Wednesday 19th July 2023
Director: Catherine Southon
Specialists: Tom Blest
Victoria Clay
Hans Pugh MRICS
Sale Administrator: Fenella Muldoon
Auction Enquiries
and Information: 0208 468 1010 07808 737694
Email: info@catherinesouthon.co.uk
Farleigh Court Golf Club, Old Farleigh Road, Warlingham, CR6 9PE. We will be situated at Farleigh Court from Wednesday 19th July from 9.30am
Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com
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Please note that we are no longer taking credit cards or Business debit cards as payment.
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All you have to do is visit the website and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid!
Items can be collected from the auction venue, Farleigh Golf Club, on Wednesday 19th 9.30am – 6pm, Thursday 20th 9.30am – 6pm, Friday 9am – 2.30pm. LARGE ITEMS (W lots): Must be collected from the Auction venue by 1pm Friday 21st. Please arrange transport before this deadline. Uncollected lots marked with a W will be transported to our offsite storage facility and collection can be arranged by appointment only. Additional fees may apply. Non Warehouse Lots can be collected from our office by appointment from Tuesday July 25th from 10.00am at Chislehurst Business Centre, 1 Bromley Lane, Chislehurst, Kent BR7 6LH by appointment only. We are able to post small non-breakable items.
SHIPPING
Mail Boxes Etc.
Tel: +44 (0) 208 649 9777
Email: info@mbecroydon.co.uk
Pack & Send
Tel: +44 (0) 203 818 1980
Email: croydon@packsend.co.uk
Jentel
Tel: 012687 76777
Email: enquiries@jentelpacking.co.uk
The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.
(LOTS 1-748)
Wednesday 19th July
at 9.30am
1. A Regency giltwood and gesso convex wall mirror the circular plate within reeded ebonised slip, cavetto moulded frame with flowerhead bosses and ribbon tied moulded outer border, surmounted by paired dolphins and a hippocampus crest, diameter 51cm, height 99cm £600-£800
2. A Flemish tortoiseshell and ebonised ripple moulded cushion framed wall mirror late 17th /18th century, rectangular plate within concentric borders of red stained tortoiseshell and ripple work borders, workman’s stamp verso, plate 32 x 26.3cm, overall 50.5 x 44.5cm £400-£600
3. W A modern abstract wooden mirror probably continental, the bevelled plate within a gilt slip and an interlocked openwork star form frame, height 84cm, width 71cm £60-£80
4. W A pale green cast metal armillary sphere on a short baluster stem and stepped square base, height approx. 64cm £100-£150
5. W A weathered teak garden bench, 20th century, of slatted form, with knopped finials above deep slatted arms, on square legs, height 87cm, length 121cm, depth 58cm £100-£200
6. A 19th century small lead sundial square inscribed circular dial with Roman Numerals and inscribed ‘Tempus Fugit’, the corners with figures of the Season, 19.5 x 19.5cm £40-£60
7. A large modern terracotta planter blue glazed and of circular tapered form, with four lion masks and speckled decoration, with removable pierced base, height 40cm, diam. 52cm £50-£80
8. A Victorian cast iron boot scrape of reeded U-form with ball finials, scrape above a canted tray base, length 26cm, width 19cm £40-£60
9. W A Regency style small lead fountain with a lion’s head above a bowed reservoir decorated with foliate scrolls and rope twist edges, height 49cm, width 33cm
£80-£120
10. W An Irish George III mahogany standing corner cupboard in one piece, with some later inlay, the later cornice with shell inlay and above a dentil cut frieze, the twin panel multi glazed door above a lower shell inlaid cupboard door, on bracket feet, height 226cm, width 69cm, depth 48cm
£400-£600
11. W A Victorian mahogany campaign desk mid 19th century, the moulded banded leather inset top with a central ratchet adjustable section, below are eight drawers with countersunk brass handles, the kneehole with two further drawers, on short turned feet, height 74cm, width 110cm, depth 58cm £200-£300
12. A George III style mahogany toilet mirror
the associated adjustable shield form mirror on tapered uprights with roundels, on cabriole legs, height 52cm, width 36.5cm £80-£120
13. W A George II mahogany drop leaf table circa 1750, the oval drop flap top on cabriole legs ending in pointed pad feet, height 71cm, width 107cm, length 109cm £100-£200
14. W A George III mahogany cellaret late 18th century, inlaid with stringing, the hinged lid revealing a later divided lined interior, the sides with brass handles, on turned legs with brass capped castors, height 69cm, width 42cm, depth 41cm £100-£200
15. W A French Provincial walnut extending dining table mid 19th century, the drop flap top with rounded ends and extending to include three leaf insertions, on baluster turned legs ending in wooden castors, with two extra matching supporting legs, height 74cm, width 139cm, length 285cm full extended
£200-£300
probably East European, each of triple panelled form, painted throughout with entwined birds, flowerheads and foliage, the central panels with flowering urns flanked by birds, mounted on a black painted wooden stand, height 171cm, width in stand approx. 86cm £250-£350
19. W A Regency mahogany gentleman’s wardrobe in the manner of Marsh & Tatham circa 1815, of small proportions, the twin leaf scroll carved pediments with acroteria corners above two small drawers and a pair of ebony moulded triple panel doors, on splayed feet, height 197cm, width 125cm, depth 59cm £800-£1,200
20. W An Empire flame mahogany and marble topped gueridon centre table circa 1830, the dished mottled marble top on columnar supports joined by a triform undertier with parquetry motif, on wooden castors, height 78cm, diam. 82cm £400-£600
21. W A mid 19th century painted mahogany armchair in the Sheraton style, decorated with stringing and floral swags, the caned back above an oval caned seat, on turned tapered legs, height 91cm, width 53cm £150-£250
22. W A George III mahogany chest of drawers circa 1780, of small proportions, the moulded top above a brushing slide and four long graduated drawers, on bracket feet, height 75cm, width 76cm, depth 47cm £700-£900
23. W A Regency mahogany sofa table
circa 1820, the solid top above two drawers and two dummy drawers, the end supports with reeded sabre legs ending in brass capping and castors, height 76cm, width 89cm, depth 66cm £200-£300
24. W A late 19th century pine tabletop Wellington type collectors specimen cabinet the moulded top over two banks of seven graduated short drawers with turned knob handles and locking pilasters, on tuned feet, height 54cm, width 65cm, depth 33cm £100-£150
25. W A late 19th century mahogany fronted pine tabletop collectors cabinet arched glazed door enclosing six graduated long drawers with turned knob handles, on plinth base, height 46cm, width 35.5cm, depth 26cm £100-£150
26. W A Regency rosewood work table
circa 1820, the rear with a drop flap, the top above a drawer and one drawer modelled as two drawers, ink /stationary drawer and an aperture for a candle slide, corners rounded, on turned tapered legs with brass castings and castors, height 74cm, width 53cm, depth 37cm £100-£150
27. W A George III rosewood bookcase
circa 1800, of ‘waterfall’ form, inlaid with stringing, the top with a pierced Gothic style brass gallery, the three graduated shelves above a pair of glazed doors, on angled bracket feet, height 126cm, width 89cm, depth 35cm £600-£900
28. W George III mahogany bedside cupboard the shaped tray top with three pierced handles above a door, on moulded chamfered legs, height 77cm, width 45cm, depth 40cm £200-£300
29. W A George III mahogany tea table circa 1760, the flame mahogany foldover top above a long drawer, on chamfered legs, height 73cm, width 83cm, depth 40cm £150-£250
30. W A small George III mahogany oval pedestal pembroke table
circa 1800, inlaid with stringing, the fiddle back mahogany top with twin hinged flaps above a drawer, on a reeded stem ending in three cabriole legs with brass cappings and castors, height 69cm, width 30cm, depth 46cm £300-£500
31. W An Edwardian nest of four mahogany occasional tables satinwood banded, on turned column supports ending in tapered platform feet, height 70cm, width 56cm, depth 38cm £100-£150
32 W A Victorian satinwood centre table
circa 1890, in the French style, the ebony strung lozenge parquetry top above conformingly inlaid drawers and sides, raised on square tapered legs, top edges with brass mouldings, height 76cm, width 81cm, depth 45cm £200-£300
33. W A George III mahogany cylinder top bureau the slide out tambour fronted interior with later baize and fitted with drawers and pigeonholes, below is a kneehole enclosed by nine drawers, on a plinth base, height 98cm, width 105cm, depth 53cm £500-£800
34. W A George III mahogany and tulipwood banded work table
circa 1790, inlaid with stringing, the hinged top of serpentine outline and above a dummy and a real drawer, on square tapered legs, height 74cm, width 57cm, depth 40cm
£100-£150
35. W A George III mahogany chest of drawers
circa 1780, the banded top above a brushing slide and four long graduated drawers, on bracket feet, height 84cm, width 87cm, depth 47cm
£400-£600
36. W A George III mahogany chest of drawers
circa 1780, the moulded top above two short and three long graduated drawers, on low bracket feet, height 88cm, width 100cm, depth 52cm £400-£600
37. W A George II walnut chest on chest adapted, crossbanded, the cavetto moulded cornice above two short and three long drawers flanked by fluted canted corners, the base with a brushing slide and three long drawers with a lower sunburst, on bracket feet, height 173cm, width 78cm, depth 51cm £1,000-£1,500
38. W An English Art Deco walnut tea table the mirror veneered foldover swivel top on octagonal legs with tapered feet, height 77cm, width 76cm, depth 45.5cm £80-£120
39. W Nils Jonsson for Hugo Troeds a teak sideboard, Swedish, 1960s, the centre with five canted maple lined drawers flanked by two sliding cupboard doors, on turned tapered legs, height 80cm, length 191cm, depth 45cm £300-£500
40. W A bentwood and laminate ‘Long Chair’ after the design by Marcel Breuer
1970s, beechwood and covered in brown fabric, height 47cm, length 146cm £600-£900
41. W A Philippe Hurel oak coffee table the cleated top above lower frieze rails and raised on square tapered legs, underside stamped ‘Philippe Hurel France’, height 45cm, length 130cm, depth 80cm £200-£300
42. W A modern circular mirror the bevelled circular plate with a chromed metal edge and a pale blue bevelled glass frame, diam. 71cm £80-£120
43. W A Retro coffee table the square reinforced glass top on a chromed metal X-f rame base, height 46cm, width 100cm £100-£150
44. W A set of six Meredew ebonised dining chairs English, mid 20th century, the triple rail backs above later upholstered seats, on tapered turned legs, bearing Meredew Furniture roundels to their undersides (6), height 85cm, depth of seat 38cm £100-£150
45. W A George Smith upholstered armchair Victorian style, covered in pale green fabric, with loose seat and back cushions, on turned legs ending in brass cappings and castors, bearing maker’s label, height 82cm, width at back 70cm, at front 82cm £100-£200
46. W A George Smith upholstered ottoman in the Victorian style, covered in pale green fabric, with a loose seat cushion and on short turned legs with brass cappings and castors, bearing maker’s label, width 75cm £100-£200
47. A Hereke silk and metal thread prayer rug the outer gold flowerhead border enclosing a wide blue and foliate scroll band, the central mihrab with script enclosed by two vases and birds, length 177cm, width 115cm
£200-£300
48. A Tekke Turkoman rug early 20th century, the geometric borders enclosing three rows of six guls, length 130cm, width 108cm
£50-£80
49. W An Edwardian mahogany heart shaped bijouterie table inlaid with the stringing and the top inlaid with entwined foliate scrollwork, sides and top glazed and on tapered cabriole legs with triform stretchers, height 76cm, width 45cm
£100-£150
50. W An Edwardian Sheraton Revival painted satinwood kidney shaped vitrine freestanding form and inlaid with stringing, the bevelled glass top above glazed sides and a shelf, the top painted with trailing foliage, on turned tapered legs joined by an X-form stretcher, height 72.5cm, length 68cm, width 34cm £300-£500
51. W An
Revival
of
kidney shaped form and inlaid with chequer stringing, the glazed top above glazed sides enclosing two shelves, on splayed tapered legs, height 78cm, width 55cm, depth 32cm £250-£350
52. An early 19th century French Empire bronze painted and carved giltwood Napoleonic eagle with outstretched wings, wall hanging, height 80cm, width 119.5cm
£600-£800
53. A large black polished Portoro marble sphere diameter 28.5cm £200-£300
54. A mid 19th century painted pâpier maché writing box of shaped rectangular outline with hinged lid and on bracket feet, simulated burr walnut painted decoration, gilt border, interior with inset red velvet to lid, paper lined, height 7cm, width 34.5cm, depth 29.5cm £80-£100
55. Ø A late Victorian burr walnut games compendium by Ayres the case with hinged lid containing a turned boxwood and ebony Staunton chess set, two lift out fitted trays containing a set of boxwood and ebony draughts, ivory inlaid rosewood cribbage board, a set of bone dominoes and dice, gavel, shaker, whist marker, leather clad folding games board and a gilt tooled blue cloth Guide to the Compendium, height 18cm, width 33.3cm, depth 22cm
IMPORTANT NOTICE: This item will be registered from the UK Ivory Act 2018. Ivory declaration submission number reference: TSD93THA £400-£600
56. An Edwardian mahogany games compendium the hinged revealing a fitted interior, to include: a boxwood/maple and ebony set of chess pieces, a set of backgammon counters, a set of dominoes, six painted lead racehorses and riders, a cribbage board and bone markers, assorted marbles, a boxwood dice shaker and 6 bone dice, six coloured markers, a reversible solitaire board, two whist markers and two bezique markers, a Go Bang board, a four section folding board and a F H Ayres Ltd rule book, cards associated, width 34.5cm, depth 20cm £120-£180
57. An early Victorian rosewood and mother of pearl inlaid writing slope the hinged lid opening to reveal a blind tooled writing surface, sunken brass handles, height 15.5cm, width 41cm, depth 25cm £50-£80
58. A late Victorian brass bound oak cigar humidor cedar liner fitted interior with lift out tray and adjustable divisions, sunken handles to sides, hinge lid with central brass shield engraved with initials, lock stamped Bramah, height 20cm, width43.5cm, depth 29cm £80-£120
59. A Victorian walnut sewing box the hinged lid with a mother of pearl inlaid diamond and similar escutcheon, the interior with a later lined divided tray and four mother of pearl accessories, together with a Victorian walnut and brass bound writing slope, the interior with a later gilt tooled writing inset (2), width 30cm, depth 21.5cm £120-£180
60. An early 19th century mahogany desktop document tray rectangular, gilt brass moulded mount, length 37.6cm £100-£150
61. A late Victorian novelty brass inkwell modelled as an English cavalry officer’s helmet, the hinged lid with a plume, the interior with liner and a glass liner, the front with a star medallion badge with crown and enclosed by oak leaves and plain leaves, on a base modelled with gloves to both sides, height 14cm, width overall 12cm £60-£90
62. A large German WMF electroplated model of a standing elephant c.1900 stamped WMF EP I/O OX, naturalistically cast with oxidised finish, height 24cm, length 26cm £200-£300
63. A late 19th century Islamic Ottoman Mamluk Revival Cairo Ware beggars bowl or kashkul of coco de mer form with spout and domed hinged cover, inlaid with silver and copper Islamic calligraphy and motifs, suspended on chains, length 12cm £100-£150
66. An Indian carved teak elephant gong early 20th century, the coiled trunk end holding a shaped metal gong, the base with a leaf carved canted edge, with wooden striker, height 38cm, base length 31cm £80-£120
67. Robert “Mouseman” Thompson of Kilburn an oak ashtray, rectangular with canted corners, carved mouse signature, length 10.4cm £70-£90
69. A continental Art Nouveau silver plated pewter figural card tray possibly WMF, of sinuous outline, modelled with a maidens bust with flowing hair stamped, 53 J, length 21.6cm £50-£80
64. A late 19th century Swiss Black Forest oval jewellery casket having hinged lid carved with cock and hen pheasant finial and swing out sides with four circular trays, blue silk interior, height 25.5cm, length 27.2cm £150-£250
65. A Black Forest carved wood figure of a standing bear early 20th century, with glass eyes, standing with arms out, together with a carved wood figure of a seated bear (2), standing bear height 22cm, other height 12cm £80-£120
68. A French Charles X blackened cast iron Classical inkwell cast as a maiden in classical dress seated on a tree stump, at her feet a cornucopia, a barrels and bound parcels, on square plinth fitted with a button release concealed drawer containing lead inkwell and pounce pot, height 29.5cm £300-£500
70. A 19th century Italian Grand Tour micromosaic paperweight the shaped black marble with central blue hardstone panel inlaid with, Doves of Pliny and bordered in malachite, framed by four other oval scenes depicting the Pantheon, The Colosseum, St Peters Square and The Roman Forum, length 14.6cm £200-£300
71. A 19th century Florentine pietra dura oval plaque inlaid with a spray of hardstone roses, carnations and Lily of the Valley, 27.8 x 22.8cm £80-£120
75. A pair of large 19th century Italian Grand Tour alabaster urns of half gadrooned campana form with everted beaded and moulded rims, carved fruiting vine collar, on a fluted socle and square base (2), height 35.5cm £400-£600
72. A 19th century Persian Qajar polychrome tile rectangular moulded in relief with a nobleman on horseback holding a falcon in a landscape with buildings mountains and flowers, painted in blue, black and manganese, mounted on a contemporary metal display stand, tile 34.5 x 26.5cm, height on stand 39.5cm £200-£300
76. A pair of 19th century Italian ‘Grand Tour’ Library obelisks variegated green marble and sienna marble (2), height 48.7cm £200-£300
77. A continental weathered metal rams head
late 19th / early 20th century, traces of gold painted decoration, height 36.5cm £100-£200
78. An Australian Aboriginal boomerang late 19th century, of rounded form and with a textured finish, length tip to tip 62cm £60-£90
79. In the manner of Jean-Baptiste Carpeaux (1827-1875)
late 19th century, a plaster roundel of a female head, looking to the right and wearing a ribbon tied bonnet, marked to the back, ‘Mother by Carpeaux’, diam. 18.5cm £100-£150
80. A Grodnertal pine and painted pegged doll late 19th century, pine and with cream painted arms, legs and face, together with a painted wood dancing jig toy, early 20th century, body impressed, ‘PAT No 7725’ (2), Doll height approx. 43cm £80-£120
81. A continental Jugendstil pewter novelty inkwell in the form a grotesque bird c.1900 attributed to Kayserzinn, cast as a grotesque bird, with hinged lid, the body of red glazed earthenware, height 10.8cm £200-£300
82. A large Victorian copper jam pan of low circular form with brass handles, diam. 43cm £80-£120
83. A Victorian rosewood fretwork folding bookstand ratchet adjustable and with a foliate fretwork arched back, folding flat, the other Victorian, mahogany and with a swivel and adjustable action, on a turned stem and circular base (2), Rosewood example, width 22cm, height (when flat) 30.5cm £60-£80
85 (part)
84. A late Victorian brass coal scuttle of helmet form, with ebony carrying handle and ebony handled shovel, the lid embossed with a floral motif, with liner, on a domed foot, height 53cm, length 52cm £60-£90
85. A pair of George II candlesticks and ten later 19th century pairs first with double knopped stems and petal bases together with a pair with slender barley twist stems with drip pans, an early 19th century pair with urn shaped nozzles on square bases with pushers, a pair of beehive tapersticks, a similar pair of two small candlesticks stamped England RD223580 two larger pairs of Victorian diamond and beehive pattern candlesticks with pushers, a diamond pattern pair stamped Peerage England, and three other pairs (22), First height 20.5cm £100-£150
87. Tiffany Studios (1899-1930). A gilt bronze Zodiac inkwell of octagonal form and cast with stylised Greek key motifs, the circular hinged lid with a crab and glass liner, underside impressed, ‘Tiffany Studio New York 842’, 10.5in width £80-£120
86. A mid century Italian Aldo Tura (1909-1963) nutcracker and bowl c.1960 the carved nut on a gilt metal stem with hanging nutcrackers, the wooden bowl wrapped in green goatskin, underside bearing label, ‘TURA milano italia’, height 31cm £80-£120
88. An Art Deco bronzed spelter and alabaster figural lamp in the form of a standing young woman holding up an alabaster shade, on a canted plinth base, height 53cm £80-£120
89. A pair of William Mehornay studio pottery Chinese style vase table lamps of baluster form, verdigris / bronzed effect glaze, signed Mehornay, on gilt wood bases (2), height including fitting 54cm £150-£250
90. A pair of 1980s Efra table lamps in Murano glass designed by Carlo Moretti and Paolo Martinuzzi outer clear glass shade etched signature Carlo Moretti, internal cylinder in frosted glass, black metal and brass frame (2), height 22.5cm £100-£150
91. A late 19th Century Chinese Canton familler rose vase adapted as table lamp baluster form with applied chilong, decorated in enamel with panels of courtiers in a palace setting, against a dense ground of exotic birds, flowers, fruit and foliage, mounted on an associated later hardwood stand, height to fitting 50cm £100-£150
92. A large Victorian hand blown glass bell cloche height 37.5cm £40-£60
93. A 1990s Italian table lamp and two other lamps first designer unknown, with chrome rod with ring finial and adjustable arm on a circular teak base together with an Italian Postmodern Pao T1 small table lamp base designed by Matteo Thun for Arteluce, with tapering wood upright and frosted clear glass base (lacking shade) and a French Trait D’Union white frosted glass vase table lamp (3), first height 70cm £80-£120
95. A set of six mid century Stoff Nagel modular cast chrome stacking candleholders designed by Werner Stoff for Fritz Nagel of triangular form, each height 6.5cm
£80-£120
96. A late Victorian spindle turned adjustable wall hanging hat / coat rack
33.5 x 35.5cm
£70-£90
94. Ferdinand Alexander Porsche (1935-1936) for Luci. An Italian 1980s Kandido telescopic halogen table lamp triangular matte black metal base with three telescopic chrome uprights, triangular shade, height 36cm, fully extended 85cm £100-£150
97. A Victorian painted cast iron door stop in the form of a jester astride a barrel inscribe Old Tom Don’t You Tell, height 42cm
£80-£120
include to sections of fossilised mammoth teeth, a large starfish, a selection of seashells, coral and fossils (qty), starfish diameter 28cm £100-£150
interior painted, CITES Appendix II Annex B,
50cm This lot does not require an article 10 certificate, however if shipped outside the EU this will require a CITES re-export permit, listed CITES apx. 11/EC
‘Untitled’, a carved hardwood abstract form totem sculpture, signed Brian Willsher 1986, height 33.7cm £200-£300
Concertina, square, hand carved unglazed clay, Width 47.5cm £1,000-£1,500
102. Advertising. Sweet Rosemary Tobacco enamel wall thermometer sign Sweet Rosemary Tobacco in raised white lettering over a thermometer scale and over Fragrant & Long Lasting in raised lettering, 57.2 x 18.9cm £80-£120
103. Advertising. Wills’s Gold Flake Cigarettes circular enamel sign diameter 46cm £100-£150
104. Advertising. A Spillers SHAPES for all dogs enamel sign white lettering on green, mounted on plywood, 76 x 51cm £150-£250
105. Advertising. Agent For THOMSON’S DYE WORKS PERTH enamel sign stamped Patent Enamel Co Ltd B’ham & London, chamfered oak frame, 56 x 39.5cm £100-£150
106. Advertising. An early 20th century Wills Capstan Navy Cut Cigarettes mirror sign moulded oak frame, 56.5 x 46.5cm £80-£120
107. Railwayana. Two British Railways enamel signal box signs for Maiden and Churchill white lettering against green (2), each 20.3 x 122cm Churchill station was opened in 1852, later known as Churchill and Blakedown £100-£150
108. Four advertising signs and a brass name plate comprising a reverse glass “Read The Illustrated London News Every 1’ Friday 1’, a Ben Truman Pale Ale oval mirror signs, a circular printed metal sign Get Your Player’s Please Here a Northern Fire & Life Assurance Company Limited Agency Office enamel sign, and a brass wall plate with black lettering for Parr, Saddle & Dickinson, Solicitors, stamped S Bower & Sons (5), first 14 x 26.5cm, length 38cm £80-£120
109. Advertising. A REDGATE Table Water enamel sign early 20th century, red and white lettering against blue, Redgate Table Waters Enjoyed the year round since 1878! with company red gate logo, 28 x 81.5cm £80-£120
110. Advertising. A WILLS’s WOODBINE CIGARETTES double sided metal framed glass hanging sign early 20th century, silver lettering against a claret ground, black painted metal frame, length 53cm £100-£150
111. An Arts & Crafts wrought iron and copper firescreen the rectangular copper panel repoussé embossed with a central arabesque shaped panel with whip lash line decoration, with whiplash frame on scroll feet, height 69.7cm £100-£150
112. An Arts & Crafts repoussé copper panel entitled ‘Dulce Domum’, depicting an interior scene with fireplace, a figure playing the piano and figures seated at a fireplace, teak frame, 24 x 23.8cm £50-£80
113. An early 20th century Arts & Crafts repoussé embossed copper and oak wall mirror rectangular bevelled plate, the surround embossed with flowers and foliage, 57.5 x 40.5cm £80-£120
114. David Veasey for Liberty & Co a Tudric pewter twin handled rose bowl, model 011, bearing motto, ‘AND THE MUSK OF THE ROSE IS BLOWN AND THE WOODBINE SPICES ARE WAFTED ABROAD’, with stylised tree motifs, on a low foot, stamped 011, height 12cm, diam. with handles, approx. 32cm £100-£150
115. David Linley. A pair of carved sycamore Greek part column bookends stamped Linley (2) height 18.5cm £150-£250
116. No lot
117. ‡ Ghisha Koenig (1921-1993) ‘Wallis of Sidcup’ patinated bronze mounted on painted board, signed verso in pen Ghisha Koenig and titled, dated Feb/ July 1982 Cat 1/5, 30.5 x 30.5cm £300-£500
118. After Guillaume Coustou (1677-1746)
A pair of patinated bronze models of the ‘Marley horses’, late 19th / early 20th century, each modelled as a rearing stallion held by a groom, on a naturalistic base (2), height 27.5cm £100-£200
119. After Guillaume Coustou (1677-1746)
a pair of large patinated bronze models of the ‘Marley horses’, c.1900, each modelled as a rearing stallion held by a groom, on a naturalistic base, bears Coustou stamp (2), height 49cm, bases approx. 40cm £300-£500
120. ‡ Ernest Shone-Jones FRBS (British b.1899)
A bronzed plaster bust of a young woman, incised E. Shone-Jones 1971, on a square ebonised wood plinth base, height 46cm £150-£250
121. Raymond Delamarre (1890-1986) A gilt bronze figure of the Snake Dancer, 1920s the female nude seated cross legged in harem trousers on a carpet, signed ‘Delamarre’ and bearing foundry stamp for ‘La Stele’, rear corner edge numbered 10, the opposite edge initialled RD, formerly mounted on a black marble and alabaster plinth base, height 24.5cm, width 16.5cm, depth 15cm
£500-£800
122. A late 19th century French gilt bronze cased repeating carriage clock with alarm probably Drocourt, 6cm, diameter white enamel dial with black Roman numerals, minute track, outer Arabic minutes and blued steel moon hands over a subsidiary alarm dial, indistinctly signed probably Howell, James & Co, London, silvered platform escapement with compensated balance, passing strike on a bell, foliate engraved and green enamel decorated matte ground gilt mask, foliate engraved three pane bevelled glass case with inspection top, solid rear door with shuttered winding holes, on plinth base, case, backplate and key numbered 5179, height 14.4cm £600-£800
123. A 1930s enamel and brass alarm clock the face within a domed blue guilloché enamel surround, together with a 1930s green glass alarm clock, by Enfield, a Westclox Big Ben metal example, a 1930s French brass cased example, an Oris Swiss Made example and a 1930s Art Deco facetted smoky glass atomiser (6), Big Ben clock height 15cm £70-£90
124. A Jaeger Le-Coultre Atmos VIII bracket clock no. 315327 and wall bracket, square white dial with gilt Arabic quarter numerals and dagger hour markers, CAL528-8, skeleton movement, brushed brass five glass case on an oblong base, with original booklets and fitted outer case, accompanied by a Jaeger Le-Coultre brushed brass wall bracket (2), height 23.4cm, width 21c m, depth 16.5cm £400-£600
125. A late 19th Century French green onyx and gilt metal mounted three piece clock garniture the clock with circular cream enamel dial painted with black Arabic numerals, minute track and floral garland decorated centre, two train 8 day drum movement, passing strike on a bell, stamped S Marti and numbered 6773 4 8, the case surmounted by an urn with garland mounts accompanied by a pair of matching five light candelabra (3), height 40.5cm, width 28cm, depth 12.5cm £200-£300
126. A Regency mahogany bracket clock of lancet shape and inlaid with ebony stringing and mouldings, the sides with embossed brass ring handles and pierced brass arched grilles, the polished steel face with twin winding apertures, the twin train movement striking on a bell, dial diam. 17cm, height 42cm £100-£150
127. A large Swiss black forest cuckoo automaton wall clock c.1900 the 6” dial with ivorine Roman numerals and hands above below two hatches, three train pine cone weight driven movement striking the quarters on a coiled gong with a pair of bellows, chalet style architectural case surmounted by a stags heads and oak leaf pediment over a game bird and hare flanking the dial and a game bag, rifle and oak leaves below, height approx. 75cm £300-£500
128. Antiquities. A Roman bronze figure of Hercules standing with his right arm raised and his left arm draped with a lion skin and a club, height 8.5cm £80-£100
129. Two mid 19th century Isle of Wight Marmotinto sand pictures c.1840 titled and captioned ‘The headland from Alum Bay drawn with Alum Bay Sand’ and ‘Shanklin Chine I.W, drawn with Alum Bay sand’ contemporary rosewood frames with gilt slip (2), first overall 18.4 x 21.5cm £100-£150
130. Mid 19th Century Chinese School. Eleven studies of fish gouache on pith / rice paper, mounted, contemporary light oak frames (11) each within mount 16 x 24.5cm, overall 25.5 x 33.8cm £500-£800
131. Two George III reverse glass mezzotints
first ‘Plenty attending the Blessings of Peace’, published June 11 1802 by Walker, Fox & Knot Court, Cow Lane, gilt and ebonised moulded frame, second ‘The Usurer’, after George van der Mijn, published Robert Sayer c.1770, painted Hogarth frame (2), first 31 x 41cm, second 42.5 x 32.5cm £70-£90
132. A late 18th century Chinese export ‘European Subject’ reverse glass painting c.1780
‘Full length portrait of European lady a land in a wooded landscape’, reverse painted on glass, period giltwood frame, overall 35 x 30cm £400-£600
133. Neapolitan School, 19th Century
‘A View of Mount Vesuvius’, gouache, mounted and framed together with Milanese School, 19th century ‘Genoa’, lithograph and gouache, mounted and framed (2), the first within mount 6 x 8.6cm, framed size 25.6 x 27.6cm, the second within mount 16.6 x 23cm, framed size 27.5 x 33.2cm £60-£80
134. Neapolitan School
Early 19th Century, ‘Eruz del Vesuvio del 12 Aprile 1814’, gouache, titled below image, framed, image size 40.5 x 63.5cm, overall size 87.5 x 65cm £300-£400
135. Neapolitan School, 19th Century
A pair of views of Mount Vesuvius ‘Day’ and ‘Dusk’, gouache, mounted and framed (2), within mount 30 x 43cm, framed size 53.5 x 65cm £100-£200
136. Neapolitan School
Late 19th Century, ‘Interno Del Vesuvio NE’ 10 Agosto 1832’, gouache, inscribed lower right ‘Mr Mauton strada S. Carlo No.32’, mounted and framed, within mount 42 x 63cm, framed size 59 x 78cm £200-£300
137. Neapolitan School (Mid 19th century)
Three Nocturnal Studies of the Eruption of Vesuvius, c.1850, gouache, unsigned, white painted slip, contemporary ebonised and gilt gesso frames (3), each within mount 17.5cm, overall 31.4 x 37.5cm £400-£600
138. Neapolitan School
late 19th century, ‘Mount Vesuvius at night’, gouache, inscribed below image ‘Eruz del S gen: 1879’, framed, overall size 21.3 x 29.7cm, framed size 28.5 x 37cm £100-£150
‘Harvesting
Formerly a part of the Colonel L.F.
