Catherine Southon

Wednesday 12th February 2025

The Interior Sale

Wednesday 12th February at 10.30am

Kingsley House, 5 High Street, Chislehurst, Kent, BR7 5AB

020 8396 6970

VIEWING

Friday 7th February 9:30am – 4pm

Monday 10th February 9:30am – 4pm

Tuesday 11th February 9:30am – 4pm

Wednesday 12th February 9am – 10:30am

PHOTOGRAPHIC ID IS REQUIRED FOR VIEWING AND REGISTRATION

IMPORTANT NOTICE

All payments should be made by bank transfer, debit card or through thesaleroom.com. Please note that we do not accept payment by cash or credit card.

AUCTION VENUE

Kingsley House, 5 High Street, Chislehurst, Kent, BR7 5AB. Parking available at the adjacent Hornbrook House public car park.

AUCTIONS

LIVE INTERNET BIDDING ONLINE BIDDING IS AVAILABLE VIA OUR WEBSITE WITH NO ADDITIONAL FEE. We also offer bidding by telephone and by the placing of absentee bids.

Bidding is also available via the-saleroom.com for which the additional fee is 4.95% + VAT.

The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

1. A Regency giltwood convex girandole mirror circular plate within ebonised reeded slip and baton frame, surmounted by hippocmapus on rockwork crest and flanked by anthemions, the acanthus leaf apron issuing twin scrolled candlearms with brass nozzles, height 102cm, width 59.5cm

£150-£250

2. A mid 20th century French faux bamboo gilt bronze and green onyx square coffee table in the manner of Maison Jansen, height 52.5cm, width 70cm, depth 70cm

£100-£150

3. A mid 20th century French faux bamboo gilt bronze and green onyx rectangular coffee table in the manner of Maison Jansen height 52cm, length 124cm, depth 55cm

£100-£150

4. A large 19th century giltwood and gesso overmantel mirror the rectangular plate surmounted by a projecting cornice with central acanthus leaf framed mask crest, flanked by fluted pilasters, height 177cm, width 159cm

£500-£800

5. A pair of mid 20th century colonial planter chairs Indian teak planter armchairs, with scrolling back and arms, raised on arched legs with rattan weaving (2), height approx. 90cm, base 71.5cm (L) x 62cm (W)

£150-£200

6. An early Victorian birds eye maple swing toilet mirror the rectangular arched plate raised on turned upright supports and box base with two short drawers, on compressed feet, height 68cm, width 70cm, depth 21cm

£60-£80

7. An Elizabeth II 1953 Coronation chair by North & Sons West Wycombe, limed oak frame upholstered in blue velvet with gold braiding and stitched

ERII Cypher, bearing oval metal plaque numbered ‘28’, stamped with ER cypher Coronation, 1953 and North & Sons, West Wycombe, height 85cm, width 50cm, depth 44cm

Provenance: Viscount Brentford and thence by descent

£300-£400

8. An Elizabeth II 1953 Coronation chair by Hands & Sons Ltd, limed oak frame upholstered in blue velvet with gold braiding and stitched ERII Cypher, bearing oval metal plaque numbered ‘27’, stamped with ER cypher Coronation, 1953 and Hands & Sons Ltd, height 85cm, width 49cm, depth 44.5cm

Provenance: Viscount Brentford and thence by descent

£300-£400

9. A William & Mary style walnut and laburnum oyster veneered kneehole desk or writing table late 19th / early 20th century, the top with oyster parquetry veneer, featherbanding and moulded edge over an arrangement of five drawers, on acanthus carved cabriole legs with ball and claw feet, height 76cm, width 127cm, depth 76.5cm

£200-£400

10. A William & Mary style walnut side table late 19th / early 20th century, the top cross banded inlaid with geometric pattern of fruitwood inlaid intersecting circles, over an arrangement of four drawers, on faceted tapering legs united by wavy stretchers on bun feet, height 81cm, width 117cm, depth 53cm

£100-£150

11. A George III mahogany elbow armchair Manner of Robert Manwaring, late 18th century, arched crest rail with shaped vertical splats, open scroll arms supported by square section legs joined by stretchers, drop in seat upholstered in diamond-patterned needlework fabric, height 96cm, width 62cm, depth 48cm

£80-£120

12. A George II style walnut armchair with tapestry upholstery late 19th / early 20th century, shaped upholstered back and seat, covered in floral tapestry fabric, shell carved open scroll arms, shell carved cabriole legs on ball and claw feet, height 110cm, width 67cm, depth 48cm

£100-£150

13. A George III burr elm lowboy the top with moulded edge and reentrant corners over a frieze drawer and an arrangement of three drawers, on square chamfered legs, height 71cm, width 83cm, depth 50cm

£120-£180

14. An extremely large giltwood and gesso wall mirror of shaped rectangular form, surmounted by anthemion and foliate scrollwork pediment, cornered at top with floral roundels, lappet frieze to frame, foliate bud drops to sides, height 220cm by 178cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£300-£500

15. A late 19th century Syrian mother of pearl inlaid and carved hardwood occasional table rectangular, the top carved with an oval reserve containing Islamic script, above a pierced frieze and under tier below, height 75.5cm, width 69cm, depth 47cm

£100-£150

16. An early 18th century oak joynt stool the top with moulded edge above moulded rails, on baluster legs with block feet united by outer stretchers, height 51cm, width 46cm, depth 28cm

£80-£120

17. A George III style Chippendale design stool

mid 19th century, stuff over seat above pierced carved seat rails, raised on cluster column legs with carved paterae on block feet united by a turned x stretcher, height 47cm, width 48cm, depth 41cm

£200-£300

18. A George III serpentine fronted kneehole dressing table satinwood crossbanded with fan marquetry spandrels, top with reeded edge over an arrangement of three drawers with brass ring handles, on tapering legs, height 78cm, width 92cm, depth 52cm

£100-£150

19. ‡ Mark Stoddart Herbert (British b. 1960)

A limited edition patinated bronze and glass ‘Mother and Baby Hippo coffee table’, number 28 of 99, signed M Stoddart, stamped 28/99, together with original certificate from Sculpt-Art Creations

width 137cm x depth 93cm approx

Provenance: Purchased directly from Mark Stoddart

£3,000-£4,000

20. A George III mahogany chest on chest

the upper section with projecting dentil cornice over a blind fret frieze and two short and three long graduated drawers, between canted fluted angles, the lower section with brushing slide over three graduated long drawers, on ogee bracket feet, height 185cm, width 113cm, depth 56cm

£200-£300

21. A French Louis XVI style parquetry and marquetry inlaid rosewood and kingwood oval low occasional table c.1900 with ormolu mounts, on cabriole legs, glass inset to top, height 57cm, length 71cmoval

£80-£120

22. An early Victorian Rosewood Canterbury c.1840 of typical form with three sections, each with decoratively pierced carved dividers, above a single drawer with turned handles, upon turned castor supports, height 51cm, width 53cm, depth 37cm

£80-£120

23. A Victorian cast iron hall stand attributed to Coalbrookdale the arched back with central rectangular mirror plate, fitted with two brass bars and four further hooks, the marble topped breakfront base with an arched central recess with a central armorial shield to the back depicting an owl, flanked by stick stands to either side with removable dip trays, on a moulded plinth base, bears registration lozenge dated 1869, height. 228cm, width 9cm, depth 42.5cm

£600-£800

24. An early Victorian mahogany button back upholstered armchair shaped back, upholstered in green fabric, scroll arms and lappet carved forelegs on casters, height 82cm, width 60cm, depth 54cm

£80-£120

25. An Art Deco Epstein desk chair c.1930

walnut wrapped back, sides and legs, black leather upholstery, faceted legs, height 80cm, width 53cm

£100-£150

26. Two Art Nouveau Inlaid Chairs c.1920

the first; mahogany armchair with marquetry inlay; curved low back form with floral design to backrest, the second; mahogany side chair with marquetry inlay; decorated with tulip and mother of pearl to the backrest, both with upholstered seats, armchair with pale blue and pink floral fabric, side chair with golden patterned fabric seating bordered with brass studding, both raised on stretcher frames (2), first height 80cm, width 49cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£70-£90

27. Cassina: ‘Hill House’ chair designed by Charles Rennie Mackintosh, ebonised rectilinear frame, pink velveteen upholstered drop-in seat, stamped, height 140cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£200-£300

28. Modern Design. After Le Corbusier: An LC4 Chaise Longue. 1970s

iconic design attributed to Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, featuring a tubular chrome-plated metal frame, an unattached black steel base and a suspended structure of rubber and metal supports beneath the upholstery. Upholstered in brown leather with a matching cylindrical headrest, height 66cm, length 160cm, width 55cm

IMPORTANT NOTE: We do not provide any warranty or guarantee as to the safety of this item or the compliance with The Furniture and Furnishings (Fire) (Safety) Regulations 1988, For this reason, it should not be used in a private home or reupholstered, it is sold as a ‘work of art’

£200-£300

29. A 17th century style ladder back armchair possibly Spanish, late 19th century, chestnut, decorative design, shaped and pierced cresting rail and backrest, characteristic of 17th century Baroque style, upholstered seat in red fabric with fringe detailing, raised on square section legs joined by stretchers, height 115cm, width 56cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£70-£90

30. A French Empire style parcel giltwood and gesso wall mirror of large proportions, moulded pediment above central octagonal bevelled plate, surmounted by Neo-Classical mask, with moulded surround, foliate scrollwork spandrels, painted panels to border, 167cm by 142cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£200-£300

31. A 19th century giltwood overmantel mirror of large proportions, arched form, relief egg and entwined scrolling frieze to frame, plinth base supports, 168cm by 142cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£150-£250

32. An impressive four-poster bed frame some earlier timbers, 17th century and later, predominantly in stripped oak, constructed from various European and Indian figural, scrollwork and architectural carvings, the four open arched panel full height headboard and panelled footboard with twin wrythen posts, supporting moulded rectilinear structured canopy hung with tassels, with modern pine runners and supports a/f, length 210cm, width 158cm, height 240cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

Reputed to have been constructed for a 1960s BBC TV drama

£400-£600

33. A pair of wrought iron garden gates

black painted, of scrollwork design, with gilt acanthus leaf, flamiform finial and flower head adornments, with hanging rails, each gate 183cm by 60cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£100-£150

34. A pair of wrought iron garden gates

black painted, of scrollwork design with gilt acanthus leaf and quatreform flower head adornments, with hanging rails, each gate 186cm by 46cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£100-£150

35. A pair of wrought iron garden gates

black painted, of scrollwork design, with gilt acanthus leaf and flamiform finial adornments, with hanging rails, each gate 161cm by 46cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£100-£150

36. A pair of wrought iron garden gates

black painted, of scrollwork design, with gilt acanthus leaf, flamiform finials and flower head adornments, with hanging rails, each gate 182cm by 59cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£100-£150

37. A George IV simulated rosewood and giltwood occasional table

the octagonal top painted to simulate specimen marble, on tapering legs with applied husks and outswept feet united by an X stretcher, height 76cm, width 52.3cm

£80-£120

38. Modern Design. After Le Corbusier: An LC4 Chaise Longue late 20th century, iconic design attributed to Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, Featuring a tubular chrome-plated metal frame, an unattached black steel base and a suspended structure of rubber and metal supports. Upholstered in black leather with a matching cylindrical headrest, height 66cm, length 160cm, width 55cm

IMPORTANT NOTE: We do not provide any warranty or guarantee as to the safety of this item or the compliance with The Furniture and Furnishings (Fire) (Safety) Regulations 1988, For this reason, it should not be used in a private home or re-upholstered, it is sold as a ‘work of art’

£200-£300

39. Modern Design. After Le Corbusier: An LC4 Chaise Longue late 20th century. Iconic design attributed to Le Corbusier, Pierre Jeanneret and Charlotte Perriand, Featuring a tubular chrome-plated metal frame, an unattached black steel base and a suspended structure of rubber and metal supports. Upholstered in black leather with a matching cylindrical headrest, height 66cm, length 160cm, width 55cm

IMPORTANT NOTE: We do not provide any warranty or guarantee as to the safety of this item or the compliance with The Furniture and Furnishings (Fire) (Safety) Regulations 1988, For this reason, it should not be used in a private home or reupholstered, it is sold as a ‘work of art’

£200-£300

40. Ø An Edwardian mahogany Sheraton style campaign folding writing desk the green grained morocco lined interior with various wallet compartments, fitted inkwell and central gilt tooled green leather writing surface, bears ivory retailers label fro J.G. Vickery, 179, 181, 183 Regent St, W, height 80cm, width 57cm

IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: 7BBF1EPM

£60-£80

41. A late Georgian style ash & elm comb-back Windsor armchair shaped top rail above spindles, moulded seat, baluster turned arm supports and legs, turned stretchers, height 105cm, width 57cm

£150-£250

42. A Japanese black and red lacquer nest of three occasional tables

Meiji period, the tops decorated in gilt with cranes in flight and chrysanthemums (3), height 66cm

£50-£80

43. A pair of Chinese hardwood armchairs early 20th century, rectangular open back and arms, rattan seats (2), height 85cm, width 57cm, depth 43cm

£100-£150

44. A pair of Japanese Meiji period carved and ebonised jardiniere stands circular, raised on dragon carved legs united by a platform stretcher (2), height 72cm

£80-£120

45. A late Regency mahogany workbox and an early Victorian ebonised domed stationery box first of sarcophagus from with rosewood crossbanding to front, fitted interior with lift out tray with divisions, raised on compressed feet, second bound with cut brass strapwork, blue moire silk lined interior with divisions (2), first height 20cm, width 34cm, depth 24.5cm

£50-£80

46. A small Regency leather and brass studded trunk with twin gilt brass lion mask ring handles to sides, interior lined in marbled paper with lift out tray over divisions and bearing a colour stipple engraving to the inside lid, on giltwood compressed ball feet, height 20.5cm, width 43.5cm, depth 24cm

£200-£300

47. A Regency specimen wood parquetry work box sarcophagus form, veneered in satinwood, mahogany, burrwood, palmwood etc, tulipwood crossbanded, the interior with hinged compartment to lid and lift out tray, on ball feet, height 18.5cm, width 33cm, depth 24.5cm

£100-£150

48. A William IV rosewood sarcophagus form tea caddy with curved sides, the fitted interior with central associated crackle glass mixing bowl flanked by twin lift out tea canisters with hinged lids, on compressed feet, height 20.5cm, width 35cm, depth 20cm

£60-£80

49. An Italian gilt tooled leather stationery box early 20th century, the hinged sloped lid enclosing a green moire silk lined interior with divisions, key present, height 24cm, width 33cm, depth 17.5cm

£100-£150

50. A large Spanish studded trunk rectangular exterior covered in deep purple calico, embellished with intricate stud work in geometric and foliate motifs, featuring brass tacks and decorative metal accents, back of trunk with velour covering. Cover opens, fabric lined interior with vibrant floral decoration. Metal clasp found at front of trunk above key hole, height 60cm, width 80cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£200-£300

51. A Regency penwork counter Box with shells octagonal wooden counter box with intricate decorative chinoiserie scenes, central image depicting two figures on swing whilst another adjudicates proceedings, rest of exterior adorned with highly detailed and stylised floral and fauna motifs, with a quantity of shells inside of box (qty), length 27.5cm, height 6.5cm

£100-£150

52. Three fine quality Russian lacquer art boxes, first; depicting a mother carrying her daughter on her back as she walks barefoot through the countryside, likely Fedoskino, signed and dated 1974 at bottom, inscribed; made in USSR to reverse, second; Palekh, depicting a mythological / historical scene against a background of elaborate architecture and swirling waves, hand painted with gold / gilt detailing, signed in gold at bottom, third; a seated woman in traditional Russian attire in vibrant gold, red and cream attire, stamped Fedoskino on inside (3), first; height 8.5cm, length 22cm £80-£120

53. Omar Ramsden. A pair of Arts and Crafts planished brass candlesticks with wide drip pans and detachable nozzles, on trumpet form bases, signed ‘OMAR RAMSDEN ME FECIT’ (2), height 14.5cm

