Catherine Southon 10-11 May 2022 Catalogue by Park Communications

Antiques & Collectables Tuesday 10th & Wednesday 11th May 2022

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Antiques & Collectables Tuesday 10th May at 10.30am Silver, Watches, Jewellery & Luxury Accessories

Wednesday 11th May at 11am Furniture, Paintings, Works of Art, Ceramics, Vertu, Oriental & Collectables VIEWING Sunday 8th May 3pm - 5.30pm Monday 9th May 9am - 5pm Tuesday 10th May 9am - 5pm (Jewellery, Watches & Silver 9am - 10.30am only) Please telephone 0208 468 1010 We are able to offer further images, detailed condition reports and virtual viewing if required. Please note that this will now be a public auction at Farleigh

PLEASE NOTE THAT WE HAVE MOVED OFFICES TO: Chislehurst Business Centre 1 Bromley Lane Chislehurst Kent BR7 6LH

Welcome to Catherine Southon Auctioneers & Valuers Director:

Catherine Southon

Specialists:

Tom Blest Stephanie Connell

Sale Administrator:

Nicola Minney

Auction Enquiries and Information:

0208 468 1010 07808 737694 Email: info@catherinesouthon.co.uk

AUCTION VENUE Farleigh Court Golf Club, Old Farleigh Road, Warlingham, CR6 9PE. We will be situated at Farleigh Court from Sunday 8th May until Friday 13th May.

I M P O R TA N T N O T I C E S Please note that the condition of items are not noted in the catalogue. Condition reports can be viewed on www.the-saleroom.com All payments should be made by bank transfer, debit card or through www.the-saleroom.com Please note that we are no longer taking credit cards as payment.

LIVE INTERNET BIDDING

In addition to bidding via telephone, absentee and the-saleroom.com, we are now delighted to offer bidding through our own website catherinesouthon.co.uk. All you have to do is visit the website and register to bid - it’s just like being in the auction room. A live audio feed means you hear the auctioneer at exactly the same time as other bidders. You see the lots on your computer screen as they appear in the auction room, and the auctioneer is aware of your bids the moment you make them. Just register and click to bid!

COLLECTIONS Items can be collected from the auction venue, Farleigh Golf Club, on Thursday 12th May between 9.30am and 5.00pm and on Friday 13th May between 9.30am and 3.00pm. After this collections should be made from our office, Chislehurst Business Centre, 1 Bromley Lane, Chislehurst, Kent BR7 6LH. We are able to post small non-breakable items.

SHIPPING Mail Boxes Etc. Tel: +44 (0) 208 649 9777 Email: info@mbecroydon.co.uk

Pack & Send Tel: +44 (0) 203 818 1980 Email: croydon@packsend.co.uk

AUCTIONS The Company trades as Catherine Southon Auctioneers & Valuers Ltd. The Company’s registered office is: Lygon House, 50 London Road, Bromley, BR1 3RA. Company Registration Number 08020183. Registered in England and Wales.

Day One Silver, Watches, Jewellery and Luxury Accessories (LOTS 1-500)

Tuesday 10th May at 10.30am

A N T IQU ES & COL L ECTA BL ES

1. A George V silver three piece cruet set Birmingham, 1936/7 by Roberts & Dore, of plain tapering decagonal design on a domed foot with a cast ribbon tied swag border, the mustard and salt fitted with blue glass liners and with spoons (5), weight 5.38ozt £70-£90 2. A collection of silver cruet items and napkin rings various dates and makers, comprising an Edwardian oval pierced mustard pot with blue glass liner and spoon, Chester, 1902 by William Neale, two pepper pots, a cased christening spoon and fork set, a whisky decanter label, a pair of late Victorian napkin rings bright cut engraved with leaves and beaded borders, Sheffield, 1901 by Martin Hall & Co, initialled, seven other napkin rings and a cased pair of electroplated fish servers with silver ferrules (qty), weight approx. 13.6ozt £150-£200

5. A modernist silver gilt three piece cruet set Birmingham, 1979 by Mappin & Webb, comprising a plain tapering silver pepper pot with a gilt textured band and a pair of matching gilt salts (3), first height 7.4cm, weight approx. 7.46ozt £200-£250

3. A pair of early 20th century Norwegian novelty silver and guilloché enamel toadstool pepper pots stamped 925 S by Norsk Solvvareindustri, the red and blue enamel tops with white spots (2), height 4.3cm, weight approx. 1.37ozt £80-£120

4. A George V silver egg shaped pepper pot Sheffield, 1924 by Atkin Brothers, of plain ovoid form with pierced screw fitting cover, engraved ‘From Rik’, numbered 2, height 4.5cm, weight approx. 4.26ozt £50-£80

6. A Japanese novelty swan pepperette c.1900 Jungin mark only, in naturalistic style, slide opening to base, length 5.5cm £100-£150 7. A pair of novelty Japanese .970 silver Tori gate salt and pepper shakers and a .950 pagoda pepperette early 20th century, each stamped sterling (3), first height 7cm, weight approx. 2.9ozt £100-£150

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10. A modern silver three piece silver cruet London, 1973, by Harrods Ltd, of plain bellied form with gadrooned rims on lion mask paw feet, comprising pepper pot, mustard pot and salt with blue glass liners and spoons, in original box (5), weight approx. 11.32ozt £100-£200

8. A cased George V eight piece silver cruet set Birmingham, 1915/16 by Mappin & Webb, comprising salts of bellied form with wavy edged rims on feet, comprising a pair of pepper pots, four salts with blue glass liners, a pair of mustards (one lacking liner) and four associated spoons, weight approx. 9.6ozt £100-£200 9. A fine pair of late Victorian novelty silver ‘sleigh’ sauce boats London, 1899 by William Comyns, cast in the form of a sleigh with foliate scroll decoration with lantern finials and figural putto handles, gilt interiors (2), length 20.5cm, weight approx. 26.29ozt £2,000-£3,000

11. A Victorian silver fiddle pattern basting spoon a Victorian Kings pattern christening fork and spoon and an Edwardian silver six division toast rack the first London, 1858 by Samuel Hayne & Dudley, initialled, second London, 1853 by Elizabeth Eaton, third London, 1906 by The Goldsmiths & Silversmiths Co, of plain arched design on ball feet (4), first length 30.2cm, approx. 12.78ozt £150-£200 12. A collection of silver to include cruet items various dates makers, comprising a three piece cruet set with blue glass liners, a pair of pepper pots of bellied form with petal edged rims on feet, another pair of plain tapering form, an egg cup decorated with an engine turned band, a set of six coffee spoons, a pair of sugar tongs with fluted bowls, a Victorian foliate embossed spirit burner, a hand mirror embossed with cherubs two silver thimbles, three various napkin rings, a cased plated set of six fish knives and forks etc (qty), weighable silver approx. 18.11ozt £200-£300

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13. A George III silver swing handle cream pail London, 1773 by Samuel Meriton II, of circular tapering form with pierced decoration, ropetwist swing handle and gadrooned borders, fitted with a blue glass liner, accompanied by a George III bright cut cream ladle, marks partially worn (2), height with handle upright 12cm, weight approx. 3.58ozt £150-£250

14. An early 20th century American sterling silver twin handled entrée and cover marked Sterling, MFH for M Fred Hirsch, 269, of plain oblong form, length 27.9cm. weight 28.68ozt £300-£400

15. A George VI pierced silver footed dish, a George V pedestal bonbon dish and a pair of Edwardian twin handled pedestal bonbon dishes first, Sheffield, 1938 by Viners, of circular lobed design with shaped rim and foliate pierced decoration, on a circular foot, second Birmingham, 1930 by The Adie Brothers, panelled bowl with raised pierced rim, third Sheffield, 1908 by Roberts & Belk, one (a/f) (4), first diameter 19.7cm, weight approx. 16.24ozt £200-£250 16. A collection of silver cruets, napkins rings and other items various dates and makers, comprising a set of four plain oval napkin rings, Sheffield, 1997/1998 by Carr’s, a Norwegian longboat salt with blue glass liner, marked, five engine turned oval napkin rings, a three piece cruet set with spoons, of oblong form with gadrooned rims and blue glass liners, A Danish silver spoon with twisted stem, Copenhagen, 1878 by Simon Groth, a whisky decanter label, three pepper pots, five various napkin rings, a pair of sugar tongs, a silver mounted cut clear glass preserve pot, etc (qty), weight approx. 21.19ozt £200-£300

17. Edwardian and later silver to include two sugar basins, a sauce boat, a baluster form cream jug and a baluster form sugar caster first, Sheffield, 1913 by James Deakin & Sons, of plain twin handled circular bellied form with wave edge rim on four hoof feet, together with a smaller similar sugar basin without handles. London, 1926 by Charles Boyton & Sons, the sauce boat Birmingham, 1934 by Barker Brothers Silver Ltd, of typical form with wavy edged rim and flying leaf capped scroll handle, etc (5), first handle to handle 18.2cm, weight approx. 23.25ozt £250-£350

A N T IQU ES & COL L ECTA BL ES 18. Edwardian and later silver to include sauce boats and a sugar caster various dates and makers, comprising an Edwardian sauce boat in 18th century style, London, 1903 by Thomas Bradbury, of usual design with gadrooned rim, on shell capped legs with stepped hoof feet and scroll, handled, a baluster form sugar caster, Chester, 1903 by George Nathan & Ridley Hayes, another sauce boat, cased pair of ribbon and reed sugar spoons, a feather edge sugar spoon, a picture back christening spoon and fork, etc (10), weight approx. 21.32ozt £250-£350

21. A George V silver salver Birmingham, 1913 by Elkington & Co, of plain circular design, the raised rim with bead and reel rim, on three splayed bracket feet, numbered 27907 and stamped Elkington & Co, diameter 25.5cm, weight approx. 18.73ozt £200-£300

19. A George V silver vase Sheffield, 1924, makers mark rubbed, of campana form, the evered rim with lead borders and beaded rim, above an anthemion band, on a domed foot, stamped Z. Barraclough & Son, Leeds, height 20.7cm, weight 10.03cm £100-£200

22. A George II small silver waiter London, 1732 by Denis Langton, of circular form with raised piecrust border, centred by an engraved crest within a foliate shell and scroll framed border, four stepped hood feet, diameter 18.3cm, weight approx. 11.05ozt £150-£250

20. A small modern silver presentation salver Sheffield, 1979 by Barker Ellis Silver Co., circular with raised piecrust border and beaded rim, on ball and claw feet, bears presentation inscription, diameter 18cm, weight approx. 6.99ozt £80-£120

23. A cased modern set of six silver kiddush cups Birmingham, 1970 by S J Rose & Sons, of plain thistle shape, gilt interiors, in a fitted case, height 10.5cm, weight approx. 12.12ozt £100-£200 24. A George V silver pedestal dish London, 1926, maker mark NB, the shallow pierced bowl with wavy edged rim, height 13cm, weight approx. 11ozt £100-£150

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28. An Edward VIII silver christening porringer Birmingham, 1936 by The Goldsmiths & Silversmiths Co, of plain circular design with twin scroll handles, on a circular foot, handle to handle 15.8cm, weight approx. 7.39ozt £80-£120

25. A collection of silver to include a pair of sauce boats, a five bar toast rack and two christening mugs first Birmingham, 1934 by Walker & Hall, of typical design with wavy edged rim and scroll handles, on shell and hood feet, initialled, second Birmingham, 1918 by Gorham Manufacturing Co, of trefoil design (6), weight approx. 15.29ozt £180-£220 26. A late George III silver spirit burner, together with a pair of early 19th century Old Sheffield plate chamber sticks c.1815 and a wine funnel the burner, no town mark but London, 1817, makers mark W.E, of compressed circular ogee form, embossed with flowers and scrolls, crested, the chamber sticks on circular bases with gadrooned rims, the sockets with side ejectors on slotted stems to take a wick trimmer, both with conical extinguishers, crested (4), first height 6.2cm, weight approx. 5.1ozt £60-£80

27. An Edwardian silver twin handled pierced fruit stand Sheffield, 1908 by Levelsey Bothers, of shallow circular design with pierced scrolling fruiting vine border and conforming cast rim, twin foliate cast handles, on a domed circular foot, handle to handle 41.2cm, weight approx. 31.87ozt £400-£600

29. A pair of late Victorian Arts and Crafts silver vases London, 1901 by Streeter & Co Ltd, of thistle form with flared necks, embossed with an acanthus leaf girdle and a scrolling leaf band and dot border, on a circular spreading foot (2), height 16.5cm, weight approx. 21.44ozt £300-£400 30. An Edwardian silver framed dressing table mirror Birmingham, 1907 by Henry Matthews, the rectangular bevelled plate within a foliate scroll embossed surround mounted against blue velvet, height 30.8 xm, width 23.5cm £80-£120

31. A late Victorian silver heart shaped dressing table London, 1889 by William Comyns, the bevelled plate with an embossed scrolling foliate pierced surround with knight mounted on blue velvet, easel back, height 28.2cm £200-£250 31

A N T IQU ES & COL L ECTA BL ES 32. A late Victorian silver heart shaped embossed jewellery box, an Edwardian perpetual desk calendar and atomisers first, London, 1893 by Thomas Hayes, all over embossed with foliate scrolls, having hinged domed lid and crimped rims, second Chester, 1906, having oak back on plinth base, an embossed, lidded pot, a late Victorian silver mounted cut glass atomiser and gilt metal mounted cranberry fading to clear glass atomiser of tapered faceted from (5), weighable silver approx. 7.53ozt £100-£200 33. A collection of Ecuadorian and other silver comprising a pair of small bonbon dishes on three llama supports, unmarked, a teacup, unmarked, a .900 tea strainer, .900 planished petal edged ball on ball feet, a pair of twin handled dishes, marked 925, a small .900 planished shaped lobed pin dish, a set of six coffee spoons with Dos Sucres coin bowls, and a plated ashtray together with a modern silver photograph frame, a pair of sauce boats and two napkin rings (qty), weight approx. 20.35ozt £250-£350

34. A pair of Edwardian silver pepper casters, a sugar caster and other silver first London, 1905 by Mappin & Webb, of baluster form with gadrooned borders on mask and shell feet, initialled D, a late Victorian foliate embossed ogee baluster pepper caster on a weighted foot, London, 1900, maker Mark M? Co, a sugar caster and a pair of pierced and embossed bonbon dishes (6), first height 10.7cm, weighable silver approx. 14.74ozt £150-£250 35. A George V silver small presentation rose bowl, a curved card case and other items first Birmingham, 1934 by Alexander Clark & Co Ltd, half fluted with gadrooned borders, engraved ‘Ottoman Bank Golf Challenge Bowl Replica, 1935 second Birmingham, 1900 by Joseph Gloster Ltd, engraved George, a curved cigarette case, a sifter spoon and a pair of sugar tongs (6), weight approx. 7.93ozt £80-£120

36. A modern Scottish presentation silver quaich Edinburgh, 1989 by Mappin & Webb, of plain traditional form, on a circular foot, with presentation inscription, handle to handle 23.5cm, weight approx. 12.57ozt £140-£180

37. An Edwardian cased silver twin handled sugar bowl, sifter spoon and sugar tongs the sugar bowl, London, 1902 by Elkington & Co, of circular bellied half wrythen form with foliate embossed decoration, leaf capped scroll handles, on a circular foot, the kings pattern sifter spoon, London, 1874 by Francis Higgins, the tongs Birmingham, 1903 by Elkington & Co, blue velvet and silk lined leather case, stamped in gilt Elkington & Co. Ltd 22 Regent St London, first handle to handle, weight approx. 11.08ozt £180-£220

A N T IQU ES & COL L ECTA BL ES

38. Tiffany & Co. A late 19th century sterling silver twin handled tureen and cover c.1870 marked Tiffany & Co 2562 quality 925-1000 M 1951 Union Square, of round tapering form with twin bifurcated scroll handles with fruiting vines on the joints, the domed cover with scrolled acanthus leaf handle with floral medallions, with foliate milled borders on a spreading circular foot, handle to handle 28cm, height 19.5cm, weight approx. 33.29ozt £700-£900

39. A George VI Charles Boyton Art deco planished silver tazza London,1938 by Charles Boyton, the shallow bowl with everted rim on a pierced fluted tapering stem on a foliate basal knop and domed circular foot, facsimile signature, height 14.5cm, weight approx. 9.74ozt £250-£350

40. An Edwardian silver tea caddy London, 1907 by C Harris Ltd, of oval tapering half fluted design with twin lion mask ring handles and hinged half fluted domed cover with urn finial, height 11.5cm, weight approx. 6.59ozt £100-£200

41. A Finnish .813 silver entrée dish and cover Turku, 1950 by Auran Kultaseppa, of oval petal shape with detachable handle, the interior of the cover engraved ‘Viking Colliander 1938-1953’, weight approx. 20.62ozt £200-£300 42. A collection of Finnish .813 silver to include a beaker, a set of six fiddle and shell pattern dessert spoons and other items various dates, makers, first the beaker of plain tapering form engraved ‘Carola’, second engraved CC together with a matched serving slice, a pair of pickle forks, a plated shallow dish with scroll handles, initialled and other items (qty), weight approx. 12.52ozt £100-£200

43. A small George II silver brandy pan London, 1737 maker mark B C, of circular bellied form with beak spout, turned hardwood handle, engraved to underside 2=6, handle to spout 14cm, weight approx. 2.44ozt £100-£200

44. Asprey. An Edwardian silver tea strainer London, 1908 by Charles & George Asprey, the plain rounded pierced bowl supported on a pair of scroll uprights, the base with pouring spout and angular fruitwood handle stamped PATENT No.18245 Asprey London, length 17.5cm, total weight approx. 1.81ozt £100-£150

A N T IQU ES & COL L ECTA BL ES 45. A modern silver Peter Scott 1973 Christmas plate, ‘Evening Flight’ London, 1973 by John Pinches, in original box with certificate, diameter 20.3cm, weight approx. 5.65ozt £60-£80 46. A collection of silver and an electroplated spirit kettle on stand various dates, makers, comprising a prize pedestal dish with pierced rim engraved C.G.C Ladies Section Captains Prize 1926, a late Victorian foliate engraved butter knife with carved mother of pearl handle, a pair of George III fiddle pattern sugar tongs, a modern silver handled paper knife, two pill boxes, coffee spoons etc (qty), first height 10.7cm, weighable silver approx. 11.94ozt £100-£200

47. A George V silver and tortoiseshell six piece dressing table set Birmingham, 1928/29 by Collet & Anderson, comprising a hand mirror and hair brush with engine turned handles, a pair of clothes brushes, a spherical clear cut glass scent bottle with hinged mushroom cap and internal stopper and a matching pump action atomiser (6), hand mirror length 28cm £100-£150 48. An Arts an Crafts silver on copper rose planished bowl and a small collection of silver and plated items first attributed to the Artificers Guild to a design by Edward Spencer, the bowl with radiating ribs and foliate rim, numbered 2913, together with silver items to include a mounted glass square inkwell with hobnail cut base, another silver topped ink, a mother of pearl handled folding fruit knife, a foliate embossed smelling salt, a set of six fruit knives and forks and various plated items (qty), first diameter 20.7cm £80-£120

49. A collection of silver to include cauldron salts, a pair of knife rests and other items various dates and makers, comprising a large cauldron salt, Sheffield, 1918 by Atkin brothers, with gadrooned rim on lion mask legs with paw feet, interior gilt, an early George III silver cauldron with blue glass liner, London, 1761 by David Hennell, a pair of knife rests, a small plain oval drum mustard with blue glass liner, a small milk jug, a cased set of six pastry forks, two napkin rings, initialled and named, two butter spreaders, assorted mustard and salt spoons, a plated mustard pot, three blue glass liners etc (qty), weight approx. 22.83ozt £250-£350

50. A pair of George V Asprey silver toast racks and a pair of pin dishes together with a cased set of six silver gilt and painted guilloché enamel coffee spoons first, Sheffield, 1925 by Asprey & Co Ltd, triangular with four divisions, second Birmingham 1925/6 by Asprey, numbered 8446 stamped Asprey London, third Birmingham, 1967 by Cohen & Charles, decorated in white enamel, the bowls painted with a different spray of flowers (6), weight approx. 7.78ozt £100-£200

51. Asprey. A late Victorian leather cased picnic set of three silver and enamel topped spirit flasks London, 1900 by Charles & George Asprey, the segment shaped clear glass flasks with screw fitting mushroom caps each decorated with enamel band in red, white and blue, initialled A.B in a fitted circular stitched tan leather travel case, stamped A.B, height 25cm £200-£300

A N T IQU ES & COL L ECTA BL ES 54. A 19th century German renaissance style silver cup and cover probably Hanau, pseudo marks, of tapering baluster form with embossed and chased decoration, the domed cover with soldier finial, on a domed circular foot, gilt interior, height 25cm, weight approx. 7.64ozt £200-£250 55. An Edwardian silver Art Nouveau silver tyg trophy cup London, 1904 by Holland, Aldwinkle & Slater, of plain design on a spreading stem base with whiplash handles, presentation scouting inscription dated 1915, height 12.5cm, weight approx. 8.33ozt 52. A George V silver mether cup Birmingham, 1925 by William Hair Haseler, of plain tapering design with wavy edged rim and four handles, height 10.1cm, weight approx. 5.93ozt £100-£200 53. An early 18th century German parcel-gilt chalice cup marked for Augsburg 1736-7, makers mark IAS, embossed with floral medallions, laurel garlands and stiff leaf bands, on a knopped stem and domed spreading octofoil foot, height 25.3cm, weight approx. 16.90ozt To be sold due to the closure of Trinity Bromley United Reform Church for charity £2,000-£3,000

To be sold due to the closure of Trinity Bromley United Reform Church for charity £100-£200 56. A collection of silver to include a pair George III cauldron salts, and other items various date, makers, first London, 1764, marked mark worn, of plain design on stepped hoof feet, initialled, together with a pair of late Victorian half wrythen fluted ogee baluster pepper casters with flame finials, a sauce boat with wavy edge rim, Chester, 1913 by Barker Brothers, a liqueur funnel, a pair of novelty horseshoe napkin rings, and seven assorted napkin rings (qty), weight approx. 16ozt £200-£300

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57. An early Victorian Masonic presentation engine turned snuff box, an Edwardian spot hammered card case and a Swedish matchbook case first Birmingham, 1839 by Edward Smith, of rectangular form with bow sides engraved “presented by the Brothers of Lodge No671 G.U.O.F. To P.A.F. John Rigby for his persevering and active services to his Lodge Sepr 1846, gilt interior, second Chester, 1909 by Sampson Mordan & Co, rectangular cushion form, initialled, gilt interior dated 25.12.11, third, engraved Birgit (3), first 7.9 x 5cm, weight approx. 4.42ozt £100-£150 58. A small collection of mixed silver comprising a square sterling silver stamp box with open window and sprung lid raised on four ball feet, together with two silver stamp envelopes, a pair of silver engine turned cufflinks with chain links, and a single napkin ring (5), total weight approx 2ozt £70-£90

59. An George V silver and piqué inlaid tortoiseshell trinket box Birmingham, 1911 by Levi & Salaman, of shaped rectangular outline, the hinged lid with husk border piqué inlaid with a twin handled vase and swagged garland, velvet lined interior on bow feet, height 7cm, width 12.5cm, total weight approx. 10.33ozt £100-£150

60. An 18th century silver and mother of pearl erotic snuff box unmarked, of plain oval form with reeded borders and stand away hinge, the inset lid with carved mother of pearl panel carved with a classical scene, the interior painted with semi-clad female figure in Elizabethan dress holding a sword, initialled J.B, width 9.7cm, weight approx. 4.58ozt £300-£400

61. A George III lidded silver toilet box makers mark only I, probably John Hudson, of plain circular design with reeded border, pull off cover, crested, diameter 5.1cm, weight approx. 2.ozt £80-£120

62. Royal Interest. A Queen Victoria presentation silver chamber stick and snuffer London, 1871 by Robert Garrard & Co, the circular tray with scroll handle, clear glass hurricane shade and conical snuffer, engraved ‘From V R Xmas 1871’, initialled J.B, stamped Garrards Panton Street London, weight approx. 15.35ozt By repute presented to John Brown (1826-1883) the personal attendant and favourite of Queen Victoria £800-£1,200

A N T IQU ES & COL L ECTA BL ES 66. A pair of Edwardian silver dwarf fluted column candlesticks London, 1903 by Mappin & Webb, fitted with drips, beaded borders, on square bases, weighted (2), height 12cm £80-£120 67. A late Victorian matched three piece silver tea service the teapot and cream jug Birmingham, 1901/1902, makers mark rubbed, the matched sugar basin Birmingham 1898 by Mitchell Bosley, of oblong bellied half fluted form, with gadrooned rims on ball feet, the teapot with ebonised handled and fluted knop finial (3), teapot handle to spout 29.5cm, total weight approx. 34.59ozt £400-£500

63. A pair of modern silver candlestick in George II style Sheffield, 1961 by Garrard & Co Ltd, each on knopped baluster columns with shell shoulders and reel shaped capitals fitted with detachable drip pans, on raised shaped square bases with shell corners, weighted (2), height 22.9cm, total weight approx. 39.67ozt £600-£800

64. A near pair of George III cast silver candlesticks both London, one 1763 by Ebenezer Coker the other 1774 by John Arnell, having spool shaped sockets and knopped stems, fitted with detachable drip pans, raised on shaped spreading square bases with shell corners, crested, numbered 3 and 4 (2), height 22.2cm, weight approx. 30ozt £800-£1,200 65. A pair of late Victorian silver dwarf column candlesticks London, 1899 by Goldsmiths & Silversmiths, stop fluted on square weighted bases with beaded borders, detachable drip pans (2), height 12.9cm £80-£120

68. A George III silver three piece tea service London, 1806 by Alice & George Burrows, of oblong bellied form on ball feet, comprising teapot fitted with ivory insulators, a twin handled sugar basin and a milk jug with gilt interiors (3), teapot handle to spout 28.3cm, weight approx. 37.53ozt £400-£600 69. A George V silver three piece tea service Sheffield, 1904/5, by James Deakin & Sons, of plain oblong form with fluted corners and gadrooned rim, on ball feet, comprising teapot with ebonised handle and finial, twin handled sugar basin and cream jug, retailed by Desprez Silvermsith Bristol (3), teapot total weight approx. 40.1ozt £350-£450

70. An Edwardian silver four piece tea service in George III style Sheffield, 1902 by Walker & Hall, of circular bellied half fluted design with shell and leaf cast gadrooned rims, comprising teapot and hot water jug with ebonised leaf capped scroll handles and fluted knop finials, twin handled sugar basin and cream jug with gilt interiors, numbered 53430 (4). Teapot handle to spout 26.5cm £700-£800

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71. A George VI Art Deco silver three piece tea service Birmingham, 1938 by R G H & Co, of curved rectangular tapering form on a spreading foot, comprising teapot fitted with ebonised handle and knop finial, twin handled sugar basin and cream jug (3), teapot handle to spout 29cm, weight approx. 33.75ozt £400-£500

72. An Arts and Crafts silver three piece tea service the teapot London, 1926 by Charles Edwards, the three handled sugar bowl and milk jug London, 1908 by Charles Edwards, of squat circular bellied form with bifurcated handles, on scroll feet, the teapot fitted with a fruitwood whiplash handle and knop finial, stamped Barraclough & Sons Leeds (3). Teapot handle to spout 26cm, weight approx. 25.62ozt £300-£500

73. A modern silver four piece ‘Royal Prince’ tea service with tray Sheffield, 1970s by Cooper Brothers & Sons Ltd, of circular compressed bellied form with scroll handles and moulded foliate borders, on scroll feet, comprising teapot, coffee pot with hinged domed covers and foliate knop finials, twin handled sugar basin, cream jug and twin handled oval tray, accompanied by original sale receipts (5), tray handle to handle 61.5cm, approx. 152.73ozt £2,000-£2,500

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74. A Victorian silver teapot London, 1858 by H J Lias & Son, of squat bellied form, embossed with c scroll framed reserves and flowers having hinged domed cover cast bird finial, birds head mouth spout and scroll handle with ivory insulators, on a pierced scroll base, initialled, handle to spout 25cm, height 19.5cm, weight approx. 25.58ozt £250-£350

75. A late 19th century Indian matched three piece silver tea service and a bowl unmarked, probably Lucknow, the teapot, of compressed form, repoussé embossed with dense foliate scroll decoration having hinged domed cover with elephant finial and cobra scroll handle, signed with a lion, together with a near matching twin handled sugar bowl, milk jug and a bowl (4), teapot handle to spout 23cm, weight approx. 26ozt £300-£400 76. A George V silver pedestal bowl Birmingham, 1927 by Mappin & Webb, of circular from, having panelled bowl and raised pierced rim on a domed pedestal foot, height 14.5cm, weight approx.9.92ozt £100-£200

77. An early Victorian silver swing handled sugar basket Sheffield, 1854 by Henry Wilkinson & Co, of circular lobed design with pierced decoration and shaped rim, on four scroll feet with twisted swing handle, fitted with a cranberry glass liner, bears registration lozenge, diameter 13.7cm, weight approx. 6.96ozt £100-£150

78. An Edwardian Arts & Crafts plannished three handled sugar bowl and matching spoon London, 1905 by Elkington and Co, of circular tapering form with three scroll handles terminating in trefid feet, the spoon with spot hammered bowl and trefid terminal (2), height 8.5cm, weight approx. 6.59ozt £150-£200

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79. An early George III silver ogee pedestal cream jug and a matched set of George III bright cut teaspoons first London, 1767 by I S & A N, with leaf scroll handle and wavy edged rim on a domed foot, initialled (7), first height 10.2cm, weight approx. 4.65ozt £70-£90 80. A George V silver covered jug London, 1911 by Samuel Jacob, of plain octagonal form, having hinged domed cover with knop finial, thumbpiece and angular scroll handle, on a domed spreading foot, height 20.3cm, weight approx. 19.33ozt £250-£350 81. A late Victorian silver mounted glass claret jug London, 1894 by John Grinsell & sons, the foliate and scroll chased mount with hinged cover trefoil shaped thumbpiece and loop handled, mitre and pillar cut ovoid body clear glass body on star cut foot, height 202.2cm £200-£300

82. A matched set of six Victorian Old English pattern table forks five Exeter, 1860 by John Stone, initialled (6), length 19.5cm, weight approx. 11.5ozt £100-£200 83. A matched set of five George III and later fiddle pattern tablespoons three London, 1809 by William Charles and Henry Eley, crested and initialled (5), length 21.8cm, weight approx. 11.03ozt £100-£200

84 (part)

84. A selection of George IV and later silver fiddle pattern flatware various dates makers, comprising three Irish George IV rattail dessert spoons, Dublin, 1823 by James Scott, crested and initialled, five dessert forks, London, 1833 by John James Whiting, three other dessert spoons and seven assorted teaspoons (18), weight approx. 20.53ozt £200-£300 85. A late George III silver Kings pattern six setting canteen of flatware London, 1814 by Thomas Wilkes Barber, comprising six tablespoons, six table forks, six dessert spoons, six dessert forks, six teaspoons and a pair of sauce ladles, crested possibly for Chigi (32), length of tablespoons 22.2cm, approx. 73.7ozt £800-£1,200 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

85 (part)

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91. A selection of late 19th century Russian and German silver flatware and other items comprising a German .800 butter knife and serving fork, a set of six .800 cocktail forks with twisted stems and thistle terminals, five assorted Russian .84 fiddle pattern teaspoons, mostly initialled, a pair of foliate embossed silver handled ivory glove stretchers, three thimbles and an. 800 chain mesh coin purse (qty), weight approx. 10.87ozt £100-£150

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86. A small collection of silver flatware various date makers, to include a George III fiddle and thread pattern tablespoon, London, 1794, maker mark rubbed, two Victorian Scottish provincial fiddle pattern dessert spoons, Edinburgh /Aberdeen, 1857 /1861 by George Sangster, initialled etc (qty), first length 21.8cm, weight approx. 7.27ozt £80-£120 87. A pair of late 19th century Dutch .833 silver windmill salad servers Dutch marks, 1895, the bowl and fork backs with various earlier pseudo marks, openwork figural stems and mechanical windmill terminals (2), length 29cm, weight approx. 8.3ozt £80-£120 88. Assorted George III and later tablespoons, teaspoons and salt spoons various dates, makers, to include four old English pattern tablespoons, a pair of dessert spoons with berried decoration, a pair of George IV provincial fiddle and shell pattern salts spoons, Newcastle, 1822 by Thomas Watson, initialled, etc (qty), weight approx. 20ozt £250-£300 89. A mid 20th century Georg Jensen ‘Cypress’ pattern dessert set of cutlery for six stamped Georg Jensen Sterling Denmark, London Import marks, various dates c.1960, comprising six dessert forks, six silver handled dessert knives with stainless steel blades and six teaspoons, bowl of one teaspoon with presentation inscription, in Georg Jensen boxes (18), weighable silver approx. 8.33ozt £200-£250 90. A cased set of twelve continental .880 silver-gilt rococo style coffee spoons stamped .880, Russian 84 kokosnik import mark c.1900, Polish .875 duty mark, pierced trellis and C scroll terminals, in a fitted case (12), length 11.1cm, weight approx. 4.21ozt £80-£120