142. Attributed to Sir Charles D’Oyley (British, 1781-1845)
‘Boats on the Ganges’, watercolour and gouache, mounted and framed, within mount 9.3 x 15cm, framed size 27 x 34cm £80-£120
143. Walter Greaves (British, 1846-1930)
‘The Old Swan, Battersea’ ink and watercolour, signed lower left, mounted and framed, within mount 33 x 22cm, overall size 57 x 45.7cm
Michael Parker Gallery label to the reverse £150-£250
144. Walter Greaves (British, 1846-1930)
‘The Old Swan with Doggett’s coat and badge coat’, pencil, ink and watercolour, signed lower left, mounted and framed, within mount 32 x 20.5cm, overall size 59.5 x 44cm
Michael Parkin Gallery label to the reverse £250-£350
145. Giuseppe Vizzotto-Alberti (Italian, 1862-1931)
‘A Canal scene’ watercolour, signed and dated lower left, mounted and framed, within mount 16.5 x 33cm, framed size 38.5 x 54cm £200-£300
146. Allan Walton (British, 892-1948)
‘Mediterranean Terrace’, gouache, framed, within frame 26.5 x 30cm, overall 42 x 45.5cm £200-£300
147. ‡ Franklin White (1892-1975)
‘Waiting on the beach, St Margaret’s Bay 1924’, watercolour, signed lower left ‘Franklin White’, mounted and framed, together with another by the same hand (2), the first within mount 18 x 27cm, overall size 39 x 46.5cm £60-£80
148. William Henry Sweet (British, 1889-1943)
‘Birch Grove, North Bay, Ontario, Canada’ watercolour and gouache, signed lower left, mounted and framed, together with another by the same hand entitled ‘Lake Nipissing, North Bay, Ontario, Canada’ (2), within frame 24.5 x 35cm, overall size 45.5 x 55cm £100-£150
149. Charles H.C. Baldwyn (British, 1859-1943)
‘A flock of swans’, watercolour and gouache, signed lower left, mounted and framed, within frame 25 x 33cm, overall 47 x 53cm £80-£100
150. Charles H.C. Baldwyn (British, 1859-1943)
‘Studies of a stork’ watercolour and gouache, signed lower right, mounted and framed, within frame 38 x 28cm, overall size 66 x 52.5cm £80-£120
151. Charles H.C. Baldwyn (British, 1859-1943)
‘A pair of Mistle thrushes’, watercolour and gouache, signed lower right, mounted and framed, within mount 18 x 27cm, framed size 39 x 46.5cm
Royal Fine Art sticker to reverse £80-£100
152. George Edward Lodge (British, 1860-1954)
‘A still life of a Stone Curlew’, gouache on paper, signed lower left bottom margin, mounted and framed, within frame 16 x 24cm, overall size 35.5 x 42cm £80-£120
153. Louis Wain (British, 1860-1939)
‘Double as quits’, ink and pencil, signed in ink lower left and titled beneath image in pencil, mounted and framed together with another of a cat opening a bottle of wine, inscribed ‘Louis Wain’, size within mount 30.5 x 16cm, overall size 42.1 x 28.5cm £200-£300
154. Elizabeth Dubuisson (British, 19th Century)
Original sketches of character featuring ‘The Fubbs’ including; ‘The Bridal Morning’ (illustrated), ‘Mrs Fubbs being dressed for Paris’, ‘Miss Fubbs going to school’, ‘Asking Papa’, ‘Miss Clementina Fubbs astonishing Papa’, ‘Mr Fubbs purporting the question’, ‘Returning from Paris’ and ‘On board the packet’ watercolour and ink, all signed lower right in ink, titled below image in pencil, unframed (6), illustrated: 37 x 21.2cm £100-£200
155. After Percy Anderrson (British, 1850-1928)
‘His sisters, his cousins and his aunts’, a costume design for the original production of G.&S. “Pirates of Penzance”, watercolour, coloured pencil and gouache, titled lower right and inscribed ‘copied from his original designs in the Pirates of Penzance’, monogram to lower right corner, mounted and framed, within mount 23.5 x 16.5cm, overall size 41 x 32.5cm £80-£120
156. ‡ Frank Owen Sailsbury (1874-1962)
Two male nude figure studies, charcoal and chalk, signed lower right, mounted, within mount 55 x 38cm, overall size 70 x 53cm, the other 55.5 x 38cm, 70 x 53cm £200-£300
157. ‡ Frank Owen Sailsbury (1874-1962)
Two figural studies, charcoal and chalk on paper, both signed lower right, mounted, size include within mount 50.5 x 38cm, overall size 65.6 x 53.3cm, 50.5 x 35cm, overall size 66 x 50.5cm £150-£250
158. George Blackie Sticks (British,1843-1938)
‘Cliffs at Marsden, Southshields’, oil on canvas, signed and dated lower left, framed, within frame 36 x 44cm, overall 60 x 67cm £600-£800
159. Robert Ernest Roe (British,1851-1930)
‘Scarborough’, oil on canvas, signed lower right, framed, together with another by the same hand (2), the first within frame 24 x 39cm, overall size 33 x 48cm £200-£300
‘Aldins Coal Wharf, Chelsea’, oil on board, signed lower right, framed, within frame 32 x 49.5cm, overall size 41.5 x 59.5cm
Michael Parkin Gallery label to the reverse £400-£600
‘Continental Street with figures’, oil on canvas, signed lower left, framed, within frame 29 x 38cm, overall size 44.5 x 53cm £100-£150
‘A view of the river’, oil on canvas, signed lower left, framed, within frame 32.3 x 45cm, overall 38 x 50.5cm £400-£600
‘A still life of roses’, oil on canvas, signed lower left, framed, within frame 40 x 29.5cm, overall size 48.5 x 38cm £60-£80
‘A still life of daffodils’, gouache on paper, signed lower right, framed, within frame 46 x 35cm, overall size 56 x 44.5cm £80-£120
168. Continental School, 19th century
‘An interior scene with two children and dogs’, oil on panel, unframed, overall size 24.5cm x 28cm £80-£120
‘A bird nest in a woodland setting’, oil on canvas, framed, within frame 21 x 28.5cm, overall 47 x 55cm £200-£300
‘A Scottish landscape view of a lake’, oil on canvas, signed lower left, framed, overall size 50 x 75cm, framed size 63 x 88cm £80-£120
‘A still life of poppies’, watercolour, signed lower right, mounted and framed, within frame 31 x 25cm, overall size 48 x 40cm £60-£80
‘Portrait of a border terrier’, oil on canvas, signed and dated ‘L.R. Finn 1911’, framed, within frame £200-£300
‘Ballet dancers’ oil on canvas, signed lower left, framed, within frame 24.4 x 34cm, overall 40.5 x 50.5cm Michael Parkin Gallery label to reverse £400-£600
‘Carros, France’, watercolour and gouache, signed lower right, mounted and framed, within mount 24.3 x 35cm, overall size 47 x 56.5cm
‘Near Tramayes’, watercolour and gouache, signed lower left, mounted and framed, size within mount 25.5 x 35cm, overall size 49 x 57.5cm £80-£100
‘Sarlange near Retournac’, watercolour and gouache, signed lower right, mounted and framed, within mount 23.5 x 34cm, overall 47.5 x 56cm
26.5
175. ‡ Roland Collins (British, 1918-2015)
‘Beach Chalet, Whitstable’, gouache, signed lower left central margin, mounted and framed, within frame 37 x 52cm, overall size 59.3 x 71.6cm
Michael Parkin Gallery label to reverse £200-£300
176. ‡ Roland Collins (British, 1918-2015)
‘The Queen, Newhaven’, gouache, signed lower right, mounted and framed, within mount 37.5 x 51cm, overall size 52.5 x 67cm
Michael Parkin Gallery label to reverse £200-£300
177. ‡ Roland Collins (British, 1918-2015)
‘Snake Pit, Newhaven Harbour’ gouache, signed lower right central margin, mounted and framed, within mount 37 x 52.5cm, overall size 52.3 x 66.6cm £200-£300
178. ‡ Roland Collins (British, 1918-2015)
‘Fishing Boats, Eastbourne’, gouache, mounted and framed, within mount 35 x 48cm, overall size 56.5 x 69.5cm
Michael Parkin Gallery label to reverse. Exhibited at the University of Hull Art Collection Oct 1998 £200-£300
179. ‡ Roland Collins (British, 1918-2015)
‘Tug Pier, New Haven’, gouache, signed lower left, mounted and framed, within mount 37 x 52.3cm, overall size 59 x 72cm
Michael Parkin Gallery label to reverse £200-£300
180. ‡ Roland Collins (British, 1918-2015)
‘Bank side, Southwark’ gouache, signed lower right, mounted and framed, within mount 37 x 48.5cm, overall size 55 x 67cm £200-£300
181. ‡ Judith Rothschild (British, 1921-1993)
‘The Front steps overgrown’, pastel on paper, signed lower right, mounted and framed, together with another by the same hand (2), within mount 64.5 x 40.5cm, framed size 86 x 69cm £80-£120
183. ‡ Ken Kiff (British 1935-2001) ‘Rainbow’, wood block print, signed lower right in pencil, framed, overall size 108 x 76.5cm, framed size 145.5 x 108.5cm £800-£1,200
184. ‡ Ken Kiff (British 1935-2001) ‘Abstract in blue and orange’, oil on canvas, signed to reverse, overall size 103.5 x 78cm £400-£600
186. ‡ Graham Chapman (1941-1989) Interest. A collection of original humorous illustrations comprising a series of seventeen biographical pen and airbrush illustrations, some numbered and titled in pencil 2. ‘My father being a policeman’, 3 ‘Two Policemen *apt out’, 7. ‘Sex is rather a delicate subject’, 9 ‘it was only the evening standard, so no-one noticed, 10 See you in my room tonight’, 12 ‘a table of queers’ 14 ‘A young man dancing in his underpants, together with a series of seventeen pen and ink autobiographical portraits of Graham Champan, numbered in pencil 1 -17, three adult humorous cartoon illustrations, ‘Apache Torture’, ‘He likes You’, and ‘Bollock Chops’, a photograph of Graham Chapman, press photographs from Monty Python’s The Meaning of Life’ (Qty), various
A gift from Graham Chapman to the current vendor £200-£300
182. Manner of Ken Kiff (British, 1935-2001)
‘A Rider in the woods’, acrylic on board, framed, image size: 53 x 37.5cm, framed size 65.3 x 50.2cm £80-£120
185. ‡ Ken Kiff (British, 1935-2001)
‘Woman, Wave and Flowers’, woodcut and mono print on Japanese ‘Bunkoshi’ paper, signed in pencil lower right, framed, block size 57 x 33cm, framed size 94 x 71.3cm £600-£800
187. ‡ Gerard Hemsworth (British, 1945-2021)
‘Crime of passion’, oil on canvas, signed to reverse, across two canvases, unframed (2), both overall size: 102.5 x 76 £100-£200
188.
199 195 192
(part) 197
nude’ titled verso ‘Il Gioco’, oil on canvas, signed and dated lower right ‘76’, framed, within frame 78.5 x 78.5cm, overall size 83 x 83cm £80-£120
‘A view of the South Coast’, charcoal on paper, signed lower right, mounted and framed, within mount 30 x 18.5cm, framed size 52.3 x 40cm £70-£90
‘An abstract snail’, pen and watercolour, signed lower right, dated lower left ‘10/7/85’, framed together with another by the same hand entitled ‘Tortoise’ (2), image size 23 x 25cm, framed size 38.5 x 42.5cm £80-£100
196. Jacques Callot (French, 1592-1635) ‘Vu du Louvre’, from ‘Les Deux Grandes Vues du Paris’, etching, signed to etching lower central left outer margin, mounted and framed together with another by the same hand ‘The Pont Neuf and the Tour de Nesle, Paris’, etching, inscribed to lower right central margin (French, 1592-1635) (2), plate size (illustrated) 155 x 333m, framed size (illustrated) 39.5 x 56.2cm £200-£300
197. Hollar Wenceslaus (1607-1677)
‘The Cavalcade or His Majesties Passing Through The City of London Towards His Coronation’, London 1662 (from John Ogilby’s “The Entertainment of ...Charles II,”, Complete set of twenty etchings divided into four horizontal rows on five folding sheets of laid paper, grape and other watermarks, each 42 x 49.5cm £400-£600
‘Woodland Study 10’, gouache, signed centre right lower margin, mounted and framed, within mount 17.5 x 26.5cm, framed size 42.5 x 50.5cm £70-£90
‘A figural study’ grey wash and ink, signed lower right corner, mounted and framed, together with another by the same hand (2), illustrated within mount 15 x 15cm, framed size 33.3 x 32.5cm £80-£120
‘A study of a male nude’, watercolour, signed lower left and dated ‘18.5.87’, framed, image size 49.5 x 32.5cm, framed size 68.7 x 50.3cm £100-£200
‘Moon’,
lower right, dated lower left ‘18.1.86’, framed, paper size approx 65 x 49.5cm, framed size 84 x 67.7cm £200-£300
‘The owl and the pussy cat’ and ‘Alive to witness’, mixed media collages, both signed, framed (2), the first within frame 25.5 x 20.3cm, framed size 30.5 x 25.3cm, the second within frame 24 x 18.2cm, framed size 29 x 23.1cm
198. After Angelica Kauffman (1741-1807) a pair of trimmed roundel stipple engravings depicting classical scenes, with later hand colouring, inscribed below image ‘Angelica Kauffman ex academia Regali Artium Londini Pinx / Gulielmus Wynne Ryland Chalographus Regis Britannia Sculp’, framed (2), approx. print diameter 286mm, framed size 36.5cm £80-£120
A group of three prints including: ‘Otras Leyes por el pueblo’ from the series ‘Los Disparates’, aquatint with etching and dry point, titled below image, inscribed lower left ‘Goya inv. et. sc.’, later edition; ‘A caza de dientes’ from the series ‘Los Caprichos’, aquatint and etching, plate number 12, titled below image; ‘Las Resultas’, from the series ‘Los desasrtes de la guerra’, etching, plate 72, inscribed top left ‘72’, titled below image. (3), plate size (illustrated): 212 x 325mm, framed sized 42.7 x 52.2cm £100-£200
After Raphael
A set of eight prints of the Roman gods including: Venus, Saturn, Luna, Mars, Sol, Jupiter and Murcurius, after a design by Raphael in the Sala dei Pontefici and another by the same hand (8), plate size (illustrated): 335 x 405mm, framed size 53.6 x 58cm
Note: Other examples of these prints can be seen in the Royal Collection Raphael Portfolio 45 £150-£250
201. An 18th century etching of a ‘Rhino’ inscribed lower right ‘J El. Ridinger ad vivum del. fec. et eoccud, a.v.’, Latin text beneath image, mounted and framed £80-£120
202. A late 18th century stipple engraving and three other prints
first a black and white interior scene with women and an infant in a cradle, oval, verre eglomise mount, period carved giltwood frame bearing paper label for Jno Marnoch Carver and Gilder of Edinburgh verso, together with an engraving after Sir Peter Lely engraved by Bartolozzi ‘Lady Gertrude Marchioness of Halifax’ published 1776 and two sepia stipple engravings after Angelica Kauffman and engraved by Bartolozzi ‘Una’ and ‘Abra’, published by James Birchall 1791 (4), first overall 18.2 x 20.8cm £70-£90
203. A set of late 18th century black and white mezzotints of the four seasons including ‘Summer’, ‘Autumn’, ‘Winter’ and ‘Spring’, with additional dry point etching to detailed areas, variously inscribed beneath image, inscribed central lower margin ‘Published June, 1st 1796, by John Fairburn, 146 Minories, London’ inscribed lower right ‘Vide Thompson’s Seafons’ (4), approx. plate size 350 x 245mm, framed size 51.8 x 41.5cm £100-£200
204. A collection of 18th-19th Century prints including: After William Hamilton (1751-1801) ‘May’ taken from his series ‘Hamilton’s Months of the Year’ stipple engraving with later hand colouring, After Joseph Franz Goez (1754-1815) ‘La Modestie’, ‘Le Maitre de Poste’, ‘Le Voyageur’; After Charles-Andre van Loo (1705-1765) ‘L’eleve Dessinateur’ and ‘Le Poirier Enchante’ mezzotint, inspired by Nicolas Lancret (1690-1743) variously mounted and all framed (6), approx diameter (illustrated) 250mm, framed size 56 x 49cm £80-£100
205. A group of 19th Century prints including Richard Dighton (1752-1814) ‘A View from Baxter’s Livery Stables, Cambridge’ etching with hand colouring, titled beneath image and inscribed ‘Drawn, etch, & Pub By Dighton, 6. Char. Crofs, Jan 1810’; John Hamilton Mortimer (1740-1779) ‘Sleeping Monsters’, etching, titled below image, inscribed ‘I. Mortimer Del et Sculp’; Jacob Gillberg (1724-1793) ‘Paysage au bord d’une riviere’ stipple engraving and etching in red ink, inscribed to lower right ‘J Gillberg sculp’; ‘A rider on horse back’, trimmed etching and a set of three folio aquatints from the original drawing in the collection of R.P. Knight Esq No. 16, No. 31 and No. 37 (7), plate size (illustrated): 300 x 200mm, framed size 44 x 32.7cm £60-£80
206. After William Redmore Bigg. Two hand coloured stipple engravings by William Ward ‘The Truants’ and ‘The Romps’, on wove, published June 1st 1801, Gate Street Lincolns Inn Fields, laid down on paper, gilt and mahogany frames (2), each 38 x 45cm, each 54 x 62cm £100-£150
207. After Carlo Naya (Italian, 1816-1882) Palazzo Contarini Fasan sul Gran Canale, plate No.64, photographic print, titled and inscribed to reverse “This palace presently the property of Balbi-Widmann is work of the 15th century. The facade is greatly esteemed for its highly finished elegance - architect unknown”, together with a selection of Italian photographs laid on paper and photographic prints (5), illustrated overall size: 34.5 x 26.4cm, overall framed size: 54.5 x 45cm £100-£200
‘Logge
Rome, c.1802, an album of nine b&w etchings, two with hand colouring on wove by Carlo Lasinio after Raphael Sanzio D’Urbino, sheets approx, 43.5 x 61cm, half calf with marbled boards together with framed title page b&w engraving by Giovanni Balzar after Luca Comparini, mounted, burr maple frame (2), first overall 44.5 x 62cm £200-£300
209. Charles Meryon (French, 1821-1868)
‘L’ Abside de Notre-Dame’, etching with dry point, inscribed in ink ‘C meyron – del sculp’ lower left, inscribed lower right ‘Imp Rue neuve St Estienne-du-Mont 26’, mounted and framed, to be sold with a copy of ‘Charles Meryon / A life’ by Roger Collins, plate size 160 x 295mm, overall 44 x 54cm Garton & Co. to reverse £250-£350
210. Charles Maurand (1824-1904) after Honore Daumier (1808-1879)
A group of five wood engravings including: Train de plaisir, 1862; Exposition des Beaux-Arts - Dans le salon carre - Un Instant de repos, 1868; Exposition universelle: L’Etranger trouve toutes les facilites desirables 1867; Bal de l’Opera: Tu t’amuses trop! 1868; Exposition universelle: Quel sont les plus Chinois? 1867, on japanese paper, Francois Louis Schmeid printers monogram stamped to lower left corner, variously inscribed ‘H.D’ and ‘C Maur-’, mounted and framed (5), the first block size 160 x 230mm, framed size 40.3 x 45.2cm £100-£200
211. Edward Stodart (1841-1914) after John
‘The Frankland Sisters’ a coloured stipple engraving, signed in pencil lower margin right, together with a hand coloured mid 19th century lithograph of a lady c.1850, birdseye maple frame with gilt slip (2), first overall 67.5 x 58cm £50-£80
212. Walter Greaves (British, 1846-1930)
‘The Last Chelsea Regatta’, etching, signed in pencil lower right, mounted and framed, plate size 260 x 550mm, overall size 61 x 90cm £800-£1,200
‘Spirit of the ghetto’, woodcut print, inscribed lower right ‘Kitaf’, edition 19/25, for Hutchins Hapgood’s ‘The Spirit of the Ghetto: Studies of the Jewish Quarter of New York’, framed, block size 41.5 x 26cm, framed size 64.5 x 50cm £50-£80
216.
‘Blue Mandela’, lithograph, artist monogram in pencil beneath image, dated “‘78”, edition 72/90, framed, plate size 513 x 529mm, framed size 73 x 102cm £600-£800
‘A couple by a lake at moon light 175/500’, ‘A couple in the French countryside 242/500’, pochoir, both signed to lower right central margin on print and in pencil ‘Miquette’, mounted and framed (2), within frame approx: 19.5 x 19.5cm, overall 43.2 x 41cm £200-£300
‘Bedbug’, etching and aquatint, signed lower right, edition 48/75, mounted and framed, plate size 470 x 360mm, framed size 77.5 x 66cm £400-£600
217.