£100-£200

54. A late 19th century ormolu and red marble Corinthian column table lamp fitted with a cut glass reservoir and Hink’s Duplex Patent burner, raised on a stepped square plinth base, height 96cm

£150-£250

55. A Victorian cast iron umbrella stand highly decorative, late 19th century, featuring ornate pierced scrolling and foliate motifs, prominent finials on side supports, rectangular single support with plinth adorned with beaded and fluted detailing, height 81cm, width 58cm, depth 23cm

£80-£120

56. A pair of late Victorian wirework jardinières

c.1880-1900, original green and blue painted finish retaining their aged patina (2), height 86cm

£80-£100

57. Garden statuary. A marble figure of a Dancer with Cymbals after Canova Late 19th / early 20th century, raised on a square marble plinth base overall height 127cm

£200-£400

58. Garden Statuary. A weathered reconstituted stone figure of Venus holding an apple after the antique early 20th century, raised on a square reconstituted stoned plinth moulded with lion mask ring handles overall height 197cm

£100-£150

59. Garden Statuary. A weathered reconstituted stone figure of Bathing Venus after Canova early 20th century, raised on a square reconstituted stoned plinth moulded with lion mask ring handles overall height 197.5cm

£100-£150

60. Garden Statuary, a weathered reconstituted stone figure of Venus after the Bath after Allegrain early 20th century, raised on a fluted pedestal base overall height 180cm

£100-£150

61. Garden Statuary: A pair of lead garden figures emblematic of the seasons late 19th century, in the form of standing putti, ‘Summer holding flowers and ‘Autumn’ holding a bunch of grapes’, on domed octagonal bases (2), height 66cm £100-£150

62. A pair of ornamental verdigris bronze ewers after the antique late 19th / early 20th century, cast with goats masks, classical figures and entwined snake handles, mounted on stone bases (2), height 53cm

£100-£150

63. A late 19th century carved alabaster figure ‘The Bather surprised’, carved a semi nude maiden covering herself with drapery on a naturalistic base carved rockwork and breaking waves, height 59.5cm

£100-£150

64. A French carved alabaster allegorical bust of Plenty early 20th century, half length in flowing drapery over an overturned cornucopia pouring out coins, signed verso V Bippet, height 44cm £200-£300

65. A late 19th century weathered plaster bust of Juno on socle base, height 61.5cm

£100-£150

66. A late 19th century white marble bust of a maiden head and shoulders facing right, her hair tied back with a bandeau with a rose and a rose at her bosom, on a square waisted socle base, unsigned, height approx. 52cm, width 36cm, base 12 x 12cm

£300-£500

67. A 19th marble bust of bust of Henry Pelham-Clinton 5th Duke of Newcastle-under-Lyne (1811-1864)

all antica wearing a toga, on detachable socle base, unsigned, height 37.3cm

£200-£300

68. An early Victorian rosewood and mother of pearl inlaid writing slope the sloped front enclosing a fitted interior with tooled leather writing slop, height 9.5cm, length 35cm, depth 24.5cm

£50-£80

69. A George III mahogany miniature chest of drawers and other items, first with four graduated drawers raised on ogee bracket feet, together with a Victorian miniature rosewood cheval mirror and a French Thuya wood and mother of pearl inlaid glove box (3), first height 24cm

£100-£150

70. A large pair of contemporary grey veined white marble column table lamps on square plinth bases (2), height including fitting 71cm £80-£120

71. Henry Furse (Britis h, 1860-1950 ) ‘Boy and Greyhounds 1898’, basrelief bronzed plaster panel, signed /engraved and dated bottom left, reverse; edition 13/200, label verso 52 x 68cm, depth 2cm

Label verso; Palaquin Fine Arts “Boy and Greyhounds” by Henry M. Furse, no. 13 of an edition of 200. 20 Bourdon Street, London, W.1

£200-£300

72. A Museum plaster copy of the Torso of Venus early 20th century, bears inset aluminium plaque ‘Musee au Louvre, Reproduction Interdite, Ateliers de Moulage’, height 46cm £80-£120

73. A 20th century dyommo mask Dogon, Mali, carved wooden stylised rabbit head form, painted red ground decorated with yellow dots, adorned with rope; together with an Igbo horned mask, Nigeria, carved wood with red ground, heightened in white (2), height 31cm and 24cm respectively

£50-£70

74. A 20th century Mambila dog head mask Cameroon, stylised carved wooden form, with red, brown and cream pigment, length 51cm £50-£80

75. A West African carved wooden vessel late 19th/early 20th century, of conical form, on footed base, with incised linear and hatched decoration, twin handles; together with a West African carved wooden figure, early 20th century, and two later carved heads; together with two carved hair combs (6), height of the former 32cm

£80-£120

76. A Pacific Islands carved wooden mask 20th century, of shaped rectangular form with stylised features; together with a carved hardwood bust of a woman, marks to base ‘A Fatimah Bali’, with a further pair of SouthEast Asian carved busts (4), first height 26cm

£80-£120

77. A Japanese bronzed gong Meiji period (1868-1912), of circular form with etched foliate, landscape and dragon decoration, with rope hanger; together with beater (2), diameter 30cm £50-£70

78. A large Japanese rectangular embroidered tapestry panel Meiji period (1868-1912) Three entwined dragons, central beast gripping flaming pearl, in stylised panoramic cloudscape, within dragon motif border 60cm by 240cm

£50-£80

79. A Japanese bronze lamp base Meiji period (1868-1912), of waisted stepped form, with relief dragon frieze to middle, above terrapin and octopus frieze, with further decorative stylised relief panels to top and base, height 30cm

£40-£60

80. A bronzed figural table lamp early 20th century, in the form of robed nomad woman, carrying amphorae upon her shoulder, modelled standing beneath seven branched palm tree, two containing bakelite electric bulb fittings, signed Zwickh, height 111cm £100-£150

81. A Kashan silk Tree of life pattern rug second half 20th century, caramel ground, length 214cm, width 138cm £100-£200

82. A Persian Bakhtiar rug 2nd half 20th century, light red ground, length 162 x 103cm

£60-£80

83. A modern Persian Kashan wool rug made in Iran, red field with central ivory medallion and similar spandrels, all over foliate scrolling design, multiple borders and guardstripes with flower head motifs, 223cm by 159cm

£150-£250

84. A pair of Victorian brass and cast iron doorstops in the form on seated dogs on cast iron plinth bases (2), height 32.3cm

£60-£80

85. Three copper ships lights early 20th century, to include an anchor lantern, a masthead lantern with reflector and cast iron bracket and a distress lantern with red shade (3), first height 26cm

£80-£120

86. A late Victorian electroplate mounted oak three bottle tantalus fitted with three square hobnail cut spirit decanters and stopper, pivot swing action locking bar, stamped Patent 8991, height 33.5cm, length 39.4cm

£80-£120

87. A large late 19th century Indian brass tray repoussé decorated with Hindu mythological scenes, diameter 79cm

£50-£80

88. An early 20th century Indian novelty brass cobra jardiniere the coiled body holding an associated liner, the rearing head set with red glass cabochon eyes, height 54cm

£60-£80

89. A Chinese brown glazed elephant garden seat early 20th century, height 57cm, length 63cm

£50-£80

90. An early 20th century Austrian painted terracotta figural table lamp in the manner of Goldscheider modelled as an artisan holding aloft a torch in his right hand, signed Aug Ollo, fitted with frosted glass flame shade, height 113cm

£100-£150

91. A late 19th century Venetian polychrome and gilt wall mirror the shaped plate with scroll moulded border and rocaille crest painted with floral reserves, height 130cm, width 67cm

£200-£300

92. Ø An early 20th century tortoiseshell and ivory dressing table mirror rectangular with shaped top, the frame tortoiseshell veneered and ivory strung, the reverse ebonised with easel strut support, height 69.8cm, width 41cm

IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: 55UGR792

£200-£300

93. A 19th century gilt gesso picture frame mirror, height 73.5cm, width 59.5cm

£50-£80

94. A 19th century Dutch walnut and marquetry wall mirror rectangular, floral marquetry border overall 58.2 x 47cm

£60-£80

95. A glazed wall hanging display case of preserved tropical beetles with data labels, 38.2 x 61cm

£40-£60

96. A late 19th century Palais Royale style gilt metal and cut glass épergne/table centrepiece by Osler the central octagonal stem supporting a large thistle shaped vase and issuing four scroll brackets terminating in eagles heads suspending beaded chains with pendant bead drops, beneath three scroll branches hold smaller cut glass posy vases, on a circular flower cut foot with gadrooned mount raised on winged lion paw feet, stamped Osler, height 55cm

£200-£300

97. A set of three carved wood wall hanging University armourial shields late 19th/early 20th century, carved for Oxford University, Balliol College and Pembroke College (3), height 35cm

£60-£80

98. An Arts and Crafts walnut and polychrome decorated fruitwood wall hanging photograph frame with seven glazed apertures surmounted by a shelf, signed verso Clara Chalmers 1897, height 34.5cm, length 82cm

£80-£120

99. A pair of 19th century Rococo Revival ormolu candlesticks cast with flowerheads and acanthus scroll decoration, fitted with detachable nozzles (2), height 18.5cm

£60-£80

100. A late 19th century Indian Hoshiarpur hardwood mirror frame rectangular, the slip with foliate inlaid scrolling brass decoration within a geometric pierced border aperture 25 x 20cm, overall 54 x 48cm

£50-£80

101. A Victorian cast iron hall stick/umbrella stand c.1880 painted white, decorative stand with pierced back plate with floral motifs, four circular supports to rest sticks/umbrellas within, above a drip tray with a decoratively engraved border, raised on four splayed feet, glazed, stamped Newall to reverse, height 68cm, base width 45cm, base depth 13.5cm £80-£120

102. A large Victorian feather work floral display under dome the dome containing a tall glass trumpet vase holding a bouquet of feather flowers, wax flower buds and two straw work exotic birds, raised on red velvet plinth, on an ebonised moulded base on feet, height 80cm £100-£150

103. An Arts and Crafts three branch brass ceiling light in the manner of W A S Benson c.1900 central column with three applied scrolls each suspending a light fitted with three moulded Holophane shades, length 61.5cm £80-£120

104. A large and impressive pair of 1970s lucite table lamps geometric design of clear slabs with chrome mounts (2), height including fitting 97.5cm £200-£300

105. A pair of 1970s lucite table lamps of helix design, formed of stacked slabs, on square bases (2), height 77cm £100-£200

106. A contemporary Christopher Wray glass table lamp of rectangular geometric stacked slab design with chrome mounts, on plinth base, height 54cm £60-£80

107. A 1970s lucite and brass cluster column table lamp, height 74cm £80-£120

108. A near pair of 1930s pink cut glass table lamps slender facet cut stems, slice cut domed circular bases (2), height 37.2cm £60-£80

109. A pair of contemporary chrome and glass column table lamps the chrome stems on square glass bases raised on chrome ball feet, fitted with grey silk shades stamped Porta Romana (2), height 72.5cm £80-£120

110. A pair of French gilt brass mounted cut glass column table lamps early 20th century, the faceted stems cut with leaf decoration (2), height including fitting 49cm

£80-£120

111. A mid 20th century Italian Florentine giltwood wall mirror oval plate with carved acanthus scroll surround and crest, height 70.5cm, width 48cm

£80-£120

112. A late 19th century Italian carved giltwood wall mirror shaped mirror with acanthus scroll frame, height 72.5cm, width 106cm £100-£150

113. An architectural carved giltwood and gesso Corinthian pilaster capital late 18th / early 19th century, height 33cm

£80-£120

114. A late 19th century brass three tiered plant stand cast with birds and pierced scroll work, height 75.5cm

£50-£80

115. Kitchenalia. A varied collection of copper saucepans and a large copper hot water urn comprising a graduated set of three saucepans and a pair of deep saucepans, stamped Leon Jaeggi & Sons Coppersmiths London & Staines, another saucepan stamped REFORM, a 19th century brass kettle and a large cylindrical hot water urn fitted with a domed cover (8), various height of urn 64cm

£100-£150

116. A 1930s Herbert Terry & Sons ‘The Anglepoise’ table lamp model 1227 in cream with marbled finish, on stepped base, height 70cm £50-£80

117. A vintage black Anglepoise lamp Herbert Terry & Sons Ltd, Redditch, England, lamp retains black enamel finish, features iconic threespring mechanism, for adjustable positioning, stamped above base Made in England by Herbert Terry & Sons Ltd Redditch, Anglepoise PAT. in uk and abroad, base 15 x 15cm, height 88cm

£50-£80

118. Two polished white veined red marble spheres mounted on cast iron campana vases on stepped pine plinth bases, together with another polished marble sphere (5), diameter of red spheres 16cm

£80-£120

119. Archibald Knox for Liberty & Co a Tudric pewter and enamel rose bowl, no. 0229, of twin handled form, with stylised whiplash tendrils and honesty seed pods with applied enamels, underside stamped, ‘Rd 414420’ Tudric 0229, height 15.5cm, handle to handle 30cm

£1,000-£1,500

120. A large Liberty & Co Tudric pewter and enamel table cigarette box rectangular, the hinged domed lid inset with rectangular enamel panel depicting a river scene with a bridge by Charles Fleetwood Varley (1863-1942), cedar lined with a single division, stamped 078 Tudric, height 7.2cm length 20.5cm, depth 13.5cm

£400-£600

121. A late 19th century Belgian Arts & Crafts copper and brass mounted coffee set comprising coffee pot, cream jug, sucrier and oval tray, of conical form with scrollwork handles, stylised lappet borders (4), Coffee pot height 25cm

£100-£150

122. Arts and Crafts Newlyn Copper Tray c.1900 rectangular tray decorated with a central lozenge, stamped Newlyn, length 46.5cm, width 33cm

£50-£80

123. A pair of William IV patinated bronze candlesticks in the manner of Abbot & Co cast in the from of a standing storks with crowns around their necks issuing a foliate socket and drip pan aloft from their bills, standing on rockwork bases with cast iron inserts (2), height 39.5cm

£100-£150

124. Toddy Hoare, (British, b.1947)

‘A patinated bronze bust of a young girl’, signed Toddy 94, Firorini London foundry stamp, on hardwood plinth base, overall height 42cm

£300-£500

125. A Franklin Mint bronze figure group “Scramble” mounted on a hardwood base bears plaque to base ‘The Kent Battle of Britain Museum Hawkinge “Scramble” by Alan Mastankowski, 1990, height 24cm £80-£120

126. A French patinated bronze portrait plaque c.1900 circular, depicting a gentleman in profile facing right, signed P Duquene, diameter 27cm

£50-£80

127. A late 20th century patinated bronzed figure of a horse and jockey modelled at the gallop, on naturalistic integral base, rectangular marble plinth, height 41cm

£300-£500

128. After Guillaume Coustou (1677-1746)

A large pair of late 19th patinated bronze Marly horses, each modelled as a rearing stallion held by a groom, on a naturalistic base (2), height 57.5cm £200-£300

129. A George II figured walnut longcase clock with moonphase alarm and annual, calendar by John Crolee, London c.1755, the 13” arched brass dial with moonphase to arch with a band of engraving above and hemispheres below, silvered chapter ring with Roman numerals, minute track and outer Arabic seconds, calendar aperture, subsidiary seconds and alarm dials, and either side of the seconds ring two large cutouts in the form of sectors with scrolled bevelled edges, on the left side is shown the day of the week and ruling deity on the right the month and its zodiacal sign, strike/silent regulation at 9 o’clock and female mask spandrels, signed John Crolee, five pillar rack striking movement on a bell, brass cased weights, the case crossbanded and chequer strung, the arched hood covered in tooled leather and surmounted by gilt brass flambeau finials, over a glazed door blind fret frieze flanked by fluted and brass strung columns, the sides glazed, the trunk with arched door and gently curved sides, on a box base raised on a double plinth, height including finials 241.5cm £2,000-£3,000