92. Two matched Finnish .813 silver ‘Chippendale’ pattern six setting canteens of flatware various dates c.1960, marked for KultakesKus Oy Hameeenlinna, first, comprising six table forks, six silver handled table knives with stainless steel blades, six dessert forks, six teaspoons, pair sugar spoons with gilt bowls and a serving spoon, initialled CC, second comprising six table forks, six table forks, six dessert forks, six dessert knives, six dessert spoons, initialled together with two matched serving ladles (64), weight excluding knives approx. 45.26ozt £400-£600 93. A late 19th century Russian .84 silver caddy spoon, a set of twelve coffee spoons and a spoon first Moscow, dated 1887, handle and scoop from bowl foliate engraved, second, gilt bowl engraved verso with initials and twisted handle, third having pointed gilt bowls and tapering handles (14), first length 12.1cm, weight approx. 6.22ozt £100-£150 94. A modern six setting Dubarry pattern canteen of flatware Sheffield, 1973 by Cooper Brothers & Sons Ltd, comprising six table forks, six dessert forks, six table and six dessert knives with stainless steel blades, six dessert spoons, six soup spoons, six teaspoons and a pair of tablespoons, in original boxes (44), weight approx. 52.79ozt £600-£800 95. An early 20th century Latvian .875 silver part canteen of flatware stamped 875 and makers mark HB, acanthus leaf and ribbon and reed borders, comprising six tablespoons, six table forks and four dessert spoons (16), tablespoon length 21.8cm, weight approx. 31.44ozt £300-£400 96. A matched collection of George III/IV and Victorian silver fiddle pattern flatware mostly London, some Exeter, various dates, makers, comprising six tablespoons, seven table forks of which two Newcastle, 1834 by John Walton, nine dessert spoons, and seven dessert forks, mostly crested and initialled (29), weight approx. 50.46ozt £700-£900

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97. A matched set of twelve early Victorian silver fiddle pattern teaspoons mostly Exeter, various makers, variously initialled and crested (12), length 14.5cm, weight approx. 8.76ozt £100-£200 98. A collection of silver to include serving items and coffee spoons various dates makers, comprising two George III berried Old English pattern tablespoons, a mother of pearl handled, late Victorian mother of pearl handled cake knife and fork, Sheffield, 1893/94 by Atkin Brothers, with foliate engraved blade and tines, a sifter spoon, two mother of pearl handled butter knives, an ivory handled pickle fork, a Dubarry pattern silver handled cheese knife, two cased sets of six coffee spoons, a set of six demitasse coffee spoons, a sugar spoon, fiddle pattern salt and mustard spoon, etc (qty), various, weighable silver approx. 12.89ozt £150-£250 99. Sixteen matched George IV/William IV silver fiddle pattern teaspoons, and plated items all London, of which six, 1830 by Robert Hennell II, initialled together with a plated asparagus set, a silver on copper foliate engraved tray by Mappin & Webb and a plated egg cup and spoon (qty), first length 14cm, weight approx. 8.2ozt £100-£150 100. A small collection of silver to include a sugar basin and assorted spoons various dates, makers marks, comprising a sugar basin with petal edge rim on paw feet, a mustard pot without liner, two pairs of sugar tongs, a sifter spoon, a pusher, various teaspoons (qty), weight approx. 11.19ozt £100-£150 101. A George V three piece silver and guilloché enamel dressing table set Birmingham, 1928 by Charles S Green & Co Ltd, comprising hand mirror, hair brush and clothes brush, painted with village scenes, PAT No.247028, Rd 711628 (3), hand mirror length 28.2cm £80-£120

102. A small collection of silver to include an engine turned cigarette case first Birmingham, 1952 by Mappin and Webb, gilt interior together a pair of Victorian fiddle pattern sugar tongs, initialled, a pair of napkin rings stamped 925 and an America vodka cup engraved Md State 1961 (5), weight approx. 6.95ozt £80-£100 103. A late Victorian foliate embossed silver dish and other silver first Sheffield, 1894 by Fenton Brothers, circular with wavy edged rim and foliate scroll embossed decoration together with a small twin handled half fluted sugar basin, an oval half fluted salt with angular handle and blue glass liner and a silver toped hobnail cut clear glass sugar caster (4), first diameter 18.1cm, weight approx. 9.71ozt £100-£150 104. A George V Art Deco silver presentation trophy and Austrian .800 flatware first Birmingham, 1935 by Henry Clifford Davis, of tapering twin handled design, engraved ‘Bermuda Junior Tennis Championship, together with pair of tablespoons, two silver handled steel dinner forks and two table knives, initialled (7), first height 11.5cm, weighable silver approx. 7.25ozt £80-£120 105. A collection of silver ashtrays and dishes various dates, makers, comprising a two graduated plain pin dishes Sheffield, 1992 by Carrs, a plain square bonbon dish with rounded corners, a silver mounted cut clear glass ashtray, a continental white metal pedestal bonbon dish with cast figural handles, unmarked, two Italian .800 pin dishes etc (9), first diameter 14.5cm, weighable silver approx. 16.1ozt £200-£250

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106 107 106. A George III silver vinaigrette and another first Birmingham, 1813 by Samuel Pemberton, of curved rectangular form with canted corners, the hinged lid with bright cut border, interior gilt engraved ‘Anne’ with hinged pierce grille, second Birmingham, 1832 by Nathaniel Mills, the rectangular body with concave sides decorated with bright-cut engraving, slightly domed lid within engraved a central tablet within foliate borders, the gilt interior with hinged pierced grille (2), first 3.1 x 2cm £180-£220 107. A Victorian silver vinaigrette Birmingham, 1864 by James Fenton, of oblong form with shaped outline, the hinged cover engraved with the Scott Monument, Edinburgh, within scroll borders, the reverse scroll engraved with a belt and buckle cartouche, the gilt interior with a foliate pierced hinged grille, fitted with a suspension ring, associated silver chain, length 4.5cm, weight approx. 0.93ozt £150-£200 108. A collection of silver to include an Edwardian hand mirror various dates, makers, comprising a hand mirror with spot hammered decoration initialled M, Birmingham, 1910 by W G Sothers & Co, a pair of candlesticks with weighted bases, two silver topped cut hobnail cut glass dressing table pots, a nacre pot mounted pill pot and other items (qty), weighable silver approx. 1.64ozt £70-£90

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109. A small collection of silver and electroplated items comprising a George V silver photograph frame, Birmingham, 1930 by Isaac Silverston & Co, oak back with strut support, a white metal circular dish, probably Burmese, chased to centre with a cockerel, a presentation ashtray, another ashtray, a Maltese filigree souvenir spoon a pair of sugar tongs with claw terminal etc, together electroplated items to include a Hukin & Heath naturalistic pedestal fruit bowl, numbered 17187 RdN 427028, a salver, an Art Deco oval glass black glass twin handled galleried tray, a four piece tea service (qty), tray handle to handle 44.3cm, weighable silver approx. 12.04ozt £100-£150 110. A late Victorian West Kent Yeomanry Cavalry silver prize goblet and other silver first London, 1890 by John Aldwinckle & Thomas Slater, engraved with scrolling foliate design and presentation inscription ‘W.K.(Q O) Y.C A. Troop, Heads and Posts’ gilt interior together with a George II Hanoverian rat tail tablespoon, London, date letter obscured, makers mark rubbed, initialled M*G, a set of six coffee spoons and a sifter spoon (9), first height 15.6cm, weight approx. 8.36ozt £80-£120

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A N T IQU ES & COL L ECTA BL ES 111. An Edwardian novelty silver shoe form gentleman’s brogue pin cushion Chester, 1909 by S Blanckensee & Son Ltd pierced with lace holes, oak sole, stamped REGd 548913, length 12.8cm £60-£80 112. A modern silver presentation armada dish London, 1974 by John Henry Odell, of typical plain design, feature hallmarks, engraved with presentation inscription, diameter 16cm, weight approx. 6.06ozt £70-£90 113. A cased set of twelve George V silver pistol grip handled tea knives and other items various dates and makers, first Sheffield, 1919 by Yates Brothers, having filled handles with acanthus scroll terminals and fitted with stainless steel blades together with a silver mounted cut glass salad bowl, a butter knife, an American sterling silver handled serving slice and an embossed silver topped dressing table pot (5) £50-£80

117. A modern cased three piece dressing table set, an embossed silver mounted jewellery box and other items first Sheffield, 1994 by Carrs, comprising hand mirror, hair brush and comb, foliate embossed, second, Sheffield, 1996 by Carrs, fitted with lift out tray together with a cased three piece silver handled shoe horn, glove stretcher and button hook set and a clothes brush (4), various £80-£120 118. A collection of silver to include decanter labels and a 9ct gold shell cameo comprising a pair of ‘Sherry’ and ‘Whisky’ decanter labels, Sheffield, 1966 by C J Vander Ltd, a 9ct gold mounted carved shell cameo portrait brooch with ropetwist border, a pair of Victorian silver handled steel folding chatelaine scissors, a silver Yard-O-Led pencil, a German .800 sauce ladle a 3d coin bracelet, a bangle with engine turned decoration etc (qty), weighable silver approx. 2.47ozt £70-£90

114. A silver Kigu lady’s powder compact and an engine turned cigarette case first London, 1955 by Kigu Ltd, rectangular with foliated decoration, second, Birmingham, 1952 by Frederick Field, rectangular, gilt interior, initialled (2), weight of cigarette case only 3.79ozt £70-£90

115. A pair of late Victorian silver topped cut glass scent bottles London 1894, makers mark GB, screw fitting mushroom caps, spherical spiral lobed bodies, height 11.7cm £70-£90 116. Two modern silver rectangular photograph frames and a silver fronted desk clock both frames Birmingham, no date, later makers mark RH, with Art Nouveau style embossed surround and wooden strut backs, the clock, London, 1997 by Mappin and Webb, square with ribbon and reed border (3), first height 7.8cm £70-£90

119. A late Victorian cased set of twelve silver coffee spoons with sugar tongs, a square engine turned silver cigarette case and an electroplated hot water ewer first Sheffield, 1882 by John Round, the bowl backs engraved B, in a fitted blue velvet lined leather box stamped G.M.B, second Birmingham, 1928 by William Neale (3), weight approx. 9.28ozt £80-£120

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120

120. A George III silver cauldron salt, and other silver items first London, 1762, maker mark SM, gadrooned rim on three shell and hoof feet, fitted with a blue glass liner, together with George V mustard pot, Sheffield, 1918 by Walker and Hall, fitted with a blue glass liner and with associated spoon, an small Edwardian bowl and a modern pill box (5), weight approx. 6.69ozt £80-£120 121. A set of six late Victorian silver napkin rings and other silver items first Sheffield, 1901 by Atkin brothers foliate engraved decoration, beaded rims, numbered 1-6 together with an Indian embossed wing handled bonbon dish, a Greek planished twin handled miniature amphora on stand. etc. (qty), weight approx. 10.64ozt £100-£150

124. A George VI silver table cigarette box and two engine turned cigarette cases first Birmingham, 1937 by William Neale & Son Ltd, plain square, cedar lined, initialled, both cases initialled (3), weighable silver approx. 5.57ozt £80-£120

122. An Edwardian Art Nouveau silver framed square dressing table mirror Birmingham, 1902 by Henry Matthews, the shaped bevelled mirror plate within a surround pierced and repoussé embossed with scrolling flowers and foliage mounted against green velvet, easel support 23 x 23cm £100-£150

125. An Edwardian silver and piqué inlaid tortoiseshell oval trinket box, and other items first Birmingham, 1908 by Henry Matthews, oval, the hinged lid inlaid with vase and garlands, husk border, on feet, velvet lined, together with a modern foliate embossed broad hinged cuff bangle and a foliate scroll engraved silver cased folding comb (3), first length 7.5cm £60-£80 123. A German .800 silver cigarette case an Austrian silver rectangular cigarette case German marks stamped 800, of rectangular curved form, the front engraved with a cobweb and a ruby set spider, interior gilt, second marked for Vienna (2), first 10.2 x 7.5cm, weight approx. 7.23ozt £100-£150

126. An Edwardian silver Art Nouveau three piece dressing table set Sheffield, 1909/ Chester, 1910 by Waker & Hall, comprising hand mirror and silver mounted horn comb and hair brush, embossed with a maiden in flowing drapery and flowers with sinous whiplash stems (3), hand mirror length 28.4cm £80-£120

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127. A Georg Jensen silver sugar basket marked 925S Copenhagen, Assay master Christian Heise, George Jensen, London import marks for 1992 by George Stockwell, the ovoid lipped bowl with rigid handle with foliate bud terminal, supported by stylised fronds and leaves on a circular stepped base, height 6.8cm, weight approx. 2.58ozt £200-£250

131. An early 19th century .950 silver French tasse de vin/wine taster Paris control marks, maker mark CB either side of anchor, circular form with reeded loop handled, part fluted part punch bead and grape decorated, engraved to rim ‘Claude Renaud 1829’ length handle to rim 9cm, weight approx. 1.68ozt £80-£120

128. A pair of modern Italian silver and enamel novelty egg cups and covers retailed by Asprey Italian marks, stamped 925 Asprey to covers, of plain design with pull off covers, the cup section with a translucent red enamel ribbon border and an applied cast bow, integral dish bases (2), height 9cm, weight approx. 8.66ozt £300-£400

132. A late Victorian novelty table vesta holder London, 1898 by Cohen & Charles, in the form of a cylindrical weight, the pull up ring handle revealing an interior with four divisions, the side with striker, on a circular base, stamped patent 13307, height 7.7cm, weight 3.12ozt £100-£150

129. A cased set of four American sterling silver small goblet shaped tots marked Gorham Sterling 955, in a fitted mustard coloured velvet case, height 4.9cm, weight approx. 2.6ozt £80-£120

133. A large George VI engine turned silver cigarette case, a late 19th century Russian napkin ring and other items first Birmingham, 1946 by D Bros, gilt interior, together with a Russian .84 engine turned oval napkin ring with beaded borders, maker mark J.A. initialled, an unmarked coin dish, a stamp case on ball feet, a pair of sugar tongs, a napkin ring, a pair of early 19th century Old Sheffield plate oval ‘Brandy’ and ‘Sherry” decanter labels with gadrooned borders, on chains and three plated vesta cases (qty), weight approx. 8.81ozt £100-£150

130. An Edwardian silver purse and other silver first, Chester, 1909 by Sampson Mordan & Co, rectangular with linear engine turned decoration, interior lined in blue moire silk, on chain with finger ring, together with an engine turned box, Birmingham, 1912 by George Unite, two pierced and embossed pin dishes and a silver backed clothes brush (5), first length 10.7cm, weight approx. 5.14ozt £80-£120

A N T IQU ES & COL L ECTA BL ES 134. A collection of Edwardian silver to include an evening bag and a card case comprising a chain mesh evening bag on chain, Birmingham, 1916 by Payton, Pepper Ltd, initialled, a foliate engraved card case of envelope form, suspended with finger ring, attached a miniature hand mirror, a chatelaine pencil, a hand mirror with linear engine turned decoration, a pill pot, a hobnail cut spherical cut glass scent bottle with screw fitting embossed mushroom top, a pair of embossed silver topped hobnail cut glass jars, a Charles Horner thimble and other thimble (qty), weighable silver approx. 10ozt £150-£250 135. A rare George III provincial Chester meat skewer Chester, 1776 by John Walley, plain tapering form, plain ring handle, length 30.3cm, wear 2.86ozt £100-£200

136. § A late Victorian silver heart shaped embossed trinket box, a lady’s evening purse and other items first London, 1892 by William Hutton & Sons, the lid embossed with a couple on log seesaw, the sides with figures in a landscape, crimped rims, second, Chester, 1912 by William Neale, plain rectangular design with linear engine turned decoration, leather lined interior with divisions, propelling pencil and ivory aide memoire, on chain with fingering, engraved Oct 23rd 1913, together with a Victorian silver cased smelling salt engraved with a shepherdess and flowers, a rattle, two silver topped glass jars and an enamelled marcasite set cigarette case (qty), weighable silver approx. 8.53ozt £100-£200 137. A collection of silver to include a pair of George V candlesticks first Birmingham, 1919 by William Hutton & Sons, having reeded borders and weighted bases, together with, a cased set of pistol grip handled tea knives with shell terminals, a pair of George III Old English pattern dessert spoons, a pair of engine turned silver clad bakelite napkin rings, other napkin rings, spoons, etc (qty), weighable silver 7.24ozt £80-£120

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138. A George IV silver Kings pattern caddy spoon, other silver Birmingham, 1826 by Unite & Hilliard, plain shovel bowl and filled handle together with a George III foliate engraved silver bladed knife, London, 1791 by William Abdy II, a pair of Victorian fiddle pattern sugar tongs, London, 1866 by George Adams, a butter knife, a jam spoon and silver plate on copper brandy pan with turned mahogany handle stamped Garrard & Co Ltd (qty), first length 13.6cm, weighable silver approx. 2.56ozt £50-£80 139. A continental pierced and embossed silver dish, an Asprey silver-gilt topped dressing table jar and other items first stamped sterling, Chester import marks for 1909 by Boaz Moses Landeck, of spaced design, the centre embossed with putti with instruments, the wavy edges sides pierced and embossed with flower baskets and garlands, second London, 1926 by Asprey and Co, engine turned with foliate border, the jar engraved, accompanied by a matching jar lid, an engine turned silver topped cut glass scent bottle with plated atomiser, and three silvergilt and pink guilloché enamel jar lids (7), silver weight approx. 13.6ozt £100-£150

A N T IQU ES & COL L ECTA BL ES 140. A collection of silver and electroplated items various dates, makers, comprising a christening mug, a pierced and embossed pin dish, an engine turned circular pill box with hinged lid, a foliate engraved oblong vesta case, a continental .800 silver-gilt and enamel Egyptian Revival coffee spoon, a modern silver scent bottle embossed with tulips with funnel, an foliate engrave locket, assorted spoons, three napkin rings etc, together with a plated items to include meat skewer with prince of Wales plumes terminal, and a Holland America line 1st Class sonly S.S “Nieuw-Amsterdam” tobacco box, etc (qty), first height 9cm, weighable silver approx. 11.39ozt £140-£180

144. A pair of George III silver and steel shoe buckles London, 1816, makers mark WK?, arched rectangular form with beaded border, width 6.1cm £50-£80 145. A collection of mostly early 20th century silver dressing table items various dates and makers, to include a five piece dressing table set with linear engine turned decoration, initialled, another similar hand mirror, two foliate embossed hair brushes, an Indian foliate embossed brush, a small circular strut back photograph frame, a plated hinged bag frame etc (qty), various £100-£200

141. A set of four modern silver decanter labels Birmingham, 1998/ 200 by W I Broadway & Co., ‘Whisky’, ‘Sherry’, ‘Port’ and ‘Brandy’, oval embossed with shell, scroll and grape border, on chains (4), weight approx. 1.35ozt £70-£90

146. A small collection of silver to include cigarette cases and mesh evening bags comprising two engine turned cigarette cases, the larger with presentation inscription to interior, two German .800 mesh evening bags one with a mesh strap with tassel drops, the other larger with the frame decorated in relief with classical maidens on chain with fingering, an engine turned silver cased folding pocket manicure set and Sampson Mordan engine turned pen or pencil case with chatelaine chain (6), various, weight approx. 19.22ozt £150-£250

142. Tiffany & Co. An American silver overlaid glass coaster or trivet marked Tiffany & Co 17917 makers 9769 Sterling Silver 925-1000, import marks for London 1912, circular with pierced decoration, diameter 15cm £80-£120 143. Five silver easel back photograph frames various dates makers, comprising a pair of plain rectangular frames with oak backs, stamped sterling an oval frame with a oak back and a two modern blue velvet frames (5), pair overall 15.4 x 11.4cm £100-£200

147. A collection of silver and plated to include a sifter spoon and cased sets silver comprising a William IV fiddle pattern sifter spoon, London, 1837 by Charles Boyton, initialled, a cased set of six old English shell pattern teaspoons, a cased egg cup and spoon set, a cased christening knife fork and spoon set etc, together with various plated cased sets, claw end ice tongs (qty), weight approx 10.64ozt £100-£150 148. A modern South East Asian silver twin handled tray stamped silver 925, maker mark I K, of plain rectangular form with embossed hibiscus flower handles, in a fitted presentation box, handle to handle 37.8cm, weight approx. 27.69ozt £250-£350

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151. A 19th century Chinese export silver and enamel trencher salt probably Canton, Chinese character mark, rectangular with cut off corners on bracket fee, decorated in enamel with bamboo and prunus panels, bat and shou character border, against a deep blue ground, length 5cm, weight approx. 1.33ozt £100-£150 149. An early 20th century Chinese export silver ‘chrysanthemum’ bowl stamped Shanghai, Luen-Wo, c.1900, of circular form, finely embossed in raised relief with chrysanthemum flowers against a textured ground raised on a circular foot and ebonised plinth base, diameter 21cm, weight approx. 21.6ozt £1,000-£1,500

150. A Chinese export silver and enamel salt and a vase c.1900 first marked 90, Chinese character marks of tapering lozenge form, on bracket feet, decorated in raised enamel with prunus, chrysanthemum and prunus, second marked MO, Chinese character marks, of cylinder form, pierced with a chasing dragon and clouds, raised on three dragon supports (2), first length 6.8cm, weight approx. 2.53ozt £80-£120

152. An early 20th Chinese export .850 silver cocktail set comprising a cocktail shaker and six tots, stamped with a monogram S punch 85, of plain tapering form repoussé embossed with a chasing dragon and a plain circular tray with raised border chased with a conforming dragon marked S.Co 85 (8), height of shaker 23.8cm, weight approx. 32. 56ozt £1,000-£1,500

A N T IQU ES & COL L ECTA BL ES 156. Two late George III old Sheffield plate tea caddies first of rectangular tapering for with lion mask ring handles and gadrooned rims, second of oblong bellied form with reeder, the hinged domed cover with bird finial enclosing a two division lidded interior, on scroll and lion paw feet (2), first height 12.5cm £80-£120

153. An early 20th century Chinese export .850 silver three piece cruet set stamped 85 by Wing Nam & Co., of bellied form with wavy edged rims and character mark decoration on feet (3), height of pepper 7cm, weight approx. 2.54ozt £70-£90 154. A Victorian Staniforth’s Patent electroplated biscuit box in the form of a double opening shell, the interior with twin hinged grilles, on a rustic frame, stamped Staniforth’s Patent 4467, height 23cm £80-£120

157. Ecclesiastical electroplated items to include a large flagon comprising a Walker and Hall flagon and a pair of ewers and covers with long curved spouts, and a paten engraved A Thank Offering Sept 1938 (4), first height 31cm To be sold due to the closure of Trinity Bromley United Reform Church for charity £80-£120 158. A Victorian Regimental Kings Own Yorkshire Light Infantry electroplated domed meat cover lobed body with crown finial and bearing regimental badge, height 22cm, width 38cm £50-£80 159. A oak cased silver plated canteen Hanoverian rattail pattern canteen of flatware for eight comprising eight table forks, eight soup spoons, seven dessert spoons, four tablespoons, pair a sauce ladles, eight dessert forks, eight fish knives and forks, seven teaspoons, eight ivorine handled table and desert knives and a five piece carving set £80-£120 160. A Jaeger LeCoultre military issue chrome plated open faced pocket watch dial with Arabic numerals and gilt markers, minute track and subsidiary seconds dial, case back with military mark and marked G.S.T.P. F009625, together with a plated pocket watch with enamel dial, Arabic numerals and subsidiary seconds (2), diameter of the former approx 5cm £80-£120

155. An early Victorian electroplated three bottle decanter stand the frame with pierced gallery and central carrying handle, initialled, containing three red flashed decanters and stoppers engraved with fruiting vines, height 41cm £50-£80

161. A 14K open faced fob watch and a 9ct gold fob watch the former with Arabic numerals and central chased decoration, the second watch with Arabic numerals and central floral chased decoration, both with suspension rings (2), total weight approx 54g £150-£200

A N T IQU ES & COL L ECTA BL ES 162. An 18K gold cased open faced pocket watch with floral engraved dial with gilt chapter ring and Roman numerals and dot minute markers, the reverse of the case heavily chased with floral decoration, the movement signed Henry Henderson London No 15504, key wind, diameter of dial approx 4cm, total weight approx 44.7g £250-£350 163. A 14ct gold key wind pocket watch with engraved floral description to centre and Roman numerals to the chapter ring, with presentation inscription to the dust cap and chased foliate decoration to the reverse, diameter of dial £250-£300 164. A 1920s International Watch Company Art Deco 14ct pocket watch with chequered textured dial with raised Arabic numerals and raised dot markers, subsidiary dial, textured Art Deco design to reverse, base metal dust cover, total weight 79g £300-£500 165. An 18ct gold half hunter keyless pocket watch by J.B. Yabsley, London the white enamel dial with Roman numerals, subsidiary dial, hallmarked London 1911, the movement signed and numbered 371370, diameter of dial 4.5cm £600-£800 166. An 18K cased Benson half hunter pocket watch the outer chapter ring with pink enamel and blued Roman numerals, with enamel dial, Roman numerals and subsidiary seconds, the reverse of the case with, movement signed Benson and numbered 1030225, width of case approx 3.5cm £300-£500 167. An open faced pocket watch by Marvin with silvered dial and hour applied gilt batons, plain case with suspension loop, diameter of case 4.4cm £100-£200 168. A 9ct gold open faced pocket watch with part engine turned dial, gilt chapter ring and circular Arabic numerals, of slim form with exposed movement, marked 375 for 9ct, width 4.5cm £200-£250 169. A Victorian open faced key wind 18ct pocket watch the enamel dial with Roman numerals, case with London hallmark, the movement signed James Hux, Piccadilly, and numbered 9092, in fitted case, width of dial 4.5cm £300-£500 170. An 18ct gold chronometer hunter Ferrero pocket watch the enamel dial with subsidiary seconds, engraved on the dust cover Ferrero Geneva with presentation inscription, engraved PAT from ADOLF, marked 18ct on the dust cover and the inner cover reverse of watch, with suspension ring, total weight approx 95g £700-£900

171. A Victorian 18K open faced fancy pocket watch the heavily chased case with Roman numerals and engine turned inner dial, with applied floral band around the chapter ring, movement signed Robert Roskell, Liverpool 27950, width of dial approx 5cm £600-£800 172. A 14ct gold open faced pocket watch and 9ct watch chain with enamel dial, Arabic numerals, pierced filigree hands, subsidiary minute dial together with double fetter 9ct gold chain, diameter of dial 4.3cm, weight of chain approx 7.5g £300-£400 173. A late Victorian key wound open faced pocket watch the enamel dial with Roman numerals and subsidiary seconds a/f, the key wind movement signed Le Compte Geneve, probably 18ct but unmarked, together with two 9ct wristwatch movements a/f (3), diameter of dial approx 4.2cm £250-£350 174. An early 19th century silver hunter cased pocket watch by James Smith London with fusee movement numbered 13989 with enamel dial and Roman numerals, together with an open faced pocket watch by Camerer Kuss & Co and a silver cased pocket watch with fusee movement both with Roman numerals and subsidiary dials (3), diameter of first dial 4.5cm £100-£150 175. An Omega cased gun metal pocket watch with subsidiary seconds, Arabic numerals, dot minute markers, case and dust cover stamped Omega and numbered 1764869, width of case approximately 4.8cm £60-£100 176. A Waltham gold plated keyless open faced 24-hour pocket watch white enamel dial with Roman numerals, inner Arabic subsidiary seconds, case numbered 4002517, movement numbered 8463208, the reverse with engraved stag in woodland scene to reverse, case width 5.7cm £80-£120 177. A travelling watch by Movado the shaped rectangular brown leather case opening to reveal the dial with Arabic numerals signed MOVADO/ Chronometre/Ermeto, maker’s sprung maroon fitted case stamped Movado externally and internally, width 4.9cm, depth 3.5cm £80-£120

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178. A rare stainless steel Reverso reversible Tavannes 064 wristwatch circa 1931, matt rectangular black dial with applied gilt metal baton hour markers and gilt hands (one replaced), mechanical hand winding, with Tavannes 064 movement signed and numbered Lisica S.A. 228040, case numbered 5311, reverse of case numbered 8049, inside stamped PATENTS APPL. FOR width of case approx 2.3cm Private Collection, In British East India Cesar De Trey sought the help of Jacques-David Le Coultre III to invent a watch which could withstand a game of polo. The watchmaker united with designer Rene Alfred Chauvot and the Reverso was born. The watch dial being concealed by reversing the case to protect from mallets. The first vintage Reverso made was the Tavannes powered Reverso with hour and minute hand and no seconds. This first stage was between 1931-1933. This watch is stamped Patents app for implying it is one of the earliest reversible watches £3,000-£5,000

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183. A gentleman’s 18K gold Breitling Premier Chronograph 734 circa 1955, champagne coloured dial, three subsidiary dials, chronograph function with two push button control, alternating Arabic and baton numerals and tachymeter, 17 jewel movement signed Breitling Premier, manual wind, the reverse of the case marked 18K 750 and numbered 807738, brown leather Breitling strap and later Breitling outer case, diameter of dial 35mm £1,400-£1,800 184. A gentleman’s Audemars Piguet 14K gold slim wristwatch circa 1970 silvered dial with gilt hour markers and black pointed hands, manual wind, snap on back numbered 1010001, associated leather bracelet, dial diameter 31mm, case diameter 34mm £500-£700 185. A gentleman’s Omega gold plated and stainless steel wristwatch circa 1962 silvered dial with raised gilt Arabic numerals and subsidiary seconds dial. manual wind, 17 jewels movement, cal 269. signed and numbered 19828524, the case back numbered 121.001-63, associated leather bracelet, dial diameter 30mm, case diameter 34mm £100-£150 179

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179. A stainless steel gentleman’s quartz Omega Constellation Electronic f300 wristwatch 1970s, the silvered dial with baton numerals and date aperture on a stainless steel bracelet, with Omega outer case, diameter of dial 3.5cm £100-£150 180. A gentleman’s Omega Seamster De Ville automatic stainless steel wristwatch c.1970 brushed silvered dial, black and steel baton markers, tapering Omega Milanese mesh stainless steel bracelet with No 27 deployment clasp, dial diameter 33mm, case diameter 35mm £100-£150 181. A Gentleman’s 9ct gold Rotary wristwatch the champagne dial with Arabic numerals, subsidiary seconds, 9ct gold case and expandable stainless steel bracelet, diameter of dial 3cm £80-£120 182. A gentleman’s Omega Seamaster stainless steel automatic wristwatch Ref 2846 8 SC c.1959 brushed silvered dial with silver dagger hour baton markers an Arabic quarters, 20 jewel automatic movement, cal 500, signed and numbered, associated leather bracelet, dial diameter 30mm, case diameter 35mm £200-£300

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A N T IQU ES & COL L ECTA BL ES 186. A gentleman’s Omega Geneve automatic stainless steel wristwatch circa 1970 round stainless steel dial with raised black hour baton markers, associated leather bracelet, dial diameter 31mm, case diameter 35mm £80-£120 187. A gentleman’s Omega stainless steel wristwatch circa 1945 silvered dial with raised Arabic numerals and subsidiary seconds dial, manual wind, 15 jewels movement, cal 265 numbered 11726874, the snap on case back signed Dennison and numbered 13322 2920, leather bracelet with Omega clasp, dial diameter 30mm, case diameter 33mm £200-£300 188. A gentleman’s Longines automatic stainless steel wristwatch c.1970 round silvered dial with raised gilt hour batons and calendar aperture, associated leather bracelet, dial diameter 31mm, case diameter 36mm £150-£250 189. A gentleman’s Omega Seamaster De Ville gold plated automatic wristwatch brushed silvered dial, with raised gold hour batons, dial diameter 31mm, case diameter 34mm £100-£150

190. A gentleman’s 18ct gold cased Bueche-Girod wristwatch c.1970 and a 9ct gold wristwatch first square brushed gold coloured dial with raised baton hours, 17 jewels movement, manual wind, associated gold plated bracelet with deployment clasp, second tonneau shaped c.1940 on a leather bracelet. (2), first dial width 20mm, case width 26mm £200-£300 191. A 9ct Buren Grand Prix wristwatch champagne dial alternating Arabic and triangular batons with subsidiary seconds, 9ct gold case and numbered 611, manual wind in, presentation inscription to the reverse, diameter of dial 3.2cm £100-£150 192. A gentleman’s 18ct gold Omega gentleman’s wristwatch the silvered rectangular dial with baton numerals, the case marked 18K 750, the movement numbered 34421078, width of case approx 2.5cm £300-£400 193. Three gentleman’s vintage wristwatches comprising a stainless steel Art Deco Rotary watch with gilt square dial Arabic numerals, subsidiary dial, together with a manual wind Garrard stainless steel wristwatch with silvered circular dial and Arabic numerals and presentation inscription to reverse, and a Rodana gentleman’s gilt and stainless steel wristwatch (3), the former width of dial approx 2.7cm £100-£200 194. A 9ct gold lady’s Omega wristwatch the circular gilt dial with baton numeral, quartz movement, fancy link bracelet, total weight 30g, width of dial 2cm £200-£300 195. A Longines lady’s 18ct bracelet wristwatch with circular enamel dial Arabic numerals, with red numeral for 12, the case marked 750, the mesh bracelet with buckle marked 18ct, movement numbered 5090109, weight approx 27.5g £300-£400 196. A 9ct gold lady’s Omega bracelet wristwatch the circular dial with baton numerals and marked on the clasp 375, diameter of dial 1.6cm, total weight approx 31.6g £250-£350 197. A lady’s 1970s 9ct gold Omega wristwatch square champagne dial with baton hour markers, 17 jewel movement, tapering fancy link bracelet with fold over clasp, total weight excluding movement 30.2g length 18.2cm £350-£400