‘Abstract in purple and gold’, giclee print, edition 49/75, framed, print size 45 x 38cm, framed size 61 x 54cm £200-£300
218. ‡ Quentin Blake CBE (B.1932)
“L is for Legs that we wave in the air’” giclee print, signed in pencil lower right ‘Quentin Blake’, edition number in pencil lower left ‘21/195’, paper watermarked, limited edition print for ‘Quentin Blake’s ABC’, mounted and unframed, print size 265 x 230mm, overall size £100-£150
“W is for Watch - we hear the ticktocks” giclee print, signed in pencil lower right ‘Quentin Blake’, edition number in pencil lower left ‘20/195’, paper watermarked, limited edition print for ‘Quentin Blake’s ABC’ issued October 2008, mounted and framed, print size 265 x 230mm, framed size 47.3 x 43cm £100-£150
220. ‡ Ron Brooks Kitaj (American, 1932-2007)
‘W.H. Auden’, screenprint on paper, from the First Series screenprint 1969, mounted and framed, overall size: 62 x 46.5cm, framed size 90 x 70cm
Another version of this print is a part of the Tate Collection £100-£200
221. ‡ Paula Rego (Portuguese, 1935-2022)
‘The Return’, etching with aquatint, signed in pencil lower right, edition 30/50, mounted and framed, plate size 275 x 275mm, framed size 67 x 61.3cm £800-£1,200
222. ‡ Paula Rego (Portuguese, 1935-2022)
‘Netherland’, etching and aquatint, signed in pencil lower right, edition 30/50, mounted and framed, plate size 290 x 440mm, framed size 64 x 75.5cm £1,000-£1,500
223. ‡ Paula Rego (Portuguese, 1935-2022)
‘Baa Baa Black sheep’ etching and aquatint, signed in pencil lower right, edition 17/50, mounted and framed, plate size 212 x 225mm, framed size 54 x 41cm £1,000-£1,500
224. ‡ Paula Rego (Portuguese, 1935-2022)
‘Song of Six pence’ etching and aquatint, signed in pencil lower right, edition 17/50, mounted and framed, plate size 210 x 225mm, framed size 54.5 x 41cm £1,000-£1,500
225. ‡ Paula Rego (Portuguese, 1935-2022)
‘Untitled 17/50’ etching and aquatint, signed in pencil lower right, edition 17/50, mounted and framed, plate size 212 x 223mm, framed size 54.5 x 41cm £400-£600
226. ‡ Paula Rego (Portuguese, 1935-2022)
‘A Frog he would a-wooing go’, etching and aquatint, signed lower right in pencil, edition 19/50, mounted and framed, plate size 223 x 215mm, framed size 54.5 x 41cm £400-£600
227. ‡ Paula Rego (Portuguese, 1935-2022)
‘Pirates taking away lost boys’, etching and aquatint, signed in pencil lower right, edition 31/50, mounted and framed, plate size 275 x 196mm, framed size 65.5 x 54cm £400-£600
228. ‡ Paula Rego (Portuguese, 1935-2022)
‘Hey Diddle Diddle’, etching and aquatint, signed in pencil lower right, edition 25/50, mounted and framed, plate size 320 x 210mm, framed size 54.5 x 41cm £1,000-£1,500
229. ‡ Paula Rego (Portuguese, 1935-2022)
‘Come to me; Jane Eyre’ lithograph, signed in pencil lower right, edition 32/35, framed, image size 885 x 590mm, framed size 105 x 73cm £1,000-£1,500
230. ‡ David Hockney (British, B. 1937)
‘Catherina Dorothea Viehmann’ from ‘Illustrations for Six Fairy Tales from The Brothers Grimm’, etching and aquatint, signed in pencil below image, mounted and framed, plate size 280 x 225mm, framed size 62.5 x 52.5cm £400-£600
231. ‡ Bruce McLean (British, B. 1944)
‘Smoke Screen’, black and yellow screen print, print in edition of 1, signed in pencil lower right, number 1/1, overall size 140 x 100cm, framed size 147.5 x 106.5cm
Timothy Hobart Fine Art label to reverse £100-£200
232. ‡ John Virtue (British B. 1947)
‘Venice’, drypoint etching, signed in pencil lower right, titled and dated lower left ‘No. 157, 2007’, framed, plate size: 540 x 370mm, framed size 77.5 x 58.5cm £80-£120
233. W A large impressive photographic historic portrait of a man sitting at a desk with Marshall microscope
‘Scholar’, pigment print on paper mounted on aluminium, signed indistinctly to the reverse, dated to reverse ‘2003’ and numbered 1/3 (+1A.P.), sheet size 121 x 144cm, framed size 125.5 x 153cm £200-£300
234. ‡ W Hector de Gregorio (Spanish, Active 2009)
‘Lee Adams, Performer’, screen print on canvas, unframed, label to reverse with date ‘09’, overall size 147.5 x 106.5cm £300-£400
235. An Italian mixed media collage of an abstract courtyard Inscribed to image ‘Religi one et cura / Scientia et foritus dine / Gavde laetare fan lonla / In Georgio carlo I, Francis CVS LVDoVICVS / II revivis Cet. ‘, overall size 64.5 x 48cm, framed size 80 x 64cm £80-£120
236. ‡ First edition artwork for the album ‘Echoes’ by Storm Thorgosen (1944-2013) each print featuring different motifs taken from previous Pink Floyd LP covers, each edited slightly differently suggesting that these were first drafts for the album artwork, high quality giclee prints, signed in pencil lower right, edition in pencil lower left, mounted and framed, print size 303 x 303mm, framed size 98 x 88.2cm £800-£1,200
237. Combe Edouard. Les Alpes Vues de Morges Panorama Du Quai Lochmann, dessine d’apres les ordres de la Municipalite de Morges, zurich, 1885, a colour lithograph printed folding panorama map, pictorial boards, 12mo £50-£80
238. A map of the ‘The Hundred of Bromley & Beckenham and the Hundred of Ruxley an engraved folding map with hand colouring, from Edward Hasted’s The History and Topographical Survey of the County of Kent: Volume 1, 1797, mounted, modern Hogarth frame, within mount 39 x 37cm, overall 54 x 51cm £50-£80
239. A Japanese satsuma koro by Kinkozan c.1920, of compressed ovoid form with moulded twin lion mask ring handles, painted with a continuous watery landscape with figures, buildings and flowering prunus trees, signed with gilt character mark, bears paper label ‘Kinkozan Kyoto’, on a hard wood stand, height 13.5cm £100-£150
240. A Japanese Meiji Period bone okimono of a spiny lobster naturalistically fashioned with black painted eyes, length 44cm £150-£250
241. Kobayashi Eijiro (Japanese, 1870-1946) Night Scenes: High Bridge by Night, woodblock print, c.1920, red seal, published by Hasegawa, mounted, ebonised simulated bamboo frame, within mount 24.5 x 17.5cm, overall 34.5 x 42.5cm £100-£150
242. A pair of Japanese Koransha Fukugawa imari porcelain vases c.1900
Meiji period, of shouldered tapering ovoid form, decorated with all over foliate decoration and panels containing pines, flowering prunus and bamboo, red orchid mark (2), height 25cm £40-£60
243. Japanese Edo period Kishi School scroll painting of a tiger Kishi School, ink and watercolour on paper, red seal marks and calligraphy, patterned silk border, 192 x 57.5cm £80-£120
244. A small Japanese cold painted bronze vase of red colour and of urn shaped form, the scroll handles and the body with an entwined serpent, height 11.5cm £80-£120
245. Yoshijiro Urushibara (1889-1953)
Two colour wood block print, ‘Still life of Pink and White Chrysanthemums in a vase’ and ‘Still life of pink cyclamen in vase’, both signed lower left margin in pencil and bearing red seal marks, framed (2), Each within mount 32.5 x 22cm £200-£300
246. Yoshijiro Urushibara (1889-1953) A Colour Woodblock prints
‘Still life of fruit in a bowl and a ginger jar’, a woodblock print, numbered in No71 lower right and signed lower left in pencil, bears red seal mark, framed, within margin 28.5 x 38.5cm, overall 46 x 54cm £200-£300
247. A small 19th century Chinese blue and white porcelain ginger jar ovoid form, decorated with Buddhist lion dogs chasing a brocade ball in scroll surrounds amongst scrolling clouds and flames, six character Kangxi mark, height 12cm £100-£150
248. A Chinese porcelain famille rose porcelain meiping vase
Republican, of inverted tall baluster form with a tall shoulder, painted with female figure with deer standing by a pine tree in a landscape with rockwork, four character Qianlong red seal mark, height 23cm £100-£150
249. A small Chinese famillle rose porcelain vase Republican, decorated with two figures in a landscape, bearing red Qianlong Nian Zhi seal mark to base, height 14cm £80-£120
250. A large 19th century Chinese blue and white porcelain rectangular jardiniere the sides decorated with shaped landscape panels containing animals against a dense floral ground, the rim with key fret border, on shaped bracket feet, height 15.5cm length 47.8cm, depth 30.7cm £300-£400
251. An 18th century Chinese export Nanking Cargo blue and white porcelain tea bowl and saucer c.1750 painted with pine trees and rockwork, hatched borders, bears Christies paper labels Lot 5533 and accompanied by a Certificate of Authenticity from Harrods and on an ebonised stand, diameter 11.7cm £100-£150
252. A late 19th century Chinese blue and white bottle vase decorated with flowering prunus on a cracked ice ground, four character Kangxi mark, height 30.5cm £100-£150
254. A late 19th century Chinese blue white and iron red porcelain dragon dish, painted with a central iron red four clawed dragon, and a flaming pearl, and clouds, with three further dragons, the reverse with three further dragons and a band of waves, underglaze blue six character Yongzheng mark within a double circles, diameter 36.5cm £80-£120
255. A late 19th century Japanese Meiji period Shakudo brooch circular, decorated in relief with a lion dog and peonies with gold and silver highlights, bears signed silver plaque to reverse, diameter 4.5cm £150-£250
256. A Chinese silver Taoist Zodiac ingot pendant, length 10cm, weight approx. 4.22ozt £40-£60
257. A Murano Sommerso vase of elongated hexagonal form, green within gold within clear glass, together with a Murano orange and white glass bowl, sides waisted, ends scrolled (2), green vase height 25.5cm, bowl length 24cm £60-£90
259. A near pair of iridescent glass vases probably by Loetz c.1900, of bottle form, with iridescent Creta Papillon finish (2), height 22cm, the other 22.3cm £200-£300
260. A group of twenty glass apothecary bottles the seven green glass examples, early 20th century, to include a set of four small bottles, with bell form stoppers, labels inset, and three further larger examples, to include a pair and one similar, with gilt shield form labels, a set of three small brown bottles, early 20th century, with flat stoppers and worn gilt labels, and a group of six clear glass examples, various stoppers, four with inset octagonal labels, two with gilt shield form labels, and a group of four Bristol blue glass poison bottles, with stoppers, to include one smaller and darker coloured example (20), largest height 25cm, smallest height 13cm £80-£120
253. An early 20th century Chinese green crackle glazed figure of Guanyin on plinth seated holding a whisk raised on separate a lotus base on a hexagonal plinth, height 41cm £100-£150
258. A Geoffrey Baxter for Whitefriars tangerine ‘Mobile Phone’ vase shape no. 9670 together with a Whitefriars emerald green knobbly vase (2), heights 16.5cm and 25.5cm £80-£120
261. A set of six blue opaline glass apothecary bottles early 20th century, with stoppers and gilt shield form labels, four bottles bearing small labels for Campion & Co. Chemists London SE 16 (6), height approx. 24cm £120-£180
269. A Venini glass vase and a shallow footed dish first baluster form in blue encased white glass, signed Venini 98, second in burgundy on a clear foot, signed Venini 96 (2), first height 21.8cm, second diameter 19.6cm £100-£150
270. An Austrian glass and silver inlaid vase early 20th century, of green glass lilly form and inlaid with foliate motifs, together with a Bohemian red flash glass lustre, 1900s, on a facetted stem and domed base, and a 1900s clear glass lustre, together with a group of cut glass drops (3), smallest 16.5cm, largest 30cm £100-£150
£400-£600
£200-£300
£50-£80
271. A mid 18th century continental soda glass moulded stem wine glass the funnel shaped bowl on a moulded four sided pedestal stem on a conical folded foot, height 17.7cm £100-£150
272. Two mid 18th century plain stem wine glasses both with drawn trumpet shaped bowls, on plain stems, the taller enclosing an elongated tear, the other a small tear, on shallow conical folded feet (2), first height 15.5cm, second 14.9cm £100-£150
273. Five 18th century wine and cordial glasses comprising a glass with bell shaped bowl on a mercury twist stem, a multi spiral air twist glass with bell shaped bowl, glass with bell shaped bowl and basal tear on plain stem with tear, an opaque twist double series cordial glasses, both with funnel shaped bowls, one with a central gauze corkscrew and a pair of outer thread, the other smaller example a pair of spiral threads and multiple spiral tapes outside (5), first height 16.1cm £100-£150
274. Eight early 19th century and later glasses to include a deceptive toasting glass, two dram glasses with deceptive funnel bowl, a Victorian penny lick, and four other glasses (8), first height 11.5cm £80-£120
275. A pair of 18th century porcelain famille rose lozenge shaped dessert dishes scalloped and moulded with scallop shells, painted with a spray of flowers tied with a ribbon within a garland and scattered springs, feathered puce borders, unmarked (2), length 26cm, width 19cm £200-£300
276. A 19th century Italian majolica albarello apothecary jar of tapered cylindrical form, the front with a rectangular shield enclosed by trailing vine and reading, ‘S. Santo nic.’, on a spreading foot, height 26cm, diam. 10.5cm £60-£90
277. An 18th century Dutch Delft blue and white charger and a ‘Peacock’ plate first Blompot factory, painted with a chinoiserie landscape containing, a building and trees, ochre rim, painted marks, second, De Klaauw factory, yellow ochre rim, painted marks (2), first diameter: 35cm
278. Four French blue and white pottery bowls and a copper roasting tin comprising a blue and white studio pottery bowl decorated with fruiting vine design, signed Le Panthou Eres, a tin glazed blue and white faience lobed bowl decorated with blue dots, two Aptware blue marbled faience hexagonal footed bowls, one incised Faucon Apt the other Faucon Apt Atelier Bernard and an E. Dehillerin modern French copper roasting tin, with twin riveted bronze handles and tinned interior, stamped E. Dehillerin, Paris, Made in France (5), First diameter 35cm £50-£80
279. A pair of biscuit porcelain baskets late 19th century, of cartouche outline, the rounded trellis sides and bases with branch form handles, the edges with entwined foliage and flowerheads (2), length 28cm, width 22cm £80-£120
280. Richard Joyce (1873-1931) for Pilkington’s Royal Lancastrian a lustre charger, 1922, glazed lustre earthenware, painted in gold, blue and red with a medieval woman praying within a lozenge patterned border, rear with artist’s monogram ‘RJ 1922’ and indistinctly impressed with maker’s mark, diam. 31cm £300-£500
281. A Royal Crown Derby Imari part tea service decorate in 2451 pattern comprising five teacups and six saucer, six tea plates, cake plate and milk jug, factory marks printed in red and impressed Derby 1916, year cyphers for 1914/ 15/16 (19), tea plate diameter 18cm £100-£200
282. A Royal Worcester fifteen piece dessert service painted by James Stinton to include twelve dinner plates, two oval serving dishes and a square serving dish, each piece painted with a variety of game birds, Pheasant, Red Partridge, Red Grouse, Black Grouse, Ptarmigan, Snipe, Mallard in woodland, moorland and marsh landscapes, all with waved gilt edges and signed ‘Jas Stinton’, puce factory marks, bearing 1912/14 date code, of which six stamped RD312259 (15), plates diam. 22cm, oval dish 31cm, square dish 29cm £800-£1,200
283. Six Royal Worcester blush ivory jugs late 19th/early 20th century, first of tapering form, with twin reeded bands to waist and loop handle, the neck moulded with flowering prunus, the body painted with a spray of Hawthorn blossom, puce factory marks, Rd 17049, date code for 1890, shape 1225, together with five flatback jugs, shape 1094 in various sizes, of ovoid form and with gilt reeded loop handles, decorated with thistles, pink heather and other flowers, the two smallest jugs with butterflies, puce printed factory marks, Rd No29115 (6), first height 16.8cm, smallest 13cm £100-£150
284. A Royal Worcester porcelain vase painted by William Hawkins of twin handled urn form and gilt decorated throughout on a dark blue ground, the beaded rim above a fluted neck and with vine leaf moulded decoration, the front cartouche panel with painted fruit and signed ‘Hawkins’, on a spreading foot, black printed factory mark leadless glaze RdNo352097 number 2099, impressed M mark, date code for 1900, height 22cm, diam. 15cm £150-£250
285. A Royal Crown Derby cabinet cup and saucer painted by Cuthbert Gresley with gilt and raised gilt decoration throughout and all over rose bouquets, the waisted twin handled cup with scrolled feet, cup and saucer signed C Gresley, marked with date code for 1910, saucer with impressed Derby mark, 14cm high, saucer diam. 19.5cm £80-£120
286. A pair of Royal Crown Derby Period Aesthetic Movement vases c.1890 of ovoid form, gilt, silver and pink decorated in Japonesque style with bamboo and leafy plants in raised gilt on a cream ground, raised on square Chinese style bases, printed factory marks in red, No1282 over 343, decorator’s monogram LG (2), height 21.5cm £80-£120
287. A Royal Worcester blush ivory twin handled vase painted by W.G Ricketts of tapering form with twin acanthus moulded loop handles on a leaf moulded foot, the body painted with Antirrhinum (snapdragons), the reverse with Forget-Me-Knots, highlighted in gilt, green printed factory marks RdNd362626 shape no 2129, dated code for 1901, height 32cm £150-£250
288. A Royal China Works Worcester (Grainger & Co). A twin handled blush ivory vase and cover painted by James Stinton, of ovoid tapering form with twin scrolled handles, moulded neck and foot, the body painted with pheasants emerging from woodland, signed ‘Jas Stinton’, printed factory marks, 960 over G, height 28cm £200-£300
289. A pair of Royal Crown Derby miniature vases and dishes painted by W E J Dean miniatures and a shell dish, early 20th century, first, the yellow ground with gilt decoration and panels painted Castles by a loch in a Highland landscape with signed W E J Dean, together with a pair Royal Crown Derby rectangular trinket dishes, gilt scroll edged and painted with Highland landscapes, each signed W E J Dean, a miniature hexagonal Imari tea canister and cover a miniature Imari iron on stand, Imari and a scallop form dish, the blue central flowers enclosed by a yellow and red border, underside impressed ‘Meissen’ (8), vases height 8.5cm, Meissen dish 20cm diam £80-£120
290. A Ruskin lustre vase two smaller and a small bowl, the first of trumpet form and with a souffle glazed lustre, underside dated 1908 and bearing oval stamp, ‘Ruskin Pottery West Smethwick’, the second turquoise lustre vase of baluster form, impressed ‘Ruskin England 1923’, the third small pale blue lustre bowl dated 1924, and a fourth, lustre glazed in cream and yellow and of shouldered form, with grape and vine decoration, underside stamped ‘Ruskin Pottery’, scissors mark (4), tallest 15cm, bowl diam. 6cm £80-£120
291. Two Minton plaques painted by Lucien Boullemier (1877-1949) unmounted, oval, one depicting Cupid juggling hearts atop a ladder, the other a child in a river landscape with garland and with birds carrying arrows, both signed, ‘L Boullemier’, the larger example of the child impressed Minton and bearing date code for 1908 (2), height 17.5cm, width 13cm, height 16cm, 11.5cm £200-£300
292. A Spode Felspar porcelain bat-printed chestnut basket and stand c.1820 circular with pierced sides and twin branch handles, drab cream ground border bat printed with ornithological vignettes and floral sprays, gilt line border, printed factory marks, diameter 23.5cm £80-£120
293. A Minton pate-sur-pate plaque modelled by Alboin Birks (1860-1940) c.1890
with gilt edge and border, the central figures of a seated Venus and Cupid in low relief on a blue ground, signed, ‘A.Birks’ to the left corner of the plinth, gold globe factory mark, diam. 17cm £200-£300
294. A Royal Crown Derby oval porcelain plaque painted by J E Dean in a later giltwood frame, depicting a river landscape with a house at sunset, within a cream surround, signed lower right, ‘J E Dean’, height 24cm, width 19cm £50-£80
295. A mid 18th century English Delft blue and white chinoiserie guglet bottle vase probably Liverpool c.1750, decorated with baskets of flowers and foliage, height 26.5cm £100-£150
296. An early 19th century Liverpool creamware jug c.1800 transfer decorated in red with a female figure holding an anchor and a tall ship entitled ‘Hope’, verse below ‘Hope as an anchor firm and sure, holds fast The Christian vessel. and defies the blast’, the reverse with medallion containing verse ‘A little Health. A Little Wealth. A Little House and Freedom: An at the En. A Little Friend. And Little cause to need him, height 15cm £80-£120
297. A Pilkingtons Royal Lancastrian lapis ware vase by Gladys Rogers and a Lancastrian pottery vase the first of squat baluster form, with a matte finish, decorated with swirling blue pattern on a grey ground, painted artist monogram, impressed 2651 ‘Royal Lancastrian Made in England’, the second of tapered form with a mottled brown lustre finish, underside marked, ‘Lancastrian Pottery England’ (2), height of brown vase 9.5cm, the other 9cm £60-£90
marks, painted red pattern no. AL9984, date codes mostly for 1953 and 1954 (67), various £400-£600
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked
299.