130. A Jaeger Le Coultre brass cased skeleton mantel clock rectangular with gilt hour batons, manual wind movement, signed Jaeger Le Coultre, bears presentation engraved inscription to underside of base dated 1969, in a fitted case, height 20.2cm £250-£350

131. A large and impressive mid 19th century French ormolu mantel clock

the case surmounted by two allegorical figures, the winged figure of Father time holding a scythe and History as a female figure holding a tablet, circular silvered engine turned dial with black Roman numerals, minute track and blued steel hands, 8 day movement striking on a bell stamped Savory Fils

A Paris Douilon 1930, the case cast with floral garlands and acanthus scroll, on scroll feet, height 61cm, width 51.5cm

£600-£800

132. A late 19th century French Louis XV vernis martin style mantel clock

circular cream enamel dial with black Roman numerals, minute track and outer Arabic minutes, 8 day movement striking on a coiled gong, movement stamped Paris Make 4595, the case of waisted form painted with a seated figure in a landscape and scattered floral sprigs, on a gold ground, ormolu scroll mounts, height 36cm £150-£250

133. A late 19th century French brass mantel clock ornate case with openwork front and sides, surmounted by an urn, 8 day movement striking on a bell, stamped Japy Freres Paris and numbered 12943 E.B, height 51cm £100-£150

134. A late 19th century French miniature carriage timepiece white enamel dial with enamel with black Roman numerals, minute track and blued steel hands, signed Melleric Freres Baden-Baden, 8 day movement, backplate stamped J.D and numbered 3297, matte gilt four bevelled glass case with inspection top, on plinth base, height 9cm £100-£150

135. A late 19th century French cased gilt brass carriage timepiece white enamel dial with black Roman numerals, minute markers and outer Arabic numerals, 8 day movement with platform escapement, the four glass case with quarter engaged silvered pilasters and inspection top and carrying handle, in a fitted travel case with key, height 11cm

£50-£80

136. Original Artwork Design for the Wilkinson Sword Company c.1900

print, framed and glazed, markings to reverse, image 15 x 46cm, overall 26.5 x 58.5cm, reverse; 14 ABr 24r, original artwork drawing for sword, designed and produced by Wilkinson circa 1900. acquired by Bapty & co, film hire specialists at the disolution of Wilkinson Sword Company

£80-£120

137. Gustave Astoy (Spanish, 20th Century)

‘Serenity in Repose’, charcoal and pencil on paper, signed bottom right, framed, glazed and mounted, within mount 25.5 x 52.5cm, overall 44 x 71cm

£60-£80

138. Martin Tibbs (British, 20th century)

RAC Norton Rescue Bike Print, pen and ink on paper, signed and dated ‘88, framed, glazed and mounted, within mount 50.5 x 59.5cm, overall 66.5 x 74.5cm

Provenance: bottom left signed in pencil for husband of current owner ‘I. Gough, RAC. Patrol 602’

£80-£120

139. ‡ Urbain Huchet (French, b.1930)

French scenes- Three limited edition colour lithographs, on paper, pencil signed (lower-right), numbered 267/340, 245/340 and 127/340 respectively (lower-left), unframed (3), 55cm by 75cm

£50-£70

140. Wolfgang Craig Hainisch (Austrian/British, 1905-1995)

A collection of female nude studies and sketches, mid/late 20th century, pencil, various examples in pencil, ink, crayon and pastel, on loose paper, some doublesided, unframed; together with a photograph of the artist (qty), various sizes

£100-£150

141. Japanese School. Meiji period

‘Study of fish’, ink and gold leaf on paper, signed, red seal mark, folding, lacquer frame, height 54.7cm, length 187cm

£100-£160

142. British School (late 19th century)

Sail boat in rough open waters unsigned, oil on canvas, gilt framed, 44.5cm by 80cm

£60-£90

143. William Logsdail (British , 1859-1944)

Portrait of Mr William Henry Vaine (1797-1881)- Landlord of The Woodman, Sparsholt, Hants.

Painted from image early 20th century. Signed ‘W Logsdail’ (lower-left), oil on canvas, titled and named plaque to Hogarth style frame, glazed, together with an accompanying mid-19th century framed Daguerreotype image of William Logsdail, inscribed verso (2) canvas 39cm by 30cm Daguerreotype 8cm by 6.5cm

Provenance: by family descent. With research notes

£300-£500

144. Attributed to Robert Byng (British, 1666-1720 )

‘A Young Lady with Her Sheep’, oil on canvas, unsigned, framed fine English period gilt wood, canvas 73 x 60.5cm, overall 83 x 71cm

Provenance: Acquired in 2005 from Swan Fine Art, London

£800-£1,200

145. Attributed to Jacob de Wit (Dutch, 1695-1754)

‘En Grisaille of Putti’, oil on canvas, unsigned, framed, label verso, canvas 66 x 106.5cm, overall 83 x 125cm

Provenance: label verso; Jacob de Wit, Dutch, 1695-1754, En Grisaille of Putti. Purchased in 2004 from Swan Fine Art, London

£800-£1,200

146. British School, 19th century

‘A Pair of Doves’, oil on board, unsigned, dated 1845 on reverse with other indistinct writings, wooden gilt frame, within frame 26 x 33.5cm, overall 45 x 53cm

Provenance: label verso; J. & W. Vokins, dealers in drawings and works of art, dated 1895, London

£150-£250

147. Attributed to J.B. Pyne (British, 1800-1870)

‘A Donkey in the Alps’, oil on canvas, inscribed J.B.Pyne on frame lower centre, wooden gilt frame, diameter of oval image 27.5cm, overall 43 x 43cm

Provenance: label verso; E. Stacy-Marks LTD, Sussex, Lord Brentwood, dated 27.8.83

£300-£400

148. British School 19th century

‘Rural Bliss: Ladies by the Cottage’, oil on canvas, unsigned, wooden gilt frame

canvas 29 x 38.5cm, overall 40.5 x 50cm

£80-£120

149. W. A. Nesfield (British, 1793-1881)

‘A Mountainous Highland Landscape’, watercolour, signed and dated 1836 bottom right, framed, glazed and mounted, within mount 52 x 69cm, overall 77 x 93cm

£150-£250

150. C. John Maye Whichelo (British, 1784-1865)

‘The Romance of the Bay’, watercolour, signed and dated 1836 bottom left, label verso, framed and mounted, overall 73 x 95cm, width of frame 2.5cm

Provenance: label verso; Jordan Cook LTD, dated 28.1.42

£100-£150

151. British School 19th century

‘Goats in Alpine Peace’, oil on board, unsigned, framed, within frame

22.5 x 17cm, overall 39 x 34cm

£100-£150

152. Circle of Sir Thomas Lawrence BRA FRSA (Britis h, 1769-1830 )

Portrait of Mrs Anne Lucy Hallen nee Bigg, circa 1820, half-length, seated, in red dress with fur trimmed red cloak, oil on canvas, gilt framed, canvas 75cm by 62cm

Provenance: By family descent, portrait is offered on behalf of the great grandson of Mrs Anne Hallen and husband Mr Thomas Hallen of Kidderminster. Sitter was daughter of Mre Edward Francus Bigg (1737-1823) of Chancery Lane, London. Undersheriff of the city in 1810

£300-£500

153. An early 19th century portrait of ‘The Chisholm’

The Chisholm of the Chisholm in old tartan with sword in highland dress, oil on board, unsigned, framed overall 47 x 37cm, board

39.5 x 29.5cm

£80-£120

154. Attributed to Edward Lear (British, 1812-1888 )

‘Corfu’, ink and pencil on card, attributed to Leer as no signature found, titled and dated verso, framed, glazed and mounted, within mount 31 x 51, overall 58.5 x 77cm

Provenance: label verso; Edward Lear 1812-1888 “Corfu - 7 June 1849” Inscribed with Title verso £200-£300

155. Edmund John Niemann (British, 1813-1876 )

Panoramic view of Chislehurst Common, with windmill, pond, woodland and cottage, signed (lower right), oil on canvas, gilt & gesso framed, canvas 58cm by 104cm, A Local Private Collector £1,200-£1,800

156. English School (early/mid 19th century)

Pastoral ‘View of Chislehurst’ village with shepherd and flock, surrounded by trees, Tiger’s Head inn, St Nicholas’ church and various cottages, unsigned, oil on canvas, elaborate gilt & gesso framed, canvas 57cm by 80cm

Provenance: A Local Private Collection

£600-£900

157. Austrian School, 19th century

‘Botzen Market Place’, oil on board, information to reverse in provenance, framed, within frame 18 x 28cm, overall 35 x 45cm

Provenance: verso; ‘Market Place. Botzen. Austria. by F. Retz or Retger, Munich Academy Exh…’

£70-£100

158. Louis Vagnat (French, 1841-1886)

‘Vues de Sassenage’, oils on canvas, both signed by artist and dated 1885 bottom left and right respectively, both with gilt wood decorative frames (2), first within frame 45 x 37cm, overall 57.5 x 49cm

Provenance: first verso; a Sassenage 8th - 1885, L. Vagnat

£200-£300

159. British School 19th century

‘Portrait of a Gentleman’, oil on canvas, signed S. Griffin bottom right, date illegible, within frame 39 x 29cm, overall 48.5 x 38cm

£80-£120

160. J. Williamson (British , 1850-1919 )

‘The North Foreland’ & ‘Broadstairs Bay’, oils on board, both signed bottom left, signed verso, framed and glazed (2), within frame 22 x 29cm, overall 29.5 x 37cm

Provenance: verso; The North Foreland by J. Williamson, Broadstairs Bay by J. Williamson

£100-£150

161. Oliver Clare (Brit ish, 1853-1927 )

‘Still Life of Grapes and Plums’, oil on card, signed by artist bottom right, framed, glazed and mounted, within mount 16 x 22cm, overall 38 x 44.5cm

£200-£300 162

162. Magliami (Italian School, 19th century)

‘The Joy of Youth and the Sorrow of Innocence’, oils on canvas, both signed bottom right, both unframed (2), first; canvas 81.5 x 62.5cm

£400-£600

163. Leonide Bourges (French,1838-1909)

‘Mother, Child, Flowers’, oil on board, signed bottom left, unframed 27 x 21cm

£80-£120

164. British School (late 19th century)

‘A Snowy Woodland Landscape’ oil on canvas, unsigned 30 x 46cm

£80-£120

165. English School (19th century)

Rural landscapes

‘Working the Land’, a pair, both oil on canvas, 1/2 possibly signed, mark not decipherable, framed (2), first canvas 29 x 49.5cm, overall 37.5 x 50cm

£80-£120

166. George Sheffield (British 1839-1892)

‘A Bustling Port’ charcoal monochrome on paper, signed with artist initials ‘G.S’ bottom right, other inscription bottom right, framed, glazed and mounted, within mount 17 x 24cm, overall 34 x 41cm

Provenance: Christie’s lot 914, British and Continental Watercolours (4051), Wednesday 04 October 2006

£100-£150

167. George Buchanan Wollaston (British, 1814-1899 )

Donati’s Comet…as seen on Chislehurst Common, Oct. 4th 1858’, labelled verso in artist’s hand, ‘drawing finished October 31st 1872 Geo. B. Wollaston’, chalk, pencil and crayon on paper, gilt & gesso framed and glazed, drawing 22.5cm by 33.5cm

Provenance: A Local Private Collection

£500-£800

168. Henry Schafer (French, 1833-1916)

‘Gothic Normandy’, oils on canvas, first signed and dated 1875 bottom right, description on reverse of other, both with decorative gilt wood frames (2), first within frame 39.5 x 29cm, overall 51 x 40.5cm

£100-£150

169. Henry Adams Luscome (British, 1820-1899 )

‘Docks of The Bay’, watercolour, signed bottom left, framed, glazed and mounted, within mount 19.5 x 34cm, overall 40 x 53.5cm

Provenance: label verso; York Gallery

£50-£80

170. British School, 19th century portrait

‘A Young Man of Means’, oil on board, unsigned, framed, within frame 24.5 x 18cm, overall 34 x 28cm

£150-£250

171. After Louis Francois Joseph Marie Thevenet (Belgian, 1874-1930)

Interior scene, oil on canvas, ebonised frame, canvas 30.5cm by 39cm

£80-£120

172. Frances E. Nesbitt (British, c.1864-1934)

‘Boats into Town’, watercolour, signed bottom right, framed, glazed and mounted, within mount 25 x 34cm, overall 42.5 x 50.5cm

Provenance: label verso; Burlington Paintings, Fine Paintings and Watercolours, 12 Burlington Gardens, London W1X 1LG

£50-£80

173. ‡ Owen Bowen (Briti sh, 1873-1967 )

‘Study of Roses’, style of HenriFantin-Latour, French 1836-1904, oil on canvas, signed bottom left, framed, canvas 44 x 34cm, overall 72 x 62cm

Provenance: Acquired in 2004 from Swan Fine Art, London

£400-£600

174. Mikhail K. Poplavsky (Russian, 1914-1980)

‘A Blasted Coal Mine’, oil on board, signed and dated 1945 bottom right, makings to reverse, framed and glazed, overall 40 x 45.5cm, board 24 x 30cm

£100-£150

175. George Vernon Stokes (British, 1873-1954)

‘Otterhounds’, Three otterhounds and border terrier(s) on the river, oil on board, signed G. Vernon Stokes bottom right, framed, overall 70 x 164cm, within frame 61 x 155cm

£1,000-£1,500

176. British School 20th century

‘A Still Life Study’, oil on canvas, signed and dated L. Newsten 1947 bottom right, framed, within frame 48 x 43cm, overall 70 x 54.5cm

£80-£120

178. Hubert Coop RBA (Britis h, 1875-1952 )

‘The Fisherman’, watercolour, signed by artist bottom right, framed and glazed, within frame 40 x 75cm, overall 52 x 87cm

£150-£250

179. ‡ Michael Jackson (British, b.1961)

‘Blue and Gold Macaws’, gouache, signed bottom left and dated 1996, mounted, framed, bears label for The Tryon and Swan Galleries Ltd, within mount 66 x 46.5cm, overall 105 x 80cm

£600-£800

177. French School, 19th century

‘In Stillness, Beauty Blooms’, oil on board, unsigned, framed decorative period carved wood frame, within frame 94 x 69, overall 105 x 80cm

Provenance: label verso; Acquired in 2005 from Swan Fine Art, London

£600-£800

180. ‡ Paul Kenny (Irish, b.1960)

‘Venice’, oil on canvas, signed bottom right, framed canvas 70 x 90cm, overall 86 x 107cm

Provenance: originally purchased directly from artist

£400-£600

181. G. S. Gawley (British, 20th century)

‘Tranquility in North Africa’, oil on board, signed and dated 61 by artist bottom left, framed, within frame 25 x 34cm, overall 39.5 x 49cm

£80-£120

182. Russian School (20th century)

Lenin Addressing a Meeting of Scholars’, watercolour on paper, reverse; Modovsky Lenin 1958, other markings on reverse, framed and glazed, overall 45 x 55cm, within frame 34 x 44cm

Provenance: Purchased by vendor in Kiev, Ukraine 1990

£80-£120

183. Alexander V. Vyatkin (Ukrainian,1922-2012)

‘On The River Chusovaya’, oil on board, signed bottom right, dated 1954 to reverse with more information, framed and glazed, 31 x 45cm, 17.5 x 31.5cm

£100-£120

184. Mikhail K. Poplavsky (Russian, 1914-1980)

‘Sketch of a Mineyard’, oil on board, signed and dated 1956 bottom right, makings to reverse, framed and glazed, overall 42 x 39cm, board

21.5 x 21cm

£80-£120

185. V. L. Mokrozhitsky (Ukrainian, b.1928)

‘Brotherhood 2’, oil on board, dated 1975 to reverse, framed and glazed overall 43 x 39cm, within frame

32.5 x 28.5cm

£80-£120

186. ‡ Graham McKean (Scottish, b.1962)

‘War Hero’ (A Private Person), oil pastel on card, signed bottom right by artist, signed, dated and titled by artist on reverse, framed, glazed and mounted, within mount 63.5 x 48.5cm, overall 90 x 74.5cm

