Unframed

£300-500

541 Φ

ERIC SLATER 1896-1963

Fishing Boats

Signed ERIC SLATER. (lower right)

Pencil and watercolour within pencil framing lines

28 x 24.9cm

Unframed

£300-500

541 540

539

538

542 Φ

WALTER J. PHILLIPS RCA

1884-1963

Fall - Assiniboine River

Signed and numbered 131 WJPhillips (in pencil to margin)

Woodcut, 1934

19.8 x 28.2cm (sheet)

Unframed

£150-250

543 Φ KATHARINE JOWETT

1883-1972

Peking Gate

Signed Katharine Jowett (in pencil to margin)

Woodcut

20.8 x 24.5cm (sheet)

Unframed

£100-150

544 SYLVAN G. BOXSIUS

1878-1941

Early Morning; Mid-Day A pair, each woodcut, 1937 and 1938 34 x 26.9cm; 34.3 x 27.6cm (image)

Unframed, each mounted in a calendar produced for the British Belting & Asbestos Ltd (2)

£150-250

543

542

545 Φ CLARE LEIGHTON 1898-1989

Cavtat

Signed, numbered and inscribed 46/60

Cavtat Clare Leighton (in pencil to margin)

Wood engraving, 1927

26.5 x 35.4cm (sheet)

Unframed

£200-300

547 Φ JOHN NASH RA 1893-1977

Threshing

Numbered 145/150 (in pencil to margin)

Wood engraving

12.6 x 20.3cm

Provenance:

The Collection of the Late Howard Duckworth

£200-300

546

ARTHUR JOSEPH GASKIN 1862-1928

Chipping Campden

Signed, inscribed and dated Chipping Campden 1927 by A.J.Gaskin * G. C

Gaskin/1928 (in pencil to margin)

Wood engraving

16.1 x 16.8cm (image)

£150-250

548 Φ JOHN NASH RA 1893-1977

Transmutation

Signed John Nash (in pencil to margin)

Wood engraving, from Céleste and other Sketches by Stephen Hudson, 1930

12.2 x 8.1cm (image)

Provenance:

The Collection of the Late Howard Duckworth

£80-120

548

547

546

545

550 ERIC GILL ARA

1882-1940

Crucifix

Wood engraving in red ink (P151)

13.2 x 10.2cm (image)

£200-300

549 JOHN COPLEY 1875-1950

Tragic Lives

Signed John Copley imp (in pencil to margin)

Lithograph, 1938, from an edition of 31

52.8 x 39.8cm (image)

£100-200

551 Φ NORBERTINE BRESSLERN-ROTH

Austrian 1891-1978

Eagle Owl

Signed and inscribed Handdruck Bresslern-Roth (in pencil to margin)

Linocut

22.2 x 24.8cm (image)

£150-250

552 Φ AGNES MILLER PARKER 1895-1980

Wolf in Cellar

Signed, dated and numbered Wolf in Cellar 5/12 A Miller Parker 1931 (in pencil to margin)

Wood engraving

9.1 x 12.6cm (image)

£100-150

553 Φ

SIR FRANK BRANGWYN RA, RWS, RBA 1867-1956

Frank Brangwyn: Zwanzig Graphische Arbeiten

The complete portfolio of 20 prints with title and introduction, comprising one etching, one lithograph, one woodcut in five colours, and seventeen reproduction prints, no. 220 of 500, with an introduction by A. G. Levetus, published by Artur Wolf, Vienna, within original portfolio box

50 x 41.6cm (box)

£300-400

554 Φ

SIR FRANK BRANGWYN RA, RWS, RBA 1867-1956

Making Sailors: Going Abroad

Signed Frank Brangwyn (in pencil to margin)

Lithograph, plate 22 from The Great War: Britain’s Efforts and Ideals

47.1 x 35.4cm (image)

Provenance: CCA Galleries, London

£150-250

555

CHRISTOPHER RICHARD WYNNE NEVINSON, ARA

1889-1946

Quai Henri IV

Signed C.R.W.Nevinson (in pencil to margin)

Etching

14.5 x 18.8cm (plate)

Provenance:

Leicester Galleries, London, where purchased by Miss Cosway, 1969 Exhibited: London, Leicester Galleries, Etchings and Lithographs Exhibition by 19th & 20th Century Masters, November-December 1969, no.51

£800-1,200

554

553

556

CHRISTOPHER RICHARD WYNNE NEVINSON, ARA

1889-1946

Moonrise

Signed CRW Nevinson (to reverse of frame, CRW in ligature) Oil on canvas, c.1916

22.2 x 31.9cm

Provenance:

Given by the artist to the present owner’s grandmother, Miss Marjorie Puttick; And by descent

Exhibited:

Possibly London, The Alpine Club Gallery, The Friday Club, March-April 1916 (as Night: Light: Cloud: An Interpretation)

The present work was probably executed c.1916, demonstrating elements of the Post-Impressionist style that Nevinson was employing around 1912, and anticipating the more traditional landscapes he exhibited in 1919. Marjorie Puttick was a friend of Nevinson’s, and they probably met when they were both studying at the Slade School of Art.

We are grateful to Christopher Martin for his assistance cataloguing the present work.

£3,000-5,000

556 (framed)

557 Φ

HERBERT SEABORN

b.1925

Crane and Hopper, Lots Road

Signed and dated Seaborn 57 (lower left)

Oil on canvas

51 x 40.9cm

Provenance:

George and Anne Dannatt; From whom acquired by the present private collectors

£150-250

558

BRITISH SCHOOL

20th Century

A gardener with a wheelbarrow

Oil on canvas

46 x 38.6cm

£100-200

559

BRITISH SCHOOL 20th Century

Potteries at night

Indistinctly signed (lower right)

Oil on canvas

88.8 x 115.9cm

£200-300

560

CAMDEN SCHOOL

Early 20th Century

Interior with a gentleman reading the paper and a woman making tea

Oil on canvas

40.8 x 51cm

£300-500

561 Φ

OWEN BOWEN 1873-1967

Landscape with shepherd and sheep

Signed OWEN BOWEN (lower right)

Oil on canvas

35 x 51cm

£300-500

562 Φ

OWEN BOWEN 1873-1967

River landscape with cattle

Signed Owen Bowen (lower left)

Oil on canvas

35.7 x 53.5cm

£300-500

563 Φ

OWEN BOWEN 1873-1967

View of an estuary

Signed OWEN BOWEN (lower right)

Oil on canvas

41 x 61cm

£300-500

564

564 FREDERICK HALL 1860-1948

Landscape with cattle grazing on a hillside

Signed Fred Hall (lower right)

Oil on canvas

45.7 x 60.9cm

Provenance: The Swan Gallery, Sherborne; Private Collection

£1,000-1,500

565 Φ ERIC BROWN 1894-1955

View of Salisbury from Old Sarum

Signed Eric Brown/Brown (lower left)

Oil on canvas

52.3 x 90.7cm

£300-500

566 Φ WILLIAM DRING RA 1904-1990

Parachutists over a farm (recto); Farm buildings (verso)

Signed and indistinctly dated William Dring ***4 (lower right)

Pencil and watercolour

25.8 x 36.6cm

£200-300

566

565

567 Φ

JOHN ANTHONY PARK 1880-1962

A Roman bridge, Pollensa, Mallorca

Signed JAPARK (lower right)

Oil on board

32.8 x 40.6cm

Provenance: Chiswick, Auctions, Modern & Post-War British Art, 4 July 2019, lot 29

This is a preliminary work for the painting in the Harris Museum & Art Gallery, Preston (no.PRSMG:P455)

£500-700

568 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Figures in a mountainous wooded landscape Oil on canvas 46 x 55.8cm

£300-500

569 Φ

ETHELBERT WHITE NEAC, RWS 1891-1972

Figures outside a country church

Pencil and watercolour

38.5 x 57.3cm

£150-250

570 Φ DAME LAURA KNIGHT DBE, RA, RWS 1877-1970

The orchestra pit

Signed with initials L.K. (lower left)

Charcoal

25.4 x 15.1cm

Provenance: The Ruskin Gallery, Stratford-on-Avon; By descent to the previous private collector, 2000; And by descent to the present private collector

£400-600

571

571 Φ

DAME LAURA KNIGHT DBE, RA, RWS

1877-1970

The Fawn

Signed Laura Knight (lower right) Oil on canvas

40.8 x 61.2cm

Provenance:

Phillips, 28 April 1997, lot 63; Sotheby’s, New York, 18 June 1997, lot 65; Private Collection

Exhibited:

London, Leicester Galleries, Recent Paintings by Laura Knight, April 1939, no.20

“Among wild growth on the Estate this baby fawn has been found – a newly born little creature deserted. One of my friends fed it from a bottle and kept it happy. Eventually it went back to the wild. I do not know what type of deer it was, but was entranced with the lovely little creature, so timid, but trusting”.

- Dame Laura Knight in a letter regarding the present work

Laura Knight painted this work in the 1930s, whilst she and her husband Harold were staying with their close friend George Cross at Compton Hall, Compton Chamberlayne near Salisbury. The Knights first met Cross in 1928, when he commissioned Laura to painting a portrait of Rosemary Ealand. They became close friends, and the Knights spent several Christmases at Compton Hall in the early 1930s. Both artists painted several works there, and on occasion Harold was joined by Lamorna Birch to take advantage of the trout fishing available on the estate.

We are grateful to John Crofts for his assistance cataloguing the present work. The painting is no.339, in his forthcoming catalogue raisonné of Laura Knight’s work.

£4,000-6,000

571 (framed)

572 Φ ALFRED WOLMARK RA 1877-1961

An Italian village in the hills Signed WOLMARK (lower right) Oil on panel 28 x 39.5cm £800-1,200

573 Φ WALTER J. STEGGLES 1908-1997 Kintbury, Berkshire Signed W.J.STEGGLES (lower right) Oil on board 22.1 x 32.2cm £1,000-1,500

574

ALEXANDER JAMIESON

Scottish 1873-1937

St Mark’s Basilica, Venice

Signed and dated A Jamieson

1927 (lower right)

Oil on board

63.8 x 76.5cm

£800-1,200

575

ALEXANDER JAMIESON

Scottish 1873-1937

Tug Boat off Dieppe

Oil on board

15.5 x 20.8cm

Provenance:

Private Collection, Yorkshire

£300-500

576

ALEXANDER JAMIESON

Scottish 1873-1937

The Encampment

Signed and inscribed The Encampment Alexander/Jamieson (to reverse)

Oil on panel

12.6 x 17.7cm

£200-300

576

575

574

577

DERMOD O’BRIEN Irish 1865-1945

Still life of books and flowers in a drug jar

Signed D.OBrien (lower left)

Oil on canvas

61.2 x 45.7cm

Provenance: Adam’s, Dublin, Important Irish Art, 1 June 2022, lot 111

£1,000-1,500

578 Φ

KEITH STEWART BAYNES 1887-1977

Autumn Flowers

Signed and dated Keith Baynes 1925 (lower left)

Oil on canvas

51.2 x 61cm

Unframed

Exhibited:

London, Cooling Galleries, The London Artists Association

£200-300

579 Φ TERESA COPNALL 1882-1972

Still life with marigolds in a Mason’s jug

Oil on canvas

52.4 x 51.3cm

£300-500

580

580 Φ

LIONEL EDWARDS

1878-1966

Tacking up

Signed and dated Lionel Edwards/60 (lower left)

Oil on canvas

51 x 76.3cm

£2,000-3,000

581 Φ

FREDERIC WHITING

1874-1962

Horses in Hyde Park

Traces of a signature and dated 1918 (lower left)

Oil on canvas

66.5 x 80.2cm

£800-1,200

582

MAX SLEVOGT

German 1868-1932

Der Panther

Signed, dated and inscribed s/l Plesch/Slevogt 31 (lower left)

Gouache

47.6 x 67.7cm

Provenance:

Given by the artist to Dr János Plesch (1878-1957); And by family descent

Exhibited:

London, New Burlington Galleries, Exhibition of Twentieth Century German Art, July 1938; Staffordshire, Keele University, Some German 20th Century Artists from the Collections of Mr. A. O. Plesch and Dr. P. H. Plesch...., February - April 1963, no.4; Manchester, City of Manchester Art Gallery, Works of Art from the Plesch Collections, May-June 1964, no.12; London, The Wiener Holocaust Library, London 1938: Defending ‘Degenerate’ German Art, June - September 2018

The original owner of this work was Dr János Plesch, a Hungarian physician whose most famous patient was his close friend Albert Einstein (1879-1955). Max Slevogt was another of Plesch’s patients, and he sent the present work to the doctor, after the latter had put the artist on a meatless diet, as a plea to keep the diet as short as possible.

£2,000-3,000

582

583

EUGÈNE CARRIÈRE

French 1849-1906

Alphonse Daudet

Signed Eugenie Carriere (in pencil to margin)

Lithograph, 1893

39.5 x 30.8cm (image)

Provenance:

Dr Gustav Delbanco (1903-1997); And by family descent

£100-150

584 Φ

ZDZISLAW RUSZKOWSKI

Polish 1907-1990

Woman bathing

Signed ZRuszkowski (in pencil to margin)

Aquatint

20.1 x 13.8cm

Provenance:

Dr Gustav Delbanco (1903-1997); And by family descent

£100-150

585

ROGER DE LA FRESNAYE

French 1885-1925

Study of two nude figures

With studio stamp (centre right)

Pencil

10.4 x 14cm

Provenance:

Dr Gustav Delbanco (1903-1997); And by family descent

£100-150

586 Φ

BÉLA KÁDÁR

Hungarian 1877-1956

Horse and rider

Signed KÁDÁR/BELA (lower right)

Gouache

46 x 28.8cm

Provenance:

Dr Gustav Delbanco (1903-1997);

And by family descent

£800-1,200

587 Φ

BÉLA KÁDÁR

Hungarian 1877-1956

Female nude with a horse beyond

Signed KÁDÁR/BELA (lower centre)

Black ink and wash 45.8 x 28.8cm

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£600-800

587

586

588 589

588

MOISSEY KOGAN

Russian 1879-1943

Standing female nude with hands behind her head

Red chalk

38.8 x 21.6cm

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£300-500

589

MOISSEY KOGAN

Russian 1879-1943

Standing female nude

Signed and inscribed M Kogan/Paris (lower left)

Red chalk

39.3 x 21.7cm

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£200-300

590

590

MOISSEY KOGAN

Russian 1879-1943

Standing female nude seen from the side

Signed and inscribed M.Kogan/Paris (lower left)

Red chalk

38.8 x 21.6cm

Provenance:

Dr Gustav Delbanco (1903-1997); And by family descent

£150-250

591

MOISSEY KOGAN

Russian 1879-1943

Reclining female nude

Signed and inscribed M Kogan/Paris (lower right)

Red chalk

24.3 x 38.8cm

Provenance:

Dr Gustav Delbanco (1903-1997); And by family descent

£150-250

592

MOISSEY KOGAN

Russian 1879-1943

Study of a female nude

Signed and inscribed M.Kogan/Paris (lower left)

Red chalk

38.5 x 20.7cm

Provenance:

Dr Gustav Delbanco (1903-1997); And by family descent

Literature:

Gustave Delbanco, ‘Moissey Kogan’ in The Jewish Quarterly, vol.1, no. 4. 1954, p.50 (illustrated)

£700-1,000

593

MOISSEY KOGAN

Russian 1879-1943

Reclining female nude

Signed M.Kogan (lower right)

Red chalk

24.3 x 38.8cm

Provenance:

Dr Gustav Delbanco (1903-1997); And by family descent

£600-800

592

594

PAULA MODERSOHN-BECKER

German 1876-1907

Study of a girl in a veil

Charcoal, 1902

35.8 x 15.9cm

Provenance:

Museum Folkwang, Essen (no. az 601/29), 1929; Deaccessioned from the above in 1937 as “entartete Kunst” (EK 3862);

Emanuel and Sofie Fohn collections, Rome and Bolzano, 1939; Mrs Hausinger, from whom purchased by Dr Gustav Delbanco (1903-1997) by 1960;

And by family descent

Literature:

Dr Agnes Waldstein, Museum Folkwang, Band I. Moderne Kunst. Malerei, Plastik, Graphik (Essen 1929), no.601; Anne Röver-Kann & Wolfgang Werner, Paula Modersohn-Becker. Werkverzeichnis der Handzeichnungen (München 2023), no.E IV/44

£2,000-3,000

595 Φ

KARL SCHMIDT-ROTTLUFF

German 1884-1976

Bildnis O.M. (Otto Mueller)

Signed and dated S.Rottluff 1914 (in pencil to margin) Woodcut

36 x 28.9cm (image)

Provenance:

Dr Gustav Delbanco (1903-1997);

And by family descent

£2,000-3,000

596 Φ

JOSEF HERMAN OBE, RA

Polish 1911-2000

Study of a cow seen from behind

Pen and brown ink

18.1 x 24.3cm

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£150-250

597 Φ

JOSEF HERMAN OBE, RA

Polish 1911-2000

Study of a bull

Pen and brown ink

18.1 x 24.4cm

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£150-250

598 Φ

JOSEF HERMAN OBE, RA

Polish 1911-2000

A cow grazing

Pencil, pen and ink, and wash

19.2 x 25.4cm

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£100-150

599 Φ

JOSEF HERMAN OBE, RA

Polish 1911-2000

Study of three horses

Pencil, pen and brown ink, and wash

15.7 x 24.4cm

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£150-250

599

598

597

596

600 Φ

KEITH GRANT

b.1930

Snaefellsnes, Iceland

Signed, dated and inscribed Keith Grant 20/6/73 Views of the midnight sun- Iceland (lower left)

Mixed media on paper

20.3 x 25.3cm

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£200-300

601 Φ

ALEXANDRE

SACHA GARBELL

French 1903-1970

Figures on the beach

Signed Garbell (lower right)

Watercolour heightened with bodycolour

15.9 x 18.7cm

Provenance: Dr Gustav Delbanco (1903-1997); And by family descent

£100-150

602 Φ

LESLIE GEORGE HURRY

1909-1978

Costume design for Hamlet

Inscribed Lady of the Court (upper right)

Pen and ink, watercolour, gouache and crayon

49.5 x 39.2cm

Provenance: Redfern Gallery, London, where purchased by Dr Hermann and Margaret Burg; By descent to Dr Gustav Delbanco (1903-1997); And by family descent

£200-300

603 Φ JAMES PAGE-ROBERTS

b.1925

Harnessing the camel, Sudan

Signed with initials P.R (lower right)

Oil on paper

26.5 x 20.6cm

Provenance: The Reid Gallery, London; Dr Gustav Delbanco (1903-1997); And by family descent

£100-150

OTHER PROPERTIES

604 Φ

ALPHONSE LÉON QUIZET

French 1885-1955

Canal d’Aubervilliers

Signed quizet (lower right)

Oil on board

56.5 x 90cm

Provenance: The artist’s estate; Acquired from the above by the previous owner; By whom sold, Christie’s, London, 13 August 2013, lot 313

£1,000-1,500

605 Φ

ALPHONSE LÉON QUIZET

French 1885-1955

View of Saint-Nicolas, Saint-Maur-des-Fossés, in the snow

Signed A Quizet (lower right)

Oil on canvas

46.5 x 55.3cm

Provenance:

Redfern Gallery, London, 1958; Christie’s, South Kensington, Interiors, 18 February 2014, lot 13

£1,000-1,500

606

FRENCH SCHOOL

Early 20th Century

Felucca on the Nile

Oil on canvas

68.8 x 71.2cm

£400-600

607 Φ

ALBERT MALET

French 1912-1986

Rouen seen from the Heights of Croisset

Signed AMalet (lower left) and further signed and inscribed Rouen vu/des hauteurs de/Croisset/A Malet (to reverse)

Oil on canvas

60 x 81.4cm

£600-800

608 Φ

ALBERT MALET

French 1912-1986

Winter at Bouville

Signed AMalet (lower left) and further signed and inscribed Hive a Bouville/Amalet (to reverse)

Oil on canvas

16.3 x 22.3cm

£300-500

609 Φ

FERNAND HERBO

French 1905-1995

The harbour at Erquy

Signed Herbo (lower left)

Oil on canvas

50 x 65.5cm

£300-500

610 Φ

FERNAND HERBO

French 1905-1995

Fishing boats at Ouistreham

Signed, inscribed and dated Herbo/Ouistreham/Octobre 1938 (lower right)

Pencil and watercolour

29.2 x 45.2cm

Provenance: Galeries Didier Foucher, Honfleur

£100-150

607

611 Φ

AFTER GEORGES BRAQUE

Le Canard

Numbered 232/300 (in pencil to margin)

Pochoir

29.5 x 47.3cm (image)

£300-500

612 Φ

PABLO PICASSO

Spanish 1881-1973

Satyr II

Lithograph, one of 3000 unsigned impressions

31.9 x 24.2cm (sheet)

£150-250

613 Φ

PABLO PICASSO

Spanish 1881-1973

Square head of a man; Round head of a man with mismatched eyes; Round head

Three, each drypoint, from Carmen, plates 31, 16 and 17, from the unsigned edition of 320, 1949

Each 32.2 x 25.1cm (sheet) (3)

Provenance:

Two with Wiseman Originals, London, November 1994

£400-600

611

612

614 Φ ANDRÉ DERAIN

French 1880-1954

Tête de Femme

Signed a derain (lower right)

Oil on canvas, c.1946-1950

55.1 x 46.5cm

Provenance: Jean Wittman, Brussels; Christie’s, Hotel Okura, Tokyo, 14 February 1981, lot 38; Christie’s, London, Impressionist and Modern Paintings, Drawings and Sculpture, 1 December 1981, lot 124; Property of a Los Angeles Estate; By whom sold, Christie’s, New York, Impressionist and Post-Impressionist Art, 9 November 1999, lot 340; Montgomery Gallery, San Francisco, 2000

Literature: M. Kellerman, André Derain, Catalogue raisonné de l’œuvre peint, vol. III (Paris, 1999), p.145, no.1957

Exhibited: Brussels, Musée d’Ixelles and Palais des Beaux Arts, Ecole de Paris, November 1961-February 1962, no.32 (as c.1922-25); Malines, Centre Culturel, De Menselijke Figuur in de Beeldende Kunst, 1910-1960, September - November 1971, no.31 (as c.1935)

£4,000-6,000

614

615

NICOLAI FECHIN

Russo-American 1881-1955

Portrait of Enid Stendahl

Signed with initials N.F. (lower right)

Charcoal

39.3 x 29.3cm

The present work was authenticated by Eya Fechin Branham, the artist’s daughter, June 2000.