a paw resting on a paint tin titled Gloss Finish, black grey and white gloss glazed, gold backstamp, height 32cm £100-£150
300. 19th century blue and white transfer decorated china and glass comprising a Wedgwood “Absalom’s Pillar’ pattern sauce tureen and cover on stand, soup plate and plate c.1815, impressed Wedgwood, a Staffordshire pearlware ‘The Cowman’ serving dish c.1820, decorated with a landscape with a thatched cottage, cow and cowherd, a square Booths British Scenery pattern planter, a Chinese blue and celadon glazed ink pot and two 19th century straight sided pedestal centre bowls, and a celery vase with wheel engraved decoration (9), soup plate diameter 24.7cm £50-£80
301. A collection of early 19th century tea cups and saucers London shape, to include two Spode ‘Bowpot pattern’ cups and saucers, pattern 1869 in iron red and gilt and 3636 in green, two New Hall basketweave examples, another decorated in pattern 505, another decorated with a fruit basket and seven Hilditch type Chinoiserie decorated ‘clobbered’ cups and saucers, unmarked (13), various £80-£120
302. A collection of early 19th century tea cups and saucers London shape, to include a Coalport example painted with trailing red currants, a Coalport type blue ground cup painted with flowers, two Spode moulded teacups and saucers decorated in pattern 3448, two Spode tea cups and saucers decorated in pattern 3989, a Thomas Wolfe & Co tea cup bat printed with a pastoral scene with shepherdess and a boy playing the pipe under a tree, a Coalport John Rose & Co ‘feltspar porcelain’ example, a Ridgway cup and saucer decorated in pattern 2/437 and others to include Coalport examples with floral decoration (18), various £100-£150
303. A collection of early 19th century teacups and saucers London shape, to include Chamberlain’ Worcester Imari teacup and saucer in pattern 475 Spode Imari cups and saucers in patterns 2693, 3093 and 3504 Duesbury period Derby cup and saucer in Spode stone china cup and saucer decorated in ‘Cabbage’ pr ‘Tobacco leaf’ pattern no 2061, etc (11), various £100-£150
304. A collection of early 19th century mostly blue and white transfer decorated teacups and saucers London shape, to include Spode teacup and coffee cup and saucers in Broseley Pagoda blue pattern, two Miles Mason cups and saucers decorated in Willow type pattern, two others similar two S&J Rathbone ‘Tea House’ Cups and saucers, a flow blue decorated cup and saucer marked with an S within a sunburst, a Hilditch & sons chinoiserie decorated example in blue and green, other Hilditch type clobbered chinoiserie decorated cups and saucers (15), various £100-£150
305. A collection of early to mid 19th century pink lustre ware teacups and saucers
London shape, mostly Staffordshire, some with transfer decoration, of which one entitled Charity, one decorated with a landscape (18), various £100-£150
306. A Charlotte Rhead pottery jug and three plates
the jug decorated with a stylised willow tree, underside with Wood’s Arabesque mark, three plates all with Crown Ducal marks, oak leaf plate signed Charlotte Rhead no. 4921, the orange decorated plate signed, no. 3802, the floral example with raised signature and a ‘H’ (4), jug height 27.5cm, largest plate 32cm diam £100-£200
307. A Ruskin crystalline glazed lamp base and two vases of tapered hexagonal form and decorated with orange and blue flame motifs, underside impressed ‘Ruskin England’, together with two squat gourd form crystalline glazed Ruskin vases, the larger green and flame decorated, the other blue and orange, larger dated 1933, the smaller 193* (3), lamp height 27cm overall, larger vase 11.5cm £100-£150
308. A Crown Devon Fielding’s pottery jug and a small vase of bellied form and with green details, decorated with multi coloured flowering trees on a cream ground, underside marked, ‘Crown Devon Fielding’s Made in England’, the small Crown Devon Fielding’s pottery vase of baluster form, and with a gilt rim and handles, decorated with two galleons (2), jug height 22cm, vase height 13.5cm £50-£80
309. Two Royal Worcester Sabrina Ware bowls one of ogee form and the centre decorated with two swans in flight, shape no. ‘2577, Made in England’, the other in mottled blue 10/75, ‘Royal Worcester England’, date code for 1914 (2), diam. 24.5cm, diam. 23.5cm £60-£90
310. A Poole Pottery Olympus Range vase and an Italian Bitossi vase the first of cylindrical form, aubergine and with a coloured incised band with mollusc motifs, underside stamped, Poole Stoneware England, numbered and with a CW and an H, the Bitossi vase designed by Aldo Londi, 1960s/70s, Rimini Blu, of rectangular slab form, with incised geometric motifs, marks to base indistinct (2), Poole height 23.5cm, Bitossi 12.5cm £50-£70
311. ‡ Pablo Picasso (1881-1973) Vase au bouquet (A.R. 303), A Madoura white earthenware ceramic round square plate decorated in relief and in black, cream and brown glazes on a brushed brown ground, mirror written date 22.1.57, impressed verso Madoura Plein Feu Empreinte Originale de PICASSO, numbered 40/300, diameter 25cm £3,000-£5,000
312. A large William Moorcroft Waving Corn salt glazed vase c.1935 of inverted baluster form with tube line decoration, in pink and creen on a cream ground, signed in blue ‘W.Moorcroft’ with impressed facsimile signature, ‘Potter to HM the Queen’ and ‘Made in England’, accompanied by a letter from Walter Moorcroft dated 1991, height 37cm £400-£600
313. John Dunn. (British, b.1944)
A large raku pottery charger, crackled iridescent pale celadon green glaze, impressed mark, diameter 56.5cm £80-£120
314. David Leach (1911-2015) A celadon glazed porcelain vase of compressed tapering form with incised abstract decoration, impressed LD seal mark, height 16.5cm £100-£150
315. Edmund De Waal (British, b.1964)
A large porcelain footed bowl c.1990, pale celadon glaze, dripped green rim, impressed E mark, diameter 35cm, height 12cm £600-£800
316. Mohammed Ahmed Abdalla Abbarro (Mo Abbaro) (Sudanese, 1935-2016) A Stoneware vase, of ribbed bottle from, textured surface with, pink ground with blue spatter, incised M A Abdalla and dated 91, height 19cm £100-£150
317. A 19th century French gilt brass and enamel jewellery casket of quatrefoil outline with hinged domed lid, cobalt blue ground enamel decorated with translucent flowerheads with gilt borders, the foliate cast mounts on scroll feet, silk lined key present, height 9.5cm, length 14.5cm £200-£300
318. A late Victorian brass mounted hoof inkwell the hinged lockable lid inscribed, ‘In memory of (HEP)...’ initialled and dated 1892, the interior with a removable glass inkwell and brass container, with simulated hair collar and on a brass shoe, height 8.5cm, length approx. 15cm £80-£120
320. A champagne swizzle stick a silve r-gilt vesta case, other items, first stamped 585 to suspension ring, telescopic action, engraved to barrel, second, Birmingham, 1912, William Aitken, of oblong curved form with hinged lid and foliate decoration together with a money clip stamped sterling, and a faux tortoiseshell cigarette holder (4), first length extended 13cm, weight approx. 3.4g £70-£90
323. Silver to include caddy spoons
a stamp case and propelling pencils, comprising; a silver George III fiddle pattern caddy spoon with shell bowl, London, 1819 William Eley & William Fearn, initialled, a caddy spoon with gilt shell bowl and cross handle, London, 1924, J Wipell & Co, a foliate engraved hinged stamp case, a Mabie Todd Fyne Poynt engine turned silver propelling pencil another silver pencil together and a plated example and a red velvet pin cushion mounted with Chinese mother of pearl gaming counters (6), first length 9.7cm, silver weight approx. 1.26ozt £50-£80
321. Two silver cigarette cases assorted silver thimbles and chains, comprising two silver cigarette cases with linear engraved engine turned decoration, five thimbles to include a cased late Victorian silver thimble, Birmingham 1898, Henry Swann and another by Charles Horner, an Albert flat curblink watch chain graduating at either end with T bar and two curblink chain chains (10), various, weight approx. 7.87ozt £80-£120
324. Three Charles Horner silver hat pins all marked for Chester, 1909, 1912, Charles Horner, one of scroll and ball design, the other of circular form with ball and openwork scrollwork, the smallest of open scroll design (3), longest length 25cm £70-£90
319. Eight Victorian and later silver and plated propelling pencils comprising a silver engine turned pencil with slide action and bloodstone seal top signed J Butler & Co. Makers London, a three drawer telescopic pencil, a slide action pencil with foliate engraved hexagonal barrel and citrine seal top signed Wilmot & Co. to other similar smaller examples, another with fluted and reeded barrel, a gold plated engine turned pencil with compass seal top and a small gold cased pencil (8), first length 12.3cm £100-£150
322. A pair of late 19th century novelty cold painted pewter Phoenix pepperettes marked to the bases Joseph Ridge & Co. Sheffield (2), height 9cm £50-£80
325. An early Victorian silver card case
Birmingham, no date letter, Edward Smith, of rectangular form with shaped outline and hinged cover, engraved with a central vacant reserve and linear engine turned decoration bordered by scrolls and flowers, height 10cm, weight approx. 2.09ozt £100-£150
329. A George V silver cigarette case
Birmingham, 1921, William Neale & Son Ltd, together with a Victorian silver vesta case, Birmingham, 1892, maker’s mark indistinct, with initialled cartouche, a George V silver vesta case, Chester, 1911, T&S maker’s mark, and a Victorian mother of pearl card case (4), cigarette case 8.5cm, weight approx. 4.67ozt £100-£150
326. A Scottish Victorian silver mounted novelty hoof inkwell Edinburgh, 1895, maker’s stamp ‘WB’, the hinged lid inscribed, ‘Game Little “Said” 1892’, the silver hair collar extending round the back, on an iron shoe, 10.5cm wide £120-£180
327. A George V silver and pale blue guilloché enamel pill box and other items
first Birmingham, 1927, Adie Brothers Ltd, circular with hinged lid and gilt interior, together with a naturalistic shell pendant and a pair of matching clip earrings, a silver filigree panel brooch, a brass and enamel powder compact etc (7), first diameter 5.2cm £50-£80
330. A George V silver and gold vesta case
London, 1912, Goldsmiths & Silversmiths Co, of rounded rectangular form with engine turned and applied linear gold banded decoration, concealed push clasp, interior gilt double holder and striker, stamped RdNo 406089, 5.9 x 5cm, weight approx. 2.17ozt £200-£300
331. An Edward VIII Art Deco silver cigarette case and a hinged bangle
333. A George IV silver vinaigrette Birmingham, 1825, William Simpson, rectangular with engine turned decoration and reeded sides, the hinged lid with vacant rectangular reserve and raised moulded borders, interior gilt with foliate pierced hinged grille and sponge, 4 x 2.7cm, weight approx. 0.77ozt £100-£150
334. A pair of early Victorian silver plated candlesticks in George II style knopped columns, shell shoulders, spool shaped capitals, detachable drip pans, on raised shaped square bases with shell corners, weighted bases, height 25cm £50-£80
328. An Elizabeth II silver and pink guilloché enamel powder compact Birmingham, 1957, Albert Carter, square with cut off corners, the hinged lid in patterned tones of pink with gilt repeated motif, reverse engine turned, interior with mirror and powder recess, puff and gauze, 7.3 x 7.3cm, total weight approx. 2.97ozt £80-£120
Birmingham, 1936, Joseph Gloster Ltd, rectangular with engine turned decoration, gilt interior with fitted match case compartment, stamped REGNo799110, Art Deco Reserve bearing initials, second, London, 1959, half engraved with foliate decoration (2), First length 12.6cm, weight approx. 5.02ozt £60-£80
332. A William IV silver vinaigrette Birmingham, 1837, Thomas Lawrence, rectangular, the hinged lid with foliate cast thumbpiece enclosing a gilt interior with hinged foliate pierced grille, interior engraved ‘Thanet L.T.C. L’Dies H’C’P Singles and Prize, engine turned decoration with reserve initialled and dated 1912, length 3.7cm, weight approx. 0.76ozt £80-£120
335. A George III Old Sheffield plate dish ring of waisted circular form, pierced and embossed in the Irish Rococo style with a central garland framed reserve, buildings, trees, scrolls, a figure, a sheep and a swan, height 10cm, diameter 24.2cm £80-£120
336. A Regency Old Sheffield Plate three bottle decanter stand c.1820 unmarked, the shaped triangular stand with gadrooned border supporting a frame with central carrying handle, on bracket fitted, fitted with three cut glass decanters and stopper, height 29cm £80-£120
337. A late Victorian cased set of twelve mother of pearl handled fruit knives and forks and a set of six pistol grip handled table knives first, engraved blades and tines contained in a mahogany case with blue baize lined interior with lift out tray, the set of knives fitted with stainless steel blades (2), various £50-£60
338. A cased French Art Deco electroplated set of cutlery and other cased sets comprising; twelve tablespoons, twelve table forks, eleven teaspoons, and a soup ladle together with a cased set of twelve horn handled table knives with stainless steel blades, a cased set of Art Deco twelve teaspoons, and a cased set of ten teaspoons (4), various £70-£90
339. Three cased silver sets of spoons other silver and electroplated items, various dates makers, comprising a cased set of six teaspoons, Birmingham, 1928, Wilmot Manufacturing Co, a set of six Belmont pattern demitasse spoons, London, 1931, H Philips, another set of coffee spoons initialled A, in associated case, a Hildsheimer Rose sugar spoon stamped 9, a pair of dwarf squat candlesticks with weight bases, three assorted napkin rings, etc, together with a cased pair of electroplated knife rests, a plated beaker by Gorham engraved with initials and a plated piecrust tray engraved with a crest (qty), various, weighable silver approx. 10.42ozt £140-£180
340. A Mappin & Webb oak cased twelve setting canteen of Hanoverian Rattail pattern cutlery c.1940
comprising twelve table forks, twelve dessert knives, twelve stainless steel bladed table and dessert knives with bone handles, matching three piece carving set, twelve soup spoons, twelve dessert spoons, twelve teaspoons and six tablespoons, contained in an oak case with hinged top over a single drawer with blue baize lined fitted interior with keys, length of table forks, 20.2cm £100-£150
341. A cased set of twelve Edwardian silver Albany pattern coffee spoons and a pair Elizabeth II novelty silver horseshoe napkin holders first Sheffield, 1909, J Rodgers and Sons Ltd, in fitted case, second, Sheffield, 1960, Francis Howard Ltd, boxed (2), horseshoes height 5.5cm, approx. weight overall 7.99ozt £100-£150
342. A set of four Victorian pedestal salts and other later silver first London, 1869, Henry Holland, embossed with diamonds and beaded borders, together with a silver bottle coaster with pierced and foliate embossed rim, London, 1895, William Richard Corke, stamped Rd 247387, an Edwardian four division toast rack, a small twin handled three division toast rack and a Edwardian strut back photograph frame embossed with husk border (8), first height 3cm, weighable silver approx. 9.93ozt £150-£250
343. An Elizabeth II silver cruet set and other items
Birmingham, 1970, Barker Ellis Silver Co, all with hairy paw feet and gadrooned edges, comprising; a lined bellied salt, a salt and a lined mustard pot and spoon, together with a pair of George III silver berry spoons, 1785 and 1808, later spoon with maker’s mark for Duncan Urquhart & Naphtali Hart, with gilt bowls, a pair of Victorian silver salts, 1898, with import marks, John George Smith, oval, pierced and with blue glass liners, an Elizabeth II silver salt, 1959, of bellied form, with blue glass liner, and a pair of Mappin & Webb silver plated salts (10), spoons 16.5cm, approx. weight 11.89ozt £150-£250
344. A pair of George II silver cauldron salts and other silver first London, 1743, David Hennell, plain bellied form on stepped hoof fee, gilt interiors fitted with blue glass liners, initialled, together with a George III folding fruit fork with engraved mother of pearl grip handle, duty mark and lion passant only, caddy spoon in the form a shovel with mother of pearl handle, Birmingham, 1816, Joseph Wilmore, a cream ladle, an early Victorian silver plated pierced mustard pot with blue glass liner, a pair of late Victorian mustard pots with blue glass liners, a Dutch embossed caddy spoon with London import marks, two butter knives, a cased set of mother of pearl handled tea knives, a silver plated box etc (qty), various, weighable silver approx. 8.69ozt £140-£180
345. A pair of Edwardian silver bonbon baskets and other silver items first Sheffield, 1910, Fenton Bros. Ltd, of pierced shaped form, together with an Art Nouveau hand mirror, London, 1904, Charles Henry Dumenil, shaped outline, embossed with sinuous floral decoration, an Edwardian small navette shaped dish, Sheffield, Atkin Brothers, an engine turned clothes brush, Birmingham, 1919, al shoehorn, and a button hook (7), basket length 11.5cm, weighable silver approx. 4.40ozt £70-£90
346. A collection of silver and electroplated cased sets of spoons and other items
various dates, makers marks, comprising an Edwardian set of twelve coffee spoons with sugar tongs with husk and ribbon decorated terminals, London, 1902, Robert Stewart other cased sets to include a set of six reed and ribbon pattern coffee spoons, a set of six grapefruit spoons with knife, a set of six coffee spoons with sugar tongs having pierced terminals, a set of six filled silver handle tea knives with stainless steel blades, a cased pair of coffee spoons with pierced thistle terminals, a three piece Art Deco cruet set with spoons fitted with blue glass liners, a mustard pot with blue glass and spoon and two cased napkin rings, initialled, together with cased sets of silver plated coffee spoons, cake forks, set of three pierced oval dishes, a cased set of four cut glass. a three piece thistle shaped cruet set, etc. (qty), various, weighable silver approx. 22.33ozt £250-£350
347. Chinese export silver sugar tong and assorted coffee spoons other silver spoons, early 20th century, comprising a pair of sugar tongs decorated in relief with dragons and matching spoon, three spoons with twisted stems and pagoda finials, the bowls engraved with prunus, to others with figural terminals, a Germna .800 serving spoon with gilt bowl and a sifter spoons, a Norwegian silver-gilt and pink enamel coffee spoon, others (qty), first length 13.6cm, weight approx. 6.63ozt £80-£120
348. Assorted silver napkin rings and other silver various dated and makers, comprising a plain bellied form with bead and reel border engraved Jack and Jean, two engine turned and two plain examples, all engraved, a modern silver ‘Sherry’ decanter label, four coffee spoons engraved CJG and a boxed Eversharp silver propelling pencil, engraved CEPC (qty), various, weight approx. 8.23ozt
£100-£150
349. An Art Nouveau figural silvered bronze desk seal c.1900 and other silver first in the form of a nude winged nymph with flowing hair together with a pair of 19th century Austro-Hungarian bright cut silver sprung sugar tongs, three silver and enamel P&O souvenir teaspoons, six filled silver handled Kings pattern handled fruit fork and three knives (14), first height 12.7cm, weight approx. 3.24ozt
£50-£80
350. A pair of Chinese Export silver spill vases a/f an Edwardian glue pot, a twin handled trophy cup and other silver, first stamped 90 by Wang Hing, cylindrical form pierced each pierced with a scrolling dragon chasing the flaming pearl, clouds and flames, on legs, second, Chester, 1909, makers mark rubbed, of plain tapering form, together with a twin handled trophy cup, Birmingham, 1936, William Neale & Sons, an Edwardian sugar basin, a christening mug and a spill vase with a weighted base (7), first height 11.5cm, weighable silver approx. 13.81ozt
£150-£250
351. Ten Victorian and later silver bonbon dishes
various dates, makers, comprising a pair of pierced and embossed bonbon dishes, Chester, 1897, George Nathan & Ridley Hayes, a swing handled pierced basket, Sheffield, 1911, Cooper Brothers & Sons, a pair of pierced pedestal dishes, Birmingham, 1913, Gorham Manufacturing Co, a pedestal dish with pierced rim, Sheffield, 1938, Walker and Hall, a pierced twin handled oval dish with inscription, an Art Deco twin handled panelled dish on a circular foot, a pierced twin handled dish and a panelled quaich form dish with engine turned handles (10), first diameter 11.5cm, weight approx. 15.76ozt
£250-£350
352. A George V silver trophy cup four sugar bowls and a double ended spirit measure, various dates, makers, first Birmingham, 1913, Barker Brother, plain form with twin loop handles on domed spreading pedestal foot together with a late Victorian sugar bowl Chester, 1899, George Nathan and Ridley Hayes, plain from with moulded girdle and wavy edged rim on pedestal foot, a late Victorian embossed sugar bowl, a swing handled sugar basin marks, rubbed, a double ended spirit measure and a tea strainer stand (6), first height 13cm, weight approx. 15.61ozt £200-£250
353. Assorted silver spoons and sugars tongs and other silver various dates and makers, to include a modern silver decanter label ‘Sherry’, five pairs of sugar tongs, a pair of ‘Earl Robertson’ prize teaspoons, cased pair of Masonic coffee spoons, three christening spoons, etc, some engraved (qty), various, weight approx. 15.78ozt £180-£220
354. Victorian and later sets of coffee spoons and other silver various dates, makers, comprising six Scottish bright cut coffee spoons, Glasgow, 1885, Kerr & Phillips, initialled, a cased set of six Dubarry pattern coffee spoons, Sheffield, 1937, Francis Howard Ltd a set of six Golf Club prize coffee spoons, a modern double ended marrow scoop, Sheffield, 1969, Cooper Brothers & Sons, a pair of Albany pattern asparagus eating tongs, a sifter spoon with shell bowl, two ladles, a butter spreader and various preserve and sugar spoons (qty), first length 10.5cm, weight approx. 15.61ozt £200-£250
355. Two modern filled silver naturalistic figures of a bull and a barn owl first Sheffield, 2011, maker mark CS, filled, modelled standing, signed J Jeffery, second stamped Langford, 1995 for Country Artists (2), First length 30cm £100-£150
356. A late Victorian silver sugar bowl and other silver first Sheffield, 1898, Joseph Rodgers, of circular tapering form, densely bright cut engraved with leaves and C scrolls, bearing two shaped reserves engraved Dorothy and bearing initials, together with a late Victorian silver cream jug and twin handled sugar basin, Sheffield, 1898, Joseph Rodgers, of shaped oval form embossed with shells and a pair of Edwardian oval pierced salts fitted with blue glass liners, on compressed ball feet, Sheffield, 1903, Joseph Rodgers (5), first height 6.7cm, weight approx. 14.7ozt £200-£250
357. An Edwardian and later silver and tortoiseshell twelve piece dressing table and manicure set various marked for London, 1904, and Birmingham, 1924/25, The Goldsmiths & Silversmiths Co. Ltd/, comprising a hand mirror, pair of hair brushes, pair of clothes brushes a shoe horn, a button hook, a nail buffer and four manicure tools, egg and dart and scroll borders (12), mirror length 28.5cm £150-£250
358. A George V silver sugar sifter and other silver Birmingham, 1911, Henry Matthews, of urn form and decorated with garlands, together with a George VI boxed set of six silver teaspoons, Birmingham, 1951, two silver George V teaspoons, four silver napkin rings, various dates and makers, and a silver medal, 1969, commemorating the moon landing (14), sifter height 19cm, weight approx. 9.71ozt £120-£180
359. An Edwardian silver table cigarette box and other silver first London, 1902 by Charles & George Asprey, stamped Asprey London together with a George V set of six silver coffee spoons, Sheffield, 1914, a pair of George VI engine turned silver backed clothes brushes, Birmingham, 1937, and a George V silver photo frame, Birmingham, 1922, Henry Matthews, and a George V small circular photograph frame London, 1917 and a napkin ring (12), weighable silver approx. 3.4ozt £80-£120
360. Edwardian and later silver lidded dressing table jars and nail buffers etc.
various dates, makers marks, comprising six embossed silver lidded clear cut glass dressing table pots, seven silver mounted nail buffers of various designs, two pierced and embossed heart shaped bonbon dishes, a napkin ring etc (qty), various, weighable silver approx. 4ozt £100-£150
361. A George V cased silver writing set and modern silver photograph frames
first: comprising a capstan inkwell and pen wipe, Birmingham, 1928, Henry Matthews, a cut glass stamp wetter, a silver dip pen and propelling pencil together with two modern silver circular photographs (3), Case length 21cm
£70-£90
362. A George V silver cigarette case and a pair of silver backed clothes brushes
first Birmingham, 1922, Edgar & Son, rectangular form with linear engine turned decoration, circular reserve bearing initials, together with a pair of engine turned clothes brushes, Birmingham, 1934, Lanson Ltd (3), first length 9cm, weighable silver approx. 5ozt £70-£90
363. Victorian and later silver and electroplated items various dates, makers, comprising a cased late Victorian knife, fork and spoon set, London, 1896, William Hutton & Sons, with bright cut floral engraving, initialled, two American toothpick holders on filled bases, stamped sterling, two early Victorian foliate engraved silver lidded glass toilet jars, a cased set of six silver plated hexagonal napkin rings, a Dutch .800 beaker with presentation inscription, a pair George III sugar tongs, a jam spoon, a butter knife, assorted spoons, a napkin ring together with a cased set of six silver plated hexagonal napkin rings and a cased set of twelve Dutch silver plated coffee spoons (Qty) various, weighable silver approx. 14.4ozt £150-£250
364. A three piece George V silver dressing table set a photograph frame and other items, first Birmingham, 1924, William Neale and Son Ltd, comprising hand mirror, hairbrush and silver lidded cut clear glass powder, plain each piece engraved ‘Min, together with a large silver mounted rectangular oak photograph frame with strut support, assorted spoons and an Indian white metal clad hanging mirror (Qty), mirror length 27.3cm, weighable silver approx. 3.68ozt £80-£120
365. A George V silver butter shell and other silver first Birmingham, 1936, Thomas Latham & Ernest Morton, pierced handle, on ball feet, together with a small armada style pin dish, London, 1974, William Comyns & Sons Ltd, a modern caddy spoon with pierced handle, two decanter labels ‘Vodka’ and ‘Whisky’, two pairs of sugar tongs and two engine turned napkin rings, initialled, and a Regency glass cruet bottle with plated mount (qty), various, weight approx. 10.09ozt £140-£180
366. A Continental silver figural top spoon and other items first pseudo marks, London import marks for 1902, Singleton, Benda & Co, the spoonback with a coat of arms together with a late Victorian silver anointing spoon, Birmingham, 1902, Levi & Salaman, a carved bone dip pen letter opener, etc (qty), first length 18cm, weight aprox. 3ozt
£40-£60
367. An Edwardian cased silver christening set sugar tongs and other silver, first an egg cup, napkin interior gilt, and spoon London, 1902, Robert Pringle & Sons, initialled, together with two pairs of sugar tongs, a pair of George IV fiddle pattern salts spoons, London, 1828, Clement Cheese, initialled, A William IV pair of fiddle pattern salts spoons, assorted Victorian fiddle pattern teaspoons, A Victorian butter knife with filled handle a/f, a thimble, a pair of engine turned oval chain back 9ct on silver cufflinks etc. and four similar Victorian silver dessert spoons, London, one monogrammed (Qty), various, weighable silver approx. 13.37ozt £150-£250
368. A George V silver tea caddy or tobacco canister and other silver various dates makers, first Birmingham, 1919, Levi & Salaman, of plain compressed form with pull off domed cover together with a Norwegian .830 silver pedestal salt, plain on a domed foot, An Austrian .750 lobed coin dish inset with, Marie Therese Thaler, five assorted silver handled shoehorns etc (qty), First height 9.5cm, weighable silver approx. 6.93ozt £80-£120
369. A modern silver mounted glass decanter and other items first Birmingham, 1980, C J Vander Ltd together with a German silver plated novelty Bremen Key corkscrew, an Egyptian silver spoon, a silver mounted cut glass table scent bottle, an a plated bottle stopper (6), first height 27cm £50-£80
370. A George V small silver rose bowl and other silver first London, 1914, Goldsmiths & Silversmiths Co, plain design with moulded girdle, raised wavy edged rim on a circular foot together with a pair of silver backed oval clothes brushes with linear engine turned decoration, a jam spoon, a napkin ring, a small trumpet shaped spill vase with weight base, an a/f five piece dressing table set and other items (Qty), weighable silver approx. 9.18ozt £100-£150
371. A George V engine turned silver cigarette case and lighter and other items, first Birmingham, 1927, John Henry Wynn, rectangular, initialled, interior gilt together with a lift arm petrol lighter stamped Sterling, initialled, a late Victorian silver vesta case, Birmingham, 1883, Hilliard & Thomason, rectangular with hinged lid bright cut engraved with leaves, a silver mounted mother of pearl Mr Punch’s Dog teether, Birmingham, 1940, Crisford & Norris, two silver thimbles, a plated Hukin and Heath silver plated brandy warming pan, a pair of mid 20th century plated wirework candlesticks, a miners tobacco box engraved S T Dingle and dated 1st January 1884 and a copper example initialled J F (Qty), first length 8.2cm, weighable silver approx. 3.15ozt
£70-£90