Provenance: gifted directly from artist

£300-£500

187. ‡ Graham McKean (Scottish, b.1962)

‘Band of Brothers’, oil pastel on card, signed bottom left by artist, signed and titled by artist on reverse, framed, glazed and mounted, within mount 47 x 63cm, overall 74 x 89cm

Provenance: gifted directly from artist

£300-£500

188. ‡ Graham McKean (Scottish, b.1962)

‘Old Man of Arran’, oil pastel on card, signed bottom left by artist, framed, glazed and mounted, within mount 28 x 20, overall 46.5 x 39cm

Provenance: gifted directly from artist

£200-£300

189. ‡ Graham McKean (Scottish, b.1962)

‘An Ordinary Angel’ (English Rose), oil pastel on card, signed bottom right by artist, signed, dated and titled by artist on reverse, framed, glazed and mounted, within mount 64 x 48cm, overall 90 x 74cm

Provenance: gifted directly from artist

£200-£300

190. ‡ E. van Jones (British, act. 1927-1941)

‘An Open Gate’, oil on wood, signed bottom left, framed, within frame 57 x 44cm, overall 63 x 49cm

£150-£250

191. ‡ Claude Muncaster (Bri tish, 1903-1974)

‘Cardiff Market’, watercolour, pen and ink on paper, signed and dated Oct. 1952 by artist bottom right, framed, glazed and mounted, within mount 30 x 40.5cm, overall 57 x 68cm

£100-£150

192. Sally Gaywood (British, b.1961)

“The Orange Pickers’ & ‘Hartley Wintney’, oils on board, both signed, bottom left and right, both framed (2), first; within frame 28.5 x 44cm, overall 41 x 56.5cm

£80-£120

193. Maree Wylie (Irish, 20th century)

Irish whitewashed cottages, oil on canvas, signed bottom left, framed, canvas 44 x 59cm, overall 64.5 x 80cm

£50-£80

194. Margaret Waller F.I.A.L. (British, 1916-1997 )

‘Magnolia Blooms in an Oriental Vase’, oil on board, signed bottom left by artist, framed, within frame 74 x 59.5cm, overall 89 x 74cm

£80-£120

195. Maree Wylie (20th Century) after Phelan Gibb (Bri tish, 1870-1948 )

‘Morning on the Seine’, oil on board, signed by artist M. Wylie bottom left, framed, image 37 x 44cm, overall 54 x 61cm

£50-£80

196. ‡ Vic Granger (British, b. 1931)

‘A Black and White Greyhound’, gouache, signed by artist and dated 1978 bottom left, framed, mounted and glazed, within mount 35.5 x 43cm, overall 63.5 x 70.5cm

£100-£150

197. ‡ Michael Richardson WGA (British, b. 1943)

‘Still Life’, oil on board, unsigned, label verso, framed, within frame 25 x 19.5cm, overall 37 x 32cm

Provenance: Wapping Group of Artists. United Society of Artists

£80-£120

198. After Luigi Rossini (Italian, 1790-1857)

‘Veduta dell’ Interno del Tempio della Concordia, nel Foro Romano’ First state c.1820 and ‘Veduta dell’ Arco Costantino’ c.1850, etchings on wove paper, mounted, framed (2), first within mount 50 x 61.5cm, overall 77 x 86.8cm

£100-£150

199. After James Seymour (1702-1752) A Pair of Aquatints

‘Childers, the Fleetest Horse that Ever Run at Newmarket’ & ‘The Portraiture of Lamprey’, both handcoloured aquatints, both printed marks bottom left; Seymour delin, bottom right; Houston fecit, engraver Richard Houston (Irish, 1721/22-1775), both published March 1755, both framed, glazed and mounted (2), within mount 30 x 35.5cm, overall 44 x 48.5cm

£80-£120

200. ‡ Peggy Nungurrayi (Australian, Contemporary)

‘Bush Tucker Dreaming’, acrylic on canvas, signed verso ‘Peggy’, numbered 5348, framed, A vibrant and intricate work in distinctive dot painting style, depicting traditional Aboriginal Dreamtime stories, focusing on the abundance of bush tucker (indigenous food) and its connection to the land. Painting features a dynamic composition of earthy tones-reds, browns, yellows, and whites-arranged in mesmerising patterns that represent the spiritual and geographical essence of bush tucker sites. The painting prominently features human tracks, this personal and ancestral connection imbues the work with profound cultural and spiritual significance, highlighting the harmonious relationship between people, the land, and its resources, canvas 180 x 126cm, overall 186 x 132cm

Provenance: Private Collection. Acquired in Australia from the Aboriginal Gallery of Dreamings, Melbourne, Victoria 1996. With original receipt £1,000-£1,500

201. ‡ Beryl Cook ( British, 1926-2008)

‘Dustbinmen’, a signed limited edition silkscreen, signed in pencil by artist bottom right, numbered 230/300 bottom left, titled lower centre, all done in pencil, framed and glazed, image 61 x 67cm, overall 79 x 84.5cm

Published 1987 £100-£150

202. ‡ Ralph Steadman (British, b.1936)

Royal Shakespeare Macbeth Poster, print; Illustration by Ralph Steadman / Typography by CS & S Design Partnership / Printed by G & B Arts Limited, unsigned, framed and glazed overall 74 x 51cm £50-£80

206. ‡ L. S. Lowry RBA RA (British, 1887-1976 )

203. ‡ L. S. Lowry RBA RA (Briti sh, 1887-1976)

‘Berwick upon Tweed 1938’, an offset lithograph in colours, from and edition of 650 signed in pencil by artist bottom right, Fine Art Trade Guild blind stamp, framed, glazed and mounted, within mount 55 x 43cm, overall 71.5 x 58.5cm

£4,000-£6,000

204. ‡ L. S. Lowry RBA RA (British, 1887-1976 )

‘Huddersfield, 1965’, an offset lithograph in colours, from an edition of 850, signed in pencil by artist bottom right, Fine Art Trade Guild blind stamp bottom left, framed, glazed and mounted, within mount 47 x 58cm, overall 68.5 x 79cm

£2,000-£3,000

205. ‡ L. S. Lowry RBA RA (British, 1887-1976 )

‘The Fever Van, 1935’, an offset lithograph in colours, from an edition of 700, signed in pencil by artist bottom right, Fine Art Trade Guild blind stamp bottom left, framed, glazed and mounted, within mount 45 x 52cm, overall 62 x 69.5cm

£2,000-£3,000

‘St Luke’s Church, Old Street, 1945’, limited edition offset lithograph in colours, signed in pencil by artist bottom right, numbered 850/390, Fine Art Trade Guild blind stamp bottom left, text above image found in provenance, framed, glazed and mounted, within mount 63 x 48cm, overall 82 x 66cm

£1,500-£2,000

206

207. ‡ L. S. Lowry RBA RA (British, 1887-1976 )

‘The Family, 1961’, an offset lithograph in colours, from an edition of 850, signed in pen by artist bottom right, Fine Art Trade Guild blind stamp bottom left, framed, glazed and mounted, within mount 29 x 22cm, overall 57.5 x 42.5cm £800-£1,200

‘Mill scene’ (1972) an offset lithograph in colours 1972, signed in pencil (lower-right), printed by Durwen Press, published by Sunday Observer, limited edition of 3000, 750 of which were signed, framed and glazed, print 32.5 by 42cm £2,000-£3,000 209 208

208. ‡ L. S. Lowry RBA RA (British, 1887-1976 )

‘Mrs Swindell’s Picture, 1967’, an offset lithograph in colours, from an edition of 850, signed in pencil by artist bottom right, Fine Art Trade Guild blind stamp bottom left, framed, glazed and mounted, within mount 43 x 32cm, overall 65 x 53cm £1,500-£2,000

209. ‡ L.S. Lowry (Britis h, 1887-1976 )

210. ‡ David Hockney (British, b. 1937)

Grey Art Gallery and Study Center

Poster, offset lithograph poster printed in colours, on wove paper, 1980, framed and glazed, the poster is from an exhibition for Hockney’s work by Grey Art Galley and Study Center held from April 3rd to May 3rd 1980 in New York. The central image features Hockney’s 1977 work ‘Still Life, Taj Hotel, Bombay.’, within frame 95 x 67.5cm, overall 101 x 73.5cm

Provenance: published by Grey Art Galley, New York £100-£150

211. ‡ David Hockney (British, b.1937)

‘Travels with Pen, Pencil and Ink’ Tate Gallery Poster, offset lithograph on wove paper, unsigned, 1980, framed and glazed, The poster reproduces Hockney’s crayon drawing ‘Celia in a Black Dress with White Flowers’ 1972, within frame 75 x 49.5cm, overall 81.5 x 56cm

£100-£150

212. ‡ David Hockney (British, b.1937)

‘My Mother (Bridlington)’ 1988 Tate Gallery Exhibition Poster, offset lithograph poster on T.H Saunders Waterford paper, limited edition print, one of 250 editions, signed by artist in pen bottom right, framed and glazed, Hockney created this work for his retrospective at the Tate Gallery, London on October 22, 1988, within frame 76 x 49.5cm, overall 80 x 54cm £100-£150

213. Andy Warhol (American, 1928-1987)

Marilyn Monroe, 1971 Tate Gallery Exhibition Poster, offset lithograph of Marilyn Monroe on wove paper, Tate Gallery Poster for Warhol’s 1971 exhibition, signed by artist in pen bottom right, framed and glazed, within frame 67.5 x 49.5cm, overall 71 x 53.5cm

£400-£600

214. ‡ Peter Blake Royal Academy Final Year Show Poster 1992 print edition 13/200, signed bottom right, reproduced cut outs of famous people and students for poster by Peter Blake for RA Schools Final Year Show, faces of notable people included; Frank Sinatra, Dustin Hoffman, Kylie Minogue, Paddy Ashdown, Steve Davis, Margaret Thatcher, David Bowie, Francis Bacon, Annie Lennox, Naomi Campbell, Ian Botham, Sinead O’Connor, George Michael, Lennox Lewis, Clive James, Chuck Berry, Freddie Mercury, Bob Geldof, Prince, Woody Allen, Jerry Hall, Lenny Henry, Neil Kinnock, Kevin Keegan, Gazza, Arnold Schwarzenegger, Tracey Chapman, Michael Caine, Marlene Deitrich etc.. image 81 x 53cm, overall 105 x 75cm £80-£120

215. Royal Academy Summer Exhibition 1958 poster

May 3rd to August 17th, printed by Kelpra Studio, white coat of arms and typeface on red background, framed and glazed, 75cm by 50cm £50-£80

216. Royal Academy United Artists’ Exhibition 1940 January 5th to March 9th, printed by Hague Gill & Davey, High Wycombe, blue and red insignia and typeface on white background, framed and glazed, 75cm by 50cm

£50-£80

217. Royal Academy International Exhibition of Chinese Art 1700 B.C.-1800 A.D. illustrated with colour polychrome figural image black typeface on white ground, framed and glazed, 75cm by 50cm £50-£80

218. ‡ Marcel Mouly (French, 1918-2008)

‘Mon Amant’, lithograph on paper, signed bottom right, print edition 179/225, framed, glazed and mounted, within mount 61 x 47.5cm, overall 86.5 x 71.5cm

£80-£120

219. ‡ Marcel Mouly (French, 1918-2008)

La Chaleur de la Campagne’, lithograph on paper, signed bottom right, print edition 12/225, framed and mounted, within mount 52.5 x 62cm, overall 77 x 86cm

£80-£120

220. ‡ Marcel Mouly (French, 1918-2008)

‘Un Lieu Central’, lithograph on paper, signed bottom right, print edition 205/225, unframed image 69 x 54.5cm

£80-£120

221. ‡ Marcel Mouly (French, 1918-2008)

‘Passages Marins’, lithographs on paper, print editions 168/300, 189/300, 124/300, 167/300, all signed bottom right, all framed, glazed and mounted (4)

edition 189/300 within mount 31 x 23cm, overall 55 x 47cm

£150-£250

222. ‡ Marcel Mouly (French, 1918-2008)

‘La Bouteille Bleue’, lithograph on paper, signed bottom right, print edition 291/300, framed, glazed and mounted, within mount 26 x 18cm, overall 54.5 x 44.5cm

£60-£80

223. After Charles Gir (French, 1883-1941)

‘Le Dessinateur’, An early 20th Century Vintage French Ballet Poster, charcoal and pastel lithograph print on paper, for ‘le dessinateur’, advertising ‘pastels inspires de la musique’, framed and glazed, overall 125 x 84cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£150-£250

224. After Jean de Paleolou (Romanian, 1855-1942)

Theatre du Palais Royal Poster

‘Les Fetards’, lithographic poster, 1897, framed and glazed, within frame 79.5 x 60cm, overall 86 x 67cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£120-£180

225. A GLC Royal Festival Hall Poster

‘The Romantic Ballet’, lithographic poster, 1985, framed and glazed, within frame 75 x 49.5cm, overall 83 x 58cm

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021), The Romantic Ballet, An Exhibition, 19 July - 8 September 1985, GLC Working for the Arts in London

£50-£80

226. Djanira da Mota e Silva (Brazilian, 1914-1979)

‘Fonte em Santa Catarina 1972’, ‘Spring in Santa Catarina 1972’, abstract print on card / paper, edition print 1/100, 1/29, signed bottom right by artist, framed and glazed, within frame 42.5 x 59cm, overall 45 x 61.5cm

Provenance: Acquired in 1974 by vendor’s father who was a project manager for an oil refinery built for Petrobas (Brazilian state-owned oil company) near Rio de Janeiro in the early 1970s. At the end of the project he was given this print as a thank you for his efforts.