£1,500-2,500

616

Φ SIEGFRIED CHAROUX

Austrian 1896-1967

Mother and child

Signed Charoux (lower centre)

Pen and black ink

25.5 x 16.8cm

£150-250

617

EMMANUEL GONDOUIN

French 1883-1934

Head of a Young Man

With atelier stamp VENTE GONDOUIN (lower right)

Pencil on paper

26.7 x 21.4cm

Provenance:

The Collection of Robin and Rupert Hambro

£200-300

618

Φ BEN NICHOLSON

OM 1894-1982

Portrait study of a woman, possibly Edie Nicholson

Pencil

30.4 x 22.9cm

Provenance: Ben Nicholson; Winifred Nicholson; Jake Nicholson; David Nicholson; Caroline Wiseman

Modern and Contemporary, London, where purchased by the present private collector, October 2010

£800-1,200

619 Φ BEN NICHOLSON OM 1894-1982

Two and a Half Goblets (Lafranca 94)

Signed, dated and numbered Nicholson/67/29/50 (in pencil to margin), and with Lafranca blindstamp Etching

38 x 38.4cm (sheet) Unframed

£2,000-3,000

619

620 Φ

DUDLEY DYER

20th Century

Porthallow, Cornwall

Signed DUDLEY DYER (lower right)

Oil on canvas

64 x 76.5cm

Exhibited:

London, Royal Academy, 1939, no.620

£150-250

621

HARRY FIDLER

1856-1935

A farmer with his plough horses

Signed FIDLER (lower left) Oil on canvas

46.5 x 55.5cm

£300-500

622

BRITISH SCHOOL

Early 20th Century

Feeding the birds

Indistinctly signed with monogram (lower right) Oil on canvas

43.1 x 54cm

£100-150

623

HENRY CHARLES CLIFFORD

1861-1947

Sunlit clearing in a wood

Signed H Charles Clifford (lower left) Oil on canvas

50.5 x 60.9cm

£150-250

626

624

BERTRAM WALTER PRIESTMAN

1868-1951

View of a canal with a barge going under a bridge

Signed and dated Bertram Priestman

79 (lower right)

Oil on canvas

64.3 x 84.4cm

Unframed

£400-600

625 Φ

HERBERT F. ROYLE

1870-1958

Street Scene

Signed H Royl* (lower right)

Oil on canvas

50.7 x 40.5cm

£300-500

626 Φ ROLAND BATCHELOR RWS

1889-1990

London street scene

Oil on board

22.8 x 34.1cm

Provenance: Grant Waters; Louise Kosman, Edinburgh

£200-300

627 Φ KATE ELIZABETH OLVER

1881-1960

Silvery poplars and willows in a meadow near Arles

Signed with initials and dated K.E.O. ‘29 (lower right)

Oil on canvas

46 x 61.4cm

Provenance: Abbott and Holder, London

£200-300

628

JAMES WILLIAM BOOTH RCA 1867-1953

Chickens in a farmyard

Signed JW Booth (lower left)

Oil on canvas

31 x 40.7cm

£400-600

629

JAMES WILLIAM BOOTH RCA 1867-1953

Waves against the rocks Oil on board 15 x 23.2cm

Provenance: Renoir Galleries, Harrogate

£200-300

630

JAMES WILLIAM BOOTH RCA 1867-1953

Extensive landscape with hay stooks and the sea beyond, possibly at Ravenscar

Oil on board

24.2 x 33.5cm

£300-500

631

JAMES WILLIAM BOOTH RCA 1867-1953

Rocks at low tide

Signed JW Booth (lower left)

Oil on board

13.4 x 21.3cm

£150-250

632

JAMES WILLIAM BOOTH RCA

1867-1953

Figures at the bridge in summer

Signed JW Booth (lower left)

Oil on board

22.7 x 31.5cm

£400-600

633

JAMES WILLIAM BOOTH RCA

1867-1953

Landscape with lake under a stormy sky

Signed indistinctly JWB**** (lower right) Oil on board

15 x 23.5cm

£200-300

634

JAMES WILLIAM BOOTH RCA

1867-1953

Cattle resting

Signed JW Booth RCA (lower right)

Watercolour heightened with white

24.6 x 32.5cm

£150-250

635

JAMES WILLIAM BOOTH RCA

1867-1953

Coastal landscape at low tide

Signed JW Booth (lower left) Oil on board

15.5x 24.4cm

£200-300

634

633

632

636

JAMES WILLIAM BOOTH RCA

1867-1953

By the Stream

Signed and dated JW Booth 1906 (lower right)

Oil on canvas

75.5 x 50.5cm

£500-700

637

JAMES WILLIAM BOOTH RCA

1867-1953

Landscape with horses grazing

Signed JW Booth RCA (lower right)

Oil on board

15.8 x 24.2cm

£300-500

638

JAMES WILLIAM BOOTH RCA

1867-1953

The village pond

Signed JW Booth (lower right)

Oil on board

22.5 x 31cm

£200-300

639 Φ

EDWARD SEAGO RBA, ARWS, RWS 1910-1974

The Marsh Gate, Thurne

Signed Edward Seago (lower left) Watercolour

33.5 x 51.3cm

Provenance: Private Collection, London

£8,000-12,000

639

639 (framed)

640

GEORGE LESLIE HUNTER

Scottish 1877-1931

View of The Doge’s Palace with The Columns of San Marco and San Teodoro, Venice

Signed Hunter (lower right) Oil on board

62.5 x 75.1cm

Provenance:

Ian MacNicol, Glasgow, where purchased by the present private collectors, April 1977; Private Collection, Yorkshire

George Leslie Hunter’s first visit to Venice came in 1922, the same year he also painted in Paris and Florence. It was during his visit to Paris that he encountered the latest work of Henri Matisse, which had a profound effect on the development of Hunter’s style. The present work is one of only twenty-three Venetian oils to survive, and is typical of the period, with its short sharp brushstrokes of vivid colour, and areas of exposed board.

£15,000-20,000

641

GEORGE LESLIE HUNTER

Scottish 1877-1931

Largo Bay

Signed L. Hunter (lower right)

Oil on board

36.5 x 44cm

Provenance:

Dr A. Harper;

The Fine Art Society, London, where purchased by the present private collectors, October 1983; Private Collection, Yorkshire

“Everyone must choose his own way, and mine will be the way of colour”

- George Leslie Hunter

George Leslie Hunter began working in Fifeshire in 1919 and returned there frequently during the early 1920s. Fishing villages such as Largo and Ceres were recurring subjects, through which he demonstrated the influence of French art, including Matisse and above all Cézanne. The present work shows how Hunter would use rapid brushstrokes of strong colour from across the spectrum to build up form.

£15,000-20,000

641 (framed)

641

643

642

JULIUS OLSSON RA

1864-1942

Waves against the rocks at sunset

Signed Julius Olsson (lower left)

Oil on canvas

46 x 61.5cm

£1,500-2,500

643

JAN GRUBINSKI

Poland 1874-1945

Winter landscape with a mill

Signed JGrubinski (lower left)

Oil on canvas

66.5 x 100.8cm

Unframed

£600-800

644

CONTINENTAL SCHOOL

Early 20th Century

Wooded landscape

Indistinctly signed and dated San***/192* (lower left)

Oil on canvas

50 x 65.7cm

£150-250

645 Φ

ADRIAN ALLINSON 1890-1959

Cellar Stores

Signed allinson (lower left)

Oil on board

55 x 67.8cm

£1,500-2,500

646

FOLLOWER OF STANLEY SPENCER

Figures and swan in a wooded glade Oil on panel

96.5 x 101.5cm

Provenance:

The collection of Pam and Mark Taylor; By whom sold, Woolley and Wallis, Salisbury, 25 August 2021, Design, lot 852, where purchased by the present private collector

£500-700

645

649

BRITISH SCHOOL 1936

Portrait of a man wearing a turban

Indistinctly signed, dated and inscribed Geo Ph***/ Salamanca/1936 (lower right)

Black and white chalk

58.7 x 44.2cm

£100-200

647

RICHARD DURANDO TOGO

Argentinian b.1910

Portrait of a young lady with a guitar

Signed D.T.Richard (lower left)

Oil on canvas

72.4 x 54.2cm

£200-300

648

SARKIS KATCHADOURIAN

Iranian 1886-1947

Portrait of a young woman holding a bottle and bowl

Signed and inscribed S Katchadourian/ ALA-KAPY (Isfahan) (lower left)

Pencil, watercolour and bodycolour

98.6 x 48.8cm

Unframed

£200-300

650 Φ

ANGELO BROMBO

Italian 1893-1962

Fishing on a Venetian canal

Signed Brombo (lower left)

Oil on canvas

58.3 x 79cm

Provenance: Christie’s, South Kensington, Old Masters & 19th Century Art, 10 December 2010, lot 3081

£500-800

651

THAKUR GANGA SINGH

Indian 1895-1971

Bauhinia variegata (Orchid Tree)

Indistinctly signed and dated Ganga Singh/194* (lower left) and inscribed Bauhinia variegata (lower centre)

Pencil and watercolour heightened with white

45.2 x 34.7cm

£500-700

652

THAKUR GANGA SINGH

Indian 1895-1971

Roupellia Grata

Signed and dated Ganga Singh/1944 (lower left) and inscribed Roupellia grata Wall. (lower centre)

Pencil and watercolour heightened with white 45.2 x 34.7cm

£500-700

653

THAKUR GANGA SINGH

Indian 1895-1971

Hibiscus mutabilis (Confederate rose)

Signed and dated Ganga Singh/1943 (lower right) and inscribed

Hibiscus mutibilis (lower centre)

Pencil and watercolour heightened with white 45.1 x 34.8cm

£500-700

653

652

651

654

ALBERT HUIE

Jamaican 1920-2010

Lovers’ Leap, St Elizabeth, Jamaica

Signed Huie (lower right)

Oil on board

44.3 x 54.7cm

£1,500-2,500

655

ALBERT HUIE

Jamaican 1920-2010

Royal Jamacia Yacht Club

Signed Huie (lower right)

Oil on canvasboard

39.1 x 50.9cm

£1,500-2,500

656

ALBERT HUIE

Jamaican 1920-2010

The Blue Pitcher

Signed Huie (lower left) Oil on canvas

657 Φ

SIMON BUSSY

1870-1954

The Great Pyramid and the Pyramid of Kephren

Signed Simon/Bussy (lower right)

Pastel

29.3 x 27.3cm

Provenance:

The Artist’s Studio Sale, Sotheby’s, London, 17 December 1964, lot 44, where purchased by Woods Wilson

Exhibited: Leicester Galleries, Exhibition of Pastels by Simon Bussy and Contemporary Paintings, February-March 1931, no.5

Simon Busy travelled to Egypt and the Middle-East between November 1928 and April 1929. Philippe Loisel believes the present work was probably executed in November 1928, although Busy also revisited Cairo in late February and early March the following year.

The present work later served as the basis for Bussy’s Les grandes pyramides de Gisèh en saison de crue (see Gabriel Hanotaux, Histoire de la Nation Egyptienne (Paris, 1931-1940), vol. II, p. 80).

We are grateful to Philippe Loisel for confirming the authenticity of the present work.

£2,000-3,000

658 Φ

SIMON BUSSY

1870-1954

Egyptian Plovers

Signed with monogram and dated 39 (lower right)

Oil on canvas

35.5 x 27.4cm

Provenance: John Strachey; His sale, Sotheby’s, London, Paintings and Pastels by Simon Bussy, 17 December 1964, lot 8, where purchased by Woods Wilson

We are grateful to Philippe Loisel for confirming the authenticity of the present work.

£6,000-8,000

657

659 Φ

JANE SIMONE BUSSY

French 1906-1960

Paradis Bleu

Signed S Bussy (lower right)

Oil on canvas

41.2 x 33cm

We are grateful to Philippe Loisel for confirming the authenticity of the present work.

£300-500

660 Φ

ALICIA BOYLE

Irish 1908-1997

Flowery April

Signed and dated BOYLE 45 (lower right)

Oil on board

59.8 x 49.5cm

£200-300

661

FLORENCE ENGELBACH

1872-1951

Still life with flowers in a vase

Signed Engelbach (lower left)

Oil on canvas

50.9 x 40.8cm

£300-500

662 Φ SIR CECIL BEATON CBE 1904-1980

The kayaker

Signed Beaton (lower right)

Oil on canvas

76.4 x 101.6cm

£500-800

20th Century

Still life with sunflowers in a vase

Signed M.Traullé (lower left)

Oil on board

48.2 x 41.9cm

£100-150

Canadian 1901-1985

Mevagissey Harbour

Signed, inscribed and dated MEVIGISSEY[sic] 57/BEN TOBIAS (lower right)

Oil on canvas laid down on panel

39 x 49cm

£200-300

663 Φ M. TRAULLÉ

664 Φ BEN TOBIAS

667 Φ

VERONICA BURLEIGH 1909-1999

665 Φ

CECIL KEELING 1912-1976

Farm buildings; Italian Puppets

The former signed CKeeling (lower right), the latter signed dated and inscribed Italian Puppets - Drypoint Cecil Keeling 1947 (in pencil to mount)

Pencil and watercolour; Drypoint

23.2 x 27cm; 26.3 x 23cm (plate) (2)

£150-250

View of a mill built over a river

Pencil and watercolour

26.4 x 36.9cm

Provenance:

The Collection of Peter and Mary Grant; By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 7 December 2021, lot 197, where purchased by the present private collector

£200-300

666 Φ

VERONICA BURLEIGH 1909-1999

View of a mill under grey skies

Signed VERONICA/BURLEIGH (lower right)

Pencil and watercolour

24.5 x 36.6cm

Provenance:

The Collection of Peter and Mary Grant;

By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 7 December 2021, lot 199, where purchased by the present private collector

£200-300

668 Φ

RODERIC BARRETT 1920-2000

Chairs and Men

Signed, dated, numbered and inscribed 9/50 Chairs and Men Roderic Barrett 52 (in pencil to margin)

Woodcut

26.2 x 20.7cm (image)

Provenance:

Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 12 May 2021, lot 336, where purchased by the present private collector

£150-250

669 Φ

MICHAEL AYRTON 1921-1975

The Grandsons

Signed and dated michael ayrton 47 (lower left)

Oil on board

43.3 x 33.7cm

Provenance:

The Hanover Gallery, London, where purchased by Dr T. C. N. Gibbens; And by descent

This painting is one of a series of works inspired by the fishermen and their families on Ischia, and represents an important link between Michael Ayrton’s Neo-Romantic works of the early 1940s and the more sculptural style he developed after the War, when he travelled extensively in Italy and came under the influence of Masaccio and Piero della Francesca. The muted palette, texture and handling of the paint have a deliberately fresco-like quality, and the enigmatic situation is typical of Ayrton’s desire to emulate, in his own words ‘the monumental images, timeless, impersonal and yet human … filled with secret communication and unspecified drama’ of the early Renaissance masters.

We are grateful to Dr Justine Hopkins for her assistance cataloguing the present work.

£1,500-2,500

671 Φ

JOHN MINTON

1917-1957

Dressing Rooms at Whitehall

Signed under the mount (according to label)

Lithograph

42.5 x 30cm (image)

Provenance:

Christie’s, London, Important Old Master Engravings, Etchings and Woodcuts, 28 November 1967, lot 327

£400-600

670 Φ

MICHAEL AYRTON 1921-1975

The Dangler, the Gasper and the Mumblera study for ‘Tittivulus’

Signed and dated Michael Ayrton 52 (lower left) and inscribed and in Monastries[sic] & Nunneries he found men and women spoiling the/holy psalms each in a different way. Everywhere he went, he found (along top edge) and and he also found the (lower right)

Pencil

21.1 x 16.7cm

This drawing is a study for Michael Ayrton’s first novel, Tittivulus (Max Reinhardt, 1953; first conceived for BBC Radio and broadcast 22 December 1952). In the published version the nuns weren’t included, and mentioned only as a passing reference, making this work a unique insight into Ayrton’s early thoughts.

We are grateful to Dr Justine Hopkins for her assistance cataloguing the present work.