372. Six modern small embossed silver photograph frames and a novelty silver plated clog pin cushion various dates and makers, first, London, 1987, Keyford frames Lt, circular aperture, the surround embossed with swans in flight, flowers and a flowing river, mounted on blue velvet with easel strut support together with five other smaller similar frames of varying shapes with foliate embossed borders, the pin cushion unmarked, probably Dutch embossed with putti and figures (7), first height 10.5cm, aperture 6cm £80-£120
373. A George III silver Old English pattern basting spoons and other silver first London, 1805, George Gray, together with a George V four piece cruet set fitted with blue glass liners, London, 1926 by Mappin & Webb, accompanied by spare liners a cased set of six trefid style coffee spoons by Goldsmiths & Silversmiths, a seal end spoon with fig shaped bowl, engraved Armorers & Drapers Company Copy
A.D. 1552, an American cream ladle, assorted spoons and cruet spoons, etc and a set of six electroplated fruit knives and forks with mother of pearl handles (qty), various, weight approx. 19ozt £200-£300
374. A George III pair of bright cut sugar tongs and four other pairs various dates makers, first London, 1812, Thomas Streetin together with four later pairs of fiddle pattern tongs and a pair of Old English pattern tongs (6), first length 13.2cm, weight approx. 7.5ozt
£100-£150
375. George III and later silver to include a sifter spoon teaspoons and condiments spoons, various dates, makers, to include a George III later berried sifter spoon with gilt bowl, London, incuse duty mark, 1784, Hester Bateman, a set of Old English pattern teaspoons, London, 1796, makers mark W.E. a matches set of six Old English pattern teaspoons, a bright cut dessert spoon, a pair of fiddle a thread pattern salt spoons, two pairs of George IV/ William IV fiddle pattern salt spoons, initialled, a Victorian fiddle pattern cream ladle, pair of fiddle pattern condiments spoons, pair of engraved fiddle pattern salt spoons and five odd condiment spoons (qty), first length 17.5cm, weight approx. 15.29ozt
£200-£250
377. Three pairs of George III and later sauce ladles
first London, 1810, Thomas Streetin, fiddle pattern, initialled, second, London, 1871, H.J. Lias & Son, fiddle pattern, third London, 1917, Josiah Williams & Co, Hanoverian pattern with rattail bowls, initialled R (6), First length 16.5cm, weight approx. 12.33ozt £150-£250
378. An Elizabeth II Hanoverian Rattail pattern bowl and a pair of 18th century later berried tablespoons
first London, 2002 Golden Jubilee commemorative, A Haviland-Nye, rattail bowl, second, date letter only, makers mark indistinct, foliate chased and embossed, bowls pierced, crested (3), First length 28.5cm, weight approx. 8.42ozt £100-£150
379. George III and later silver fiddle pattern tablespoons and other flatware various dates, makers marks, comprising two pairs of tablespoons, first London, 1817, Solomon, Hougham, second Exeter, 1831, Edwin Sweet, initialled, together with other odd fiddle pattern dessert spoons, and teaspoons etc, mostly initialled (qty), first length 22cm, weight approx. 19.89ozt £250-£350
380. Matched early Victorian and later silver Old English pattern flatware various dates and makers, comprising six table forks of which five London, 1840, William Eaton, six dessert forks, and six dessert spoons, London, 1897, Robert Pringle (18), table fork length 19.5cm, weight approx. 29.73ozt
£350-£450
381. A matched set of six mostly William IV silver fiddle pattern teaspoons and four others first of which four, London, 1830, William Chawner, initialled, together with four Victorian fiddle pattern teaspoons, 1876, H. J. Lias (10), length 14cm, weight approx. 6.41ozr £80-£120
382. A pair of mid 19th century Canadian silver tablespoons and a set of six teaspoons first Montreal, pseudo English hallmarks, stamped SL & Co, fancy stems with gilt bowls, initialled R, second, Montreal, pseudo Englsih hallmarks, Savage and Lyman, bright cut decoration, intialled E J W, gilt bowls (8), first length 21.5cm, weight approx. 8.71ozt
£100-£150
383. A set of early 20th century nine German .800 silver handle table knives and nine near matching American silver handled dessert knives first stamped 800 German marks, second stamped sterling, filled handles with beaded edges, fitted with steel blades (18), first length 27cm £100-£200
384. Six Scottish George III silver fiddle pattern tablespoons Edinburgh, 1811, Alexander Henderson, initialled M (6), length 22.6cm, weight approx. 11.39ozt £150-£250
385. George III and Victorian silver fiddle pattern tablespoons and teaspoons comprising a pair of tablespoons and nine teaspoons, Newcastle, 1853, Reid & Sons, initialled and a set of six George III teaspoons, no town mark but London, 1815, John Lias, initialled (18), tablespoon length 23cm, weight approx. 14.74ozt £250-£350
386. A pair of Scottish George IV silver single struck Kings pattern toddy ladles a set of six later teaspoons and a sifter spoon, first Edinburgh, 1820, J W. Howden & Co and Alexander Henderson, crested, second, 1853, by James & Walter Marshall, initialled M, third, Edinburgh, 1829, makers mark partially rubbed IH? with unusual cast mask head handle (9), first length 15cm, weight approx. 5.85ozt £80-£120
387. Six American silver Kings pattern dessert forks Birmingham import marks for 1904, Gorham Manufacturing Co (6), length 17.8cm, weight approx. 8.88ozt £100-£150
388. An early Victorian set of six fiddle pattern teaspoons and an Edwardian set first Exeter, 1847, Robert Williams & Sons, initialled, second Sheffield 1902, Henry Williamson, initialled (12), first length 14cm, weight approx. 7.9ozt £100-£150
389. A George III fiddle pattern silver basting spoon and other spoons first London, 1811, William Eley I, William Fearn & William Chawner together with a George III Old English pattern tablespoon and two dessert spoons initialled, and a cased set of twelve Italian .800 dessert and coffee spoons (qty), first length 30cm, weight approx. 17.14ozt
£180-£220
390. An Elizabeth II set of twelve silver handled Rattail pattern table and dessert knives
Sheffield, 1974, Yates Brothers, filled handles, stainless steel blades (12), table knife length 24cm £200-£250
391. A matched silver six setting canteen of Old English Pattern flatware comprising six table forks, London, 1899, Josiah Williams & Co, six dessert forks, Sheffield, 1909, Joseph Rodgers, six dessert spoons, London, 1927, Mappin & Webb and a pair of tablespoons (20), first length 20.5cm, weight approx £500-£800
392. An Edwardian silver Old English pattern part canteen of flatware
Sheffield, 1904, Jospeh Rodgers & Sons, comprising twenty four table forks, twelve tablespoons, twenty dessert forks, twenty three dessert spoons, twelve soup spoons, twenty one teaspoons, a pair basting spoons, a pair of salad servers, a sauce ladle, a sifter spoon, four salt spoons, pair pickle forks, a mustard spoon, a jam spoon, three butter picks and two old English shell pattern butter spreaders, initialled B (qty), table fork length 19.5ozt weight approx. 213.84ozt £2,500-£3,500
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see
393. A late Victorian silver embossed trinket box
Birmingham, 1901, Thomas Hayes, rectangular bombe form, all over embossed with foliate scrolls and flowers, hinged domed lid with vacant cartouche and gadrooned border, interior lined in pale blue silk, length 12.5cm, total weight approx. 3.96ozt £100-£150
394. A late Victorian silver playing card box
London, 1901, Goldsmiths & Silversmiths Ltd, plain rectangular form with hinged domed cover, red grained morocco lined interior, length 19.5cm, total weight 23.65ozt £80-£120
395. A George V engine turned table cigarette box
Chester, 1911, S Blanckensee & Son Ltd, octagonal with hinged domed lid with gilt interior, on bracket feet, cedar lined, height 9cm £100-£150
397. An Elizabeth II silver table cigarette box and an ashtray
first London, 1970, Padgett & Braham Ltd, rectangular, the hinged engine turned lid applied with a cast oval panels and banners engraved ‘The West Sussex Golf Club, The Chanctonbury Ring’, cedar lined with division, the ashtray Birmingham, 1966, J.B. Chatterley, applied enamel Lancashire rose to centre, gadrooned border (2), first length 14cm, total weight approx. 18.25ozt £100-£150
399. A George VI silver tankard
Sheffield, 1939, Viner’s Ltd, of tapered cylindrical form, glass bottomed, bearing military dedication inscription dated September 1940, height 12.5cm, overall weight 17.27ozt £100-£150
London, 1906, William Comyns, of oval form, the hinged cover pierced with a flowerhead trellis, interior gilt, length 7cm, weight approx. 1.25ozt £100-£150
398. A George III silver tankard
London, 1748, Thomas Whipham, of baluster form, with scroll handle, on a spreading foot, handle engraved ‘P*F over I*L over 1750, height 12cm, weight approx. 12.21ozt £200-£300
400. A pair of George V silver candlesticks in George II style Sheffield, 1911, Hawksworth, Eyre & Co Ltd, knopped columns, shell shoulders, spool shaped capitals, detachable drip pans, on raised shaped square bases with shell corners, weighted bases (2), height 25.5cm £200-£300
401. A pair of modern American silver three light candelabra stamped Towle Sterling, of plain screw fitting sectional design with twin scroll branches on weighted spreading bases, covering to dwarf form or single candlesticks (2), height 35cm £150-£250
£100-£150
404. A late Victorian silver salver
London, 1898, R&W Sorley, plain circular form raised on three hoof feet, stamped Sorley Silversmiths Glasgow, diameter 25cm, weight approx. 16.68ozt £200-£300
406. A George III large silver salver
London, date letter rubbed possibly 1778, maker mark rubbed I.K?, circular, piecrust, scroll and shell border, the centre engraved with a dolphin surrounded by rocaille scrolls and foliate decoration, on three cast scroll capped paw bracket, diameter 36.5cm, weight approx. 47.9ozt
£600-£800
407. An Edwardian silver inkstand
London, 1903, John Grinsell & Sons, the rectangular tray with raised shaped sides shell and foliate cast borders on feet, fitted, with twin square glass inkwells mounted with hinged covers engraved with initials, tray engraved ‘Presented to H.B. Fishwick Esq. J.P together with a purse of 120 Guineas as a token of esteem by his Margate Friends, 23 February 1905’, length 34.5cm, weight approx. 25.94ozt
£300-£400
20.4cm, weight approx. 9.08ozt
£100-£150
405. A large Edwardian presentation silver salver Sheffield, 1910, Lee & Wigfull, of circular form with piecrust and gadrooned shell border, on claw feet, engraved to centre with inscription framed by scrolls, rocaille and flowers, diameter 37.5cm, weight approx. 37.8ozt £500-£700
408. Ø A George VI Art Deco silver and ivory four piece tea service
Sheffield, 1946, Viner's Ltd, of panelled tapering rectangular form, engraved with a linear band and Art Deco geometric fan design, comprising teapot and a hot water pot fitted with square section angular ivory scroll handles and knob finials, twin handled sugar basin and milk jug (4), teapot handled to spout 29.5cm, weight approx. 56.79ozt (4)
IMPORTANT NOTE: This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission number reference: ANRHEJ7C £700 -£900
409. A George V silver coffee pot in George I style
London, 1930, William Comyns & Sons Ltd, of plain tapering form, hinged domed the domed cover with ball finial, fruitwood scroll handle, height 24cm, weight approx. 22ozt
£250-£350
412. A pair of George V silver pedestal dishes Birmingham, 1930, Adie Brothers Ltd, of shallow circular panelled form with wavy edged reeded rims, on circular spreading feet, bases stamped, ‘Rd611050’ (2), diam. 14.5cm, weight approx. 12.03ozt £150-£200
415. A mid 19th century Dutch .934 silver cream jug of lobed compressed form with scroll handle, on four foliate pierced bracket feet, handle to spout 14cm, weight approx. 7.6ozt £100-£150
413. A late Victorian silver punch bowl Sheffield, 1898, Mappin & Webb, of half wythen fluted and embossed with scroll framed oval cartouches, twin lion mask ring handles, on domed pedestal foot, interior gilt, diameter 28cm, height 16.2cm, weight approx. 35.47ozt
£500-£700
410. An early 20th century Norwegian .830 planished silver bowl by Thune of Oslo
stamped Thune 830S, of circular tapering form, decorated with an applied arcade of Norse strapwork, engraved with monogram and date 23.11.1911, height 6.5cm, weight approx. 7.21ozt
£100-£150
411. A George V silver rose bowl and two sugar basins
London, 1913, D&J Wellby Ltd, of shaped lobed form, with later prize inscription dated 1913, on a stepped circular foot, together with an Arts and Crafts planished bowl, Birmingham, 1916, Albert Edwards Jones, the shaped edge with foliate rosettes, on compressed feet, and a plain silver sugar bowl, Sheffield, 1922, James Dixon and Sons (3), largest bowl, height 12.5cm, diam. 18cm, weight approx. 19.2ozt
£200-£300
414. A late Victorian silver sugar bowl in early 18th century style Chester, 1898, George Nathan & Ridley Hayes, half spiral fluted and with rope girdle, embossed C scroll framed oval cartouches and punched decoration, engraved ‘R.R.N. 1935’, diam. 10.5cm, weight approx. 4.32ozt
£70-£90
416. A late Victorian silver mounted engraved glass claret jug London, 1886 (Hukin & Heath) John Thomas Hukin and John Hartshorne Middleton, the mount with cast leaf spout scroll handle and hinged domed cover with finial, clear glass tapering body with engraved decoration and star cut base, height 27cm £150-£250
417. A cased set of ten silver-gilt
‘Queen’s Beasts’ teaspoons to commemorate the Silver Wedding of Queen Elizabeth II and Prince Philip 1947-1972, Elizabeth II, London, 1972, William Comyns & Sons Ltd, with silver gilt heraldic beast handles, Limited edition No.993, with certificate, each spoon 11.5cm, box width 38cm, weight approx. 10.83ozt £150-£250
420. Two Elizabeth II novelty silver jockey’s cap caddy spoons Sheffield, 1961, Francis Howard, embossed with vacant. shield cartouche to brim, second Birmingham, 1971, John Rose (2), First length 5.2cm £50-£80
418. A George III meat skewer and an George IV Irish skewer
first London, 1803, no makers mark, of plain tapering form with reeded ring handle, second, Dublin, 1827, James Le Bas, plain with ring handle numbered 32 (2), First length 31.5cm, weight approx. 3.22ozt £80-£120
419. A cased set of Norwegian .800 silver gilt and plique-a-jour coffee spoons and an ashtray
first stamped 800 by Marius Hammer, each having twisted stem and scrolled floral terminals, in a fitted case retailed by Elkington, second Birmingham, 1936, Charles S Green & Co, square with engine turned decoration, initialled (2), first length 10.7cm, weight approx. 2.7ozt £70-£90
421. George III and later silver caddy spoons a folding fruit knife and other silver, various dates, makers, comprising a plain George III London, 1801, Edward Mayfield, a George III fiddle pattern caddy spoon, London, 1810, William Eley, William Fearn & William Chawner, a William IV fiddle pattern caddy spoon with shaped bowl, London, 1831, makers mark W.J. and a Victorian Kings pattern caddy spoon, all initialled, together with a George III folding fruit knife with engraved mother of pearl faced grip handle, Sheffield, 1816, no makers mark, a pair of Edwardian novelty sprung wishbone sugar nips and a pair of filigree sugar tongs and a cheroot holder case (8), First length 8.4cm, weighable silver approx. 2.46ozt £100-£150
422. Omar Ramsden. An Arts and Crafts planished silver spoon London, 1932, Omar Ramsden, planished, tapering fluted stem, cast Tudor rose terminal, length 11.2cm, weight approx. 0.64ozt £100-£150
423. An Elizabeth II silver novelty prize Kentish cobnut London, 1964, Henry Hodson Plante, cast in the form a cobnut, bears plaque engraved ‘Kent Cob 1969’, ebonised plinth base, height 12.5cm £50-£80
424. A George III silver wine funnel London, 1803, Solomon Hougham, of plain tapering design, with ogee shaped bowl with side clip, reeded borders, detachable curved spout, length 12cm, weight approx. 1.97ozt £150-£250
426. An early Victorian cast silver caddy
and a George III silver caddy spoon first London, 1853, George Adams, silver gilt acanthus leaf cast bowl, naturalistic branch handle with foliate terminal, second no town
429. An Edwardian silver trinket box and silver mounted cut glass inkwell first Birmingham, 1905, Henry Matthews, of oval design the hinged domed cover with planished decoration and pierced scroll border, on leg, second, Chester, 1897, maker mark rubbed, probably Stokes & Ireland, globular clear glass cut glass body mounted with plain hinged cover, on a heart shaped stand with gadrooned border raised on ball feet (2), first length 10.7cm, weighable silver approx. 5.79ozt £100-£150
430. An early 20th Colonial Indian silver spice box stamped SILVER Calcutta, Hamilton & Co, of plain circular stacking form in two sections with pull off domed cover, interior gilt, height 6.5cm weight approx. 7.2ozt £100-£150
431. A set of four Elizabeth II silver decanter labels and other silver various dates, makers, first, Birmingham, 1975, Turner & Simpson, diestruck engraved ‘Brandy’, ‘Gin’, ‘Sherry’ and ‘Whisky’, suspended on chains together with a late Victorian half fluted urn shaped pepper caster, a telescopic toothpick, a teaspoon with lawn bowling ball finial and two engine turned propelling pencils (9), various, total weight approx. 5.22ozt £80-£120
432. A George V silver cigar case Birmingham, 1911, George Unite, curved rectangular form with linear engine turned decoration, interior gilt, circular reserve initialled, length 14cm, weight approx. 6.19ozt £100-£150
434. A pair of late Victorian silver mounted cut glass scent bottles and an inkwell
first Chester, 1898, Kay & Co. globular clear glass diamond cut bottles mounted with screw fitting foliate embossed mushroom caps, together with a late Victorian silver mounted glass inkwell, Birmingham, 1901, Henry Matthews, domed clear glass body mounted with a pierced and embossed collar and hinged domed cap (3), first height 10cm £70-£90
433. A George V Art Deco design pigskin cased silver travelling dressing set London, 1934, Collett & Anderson, comprising hand mirror, hairbrush, clothes brush, silver mounted ivorine comb, shoe horn button hook, three silver topped scent bottles, and four jars, each with engine turned decoration and applied initials, contained in fitted black moire silk lined case, key present, case length 28.5cm, weighable silver approx. 5.58ozt £150-£250
437.
Angel Peruvian, early 18th century, unmarked, mounted on a contemporary metal stand, 21 x 16.9cm, height on stand 21cm £300-£400
435. A set of mid 20th century of six Norwegian silver-gilt and enamel coffee spoons
stamped sterling 925 S, by Ottar Hval, harlequin decorated in guilloché enamel and with leaf shaped stems, length 9.9cm, weight approx. 1.81ozt £80-£120
436. A Danish silver urn shaped ‘hovedvandsæg’ vinaigrette c.1800 stamped GH only, of urn form embossed with garlands, the hinged domed cover with rock crystal set finial, on a square pedestal foot with hinged compartment, prick engraved to foot AJDE 1800, gilt interior, height 7cm, weight approx. 1.52ozt £100-£150
438. An
Sheffield, 1909, James Dixon
of plain design with reeded borders and twin loop handles on a pedestal foot, height 18.4cm, weight approx. 9.71ozt £100-£150
439. Two George III silver pepper pots and a mustard pot
first London, 1793, Peter and Anne Bateman, of vase form with pierced and engraved decoration and pull off domed cover, raised on a square foot, fitted with a blue glass liner, second smaller and of similar design on a circular foot, London, 1791, William Abdy II, initialled M, together with a mustard pot, London, 1806, Thomas Johnson, of oval bellied half fluted form with hinged domed cover with ball finial and angular reeded handle, interior gilt and fitted with a blue glass liners, accompanied by a mustard spoon (4), weight approx. 6.87ozt
£100-£150
440. A set of four George III silver salts and a set of salt spoons
London, 1772, Edward Lowe, of oval form with pierced sides and ropetwist rim, on bifurcated scroll legs with ball and claw, fitted with blue glass liners with star cut bases, crested, together with a set of four salt spoons, London, 1810, Stephen Adams II, initialled M (8), length 8.1cm, weight approx. 7.1ozt
£150-£250
441. A late Victorian cased silver-gilt set of grape shears and serving spoons
London, 1882, Francis Higgins, in renaissance style the shears with cast in relief bust and vine handles, the spoons with similar bust terminals, in a fitted case, first length 18cm, weight approx. 7.97ozt
£100-£150
443. A late Victorian silver double spouted cream jug a novelty pepper mill and a Canadian silver mounted blue sugar basin and spoon, first London, 1888, George Fox, of plain bellied form with twin leaf capped reeded handles, interior gilt, second Birmingham, 1934, Hukin and Heath, in the form of a coopered milk churn and with Peugeot Freres grinder and, third of tapering from, the frame stamped 925 by Roden, plain tapering form, the spoon stamped Sterling Viking and bearing initials (4), first height 9.1cm, weighable silver approx. 5.32oz £100-£150
444. A large late Victorian silver sugar caster
442. A late Victorian silver tea caddy
London, 1897, James Parkes, of plain octagonal tapering form with twin handles, reeded girdle and moulded rim. and foot rim, the hinged domed cover with reeded ball finial, lock with key, stamped J. Parkes 12 Vigo Street W, height 8.5cm, weight approx. 11.28ozt
£150-£250
London, 1900, Samuel Walton Smith, of ogee baluster form, wrythen moulded and half gadrooned with central scroll frame cartouche engraved with initials, on a domed circular foot, the pierced pull off foliate engraved cover with flame finial, height 26cm, weight approx. 10.18ozt
£200-£300
445. A George V silver three piece cruet set Chester, 1912, Jay, Richard Attenborough Co Ltd, of pierced navette form, with reeded borders, comprising a mustard pot with hinged domed cover and associated Albany pattern spoon, a salt and a pepper pot and cover, fitted with green glass liners (4), mustard pot height 5cm, weight approx. 6.5ozt £100-£150
446. A large and impressive early Victorian silver figural centrepiece London, 1839, James Charles Edington, the pierced foliate support supported on a central acanthus leave stem, flanked by a cast Classical winged nymph and maiden scantily clad in drapery, raised on a plinth base with acanthus scroll capped projecting supports, on block feet, raised on a moulded ebonised wood plinth base, Overall height 55cm, weight approx. 151.1ozt £2,000-£3,000
447. A large Thai silver and niello table cigarette box in a fitted case c.1970 stamped, Thai Nakon, Sterling, rectangular the hinged domed lid decorate in niello with the Royal Barge, burrwood interior, in a fitted case, length 21cm, total weight approx. 18.99ozt £150-£250
448. A late 19th century Indian Kashmiri chased silver twin handled vase unmarked, Kashmir, c.1880, of shouldered tapering form, all over chased with scrolling foliate decoration, twin cast serpent scroll handles, height 23.5cm, weight approx. 33ozt £400-£600
449. An American 14ct gold open faced dress watch the enamel dial marked, Spaulding Gorham Co, the movement marked Hamilton U.S.A, rear inside cover stamped Tyler Hamilton WCO Lancaster PA 14k Gold S423095 S&W, diam. 40mm, overall 45mm, gross weight approx. 63.1g
£250-£350
450. A Victorian silver open faced pocket watch the engine turned dial with raised gilt Roman numerals and a subsidiary seconds dial, fusee movement, engine turned case with buckle reserve, marked for Chester, 1865, inscribed to interior John Smith, dial diam. 50mm
£70-£90
451. A Victorian 18ct gold open faced pocket watch the dial with an engraved central circle and an outer band with Roman numerals, back case foliate and flowerhead engraved, marked for Birmingham 1887 to inside of back case, with winding aperture, diam. overall 39mm, gross weight approx. 51.8g
£400-£600
452. A 9ct gold Benson half hunter keyless pocket watch circular white enamel dial with black Roman numerals, minute track, subsidiary seconds dial and blued steel hands, 15 jewels movement signed J.W. Benson, the plain with outer black enamel chapter ring hallmarked for London, 1936, J.W. Benson Ltd, case diameter 36mm, total weight approx. 64.5g
£300-£400
453. A 9ct gold keyless full hunter pocket watch circular white enamel dial with black Roman numerals, minute track, subsidiary seconds dial and blue steel hands signed Elgin, seven jewels movement signed Elgin and numbered 23242173, plain case back and dust cover hall marked for Chester 1920, case diameter 54mm, gross weight approx. 116.7g
£400-£600
454. A George V 9ct keyless gold half hunter pocket watch the white enamel dial with a subsidiary seconds dial signed ‘Maryland’, movement stamped Swiss Made 15 jewels, case marked for Birmingham 1932 by Dennison, rear cover stamped Eclipse and Made in England, VWC and A.L.D 24368, dial diam. 42mm, case 50mm, gross weight approx. 86.5g
£300-£400
455. A 19th century French lady’s pearl set 18K open faced fob watch inside case No 5944, enamel dial with Roman numerals, split pearl bezel, verge escapement, key wound through dial, with watch key on chain, total weight approx. 27.4cm
£300-£500
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to
456. A gentleman’s 9ct gold Tudor Royal manual wind wristwatch c.1979 circular silvered dial with raised gold Arabic and hour markers with luminous dots, outer minute markers, luminous gold dauphine hands, signed Tudor Royal, 17 jewels shock resistant movement, associated leather bracelet, dial diameter 19cm, case diameter 31mm
£200-£300
457. A gentleman’s Seiko Lassale Moonphase bicolour stainless steel and gold plated quartz bracelet wristwatch
circular white dial with raised gold hour batons and minute markers, triple subsidiary twenty four hour, day and date dials, bicolour brick link strap with deployant clasp, in original box and accompanied by receipt date 1989, dial diameter 28mm, case diameter 34mm
£80-£120
458. A gentleman’s 9ct gold Omega Geneve manual wind dress watch Ref 332/5411 c.1972
circular brushed matte gold dial with raised black and gold hours batons, minute markers, calendar aperture at 3 o’clock, black and gold baton hands and centre sweep seconds, the movement signed Omega and bearing serial no 35847218, 9ct gold textured mesh strap bracelet with fold over clasp with Omega emblem, in an Omega box, dial diameter 31mm, case diameter 34mm, weight excluding movement 42.2g
£600-£800
459. A gentleman’s Omega automatic 9ct gold bracelet wristwatch Ref 362 / 5422 c.1974
circular matte silver dial with raised gold and black hour batons and minute markers, calendar aperture at 3 o’clock, back baton hands a gold centre sweep seconds, caseback with presentation inscription, 9ct textured mesh strap bracelet with fold over clasp with Omega emblem, accompanied by original receipt dated 1980, in original box, dial diameter 31mm, case diameter 34mm, total weight approx. 66.6g
£700-£900
460. A 1950s Gentleman’s Smiths De Luxe 9ct wristwatch
circular silvered two tone dial with raised gold Arabic numbers and hour markers, subsidiary seconds dial, inner minute scale and gold dagger hands, 15 jewel, manual wind movement, snap on case back hallmarked for Edinburgh 1955, 9ct gold brick link bracelet with deployment clasp, in original red card fitted box, dial diameter 30mm, case diameter 32mm, gross weight approx. 45g
£300-£400
461. A gentleman’s Omega Geneve 9ct gold Omega Automatic wristwatch c.1970 matte gold circular dial with raised gold and black baton hour markers, minute scale and date aperture at three o’clock, gold and black baton hands and centre seconds, 24 jewels automatic movement, cal 65, serial no 32947405, snap on case back signed and numbered 161⁄25421, associated 9ct gold Wristwear textured brick link bracelet with fold over clasps, dial diameter case diameter 34mm, gross weight excluding movement 43.9ozt
£600-£800
462. A Gentleman’s Omega Constellation chronometer Megasonic 720HZ stainless steel quartz wristwatch
REF:1004798 c.1975, circular brushed slate dial with raised silvered hour batons, calendar aperture, outer seconds track and lume pencil hands signed Omega, tonneau shaped case, with observatory logo to caseback on a tapering stainless steel bracelet with foldover clasp stamped Omega, dial diameter 31mm, case diameter 37mm
£150-£250
463. A gentleman’s 9ct gold Smith’s Deluxe wristwatch together with lady’s 9ct Rotary and 9ct Omega wristwatches
first circular white enamel dial with raised gold Arabic numbers and hour marks, outer seconds track, gold hands and centre sweep seconds, 17 jewel manual wind movement, caseback with presentation inscription dated 1955, second circular silvered dial with raised Arabic numerals and hour markers, manual wind, on a 9ct gold bracelet, and in a Rotary case, third circular silvered dial with raised gold hour batons, manual wind on a gilt bracelet (3), first dial diameter 29mm, case diameter 32mm
£150-£250
464. A Gentleman’s Omega Geneve stainless steel manual wind chronostop divers wristwatch Ref: 145.009 c.1968 circular slate grey dial, 12 at normal position, raised polished batons with luminous dot markers, outer 1/5th second divisions ‘chequered flag’ tracking, white baton hands with luminous inserts and orange centre chronograph hand, 17 jewel movement cal.865, signed Omega, serial no 28436127, tonneau shaped case, monopusher button at 2, winding crown at 4, signed Omega Watch Co. screw down back engraved 145.009 and 145.010, associated expandable stainless steel bracelet, dial diameter 32mm, case diameter 34mm
£300-£400
465. A lady’s 9ct gold Omega bracelet automatic wristwatch the circular dial with applied baton numerals, textured tapered bracelet with deployant buckle, weight approx. 19g, dial width 18mm
£150-£200
466. A gold plated Omega automatic wristwatch the circular dial with raised baton numerals on a leather strap, together with a stainless steel Longines lady’s wristwatch, the tonneau shaped watch with Roman numerals and articulated stainless steel strap (2), width of dial of former 17mm £80-£120