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A N T IQU ES & COL L ECTA BL ES 198. A Chanel 18K gold cased lady’s wristwatch 1989 Collection, serial number YN112115, the square shaped dial with Roman numerals, quartz movement, marked on reverse of case 18K 750, with repair guarantee booklet and with fitted inner and outer case, diameter 2.4mm £3,000-£5,000

199. A lady’s 18ct yellow gold Rolex Oyster Perpetual wristwatch the gilt dial signed Rolex Oyster Perpetual Superlative Chronometer with applied hour diamond markers, centre seconds, with president bracelet, contained in an original fitted case with outer card case and original Rolex guarantee from 1992, dial width approx 25mm £4,000-£6,000 200. A 14K cased Longines lady’s bracelet watch the case marked 14K, the clasp and bracelet marked 375, approx total weight 12.4g £60-£80 201. A lady’s diamond-set wristwatch the tonneau-shaped dial with Arabic numerals to the surround of single-cut diamonds, blue cabochon winder, the interior stamped ‘PLATINE’, numbered and with foreign control marks, to the later flexible link strap bracelet and deployant clasp stamped ‘9ct’ (a/f), dial length 1.9cm, gross weight 17.5g £100-£150

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202. A lady’s Art Deco diamond-set and platinum watch the dial with Arabic numerals signed Hamilton, engraved ‘900 platinum 10 iridium’ to the reverse, 17 jewelled movement signed Hamilton, numbered F40535, the single-cut diamond-set bezel to the articulated tapering lugs each set with three graduated brilliant-cut diamond collets within a surround of baguette-cut and single-cut diamonds, to the diamond-set rectangular link back chain, deployment clasp, circumference 20cm approx, 19.4g excluding movement £1,000-£1,500 203. A lady’s Omega De Ville bi-colour stainless steel quartz wristwatch circa 2010 circular mother of pearl dial gold Roman numerals, gold coloured bezel, numbered 90190267, bi-colour stainless steel bracelet strap with Omega clasp, numbered 6504/838, dial diameter 17mm, case diameter 23mm £200-£300 204. A collection of lady’s wristwatches predominantly 9ct cased including a 9ct cased lady’s Rolex wristwatch the rectangular dial with baton numerals with gold plated strap £300-£500 205. A lady’s gold plated Omega Automatic De Ville Dynamic wristwatch light brown dial, white baton numerals, date just, together with stainless steel Omega Geneva lady’s bracelet wristwatch with expandable bracelet (2), width of case of the former 3.7cm £100-£200

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A N T IQU ES & COL L ECTA BL ES 206. Three 9ct gold cased lady’s wristwatches including a 9ct gold cased Roamer bracelet wristwatch with alternating Arabic and baton numerals, with two other 9ct cased wristwatches one with leather strap the other fabric (3), the former dial diameter approx 1.5cm £70-£90 207. A 9ct yellow gold foxtail link chain necklace with Sheffield import hallmark, length 48.5cm, 9.1g £100-£150 208. A 9ct belcher chain with finger terminal, overall length 41cm, 10.0g £100-£150

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212. A Regency-style amethyst and gold cannetille girandole pendant the adorned cannetille ‘C’ scrolls suspending three pearshaped amethyst drops, oval amethyst and gold ropetwist later surround, to the associated fine curb link chain necklace, pendant length 5.4cm, gross weight 8.5g £150-£250

209. A fancy link and coral bead necklace the alternate fancy link separated by textured brushed oval spacers with a coral sphere with caps to either side, stamped ‘750’ in several places, length 42cm; 18.8g £400-£500 210. An early/mid Victorian coin collar necklace composed of two rows of silver four pence coins, suspending a fringe of similar coins, and centring on a detachable 1847 Victorian crown, length 50cm, 163.2g £100-£150 211. An amethyst-set pendant on chain the ovoid pendant set with four oval mixed-cut amethyst to ornate setting with applied wire work, rope twist and beadwork decoration, the attached sensory loop and ‘S’ link long chain necklace stamped ‘750’ pendant 2.5cm x 1.5cm, 6.0g, chain length 64cm, 6.7g £200-£300 213. A fancy mesh style flat necklace with overlapping straps and four set diamonds, with safety catches, stamped on the box clasp 750, weight 55g £1,000-£1,500

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214. A fancy chain necklet composed of two conjoined rows of openwork textured chains centring on a polished circle, the concealed clasp stamped ‘750’, ‘18ct’, ‘W. GERMANY’, length 44cm approx, 89.4g £1,800-£2,200 215. A flattened fancy link chain necklace the clasp stamped ‘9K’ and ‘375’ (a/f); together with a 9ct yellow gold faceted belcher link chain bracelet, convention hallmark (a/f) (2), combined gross weight 14.8g £120-£180

216. A mid Victorian enamel, pearl and yellow gold pendant necklace the fancy link yellow gold chain and barrel clasp with a blue enamel heart-shaped slide, a half pearl cluster to the front and a glazed compartment containing plaited hair to the reverse, and suspending a blue enamel Latin cross pendant with cusped terminals and five half pearl detail, contemporary fitted case length 45cm approx £800-£1,200

217. A 19th century diamond-set Latin cross set with twelve cushion-shaped old brilliant-cut diamonds, suspended from a later rope twist necklace with rectangular diamond-set clasp, cross: length 4.0cm, width 2.3cm; chain 40.5cm; combined gross weight 11.4g £800-£1,200

218. An Austrian two coloured 14ct yellow gold necklace the graduated flexible links to the concealed clasp, Austrian control marks and rubbed import mark, length 42cm, 34.4g £600-£800

A N T IQU ES & COL L ECTA BL ES 221. A fancy link chain bracelet, stamped ‘375’ suspending seven charms, with two further charms, some stamped ‘750’ or ‘375’ length 19.5cm, 21.3g £180-£220 222. A 9ct yellow gold trace link chain bracelet with ‘T’ clasp and suspending two charms; and a lady’s 9ct yellow gold wristwatch signed Genève to the square link bracelet strap and deployment clasp (2), bracelet length 20cm, watch length 25cm approx, combined gross weight 20.4g £200-£250

219. A fancy link necklace composed of a rosette and arrow head link, each applied to a mesh backing, the clasp stamped ‘750, length 43cm, 38.3g £600-£800

223. A 15ct gold gate bracelet the three bar bracelet with safety chain stamped on the push clasp fastening 15ct, weight approx 13g £220-£280 224. A moonstone bracelet the articulated top section composed of graduated oval cabochons to the fancy link back chain and box clasp, safety chain, length approximately 20cm £100-£150

220. A carved amethyst and cultured pearl long chain necklace the trace link chain suspending five graduated ridged compressed melon beads (one damaged), each separated by a cultured pearl between two carved amethyst circular beads, together with a spare amethyst bead, length 58cm £80-£100

225. A garnet-set flexible link bracelet each of the nine hexagonal clusters with a central collet to the similarly designed clasp, length 19cm £80-£120

A N T IQU ES & COL L ECTA BL ES 226. A Continental wide textured bracelet composed of flexible rows of engraved chevron motifs, to the concealed clasp stamped ‘0750’ and two continental marks including possibly Austrian, length 19.5cm, width 3.0cm, 66.8g £1,300-£1,500 227. An attractive Continental mid 20th century wide mesh link bracelet the oval buckle clasp engraved ‘18K’ and ‘NGF’ length 18cm, width 2.7cm, weight approx 100.8g £2,000-£3,000

228. A 9ct gold Cropp & Farr articulated broad-link bracelet with safety chain and invisible clasp, weight approx 103.2g, approx length 19cm £1,000-£1,500 229. A 1960s 9ct yellow gold wide strap bracelet the bark textured brick links with buckle clasp, rubbed London hallmark, length 8.3cm, 67.1g £700-£800 230. A Continental fancy link articulated bracelet designed as a series of three coloured gold articulated elongated hexagonal panels, stamped 800, with invisible push clasp and safety chain, length 19cm without fastening, width 2cm, weight approx 61g £1,000-£1,500 231. A fancy three bar gate link bracelet unmarked, the bars interspersed with pierced scroll work, with integral push fastening, weight approx 37g £500-£700

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232. A 1970s amethyst and 9ct yellow gold flexible link bracelet comprising nine bark textured undulating oval links, each claw-set to the centre with a circular-cut amethyst, to the concealed clasp, London import mark 1975, length 18.2cm, 38.3g £400-£500 238

233. A flexible link bracelet comprising textured and polished asymmetric ‘V’ shaped links, the clasp stamped ‘SIYMA750’ length 19cm, 14g £300-£400 234. A 1960s 9ct gold articulated panel bracelet marked on push clasp 9 .375, London, in fitted contemporary box, width 1.8cm, length 18cm, weight approx 31.7g £350-£450

240 235. A mid/late Victorian green paste and yellow gold bracelet by Phillips of Cockspur Street, London the five graduated oval green paste intaglios depicting various mythological figures such as Ganymede, two signed in Greek lettering for Luigi Pilcher, each within a yellow gold collet and spherical beadwork border, and separated by a flowerhead roundel link, to the rectangular stylised anthemion clasp stamped with a rhomboid containing the adorned Ps with plumed crest for Phillips, bracelet length 17.0cm, largest intaglio collet 3.1cm x 2.4cm £1,000-£1,500 236. A early 20th century 9ct yellow gold gate line bracelet each of the nine links alternately set with a half pearl or a garnet (untested) within a lozenge, the concealed clasp stamped ‘9C’, safety hook and chain, length 20cm, 19.5g £200-£300 237. A cultured pearl flexible link bracelet each engraved circular rope twist link set with a cultured pearl, to the concealed clasp stamped ‘14K’, length 18cm, 12.9g £80-£120 238. A gold articulated Victorian style snake bangle marked for 9ct gold and with steel spring, fashioned as a coiling snake with chased detail to head and tail, and ruby set eyes, Chester hallmark, weight approx 27.5cm £350-£450

239. A 9ct curb link bracelet with heart locket with alternate chased curb links, all stamped 9ct, with safety chain, 22g approx £200-£250 240. A 9ct gold charm bracelet with a number of charms including poodle, barrel, aeroplane, cheque book etc, mostly marked 9ct gold, total weight 75g £750-£850 241. A 9ct gold charm bracelet with numerous charms with unusual charms including radio, soda syphon, traffic lights, life buoy, mostly all marked 375, weight approx 25g £200-£300 242. A 9ct gold charm bracelet with a number of charms including man in a shoe, Jonah and the whale etc, most marked 9ct, together with a 9ct Masonic swivel ring a/f (2), total weight approx 28g £350-£400 243. A 9ct yellow gold belcher link bracelet to the 9ct yellow gold padlock clasp with presentational initials dated 1919, with safety chain and suspending a 9ct yellow gold heart-shaped pendant (a/f) centrally-set with a half pearl, length 20cm, approx, 7.4g £80-£120

A N T IQU ES & COL L ECTA BL ES 244. A 9ct rose gold and hand stone slave bangle with crossover motif interspersed with panels of green hard stone, marked PPld and 9ct, total weight approx 15g £100-£200 245. A 9ct gold stiff bangle with bamboo effect, and safety chain, weight approx 10g £100-£150 246. A 9ct gold stiff bangle with bark effect marked 375, together with a hollow square shaped bangle (2), total weight 26g £180-£220 247. A yellow gold hollow snake’s head bangle the head with engraved textured decoration, stamped with maker’s mark and ‘9’ inner diameter 7cm, 15.7g £100-£150

248. An enamel decorated sprung torc bangle with two lion head terminals, the bangle and red enamel decoration, indistinctly stamped ‘K18’ inner diameter 6cm, 33g £600-£800 249. A 9ct yellow gold fancy link chain necklace composed of alternating oval loop and knot links, to the later clasp, length 47cm, 26.7g £250-£300

252. Two rope twist chain necklaces the first stamped ‘10K’, the second ‘9K’ (2), the first 92cm, 31.3g, the second 63cm, 28.3g £600-£700 253. A 9ct gold fancy link chain with gold plated seal with monogram for ASH, chain without seal weight approx 11g £80-£120

254. A Continental mid 20th century diamond-set two coloured brooch and pair of earrings en suite each designed with eccentric circles to the arched crescent set with brilliant-cut diamonds, two prong brooch clip fitting (2), brooch: width 3.6cm, earrings width 2.0cm, combined gross weight 37.3g £800-£1,200

250. A collection of various 9ct yellow gold chains including a fetter and three and sphere necklace marked 375, and four other chains and two crucifix pendants (5), total weight 41g £400-£500

251. A 15ct yellow gold fancy link guard chain with swivel composed of two alternating knot links and a swivel, both stamped ‘15’, length of chain 138cm, gross weight including swivel 27.1g £400-£500

255. Two 9ct yellow gold canine brooches each modelled as a poodle in show presentation, one standing and the other sitting, both with red stones eyes (one deficient), hallmarked (2), height 3.6cm and 2.9cm, respectively, combined gross weight 12.4g £100-£200 256. A Georgian topaz and yellow gold cluster brooch the central octagonal topaz within a surround of cushionshaped topaz, cut down closed back yellow gold setting 2.4cm x 2.6cm £150-£250

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257. A late 19th/early 20th century diamond demantoid garnet and 15ct yellow gold bar brooch the central double scroll set with three old brilliant-cut diamonds and two dermantoid garnets, the reverse stamped ‘15ct’, with safety chain, length 4.2cm, 4.4g £200-£300

258. A late Victorian conch pearl and diamond openwork knife bar brooch the central conch pearl with an old brilliant-cut diamond to each of the cardinal points, a pearl (untested) and an old brilliant-cut diamond set to each side, safety chain, length 4.6mm £250-£350 259. A diamond single stone ring the old brilliant-cut diamond set to the coronet mount and heart-shaped shoulders, London hallmark; an Edwardian 9ct yellow gold, peridot and half pearl navette-shaped brooch; and an oval engraved locket suspended from a belcher chain necklace, the clasp stamped ‘9ct’ (3), combined gross weight 12.0g £200-£300 260. An Edwardian yellow gold knife edge bar brooch collet-set with eight pearls (untested); together with an oval green chalcedony (probably chrysoprase) cabochon and yellow gold signet ring, stamped ‘9ct’; and a garnet two stone and 9ct yellow gold crossover ring, Birmingham hallmark (3), brooch: length 4.0cm rings: size G and Q respectively £100-£150

261. An enamel and diamond-set military brooch for the Royal Artillery set with rose-cut diamonds with red enamel crown and blue enamel banner, width 3.5cm, 5.6g £100-£200

262. A cased Georg Jensen Sterling silver cockerel brooch designed by Arno Malinowski, of square form with stylised cockerel and blade of grass, numbered 276, with rollover clasp and contained in fitted Jensen box, weight 16g, 4cm square £150-£200 263. A Victorian oval shell cameo depicting Hebe feeding an eagle standing on a garlanded plinth, within a yellow gold collet and an applied rope twist border, with safety chain, overall length 7.7cm x width 4.5cm, 21.9g £50-£80 264. A 9ct yellow gold mounted oval shell cameo depicting the head and shoulders in profile of a lady; a gold-mounted tiger’s eye sphere fob suspended from a chain necklace; a synthetic corundum pendant with articulated suspensory loop; and a 9ct yellow gold bar brooch (a/f) (4) £100-£150 265. A Norwegian enamel brooch by David Andersen the silver gilt stylised Convergent Ladybug (Hippodamia convergens) in red and black guilloché enamel, the reverse signed, length 2.8cm, width 2.1cm £80-£120 266. Four items of jewellery comprising a circular open work jadeite brooches to the 9ct yellow gold mount, London hallmark, outer diameter 3.2cm; a shield-shaped coral pendant with engraved flower motifs, the suspensory loop stamped ‘K18’, length 2.8cm; a Victorian carved banded agate stick pin (a/f) with a contemporary fitted case; a 9ct yellow gold bar brooch applied with a ‘S’ scroll set with half pearls (4) £80-£120

267. An Edwardian sapphire and diamond-set bar brooch applied with two interlocking horse shoe motifs to the centre, one set with circular-cut sapphires and the other with old brilliant-cut diamonds, length 5.7cm, 3.9g £300-£500

A N T IQU ES & COL L ECTA BL ES 268. A collection of Edwardian hats pins to include 9ct gold Satsuma and enamel examples including a 9ct amethyst set scroll hat pin marked 9ct, two Meiji period Satsuma hat pins, one globular the other of lobed tapeirng form decorated with flowers, a Liberty style Art Nouveau silver an enamel hat pin, unmarked, and two others (6), longest 23cm £80-£120

274. A pair of diamond ear studs each claw-set cushion-shaped old brilliant-cut diamond estimated to spread, approximately 0.35 cts £100-£150 275. A novelty pair of port and starboard lantern earrings Birmingham hallmark, weight approx 6.5g £100-£150 276. A pair of diamond ear studs each brilliant-cut diamond undulating coronet setting, combined gross weight 1.2g £300-£400

269. A Royal Kent cased regiment brooch with gilt metal horse with enamel Invicta banner below mounted on a 9ct pin, in a fitted case, total weight 2.3g £60-£100 270. Four Edwardian 9ct gold hat pins and a cased guilloché enamel dress button and brooch set each hat pin of scroll design set variously with turquoise, pearl etc, the brooch marked Sterling silver rims and backs with a makers mark (6), longest 21.5cm £100-£150

271. An unusual coral stick pin in the form of a scull finely carved and contained in fitted case, length of head approx 1.5cm £100-£150 272. Five pairs of 9ct yellow gold earrings including three pairs set with cultured pearls with one pair suspending a detachable pale green pendeloque collet pendant (5), combined gross weight 10.5g £80-£120 273. Four items of paste-set jewellery comprising a pendant necklace, two pairs of ear pendants, and an avian and silver spray brooch, all closed back settings (4) £100-£150

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277. A pair of cultured pearl and diamond-set cluster earrings each 6mm, cultured pearl within a surround of single-cut diamonds, diameter 1.0cm, combined gross weight 3.5g £200-£300 278. A late 19th century pair of Austrian sapphire and diamond-set ear pendants each circular cluster centrally-set with a sapphire within the border of rose-cut diamonds, a single rose-cut diamond surmount, mounted in silver and yellow gold, hoop fittings stamped with Austrian control marks for Vienna, diameter 9.5mm, combined gross weight 2.0g £300-£400 279. A pair of tanzanite and diamond ear pendants each ovoid tanzanite measuring 12.3mm x 7.8mm x 5.1mm approximately suspended from two brilliant-cuts diamonds (the upper stone detachable as a ear stud), overall length 2.7cm £700-£900 280. Two pairs of late 19th century/early 20th century silver-mounted paste ear pendants with screw fittings the first each with a shaped rectangular green paste cutdown collet to the colourless paste articulated surmount; the second with circular-cut colourless paste to the similar surmount, both in cut-down collets (2), the first, 4.5cm long; the second 2.3cm long £150-£250

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281. A diamond-set brooch the shaped rectangular open-work plaque with geometric bar detail, set throughout with brilliant-cut and singlecut diamonds, later brooch fitting, width 5.8cm, depth 3.5cm, 20.0g £1,800-£2,500 282. A diamond-set spray brooch the floral and foliate ribboned bouquet set with brilliant-cut and single-cut diamonds, the reverse stamped ‘18ct, length 4.6cm, weight approx 7.5g £300-£500

283. An aquamarine and two coloured flexible link bracelet each panel composed of a rectangular aquamarine set to either side with a two coloured floral and foliate cluster, the concealed clasp stamped ‘18K’ and safety chain, length 18cm, gross weight 22.6g £1,000-£1,500

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284. A late 19th/early 20th century fire opal and diamond-set pendant and chain the oval fire opal collet-set within an open-work scrolling and floral cluster surround, fringe and surmount set with old-cut diamonds, mounted in silver and yellow gold; together with an Edwardian fetter and three platinum and yellow gold chain necklace. Pendant: fire opal 21.4mm x 15.4mm, pendant 6.4mm x 3.5cm, weight 9.3g, Chain length 45cm, 2.9g £1,500-£2,500 285. A pair of diamond pendant earrings each with a four stone brilliant cut diamond cluster surmount suspending a pear-shaped old brilliant cut diamond estimated to weigh 1.00ct approx, approximate length 2.3cm; combined gross weight 4.7g £3,000-£5,000 286. A pair of opal and diamond-set ear pendants each designed as an oval white opal cabochon claw-set above a surround of brilliant-cut diamonds to the single stone diamond and circular opal cabochon surmount, with contemporary fitted case for Asprey, length 2.8cm, combined gross weight 7.9g £1,800-£2,200

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A N T IQU ES & COL L ECTA BL ES 287. A attractive pair of French Art Deco diamond-set ear clips attributed to Cartier, each designed as five undulating asymmetric petals each pavé-set with brilliant-cut diamonds and centring on a claw-set brilliant-cut diamond estimated to weigh 0.500.60 cts, French control marks and indistinctly struck maker’s poincon, contemporary gilt tooled red leather case for Cartier, the interior cream silk with Cartier banner and Paris address first, diameter 2.5cm Although unsigned, these earrings by family repute were originally two detachable clips from an Art Deco black lacquer bangle, similar to those introduced by Cartier in 1934. They were subsequently converted by Cartier into ear clips for the current owners’ grandmother £8,000-£12,000 287

288. An impressive early/mid Victorian diamond graduated rivière necklace each of the 51 graduated cushionshaped old brilliant-cut diamonds set within a silver and yellow gold cut down collet to the to a similar diamond clasp, with safety clasp and two safety chains, length 37.5cm, gross weight 29.0g According to the vendor, this necklace was purchased from Garrard and Co, Regent Street, London in May 1948 £15,000-£20,000

288

A N T IQU ES & COL L ECTA BL ES 289. A pair of diamond single stone ear studs each brilliant-cut diamond estimated to weigh 0.55-0.60cts approx, coronet set to the post fitting, combined gross weight 1.6g £800-£1,200 290. A pair of diamondset heart-shaped ear pendants each designed as a slightly bombé articulated invisibly set princess-cut diamond drop within an open-work brilliant-cut diamond-set border and single-stone surmount, stamped ‘750’, length 2.1cm, width 1.4cm, combined gross weight 4.0g Offered for sale with a report from Coster Diamonds of Amsterdam, number 40149745, dated 20.04.2011 £400-£600 291. A diamond-set heartshaped pendant the slightly bombé invisibly set princess-cut diamond heart to the border of brilliantcut diamonds, suspended from a fine trace link chain necklace stamped ‘750’ heart pendant: width 1.6cm, depth 1.4cm; gross weight 4.6g Offered for sale with a report number 40202526 from Coster Diamonds of Amsterdam dated 20.4. 2001 £400-£500

292

292. A late 18th/early 19th diamond turquoise and rock crystal heart-shaped hinged locket pendant the open work floral obverse set with rose-cut diamonds and applied with a ovoid cabochon turquoise collet to the centre, to the rock crystal reverse, detachable diamond-set suspensory loop, mounted in silver and yellow gold, length (without loop) 2.8cm, maximum width 2.6cm £400-£600 293. A Georgian emerald and diamond-set cluster pendant the central cushionshaped emerald (probably foiled) within a surround of eight cushion-shaped old brilliant-cut diamonds, partially closed back silver and yellow gold cut down collet setting, length (excluding loop) 2.2cm, width 1.9cm, 5.4g £2,500-£3,500 293A. An Edwardian enamel, pearl and diamond-set pendant on chain, the circular openwork vertical grille pendant with diamond and pearl border and with a pale blue enamel floral cluster applied to the centre, the fine trace link chain with old brilliant-cut, diameter 2.5mm, gross weight 6.8gms £300-£400

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294. A pair of multi gem-set ear clips by Cartier each floral and foliate cluster platinum set with a yellow and two blue sapphires and five rubies to the brilliant-cut diamond-set leaf, each clip fitting signed ‘Cartier London’ in script, length 3.0cm, width 1.4cm, combined gross weight 10.0g Accompanied by a photocopy of a signed insurance valuation from Cartier London dated 30 October 1998 confirming the attribution £2,000-£3,000 295. A 9ct yellow gold open work cluster pendant set with six circular-cut amethysts and suspended from a 9ct yellow gold fetter and three link chain necklace, length 51cm; together with a pipkin drop below a circularcut garnet collet and suspended from a 9ct yellow gold belcher link chain necklace, length 47.5cm (2), combined gross weight 12.6g £150-£200 296. An Edwardian 15ct peridot and seed pearl pendant on chain the ribbons, scrolls and leaves inset with seed pearls with oval faceted peridot to centre and tear shaped peridot drop, on a 9ct gold fancy link necklace, drop of pendant including baille 5cm £200-£300

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299. A foiled moonstone pendant and pair of ear studs the pendant comprising an oval cabochon collet suspending a circular cabochon collet, together with a pair of circular cabochon collet ear studs (2), pendant overall length 4.8mm, ear stud diameter 1.0mm £150-£250

300. An articulated fish pendant the open mouth with simulated pearl, the eyes with pink sapphires (untested), the bolt ring marked, weight approx 4.3g £80-£120

297. An Edwardian amethyst-set pendant the open work ‘C’ scroll shield frame with collet-set amethysts to the border and suspending a collet-set square amethyst drop. to the 9ct yellow gold fine trace link chain necklace, necklace length 46cm; pendant length 4.9cm £100-£200 298. A silver and pink enamel ovoid locket pendant by Theo Fabergé one side of the quilted effect pale pink enamel exterior centrally-set with a diamond within in a rhomboid and opening to reveal a 3D enamel orchid, maker’s mark and Birmingham hallmark, numbered 16/500, certificate, presentation case and outer case, suspended from an associated 9ct white gold flattened curb link chain necklace, convention hallmark and stamped ‘375’ (2), pendant: overall length 2.7cm, 10.5g; necklace: 2.7g £100-£150

301. A mid Victorian garnet and yellow gold brooch/locket the front of the oval locket set with oval garnets within an applied rope twist border, glazed compartment to the reverse, length including loop 4.0cm, 9.7g £300-£500

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302. An early 20th yellow gold open-work pendant of quatrefoil design, set with two articulated synthetic pink sapphires (untested) within a garland of alternate white and blue stones, fitted case, overall length 4.3cm £200-£300 303. A 19th century half pearl enamel and yellow gold locket pendant with glazed compartment to the reverse and detachable surmount; together with an early 20th century lozenge shaped brooch, the central peridot collet to the floral open work surround (2). Pendant total length 3.2cm, 3.7g; brooch: width 3.4cm, 2.1g £100-£150 304. A citrine and pearl cluster pendant the oval mixed-cut citrine measuring 21.2mm x 17.0mm x 8.8mm to the surround of slightly baroque pearls (untested but probably freshwater) to the yellow gold setting and suspensory loop, weight 10.4g, length 3cm excluding loop, width 2.5cm £100-£150 305. An Arts and Crafts amethyst rock crystal and silver pendant and chain of open-work viticultural-inspired design, the central old-cut rock crystal collet within a surround of grapes, leaves and tendrils with amethyst collet detail, an articulated pendeloque amethyst below, all suspended from the fancy link chain necklace with ‘S’ clasp; together with a similar pair of ear pendants; (2) Pendant: length including bail 5.5cm, width 3.6cm; chain 86cm £100-£150

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306. A late 17th/ early 18th century yellow gold and enamel-decorated locket circa 1690, of heart shaped design containing hair and with applied chain and ropetwist border and with a earl’s coronet surmount, the obverse applied with a lozenge inscribed ‘THERE IS NO STING IN SWEETS I BRING’ and in the centre Cupid in white enamel sitting on his quiver of arrows before a basket of flowers with traces of black enamel, the reverse depicting two Cupids, each hovering above a bird standing on a crossed palm frond, and holding aloft a basket of fruit/flowers decorated with traces of enamel, overall length 2.9cm, width 1.9cm Sentimental jewellery was highly popular during the late 17th and early 18th century. Here, the applied motto refers to Cupid, who is offering ‘sweets’ in the form of flowers, rather than the more usual ‘sting’ that his arrows would deliver £500-£800

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311. An Edwardian graduated five stone pink sapphire ring set with three cushion-shaped pink sapphires to the centre with a circular-cut pink sapphire, 18ct yellow gold setting, Chester 1910, size N, 4.1g £300-£500 312. An early 20th century opal and diamond-set ring the three white opal cabochons within an old-cut diamond set cusped surround to the yellow gold setting and trifurcated fleur de lys shank, size L, 3.1g £300-£400

307. A Georgian circular gilt locket containing an ivory vignette of a pastoral landscape with a young lady standing in the foreground beside a stream and pointing to the distant church, her flowing long white dress with ornately-tied blue sash and with a peaked bonnet, diameter 4.3cm £80-£120

313. An early 20th century garnet five stone ring set with a tapering line of graduated cushionshaped garnets to the yellow gold setting (marks rubbed), size S, 4.6g £150-£250 314. A Victorian style ruby and diamond five stone ring the three graduated brilliant-cut diamonds separated by a circular-cut ruby, to the 18ct yellow gold pierced and scrolling gallery, London 1974, size M1⁄2, weight 8.3g £500-£700

308. Two amethyst brooches each centrally-set with oval mixed-cut amethyst to an ornate setting; together with a slightly graduated coral spherical bead necklace, the front section with faceted crystal bead spacers; and an oval two stone coral bar brooch (4), necklace length 46cm £80-£120 309. Four semi-precious mounted pendants the first green ovoid within a wirework cage; the second mid 20th century asymmetric 9ct yellow gold openwork pendant, centrally set with a circular-cut amethyst and suspended from a flattened curb link chain necklace; the third flattened blue/grey pendeloque to the stylish Art Nouveau inspired ginkgo leaf mount and suspended from a trace link chain necklace; the fourth oval mixed-cut smoky quartz claw-set to the foliate setting (4), weight of two chains 6.3g £100-£200 310. An amethyst and diamond-set cluster pendant the oval amethyst claw-set above the brilliant-cut diamond-set border to the 18ct hallmarked white gold bail, suspended from an 18ct white gold faceted trace link chain necklace, convention hallmark, pendant length 1.4cm (excluding bail), combined gross weight 4.9g £400-£500

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315. A diamond five stone ring the old brilliant-cut diamonds linear-set within the 18ct yellow gold navette shaped surround and heavy plain tapering shank, Birmingham hallmark, size K1⁄2, 4.8g £200-£300 316. A diamond-single stone ring the rose-cut diamond collet-set above the pierced and engraved tapering setting, size M, 2.3g £200-£400 317. An Edwardian 18ct yellow gold enamel and seed memorial pearl ring the terminals of the top section of the tapering band with ‘MEM’ and ‘ORY’, small glazed compartment to the inner shank, Chester 1907; together with a 9ct yellow gold wedding band, Birmingham hallmark (2) Size P, 4.0g, and size N, 3.0g respectively £100-£150

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323 318. A Victorian ruby and diamond ring the central rose-cut diamond with a mixed-cut ruby and rose-cut diamond to either side, all gypsy-set within the box navette yellow gold setting, partly hallmarked, size N, weight 2.4g £80-£100 319. A Victorian diamond five stone ring set with a graduated line of cushion-shaped old brilliantcut diamonds with diamond points between, to the pierced and scrolling gallery, size F (due to sizing pips), weight 4.5g £500-£700 320. A diamond single stone ring the central brilliant-cut diamond gauged to weigh 0.90 cts to the diamond-set tapering shoulders (one deficient), the plain shank stamped ‘PLAT 18CT’ size N, weight 2.1g £300-£400 321. An amethyst, garnet and seed pearl cluster ring the central shaped rectangular amethyst to the surround of seed pearls and outer garnet border, partially closed cut-down collet setting (probably converted from a Georgian brooch), later tapering openwork shank, length 2.5cm, width 2.0cm, size O/P, 7.6g £250-£350 322. A mid Victorian amethyst, pearl and diamond-set ring the central oval amethyst collet-set to the seed pearl and rose-cut diamond-set border, the ornately pierced gallery and shoulders with engraved decoration and stamped ‘15ct’, size P, weighing 9.4g £400-£600 323. Three Victorian-style rings two 9ct yellow gold and peridot-set rings, and an oval black hardstone cabochon with a seed pearl to each of the cardinal points (3), sizes O1⁄2, O1⁄2 and N respectively, combined gross weight 5.2g £80-£120

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324. A diamond single stone ring the brilliant-cut diamonds coronet-set above the three stone diamond shoulders (one deficient), the shank stamped ‘18ct PLAT’, size M, 2.4g £150-£250 325. A sapphire and diamond-set cluster ring the oval mixed-cut sapphire claw-set above the illusion surround set single-cut diamonds, 18ct yellow and white gold hallmarked setting, size H1⁄2, 5.2g £100-£200 326. A sapphire and diamond-set cluster ring the oval mixed-cut sapphire to the brilliant-cut diamondset surround, the plain shank stamped ‘14K’ size M, weight 5.3g £200-£400 327. A diamond three stone ring the old brilliant-cut diamonds coronet-set to the plain shank, size O, weight 1.3g £100-£200 328. A diamond single stone ring by Le Leo the brilliant-cut diamond claw-set above the 18 ct gold plain shank, the interior signed ‘Le’ followed by a small brilliant-cut diamond, Convention hallmark, size P, 3.1g £150-£250 329. A diamond single stone ring the brilliant-cut diamond square claw-set above the tapering shank, 18ct yellow and white gold setting, convention hallmark, size O, 3.8g £300-£400 330. A diamond five stone ring set with brilliant-cut diamonds to the ‘U’ shaped claw gallery, the plain shank stamped ‘18CT’, size N1⁄2, weight 5.0g £200-£300