£200-300

669

672 Φ

ROWLAND SUDDABY 1912-1972

In Wormingford, Essex

Signed and dated R Suddaby 60 (lower right)

Mixed media on paper

37.4 x 54.5cm

Provenance: J. Leger & Sons, April 1961

£250-350

673 Φ

ROWLAND SUDDABY 1912-1972

Winter landscape, Stoke

Signed R.Suddaby (lower right)

Oil on canvas

28.5 x 38.4cm

Provenance: Louise Kosman, Gullane

Exhibited: Southport, Atkinson Art Gallery

£200-300

674

GABRIEL CUSTODIO Filipino 1912-1993

After the storm

Signed and dated G.Custodio/9/61 (lower left)

Oil on canvas

75.3 x 101cm

£300-500

675

675 Φ

EDWARD WESSON RI, RBA

1910-1983

Dell Quay; The Downs near Arundel

Two, both signed Wesson (lower right)

Both watercolour

Each 20.9 x 29.1cm (2)

£150-250

676 Φ

EDWARD WESSON RI, RBA

1910-1983

Interior of a barn

Signed Wesson (lower left)

Watercolour

29.6 x 50.3cm

£200-300

677 Φ

JOHN YARDLEY

b.1933

Roses in The Close, Salisbury

Signed John Yardley (lower right)

Pencil and watercolour

20.8 x 28.3cm

Provenance:

The Wykeham Galleries, Stockbridge

£200-300

677

676

678 Φ SIR TERRY FROST RA 1915-2003

Mixed Media

Signed and dated Terry Frost 02 (lower right) and inscribed mixed/media (lower left)

Mixed media and collage on paper

42.8 x 40cm

£2,000-3,000

678 (framed)

678

679 Φ SIR TERRY FROST RA 1915-2003

3 Divide

Acrylic and collage on board

36.1 x 38cm

Provenance: Badcocks Gallery, Newlyn

£2,000-3,000

679 (framed)

679

680 Φ SIR TERRY FROST RA 1915-2003

Blue Sun Up

Signed and dated Frost Dec 77 (lower right) and further signed, dated and inscribed Blue/’Sun Up’/Frost/Dec 77 (to backing board)

Collage, acrylic and gouache

99.5 x 46.6cm

Provenance: Bebb Fine Art, Ludlow, where purchased by the present private collector, August 2002

£2,000-3,000

681 Φ

SIR TERRY FROST RA 1915-2003

SS Portfolio (Kemp 257), comprising SS; Laced Sun; PZ and SS; Two Models; Madonna; Delighted; Three Graces; and Ouzo and Black Olives

The complete set of eight, each signed, dated and numbered 1/30 Terry Frost 03 (to margin) and further numbered to justification Each etching, with justification and table of contents, loose (as issued) within original grey portfolio

Each 46.5 x 43.1cm (sheet); 47.5 x 44.6cm (portfolio)

Terry Frost frequently used the letters SS and PZ in his work. They derive from the letters painted onto fishing boats to show which harbour they came from. They stand for St Ives, and Penzance respectively.

£1,500-2,500

682 Φ

SIR TERRY FROST RA 1915-2003

Desire I (Kemp 227)

Signed, dated and inscribed

A/P Desire I Terry Frost 02 (in pencil to margin)

Etching and aquatint, an artist’s proof in addition to the edition of 25 and two further proofs

38.2 x 38.2cm (plate)

£300-500

683 Φ

SIR TERRY FROST RA 1915-2003

Lizard Light (Kemp 160)

Signed, dated and numbered 1/25 Terry Frost 97 (in pencil to margin)

Etching and aquatint

48.6 x 34.6cm (plate)

£200-300

684 Φ

ALAN REYNOLDS 1926-2014

Landscape

Indistinctly signed and dated R***s 59 (lower right) Oil on board

29.5 x 49.1cm

Provenance:

Given by Vona Reynolds, wife of the artist, to Roger Frederick Blaker; By descent to Anthony Blaker;

From whom purchased, via Fleet Gallery, St Leonards on Sea, by the present private collector, April 2017

£10,000-15,000

685 Φ DENIS MITCHELL 1912-1993

Solaris

Signed with initials, dated, numbered and inscribed SOLARIS/1968 No1/DAM (to underside of base)

Bronze with a part green and part polished patina on a slate base, from the edition of five 42 x 31 x 10.4cm (including base)

Provenance: George and Anne Dannatt; From whom acquired by the present private collectors

Exhibited:

London, Marjorie Parr, Denis Mitchell, February - March 1969, cat. no.21, illustrated (this cast);

Bath, Festival Gallery, Denis Mitchell Sculptures, April 1978, cat. no.18 (this cast);

Swansea, Glynn Vivian Art Gallery, Festival Exhibition of Sculpture by Denis Mitchell, October - November 1979, cat. no.15, illustrated on the front cover (another cast);

British Council Touring Exhibition, Denis Mitchell, 1973-9, cat. no.6 (another cast);

London, Crane Kalman Gallery, Denis Mitchell, Sculptures and Reliefs, July - August 1986, cat. no.1 (another cast)

£10,000-15,000

684 (framed)

684

686 Φ

VICTOR PASMORE CH, CBE

1908-1998

Abstract

Signed with initials, dated and numbered XIX/XX VP 91 (in pencil to margin)

Etching and aquatint

74.6 x 57.2cm (sheet)

Unframed

£500-800

687 Φ

LYNN CHADWICK CBE, RA 1914-2003

Checkmates

Signed and dated Chadwick 72 (in pencil lower right), numbered p.a. IV/XI (in pencil lower left), and with Erker Presse blindstamp

Lithograph, an artist’s proof aside from the edition of 99 76 x 56cm (sheet)

£400-600

688 Φ

LYNN CHADWICK CBE, RA 1914-2003

Moon Series A

Signed and dated Chadwick 65 (in pen lower right) and numbered 20/70 (in pencil lower left)

Lithograph 50 x 65cm (sheet)

Provenance:

Bebb Fine Art, Ludlow, where purchased by the present private collector June 2006

£250-350

689 Φ

VICTOR VASARELY

Hungarian/French 1906-1997

Sian

Signed and numbered 5/75 Vasarely (in pencil to margin)

Screenprint

39 x 26cm (image)

£400-600

690 Φ

ALLAN MILNER

1910-1984

Abstract

Oil on board

48 x 60.7cm

Provenance:

Bonhams, Knightsbridge, Modern Pictures and Sculpture, 25 January 2011, lot 205

£200-300

691 Φ

ALLAN MILNER

1910-1984

Abstract

Oil on board

57.5 x 48cm

£200-300

691

689

690

692 Φ

GEORGE DANNATT 1915-2009

Chesil, No.2

Signed with initials and dated GD’63 (lower left), and further signed, inscribed and dated Chesil, No.2/George Dannatt/1963 (to backing board)

Pastel

12.2 x 10.3cm

Provenance:

Acquired from the artist by the present private collectors

£200-300

693 Φ

GEORGE DANNATT 1915-2009

Venetian Red Interior

Signed with initials and dated GD.’70 (lower right) and further signed, inscribed and dated Venetian red interior/ (Jan) 1970/George Dannatt (to backing board)

Oil on paper

9.1 x 11.3cm

Provenance: Osborne Samuel, London

£300-500

694 Φ

GEORGE DANNATT 1915-2009

Cancrizan (Duo)

Signed, dated and inscribed 22ND APRIL 1976/Cancrizan (Duo)/George Dannatt/1976 (to backing board)

Mixed media on paper

22.3 x 32.7cm

Provenance:

Acquired from the artist by the present private collectors

£250-350

695 Φ

GEORGE DANNATT 1915-2009

Abstract

Signed, dated and numbered 1/1 George Dannatt, 1995 (in pencil to margin)

Etching, engraving, drypoint, aquatint and deep bite

28.5 x 24.8cm (sheet)

Provenance:

Acquired from the artist by the present private collectors

£100-150

695

694

693

692

696 Φ

SANDRA BLOW RA 1925-2006

Revolve

Signed, dated, numbered and inscribed 52/75 REVOLVE Blow / 03 (in pencil to margin)

Etching and aquatint

77.4 x 73cm (sheet)

Provenance:

Bebb Fine Art, Ludlow, where purchased by the present private collector

£250-350

697 Φ

THOMAS NATHANIEL DAVIES 1922-1996

Concentric Venuses

Signed Nathaniel Davies (lower right) and dated iii 76 (lower left) Oil on paper

35.1 x 35.1cm

£150-250

698 Φ PETER WARD 1932-2003

Wave Shadow I

Signed and dated Peter Ward 2000 (lower right) and further signed, dated and inscribed Peter Ward ‘Wave Shadow I 2000 (to backing board)

Oil on board

70 x 46cm

£100-200

696

697

699 Φ

HENRY MOORE OM, CH 1898-1986

Sculptural Ideas (Cramer 580-586)

Seven, the complete suite, each signed and numbered 2/50 Moore (in pencil to margin)

Six etching and aquatint, one etching, aquatint and roulette, 1980

Largest 25.3 x 34.6cm; Smallest 22 x 24.3cm (plate) (7)

£7,000-10,000

699

700 Φ

DAVID HOCKNEY OM, CH, RA b.1937

Mo McDermott (S.A.C. 178)

Signed, dated and numbered 63/100 David Hockney 76 (in pencil lower left), and with Gemini G.E.L blindstamps Lithograph

82.8 x 59.9cm (sheet)

£2,000-3,000

701 Φ

KEITH VAUGHAN 1912-1977

Three Bathers

Gouache and pencil, 1954 or 1956 13.4 x 16.3cm

Provenance: Dr Gordon Hargreaves and Professor John Ball; Redfern Gallery, London, September 1986, where purchased by Mr Brooks Buxton; Anthony Hepworth, Bath; Private Collection

Exhibited: Bath, Victoria Art Gallery, Keith Vaughan: Figure and Landscape, February-March 2007

£3,000-5,000

701

702 Φ

PHILIPPE BONNET

French 1927-2017

La Lampe à Pétrole

Signed and dated PH.Bonnet/56 (upper right)

Oil on canvas

24.1 x 41.3cm

Provenance: Bonhams, Oxford, Pictures…, 7 September 2011, lot 76

£500-800

703 Φ JACOB BORNFRIEND

Czech 1904-1976

Still life with flowers in a vase

Signed J Bornfriend (in pencil to margin)

Lithograph

49.9 x 32.3cm (image)

Provenance: The Collection of the Late Howard Duckworth

£80-120

704 CHUAH THEAN TENG

Malaysian 1914-2008

Head of a woman; Two figures

Two, the former signed Teng (lower right), the latter signed Teng (lower left)

Both batik dye on silk

58.5 x 43.2cm; 63.4 x 42.5cm (2)

Provenance:

Purchased from the Yahong Art Gallery, Panang, late 1980s; And by family descent

£300-500

705 Φ RONALD GRIERSON 1901-1993

Shells

Signed and numbered Grierson 7/50 (in pencil lower to margin)

Linocut

24.3 x 16.9cm (image)

£150-250

706 Φ

PIERRE SOULAGES

French 1919-2022

Eau-forte XVIII

Signed Soulages (in pencil lower right) and numbered 33/100 (in pencil lower left)

Etching, 1962

63.9 x 48.6cm (sheet)

£1,000-1,500

708 Φ

JOHN CHRISTOPHERSON

1921-1996

Great Divided Arch

707 Φ

TERRY WHYBROW

1932-2020

Painting 1-4

Signed, dated and inscribed T.Whybrow ‘83/’PAINTING 1.4’ (to backing board)

Oil on board

29.9 x 25cm

£100-200

Signed, inscribed and dated JOHN CHRISTOPHERSON/GREAT DIVIDED ARCH/COMP 31/5/62 (to reverse)

Oil on board

60.1 x 44.9cm

Provenance:

Acquired directly from the artist by the present owner

£500-700

708

707

706

709 Φ NORMAN ADAMS RA 1927-2005

The Flood

Signed with initials and dated NA61 (lower right) and further signed, dated and inscribed THE FLOOD/Norman Adams/1961 (to reverse)

Oil on canvas

127.5 x 152cm

Provenance: Roland, Browse and Delbanco, London; Mrs Barton, Aughton Old Hall, Lancaster; Peter Nahum, Leicester Galleries, London; His sale, Dreweatt’s, Newbury, Peter Nahum At The Leicester Galleries, 24 February 2009, lot 202

£1,000-1,500

710 ÁLVARO GUEVARA

Chilean 1894-1951

Maruja

Encaustic on paper laid on canvas, 1943

49.8 x 34.9cm

Unframed

Provenance: The Estate of the Artist; P. & D. Colnaghi & Co., London

Exhibited: London, P. & D. Colnaghi & Co, Alvaro Guevara: A Chilean Painter in London and Paris, December 1974January 1975, no. 17J

£800-1,200

711 Φ

LAURENCE STEPHEN LOWRY RA, RBA 1887-1976

Level crossing, Burton-on-Trent

Signed L.S.Lowry (in pencil to margin), and with Fine Art Trade Guild blindstamp

Reproduction Print

41.2 x 57cm (image)

£400-600

712

SELIM TURAN

Turkish 1915-1994

Abstract

Signed Selim (lower right)

Oil on canvas

76.2 x 61cm

£1,500-2,500

713 Φ

THOMAS NATHANIEL DAVIES

1922-1996

Brixham Harbour

Signed and dated Nathaniel xii 57 (lower right)

Oil on board

50.7 x 61cm

£200-400

714 Φ WILLIAM BLACK

20th Century

Above and Beyond

Signed and dated William Black 70 (lower right) and inscribed ‘Above and Beyond’ (lower left)

Oil on canvas

51.2 x 102cm

£200-300

715 Φ

GRACE PAILTHORPE

1883-1971

Abstract

Signed and dated GWPailthorpe/1.10.68 (lower left)

Watercolour heightened with bodycolour 47 x 60.5cm

£800-1,200

716 Φ

GRACE PAILTHORPE

1883-1971

Abstract

Signed and dated G W Pailthorpe/8.8.68 (lower left)

Watercolour and bodycolour

46.4 x 60.3cm

Provenance: Laurie Stewart Fine Art, London

£800-1,200

717 Φ

GRACE PAILTHORPE

1883-1971

Abstract

Signed and dated GWPailthorpe/24.9.68 (lower right)

Watercolour and bodycolour

43.2 x 61.8cm

£600-800

718 Φ

JOHN ARMSTRONG ARA

1893-1973

Phoenix

Signed and dated John Armstrong 60 (lower left)

Oil on board

48 x 25.2cm

Provenance:

Bonhams, Knightsbridge, Modern Pictures, 25 January 2011, lot 88

£1,000-1,500

719 Φ

GORDON RANDALL 20th Century

Cornish Coastal Scene III

Watercolour

27.7 x 36cm

Provenance:

Rowley Gallery Contemporary, London

£150-250

718

718 (framed)

719

720 Φ WILLIAM GEAR

RA, FRSA, RBSA

Scottish 1915-1997

Landscape Study

Signed and dated Gear ‘73 (lower right)

Mixed media on paper

44.2 x 55.6cm

£400-600

722 Φ WILLIAM GEAR

RA, FRSA, RBSA

Scottish 1915-1997

Study, Rhodes

Signed and dated Gear ‘84 (lower right)

Gouache

29.2 x 39.4cm

£250-350

721 Φ WILLIAM GEAR

RA, FRSA, RBSA

Scottish 1915-1997

Rhodes

Signed and dated Gear ‘84 (lower right)

Mixed media on paper

28.6 x 39.6cm

£300-500

723 Φ WILLIAM GEAR

RA, FRSA, RBSA

Scottish 1915-1997

Tall Figure

Signed and dated Gear ‘85 (lower centre)

Mixed media on paper

58.7 x 29.2cm

£300-500

724 Φ

WILLIAM GEAR RA, FRSA, RBSA

Scottish 1915-1997

Pointed Structure

Signed and dated Gear ‘90 (lower right), and further signed, dated and inscribed Gear/ SEPT ‘90/”POINTED STRUCTURE” (to reverse)

Oil on canvas

91.2 x 51cm

£1,200-1,800

725 Φ

WILLIAM GEAR RA, FRSA, RBSA

Scottish 1915-1997

Red Figure, No.1

Signed and dated Gear 57 (lower right), and further signed, dated and inscribed Gear/”RED FIGURE, No 1”/Dec ‘57 (to reverse)

Oil on canvas

61.2 x 38.2cm

Provenance:

Gimpil Fils Gallery, London

Exhibited:

Düsseldorf, Galerie 22; Rotterdam, Rotterdamsche Kunstkring; Zurich, Kunstgilde Walcheturm, Young British Painters, 1958

£1,000-1,500

726 Φ

WILLIAM GEAR RA, FRSA, RBSA

Scottish 1915-1997

Coastal Element

Signed and dated Gear 75 (lower right)

Mixed media on paper

39.8 x 54.5cm

£400-600

726

725

724

727 Φ JOHN PIPER CH 1903-1992

Cut Reed Bed Muchelney

Signed John Piper (lower right) and inscribed and dated Cut reed bed Muchelney 10.3 58 (lower left)

Watercolour and bodycolour

34.5 x 55.5cm

£2,000-3,000

727

727 (framed)

728 Φ JOHN PIPER CH 1903-1992

York Minster

Signed John Piper (lower right)

Black chalk, pen and ink, and watercolour, heightened with bodycolour on paper 55 x 74.9cm

Provenance:

Presented by the artist to The York Minster Fund; Their sale, Sotheby's, Castle Howard, Sale in Aid of the York Minster Fund, 6 April 1968, where purchased by Vince Hill (1934-2023); And by descent

£8,000-12,000

728

728 (framed)

729 Φ JOHN PIPER CH 1903-1992

Water Splash, near Solva, Pembrokeshire

Signed John Piper (lower left), and inscribed and dated Water Splash at nr Solva 8 9 69 (lower right)

Ink, watercolour and gouache

35.4 x 52.2cm

Provenance: Marlborough Fine Art, London; Christie’s, London, Modern British and Irish Art, 16 July 2014, lot 128

£5,000-8,000

729

729 (framed)

730 Φ JOHN PIPER CH 1903-1992

Nunney Castle

Signed John Piper (lower right) and inscribed and dated Nunney 6 11 82 (lower centre)

Ink, watercolour, gouache and coloured chalks

36.3 x 54.7cm

Provenance:

Marlborough Fine Art, London, where acquired by the previous owner in the 1980s; By whom sold, Sotheby’s, London, Modern British Art, 10 May 2012, lot 161

£5,000-7,000

730

730 (framed)

731 Φ

JOHN PIPER CH

1903-1992

Framlingham Castle (Levinson 204)

Signed and inscribed A/P John Piper (in pencil to margin)

Screenprint, 1971, an artist’s proof aside from the edition of 70 47.4 x 70cm (image)

£600-800

732 Φ

JOHN PIPER CH

1903-1992

Caernarvon Castle I (Levinson 200)

Signed and inscribed A/P John Piper (in pencil to margin)

Screenprint, 1971, an artist’s proof aside from the edition of 70 49.3 x 74.8cm (image)

£700-1,000

733 Φ

JOHN PIPER

1903-1992

Caernarvon Castle II (Levinson 201)

Signed and numbered 73/75 John Piper (in pencil to margin)

Screenprint, 1971 49.3 x 75.2cm (image)

£600-800

734 Φ

JOHN PIPER CH

1903-1992

Waddesdon (Levinson 280)

Signed and numbered 71/75 John Piper (in pencil to margin)

Screenprint, 1977

64.2 x 99cm (image)

£600-800

735 Φ

JOHN PIPER CH 1903-1992

Seaton (Levinson 282)

Signed and numbered 64/75 John Piper (in pencil to margin)

Lithograph, 1978

41.9 x 59.7cm (image)

£600-800

736 Φ

JOHN PIPER CH 1903-1992

Royal Holloway College (Levinson 272)

Signed John Piper (in pencil to margin)

Screenprint, 1977, from the Victorian Dream Palaces series

52.2 x 69.7cm (image)

£400-600

736

735

734

737 Φ

LYDIA CORBETT NÉE SYLVETTE DAVID

b.1934

Sylvette with the Sun Flowers

Signed Lydia Corbett (lower right) and Sylvette David (lower left)

Pen and black ink, watercolour, and gold pen

49.6 x 39.5cm

Provenance:

Fosse Gallery, John Lindsey Fine Art, Stow-on-the-Wold

Lydia Corbet, born Sylvette David, was the muse for a landmark series of works that Pablo Picasso made in the spring and summer of 1954.