467. A 1970s lady’s Girard-Perregaux gold wristwatch the oval brush gilt dial with raised hour batons, matte textured case, manual 17 jewel movement signed and numbered 780-607, red cabochon stone set winding crown, case back signed and bearing Swiss control marks for 18K, textured matte tapering articulated bracelet with fold over clasp stamped 585, accompanied by original receipt dated 29/6/1975, case approx. 29 x 27mm, gross weight approx. 56.5g
£1,000-£1,500
468. A 1960s lady’s Rodania 9ct white gold wristwatch circular silvered dial with raised gold hour baton markers and silver hands signed Rodania, manual wind movement, textured articulated tapering bracelet with fold over clasp hallmarked for Birmingham, 1966, case diameter 17mm, gross weight approx. 24.3g £200-£300
469. A lady’s Omega DeVille bicolour stainless steel and gold plated bracelet dress wristwatch
circular gold dial with linear engine turned decoration, raised gold hour baton markers and gold hands, signed Omega, quartz movement, DeVille logo on caseback, bicolour brick link bracelet strap with deployant clasp bearing Omega logo, in original box with guarantee dated 1990, dial diameter 19mm, case diameter 23mm
£80-£120
470. A lady’s 18ct gold Tudor wristwatch
oval gold sunburst dial with raised gold hour baton markers signed Tudor Geneve, quartz movement, case back numbered 658900 15510 tapering
articulated bracelet with fold over clasp, stamped 750 and bearing Swiss control marks, dial approx. 15 x 18mm, gross weight approx. 26.5g
£700-£900
471. A 9ct gold lady’s wristwatch by Tudor a rectangular gold coloured dial marked ‘Tudor’ and shield, with raised baton numerals, with 9ct gold textured articulated strap, stamped ‘9.375’, approx. diameter 1.8g, approx. length 18.5cm, approx. weight including movement 16.2g
£250-£350
472. An Art Deco lady’s gem-set dress watch the circular dial with Arabic numerals to the bezel and lugs set with single-cut diamonds and calibré-cut sapphires(possibly synthetic), the case stamped ‘ PLATINUM’ to the associated double mesh strap bracelet and deployant clasp stamped ‘9ct’, bezel diameter 1.6cm, length 3cm, 8.9g (excluding movement)
£200-£300
473. A lady’s 9ct Omega manual wind wristwatch circular champagne dial with raised gilt hour batons, 17 jewels cal 485 movement, leather bracelet, dial diameter 17mm, case diameter 18mm
£80-£120
474. A lady’s Omega stainless steel manual wind wristwatch c.1962
circular silvered dial with raised silver Arabic numerals and minute markers and silver dauphine hands, 17 jewels movement, signed Omega, case back with presentation inscription, associated stainless steel expandable bracelet, in an Omega box, dial diameter 19mm, case diameter 21mm
£60-£80
475. A lady’s 9ct gold Rotary Elite wristwatch
oval champagne dial with raised gilt hour batons, quartz movement, 9ct gold pierced curved panel link bracelet, in a Mappin & webb case, dial 12x 21mm, gross weight approx. 14.5g
£100-£150
476. Three lady’s manual wind wristwatches
first watchhead case stamped 14k on an a/f black cord bracelet, a 9ct gold octagonal case wristwatch on an expandable sprung bracelet stamped 9ct and another 9ct cased watchhead with white enamel dial (3), various £100-£150
477. A 1960s lady’s Omega 18ct gold and diamond set wristwatch circular champagne dial with raised gilt hour batons and gold hands, signed Omega, faceted glass, manual wind 17 jewels movement signed Omega and numbered 18093316, case back also signed and hallmarked for London, 1961, circular case with white gold lugs set with single cut diamonds, tapering chain mesh bracelet gathered at the shoulders, fold over Omega clasp, case diameter 16mm, gross weight excluding movement approx. 32.3g
£1,000-£1,500
478. A lady’s wristwatch by Omega with circular champagne dial and raised baton and Arabic numerals, on a 9ct gold textured strap with fold over clasp, stamped to clasp ‘9.375’, approx dial diameter 1.6cm, approx length 16.5cm, approx weight including movement 17.7g £150-£250
479. A lady’s 18K yellow gold and diamond Rolex Oyster Perpetual Date the engine turned gold coloured dial with diamond indices and baguette cut diamond markers to six and nine, diamond bezel and automatic movement with 18K gold President bracelet, with outer case, instruction booklet and two receipts for services, total weight approx. 68.6g
£2,000-£3,000
480. A lady’s Ebel Sport Classique Wave stainless steel and 24K gold plated wristwatch circular mother of pearl dial set with diamond dot hour markers, quartz movement, no 1057901, tapering articulated wave bracelet with deployant clasp, dial diameter 18mm, case diameter 25mm
£100-£150
481. An Omega 18ct gold ladies bracelet wristwatch the hinged stylised leaf design cover set with two diamonds opening to reveal a circular champagne coloured dial with baton numerals, the textured graduated bracelet with deployant buckle, marked on the reverse of the buckle 750, with safety chain and contained within original fitted case, total weight 33g £600-£900
482. An amethyst diamond-set and 18ct yellow gold pendant, the shaped triangular amethyst cabochon within a diamond-set surround, Convention hallmark, suspended from an associated 9ct yellow gold trace link chain necklace, Convention hallmark, pendant length 3.5cm, 7.1g; necklace length 61cm, 11.0g £150-£250
483. An Auran Kultaseppa Turku silver torque necklace marked ‘925’, stamped with makers mark and Finland national control mark, approx weight 2.13ozt £80-£120
484. A 9ct gold flat link chain marked ‘375’ to clasp, approx. weight 33.7g, approx. length 49cm £450-£550
485. 18ct gold fancy link tri-coloured necklace stamped ‘750’ to bumper link and stamped ‘750’ to clasp tongue, approx. length 41.3cm, approx. weight 22.7g £400-£600
486. A diamond and pink sapphire necklace and a pair of matching ear pendants the front section of the faceted baton link necklace set at intervals with a pink sapphire collet suspending a briolette diamond, the clasp stamped ‘950PT’; a pair of ear pendants en suite, each with a case for Hirsh London, necklace length 44cm, ear pendant length 1.4cm, combined weight 8.9g £2,000-£3,000
487. A 9ct gold twist necklace intertwined with chain link white coloured metal, stamped ‘375’ to bumper link, with chain extender, approx. weight (including chain extender) 20g, approx. length (excluding chain extender) 42cm
£250-£350
488. A 9ct gold fancy link fringe necklace stamped to bumper link ‘375’, total approx. weight 16.5g, approx. length 42.5cm £200-£300
489. An Edwardian amethyst and seed pearl fringe necklace the front section of alternate oval faceted amethysts and half pearl collets, each suspending a knife edge bar with an amethyst terminal, some set with half pearl leaves to the yellow gold oval link back chain and barrel clasp, length 40cm, approx. weight 6.6g £150-£250
490. An early 20th century ‘alexandrine’ and yellow gold fringe necklace the centre section comprising hear t-shaped motifs each collet-set with an synthetic corundum suspending a circular claw-set synthetic corundum terminal, to the oval rope twist and plain link back chain and oval plaque clasp, length 40cms, 26.6g Overall condition good/very good £150-£250
491. A 9ct gold fringe necklace stamped to box clasp ‘375’, with a textured surface, approx length 43cm, approx weight 32.5cm £400-£500
492. An Italian two coloured fancy link chain bracelet stamped ‘750’, suspending an early 19th century fellow gold cased fob seal containing a citrine (possibly foiled) engraved ‘Catherine’ in Gothic script, length 21.9cm including fob, combined weight 44.2g £800-£1,200
493. An amethyst necklace and matching bracelet each flexible link set with an oval amethyst cabochon to the rectangular rub over collet, length 37cm and 17cm respectively, combined gross weight 74g
£400-£600
497. A fancy link charm bracelet marked to clasp ‘14k’ suspending various charms including one 9ct gold and enamel ‘Paisley’ shield charm, a thistle, Happy Birthday heart charm, Canadian maple leaf and others, all various marked ‘14K’ and ‘10k’, approx. weight 39g £600-£700
498. A fetter and three link 9ct gold charm bracelet marked ‘9.375’ suspending an assortment of charms, all stamped ‘9.375’ including a man in the stocks, a ram and a shell with safety chain, approx weight 18.8g £200-£300
502. A Victorian Scottish hardstone ‘pebble’ bracelet composed of six faceted cylindrical links including carnelian, each with silver faceted terminals, to the banded agate and engraved silver padlock clasp, safety chain; together with a wide silver hinged bangle, the top half with floral and foliate engraving bracelet length approx. 18cm, bangle inner diameter 6cm £80-£120
494. A 9ct gold charm bracelet curb link chain marked ‘9c’ to bumper link, suspending an assortment of charms, most marked ‘9.375’ including a 10 shilling note incased in a charm, unmarked with a heart padlock clasp marked ‘9.375’ with a safety chain, approx. weight 56.7g
£650-£750
495. A 9ct gold three bar gate bracelet stamped ‘9ct’ with a 9ct gold heart padlock marked ‘9.375’, approx weight 15.5g
£200-£300
499. A 9ct gold curb link charm bracelet marked ‘9c’ per link, suspending an assortment of charms including an oyster, an elephant, a windmill and an anchor, mostly marked ‘9.375’, approx weight 30.4g £350-£450
500. A multi gem-set bracelet composed of alternating ruby, green tourmaline (untested) and sapphire collets, each separated by mesh links, the clasp stamped ‘9K’, length 17.3cm, 8.1g £80-£100
503. A 9ct charm bracelet marked ‘9 .375’ to bumper link, mostly all marks stamped ‘9.375’ including a shell charm with a small diamond setting, a passport charm, one Victoria half sovereign 1900, old head left, George slaying the dragon to verso and one George V half sovereign 1911, bare head facing left, George slaying the dragon to verso, with a loose ring, unmarked, and 9ct gold heart padlock, approx. weight 65.3g
£1,000-£1,500
504. A curb link bracelet stamped ‘10’ to bumper link with heart padlock and safety chain, total approx. weight 33.4g
£400-£500
496. A 9ct gold curb link bracelet marked ‘9.375 to each link with 9ct gold heart padlock, stamped ‘9.375’, approx weight 21.5g
£250-£350
501. Two bracelets by Tiffany & Co. the first the Atlas toggle bracelet marked ‘Atlas 2003 Tiffany & Co. 925’, the second a square cushion link toggle bracelet marked ‘Tiffany & Co. 925’, approx. length of the first 20cm, approx. length of the second 19cm, total approx. weight 47.6g
£100-£150
505. A 9ct gold fancy link gate bracelet stamped ‘9.375’, with a padlock heart clasp, decorated with chased floral designs and hearts and safety chain, approx weight 13g £100-£150
506. A 9ct gold charm bracelet suspending various 9ct charms including a lion, initial J, cased 10 shilling note and a Queen Elizabeth shilling in a 9ct gold mount with safety chain, approx weight including charms 35.6g £300-£400
509. An early/mid 19th century micro-mosaic and cut steel bracelet the four oval onyx plaques each depicting in micro mosaic a stylised King Charles spaniels, within a faceted cut steel border, with flowerhead openwork cut steel connections, plated base metal reverse, approx length 18cm, 42.4g £200-£300
510. A 9ct gold gate bracelet stamped to bars ‘9.375’, with a padlock heart, stamped ‘9.375’ and safety chain, approx weight 28.3g £400-£500
516. A yellow gold trace link long chain necklace with alternating seed pearl and blood stone spherical (one deficient) spacers, length 104cm approx, 16.5g £150-£250
517. A 9ct gold fancy link chain stamped to clasp indistinctly ‘9ct’, approx. length 95.5cm, approx. weight 19.6g £200-£300
511. An open-work enamelleddecorated hinged bangle of pierced floral and foliate engraved decoration and with a band of blue enamel and stylised foliate inlaid decoration to either side, pin clasp, inner diameter 6.0cm, 20.5g £500-£700
512. A 9ct gold hinged bangle marked ‘9.375’ chased with scrolling floral and foliate design to one half and safety chain, approx weight 12.9g £180-£220
513. A plain circular bangle, inner diameter 6.1cm, 15.4g £200-£300
518. A 15ct Edwardian watch chain suspending t-bar, stamped to each link ‘15 .625’ and suspending a 9ct gold cased pencil stamped ‘9ct’, complete with original receipt, approx chain length 16.5cm, approx total weight (including pencil) 28.7g £400-£600
519. Two 18ct gold chains the first a 18ct flexible link chain, stamped ‘750’ to clasp, the second 18ct gold chain, stamped to bumper link ‘750’, the first approx. length 43cm, the second approx. length 47.5cm, approx. weight 16g £300-£400
520. A 18ct gold fancy link chain suspending t-bar, stamped to bumper link with French eagles head control mark, total weight 8.6g, approx length 33cm £150-£180
523. A 9ct gold curb link chain suspending T-Bar and compass, stamped ‘9.375’ to each link, stamped to T-Bar ‘9.375’, total approx weight including t-bar and compass 43.6g, total approx length 36cm, approx diameter of the compass 1.7cm £500-£700
514. A 18ct gold two coloured hinged camel bangle marked by push clasp ‘750’, total approx weight 10.6g £180-£220
515. A 9ct gold fancy link triple chain tagged to link ‘9c’, approx. length 43.5cm, approx. weight 17.8g £180-£220
521. A 9ct gold flexible S link chain marked ‘375’ to bumper link, approx weight 44.5g, approx length 61cm £600-£700
522. A 9ct gold Byzantine chain stamped ‘375’ to clasp and bumper link, approx length 40cm, approx weight 20.8g £250-£350
524. Two 9ct gold chains the first 9ct gold rope twist chain, intertwined with chain link white coloured metal, marked ‘375’ to clasp, the second twisted rope chain marked ‘375’ to bumper link (2), the first approx length 46.5cm, the second approx length 46cm, approx weight 33.3g £450-£500
525. A 9ct group of lockets and chains including; 9ct gold chain, stamped to bumper link ‘375’, suspending a 9ct gold circular locket with a chased scrolling foliate design, stamped ‘9.375’, 9ct gold chain suspending stamped to bumper link ‘375’, suspending a heart locket chased with a floral design, stamped to reverse ‘375’, 9ct gold chain stamped to bumper link ‘9ct’, 9ct gold chain stamped to bumper link ‘375’ and locket with a chased abstract design marked to reverse ‘9ct’ (5), total approx weight 27g, approx length of the first 47cm
£350-£450
526. A 9ct gold fancy link twisted rope chain stamped to bumper link ‘375’, approx length 71cm, approx weight 25.4g
£350-£450
529. A gem-set avian brooch modelled as a bird on a branch, its body pavé-set with single-cut diamonds, its tail with baguette-cut diamond detail, and a faceted ruby eye, height 2.2cm, width 3.2cm, 6.3g £200-£300
530. An oval shell cameo brooch with a carved scene of a woman and an eagle, mounted in a gilt metal frame chased with scrolling design, approx. diameter (not including the frame) 4cm £100-£150
534. A mid/late Victorian pearl and diamond-set brooch
designed as a stylised pea and set with a graduated line of half pearls with diamond points between, yellow gold closed back setting, safety chain, the case dated ‘14th Sep 1892’, width 4.1cm, 5.6g £150-£250
535. An aquamarine three stone brooch
527. An enamelled pennant bar brooch by Benzies of Cowes for the Royal Yacht Squadron, Cowes, Isle of Wight, signed and stamped ‘18ct’, length 6.5cm, 6.1g £100-£150
528. Three late Victorian/ Edwardian gem-set and yellow gold brooches the first of engraved
ope n-work ‘C’ scroll design and centrally-set with a rectangular cu t-cornered peridot; the second
ope n-work flowerhead cluster set with turquoise collets and half pearls, folding pendant loop; the third set with an oval citrine to the half pearl border (3), width 3.0cm, 2.3cm, 2.2cm respectively, combined gross weight 15.7g
£200-£300
531. A Swiss enamel and yellow gold brooch the oval enamel plaque depicting a girl in a bright blue dress with white fichu, roses in her black hair and feeding a kid goat, collet-set to the plain and textured foliate scrolling border, the reverse inscribed ‘Le petit protégé/P.Reynaud/Genève’, overall length 5.7cm, overall width 4.8cm, 20.2g £200-£300
the centre and terminals of the knife edge bar set with cushion-shaped aquamarines each with a millegrain-e dged the basket mount, length 7cm, 8.7g £200-£300
532. A mid Victorian diamond-set bar brooch of crescent, floral and foliate design, set throughout with old-cut diamonds, mounted in silver and yellow gold, safety chain, length 3.6cm, 3.4g £300-£400
533. A pair of early 19th century moss agate and paste brooches each oval moss agate plaque within a surround of square-cut bright green paste (one replacement), closed back yellow gold setting (brooch fittings later), plaque length 1.5cm, width 1.3cm, combined gross weight 3.2g £80-£120
536. A Continental mid 19th century coral and pearl tassel brooch
the rhomboid-shaped plaque set with bouton shaped coral sphere with four baroque pearls and suspending three pipkin drops from yellow gold foxtail link chains, French control marks, approx length 3.5cm £200-£300
537. Four rings: a blue and white zircon three stone ring to the engraved shoulders and plain shank stamped ‘9CT GOLD’; a blue paste and 9ct yellow gold ring Birmingham hallmark; a garnet three stone and 9ct yellow gold ring; and a 9ct yellow gold wedding band, London hallmark, ring sizes O1⁄2; M, M, and Q respectively, combined gross weight 10.8g £200-£300
538. A late 19th/early 20th century diamond horseshoe brooch coronet-set with nine slightly graduated old brilliant-cut diamonds above a yellow gold knife-e dge frame, trace link chain, maximum width 2.6cm, depth 2.9cm, 6.6g £300-£500
539. An opal and diamond-set bar brooch the central white oval cabochon opal displaying good colour range and collet-set to either side with two graduated brilliant-cut diamonds, brooch length 7.2cm, 5.5g £150-£250
540. A diamond-set foliate spray brooch designed as a three leafed clover and collet-set with four brilliant-cut diamond within a single-cut diamond surround, similarly-set curving stem, contemporary leather and gilt tooled and fitted case, length 5.2cm, width 2.6cm, 7.6g The leaves represent faith, hope and love £800-£1,200
541. A diamond-set floral spray brooch the two flowerhead clusters and elaborate ribbon bow set with brilliant-cut diamonds, case for Davidson, Henderson and Sorley, Glasgow, max length 5.2cm, max width 2.8cm, 12.7g
Davidson was the present owner’s grandfather £1,500-£2,500
542. A diamond-set knife edge bar brooch the central flowerhead cluster and collet terminals set with brilliant-cut diamonds, the bar engraved ‘PLAT & 18ct’, contemporary leather and gilt tooled fitted case for Davidson, Henderson and Sorley, Glasgow, length 5.7cm, 3.5g
Davidson was the present owner’s grandfather £500-£700
543. A diamond two stone pendant on chain the knife edge bar suspending a cushion-shaped old brilliant-cut diamond estimated to spread 0.60cts to the surmount a smaller circular old brilliant-cut diamond to the fine trace link chain, Edwardian leather and gilt tooled fitted case, pendant length 3.0cm £600-£800
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 104.
544. A diamond-set plaque brooch the openwork plain and decorated shaped rectangle centrally-set with a brilliant-cut diamond and diamond-set detail to the border, the reverse stamped ‘750’, width 4.6cm, depth 1.8cm, 6.4g £120-£180
545. A sapphire and diamond three stone bar brooch and a seed pearl and ruby brooch first, the modified old brilliant-cut diamond and circular sapphires collets obliquely-set within the open-work oval and tapering bar, with safety chain, second of open-work circular ribbon and floral bow design, set with half pearls and circular-cut rubies, to the 9ct yellow gold hallmarked setting (2), length 6.8cm, 5.9g, second width 2.3cm, 4.7g £150-£250
546. A light cinnamon coloured diamond and cultured pearl stick pin length approx. 5.7cm £60-£100
547. A pair of silver architectural ear studs by Vicky Ambery Smith stamped with London hallmarks, together with a pair of cufflinks by Vicky Tomberg, of a similar architectural design, stamped with London hallmarks (4), approx. weight 0.58ozt, approx. diameter of the earrings 2cm, approx. diameter of the cufflinks 1.6cm £200-£300
548. A pair of emerald and diamond-set earrings each half hoop alternately-set with pairs of brilliant-cut diamonds and baguette-cut emeralds, the setting stamped ‘14K’; together with an emerald and diamond seven stone ring, the shank stamped ‘14K’, earring length 1.9cm, ring size N, combined gross weight 8.1g £140-£180
549. A pair of cultured pearl ear pendants each ovoid baroque cultured pearl (untested) terminal suspended from a chain and cultured pearl collet surmount, hook fitting, pendant excluding hook fitting 3.5cm, combined gross weight 3.3g £100-£150
550. A pair of two coloured and diamond-set ear clips of arched ridged design, the ‘C’ scroll terminals set with brilliant-cut diamonds, stamped ‘750’, length .8cm, combined gross weight 8.2g £200-£300
551. A group of assorted earrings including; a pair of 18k gold abstract ear pendants, stamped ‘750’, a pair of flower shaped ear studs, marked ‘375’, a pair of colourless paste set ear studs, marked ‘375’, a pair of horse shoe shaped earrings, marked ‘375’ to clasp, a pair of earrings marked ‘375’, a pair of half pearl set ear studs marked ‘15k’, and other assorted unmarked earrings (qty), total approx weight of 18k gold 1.6g £100-£150
553. An Edwardian peridot and half pearl brooch/pendant of ope n-work entrelac design, the flowerheads set with circular-cut peridots and interspersed with half pearls, closed back yellow gold setting, detachable loop fitting, length including loop 4.3cm, width 3.2cm £150-£250
554. An Art Nouveau opal and half pearl pendant of ope n-work floral and scrolling design and set with two oval cabochon opals, partially closed back yellow gold setting, the reverse stamped ‘9ct’ ; together with a graduated five stone opal ring (2), pendant length (excluding loop) 3.9cm, width 2.9cm, 2.7g; ring size O/P, 1.6g £100-£150
552. A pair of sapphire and diamond-set cluster earrings each centrall y-set with a circular mixe d-cut sapphire within a surround of eight brilliant-cut diamonds to the hallmarked 18ct white gold setting, diameter 1.0cm, combined gross weight 3.6g £800-£1,200
555. A diamond-set pendant on chain the pendant channe l-set with calibré-cut diamonds to the brilliant-cut diamond-set borders, the reverse stamped ‘14K’, suspended from a figaro link chain necklace, pendant width 2.1cm, chain length 48cm, combined weight 9.9g £250-£350
556. An emerald and diamondset pendant the central rectangular ste p-cut emerald claw-set above the crescent set with calibré-cut emeralds and brilliant-cut diamonds, the rigid pendent loop stamped ‘9 375’, length including loop 3.3cm, 7.9g £150-£250
557. An Edwardian aquamarine and yellow gold pendant set with two circula r-cut aquamarines in millegrain edged collets, stamped ‘15ct’, suspended from an associated faceted oval link chain necklace with barrel clasp and safety clasp, pendant length 4.5cm, necklace length 38cm, combined gross weight 4.8g
£200-£300
558. An early 20th century paste pendant with chain the circular openwork silver pendant and suspensory loop set with colourless paste, closed back setting, to the figure-of-eight and oval link silver chain necklace, pendant width 3.7cm, chain length 48cm £100-£150
559. An opal and diamond-set pendant the ovoid white opal cabochon within a surround of brilliant-cut diamonds to the diamond-set suspensory loop stamped ‘750’, suspended from a fine curb link chain stamped ‘9CT’, pendant length including loop 2.3cm, max width 1.3cm, 3.4g; chain 1g £150-£250
560. An emerald and diamond pendant the 18ct white gold elongated oval plaque centrally-set with a line of graduated calibré-cut emeralds to the diamond-set pavé surround, suspended from an 18ct white gold fine flattened curb link chain, Convention hallmark, pendant length including loop 2.9cm, chain length 41cm, combined gross weight 5.0g £300-£400
561. A collection of ten gem-set pendants on chains some pendants set with diamonds, and suspended from various designs of chains, most hallmarked for 18ct or 9ct, combined gross weight 27.9g £400-£500
562. An Edwardian coral and diamond-set pendant the pendeloque coral drop with diamond-set cap, suspended from a trace link chain with a old brilliant-cut diamond collet, the similarly-set surmount of trefoil design suspended from later plain loop, overall length 5.2cm, coral length 1.9cm x max diameter 1.1cm £200-£300
563. Two late 19th/early 20th century gem-set insect brooches the first set throughout with garnets; the second with an amethyst abdomen, half pearl thorax and outstretched wings, the first 1.4cm long, the second 2.0cm wide, combined gross weight 3.5g £60-£80
564. Five rings: a 22ct yellow gold wedding band; a brilliant-cut diamond three stone ring the shank stamped ‘18CT’; a 9ct yellow gold wedding band; a 9ct yellow gold cluster ring; and an engraved band stamped ‘PLATINUM’, ring sizes J1⁄2 - K1⁄2 except for cluster size R, combined gross weight 14.4g £150-£250
565. Two 9ct yellow gold rings the first a 9ct gold and diamond chip signet ring, stamped ‘9.375’; the second a 9ct gold and hard stone (probably hematite) intaglio ring, stamped ‘9.375’ (2), the first ring size T, the second ring size O, approx combined weight 12.4g £150-£250
566. A group of gold rings including one wedding band marked ‘22c’, 9ct gold wedding band stamped ‘9.375’ and 9ct gold ring with chased scrolling foliate design stamped ‘9.375’ (3), total approx. weight 14.6g, ring sizes L, M/N, M/N £150-£200
567. An Austrian blue chalcedony ring the oval cabochon within a two tiered collet setting, the shank engraved with a presentation inscription for 1958, stamped ‘585’ and Austrian control marks for Graz; together with an oval star sapphire (untested but probably synthetic) ring with diamond-set shoulders, the shank stamped ‘14K’, ring sizes M and O, combined gross weight 9.1g £150-£250
568. Six dress rings various mounts, including two 18ct, one 14ct and three 9ct; together with a 9ct yellow gold wedding band (7), rings sizes L-P, combined gross weight 34.2g £250-£350
569. Two 18ct gold rings the first; a diamond chip ring, marked ‘18ct’, the second; a 18ct gold buckle ring stamped ‘18’ with London assay marks, the first ring size X, the second ring size O £300-£500
570. A group of gold rings including; two 22ct gold bands, both marked ‘22’; and a 9ct gold signet ring, marked ‘9.375’ (3), total approx. weight 15g, total weight of 22ct gold 9.3g, total weight of 9ct gold 5.3g, ring sizes S, Q/R, U £280-£320
571. Two items of jewellery an 18ct gold wedding band, Birmingham hallmark; and a hallmarked 9ct gold lady’s fancy link watch bracelet with deployant clasp (2), ring sizes R/S, weight approx.14.7g £250-£350
572. A mid 20th century emerald and diamond-set ring of asymmetric tiered design, and set with oval mixed-cut emeralds, brilliant and baguette-cut diamonds, to the plain tapering shank, ring size U, 5.7g £100-£150
573. A diamond-set ring the top section composed of three openwork rows set with brilliant-cut diamonds to the 18ct white gold hallmarked shank, ring size M, 6.2g £400-£600
574. A diamond-set ring the bifurcated shank set to one side with a brilliant-cut diamond, the shank interior stamped ‘750 18K’, ring size S, 7.4g £300-£400
575. A diamond three stone ring the three slightly graduated brilliant-cut diamonds coronet-set to the plain tapering yellow gold shank, stamped ‘PLAT 18ct’, ring size N, 3.2g £600-£800
576. A diamond cluster ring the seven brilliant-cut diamonds claw-set to the plain tapering shank stamped ‘18ct’, ring size N, 4.6g £400-£600
577. An amethyst and diamond-set ring the oval mixe d-cut amethyst claw-set above a border of single-cut diamonds to the plain tapering shank stamped ‘18ct’, ring size M, 7.0g £200-£300
578. A diamond two stone cross over ring each of the two clusters centrall y-set with a radiant-cut diamond, a brilliant-cut diamond to each corner separated by a baguette-cut diamond, baguette-cut diamond shoulders, ring size N, 5.5g £400-£600
579. A diamond single stone the cushion-shaped old brilliant-cut diamond estimated to spread 0.40cts, to the plain tapering shank stamped ‘18CT’, ring size U, 4.8g £400-£600
580. A sapphire and diamond half hoop eternity ring alternatel y-set with brilliant-cut diamonds and circula r-cut sapphires to the 18ct yellow gold tapering shank, convention hallmark, ring size Q, 4.6g £300-£500
581. A Colombian emerald and diamond-set cluster ring the rectangular cu t-cornered ste p-cut emerald estimated to weigh 3.20cts, to the border of old brilliant-cut diamonds, closed backing setting, to the bifurcated shoulders and plain shank., Offered with an AnchorCert report, number 260889/20045198, dated 6th August 2019, stating that the natural emerald is Colombian, minor enhancement (fracture filling), ring size U1⁄2, 8.3g £2,000-£3,000
582. A diamond-set cluster ring the flowerhead design set with seven brilliant-cut diamonds to the 18ct yellow gold plain tapering shank, London hallmark, ring size O, 3.4g £600-£800
583. A baguette diamond-set half hoop eternity ring the shank stamped ‘750’ D.50, M1⁄2, weight approx.5.2 £200-£300
584. A synthetic blue spinel ring the oval mixe d-cut synthetic blue spinel to the ornate gallery, bifurcated shoulders and engraved shank stamped ‘750’, ring size S, 10.6g £100-£150
585. A two coloured tapering band ring the central hoop set with three brilliant-cut diamonds, the shank stamped ‘18K 750’, ring size M, 4.0g £80-£120
586. An 18ct yellow gold tapering ring gypsy-set with three graduated old brilliant-cut diamonds, Chester hallmark, ring size O, 3.1g £200-£300
587. A mid Victorian yellow gold and diamond-set ring the central navette-shaped plaque centrally-set with an old brilliant-cut diamond within a star motif, to the engraved surround and shoulders, the shank stamped ‘18’, ring size O1⁄2, 5.0g £200-£300