A N T IQU ES & COL L ECTA BL ES 331. A mid 20th century gem-set abstract ring of geometric tiered polished bars and textured plaque design, and set with four brilliant-cut diamonds and four baquette-cut sapphires, the setting stamped ‘18CT’ and other marks, including monogram, size P/Q, 10.4g £250-£350

331

332. A mid 20th century diamond-set abstract geometric ring composed of tiered polished bars, centrally-set with a brilliant -cut diamond ring, and with four brilliant-cut diamonds to each corner, the plain shank stamped ‘18ct’ size P, 7.9g £250-£350 333. Two rings: an oval shell cameo of a young lady in profile within ornate open-work cusped surround the shank stamped ‘750’; and an oval white opal ring within a collet setting with applied wirework decoration, the shank stamped ‘14ct’ (2), size R and Q respectively, combined gross weight 11.6g £140-£180

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334. A sapphire and diamond-set cluster ring the oval mixed-cut sapphire within the diamond-set border, to the 18ct yellow and white gold setting, London hallmark, size N1⁄2, 3.7g £200-£300 335. An emerald and diamond half hoop ring the top section set with four circular-cut emeralds and three square-cut diamonds to the plain 18ct yellow gold, import London hallmark, size L, weight 3.9g £200-£300 336. A diamond-set plaque ring the rectangular plaque with cusped edges set with twelve brilliant-cut diamonds to the plain tapering shank stamped ‘18 CT’, 1.2cm x 0.95cm, 2.9g £200-£300

336

337. A sapphire and diamond-set ring the central oval mixed-cut sapphire collet-set above a surround of old-cut diamonds to the reeded shoulders and plain shank engraved ‘18’, size N, weight 3.8g £150-£250 338. A 19th century pearl and yellow gold ring the three half pearls collet-set above the three textured shaped plaques with polished borders, to the ridged shank, size P, 2.0g £120-£180

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339. A diamond single stone ring the cushion-shaped old-brilliant cut diamond estimated to weigh 0.60 cts approximately to the box setting, the plain shank stamped ‘18ct PLAT’, with case and purchase receipt dated 25 April (19)41 for £21 from W Battersby, Cheapside, London, size J, weight 2.5g £600-£800 340. A late Victorian pearl and diamond-set ring the five graduated pearls with rose-cut points between to the pierced scrolling gallery and closed back yellow gold setting, the shank stamped ‘18ct’, size Q, 3.1g £200-£300 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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341. An opal and diamond-set ring the oval opal cabochon collet-set above the surround of old-cut diamonds, the plain tapering shank stamped ‘PLAT 18CT’, size O, 2.2g £80-£120

343. A diamond three stone ring set with slightly graduated old brilliant-cut diamonds, coronet-set with heart-shaped pierced gallery stamped ‘PLATINUM’, size N £1,500-£2,000

342. A diamond-set cluster ring the flowerhead set with a brilliant-cut diamond collet to the border of six brilliant-cut diamonds separated by engraved decoration, the plain shank stamped ‘PT’, size L, 4.5g £300-£500

344. A diamond five stone ring the graduated cushion-shaped old brilliant-cut diamonds coronet-set to the plain yellow gold shank stamped ‘18ct’ ring size O, weight 3.1g £700-£1,000

345. A diamond single stone ring the very light yellow brilliant-cut diamond weighing 4.92 cts, coronetset above the ridged shank stamped ‘750’, size N1⁄2, 4.0g £10,000-£15,000

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346. A diamond single stone ring the old brilliant-cut diamond claw-set above the undulating surround and engraved shoulders, the plain shank engraved ‘750’, size O, 2.6g £500-£800

348. A diamond five stone ring the brilliant-cut diamonds coronet-set to the plain tapering shank, size Q1⁄2, 3.2g £300-£400

347. An emerald and diamond-set ring the central octagonal emerald estimated to weigh 2.00cts approximately, set to either side with a tapered baguette and two baguette diamonds, size K1⁄2, 3.5g

349. A diamond single stone ring the brilliant-cut diamonds estimated to weigh 2.35cts approximately to the 18ct coronet setting and plain tapering shank, London hallmark, size K (with sizing pips), 3.7g £3,000-£5,000

Offered with a report numbered 5782-1064 from Gemmological Certification Services, London, dated 9 March 2022: Colombian origin, moderate clarity enhancement £4,000-£6,000

350. A diamond single stone ring the light yellow brilliant-cut diamond weighing 4.18cts, coronet-set to the plain shank, size L, 3.4g £8,000-£12,000

A N T IQU ES & COL L ECTA BL ES 351. A diamond five stone ring the graduated old brilliant-cut diamonds recessed within the 18ct yellow gold navette shaped border and tapering shank, size P, 4.6g £100-£200 352. A diamond and 18ct yellow gold ring the central brilliant-cut diamond collet set above each three stone diamond shoulder and tapering ridged shank, Birmingham convention hallmark, size M, 4.1g £100-£200 353. A diamond single stone ring the old brilliant-cut diamond estimated to weigh 1.30 cts approx. to the elaborate claw setting and plain shank stamped ‘18’, size L1⁄2,5.2g £500-£700 354. A sapphire and diamond-set ‘daisy’ cluster ring the central circular-cut sapphire within a surround of old single-cut diamonds, the plain tapering shank stamped ‘18ct’, size L, 1.9g £100-£200 355. An amethyst and diamondset ring the oval amethyst claw-set above the ornate shoulders, each set with three single-cut diamonds, to the plain shank stamped ‘18ct PLAT’, size O, 4.2g £500-£700 356. A Continental amethyst ring the oval amethyst claw-set above the ornate open-work floral and scrolling brocade, with ruby highlights, the shank stamped ‘14K’ and with an indistinct control mark, size R (leading edge), 12.2g £200-£300

357. A ruby and diamond cluster ring ensuite with a pair of ruby and cluster earrings each designed as a flowerhead, centrally-set with a ruby collet within a claw-set in alternating surround of five pear-shaped rubies and five brilliant-cut diamonds, ring size J; combined gross weight 9.4g

351

According to the vendor, these were purchased from Garrard. Offered for sale with an insurance valuation from Garrard, dated 6 August 1991, detailing the stone weights £1,000-£1,500 358. A diamond single stone ring the old brilliant-cut diamond coronet-set above the two stone rose-cut diamond shoulders, the shank stamped ‘18ct PLAT’, size K1⁄2, 2.8g £100-£200 359. A five stone diamond-set ring set with three old brilliant-cut diamonds to the centre and two oldcut diamonds; together with a three stone diamond ring, centrally-set with an old brilliant-cut diamond with a single-cut diamond to either side, the shank stamped ‘18C’ (2), size K and K1⁄2 respectively, combined gross weight 4.8g £200-£300 360. A seven stone diamond ring the brilliant-cut diamonds lineset to the 18ct gold gallery and plain shank, rubbed hallmark, size K1⁄2, 3.5g £100-£200 361. A graduated diamond three stone ring collet-set with two old brilliantcut diamonds and a brilliant-cut diamond to the shank stamped ‘18ct’, size O, 2.3g £200-£300

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362. Nine assorted rings: three set with cabochon moonstone/rose quartz collets interchangeable with two plain bands one with a 9ct hallmark; and four gemset (untested) dress rings (one a/f) (9). Five L/M; four others L-Q, combined gross weight 29.0g £180-£220 363. A diamond full hoop eternity ring set all round with single-cut diamonds, engraved shank; together with a wedding band stamped ‘PLATINUM’, both size L, weighing 2.5g and 3.4g respectively £100-£200

A N T IQU ES & COL L ECTA BL ES 364. A sapphire and diamond-set cluster ring the oval greeny-blue sapphire claw-set above the surround of ten brilliant-cut diamonds to the 18ct white and yellow gold setting, London hallmark, size M, 4.7g £250-£350

364

365. A sapphire and diamond-set ring centrally-set with a brilliant-cut diamond with two circular-cut sapphires to either side (one damaged), the tapering shank stamped ‘750’; together with a brilliantcut diamond and 18ct white and yellow gold ring, and a sapphire and singlecut diamond-set ring, the shank stamped ‘18ct PLAT’ (3), size P, P1⁄2 and K1⁄2 respectively, combined gross weight 8.7g £100-£150 366. An Edwardian sapphire and diamond five stone ring three circular cut sapphires each separated by an old brilliant-cut diamond claw-set to the 18ct yellow gold setting and shank, Chester 1904, with a contemporary leather and gilt tooled case, size N/O, 5.5g £400-£600

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367. A diamond single stone ring the old brilliant-cut diamond estimated to weigh 1.00 -1.20 cts (girdle inaccessible) to the later collet setting within the heavy tapering band, size Q, 7.9g £600-£800 368. A ruby and diamond-set cluster ring the navette-shaped ruby within a surround of brilliant-cut diamonds to the 18ct yellow gold tapering shank, London hallmark, size M1⁄2, 3.2g £300-£400 369. A diamond single stone ring the old brilliant-cut diamond estimated to weigh 0.60-0.65 cts coronet-set to the plain shank stamped ‘PLAT 18ct’, size N, 1.7g £250-£350 370. A two stone diamond cross over ring each brilliant-cut diamond obliquely-set to the 18ct yellow gold ‘S’ scroll shoulders and plain shank, Birmingham hallmark, size L, 2.8g £150-£250

368

371. A 22ct gold band together with another ring a/f (2), approx weight of 22ct 2.7g £100-£150 372. Two 20th century gem-set rings a diamond five stone ring set with a line of graduated old-cut diamonds to the yellow gold pierced and scrolling gallery and shank; together with an emerald and diamond-set ring, hallmark rubbed, size L and Q respectively, combined gross weight 6.4g £120-£180

369

373. An 18ct yellow gold diamond-set ring by Theo Fennell the plain central band set with eight brilliant-cut diamonds, a bead border to both edges, maker’s mark and London hallmark, case for Fennell, size N1⁄2 (leading edge), 12.5g £500-£600

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A N T IQU ES & COL L ECTA BL ES 374. A 9ct three coloured gold ‘Russian’ interlinked three band ring London hallmark; together with a shaped square quartz ring, collet-set to the plain shank (2), size R and M respectively, combined gross weight 8.9g £100-£150 375. A bloodstone-set ring the circular bloodstone set above the heavy tapering collet applied with spherical and rope twist decoration detail, size F, 7.5g £100-£200

376

376. A Georgian garnet full hoop ring set all round with 14 circular flat-cut garnets, mounted in gold, size Q1⁄2; 3.1g £200-£400 377. A diamond single stone ring the old brilliant-cut diamond estimated to weigh 0.70-0.80 cts, to the heartshaped gallery to the plain tapering shank stamped ‘R.B’, size L, 2.5g £400-£600 378. A cultured pearl and diamond-set cluster ring the central cultured pearl measuring 8.5mm, in diameter to the brilliant-cut diamond-set surround, 9ct yellow and white gold setting, London hallmark; together with an oval hardstone cabochon ring, the tapering shank stamped ‘9ct’ and a Victorian yellow gold dress ring filled with iron pyrites (3), sizes M, M and O respectively; combined gross weight 13.1g £100-£200 379. An early 18th century diamond and enamel mourning ring the oval rose-cut diamond within a silver cut down collet and with a similarlycut diamond to each shoulder, scrolling black enamel shank with memorial inscription dated 1739, interior memorial inscription for 1723, scallop closed back yellow gold setting, size O, 4.0g £1,000-£1,500

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380. A Georgian diamond and diamond-set ring the central obovoid rose-cut diamond within a silver cut-down collet and a scallop shell closed yellow gold back setting, diamond-set bow surmount (possibly later) to the later yellow gold shank with ridged shoulders, size Q, height 1.7cm, 5.2g £1,800-£2,200 381. An early 18th century ruby and diamond-set ring circa 1710-1720 the elongated cushion-shaped ruby (probably foiled) horizontally-set within a yellow gold scallop shell closed- back setting, each shoulder set with three graduated old brilliant-cut diamonds within cut-down silver collets, size F (with later pips), 1.6g £300-£500

380

382. A mid/late Georgian diamond-set half hoop ring composed of three rows of old-cut diamonds to the silver and yellow gold closed back setting and bifurcated shank, size L, 2.3g £100-£200 383. An early 20th century ruby and diamond five stone ring set with three circular-cut rubies separated by a single-cut diamond, to the 18ct yellow gold setting, Chester 1919, size N, 2.6g £100-£150

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384. An opal and 18ct yellow gold ring the five graduated oval cabochon opals claw-set to the 18ct yellow gold shank, Birmingham hallmark; together with a late Victorian 15ct yellow gold ‘mistletoe’ brooch set with cabochon turquoise and seed pearls, the closed back setting stamped ‘15ct’ ring: size L, 2.5g; brooch: length 3.2cm, 3.7g £100-£150 385. A mid/late 18th century enamel and yellow gold memorial ring the oval plaque of a neo-classical urn decorated with green and white enamel inlay to the royal blue enamel background (a/f), the glazed covering held within the yellow gold ridged bezel and plain shank, the reverse inscribed ‘ Mary Gatehouse, Ob 7 Aprl. 1775, At 79’ size O, 6.8g £200-£300 386. A full hoop diamond-set eternity band set all round single-cut diamonds; together with five diamond-set yellow gold rings, all stamped ‘18ct’, one centrally-set with a circular-cut ruby (6). Eternity: size L, 2.3g; other 5: L, N, P combined gross weight 13.0g £200-£250 387. An oval topaz ring to the ornate yellow gold gallery setting to the trifurcated shank: together with a yellow gold garter ring; a citrine ring; a cultured pearl ring; and a smoky quartz and 9ct yellow gold ring; and a wire work ring with white stone collet-set terminal (6), sizes L-R, combined gross weight 20.9g £200-£300 388. Three three-stone diamond rings two set with three old brilliant-cut diamonds, each shanks stamped ‘18ct/PT’; the third obliquely-set with three modified brilliant-cut diamonds to the scrolling shoulders and plain shank, sizes J, O and M1⁄2, combined gross weight 7.2g £300-£500 389. Two diamond single stone rings: each set with an old brilliant-cut diamond to the shank stamped ‘18ct PLAT’ one with three graduated stone single-cut diamond shoulders, size K1⁄2 and M1⁄2 respectively, combined gross weight 4.2g £100-£200

392

390. A diamond and sapphire-set ring the central brilliant-cut diamond claw-set above a row of brilliant-cut diamonds and circular-cut sapphires to the platinum setting, London hallmark, size L; 2.5g £600-£800 391. A stylish 1960s/1970s amethyst and diamond-set ring the central oval amethyst within an elaborate scrolling textured wire work surround and shoulders set at intervals with six brilliant-cut diamonds, size T, 15.2g £500-£700 392. An 18ct yellow gold and ruby set double snake ring the interlocking snakes heads with single ruby set to head and diamond points to eyes and chased scale detail, with double hallmark for Chester, size R 1⁄2 £300-£500 393. An 18ct yellow gold and diamond double snake ring two snake’s heads meeting together crossing the tails of their coiled bodies, the heads set with three graduating diamonds and eyes set with diamond points, Chester Hallmark, size S £600-£800 394. A 1960s 18ct gold and gem-set ring by Ben Rosefeld designed as conjoined tiered and textured floral clusters with circular-cut ruby highlights, centring on a ruby and diamondset white gold flowerhead cluster, signed ‘BRLd’, London 1975, size O, 21.7g £500-£700 395. A mid Victorian 18ct yellow gold and diamond ring the top section of the heavy 18ct yellow gold band set with three graduated cushion-shaped old brilliant-cut diamonds, each within a star motif, London 1868, size M/N, 7.6g £400-£600 396. Nine assorted rings three in 15 yellow gold, one set with sapphire and diamond detail; a 14ct yellow gold and bloodstone signet ring; five 9ct yellow gold rings, four gem-set (9), 15ct: weight approx 7.2g; 14ct: weight approx 7.2g; 9ct: weight approx 9.0g £300-£500

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397. Two sapphire and diamond-set cluster rings each set with a central sapphire within the single-cut diamondset border (one deficient), the shanks stamped 18CT or 18K’; together with a three stone aquamarine dress ring, the ornate setting stamped ‘585’ (3), first two: size T and L, combined gross weight: 6.3g; third: size K, 4.9g £150-£250 398. Two 22ct yellow gold wedding bands a Swedish wedding band stamped ‘750 18K’; a signet ring with engraved shoulders, stamped ‘750’; and a Swedish single hoop earring stamped ‘23K’ (5), combined gross weight 23.7g £500-£600 399. A heavy 18ct yellow gold band centrally-set with an old-cut diamond within a star motif; together with three gem-set 9ct yellow gold rings (4), first ring 11.1g; remaining three gross weight 7.9g £250-£350 400. An opal ring and a pair of opal ear studs the oval opal cabochon ring collet-set to the 9ct yellow gold setting, London hallmark; together with a pair of cabochon opal ear studs (2) Ring size L1⁄2, collet 13mm x 11.5mm approx, 3.0g £80-£120 401. A sapphire and diamond-set cluster ring to the plain tapering shank stamped ‘18CT PLAT’; together with two brilliant-cut diamond single stone rings, each stamped ‘18ct’, sizes O, T and N, combined gross weight 8.2g £200-£300

395 402. A 22ct gold wedding band weight approx 4g £100-£150 403. Two 22ct weddings bands together with three 9ct gold bands one three coloured and another with faceted decoration (5), 22ct approx weight 8.2g, 9ct 9g approx £250-£350 404. A 22ct band weight approx 4.4g £120-£180 405. Two 22ct gold bands total weight approx 13.3g £300-£400 406. A 22ct wedding band weight approx 6.7g, size N £100-£200 407. Five wedding bands four hallmarked for yellow gold 9ct, the fifth stamped ‘14K’ (5), sizes K- N; 9ct 17.5g, and 14K 8.8g £200-£250 408. A 22ct gold band weight approx 5.3g £100-£150

409. A 9ct cased gold tooth pick and a 14K cased pocket watch the tooth pick with heavily chased case and sliding collar marked 9ct, the ladies pocket watch with enamel dial, single hour hand and engine turned outer case, together with a large memorial swivel fob with hair to one side and portrait to another in pinch beck frame, with gilt metal lorgnette a/f (4), weight of tooth pick 4g approx £150-£250

409 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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410. A 9ct gold cigar cutter and a 18ct gold toothpick and Edwardian chain the first with bark effect and marked R & R for Ramsden and Roed with suspension ring, with an 18ct gold tooth pick and an Edwardian 18ct two coloured gold chain (3), total weight of cigar cutter 19.5g, tooth pick 8g, chain approx 9g £400-£600

411. Five items of jewellery: an oval hollow bangle stamped ‘585’; a bow brooch with cultured pearl centre stamped ‘585’; two flattened fancy link bracelets stamped ‘585’; an engraved circular pendant suspended from an associated chain stamped ‘14K’ (5), combined gross weight 33.6g £400-£600

414. A 19th century set of six blue stone buttons in two pairs and two singles, each cushion-shaped aquamarine or zircon (untested), yellow gold collet setting (4), combined weight 8.1g £80-£120 415. Silver and costume jewellery to include Tiffany silver Paloma Picasso ‘X Kiss’ earrings Tiffany earrings, signed Paloma Picasso stamped Tiffany, with pochette and outer box, a pair of gold studs marked 14K MMA, a Leah Stein Art Deco acrylic lady brooch, a quantity of assorted silver jewellery to include a modernist Finish flower brooch, amber set jewellery, earrings, rings etc, together with various hardstone and amber necklaces etc (qty), various £200-£300 416. A French gold fancy link necklace French gold marks for high carat with facet oval pendant, locket with central seed pearl, together with a 15ct cased ladies bracelet watch with enamel dial, Roman numerals and Rolex hand winding with a flower fancy link bracelet, and an Edwardian cased stick pin (3), the necklace weight approx 6.5cm, length approx 17cm £200-£300

412. Two 9ct yellow gold necklaces one with an anchor pendant; a textured fancy link bracelet; a pair of Greek key fret ear hoops; a 9ct yellow gold lady’s wristwatch by Rotary to the textured fancy link strap bracelet with deployment clasp (with two separate links), and a lady’s wristwatch by Avia (qty), combined gross weight 44.1g £200-£300 413. Three pairs of cluster earrings including garnet and sapphire-set; four dress rings including an oval amethyst, and a 9ct yellow gold, cultured pearl and garnet-set cluster; and a 9ct yellow gold oval carnelian ring and a pair of ear pendants (qty), combined gross weight 32.9g £200-£300

417. A carnelian brooch, 9ct tie clip and part of a 15ct chain the carnelian brooch a/f, tie clip with chain drop with shell pendant for 25 years service together with part 15ct chain (3), approx weight of 9ct 9.4g, weight of 15ct 5.7g £140-£180

A N T IQU ES & COL L ECTA BL ES 418. A small collection of jewellery an 18ct yellow gold band ring centrally-set with a rectangular-cut diamond, size G; a 9ct yellow gold crossover ring, alternately-set with circular-cut diamonds and emeralds, size P; three 9ct yellow gold and gem-set rings, three pairs of yellow gold earrings; a yellow gold and peridot-set bar brooch, stamped ‘9ct’; and a uniform cultured pearl necklace, length 37cm (Mikimoto case and booklet) (qty), combined gross weight excluding necklace 19.7g £200-£300 419. A 22ct yellow gold band together with another band marked Pt 750 (2), both size O, approx weight 12g £250-£350 420. Two 9ct yellow gold identity bracelets a 9ct yellow gold flattened curb link bracelet; a 9ct yellow gold hinged bangle; and seven pair of assorted earrings (11) 9ct bracelets and bangle: combined gross weight 38.5g £400-£450

421. A 9ct gold chain, ring and stiff bangle the box link chain marked 9ct, the wedding band hallmarked and stiff bangle unmarked (3), total weight approx 25g £250-£350

425. A 9ct gold charm bracelet with a number of charms mostly marked 9ct including cuckoo clock, shovel and fork, horse etc. and a 22ct band 56.3g (with band) £600-£700 426. A 9ct double Albert chain with charms each link marked 9ct, with numerous charms, 9ct swivel fob, clog marked 585, 9ct Star of David, articulated fish etc…, total weight approx 43g £400-£600

422. A 9ct fancy link chain with Victorian full sovereign the sovereign dated 1889 with 9ct fixed bail and 9ct chain with swivel clasps, total weight approx 29.3g £400-£600 423. A collection of assorted fancy link chains and others comprising a fine rope twist marked 750, two fine chains marked 9K, a Continental figaro bracelet marked 9KT, a yellow gold 9ct wedding band, a rope twist chain marked 9KT, a pair of earrings and another a/f (qty), the former weight 3.3g, length 22cm, the remainder weight approx 23g £250-£350 424. Assorted jewellery including six pair of ear studs most gem-set; a silver heart-shaped pendant and a matching pair of earrings by Mappin and Webb, maker’s case; two engraved circular lockets, one suspended from a box link chain necklace; three hinged bangles, two with engraved decoration (qty) £100-£150

427. A 9ct charm bracelet with an Edward VII half sovereign with a number of 9ct charms including a heart locket, Easter bunny, bucket etc, total weight approx 36g £420-£480 428. A collection of assorted yellow gold items including two 9ct yellow gold wristwatches, a 9ct yellow gold flattened ‘S’ link chain necklace, and three hoop earrings, gross weight 48.0g £150-£250

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429. A 9ct parure comprising necklace, bracelet and ring the stiff bangle with reef knot and central diamond, the necklace with similar design the chain marked 375 and matching ring (3), total weight approx 9g £100-£150 430. A 9ct gold Albert chain with fobs each link marked, with 9ct fob with horse and faceted mounted citrine, 9ct tooth pick with sliding collar, 9ct fob faceted fob with carnelien and standing lion, total weight approx 67g £600-£800

432

433

433. An Austrian Franz Joseph I, 1915 4 ducat gold coin gold (untested) scroll top pendant mount, diameter 41mm, weight 16.7g £400-£500 434. A 9ct gold curb link chain marked on links, weight 14g £140-£180 435. A small collection of assorted jewellery comprising a 9ct yellow and half pearl open-work brooch, with safety chain, a garnet flowerhead cluster pendant, a garnet-set star pendant; an oval cabochon opal ring to the 9ct yellow gold mount and shank; a pair of oval opal and ruby-set cluster earrings; two stick pins, one set with coral and other with a seed pearl (7), the former brooch length 4.2cm £100-£150 436. A 9ct gold mounted hard stone signet ring carved with figure head and with pierced shank, together with a rope twist necklace marked 9K, a wedding band marked 18K and a pair of knot earrings (4), total weight approx 16g £150-£200

431. An 18ct fob chain marked individually on the links, with bloodstone swivel fob in 18ct mount with initial B, approx 74g £1,500-£2,000 432. A George V full sovereign on a 9ct gold mount and chain with removable mount and chain marked 9K, total weight 12.8g £250-£300

437. A small collection of jewellery comprising a lady’s wristwatch by Omega to the tapering 9ct yellow gold textured link strap bracelet and deployant clasp, a 9ct yellow gold dress ring inlaid with a tiger’s eye and lapis lazuli chequerboard, a 9ct yellow gold rope twist chain necklace, a 9ct yellow gold rope twist bracelet (a/f), a 9ct yellow gold band ring (a/f), and a pair of engraved half hoop earrings (6), combined gross weight 34.2g £200-£300

438. A 9ct gold fancy link chain with an Edwardian full sovereign the sovereign dated 1905, plated mount, total weight 33g £400-£500

A N T IQU ES & COL L ECTA BL ES 439. A small collection of mixed 9ct and 14ct jewellery comprising a flat link Continental marked 375, 9ct chain with St Christopher pendant marked 375, a 9ct gold wedding band, a pair of 9ct gold cufflinks chased with foliage and a 9ct gold bloodstone signet ring, total weight approximately 43g £500-£600

442. A selection of assorted jewellery including a lady’s 9ct yellow gold bombé watch by Benson to the expandable bracelet maker’s fitted catch; a citrine and yellow gold bar brooch; a Regency yellow gold and enamel memorial ring (a/f); an amethyst and yellow gold circular open-work brooch; a 9ct yellow gold curb link chain necklace; assorted costume jewellery including Scandinavian inspired brooches, and a silver and abalone shell New Zealand Maori Huia bird brooch (qty) £150-£250

440. A 9ct gold fob chain and silver vestas marked on the clasp and links 9ct with silver and enamel fob and two silver vestas both chased with leaves and scrolls, 9ct fob chain approx 36.5g, silver approx weight 2.3ozt £380-£420

441. A pair of late 19th century 15ct gold, pearl and emerald ear pendants each set with half pearls and rectangular-cut emeralds (probably foiled), closed back setting stamped ‘15ct’; two late 19th century seed pearl and yellow gold brooches, one stamped ‘9ct’; and a 18ct yellow gold signet ring (4), ear pendants: length 2.1cm; signet ring: size S, 5.6g £150-£250

443. A collection of silver and other jewellery including four silver curb link watch chains with various ‘T’ bars and swivels; five dress rings one set with an oval cabochon tiger’s eye and another with a cabochon labradorite; an engraved silver Latin cross pendant; an Indian spot hammered bracelet with screw fitting; an Indian boteh fringe necklace; and two costume brooches £100-£150 444. A collection of jewellery mainly 9ct yellow gold, some gem-set, and including five rings, two pendants, and two necklaces (a/f), combined gross weight 30.2g £250-£350

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445. A collection of 19th Century and Edwardian jewellery mainly yellow gold, and including five brooches, two stick pins, an amethyst and half pearl openwork pendant suspended from a fine trace link chain necklace, a 9ct yellow gold belcher link chain necklace, two pairs of amethyst-set ear pendants, a bead bracelet stamped ‘750’, and a double hardstone swivel fob (qty), combined gross weight (excluding ceramic brooch) 41.5g £300-£400 446. A collection of 19th century and later costume jewellery, spectacles etc. to include a gold, enamel and diamond ring bearing the initial V, a baroque pearl set ring and a red stone set ring, a clear paste stone set stick pin a Thai silver and niello panel bracelet, a continental silver and mother of pearl crucifix pendant, a pair of tortoiseshell lorgnettes, two monocles, an Ingersoll Mickey Mouse wristwatch, etc. (qty), various £80-£120

447. Assorted jewellery including a circular smoky quartz and 9ct yellow gold ring; a mid 20th century ‘925’ pendant, collet-set with an oval green stone (possibly periodot); and three floral and fauna enamel brooches (qty) £80-£120

(part) 448. A collection of jewellery including two cultured pearl necklaces one with a turquoise and cultured pearl cluster clasp; various items stamped ‘925’, some with silver hallmarks, including an oval labradorite cabochon pendant, and a hinged enamelled Egyptian sarcophagus locket pendant; a Finnish rectangular open work and chrysoprase brooch; and three engraved locket pendants (qty) £200-£300

449. A collection of Victorian and later jewellery including a Chinese carved ivory figural brooch in Victorian scroll frame, a silver and malachite bow brooch, a citrine and marcasite ribbon brooch, a rose quartz set foliate and scroll brooch, a Victorian banded agate brooch, an oval 19th century turquoise ‘forget-me-not’ and chalcedony brooch, a circular chalcedony and citrine brooch, a seed pearl set scallop brooch, a contemporary Japanese brooch and pendant on chain by Amita, a cased Japanese chrysanthemum brooch, and a simulated pearl brooch by Dior (qty) £100-£200

A N T IQU ES & COL L ECTA BL ES 450. A collection of silver and marcasite set jewellery to include a Mexican Taxco leaf brooch and matching screw back earrings marked aNa, a Mexican abalone shell set panel bracelet, a foliate engraved hinged bangle, a cuff bangle, other marcasite set silver and costume jewellery (qty), various £70-£90

451. An Edwardian cased set of 18ct gold and diamond set cufflinks and studs the marquis shaped chained cufflinks diamond set, with collar stud and three diamond set studs, all marked 18ct with contemporary velvet fitted case, total weight 14g £300-£350 452. A set of six mother of pearl and yellow gold dress studs with applied mother of pearl plaque to gold studs and applied yellow gold wire work, marked on the reverse 15 complete with fixings and in original velvet lined fitted case, diameter of each stud approx 1.5cm £150-£250

453. A pair of diamond-set cufflinks each circular link with the central bloomed profiled head of Perseus within the brilliant-cut diamond-set surround, each swivel back stamped ‘750’, combined gross weight 16.9g £500-£700 451

454. A pair of Cartier Sterling silver water resistant cufflinks palladium finish, with screw surround, stamped 925, in fitted case, weight 19g £200-£250

455. A pair of 9ct gold cufflinks of oval form with engine turned wave decoration and chain links, Chester Hallmark, weight 14g £150-£200 456. A Must de Cartier gold-plated boxed lighter with textured decoration, contained within a fitted case, serial no 73511, length 7cm £70-£90 452 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

A N T IQU ES & COL L ECTA BL ES 457. A Cartier black leather cased passport holder with light brown stitching and Cartier emblem to bottom right cover contained within a Cartier red card case white outer case 14 x 9.5cm £80-£120 458. A Russian yellow gold and gem-set stick pin c.1900 Moscow .56 Kokosnik control mark to pin, partially struck makers mark, designed as an artist’s palette with brushes, and set with rose-cut diamonds, rubies and sapphires (one sapphire deficient), maximum length 2.3cm, gross weight 2.9g £80-£120

462. A silver bone cuff bangle by Elsa Peretti for Tiffany signed and stamped ‘925’, with Tiffany duck egg blue pochette £500-£700 462

459. A 19th century diamond stick pin designed as a trefoil cluster and set with three old brilliantcut diamonds, coronet-set in yellow gold, fitted case, length of cluster (including stalk) 1.0cm, gross weight 1.5g £100-£200

460. A 1960s Bent Gabrielsen for Hans Hansen silver ‘peak’ bracelet with matching earrings design number 238, the bracelet joined by links and signed on the reverse Hans Hansen Denmark 925S, with a pair of matching clip earrings (2),, length of bracelet 17.5cm £80-£120

461. A Tiffany & Co Sterling silver ‘Return to Tiffany’ heart tag necklace and Hermès leather bangle the former with an engraved heart shaped plaque to a belcher chain and lobster clasp, marked 925 with pouch and bag, together with an Hermès cream leather bracelet with brass buckle (2), length of the former with pendant approx 21cm £100-£150

463. An 18ct gold Tiffany diamond and pearl necklace and earring set comprising a fine gold chain stamped 750 Tiffany & Co with pearl and diamond pendant cluster drop marked 750 T & Co to the reverse and a pair of matching pearl and diamond earrings, in black velvet case with outer Tiffany card case (2), length 21cm of chain with pendant £200-£300 464. A Christian Dior fancy link bracelet stamped Chr. Dior German to clasp, with open work and bar links, gold finish, length 19cm £30-£50

465. A pair of Dolce & Gabbana fashion pendant earrings with relief Madonna pendants, flower charms with central simulated pearl detail and flower embellishment, with clip fastening and makers name to reverse with Dolce and Gabbana box, length drop 9.5g £100-£150