£400-£600

227. After Lizars, William Home (1788-1859)

A set of ten handcoloured hummingbird bookplate engravings, numbered and titled, from Jardine’s Naturalist’s Library- Family of Trochilidae or Humminbirds, first published c.1854, London, later mounted, framed and glazed (10), six landscape 9.5cm by 16cm and four portrait 15.5cm by 9.5cm

£80-£120

228. A pair of early 19th century satirical dentistry prints comprising ‘The Town Tooth Drawer’ and ‘The Country Tooth Drawer’, printed and published by W. Davison Alnwick, Hogarthh framed and glazed (2), 17cm by 25cm

£50-£70

229. ‡ Salvador Dali (1904-1989)

St George and the Dragon 1974, colour drypoint etching on paper, pencil signed (lower-right), framed and glazed; together with ‘Homere’, 1985, colour etching, pencil signed (lower-right), numbered 186/250, printed by Atelier Martinez, certificate verso, framed and glazed (2), first print 50.5cm by 60cm, second print 42cm by 56.5cm

£300-£500

230. ‡ After Pablo Picasso (1881-1973) Dessins

Pipe Fumeur colour giclee print, pimiled edition pencil numbered 6/500, facsimile signature, framed; together with a further Picasso giclee print, Laughing King, limited edition pencil numbered 309/375, framed and glazed (2), first print 55cm by 41cm, second print 67cm by 50.5cm

£80-£120

231. A Victorian panoramic view of London and the Thames coloured engraving view taken from south looking north, printed in sections, with visible folds, within plain border, later mounted, framed and glazed, 31cm by 121cm

Probably issued with a London periodical

£50-£70

232. Longworth Dames (Capt. T) Views in the Crimea folio, including one of six lithographs ‘General View of Sebastopol’, folding panoramic landscape, published August 11th 1856, London

£150-£250

233. A Japanese Kutani porcelain figure of Guanyin mounted as a table lamp early 20th century, seated on a rocky outcrop in flowing robes holding a censor, mounted on gilt metal hexagonal base, height including fitting 62cm

£60-£80

234. A Japanese Meiji period black and gilt lacquer kodansu table cabinet metal bound with a panelled cupboard door enclosing drawers and an arrangement of four drawers over a long drawer, on bracket feet, height 35cm, width 28cm, depth 13.5cm

£60-£80

235. A pair of Satsuma bottle vases, 20th century with panels of interior and exterior figural scenes depicting groups of Geishas, on blue ground with gilt embellished decoration, gilt seal marks to bases (2), height 26cm

£80-£120

236. A Japanese Kutani vase late Meiji period (1868-1912) of baluster form, everted rim and spreading foot, decorated with a stylised peacock and other birds within densely floral landscape, multiple borders, marks to base, height 37cm

£60-£80

237. A pair of 19th century Chinese Canton Export famille rose vases adapted as table lamps moulded with mask ring handles and decorated with panels of courtiers on terraces alternating with panels of birds, flowers and butterflies within dense scrolling borders, drilled, mounted with hardwood covers and stands (2), height including fitting 46cm

£100-£150

238. A pair of Japanese Meiji period cloisonné enamel dishes late 19th century, each with central reserve depicting a three clawed dragon against a dark blue ground, within a green aventurine, red and beige patterned border (2), diameter 30.5cm

£80-£120

239. A Japanese Meiji period blue and white porcelain planter decorated with continuous battle scene with mounted warriors and infantrymen in combat, impressed mark, height 18.5cm

£50-£80

240. Two Japanese Meiji period patinated bronze jardinieres the larger, of lobed form decorated in relief with cranes in flight and bamboo, the smaller with panels of samurai in a landscape, bears four character seal mark (2), first height 25.5cm

£80-£120

241. A 19th century Japanese Imari dish of circular scalloped form, with central floral roundel, segmented landscape and foliate border, underglaze ribboning to underside, diameter 26.5cm

£100-£150

242. A large 19th century Japanese Imari charger of circular form with underglaze blue central roundel, foliate border and underside rim, overlaid with iron red and gilt elaborate floral decoration, diameter 47cm

£350-£450

243. A Japanese Kutani porcelain cat

Meiji period (1868-1912), modelled curled up and sleeping, with integral decorative collar, gilt colouring, length 23cm

£80-£120

244. A collection of Imari pottery 19th century, comprising a Chinese jardiniere, decorated with dragon roundels; a Chinese lidded twinhandled pot and domed cover, bearing six-character mark; and two Japanese bowls (4), jardiniere diameter 26cm

£150-£250

245. A Japanese bone and mother of pearl inlaid black lacquer panel Meiji period, rectangular, inlaid with a samurai figures and birds, red stained seal plaques, height 80 x 45cm

£50-£80

246. A large Japanese Satsuma censer base late Meiji period (1868-1912), of bulbous form, everted rim, twin mask handles and similar tripod supports, intricately decorated with landscape scene of warriors in armour, opposite landscape scene of geishas, within elaborate gilt embellished borders, four character mark to base, height 33cm

£200-£300

247. A pair of Japanese Kutani chargers late Meiji period (1868-1912) each with central square panel, in iron red and gilt, decorated with figural landscape scenes, within elaborate borders, marks to bases (2), diameter 33cm

£150-£250

248. A pair of 19th century Chinese blue and white porcelain ginger jars and covers decorated with shaped reserves containing precious objects against a cracked ice and prunus ground, four character Kangxi but not of the period within concentric double rings (2), height 26cm £500-£800

249. A Chinese blue and white porcelain ginger jar and cover and two vases late 19th century, first decorated with flowering prunus against a cracked ice ground, double ring mark, together with a baluster vase with four character Kangxi mark and a sleeve vase with flared rim, double ring mark (3), first height 24.8cm, second height 22.3cm £200-£300

250. A large pair of 19th century Chinese Canton famille rose vases and covers of baluster from moulded with twin mask rings handles the domed covers with gilt dogs of Foo finials, typically decorated with panels of courtiers on terraces against a field of flowers, butterflies, precious objects, on carved hardwood stands (2), height 51.5cm

£400-£600

251. A large 19th century Chinese famille rose porcelain jardiniere of hexagonal tapering from, decorated with a continuous scene with a procession of scholars and attendants in a landscape entering a pavilion with a seated dignitary and courtiers, diaper and patterned borders, interlocking key to rim, raised on a reticulated foot, height 27cm, diameter 36.4cm

£300-£400

252. An 18th century Chinese export famille rose porcelain guglet c.1760 of pear shaped with garlic neck and flared rim, decorated with a seated female courtier and musicians, the neck with landscape reserves within dense gilt scrolling borders, height 24cm

£100-£150

253. Two 18th century Chinese export blue and white porcelain tea bowls and saucers from Ca Mau - Binh Thuan Cargo and a pair of plates, first c 1725, one decorated with flowers and butterflies, the other lotus moulded and decorated in bird and insect pattern, both bearing Sotheby’s paper labels together with a pair of plated c.1760 decorated with a garden scene with a willow tree, rockwork, peony blossom and fence (4), first height 4.5cm, second diameter 22.5cm

£100-£150

254. A 19th century Chinese Canton export celadon ground famille rose charger decorated with a central panel of birds, butterflies and flowers within a border of butterflies and dense scrolls containing shaped reserves containing courtly scenes, diameter 38.1cm

£80-£120

255. A 19th century Chinese Canton famille rose ‘dragon boat festival’ plate decorated with a dragon boat team and smaller boats in a river landscape, patterned borders, gilt rim, diameter 25.1cm

£100-£150

256. A large pair of late 18th century Chinese export famille rose ‘Mandarin’ porcelain vases and covers of baluster form, decorated with shaped panels containing courtiers in a garden setting with pavillions, against a blue and white fish roe ground moulded in relief with flowers and butterflies, the domed covers with polychrome dog of Fo finials and decorated with landscape panels against a conforming ground, gilt borders (2), height 48cm

Provenance: Right Honourable Sir William Joynson-Hicks later, 1st Viscount Brentford (1865-1932) and thence by descent, Popularly known as ‘Jix’ was an English solicitor and Conservative Politician serving as a long standing and controversial Home Secretary in Stanley Baldwin’s Second Government from 1924 to 1929 £800-£1,200

257. A large and impressive pair of Chinese cloisonné ‘lotus and ribbon’ vases late 18th / early 19th century, of squat baluster form, decorated with a trompe L’oeil tied ribbon against a turquoise ground dense field of polychrome lotus flowers and scrolling foliage, lappet borders, fitted with metal liners, one bearing Thomas Agnew & Son paper label inscribed “R (indistinct) Esq Fern Walk Plowden” (2), height 53.5cm

Provenance: Right Honourable Sir William Joynson-Hicks later, 1st Viscount Brentford (1865-1932) and thence by descent, Popularly known as ‘Jix’ was an English solicitor and Conservative Politician serving as a long standing and controversial Home Secretary in Stanley Baldwin’s Second Government from 1924 to 1929 £4,000-£6,000

258. A pair of Chinese carved green hardstone figures of boys riding buffaloes early 20th century mounted on soapstone bases (2), height 11cm, length 11.5cm £50-£80

259. A pair of late 19th century Chinese blue and white porcelain jars of hexagonal faceted tapering form, decorate with a continuous mountainous watery landscape with pavilions and a figure on a bridge, four character Kangxi mark but not of the period (2), height 17.5cm

£100-£150

260. A late 19th century Chinese blue and white ginger jar and cover decorated with a peacock and flowering prunus branches, double ring mark, height 15cm £80-£120

261. A Chinese crackle pale celadon glazed archaistic cong vase 19th/20th century, circular short neck on squared body, moulded with double vertical ribs to each side, horizontal ribs to corners, raised on circular foot, height 19.7cm

Provenance: Christie’s South Kensington

£300-£500

262. A Chinese pale lavender ground dish

19th century, decorated in underglaze blue with five tube-lined stylised phoenix roundels, bearing Qianlong seak mark, diameter 29cm

Provenance: Christie’s South Kensington

£500-£600

263. A 19th Century Chinese Canton enamel vase in the famille rose palate, depicting figures in a meeting, others on horseback, others in fighting mode, further decorated with flowers, birds and embossed with insects / reptiles against a vivid green and pink floral background, glazed, height 25.5cm

£100-£150

264. A mid 19th century Cantonese famille rose gu form vase of typical form with high rim on spreading neck, bulbous body on conical base, elaborately decorated in enamels with panels of figures, in courtly scenes, exotic birds, flowers and foliage, within intricate borders, height 37.5cm

£200-£300

265. A 19th century bound album of Chinese pith /rice paper paintings comprising twelve gouache studies of courtiers, mounted, original binding, each painting 25 x 17cm

£200-£300

266. Two Chinese hanging scroll painting first Study of a female musician, ink and watercolour on silk, calligraphy, red seal mark, second a landscape (2), length 208cm, width 54.5cm

£50-£80

267. A late 19th century Meissen small porcelain cabinet cup and saucer lobed, encrusted with flowers and painted scattered sprigs and insects, on peg feet, underglaze blue cross swords mark, saucer with indistinct incised mark, height 6cm

£50-£80

268. A Meissen polychrome porcelain ‘Savoyard Beggar’ figure from Cries de Paris series, modelled after Peter Reinicke, on naturalistic base, blue cross swords mark, numbered 33, heightb 13.5cm

£120-£180

269. A mid century Italian A.C.R. Arte Ceramica Romana pottery vase formed of four stepped cylinders, painted with a townscape with lampposts and female figures, signed ACR Z. 60 Italy, height 30.3cm

£40-£60

270. Two 18th Century Dutch Delft Plates first decorated with blue floral scenes, yellow trim around border, unmarked, glazed, second polychrome decorated with flowers, marked to reverse (2), first; diameter 23cm

£60-£80

271. A rare KPM (Konigliche Porzellan-Manufactory)

Royal Porcelain Manufactory

Berlin ewer

late 19th century, hinged pewter cover, scroll handle, heavily glazed relief foliate scrollwork cylindrical neck on ovoid body, central eight panel unglazed frieze, with profile portraits in architectural arch borders, depicting Frederick Wilhelm Elector of Brandenburg 1620-1688 thgrough to Albert of Saxe-Coburg and Gotha (Prince Consort) 1840-1861, between glazed domed relief panel shoulders and footed base, Berlin sceptre and KPM mark to base, height 36cm

Provenance: Reputed to have been in collection of Kaiser Wilhelm II (1859-1941)

£400-£600

272. German. A 18th Century Ludwigsburg Porcelain Plate landscape scene with two figures in the foreground and dwelling on top of cliff in background, floral and gilt decorations on main scene and around rim, ozier border, marked to reverse, double crown reversed Cs, marked for period of Duke Carl Eugen (1744-1793), diameter 24cm

£80-£120

273. A collection of early 19th century blue and white transfer decorated pearlware comprising a Spode Bridge of Lucano pattern serving dish, a Spode lozenge shaped dessert dish and a fan shaped dish from a supper set in, Forrest Landscape pattern, a pair of heart shaped dessert dishes decorated with a flower basket, a square Rogers Zebra pattern dish a willow pattern coffee cup and saucer and a pair of later novelty menu holders in the form of miniature Willow pattern dinner plates, with impressed registration marks (qty), first length 42cm

£60-£80

274. A pair of early 19th century Wedgwood pearlware ecuelles covers and stands, decorated with dark blue borders with gilt Greek key decoration, impressed Wedgwood (2), height 11cm

£60-£80

The following lots 275 to 297 From a Private Collection of Royal Worcester

275. A large Royal Worcester blush ground vase and cover dated 1892, handpainted with blackberries, leaves, brambles and spiders, gilt embellished, the domed cover surmounted by a finial, the bulbous body with reticulated neck adorned with swags & ribboning, twin foliate scroll handles, footed base, model no. ‘1428’, puce marks to underside, height 38cm £250-£350

276. Two Royal Worcester allegorical figural groups depicting Peace and Plenty circa 1867, each handpainted in enamels and gilt embellished, modelled as central neo-classical maidens flanked by further figures, on stepped and shaped naturalistic plinth bases of cartouche form, the former with green mark to underside, dated (18) 67, the other with impressed mark (2), height respectively 30cm and 28.5cm £500-£700

277. A pair of Royal Worcester Japanese style figures dated 1875, after James Hadley, handpainted in enamels and gilt embellished blush ground, modelled as a man with swords and woman holding a parchment and fan, both with traditional hair styles and costume, standing beside vases on stands, raised on marbled & shaped plinth bases with Greek key relief friezes, with printed and impressed marks to undersides (2), height 41cm and 40cm

£1,000-£1,500

278. A Royal Worcester Nautilus shell centrepiece dated 1878, handpainted in enamels and gilt embellished blush ground, the shell moulded in relief with putti blowing cornucopia, mythical serpents and foliate scrollwork, raised on column stem with twin serpent handles and masks, on stepped and moulded circular plinth base, twin marks to underside, height 42cm

£500-£800

279. A Royal Worcester blush ground twin-handled vase circa 1902, handpainted with floral sprays of summer flowers, of slender form with everted rim, fluted neck, elongated tapered body, circular footed base, model no. ‘1911’, marks to underside; together with a similar smaller example (2), first height 26cm, second height 21cm £80-£120

280. A pair of Royal Worcester figural table salts lustrous blanc-de-chine finish, modelled as putti astride a goat and setter, holding aloft baskets, on naturalistic plinth bases, impressed marks to undersides (2), height 13cm

£80-£120

281. A small collection of Royal Worcester porcelain wares comprising a sugar bowl, dated 1919, handpainted with bluebells, mark to base; together with two lidded dressing table pots, a miniature cup and a miniature tyg, various dates, designs and decorations (5), first diameter 12cm

£80-£120

282. A Royal Worcester Griffin form candlestick circa 1880, handpainted in enamels and gilt embellished, modelled with relief moulded sconce supported on back of seated creature, with front right claw raised and gripping a ball, on naturalistic plinth base, marks to underside, height 12.5cm

£80-£120

283. A Grainger & Co. Royal China Works Worcester blush ground reticulated vase and cover late 19th century, gilt embellished, the domed cover with finial, on tapered egg shape body, raised on three mask and scroll supports to trefoil base, marks to underside, height 20cm

£100-£150

284. A Grainger’s Royal China Works Worcester reticulated twin-handled vase handpainted with birds, blush ground; together with a Royal Worcester bottle vase, handpainted cottage scene, signed A. Lewis (2), first height 20cm

£80-£120

285. A Royal Worcester gilt and blush ground chamberstick c.1898, naturalistically modelled with a mouse on wooden platform, marked 1245, rd.no.81174, length 15cm

£60-£80

286. A Royal Worcester monkey with lotus flower

c.1886, realistically modelled, gilt embellished, 11.5cm high; together with a Royal Worcester lotus flower chamberstick, c.1904, ‘Rd. No.27580’, realistically modelled, gilt embellished and a Royal Worcester vase with three applied terrapins, c.1880 (3), height 11.5cm; 12cm; 8.5cm respectively

£80-£120

287. A Royal Worcester porcelain plaque handpainted by Harry Stinton c.1913, of oval form with Highland cattle, signed; together with a Royal Worcester miniature dish handpainted by Stinton, figural landscape decoration (2), diameter first 10.5cm, second 8cm £100-£150

288. A Royal Worcester bottle vase handpainted by A. Hood c.1926, peacock in landscape decoration, everted rim, short waisted neck, bulbous body, footed base, height 13cm £100-£150

289. A Royal Worcester bottle vase handpainted by H.W.Martin, with perched pheasant in landscape decoration, of elongated form, everted rim, stretched neck, ovoid body, footed base, height 12.5cm £100-£150

290. A miniature Royal Worcester twin handled porcelain vase handpainted by George Johnson c.1924, with conical neck, high scroll handles, footed base, decorated with stork in landscape, gilt embellished, signed, height 14.3cm

£100-£150

291. A Royal Worcester ewer handpainted by George Johnson, of neo-classical form, decorated with swans in flight over reeds, flowers and water, gilt embellished, scroll handle, footed base, model 2441, rd.no.514258, height 18cm

£100-£150

292. Three Royal Worcester female nudes c.1919, each modelled atop integral green plinth bases, numbered 2691,2692,2695 (3), height respectively, 14cm to 20cm £80-£120