588. A mid Victorian 18ct yellow gold and enamel memorial ring of hexagonal design engraved with ‘C’ scrolls and stamped ‘In Memory of’ with black enamel reserve (a/f), with vacant hair compartment, the interior inscription dated 1847, full London hallmark, ring size N/O, 5.9g £150-£200
589. A 18ct gold signet ring stamped ‘18’, ring size L, approx weight 4.8g £100-£150
590. A diamond single stone ring the modified old brilliant-cut diamond-claw-set to the bifurcated shoulder and plain tapering shank stamped ‘18ct PLAT,’, ring size K, 1.1g £100-£150
591. An 18ct gold and diamond ring the illusion-set brilliant-cut diamond coronet to the textured yellow gold shoulders and plain shank, Birmingham hallmark, ring size P, 4.2g £100-£150
592. An early 19th century pearl and diamond-set ring the brilliant-cut diamond collet-set above a six half pearl cluster to the openwork tapering ‘C’ scroll and ridged shank, ring size I1⁄2 £200-£300
593. A diamond and sapphire cluster ring the central brilliant-cut diamond within a surround of six circualr-cut sapphires, to the pierced scrolling and engraved shoulders, ring size J, head diameter 0.9cm, 2.5g £200-£300
594. A small collection of five rings including: an Edwardian 18ct yellow gold and three stone sapphire with diamond points between, Chester 1907; a 15ct yellow gold, garnet and half pearl ring with engraved shank, Birmingham hallmark; three 9ct yellow gold rings, one with garnet and seed pearl detail, two hallmarked, rings sizes H1⁄2, J1⁄2, F, K G respectively, combined gross weight
£150-£250
595. An assortment of 9ct gold rings including a 9ct gold ruby and diamond chip cluster ring stamped ‘375’, 9ct gold garnet and colourless paste cluster ring stamped ‘375’, 9ct gold seed pearl and garnet ring, stamped ‘375’, 9ct gold opal ring stamped indistinctly stamped ‘375’, 9ct gold signet ring stamped ‘375’, 9ct gold signet ring stamped ‘375 with chased design marked ‘9ct’ and two colourless paste set eternity rings, unmarked (qty), approx weight of 9ct gold (excluding eternity rings) 9.6g £150-£250
596. An 18ct yellow gold and diamond ring with three brilliant-cut diamonds tension-set to each side of the hallmarked cros s-over split shank; together with a brilliant-cut diamond single stone ring with diamond chips to the foliate shoulders, the shank stamped ‘18CT PLAT’, ring sizes H and I respectively, combined weight 5.8g £100-£150
597. A diamond five stone ring each brilliant-cut diamond collet-set to the plain tapering shank, stamped ‘18CT’, ring size J, 1.9g £100-£150
598. An amethyst ring the rectangular step cu t-cornered amethyst to the stylish shoulders and setting stamped ‘750’, ring size J, 6.2g £100-£150
599. A ruby and diamond cross over ring the old brilliant-cut diamond and the circular mixe d-cut ruby obliquel y-set to the plain tapering shank, ring size L, 2.8g £400-£600
600. An aquamarine and diamond-set ring the oval mixe d-cut aquamarine claw-set to the three stone single-cut diamond-set shoulders, plain tapering shank, ring size K, 4.2g £300-£400
601. A diamond-set ring the curved ‘V’ shaped design set with six brilliant-cut diamonds to one side, the other with six graduated baguette-cut diamonds, the shank stamped ‘8KP’, ring size K, 5.2g £300-£500
602. A 18ct gold band engraved abstract design marked ‘750’ together with two 9ct gold bands marked ‘9.375’ (3), approx. weight 11.4g, ring size S/T, ring size M/N, ring size Q/R, 18ct approx. weight 4.6g, 9ct approx. weight 6.8g £200-£250
603. A collection of mostly 9ct gold rings including a 9ct gold diamond and sapphire floral cluster ring, stamped ‘9.375’, a five stone diamond ring marked ‘PLAT’, a 9ct gold garnet and diamond cluster ring stamped ‘9c’, 9ct gold garnet and colourless paste set cluster ring stamped ‘375’, 9ct gold garnet and seed pearl cluster ring stamped ‘9.375’, 9ct gold garnet and opal set cluster ring stamped ‘375’, 9ct gold opal set cluster ring stamped ‘S&K 375’, garnet and colourless paste ring, a colourless paste eternity ring and various 9ct gold rings all variously stamped (17), approx total weight 36.2g excluding eternity ring
£300-£400
604. A diamond-set flowerhead cluster ring the three tiers set throughout with brilliant-cut diamonds to the tapering plain hoop, ring size M, 3.9g
£150-£250
608. A diamond three stone ring the central old brilliant-cut diamond measuring 7.01mm x 7.15mm x 4.71mm flanked to either side with a smaller old brilliant-cut diamond, the plain shank stamped ‘PLATINUM’, ring size N, 4.2g
£3,000-£5,000
609. An early 20th century diamond single stone ring the oval old brilliant-cut diamond estimated to spread 0.30-0.35cts, tension-set to the 18ct yellow gold setting, Chester hallmark, ring size X, 6.6g £150-£250
610. A jadeite and diamond-set cluster ring the oval jadeite plaque within a surround of brilliant-cut diamonds to the 18ct white gold setting, Birmingham hallmark, ring size P, 5.7g £300-£500
611. Four diamond-set rings: two clusters, one three stone and one single stone, all stamped ‘18ct PLAT’, ring sizes N-Q, combined gross weight 9.2g £150-£250
612. An early 19th century yellow gold and seed pearl memorial ring the central rectangular plaque containing plaited hair within a seed pearl border, bifurcated ridged shank, the reverse with a memorial inscription dated 1815; together with an oval shell cameo brooch of the Three Graces within a yellow gold collet frame (2), ring size O, 2.8g; cameo 5.7cm x 4.5cm, 19.0g £100-£150
613. A 18ct gold signet ring chased with initials and stamped ‘18’, ring size Y, approx weight 9.2g £150-£250
614. An emerald and diamond-set ring the central circula r-cut emerald within a two tiered brilliant-cut diamond-set surround, diamond-set shoulders to the 18ct white and yellow gold setting and shank, convention hallmark, ring size O1⁄2, 3.2g £300-£500
615. A diamond and ruby half hoop ring alternately-set with brilliant-cut diamonds and baguette-cut rubies, the inner shank stamped ‘TIFFANY & CO’ and ‘750’, ring size M, 2.5g £200-£300
616. A diamond five stone ring set with slightly graduated brilliant-cut diamonds to the pierced and scrolling gallery, the plain shank stamped ‘18CT’, ring size O, 4.3g £600-£800
617. An emerald and diamond ‘wishbone’ ring the pear-shaped emerald with two rows of brilliant-cut diamonds to each side of the ‘V’, the shank stamped ‘18ct’, ring size N, 4.4g £400-£600
618. A 1930s aquamarine and diamond-set ring the central step cut-cornered aquamarine with two brilliant-cut diamonds to either side to the wide tapering shank, ring size S, 7.1g £200-£300
619. An emerald and diamond-set cluster ring the oval mixe d-cut emerald collet measuring 11.46mm by 8.45mm above the cusped border of single-cut diamonds to the trifurcated shoulders and plain shank stamped ‘18ct PLA’, ring size O1⁄2, 4.2g £400-£500
620. A diamond single stone ring the brilliant-cut diamond collet-set above the plain tapering shank stamped ‘750’, ring size N1⁄2, 3.5g £400-£500
621. A 9ct yellow gold and gem-set snake ring the tapering textured body replicating scales with three graduated turquoise cabochons to the head and two ruby-set eyes, hallmarked (probably London as no assay office), ring size O, 5.2g £200-£300
622. An Art Deco turquoise and diamond-set ring the oval turquoise cabochon within a stylish collet, a brilliant-cut diamond to each shoulder, ring size M, 9.5g £200-£300
623. A grey agate and diamond-set ring the square-cut mottled grey agate with a rose-cut diamond to each shoulder, the plain shank stamped ‘ 18ct’, ring size O1⁄2, 4.9g £100-£150
624. A 9ct yellow gold and amethyst cluster ring of trefoil design, with seed pearl collet detail, ornate hallmarked shank; together with a synthetic corundum single stone ring, ridged shoulders and plain tapering shank, ring sizes V and N respectively, combined gross weight 8.4g £80-£120
625. A group of gold rings including 18ct gold signet ring, chased with initials, stamped ‘18’, 18ct gold and colourless paste ring, stamped ‘18’, 9ct gold banded agate ring, stamped ‘9ct’, 9ct gold opal ring, stamped ‘9ct’, 9ct gold seed pearl ring with red paste chips, stamped ‘9.375’, 9ct gold signet ring stamped ‘9.375’ and a green paste eternity ring marked ‘9ct’ (7), approx weight of 18ct gold 4.9cm, approx weight of 9ct 8.8g (excluding eternity ring) ring sizes T/U, E/F, L/M, L, Q, N £100-£200
626. A group of rings including; an 18ct gold diamond ring, marked ‘18ct’, an 18ct gold and diamond gypsy ring, stamped ‘18’, two 9ct gold opal and diamond cluster rings, both stamped ‘375’, 9ct gold opal and green gem set cluster ring, stamped ‘375’, 9ct gold diamond signet ring, stamped ‘375’, 9ct gold wedding band, stamped ‘375’, and three 9ct gold rings variously marked (10), approx weight of 18ct 5g, approx weight of 9ct gold 19.8g, ring sizes Y, O, T, Q/R, I, O, O/P, L/M, J, K/L £400-£500
627. A group of gold rings including two 22ct gold wedding bands, both stamped ‘22’, 18ct gold diamond chip gypsy ring, stamped ‘18’, 9ct gold signet ring with chased initials, stamped ‘9.375’, 9ct gold ring with chased design stamped ‘9.375’ (5), approx weight of 9ct gold 11.3g, approx weight of 18ct gold 6.1g, approx weight of 22ct gold 6.5g £400-£600
628. Two 22ct gold bands both stamped ‘22’, approx weight 4.8g, ring size N/L £150-£200
629. A 22ct gold wedding band stamped ‘22’, approx weight 7g, approx size O/P £150-£200
630. A 22ct gold band stamped ‘22’ with Birmingham assay marks, ring size Q, approx weight 4.4g £140-£180
631. Various items of mostly 19th century jewellery including a cased yellow gold and diamond-set locket; a circular Scottish pebble and silver brooch; a malachite and silver ope n-work circular brooch with registration mark (a/f); a graduated malachite bead necklace; a yellow gold and foiled yellow stone pendant brooch (a/f); an engraved slide converted into a hair slide; a silver vesta case; a silver coin case; and a propelling pencil, locket overall length 4.7cm, width 2.8cm; pebble brooch diameter 5.0cm; malachite brooch diameter 4.7cm; malachite bead necklace length 49cm
£100-£200
632. Assorted jewellery
a Continental enamelled and plain filigree bead necklace (a/f); a colourless paste crescent brooch; a silver and royal blue enamel rectangular brooch depicting Cupid playing the pipes; a synthetic sapphire and 9ct yellow gold bar brooch; a purple stone and tiered seed pearl hexagonal brooch, a moss agate r ing (a/f)
£100-£150
633. A group of assorted accessories including: a 9ct yellow gold flattened curb link chain, import hallmark, with swivel; a fancy spherical bead necklace; a two coloured rose spray brooch stamped ‘9ct’; a 9ct yellow gold cased open faced keyless wind pocket watch; assorted seed and cultured pearls and other part items, necklaces respectively 44.5cm, 7.5g and 41.5cm, 6.3g
£300-£400
634. A tiger’s eye bead necklace and a pair of tiger’s eye ear studs a pair of oval citrine and 9ct yellow gold ear studs; a smoky quartz ring stamped ‘9ct’; and a pair of smoky quartz and 9ct yellow gold earrings, ring size M, necklace length 52cm
£80-£120
635. An Edwardian seed pearl and amethyst cluster brooch/pendant a Victorian 9ct yellow gold, amethyst and seed pearl brooch; and two coral and yellow gold bar brooches (4), lengths 2.5cm, 2.7cm, 4.5cm and 3.9cm respectively, combined gross weight
£200-£250
636. Two single row cultured pearl necklaces one with cultured pearls graduated in diameter from 8mm to 4mm, paste cluster clasp; the second graduated in size from 7mm to 3mm to the flowerhead wirework clasp; together with a pair of cultured pearl ear studs, and a pair of half pearl cluster ear studs (4), length 54cm and 57cm respectively £80-£120
637. Assorted jewellery and costume jewellery including a pair of diamond and ge m-set ear pendants; a pair of oval cabochon lavender jade (untested) earrings to the setting stamped ‘750’; four pairs of earrings stamped or hallmarked ‘375’; a pair of ear pedants by Leslie Block; and a textured wirework bead necklace en suite with a pair of ear pendants £100-£150
638. A cultured pearl necklace the uniform cultured pearls measuring 8mm in diameter to the oval clasp stamped ‘375’ (two loose cultured pearls); together with a single cultured pearl pendant and oval link chain necklace; a pair of cultured pearl ear studs; a diamond three stone crossover ring, the shank stamped ‘18CT PLAT’; a flowerhead eternity ring stamped ‘14K’; and a Greek key flexible link bracelet, necklace length 45cm, ring sizes L and P/Q respectively £150-£250
639. A blue topaz and diamond-set pendant and pair of earrings en suite
each centrall y-set with an oval mixe d-cut blue topaz claw-set above the quatrelobed pavé-set diamond surround, stamped ‘750 18K’, the pendant suspended from a fine trace link chain stamped ‘375’ (3), each length 1.7cm (excluding pendant loop), width 1.3cm, combined weight 12.5g
£300-£500
642. A 9ct yellow gold fancy link bracelet suspending seven charms mostly marked ‘9ct ‘; together with a ruby cluster ring, closed back setting; and an oval amethyst and hallmarked 9ct yellow gold ring, bracelet length 17.5cm, 6.1g; ring sizes respectively P and U £200-£300
643. A group of assorted jewellery including 9ct gold twisted fine link chain, marked ‘375’ to bumper link, 9ct gold charm bracelet, marked ‘375’ to bumper link suspending various charms with a padlock heart marked ‘375’, diamond chip ring marked ‘14K’, oval locket with chased floral design marked ‘10K’ (4), the first approx. length 45.5cm, total approx. weight 11.9g, ring size N £100-£150
646. An oval white opal and rose-cut diamond-set brooch with safety chain; an oval white opal pendant, the surmount with diamond-set detail and stamped ‘585 14K’, suspended from a 9ct yellow gold rope twist chain necklace; a clam shell stamped ‘10k’ containing a cultured pearl; and a pair of opaline glass ear pendants, necklace length 46.5cm, 2.5g £200-£300
647. A group of 18ct gold including 18ct gold signet ring stamped ‘18’ with Birmingham assay marks, 18ct gold ring with a chased design stamped ‘18’, and a 18ct gold Masonic pendant stamped ‘18’ (3), approx weight 21.2g, ring sizes R/S, O/P £500-£550
640. A ruby and brilliant-cut diamond-set cluster pendant stamped ‘750’ to a box link chain stamped ‘375’, a pair of ear studs en suite, total gross weight 5.9g £150-£250
641. A pair of diamond earrings each comprising a brilliant-cut diamond within a knot setting, the screw fitting stamped ‘14K’; together with a malachite bead necklace; a jade carved plaque pendant; a ruby (untested) bead necklace; a pair of hardstone cluster earrings, the screw fittings stamped ‘14K’; a rope twist ring, and an oval enamelled hinged locket (7) £80-£120
644. A group of assorted 9ct gold jewellery including 9ct gold wedding band marked ‘9.375’, a pair of 9ct cufflinks with a chased design marked ‘9.375’, three 9ct gold bar brooches of varying design and a fine curb link chain (6), Ring size L, approx. length of the chain 31cm, approx. weight (excluding the chain) 10.6g
£140-£180
645. An Edwardian half pearl and peridot pendant on chain of openwork garland design, the loop stamped ‘9CT’, suspended from an oval link chain necklace, the clasp stamped ‘9CT’ ; three brooches each stamped ‘9ct’ or hallmarked as such; and turquoise-set butterfly stick pin, pendant length including loop 5.2cm, combined gross weight of 9ct items 11.7g
£200-£250
648. A group of 9ct gold items including a 9ct gold thimble stamped ‘9.375’, a 9ct gold ring with chased floral design stamped ‘9.375’, 9ct gold cased engine turn cigar cutter stamped ‘9.375’ and wedding band marked ‘10k’ (4), total weight approx (excluding cigar cutter) 10g, ring size L/M, band size X £250-£300
649. A gentleman’s 9ct gold Audax wristwatch a 9ct bangle and a chain, first circular silver dial with black Arabic numerals, outer minute track and subsidiary seconds dials, signed Audax Camerer Cuss London, manual wind square cushion case, on a leather strap bracelet together with a 9ct gold hinged bangle and a fine flat curb link chain stamped 375 (3), weighable gold approx. 9.2g £150-£200
650. A collection of greyhound themed jewellery including a greyhound bar brooch set with rose cut diamonds, a greyhound bar brooch, marked ‘9ct’ to bar, marcasite set greyhound bar brooch, marked ‘sterling silver’, a greyhound pendant indistinctly stamped, and a pair of Essex crystal style greyhound cufflinks (6), approx. length of greyhound brooch 4.5cm
£100-£150
651. Three gem-set pendants and two chain necklaces an oval amethyst, diamond-set and 9ct yellow gold pendant suspended from a 9ct fancy link yellow gold chain necklace; a 1960s asymmetric bark textured pendant centrally-set with an oval brown quartz suspended from a fine trace link chain necklace, the clasp stamped ‘9ct’; and an oval emerald collet pendant stamped ‘9ct’, first chain length 42cm, combined total weight 13.4g
£180-£220
652. A small collection of gold jewellery including a 18ct gold band with a chased abstract design, stamped ‘750’, a 9ct gold baby’s bangle chased with leaf design, stamped ‘375’, a small 9ct gold chain marked ‘375’ to bumper link, a 9ct gold twisted rope chain marked ‘9Kt Italy’ with British Import marks, stamped ‘375’, total approx weight of 9ct gold 12.6g, total approx weight of 18ct gold 3.2g, twisted rope chain approx length 44.5cm, total small chain length 18.5cm £280-£320
653. An assortment of rings and accessories including: 22ct gold band, stamped ‘22’, seed pearl and green paste set 9ct gold ring, stamped ‘375’, 9ct gold signet ring, chased with initials ‘ASM’, stamped ‘9.375’, 9ct gold abstract ring designed a seaside town landscape, a diamond, sapphire and ruby chip set stick pin, a seed pearl Etruscan style brooch and a blue paste and seed pearl brooch, marked ‘METAL’ to pin (7), ring sizes: I, N/O, N/O, N, total approx. weight of 9ct gold 6.5g, total approx. weight of 22ct gold 2g, total approx. weight of the brooches and stick pin 7.8g
£200-£300
654. A group of jewellery including a 9ct gold band marked ‘9.375’, a 9ct cased locket marked ‘9ct back & front’ suspended on a chain marked ‘9c’ to clasp, a citrine set 9ct gold ring, stamped ‘9.375’, a garnet cluster set 9ct gold ring, stamped ‘9.375’, a colourless paste eternity ring, a three stone diamond set 18ct gold and platinum ring stamped ‘18ct & Plat’ (6), total weight (excluding eternity ring) 20.8g, ring sizes P, L/M, M/N, O, O/P £150-£200
655. A group of mostly gold accessories including; 22ct gold wedding band, stamped 22, 18ct gold diamond and sapphire set ring, stamped ‘18’, 18ct gold lapel pin, stamped ‘750’, 9ct gold signet ring set with a dark hardstone, stamped ‘9.375’, and a flexible fancy link chain, marked to clasp ‘9K’ (5), approx weight of 22ct 4.8g, approx weight of 18ct 3.9g, approx weight of 9ct 5g, weight of chain 9.7g, length of chain 52g £350-£450
656. Assorted bar brooches and other items including a smokey quartz and textured tapering torpedo-shaped brooch, stamped ‘585’ and seven others, mostly stamped ‘9ct’, some with gem-set detail including diamonds; a circular glazed locket pendant applied with a rope twist border; and a 9ct yellow gold and cabochon amber (untested) pendant with trace link chain necklace, combined weight of brooches 22.5g £200-£300
657. A yellow sapphire ring the cushion-shaped yellow sapphire measuring 17.21mm x 15.61mm x 7.87mm; an Austrian yellow gold bar brooch set with green and blue paste, Vienna control mark for 580 standard and ‘ST’; a three stone citrine bar brooch; and a 9ct yellow gold and oval fire opal bar brooch, stamped ‘9ct’;, ring size K, brooch width 6.5cm, 5.8cm, and 5.0cm respectively £100-£150
658. A group of assorted jewellery including 15k gold bar brooch set with blue and colourless gem settings, stamped to reverse ‘15 625’, 9ct gold twisted rope chain, stamped ‘375’ to bumper link, 9ct gold fancy link bracelet stamped ‘375’ to clasp, 9ct gold fancy link bracelet stamped ‘9 375’, 9ct gold hinge bangle, chased with floral design to one half, stamped ‘9.375’ and two continental bangles (7), approx. length of chain 47.5cm, approx. weight of 9ct gold 15.8g, approx. weight of unmarked bangles 10g, approx. weight of 15k gold 2.9g £300-£400
662. A shell cameo brooch marked to clasp ‘10k’, together with 9ct gold cameo ring, a pair of cameo ear pendants marked ‘9c’ to earring backs and an Edwardian amethyst and seed pearl pendant marked ‘9c’ (5), ring size L
£100-£150
659. An assortment of items to include a fob seal and a combination pencil/ dip pen comprising a 19th century gilt metal oval fob set with carnelian intaglio seal, a Victorian gilt combination propelling pencil / dip pen with foliate engraved decoration and shield shaped gate set capital terminal, a silver-gilt hinged cuff bangle, a keyless gold plated open faced pocket watch attached a rolled gold articulated snake link watch chain, together with gentleman’s accessories to include gilt blue stone set knot stick pin, a pair 9ct back and front engine turned cufflinks, set of three silver and mother of pearl dress buttons, a gilt napkin clip with central glazed compartment with woven hair etc (qty), various £70-£90
660. An group of 9ct gold jewellery including a 9ct gold hinged bangle stamped ‘9.375’, 9ct gold fancy link chain bracelet stamped ‘9.375’ to bumper link, 9ct gold chain bracelet stamped ‘375’ to tag, 9ct gold fancy link 5 bar gate bracelet, stamped to bumper link ‘375’, 9ct twisted rope chain necklace stamped to tag ‘375’, 9ct gold flexible link chain suspending ankh pendant, chain stamped to tag ‘375’, 9ct gold flexible link chain stamped to bumper link ‘375’ and a 9ct twisted rope chain bracelet stamped ‘375’ to bumper link (8), total approx weight 37.3g £450-£550
661. A group of gold jewellery including 18ct gold chain stamped ‘750’ to tag, suspending a jug pendant, stamped ‘750’ to bull ring, 9ct gold chain stamped ‘375’, suspending a horn pendant, 9ct gold fetter and three fine link chain stamped to tag ‘375’, suspending a 9ct gold scorpion pendant stamped ‘375’, 9ct gold anchor pendant stamped ‘9.375’, a selection of earrings and ear pendants variously marked, and a ballerina pendant (qty), approx length of 18ct chain 63.5cm, approx weight of 18ct gold 3.1g, approx weight of 9ct 7g, approx weight of earrings 8.2g £200-£300
663. A group of stick pins and brooches of sporting interest including; an Essex crystal fox bar brooch with indistinct ‘18ct’ mark to the reverse, an Essex crystal stick pin of a dog, a painted porcelain brooch of a hound, silver and enamel brooch of a hound, stamped to reverse and three fox stick pins (7), dimension of essex crystal fox 1.3cm, approx length of essex crystal stick pin 7.5cm £100-£150
664. A 9ct gold curb link bracelet links stamped ‘9c’, suspending heart padlock, stamped ‘9c’ to padlock together with a 9ct gold chain stamped ‘9.375’ (2), lapprox ength of chain 69cm, approx weight 23.4g
£250-£350
665. An early 20th century silver gilt and marcasite demi parure by Theodor Fahrner comprising a necklace, a bracelet and a pair of ear clips, each link designed as a half flower with marcasite-set arched motifs, each stamped TF in a circle and ‘ ‘925’ necklace length 42cm, bracelet length 19cm, combined weight 66.0g
£200-£300
665A. Two 9ct Victorian watch chains the first with pierced star motif, twisted and fetter links, the second with belcher links, both marked 9ct (2) £300-400
666. A group of 9ct gold bracelets including 9ct gold flattened curb link identity bracelet, stamped ‘375’ to box clasp, 9ct gold ‘Shirley’ gate bracelet stamped ‘375’ to bumper link with a padlock heart marked ‘.375’ and safety chain, 9ct gold bracelet suspending various charms stamped ‘375’ to bumper link, 9ct gold chain stamped ‘375’ to bumper link (4), total approx weight 29.4g, approx length of chain 92.5cm
£400-£500
667. A collection of lady’s accessories including 9ct gold chain stamped ‘375’ to bumper link, suspending an opal, diamond and green gem cluster pendant, 9ct gold chain stamped ‘375’ suspending a diamond and red gem set crucifix, 9ct gold anchor pendant stamped to bumper link ‘375’, a group of 9ct gold assorted charms all variously stamped, a pair of simulated pearl ear clips marked ‘K14’, a pair of simulated pearl pendants, pair of hoop earrings, a pair of anchor ear pendants, a fine curb link chain suspending a dolphin pendant marked ‘9k’ (qty), approx total weight 16.6g
£150-£250
669. A pair of 9ct gold cufflinks engine turned decoration, stamped ‘375’ to the reverse (2), total weight approx. 13.2g
£200-£300
673. A pair of 18ct gold cufflinks of oval form with chains, stamped ‘18’ with Birmingham assay marks complete with fitted box, total approx weight 10g
£200-£300
670. A pair of 9ct gold cufflinks chased with abstract design, stamped ‘9.375’ together with a chased 9ct gold ring, stamped ‘9.375’ (3), total approx. weight 8.1g, ring size S
£100-£150
674. An Austrian coral and rose-cut diamond-set gentleman’s part dress set comprising a single cuff link
three buttons and three studs, Vienna control marks for gold, fitted case for Franz Syré, Wien; together with a cased set of three tiger’s eye and cannetille studs; and a single silver and enamelled oval plaque cuff link
£150-£250
671. A pair of oval cufflinks each designed as a hollow ovoid and half ovoid chased with a scrolling design with a faceted chain link connection, ovoid length 1.5cm, overall length 3.3cm, combined gross weight 5.0g
Reputedly Russian
£120-£180
668. Assorted gentleman’s accessories including a pair of 9ct yellow gold textured oval plaque cuff links; a pair of amethyst spheres to the 9ct yellow gold engraved oval plaques; a set of three hardstone and 9ct yellow gold studs; and a pair of silver rectangular cu t-cornered engraved plaque cuff links
£80-£120
672. A pair of 9ct gold oval cufflinks stamped ‘9.375’, with engine turned decoration (4), approx diameter 2cm, approx weight 12.1g
£100-£150
675. A pair of gentleman’s 9ct gold cufflinks and other accessories first square fronts engraved with initials with chain with chain links and torpedo backs, together with a boxed set of six Guinness advertising waistcoat buttons and two pairs of Essex crystal style horse and dog cufflinks (4), first weight approx.4.2g
£70-£90
676. An Edward VII full sovereign bald head facing right, rev George slaying the dragon, within a loose mount, suspended on a fancy link chain marked ‘585’ to bumper link, approx length 67cm, total approx weight 25.4g £400-£600
680. An assortment of costume jewellery including; an agate pendant backed in silver, stamped to suspension loop, a green hardstone pendant backed in silver, stamped to suspension loop, a selection of jet beaded necklaces, a curb link chain suspending a 1873 Queen Victoria Young Head silver threepence, a must de Cartier lady’s wristwatch, and a scent bottle and other items (qty)
£50-£80
677. A group of hardstone rings and pendants including an oval banded agate ring, a circular banded agate ring, a tigers eye ring, a tigers eye pendant and possibly an unakite pendant (5), rings sizes N/O, N/O, M/N £100-£200
678. A collection of costume jewellery including a group of silver pendants variously stamped, amber set ring, moonstone set ring, tigers eye set ring and a turquoise set ring and other assorted rings, a group of variously coloured paste brooches, a collection of enamel pendants, a quantity of simulated and cultured pearls, and various beaded necklaces (qty) £80-£120
681. A collection of silver and paste costume jewellery including a silver and lapis lazuli set necklace, marked ‘925’ to clasp, an adjustable buckle bangle with foliate engraving, a, silver bar ring, an amethyst set silver ring, a pair of blue john pendant earrings, an Egyptian Revival Scarab beetle chain link panel bracelet, a pair of purple paste ear pendants, a pair of purple paste ear studs marked ‘silver’ to butterfly back, a piece of coral carved into a rose, red and colourless paste necklace and other items (qty), approx weight of necklace and ring: 0.98ozt £100-£150
679. A collection of silver and costume jewellery to include a 9ct three stone dress ring, Norwegian David Andersen silver and enamel leaf brooch, a 19th century gilt metal paste cross pendant, silver and enamel bar brooch a simulated pearl fringe necklace, Neiger Peking glass with Chinese characters, etc (qty), various £80-£120
682. A collection of silver and costume jewellery including: a silver gold plated pendant by John Pinches, stamped, a half pearl and turquoise brooch marked ‘15ct’, a selection of silver bangles and chains all variously marked, a pair of colourless paste earrings, an enamel brooch depicting foxgloves, and a selection of marcasite set jewellery (qty) £100-£150
683. A box of silver and costume jewellery to include a silver charm bracelet, a Michaela Frey lacquer bangle, two 9ct metal core hinged bangles, a glass beaded sautoir, a MuDu gold plated bangle watch, a pair 9ct and cultured pearl earrings, a marcasite set floral spray brooch, earrings, cameo brooches, an ingot pendant, hinged bangle, a lucite parrot brooch, Estee Lauder Zodiac Scorpio and Golden Hours powder compacts, etc, contained in a leather jewellery box, various £80-£120
685. A Louis Vuitton ‘Satellite 60’ monogrammed suitcase tan leather carrying handle, leather corner with embossed logo reading Louis Vuitton, Made in France, gold tone hardware, brown fabric bands with leather buckles, wrap around zip, rubber protective feet at base, interior with light beige fabric, large single pocket and interlocking fabric hook bands, width 70cm £200-£300
686. Another similar Louis Vuitton ‘Satellite 60’ monogrammed suitcase tan leather carrying handle, leather corner with embossed logo reading Louis Vuitton, Made in France, gold tone hardware, brown fabric bands with leather buckles, wrap around zip, rubber protective feet at base, interior with light beige fabric, large single pocket and interlocking fabric hook bands, width 70cm £200-£300
687. A Chanel beige calfskin flap bag embossed with ‘CHANEL’ and addorsed ‘CC’ surface, with gun metal coloured hard wear, CC twist lock, serial number to interior 19791072, approx. length 24.5cm £1,000-£1,500
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 104.