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466. A vintage Chanel medallion brooch c. 1990s, ‘31 Rue Cambon Paris, Chanel’, design featuring original Chanel shop front, marked to back ‘Chanel, Made in France’ and numbered 1150, width 5.2cm £60-£80

469. A pair of vintage Chanel gold tone ear clips 1996, CC logo design, marked to back ‘Chanel, Made in France, 96A’, within Chanel box, earring width 2.75cm £80-£120 470. A Chanel gold toned magnifier with CC logo on both sides and decorated with quilted design, on associated chunky chain, diameter of loop approx 5cm £100-£150

467. A pair of vintage Chanel rhinestone clip earrings c. 1996, stamped ‘Chanel, 96, Made in France’, width approximately 3.25cm £50-£80

471. A pair of Chanel sunglasses plum coloured frames with black quilted arms, inset with silver tone CC logo, Made in Italy, no c.558/64, within non Chanel cover, together with a Chanel Maquillage black patent cosmetics bag, Chanel shoe cover and paper bag (2), glasses frame width 14.25cm £80-£120 472. A Proenza Schouler PS1 mini cross body bag in black lambskin leather, of satchel shape, black gloss hardware, flap fronted with flip clasp and strap closure, adjustable detachable shoulder strap, branded tag, interior lined with black fabric, pocket to front, zip pocket to back and further internal zip pocket, width approximately 21cm £100-£150

468. A vintage Chanel gold tone cross pendant and chain c. 1990s, CC logo to Ethiopian inspired cross shaped pendant, detachable chain with CC logo clasp, together with a Chanel card box, length overall 50.5cm £100-£120

473. A Campomaggi black leather cross body shoulder bag flap fronted with suede and leather appliqués decorated with studded leather detail, bearing label to back, camouflage patterned fabric interior with double pouch, pewter coloured metal label ‘Campomaggi, 25.02.1961, Teodorano, Prodotto Artisanale, Made in Italy’ width approximately 20cm £60-£80

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474. An Ann Demeulemeester black leather shoulder bag pewter toned hardware, shoulder strap and further leather carrying handle and chain handles to side, flap fronted, press stud closure, black fabric interior, pouch side pocket labelled ‘Ann Demeulemeester’ and additionally ‘Made in Belgium’, with dust bag, together with a black leather belt, of similar design to bag, black and pewter coloured hardware, chain and loop detailing, stamped ‘Ann Demeulemeester, Made in Italy’ (2), bag width approximately 28cm £100-£150

477. A Gucci Jackie hobo shoulder bag in black leather, silver tone hardware, adjustable stitched edge handle, with detachable shoulder strap, leather tassels with bamboo detailing, branded piston lock closure, interior with black branded fabric lining, two side pockets and further zip pocket, labelled ‘Gucci, Made in Italy’, serial number 246907 204991, together with Gucci dust bag, original Gucci care card, monogrammed envelope and Selfridges receipt dated 2010 (3), width approximately 35cm £300-£500 478. A Gucci crossbody messenger bag in black ‘GG’ logo canvas fabric with leather trim, two exterior pockets, adjustable strap, Velcro fastening, internal zip pocket, bearing ‘Gucci, Made in Italy’ label, width approximately 23.5cm £100-£150

475. A Dolce and Gabbana black leather hook and eye tote bag silver tone hardware, canvas applied with hook and detailing, adjustable top handles, D and G letter luggage tag, magnetic press stud closure, interior lined with leopard print pattern fabric, zip pocket labelled ‘Dolce & Gabbana, Made in Italy’, with Dolce & Gabbana dust bag, approximately width 30cm £60-£80 476. A Gucci black leather belt bag gold tone branded hardware, adjustable belt strap, fastened with branded press stud flap, two zip pockets to side, interior in black satin, bearing label ‘Gucci, Made in Italy’, serial number 039 1150 0250, with Gucci dust bag, bag width 27cm, belt total length 97cm £100-£150

479. A Mulberry Chiltern satchel bag in black grained vegetable leather, gold tone hardware, white stitched edging, detachable shoulder strap, further handle embossed ‘Mulberry’, flap fronted with buckle fastening, pouch pocket to front, zip pocket to back, interior with two pouch pockets, with linen Mulberry dust bag and original barcode tag, width 34cm £100-£150

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480. A Balenciaga City wristlet bag in dark brown distressed leather, with clasp fastening to top, embroidered military inspired badge logo to front, interior canvas lined with pocket, detachable internal mirror, together with Balenciaga dust bag, width approximately 25cm £80-£120

481. A Prada Tessuto bow crossbody bag featuring a nylon body bearing gold toned hardware Prada log and a leather bow, with adjustable detachable leather strap and magnetic snap button closure, with Prada logo lining and small interior slip pocket, with Prada dust bag, width approximately 20cm £80-£120

482. A Prada black leather bow tote bag in antique Nappa leather finish, gold tone hardware, top handles and detachable adjustable shoulder strap, leather bows to sides, branded press stud fastening, interior with black branded fabric lining, side pocket and zip pocket, labelled ‘Prada, Milano’, together with Prada dust bag, width approximately 36cm £150-£250

483. A Prada Gaufre leather crossbody bag with adjustable detachable strap and enamelled triangle logo with silver hardware, the interior with pale pink fabric lining and a small pocket, with dust bag, width approximately 23cm £100-£150 484. A Prada black leather belt bag together with original receipt from Prada Milan for Eur 470.00, authenticity certificate card and dust bag, width approximately 26cm £80-£120

A N T IQU ES & COL L ECTA BL ES 485. A Prada leather frame handbag with silver hardware clip lock fastening and triangle logo, the interior lined in dusky pink leather with two pockets, including one with zip, together with Prada authenticity certificate card and Prada dustbag, width approximately 25.5cm £120-£180

485

486. A vintage black leather Prada handbag with three zipper closures and embossed Prada logo to front. Fully lined, width approximately 27cm £60-£80 487. A Prada Logo Tessuto shoulder bag nylon body with leather handles and trim, top handle zip closure with silver toned padlock and keys, interior with Prada logo lining and large zip pocket together with associated Miu Miu dust bag, width approximately 25cm £120-£180

488

490

488. A Prada bow leather handbag leather body with bow detail, a flat leather handle and detachable adjustable strap. With gold coloured hardware magnetic snap button closure and enamelled metal triangle logo to one end. Interior with nylon Prada logo lining and zip pocket. Approx. 32cm x 17cm (excluding handles) £120-£180 489. A Marni bag together with a Sonia Rykiel bag the first soft black leather with gold tone clip closure and wrist strap, with associated Jill Sander dust bag, the second with knot strap detail and magnetic clip closure together with original Sonia Rykiel dust bag and authenticity card (2) Marni approx. width 32cm x length 18cm. Sonia Rykiel approx. width 22cm x length 12cm £80-£120

490. An Hermès silk stole scarf ‘Attrape Tes Reves’ c. 2008, design by Leigh Cooke, in orange coloured silk chiffon printed with repeating motif, bearing label, length 175cm £80-£120 491. A Chanel multi-colour signature logo silk scarf circa 1990, with large central Chanel logo surrounded by smaller multi coloured logos arranged geometrically on a cream ground, approx 84cm square £80-£120 492. A Chanel knitted scarf with sequinned logo 100% cashmere, approx. length 157cm x width 30cm £150-£250 493. Six pairs of designer shoes/ sandals comprising a pair of Prada gold leather jewelled stiletto sandals size 38, a pair of Prada leather nude colour pointed shoes size 381⁄2, a pair of patent leather Miu Miu stiletto heeled platform sandals with bow detail size 391⁄2, a pair of Sergio Rossi black fabric stiletto heel platform sandals with knot detail size 381⁄2, a pair of Holly Would multicoloured fabric printed sandals with jewelled design size US 81⁄2 and a pair of Russell and Bromley low heeled court shoes with silver tone buckle size 391⁄2 £70-£100 494. A Versace leather frame handbag together with two Marc Jacobs bags, the Versace shoulder bag with corset frame and gold toned hardware together with a brown leather frame quilted handbag from Marc Jacobs with gold tone hardware and another the same in beige (3) £60-£80 495. Roberto Cavalli handbag and sandals a purple leather Roberto Cavalli bag with magnetic clasp fastening, gold tone hardware, detachable strap and with printed lining together with a pair of purple leather and suede stiletto heeled sandals size 381⁄2 (2) £40-£60

491

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494 (part) 492

496. A Chanel tweed jacket Autumn / Winter 2001, in brown, cream and black wool mix boucle, pockets to front, single CC logo button fastening, brown CC logo silk lining, labelled ‘Chanel’ and ‘Made in France’, size 44 £100-£200 497. Two Balmain jackets first with pinstripe design and featuring safety pin button, removable multi chain insect pin and embroidered crest to one sleeve, fully lined, size 40 together with another dark grey jacket with pinstripe design fully lined (2), the former size 40, the second probably of similar size £100-£150

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498. A black Prada jacket with puff sleeve detail and three button fastening, size 42 £80-£120 499. A Louis Vuitton leather biker jacket black jacket with puff shoulders in a buttery soft nappa leather, fully lined collarless jacket with zip fastening at front, no size but probably 39/40 £300-£500 500. An Asprey ostrich leather wallet plum coloured leather, together with a pair of 9ct cufflinks, marked London, 1964, by Fred Manshaw, and a 9ct gold stick pin (3), width of wallet 11.5cm £60-£80 498 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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Day Two Furniture, Paintings, Ceramics, Oriental & Collectables (LOTS 501-864)

Wednesday 11th May at 11am

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501. A George II burr walnut canted corner cupboard on stand projecting moulded cornice above a pair of quarter veneered cupboard doors, enclosing three wavy edge shelves, engraved brass H hinges, triangular shaped base with three wedge shaped drawers, apron front, on cabriole legs, width 76 x depth 54.5 x height 178cm £500-£800 502. § A George III mahogany cheveret in the manner of George Hepplewhite, rosewood crossbanded, with barbers pole stringing, the lift off top section with over slung handle of inverted kidney shape, with serpentine front, wavy edge gallery, three short drawers, the table serpentine fronted with curved back, writing slide inset with leather writing surface, above a frieze drawer, silk work basket, shaped platform stretcher on slender supports, width 43 x depth 35 x height 106cm £800-£1,200 503. A George III demi lune mahogany fold over card table tulipwood cross banded and boxwood strung, the frieze with central tablet marquetry inlaid with Adam style urn, double swing action on square tapering legs, width 98.5 x depth 43 x height 74cm £200-£300

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504. An early 19th century Welsh mahogany low linen press cupboard upper section with projecting moulded cornice above a pair of arched two pane cupboard doors with H hinges, fluted chamfered corners, base with arrangement of five drawers, on ogee bracket feet, width 84 x depth 43.5 x height 96cm £200-£400

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505. A small George III mahogany bow front chest of drawers the top with reeded edge over two short and three long drawers, chamfered reeded corners, on ogee bracket feet, width 85 x depth 47.5 x height 82cm £300-£500

506. An American Federal period tiger maple chest of drawers, c.1800 top moulded edge over four graduated cock beaded drawers, chamfered corners, splayed bracket feet, original brass plate handles, width 164 x depth 50.5 x height 98cm £300-£500

507. A small 18th century chest of drawers, possibly American c. 1780, cock beaded moulded edge top, with four graduated long drawers, later replacement handles, grained bracket feet, width 79.5 x depth 47 x height 82.5cm £150-£250

508. A George II oak and fruitwood crossbanded kneehole desk the top with moulded edge, above a long frieze drawer with an arrangement of drawers centred by a recessed cupboard, brass dropped handles, on bracket feet, width 77.5 x depth 50.5 x height 79.5cm £100-£200

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511. A George II red walnut drop leaf oval table with end drawer and swing action, on cabriole legs with carved hoof feet, open width 109.5 x depth 92 x height 75cm £600-£800 509. A George III mahogany chest of drawers two short over three graduated long cock beaded drawers, on bracket feet, width 110 x depth 56 x height 109cm £100-£200

510. An early 19th century mahogany bow fronted chest of drawers two short over three long drawers, simulated painted turned knob handles, inset within mother of pearl, carved rope twist column corners, on turned feet, width 121cm x depth 54cm x height 123.5cm £100-£150

512. A Sheraton revival Carlton House style mahogany dressing table the curved super structure with wavy edged gallery and shaped swing mirror, with twelve small drawers flanked by tambour fronted compartments, the serpentine front with three drawers, square tapering legs and spade feet, width 73 x depth 43 x height 128.5cm £300-£400

A N T IQU ES & COL L ECTA BL ES 513. A mid 19th century mahogany butlers tray hinged folding tray top, carrying handles, on folding x-frame stand, 78.5 x 53.5 x 82.5cm £100-£200 514. § A late 19th century French Louis XVI style bureau de dame rosewood with floral marquetry inlay, 3⁄4 pierced brass gallery, sloped front enclosing fitted interior, with arrangement of drawers, well and baize, raised on cabriole legs, ormolu mounts and sabots, width 72.5 x depth 45 x height 93.3cm £100-£200

515. § A mid Victorian figured walnut serpentine shaped games/work table fold over swivel top opening to reveal a rosewood and maple inlaid chess, backgammon and cribbage board, over a fitted frieze drawer and an ogee shaped work basket below, on paired scroll supports united by a stretcher on scroll legs, brass casters, height 75.5cm, width 55.5cm, depth 41cm £200-£300

516. A mid Victorian figured walnut and Tunbridge ware work table the top with moulded edge inset with a View of Eridge Castle over a fitted frieze drawer with basket below, on baluster supports united by a turned stretcher on cabriole legs and ceramic casters, height 67.5cm, width 52.5cm, depth 39.5cm £200-£300

517. § A Chinese carved rosewood nest of four occasional tables c.1930 the rectangular top carved with geometric key and prunus borders, the sides with figures on shaped square legs carved with flowering prunus, the smallest table with a pierced platform stretcher carved with a shou roundel and bats, height 68.5cm, width 53.5cm, depth 37.5cm £80-£120

518. A late 19th century Chinese carved hardwood low table rectangular top inset with glass, above a foliate carved frieze, the apron carved in flower and scrolling foliage, panels to sides carved with birds in flight and peonies, peripheral stretchers, width 94.5cm x depth 37.5cm x height 46.5cm £150-£250

519. A George III mahogany serving table the top moulded edge, above two short drawers, galleried under tier, on square fluted supports, brass bucket castors, pierced brass swan neck handles, with pierced back-plates, width 138cm x depth 55cm x height 102.5cm £100-£200

A N T IQU ES & COL L ECTA BL ES

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520. A George III mahogany tripod occasional table the rectangular top with snap action, on a spiral fluted vase turned stem raised on downswept supports with pointed pad feet, height 69cm, top 52.5 x 72.5cm £200-£400 521. A Edwardian mahogany demi lune side cabinet the top foliate carved, frieze edge, above a pair of panelled cupboard doors enclosing a single shelf, on tapering square legs, width 103cm x height 107cm x depth 46cm £50-£100 522. A George II red walnut foldover tea table the hinged top with protruding front corners over a frieze drawer, swing action, on cabriole legs with pad feet, height 73cm, width 73.5cm, depth 42cm, open 80cm £300-£400

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523. A 19th century Ceylonese ebony and specimen wood occasional table the circular top inlaid with fan shaped wood veneers edged with bone, over a shaped pierced frieze, raised on four bobbin ebonised turned supports, width 64cm, height 64cm approximately £300-£500 524. A 19th century bobbin turned corner chair with rushed seat, depth 41cm x height 66cm £50-£80 525. A 19th century metamorphic chair / library steps in the Gothic style, with pierced rail and carpeted steps, height 89cm £70-£100 526. An Edwardian mahogany nest of three occasional tables of graduated form, each with oval inlaid top inlaid with a Sheraton inspired motif, on turned legs (3), the largest width 55.5cm £60-£80 527. A 19th century hardwood library step height 72.5cm £80-£120 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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A N T IQU ES & COL L ECTA BL ES 528. A set of four Victorian mother of pearl inlaid ebonised balloon back chairs gilt decoration to back and legs, each with shaped cane seat, on turned legs (4), height 82cm £80-£120

532. An early 19th century cast iron bootscraper with scroll and palmette supports, the quatrefoil shaped tray with raised leaf border, height 22.5cm, width 30.2cm, length 39.5cm £50-£80 533. An early 18th century oak spice cupboard the fielded panelled door enclosing eight drawers, some with division, height 42cm, width 43cm, depth 22cm £150-£200 534. An early 20th century stitched tan leather trunk and other luggage and cases comprising a brass studded trunk with lift out tray, three leather suitcases, initialled, a red canvas hat box and a gun case (6), first width 85cm £80-£120 535. A mid 20th century enamelled steel, brass and lucite valet stand c. 1950s, attributed to Vereinigte Werkstätten, München, Germany, with stud tray and trouser hanger in brass with leather grip, coat hanger in lucite/ acrylic, height 109cm This valet stand was formerly used as a shop fitting at Liberty & Co £150-£250

529. A George III oak bow fronted hanging corner cupboard moulded cornice over a pair of doors with brass H hinges enclosing three shelves, height 106cm, width 74cm, depth 53cm £80-£120 530. A late Victorian mahogany Canterbury four division dished top over two satinwood crossbanded drawers, on turned legs, width 48 x depth 38 x height 54.5cm £50-£100 531. A George III upholstered fruitwood stool rectangular, on square tapering moulded legs united by outer moulded rails, height 45cm, width 43cm, depth 29cm £80-£120

536. A George III satinwood and marquetry tea caddy c.1790 rectangular, barbers pole strung, inlaid with oval floral marquetry paterae, height 12cm, width 11.7cm, depth 10.4cm £100-£150

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537. A late 19th century plum pudding mahogany and marquetry inlaid oval tray in George III style and three other trays inlaid with central satinwood fan patera and having gilt brass pierced gallery and raised scroll handles, together with two Edwardian rectangular oak trays and a gilt decorated black lacquered tray mounted under glass with a pair of Chinese silk sleeve bands embroidered with raised silver thread. (4), first handle to handle 68cm £50-£100 538. A French demi lune shaped burr wood table cigarette box c.1900 tulipwood banded and boxwood strung, revolving door, height 11.4cm, width 17.7cm £40-£60

539. A Victorian Tunbridge ware framed picture of The Pantiles c.1860 attributed to Henry Hollamby, the frame with floral and geometric borders, overall 9 x 24cm £300-£400

540. A late 19th century Chinese travelling gentleman’s dressing box brass bound hardwood, of rectangular form, with bats applied to top and carry handles to sides, lock and carved plinth, hinged front opening to reveal an easel mirror plate, swing doors with drawers and compartments, depth 35cm, width 25cm, height 20cm £150-£250

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541. A mid 19th century Irish brass mounted coromandel dressing case bears paper trade label Austins Dressing Case Makers Stationers & C, 39 Dublin Westmoreland St., the lid bearing brass plaque engraved Genevieve’, blue velvet lined interior with detachable mirror fitted to lid and complete with four cut glass bottle and stoppers, seven glass jars with plated fittings and three mother of pearl handled manicure tools, button release fitted jewellery drawer, in original outer leather case with outer strap bears Austins paper label, height 18.5cm, width 30.5cm, depth 23cm £100-£200

542. An Edwardian oak table top stationary and writing cabinet the hinged slightly domed lid and fall front inlaid with fan marquetry paterae opening to reveal a fold out writing slope inset with dark green gilt tooled leather and a fitted interior with a letter rack, three small drawers, pen rest and twin inks, bears shield shaped presentation plaque dated 1910, height 32.5cm, width 44.5cm, depth 22.5cm £100-£150

543. A 19th century oak apothecary’s tabletop cabinet the dentil cornice above a pair of panelled cupboard doors enclosing a single shelf and two short drawers with brass cup handles, height 49cm, width 36.5cm, depth 20.5cm £100-£200

544. An early 19th century miniature mahogany chest of drawers traders sample or apprentice piece, the moulded edge over two short over three long graduated drawers, turned knob handles, on turned feet, height 30cm, width 32cm, depth 15.5cm £100-£200 545. A pair of modern Porta Romana floor lamps of ‘Ice Cube’ design, brushed steel square bases, with beige coloured suede shades, bearing ‘Porta Romana’ inscribed sticker to underside, height to top of bulb fitting 145cm £400-£600

A N T IQU ES & COL L ECTA BL ES 546. A Regency swing toilet mirror on three drawer bow fronted box base, lion mask handles, raised on ivory ball feet £40-£60

547. A rectangular gilt framed wall mirror c.1930s, the frame of classical inspired design, surmounted by an urn and swags, height overall 76cm, width 79cm £60-£80

548. An 18th century gilt gesso frame fitted with a modern mirror plate, the frame later gilt painted, aperture 54 x 72cm, overall 74 x 92.5cm £80-£120

549. A 19th century Rococo gilt gesso framed wall mirror shaped outline with central plate, five marginal plates and acanthus moulded scroll frame, overall height 145 x width 88cm £300-£500

550. A Regency giltwood circular convex wall mirror the circular plate within an ebonised slipped and leaf moulded and ball encrusted cavetto frame, mirror plate diameter 44cm, overall diameter 61.5cm £200-£300

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551. A pair of Edwardian Adam style gilt brass twin light wall appliques issuing twin scroll branches, tapering fluted backplate with urn finials, Stamped RD 493943 LET (2), height 34cm £50-£80

553. A Prince of Wales Investiture chair, 1969 in red stained ash, plywood and elm, designed by Anthony Armstrong-Jones, Carl Toms and John Pound, manufactured by Remploy, impressed to backrest in gilt with Prince of Wales feathers and motto ‘Ich Dien’, with upholstered seat cover in red wool mix fabric, width 55cm x height 78cm £300-£500

552. A pair of French Louis XVI style gilt bronze twin light appliques after Pierre Gouthiere early 20th century, the central blue painted vine wrapped Thrysus backplate with pine cone finials issuing twin spiral reeded acanthus scroll arms with perched birds and foliate swagged garlands, the opposing reeded ends terminating in horned goat mask heads (2), height 63cm, width 30cm £400-£600

554. An Arts & Crafts plannished copper and wrought iron three piece tea service of spherical form, with open spiral twist handles, raised on four riveted feet, tinned interiors (3), height of teapot with upright handle 22cm £50-£80

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555. A vintage Herbert Terry Anglepoise lamp with stepped base, stamped ‘Made by Herbert Terry & Sons Ltd, Redditch, Eng’, base width 14.5cm £100-£150

558

556. Three vintage bankers desk lamps each with brass base and adjustable green glass shade, one marked Christopher Wray (3), Christopher Wray lamp height 38cm £50-£80 557. A Victorian novelty pewter pastille burner in the form of a crowned rampant lion holding a shield in its paws bears registration lozenge mark, height 25.5cm £50-£80 558. An early 20th century Anatolian/Turkish prayer rug in red, orange wool, grey coloured ground, with repeating geometric floral border, centre with stepped hooked Mihrab, flat weave ends, 150cm x 102cm £50-£80 559. A Tekke Bokhara carpet, Turkmenistan early 20th century, the madder field with five rows of twelve guls, subsidiary enclosed by geometric borders, 323 x 204cm £200-£400

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560. A Tekke Bokhara carpet, Turkmenistan early 20th century, the madder field with five rows of ten guls, subsidiary enclosed by geometric outer border, flatweave panel ends, 323 x 204cm £200-£400 561. An early 20th century Caucasian Kazak style runner central red field with four medallions within multiple borders, 317 x 110cm £100-£150 562. An early 20th century Caucasian runner early 20th century, dark blue field with three rows of trellised flowerheads within a geometric border, 257 x 98cm £100-£200 563. An early 20th century partial bolt/roll of Morris & Company ‘Trinitas’ fabric in green and gold brocade, repeating floral and leaf motif, overall length approximately 7.85m x width 1.37m For a similar fabric in red see: Museum of Fine Art, Boston - Accession Number 1976.11 £300-£400

564. A late 18th century needlework picture of a lady depicting a central female figure, wearing a hat, surrounded by a garland of flowers, further embroidered with a linear motif, in gilt frame, overall 51.5 x 63.5cm, within frame 38.5 x 47.5cm £80-£120 565. Nine Inuit stone carvings to include a figure climbing on rocks, a seated figure, various carvings of seals, one signed Annie another Dimu, etc, mostly scratched numbered (9), largest length 23cm £100-£200

A N T IQU ES & COL L ECTA BL ES 566. Two mid 19th century silver plated electrotype relief Bacchanalia plaques one round the other oval, bother depicting drunken putti (2), first diameter 19cm £80-£120 567. Two early 20th century Nigerian tribal carved hardwood ceremonial paddles pointed leaf shaped pierced blades carved with geometric decoration, one signed ‘Jera tribe, Northern Nigeria (2), longest 167cm £80-£120

568. A mid 19th century Haida North West Coast goat horn spoon in two sections, the elongated bowl incised to reverse with formline decoration, the pinned curved tapering handled carved in totemic form with various animals terminating in a ravens head, length 22.2cm £200-£300

569. An Indian Balsa wood model of a covered bullock cart late 19th / early 20th century, Southern India, modelled as a covered cart with a driver and passenger, flanked by palm trees, on plinth base, in an ebonised glazed five pane display case, height 32.5cm, width 44cm, depth 31.5cm To be sold due to the closure of Trinity Bromley United Reform Church for charity £200-£300

570. Three late 18th century Spa counter boxes Belgian or French, each with domed lid painted on grisaille to yellow ground with Neoclassical scenes, designs including ‘Narcissus and Cupid’ after Abraham van Diepenbeeck, ‘Hercules capturing the Cretan Bull’, and ‘Orpheus leading Eurydice Out of Hell’ both after Bernard Picart, opening to reveal pink interior, with velvet bases (3), the two larger 11cm wide x depth 8.5cm x 6.2cm high £100-£200

571. An Asprey black leather cased writing slope, 19th century the interior opening to reveal writing slope, inkwells, document cover, interior envelope pocket bearing further stamp ‘Edward’s, 21 King Street, Holborn’, green silk lining, the inkwells and document cover with gilt tooled ‘C. Asprey, 166 Bond St, London’, with brass lock to front stamped ‘J. Braham, 184 Piccadily’ and bearing monogram, together with key, width 35.5cm, height 25.5cm, depth 9cm £70-£100

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572. A 19th century Anglo Indian Vizagapatam sandalwood and stag horn box of shaped rectangular form, the lid opening to reveal ivory inlay, with three compartments, on bun feet, with key, width 37cm, height 18cm, depth 20cm £200-£300 573. A pair of porcupine quill boxes late 19th/ early 20th century, together with a further example of round form, all with ivory dot inlay, rectangular box width 21.75cm £50-£80 (part) 576. § A collection of treen, ivory and sewing accessories 19th to early 20th century, including; a large lignum vitae string box, a pair of wooden glove stretchers, a French parquetry kingwood crossbanded box, a small tape measure, a menthol cone, a small parquetry lidded round box, a turned bone bilboquet cup and ball game, a Dieppe carved lidded round box, an ivory comb, an ivory needle casket, a tortoiseshell needle casket and seven ivory pegs (qty), string box height 17cm £100-£150 (reverse) reverse

(front)

574. § An unusual early 19th century sailor work scrimshawed whales tooth of small proportions, carved as a box and lid, bearing motto ‘A Present from My Brother’ signed ‘S. Beer’, incised overall with scenes of a sailor and wife between a house and church, a whaling ship and figures hunting a whale, Neptune and horses above a mythical creature eating a human, the lid decorated with a pair of winged figures holding Union flag and inset with a Mexican 1⁄4 real coin dated 1815, height 8cm £300-£500 575. § A collection of five book slides, 19th century and later including; an Anglo Indian example carved with floral motif; two Victorian with pierced brass mounts; one of oak, of plain form and one rosewood with shaped handles (5), the first width 29.5cm £80-£120

577. A small 19th century coopered oak planter with shaped edge, baize covered base, width 17cm £50-£80

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578 578. A pair of 19th century Norwegian treen birchwood wedding spoons with chain and a carved Russian spoon first of traditional design carved form a single piece of wood, second handle pierced and carved with an angel, signed in ink verso 1851 Moscow, first length 83cm £70-£90

579 581. A late Victorian copper mounted hippopotamus tusk table lamp on cabriole scroll legs, fitted for electricity, height including fitting 22cm, length 25.5cm £60-£80

582. Taxidermy: An early 20th century twelve point stags head with glass eyes mounted on oak shield wall plaque, width 88cm x height 113.5cm £300-£400

579. A large 19th century palm wood model of an elephant together with five smaller models of elephants, 19th century and later, three of ebony, two of palm wood (6), the largest height 40cm £120-£180

580. A late 19th/ early 20th century gang gang cockatoo on perch carved and decorated in polychrome colours, length 31cm £80-£120

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A N T IQU ES & COL L ECTA BL ES 583. An early 20th century cold painted bronze figure in the form of a female exotic dancer signed Franz Bergman (Austrian, 1861-1936), of metamorphic form with hinged skirt revealing nude figure beneath, standing upon a draped carpet, mounted upon a circular marble base, the rear bearing feint inverted vase stamp, height overall 31cm £1,000-£1,500 584. After Clodion, late 19th century French ormolu and patinated bronze putto seated holding a flower and draped in an ormolu garland, on a rouge marble base, height 28.5cm £100-£200 585. A mid 19th century French Gothic Revival ormolu and painted porcelain three piece clock garniture the eight day movement stamped Vincent & Cie retailed Aubert & Co 232 Regent Street, the dial with cartouche numerals, the waisted gothic revival case cast with figures and with pierced decoration inset with porcelain panels painted with martial trophies, suspended with chains together with a pair of conforming three light candelabra surmounted by knights holding a standard, height 34cm £150-£250 584

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586. An Art Nouveau design gilt metal Plato or ticket clock the case with figural maiden top, two levels of celluloid plates, stamped The Plato Clock patented 1903, under associated dome on an ebonised base, clock height 15.3cm, dome height 22.5cm £80-£120

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587. A 19th century French gilt brass and red tortoiseshell mantel timepiece the circular white enamel dial with black Arabic numerals painted with swags, brass drum movement stamped G J, the domed case with white paste stone set bezel, carrying handle and foliate mounts, height 28.5cm £150-£250

588. A French gilt brass striking carriage clock white enamel dial with Roman and minute markers, 8 day movement striking on a coiled gong, five pane bevelled glass case, height 13.5cm £80-£120

589. § A late 19th century French rosewood drum head mantel timepiece white card dial with black Roman numerals, minute track and blue steel hands, 8 day movement stamped V.A.P. Brevette S.G.D.G, height 16cm £70-£90

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591

590. An Edwardian mahogany cased bracket clock 6” silvered dial with black Arabic numerals, signed Bennett, London, 8 day two train movement quarter striking on a coiled gong stamped Lenzkirch 422500, the architectural brass strung case with hinged brass carrying handle, fret cut side panels and rear door, on brass bracket feet, height 42cm, width 27.2cm, depth 20.2cm £200-£300

591. An early 20th century lacquered brass carriage clock in a leather case white enamel dial with black Roman numerals and minute markers, five pane bevelled glass case number 84, height 12.5cm £50-£80 592. An early 20th century French lacquered brass repeating carriage clock white enamel dial with black Roman numerals and minute markers, 8 day movement striking on a coiled gong, five bevelled pane case numbered 199, height 12cm £100-£150 593. A late 19th century German architectural mantel timepiece brass dial with Arabic numerals, the movement stamped Lenzkirch and numbered 935745, height 33.5cm £40-£60

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594 594. George Wood (English School, early 18th century) A pair of naive topographical views of Dunster Castle and Minehead Key, both dated 1735, watercolour, gouache, pen and ink on paper, signed to lower right, titled ‘The prospect of Dunster-Castle from Cunagree exactly Delineated by Geo. Wood, 1735’ and ‘The prospect of Minehead Key from the Warren exactly Delineated by G. Wood’, within frames (2), each overall 32.5 x 48cm, within frame 22 x 37.5cm For similar works by the artist see the National Trust Collection at Dunster Castle object numbers NT 726668 and NT 726669 £3,000-£5,000

595. Three 18th century and later perspective view of London engravings with hand colouring, first after Thomas Bowles ‘A View of the Royal Exchange London’ re-published 1794 by Laurie & Whittle, second after Muller ‘A North West View of St. Paul's Cathedral London, republished 1823 by R.H.Laurie, the third after John Bowles, ‘The Lord Mayor’s House Mansion House’, printed at the Black House in Cornhill, each mounted and within modern Hogarth frames, bearing The Parker Gallery labels verso (3), each overall 44 x 57.5cm £150-£200

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596. Walter Whyte Holdich (British, 1862-1940) ‘River Landscape with Figure’ oil on canvas, framed, overall 106 x 84cm, within frame approximately 90 x 71cm £200-£300

598. Attributed to Samuel David Colkett (1800-1863) ‘Country Lane near Norwich, Norfolk’, oil on canvas, bearing label verso ‘Eastbourne Fine Art’ inscribed with artist name and title, framed, overall 62 x 51cm, within frame 49.5 x 38.5cm £100-£150 599. English School (19th century) ‘Cattle in a Farmyard’, oil on canvas, framed, overall 57 x 52cm, the canvas 46 x 42cm £80-£120