293. A Royal Worcester elephant form vase

c.1870s, realistically modelled, caparisoned with gilt enriched and elaborate ceremonial howdah, rubbed mark to base, height 20cm

£120-£180

294. A Royal Worcester blanc-dechine figural candlestick late 19th century, modelled as a seated lady playing a lute, on naturalistic base, impressed marks, height 16.5cm

£60-£80

295. A Royal Worcester Oriental figure by Pinder Davis c.1914, modelled as a man in feathered cap and long flowing robes, a perched bird of prey on left hand, gilt embellished, plinth base, height 35cm

£150-£250

296. A Royal Worcester blush ground twin-handled vase and cover c.1892, model ‘1481’, domed cover with finial, body of elongated ovoid form, twin high scroll handles, footed base, decorated with flowers and butterfly, gilt embellished, height 38cm

£70-£100

297. A Royal Worcester handpainted porcelain marine plaque by Richard Rushton c.1918, of circular form with view of The Port of Havre, signed, titled verso, in gilt and gesso frame, glazed; together with a rectangular handpainted porcelain plaque of a bird of prey, by G. Delaney, stamped verso, framed (2), circular plaque 11cm, diameter; rectangular plaque 29.5cm by 21cm

£150-£250

298. A Royal Worcester blush ground bottle vase c.1878, twin handles, slender neck on fluted bulbous body, footed base, decorated with floral sprays and butterflies, gilt embellished, height 32cm

£100-£150

299. A large Coalport twin handled pedestal vase and cover decorated by Fred Howard c.1910 of tapering form with twin rams mask handles, decorated with a still life vignette of fruit signed F Howard, raised tooled gilt scroll borders against a cobalt blue and lemon yellow ground, on a shorted waisted stem and square foot, printed factory marks painted V-7540 over L/S 130, height 41.5cm

£200-£300

300. An 18th century English blue and white Delft plate c1760 decorated with a Chinoiserie garden scene with peony and rockwork, diameter 23cm

£40-£60

301. A late 19th century Doulton Lambeth brass mounted stoneware oil lamp decorated in relief with a band of floral decoration, fitted with a Messengers No 2 Patent burner, copper reservoir, clear acid etched frosted globe shade and chimney, height 63cm

£100-£150

302. A full set of eleven Wilkinson character jugs of Allied War Leaders 1915-1919 designed by Sir Francis Carruthers Gould comprising Rt Hon. David Llpyd George hold a shell inscribed “Shell Out”; Admiral Jellicoe holding a jug inscrobed “Hell Fire”; Lord French clutching a jug inscribed “French Pour Les Francais’; Field Marshall Sir Douglas Haig (1918) holding a jug painted with the union jack and seated on a tank, inscribed “PUSH and GO”; Admiral Beatty (1917) holding a shell inscribed “Dreadnought”; President Woodrow Wilson (1918) wearing a Native American headdress and holding a biplane, inscribed “Welcome Uncle Sam!; Marshall Foch (1918) with a foaming champagne bottle inscrobed “Au Diable le Kaiser”; General Botha (1918) holding jug inscribed “Loyalty”; Earl Kitchener holding a jug inscribed “Bitter for the Kaiser”, Filed Marshall Joffre holding a 75mm shell inscribed “Ce Que J’Offre” and King George V (1919) seated on a throne and holding a globe in his lap, all with black Wilkinsons factory marks, Sir Francis Carruthers Gould facsimile signature and Soane & Smith stamp (11), first height 26cm

Provenance: Right Honourable Sir William Joynson-Hicks later, 1st Viscount Brentford (1865-1932) and thence by descent, Popularly known as ‘Jix’ was an English solicitor and Conservative Politician serving as a long standing and controversial Home Secretary in Stanley Baldwin’s Second Government from 1924 to 1929 £2,000-£3,000

303. A Clarice Cliff for Wilkinson novelty Winston Churchill character jug c.1940 wearing blue uniform and bicorn hat, seated on a British bulldog draped in the union jack and holding battleship and a cigar, the base inscribed ‘May God Defend The Right’, printed black marks Royal Staffordshire Pottery Wilkinson Lid, signed Clarice Cliff and numbered No. 217, height 29.5cm

Provenance: Right Honourable Sir William Joynson-Hicks later, 1st Viscount Brentford (1865-1932) and thence by descent.

£500-£800

304. An extensive Spode Fleur De Lys blue pattern part dinner service comprising sixteen 27cm, diameter dinner plates, sixteen dessert bowls, sixteen 20cm, diameter dessert plates, sixteen 16cm, diameter side plates, an oval serving plater, a pair of gravy boats, one gravy boat stand, a serving dish and cover and a spare cover (qty), various £100-£150

305. A large and unusual 19th Century Doulton Lambeth Queen Victoria Relief Roundel terracotta relief roundel by Doulton Lambeth, depicting a finely detailed profile of Queen Victoria in a classical style, wearing a crown and veil, heavily glazed stoneware, treacle background, framed within a thick terracotta border with four holes around the rim for suspension purposes, stamped / impressed and inscribed to reverse, diameter approx 40cm, depth 11cm

The reverse stamped \ NH, inscribed EA between the N and the H £400-£600

306. A Royal Doulton George VI 1937 Coronation loving cup designed by Charles Noke and Harry Fenton twin handled with relied moulded decoration, printed marks limited edition 361/2000, height 26.5cm £100-£150

307. A pair of late 19th Century Art Pottery bottle vases possibly Ault or Linthorpe, of ovoid form with a slender neck, decorated in sang de boeuf and olive green, both glazed and unmarked (2), height 24cm

£80-£120

308. A pair of 19th century Paris porcelain Sèvres style vases and covers adapted as table lamps of ogee baluster form with scroll handles, red ground decorated with scroll framed reserved painted with floral bouquets, raised on foliate chased gilt brass plinth bases (2), height including fitting 66cm £80-£120

309. A Minton parian figure group of Ariadne and the Panther c.1845 after Johann Heinrich von Dannecker, incised 4-51 No 163 and factory mark and X year code, height 37cm, length 30cm £80-£120

The following lots 310 to 339 are from A Private Collection

310. A pair of early 19th century Derby polychrome porcelain figures Turk and Companion, both in dancing poses, raised on naturalistic bases, marked beneath for c.1806-1825 period (2), height 9.5cm £120-£180

311. A mid 19th century Derby polychrome porcelain figure of a flower seller holding blooms in her apron, on circular plinth base, marks for Stevenson & Hancock; together with a Dresden porcelain figure of a lady with basket of wares, plinth base (2), height first 23cm, second 13.5cm

£80-£120

312. A mid 19th century Staffordshire polychrome figure of Jenny Jones in traditional Welsh costume; together with a Victorian Staffordshire cottage pastille burner, of typical form (2), first height 23cm £80-£120

313. A collection of 19th/20th century miniature wares various dates and sizes, comprising a Chinese blue & white doublegourd vase; a Royal Copenhagen dish; a Royal Worcester jug; a Royal Doulton cup; a Spode jug; a Japanese Satsuma vase and a French overlaid glass vase (7), various heights

£80-£120

313A. An early Victorian Spode scent bottle and stopper, of baluster form, encrusted with flowers and shell, numbered 4817 to base; together with a 19th century Thomas Bevington mossware globular miniature jug, floral encrusted (2) first height 14cm, second height 7cm £80-£120

314. A garniture of early 19th century English twin handled vases

probably Masons, circa 1820, handpainted with elaborate floral panels, heavily gilt embellished, cobalt blue ground, footed bases, inscribed to underside ‘Felt Spar’ (3), height 14cm & 17cm respectively

£150-£250

315. An early 19th century Derby porcelain elaborate twin handled vase

handpainted with lively floral panel, gilt embellished, cobalt blue ground, square footed base, marks for c.1806-1825 period, height 23cm

£80-£120

316. An early 19th century Spode porcelain twin handled baluster vase

handpainted with vibrant floral and foliate decoration, gilt embellished, white ground, square footed base, marked 115, height 26cm

£80-£120

317. A Victorian C.J. Mason & Co. ‘To Ho’ relief moulded stoneware jug hunting hounds on the scent to frieze, scrollwork handle, mark to base; together with a Victorian Charles Meigh relief moulded stoneware jug, frenzied Bacchanalian dance frieze, arboreal vine handle, mark to base (2), first height 26cm; second height 23.5cm

Provenance: A Private Collectionboth illustrated in Henrywood’s ‘Relief-Moulded Jugs 1820-1900’ £100-£200

318. A fine late Georgian Mason’s Ironstone mazarine blue and gilt twin handled ‘Noble Essence Jar’ cover

c.1815-20, profusely decorated with butterflies, flowers and foliate, faceted finial on domed cover, wide everted neck, fluted cylindrical body, footed base, height 42cm

£200-£300

319. A fine late Georgian Mason’s Ironstone mazarine blue and gilt twin handled loving cup and cover

circa 1815-20, profusely decorated with butterflies, flowers and foliage, elaborate imposing pierced coronet finial, wrythen moulded cover, cylindrical body to wrythen moulded bulbous base, height 34cm

£200-£300

320. A fine late Georgian Mason’s Ironstone mazarine blue and gilt twin handled vase all over butterfly and insect decoration, undulating wide everted rim, fluted faceted body, footed base, height 30cm

£150-£200

321. A ‘Mason’s Ironstone China’ advertising plaque of easel form with crown above titled scroll, length 11.5cm £50-£70

322. An early 19th century Mason’s Ironstone Chinese style chinoiserie vase and cover temple lion finial on high domed cover, twin handled octagonal bottle form body with landscape vignette, footed base; together with a pair of trumpet vases, undulating rims, hexagonal bodies, floral design, stepped footed bases (3), height; first 24cm, second 19cm

£80-£120

323. A mid 19th century Copeland porcelain pot pourri cover and lid, foliate design on black ground, marked Copeland; together with a Mason’s Ironstone lustre ginger jar and cover (2), first height 19cm

£70-£100

324. A fine early 19th century garniture of three Mason’s Ironstone Chinese style square form vases waisted necks, handpainted overglaze pink exotic birds on gilt foliage and mazarine blue ground (3), height 26.5cm

Provenance: A Private Collection, illustrated in Godden’s ‘Mason’s China and the Ironstone Wares’, see p183

£150-£250

325. A collection of early 19th century Mason’s Ironstone ‘School house’ pattern wares comprising a large jug, two vases, a mug and a spill holder (5) Largest height 14cm

£70-£100

326. A late Georgian Mason’s Ironstone mazarine blue and gilt three-piece desk set comprising guill holder, ink stand and pounce pot, of circular form; together with a footed dish, elaborate floral decoration (4), dish diameter 14cm

£100-£150

327. An early 19th century Mason’s Ironstone Chinese style chinoiserie square form baluster vase and cover floral pattern, iron red ground; together with a Miles Mason chinoiserie twin handled vase, blue ground, pseudo reign mark; and a planter (3), height; first 27cm, second 19cm, third 12cm £100-£150

328. A garniture of late Georgian Mason’s Ironstone mazarine blue and gilt twin-handled vases of octagonal tapered faceted form, footed bases, decorated with birds, butterflies, insects and flowers (3), height 19cm £80-£120

329. A collection of late Georgian Mason’s Ironstone mazarine blue and gilt wares comprising a pair of twin handled Chinese style vases and covers, a pair of candlesticks, a small pair of Neo-Classical style amphorae vases and a bottle vase (7) tallest height 23cm £80-£120

330. An early 19th century Mason’s Ironstone polychrome water jug overglaze enamels, underglaze blue, figural landscape scene, floral frieze border, height 21.5cm

Provenance: A Private Collectionsee Godden’s ‘Mason’s China and the Ironstone Wares’

£80-£120

331. A collection of early 19th century Mason’s Ironstone Imari palette wares

comprising a lidded cup, a pair of pot pourri pot and covers, a set of three graduated jugs, three miniature bottle vases, and three other items (12), various heights

£120-£180

332. An early 19th century Miles Mason porcelain ram’s headed twin-handled vase elaborate floral frieze on gilt panel, mazarine blue ground, heavily gilt embellished with flowers and lappets, square white plinth base, impressed underneath ‘M Mason’, height 24cm

Provenance: A Private Collection, Ilustrated in Godden’s ‘Mason’s China and the Ironstone Wares’, see p.101

£150-£200

333. An early 19th century Mason’s Ironstone Imari palette miniature kettle together with an Imari palette miniature teapot and watering can, also a mazarine blue and gilt miniature kettle and teapot, gilt handles and knops (5), various heights

£80-£120

334. A fine early 19th century Mason’s Ironstone chinoiserie centrepiece bowl mazarine blue and gilt ground with polychrome enamel peacocks and foliage, moulded relief rim, footed base, diameter 32cm

Provenance: A Private Collection, illustrated in Godden’s ‘Mason’s China and the Ironstone Wares’, p.146

£200-£300

335. A collection of late Georgian Mason’s Ironstone mazarine blue wares

comprising five assorted twinhandled vases, a vase and cover, a square form planter and a cylindrical spill holder, various patterns and shapes, with foliage, birds and insects, all with gilt detail, some polychrome enamels (8) largest height 17cm

£80-£120

336. A mid 19th century Miles Mason Ironstone coffee set in the Willow pattern comprising six cups and saucers (6)

£70-£100

337. A collection of early 19th century Mason’s Ironstone Imari palette wares

various shapes comprising three assorted pairs of twin-handled vases and three assorted dishes (9), tallest height 12cm

£80-£120

338. A collection of late Georgian Mason’s Ironstone mazarine blue and gilt wares

various shapes and patterns, comprising five assorted jugs, including large octagonal faceted water jug, together with a tankard etc. (6), largest height 23cm

£80-£120

339. A collection of 19th/20th century Mason’s Ironstone China including a set of four Mandarin pattern graduated jugs, a set of four Hydra Chinoiserie pattern graduated jugs, also a pair of Coalport Cairo pattern plates etc. (14), tallest height 16cm

£50-£70

340. A 19th century Staffordshire creamware footbath of oval faux coopered moulded form, twin handles, impressed 3 to underneath; together with a pair of late 20th century Italian white glazed ribbed vases (3), footbath width 44cm, vases height 39cm £200-£300

341. ‡ Rupert Spira (British b.1960) Five studio pottery stoneware plates comprising three graduated green glazed plates and two graduated copper red glazed plates, each RS seal mark (5), largest diameter 27cm

£100-£150

342. Three Poole Pottery Delphis spear dishes shape number 82, decorated with abstract designs, one in green and blue on a cream ground the other two on an orange ground (3), length 43.2cm

£50-£80

343. Christel Marott for Royal Copenhagen: Two Zodiac series black bisque figures comprising Aquarius and Sagittarius, on integral plinth bases, stamps to undersides, with certificates and original boxes (2), height 19cm and 28cm respectively £100-£150

344. Christel Marott for Royal Copenhagen: Two Zodiac series white bisque figures comprising Aries and Capricorn on integral plinth bases, stamps to undersides, with certificates and original boxes (2), height 27cm and 24cm respectively

£100-£150

345. An Elton ware bottle vase c.1900, by Sir Edmund Elton (1846-1920), heavily glazed, foliate relief detail, signed to base ‘Elton’, height 46cm

£100-£150

346. A Clarice Cliff Marigold Vase circa 1930 hand painted with Marigold flowers and foliage with an enchanting tonal blue background, reverse / base marked marigold, hand painted, bizarre by Clarice Cliff, Wilkinson Ltd England, height 20cm, diameter of rim 8.5cm

£300-£500

347. Clarice Cliff for Newport Pottery - Persian pattern Bizarre jardiniere of globular form with everted rim, decorated with Iznik inspired scrolls and foliate motifs in yellow, blue and green on terracotta ground, marks to base, diameter 24cm

£400-£600

348. Clarice Cliff for Newport Pottery: A Bizarre Jelecia pattern beehive honey pot of ribbed form, bee finial to domed cover, marks to base; together with a larger ‘Gayday’ pattern example and a Crocus pattern example (3) The first height 7cm