£200-300

738 Φ

LYDIA CORBETT NÉE SYLVETTE DAVID

b.1934

Hydrangea Cat

Signed Lydia Corbett (lower right) and Sylvette David (lower left)

Pen and black ink, watercolour, and gold pen

49.5 x 39.8cm

Provenance:

Fosse Gallery, John Lindsey Fine Art, Stow-on-the-Wold

£200-300

739 Φ

LYDIA CORBETT NÉE SYLVETTE DAVID

b.1934

The Colander Still Life

Signed Lydia Corbett (lower right) and Sylvette David (lower left)

Pen and black ink and watercolour

39.8 x 49.3cm

Provenance:

Fosse Gallery, John Lindsey Fine Art, Stow-on-the-Wold

£200-300

740 Φ

LYDIA CORBETT NÉE SYLVETTE DAVID

b.1934

Lucie

Signed Lydia Corbett (lower right) and Sylvette David (lower left)

Pen and black ink, and watercolour 44 x 34.9cm

Provenance:

Fosse Gallery, John Lindsey Fine Art, Stow-on-the-Wold

£200-300

741 Φ

THÉO TOBIASSE

French 1927-2012

Shavuot I

Signed and numbered VI/LXXXV Theo Tobiasse (in pencil to margin)

Lithograph with carborundum etching and embossing

50 x 69.5cm (image)

£150-250

742 Φ

THÉO TOBIASSE

French 1927-2012

Shavuot II

Signed and numbered VI/LXXXV Theo Tobiasse (in pencil to margin)

Lithograph with carborundum etching and embossing

50 x 70cm (image)

£150-250

743 Φ THÉO TOBIASSE

French 1927-2012

Shavuot III

Signed and numbered VI/LXXXV Theo Tobiasse (in pencil to margin)

Lithograph with carborundum etching and embossing

51 x 70.2cm (image)

£150-250

744 Φ

THÉO TOBIASSE

French 1927-2012

Leda et le Cygne

Signed and numbered 25/125 Theo Tobiasse (in pencil to margin)

Lithograph and Carborundum 53 x 70.3cm (image)

£150-250

742

741

744

743

745 Φ CECIL KENNEDY 1905-1997

Still life with roses in a glass vase

Signed Cecil Kennedy (lower right)

Oil on canvas

51.4 x 40.8cm

Provenance: Richard Green, London; Private Collection

£3,000-5,000

746 Φ CECIL KENNEDY 1905-1997

Innocence: Still life with white roses

Signed Cecil Kennedy (lower right) Oil on canvas

50.4 x 40.8cm

746

747 Φ CECIL KENNEDY 1905-1997

Still life with flowers in a blue glass vase on a ledge

Signed Cecil Kennedy (lower right)

Oil on canvas

25.4 x 20.4cm £1,200-1,800

748 Φ

CECIL KENNEDY

1905-1997

Autumn

Signed Cecil Kennedy (lower right) Oil on canvas

25 x 20.1cm

Provenance:

Christie’s, London, Twentieth Century British Art, 3 November 1999, lot 131;

MacConnal-Mason & Son, London; Private Collection

£800-1,200

749 Φ

CECIL KENNEDY

1905-1997

Still life with grapes, peaches and hazelnuts

Signed Cecil Kennedy (lower right) Oil on canvas

20 x 25.3cm

Provenance:

Christie’s, London, Twentieth Century British Art, 3 November 1999, lot 129; MacConnal-Mason & Son, London; Private Collection

£700-1,000

749

748

750 Φ HAROLD CLAYTON 1896-1979

Still life with flowers in a vase on a marble plinth

Signed Harold Clayton (lower left)

Oil on canvas

62 x 51.5cm

£1,000-1,500

751 Φ RAYMOND CAMPBELL b.1956

Still life with fruit, decanter and a cup and saucer

Signed Raymond Campbell (lower right)

Oil on canvas

45.9 x 61cm

£600-800

LOTS 752-804

THE COLLECTION OF MICHAEL AND HENRIETTA GOUGH

Michael and Henrietta Gough were avid collectors, who filled their Dorset home with paintings and ceramics. The collection’s focus was Modern British Art, and many of the artists they collected were great friends with the couple, most notably Elisabeth Frink and Mary Fedden. Frink’s home and studio at Woolland was nearby, and Fedden was a frequent visitor to Dorset. Indeed several of the works offered here have personalised dedications from Fedden to Michael and Henrietta. The couple’s taste was wide-ranging, and the collection includes examples by Winifred Nicholson, John Craxton, Maggi Hambling and Euan Uglow. They also collected late 19th and early 20th century continental drawings, by artists such as Pierre Bonnard, Théophile Steinlen and Jean-Louis Forain.

Michael and Henrietta married in 1981 and prior to this Henrietta had worked at Sotheby’s. Michael was an actor, of both theatre and film, who acted in the Hammer horror films and Doctor Who, playing the titular villain in The Celestial Toymaker. His most famous role was probably as Batman’s butler Alfred in four films, opposite variously George Clooney, Michael Keaton and Val Kilmer.

As well as fine art, the Goughs collected studio pottery, from Richard Batterham and Phil Rogers, to Prue Piper, Chris Keenan and Emmanuel Cooper, bought from galleries and the potters directly, which complemented the paintings and sculpture. These will be offered in our British Art Pottery auction on Tuesday 3rd December (lots 206-225).

Mary Fedden, Alex Csáky, Henrietta Gough and Elisabeth Frink at Woolland

Mary Fedden, Michael Gough and Elisabeth Frink at Woolland

752

PIERRE BONNARD

French 1867-1947

Reclining female nude Pen and ink on Théâtre des Pantins letter paper 20.1 x 13.3cm

Provenance:

Kyra Gerard and Alfred Ayrton; JPL Fine Arts, London; Sotheby’s, New York, Impressionist and Modern Art, 9 October 1996, lot 57; The Collection of Michael and Henrietta Gough

Exhibited:

New York, The American Federation of Arts, Bonnard: Drawings from 1893-1946, 1972-1974, no.6; Geneva, Musée d’art et d’histoire, Dessins de Pierre Bonnard, April-September 1976; London, Arts Council of Great Britain, Drawing by Bonnard, 1984-1985, no.6

£1,500-2,500

HENRIETTA GOUGH

753

JAMES ABBOTT MCNEILL WHISTLER RBA

American 1834-1903

Swan and Iris (Sketch after Cecil Lawson’s “Swan and Iris”)

Etching and drypoint

13.4 x 8.2cm (plate)

Provenance:

William Darby, London; The Collection of Michael and Henrietta Gough

Exhibited:

London, William Darby, Christmas Exhibition, 1976, no.21

£300-500

754

THÉOPHILE STEINLEN

Swiss 1859-1923

Les Comédiennes

With the atelier stamp (Lugt 5887, lower right)

Charcoal

47.9 x 25.3cm

Provenance:

Sotheby’s, London, 7 December 1983, lot 481, where purchased by Michael and Henrietta Gough; The Collection of Michael and Henrietta Gough

£300-500

755

EDOUARD ZAWISKI

French 1861-1933

Elegant figures in the Jardin du Palais Royal

Signed and inscribed Ed Zawiski/ jardin du Palais Royal (lower right)

Coloured chalks and watercolour

31.6 x 42.6cm

Provenance:

The Collection of Michael and Henrietta Gough

£300-500

756

756

JEAN-LOUIS FORAIN

French 1852-1931

Study of a gentleman and lady in an interior

Signed Forain (lower right)

Pen and black ink with wash

27.8 x 19.8cm

Provenance:

The Collection of Michael and Henrietta Gough

£200-300

757

757

JEAN-LOUIS FORAIN

French 1852-1931

Maintenant ouvrez moi la porte - Je savais que vous avez besoin d’argent! (recto); Study of a gentleman holding canvases (verso)

Inscribed Maintenant ouvrez moi la porte - Je savais que vous avez/besoin d’argent! (lower edge recto)

Pen and brown ink

16 x 15.4cm

Provenance:

The Collection of Michael and Henrietta Gough

The present work is a preliminary study for a work illustrated in Jean-Louis Forain, La Comédie Parisienne (Paris, 1894), p.124.

£200-300

758

758

PEDRO FIGARI

Uruguayan 1861-1938

Six figures dancing; A couple dancing; A woman and donkey sheltering under a tree

Three, each pencil

Largest 13.8 x 20.8cm; Smallest 13.4 x 20.8cm (3)

Provenance:

The Collection of Michael and Henrietta Gough

£150-250

759

759 Φ

WINIFRED NICHOLSON

1893-1981

Figures outside a Greek church

Pastel, c.1965

29.8 x 40.7cm

Provenance:

The Redfern Gallery, London, where purchased by Michael and Henrietta Gough, November 1989; The Collection of Michael and Henrietta Gough

£2,000-3,000

760 Φ

JOHN CRAXTON RA

1922-2009

Shaggy Goat

Signed and dated Craxton 46 (lower left) and further dated 20.7.46 (upper right)

Pen and black ink

45.1 x 28.4cm

Provenance:

Eric Alport; Sotheby’s, London, Modern British and Irish Paintings and Drawings, 6 March 1996, lot 216; The Collection of Michael and Henrietta Gough

Exhibited:

London, Whitechapel Gallery, John Craxton, 1966, no.118

Literature:

Geoffrey Grigson, John Craxton: Paintings and Drawings (London, Horizon, 1948) (illustrated)

£2,000-3,000

763

761 Φ

EUAN UGLOW

1932-2000

Thigh

Pencil

27.7 x 39.2cm

Provenance:

Browse & Darby, London, where purchased by Michael and Henrietta Gough; The Collection of Michael and Henrietta Gough

Exhibited:

London, Browse & Darby, Euan Uglow Drawings, 1999, no.3

£800-1,200

762 Φ

ROGER HILTON CBE

1911-1975

Man on horseback

Pen and brown ink with coloured crayon

16.4 x 23.4cm

Provenance:

Sotheby’s, London, Modern British Paintings, March 1996, lot 246; The Collection of Michael and Henrietta Gough

£700-1,000

763 Φ

ROGER HILTON CBE

1911-1975

Horse and Cart

Signed with initials and dated R.H 74 (lower right) Gouache

35.1 x 47.6cm

Provenance: Beaux Arts, Bath; The Collection of Michael and Henrietta Gough

£2,000-3,000

764 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

Still life with fruit between two curtains

Signed and dated Fedden 1983 (lower left)

Watercolour and bodycolour

21.8 x 16.3cm

Provenance:

The Collection of Michael and Henrietta Gough

£2,000-3,000

765 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

The Blue Cart

Signed and dated Fedden 1983 (lower left), and further signed and inscribed

MARY FEDDEN/THE BLUE CART (to label)

Oil on canvas

40.9 x 51.2cm

Provenance:

The Collection of Michael and Henrietta Gough

£5,000-7,000

765

767

766 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

Two for Joy

Signed, dated and inscribed Fedden 1990/For Mick & Henrietta with love (lower left) and inscribed Two for Joy (lower right)

Graphite

76.2 x 56cm

Provenance:

Given by the artist to Michael and Henrietta Gough; The Collection of Michael and Henrietta Gough

£800-1,200

767 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

Blue Moon

Signed and dated Fedden 1995 (lower right)

Collage, pencil and watercolour 46 x 56.1cm

Provenance:

Royal West of England Academy, Bristol, where purchased by Michael and Henrietta Gough, June 1995; The Collection of Michael and Henrietta Gough

Exhibited:

Bristol, Royal West of England Academy, 1995

£1,500-2,500

768 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

Blackbird

Signed and dated Fedden/1986 (lower right)

Watercolour and bodycolour

18.2 x 20.2cm

Provenance:

The Collection of Michael and Henrietta Gough

£2,000-3,000

769 Φ MARY FEDDEN OBE, RA, RWA 1915-2012

The harbour Watercolour and collage

21.6 x 28.6cm

Provenance:

The Collection of Michael and Henrietta Gough

£2,000-3,000

769 (framed)

769

770 Φ

MARY FEDDEN OBE, RA, RWA

1915-2012

Gozo

Signed and inscribed DEAR MICK! gozo/Happy Birthday/I love YOU! Moose (throughout lower half)

Watercolour and collage

17.2 x 14.6cm

Provenance:

The Collection of Michael and Henrietta Gough

£800-1,200

771 Φ

MARY FEDDEN OBE, RA, RWA

1915-2012

A view of Torleigh, Ashmore

Signed and dated Fedden 1990 (lower left), and inscribed Henriette & Mich with love (lower right)

Watercolour and bodycolour

12.1 x 29.3cm

Provenance:

The Collection of Michael and Henrietta Gough

Torleigh was the home of Michael and Henrietta Gough, where Mary Fedden was a frequent visitor.

£600-800

772 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

A Change of Fruit and Not for Framing!

Signed and dated Fedden 1989 (centre right), and further signed and inscribed

A change of fruit and/NOT for framing!/To thank you darlings/for a heavenly/evening, night and morning/Love & hugs/ x Mary x (throughout margins)

Watercolour and collage

20.9 x 13.8cm

Provenance:

Given by the artist to Michael and Henrietta Gough; The Collection of Michael and Henrietta Gough

£800-1,200

773 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

Tresco Still Life

Signed and inscribed A/P XV/XV Fedden (in pencil to margin)

Reproduction print}

32 x 26.7cm (image)

Provenance:

The Collection of Michael and Henrietta Gough

£100-150

772

773

774 Φ

JULIAN TREVELYAN RA 1910-1988

Two Rams (Turner 367)

Numbered and inscribed 6/50

Two Rams (in pencil) and with studio stamp (to margin), and with Studio Prints blindstamp

Etching and aquatint, 1981

35.2 x 47.9cm (plate)

Provenance:

The Collection of Michael and Henrietta Gough

£400-600

775 Φ

JULIAN TREVELYAN RA 1910-1988

Wings of a Dove ‘83

Signed, numbered and inscribed 3/50 Wings of a Dove Julian Trevelyan (in pencil to margin)

Etching and soft-ground (scrim wipe) with handcolouring, 1983

29.7 x 24.5cm (plate)

Provenance:

The Collection of Michael and Henrietta Gough

£300-500

776 Φ

JULIAN TREVELYAN RA 1910-1988

Dream Landscape (Turner 25)

Numbered and inscribed 26/150 Dream Landscape (in pencil to margin) and with studio stamp

Etching, conceived in 1932 and printed posthumously in 1998

21.7 x 24.8cm (sheet)

Provenance:

The Collection of Michael and Henrietta Gough

£300-500

777 Φ

JULIAN TREVELYAN RA 1910-1988

Thames Barge (Turner 389)

Signed, numbered and inscribed 46/50 Thames Barge (in pencil to margin)

Etching aquatint and soft-ground (lace impression), 1984

47.9 x 34.9cm (plate)

Provenance:

The Collection of Michael and Henrietta Gough

£500-700

778 Φ

JULIAN TREVELYAN RA 1910-1988

Water Music (Turner 391)

Signed, numbered and inscribed 18/50 Water Music Julian Trevelyan (in pencil to margin)

Etching, aquatint and soft-ground (scrim wipe), 1984

34.8 x 48cm (plate)

Provenance:

The Collection of Michael and Henrietta Gough

£400-600

777

779 Φ

MARY NEWCOMB

1922-2008

Greyhounds (recto); Lurcher Racing (verso)

Inscribed lurcher racing (upper right to verso)

Coloured pencils

12.8 x 20.4cm

Provenance:

Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 5 June 2019, lot 234;

The Collection of Michael and Henrietta Gough

£400-600

780 Φ

TESSA NEWCOMB

b.1955

The Harbour

Signed with initials and dated TN96 (lower right)

Oil on board

29.8 x 48.2cm

Provenance:

Acquired from the artist by Crane Kalman Gallery, London; Where purchased by Henrietta Gough, February 1997; The Collection of Michael and Henrietta Gough

£300-400

781 Φ

SIR ROGER DE GREY PRA 1918-1995

La Tremblade

Signed with initials RG (lower left)

Charcoal

29.8 x 51.4cm

Provenance:

The Collection of Michael and Henrietta Gough

Exhibited:

London, Grosvenor Gallery, Roger de Grey, April 1994, no.26

London, Royal Academy, Roger de Grey, 1996, no.54

£50-100

779 (recto)

779 (verso)

782 Φ

SIR ROBIN PHILIPSON RA, PPRSA, FRSE, RSW 1916-1992

Watching the Display Watercolour and bodycolour, 1986 35.6 x 38.2cm

Provenance: Browse & Darby, London, where purchased by Henrietta Gough, October 1987; The Collection of Michael and Henrietta Gough

£700-1,000

783 Φ

MARY POTTER OBE 1900-1981

Figure by a Cottage Pencil and watercolour

16.7 x 19.5cm

Provenance: Thompson’s, Aldeburgh and London; The Collection of Michael and Henrietta Gough

£200-300

782

783

784 Φ

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Herring Gull (Wiseman 88)

Signed and numbered 45/150 Frink (in pencil to margin), and with Christie’s Contemporary Art blindstamp Lithograph, 1974, from the Seabirds series 61 x 48.5cm (image)

Provenance: The Collection of Michael and Henrietta Gough

£1,000-1,500

785 Φ

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Man and Horse (Wiseman 157)

Signed and inscribed X/X AP Frink (in white pencil along lower edge)

Screenprint, an artist’s proof aside from the edition of 70, 1990 100.4 x 68.9cm (sheet)

Provenance: Given by the artist to Michael and Henrietta Gough; The Collection of Michael and Henrietta Gough

£2,000-3,000

786

786 Φ

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Viszla B (Wiseman 125)

Signed and inscribed A.P 6/10 Frink (in pencil to margin) and with Kelpra Studio blindstamp

Etching and aquatint, 1980, one of 10 artist’s proofs aside from the edition of 75

54.8 x 69.3cm (plate)

Provenance:

The Collection of Michael and Henrietta Gough

£2,000-3,000

787 Φ

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Head

Signed and dated Frink 82 (lower left)

Pencil

76.8 x 55.9cm

Provenance:

Sotheby’s, London, Modern British and Irish Art, 5 December 2001, lot 85; The Collection of Michael and Henrietta Gough

£5,000-7,000

791

788 Φ CERI RICHARDS CBE

Welsh 1903-1971

The Unattainable Escaping from the Inevitable

Signed and dated Ceri Richards ‘48 (twice, lower left and to label)

Pen and black ink

24.8 x 17.3cm

Provenance:

The Collection of Michael and Henrietta Gough

£300-500

790 Φ PATRICK PROCKTOR RA

1936-2003

Horse and Rider I

Signed Patrick Procktor (lower right)

Charcoal, 1999

22.1 x 29.2cm

Provenance:

The Redfern Gallery, London, where purchased by Michael and Henrietta Gough, 2000; The Collection of Michael and Henrietta Gough

£400-600

789 Φ WILLIAM THOMSON RBA 1926-1988

Nude seen from behind

Signed and dated WThomson LXXXV (lower right)

Black and white chalk

62.9 x 46.9cm

Provenance: Acquired from the artist by Michael and Henrietta Gough; The Collection of Michael and Henrietta Gough

£150-250

791 Φ RACHEL NICHOLSON

b.1934

Composition with Blue Striped Bowl

Signed, inscribed and dated Rachel Nicholson/Composition with Blue Striped Bowl/Summer 1984 (to backing board)

Acrylic on canvasboard

17.8 x 25.5cm

Provenance:

Wills Lane Gallery, St. Ives, where purchased by Michael and Henrietta Gough; The Collection of Michael and Henrietta Gough