684. A mid 19th century hardstone and gilt metal hinged cuff bracelet the centre set with a banded agate cabochon, within a foliate scroll surround, stamped scroll decoration, hinged with push clasp £50-£80
688. A Chanel black and burgundy travel wallet quilted lambskin, with addorsed CC and burgundy interior, with outer pocket, number to interior ‘19233170’, approx length 23.3cm £200-£300
689. A black lambskin Chanel 2.55 flap bag no 12728471, with classic diamond-quilted pattern, double strap, silver tone hardware, double C turn to lock, burgundy lining to interior with single zip, inner pocket, and pocket to reverse of bag, complete with outer dust bag, width of bag 31cm £2,500-£3,500
690. An Hermès Birkin 25 Rouge H togo leather with gold coloured hardware, together with padlock, keys, clochette, raincoat, dust covers and outer box, width 25cm, height with handles approx 28cm £6,000-£8,000
691. An Hermès Lindy 26 Bourgainvillea Clemence with side carrying handles and shoulder strap, palladium hardware, two outside pockets and two inside pockets, with canvas dust cover and original Hermès box, width approx 26cm, height with handles 30cm £3,500-£4,500
692. A Chanel chunky necklace red and orange simulated amber beads with gilt metal chanel discs, with addorsed CC, stamped to fastening ‘CHANEL / 96 P / MADE IN FRANCE’, approx length 50cm £100-£200
693. A Chanel magnifier glass pendant embellished with the addorsed CC, suspended on a chunky link chain, stamp to clasp ‘CHANEL / 96 P/ MADE IN FRANCE’, approx chain length 92cm £80-£120
694. A Chanel Premiere quartz bracelet watch model H3254, steel octagonal case with diamond set bezel, black lacquer dial and steel hands, steel link chain bracelet, with onyx cabochon crown, complete with black suede case and watch repair certificate dated September 2022, length of dial 2.7cm £200-£300
695. A Chanel statement double chain featuring the addorsed CC, simulated pearls, woven charms, rock crystal and a crucifix, stamped to the reverse ‘CHANEL / 05 A / MADE IN ITALY’, approx length 46cm £100-£200
696. A pair of Chanel earclips textured addorsed ‘CC’ suspending faceted black beads, stamped to reverse ‘Chanel 10 V Made in France’ (2), approx. length 4cm £100-£200
697. A pair of Chanel upside down sunglasses gilt metal ‘CHANEL’ stamp to the arms, inscribed to the interior of the arms ‘CHANEL’ and numbered 17282 94305 complete with original case, total frame length 13cm £80-£100
703. A Cartier lighter with a textured surface and marked ‘03248N’, approx length 7cm £70-£90
704. Sir Winston Leonard Spencer Churchill (1874-195) A part smoked cigar from Chartwell 1963 collected by P.C. Anthony Gundry the part smoked cigar Romeo Y Julieta Havana with band, accompanied by a 1963 Christmas card from Winston and Clementine Churchill and a signed declaration of authenticity made by Anthony Gundry dated 4/02/2010 and memoirs, recording how whilst seconded to security duties at Chartwell for six month spell in 1963 Mr Gundry was invited by Grace Hamlin, private secretary to Sir Winston to watch a screen of ‘Ben Hur’ at the Chartwell private cinema as a reward for carrying out a favour for Sir Winston. Sir Winston sat in the front row and smoked cigars throughout the screening and at the end, after he had left, the tray of spent cigars including this partially smoked cigar, was given to Mr Gundry by Miss Hamlin for disposal and with her permission was allowed to keep the half smoked cigar as a momento. (qty), cigar length 12cm £600-£800
705. A burr wood pipe formerly in possession of Sir Harold Wilson KG OBE FRS, the burr wood bowl stamped ‘Captain Black Made in England’, together with a framed letter on House of Commons paper confirming the ownership, addressed to Miss Woolford, dated 15th May 1979 and signed by Harold Wilson (2), length of pipe 14cm
The pipe was bought by the present owner in a charity auction at Alexandra Palace in 1979. Miss Woolford then wrote to Sir Harold Wilson later that year for confirmation of ownership £300-£500
706. A 1940s rosewood walking cane
Swaine Adney Brigg & Sons Ltd, London, silver capped, London, marks indistinct, ‘T/J.C’ stamped ‘Swaine Brigg’, square tapering form with horn ferule, together with a labelled retailer’s bag, 93cm long £50-£80
707. A Waterman’s Ideal 52 ‘Red Ripple’ fountain pen and pencil and another fountain pen
first with 9ct gold bands, the fountain pen lever fill with Waterman’s nib, second mother of pearl veneered with nib stamped 18ct (3), first length 13.3cm £80-£120
708. A Mabie Todd “Swan” 142/51 Self Filling fountain pen and two other pens
first c.1930 in tangerine with black bands, the nib stamped Swan 2 14ct, initialled L.R.K, together with a Mabie Todd ‘Blackbird’, in black lever fill, the nib stamped Blackbird 14ct in Mabid Todd Case, initialled L.R.K. and a Boots ‘Doris’ Stylo pen (3), first length 13.7cm £50-£80
709. A German double sided pocket compendium aneroid barometer
thermometer and compass, first c.1900 3 3⁄4” silvered register with exposed works and outer rotating scale calibrated 0 to 4000 for altitude barometer dial with scale inscribed in German R. Wind Vlyk M001W, reverse with black dial, silvered scale and curved thermometer tube, plated drum case, diameter 4.7cm £80-£120
710. A late 19th century Henry Crouch brass binocular microscope
no 837, Y shaped base, signed on the body tubes Henry Crouch London, with rack and pinion focusing and fine focusing, calibrated stage with X and Y motion, substage condenser, plano concave mirror, contained within a fitted mahogany case with brass carrying handle and four canned Crouch objectives, live box, stage forceps, and nose piece, unextended height 40cm £400-£600
712. A 19th century American painted cast iron Tammany Bank money box
in the form of the seated figure of American politician William Magear Tweed (1823-1878) with nodding head and hinged arm, inscribed on the arched chair back Patd Dec 23 1873, height 15cm £80-£120
714. A set of opera glasses and group of desk and games items early/mid 20th century, opera glasses cased and with ‘Marine Field and Theatre’ settings, together with a novelty brass bridge trump marker, in the form of a pig, a bronze cannon cigarette lighter, a silver plate inkstand, a brass inkwell, a brass embossed circular box, a chrome cylindrical string box, a Deco bakelite ball form ashtray, a box of bezique cards, and an assortment of dominoes (qty), width inkstand 20cm £80-£120
713. A French JEP “Jeu de Course” tinplate mechanical horse racing game c.1920 with eight painted lead horses mounted with jockeys in two circles through four gates and finishing post coin dish to centre, lever operated, in original cardboard case, 33.5 x 33.5cm £100-£150
715. A large Steiff centre seam cinnamon mohair bear c.1910 black boot button eyes early, pronounced clipped muzzle, dark brown stitched nose, mouth and claws, swivel head, jointed elongated limbs with felt pads, pronounced hump, growler, straw filled, Steiff button, length 57cm £500-£800
716. A collection of twenty two Halcyon days Enamel Easter Eggs comprising eggs dated from 1975-1996, variously decorated, on stands, mostly with certificates (22), height 5.5cm £200-£300
717. A Swiss bells and drum-insight cylinder musical box circa 1880, the 15cm cylinder playing eight airs accompanied by a drum and three bells as listed on a tune sheet with three bells and a 15cm brass cylinder with a ratchet handle, width 42cm, depth 27cm £200-£300
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 104.
718. An early Victorian turned and polychrome painted police truncheon painted in gold with crowned VR cypher over B.P enclosed in a cartouche, length 44.2cm £60-£80
719. A French M1842 chassepot ‘Yataghan’ style bayonet, 21.5” single fulled blade stamped Manufre Imp de Chatellerault 8bre 1815?, numbered to cross guard 2171, brass grip, steel scabbard, overall length 71cm £80-£120
720. USA WWII PAL M1 Garand knife bayonet
9 3⁄4” blade stamped PAL US between shell and flame ordnance mark to the ricasso, green fibreglass scabbard marked VP 25 with belt clip, overall length 40cm £80-£120
721. A French M1866 chassepot ‘Yataghan’ style bayonet single fullered 22.5” blade stamped ‘Mne Impal de Mutzig 8bre 1868, steel scabbar, length 71cm £70-£90
722. A WWII British RAF silk escape map of France and Holland single sided together with a pair of French folding travelling pocket compass, binocular and signal mirror in a pouch (2), first 53.5 x 42.5cm £50-£80
723. A French WWI Era 1882 pattern Infantry Officers sword single fullered 331⁄4” tapering blade engraved Manufacture nationale d’armes de Chatellerault Juillet 1917 Offer d’Infrie Mle 1882, hilt with turndown edge and three bar knuckle guard, wire bound horn grip handle, in steel scabbard with suspension ring, length 101cm £80-£120
724. C.A.G. Nichols DSO RN (1898-1986)
DSO RN
A Royal Navy Officers bicorn, epaulettes and sword belt by Gieves, beaver felt bicorn hat edged with gold lace and with central black ribbed cockade and three loops of gold bullion, the central one twisted over a button, at either end a blue and gold tassel together with a pair of Captains full dress bullion epaulettes with silver bullion fouled anchor and red velvet crown, and a sword belt, contained in painted tole tin named for C.A.G. Nichols commander of HMS Canton 12.2.1941-2.3.1942 and HMAS Shropshire 25.9.1944-14.4. 1946 £100-£150
A buyer’s premium of 24% inclusive of VAT @ 20% will be applied to each lot. Lots marked ‡ will be subject to an additional fee - please see page 104.
725. A selection of medals comprising a WWI 1914-1918 War Medal awarded to 46493
A.W.O. CL. 2. T. Simmons Manch R, a 1914-15 campaign star awarded to 010750 Pte. J.E. Bonsor A.O.C, LCC The King’S Medal awarded to E. Wood o ribbons with 1912-13 bar and Queen Alexandra’s Children’s Banquet Medal, 1914 on ribbon (4), Fair condition. Surface marks £50-£80
726. A Masonic gold cased silver fob seal and other Masonic items first of pentagonal pyramid form, opening to form a five pointed star engraved with various symbols, stamped Reg. 68230, together with a silver-gilt compass and set square collar jewel, a silver circular fob pierced with compass and set square and two silver-gilt Royal Masonic Benevolent Institution Stewards Jewels, for 1930 and 1935 (5), first length closed 2.4cm £150-£250
728. British silver coins comprising; Elizabeth I shilling 2nd issue (1560-61) mint mark cross crosslet together with a Charles II crown, 1676 and two George III shillings, 1787 (4), first diameter 34mm £100-£150
£80-£120
730. A collection of 19th century and later mostly British silver and other coins to include George III crown, 1819, William IV 4d, 1836, Victoria: Crown 1889, 1893, half crown 1887, shilling 1887, 11⁄2 1893, Hong Kong ten cents 1898 and five cents 1900, Ceylon 25 cents, 1893, USA quarter dollar, 1857, Russia ten roubles, 1915, George VI Festival of Britain crown, boxed, with a quantity of 1920-1946 silver coins to include George V crowns, 1935 x3, a George VI half crown, half crowns, shillings etc. Australia: parliament Florins 1927 x2, 1946, and 1951 x3 together with a George IV coronation medal by Thomas Kettle and a quantity of other coins (qty), weight silver coins approx. 8ozt, 1920-1947 22.61ozt £200-£300
731. A collection of silver and other coins comprising Edward VII Coronation medal, 1902, George V silver coronation medal, 1911, USA one dollar 1922 and 1920-1946 half crowns, florins and sixpences, George III cartwheel Twopence 1797, Victoria penny 1853, etc (qty), silver weight approx. 1.66ozt, 1920-1946 weight approx. 16.99ozt £100-£150
732. Iraq. gold medal, 1978, 10th Anniversary of the July Revolution, in original case of issue, diameter 29mm, weight approx. 15.6g £400-£500
733. A George V gold half sovereign, 1912, bare head facing left, rev George slaying the dragon, within a loose mount, approx. weight 4.9g £150-£250
734. A George V 1915 full sovereign bare head facing left, George slaying the dragon to the reverse, approx total weight 7.9g, approx diameter 2.2cm £300-£350
735. A Victorian full sovereign dated 1894, veiled head facing left, George slaying the dragon to the reverse within a loose mount, approx dimension 2.3cm, total approx weight including mount 8.9g £300-£350
736. An Edward VII half sovereign dated 1903, bald head facing right, George slaying the dragon to reverse, together with a Edward VII half sovereign, dated 1910, bald head facing right, George slaying the dragon to the reverse (2), 1903 approx weight 3.9g, 1910 approx weight 3.9g £300-£350
738. A early 20th century mandolin by J.G. Winder black line inlaid satinwood bowl back and rosewood neck, spruce top, inlaid tortoiseshell pick-guard, bears paper label No 1751, J.G. Winder Mandoline Maker London, fitted leather case, length 60cm £50-£80
739. Ephemera. An RMS Lusitania Second Class Menu Card dated Thursday May 11th 1911, colour printed with a view of a Cunarder Arriving at Liverpool, over the menu, 21.7 x 16.4cm £80-£120
737. Royal Mint. Peter Rabbit 2019 UK 50 pence Gold Proof Coin in capsule, in fitted case accompanied by certificate of Authenticity numbered 201, and outer box, diameter 27.3mm, weight approx. 15.5g
£400-£600
740. Two Beatles programmes one the ‘Official Souvenir The Beatles Australian Tour 1964’, with information on each Beatle, photos and various adverts, the other titled, ‘The Beatles in A Hard Day’s Night’, published 1964, with a cast list and various photos (2), Australian example 28.5cm x 20.5cm £120-£180
741. Dickens (Charles). The works in 17 Vols containing 21 titles
illustrated by Barnard, Dalziel, “Phiz”, Ralston, Mahoney, Green, including Forster J. The Life of Charles Dickens, 8vo, n.d c.1880, Martin Hall & Co. printed by Virtue & Co, engraved frontispieces, contemporary gilt tooled half calf over embossed cloth, marbled endpapers (17) £200-£300
742. Rackham Arthur (illustrator) Nine Titles comprising; Irving W, Rip Van Winkle, 1905, Heinemann, gilt dec green cloth, Shakespeare, W. A Midsummer-Nights Dream, 1908, Heinemann, gilt dec cloth, Wagner R, The Rhinegold & Walkyrie, 1910 and Siegfried & The Twilight of The Gods,1911, Heinemann, gilt decorated buckram, dustwrappers, De la Motte Fouque, Undine, 1909, Heinemann, gilt dec cloth, Swinburne, A.C, Springtide of Life Poems of Childhood, 1918, Heinemann, gilt dec cloth, together with Aesops’ Fables, 1931, Some British Ballads, n.d and The Ring of Niblung, 1939 (9) £200-£300
743. Scott Sir Walter. The Waverley Novels in 27 volumes New York Merrill and Baker n.d. c.1885, numerous b&w illustrations, 8vo, maroon half morocco & cloth, gilt decorated spines, gilt top edge, marbled end papers (27) £80-£120
744. Arabian Nights. Burton (Sir Richard Translator) The Book of the Thousand Nights and a Night 12 vols, 1897, Illustrated Library Edition, edited by Leonard C. Smithers and illustrated by Albert Letchford, numerous b&w plates with tissue guards, 8vo, original gilt dec cloth, top edge gilt (12) £250-£300
745. Illustrated Books and other works comprising Rubaiyat of Omar Khayyam translated by Edward Fiztgerald and illustrated by Gilbert James 1909, de cloth, The Rubaiyat of Omar Khayyam illustrated by Mabel Eardley-Wilmot with 38 tipped in black and white pictures from photographs, 1912, dec cloth, Shakespeare’s Comedy of the Tempest illustrated by Edmund Dulac with tipped colour plates, Hans Andersen’s Fairy Tales illustrated by W Heath Robinson, together with Markham, Shooting in the Himalayas, 1854, first edition, lithograph frontis and six plates, folding map, wood cut engraved illustrations, red half morocco with marbled boards and Goldsmith, A History of the Earth and, 1858, 2 Volshalf morocco and embossed cloth etc (qty), various £80-£120
746. Doctor Birkbeck. A Lecture on the Preservation of Timber by Kyan’s Patent For Preventing Dry Rot at the Society of Arts Adelphi; December 9, 1834, London: John Weale, n.d. c.1835, three b&w engraved plates, original wrappers, pp48, 21.7 x 13.5cm £100-£150
747. Waugh. Evelyn
Brideshead Revisited The Sacred and Profane Memories of Captain Charles Ryder, First edition, 1945, Chapman & Hall, 12mo, red cloth, dust wrapper, together with The Ordeal of Gilbert Pinfold, First edition, 1957, Chapman & Hall, 12mo, blue cloth, dust wrapper (2), 12mo £150-£250
748. A collection of Antiques Reference and Art History Books to include Macfall Haldane, The Book of Lovat, Claud Fraser, 1923 Dent, pictorial boards, cloth spine, a Mallett & Son catalogue c.1930, Edwards Ralph, The Shorter Dictionary of English Furniture, 1964, Mankowitz, Wedgwood, 1972, Godde, English China, 1985, Twitchett & Bailey, Royal Crown Derby, 1976, Lloyd, Investing in Georgian Glass, 1969, Falkiner Inversting in Antique Jewellery, 1968, Cumhaill, Investing in Clocks and Watches, 1967, Delieb, Investing in Silver, 1968, Haslam, English Art Pottery 1865-1915, 1975, Williams, Blue and White Spode, 1949, The Concise Encyclopaedia of Antiques compiled by The Connoisseur, 1954-1961, Miller & Berthoud, An Anthology of British Teapots, Heal, London Furniture Makers, 1988, etc (qty), various £100-£200
Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required
All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business
Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT
All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate
A buyer’s premium of 24% is applicable to all the lots in this sale. The buyer’s premium is inclusive of VAT at the current standard rate (20%), Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers
Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium
Lots marked with a will be exempt from VAT
All auctions are on public view the day before the sale and on the morning of the sale
All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information
To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect.
Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom), It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business
PAYMENT
Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment:
We are pleased to accept Debit Cards
STERLING CHEQUE OR CASH
Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd.
We are no longer accepting cash.
Wire transfers can be made directly to our bank:
National Westminster Bank plc
33 High Street
West Wickham
Kent BR4 0WH
Please refer to the office for bank details
PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTHON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER
Ø - IMPORTANT NOTE:
This lot contains elephant ivory and is therefore subject to both CITES regulations and the UK Ivory act 2018. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. It is the buyers responsibility to obtain any export or import licenses, certifications and any other required documentation. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. The Ivory declaration submission reference number can be found in the catalogue description of the lot.
All Lots marked with the Y symbol are sold in compliance with CITES regulations. The Cites Transaction Specific Certificate number can be found in the catalogue description of the lot.
For more information visit http://www.defra.gov.uk/ahvla- en/import-exports/cites
When exporting outside the UK, Regulations maybe found at: https://www.gov.uk/guidance/cites-imports-and-exports#how-to-apply
Furniture made of Brazilian Rosewood (Dalbergia Negra)
To comply with CITES Regulations on post-1947 furniture made of Brazilian Rosewood, all post-war rosewood furniture items have Article 10 certificates.
If you are purchasing rosewood furniture for commercial purposes and not solely for your own use, CITES regulations require you to obtain your own certificate.
It is the responsibility of commercial buyers to ensure a copy of the certificate is obtained from Catherine Southon Auctioneers.
Where a work is catalogued with the name(s) or recognized pseudonym(s) of an artist, it is our opinion that it is a work by the named artist.
In other instances, the following expressions are used:
“Attributed to…” denotes that in our opinion the work is probably by the named artist or the named artist has made a contribution to the work.
“Circle of…” denotes that in our opinion the work shows the stylistic influences of the named artist and dates from the period of the named artist.
“Follower of…” denotes that in our opinion the work shows the stylistic influences of the named artist but probably dates from a later period to that of the named artist.
“Manner of…” denotes that in our opinion the work is a copy or pastiche of a work or works by the named artist and dates from a later period to that of the named artist.
“After…’ denotes that in our opinion the work is a copy by another artist or a printed reproduction of a known work by the named artist.
The terms “signed” and/or “dated” denote that in our opinion the work has been signed and/or dated by the named artist.
The terms “bears signature” and/or “bears date” denote that in our opinion the work has been signed and/or dated by a hand other than that of the named or quoted artist.
Measurements of pictures are given height before width.
The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers.
Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer.
“Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate)
“The Company” means Catherine Southon Auctioneers & Valuers Ltd., Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number
“Seller’s Commission” is the commission The Company charges Sellers of Property.
“Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts
“Buyer’s Premium” is the commission The Company charges Buyers of Property
“Hammer Price” is the highest bid for the Property accepted by the auctioneer
“Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company
“Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses.
“Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction
“Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer
“Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable
(a) The Seller warrants to The Company and the Buyer that:-
(i) the Seller is the owner of the Property or is properly authorised to sell it;
(ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims;
(iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property;
(iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property.
(b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller
(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.
(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot
(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties
(d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces
(e) The Company will charge a Buyer’s Premium on the sale of the Property at The
Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it
(f) Sellers are prohibited from bidding on their own Property.
(a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”),
(b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason.
(c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a), If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.
(a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c),
(b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses
(c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited
(a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:-
(i) risk passes to the Buyer; or
(ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or
(iii) 6 months after receipt of the Property by The Company, if not consigned for sale
(b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be:
(i) the Hammer Price of the Property, if sold;
(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or
(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);
less Seller’s Commission and Expenses
(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination
If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques
If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.
(a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company.
(b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.
(a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:-
(i) be reconsigned for sale; or
(ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses.
(b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-
(i) transfer the Property to independent storage at the Seller’s expense; or
(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the
(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:
(i) these Conditions of Business for Buyers;
(ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd;
(iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement
(b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot
“Bidder” is any person making, attempting or considering making a bid, including Buyers;
“Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent;
“Seller” is the person offering a lot for sale, including their agent, or executors;
“THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd., registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183;
“Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer;
“Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 24% (inc VAT);
“Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price;
“Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses;
“Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot
The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable
re-sale plus all relevant Expenses
(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address
The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control
(a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law.
(b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a),
(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect
b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.
(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions
(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion
(a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit
(b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot
(c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses
(d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller
continued over page
(a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained)
(b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form
(c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded
THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)
(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable
(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer
(d) Any post-auction sale of lots shall incorporate these Conditions of Business
(a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”)
(b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above
(c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a)
(d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers.
(e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers
Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:-
(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense;
(b) cancel the sale of the lot;
(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot;
(d) reject future bids from the Buyer;
(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;
(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original
Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale;
(g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien;
(h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs;
(i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings
(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage
(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction
(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law
(b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)
(a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY
(b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives
(c) The materials listed in Condition 1(a) set out the entire agreement between the parties
(d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect
(e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.
From 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue.
It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk.
All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.
The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.
For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk.
Chislehurst Business Centre
1 Bromley Lane
Chislehurst
Kent BR7 6LH
Tel: 0208 468 1010
catherinesouthon.co.uk