£100-£150

349. William Moorcroft (1872-1945): A leaf and berry pattern baluster vase green ground, everted rim, spreading base, signed WM, impressed ‘W. Moorcroft Potter to H.M. the Queen Made in England’, height 22.5cm

£100-£150

350. A modern Moorcroft double gourd vase in the Hypericum pattern

bright floral design on pale olive ground, marks to base, dated 9-993; with a further double gourd vase, in the Gypsy pattern, marks to base, dated 99; together with two further modern Moorcroft examples (4), first height 28cm

£400-£600

351. Walter Moorcroft (1917-2002)

A footed vase decorated in Freesia pattern on light yellow ground, impressed marks; together with five other Walter Moorcroft vases, various sizes, designs and patterns, including Pomegranate, Arum Lily and Leaf & Berry (6), first height 12.5cm

£300-£500

352. William Moorcroft (1872-1945): A baluster form vase in the Pomegranate pattern marks to base, monogrammed, impressed ‘Moorcroft Made in England; together with a trumpet vase in the Pomegranate pattern; a flambé baluster vase in the Wisteria pattern; and two further smaller examples (5), first height 17.5cm, second 15cm, third 13cm

£400-£600

353. After Blanche Vulliamy (1869-1923) A grotesque figural match holder in the Devon pottery style early 20th century, heavily glazed, on integral plinth base, unmarked, height 11cm

£50-£70

354. A set of six Richard Ginori Palmette Neo pattern dinner plates printed marks (6), diameter 26.5cm £100-£150

355. A set of six Richard Ginori Voliere Coucou Didrie dessert plates printed marks (6), diameter 22cm £100-£150

356. A pair of late 19th century novelty frog majolica wall pockets modelled with open mouths, turquoise glazed (2), length 20cm £80-£120

357. A Royal Dux Art Deco nude female figure designed by Rudolf Kaesbach kneeling with her arms raised tying her hair back, impressed to base R Kaesbach, impressed 723 6, printed factory marks, height 32.5cm £80-£120

358. A Royal Dux Art Deco nude female figure and an Art Deco style figure of a snake charmer and another figure, first reclining wearing a headscarf and with her arms raised, on a lozenge shaped base impressed 705 over 26, printed factory marks, second raised pink triangle mark and printed factory marks (2), first height 21cm £50-£80

359. A French Faience polychrome ewer in the form of a seated hound

19th century, the handle as scrolling tail, naturalistically coloured together with floral spray decoration, on plinth base, marks to underside, height 29cm

£250-£350

360. A pair of late 19th century Volkstedt polychrome porcelain figures

Dandy and Companion, marks to bases for Richard Eckert, 11cm high; together with a further Volkstedt Dandy and Companion, marks to bases for Triebner, Ens and Eckert; and a Sitzendorf figural group, musical cherubs (5), first height 18cm

£100-£150

361. A rare pair of late 19th century Meissen allegorical polychrome porcelain figures representing astronomy and architecture, from the Seven Sciences set, both modelled as classical ladies, square plinth bases, blue cross swords marks (2), height 17cm

Provenance: A Private Collection £700-£1,000

362. A pair of late 19th century Meissen polychrome porcelain figures

boy and girl flower sellers in lively country costume, plinth bases, blue cross swords marks (2), height 13cm

Provenance: A Private Collection £120-£180

363. A pair of late 19th century Meissen polychrome porcelain figures

boy and girl feeding birds and wildfowl, naturalistic plinth bases, blue cross swords marks (2), height 13cm

Provenance: A Private Collection £200-£300

364. A late 19th/early 20th century Meissen polychrome porcelain composite desk set comprising inkwell and cover with associated pounce pot, of melon fluted form, floral decoration, gilt embellished, blue cross swords mark (2), diameter 10cm

Provenance: A Private Collection £70-£100

365. An extensive Bavarian porcelain teaset by Thomas, handpainted floral decoration, gilt rimmed, each piece signed and marked, comprising 12 teacups and saucers, twelve side plates, two sandwich plates, sucrier and cream jug (qty), sandwich plates diameter 26cm £100-£150

366. A collection of French Moustiers Faience wares

18th century, comprising six various plates, two quatreform shaped dishes, two shaped oval platters and a large charger, decorated mostly in underglaze green hues with assorted figures, animals, insects and foliage (11), ranging in width from 15cm to 36cm

£400-£600

367. A pair of 20th century Meissen polychrome porcelain dishes handpainted wildfowl vignettes, bordered by insects and butterflies, gilt embellished undulating shaped rims, blue cross-swords marks, double scratched through as seconds (2), diameter 24cm

£50-£80

368. A mid 19th century Meissen polychrome figure of a shepherd c.1850, modelled holding a staff, with shoulder bag, wearing a tricorn hat, pink waistcoat, striped shirt and buckled shoes, on naturalistic base, blue-cross swords to underside, height 17cm

£250-£350

369. A Gardner bisque porcelain figure of a Kazan Tatar from the ‘People of Russia’ series, Dmitrovskkaya factory, Kuznetsov, late 19th/early 20th century, modelled in traditional dress, fur hat and striped overcoat, raised on titled naturalistic plinth base, printed and impressed marks to underside, height 26.5cm

£1,000-£1,500

370. A Gardner bisque porcelain figure of a woman from Kalmykia from the ‘People of Russia’ series, Dmitrovskaya factory, Kuznetsov, late 19th/early 20th century, modelled in traditional dress, fur hat, long pink overcoat, raised on titled naturalistic plinth base, printed and impressed marks to underside, height 26cm

£1,000-£1,500

371. A Richard Ginori ‘Quenelle’ pattern fish service comprising oval serving platter and six plates, gilt rims, printed factory marks (7) platter length 39.7cm

£80-£120

372. A Lalique ‘Deux Cynges’ pin dish / ashtray moulded as a pair of swans, etched signature Lalique France, height 9.2cm

£60-£80

373. A collection of 19th century glass comprising a late Victorian claret jug cut with diamond panels, a rummer with ogee bowl engraved with a continuous fox hunting scene, a pair of Bohemian sweetmeat vases and covers (one lacking cover), a Regency style pedestal bowl cut with strawberry diamonds and fan border, an oval Regency style pedestal dish and a Regency triple ring neck decanter with relief diamonds (no stopper) (7), first height 33.5cm

£80-£120

374. A George III cut glass urn and cover and another later urn, first cut with row of flutes over relief diamonds, second slice cut with diamond bands, accompanied by a spare cover (3), first height 33cm

£80-£120

375. A mid 18th century Jacobite airtwist wine glass c.1750 round funnel shaped bowl engraved with a six petalled rose on a leafy thorny stem with a closed bud, an oak leaf and a star, on an airtwist stem with basal knop on a conical foot, height 15.5cm

£200-£300

376. A collection of late 18th / 19th century drinking glasses comprising a plain stem drinking glass with waisted bell bowl. c.1750, a dwarf ale glass engraved with hops and barley, a large rummer with deceptive bowl engraved ‘Gray’, a set of four small rummers with deceptive bowls, a large Victorian coin stem rummer, the bucket bowl engraved J Smith and initials framed with a wreath, on a hollow stem with a shilling dated 1787 and regency cut glass liqueur glass with thistle shaped bowl (9), height 15.7cm £100-£150

377. Tsar Nicholas II enamelled ‘Cup of Sorrows’ 1896, Imperial Russia, 19th Century, ‘Cup of Sorrows’ following Khodynka Tragedy, made to celebrate the coronation of Tsar Nicholas II and Tsarina Alexandra Feodorovna, May 30th 1896, An historic piece delicately decorated with enamel work featuring imperial symbols, including the Russian Romanov double-headed eagle, stylised floral motifs and Cyrillic inscriptions. Representative of Tsarist Russia, height 10cm, diameter 9.5cm

Known as the ‘Cup of Sorrows’ due to its tragic association with the Khodynka Tragedy, where over 1000 people died during a stampede while attempting to collect these cups at the coronation festivities on Khodynka Field, Moscow. £150-£250

378. Two 19th century treen shoe snuff boxes and other items the larger with pique work and sliding top together with a prisoner of war bone sliding box containing a part set of dominoes, a Victorian oval locket, a green nephrite pig charm (qty), length 11cm

£50-£80

379. A 19th century Irish oak wall mounted display frame for portrait miniatures circular, green velvet backboard with an arrangement of hooks, diameter 45cm

£50-£80

380. A late 18th century French amber and piquework boite-amouches rectangular, the hinged lid with inlaid with a bird and floral spray against a field of stars, interior with twin hinged compartments for patches and well for a brush, length 5.8cm £100-£150

381. Four Silver-Mounted Cowrie Shell Snuff Boxes late 18th / early 19th century, three out of the four snuff boxes have decorative engravings on the lids, one of these is engraved C. Gall, one with highly detailed design with floral details, another also with elaborate decoration and lettering, the final one is without engravings or inscriptions (4), largest length 9.5cm, height 5cm

£100-£150

382. ▲ Lever Charles. Works of, 11 Volumes

Chapman & Hall, illustrated By Phiz, mostly firsts comprising Tom Burke of “Ours”, 1844, The O’Donoghue; A Tale of Ireland Fifty Years ago, 1845, Davenport Dunn; A Man of Our Day, 1849, Roland Cashel, 1850 (2 vols bound as one), One of Them, 1851, The Dodd Family Abroad, 1854, Luttrell of Arran, 1855, The Martins of Cro’ Martin, 1856, The Knight of Gwynne, 1860, The Fortunes of Glencore, 1862 new edition, Barrington, 1863, 8vo, half calf with marbles boards and gilt tooled spines (11)

£100-£150

383. ▲ Weinthal (Leo) ed. The Story of the Cape to Cairo Railway and River Route, from 1887 to 1922, four vols, London, n.d, Pioneer Publishing Company, numerous b&w and colour illustrations, b&w photographic plates with tissues guards, vol IV containing maps, 4to, half green morocco with gilt tooled spines (4) £100-£150

384. ▲ Bindings. Literature

Various works, to include, Cooper, James Fenimore (The Novels) 26 vols, London, New edition, 1863-5, 16mo, green half morocco with marbles boards and gilt tooled spines: Surtees (Robert Smith) 5 vols, illustrated with coloured engravings by John Leech, Bradbury & Evans, Mr Sponge’s Sporting Tour, 1853, Handley Cross or, Mr Jorrocks’s Hunt, 1854, Ask Mama, 1858, Plain or Ringlets, 1860, and Mr Facey Romford’s Hounds, 1865, half red calf with marbles boards: Bulwer Lytton (Sir Edward) Novels, 19 vols, London, Routledge, Warne & Routledge, 1852-62, half red calf, Tales From Blackwood, 12 Vols, Blackwood & Sons, 16mo, gilt tooled half calf with marbles boards; Sue, Marie Joseph “Eugene”, The Wandering Jew 3 Vols, Chapman & Hall, 1844, Dickens, Chalres, Oliver Twist and Sketches by Boz illustrated by Cruikshank, London, 1856 etc (qty) £150-£250

385. ▲ Bindings. Classics Poetry, History, Philosophy, Various Titles, The World Displayed; or, a curious collection of Voyages and Travels, selected from the Writers of all Nations, 19 Vols, sixth edition, Dublin, 1779, 32mo, contemporary full calf, numerous b&w engravings, some folding; Combe, William, Three Tours of Dr Syntax, London, 1823, Ackermann, numerous hand coloured aquatints, 12mo, half blue calf with marbled boards; Gueulette, Thomas Simon, Chinese Tales; or The marvelous Adventures or the Mandarin Fum-Hoam, London, 1817, full gilt tooled calf; Lockhart, J.G. Life of Robert Burns, Edinburgh, 1828; Aikin (Dr) select Works of British Poets (10 Vols, London 1821, original publishers boards; Joyce (Rev J.) Scientific Dialogues, intended for the Instruction and Entertainment of Young People, 6 Vols, London, 1821; The Miscellaneous works of Oliver Goldsmith, 6 Vols, London, 1809, full embossed and gilt calf; De Lamartine Alphonse; History of The Girondists, 3 Vols, 1847; Grant, James, British Battles, 3 Vols, etc. (qty), Heath’s Gallery of British Engravings, 4 Vols, 1838, half green moroocco an embossed cloth

£150-£250

386. ▲ Chapbooks. A collection of bound six titles

The History of Sir William Wallace, The Marvelous History of Mynheer von Wodenblock, History of little king Pippin, The History of Aladdin; or The Wonderful Lamp and Cottage Tales for Little People, Glasgow, J.Lumsden & Son, n.d. c.1820, 30 woodcut illustrations with hand colouring, bound with original wrappers, 16mo, half goatskin with marbled boards £80-£120

387. ▲ Person of Quality (A). The Secret History Of The Most Renowned Q. Elizabeth and the E. of Essex, two parts in one, woodcut frontispiece for part one lacking but present for part two, Cologne, printed for Will with the Wisp, at the Sign of the Moon in the Ecliptick, n.d. c1740, contemporary goatskin £80-£120

388. ▲ Locke John. An Essay Concerning Human Understanding, 2 Vols, eleventh edition, London, 1735, portrait frontis, 8vo, full calf, together with four bound lectures on philosophy, with inscribed titles page Hamilton’s Lectures read in College as Instructions to Helsham, Lecture 1. The Essential Properties of Matter and Laws of Motion, Lecture II of Several Kinds of Attraction, And particularly of Cohesion, Lecture III Of Gravity or the Attraction of Gravitation. Lecture IV The Laws of Motion explained and Confirmed by Experiments, b&w folding plate, 12mo, half calf with marbled boards (3)

£50-£80

389. ▲ Milne A.A. Winnie-The-Pooh and three other titles, first 1926 first edition, London, Metheun, illustrated by Ernest H shepherd 12mo gilt dec. green cloth together with The House at Pooh Corner, 1928 first edition, London, Metheun, 12mo, gilt dec. pink cloth; Winnie-The-Pooh, 127 Third edition, and When We Were Very Young, 1925 seventh edition (4)

£200-£300

390. ▲ Arsene (Alexandre) & Cocteau (Jean) L’art Decoratif de Leon Bakst

folio, 1913, Paris Mauric de Brunoff, photographic portrait frontispiece, tipped in colour and b&w plates throughout, uncut, original gilt tooled half vellum and marbled boards

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021). The renowned ballet dancer who continued his dance through the creation of his wonderful works as a visual artist. Whilst largely focusing on sculpting the world’s finest ballet dancers, he also drew and painted, his subjects were aplenty. A true artist. An original £700-£1,000

391. ▲ Levinson (Andre) BakstThe Story of the Artist’s Life Lg 4to, 1923, London, The Bayard Press, ltd. edit. numbered 103 of 315, tipped in coloured and b&w plates throughout, uncut, original tooled vellum full boards

Provenance: The Estate of Tom Merrifield (Australian, 1932-2021)

£300-£500

392. ▲ Anthony (Gordon) ‘Ballet Camera Studies’ published 1937, Geoffrey Bles, London, introduction and notes by Arnold Haskell, gilt titled cloth boards; together with ‘Isadora Duncan’, 1928, Editions Rieder, illustrated throughout (2) £50-£70

393. ▲ Rowling (J.K.) ‘Harry Potter and the Goblet of Fire’ hardback first edition 2000, published by Bloomsbury, with dust jacket; together with ‘Harry Potter and the Half-Blood Prince’, hardback first edition, 2005, published by Bloomsbury, with dust jacket (2)

£100-£150

394. Two Folk Art carved hedgerow walking sticks , first, a holly stick carved with crocodile and a frog motif the other carved a snake, the head forming the handle (2), first height approx 83cm

£80-£120

395. An African Zulu Stick and a Folk Art Stick with Sheep’s Head Handle

a decoratively painted Zulu stick with bold patterns, typical of Zulu craftsmanship, lower part decorated with traditional woven wirework, 19th century folk art walk stick carved with a sheep’s head as handle, demonstrating folk artistry (2), first height 80cm £80-£120