£1,500-2,500

792 Φ

HUGHIE O’DONOGHUE RA

b.1953

Mute

Signed, dated, numbered and inscribed ‘Mute’ 20/50 O’Donoghue 93/96 (in pencil to margin)

Etching

48.8 x 60cm (sheet)

Provenance: Catherine Hammond Gallery, Co.Cork, where purchased by Henrietta Gough, June 2008; The Collection of Michael and Henrietta Gough

£300-500

793 Φ

WILLIAM CROZIER

1930-1911

Kilcoe

Signed, dated, numbered and inscribed 2/35 ‘Kilcoe’ William Crozier 1993/You will always be welcome/at this gate/Bill, Katharine (in pencil to margin)

Etching and aquatint

20.2 x 24.6cm (plate)

£200-300

794 Φ

MAGGI HAMBLING CBE

b.1945

Heron

Signed dated and inscribed A/P Hambling ‘93 (in pencil to margin)

Aquatint and sugarlift, an artist’s proof aside from the edition of 80

41.5 x 30.4cm (sheet)

Provenance: The Collection of Michael and Henrietta Gough

£200-300

Sunrise with Fishing Boat, April Signed and dated HAMBLING/03 (to reverse)

Provenance: The Collection of Michael and Henrietta Gough

797 Φ

NICOLA BEALING

b.1963

The Dog Race

Signed with initials NB (lower right)

Oil on board, 1997

13.2 x 19.2cm

Provenance:

Cadogan Contemporary, London, where purchased by Michael Gough; The Collection of Michael and Henrietta Gough

£150-250

798 Φ

NICOLA BEALING

b.1963

Man in the moon

Oil on paper laid on board

30.2 x 22.7cm

Provenance: The Collection of Michael and Henrietta Gough

£150-250

799 Φ

HELEN KEDGLEY

New Zealander b.1948

Abstract

Gouache and pastel

29.7 x 25.2cm

Provenance: The Collection of Michael and Henrietta Gough

Exhibited: London, New Zealand House, October 1984

£80-120

796 Φ

SALLY MCLAREN RE b.1936

Northern Island

Signed, numbered and inscribed Northern Island 19/50 Sally McLaren (in pencil to margin)

Line, aquatint and deep etch

60.6 x 75.1cm (sheet)

Provenance:

The Collection of Michael and Henrietta Gough

£50-100

800 Φ

GILLIAN AYRES RA 1930-2018

Abstract

Signed and dated Gillian/Ayres 86 (lower right) Pastel

76.3 x 55.8cm

Provenance:

Given by the artist to Michael and Henrietta Gough; The Collection of Michael and Henrietta Gough

£2,000-3,000

801 Φ

AMANDA VESEY

b.1939

By the Sea

Signed with initials and dated AV06 (lower right)

Charcoal and pastel

27.8 x 35.5cm

Provenance:

Art First, London; The Collection of Michael and Henrietta Gough

£300-500

AMANDA VESEY

b.1939

Circus

Signed with initials and dated AV 09 ((lower right)

Charcoal and pastel

28.2 x 26.4cm

Provenance:

Art First, London, where purchased by Henrietta Gough;

The Collection of Michael and Henrietta Gough

£300-500

803 Φ SARGY MANN 1937-2015

Dining room table

Signed Sargy (lower right)

Oil on board

30.5 x 25.4cm

Provenance:

Cadogan Contemporary, London, where purchased by Michael and Henrietta Gough; The Collection of Michael and Henrietta Gough

£200-300

804 Φ

ED GILBERT b.1941

Daffodils

Signed with initials EG/21 (lower right)

Oil on canvasboard

60.3 x 45.8cm

Provenance:

Browse & Darby, London, where purchased by Henrietta Gough, 2021; The Collection of Michael and Henrietta Gough

£300-500

LOTS 805-818 PROPERTY FROM GLEN HOUSE, BRUTON

805 Φ

JOSEPH OPPENHEIMER

German 1876-1966

Still life with poppies and other flowers

Signed and dated Jos Oppenheimer/39 (lower right) Gouache

37.3 x 24.5cm

Provenance: Glen House, Bruton

£200-300

807 Φ

ANTHONY ROSSITER

1926-2000

Diagonal Hedgerow and Deep Snow No. III

Signed with initials AR (lower right) and inscribed DIAGONAL HEDGEROW AND DEEP SNOW No.III (to backing board)

Mixed media on card

51.3 x 77cm

Provenance: Glen House, Bruton

£200-300

806 Φ

JUDITH KERR

Contemporary

Hebridean Journey IV

Signed, dated and inscribed J.KERR/2005-6/ Hebridean Journey IV/from Skye to Harris (to reverse)

Acrylic on canvas

50.2 x 99.9cm

Unframed

Provenance: Glen House, Bruton

£300-400

808 Φ

ANTHONY ROSSITER

1926-2000

Fallen Tree in Evening Lake

Signed with initials AR (lower right) Oil on board

39.8 x 53.8cm

Provenance: Glen House, Bruton

£200-300

809 Φ

OLWYN BOWEY RA b.1936

Rackham Mill

Signed Bowey (lower right)

Gouache

68.2 x 98.5cm

Provenance: Glen House, Bruton

£700-1,000

810 Φ

ADRIAN RYAN

1920-1998

Notre Dame de Grace, Honfleur

Signed Ryan (lower right), inscribed N.D. de Grace Honfleur 10.30am 9.7 (upper left) and further inscribed with colour notes

Pencil and watercolour

19.8 x 27cm

Provenance: Redfern Gallery, London, 1985; Glen House, Bruton

£200-300

811 Φ

GORDON BRYCE RSA

Scottish b.1943

Meadow, Snape

Signed Bryce (lower right) Oil on canvasboard, 1990 39 x 49.1cm

Provenance: Anne Thomson at the Sue Rankin Gallery, London, 1990; Glen House, Bruton

£200-300

811

810

809

812 Φ

KEITH VAUGHAN

1912-1977

Standing figure by a table

Pencil

22.3 x 16.8cm

Provenance:

Redfern Gallery; Wenlock Fine Art, December 2015; Glen House, Bruton

£600-800

813 Φ

BERNARD MENINSKY

1891-1950

Woman with a cockerel

Signed Meninsky (lower right) Gouache

47.5 x 31cm

Provenance:

Sotheby’s, London, 20th Century British and Irish Art including Works from the Studio of Bernard Meninsky…, 23 November 2005, lot 10; Glen House, Bruton

£400-600

814 Φ

BERNARD MENINSKY

1891-1950

Seated woman undressing Red, white and black chalk 51.5 x 24.2cm

Provenance:

Sotheby’s, London, 20th Century British and Irish Art including Works from the Studio of Bernard Meninsky…, 23 November 2005, lot 10 Glen House, Bruton

£200-300

815 Φ

CRAWFURD ADAMSON

Scottish b.1953

Study of a seated nude seen from behind; Study of a nude with her head in her arms, seen from behind; Study of a seated nude with her head in her hands

Three, each signed Crawfurd Adamson (lower left)

Each charcoal

Largest 28.8 x 35.5cm; Smallest 24.7 x 25.7cm (3)

Provenance:

The Scottish Gallery, Edinburgh; Glen House, Bruton

£200-300

816 Φ

SIR ROBIN PHILIPSON RA, PPRSA, FRSE, RSW 1916-1992

Women Resting

Signed Robin Philipson (to overlap)

Oil on canvas, 1974

40.6 x 40.5cm

Provenance: Glen House, Bruton

£1,500-2,500

817 Φ

SIR ROBIN PHILIPSON RA, PPRSA, FRSE, RSW 1916-1992

Dog

Signed R Philipson (lower right)

Watercolour

30.3 x 30.3cm

Provenance: Roland, Browse & Delbanco, London, November 1975; Glen House, Bruton

£1,000-1,500

816

817

818 Φ DONALD MCINTYRE 1923-2009

Holding the Boat

Signed with initials DMC (lower left), and further signed and inscribed “HOLDING THE BOAT”/BY DONALD MCINTYRE (to label) Oil on board

29 x 38.9cm

Provenance: Glen House, Bruton

£1,500-2,000 818

OTHER PROPERTIES

819 Φ

FRED YATES

1922-2008

A Happy Shipwreck

Signed and inscribed Fred Yates/A Happy Shipwreck/because I don't paint/sadness/they were all/saved! (to reverse)

Oil on canvas

60.9 x 91.3cm

£800-1,200

820 Φ

FRED YATES

1922-2008

Darling We Love You

Signed FRED YATES (lower left)

Oil on board

91.2 x 45.4cm

£800-1,200

821 Φ

JULIAN TREVELYAN RA 1910-1988

Richmond (Turner 226)

Signed, numbered and inscribed 63/75 Richmond Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1969, from the Thames Suite

79.5 x 58.6cm (sheet)

Unframed

£300-500

822 Φ

JULIAN TREVELYAN RA 1910-1988

St James’ Park (Turner 234)

Signed, numbered and inscribed 6/75 St James’ Park Julian Trevelyan (in pencil to margin)

Etching, aquatint and soft-ground, 1969-70 from London Parks Suite

55.7 x 67.2cm (sheet)

Unframed

£200-300

823 Φ

JULIAN TREVELYAN RA 1910-1988

Etruria (Turner 318)

Signed, numbered and inscribed 18/50 Etruria Julian Trevelyan (in pencil to margin)

Etching and aquatint, 1976

56.8 x 74cm (sheet)

£400-600

824 Φ

MARY NEWCOMB 1922-2008

Man Running, As In A Dream, Through the Forest

Signed and dated 86 Mary Newcomb (lower right) and further signed, inscribed and dated Man running, as in a/dream, through/the forest/Mary Newcomb/86 (to reverse) Oil on canvas

60.8 x 60.8cm

Provenance: Private Collection

£5,000-7,000

824 (framed)

825 Φ MARY FEDDEN OBE, RA, RWA

1915-2012

Dunwich

Signed and dated Fedden ‘01 (lower right), and further signed and inscribed Mary Fedden/Dunwich (twice to labels)

Oil on canvas

30.5 x 40.5cm

Provenance: Portland Gallery, London

Exhibited: London, Portland Gallery, Mary FeddenA Retrospective, May 2008

£3,000-5,000

825

825 (framed)

826

826 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

Home from Sea

Signed and dated Fedden ‘07 (lower left) and further signed and inscribed Mary Fedden/Home from Sea (to label) Oil on canvas

60.7 x 70.4cm

Provenance:

Purchased from the artist by the present owner Mary Fedden painted the present work for the current owner, basing it on her 2003 watercolour Brittany (see Sotheby’s, Olympia, 20th Century British & Irish Art, 7 June 2007, lot 117).

£6,000-8,000

826 (framed)

827 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

The Collector

Signed and dated Fedden 1997 (lower left), and further signed and inscribed Mary Fedden/ The Collector (to label) Oil on board

16.4 x 46.8cm

£3,000-5,000

828 Φ MARY FEDDEN OBE, RA, RWA 1915-2012

The Black Bottle

Signed and dated Fedden/10 (lower left), and further signed and inscribed Mary Fedden/The Black Bottle (to label) Oil on canvas

29.9 x 21.3cm

£3,000-5,000

827

827 (framed)

828 (framed)

829 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

Rock Buntings

Signed and dated Fedden

1982 (lower right)

Watercolour and bodycolour

22.4 x 16.7cm

£4,000-6,000

830 Φ

MARY FEDDEN OBE, RA, RWA 1915-2012

Julian Trevelyan and a blackbird

Signed and dated Fedden

1983 (lower left) and inscribed Tina & John with love (to backing board)

Watercolour heightened with bodycolour

23.6 x 19.1cm

£4,000-6,000

831 Φ MARY FEDDEN OBE, RA, RWA 1915-2012

Poppy

Signed and dated Fedden

1990 (lower left)

Watercolour heightened with white 18.3 x 11.4cm

£2,000-3,000

832 Φ

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Bear (Wiseman 36)

Signed Frink (in pencil lower right) and numbered 42/70 (in pencil lower left)

Lithograph, from the Eight Animals series, 1970

50.6 x 61.5cm (image)

Provenance: Curwen Gallery, London, 1982, where purchased by the present private collector

£600-800

832

833 Φ

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Laos and Oedipus (Wiseman 153)

Signed and numbered 3/70 Frink (in pencil to margin), and with Kelpra Studio blindstamp

Etching with aquatint, from The Children of the Gods series, 1988

72.9 x 55.5cm (sheet)

£400-600

1930-1993

Signed and dated Frink 69 (lower right)

Pencil and watercolour

76.5 x 101.4cm

Provenance: Private Collection, London

£5,000-7,000

834

834 Φ

DAME ELISABETH FRINK CH, DBE, RA

Boar

835 Φ

DAME ELISABETH FRINK CH, DBE, RA 1930-1993

Small Boar

Signed and numbered Frink 5/10 (to base)

Bronze with a dark brown patina, conceived in 1971

11.6 x 17.4 x 5.8cm

Provenance: Private Collection, London

Exhibited: London, Waddington Galleries, Elisabeth Frink: Sculpture and Prints and Drawings from Chaucer, October-November 1972 (another cast exhibited)

Literature:

Bryan Robertson (intro.), Elisabeth Frink Sculpture: Catalogue Raisonné (Salisbury,1984), p.180, no.199; Annette Ratuszniak, Elisabeth Frink: Catalogue Raisonné of Sculpture 1947-93 (Farnham, 2013), p.123, no.FCR226 (illustrated)

One of Elizabeth Frink’s recurring subjects was the wild boar. She first encountered them whilst living in the south of France, where she moved to in 1967. As she explained 'One of the reasons I started sculpting boars was that when I lived in France, in the Cevennes, we were surrounded by woods and we could actually see wild boars, especially at night. On moonlit nights they'd be making their passages down to the Camargue. They're very fascinating, shy creatures.' By slightly raising the foreleg, Frink has brilliantly imbued her subject with a sense of movement and animation.

£15,000-25,000

836 Φ

DAME ELISABETH FRINK CH, DBE, RA

1930-1993

Rolling Over Horse

Signed and numbered 9/12 Frink (to underside of horse), and hallmarked 18 carat gold, London, 1973 (on back left leg)

18 carat gold on a black Belgian marble base, conceived in 1972, cast in 1973, approx. weight 3125.5g (including base metal screws, excluding base) 13.5 x 20.8 x 10.6cm (excluding base)

Provenance:

Commissioned by the Morris Singer Foundry; From whom purchased by the present owner c.1973; Private Collection, London

Exhibited:

London, Alwin Gallery, Bronze, Silver & Gold, August-September 1973, no.12 (another cast exhibited)

Literature:

Bryan Robertson (intro.), Elisabeth Frink Sculpture: Catalogue Raisonné, Salisbury,1984, p.181, no.207 (another cast illustrated);

Annette Ratuszniak, Elisabeth Frink: Catalogue Raisonné of Sculpture 1947-93 (Farnham, 2013), p.125, no.FCR234 (another cast illustrated)

In 1971 the Morris Singer Foundry commissioned a series of works from some of the leading British sculptors of the time, including Barbara Hepworth, Lynn Chadwick, and Elisabeth Frink. They were asked to create small-scale works, each cast in 18 carat gold. Unsurprisingly, for such a prestigious commission, Frink turned to one of her favourite subjects, and created Rolling Over Horse. A contemporary review of an exhibition of these sculptures at Goldsmith’s Hall argued that the commission stands testament to the identities of each artist: ‘Together they are miniature examples of the spirit of contemporary sculpture in free-standing form… all of them establishing iconic identities within their own intrinsic scales’ (G. Whittet, Art and Artists, London, March 1975, p. 41).

Horses are one of the defining subjects in Frink's work. Throughout her career she 'was fascinated by how they moved and looked'. Her affinity with the animal stemmed from her rural childhood, when she learned to ride from a young age. However, she was less interested in sculpting a physically accurate rendering of the horse, than capturing ‘the spirit of the animal’. This interest in the horse’s character is reflected in the alert way it raises its head, imbuing the sculpture with a sense of potential energy.

£120,000-180,000

837 Φ

AUBREY WILLIAMS

Guyanese 1926-1990

Carib IV

Signed, dated and inscribed CARIB IV/Aubrey Williams/72 (to reverse) Oil on canvas

71.5 x 122cm

Unframed

Provenance:

Purchased from the artist by the present private collectors

£6,000-8,000

838 Φ

ANNE REDPATH OBE, ARA

Scottish 1895-1965

Pieta: Altar in a Spanish Church

Signed Anne Redpath (lower right)

Oil on board

51.1 x 61.3cm

Provenance: Sandra Lummis, London;

Property of a private collector, London; And by descent

Exhibited:

London, Portland Gallery, Anne Redpath, July-August, 2008, no.37

£7,000-10,000

838 (framed)

838

839 Φ

MAURICE COCKRILL RA

1936-2013

Red cross

Signed M Cockrill (lower right)

Mixed media on paper

57 x 76.5cm

£200-300 840 Φ

MAURICE COCKRILL RA 1936-2013

Abstract

Signed with initials and dated M C 5 99 (lower right)

Mixed media on paper 57 x 83.7cm

£200-300

841 Φ

MAURICE COCKRILL RA 1936-2013

Family

Signed and dated Maurice Cockrill/1986 (lower right) and inscribed ‘FAMILY’ (lower left) Watercolour, bodycolour and gum arabic

76.5 x 56.5cm

£100-150

842 Φ

MICHAEL TYZACK 1933-2007

Richmond (Ind): 1970

Signed and inscribed in stencil (to stretcher)

Acrylic on canvas

152.8 x 152.8cm

Unframed

Provenance: Bonhams Knowle, Pictures, 16 November 2010, lot 134

£800-1,200

843 Φ PRUNELLA CLOUGH 1919-1999

Still Life

Signed Clough (to reverse) Oil on canvas, 1987

101.4 x 90.8cm

Provenance: Waddington Galleries, London; Dr John Ball

Exhibited:

London, Olympia Spring Fine Art and Antiques Fair, Prunella Clough: Seeing the World Sideways, March 2004, no. PC-192; London, Tate Britain; Norwich, Norwich Castle

, 2007-2008, no. 40

£4,000-6,000

Museum; Kendal, Abbot Hall Art Gallery, Prunella Clough

843

844

ITZCHAK TARKAY

Israeli 1935-2012

Lost in Thought

Signed Tarkay (lower left)

Oil on canvas

100 x 100.5cm

Unframed

Provenance:

Kings Gallery, Jerusalem, February 2014

£800-1,200

845 Φ PIER (PIERRE LABADIE)

French 1950-2019

Two fishermen on the dock

Signed pier (lower right)

Mixed media on paper

22.2 x 16.2cm

£600-800

846 Φ PIER (PIERRE LABADIE)

French 1950-2019

A fisherman repairing his nets

Signed pier (lower right)

Mixed media on paper

22.2 x 16.2cm

£600-800

847 Φ

PIER (PIERRE LABADIE)

French 1950-2019

Woman in an interior

Signed Pier (lower right) Oil on canvas

81 x 100.3cm

£600-800

848 Φ

PIER (PIERRE LABADIE)

French 1950-2019

La Fenêtre sur la Place

Louis XIV, St-Jean-de-Luz

Signed Pier (lower left) and further signed, dated and inscribed la fenêtre/sur la place “Louis XIV”/ St-Jean-de-Luz/Pier/85 (to reverse)

Oil on canvas

81.1 x 64.9cm

£500-700

849 Φ

PIER (PIERRE LABADIE)

French 1950-2019

Pelote players

Signed pier (lower left)

Mixed media on paper

21.8 x 15.9cm

£600-800

850 Φ

LESLIE HURRY

1909-1978

Landscape

Signed with initials and dated LH/71 (lower right)

Pen and ink, watercolour and bodycolour

20.9 x 23.4cm

£300-500

852 Φ

CLIFFORD FISHWICK

1923-1997

Beach Scene

Signed and dated Clifford Fishwick 89 (lower right), and further signed, dated and inscribed Beach scene/Clifford Fishwick 89 (to reverse)

Oil on board

14.7 x 29.2cm

£200-300

851 Φ BARRINGTON TABB 1934-2022

Water Shed

Signed with initials BT (lower right) Oil on board

25.4 x 29.4cm

£150-250

853 Φ JOHN BRATBY RA 1928-1992

Angora rabbit

Signed and indistinctly inscribed John Bratby/The *** (lower right), and inscribed and dated To dearest Patti from John January 2 1986 (lower centre) Oil on canvas 71 x 44.5cm

Provenance: Collection of Patti Bratby; And by descent

£800-1,200

1928-1992

854 Φ JOHN BRATBY RA

Red Canal and Gondola through Shutters

Signed BRATBY (upper right) Oil on canvas

857

857 Φ

ELIZABETH MACDONALD BUCHANAN

1939-2020

Long-eared owl

Signed with initials EMB (lower right)

Pencil

51.8 x 41.8cm

£200-300

855 Φ CHARLES FREDERICK TUNNICLIFFE

OBE, RA

1901-1979

Chinese Geese

Wood engraving, conceived in 1937 and printed from the original block by Nicolas McDowell, 2009

13.7 x 40.7cm (image)

£100-150

858

858 Φ

ELIZABETH MACDONALD BUCHANAN 1939-2020

Owl with a beetle

Signed with initials EMB (lower right)

Pencil

48.1 x 43.2cm

£200-300

856 Φ PETER BARRETT b.1935

Cheetahs in the savanna; A hare and otter in a winter landscape; Animal studies

Three, each signed Peter Barrett, and the latter inscribed throughout Each watercolour Largest 28.5 x 40cm; Smallest 36 x 26.8cm (3)

£120-180

859 Φ

ELIZABETH MACDONALD BUCHANAN 1939-2020

Two mice

Signed with initials EMB (lower right)

Pencil

55.8 x 46.9cm

£200-300

860 Φ DIDO CROSBY

b.1961

Tups resting, Pett, East Sussex

Signed Dido Crosby (lower right) and inscribed

Tups resting, Pett, East Sussex (lower left)

Pencil

29.8 x 42.1cm

£300-500

861 Φ VINCENT R. BALFOUR-BROWNE 1880-1963

Highland Landscape

Pencil and watercolour heightened with body colour

49.5 x 70cm

£600-900

863 Φ JOEL KIRK

b.1948

The sportsman

Signed JOEL KIRK (lower right)

Pastel

58.7 x 78.8cm

£100-150

862 Φ PIP MCGARRY

b.1955

Gemsbok

Signed and dated PIP McGARRY/ 1998

Oil on canvas

25.3 x 20.3cm

£300-500

864 Φ PHILIP RICKMAN 1891-1982

A pair of red-legged partridges

Signed Philip Rickman (lower left)

Pencil, watercolour and bodycolour

26.4 x 36.9cm

£200-300

861

865 Φ

TERENCE LAMBERT

b.1951

Buzzard and a Red-Legged Partridge

Signed and dated TERENCE LAMBERT 93 (lower right)

Watercolour and bodycolour heightened with gum arabic

47.6 x 91.6cm

Provenance:

County Works Gallery, Mongomery, where purchased by the present private collector, c.1993

Exhibited:

Anglesey, Oriel Ynys Mon, April-May 1999

£1,000-1,500

866 Φ

TERENCE LAMBERT

b.1951

Spotted Flycatcher

Signed and dated TERENCE LAMBERT 94 (lower right)

Gouache

22.3 x 44.4cm

Provenance:

County Works Gallery, Mongomery, where purchased by the present private collector, c.1994

Exhibited: Anglesey, Oriel Ynys Mon, April-May 1999

£250-350

866

865

867

KEITH SHACKLETON

1923-2015

Albatrosses bonding, Prion Island, South Georgia

Signed and dated Keith Shackleton 2001 (lower right) and inscribed “Pair Bonding”/Prion Island South Georgia (lower left)

Oil on board

39.5 x 44.8cm

Provenance:

Commissioned by Malcolm Lyell, June 2001

According to an inscription on the reverse, this painting was commissioned directly from the artist and based on a photograph. Shackleton embellished this image by adding the two flying albatrosses and a pintado petrel.

£1,000-1,500

868 Φ

JOHN CYRIL HARRISON

1898-1985

An eagle in flight over the Scottish Highlands

Signed JCHarrison (lower right)

Pencil and watercolour

49.2 x 64.6cm

£600-800

867

869 Φ MARCEL DYF

French 1899-1985

Voiliers au mouillage, Le Ruault, Bretagne Sud near Sarzeau

Signed Dyf (lower right)

Oil on canvas

46.7 x 55.7cm

Provenance: Frost & Reed; E. Stacy-Marks, Eastbourne, 1972; Woolley and Wallis, Salisbury, 20th Century & Contemporary Paintings, 4 June 2014, lot 184, where purchased by the present private collector

This work is recorded in the Dyf archive (no.2576).

£10,000-15,000

(framed)

870 Φ

ARTHUR BOYD

Australian 1920-1999

Wimmera landscape with cockatoos

Signed Arthur Boyd (lower left)

Oil on board

68.4 x 91.5cm

£15,000-25,000

870 (framed)

870

873 Φ

MARTYN BREWSTER b.1952

Night Music 134

Signed and dated Brewster ‘98 (in pencil lower right) and inscribed Night Music 134 (in pencil lower left)

Screenprint

57.7 x 57.7cm (sheet)

£300-500

871 Φ

ARTHUR BOYD

Australian 1920-1999

Bather, Pulpit Rock and Rainshower

Signed, numbered and inscribed 22/40 Bather, Pulpit Rock & Rainshower Arthur Boyd (in pencil to margin)

Etching and aquatint

80.3 x 60.5cm (sheet)

£200-300

872 Φ

BARBARA RAE

CBE, RA, FRSE

Scottish b.1943

Red Sky

Signed, numbered and inscribed 9/125 Red Sky Rae (in pencil to margin)

Screenprint

87.8 x 60.4cm (image)

£400-600

874 Φ

MARTYN BREWSTER b.1952

Woodland Series No 1

Signed, inscribed and dated Martyn Brewster/Wood Series No 1./’98 (to backing board)

Charcoal

34.7 x 32.3cm

Provenance: Acquired from the artist by the present private collectors £100-150

875 Φ

JOHN KINGSLEY

RSW, PAI

Scottish b.1956

Windy Street, Place de l’Ormeau

Signed Kingsley (lower right)

Oil on canvas

91.2 x 91.4cm

£1,000-1,500

876 Φ

JO HARGAN

Scottish b.1952

Boats at Port de Pollença, Mallorca

Signed and dated Hargan/94 (lower right)

Oil on canvas

51 x 51cm

Provenance:

The Contemporary Fine Art Gallery, Eton

£400-600

877 Φ

ANN ORAM RSW

Scottish b.1956

Cathedral at Night, Cadiz

Signed and dated Ann Oram ‘91 (lower right)

Oil on canvas

35.5 x 45.8cm

Provenance: Private Collection, Yorkshire

£200-300

879 Φ KEN HOWARD

1932-2022

Portrait study of a young officer

878 Φ KEN HOWARD

1932-2022

Red Windbreak, Blue and Yellow

Signed Ken Howard (lower right) Oil on board

15.4 x 21.6cm

Provenance: Brian Sinfield, Burford; Private Collection, London

Exhibited:

Burford, Brian Sinfield, Ken Howard, October 1991, no.53

£1,000-1,500

Starting the Holiday Signed Richard Price (lower right)

881 Φ

FRED CUMING RA

1930-2022

Thatched Cottage, Wittersham

Signed Cuming (lower left) and inscribed Thatched Cottage/Wittersham (to reverse)

Oil on board

24.9 x 34.9cm

Provenance: New Grafton Gallery, London, 1987 (according to inscription to reverse)

£1,500-2,500

882 Φ

FRED CUMING RA

1930-2022

Figures on the beach

Signed Cuming (lower left)

Oil on board

14.2 x 24.8cm

£800-1,200

883 Φ

FRED CUMING RA

1930-2022

Horton in Ribblesdale

Signed and numbered 1/1 Fred Cuming (in pencil to margin)

Etching and aquatint

22.7 x 20.2cm (plate)

£150-250

883

882

881

884 Φ

BERNARD DUNSTAN RA 1920-2017

The Gabrieli Quartet Rehearsing at Stourhead, Wiltshire I

Signed with initials BD (lower left)

Oil on canvasboard, 1987

42.3 x 35.8cm

£800-1,200

885 Φ

BERNARD DUNSTAN RA 1920-2017

The Gabrieli Quartet Rehearsing at Stourhead, Wiltshire

Signed and numbered 3/200 Bernard Dunstan (in pencil to margin)

Lithograph

36.1 x 38cm (image)

£150-250

886 Φ

BERNARD DUNSTAN RA

1920-2017

The Young Contemporaries

Signed with initials BD (lower left)

Oil on board

45.3 x 30.2cm

Provenance: Vince Hill (1934-2023); And by descent

Exhibited:

The Arts Council of Great Britain, London Group, no.18

£800-1,200

887 Φ

BERNARD DUNSTAN RA

1920-2017

Cherbourg I - Evening

Signed with initials BD (lower left) and further signed, inscribed and dated BERNARD DUNSTAN/CHERBOURG I/EVENING/9.69 (to reverse)

Oil on canvasboard

25.4 x 23cm

Provenance: Vince Hill (1934-2023); And by descent

£500-700

887

886

888 Φ

DIANA ARMFIELD RA b.1920

Spring Flowers in the Lalique Vase

Signed with initials DMA (lower left)

Oil on canvasboard

43 x 32.4cm

£1,500-2,500

889 Φ BEN LEVENE RA 1938-2010

Still life with begonias

Signed with monogram (lower right) and further signed Ben Levene (to reverse)

Oil on canvas

76.7 x 63.8cm

Provenance:

Sotheby’s, London, 20th Century British & Irish Art, 7 June 2007, lot 214

£1,000-1,500

892 Φ

PATRICK GEORGE

1923-2016

Portrait of a lady seated in an interior

Signed Patrick George (to reverse)

Oil on board

99.2 x 81.2cm

£400-600

890 Φ

HERBERT WHONE 1925-2011

Portrait of a man in a blue jumper, probably the actor Leonard Fenton (1926-2022)

Signed Whone (lower left) and dated 58 (lower centre)

Oil on canvas

56.5 x 36.3cm

Unframed

£500-800

891 Φ PATRICK GEORGE 1923-2016

Portrait of the artist’s mother

With artist’s studio stamp twice to backing board

Oil on canvas

55.8 x 42.4cm

£300-500

893 Φ PARITOSH SEN Indian 1918-2008

Portrait of Bubbles

Oil on canvas

54.9 x 49.6cm

Provenance: Purchased from the artist by the present owner

£400-600

894 Φ

PETER HOWSON OBE

Scottish b.1958

Model with a blue sock

Signed HOWSON (lower left)

Mixed media on paper

23.6 x 17.7cm

Provenance: Beaux Arts, Bath

£250-450

895 Φ

PETER HOWSON OBE

Scottish b.1958

Study of a crouching man

Signed Howson (lower right)

Pencil and charcoal

19.5 x 13.8cm

£150-250

896 Φ

ANTHONY BUTLER

1927-2010

The Local

Signed BUTLER (lower right)

Oil on canvas

61 x 45.7cm

Provenance: Fosse Gallery, John Lindsey Fine Art, Stow-on-the-Wold

£200-300

897 Φ MARGARET PULLEE

1910-2003

Street in Antalya

Signed Margaret Pullee (lower right) Oil on board

61 x 61cm

Provenance: Christie’s, London, Russian Treasures Take The Spotlight, 29 November 2011, lot 442

£300-500

897

896

895

894

898 Φ

JOHN STANTON WARD RA

1917-2007

Portrait of a lady with a coral necklace

Signed and dated John Ward 80 (lower left)

Oil on canvas

50.9 x 76.5cm

£1,000-1,500

899 Φ

JOHN STANTON WARD RA

1917-2007

Stephanie holding a cup and saucer

Signed and dated John Ward/1978 (lower right)

Charcoal and pastel

61.2 x 57.5cm

Provenance: J S Maas & Son, London

Literature: John Ward, The Paintings of John Ward (David & Charles, 1991), p.54 (illustrated)

£300-500

900 Φ

JACK VETTRIANO

Scottish b.1951

Party People

Signed VETTRIANO (lower right)

Oil on canvas, 1997

61.2 x 50.8cm

Provenance:

Portland Gallery, London; Private Collection, London

£20,000-30,000

901 Φ PETER COLLIS 1929-2012

Still life with fruit and flowers on a tabletop

Signed PCollis (lower left)

Oil on canvas

76.4 x 76.4cm

Provenance:

Purchased from the artist by Fosse Gallery, John Lindsey Fine Art; Private Collection, Yorkshire £1,200-1,800

902 Φ TERENCE CLARKE b.1953

Blue Still Life

Signed Terence Clarke (lower right), and further signed and dated Terence/Clarke 01 (to reverse)

Oil on canvas

54.5 x 54.5cm

Provenance: Thompson’s, Marylebone

£200-300

903 Φ TERENCE CLARKE b.1953

Two Red Apples

Signed Terence Clarke (lower left), and further signed and dated Terence/Clarke 2000 (to reverse)

Acrylic on canvas

43.5 x 43.2cm

Provenance: Panter & Hall, London

£200-300

904 Φ

WILLIAM CROSBIE RSA

Scottish 1915-1999

Chez Nous

Signed and dated Crosbie/XCII (lower left), and further signed and inscribed “Chez Nous”/Crosbie/ Petersfield/XCIII

Oil on board

44.6 x 60.4cm

Provenance:

Ewan Mundy Fine Art, Glasgow; Collection of Professor Ronald Mavor, Edinburgh; The Scottish Gallery, Edinburgh; Private Collection

Exhibited:

Edinburgh, The Scottish Gallery, Modern Masters III, July 2014

£1,000-1,500

904 (framed)

904

905 Φ HANS SCHLEEH

German 1928-2001

The Musicians

Signed SCHLEEH (to reverse of base)

Stone

51 x 32.8 x 23cm

Provenance: Galerie Dominion, Montreal

£500-800

906 Φ JOHN BROWN b.1931 Unity

Signed and numbered JRBrown 1/12 (to reverse)

Cast metal alloy with green patina 45 x 20 x 16.8cm

£150-250

906

905

907 Φ

DEBORAH STERN b.1938

The Tree

Signed, dated and numbered D.Stern 4/9 ‘86 (to side)

Bronze with polished and green patina on a stone base

24 x 30 x 13cm (including base)

Provenance:

Christie’s Contemporary Art, London, where purchased by the present private collector

£300-500

908

HUGO ZAPATA

Colombian b.1945

Calice

Polished lutite, 1995

22.5 x 56.5 x 13.1cm

Provenance:

Christie’s, South Kensington, 20th Century Colombian Art, 12 October 1999, lot 27

£500-700

909 Φ

JONATHAN WYLDER

b.1957

Ballet dancer

Bronze with brown and green patina on a black marble base

94 x 53.7 x 46cm (excluding base)

£800-1,200

910 Φ JONATHAN WYLDER

b.1957

Ballet dance at the barre

Signed twice, numbered and dated 2/9 2000 Wylder WYLDER

(to foot)

Bronze with brown and green patina on a black stone base

93.5 x 40.2 x 21.5cm (excluding base)

£800-1,200

909

LAURENCE BRODERICK

1935-2024

Camuscroise Otter II

Signed, inscribed and numbered LAURENCE BRODERICK

CAMUSCROISE OTTER II 6/7 B.I.B (to lower edge)

Bronze with a green patina

24.8 x 33 x 18.5cm

Provenance: Peter Hedley Gallery, London

£1,500-2,500

912

MICHAEL COLEMAN

American b.1946

Rhino on Theodore Roosevelt books

Signed and numbered Michael Coleman 9 (to base of rhino) and further signed Michael Coleman (to underside)

Bronze

22 x 22.5 x 10.4cm

£400-600

913 Φ

GUY TAPLIN

b.1939

The Wind Bird

Signed, dated and inscribed THE WIND BIRD/GUY TAPLIN/1981 (to reverse)

Painted driftwood with glass bead eyes

46.5 x 32.5 x 10.8cm

£1,200-1,800

914 Φ

GUY TAPLIN

b.1939

Teal

Signed GUY TAPLIN (to underside)

Painted wood with glass bead eyes

27 x 14.3 x 10.7cm

£300-500

915 Φ

GUY TAPLIN

b.1939

Wren

Signed and inscribed WREN/GUY TAPLIN (to base)

Painted driftwood with glass bead eyes

24.5 x 7.7 x 11cm

Exhibited:

London, Messum’s, Guy Taplin, FebruaryMarch 2023, no.64

£300-500

916 Φ

GUY TAPLIN

b.1939

Oyster Catcher

Signed and inscribed OYSTER CATCHER/ GUY TAPLIN (to underside)

Painted wood with glass bead eyes on a driftwood base with metal support

43.5 x 54.2 x 18.5cm (including base)

£1,500-2,500

917 Φ

GUY TAPLIN

b.1939

Swan

Signed and inscribed SWAN/GUY/ TAPLIN (to underside)

Painted wood and glass bead eyes

34.3 x 75.4 x 33.5cm

£1,500-2,000

916

918

Φ GUY TAPLIN b.1939

Penguin

Signed, dated and inscribed PENGUIN/2000/ GUY TAPLIN (to underside)

Painted wood with glass bead eyes

45.5 x 29.5 x 31.2cm

£2,000-3,000

919

DYLAN LEWIS

South African b.1964

Wading Spoonbill

Signed, numbered and dated Dylan Lewis 8/10 96 (to leg)

Bronze on a hardwood base

44.5 x 85.5 x 24cm

Provenance:

The Collection of Lady Linda Wong Davies

£7,000-10,000

920 Φ

SOPHIE RYDER b.1963

Crouching Lady Hare

Signed Ryder 2002 (in pencil lower right) and numbered 5/30 (in pencil lower left)

Lithograph 66.1 x 90cm (sheet)

£600-800

921 Φ

SOPHIE RYDER b.1963

Two black horses running

Signed and dated Ryder 92 (lower right) and numbered 4/7 (lower left)

Screenprint 17 x 32.6cm (image) £150-250

922 Φ

SOPHIE RYDER

b.1963

Black Goat

Signed and numbered 62/70 Ryder (in pencil to margin)

Screenprint

71.5 x 78.6cm (image)

£600-800

923 Φ

SOPHIE RYDER

b.1963

Minotaur Head

Signed, dated and numbered 40/50 Ryder 95 (in pencil to margin)

Linocut

34.9 x 34.9cm (image)

£250-450

924

Φ SOPHIE RYDER

b.1963

Hare and dancers by moonlight

Signed, dated and numbered 50/70 Ryder 95 (in pencil to margin)

Aquatint

23.8 x 17.8cm (plate)

£250-450

924

923

922

925 Φ FRASER TAYLOR b.1960

Two figures

Signed and dated Fraser Taylor 84 (lower left)

Acrylic on paper 92.7 x 62.9cm

Provenance: The Tom Watkins Collection

£300-500

926 Φ FRASER TAYLOR b.1960

Two figures

Signed and dated Fraser Taylor 85 (lower left)

Acrylic on paper

87.8 x 63cm

Provenance: The Tom Watkins Collection

£300-500

927 Φ FRASER TAYLOR b.1960

Seated nude, seen from behind

Signed and dated Fraser Taylor - 90 (lower right)

Oil and charcoal on paper 83.3 x 57.8cm

Provenance: The Tom Watkins Collection

£300-500

928 Φ FRASER TAYLOR b.1960

Crouching female nude

Signed and dated Fraser Taylor 86 (lower left)

Acrylic and charcoal on paper

82.3 x 67.1cm

Provenance: Jill George Gallery, London, where purchased by the present private collector

£300-500

929 Φ

FRASER TAYLOR

b.1960

Running figure

Signed and dated Fraser Taylor 84 (lower right)

Acrylic and charcoal on paper

38.2 x 28.1cm

Provenance: The Tom Watkins Collection

£200-300

930 Φ

FRASER TAYLOR

b.1960

Rowing boat in a boathouse

Signed and dated Fraser Taylor 88 (lower centre)

Mixed media on card 114.2 x 99.6cm

Provenance: The Tom Watkins Collection

£500-700

931 Φ

FRASER TAYLOR

b.1960

Bicycle

Signed and dated Fraser Taylor 89 (lower right)

Oil on paper 57 x 81.7cm

Provenance: The Tom Watkins Collection

£250-350

932 Φ

FRASER TAYLOR

b.1960

Three figures

Signed, dated and numbered 25/75

Fraser Taylor 85 (in pencil to margin)

Screenprint

75.5 x 83.5cm (image)

Provenance: The Tom Watkins Collection

£50-80

932

931

930

929

933 Φ

FRASER TAYLOR

b.1960

Two figures

Signed and dated Fraser Taylor 84 (lower right)

Black chalk and gouache 38 x 28cm

Provenance: The Tom Watkins Collection

£100-150

936 Φ

FRASER TAYLOR

b.1960

Figure on a boat

Signed and dated Fraser Taylor 89 (lower right)

Mixed media on paper 21.6 x 30cm

Provenance: The Tom Watkins Collection

£100-150

934 Φ

FRASER TAYLOR

b.1960

Black arrow

Signed and dated Fraser Taylor 94 (lower left)

Mixed media and collage on paper 41 x 56.5cm

Provenance: The Tom Watkins Collection

£100-150

935 Φ

FRASER TAYLOR

b.1960

Containing Nothing

Signed and dated Fraser Taylor 93 (lower left)

Mixed media and collage on paper 83.5 x 113.7cm

Provenance: Jill George Gallery, London; The Tom Watkins Collection

£700-1,000

937 Φ

FRASER TAYLOR

b.1960

Abstract in grey

Signed and dated Fraser Taylor 99 (in pencil to margin)

Lithograph 43.8 x 57.6cm (image)

Provenance: The Tom Watkins Collection

£80-120

938 Φ GRAHAM KNUTTEL

Irish 1954-2023

Black Cat

Signed Knuttel (lower right), and inscribed BLACK CAT (to stretcher)

Oil on canvas

121 x 121cm

Unframed

£1,500-2,500

938

939 Φ

NICHOLAS JOLLY

b.1962

Figures in an interior wearing masks

Signed and dated N.Jolly.83 (lower right)

Oil on canvas

96.7 x 101.4cm

£500-800

940 Φ

NICHOLAS JOLLY

b.1962

The Draft Players

Signed and dated N Jolly 85 (lower right)

Oil on canvas

91.3 x 101.4cm

£400-600

941 Φ

RAY RICHARDSON

b.1964

Sunday Morning Gazza

Signed twice, inscribed and dated RAY RICHARDSON/1993 R

Richardson/”SUNDAY MORNING/ GAZZA” (to backing board)

Oil on board

11.8 x 11.8cm

Provenance: The Tom Watkins Collection

£250-350

942 Φ

RAY RICHARDSON

b.1964

The Spanish Tragedy

Signed twice, inscribed and dated “THE SPANISH TRAGEDY”/RAY RICHARDSON/RRichardson 1996-97 (to overlap)

Oil on canvas

25.5 x 25.5cm

Provenance: The Tom Watkins Collection

£300-500

943 Φ

RAY RICHARDSON b.1964

Man of Kent

Signed twice and inscribed Ray Richardson/”MAN OF KENT”/RAY

RICHARDSON (to backing board)

Oil on board

15.1 x 15.1cm

Provenance: Eleven Fine Art, London; The Tom Watkins Collection

£600-800

944 Φ

RAY RICHARDSON

b.1964

In the Dark

Signed twice and inscribed RAY RICHARDSON/”IN THE DARK”/ R Richardson (to backing board) Oil on board

14 x 14cm

Provenance: Beaux Arts, London; The Tom Watkins Collection

£600-800

945 Φ

RAY RICHARDSON

b.1964

Bull-terrier

Signed and dated Richardson ‘98 (upper left) and with artist’s blindstamp (lower left)

Charcoal

59.3 x 41.9cm

Provenance: The Tom Watkins Collection

£300-500

946 Φ

OISIN ROCHE

Irish b.1973

Interior Portrait Oil on canvas, 1993

75.8 x 63.8cm

We are grateful to Oisin Roche for his assistance cataloguing the present work.

£300-500

946

944 943

947 Φ JOHN MONKS

b.1954

Tins with Brushes

Signed, inscribed and dated John Monks 1986/Tins with Brushes (to label)

Oil on canvas laid on board

83.6 x 61.6cm

£1,000-1,500 947

948 Φ JOHN MONKS b.1954 Cactus

Signed, dated and inscribed John Monks/1985/”Cactus” (to reverse) Oil on canvas

77.6 x 65.3cm

£1,000-1,500 948

949 Φ THE CURWEN STUDIO 50TH

ANNIVERSARY PORTFOLIO

The complete portfolio comprising:

950 1. Mark Hearld, Anniversary; 2. Stanley Jones, Umbra; 3. Colin Wilkin, Byway & Bicycle; 4. Carry Akroyd, Something Fenny; 5. Robert Scott Simon, High Octave; 6. Tim Wood, Coast;

7. Mary Dalton, Pea Pods; 8. Thomas Martin, Radial 1; 9. Bernard Dunstan, Early Morning; 10. Noel Myles, Suffolk Hops; 11. Jenny Roland, Salt of the Universe; 12. Sargy Mann, Seated Girl; 13. Luke Elwes, Prayer; 14. Stephen Walter, Road Signs no. 2, 2009; 15. Mary Fedden, Fourteen; 16. Rosie Corcoran, Hunted; 17. Michael Papworth, Tournesol; 18. Virginia Powell, Pond; 19. Darryl Nantais, Evolution; 20. Wilf Roberts, ‘Bwlch’; 21. Claudia Williams, Beach; 22. Glynis Mills, Unicorn;

950 Φ ARTHUR HOMESHAW RWA 1933-2011

23. Angie Lewin, Autumn;

24. Bernard Cheese, Green Apples; 25. Hen Coleman, ‘disencharted by the day, the land set out to sea’;

26. Sheila Ingham, Narragansett R.I;

27. Mike Hawkins, D40 x6E;

28. Roger Phillippo, Red Sail;

29. Kate Dicker, Toy Racers;

30. Diana Armfield, Full Field of Sunflowers, South of France;

31. Dale Devereux Barker, Perfect Finish Thirty one, each signed by the artist and numbered pp3/5

Each lithograph, a printers proof in addition to the edition of 50, commissioned and published by The Curwen Studio 2008-2009, together with an additional impression of Kate Dicker, Toy Racers

Each 25.5 x 30.5cm (sheet), within a single presentation frame (32)

£1,200-1,800

Machine in a Landscape II; Moorland Glow

Two, the former signed, numbered and inscribed “Machine in a Landscape II” Linocut 17/40 Arthur Homeshaw, the latter signed, dated, numbered and inscribed “Moorland Glow” Linocut 24/36 Arthur Homeshaw 1973 (in pencil to mount)

Both linocut 34.8 x 52.8cm; 34.3 x 55.7cm (image) (2)

£150-250

953

951 Φ

ANTHONY WHISHAW RA b.1951

Reflection with King & Queen II

Signed and dated Anthony Whishaw 84/5/6 (lower right)

Acrylic, charcoal and collage on paper

68.4 x 101.3cm

£200-300

952 Φ LIONEL BULMER 1919-1992

At the beach

Pen and ink within ink framing lines 16.8 x 21.4cm

Provenance: Messum’s, London Exhibited: London, Messum’s, Lionel Bulmer & Margaret Green: A Painting Partnership, 2018, no.7

£150-200

953 Φ FRIDA BARANEK Brazilian b.1961 Swirls

Signed, inscribed, dated and numbered SWIRLS 8/9 Frida Baranek 07 (to reverse)

Collagraph on handmade paper with wool 64 x 64cm

£300-500

954 Φ

DERRICK GREAVES 1927-2022

Heavy Industry

Signed and dated derrick Greaves ‘63 (lower right)

Ink and wash

39.5 x 39.8cm

Unframed £200-300

954

952

951

955 Φ

MONICA POOLE RE

1921-2003

Mirror Image

Signed, numbered and inscribed Mirror Image 10/100 Monica Poole (in pencil to margin)

Wood engraving

15.3 x 8.7cm (image)

Provenance: Bankside Gallery, London

£700-1,000

956 Φ

MONICA POOLE RE

1921-2003

Tree Stump

Signed, inscribed and numbered Tree Stump 2/100

Monica Poole (in pencil to margin)

Wood engraving, 1992

21.6 x 28.1cm (sheet)

Unframed

£700-1,000

955

957 Φ

MONICA POOLE RE

1921-2003

Chalk Coast

Signed, inscribed and numbered Chalk Coast 17/75

Monica Poole (in pencil to margin)

Wood engraving, 1983

30.6 x 20.6cm (sheet)

Unframed

£600-800

958 Φ

MONICA POOLE RE

1921-2003

Pilgrims Way

Signed, inscribed and numbered Pilgrims Way 3/150

Monica Poole (in pencil to margin)

Wood engraving, 1981

24.5 x 35.2cm (sheet)

Unframed

£800-1,200

958

957

960 Φ

PETER BROOKES

b.1943

I’ll Be B******d If He Will!

Signed and dated 10 ix 99/Peter Brookes (lower right)

Pen and black ink heightened with white 24.5 x 32.7cm

Provenance: Chris Beetles, London, where purchased by the present private collector, October 1999

Exhibited:

London, Chris Beetles, Peter Brookes, Nature Notes - The New Collection, October 1999, no.79

Literature: The Times, 10 September 1999

£200-300

959 Φ SIR OSBERT LANCASTER CBE 1908-1986

A defensive weapon; A knight on his charger Two, the former signed Osbert Lancaster (lower right), the latter signed and inscribed Dear Sidney/Very many thanks for your kind/and morale sustaining message./I feel I can now - almost/look you in the eye!/Ys Osbert (lower centre)

The former pen and black ink with blue chalk, the latter pen and black ink

25.2 x 15cm; 18.2 x 12.7cm (2)

£150-250

961 Φ

PHILIP SUTTON RA b.1928

Saskia

Signed, dated and inscribed Philip Sutton 1980 SASKIA A/P (in pencil to margin) Etching

18.5 x 15.2cm (plate)

£100-150

962 Φ CHRIS ORR RA

b.1948

On the Road to Damascus

Signed, inscribed and dated unique proof On the road to Damascus, a London fantasy based on the work of Wenceslas Hollar and others Chris Orr 2012 (in pencil to margin)

Engraving with hand colouring, a proof in addition to the edition of 20

82 x 112.5cm (sheet)

£200-300

963 Φ HOWARD PHIPPS

b.1954

Fifield Bavant, The Ebble Valley in Winter

Signed, dated, numbered and inscribed ‘Fifield Bavant, The Ebble Vallery in Winter’/16/100 Howard Phipps ‘00 (in pencil to margin) Wood engraving

5 x 7.5cm (image)

£100-150

964 Φ PETER LAWRENCE

b.1951

Inside Out; Free and Unequal

Two, the former signed, numbered and inscribed 9/30 Inside out Lawrence (in pencil to margin); the latter signed, numbered and inscribed 9/50 Free and Unequal Lawrence 9/50 respectively (in pencil to margin)

Both wood engraving

12.3 x 12.3cm; 15.5 x 15.5cm (image) (2)

Provenance:

The Collection of the Late Howard Duckworth; By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 5 June 2024, lot 516, where purchased by the present private collector

£100-150

962

963

964

965 Φ

TESSA NEWCOMB b.1955

Walking By

Signed and dated TNEWCOMB 79 (lower right)

Oil on board

28.1 x 23cm

Provenance: Christopher Hull Gallery, London

£400-600

966 Φ

DIANNE CONWAY b.1951

Untitled VIII

Oil on canvas, 1995 101.6 x 111.7cm

Provenance: Anthony Hepworth Fine Art, Bath

£100-200

967 Φ

MARC VAUX b.1932

Extensive landscape

Signed MVaux (lower right)

Oil on board

30.4 x 45.6cm

Unframed

Provenance:

Given by the artist’s wife to the present owners

£300-500

968 Φ

MOIRA HUNTLY b.1932

Campo della Pescaria, Venice

Signed Moira Huntly (lower left)

Black chalk and gouache

30.8 x 36.2cm

Provenance: John Blockley Gallery, Stow-on-the-Wold

£200-300

969 Φ

MOIRA HUNTLY b.1932

Chioggia, Italy

Signed Moira Huntly (lower right) Gouache

32.4 x 34.5cm

Provenance: John Blockley Gallery, Stow-on-the-Wold

£200-300

970 Φ

RAMON PICHOT

Spanish 1925-1987

Young woman seated at a dressing table

Signed Ramon Pichot (lower left)

Pastel

63.9 x 48.8cm

£200-300

971 Φ

RAMON PICHOT

Spanish 1925-1987

Young woman in an armchair

Signed Ramon Pichot (upper right)

Pastel

63.8 x 48.6cm

Provenance: Mistral Galleries, London

£200-300

972 Φ

NIGEL VAN WIECK b.1947

At a Gentleman’s Leisure

Signed VAN WIECK (lower right)

Oil on board

38 x 29.3cm

Provenance: Fosse Gallery, John Lindsey Fine Art, Stow-on-the-Wold

£150-250

973 Φ HILARY DUNNE d.2020

Amaryllis

Signed and dated H Dunne 98 (lower right)

Oil and gold leaf on canvas

50 x 45.7cm

Provenance: Llewellyn Alexander Ltd, London

Exhibited:

London, Royal Academy, 1998, no.424

£200-300

974 Φ RAQUEL PEREZ FARIÑAS

Spanish b.1964

Como pez en la noche

Signed and dated Farinas 98 (lower right)

Acrylic on board

81x 65cm

Unframed

£200-300

972

971

970

975 Φ

SOPHIE MACPHERSON 1957-2014

Tobermory

Signed with monogram and dated 08 (lower right)

Oil on canvas

50.7 x 40.5cm

Provenance: Portland Gallery, London

Exhibited: London, Portland Gallery, October 2009, no.26

£400-600

976 Φ

SOPHIE MACPHERSON 1957-2014

Fisherman’s Hut, East Wittering

Signed with monogram and dated 03 (lower right)

Oil on canvas

50.6 x 40.3cm

Provenance: Portland Gallery, London

Exhibited: London, Portland Gallery, October 2003, no.25

£300-500

977 Φ

SOPHIE MACPHERSON 1957-2014

The Barn at Church Farm, Tytherington, Wiltshire

Signed with monogram and dated 88 (lower right) Oil on canvas 41 x 50.7cm

Provenance: Richmond Gallery, London

£300-500

978 Φ

SOPHIE MACPHERSON 1957-2014

Still life with a clarinet in a case

Signed and indistinctly dated S Macpherson ‘** (lower right)

Pencil and watercolour

31.1 x 37.6cm

£100-150

979 Φ

SOPHIE MACPHERSON 1957-2014

The Gesuati from the Giudecca, Venice

Signed with monogram and dated ‘89 (lower right)

Pencil and watercolour

18.8 x 32.8cm

£150-250

977

982

980 Φ

ANDREW MACARA

b.1944

Cricket at Don Paula, Goa

Signed and dated ANDREW MACARA 1994 (lower right), and further inscribed and dated Dona Paula, meadows/Panjim/GOA Feb 1994 (to reverse)

Oil on canvas

30.9 x 56.3cm

Provenance:

The Contemporary Fine Art Gallery, Eton

£300-500

981 Φ

ANDREW MACARA

b.1944

Election Day, Jaipur, Rajasthan

Signed and dated ANDREW MACARA 1994 (lower right), and further inscribed and dated JAIPUR/ DEC 1994 (to reverse)

Oil on canvas

40.8 x 50.8cm

Provenance: The Contemporary Fine Art Gallery, Eton

£300-500

982 Φ PETER DAVIES

b.1953

Arches, St Ives

Signed, dated, numbered and inscribed Arches, St Ives 1/5 Peter Davies 2018 (in pencil to margin) Linocut

30.4 x 41.2cm (image)

£100-150

983 Φ

JEAN-MARIE TOULGOUAT

French 1927-2006

Bassin Couvert

Signed and dated Toulgouat 89 (lower right)

Oil on paper

44.2 x 45.3cm

Provenance: Messums, London

Exhibited: London, Messum’s, Jean-Marie Toulgouat, September-October 2018, no.18

£300-500

983

984 Φ

CHRIS RIISAGER

b.1961

Château de Saint Ouen

les Vignes

Signed C.Riisager (lower right) and further signed, dated and inscribed 1994/St Ouen/des [sic] Vignes/C.Riisager (to reverse)

Oil on board

33.6 x 28.8cm

£150-250

987 Φ

JULIAN BARROW 1939-2013

Mountainous river landscape

Signed and dated Julian Barrow/96 (lower right)

Oil on canvas

20.3 x 25.8cm

985 Φ

CHRIS RIISAGER

b.1961

Landscape with a farmhouse in the distance

Signed C.Riisager (lower left)

Oil on board

23.7 x 32.6cm

£150-250

Provenance: The Summerleaze Gallery, East Knoyle

£100-150

986 Φ

RICHARD BAWDEN

NEAC, RE, RWS 1936-2024

East Green, Southwold

Signed, numbered and inscribed 13/85 ‘East Green, Southwold’ Richard Bawden Etching and aquatint

32.3 x 44.8cm (plate)

Provenance: Chappel Galleries, Chappel

£200-300

988 Φ

JULIAN BARROW 1939-2013

Landscape with a farmhouse in a valley

Signed Julian Barrow (lower right)

Oil on canvas

22.7 x 30.6cm

Provenance: The Summerleaze Gallery, East Knoyle

£150-250

989 Φ

DEREK DANIELLS

b.1949

Summer Strollers, Henley-on-Thames

Signed Derek Daniells (lower right)

Acrylic on board

29.4 x 59.6cm

Provenance:

Purchased at the Henley Royal Regatta, 2013

£300-500

990 Φ JOHN ALFORD

b.1929

At Henley I

Signed and dated John Alford ‘09 (lower left)

Oil on board

23.5 x 33.7cm

Provenance:

Purchased at the Henley Royal Regatta, 2010

£150-250

991 Φ BERT WRIGHT

b.1930

Musical Interlude, Henley

Signed Bert Wright (lower right)

Oil on canvas

24.6 x 29.7cm

Provenance:

Purchased at the Henley Royal Regatta, 1996

£150-250

992 Φ

JUAN SOLER

Spanish b.1951

Elegant figures in a Parisian square; Elegant lady crossing a Parisian street

A pair, both signed J.Soler (lower left)

Both oil on canvas

Each 27.8 x 22.47cm (2)

£400-600

989

990

991

992

995 Φ

STEPHEN BROWN RBA

b.1947

The Orange Windbreak

Signed with initials SB (lower left)

Oil on canvasboard

14.3 x 16.8cm

Provenance:

Rowley Contemporary Art, Winchester, where purchased by the present private collector

£150-250

997 Φ

TREVOR CHAMBERLAIN

b.1933

Summer Sun, Leigh-on-Sea

Signed T Chamberlain (lower right)

Oil on canvas

25.7 x 35.7cm

£150-250

993 Φ

STEPHEN BROWN RBA b.1947

Sunrise, Salcombe

Estuary

Signed with initials SB (lower left)

Oil on canvas

30.5 x 35.3cm

Provenance:

Rowley Contemporary Art, Winchester, where purchased by the present private collector

£250-350

994 Φ

STEPHEN BROWN RBA

b.1947

Picking Blackberries

Signed with initials SB (lower left)

Oil on canvas

35.4 x 35.9cm

Provenance:

Rowley Contemporary Art, Winchester, where purchased by the present private collector

£250-350

996 Φ

STEPHEN BROWN RBA

b.1947

The Handstand

Signed with initials SB (lower left)

Oil on canvasboard

14.3 x 16.8cm

Provenance:

Rowley Contemporary Art, Winchester, where purchased by the present private collector

£150-250

998 Φ

PAMELA KAY RBA, NEAC

b.1939

Still life with narcissi and other flowers in a glass vase

Signed with initials PK (lower right)

Oil on canvasboard

24.7 x 24.7cm

£200-300

999 Φ

PAMELA KAY RBA, NEAC b.1939

Still life with primroses, narcissi and snowdrops in a glass jug

Signed with initials PK (lower left)

Oil on board

29 x 24cm

£200-300

1000 Φ IAN HUMPHREYS

b.1956

The Lime Green Bottle

Signed and dated Humphreys 86 (lower right)

Oil on canvas 41 x 58.7cm

Provenance: Beaux Arts, Bath, 1986; Bonhams, Oxford, Pictures…, 16 March 2011, lot 111

£200-300

1001 Φ TERESA LAWTON

Contemporary

Chalk and Lyme (Weymouth)

Signed T.LAWTON (lower right), and further signed and inscribed ‘CHALK AND LYME’/(WEYMOUTH)/Teresa Lawton (to backing board)

Oil on canvas 61 x 71.2cm

Provenance: The Art Stable, Blandford £200-300

1002 Φ JOHN COPNALL 1928-2007

Abstract

Signed and dated Copnall 83 (upper right)

Mixed media and collage on canvas

70.1 x 56.1cm

£300-500

999

1002

1001

1000

998

1003 Φ

OSVALDO CURANDAI

Italian 1931-2019

The Ponte Vecchio, Florence

Signed OSV CURANDAI (lower right)

Oil on panel

39.8 x 19.8cm

Provenance: Galleria d’Arte Bongiovanni, Bologna

£100-150

1004 Φ

DAVID TRESS

b.1955

Cross and Land, St Clether, Cornwall

Signed and dated David/Tress/17 (lower left)

Watercolour and mixed media on paper 39 x 28cm

Provenance: Messum’s, London

£150-250

1005 Φ LUCY CAVENDISH

b.1973

Landscape toward Siena

Signed with initials LC (lower left), and inscribed LANDSCAPE TOWARDS SIENA (to reverse)

Oil on canvas

27.4 x 43.5cm

Provenance:

Thomas Williams Fine Art, London

Exhibited:

London, Thomas Williams Fine Art, Landscapes and Seascapes, June 2004, no.28

£100-150

1006 Φ LUCY CAVENDISH

b.1973

Early Morning Light, Radi

Signed Lucy Cavendish (lower left)

Pastel and graphite 64 x 48.5cm

Provenance:

Charles Mayes Fine Art, London

£100-150

1007 Φ LUCY CAVENDISH

b.1973

Yellow Iris

Inscribed YELLOW IRIS (to reverse)

Oil on canvas

45.8 x 35.7cm

Provenance:

Thomas Williams Fine Art, London

Exhibited:

London, Thomas Williams Fine Art, Lucy Cavendish: Recent Work, November - December 2006, no.24

£100-150

1008 Φ

ROBERT MACLAURIN Scottish b.1961

Sidahmed in his Homeland

Signed, dated and inscribed Robert Maclaurin 1993/”Sidahmed in His Homeland” (to reverse)

Oil on canvas

66 x 71cm

£500-700

1009 Φ

JOHN GOLDING

1929-2012

Abstract

Signed and dated Golding 87 (lower right)

Mixed media on paper 55 x 75.3cm

Provenance:

Blond Fine Art, Reading, where purchased by the present private collector, 2001

£600-800

1010 Φ

JOHN TITCHELL RA 1926-1998

Summer Day Evening

Pastel 64 x 64cm

Exhibited:

London, Royal Academy, 1996, no.614

£250-350

1009

1008

1010

1011 Φ JONATHAN ARMIGEL WADE b.1960

The Lost Hound

Signed J A Wade (lower left)

Oil on board

11.6 x 16.7cm

£250-350

1012 Φ GORDON COX

Contemporary Sunlit Poplars on the Somerset Levels

Signed Gordon Cox (lower right) and further signed and inscribed Gordon Cox Sunlit Poplars Somerset Levels on reverse Oil on board

59 x 75cm

£200-300

1013 Φ FRANK TAYLOR b.1946

Tulumba

Signed Taylor (lower right) Gouache

21.3 x 70.3cm

£200-300

1014 FAN CHANG JIANG

Chinese 20th Century

The Parasol; Wildflowers

Two, both signed with artist’s seal (lower right) Both encaustic on rice paper

70.5 x 52.5cm; 56 x 56cm (2)

Provenance:

Both with J. R. Guettinger Gallery, Hong Kong, where purchased by Caroline Brown, 1994 and 1993; By whom sold, Woolley and Wallis, Salisbury, Modern British & 20th Century Art, 31 May 2022, lot 294, where purchased by the present owner

£200-300

1012 1011

A

Adams, Norman 709

Adamson, Crawfurd 815

Alford, John 990

Allinson, Adrian 645

Appleyard, Joseph 533

Armfield, Diana 888

Armigel Wade, Jonathan 1011

Armstrong, John 718

Ayres, Gillian 800

Ayrton, Michael 669, 670

B

Balfour-Browne, Vincent R. 861

Baranek, Frida 953

Barrett, Peter 856

Barrett, Roderic 668

Barrow, Julian 987, 988

Bartlett, William Henry 510

Batchelor, Roland 626

Bawden, Richard 986

Baynes, Keith Stewart 578

Bealing, Nicola 797, 798

Beaton, Cecil 662

Bevan, Robert Polhill 500

Birch, Samuel John Lamorna 508, 509

Black, William 714

Blow, Sandra 696

Bonnard, Pierre 752

Bonnet, Philippe 702

Booth, James William 628-638

Bornfriend, Jacob 703

Bowen, Owen 561-563

Bowey, Olwyn 809

Boxsius, Sylvan G. 544

Boyd, Arthur 870-871

Boyle, Alicia 660

Brangwyn, Frank 553-554

Braque, Georges, After 612

Bratby, John 853-854

Bresslern-Roth, Norbertine 551

Brewster, Martyn 873-874

British School 523, 558, 559, 622, 649

INDEX OF ARTISTS

Broderick, Laurence 911

Brombo, Angelo 650

Brookes, Peter 960

Brown, Eric 565

Brown, John 906

Brown, Stephen 993-996

Bryce, Gordon 811

Bulmer, Lionel 952

Burleigh, Veronica 666, 667

Bussy, Jane Simone 659

Bussy, Simon 657-658

Butler, Anthony 896

C

Camden School 560

Campbell, Raymond 751

Carrière, Eugène 583

Cavendish, Lucy 1005-1007

Chadwick, Lynn 687, 688

Chamberlain, Trevor 997

Charoux, Siegfried 616

Christopherson, John 708

Clarke, Terence 902, 903

Clayton, Harold 750

Clifford, Henry Charles 623

Clough, Prunella 843

Cockrill, Maurice 839-841

Coleman, Michael 912

Collis, Peter 901

Continental School 644

Conway, Dianne 966

Copley, John 549

Copnall, John 1002

Copnall, Teresa 579

Corbett, Lydia 737-740

Cox, Gordon 1012

Crawhall, Joseph 506

Craxton, John 760

Crosbie, William 904

Crosby, Dido 860

Crozier, William 793

Cuming, Fred 881-883

Curandai, Osvaldo 1003

Curwen Studio 949

Custodio, Gabriel 674

D

Daniells, Derek 989

Dannatt, George 692-695

Davies, Peter 982

Davies, Thomas Nathaniel 697, 713 de la Fresnaye, Roger 585

de Grey, Roger 781

Derain, André 614

Dixon, Harry 525

Dring, William 566

Dunne, Hilary 973

Dunstan, Bernard 884-887

Dyer, Dudley 620

Dyf, Marcel 869

E

Edwards, Lionel 580

Ellis, Lionel 520

Engelbach, Florence 661

F

Fariñas, Raquel Perez 974

Fechin, Nicolai 615

Fedden, Mary 764-773, 825-831

Fidler, Harry 621

Figari, Pedro 758

Fishwick, Clifford 852

Forain, Jean-Louis 756, 757

French School 606

Frink, Elisabeth 784-787, 832-836

Frost, Terry 678-683

G

Ganga Singh, Thakur 651-653

Garbell, Alexandre Sacha 601

Garnett, Ruth 519

Gaskin, Arthur Joseph 546

Gaudier-Brzeska, Henri 502

Gear, William 720-726

George, Patrick 891, 892

Gilbert, Ed 804

Gill, Eric 550

Golding, John 1009

Gondouin, Emmanuel 617

Grant, Keith 600

Greaves, Derrick 954

Grierson, Ronald 705

Grubinski, Jan 643

Guevara, Álvaro 710

Gunn, Herbert James 516

H

Hall, Frederick 564

Hambling, Maggi 794, 795

Hargan, Jo 876

Harrison, John Cyril 868

Hayward, Arthur 511

Helleu, Paul César 526

Herbo, Fernand 609, 610

Herman, Josef 596-599

Hilton, Roger 762, 763

Hockney, David 700

Homeshaw, Arthur 950

Howard, Ken 878, 879

Howson, Peter 894, 895

Huie, Albert 654-656

Humphreys, Ian 1000

Hunter, George Leslie 640, 641

Huntly, Moira 968, 969

Hurry, Leslie 850

Hurry, Leslie George 602

J

Jamieson, Alexander 574-576

Jiang, Fan Chang 1014

John, Augustus 505

Jolly, Nicholas 939, 940

Jowett, Katharine 543

K

Kádár, Béla 586, 587

Katchadourian, Sarkis 648

Kay, Pamela 998, 999

Kedgley, Helen 799

Keeling, Cecil 665

Kennedy, Cecil 745-749

Kerr, Judith 806

Kingsley, John 875

Kirk, Joel 863

Knight, Laura 570, 571

Knighton-Hammond, Arthur Henry 529, 530

Knuttel, Graham 938

Kogan, Moissey 588-593

L

Lamb, Henry 503, 504

Lambert, Terence 865, 866

Lancaster, Osbert 959

Lawrence, Peter 964

Lawton, Teresa 1001

Leighton, Clare 545

Levene, Ben 889

Lewis, Dylan 919

Lowry, Laurence Stephen 711

M

Macara, Andrew 980, 981

Macdonald Buchanan, Elizabeth 857-859

Maclaurin, Robert 1008

Macpherson, Sophie 975-979

Malet, Albert 607, 608

Mann, Sargy 803

McGarry, Pip 862

McIntyre, Donald 818

McLaren, Sally 796

Meninsky, Bernard 813, 814

Millard, Patrick 521

Milner, Allan 690, 691

Minton, John 671

Mitchell, Denis 685

Modersohn-Becker, Paula 594

Monks, John 947, 948

Moore, Henry 699

Morse-Brown, Sam 515

N Nash, John 547, 548

Nevinson, Christopher Richard

Wynne 555, 556

Newcomb, Mary 779, 824

Newcomb, Tessa 780, 965

Nicholson, Ben 618, 619

Nicholson, Rachel 791

INDEX OF ARTISTS

Nicholson, Winifred 759

O

O’Brien, Dermod 577

O’Donoghue, Hughie 792

Olsson, Julius 642

Olver, Kate Elizabeth 627

Oppenheimer, Joseph 805

Oram, Ann 877

Orr, Chris 962 P

Page-Roberts, James 603

Pailthorpe, Grace 715-717

Park, John Anthony 567

Parker, Agnes Miller 552

Pasmore, Victor 686

Philipson, Robin 782, 816, 817

Phillips, Walter J. 542

Phipps, Howard 963

Picasso, Pablo 611, 613

Pichot, Ramon 970, 971

Pier (Pierre Labadie) 845-849

Piper, John 727-736

Poole, Monica 955-958

Potter, Mary 783

Price, Richard 880

Priestman, Bertram Walter 624

Procktor, Patrick 790

Pullee, Margaret 897

Q

Quizet, Alphonse Léon 604-605

R

Rae, Barbara 872

Randall, Gordon 719

Redpath, Anne 838

Reynolds, Alan 684

Richards, Ceri 788

Richardson, Ray 941-945

Rickman, Philip 864

Riisager, Chris 984, 985

Robinson, George Crosland 518

Roche, Oisin 946

Rossiter, Anthony 807, 808

Rowe, Mary Jocelyn 522

Royle, Herbert F. 625

Ruszkowski, Zdzislaw 584

Ryan, Adrian 810

Ryder, Sophie 920-924

SSalisbury, Frank O. 527,528

Schleeh, Hans 905

Schmidt-Rottluff, Karl 595

Seaborn, Herbert 557

Seago, Edward 639

Sen, Paritosh 893

Shackleton, Keith 867

Sims, Charles 524

Slater, Eric 534-541

Slevogt, Max 582

Soler, Juan 992

Soulages, Pierre 706

Spencer, Stanley, Follower of 646

Steer, Philip Wilson 531, 532

Steggles, Walter J. 573

Steinlen, Théophile 754

Stern, Deborah 907

Suddaby, Rowland 672, 673

Sutton, Philip 961

TTabb, Barrington 851

Taplin, Guy 913-918

Tarkay, Itzchak 844

Taylor, Frank 1013

Taylor, Fraser 925-937

Taylor, Leonard Campbell 512

Teng, Chuah Thean 704

Thomson, William 789

Titchell, John 1010

Tobias, Ben 664

Tobiasse, Théo 741-744

Togo, Richard Durando 647

Toulgouat, Jean-Marie 983

Traullé, M. 663

Tress, David 1004

Trevelyan, Julian 774-778, 821-823

Tuke, Henry Scott 507

Tunnicliffe, Charles Frederick 855

Turan, Selim 712

Tyzack, Michael 842

U

Uglow, Euan 761

V

Vasarely, Victor 689

Vaughan, Keith 701, 812

Vaux, Marc 967

Vesey, Amanda 801, 802

Vettriano, Jack 900

W

Ward, John Stanton 898, 899

Ward, Peter 698

Wesson, Edward 675, 676

Wheatley, John, Attributed to 517

Whishaw, Anthony 951

Whistler, James Abbott McNeill 753

White, Ethelbert 568, 569

Whiting, Frederic 581

Whone, Herbert 890

Whybrow, Terry 707

Wieck, Nigel Van 972

Williams, Aubrey 837

Williams, Terrick 514

Wolmark, Alfred 572

Wood, Christopher 501

Wood, Frank Watson 513

Wright, Bert 991

Wylder, Jonathan 909, 910

Y

Yardley, John 677

Yates, Fred 819, 820

Z

Zapata, Hugo 908

Zawiski, Edouard 755

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS

WEDNESDAY 5TH MARCH 2025

ENQUIRIES

Victor Fauvelle | +44 (0)1722 446961 | vf@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

1859-1941)

Oil on canvas

42.5 x 33.7cm; 16¾ x 13¼in

Provenance: MacConnal-Mason, London

Estimate £20,000 - 30,000*

Rubens Santoro (Italian

The Grand Canal, Venice

Signed Rubens Santoro (lower right)

WEDNESDAY

TUESDAY 3RD DECEMBER 2024

WEDNESDAY 15TH & THURSDAY 16TH JANUARY 2025

A rare Queen Anne walnut bachelor’s chest

Estimate £5,000 - 8,000*

ENQUIRIES

Mark Yuan-Richards | +44 (0)1722 411854 | myr@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FINE JEWELLERY

WEDNESDAY 29TH & THURSDAY 30TH JANUARY 2025

A Belle Epoque diamond tiara, early 20th century

Estimate £8,000 - 12,000*

ENQUIRIES

Marielle Whiting | +44 (0)1722 424595 | jewellery@woolleys.live

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9.00am – 5.00pm

Old Sarum Galleries

Monday to Friday 9.00am – 5.00pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting client services on +44 (0)1722 424500 or emailing info@woolleys.live

You will be asked to show your documents, or email copies.

PLEASE NOTE: Registering with thesaleroom.com or through our website does not automatically register you with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from client services either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with client services.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 info@mbewinchester.co.uk www.mbe.co.uk/winchester

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand-carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name and address and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bacs, debit and credit cards.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30-97-41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S

RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3%

1%

0.5%

£50,000.01 - 200,000

£200,000.01 - 350,000

£350,000.01 - 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/ purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

ROYAL INSTITUTION OF CHARTERED SUREYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS

1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with client services in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque six weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur

liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular

concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOKS AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below £1,000 and the maximum royalty payable on any single lot is £12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Royalties for Droit de Suite are as follows:

4% Up to £50,000

3%

1%

0.5%

£50,000.01 - 200,000

£200,000.01 - 350,000

£350,000.01 - 500,000

0.25% In excess of £500,000

Up to a maximum levy of £12,500

Lots marked with a Φ symbol are potentially subject to the levy.

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleys.live

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

• From you when you:

- interact with us before entering into a contract with us, for example when you express your interest in our Services;

- instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

- communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

- in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

• From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

- thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom. com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider);

- sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

- shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE

BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the-saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clients’ needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley and Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Woolley & Wallis Salisbury Salerooms Ltd.

51-61 Castle Street, Salisbury, Wiltshire SP1 3SU

Registered in England No.02998482

VAT No: 631 9832 29

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Jeremy Lamond +44 (0)1722 424502 | valuations@woolleys.live

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleys.live or call +44 (0)1722 424500.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

ABSENTEE BID FORM

MODERN BRITISH & 20TH CENTURY ART

WEDNESDAY 4TH &

THURSDAY 5TH DECEMBER 2024

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

BUYER’S PREMIUM

Each lot is subject to a buyer’s premium of 26% plus VAT at 20%

Billing Name (please print) Address

ID may be required even if you have bid with us before. Signature

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR UPCOMING AUCTIONS

AUCTION CALENDAR

2024 NOVEMBER

27th & 28th Medals & Coins, Arms & Armour

DECEMBER

3rd British Art Pottery & Design

4th & 5th Modern British & 20th Century Art

2025

JANUARY

15th & 16th Furniture, Works of Art & Clocks

29th & 30th Fine Jewellery

FEBRUARY

4th British and Continental Ceramics & Glass

5th Silver & Objects of Vertu

19th Arts of Africa, Oceania and the Americas

MARCH

5th Old Masters, British & European Paintings

19th Clarice Cliff, Art Deco & Design

Dates may be subject to change

+44 (0)1722 424500 info@woolleys.live 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium

Charles Ginner ARA (1878-1952)

The Catalpa Tree SOLD FOR £21,420*