597. Joseph Harlor (British, 1809-1887) ‘Highland Landscape - Cottage by the Lake’, oil on canvas, signed to lower left and date 1879, within gilt frame, overall 80 x 101cm, the canvas 61 x 91cm £250-£300

600. Attributed to Thomas Cheswick RA (1811-1869) ‘A Landscape River Scene with Anglers’, oil on canvas, bearing labels verso ‘Venable’s Fine Arts, 161 Conn. Ave. Washington D.C’ and picture title, framed, labelled with artist name, overall 54 x 41cm the canvas 27 x 38cm £150-£250

A N T IQU ES & COL L ECTA BL ES 603. ‡ Manner of Luigi Galea (Early 20th century Maltese School) ‘Looking toward Mdina’, Malta, gouache, unsigned, 17 x 26.1cm £50-£80 604. Peter Hanson (Danish, 1821-1887) ‘Valley and Mountain Landscape, Yosemite, USA’, oil on canvas, framed, overall 74 x 110cm, the canvas approximately 54 x 90cm £200-£300 605. French School (19th century) Rouen Cathedral from the River Seine (Cathedrale NotreDame de Rouen), oil on canvas, unsigned, framed, overall 63 x 53cm, the canvas 46 x 36cm £100-£150

601 601. Walter Whyte Holdich (1862-1940) Two views of ‘Salcombe Castle or Fort Charles’, oil on boards, unsigned, framed (2), first overall 27 x 34.6cm Walter Whyte Holdich and thence by descent to the current vendor £80-£120

602. Walter Whyte Holdich (1862-1940) ‘South Devon coastal view’, oil on canvas, unsigned, framed, canvas 30.5 x 50.7cm, 38.5 x 58.7cm Walter Whyte Holdich and thence by descent to the current vendor £80-£120

606. William Meadows (British, fl. 1870-1895) ‘Venice from the Lagoon’, oil on canvas, signed to lower left, framed, overall 58 x 93cm, the canvas 45 x 81.5cm £300-£500

607. ‡ Salvatore Colacicco (Italian, b.1935) ‘SS Great Britain’, oil on panel, signed to lower left corner, framed, overall 63.5cm x 89cm, within frame 50cm x 75cm Ex lot 282, March 1989, David Lay Auctioneers £400-£600

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610. Attributed to Thomas Luny (British, 1759-1837) ‘A Paddle Steamer in Stormy Seas’, oil on panel, signed and dated to lower right corner T. Luny, ‘24, in gilt frame, overall 41.75cm x 55.5cm, within frame 33.75cm x 36.75cm £300-£400 608. David Carr (British, active c. 1900) ‘Fishing Smacks’, oil on canvas, signed and inscribed, bearing label verso, inscribed with artists name and title, the canvas 69 x 48.5cm, overall 89.3 x 67.6cm £300-£400

609. David Carr (British, active c. 1900) ‘Fishing Smacks’, oil on canvas, signed and inscribed, bearing label verso, inscribed with artists name and title, framer label ‘Samuel Coombes’, the canvas 66.5 x 41cm, overall 86.5 x 60.5cm £250-£350

611. English School (19th century) a pair of marine scenes, oil on panel, both bearing monogram to lower edge, each framed (2), each overall 27.5 x 35.3cm, within frame 14 x 21.5cm £80-£120 612. Chinese School (late 19th century) ‘A Chinese Junk in a Rough Sea’, gouache, framed and mounted, overall 37.5 x 45.5cm, within frame 24.75 x 32.2cm £100-£200

A N T IQU ES & COL L ECTA BL ES 613. Attributed to George Chinnery (British, 1774-1852, Macau) ‘Coolies Round The Food Vendors Stall’, after 1825, oil on paper, within carved Chinese frame and mounted, overall 44.5 x 39.5cm, within frame and mount 22.4 x 18.5cm Private Collection: According to information provided by the vendor this picture was acquired in China during the 19th century. Thence by descent. George Chinnery (1774-1852) initially worked in England and Ireland primarily as a miniaturist and portrait painter. In 1802 he departed for India where he would subsequently resided for over 20 years. Often in a precarious financial position and in part to escape his debts, in 1825 he travelled to China. Chinnery, signed his work infrequently and had a number of pupils who emulated his artistic style. During his career he often returned to the same subject and copied his own work. (with frame) For a similar work see: The Paul Mellon Collection, Yale Centre for British Art, New Haven, Connecticut, USA. Accession Number: B1981.25.99. £3,000-£5,000 614. Attributed to George Chinnery (1774-1852) ‘Chinese Street Scene at Macao’, oil on paper, after 1825, within carved Chinese frame and mounted, overall 39 x 44cm, within frame 15 x 21.5cm Private Collection: According to information provided by the vendor this picture was acquired in China during the 19th century. Thence by descent. George Chinnery (British, 1774-1852, Macau) travelled to Macau from Indian in September 1825 and spent the remainder of his life in China, principally working as the leading society portrait painter. During his time in Macau, Chinnery, produced numerous paintings and drawings depicting the lives of local people. These works now offer an important insight into life in Macau and Canton during the early to mid 19th century. This scene appears to be a food market close to the church of San Domingo, Macao. Western inspired architecture was common feature of the city, which had been a Portuguese trading port since the 16th century. For a similar scene with the railings of the church of San Domingo, Macao visible see: Victoria & Albert Museum, London - Accession Number P.39-1928 £3,000-£5,000

(with frame) A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

A N T IQU ES & COL L ECTA BL ES 619. After Francis Barlow (c.1626-1704) ‘Flying Squirrels’, copper engraving, margins cropped, mounted, old collectors mark verso, 12.5 x 16.2cm £50-£80

615. Robert Dighton (British, 1752-1814) ‘Portrait of Richard Graves Morice’, standing wearing an academic gown and holding a mortar board, watercolour, signed Dighton, 1807, gilt frame, 39.3 x 49.5cm £100-£200 616. K.G. Beater (active late 19th century) after Jean-Baptiste Greuze (1725-1805) ‘Portrait of a Girl Looking Up’, oil on canvas, inscribed verso with artist, title and dated 1898, framed, overall 67 x 58.25cm, the canvas 47 x 39cm £50-£80 617. John J. Witcombe (British, 1872-1918) ‘Portrait of a Lady wearing a Headscarf’, oil on canvas, signed to lower left and dated 1908, framed, overall 52 x 41.75cm, the canvas 40.5 x 30.25cm £80-£120

618. Johan “Johannes” Wierix (1549-1620) ‘Melencolia I’, after Albrecht Dürer (1471-1528), engraving, 1602, on laid paper without watermark, margins trimmed, 18.6 x 23.7cm £600-£800

620. Menci Clement Crnčić (Austrian, 1865-1930) ‘Nina’, colour etching, titled and signed in pencil, mounted framed, within mount 41 x 20cm, overall 59.7 x 39.5cm £200-£300

621. After J. Smith (active 19th century), engraved by John Chapman (active 1792-1823) ‘Ireland’, hand coloured stipple engraving, Published Feb. 14th 1812 by Adlard & Jones, depicting two allegorical female figures, representing Britain & Ireland (Britannia and Ireland) shaking hands, with bust of George III, William Pitt and Crown & Sceptre, framed and mounted, overall 37 x 29.5cm, within frame 25.8 x 18cm £100-£200

A N T IQU ES & COL L ECTA BL ES 622. Dutch School (early 19th century) a pair of tavern interiors of peasants smoking and drinking, oil on panel, gilt gesso frames (2), panels 17 x 13.7cm, overall 16 x 23.9cm £80-£120

625. Edith Margaret Harms (British, 1868-1943) ‘Gatherer Sunshine’, still life of roses, watercolour, signed to lower right, bearing inscribed label verso, framed, overall 58 x 76cm, within frame 38 x 55cm £100-£150

623. English School (19th century) ‘Children in a Town Square’, oil on panel, inscribed verso ‘De Wolfe’ and ‘Acrobats’, framed, overall 38 x 43cm, within frame 25.2 x 30cm £200-£300

624. English School (19th century) ‘A Crimean Period Artillery Train’, watercolour, ink and gouache on paper, framed, overall 26.25 x 35.5cm, within frame 12.5cm x 26.25cm £80-£120

626. Allan Myndzak (Canadian, b.1954) ‘Garden planter’ & ‘Prelude No.3’, oil on board signed bottom right, framed (2), first board 30 x 40.5cm, overall 43.2 x 53.4cm £80-£120

627. Adolf Kaufmann (Austrian, 1848-1916) ‘Swans on the water’, oil on panel, signed bottom left a. Kaufmann, 1902, early 19th century gilt gesso carved wood frame, panel 28 x 33.8cm, overall 45.4 x 41cm £100-£150

A N T IQU ES & COL L ECTA BL ES

628. Henry Garland (1834-1913) ‘Waiting for the Boats’, oil on canvas, signed ‘H. Garland’, in period frame, the canvas 44.7 x 74.2cm, overall 75 x 104.2cm £600-£800

(part) 631. A collection of three early 20th century equine related prints John Cother Webb (British, 1855-1927), a mezzotint engraving after John Charlton, fox hunting scene, inscribed ‘Yours truly, Fred C. Morgan’; after George Algernon Fothergill (British, 1868-1945) ‘The Invalid’, signed and inscribed ‘From the collection of the Right Hon Lord Wavertee’; after Fred Hall ‘A Rough Rider’, published by Robert Dunthorne, all framed (3), the latter overall 71cm x 62cm £100-£150 632. After Henry Thomas Alken (British, 1785-1851) a set of four 19th century horse racing aquatints; ‘Preparing to Start’, ‘At Speed’, ‘Winning’, ‘Weighing & Rubbing Down’, each framed, one mounted (4), the largest overall 39.25cm x 74cm £80-£120

629. Frank Paton (British, 1855-1909) ‘Study of a Chestnut Horse’, watercolour, gouache and pencil, signed and dated 1890, framed, overall 39.5cm x 50cm, within frame 23cm x 33cm £80-£120

630. Frank Paton (British, 1855-1909) ‘Study of a Chestnut Gelding’, watercolour, gouache and pencil, signed and dated 1896, framed and mounted, overall 56.5cm x 78cm, within frame 32.5cm x 51cm £120-£180

633. After George Stubbs (British, 1724-1806) The racehorse ‘Pumpkin’, hand coloured stipple engraving, engraved by George Townley Stubbs, published by Edwd Orme, Bond Street, dated June 4th 1817, framed and mounted, overall 36.5cm x 41.5cm £150-£200

A N T IQU ES & COL L ECTA BL ES

634. Henry Frederick Lucas-Lucas (1848-1943) a horse portrait ‘Fable’, oil on canvas, signed, dated and titled, further inscribed verso ‘’Fable, Painted by H. F. Lucas Lucas, Rugby, April 1907’, within oak frame, overall 51cm x 61cm, within frame 33.5 x 45cm £150-£250

636. A Regency period wax diorama of the Derby Winner ‘Ditto’, 1803 modelled as the horse, jockey and dog, within a landscape, with milestone marker inscribed ‘Derby 1803 Sir H. Williamson “Ditto”’, within period birds eye maple frame, overall 29 x 33cm, glazed area 18 x 21.5cm Ditto won the Derby in 1803 at his first appearance under the name “Ditto Ditto”. Ditto later won races at Newmarket and the King’s Plate at Guildford. His owner and breeder, mentioned on the milestone was Sir Hedworth Williamson £300-£500

635. Henry Frederick Lucas-Lucas (1848-1943) a horse portrait of a bay gelding ‘Chieftain’, oil on canvas, signed, dated and titled, further inscribed verso ‘’Chieftain, Painted by H. F. Lucas Lucas, Rugby, March 1912’, within oak frame, overall 51.5 x 61.5cm, canvas 35 x 45.5cm Ex lot 96, Phillips, The Contents of Stone Farm Exford, Somerset, May 1992 £300-£400

637. ‡ Frances (Florence) Mabel Hollams (1877-1963) ‘Lop’, portrait of a horse, oil on panel, signed, framed, labelled verso ‘Francis & Co’ with images and additional provenance attached, overall 40.5 x 50cm, panel 30.5 x 40cm According to the information provided ‘Lop’ was owned by Oliver Chadwick-Healey and was stabled at Newplace, Porlock, Somerset £600-£800

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638. British School (late 19th century) ‘Study of a brindle greyhound’, oil on card laid onto board, unsigned, framed, board 33 x 45cm, overall 41.5 x 53cm £100-£200

639. ‡ Frances Fry (British, 20th century) ‘Common Pheasants’, watercolour on paper, signed to lower right, dated to label verso ‘Jan 1975’, framed and mounted, overall 48cm x 37.5cm, within mount 35.5cm x 26cm £50-£80

(part) 640. After James Pollard (1792-1867) a set of four cocking fighting aquatints, ‘Phenomenon’, ‘Yorkshire Hero’, ‘The Champion’ and ‘The Cheshire Pile’, published 1823, each mounted and within modern Hogarth frame (4), each overall 35.5 x 34.5cm, within frames 26 x 25cm £80-£120

641. ‡ Richard Harrison (British, active early 20th century) ‘A Silver-Grey Old English Game Cock’, watercolour, signed and dated April 1934, framed and mounted, bearing ‘Frost & Reed Ltd’ label verso inscribed 5370 and dated 9.5.39, along with further later inscribed label, overall 34.5 x 30cm, within frame 12 x 16cm £40-£60 642. A 19th century coloured print of Belted Kingfisher framed, together with two further ornithological prints ‘Great Plover’ and ‘Bittern’ (3), the first height 37cm £30-£50

A N T IQU ES & COL L ECTA BL ES 643. Frank Paton (British, 1855-1909) ‘Study of a Red Stag and Hinds, within a Highland Landscape’, watercolour and gouache, signed and dated 1901, framed and mounted, overall height 72 x 91.5cm, within mount 49 x 69cm £400-£600

643

644. ‡ Graham Smith (British, 20th century) ‘The Devon and Somerset Meet at The Luttrell Arms, Dunster’, watercolour, pencil and gouache, signed to lower right and inscribed to lower margin, bearing further later inscribed label verso, framed and mounted, overall 66.25cm x 83.75cm, within frame 38.75cm x 55.5cm £300-£400

645. ‡ Konstantin Matveevich Lomykin (Ukrainian, 1924-1993) ‘Malvina’ nude female figure dressing, oil on canvas, signed to lower right, inscribed and dated 1985 verso, framed, overall 93 x 74cm, within frame 70cm x 52cm £300-£500

A N T IQU ES & COL L ECTA BL ES

646. Frederick O’Neill Gallagher (Irish, fl. 1906-1917) ‘Le Bois de******’, oil on canvas, signed and inscribed ‘30 Septembre 1914’, labelled verso and inscribed with title, framed, overall 57 x 74cm, within frame 37 x 52.5cm £400-£600 647. Frederick O’Neill Gallagher (Irish fl. 1906-1917) ‘Le Moulin de Ro******’, oil on canvas, signed and dated 1914, inscribed with title verso in pencil, overall 57.5 x 74cm, within frame 36.5 x 54cm £400-£600

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648. ‡ June Bartlett (British, b. 1947) ‘Street Scene, Arabian Peninsula’, oil on canvas, signed and date ‘95, framed, overall 70 x 56.25cm, canvas 60 x 45.5cm £150-£250

648

649. ‡ Francois (20th century) a pair of paintings, ‘Fruit and Shells with Basket’ and ‘Still Life with Figs’, oil on board, signed, framed, each overall 69 x 59cm, within frame 40 x 50cm £100-£200

650. British School (early 20th century) ‘Art Deco Portrait of a lady’, oil on canvas, signed ‘F.E. Wilde’ and dated 1930, framed, overall 69 x 59.2cm, canvas 56 x 42cm £80-£120

A N T IQU ES & COL L ECTA BL ES 651. ‡ Mary Fedden RA (British, 1915-2012) ‘Still life of pink and red flowers in a vase’, oil on canvas, signed and dated to lower left corner ‘Fedden 194*’, framed, overall 88cm x 63cm, within frame 76.5cm x 50.5cm This painting was a gift from Mary Fedden to the vendors mother, a friend of the artist £2,000-£3,000

652. Jonathan Chiswell Jones (b.1944) a studio pottery teapot, decorated with a repeating fleur-de-lys motif in green on a white ground, bearing JCJ monogram to base, height approximately 17cm This teapot was formerly the property of Mary Fedden. The lot was given as a gift to the vendors mother by Fedden, a long time friend of the artist £50-£80

651

653. Mary Fedden (1915-2012): A collection of Mary Fedden signed cards and letters approximately fifty, including postcards and greetings cards bearing reproductions of Mary Fedden works, a number signed ‘Mary & Julian’ (Julian Trevelyan) the remainder signed ‘Mary’, all with hand written inscriptions several of letter form detailing information about the artist life (qty) £200-£300

654. ‡ Rowland Hilder (British, 1905-1993) ‘Village Church in the Snow’, watercolour, gouache, ink and pencil, signed and dated 1945 to lower right, bearing label verso printed ‘Rowland Hilder, Snow scene - original sketch for Xmas card 1945’, framed and mounted, overall 34cm x 49cm, within frame 15.5cm x 31.5cm £200-£300

A N T IQU ES & COL L ECTA BL ES

655. ‡ Denis Ferran (b. 1942) ‘Calm Seas’, acrylic on canvas, framed, overall 75 x 90cm, the canvas 60 x 76cm £300-£500 657. ‡ Harold Riley (British, b.1934) ‘Luciano Pavarotti’, charcoal and pastel on material, inscribed lower right ‘San Francisco. Riley, 1979’, framed and glazed, 34.5 x 35cm, overall 55.5 x 57cm £600-£800

656. ‡ Hazel Titherley RCA (British, b. 1935) ‘Sunday Flowers’, acrylic on board, signed, bearing artists label verso and title inscription, framed, overall 45.3 x 39cm, within frame 33.5 x 27cm £100-£200

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658. ‡ Sir Eduardo Paolozzi CBE RA (British, 1924-2005) ‘Elephant’, injection moulded plastic limited edition sculpture, signed incised to back and numbered to underside 3000/ 773, height 30cm £500-£800

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659. ‡ Graham Clarke (British, b.1941) ‘Summer Passengers’, coloured etching, Artists Proof, signed and inscribed to lower margin, mounted, framed, inscribed verso ‘For Stuart, with All Good Wishes on Your 70th Birthday, 15th Dec 1998 from Graham Clarke’ and with small pen sketch of Father Christmas, overall 51.5cm x 71.5cm, height 37cm x 58cm £150-£250

660. ‡ Graham Clarke (British, b.1941) ‘Hooray for Hadlow’, limited edition etching with aquatint, signed numbered 3/150 and titled in pencil, mounted, framed, within mount 38.5 x 46cm, overall 55.2 x 61.1cm £100-£150 661. ‡ Robert Meyrick (British, b. 1958) Two linocut prints, ‘Promenade’ and ‘Old College Door’, both signed and numbered in pencil 45/50, framed and mounted (2), the larger overall 56 x 46cm £80-£120

(part) 662. Morden (Robert), Britannia Romana and Britannia Saxonica two 18th century double page engraving maps with hand colouring, mounted, framed (2), first within mount 38.5 x 45.5cm, 56 x 62.5cm £100-£200

663. A folding map of Surrey. John Cary: A New Map of Surrey, Divided into Hundreds exhibiting Its Roads Rivers, Parks & c., 1801 an engraving with hand colouring, dissected into fifteen sections and backed on linen, framed, 53 x 59cm £80-£120

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664. Wales. Ortelius (Abraham) Cambriae Typus Auctore Humfredo Lhyudo Denbigiense Cambrobritano a double page copper engraving map c/.1600 with hand colouring, strapwork cartouche top left corner, mounted, framed, within mount 40 x 53cm, overall 54.5 x 67cm £200-£250 665. Ulster. Mercator (Gerard) and Hondius (Jacodus) Ultoniae Oritentalis Pars an early 17th century double page copper engraving map, uncoloured, strapwork cartouche bottom right, mounted framed, within mount 40 x 43cm £80-£120

664

666. Ireland. Speed (John), The Kingdome of Irland devided into severall Provinces, and the againe devided into Counties, Newly described published by Thomas Bassett and Richard Chiswell (1676) a double page engraving with hand colouring, inset with a vignette of six costumes figures, mounted framed, within mount 39.5 x 51.5cm, overall 63 x 75cm £500-£700 667. Ireland. Ortlelius (Abraham), Eryn. Hiberniae, Brtiannicae Insulae, Nova Descriptio. Irlandt a double page engraving with hand colouring, c.1600, strapwork cartouche upper right, mounted, framed, within mount 37.5 x 50.5cm, overall 60 x 72.5cm £500-£700

666

668. Ireland. Bertius. P, Hibernia and Bleau. J. Hibernia Septentr. in qua Ultonia Connatia first c.1600, second c.1640, engravings with hand colouring, mounted, framed (2), first within mount 10.2 x 13.3cm, overall 18 x 21.5cm £100-£150 669. Ireland. Chatelain (Henri-abraham) Carte Ancienne Et Moderne De L’Irlande Avec Quelques remarques Sur Son gouvernement et sur “’etat Present De Cette Isle an 18th century double page engraved map with outline colouring, together with an 18th century map of The Isle of Man by John Seller, both mounted, framed (2), first within mount 36 x 47cm, overall 56 x 65.5cm £80-£120

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A N T IQU ES & COL L ECTA BL ES 670. Kawase Hasui (1883-1957) ‘Sensokuike, Senzoku Pond’, Showa era woodblock, from the Twenty Views of Tokyo, signed Hasui and bearing seal, published by Watanabe Shozabura, dated in pencil 1927, mounted, woodblock 25.9 x 39.5cm £800-£1,200 671. Kawase Hasui (1883-1957) ‘Ryuga Island, Oga Peninsula’, Showa era woodblock from the Souvenirs of Travels, Third Series, signed Hasui and bearing seal, published by Watanabe Shozabura, dated in pencil 1925, mounted, 26.1 x 38.5cm £500-£700 672. Six Japanese woodblock prints comprising after Hokusai ‘The Great Wave off Kanagawa’ and, ‘Sunset across the Ryogoku bridge from the bank of the Sumida River at Omnmayagashi’, after Hiroshige, ‘Inside Kameido Tenjin Shrine (Kameido Tenjin Keidai), No. 65 and ‘Maple Leaves at mama, the Tekona Shrine, and Tsugi Bridge’ No. 94 from One Hundred Famous Views of Edo, and two others, mounted, framed (6), first within mount 13.1 x 19.5cm £100-£150

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671 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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A N T IQU ES & COL L ECTA BL ES 673. A 19th century Japanese porcelain teapot of bulbous form, decorated against the white ground with scene of eight deities including the Shichi Fukujin (Seven Lucky Gods), heightened with gilt, bearing character mark to underside of lid, paper label remnant to base, height 13cm £70-£100

674. A large Japanese Meiji period two handled blue and white vase of baluster form, handles in the form of dragons heads, decorated against the white ground with prunus trees, birds and a pair of Mandarin ducks, character mark to base, bearing collection label, height 44.5cm

676. A pair of monumental Japanese Meiji period cloisonné vases c.1900 of shouldered tapering form, each decorated with a cockerel and hen among tall flowering spider chrysanthemums and other flowers, on a turquoise ground, geometric borders, signed to base (2), height 77cm £4,000-£6,000

Formerly from the collection of English actor Bertram Wallis (1874-1952) £100-£150

675. A pair of late 19th century Japanese satsuma double gourd vases decorated with dragons and immortals, painted gold character marks framed by a pair of dragons and a flaming pearl (2), height 31cm £200-£300

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677. A pair of Japanese Meiji period cloisonné vases in the style of Hyashi Kodenji (1831-1915) of shouldered square tapering form, decorated with songbirds in flight and white flowering trees and irises on a dark blue ground (2), height 19cm £200-£300

A N T IQU ES & COL L ECTA BL ES

678. A pair of Japanese Meiji period small cloisonné vases of ovoid form, decorated in ginbari enamel with chrysanthemums on a dark blue ground, signed (2), height 9.5cm £60-£80 679. A late 19th Japanese Meiji Period lacquer tea box the exterior decorated with gilt trompe l’oeil coins and bindings, black gold flecked interior fitted with a lift out lead liner, the hinged lid engraved with a heron perched on flowering prunus branches and calligraphy, width 21cm, depth 15.5cm, height 12cm £200-£300

682. An 18th century Chinese Kangxi famille verte ‘Magnolia’ plate, an imari plate and a clobbered dish first decorated with a gilt decorated flowering magnolia tree to centre, the cavetto with four foliate panels, the rim with four sprays issuing form rockwork, the imari plate decorated with a fence, peony, bamboo and rockwork (3), first diameter 22.3cm £200-£300 683. A late 18th century Chinese export armorial punch bowl c.1790 decorated with a coat of arms with a ship and bearing the motto ‘In God is All Our Trust’, diameter 26.7cm, height 11cm £60-£80 684. An 18th century Chinese export famille rose and underglaze blue basin and guglet c.1780 decorated with a falconer and attendants in a landscape with pavilions, underglaze blue brocade a foliate panel borders with gilt scroll decoration and vignettes painted with birds on a branch (2), Guglet height 26.2cm £100-£200

680. § A Japanese Meiji period ivory okimono of a lioness naturalistically carved, the eyes inlaid with mother of pearl, signed, on carved wood rockwork base, length 27.5cm £100-£150 681. A collection of Japanese gilt menuki sword furniture and 19th century Chinese mother of pearl gaming counters (qty), various £80-£120

(part) 685. Seven 18th century Chinese export blue and white porcelain plates painted with a river landscape with a pavilion, foliate borders (7), diameter 23.5cm £200-£300

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A N T IQU ES & COL L ECTA BL ES 689. A Chinese Dehua Blanc de Chine European subject figural group c.1700 Kangxi, modelled as a European couple seated on the back of a standing kilin, height 14cm £100-£200 690. A Nanking Cargo blue and white tea bowl and saucer c.1750 decorated in the blue pine pattern, bears Christie’s paper label lot 5530 (2), height 5cm £40-£60

686. Two mid 18th century Chinese export porcelain hexagonal covered tea bowls and four saucers iron red, gilt and polychrome enamel foliate borders with bamboo sprays (8), height 11cm £100-£200

691. A Chinese blue and white soft paste porcelain seal paste pot and cover Qing dynasty, circular, the cover decorated in underglaze blue with a five clawed dragon chasing the flaming pearl, clouds and flames, the underside of the base with a band of crashing waves, six character Kangxi mark within a double ring in underglaze blue, diameter 8.5cm £200-£300 687. An 18th century Chinese export polychrome tankard and a collection of 19th century Canton famille rose export porcelain first of bell shaped mug with loop handled painted with an interior scene with a family gathered round a table, gilt scroll borders, together with a tankard decorated with an interior scene, a cylindrical teapot and cover, a miniature teapot and cover, four graduated pots and covers and a tea bowl (9), first height 13cm £100-£200 688. 18th century Chinese export porcelain teapots, others first of fluted globular decorated in famille rose palette with peonies and insects, second, bullet shaped decorated in gilt highlighted underglaze blue with lotus flower and bamboo sprays (riveted) together with two tea bowls and a saucer, first height 15cm £80-£120

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692. A 19th century Chinese blue and white sleeve vase decorated with flowering prunus branches against cracked ice, four character Kangxi mark, height 26.4cm £80-£120 693. A collection of ten 19th century Chinese famille rose celadon plates each decorated in polychrome enamels, marked to base, including; six side plates, two plates and one larger plated painted with butterflies and birds motifs, together with larger plate painted with decorative objects (10), the smaller diameter 18.75cm, medium 22.75cm, largest 25.5cm £80-£120

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694. A 19th century Chinese famille rose set of seven nesting bowls graduated, decorated in enamel with figures and calligraphy, gilt rims (7), largest height 4cm, diameter 8.5cm £100-£200 695. A Chinese Republican style famille verte ‘landscape’ bottle vase decorated with a continuous mountainous river landscape with boats, figures and calligraphy, four character red seal mark, height 24cm £50-£80 696. A 19th century Chinese pale celadon jade double gourd snuff bottle of compressed double gourd form, the screw fitting stopper carved in relief with leafy tendrils, length 7cm £200-£300

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697

697. A Chinese pale celadon jade snuff bottle and stopper of flattened ovoid form carved with mask handles, green Peking glass stopper, height 7cm £100-£200 698. A Chinese blue overlay opaque white Peking glass snuff bottle carved with ring handles and panels with a bat and an insect, coral stopper, height 6.7cm £80-£120 699. A late 19th century Chinese famille rose snuff bottle mask and ring handles to sides, painted with a scholar on horse back and two other figures, the reverse with flowering prunus branches, four character red seal mark, fitted with a silver and coral stopper, height 7.5cm £100-£150

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699

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700. A 19th century Chinese green jade cicada snuff bottle naturalistically carved, silver mounted turquoise stopper, length 9cm £80-£120 701. A large 19th century Chinese patinated bronze hand warmer of rectangular form with swing handle, the domed pierced cover decorated in low relief a dragon and scrolling clouds, the sides with, inset panels with phoenix, a terrapin and mythical beasts in landscapes, height 12cm, width 18.5cm £200-£400 702. A Japanese Meiji period patinated bronze teapot of squat inverted baluster form with applied trailing tendril and leaf decoration, the handle in the form of a dragon holding a pearl in its claw, the cover with crab finial, height 14.5cm, handle to spout 20cm £80-£120 703. § A pair of Chinese hardstone models of trees in jardinieres mid 20th century, on square rosewood jardiniere stands (2), height 37.5cm £100-£200

703 704. A Chinese Canton enamelled metal miniature zhadou 19th century, with flared neck, decorated with flower and bamboo over cracked ice pattern against a blue coloured ground, together with a pair of Chinese Canton enamelled metal rice wine cups and saucers, decorated with repeating floral and scrolling leaf motif against a cobalt blue ground, heightened with gilt, the saucers of ellipse form with shaped edge (5), zhadou height 10.4cm £100-£150

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A N T IQU ES & COL L ECTA BL ES 707. A Chinese patinated bronze two handled baluster vase, 19th century the body in red brown colour, cast with dragon to neck, the shoulder with dragons head handles, body with the god of longevity Shoulao on a deer and a deity upon a crane, height 46.5cm £200-£300

705. A pair of 19th century Chinese Canton enamel famille rose spill vases quatrafoil design decorated with panels of figures on garden terraces, and playing Go against a green ground with flowerheads and scrolling foliage (2), height 11.2cm £100-£200

707

708. § A 19th century Chinese tortoiseshell circular box and cover the cover carved in high relief with village scene depicting figures amongst buildings, trees and a river, the based carved with a figures working and gentleman on horseback, edges carved with repeating foliate and architectural motifs, diameter 9.5cm, height 2.7cm £100-£200

706. A 19th century Chinese gilt bronze and cloisonné tripod censer and cover of globular twin handled form with gilt twin handles and lion dog finial, the body decorated with birds and flowers, on circular hardwood stand, height 15.5cm £150-£250

708

709. A Chinese miniature carved turquoise tripod censer and cover carved in archaistic style with lion finial and twin mask ring handles, height 9.5cm £100-£200 710. A Chinese carved soapstone mountain and a figural seal late 19th/early 20th century, first carved with pavilions, pine tress and figures (2), first height 12cm £50-£80

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711. A 19th century Chinese embroidered silk panel embroidered in colour silk and gold thread with two figures in a garden setting with a fence, 14.8 x 23.5cm £80-£120

712. A pair of 19th century Chinese pith paintings gouache on rice paper, of female figures in courtly dress, both framed bearing label verso ‘W.D. Hodges & Co. Ltd, 247 & 249 Brompton Road, SW (2), each overall 27.25 x 18.5cm £100-£150 713. Five 19th century Chinese export pith paintings comprising three depicting a parrot and a boy with a pull a long toy and a junk, in stained pine cushion frames, and a pair of figures, mounted in ebonised frames (5), first overall 11.5 x 15.3cm £100-£150

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714. 19th century Chinese export pith painting ‘An official with his wife in a garden’, gouache on rice/ pith paper, framed, overall 33.5 x 21.5cm £70-£90

(part) 715. A pair of 19th century Chinese export pith paintings of boats one a pleasure boat the other a fishing vessel, watercolour and gouache on pith / rice paper, mounted, framed (2), within mount 18.5 x 26.2cm, overall 34.1 x 40.5cm £100-£200

A N T IQU ES & COL L ECTA BL ES 716. § A 19th century Chinese Canton carved ivory card case finely carved with scenes of figures, pagodas, trees and river landscape, 10.5 x 6.25 x 1.5cm £100-£150 717. § An collection of 19th century Asian bone and ivory carvings including; a Chinese ivory acrobat toy, with moving limbs, a bone acrobat toy, and a carved warthog tusk on stand in the form of a troop of elephants, and a mahogany box containing cocktail sticks and small carvings (qty), the first height 9cm £80-£120 720. Five late 18th century polychrome porcelain tea bowls and two saucers c.1790 decorated in the Chinese export manner with flower baskets, geometric key borders in puce with floral sprays and bamboo swags, gilt rims (7), saucer diameter 16cm £80-£120 721. A collection of nine cabinet plates including: a pair by Crown Staffordshire ‘England’s Bouquet’, a pair by Royal Crown Derby, a pair and a single by Cauldon, and two further plates, all with gilt highlights, the first diameter 22cm £80-£120

718. A large Chinese silver and kingfisher feather headpiece and other hair ornaments late 19th / early 20th century, first in the form or a phoenix set with paste stones, attached a simulated pearl tassel drop together a silver pin in the form a bird set with red stones, and two silver-gilt filigree flower hair pins (4), first length 22.5cm £200-£300

719. Two Chinese gold (untested) kingfisher feather hair ornaments late 19th / early 20th century, one in form of a phoenix the other a flower, set with red glass cabochons (2), first width 7.1cm, total weight approx. 20.6g £100-£150

722. A pair of large Royal Worcester blush ivory figures ‘Morning Dew’ and ‘Evening Dew’ modelled as semi nude classical maidens in flowing robes painted with floral sprays pouring water from urns on naturalistic bases, raised on circular plinths, green printed factory marks, date codes for 1900 and 1902, height 42.5cm £100-£200 723. A 17th century Rhenish saltglaze stoneware bellarmine bulbous body with bearded mask and loop handled, impressed W, height 29.5cm £100-£150 724. An early 19th century Staffordshire pearlware spill vase in the form of a hunting lodge or castle, tower with incised stonework, the base decorated with encrusted flowers and shrubs, height 12.5cm £80-£120

724

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725. A pair of Zsolnay double walled reticulated porcelain vases c.1900 of bottle form, impressed 2710 Zsolnay Pecs, factory mark in gilt, height 21cm £100-£200

728. A pair of 19th century Doulton Lambeth faience Persian style vases decorated by Minna L Crawley of ovoid bottle form decorated with Iznik style flowers on a dark green ground, impressed factory marks, C L, 1879, painted 269 and decorators monogram for M L C (2), height 23.4cm £80-£120

729. A pair of late 19th century Meissen figural double table salts modelled as a boy and girl in 18th century dress seated on conjoined baskets, scroll moulded base, underglaze blue cross swords mark, incised 3024, stamped 163 149 (2), height 13cm £80-£120 726. A Vienna Porcelain cabinet plate cobalt blue and gilt border, decorated to centre with scene of Aphrodite and Hector, inscribed to base ‘Venus vertheidigt die Leiche des Hecktor nach L. Boyer’, diameter 24cm £100-£150 727. A Royal Doulton jug by Florrie Jones tube line decorated with flowers, impressed factory marks, 8525 R, incised F J, height 22cm £40-£60

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730. A Ruskin pottery miniature shallow footed bowl streaky pale pink/red mottled glaze, impressed Ruskin, diameter 6cm £50-£80

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732

733 731. An early 19th century New Hall bone china part dessert service c.1815-20 decorated with pattern no 1627, bat printed and painted with baskets of autumn fruit, pale blue border moulded in white with paired birds and scrolling grapevines between gold lines, comprising a twin handled comport, pair of twin handled rectangular dishes, a shell shaped dish, a tureen stand and fourteen plates (19), comport height 12cm £300-£500 732. A large Minton ‘Indian Tree’ patterned dinner service c. 1870, comprising: large tureen and cover; sauce tureen with cover on stand and a further small tureen stand; large meat platter; two small serving plates; medium serving plate; eight soup bowls; twenty five dinner plates; twenty one side/ dessert plates, each piece bearing impressed ‘Minton’ mark and various other date letters (qty) £100-£200 733. A large Royal Crown Derby ‘Wilmot’ pattern tea service approximately 80 pieces, late 19th/ early 20th century, including: covered serving dish, two jugs, sugar bowl, two serving plates, eleven egg cups, twelve coffee cans, six tea cups, six sandwich plates, nineteen side plates, nineteen saucers (two sizes), two tea saucers (qty) £100-£200

734. A collection of three Meissen plates including: an early 20th century cabinet plate, moulded with decoration in the form of vine leaves, painted in gilt and blue, marked and impressed to base; a hand painted plate, decorated with floral motif, heightened with gilt, cross swords mark to base and a further hand painted cabinet plate, with blue coloured border, crossed swords mark to base and with ‘Consbruch, Bielefeld’ label (3), the largest width 30cm £80-£120 735. A pair of mid 20th century studio pottery cats incised DS possibly for David Sharp, height 25.5cm £50-£80 735

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736. A Miles Mason porcelain vase c.1810 of urn form with twin gilt druid mask handles, decorated in Imari style palette with peonies, between blue borders decorated in gilt with birds insects and foliage, on a marbled square plinth base, unmarked 28.5cm £100-£150

738. An early 19th century Spode pot pourri basket and cover, c.1820 oval with basketweave moulded decoration and twisted stalk handles, painted with bouquets of flowers in pattern 1943, gilt rims, length 16.8cm £80-£120

736

737. A late 18th century pearlware oval serving dish decorated in underglaze blue with a Chinoiserie pagoda and trees within a diaper border and feather edge, length 42.5cm £50-£80

739. An early 19th century Spode ‘Italian Pattern’ Pearlware footbath blue and white transfer printed, of oval form with loop handles, bearing ‘Spode’ mark to base, width 47cm £100-£150

740. A Pearlware blue and white ‘Willow Pattern’ meat platter early 19th century, four late 18th century ‘Conversation Pattern’ blue and white transfer printed plates, of octagonal form; Spode ‘Italian Pattern’ side plate and a plate and two Minton floral patterned plates (9), the platter 47.75cm approximately £60-£80

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A N T IQU ES & COL L ECTA BL ES 741. A Moorcroft for Liberty ‘Jasmine’ pattern vase designed by Rachel Bishop, 2003, of slender form, painted tube lined decoration, navy coloured ground, limited edition number 121/150, gilt signed and dated ‘Rachel Bishop, 15th May 2003’ to base, stamped ‘Made for Liberty’, artist signature and impressed Moorcroft marks, height 31.5cm £200-£300 742. A Moorcroft ‘Jewel’ pattern vase designed by Rachel Bishop, 2003, of slender form, painted tube lined decoration, cream coloured ground, limited edition number 106/200, signed ‘Rachel Bishop’ to base, artist monogram and impressed Moorcroft marks, height 31.5cm £200-£300 743. A Moorcroft for Liberty ‘Inula’ pattern lidded ginger jar designed by Rachel Bishop, 2000, painted tube lined decoration, navy coloured ground, limited edition number 46/200, signed ‘Rachel Bishop’ to base, stamped ‘Made for Liberty’, artist monogram and impressed Moorcroft marks, together with a Moorcroft pin dish, in Clematis pattern on a green ground, impressed ‘Moorcroft’ (2), the jar height approximately 16.5cm £120-£180

741

742

744. A pair of Moorcroft pottery hibiscus pattern shallow twin handled dishes green ground, impressed Moorcroft, Made in England, one bearing paper label by Appointment W. Moorcroft potters to the late Queen Mary (2), handled to handle 22cm £70-£90 745. A modern Moorcroft Limited edition Thaxted Church vase designed by Emma Bossons of bulbous ovoid form, tubeline decorated with cowslips, impressed factory marks in green, numbered 95/200 Thaxted Church EB, dated 2006, height 13.6cm £100-£150

743

746. A 1970s Troika pottery square section slab vase decorated by Honor Curtis decorated with impressed and incised geometric designs on a grey ground, painted marks Troika St Ives England, HC, height 22.6cm £80-£120

744

745 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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751

747. A collection of eleven pieces of art glass together with an Elsa Peretti for Tiffany lidded glass heart dish, including:, Per Lutken for Holmegaard heart vase, in apple green and a ball vase in blue; Sven Palmquist for Orrefors vase, no. 3497; Alsterfors basket; Riihmaen Lasi turquoise glass vase; a pair of Ronald Stennett-Wilson for Wedgwood ‘Sheringham’ candlesticks, in amber glass, stamped for Wedgwood; a Wedgwood Brancaster candlestick in amethyst glass; a Wedgwood smoked glass candlestick; a yellow glass vase, signed to base and a Mdina turquoise glass vase (12), the tallest 21.5cm £120-£180 748. A Lalique frosted glass figure ‘Nu Sage’, in the form of a seated nude, signed to base ‘Lalique, France’, height 7cm £60-£8 749. A set of six vintage Venetian Tre Fuochi glasses turquoise glass, with gilt and enamel decoration (6), height 12cm £40-£60 750. A set of twelve cranberry flashed ‘Rock Crystal’ cut wine glasses c.1910 unsigned, probably Thomas Webb, tulip shaped bowls finely engraved with ribbon tied garlands, on a clear baluster stem and circular foot (12), height 19.5cm £200-£400 751. A late 19th century Bohemian glass bottle and stopper attributed to Moser, ruby glass heightened with gilt and enamel decorated, bottle of Persian inspired form, height 20.5cm £100-£150 752. A pair of Victorian glass lustres opaque frosted glass with gilt decoration in repeating leaf motif, clear glass prismatic drops, with knopped stems, on circular bases (2), height 25cm approximately £50-£80

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A N T IQU ES & COL L ECTA BL ES 753. An 18th century glass tazza the circular galleried top raised on a hollow Silesian stem and domed folded spreading foot, height 17cm, diameter 22.6cm £80-£120

754. A Lalique ‘Falcon Nuages’ frosted glass scent bottle with stopped in the form of two cherubs, body of spherical form, signed to base ‘Lalique, France, Fr’, in original box, height 10.75cm £80-£120 755. An Art Deco Czech clear crystal decanter set comprising a liqueur decanter and stopper of asymmetrical tapering lozenge design and ten glasses with tapering lozenge shaped stems (11), decanter height 22.2cm £70-£90

754

756. A Lalique Oeillets pattern vase the shaped body with repeating carnation floral motif to neck, signed to base ‘Lalique, France, Fr’, with Lalique sticker, with original box, height 16.5cm £80-£120 757. A 19th century French sulphide portrait paperweight depicting Napoleon in military dress, weight of octagonal form, with bevelled edge, possibly by Baccarat, height 7.5cm £100-£150 757

756

755 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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758. A pair of novelty wine glasses in the style of Williams and Stevens c.1930 each with wide circular tapering bowls on large hollow blown knop stems containing a painted figure of a cockerel, on a spreading circular foot (2), height 13.5cm £60-£80 759. A harlequin set of eight ‘Bristol’ green drinking glasses Georgian and later, three of similar design with trumpet shaped bowl, baluster stem with knop, ground pontil, three with trumpet shaped bowl, bladed knop stem, pontil marks to base, two with round bowl (8), the tallest 13.75cm £80-£120

758

760. A Daum Nancy ‘Fleurs de Lin’ acid etched cameo glass vase of tapering gourd form on a circular foot, carved and painted with flax flowers on a mottled white ground fading to orange, signed to neck Daum Nancy with the Cross of Lorraine, height 21cm £100-£200 761. A Loetz Creta Rusticana green iridescent glass vase c.1900 of twisted triangular tapering form with textured bark effect, height 16cm £80-£120 762. A large Georgian style drawn trumpet shaped plain stem glass goblet with a teardrop stem on a conical folded foot, height 34.5cm £60-£80

760

763

763. A mid 20th century Italian Murano ‘Medici’ Campana Vase by Lazzarini in clear glass with red and white spiral canes, bears plaque ‘Campana Medici realizzata dal Maestro Lazzarini Offerta dal Centrovetro consrozio’, height 37.5cm To be sold due to the closure of Trinity Bromley United Reform Church for charity £200-£300

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764. A pair of small late 19th century French ormolu mounted cranberry glass vases of globular ribbed form with wavy edge gilt rim, pierced scroll mounts with crowned eagle and cross of Lorraine crest, on a circular foot (2), height 6.3cm £80-£120 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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765. Victorian and later silver mounted cut glass scent bottles and smelling salts various dates, makers marks, to include a silver cased smelling salt, Chester 1893 by George Watts, of cylinder form with finely chased foliate scroll decoration, hinged cap, gilt interior with stopper, initialled, a cranberry flashed hobnail cut square scent bottles, first height 5.3cm £100-£150 766. Edwardian and later silver mounted cut glass, scent bottles and jars various dates, makers, to include a large scent bottle and stopper, London, 1903 by Henry Perkins & Sons, a pair, of square shouldered tapering form, three other scent bottles, a pair of waisted vases and three jars with foliate embossed lids (9), first height 17cm £80-£120 767. A late Victorian silver mounted hobnail cut glass torpedo scent bottle Birmingham, 1884 by Charles May, plain screw fitting mushroom cap, in a later fitted oak case, length 23.2cm £80-£120 768. Four Victorian coloured glass double ended scent bottles first unmarked, facet cut ruby body with foliate chased silver mounts, second, silver-gilt mounts and faceted cobalt blue body, initialled, third by Sampson Mordon & Co, diamond facet cut ruby body and gilt metal foliate chased mounts, fourth green body and brass fittings (4), first length 10.3cm £200-£300

767

765

769. A collection of 19th century glass scent and smelling salt bottles to include a gilt decorated lachrymatory or teat catcher scent phial, a barrel form cut glass scent bottle, a silver mounted faceted ruby smelling salt, another silver mounted green glass, a silver mounted faceted ruby scent bottle, the cap engraved ‘The Sprinker’, a gilt metal caged heart shaped scent bottle, other coloured examples with brass mounts, etc (14), first length 13.3cm £150-£200

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A N T IQU ES & COL L ECTA BL ES 773. A small collection of silver vertu comprising a pair of Art Deco black onyx and marcasite set foliate engraved silver sprung folding lorgnettes, a late Victorian crocodile leather wallet with silver mounts, an engine turned circular powder compact, a pair of late Victorian opera glasses with foliate engraved silver clad barrels and a cased pair of Lemaire gilt brass and mother of pear veneered opera glasses, Lemaire Fabt Paris, retailed by Ed Messter Berlin (5), various £80-£120

770. A Victorian silver mounted uranium glass scent bottle and another first, unmarked, having a foliate embossed hinged cap and internal stopper, second Birmingham, 1897 by Charles May, the screw fitting foliate embossed mushroom cap, the ovoid diamond cut body fading from cranberry to clear (2), first height 10.5cm £100-£200 771. A small collection of glass scent and medicinal bottles and other items of vertu, Georgian and later including a Georgian green glass perfume bottle with geometric cut glass decoration, a late 19th century red and white cylindrical perfume bottle, an early 19th century medicinal etched bottle of ‘Eau de Luce’ ointment, a Victorian cut glass perfume bottle with screw top lid and two others, together with a Georgian and silk scalloped shape coin purse with relief carved mother of pearl image of gentleman on horseback with hound (a/f), and a native American Iroquois brown velvet purse heavily embellished with beads in a floral design (8), the diameter of m.o.p purse 8cm approx £80-£120 772. A collection of vertu and costume jewellery to include an Essex crystal pin comprising an Essex crystal stags head button stud mounted on a pin, a continental pierced gilt metal drawstring chatelaine purse, a tortoiseshell necklace, the a silver filigree mounted portrait miniature brooch, a beadwork misers purse, two paste buckles, etc (qty), various £60-£80

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774. § A Victorian mother of pearl card case of rectangular form, inset with abalone shell to sides, together with a brass bound leather card case, bearing Registration mark, containing ‘Lady Hensley’ card; a mid 19th century French tortoiseshell aide memorie, inlaid with gold, silk lined; a 19th century hinged card case, containing card; and an ivory French aide memoire with tortoiseshell and silver applied decoration inscribed ‘E.P’ (5), the first 10.5 x 7.75 x 1cm £80-£120 775. § A collection of desk ivory accessories including two Lund Patentee London propelling pencils; Samson Mordan propelling pencil inlaid with silver stars; a carved dipping pen; circular lidded box; ivorine rectangular box; together with an ivory and leather bound book of common prayer; book mark in the form of leaves; page turner and further mother of pearl page turner; further ivory item; oyster shell dish; tortoiseshell and ivory paperweight; silvered metal vesta in the form of a violin case; and a vintage steel cased loupe (qty), round box height 7.75cm £80-£120 776. An interesting and varied collection of matchbox covers, vesta and matchbook cases to include Rudyard Kipling brass example with an applied copper elephant portrait, inscribed with the quote ‘A woman is only a woman but a good cigar is a smoke’, a middle eastern brass holder with painted and mother of pearl plaque painted with figures an applied painted sadlework panel, two Canton enamel holders, a gunmetal matchbook case with applied white metal Mumm champagne bottle, Italian tooled leather examples, commemoratives, and many others (qty), various £80-£120

774 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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780. A George IV silver mounted carved cowrie shell snuff box Birmingham, 1830 by Taylor & Perry, the hinged lid with fine foliate chased decoration set with a central bloodstone lozenge within a white paste border, interior gilt, length 6.5cm £200-£300

777. A collection of mostly 19th century hardstone portrait cameos to include a large finely carved oval agate cameo of maiden facing right, a pair of oval banded onyx renaissance style cameos of maidens, other subjects to include the Fox from Aesop’s Fables, Psyche, classical portraits, a carnelian intaglio cameo of Shakespeare, a lava portrait cameo of man wearing a laurel wreath, etc (16), first 42 x 30mm £400-£600

778. A set of three 18th century French enamel wine labels titled ‘Volney Sautenot’, ‘Sautenay’ and ‘Meursault’, each painted in blue with the coronet of a Marquis above title (3) each width approximately 6.5cm £200-£300

779. An 18th century silver mounted cowrie shell snuff box possibly Scottish provincial, makers mark only, S? T. in an oval punch, the collar with bright cut engraved flush hinged, the lid interior naively scratch engraved with a dog walking right, length 7cm £200-£300

781. An early 19th century silver-gilt mounted malachite vinaigrette unmarked, of rectangular form with curved corners, the hinged grille pierced with flowers, with top inset with malachite and applied with silver scrolls and dove, the sides profusely engraved with foliate scrolls, width 4.2cm £100-£200 782. An Art Deco malachite and quartz mantel clock the 11⁄2 inch gilt brass dial with silvered chapter ring, Arabic numerals, the case of architectural design, together with a lidded malachite box (2), clock height 15cm, box width 10.75cm £100-£200

783. A late 19th century Russian gilt metal model in the form of horse drawn troika the base veneered with malachite, width 24cm £100-£200

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786. A large French silver-gilt and guilloché enamel belt buckle retailed by Hartog, Paris, c.1900 French control marks, by Andre Delpy, curved rectangular form with cut off corners, decorated with pink guilloché and white line enamel border, engraved verso Hartog-Paris, width 9cm £80-£120

784. An early 20th century Russian .84 silver-gilt, diamond malachite Empire style desk timepiece Moscow Second Kokosnik mark (1908-26), stamped E.K. for workshop of Erik August Kollin, circular white enamel dial with black Roman numerals, outer Arabic minutes and minute markers, blued steel hands, the case surmounted by a double headed Imperial Eagle and flanked by swan monopodia, applied diamond and cabochon ruby set laurel leaf mounts, tooled laurel borders, stepped plinth base on anthemion bracket feet, height 15cm £800-£1,200

785. A Norwegian .950 silver and plique a jour enamel boat c.1900 marked 950S by Marius Hammer, in the form of a Viking longboat decorated with scrolling foliate geometric borders and a row of seven flower head shields forming the rim around a blue well and terminating in a dragons neck and tail, length 17.5cm, weight approx. 4.13ozt £500-£700

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787. A 1960s Italian silver gilt and guilloché enamel bonbonniere in the form of an egg the hinged pale blue enamel egg opening up to reveal marks for 925 silver with makers initials TK & S probably for Toy Kenning & Spencer, height 7.5cm approx £200-£300 788. A Sampson & Mordan telescopic silver propelling chatelaine pencil and other items first marked S. Mordan & Co to barrel, spiral fluted outer case and ball terminal, hinged suspension ring, attached a silver fetter and three Albert watch chain together with a small 19th century silver and niello Kiddush beaker, unmarked engraved to underside B de G 28.2.5653 over 18.11.1892, together with an early Triumph cycling locket badge, a cased set of miniature bone dominoes and a miniature compass in a screw fitting pot (5), various £80-£120

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792 791

789. A Victorian 18ct gold Samson Mordan & Co propelling pencil the engine turned case clearly marked SM & Co and with date letter for 1871, with suspension ring, together with a Victorian heavily chased propelling pencil and two gold plated pencils (4), the former weight 22g £200-£300

793

790. A Samson Morden 9ct gold cigarette piercer and another the first with removable cover with engine turned decoration and suspension ring, the other of smaller size with movable collar marked C&C for Collins and Cook (2), total weight 23g £220-£280 791. A pair of French 18ct gold lorgnettes spring loaded with low magnification, delicately pierced handle with quartefoils, suspension loop, with makers initial and magnifier for optician, French gold control marks, in associated card case, length approx 7.5cm without loop £600-£800 792. An oval portrait miniature of a gentleman within an enamel frame depicting an elderly gentleman with beard and moustache to the black and white enamel border (restored), the yellow gold reverse engraved with inscription dated 1801, length 3.5cm, width 2.7cm, weight 7.2g £60-£80

794

793. 18th century British School ‘portrait miniature of a gentleman, wearing a full wig and red coat’, oil on copper, oval, gilt gesso frame, 17.5 x 14.2cm £80-£120 794. An oval portrait miniature of George III early 19th century, after Sir William Beechey (1753-1849), George III wearing red General Officer uniform decorated with the Order of the Garter, watercolour on ivory, within gilt metal surround and wooden frame, overall 15.25 x 13.5cm, miniature height 9cm £100-£150 795. Early 19th century British School Portrait miniature of a gentleman, watercolour on ivory, oval glazed, gilt frame, red velvet oval mount with foliate engraved brass border, overall 14 x 13cm £50-£80

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A N T IQU ES & COL L ECTA BL ES 796. A pair of mid 19th century portrait miniatures watercolour on ivory, each depicting a gentleman wearing black, one inscribed verso ‘John Slater Barrett, Father of Thomas Barrett, August 1849’, the other ‘Thomas Barrett - father of John ******* swell Barrett’, within carved giltwood and gesso frames, each overall height 16.75cm, width 15.5cm, within frame 8.3cm x 6.5cm £100-£150

797. A pair of Chinese Lotus shoes late 19th century, of silk, with applied braid, together with a pair of Chinese silk embroidered velvet ladies shoes (2), lotus shoe width 10cm £50-£80 798. A collection of Victorian ladies clothing including: a black ladies jacket, embroidered with braid; a full length silk skirt; a silk jacket, decorated with sequins and beads, ivory lace trimmed; two silk bonnets both black with mauve trim; and four pieces of underwear (9), the first chest 80cm £80-£120 799. A French ladies black beaded lace evening coat or opera coat c. 1920s, 3⁄4 length, heavily embroidered with beads and sequins, in geometric and stylised floral design, labelled inside ‘Made in France’, length 100cm, chest 80cm £70-£100

796

800. A collection of early 20th century and later ladies hats and fashion accessories including; rust coloured crushed velvet hat, black sequinned fascinator, Connor hat in pink and black stripe net fabric, black velvet and cream coloured woven hat, red velvet handbag, with gilt coloured chain and clasp, three black sequinned belts and a brown suede belt with brass fastening (9) £40-£60 800A. A Mulberry Ltd bottle carrying basket canvas strap, bearing Mullberry tag with leather strap, numbered to reverse 865819, together with a Mulberry scarf, in wool, Made in Scotland (2), basket height 31.5cm £50 -£80 798

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801. Three pieces of late 19th / early 20th century fancy dress / costume including; a black velvet cape, with applied brocade and sheepskin edging, silk lining; a large harlequin costume, of black and gold coloured cotton fabric with oversized fabric coloured buttons, gold braid edging, and a theatrical barristers wig (3) £60-£80 802. A Delvaux Les Miniatures ‘Union Jack’ hand bag from the ‘Miniatures So British’ collection, multicoloured leather, gold hardware key chain, within presentation box, together with dust bag and care certificate, overall height 11.5cm £80-£120

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804

803. Gianni Versace: A signed copy of ‘Men Without Ties’, 1995 Abbeville Press Publishers, 1995, the autographed copy, signed and inscribed to title page in gold ink ‘Love Gianni Versace’, 33.5cm high £70-£100 804. A pair of limited edition Alexander McQueen and Puma King ‘golden’ fish skin football boots numbered on the heel 7/30, the handcrafted boots with stitching under the tongue reading ‘LIMITED EDITION WORLD CUP’ and the outside with designers name in a lozenge ‘ALEXANDER McQUEEN’, contained within a perspex display case, together with an Alexander McQueen collaboration book, length approx 27cm The boots were limited to 30 pairs and were not available to be purchased from Puma, they were gifted by Puma to select friends and VIP’s in recognition of 2014 World Cup in Brazil £3,000-£5,000

805. Music Memorabilia: An enamelled Abbey Road NW8 street sign, City of Westminster late 20th century, with iconic black and red sans serif lettering first created by Sir Misha Black in 1967, 43.5 x 76cm Located in North West London the road is famous for being home the Abbey Road Studios (formerly EMI Recording Studios). The studios were renamed in 1970 after the iconic album released by The Beatles in 1969 £1,500-£2,500 806. David Bowie (British, 1947-2016) and Rex Ray (American, 1956-2015) ‘Ziggy 2002’, limited edition print, signed by both and numbered in pencil 975/2002, height 43cm x width 28cm David Bowie commissioned this artwork from Rex Ray to mark the 30th anniversary of the album ‘The Rise & Fall of Ziggy Stardust And The Spiders From Mars’ £400-£600

805 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

806

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807. Music Memorabilia: An autographed album cover from a copy of Queen: The Complete Works, 1985 signed in silver ink by Freddie Mercury, Brian May, Roger Taylor, John Deacon to the ‘Complete Vision’ numbered XIV (lacking record), the box numbered 011797 containing records, tour itinerary programme and poster, together with a copy of the book ‘40 Years of Queen’, box width 32.5cm According to information provided by the vendor this autographed copy was originally a gift sourced via the team of staff in the Queen office £600-£800

808. James Bond: The Man With The Golden Gun, 1974 - An original prop number plate used on Scaramanga’s AMC Matador Coupe pressed aluminium, painted black with white embossed ‘กฑส-7543’, with attachment holes to top edge, 39 x 11cm The iconic AMC Matador Coupe is driven by Francisco Scaramanga (Sir Christopher Lee) in the film. The vehicle is instantly recognisable as the flying car, which transforms into an aeroplane allowing Scaramanga and Nick Nack to avoid capture. American Motors Corporation provided a number of vehicles for the production as part of a publicity campaign for the company. This prop number plate was gifted post production to the former International Marketing & Distribution Manager for American Motors Corporation, who during his career was based in both the UK and USA. The vehicle was shipped to the production in Thailand from the UK. Post production the vehicle was returned to Swindon, UK where the father of the present owner was presented with plate. Thence by descent £3,000-£5,000

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A N T IQU ES & COL L ECTA BL ES 813.  Tasso, Torquato. La Gierusalemme Liberata di Torquato tasso: con Le Figure di Bernardo Castelli London, 1724, b&w engraved frontis. 20 b&w engraved illustrations, 4to, two vols, full calf, pp. 331+ 375, + Appendix 4to £60-£80 814. Six 1930s hanging brightly printed paper candle party lanterns together with a linen union jack flag and pennants, crepe ribbons, etc (qty), various £40-£60

(part) 809. Film Memorabilia: Walt Disney’s Pinocchio a large collection of vintage black and white press stills, original release 1940, Distributed by RKO, the stills depicting a number of different scenes from the film (119), 20 x 25.5cm £200-£300 810. A late 19th century 13⁄4 inch single draw refracting telescope with leather bound tube and nickel plate drawer lens cap, unsigned, overall length 60cm £50-£70 815. An early 20th century postcard and greeting card album Edwardian and later, including: humour, Birthday and Christmas, Mabel Lucie Atwell, Millicent Sowerby, ocean liners, naval, royalty, Coronation £80-£120 816. Ocean Liner Interest: A collection of mid 20th century ephemera to include 1930s brochures for Orient Line and P&O Cruises and R.M.S “Orontes”, Union-Castles Line brochure and Provisional Time Tables, Cunard White Star Line luggage label, Cunard Third Class Passenger rate pamphlets, ‘QE2 1971 Today’s Programmes’ etc (qty), various £80-£120 817. A mid 20th century “Black Cat” enamel advertising sign 10 for 6D Pure Matured Virginia Cigarettes Carreras Ltd (est1788) London England, 51 x 35.8cm £80-£120

811. A Curta Calculator Type I Made in Liechtenstein by Contina AG Mauren, serial number No. 4213, with eleven digits, black body in dark blue cylinder case, height 11.5cm £400-£600 812. A 20th century barograph model B703, contained within a bevelled glass case, extending nib arm reading against a 4-inch brass drum with eight tier vacuum stack, ink bottle and drawer below with additional graph charts, complete with instruction leaflet, width of base 35.5cm £100-£150

817 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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818. A set of Schuco clockwork Three Little Pig musicians German, 1930s, based on the Disney characters, each in original felt costume and tin plate musical instruments, stamped to foot ‘Schuco Patent, Made in Germany’, within leather box and three later keys (3), height approximately 12.5cm £200-£300

822. A Russian enamel Khodynka cup made for the coronation of Tsar Nicholas II & Tsarina Alexandra Feodorovna, 1896 bearing Imperial Romanov eagle and cyphers of both Nicholas and Alexandra, height 10.5cm These cups are often referred to as ‘The Cup of Sorrows’, due to a stampede caused after a rumour circulated that each one contained a gold coin £100-£150

819. Natural History: A large collection of mineral specimens and fossils including: a large satin spar; large shattuckite; carnelian; two jasper; two large and one small amethyst; rhodochrosite; apophyllite; four labradorite; agate (qty); six sliced sections of petrified fossilised wood plus one larger section; ten ammonites; fifteen further minerals, including leopardskin jasper and malachite (qty), the first height 44.5cm £200-£300 820. Antiquities: A Stone Age flint axe head of typical tapering form and chipped design, length approximately 11cm £80-£120

823. An early 20th century Russian porcelain Easter egg Imperial Porcelain Factory, St Petersburg, the front bearing the cypher of Empress Alexandra Feodorovna (Tsarina of Nicholas II) beneath a crown, painted red cross to reverse, with internal ribbon, height approximately 6.25cm £300-£500 824. A crocodile leather bridge case and a blue Morocco bridge case early 20th century, both stamped in gilt Auction Bridge, with a divided interior with fall front, decks of playing cards, scoring books etc, blue case retailed by John Pound & Co Ltd, London (2), length 20.3cm £80-£120

821. Antiquities. An Egyptian polychromed wooden plaited false beard, a carved and painted limestone shabti and a pottery bowl (3), first length 23cm In the vendors possession since the 1950s £300-£500

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825. Two Conway Stewart lever fill fountain pens and a Mabie Todd Swan Minor first No 1209 with black boyd and two 18ct gold bands, second No.35, in a case, all three fitted with 14K gold nibs (3), first length 12.7cm £70-£90

A N T IQU ES & COL L ECTA BL ES 826. Tiffany & Co. A 19th century gold topped malacca cane stamped Tiffany & Co., the pommel top with an arcaded band and chased decoration, engraved ‘Jeremiah Skidmore from his Grandsons A.R.S & J.S. Jan 1st 1867, height 89.5cm £200-£300

831. A triangular socket bayonet and two Japanese Type 30 bayonets and scabbards first possibly Russian, bears arsenal mark crowed JP, second both marked for the Kokura Arsenal, and numbered (3), first length 48cm £80-£120

827. A Victorian Folk Art carved fruitwood ‘Jubillee’ walking stick signed Aaron Dossett and dated 1887 having plain grip handle and white metal collar, the tapering shaft carved in raised relief with various animal and human masks and three bands of continuously carved decoration, the first JU.BIlEE VIR, either side of Christ on the cross, the bust of Queen Victoria in profile and a facing lady and gentleman on horseback, the second a ploughing and sheep herding scene scratch carved with trees, chickens, a peacock and a pig, the third a boxing and wrestling scene in four scenes and two farmers fighting over a cow being milked by a titled The LAWSUIT 1887, signed AARON DOSSETT CARVED THIS STICK IN 1887, height 90.5cm £200-£300

832. An early 18th century continental muzzle loading flintlock holster pistol the 14.5” barrel octagonal at the breech chiselled with scrolls, the steel lockplate, cock and butt cap with conforming decoration, pierced foliate scroll side plate, full walnut stock carved in low relief with scrolls, plain ramrod, overall length 55cm £80-£120

828. A late 19th century one piece carved hazel dog head walking stick and a blackthorn shillelagh first carved with boxer type with glass eyes and open mouth, first length 80.5cm £80-£120 829. § A Southern African lignum vitae knobkerrie early 20th century, possibly Zulu, length 76.5cm £80-£120

826

833. A George III 16-bore light dragoon service pattern flintlock holster pistol by D.Egg the 9” barrel with tower proof marks signed D. Egg London, lock plate bearing George III and also signed D.Egg, walnut full stock, regulation brass butt cap, side plate and trigger guard, brass tipped ramrod, on perspex stand, accompanied by a sleeve, length 39.5cm West Street Antiques, Dorking £500-£700 834. A 19th century naval officers sword and scabbard the 31 inch single fullered blade with approved brass mark, regulation brass hilt incorporating a crowned fouled anchor, folding side guard, lion’s head pommel and shagreen grip, the brass mounted leather scabbard, length 97cm £100-£150

830. A pair of 19th century Islamic Ottoman silver-gilt scabbard hangers sultans Tughra mark, Egyptian marks, the faceted mounts fitted with a suspension ring, length 7.5cm, weight approx. 2.49ozt £200-£300

827

829

832

833

830 A b u y e r’s p re m i u m o f 24% i n c l u s iv e o f VAT @ 2 0% w i l l b e a p p l i e d t o e a c h l o t. Lo t s m a rke d ‡ w i l l b e s u b j e c t t o a n a d d i ti o n a l fe e - p l e a s e s e e p a g e 13 6 .

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A N T IQU ES & COL L ECTA BL ES 838. A WWI medal group awarded to 239888 John William Yarker A.B, R.N. formed of War, Victory medal, 1914-15 campaign star and a cased George VI Imperial Service medal, accompanied by a George V Imperial Service Medal awarded to Tom Yarker (4) £80-£120 839. WW1 German Made “Gallipoli Star” Turkish War Medal 1915. nickel plated brass and red enamel breast star, stamped BB & Co to reverse, ribbon attached, diameter 57mm £70-£90 840. A collection of silver prize football fob medals c.1925 some enamelled, relating to the Croydon & District Wednesday Football League, Croydon Mid-Week Charity Cup, etc (9), weight approx. 4.39ozt £70-£90

835. A regimental silver bugle for the 13th Regiment of Foot the Somerset Light Infantry (Prince Albert’s) London, date letter worn but 1946, by Henry Potter & Co., stamped Potter London makers, of typical form, engraved with presentation ‘Lieut Col C.S. Howard … indistinct…. The Xth Battalion 1944-1945?’ above the Regimental and Howard family crests, with braided cord and tassels, on a modern clear perspex rest and walnut plinth base, length 30.5cm, total weight approx. 25.29ozt £800-£1,200

841. A large Masonic silver collar jewel and a selection of silver jewels first engraved verso “Presented by the Old Concord Lodge No172 To W. Bro. John Burch Jany 4th 1916 together with various related silver and enamel medals on ribbons, some cased to include three Old Concord lodge medals, a Great war medal, a 1919 Peace medal etc (qty), total silver weight approx. 7.59ozt £80-£120

836. A WWI medal group awarded to 4145 Pte A.T. Mc Peak R. Scots and other items first formed of War and Victory medals, 1914-15 campaign star, on ribbons together with a war medal awarded to 3574 PTE. W. Riddle. R.Scots, various regimental badges etc (qty), various £70-£90 837. A WWI medal group awarded to L_20250 DVR W.E. Hale R.A formed of War and Victory medals and 1914-15 campaign star and accompanied by dog tags and five and ten year safe driving medals, together with assorted WWII war and defence and defence medals, various campaign stars, a cased National Service Medal, cap badges, etc (qty), various £100-£150

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842. An 18ct gold Old Concord Lodge No 172 Masonic jewel, in a fitted case engraved ‘Presented by the Bretheren of the Old Concord Lodge No 172 to Bro John Burch Pm. in recognition of Valuable & efficient Service rendered during his year of Office as W.M. Janaury 1915, suspended on a pale blue ribbon with 18ct gold foliate chased suspension bars, in a fitted Spencer & Co blue velvet lined case, total weight approx. 46.4g £800-£1,200

A N T IQU ES & COL L ECTA BL ES 843. A Swedish gold and white enamel Order Of Vasa, I Class Grand Cross and other Finnish medals comprising a three medal group formed of a Swedish gold and white enamel Order Of Vasa, I Class Grand Cross, stamped 18K in a fitted case, accompanied by an silver and enamel Order of the Lion of Finland enamel cross and Bravery medal dated 1941, accompanied by a set of miniatures, together with an Order of the White Rose of Finland, and two Orders of the Cross of Liberty, 1918 3rd and 4th class, a 1918 commemorative medal of the War of Liberation and a 1939-45 headquarters cross, in original box, on ribbons, etc (qty), various first total weight approx. 16.6g £300-£500 844. A set of fifty silver ingots by John Pinches commemorating “1000 years of British Monarchy” contained in an oak presentation case, accompanied by an historical commentary by Sir Arthur Bryant in slipcase, approx. 105.79ozt £1,200-£1,800 845. A collection of mostly silver and other coins and medals to include 2 x Elizabeth I sixpences, 1573 and 1579, George III shilling and sixpence both 1787, a 9ct gold silver jubilee commemorative coin, Victoria Crowns 1893, 1897, half crown, 1890, Elizabeth II Turks & Caicos 20 crown, 1992, silver proof, etc (qty), gold weight approx. 2.5 ozt, silverwieght approx. 7.3ozt £100-£200

843

846. The Official silver proof Coin Collection In Honour of H.M Queen Elizabeth The Queen Mother eighteen silver proof coins in capsules in a fitted case, weight approx. 16.59ozt £150-£200

844 847. A collection of silver proof and other coins to include 1990+1993 crowns, 1988, 1989 +1991 proof £1 coins and 1989 £2 two coin set, in capsules with certificates, together with 1951 Festival of Britain Crown cased and other coin (qty) weight approx. 6.75ozt £80-£120

846

848. The Siege of Buda, 1686 commemorative medallion commemorating the Victory of Charles V, Duke of Lorraine and Bar over the Ottoman army, obverse with portrait bust of Charles V and legend ‘Carlous V.D.G. Lothar et Barri Dux’ and ‘Bullonius Alter’ below, the reverse depicting the city of Buda (Budapest) aflame with soldiers to foreground, bearing legend ‘Infidelibus Hungaria Pulsis, Buda Apt 1686’, in alloy metal, width 5.6cm £100-£200

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851

852

856

857

849. Netherlands, Holland, gold ducat, 1781 Knight standing right in armour, holding sword which rests on shoulder and a bundle of arrows, splitting date (1781 / rev. legend within scrolled borders, soldered suspension loop, diameter 23mm, weight approx. 7g £180-£220 850. Two coin mounted pendants a South African Republic 1⁄2 pound coin, 1895 (loop a/f); and a George III spade guinea, 1788 combined gross weight 12.7g £300-£400 851. A George III gold full sovereign, 1820 laureate head right, rev. St George and dragon, diameter 23mm, weight approx. 7.8g £300-£350 852. A George IV gold full sovereign, 1821 laureate head left, rev. St George and dragon, diameter 23mm, weight approx. 7.9g £300-£500 853. A Victoria gold full sovereign, 1843 young head l, young head l, rev. crowned shield of arms within wreath, diameter 23mm, weight approx. 7.9g £250-£300 854. A Victoria gold full sovereign, 1843 dated 1843, with young Victoria and shield back, weight 7.9g £250-£300 855. A Victoria gold full sovereign, 1854 WW incuse, young head l, young head l, rev. crowned shield of arms within wreath, diameter 28mm, weight 7.9ozt £250-£300

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855

860

856. A Victorian full sovereign, dated 1855 with young Victoria and shield back, weight approx 7.9g £250-£300 857. A Victoria gold full sovereign, 1855 young head l, young head l, rev. crowned shield of arms within wreath, diameter 23mm, weight approx. 7.9g £250-£300 858. A Victorian half sovereign dated 1887, shield back, weight approx 3.9g £100-£150 859. An Edward VII double sovereign/two pound coin dated 1902, with 9ct bale, total weight 16g, width approx 2.8cm £500-£600 860. A George V full sovereign dated 1913, weight approx 8g £250-£300 861. Elizabeth II Hong Kong 1975 1000 dollars gold proof coin, Royal Visit in original packet, cased, diameter 29mm, weight approx. 15.9g £300-£500 862. An Elizabeth II full sovereign dated 1996, in original box with Authentication certificate, weight approx 7.9g £240-£280 863. An Elizabeth II full sovereign dated 1996, in presentation case with Authenticity certificate, weight approx 7.9g £240-£280 864. A Elizabeth II full sovereign dated 1996, in presentation case with Authenticity certificate, weight approx 7.9g £240-£280

A N T IQU ES & COL L ECTA BL ES

IMPORTANT INFORMATION FOR BIDDERS AND BUYERS Each auction is prepared in advance and is on public view at the saleroom for one day before the sale, and the morning of the sale. No passes or appointments are required

CONDITIONS OF BUSINESS All lots are offered subject to Catherine Southon Auctioneers & Valuers Ltd’s Conditions of Business ESTIMATES AND RESERVES Estimates are published as a guide only and are subject to review. The actual hammer price of a lot may be higher or lower than the range of figures given and there are no predetermined starting prices. Estimates may be subject to revision. Published estimates are exclusive of buyer’s premium and VAT

ELECTRONIC AND WIRE TRANSFERS Wire transfers can be made directly to our bank:

All lots are subject to reserves. The reserve price is never higher than the low pre-sale estimate

West Wickham

BUYER’S PREMIUM AND VAT A buyer’s premium of 24% is applicable to all the lots in this sale.

BR4 0WH

The buyer’s premium is inclusive of VAT at the current standard rate (20%), Lots are normally offered for sale under the auctioneers margin scheme and VAT is payable on the buyer’s premium by all buyers

Account Number: 79995810

Lots marked with a dagger † will be offered under normal UK VAT rules and VAT will be charged on both the hammer price and the buyer’s premium

IBAN: GB47 NWBK 6023 2279 9958 10 Swift Code: NWBKGB2L BIC: NWBK GB 2L

Lots marked with a  will be exempt from VAT PRE-SALE EXHIBITION All auctions are on public view the day before the sale and on the morning of the sale CONDITION REPORTS All prospective bidders are encouraged to attend the pre-sale exhibition and view the lots in person. If this is not possible, we will be pleased to provide a brief condition report where practical. All condition reports are provided in good faith. Buyers are reminded that it is their responsibility to satisfy themselves of the condition of lots. All weights and measurements are approximate only. Please refer to Conditions of Business for further information BIDDING IN PERSON To bid with us you must register to obtain a bidding number. You will be asked to provide proof of identity. All lots sold will be invoiced in the name and address in which the paddle has been registered and will not and cannot be transferred to other names or addresses. If you instruct an agent to bid on your behalf, you will need to provide a letter of authority to this effect. ABSENTEE & TELEPHONE BIDDING Catherine Southon Auctioneers & Valuers Ltd is pleased to execute bids on behalf of clients unable to attend the sale in person. All bids should be submitted in writing and in good time, no later than 4.00pm on the day prior to the sale. No absentee or telephone bidding requests will be accepted without a landline telephone number. Lots will be purchased as cheaply as possible (subject to other bids received, reserves and competition in the saleroom), It will be possible to arrange auction room telephone bidding, but subject always to the availability of lines and staffing. These services are offered free of charge and are subject to our Conditions of Business PAYMENT Payment is due in sterling immediately after the sale and before purchases can be released. Payment in person can be made in the saleroom on the day of the auction. After this, payments must be made by post, card transactions by telephone or electronic transfer to our bank. Catherine Southon Auctioneers & Valuers Ltd welcomes the following methods of payment: DEBIT CARD We are pleased to accept Debit Cards STERLING CHEQUE OR CASH Cheques are not acceptable tender unless agreed in advance by Catherine Southon Auctioneers & Valuers Ltd. We are no longer accepting cash.

National Westminster Bank plc 33 High Street Kent Sort Code: 60-23-22 Account Name: Catherine Southon Auctioneers & Valuers Ltd

PLEASE NOTE THAT THE FULL AMOUNT OWED MUST BE TRANSFERRED. CATHERINE SOUTHON AUCTIONEERS & VALUERS LTD WILL NOT ACCEPT TRANSFER CHARGES. ALL BANK TRANSFER/COMMISSION CHARGES MUST BE PAID BY THE BUYER § PROPERTY INCORPORATING MATERIALS FROM ENDANGERED SPECIES (CITES) An export licence issued by the Department of the Environment will be required for the export of any item made of or incorporating (irrespective of percentage) animal material such as ivory, whalebone, tortoiseshell, rhinoceros horn, rosewood and lignum vitæ etc., and this may take up to eight weeks to obtain. Clients are advised to check with the regulating body in the country of importation regarding any possible restrictions on the importation of items within this category – some countries have an absolute ban on the importation of certain materials. For example, the United States Government has banned the import of ivory into the USA and generally prohibits the importation of articles containing species that it has designated endangered or threatened if those articles are less than 100 years of age. Lots which will require CITES licences are denoted by the symbol § CATALOGUING TERMS APPLICABLE TO PAINTINGS, DRAWINGS & PRINTS Where a work is catalogued with the name(s) or recognized pseudonym(s) of an artist, it is our opinion that it is a work by the named artist. In other instances, the following expressions are used: “Attributed to…” denotes that in our opinion the work is probably by the named artist or the named artist has made a contribution to the work. “Circle of…” denotes that in our opinion the work shows the stylistic influences of the named artist and dates from the period of the named artist. “Follower of…” denotes that in our opinion the work shows the stylistic influences of the named artist but probably dates from a later period to that of the named artist. “Manner of…” denotes that in our opinion the work is a copy or pastiche of a work or works by the named artist and dates from a later period to that of the named artist. “After…’ denotes that in our opinion the work is a copy by another artist or a printed reproduction of a known work by the named artist. The terms “signed” and/or “dated” denote that in our opinion the work has been signed and/or dated by the named artist. The terms “bears signature” and/or “bears date” denote that in our opinion the work has been signed and/or dated by a hand other than that of the named or quoted artist. Measurements of pictures are given height before width.

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CONDITIONS OF BUSINESS FOR SELLERS The Conditions of Business for Sellers govern all aspects of the consignment, report, holding and sale of Property by Catherine Southon Auctioneers & Valuers Ltd and the Conditions of Business for Buyers, as printed in sale catalogues and available from Catherine Southon Auctioneers & Valuers Ltd upon request. Catherine Southon Auctioneers & Valuers Ltd act as agent for Sellers. Conditions of Business for Buyers and/or Sellers may be amended by additional terms printed in the sale catalogue and/or by notices posted up in the saleroom or announced by the auctioneer. DEFINITIONS “Seller” is the owner of the Property, their agent, executors or the person in possession of the Property (as appropriate) “The Company” means Catherine Southon Auctioneers & Valuers Ltd., Lygon House, 50 London Road, Bromley, BR1 3RA, Company registration number “Seller’s Commission” is the commission The Company charges Sellers of Property. “Expenses” are The Company’s expenses, fees and charges relating to the Property, including legal expenses, insurance charges, illustration fees, administration fees, customs duties, shipping and packing costs and any other expenses and VAT on these amounts “Buyer’s Premium” is the commission The Company charges Buyers of Property “Hammer Price” is the highest bid for the Property accepted by the auctioneer “Reserve Price” is the minimum Hammer Price at which the Property may be sold, as agreed between the Seller and The Company “Net Sale Proceeds” are the proceeds of sale actually received by The Company, less Seller’s Commission, Buyer’s Premium and Expenses. “Property” means any item or items of any kind accepted by The Company with a view to its or their sale at auction “Buyer” means the bidder (including a commission bidder) whom The Company has accepted by the fall of the auctioneer’s hammer “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description. The Seller’s Commission, Hammer Price, Buyer’s Premium and all Expenses are subject to VAT, where applicable

1. SELLER’S WARRANTIES (a) The Seller warrants to The Company and the Buyer that:(i) the Seller is the owner of the Property or is properly authorised to sell it; (ii) the Seller shall transfer possession and good title in the Property to the Buyer, free from any third party claims; (iii) the Seller has provided all relevant information about the ownership, condition, authenticity, attribution, provenance and import/export history of the Property; (iv) there are no copyright or other restrictions on The Company’s rights to produce and publish images of the Property. (b) The Seller will indemnify The Company, its directors, employees, officers and Buyers of the Property against all losses and damages resulting from a breach of any of these warranties or other Conditions of Business. The Company may cancel, rescind or postpone sales of Property where it reasonably believes that there has been or may be a breach of these warranties or any other Conditions of Business by the Seller

Company’s standard rates. The Company reserves the right to pay out of its commissions a fee to any third party introducing Sellers or Property to it (f) Sellers are prohibited from bidding on their own Property.

3. WITHDRAWAL OF PROPERTY (a) If the Seller withdraws any Property from sale after their written agreement to sell it, The Company may charge the Seller 50% of the Seller’s Commission and Buyer’s Premium that The Company would have received had the Property sold at its mid estimate, plus all Expenses (the “Withdrawal Fee”), (b) The Company may withdraw any Property from sale without liability for any of the following reasons:- if (i) it reasonably believes that the authenticity or attribution is questionable; (ii) it reasonably believes that the Seller’s Warranties or other Conditions of Business have been breached; (iii) there is a competing ownership claim or lien over the Property; (iv) the Property does not have all licences and permits required by law, including those required under the Convention on the International Trade in Endangered Species (CITES); (v) the condition of the Property has deteriorated since consignment; (vi) the auction has been postponed for any reason. (c) If the Property is withdrawn for any of reasons 3(b)(ii), or (iii) the Seller shall pay the Withdrawal Fee, as per Condition 3(a), If withdrawn for any other reason, the Property shall be returned to the Seller at the Seller’s expense.

4. EXCLUSION OF LIABILITY (a) The Company shall not be liable for any errors or omissions in any written or oral information provided to Sellers or for acts or omissions relating to the conduct of the auction or any other matter relating to the sale of Property, whether negligent or otherwise, subject always to Condition 4(c), (b) Without prejudice to Condition 4(a), any claim against The Company shall be limited to the Net Sale Proceeds for the relevant Property. The Company shall not in any circumstances be liable for any indirect or consequential losses (c) The Company’s liability to the Seller in respect of death or personal injury caused by The Company’s negligent acts or omissions shall not be excluded or limited

5. LOSS OR DAMAGE TO PROPERTY (a) Unless otherwise agreed in writing, The Company will assume the risk of loss or damage to Property received from the Seller until:(i) risk passes to the Buyer; or (ii) if unsold, 30 days after the sale or when released to the Seller (whichever is earlier); or (iii) 6 months after receipt of the Property by The Company, if not consigned for sale (b) If damage or loss occurs whilst the Property is at the risk of The Company, the maximum amount of The Company’s liability shall be: (i) the Hammer Price of the Property, if sold;

2. SALE PREPARATION

(ii) the Reserve Price of the Property or as otherwise stated on the Property Receipt, if unsold; or

(a) The Company shall have sole discretion as to how Property is described, illustrated and marketed, and the date, venue and conduct of the sale.

(iii) the mid estimate, if not offered for sale (or The Company’s reasonable estimate of auction value where there are no pre-sale estimates);

(b) All oral or written estimates, appraisals and reports are statements of opinion only, and may not be relied upon as a prediction of the sale price and may be revised from time to time by The Company. The Company is not responsible for error of description (made either orally or in any catalogue) or for the genuineness or authenticity of any lot

less Seller’s Commission and Expenses

(c) The Company may, without obligation, consult with third party experts and carry out such other research for the Property as it deems necessary. The Company may transfer possession of the Property to such third parties and shall not be responsible for the acts and omissions of such third parties (d) The Company shall have the absolute right to produce and publish images of any Property consigned for sale and will retain copyright in any such images it produces (e) The Company will charge a Buyer’s Premium on the sale of the Property at The

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(c) The Company will not be liable for any loss or damage caused by:- (i) normal wear and tear, gradual deterioration or inherent vice or defect; (ii) errors in processing; (iii) war or radioactive contamination

6. VAT If any Property is an asset of the Seller’s business, the Seller must notify The Company on delivery of the Property to The Company, whether or not he is registered for VAT purposes and if so, his registered number and whether or not he intends to operate the VAT Used Goods Scheme covering amongst other goods, works of art and antiques

A N T IQU ES & COL L ECTA BL ES 7. POST AUCTION SALES

re-sale plus all relevant Expenses

If any Property fails to sell at auction, The Company shall be entitled for a period of 35 days after the auction to sell the Property privately for no less than the Reserve Price (unless otherwise agreed with the Seller) and on the terms of these Conditions of Business.

(c) If the Seller deposits the Property with The Company for more than 1 year and neither collects or consigns it for sale, The Company shall be entitled to sell such Property at a future sale conducted by The Company or elsewhere, with estimates and reserves at The Company’s discretion, after giving the Seller 60 days written notice sent to the Seller’s last known address

8. PAYMENT OF NET SALE PROCEEDS (a) Subject in all cases to prior receipt of cleared funds by The Company and subject to rescission of the sale under Condition 10, 35 days after the sale date or 5 working days after receipt of cleared funds from the Buyer (whichever is later), The Company shall send the Seller the Net Sale Proceeds in pounds sterling, less any other amounts owed by the Seller to The Company. (b) The Company shall not be obliged to check the ability of Buyers to pay for Property and shall have absolute discretion whether to use any of the rights and remedies against defaulting Buyers contained in the Conditions of Business for Buyers.

9. UNSOLD/ UNCOLLECTED PROPERTY (a) The Company will advise Sellers whether or not their Property has sold. Unsold Property may either:(i) be reconsigned for sale; or (ii) be collected by the Seller, in which case a Reduced Commission of 50% of the Seller’s Commission may be payable calculated as if the Property sold for its Reserve Price (where applicable), plus relevant Expenses. (b) If the Seller does not reconsign or collect the Property within 60 days of the auction as per Condition 8(a) (i) or (ii) above, The Company shall be released from any duty of bailment and may in its sole discretion be entitled to:-

10. RESCISSION OF SALES The Company may rescind the sale where it reasonably believes that the Property is a Deliberate Forgery, in which case The Company shall send the Seller a notice of such rescission. The Seller agrees to return to The Company the Net Sale Proceeds received from the sale of such Property together with any additional Expenses incurred by The Company. The Company will return the Property to the Seller upon receipt of the Net Sale Proceeds and Expenses, unless prevented from doing so for reasons beyond The Company’s control

11. DATA PROTECTION (a) The Company will use information supplied by Sellers or otherwise obtained lawfully by The Company for the provision of auction related services, client administration, marketing and as otherwise required by law. (b) By agreeing to these Conditions of Business, the Seller agrees to the processing of their personal information and to the disclosure of such information to third parties world-wide for the purposes outlined in Condition 11(a),

12. MISCELLANEOUS

(i) transfer the Property to independent storage at the Seller’s expense; or

(a) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect

(ii) re-offer the Property at auction for no less than 50% of the original Reserve Price agreed with the Seller (where applicable), and subject to the Seller’s Commission on the

b) These Conditions of Business shall be interpreted in accordance with English Law under the exclusive jurisdiction of the English Courts, in favour of The Company.

CONDITIONS OF BUSINESS FOR BUYERS 1. INTRODUCTION

3. EXAMINATION OF LOTS

(a) The contractual relationship of Catherine Southon Auctioneers & Valuers Ltd and Sellers with prospective Buyers is governed by:

(a) THE COMPANYs knowledge of lots is partly dependent on information provided by the Seller and THE COMPANY is unable to exercise exhaustive due diligence on each lot. Each lot is available for examination before sale. Bidders are responsible for carrying out examinations and research before sale to satisfy themselves over the condition of lots and accuracy of descriptions

(i) these Conditions of Business for Buyers; (ii) the Conditions of Business for Sellers displayed in the saleroom and available from Catherine Southon Auctioneers & Valuers Ltd; (iii) any additional notices and terms printed in the sale catalogue, in each case as amended by any saleroom notice or auctioneer’s announcement (b) As auctioneer, Catherine Southon Auctioneers & Valuers Ltd acts as agent for the Seller. Occasionally, Catherine Southon Auctioneers & Valuers Ltd may own or have a financial interest in a lot

2. DEFINITIONS “Bidder” is any person making, attempting or considering making a bid, including Buyers; “Buyer” is the person who makes the highest bid or offer accepted by the auctioneer, including a Buyer’s principal when bidding as agent; “Seller” is the person offering a lot for sale, including their agent, or executors; “THE COMPANY” means Catherine Southon Auctioneers & Valuers Ltd., registered office: Lygon House, 50 London Road, Bromley BR1 3RA. Company Registration number: 08020183; “Buyer’s Expenses” are any costs or expenses due to Catherine Southon Auctioneers & Valuers Ltd from the Buyer; “Buyer’s Premium” is the commission payable by the Buyer on the Hammer Price at the current rate of 24% (inc VAT); “Hammer Price” is the highest bid for the Property accepted by the auctioneer at the auction or the post auction sale price; “Purchase Price” is the Hammer Price plus applicable Buyer’s Premium and Buyer’s Expenses; “Reserve Price” (where applicable) is the minimum Hammer Price at which the Seller has agreed to sell a lot The Buyer’s Premium, Buyer’s Expenses and Hammer Price are subject to VAT, where applicable

(b) All oral and/or written information provided to Bidders relating to lots, including descriptions in the catalogue, condition reports or elsewhere are statements of THE COMPANY’s opinion and not representations of fact. Each lot is sold by the Seller with any and all errors of description, faults and imperfections. All weights and measurements are approximate and should not be relied upon as fact. Estimates may not be relied on as a prediction of the selling price or value of the lot and may be revised from time to time at THE COMPANY’s absolute discretion

4. EXCLUSIONS AND LIMITATIONS OF LIABILITY TO BUYERS (a) THE COMPANY shall refund the Purchase Price to the Buyer in circumstances where it deems that the lot is a Counterfeit (b) Subject to Condition 4(a), neither THE COMPANY nor the Seller: (i) is liable for any errors or omissions in any oral or written information provided to Bidders by THE COMPANY, whether negligent or otherwise; (ii) gives any guarantee or warranty to Bidders and any implied warranties and conditions are excluded (save in so far as such obligations cannot be excluded by English law), other than the express warranties given by the Seller to the Buyer (for which the Seller is solely responsible) under the Conditions of Business for Sellers; (iii) accepts responsibility to Bidders for acts or omissions (whether negligent or otherwise) by THE COMPANY in connection with the conduct of auctions or for any matter relating to the sale of any lot (c) Without prejudice to Condition 4(b), any claim against THE COMPANY and/ or the Seller by a Bidder is limited to the Purchase Price for the relevant lot. Neither THE COMPANY nor the Seller shall be liable for any indirect or consequential losses (d) Nothing in Condition 4 shall exclude or limit the liability of THE COMPANY or the Seller for death or personal injury caused by the negligent acts or omissions of THE COMPANY or the Seller

continued over page

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A N T IQU ES & COL L ECTA BL ES 5. BIDDING AT AUCTION (a) THE COMPANY has absolute discretion to refuse admission to the auction. Before sale, Bidders must complete a Registration Form and supply such information and references as THE COMPANY requires. Bidders are personally liable for their bid and are jointly and severally liable with their principal, if bidding as agent (in which case THE COMPANY’s prior and express consent must be obtained) (b) THE COMPANY advises Bidders to attend the auction, but THE COMPANY will endeavour to execute absentee written bids provided that they are, in THE COMPANY’s opinion, received in sufficient time and in legible form (c) When available, written and telephone bidding is offered as a free service at the Bidder’s risk and subject to THE COMPANY’s other commitments; THE COMPANY is therefore not liable for failure to execute such bids. Telephone bidding may be recorded

Purchase Price and the amount achieved on re-sale, including all costs incurred in such re-sale; (g) Exercise a lien over any Buyer’s Property in THE COMPANY’s possession, applying the sale proceeds to any amounts owed by the Buyer to THE COMPANY. THE COMPANY shall give the Buyer 14 days written notice before exercising such lien; (h) commence legal proceedings to recover the Purchase Price for the lot, plus interest and legal costs; (i) disclose the Buyer’s details to the Seller to enable the Seller to commence legal proceedings

10. FAILURE TO COLLECT PURCHASES

6. IMPORT, EXPORT AND COPYRIGHT RESTRICTIONS

(a) If the Buyer pays the Purchase Price but does not collect the lot within 10 working days of the auction, the lot will be stored at the Buyer’s expense and risk at THE COMPANY’s premises or in independent storage

THE COMPANY and the Seller make no representations or warranties as to whether any lot is subject to import, export or copyright restrictions. It is the Buyer’s sole responsibility to obtain any copyright clearance or any necessary import, export or other licence required by law, including licenses required by law under the International Trade in Endangered Species (CITES)

(b) If a lot is paid for but uncollected within 1 month of the auction, following 60 days written notice to the Buyer, THE COMPANY will re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion. The sale proceeds, less all THE COMPANY’s costs, will be forfeited unless collected by the Buyer within 2 years of the original auction

7. CONDUCT OF THE AUCTION

11. DATA PROTECTION

(a) The auctioneer has discretion to refuse bids, withdraw or re-offer lots for sale (including after the fall of the hammer) if (s)he believes that there may be an error or dispute, and may also take such other action as (s)he reasonably deems necessary.(b) The auctioneer will commence and advance the bidding in such increments as (s)he considers appropriate and is entitled to place bids on the Seller’s behalf up to the Reserve Price for the lot, where applicable

(a) THE COMPANY will use information supplied by Bidders or otherwise obtained lawfully by THE COMPANY for the provision of auction related services, client administration, marketing and as otherwise required by law (b) By agreeing to these Conditions of Business, the Bidder agrees to the processing of their personal information and to the disclosure of such information to third parties worldwide for the purposes outlined in Condition 11(a) and to Sellers as per Condition 9(i)

(c) Subject to Condition 7(a), the contract between the Buyer and the Seller is concluded on the striking of the auctioneer’s hammer (d) Any post-auction sale of lots shall incorporate these Conditions of Business

8. PAYMENT AND COLLECTION (a) Unless otherwise agreed in advance, payment of the Purchase Price is due in pounds sterling immediately after the auction (the “Payment Date”) (b) Title in a lot will not pass to the Buyer until THE COMPANY has received the Purchase Price in cleared funds. THE COMPANY will generally not release a lot to a Buyer before payment. Earlier release shall not affect passing of title or the Buyer’s obligation to pay the Purchase Price, as above (c) The refusal of any licence or permit required by law, as outlined in Condition 6, shall not affect the Buyer’s obligation to pay for the lot, as per Condition 8(a) (d) The Buyer must arrange collection of lots immediately after the sale on the day of the auction, or until 12noon on the day after the auction; failing this, only on prior agreement, a mutually convenient day agreed by The Company and the Buyer. Purchased lots are at the Buyer’s risk from the earlier of (i) collection or release to a nominated carrier (ii) 5 working days after the auction. Until risk passes, THE COMPANY will compensate the Buyer for any loss or damage to the lot up to a maximum of the Purchase Price actually paid by the Buyer. THE COMPANY’s assumption of risk is subject to the exclusions detailed in Condition 5(d) of the Conditions of Business for Sellers. (e) All packing and handling of lots is at the Buyer’s risk. THE COMPANY will not be liable for any acts or omissions of third party packers or shippers

9. REMEDIES FOR NON-PAYMENT Without prejudice to any rights that the Seller may have, if the Buyer without prior agreement fails to make payment for the lot within 5 working days of the auction, THE COMPANY may in its sole discretion exercise 1 or more of the following remedies:(a) store the lot at its premises or elsewhere at the Buyer’s sole risk and expense; (b) cancel the sale of the lot;

12. MISCELLANEOUS (a) All images of lots, catalogue descriptions and all other materials produced by THE COMPANY are the copyright of THE COMPANY (b) These Conditions of Business are not assignable by any Buyer without THE COMPANY’s prior written consent, but are binding on Bidders’ successors, assigns and representatives (c) The materials listed in Condition 1(a) set out the entire agreement between the parties (d) If any part of these Conditions of Business be held unenforceable, the remaining parts shall remain in full force and effect (e) These Conditions of Business shall be interpreted in accordance with English Law, under the exclusive jurisdiction of the English Courts, in favour of THE COMPANY.

13. ARTIST’S RESALE RIGHTS From 14th February 2006 all UK art market professionals (which includes, but is not limited to; auctioneers, dealers, galleries, agents and other intermediaries) are required to collect a royalty payment for all works of art that have been produced by living artists. This payment is only calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of EURO 1,000 – the UK sterling equivalent will fluctuate in line with prevailing exchange rates, for an estimate of the current UK sterling equivalent, please refer to the front of this catalogue. It is entirely the responsibility of the buyer to acquaint himself with the actual EURO to UK Sterling exchange rate on the day of the sale in this regard. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk. All items in this catalogue that are marked with ‡ are potentially qualifying items, and the royalty charge will be applied if the hammer price achieved is more than the UK sterling equivalent of EURO 1,000. The royalty charge will be added to all relevant invoices, and must be paid before items can be cleared. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’), no handling costs or additional fees with respect to these charges will be retained by the auctioneer.

(e) charge interest at 4% per annum above NatWest Bank Base Rate from the Payment Date to the date that the Purchase Price is received in cleared funds;

The royalty charge that will be applied to qualifying items which achieve a hammer price of more than the UK sterling equivalent of EURO 1,000, but less than the UK sterling equivalent of EURO 50,000 is 4% payable by the buyer. For qualifying items that sell for more than the UK sterling equivalent of EURO 50,000 a sliding scale of royalty charges will apply – for a complete list of the royalty charges and threshold levels, please see www.dacs.org.uk. There is no VAT payable on this royalty charge.

(f) re-sell the lot by auction or privately, with estimates and reserves at THE COMPANY’s discretion, in which case the Buyer will be liable for any shortfall between the original

For all questions relating the regulations regarding Droit de Suite royalty charges, please see www.dacs.org.uk, telephone +44 (0) 845 410 3410, or email arr@dacs.org.uk.

(c) set off any amounts owed to the Buyer by THE COMPANY against any amounts owed to THE COMPANY by the Buyer for the lot; (d) reject future bids from the Buyer;

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Chislehurst Business Centre 1 Bromley Lane Chislehurst Kent BR7 6LH Tel: 0208 468 1010 catherinesouthon.co.uk