396. A rare Regency mechanical diorama c.1820 the glazed box case housing a painted diorama with central mill operated by a workerman flanked by buildings to either side and foliage, before the mill stands a man holding a sign “This Fellows Back Must Be Strong Since He Grinds the Old Young’, when the crank handle is operated old hunchbacked men and women ascend the stairs to the mill and young boys and girls move out from the base at ground level, bears label verso “Sold by Stibbs, Church St, HACKNEY”, height 21cm, width 29.5cm, depth 7cm £200-£300

397. Comprehensive Archive of Lois Castellain: Original Artworks Manuscripts, and Personal Papers, from the Creator of Adolphus, The T.V. Horse, this collection comprises original artworks, manuscripts, and personal papers by Lois Castellain, author of the children’s book, The T.V Horse (1964). Highlights include works in pencil, ink, crayon and pastel of character studies, scene illustrations, and hand drawn sketches for a proposed TV series and other manuscripts. Also featured is a copy of the book. Further works included are that of Castellain’s Royal Drawing Society certificate (1928), awarded for her artistic achievements. Not all works visible in photo due to sheer volume. Extensive collection; scrapbooks of ideas, design drafts with hand written notes, photographs, reference images for her projects etc. (qty)

Provenance: Discovered in 2018/2019 at the Oast House on the Sharnden Manor Estate, Castellain’s family home. These works were rescued by the conservation team that were dealing with the property £100-£150

398. A 4/4 violin late 19th / early 20th century, one piece maple back and spruce top, scroll carved neck, ebony fingerboard and pegs, no makers label, accompanied by two bows in a hard plastic case, length 60cm £400-£600

399. Ø Richard Freres mahogany cased ‘Le Taxiphote’ table stereoscope viewer retailed by Negretti & Zambra c.1910 raised on plinth base housing three sliding slides each containing six celluloid trays of diapositives with manuscript titles to include Peak District, Actress (Show) Marseilles, Dover, Durham, Marseilles, Monmouth, Wye Valley Actress Display, Aeroplanes, Graf Zeppelin, Cheddar Caves and Family Group, bears ivory retailers label for Negrettti & Zambra London, accompanied by a mahogany containing a further six sliding trays of diapositives relating mainly to African travel to include Lubambashi - river rapids, natives; ChisangaTantara Mura, pnadi; Lubambashi - general view of works, smelter, tapping coper; Lubambashi - works, offciers, Star of Congo; LuapulaRiver nr Kalunga etc (2), height 49cm

IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: Z6WQ3FGW £300-£500

400. An album of pre revolution Russian postcards mostly b&w and topographical, some coloured, approx. 100

Provenance: Ex collection Chris Martin-Zakheim

£100-£200

401. A mid 19th century French scrap album approx. 100 pages of cut engravings, etchings and woodcut illustrations approx. 600 covering a variety of subjects, pasted down on blue paper, each page 25 x 33cm £150-£250

402. A collection of Folie Bergères souvenir albums some including Josephine Baker, 1920s - early postwar, together with Moulin Rouges 1925-1926 La Revue Mistinguett, three issues of Paris Music-Hall magazine etc (qty)

£100-£150

403. A collection of mid 20th century bartop freestanding advertising boards and signs to include Guinness ‘Good idea lets have a Guinness’ x2, Britvic Grape Fruit Juice, Britvic Tomato Cocktail, Caroni Rum Mackeson’s, Bulmer’s Cider for the Welsh market, Martell Cognac with reflector, William Younger x3, Ridlers Cider Thirst Come thirst served tin signs x2 etc (qty), various £60-£80

404. Railwayana. A painted cast iron Lancashire & Yorkshire Railway Notice early 20th century, Rectangular with raised lettering ‘Any person who shall not shut and fasten this gate after through it is liable to a penalty not exceeding forty shillings and will be prosecuted for the offence / Look both up and down the line before you cross BY ORDER’, 52 x 59.5cm

£50-£80

405. Ø A Victorian British Army Officer’s ivory mounted Mamelukehilted levee sword and scabbard mid 19th century, with stylised scrolling grip, foliate relief detail to guard quillons, etched steel blade with VR cypher and further foliate decoration, twin hoop hanging mounts to scabbard, total length 96cm

Provenance: Reputed to have been passed down from officer of 1st Duke of York’s Own Bengal Lancers ‘Skinner’s Horse’

IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: TFAUAQ2V

£250-£350

406. Two Russian WW1 Officer’s Cap Snuff Boxes first is crafted from karelian birch wood, marked Vilnius 1917 to reverse, the other is made from box wood, both with removable hats acting as lids, both finally carved and skilfully fashioned in the form of military officer’s caps from the first world war (2), karelian diameter 7cm, box wood diameter 8.5cm

Provenance: first marked Vilnius 1917 to reverse £150-£250

407. A collection of twelve early 18th Century Mughal Indian arrows originating from the Jaipur Armoury, arrows feature bamboo shafts, and possibly other indigenous materials, all with hand forged iron arrowheads with age consistent patination, showcasing exquisite craftsmanship typical of the Mughal period (12), first height 74.5cm

Provenance: These arrows were purchased c.1960 by Captain Walter Clode, chairman of the Westley Richards gunmakers, from H.H. The Maharaja of Jaipur’s armoury £80-£120

408. Two polished bronze regimental insignia late 19th / early 20th century, first for the Queen’s Royal Regiment (West Surrey) second for the Royal West Kent Regiment, fixing lugs to reverse both mounted on wooden basal supports (2), first height 24cm, length 24.5cm £100-£150

409. A 19th Century Ottoman knife with sheath steel blade with silver alloy handle sheath, plain single edged blade, slightly patinated with age, handle ornately engraved with spiral ridges, sheath with engraved geometric and floral patterns and pointed cap blade length 16cm, overall 32cm £100-£150

410. A early 20th Century ceremonial Omani Khanjar dagger with sheath double edged curved steel blade with bovine horn and white metal handle, wooden sheath is finely decorated in woven silver with a white metal mounted leather hilt attachable to waist, leather backing blade length 17cm, overall 30cm £100-£150

411. Three decorative late 18th/ early 19th century firearms some period elements, comprising a flintlock naval pistol, a flintlock blunderbuss and a percussion pistol (3), blunderbuss length 71cm £100-£150

412. ‘Grand Sunday Concert’ programme October 26th 1963 at Streatham Hill Theatre, signed by Tommy Cooper and others, 21.5cm by 14.5cm

Provenance: A Private Collection £80-£120

413. A signed Cromol testimonial match football ‘All Star goalkeeper XI v All Star TV & Radio’ 14/3/77, played preceding full testimonial match v Sunderland at The Valley, Charlton, for Graham Bust Tutt (1956-1922) Charlton Athletic keeper 1973-1976, injured 21/2/76 against Sunderland. Signatures include Dennis Waterman and Bill Oddie, diameter 21cm

Provenance: A Private Collection £50-£80

414. ‡ Cecil Beaton (Br itish, 1904-1980 )

A collection of B&W photographs, to include several images from the set of Anna Karenina directed by Julien Duvivier with portraits of Vivien Leigh, some stamped Cecil Beaton Verso, At The London Film Studio, Shepperton, others of Vivien Leigh and Laurence Olivier in That Hamilton Woman, other images from the set of The Ideal Husband, Valli in the Third Man, Sir Ralph Richardson etc (qty), various

Provenance: Anthony Wysard who worked for Sir Alexander Korda

£150-£250

415. A scaled-down model of Donald Sutherland’s head circa 1970s, uncoloured plaster of Paris on metal screw stem, height 21cm

Provenance: Reputed to have been made at Pinewood Studios, film unknown

£50-£70

416. An original Brooke Bond Tea advertising sign c.1930

‘Brooke Bond Tea is good tea’, a single sided rectangular advertising sign, enamel on metal sheet, black wording on orange background with a black and white chequered border 102 x 76cm

£150-£250

417. Zeppelin Interest.

A small calico parachute with weighted canvas pouch attached, both with inscribed ‘Urgent you are requested to forward this to the enclosed address from H.M. Airship Gamma, the pouch containing a letter addressed to William Joynson-Hicks Esq. MP (1865-1932) from The Royal Flying Corps, Farnborough dated 19th November 1912 “HMA Beta”, ‘We are all most interested in the question you are going to ask in the House today; the Navy most certainly want Zeppelins and we want bigger airships your sincerely Crew {Edward Maitland and John Fletcher}, various

Provenance: Right Honourable Sir William Joynson-Hicks later, 1st Viscount Brentford (1865-1932) and thence by descent, Popularly known as ‘Jix’ was an English solicitor and Conservative Politician serving as a long standing and controversial Home Secretary in Stanley Baldwin’s Second Government from 1924 to 1929 £200-£300

418. A collection of German ‘notgeld’ banknotes mostly 1918-1920, various denominations, sizes and designs (qty) £60-£90

419. A miscellaneous collection of metalwares including a Sardinian Nuraghi bronze figure of a archer, on associated wooden plinth base; a Nuraghi bronze boat with stag’s head bow, on wooden base; together with a further Nuraghi figure; a bronze figure of Ganesh, on square base, with two further Hindu deity figures and an Indian bronze elephant; and other items (12), first height with plinth 22.5cm

£80-£120

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS

Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required

CONDITIONS OF BUSINESS

All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business

ESTIMATES AND RESERVES

Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT

All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate

BUYER’S PREMIUM AND VAT

A buyer’s premium of 27.6% is applicable to all the lots in this sale. The buyer’s premium is inclusive of VAT at the current standard rate (20%), Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium Lots marked with a  will be exempt from VAT

PRE-SALE EXHIBITION

All auctions are on public view the day before the sale and on the morning of the sale

CONDITION REPORTS

All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information

BIDDING IN PERSON

To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.

ABSENTEE & TELEPHONE BIDDING

Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom), It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business PAYMENT

Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:

DEBIT CARD

We are pleased to accept Debit Cards

STERLING CHEQUE OR CASH

Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd.

We are no longer accepting cash.

ELECTRONIC AND WIRE TRANSFERS

Wire transfers can be made directly to our bank:

National Westminster Bank plc

33 High Street

West Wickham

Kent BR4 0WH

Please refer to the office for bank details

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED.

CATHERINE SOUTHON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER

Ø - IMPORTANT NOTE:

This lot contains elephant ivory and is therefore subject to both CITES regulations and the UK Ivory act 2018. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. It is the buyers responsibility to obtain any export or import licenses, certifications and any other required documentation. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. The Ivory declaration submission reference number can be found in the catalogue description of the lot.

Y CITES

All Lots marked with the Y symbol are sold in compliance with CITES regulations. The Cites Transaction Specific Certificate number can be found in the catalogue description of the lot.

For more information visit http://www.defra.gov.uk/ahvla-en/import-exports/cites When exporting outside the UK, Regulations maybe found at: https://www.gov.uk/guidance/cites-imports-and-exports#how-to-apply

Furniture made of Brazilian Rosewood (Dalbergia Negra)

To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.

If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.

It is the responsibility of commercial buyers to ensure a copy of the certificate is obtained from Catherine Southon Auctioneers.

CATALOGUING TERMS APPLICABLE TO PAINTINGS, DRAWINGS & PRINTS

Where a work is catalogued with the name(s) or recognized pseudonym(s) of an artist, it is our opinion that it is a work by the named artist.

In other instances, the following expressions are used:

“Attributed to…” denotes that in our opinion the work is probably by the named artist or the named artist has made a contribution to the work.

“Circle of…” denotes that in our opinion the work shows the stylistic influences of the named artist and dates from the period of the named artist.

“Follower of…” denotes that in our opinion the work shows the stylistic influences of the named artist but probably dates from a later period to that of the named artist.

“Manner of…” denotes that in our opinion the work is a copy or pastiche of a work or works by the named artist and dates from a later period to that of the named artist.

“After…’ denotes that in our opinion the work is a copy by another artist or a printed reproduction of a known work by the named artist.

The terms “signed” and/or “dated” denote that in our opinion the work has been signed and/or dated by the named artist.

The terms “bears signature” and/or “bears date” denote that in our opinion the work has been signed and/or dated by a hand other than that of the named or quoted artist.

Measurements of pictures are given height before width.

CONDITIONS OF BUSINESS FOR SELLERS

The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers.  Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.

DEFINITIONS

“Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate)

“The Company” means Catherine Southon Auctioneers & Valuers Ltd., Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number

“Seller’s Commission” is the commission The Company charges Sellers of Property.

“Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts

“Buyer’s Premium” is the commission The Company charges Buyers of Property

“Hammer Price” is the highest bid for the Property accepted by the auctioneer

“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company

“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.

“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction

“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer

“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description.

The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable

1. SELLER’S WARRANTIES

(a) The Seller warrants to The Company and the Buyer that:-

(i) the Seller is the owner of the Property or is properly authorised to sell it;

(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;

(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;

(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.

(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller

2. SALE PREPARATION

(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.

(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot

(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties

(d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces

(e) The Company will charge a Buyer’s Premium on the sale of the Property at

The Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it

(f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY

(a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”),

(b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason.

(c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a), If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY

(a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c),

(b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses

(c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited

5. LOSS OR DAMAGE TO PROPERTY

(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-

(i) risk passes to the Buyer; or

(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or

(iii) 6 months after receipt of the Property by The Company, if not consigned for sale

(b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be:

(i) the Hammer Price of the Property, if sold;

(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or

(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);

less Seller’s Commission and Expenses

(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination

6. VAT

If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques

7. POST AUCTION SALES

If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

8. PAYMENT OF NET SALE PROCEEDS

(a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company.

(b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY

(a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:-

(i) be reconsigned for sale; or

(ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses.

(b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

(i) transfer the Property to independent storage at the Seller’s expense; or

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

CONDITIONS OF BUSINESS FOR BUYERS

1.

INTRODUCTION

(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(i) these Conditions of Business for Buyers;

(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd;

(iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement

(b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot

2. DEFINITIONS

“Bidder” is any person making, attempting or considering making a bid, including Buyers;

“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;

“Seller” is the person offering a lot for sale, including their agent, or executors;

“THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd., registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183;

“Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer;

“Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 26.4% (inc VAT);

“Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;

“Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses;

“Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot

The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable

re-sale plus all relevant Expenses

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address

10. RESCISSION OF SALES

The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control

11. DATA PROTECTION

(a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law.

(b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a),

12. MISCELLANEOUS

(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

3. EXAMINATION OF LOTS

(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions

(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS

(a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit

(b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot

(c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses

(d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller

5. BIDDING AT AUCTION

(a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained)

(b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form

(c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS

THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)

7. CONDUCT OF THE AUCTION

(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.

(b) The auctioneer will commence and advance the bidding in such increments as (s) he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable

(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer

(d) Any post-auction sale of lots shall incorporate these Conditions of Business

8. PAYMENT AND COLLECTION

(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”)

(b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above

(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a)

(d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer.

Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.

(e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers

9. REMEDIES FOR NON-PAYMENT

Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:-

(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense;

(b) cancel the sale of the lot;

(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot;

(d) reject future bids from the Buyer;

(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;

(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original

Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;

(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien;

(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;

(i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings

10. FAILURE TO COLLECT PURCHASES

(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage

(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction

11. DATA PROTECTION

(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law

(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)

12. MISCELLANEOUS

(a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY

(b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives

(c) The materials listed in Condition 1(a) set out the entire agreement between the parties

(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTIST’S RESALE RIGHTS

From 14th February 2006 all UK art market professionals (which includes, but is not limited to: auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than £1,000.

Since 1st April 2024 price thresholds are calculated in pounds rather than euros in accordance with The Design Right, Artist’s Resale Right and Copyright (Amendment) Regulations 2023.

All items in this catalogue marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than £1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.

The royalty charge that will be applied to qualifying items which achieve a hammer price of more than £1,000, but less than £50,000 is 4% payable by the buyer. For qualifying items that sell for more than £50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges ad threshold levels, please see www.dacs.org.uk. There is no VAT payable on this charge.

For all questions relating to the regulations regarding Driot de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk