Rogers Jones | Selections & Collections by Park Communications

The View / Bwrw Golwg The Welsh Sale / Selections & Collections Yr Arwerthiant Cymreig / Dewisiadau & Chasgliadau

March / Mawrth 2022

Back in the Room! Lot 391

HAT TRICK! Rogers Jones & Co now hold the world record for a print, work on paper and oil painting by Sir Kyffin Williams Recorded as of February 2022

Entries invited NOW for our July Welsh Sale Please call to discuss

Sir Kyffin Williams RA oil on canvas ‘Rhoscolyn’ sold July 2021 for £62,000 + BP

Sir Kyffin Williams RA linocut ‘Ogwen Falls’ sold November 2021 for £2,600 + BP

Sir Kyffin Williams RA mixed media ‘Horses in the Snow’ sold November 2021 for £18,000 + BP

THE WELSH SALE / SELECTIONS & COLLECTIONS YR ARWERTHIANT CYMREIG / DEWISIADAU A CHASGLIADAU March / Mawrth 2022 The Welsh Sale Session I: Pictures 10am Saturday 12 March The Welsh Sale Session II: Antiques, Ceramics & Books 11am Wednesday 16 March Selections & Collections 4pm Wednesday 16 March IMPORTANT: Bidding in the room is permitted but please see new policies Viewing is by scheduled appointment ONLY Buyer’s Premium for the Welsh Sale 24% + VAT (28.8%) on all lots up to a hammer price of £14,999 20% + VAT (24%) on all lots of a hammer price of £15,000 and over 15% + VAT (18%) on all lots of a hammer price of £20,000 and over 10% + VAT (12%) on all lots of a hammer price of £25,000 and over 5% + VAT (6%) on all lots of a hammer price of £30,000 and over Buyer’s Premium for Selections & Collections 24% + VAT (28.8%) on all lots Droit de Suite applicable (please see terms at back of catalogue) South Wales Saleroom / Ystafell Werthu De Cymru 17 Llandough Trading Estate, Penarth Road, Cardiff, CF11 8RR 17 Ystad Masnachu Llandochau, Ffordd Penarth, CF11 8RR Tel / Ffôn: 02920 708 125 Cardiffinfo@rogersjones.co.uk www.rogersjones.co.uk *Please see full terms & conditions at the back of this publication

THE VIEW

Welcome to the first edition of The View for 2022 Finally, we would like to welcome you back to our auction rooms – in the physical sense. After two years of auctioneering to computer screens and an empty room, we are immensely excited about opening the doors to the public once again for the two auctions in this publication. Ben Rogers Jones

The other change is that on this occasion the two auctions are to be held over two days instead of one, due to The Welsh Sale being a formidable 600+ lots. It is the largest Welsh Sale we will have brought you for some time. The picture section in this Welsh Sale is relatively normal in size, but the auction has been bolstered by a large section of Welsh porcelain and a large section of antiquarian books.

Bidding in the room

The logical outcome for us was to separate The Welsh Sale into two days. We will be selling the pictures on Saturday, March 12th (as normal and as earlier publicized). But the remainder of the Welsh Sale auction, comprising Welsh ceramics and books together with a small section of Welsh antiques, will be held on Wednesday, March 16th. After the final lot in The Welsh Sale is offered on the 16th, we will hold the Selections & Collections auction.

We greatly appreciate your continued custom over these two difficult years. I would also like to take this opportunity to thank our teams in Colwyn Bay, Carmarthen, and Cardiff for their amazing efforts during this period.

Each bidding session is open to the public, but please note and adhere to the following terms and policies set out on this page. Of course, bidding online and on the phone continues, and there is no surcharge to bid on our own website, or on the phone. We are immensely pleased with the high-quality entries which populate both auctions across the two days. We thank all the vendors for their custom and thank all bidders for their continued support. Best Wishes Ben Rogers Jones

From the outset we felt that the correct procedure was to keep the auctions closed to the public to protect everyone. It appears we are at that point now when we can safely open fully although we remain cautious and continue to monitor the situation. As with many businesses, we have adapted our methods during the pandemic and many of those adaptions have resulted in improved service and will remain in the future. The two auctions held over two days and contained within this catalogue will have bidding in the room with the following terms for those room bidders: •

Room bidders are requested to take lateral flow tests prior to the auction they wish to attend

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Successful room bidders are required to pay by chip and pin (debit card not credit card)

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Successful room bidders are required to pay and collect on the day of the auction to avoid return visits (unless otherwise arranged beforehand with the office)

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Cash is no longer accepted

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All visits to the auction rooms are by scheduled appointment (except for room bidding)

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Collections for online and absentee bidders is from Monday 14 March ONLY and after payment has been made by bank transfer

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Viewing / browsing is by scheduled appointment only

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Viewing on the auction day is unavailable unless prearranged with the office for specific lots

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Room bidders are requested to sit in the chairs provided within the auction room, wherever possible. Please do not stand unnecessarily in other areas or block entrances

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There are no restrictions to the number of room bidders, but Rogers Jones reserve the right to deny access in the unlikely event that the auction room is deemed too busy

Bidders not in the room must pay online and collect purchases by scheduled appointment only

BWRW GOLWG

Croeso i rifyn cyntaf Bwrw Golwg yn 2022 O’r diwedd, rydym yn barod i’ch croesawu’n ôl i’n hystafelloedd arwerthu – yn y cnawd. Wedi dwy flynedd o gynnal arwerthiannau o flaen sgriniau cyfrifiaduron ac ystafell wag, rydym yn teimlo cyffro mawr wrth baratoi i agor y drysau i’r cyhoedd unwaith eto ar gyfer y ddau arwerthiant sydd yn y cyhoeddiad hwn. Y newid arall ydy y bydd y ddau arwerthiant yn cael eu cynnal dros ddau ddiwrnod oherwydd bod 600 a mwy o eitemau yn yr Arwerthiant Cymreig. Dyma’r Arwerthiant Cymreig mwyaf y byddwn ni wedi’i gynnig i chi ers ei sefydlu. Wrth lwc, mae’r adran darluniau yn yr Arwerthiant Cymreig hwn o faint sy’n agos i’r arfer, ond mae adran sylweddol o borslen Cymreig ac adran fawr o lyfrau hynafol wedi cyfrannu at dwf sylweddol yr arwerthiant. Y canlyniad rhesymegol i ni oedd rhannu’r Arwerthiant Cymreig yn ddau ddiwrnod. Byddwn ni’n gwerthu’r darluniau ddydd Sadwrn, Mawrth 12fed (fel arfer ac fel y cyhoeddwyd yn gynharach). Ond bydd gweddill yr Arwerthiant Cymreig, sy’n cynnwys serameg Cymreig a llyfrau ynghyd ag adran fechan o hen bethau Cymreig, yn cael ei gynnal ddydd Mercher, Mawrth 16eg. Yn dilyn yr eitem olaf yn yr Arwerthiant Cymreig ar yr 16eg, byddwn yn cynnal yr arwerthiant Dewisiadau a Chasgliadau. Mae pob un o’r sesiynau arwerthu ar agor i’r cyhoedd heb gyfyngiadau, ond gofynnwn yn garedig i chi nodi a chadw at y telerau a’r polisïau canlynol a amlinellir ar y dudalen hon. Wrth gwrs, bydd cynigion ar-lein a thros y ffôn yn parhau, ac nid oes tâl ychwanegol am roi cynigion ar ein gwefan ein hunain, na thros y ffôn. Rydym yn hynod falch o ansawdd uchel yr eitemau a gynigir yn y ddau arwerthiant dros y ddau ddiwrnod. Hoffem ddiolch i’r holl werthwyr am ddefnyddio’n gwasanaeth ac i’r holl gynigwyr am eu cefnogaeth gyson. Cofion Gorau

Gosod cynigion yn yr ystafell Rydym yn ddiolchgar iawn i chi am barhau i ddefnyddio’n gwasanaeth dros y ddwy flynedd anodd diwethaf. Hoffwn fanteisio ar y cyfle hwn hefyd i ddiolch i’n timau ym Mae Colwyn, Caerfyrddin, a Chaerdydd am eu hymdrechion anhygoel dros y cyfnod hwn. O’r dechrau, roeddem yn teimlo mai’r peth iawn i’w wneud oedd cadw’r arwerthiannau ar gau i’r cyhoedd er mwyn amddiffyn pawb, nes bod y canllawiau’n newid, a than y cyfnod tua diwedd y pandemig. Mae’n edrych yn debyg ein bod wedi cyrraedd y man hwnnw nawr, er ein bod yn parhau’n wyliadwrus ac yn dal i fonitro’r sefyllfa. Fel y mae nifer o fusnesau wedi gwneud, rydym wedi addasu ein ffyrdd o weithio yn ystod y pandemig ac mae llawer o’r addasiadau hynny wedi arwain at well gwasanaeth a byddant yn parhau i’r dyfodol. Bydd modd gosod cynigion yn yr ystafell yn y ddau arwerthiant a gynhwysir yn y catalog hwn gyda’r telerau canlynol ar gyfer y rhai sy’n gosod cynigion yn yr ystafell: •

Gofynnir i’r rhai sydd am osod cynigion yn yr ystafell wneud profion llif unffordd cyn yr arwerthiant y maent am ei fynychu

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Bydd angen i’r rhai sy’n llwyddo gyda chynigion yn yr ystafell dalu gyda cherdyn sglodyn a rhif adnabod (cerdyn debyd, nid cerdyn credyd)

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Bydd angen i’r rhai sy’n llwyddo gyda chynigion yn yr ystafell dalu a chasglu ar ddiwrnod yr arwerthiant er mwyn osgoi ailymweld (oni bai y gwneir trefniant gwahanol ymlaen llaw gyda’r swyddfa)

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Ni dderbynnir arian parod mwyach

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Rhaid i bob ymweliad â’r ystafelloedd arwerthu fod drwy apwyntiad wedi’i drefnu (yr unig eithriad fydd ar gyfer gwneud cynigion mewn arwerthiannau ble derbynnir cynigion yn yr ystafell)

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Dim ond trwy apwyntiad wedi’i drefnu y gellir dod i weld yr eitemau

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Ni ellir dod i weld yr eitemau ar fore’r arwerthiant oni bai bod trefniadau wedi’u gwneud gyda’r swyddfa ymlaen llaw ar gyfer eitemau penodol

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Gofynnir i’r rhai sydd am osod cynigion yn yr ystafell eistedd yn y cadeiriau a ddarperir yn yr ystafell arwerthu pryd bynnag y bo modd. Gofynnwn yn garedig i chi beidio â sefyll mewn mannau eraill os nad oes rhaid na rhwystro mynedfeydd

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Nid oes cyfyngiadau ar niferoedd y cynigwyr yn yr ystafell, ond mae Rogers Jones yn cadw’r hawl i wrthod mynediad os gwelir bod yr ystafell arwerthu’n rhy brysur, er bod hynny yn annhebygol

Ben Rogers Jones

The View / Bwrw Golwg • Rogers Jones & Co

REVIEW The Welsh Sale 6 November 2021 Lots: 496 Sold: 451 (90.9%) Total: £499,020 (a record for a Welsh Sale)

The work on paper of a group of horses in the snow was the cause of a good old fashioned auction house battle between phone bidder and internet bidder. The determined phone bidder stayed in the saddle and the picture is now stabled within a west Wales private collection. (4) Other notable prices in this section were seen for work by the perennially popular artist, William Selwyn. Born in Caernarfon, after completing National Service in 1954 William Selwyn went to Bangor Normal College and then became an art teacher at two Caernarfon schools - Maesincla Primary School and Ysgol Syr Hugh Owen Comprehensive. William retired from teaching in 1990 and took up painting full-time.

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Welsh Antiques & Welsh Pottery The final Welsh Sale in November began with 100 lots of interesting Welsh pottery and porcelain. On this occasion it was Ewenny which stole the headlines, most notably the Ewenny wassail bowl (1) which sold for £6,400 against an estimate of £2,000-3,000 while an Ewenny parrot realised a hammer price of £1,300 against a £200-300. (2) The term Ewenny pottery refers to a scattered source of production in and around the Ewenny parish near Bridgend, rather than one specific pottery operation. The area has been associated with pottery production for centuries.

Prints & Works on Paper

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Sir Kyffin Williams stole the show in these two sections. The highest ever hammer price for a Kyffin print and a work on paper was recorded at £2,600 and £18,000 respectively. The linocut print was a familiar waterfall scene, but it was a larger format than usual, and the former owner had framed it in a high quality Bourlet-made frame. Even so, the waterfall created a huge splash at £2,600 and going to show how strong the market is currently for ‘Kyffin prints’. (3)

He is best known as a watercolourist and his style is characterised by atmospheric washes of paint which reminds many of JMW Turner’s turbulent scenes, and similarly his landscapes often incorporate the weather as an important element to the picture, while the demonstration of movement is critical in his figure studies. Lot 300 which sold for £3,700 against an estimate of £1,000-1,200, was one such study, with a standing farmer being admired by his loyal sheepdog. (5)

Rogers Jones & Co • The View / Bwrw Golwg

Oil Paintings The fabulous market for Sir Kyffin Williams RA continued into the oil section with five super paintings finding new homes. The highest hammer price for the day was the oil of waves at Llangwyfan at £48,000. Such sunsets and dramatic seas are very much top of the wish-lists when it comes to Sir Kyffin’s body of work. (6) Next best price of the day was for Sir Kyffin’s ‘Storm at Penmon’ at £40,000 which was another dramatic and large canvas of Ynys Mon, third in line was an upright format village, titled ‘Gwastadnant’ which was wintery dark and contrasty with snow on the peaks and roofs. Most pleasing of all was to see a wonderfully textured portrait of an old London neighbour of the artist realise £19,000 against an estimate of £7,000-10,000. (7,8,9) John Elwyn’s style is very different to Sir Kyffin but just as dramatic and intriguing. His body of work is fabulously eclectic and his titles often interesting, for instance, ‘It Does Not Always Rain in Dyfed’. This was a large bright landscape featuring the artist’s signature whitewashed farm buildings and a complex tapestry of surrounding fields. The painting realised £11,000. (10) Donald McIntyre was a good friend of Sir Kyffin and is as perennially popular. McIntyre’s vivid acrylic work is in huge demand from collectors currently. The highest hammer price for McIntyre in the November Welsh Sale was for ‘Porth Cwyfan No. 7’, selling for £7,000. (11,12)

REVIEW Selections & Collections 6 November 2021 Lots: 150 Sold: 130 (86.6%) Total: £150,130 There were some sensational objects in the November auction. We were especially privileged to offer to market Wing Commander Rex Sanders’ medal group which includes his Distinguished Flying Cross. Sanders was the extraordinary navigator of secret RAF missions over the Soviet Union in the 1950s. The medals were sold after his death at his request and the family were delighted with the result of £16,000. (13)

Other highlights included a one owner collection of prints by Bob Dylan removed from a salubrious Mayfair apartment, which realized £26,900 in total. (14) There were also good prices for a statement limited edition art piece by surrealists Gilbert & George and a rare Chinese ceramic dragon dish. And of course the ubiquitous prestige watches and jewellery. (15,16,17)

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The View / Bwrw Golwg • Rogers Jones & Co Mae’r term crochenwaith Ewenni’n cyfeirio at ffynonellau cynhyrchu gwasgaredig ym mhlwyf Ewenni a’r cyffiniau ger Penybont-ar-Ogwr, yn hytrach nag un crochendy penodol. Mae’r ardal yn gysylltiedig â chynhyrchu crochenwaith ers canrifoedd. Credir bod crochenwaith wedi bod yn cael ei gynhyrchu yn yr ardal mor bell yn ôl â’r Canoloesoedd, gan fod nifer o aneddiadau hanesyddol yn yr ardal a fyddai wedi bod yn farchnad barod i’r crochenwyr. Yn sicr, mae tystiolaeth ddogfennol o gynhyrchu crochenwaith yn y bymthegfed ganrif. Serch hynny, dim ond o flynyddoedd cynnar y ddeunawfed ganrif y ceir cofnod iawn o’r gwaith cynhyrchu, ac o’r cyfnod hwn y gellir ei ystyried yn ddiwydiant, a hynny’n ddiwydiant bach. Ceir tystiolaeth bod deuddeg busnes crochenwaith bach wedi bod yn weithredol ar ddechrau’r ddeunawfed ganrif. Erbyn diwedd y ganrif honno, tyfodd y galw wrth i ddiwydiannau lleol ehangu yn ystod y chwyldro diwydiannol ac o ganlyniad i dwf yn y boblogaeth leol.

Printiau a Gweithiau ar Bapur

ADOLYGIAD Yr Arwerthiant Cymreig 6 Tachwedd 2021 Lotiau: 496 Gwerthwyd: 451 (90.9%) Cyfanswm: £499,020 (record ar gyfer Arwerthiant Cymreig) Hen Bethau Cymreig a Crochenwaith Cymreig Dechreuodd Arwerthiant Cymreig olaf 2021 y mis Tachwedd gyda 100 o lotiau o grochenwaith a phorslen Cymreig diddorol. Crochenwaith Ewenni wnaeth ffurfio’r penawdau y tro hwn, gyda’r llestr gwasael Ewenni (1) yn dod i’r brig ac yn gwerthu am £6,400 o’i amcan-bris o £2,000-3,000 ac fe aeth parot Ewenni am bris morthwyl o £1,300 o’r amcan-bris o £200-300. (2)

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Syr Kyffin Williams oedd seren y sioe yn y ddwy adran hon. Cofnodwyd y pris morthwyl uchaf erioed am un o brintiau Kyffin, sef £2,600 ac fe werthodd gwaith ar bapur am £18,000. Golygfa gyfarwydd o raeadr oedd y print leino, ond roedd y fformat yn fwy nag arfer, ac roedd y cyn-berchennog wedi ei osod mewn ffrâm Bourlet o ansawdd uchel. Serch hynny, roedd cynnwrf mawr yn y dyfroedd wrth i’r rhaeadr werthu am £2,600, gan ddangos cryfder y farchnad ar hyn o bryd am ‘brintiau Kyffin’. (3) Roedd y gwaith ar bapur o grŵp o geffylau yn yr eira yn destun brwydr arwerthiant hen ffasiwn dda rhwng cynigydd ar y ffôn a chynigydd ar y we. Arhosodd y cynigydd ar y ffôn yn y cyfrwy ac mae’r darlun wedi cael cartref yn stablau casgliad preifat yng ngorllewin Cymru. (4) Cafwyd prisiau nodedig yn yr adran hon am weithiau gan yr arlunydd bythol boblogaidd o Sir Gaernarfon, William Selwyn. Ganed William Selwyn yng Nghaernarfon, ac wedi iddo gwblhau ei Wasanaeth Cenedlaethol ym 1954, aeth i’r Coleg Normal ym Mangor ac yna aeth yn athro celf mewn dwy ysgol yng Nghaernarfon - Ysgol Gynradd Maesincla ac Ysgol Gyfun Syr Hugh Owen. Ymddeolodd William o’i waith fel athro ym 1990 a dechreuodd baentio’n llawn-amser. Mae’n fwyaf adnabyddus fel arlunydd dyfrlliwiau ac mae ei arddull wedi’i nodweddu â golchiadau paent atmosfferig sy’n atgoffa llawer o bobl o olygfeydd cythryblus JMW Turner, ac yn yr un modd, mae ei dirluniau yn aml yn ymgorffori’r tywydd yn elfen bwysig o’r llun, ac mae darlunio symudiad yn allweddol yn ei ddehongliad

Rogers Jones & Co • The View / Bwrw Golwg Y pris gorau wedyn ar y diwrnod oedd y £40,000 a roddwyd am ‘Storm ym Mhenmon’ Kyffin a oedd yn ddarlun cynfas mawr a dramatig arall o Ynys Môn; yn drydydd, roedd darlun ar ffurf portread o bentref yn dwyn y teitl ‘Gwastadnant’ a oedd yn aeafol o dywyll a chyferbyniol gydag eira ar y copaon a’r toeau. Yr hyn a roddodd fwyaf o foddhad oedd gweld portread â gwead hyfryd o hen gymydog i’r arlunydd yn Llundain yn gwerthu am £19,000 o amcan-bris o £7,000-10,000. (7,8,9) Mae arddull John Elwyn yn wahanol iawn i Syr Kyffin Williams ond mae yr un mor ddramatig a chyfareddol. Mae ei gasgliad o weithiau yn fendigedig o eclectig a’i deitlau’n aml yn rhai diddorol, er enghraifft, ‘It Does Not Always Rain in Dyfed’. Tirlun mawr llachar oedd hwn gydag adeiladau fferm gwyngalchog nodweddiadol yr arlunydd a thapestri cymhleth o gaeau o’u cwmpas. Gwerthodd y darlun am £11,000. (10) Roedd Donald McIntyre yn gyfaill da i Syr Kyffin Williams ac mae yntau hefyd yn fythol boblogaidd. Mae galw aruthrol am waith acrylig disglair McIntyre ymhlith casglwyr ar hyn o bryd. Y pris morthwyl uchaf ar gyfer McIntyre yn Arwerthiant Cymreig mis Tachwedd oedd £7,000 am ‘Porth Cwyfan Rhif 7’. (11,12)

13 o ffigurau. Roedd Lot 300, a werthodd am £3,700 o amcan-bris o £1,000-£1,200, yn un darlun o’r fath, gyda ffermwr yn sefyll ac yn destun edmygedd ei gi defaid ffyddlon. (5)

Paentiadau olew Parhaodd y farchnad anhygoel am weithiau Syr Kyffin Williams yn yr adran olew gyda phump o baentiadau gwych gan Syr Kyffin yn canfod cartrefi newydd. Cafwyd pris morthwyl uchaf y dydd am y paentiad olew o donnau yn Llangwyfan, sef £48,000. Mae machlud a moroedd dramatig o’r fath yn sicr ar frig y rhestr y mae galw amdanynt ymhlith gweithiau Syr Kyffin Williams. (6)

ADOLYGIAD Dewisiadau a Chasgliadau 6 Tachwedd 2021

Lotiau: 150 Gwerthwyd: 130 (86.6%) Cyfanswm: £150,130 Roedd ambell i eitem syfrdanol yn arwerthiant mis Tachwedd. Roedd yn fraint arbennig i ni gael cynnig casgliad medalau Yr Asgell-Gomander Rex Sanders i’r farchnad, gan gynnwys ei Fedal Hedfan Nodedig. Roedd Sanders yn llywiwr anhygoel ar gyrchoedd cyfrinachol gan yr Awyrlu dros yr Undeb Sofietaidd yn yr 1950au. Gwerthwyd y medalau yn dilyn ei farwolaeth yn unol â’i ddymuniad ac roedd y teulu wrth eu boddau â’r canlyniad o £16,000. (13) Ymhlith yr uchafbwyntiau eraill, roedd casgliad un perchennog o brintiau gan Bob Dylan a gafwyd o fflat foethus yn Mayfair, a werthodd am gyfanswm o £26,900. (14) Cafwyd prisiau da hefyd am ddarn celf trawiadol o nifer cyfyngedig gan y swrealwyr Gilbert a George a llestr draig seramig Tsieineaidd prin. Ac wrth gwrs, roedd yna’r oriorau a gemwaith o fri fel arfer. (15,16,17)

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Swansea Etruscan was created by Lewis Llewelyn Dilwyn at the Cambrian Pottery to adorn ‘humble homesteads’ at cheap prices. Dillwyn hoped that the Classical designs would be aspirational to the masses. This less wealthy class of consumer was seen as an untapped market. Using moulds, the potters, painters, and printers reproduced the canonical Greek shapes, the aryballos, oinochoe, kylix, pyxis, pelike and so forth. They were decorated with scenes of Greek mythology to include Odysseus, Poseidon, Zeus, Hera and Helios. (21) But the Etruscan brand failed as the miners and the working classes did not buy-in to Dillwyn’s aspirational pottery as wages were too hard earned. Therefore, the venture was short-lived and over a century and a half later, Swansea Etruscan is rarely seen in abundance aside from at the National Museum of Wales or an infrequent appearance at auction. There have certainly never been ten items of Swansea Etruscan in an auction in modern times. We are also delighted to offer at the end of the Wednesday session of The Welsh Sale over 120 books from one Wales’ most prominent book people.

PREVIEW The Welsh Sale

For the last 50 years Jeff Towns has been buying and selling books and for years he was based in his Dylans Bookstore in Swansea’s poetically named Salubrious Passage. But he also took his stock out to many Eisteddfodau around Wales and to Antiquarian Book Fairs around the UK and across the United States. His main area of specialisation was all things Welsh – from Dylan Thomas to Dafydd Ap Gwilym and from Owen Glyndwr to R.S. Thomas and from the Mabinogion to the Rebecca Riots!

Session I: Pictures Saturday 12 March

He is not quite finished with books, but spends more time reading and writing them, and so he feels the time is right to offer for sale some highlights from the collection he has amassed with us in this Welsh Sale.

Again, we are blessed with superb entries by Wales’ favourite artist, Sir Kyffin Williams, this time with six oils in the auction. But aside from Sir Kyffin there really is plenty of fine art to choose from. There is a single owner collection of Neath related paintings which I am very pleased to be instructed to sell. Each painting is by notable 19th or 18th century landscape artists, and it will be very interesting how such a collection of paintings focused on a single region of Wales performs. Certainly, the pre-auction interest has been promising.

Jeff’s large consignment of books is complemented by a selection of fine Neath related antiquarian books and a consignment of Gregynog books which have reached us from Los Angeles.

The stalwarts of The Welsh Sale are represented by many highquality works too. There are stunningly colourful works by John Elwyn and Donald McIntyre. While in contrast to these is a superb large piece by John Knapp Fisher entitled ‘Small Holding’. Donald McIntyre takes a bow at the end of the Saturday auction with seven fabulous lots. (18)

Session II: Welsh Porcelain, Welsh Antiques & Books Wednesday 16 March The first Welsh Sale of 2022 comes with a second session on the Wednesday and with a splendid section of Nantgarw and Swansea porcelain. Three collections have come together, including a large entry from a home in Neath-Port Talbot, a collection from Powys and four important items from the descendants of B A Williams who is credited in W D John’s ‘Swansea Album’. One of these items is a likely unique Thomas Pardoe painted coffee-can, which features the inscription ‘Mamma’s Darling’. Personally decorated Welsh porcelain items of this nature are rarely seen. It is a small but wonderful object. The highlight of the section has got to be the Nantgarw cabinet cups with a decoration that will surely make your heart sing. (19,20) From the same property as the Neath paintings mentioned earlier, is a collection of Swansea Etruscan pottery, a range which is rarely seen on the market. 10

Rogers Jones & Co • The View / Bwrw Golwg

RHAGOLWG Yr Arwerthiant Cymreig Sesiwn I: Darluniau Dydd Sadwrn 12 Mawrth Unwaith eto, rydym yn freintiedig i gael darnau gwych gan hoff artist Cymru, Syr Kyffin Williams, gyda chwe darlun olew yn yr arwerthiant y tro yma. Ond yn ogystal â Syr Kyffin, mae digon o ddewis o weithiau celf gain. Mae gennym gasgliad un perchennog o baentiadau sy’n gysylltiedig â Chastell-nedd ac rwyf wrth fy modd yn cael gwerthu’r rhain. Mae pob un o’r paentiadau gan arlunydd tirlun nodedig o’r 19eg neu’r 18fed ganrif, a bydd yn ddiddorol iawn gweld sut aiff pethau gyda chasgliad o’r fath o baentiadau sy’n canolbwyntio ar un rhan o Gymru. Yn sicr, mae’r diddordeb a fu cyn yr arwerthiant yn addawol.

Mae nifer o weithiau hefyd gan hoelion wyth yr Arwerthiant Cymreig. Mae yma waith trawiadol o liwgar gan John Elwyn a Donald McIntyre. Ac yn gyferbyniad â hynny, mae darn mawr ardderchog gan John Knapp Fisher sydd â’r teitl ‘Small Holding’. Bydd Donald McIntyre yn cael ei le ar y llwyfan ar ddiwedd arwerthiant dydd Sadwrn gyda saith eitem ragorol. (18)

Sesiwn II: Porslen Cymreig, Hen Bethau a Llyfrau Cymreig Dydd Mercher 16 Mawrth Ar gyfer Arwerthiant Cymreig cyntaf 2022, mae ail sesiwn ddydd Mercher gydag adran hyfryd o borslen Nantgarw ac Abertawe. Mae tri chasgliad wedi eu dwyn ynghyd, gan gynnwys cynigion helaeth o gartref yng Nghastell-nedd Port Talbot, casgliad o Bowys a phedair eitem bwysig gan ddisgynyddion B A Williams sy’n cael sylw yn ‘Albwm Abertawe’ W D John. Un o’r eitemau hyn ydy can coffi paentiedig gan Thomas Pardoe sy’n debygol o fod yn unigryw ac sy’n dwyn yr arysgrif ‘Mamma’s Darling’. Prin iawn y gwelir eitemau o borslen Cymreig wedi’u haddurno’n bersonol fel hyn. Mae’n ddarn bach ond bendigedig.

Rydym wrth ein boddau hefyd cael cynnig dros 120 o lyfrau gan un o bobl llyfrau amlycaf Cymru ar ddiwedd sesiwn dydd Mercher yr Arwerthiant Cymreig. Dros y 50 mlynedd diwethaf, mae Jeff Towns wedi bod yn prynu a gwerthu llyfrau ac am flynyddoedd, bu’n gweithio yn ei siop Dylan’s Bookstore ar y lôn â’r enw barddonol Salubrious Passage. Ond aeth â’i gasgliad hefyd i nifer o Eisteddfodau o gwmpas Cymru ac i Ffeiriau Hen Lyfrau o gwmpas y Deyrnas Unedig ac ar draws yr Unol Daleithiau. Roedd yn arbenigo’n bennaf ar bethau Cymreig – o Dylan Thomas i Dafydd ap Gwilym ac o Owain Glyndŵr i R.S. Thomas ac o’r Mabinogi i Derfysgoedd Beca! Nid yw wedi rhoi’r gorau yn llwyr i’w lyfrau, ond mae’n treulio mwy o amser yn eu darllen a’u hysgrifennu, felly mae’n teimlo bod yr amser wedi dod i gynnig rhai o’r uchafbwyntiau o’i gasgliad yn yr Arwerthiant Cymreig gyda ni. Ochr yn ochr â chynnig helaeth Jeff o ran llyfrau, mae detholiad o hen lyfrau sy’n gysylltiedig â Chastell-nedd a chasgliad o lyfrau Gregynog sydd wedi dod atom o Los Angeles.

O’r un eiddo â’r paentiadau Castell-nedd y cyfeiriwyd atynt eisoes, mae casgliad o grochenwaith Etrwsgaidd Abertawe - cyfres sy’n brin iawn ar y farchnad. Crëwyd crochenwaith Etrwsgaidd Abertawe gan Lewis Llewelyn Dillwyn yng Nghrochendy Cambrian i addurno ‘aelwydydd gwerinol’ am brisiau rhad. Roedd Dillwyn yn gobeithio y byddai’r cynlluniau clasurol yn apelio at drwch y boblogaeth. Roedd prynwyr llai goludog yn cael eu hystyried yn farchnad nad oedd wedi’i hagor. Gan ddefnyddio mowldiau, byddai’r crochenwyr, y peintwyr a’r argraffwyr yn ail-greu’r siapiau Groegaidd clasurol, yr aryballos, oinochoe, kylix, pyxis, pelike ac ati. Roeddent wedi’u haddurno â golygfeydd o fytholeg Roegaidd gan gynnwys Odysseus, Poseidon, Zeus, Hera a Helios. Ond methu fu hanes y brand Etrwsgaidd oherwydd na ddenwyd y glowyr a’r dosbarth gweithiol at grochenwaith Dillwyn gan eu bod yn gweithio’n rhy galed am eu cyflog prin. Ni pharodd y fenter yn hir felly, a thros ganrif a hanner yn ddiweddarach, prin iawn y gwelir llestri Etrwsgaidd Abertawe oddi allan i Amgueddfa Genedlaethol Cymru neu ambell i ymddangosiad anfynych mewn arwerthiannau. Yn sicr ni fu deg eitem o lestri Etrwsgaidd Abertawe mewn arwerthiant yn y cyfnod modern.

The View / Bwrw Golwg • Rogers Jones & Co

PREVIEW Selections & Collections 16 March The Selections & Collections auction is once again brimming with quality and intrigue. There are once again strong entries of prestige watches including Rolex, Breitling, and Tag. There is wonderful diamond jewellery including a radiant 3.2ct diamond solitaire ring. Other intriguing entries include a rare, numbered copy of James Joyce’s Ulysses which is one of only 900 copies. It is exactly a century since the brilliance of Ulysses was first published. (22,23) We are also offering our first Dame Lucie Rie (1902-1995) piece at Rogers Jones & Co. Born in Vienna in 1902, Lucie Rie grew up in an environment steeped in the style and elegance of Viennese Modernism, she enrolled at art school in Vienna, in 1922 which is where she learnt to throw clay. Rie also developed a scientific understanding and fascination with glazes – something which stayed with her throughout her life. Rie established a name for herself on the continent, winning prizes for her work at the International Exhibition in Paris in 1937 but following the union of Austria with Nazi Germany she fled Vienna and, together with her husband, arrived in London. During her lifetime Rie’s work was celebrated extensively, from the 1951 Festival of Britain Exhibition, through to major retrospectives in New York’s Metropolitan Museum of Art, London’s Victoria & Albert Museum. (24) Also within the realm of ceramics is a Daisy Makieg Jones for Wedgwood vase, a fascinating single owner collection of earlier English pottery and a rare Canton famille rose service.

RHAGOLWG Dewisiadau a Chasgliadau 16 Mawrth Mae’r arwerthiant Dewisiadau a Chasgliadau yn orlawn unwaith eto gydag eitemau o ansawdd sy’n denu chwilfrydedd. Mae yma gynigion cryf eto o oriorau o fri gan gynnwys Rolex, Breitling, a Tag. Ceir gemwaith diemwntau bendigedig, gan gynnwys modrwy un diemwnt 3.2ct godidog. Ymhlith y cynigion diddorol eraill, mae copi prin wedi’i rifo o Ulysses James Joyce sy’n un o blith 900 copi yn unig. Mae’n ganrif union ers i gampwaith Ulysses gael ei gyhoeddi gyntaf. (22,23) Rydym yn cynnig ein darn cyntaf gan Dame Lucie Rie (1902-1995) yn Rogers Jones & Co hefyd. Ganed Lucie Rie yn Fienna ym 1902 a chafodd ei magu mewn amgylchedd wedi’i drwytho yn arddull a cheinder Moderniaeth Fiennaidd; ymrestrodd mewn ysgol gelf yn Fienna ym 1922, ac yno y dysgodd sut i drin clai. Datblygodd Rie ddealltwriaeth wyddonol hefyd yn ogystal â diddordeb mawr mewn gwydrin – diddordeb a oedd gyda hi drwy gydol ei bywyd. Gwnaeth Rie enw iddi’i hun ar y cyfandir, gan ennill gwobrau am ei gwaith yn yr Arddangosfa Ryngwladol ym Mharis ym 1937, ond yn dilyn uno Awstria â’r Almaen Natsïaidd, dihangodd o Fienna a daeth i Lundain gyda’i gŵr. Yn ystod ei bywyd, roedd bri mawr i waith Rie, o Arddangosfa Gŵyl Prydain 1951, i arddangosfeydd ôl-syllol mawr yn Amgueddfa Gelf Fetropolitan Efrog Newydd ac Amgueddfa Victoria ac Albert yn Llundain. Cafodd gryn lwyddiant masnachol hefyd. (24) Ym maes serameg hefyd, mae fâs Daisy Makieg Jones i Wedgewood, casgliad un perchennog hynod o grochenwaith Seisnig cynnar a set lestri Canton Famille Rose brin.

24 12

SPOTLIGHT ON NEATH: ANCIENT ABBEY, BEAUTIFUL WATERFALLS & INDUSTRY GOLWG AR GASTELL-NEDD: ABATY HYNAFOL, RHAEADRAU PRYDFERTH A DIWYDIANT

To commence this Welsh Sale auction on Saturday March 12th, we are delighted to offer a collection of over thirty 19th and 18th Century landscape paintings relating to the Neath Valley. The single owner collection is from a deceased estate in NeathPort Talbot and brings together some highly regarded names in topographical painting.

I ddechrau’r Arwerthiant Cymreig ddydd Sadwrn Mawrth 12fed, rydym wrth ein bodd yn cael cynnig casgliad o dros ddeg ar hugain o baentiadau tirlun o’r 19eg a’r 18fed Ganrif sy’n gysylltiedig â Chastell-nedd. Mae’r casgliad un perchennog yn dod o ystâd ymadawedig yng Nghastell-nedd Port Talbot ac mae’n dwyn ynghyd nifer o enwau o fri ym maes paentio tirffurfiau.

The collection presents a super opportunity for collectors, perhaps in Neath or further afield, to purchase historic landscapes of a location which has an important industrial history, whilst also being an area of outstanding beauty.

Mae’r casgliad yn rhoi cyfle gwych i gasglwyr, yng Nghastell-nedd neu ymhellach i ffwrdd, i brynu tirluniau hanesyddol o leoliad sydd â hanes diwydiannol pwysig, yn ogystal â bod yn ardal o harddwch eithriadol.

Neath has a port designed by Isambard Kingdom Brunel and is the site of the oldest iron works in Wales. In addition, since the 18th Century Neath has been appreciated by artists for its dramatic and wild landscape.

Mae gan Gastell-nedd borthladd a gynlluniwyd gan Isambard Kingdom Brunel a dyma safle gwaith haearn hynaf Cymru. Yn ogystal, ers y 18fed Ganrif, mae Castell-nedd wedi ennyn gwerthfawrogiad artistiaid oherwydd ei thirwedd wyllt a dramatig.

A scene which was often observed by artists and is repeated in this collection is the ruins of Neath Abbey.

Golygfa a ddarluniwyd yn aml gan artistiaid ac sydd i’w gweld sawl gwaith yn y casgliad hwn ydy olion Abaty Nedd.

Along with Llanthony Priory and Tintern Abbey, the ruins of Neath Abbey are the most important and impressive monastic remains in south-east Wales. Founded in 1130 by Norman knight Sir Richard de Granville, by the late 13th century it had become one of Wales’ wealthiest abbeys. Around 50 monks lived here, alongside an even larger number of lay brothers who worked at the abbey’s estates, on tasks which probably included, mining coal for domestic use. Much later, the heavy hand of the Industrial Revolution was almost its downfall, the abbey became a copper smelting plant with furnaces, workshops, and workers’ dwellings, and had an ironworks as its next-door neighbour.

Ynghyd â Phriordy Llanddewi Nant Hodni ac Abaty Tyndyrn, adfeilion Abaty Nedd ydy’r olion mynachlog pwysicaf a mwyaf trawiadol yn ne-ddwyrain Cymru. Fe’i sefydlwyd ym 1130 gan y marchog Normanaidd Syr Richard de Granville, ac erbyn diwedd y 13eg ganrif, roedd yn un o abatai cyfoethocaf Cymru. Roedd tua 50 o fynachod yn byw yma, ynghyd â rhagor o frodyr lleyg yn gweithio ar ystadau’r abaty, ar dasgau a oedd fwy na thebyg yn cynnwys cloddio am lo i’w ddefnyddio ar yr aelwyd. Ganrifoedd yn ddiweddarach, bu llaw drom y Chwyldro Diwydiannol bron yn ddigon i’w ddifa; daeth yr abaty yn waith mwyndoddi copr gyda ffwrneisi, gweithdai a thrigfannau gweithwyr, ac roedd gwaith haearn y drws nesaf.

Another location which is repeated in the collection is Aberdulais Mill which was occupied by William Weston Young - one of the artists featured in the collection, and an important figure in the history of Welsh fine art. Aberdulais Mill was painted by JMW Turner in circa 1796 with the painting now in the national collection at The National Library of Wales. The valley from Neath up to the edge of the Brecon Beacons is also renowned for its string of impressive waterfalls and caves. It has inspired many other exceptional artists other than Turner, especially those touring in the 18th and 19th Century such as John Warwick Smith, Penry Williams and Thomas Hornor. Many of the artists in this collection originated in Bristol which was an important shipping city and where an artist’s education could be received. The Vale of Neath acted as a convenient place of pilgrim for many Bristolian artists.

Visit our website for more information including biographies of artists

Lleoliad arall sydd i’w weld sawl gwaith yn y casgliad ydy Melin Aberdulais, lle bu’r arlunydd William Weston - un o’r artistiaid a gynhwysir yn y casgliad hwn, a ffigur pwysig yn hanes celf gain Gymreig, yn preswylio. Paentiwyd Melin Aberdulais gan JMW Turner tua 1796 ac mae’r darlun hwnnw bellach yn y casgliad cenedlaethol yn Llyfrgell Genedlaethol Cymru. Mae’r dyffryn o Gastell-nedd hyd at ffiniau Bannau Brycheiniog yn adnabyddus hefyd am ei lu o sgydau neu raeadrau ac ogofâu trawiadol. Mae wedi ysbrydoli nifer o artistiaid eithriadol eraill yn ogystal â Turner, yn enwedig y rhai a oedd yn teithio yn y 18fed a’r 19eg Ganrif megis John Warwick Smith, Penry Williams a Thomas Hornor. Roedd llawer o’r artistiaid yn y casgliad hwn yn hanu o Fryste, a oedd yn ddinas bwysig i’r diwydiant llongau a ble roedd modd i arlunwyr gael addysg. Roedd Dyffryn Nedd yn gyrchfan pererindota cyfleus i nifer o arlunwyr Bryste. 13

Rogers Jones & Co

TOP 10 WELSH SALE PRICES FROM 6 NOVEMBER 2021

1. Sir Kyffin Williams RA

2. Sir Kyffin Williams RA

3. Sir Kyffin Williams RA

£48,000

£40,000

£37,000

4. Sir Kyffin Williams RA

5. Sir Kyffin Williams RA

£19,000

£18,000

6. Sir Kyffin Williams RA

6. John Elwyn

7. Sir Kyffin Williams RA

7. Donald McIntyre

£11,000

£7,000

8. Donald McIntyre

£6,500

9. Ewenny slipware wassail bowl

£6,400

10. Sir Kyffin Williams RA

£5,000 14

Rogers Jones & Co

TOP 10 SELECTIONS & COLLECTIONS SALE PRICES FROM FROM 6 NOVEMBER 2021

1. Wing Commander Rex Southern Sanders OBE (1922-2017)

£16,000

2. Bob Dylan

3. Chinese dragon saucer

£8,000

£7,000

4. Rolex

5. Tudor

6. Rolex

7. Diamond pendant

£5,500

£5,400

£5,200

£4,200

8. Diamond solitaire

9. Gilbert & George

£4,000

£3,000 10. Telescope

£2,800

10. Breitling

£2,800

10. George Orwell

£2,800 15

Rogers Jones & Co

ROGERS JONES

About Us Selling at Rogers Jones & Co As internationally respected auctioneers, we provide the highest level of service to buyers and sellers alike. We operate in a transparent, straightforward and friendly way, ensuring your experience is as enjoyable and profitable as possible. We achieve the best market prices at our busy and popular salerooms, which attract buyers from across the UK and abroad. We are passionate about presenting your goods in the best way possible. This includes expert research and descriptions coupled with professional digital photography which may include multiple images when required. For complete peace of mind, you can take advantage of our collection service from anywhere in the UK, whatever the item(s) may be. Once your item is sold, we will pay directly into your bank within 14 working days of the last lot being sold from your consignment.

Valuations

Online Valuations We can often provide an informal pre-auction valuation by email. Please send images to info@rogersjones.co.uk please also include your telephone number, your geographical location and other details about the item which may be relevant such as sizes.

Rogers Jones & Co offer a full range of valuation services, both verbal (informal) and written (formal), which include:

Probate / Insurance Valuations

• identification and appraisal of a broad range of antiques, fine art and collectables

Rogers Jones & Co can provide you with accurate professional written valuations for single items, specialist collections, and whole and partial house contents.

• appraisal and advice on individual items, house contents and collections for sale purposes • written valuations for:

Up-to-date valuations offer peace of mind and confidence to families and individuals, forming an important part of your financial planning.

• inheritance tax (Probate)

Our valuation services (where chargeable) have a clear and competitive fee structure, based on an hourly rate of £120+VAT per hour.

• insurance

• Valuations are prepared for a variety of purposes including:

• family division

• Insurance - an invaluable record in the event of theft, loss or damage

We provide a tailored service to meet the requirements of all our customers, which includes private individuals, insurers and solicitors.

• Family and Matrimonial Division

Our formal valuation services (where chargeable) have a clear and competitive fee structure, based on an hourly rate of £100 per hour.

• Probate/Inheritance Tax - for executors and trustees

We do not charge for informal valuations which provide predicted values if selling items at auction. These valuations can often be conducted by emailing images to us. Alternatively, we offer valuation sessions for clients by arrangement at the saleroom and at various venues across Wales and further afield. We can also visit you in your home anywhere in the UK. We have valuers based in North Wales, South Wales and West Wales but we are often making trips further afield. If you would like to discuss your valuation requirements further please contact us.

• For fair distribution and impartial advice • Tax Planning • Accurate retrospective valuations • Willing Buyer / Willing Seller • Mutually beneficial current market values Written professional valuations are an integral part of our business, and we are trusted to carry out several hundred valuations for private and corporate clients each year. We can provide you with a confidential, clear and precise valuation tailored to your individual needs.

Rogers Jones & Co

BIDDING & PURCHASE TERMS Buyer’s Premium for the Welsh Sale: 24% + VAT (28.8%) on all lots up to a hammer price of £14,999 20% + VAT (24%) on all lots of a hammer price of £15,000 and over 15% + VAT (18%) on all lots of a hammer price of £20,000 and over 10% + VAT (12%) on all lots of a hammer price of £25,000 and over 5% + VAT (6%) on all lots of a hammer price of £30,000 and over Buyer’s Premium for Selections & Collections: 24% + VAT (28.8%) on all lots Droit de Suite applicable (Please see page 58 for more details)

Bidding Bidding other than room bidding:

1. COMMISSION BIDS

Commission bids must be placed on our website or by a form supplied by 4pm the day before auctions. (Copy of our commission bidding form is found at the back of the catalogue or can be emailed / posted). Please note that we will not be answering our office phones on 12 March & 16 March. If you have cause to contact us urgently on the day of the auction, please do so by email: cardiffinfo@rogersjones.co.uk but note that we do not guarantee a reply

2. TELEPHONE BIDDING

Telephone bids must be arranged by receipt of our forms by 1pm the day before auctions. (Copy of our telephone bidding form is found at the back of the catalogue, digital form is available to download from our website). Lines are available on all lots but on a first come first served bases. There is a limit to how many lines can be operating at one time.

3. FREE ONLINE LIVE BIDDING WITH ROGERS JONES

Free online Live Bidding with Rogers Jones LIVE at www.rogersjones.co.uk Other platforms such as the-saleroom.com do charge for using their system.

OUR VALUING & APPRAISING TEAM Ben Rogers Jones BA (Hons) Ben Rogers Jones has been with the company since 2001. Ben now manages the triannual Welsh Sale of Welsh Art, Welsh Antiques and Welsh ceramics. He is also the appraiser and cataloguer for sporting antiques. He is based out of the Cardiff Saleroom but visiting clients UK wide. Welsh Speaking.

Charles Hampshire FNAVA LLB (Hons) Based out of Carmarthen, Charles is our regional auctioneer and valuer for West Wales and visits clients in Swansea, West Wales and up to Aberystwyth. Charles is also our appraiser for jewellery, diamonds, silver, coins, watches, wine and whisky.

Philip Keith BSc (Hons) Based out of our Cardiff saleroom, Philip is our regional auctioneer and valuer for South Wales, east of Swansea and into the borders and England. Philip is also our specialist for Oriental works of art and ceramics and tribal art.

Payment Terms Payment is required by BACS (bank transfer) within five working days from the auctions. Please use your bidding number and sale date as reference. Presently cheques, chip and pin and cash are not acceptable. For clients who do not use online banking, payments can be made at their bank over the counter. Please see your banking terms.

Condition Reports The onus rests on prospective bidders to satisfy themselves as to the condition of items in this auction. Most items have a comments note with the description; this does not imply that items are without fault. We advise requesting further images / condition reports on all lots and this will be provided by us by e-mail only. Comments on condition are declared on some items of pottery / porcelain but are an opinion only. It is usual for us to declare if there is a problem with the condition of picture(s). But we advise that all prospective purchasers enquire / examine lots as ‘items are bought as seen’.

Carriage to North Wales / Carmarthen Office / Storage & Postage ALL COLLECTIONS OF PURCHASED GOODS MUST BE BY PRE-ARRANGED APPOINTMENT. COLLECTIONS ARE NOT PERMITTED ON THE DAY OF THE AUCTION. STRICTLY NO ACCESS ON AUCTION DAY. ALL ITEMS MUST BE PAID FOR PRIOR TO ARRANGING COLLECTION. COLLECTIONS FROM CARDIFF SALEROOM MUST BE PRIOR TO 25 MARCH TO AVOID STORAGE CHARGES. All purchased lots in this auction may be shipped to our Colwyn Bay & Carmarthen offices without charge for collection from 28 March. This service is offered providing that payment is complete prior to 18 March and that they are then collected from Colwyn Bay / Carmarthen by 5pm, 6 April (BY APPOINTMENT). Please note that this delivery will be the one free carriage to Colwyn Bay & Carmarthen undertaken by Rogers Jones & Co for items purchased at this auction. Free carriage excludes furniture items. Rogers Jones & Co does not offer a P&P service for this auction unless items are of a non-fragile nature and can be posted in a Jiffy bag. Postage of these items are undertaken at a cost and at the

David Rogers Jones David Rogers Jones started the company in 1992 and has been an auctioneer and valuer for 60 years. He now works as a regional auctioneer out of the Colwyn Bay auction room, dividing his appointments with Stephen Roberts and John Rogers Jones. Welsh Speaking.

John Rogers Jones John works out of the Colwyn Bay auction room as a regional valuer and appraiser, dividing his appointments with David Rogers Jones and Stephen Roberts. John conducts all the auctions in Colwyn Bay while also acting as our Financial Controller for the whole company.

Stephen Roberts Stephen works out of the Colwyn Bay auction room as a regional valuer and appraiser, dividing his appointments with David Rogers Jones. He has been involved in the antique trade for 35 years and has wide-reaching experience in all facets of the trade. OFFICE PERSONNEL Cardiff: Alys Lloyd & Sian Russ Colwyn Bay: Dawn Sandham & Lisa Lamb Carmarthen: Morganna Hampshire 17

Rogers Jones & Co

THE WELSH SALE / SELECTIONS & COLLECTIONS: CONTENTS & INDEX OF ARTISTS / CYNNWYS A MYNEGAI ARTISTIAID 18

Campion, C W

Caravaggio, After Michelangleo Merisi Da 19th Century 779 ‡ Carpanini, David b.1946

Welsh Prints & Multiples Printiau Cymreig & Lluosog Lots 52-128

104, 105 352, 376 119

CASW ‡ Cecil, Roger 1942-2015

Welsh Works on Paper Dyfrlliwiau & Gwaith ar Bapur Lots 129-246

189, 190, 191, 192, 218

‡ Chapman, George 1908-1993 338 ‡ Chappell, Dick b.1954

278, 328

‡ Charlton, Evan 1904-1984 363

Original works by Sir Kyffin Williams RA Gweithiau celf gwreiddiol gan Syr Kyffin Williams RA Lots 247-263

Circle of Allan Ramsay 1713-1784 347 Clark, William Albert 20th Century ‡ Cleal, John 1929-2007

784

180, 188

‡ Cockrill, Maurice 1936-2013 350 Compton, Edward Theodore 1849-1921

9 48

Corbould, Richard 1757-1831

Welsh Oil Paintings & Other Medium Paentiadau Olew & Chyfryngau Eraill Lots 264-409

Corsini, Raffaele a.1830-1880 244 ‡ Cronin, Peter

154, 155

D Danby, James Francis (Attr) 1816-1875

Welsh Antiques & Ceramics, Hen Bethau a Serameg Cymreig Lots 414-680

‡ Davenport, Alexa 267

Selections & Collections Dewisiadau a Chasgliadau Lots 700-812

‡ Davies, Ogwyn 1925-2015 296

‡ David, Dai 279 ‡ Davies, Dorothy 270 ‡ Davies, Ivor b.1935 320 ‡ Davies, William 1928-2011 Deakin, John

Adderton, Charles W 1866-1944 ‡ Armfield, Diana RA b.1920

‡ Delahaye, Muriel 1937-2021 175 788

B Baker Pyne, James 1800-1870

40, 42

‡ Bala, Iwan b.1956 327 ‡ Barnes, David 1942-2021

280 99

De La Motte, George Orleans 1788-1861 21, 31

326, 356

Devis, Anthony 1729-1816 ‡ Donovan, James b.1974 Duncan, Edward 1803-1882

375, 388 15 232 5

E ‡ Edwards, Malcolm

Blum, Maurice 1832-1909

781

Bolivar Manson, James 1879-1945

369

‡ Evans, Will 1888-1957 219 302

Brandon Smith, John 1848-1884 26, 30, 35, 47, 277 ‡ Bryn, Carys 340 Burrell Smith, James 1822-1897 10, 38, 44 Butler, W 1824-1870

‡ Giardelli, Arthur 1911-2009 193 ‡ Giardelli, Bim 1917-2011 177 Goddard, Walter W 1858-1933

16, 17, 22

‡ Gorsuch, Peter

318, 319

‡ Griffith, David Lloyd b.1956

309, 329

Griffith, Moses (Manner of) 1749-1819 ‡ Griffiths, Aerwen

149 164

‡ Griffiths, Glyn 1926-1999

148

‡ Griffiths, Mary b.1956

298

H ‡ Hall, Christopher 1930-2016

284, 285

‡ Harries, Hywel 1921-1990

226

‡ Herman, Josef OBE RA 1911-2000 209, 231 373 ‡ Holland, Harry b.1941 65, 66, 67, 68, 69, 70 ‡ Holloway, Edgar 1914-2008 111 ‡ Holly, Nick b.1968 268, 269, 314, 315, 339 34

Horlor, Joseph 1809-1887 Hornor, Thomas 1785-1844

36, 41, 46

‡ Hughes, Darren b.1970 299 Inigo Richards, John RA 1731-1810

I ‡ Isaac, Bert 1923-2006

203

J Jackson, Samuel 1794-1869 ‡ Jacobs, Ian b.1950

23 297

‡ Janes, Alfred 1911-1999 57 266 ‡ Jenkins, Wynne 1937-2019

160, 161 344

‡ John, Evan

‡ Evans, Bob 272

183, 346

Gallon, Robert 1845-1925 323 ‡ Ganz, Valerie 1936-2015 230 235

‡ John, Augustus OM RA 1878-1961 394

‡ Bowen, Keith b.1950

‡ Elkes-Jones, Alastair b.1942 275

224

Baxter, Thomas 1782-1821 ‡ Bell, Seren b.1950

271

Fripp, George Arthur 1813-1895

‡ Jenkins, Meurig 215, 223

‡ Elwyn, John 1916-1997 101 233, 234, 241 313, 321, 358, 368, 383, 389, 392, 395

‡ Bassett, Vera 1912-1997

‡ Freer, Allen b.1926 157

Paintings of Neath Paentiadau o Gastell Nedd Lots 1-49

287

‡ Johns, Ewart 1923-2013 337 ‡ Jones, Aneurin 1930-2017

199, 214 357, 361

‡ Jones, Jack 1922-1993 138, 139, 140, 141, 144, 152, 165, 166, 167, 168, 169, 170, 171, 213, 222 366

Field, Dave

‡ Jones, Margaret 225

Fearnly, Allan

‡ Jones, Mike 1941-2022

‡ Forbes, Andrew Douglas ‡ Forrest, Ed 1918-2002

129, 131, 150, 202, 286, 290 294

‡ Jones, Rhiannon

195, 207 288, 331 182

‡ Jones, Steven 1959-2017 359 ‡ Jones, Thomas

187

Rogers Jones & Co

O 173

Kerr, Frederick James 1853-1936

‡ Knapp-Fisher, John 1931-2015 72, 103, 107, 118 216, 238, 246 377, 396 ‡ Knight, Alan b.1949

301, 332, 333, 334, 336, 343 121

Kruse, Thomas

‡ Owen, Stephen John b.1959 75, 78, 79, 80 P 185, 194, 197

Parkman, Alfred 1852-1930

‡ Parry, Gareth b.1951 351 13, 14, 28

Payne, William 1760-1830 Pearson, Cornelius 1805-1891 ‡ Perry, Alan

25, 29 52

‡ Piech, Paul Peter 1920-1996 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 121

‡ Piercy, Rob b.1946 789

‡ Lek, Karel 1929-2020 198 324 Lhermitte, Leon Augustin 1844-1925

780

‡ Lloyd Jones, Mary b.1934

210

‡ Lloyd-Wright, Frank 1867-1959

122

‡ Lowry, Laurence Stephen RBA RA 1887-1976 790 M Manskirsch, Franz Joseph 1768-1830

1 162

‡ Martinez, Raymond b.1937

174

‡ Maybery, Edgar James 1887-1964

130

McArthur, Archibald 1857-1911

‡ McClaren, Duncan

274

‡ McDonagh, Sue

163

‡ McIntyre, Donald 1923-2009 397, 398, 399, 400, 401, 402, 403, 404, 405

‡ Piper, John 1903-1992

365, 386

‡ Metcalfe, Adrian Paul b.1960 176

‡ Pritchard, Ifor 1940-2010 335

‡ Rhys James, Shani MBE b.1953 364, 379, 393 ‡ Rhys Parri, Luned

179

‡ Richards, Ceri CBE 1903-1971

102, 237

Robbia, After Luca Della 1400-1482 ‡ Roberts, Wilf 1941-2016

778

64, 76, 77, 93, 245, 342, 381, 390

‡ Roberts, Will 1907-2000 201, 217, 221, 378, 382, 385, 386, 387

‡ Morris, Mark Murray, William Grant 1877-1950

283

‡ Samuel, Mark b. 1956 316

71 106 125, 370, 371, 391

Sitzer, Anton 20th Century 787 ‡ Spafford, Iola b.1930

156

‡ Spencer Pryse, Tessa b.1940 265 ‡ Stuart, Gordon 1924-2015

Wilde Parsons, Arthur 1854-1931

Williams, Alan Contemporary 303, 304, 305, 306, 307, 330

Williams, Christopher RBA 1873-1934 291, 292, 293

‡ Williams, Claudia b.1933

200, 205

‡ Williams, Glo b.1940 143 ‡ Williams, John Cyrlas 1902-1965 264 ‡ Williams, Sir Kyffin RA 1918-2006 73, 94, 95, 96, 108, 110, 112, 113, 114, 115, 117, 123, 124, 126, 127, 128, 247-256, 257-263 ‡ Williams, Vivienne b.1955 229 ‡ Woodford, David b.1938

159, 308, 355

Worthington, Alfred 1834-1927 349

‡ Sinnott, Kevin b.1947

Walmsley, Thomas 1763-1805

Pritchard, Edward Francis Drew 1809-1905 37, 49

‡ Morgan, Mark 172, 276

‡ Morris, Jack b.1966 409

786

Wain, Louis 1860-1939

Wilcox, James 1785-1865

‡ Sinclair, Nicholas b.1954

‡ Morris, Carey 1882-1968 322

‡ Priddey, James 1916-1980

‡ Morgan, Howard J 1949-2020 135

59, 60, 61

Varley, John 1778-1842

‡ Prichard, Gwilym 1931-2015 204, 208, 227, 367, 372, 374

‡ Setch, Terry b.1936

‡ Morley, Lewis 1925-2013

Wainwright, Thomas Francis 1794-1883 25

‡ Morgan, Glyn 1926-2015

281

U ‡ Uzzell Edwards, John 1934-2014 151, 353

‡ Monaghan, Michael 273

228

11, 27

Pocock, Nicholas 1740-1821 ‡ Prendergast, Peter 1946-2007

‡ Selwyn, William b.1933 109, 116, 211,236, 239, 242, 354

Miller, Lee

240

‡ Tudur, Dewi b.1957

81, 98

‡ McWhirter, Ishbel b.1927 153 ‡ Melegari, Carl b.1958

‡ Tress, David b.1955

74, 181, 196, 220, 243

‡ Marsden, Roy

‡ Thomas, Gareth 1955-2019 132, 133, 134, 136, 137, 142, 145, 146, 147, 158, 178, 341

186

‡ Philpott, Sara

Koko-Micoletzky, Friedrich Albin 1891-1929 782

‡ Lawson, John K b.1962

‡ Thomas, Elvet 1947-2006 312

289, 295, 300

Sunday Telegraph Graphics Department 100

‡ Wright, John 1931-2013

184

Wright, Joseph 1734-1797 19 ‡ Wyatt Warren, Charles 1908-1993 310, 311, 317, 325, 345, 348, 362 X ‡ Xaver Wolf, Franz 1896-1990 783 Y Yeadon, Darren b.1970

406, 407, 408

Young, William Weston 1776-1847 45 Z ‡ Zobole, Ernest 1927-1999

206, 212, 360, 384

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

Rogers Jones & Co

NEXT WELSH SALE / SELECTIONS & COLLECTIONS 16 JULY 2022 Entries invited NOW and by 3 June 2022 but please call earlier to ensure entries are confirmed.

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Selections & Collections Dewisiadau a Chasgliadau 4pm Wednesday / Dydd Mercher 16.3.22 Lots 700-812

Selections & Collections/ Dewisiadau a Chasgliadau 4pm Wednesday / Dydd Mercher 16.3.22

Selections & Collections • Rogers Jones & Co

Jewellery, Watches, Coins & Luxury Items – Lots 700-748

700

701 700 18CT GOLD AMETHYST & DIAMOND CLUSTER RING

704

705

Provenance: private collection Vale of Glamorgan, consigned via our Carmarthen Office

Comments: very nice example, no apparent issues, associated box £200-400

Comments: no apparent issues, all stones present £300-500

701 YELLOW METAL EMERALD & DIAMOND CLUSTER RING

705 YELLOW METAL THREE STONE DIAMOND BAR BROOCH

of square design, the central emerald (7 x 6.5mms) surrounded by two rows of diamonds, ring size K, 8.3gms

the three claw set diamonds totalling 0.7cts approx., engraved ’15.9.23’, 6.2cms wide, 4.6gms

Provenance: deceased estate Powys, consigned via our Carmarthen Office

Provenance: private collection Vale of Glamorgan, consigned via our Carmarthen Office

the central sapphire (7 x 6mms) surrounded by fourteen round and two baguette diamonds, ring size Q, 4.9gms Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen Office Comments: central sapphire a little loose, otherwise good £300-500

704 9CT GOLD AMETHYST & DIAMOND BANGLE having eleven graduated amethysts and diamond chips, 5.4cms internal width, 22.7gms

702 18CT GOLD SAPPHIRE & DIAMOND CLUSTER RING

707

703

of flowerhead design, ring size N/O, 5.6gms

Comments: wear and minor nibbles to emerald, light wear and scratches overall £200-400

706

702

Comments: tested as 18ct gold, stones well matched, small inclusions noted across stones £300-500 706 18CT GOLD THREE STONE DIAMOND RING the three claw set stones totalling 0.6cts overall approx., ring size I, 2.7gms Provenance: deceased estate Powys, consigned via our Carmarthen Office Comments: black mineral deposits in central stone, some losses to claws £400-600

703 18CT GOLD SIX STONE DIAMOND RING

707 18K WHITE GOLD & PALLADIUM DIAMOND RING

arranged in two rows of three, 0.7cts overall approx., ring size Q, 5.2gms

the single stone measuring 0.5cts approx., scroll shank, ring size K, 3.5gms

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen Office

Provenance: deceased estate Powys, consigned via our Carmarthen Office

Comments: good overall condition, small chip to table of one of central diamonds £300-500

Comments: small black mineral deposits, light wear overall £400-600

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 708 18CT GOLD SAPPHIRE & DIAMOND CLUSTER RING the central sapphire (10 x 7mms) surrounded by ten diamonds (0.07cts each approx.), ring size Q, 6.9gms Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen Office Comments: very good overall example, no apparent issues £500-800

708

709

709 PAIR OF YELLOW GOLD AMETHYST, PEARL & DIAMOND DROP EARRINGS the circular cabochon amethysts above the pearl and diamond accented drops, 12.1gms gross (2) Provenance: private collection Carmarthenshire, consigned via our Carmarthen Office Comments: unmarked, good overall condition, no stones missing £500-600

710

711

712

710 18CT WHITE GOLD THREE STONE DIAMOND RING the three claw set diamonds measuring 1.2-1.3cts overall approx., ring size I, 2.9gms Provenance: deceased estate Neath Port Talbot, consigned via our Carmarthen Office Comments: hallmarks rubbed, diamonds well matched £600-1,000 711 18CT GOLD SOLITAIRE DIAMOND RING the central old European cut stone measuring 1.0cts approx, wing design shank, ring size R, 6.2gms Provenance: private collection Monmouthshire, consigned via our Cardiff Office Comments: some fine nibbles to ‘girdle’ £700-1,000 712 WHITE METAL DIAMOND SOLITAIRE RING the claw set central stone measuring 1.0ct approx., having diamond chip set shoulders, ring size I, 3.4gms, in James Allan of Swansea ring box Provenance: deceased estate Neath Port Talbot, consigned via our Carmarthen Office Comments: damage to some areas of the claw setting, unmarked £700-1,000

713

714

713 YELLOW METAL PENDANT SET WITH CABOCHON GARNETS & PEARLS

714 18K GOLD DIAMOND SET JEWELLERY SUITE

of crown type design, suspended on yellow metal necklace, both stamped ‘750’, 33cms long overall, 37.1gms gross

comprising arrowhead necklace and bracelet, the diamonds being illusion set, 60.7gms gross (2)

Provenance: deceased estate Neath Port Talbot, consigned via our Carmarthen Office

Provenance: deceased estate Powys, consigned via our Carmarthen Office

Comments: hallmark rubbed on pendant, in good overall condition £700-1,000

Comments: necklace stamped ‘750’, bracelet stamped ‘18K’, all stones present £800-1,200

Selections & Collections • Rogers Jones & Co 716 YELLOW GOLD DIAMOND SET SUITE OF JEWELLERY of flowerhead design comprising a necklace (40cms long) and bracelet (18cms long), both stamped ‘750’, 41.2gms gross (2) Provenance: deceased estate Powys, consigned via our Carmarthen Office 715 715 9CT GOLD & SILVER DIAMOND CRESCENT BROOCH

Comments: all stones present, good overall £800-1,200

having fifteen old European cut graduated diamonds, 3cms wide, 7.3gms Provenance: private collection Vale of Glamorgan, consigned via our Carmarthen Office

716

Comments: all stones present, various inclusions across the stones £800-1,200

717

718

717 18CT GOLD MULTI-STONE BRACELET

718 18K WHITE & YELLOW GOLD RUBY & DIAMOND SET JEWELLERY SUITE

of articulated design set with three rows of sapphires and rubies, 18.5cms long, 67.6gms

comprising necklace (39cms long) and bangle, both stamped ‘K18’, 55.4gms gross (2)

Provenance: deceased estate Powys, consigned via our Carmarthen Office

Comments: all stones present, in associated box £1,500-2,000 26

Comments: some of the rubies may be glass filled, rubies are generally very included, may be a marriage £1,500-2,000

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

719

720

721 719 WHITE GOLD RUBY & DIAMOND CLUSTER RING the central ruby (6 x 5mms approx.) surrounded by six round and four tapering baguette cut diamonds (1.1cts total approx.), ring size I, 5.1gms, in James Allan of Swansea ring box Provenance: private collection Swansea, consigned via our Cardiff Office Comments: Colour: G/H (estimated) Clarity: VS (estimated) £1,000-1,500 720 JUL HÜGLER JEWELLERY

721 WHITE METAL DIAMOND BRACELET of panel design, set with nine primary stones (0.2cts each approx.) and overall encrusted with diamond chips, 19cms long, 27.6gms, in vintage jewellery box marked ‘Sewell 4 Davies St, Berkeley Square, W1’ Provenance: private collection Vale of Glamorgan, consigned via our Carmarthen Office Comments: tested as platinum, lovely example in very good overall condition, all stones present, wear and losses to box £2,000-4,000 721a TWO STONE DIAMOND CROSSOVER RING

comprising 18ct gold nephrite and diamond ‘Lily of the Valley’ bar brooch, together with matching pair of earrings, in Hugler of Vienna boxes (3)

two round brilliant cut diamonds approx. 1ct each, claw set to a platinum band mounted with four small baguette cut diamonds at the shoulder, in Boodle & Dunthorne (Liverpool) brown leather case, tot. diamond wt. approx. 2.08cts, gross wt. 4.3g, ring size K-L

Provenance: private collection Carmarthenshire, consigned via our Carmarthen Office

Provenance: private collection, consigned via our Colwyn Bay office, purchased from Boodle & Dunthorne (Liverpool) 27.8.53

Comments: very good overall condition, no apparent problems £1,500-2,000

Comments: colour I, clarity Si2, shank stamped PLAT, shank worn £3,000-5,000

721a

Selections & Collections • Rogers Jones & Co

722 YELLOW GOLD DIAMOND ENCRUSTED BRACELET having three central flower heads flanked by two rows of round cut diamonds totalling 3.9cts approx., 18cms long, 28.0gms in Elizabeth Duke box Provenance: private collection Caerphilly County Borough, consigned via our Cardiff Office Comments: good overall condition, diamonds bright and well matched, no stones missing £4,000-6,000

722

724

723 723 STUNNING PLATINUM DIAMOND SOLITAIRE RING the central stone measuring 3.1cts approx., having flanking diamond baguette cut shoulders, ring size O, 4.5gms Provenance: private collection Vale of Glamorgan, consigned via our Carmarthen Office Comments: Size: 3.06ct (estimated) Colour: K/L (estimated) Clarity: SI2 (estimated) £10,000-15,000

724 9CT GOLD BENSON OPEN FACE POCKET WATCH the white enamel dial having Roman numerals, subsidiary seconds dial and marked ‘J. W. Benson London’, 9ct gold cuvette, together with 9ct gold trombone link Albert chain with T-bar and 9ct gold engraved attachment, 136.6gms gross Provenance: deceased estate Neath Port Talbot, consigned via our Carmarthen Office Comments: seconds hand ticking, light wear / scratches overall £800-1,200

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

725

726

727

725 ETERNA 9CT GOLD LADIES WRISTWATCH

727 MARVIN REVUE 9CT GOLD GENTLEMAN’S BRACELET WATCH

two tone dial, block batons, integrated textured 9ct gold bracelet, 31.5gms, in box with two booklets

quartz movement, block batons, centre seconds, date aperture having integrated 9ct gold bracelet, 55.3gms in Marvin Revue box

Provenance: deceased estate Powys, consigned via our Carmarthen Office Comments: Movement – not currently functioning. Dial – wear to edges. Glass – typical light marks and scratches. Hands – good. Case – typical marks / scratches. Crown – adjusting correctly. Strap – typical light marks £250-350 726 JAEGER LE COULTRE STAINLESS STEEL LADIES’ WRISTWATCH, c.1965 Ref.1670, case no. 1304285, retailed by Hermes Paris, 17-jewel Cal.K840 manual wind movement, brushed silvered dial with applied baton markers, brushed and polished case with snap on back and stirrup lugs, back signed Hermes Paris, woven unsigned mesh bracelet, case, dial and movement signed (20mm diam.) Provenance: private collection Cardiff, consigned via our Cardiff office Comments: Movement: good, ticks when wound but stops after a short while, Dial: excellent, Glass: chip to edges, minor scratches, Hands: excellent, Case: minor scratches, back with zigzag scratches, Crown: good, Strap/Bracelet: very minor kink £100-150

Provenance: deceased estate Neath Port Talbot, consigned via our Carmarthen Office Comments: Movement – not currently functioning. Dial – wear to edges. Glass – typical light marks and chip. Hands – very good. Case – typical marks / scratches. Crown – adjusting correctly. Strap – typical light marks £400-600 728 SEIKO 18KT GOLD BRACELET WATCH quartz movement, having integrated textured 18KT gold bracelet, the back engraved with numbers ‘980013’ and ‘14-0329-D’, 16cms long, 49.8gms, in box and outer box Provenance: deceased estate Neath Port Talbot, consigned via our Carmarthen Office Comments: Movement – appears currently functioning. Dial – very good. Glass – very good. Hands – very good. Case – typical light marks. Crown – adjusting correctly. Strap – typical light marks £800-1,200

728

729

729 SECONDA STRELA STAINLESS STEEL MILITARY CHRONGRAPH WRISTWATCH, Cosmonaut, USSR era c.1970s Cal. 3017, 19-Jewel manual wind chronograph movement, black dial with applied steel luminous hour markers, subsid. dials for running seconds and 45min recording, luminous hands, brushed and polished case with outer tachymetre and inner telemeter scales, twin pushers flanking crown, snap on back, modern aftermarket black leather strap, signed (36mm diam.) Provenance: private collection Cardiff, consigned via our Cardiff office Auctioneer’s Note: In 1959 the Strela 3017 watch was put into production. The Strela was a wristwatch with stopwatch and a 45-minute minutes counter. The dial had additional telemetric and tachymeter scales. The watch was exclusively designed for the officers of the USSR Air Force and was produced according to strict military specifications. Cosmonauts Pavel Beliaev and Aleksej Leonov also used these watches when they became the first in the world to enter open space. Comments: Movement: minor tarnishing, winds when wound, chrono function correctly, Dial: some blemishes to the black enamel, luminous dots missing, hour markers tarnished, Glass: surface scratches, Hands: tarnished, Case: scratches, Crown: minor wear, Strap/ bracelet: minor stains £300-500

Selections & Collections • Rogers Jones & Co

730

731

730 LEMANIA ‘DIRTY DOZEN’ BRITISH MILITARY ISSUE WRISTWATCH, c.1944 Jewelled Cal. 27A manual wind movement, black dial with Arabic numerals, green luminous dot indices, subsidiary dial for running seconds, luminous hands, polished case with stainless steel screw down back, issue markings broad arrow, WWW, Q4190, 2686 2586, modern aftermarket black calf leather strap (36mm diam.) Provenance: private collection Cardiff, consigned via our Cardiff office Auctioneer’s Note: During the Second World War the British Ministry of Defence tasked 12 watch companies with the role of producing watches that were fit for military action. These companies were Buren, Cyma, Eterna, Grana, Jaeger-LeCoultre, Lemania, Longines, IWC, Omega, Record, Timor, and Vertex. The term ‘Dirty Dozen’ (after the 1960s film) has been coined to describe these watches. It is estimated that approximately 145,000-150,000 watches were produced with around 8000 examples delivered by Lemania. Comments: Movement: minor tarnishing, winds when wound, inner metal ring missing, Dial: some luminous dots missing, hour markers tarnished, Glass: surface scratches, Hands: slightly tarnished, Case: one numeral on caseback punch-erased, fixed bars removed and replaced with sprung bars, lug terminals filed, Crown: worn edges, adjusting correctly, Strap/bracelet: minor creases £500-700 731 LONGINES 18CT GOLD DRESS WRISTWATCH green dial, block baton markers, having integrated 18ct gold bracelet, movement numbered 51085970, calibre 528, 88.6gms, with guarantee booklet Provenance: deceased estate Powys, consigned via our Carmarthen Office

732

733

732 LONGINES 18CT GOLD WRISTWATCH, c.1964 17-Jewel Cal.19.4 manual wind movement, brushed silvered dial with applied baton hour markers, polished square case, snap on back, associated black leather strap, dial, movement and case signed (30mm diam.) Provenance: private collection Cardiff, consigned via our Cardiff office Comments: Movement: good, ticks when wound, Dial: staining to top and right margin only, Glass: surface scratches, Hands: good, Case: minor surface scratches, Crown: good, Strap/Bracelet: split and stained, in need of replacement. £300-400 733 OMEGA STAINLESS STEEL & GOLD AUTOMATIC CHRONOGRAPH BRACELET WATCH, c.1990s ‘Speedmaster’, ref. 175.0043, case no. 375.0043, 17-jewel Cal:1155 (7750) chronograph movement, gold dial with applied gold luminous baton hour markers, subsidiary dials for running seconds, 30 minute and 12 hour recording, luminous hands, polished case with outer tachymetre scale, twin pushers flanking the crown, snap on back, fitted makers link bracelet spare link and with deployant clasp, case, dial and movement signed (36mm diam.) Provenance: private collection Cardiff, consigned via our Cardiff office Comments: Movement: some minor staining/corrosion, ticks when would, chrono functions fine, not tested for accuracy, Dial: excellent, Glass: very minor scratches, Hands: excellent, Case: scratches and minor dints, similarly the bezel, Crown: one pusher very worn, other pusher very slightly worn, crown end worn off, Strap/Bracelet: a few links stretched. £700-1,000

Comments: Movement – not currently functioning. Dial – good. Glass – typical light mark. Hands – very good. Case – typical marks / scratches. Crown – adjusting correctly. Strap – typical light marks £800-1,200

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

734

735

736

734 OMEGA 9CT GOLD AUTOMATIC BRACELET WATCH ‘Seamaster’, having integrated scale design 9ct gold bracelet with Omega buckle, brushed dial, block batons, centre seconds, date aperture, 74.5gms. in Omega box and outer box with wallet containing international guarantee and booklet Provenance: deceased estate Neath Port Talbot, consigned via our Carmarthen Office Comments: Movement – appears currently functioning. Dial – very good. Glass – typical light marks and minor staining. Hands – very good. Case – typical light marks. Crown – adjusting correctly. Strap – typical light marks £800-1,200 735 TAG HEUER TITANIUM MODULAR 45 SMARTWATCH, Connected, purchased 2017 Ref.SBF8A8013, round digital dial, matt black titanium case and ceramic bezel, fitted with brown leather strap with deployant clasp, case, bezel and clasp signed, original charging pad, cable, plug, cleaning cloth, box, papers, warrantee, swing tag (45mm diam.) Provenance: private collection Cardiff, consigned via our Cardiff office Comments: Glass: excellent, Case: minor scratches, Crown: excellent, Strap/Bracelet: creased and minor stains, rubber back with minor wear marks, clasp with minor scratches. Maintains charge, and apparently working fine but not tested. £300-400 736 TAG HEUER STAINLESS STEEL WRISTWATCH, c.2009 ‘Link’, date aperture, ref: WJ1113.BA0575, black dial, centre seconds, rotating bezel, with Tag Heuer box, booklet and International guarantee card (39mm diam) Provenance: private collection North Somerset, consigned via our Carmarthen Office Comments: Movement – appears currently functioning. Dial – very good. Glass – very good. Hands – very good. Case – typical light marks. Crown – adjusting correctly. Strap – typical light marks £450-550

737 737 TAG HEUER STAINLESS STEEL CHRONOGRAPH WRISTWATCH, c.2020 ‘Monaco’, ref: CAW211PA, serial no. RHG74xx, date aperture, subsidiary dials for running seconds and 30 minute recording, crown at 9, outer white 1/4 sec. track, polished baton horizontal hour markers, cal. 11 automatic movement, black leather strap with folding clasp, with Tag Heuer box and International Guarantee card (39mm diam) Provenance: private collection North Somerset, consigned via our Carmarthen Office Comments: Movement – appears currently functioning. Dial – very good. Glass – very good. Hands – very good. Case – typical light marks. Crown – adjusting correctly. Strap – typical light marks £2,600-3,000

738 BREITLING TITANIUM AUTOMATIC CHRONOGRAPH WRISTWATCH, c.2003 ‘Avenger’, ref: E13360, uni-rotational bezel, quarter riders, navy dial, white split-second markers, white / luminous Arabic hour markers, date aperture at 3 o’clock, cal.13 automatic movement, in Breitling box with service booklet and spare NATO style strap (44mm diam.) Provenance: private collection North Somerset, consigned via our Carmarthen Office

738

Comments: Movement – appears currently functioning. Dial – very good. Glass – very good. Hands – very good. Case – typical light marks. Crown – adjusting correctly. Strap – typical light marks £1,600-2,000

739 ROLEX 9CT GOLD WRISTWATCH, c.1966

740 ROLEX GOLD 9CT WRISTWATCH, hallmarked 1970

‘Precision’, block baton markers, dagger style hands, manual wind movement, subsidiary seconds dial, engraved to back cover ‘Teifi Lodge 4648, 13th October 1966, Presented to Wor. Bro. Arthur Thomas, P.G.D. For Masonic Services’

‘Precision’, 17-jewel manual wind movement, silvered dial with applied gilt baton hour markers, baton hands with centre seconds, circular 2 piece Dennison for Rolex case with engraved presentation inscription on reverse, case, dial and movement signed, with later non-Rolex expanding bracelet, with Rolex box (34mm diam.)

Provenance: deceased estate Ceredigion, consigned via our Carmarthen Office Comments: Movement – not currently functioning. Dial – good. Glass – typical light marks and scratches. Hands – pitted. Case – typical marks / scratches. Crown – adjusting correctly. Strap – vintage leather replacement £500-700

Provenance: private collection Swansea, consigned via our Cardiff office Comments: Movement - with scratched area under third wheel, serviced by Rolex within last 5 years. Dial - minor marks and cracks at 5 o’clock marker. Glass minor surface scratches. Case - minor tarnishing and scratches. Crown - good, adjusts correctly. £500-700

739 741 ROLEX STAINLESS STEEL AUTOMATIC BRACELET WATCH, c.1971 ‘Oyster Perpetual Date, ‘Ref.1500, 26-Jewel Cal.1570 movement, blue sunburst dial, applied polished baton hour markers, white outer minute divisions, magnified date aperture at 3, polished baton hands with luminous inserts, centre seconds, brushed and polished case No.277**, screw down back and crown, on new brushed and polished oyster bracelet with signed deployant clasp, stamped 78350-19, case and dial signed, together with original 7835-19 oyster bacelet, green cloth pouch and service booklet (2) (34mm diam.) Provenance: private collection Cardiff, consigned via our Cardiff office

740

Comments: serviced 4.8.2014, caseback retains sticker, unopened and uninspected. Dial: excellent, Glass: excellent, Hands: excellent, Case: excellent, Crown: excellent, Strap/ bracelet: one excellent, the other with visible scratches, streched and bent links and clasp. £1,500-2,500

741

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 742 ROLEX STAINLESS STEEL AUTOMATIC BRACELET WATCH, c.1960 ‘Datejust,’ Ref. 1603, Cal. 1560 26-jewel movement, circular silvered sunburst dial with baton markers with back insets and luminous dots, outer black 1/2 minute markers, date aperture, sweep centre seconds, minute and hour hands with luminous inserts, polished and brushed case no. 63**16, with rare faceted hour marker bezel, screw down crown, replaced B200 Jubilee bracelet with 62510H deployant clasp and 555b end links, dial and bracelet signed, original green box, service papers for 1994, 1995 and 2001, together with original box, original dial, original hands, and original Jubilee bracelet with single endpiece (36mm diam.) Provenance: private collection North Wales, consigned via our Colwyn Bay office Comments: Movement: currently functioning. Dial: replaced 2001, good. Glass: surface scratches. Hands: replaced 2001, good, adjusting correctly. Case: unopened, surface scratches, spring bar holes worn. Crown: adjusting correctly. Bracelet: replaced 2001, moderately streched, light surface marks. £2,000-2,500

742 743 ROLEX STAINLESS STEEL AUTOMATIC BRACELET WATCH, c.1962 ‘Datejust’, Ref.1603, 26-Jewel Cal.1570 movement, no. D17*** 16***56, champagne sunburst dial, applied polished baton hour markers, black outer 1/2 minute divisions, magnified date aperture at 3, polished baton hands with luminous inserts, centre seconds, brushed and polished tonneau form case, screw down back and crown, fluted bezel, No.162**, on brushed and polished oyster bracelet with signed deplyant clasp, stamped 720611-74, movement, case and dial signed (35mm diam.) Provenance: private collection West Wales, consigned via our Carmarthen office Comments: Movement: minor scratches and tarnishing. Dial: very good. Glass: visible scratches. Hands: small marks. Case: worn between lugs, visible scratches and dints. Crown: good, Strap. Bracelet: visible scratches, links a little stretched. £1,800-2,200

743

744 JAEGER LECOULTRE GILT BRASS ATMOS CLOCK, Classique, c.2005 Jewelled Cal.560 movement, no.731368, white dial with gilt hour markers Roman numerals, black hands, glilt brass 5-glass case, case & movement signed, box, soft cover and papers (145 x 20 x 22.5cms) Provenance: private collection Cardiff, consigned via our Cardiff office Comments: very fine £1,500-2,000

744

Selections & Collections • Rogers Jones & Co 745 CARTIER FOUNTAIN PEN, Trinity, Must de Cartier black lacquer barrel with gold plated mounts, top with three colour Trinity ring ornament, 18K nib, top of cap and nib signed, base of pen with ser. no. 35**** (13.6cms long) Provenance: private collection Cardiff, consigned via our Cardiff office Comments: minor surface scratches and dints, no box or COA. £80-120

746 ERNST LEITZ SUMMICRON 1:2/50 LENS, c.1966 No. 2181360, bayonet mount, Leitz Uva filter, lens cap Provenance: private collection, West Wales, consigned via our Carmarthen office £400-500 747 LEICA IIIb RANGEFINDER 35mm CAMERA, c.1936 no. 323736, in chrome finish, with Elmar 1:35/50mm lens, Leitz Elmar 1:4 f=9cm lens, No. 295549, Leica lens cap, lens hood, and erc

745

Provenance: private collection West Wales, consigned via our Carmarthen office Comments: camera generally good used condition. Lens slight wear to blackened rims, slight scuff to chrome £300-400

746

747 748 LEICA M2 RANGEFINDER 35mm CAMERA c.1952 no.1021542, in chrome finish, with Summaron 1:1.35/35mm lens, Leitz Uva filter, Leica lens cap; Elmar 1:5/65 lens, No.2288294, c.1968, with Leica lens cap; Leitz Elmar 1:4/135 lens, No.1825245, c.1960, Leica lens cap; Leitz SHOOC 135mm Bright-Line Finder 12030; Leitz Visoflex III OTXBO 90 degree finder & three related extension tubes (16471,16472K, 16464K); Leica-Meter MC with related booster (cased), three Leica lens hoods, five Leica tinted filters, all in an Omnica leather camera case Provenance: private collection West Wales, consigned via our Carmarthen office Comments: two small leather sections missing below lens and lower corner, some dints to top and base, generally fair/good used condition. £1,000-1,500 748

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

European & British Antiques & Fine Art – Lots 749-790 749 ITALIAN MAIOLICA SAUCER, probably Castelli, 18th Century painted with a boy in blue smock seated before a classical ruin, enticiting his begging dog with a treat, orange lined rim (15cms diam.) Provenance: private collection Southern England Comments: restored rim chip £200-400

749

750

750 LARGE ENGLISH STONEWARE HUNTING JUG, probably Derbyshire, 19th Century applied with three scenes of boar hunting, hare coursing and shooting, allover brown glaze (23.5cms high) Provenance: private collection Southern England Comments: very good overall £100-150 751 DERBYSHIRE SALT GLAZED STONEWARE MODEL OF A GOAT, c.1820 standing with head turned slightly to sinister, textured fur and brown splashes, on mottled oval base (12.5w x 6.8d x 11.5cms high)

751

752

Provenance: private collection Southern England Comments: horns & ears restored, hairlines to rear support and left foreleg £200-300 752 ENGLISH SLIPWARE MODEL CRADLE, probably Yorkshire, dated 1847 with arched canopy and disk finials, decorated with initials ‘M*I’ to one side and date to the other, and with undulating lines and arcs, on bowed rockers (17cms long) Provenance: private collection Southern England Comments: small chips to 3 finials, one rocker sagged in kiln. £200-300 753 STAFFORDSHIRE JACKFIELD POTTERY FOUR-PIECE TEA & COFFEE SET c.1860

753

each piece decorated in relief with scrolling, fruiting and flowering vine, the handles/spout of crabstock or strap form, the covers with bird finials, the lidded vessels on three paw feet, traces of gilding to the baluster coffee pot and cover, teapot 12cms high, coffee pot 24cms high, milk jug 14.5cms high, bowl 13.4cms diam. (4) Provenance: private collection Southern England Comments: set probably associated, teapot spout ground, rim chip and cracks; coffee pot with white metal capped spout, tiny rim chips, cover restoration, one foot kiln-sagged; bowl with small rim chips, glaze slightly iridescent; jug and cover with restoration. £600-800 35

Selections & Collections • Rogers Jones & Co

754

756 754 ENGLISH CREAMWARE FISH SLICE, probably Yorkshire, c.1780-1800 with acanthus moulded and scrolled handle, and diaper-pierced, flat lenticular blade (29cms long) Provenance: private collection Southern England Comments: rims restored £100-200 755 THREE ENGLISH POTTERY MODELS OF ANIMALS, c.1820-1850 comprising pearlware recumbent doe, beore flowering bocage, on green moulded base, 14cms long (damaged base); rare Stafdfordshire pig, 8cms long, and hawk, 8.5cms high (3) Provenance: private collection Southern England Comments: doe with reglued bacage, broken base hairline cracks; pig with hairline crack, hawk with restored base and tail £200-300

755

757 756 STAFFORDSHIRE BUST OF A BOY c.1820 the naked head and shoulders child facing to sinister, on square section socle plinth (22.5cms high) Provenance: private collection Southern England Comments: reattached to plinth, overspray thereabouts, enamel chip to hair, scratches, glaze imperfection to forehead and plinth. £200-300

758 758 STAFFORDSHIRE PEARLWARE FOX AND GOOSE SAUCEBOAT c.1820 the spout in the form of a fox’s head, the handle as a goose with outspread wings, above a band of stiff leaves (18cms long) Provenance: private collection Southern England Comments: restoration to jaw, neck, leaves, ears etc. £200-300

757 STAFFORDSHIRE PEARLWARE FIGURE OF A DOE c.1820 standing with head turned to dexter, before a bocage and on a shredded clay and floral sprigged base with rococo ornament to front (18cms high) Provenance: private collection Southern England Comments: ears restored £200-300

758 (detail)

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 759 STAFFORDSHIRE PRATTWARE MODEL OF A CAT c.1790-1800 seated facing to destra, sponged yellow and brown decoration imitating totrtoiseshell colouring, front legs and on oval base in green (21.5cms high) Provenance: private collection Southern England Comments: ear and part head restored, lower back restored £400-600 760 STAFFORDSHIRE RALPH SALT & JOHN WALTON PEARLWARE MODELS OF SHEEP c.1820

759

760

comprising Ralph Salt ram, reverse of base with impressed ‘SALT’ scroll mark, 17cms high, and a Walton ewe, reverse with incuse WALTON ribbon mark, 16cms high, each standing before flowering bocages on on naturalistic bases with recumbent lambs (2) Provenance: private collection Southern England Comments: Salt- tip of one leaf broken, minor flaking to enamel on base mainly to rear of bocage. Walton tip of leaf restored, hairline to one hoof. £400-600 761 STAFFORDSHIRE PEARLWARE FIGURE OF SLEEPING BOY c.1820 reclining against a grassy bank, wearing tam-o-shanter, his trusty spaniel lying alert below, rococo scrolled base (14.5cms wide) Provenance: private collection Southern England Comments: hairline to arm, chips to bottim rim to side and back, chip to jacket at back. £200-300

761

762

763

762 STAFFORDSHIRE PEARLWARE FIGURE OF A LADY ARCHER c.1820 Standing before bocage, holding a bow and arrow, quiver at her hip and straw target at her feet, wearing brightly coloured costume, on a grassy mound base (17.5cms high) Provenance: private collection Southern England Comments: minor enamel restoration, base inside rime with minor restoration, minute chips to nose, lip and tips of leaves. £100-150 763 YORKSHIRE PEARLWARE TOBY JUG, c.1820 seated with frothing jug of ale and clay pipe, wearing tricorn, brown frock coat and blue britches, mottled base (24.5cms high) Provenance: private collection Southern England Comments: good overall condition £300-500

764 764 NEAR PAIR STAFFORDSHIRE PORCELAIN VASES, c.1820 with flared beaded rims, painted with continuous band of summer flowers between gilt highlighted mazarine blue borders, gilt socle foot and rims (2) (18cms high) Provenance: Deceased estate, Neath Comments: socle gilt rubbed and tiny chips thereabouts. £150-200

Selections & Collections • Rogers Jones & Co

765

766

765 GARNITURE OF THREE SPODE PORCELAIN VASES, c.1820 painted with Japan pattern 868, beaded rims and gilt feet, painted marks (3) (16 and 11.2cms high) Provenance: Deceased Estate Neath-Port Talbot collection Comments: gilt rims rubbed £200-300

766 PAIR ROYAL WORCESTER PORCELAIN VASES, code for 1912 painted by John Stinton with Highland cattle in landscapes, moulded C-scroll collars with shot enamel handles and borders, shape H218, printed marks (2) (16.3cms high) Provenance: deceased estate, Neath Comments: no apparent damage, very good overall £1,500-2,500

767 DAISY MAKEIG-JONES FOR WEDGWOOD: Fairyland Lustre Melba Cup, c.1925 bone china, decorated with ‘Leapfrogging Elves‘ pattern, Portland vase mark, pattern no. Z5360 (8cms high) Provenance: private collection South Wales, consigned via our Cardiff office Comments: excellent overall £400-600 767

768 RARE WHITE STAR LINE FIRST CLASS HORS D’OEUVRES / CONDIMENT DISH, three sections, decorated in Brownfield Wisteria pattern, registration numbers to base ‘117214’ and ‘324028’, dated 11/1907, 26.5cms wide Provenance: deceased estate Ceredigion, consigned via our Carmarthen Office Auctioneer’s Note: this example is an extremely rare survivor in very good condition. These sectional dishes were used in the First Class lounges of ‘The Big Three’ – The Titanic, Olympic and Britannic. Manufactured by Stonier & Co of Liverpool Comments: very good overall condition, no evidence of major damage / restoration, minor wear to decoration commensurate with age, paint to one edge £500-600

768

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

770 DAME LUCIE RIE (British/Austrian, 1902-1995): Elliptical Bowl, c.1960 stoneware, footed form, glazed with a pitted white glaze with manganese rim, impressed seal mark (15.2w x 12.7d x 7h cms) Provenance: private collection South Wales, consigned via our Cardiff office Comments: excellent condition £800-1,200

769 769 RARE PAIR OF WEDGWOOD MASTERPIECE COLLECTION SAGE JASPER WINE & WATER EWERS, late 20th Century limited edition (16/25), one surmounted by a Satyr grasping the horns of a goat, the other with a figure of Triton with the reins of a dolphin, each seated on the shoulder of the body holding the spout, and flanked by either grape and vine leaf or seaweed swags, raised on a fluted socle and plinth base, each with impressed and gilt-printed marks, COA and leaflet (2) (39cms h)

770

Provenance: private collection, Cardiff Auctioneer’s Note: based on the original design by John Flaxman snr. in the mid-1780s and also known as the ‘Sacred to Bacchus’ and ‘Sacred to Neptune’ ewers. Cf. Ewers illustrated on the cover of Robin Reilly’s ‘Wedgwood Jasper’, pub. 1989. £1,500-2,500

771 PAIR EDWARD VII SILVER BONBON DISHES, David & George Edward, Sheffield 1913 in satin and velvet-lined Edward of Glasgow retailer’s box, each border pieced and chased with fruiting grapevine, centre with MC monogram, on stepped circular foot, 16.6cms diam, tot. wt. appr. 19ozt (2) Provenance: charitable gift, Cardiff Comments: dished excellent with crisp decoration and hallmarks, red paper voert to box lid distressed along two edges £250-350

772 VICTORIAN SILVER SNUFF BOX, George Unite, Birmingham 1876 rounded rectangular form, engraved allover with morning glory and forgetmenots within zigzag borders, hinged top with ‘SIW’ monogrammed cartouche, gilt interior, appr. wt. 1.3ozt (5.6 x 2.7cms)

771

Provenance: private collection Cardiff Comments: excellent overall £150-200 772

Selections & Collections • Rogers Jones & Co

774

773

775

773 GEORGE IV SILVER GILT VINAIGRETTE, Nathaniel Mills, Birmingham 1831

774 GEORGE IV SILVER CASTLE TOP CARD CASE, Nathaniel Mills, Birmingham 1839

775 GEORGE III SCOTTISH SILVER NUTMEG GRATER, James Mackay, Edinburgh c.1810

engined turned with raised floral chased border and cartouche engraved with leaping fish crest, reeded sides, pieced floral grille, appr. wt. 6.7ozt (3.7 x 2.6cms)

engine turned decoration with two views of Windsor Castle, top engraved ‘B.C. Burrell’, appr. wt. 2.2ozt (9.3 x 6.8cms)

Provenance: private collection Cardiff

oval section, hinged and reeded cover, plain sides with a hinged panel revealing the steel grater, engraved with two crests with mottoes for Forbes and for Seton, appr. gr.wt. 2.1ozt (7.3 x 3.2 x 3cms)

Comments: overall excellent £150-200

Comments: excellent, contains old calling cards. £400-600

Provenance: private collection Cardiff Comments: hinged panel edges very slight bent, reeding slightly worn £500-700

776 PAIR OF FLINTLOCK DUELLING PISTOLS BY WHEELER, early 19th Century with twist sighted octagonal barrels stamped London, brass fore-sight, gold lined touch-hole, tangs with back-sight engraved with star burst and foliage, border engraved flat locks and engraved with makers name, C-scrolled cocks, engraved safety catches, figured half stocks with chequered rounded butts, border engraved trigger guards with bird and foliage, vacant escutcheons, horn fore-end caps, horn-tipped and steel-tipped ramrods (2) (barrels 23cm long) Provenance: private collection Cardiff, consigned via our Cardiff office

776

Comments: generally good, with some tarnishing to the metalware, wood nicely patinated. £2,000-3,000

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

777 777 EXCEPTIONAL VICTORIAN BIRD’S EYE MAPLE & PARQUETRY WORKBOX hinged moulded top with central starburst medallion and cube parquetry within chequer and feather strung borders, sides with similar inlaid lateral bands with roundels, elegantly flaring to a moulded base raised on bun feet, lift out interior tray of lidded compartments and pin cushion slides, lid interior with initials ‘MS’ and parquetry borders within ripple mouldings (20 x 47.5 x 76cms) Provenance: deceased estate Comments: one foot loose, others reglued, chips to back corners of base, minor wear, overall very good colour. £500-1,000 778 AFTER LUCA DELLA ROBBIA (1400-1482), 19th Century Set four large Barbedienne-cast high relief bronze plaques, comprising (i) ‘the lute players and dancers’, (ii) ‘the zither players and dancers’, (iii) ‘the drummers and dancers’ and (iv) ‘the trumpeters and dancers’, each panel signed F. Barbedienne, and set with twin suspension rings (4) (54 x 50cms) Provenance: deceased estate, London Auctioneer’s Note: modelled after the figure panels in the Cantoria (singing loft) produced in 1431-38 (his first known commission) at the Mueso dell’Opera del Duomo, Florence Comments: excellent overall, minor surface scratches £3,000-5,000

778

Selections & Collections • Rogers Jones & Co 779 AFTER MICHELANGELO MERISI DA CARAVAGGIO, 19th Century, oil on canvas ‘The Cardsharps’ (95 x 128cms) Provenance: deceased estate, London Auctioneer’s Note: copy of the original presently in the Kimbell Art Museum Comments: substantial restored and overpainted tears upper centre margin to lower right, also tears left margin, relined £1,500-2,500 780 LEON AUGUSTIN LHERMITTE (Belgian, 1844-1925) pastel Female gathering firewood in woodland, signed (31 x 25cms) Provenance: private collection North Wales, consigned via our Colwyn Bay office Comments: no problems, neatly framed and glazed £1,000-1,500

779

781 MAURICE BLUM (French, 1832-1909) oil on canvas ‘The Reception’, elegant eighteenth century scene of figures on a terrace, signed and dated 1872, Gallery label verso (66 x 83cms) Provenance: private collection, Swansea. With Haynes Fine Art Comments: minor restoration to shrunk paint, cleaned, relined, in restored period frame with title plaque, ready to hang £1,000-1,500 780

781

782 FRIEDRICH ALBIN KOKO-MICOLETZKY (Austrian, 1891-1929) oil on canvas the Grosses Wiesbachhorn, and a companion, alpine views at sunset, signed, former inscribed ‘Weisbackhorn’ (sic) verso (2) (49.5 x 74.5cms) Provenance: private collection Cardiff, consigned via our Cardiff office

782

Comments: good overall condition £400-600

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 783 ‡ FRANZ XAVER WOLF (Austrian, 1896-1990) oil on panel

784 WILLIAM ALBERT CLARK (fl. early 20th Century) oil on canvas

an 18th Century gentleman scholar in his study, signed ‘F. X. Wolf Wien’, indistinctly entitled in German on original artists label with thumbprint, signature, monogrammed wax seal and gallery label verso (49.5 x 38.5cms) Provenance: private collection Swansea, With Haynes Fine Art Comments: minor restoration to margins, floor, figure’s throat and desk, slender chip to lower margin under slip, cleaned, restored period frame ready to hang £800-1,200

Dark Bay Bolting Carriage Horse, signed and dated 1909 (44.5 x 60cms) Provenance: deceased estate, South Wales Comments: reverse of canvas with repairs to holes £300-500 785 WILLIAM ALBERT CLARK (fl. early 20th Century) oil on canvas Grey Bolting Carriage Horse, signed (44 x 59.5cms) Provenance: deceased estate, South Wales Comments: reverse of canvas with repairs to holes £400-600 783

784

786 786 LOUIS WAIN (1860-1939) pencil, pen and ink on autograph book paper Norwood Nurses, a poorly cat recuperating in a chair with his feet in a footbath, probaby biographical, inscribed, ‘Don’t Leave this page open long, or I shall get a chill on the liver, and shall require one of the “Norwood Nurses”, Nurse J. Jones preferred’ (sic), signed ‘Louis Wain, Love from Ve-ra Leins 14.1.09’, 20.3 x 16.4cms (double page); together with cloth pocket folder of various poems, sketches, nursing records, etc. all relating to Nurse Lissie Jones

785

Provenance: Lissie Jones, bequeathed to close family firends, thence by descent. Lissie Jones workd as a private nuse in London in the early years of her career, and is remembered for caring for several celebrities including Harry Lauder and Louis Wain, at West Norwood Private Nursing Institution from 1903. Comments: Wain drawing - small smudge to word ‘ppreeferred’, correction in blue ink to letter J to L, minor discolouration to margins. £600-800

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

Selections & Collections • Rogers Jones & Co

787 787 ANTON SITZER (Austrian, fl. early 20th Century) oil on canvas a fashionable twenties girl beside American harp, signed and dated 1928 (181 x 128cms) Provenance: private collection South Wales Comments: small paint loss upper centre and lower centre, canvas wrinkled bottom margin, reverse of canvas with large patch applied consolidation resin £1,000-1,500

788 788 ‡ DIANA ARMFIELD R.A. (b.1920) oil on canvas ‘The Rock Face, Nezignan (Southern France)’, signed, titled on 1991 Royal Academy Summer Exhibition label verso (47 x 57cms) Provenance: private collection Cardiff, consigned via our Cardiff office Comments: framed, ready to hang £1,200-1,800

789 ‡ JOHN K LAWSON (b. 1962) mixed media collage many paper remnants applied to board including tattoo designs and other drawings, recovered from the artist’s New Orleans studio after being devastated by Hurricane Katrina (53 x 42cms) Provenance: private collection Swansea, purchased by the vendor from a gallery exhibition for the artist Auctioneer’s Note: In August of 2005, Hurricane Katrina pummeled New Orleans, leaving John K. Lawson’s house and studio under nearly 10 feet of water for six weeks. Lawson first came to United States on a student exchange program to Louisiana State University. Lawson was drawn to the Deep South and became part of an underground art culture in New Orleans that included working in tattoo, T-shirt, and graffiti murals. Lawson became known for his unique drawing style and creations using recycled Mardi Gras beads. In 2005 Lawson’s home and studio were destroyed during Hurricane Katrina. He spent several years reworking his flood-damaged pieces. This gained the attention of several New York galleries and awards including the Pollack Krasner Foundation. In 2009, Lawson began working on a series of large scale figurative collage work. Some of these are currently on view in New York at MZUrban Art. Lawson divides his time between New Orleans and New York City, where he lives with his wife, and son, Sebastian Comments: framed and ready to hang £200-400 789

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

790 ‡ LAURENCE STEPHEN LOWRY RBA RA (1887-1976) offset colour lithograph on wove from an edition of 750 titled to border ‘Market Scene in a Northern Town’, dated 1973, published by Patrick Seale Prints Ltd, London, embossed stamp, signed in pencil (60 x 76cms) Provenance: private collection London, consigned via our Cardiff office Comments: original frame, glazed, colours are fresh, paper commensurate with age, overall excellent £2,500-3,500

790

Non-European Antiques & Fine Art – Lots 791-809 791 INDIAN STERLING SILVER FOUR-PIECE TEA & COFFEE SET, 20th Century oval form with beaded rims, repousse decoration of villagers engaged in farming activities, on a textured ground, tot. appr. gross wt. 68.5ozt (4) Provenance: Deceased property, Neath Comments: no damage, good overall £500-700 792 PAIR JAPANESE KUTANI PORCELAIN VASES, attributed to Tokuda Yasokichi II (1907-1997) ovoid form, painted with three circular panels depicting festival screens and tables, reserved on a red karakusa ground, bases with square 2-character mark reading Koki, gilt rims (2) (30cms high) Provenance: consigned via our Colwyn Bay office

791

793

793 JAPANESE SATSUMA KOGO, Meiji Period workshop of Kinkozan, domed cover painted with pair of bluebirds perched on a maple bough in autumn extending to the base, interior with prunus branch, gilt diaper borders, base with four-character seal mark (10.8cms diam) Provenance: Private collection, Cardiff Comments: cover with reglued rim damage, base rim with small chips, marks slightly worn £300-500

Comments: modest craquelure to glaze in roundels only £400-600

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

792

Selections & Collections • Rogers Jones & Co 794 JAPANESE BLACK & GOLD LACQUER BOX, Meiji Period double hinged top decorated with vase of lotus stems, additional mother of pearl inlays, nashiji interiors, signed (23 x 27cms)

794

795

795 JAPANESE BLACK & GOLD LACQUER FUBAKO (LETTERBOX), Meiji Period decorated with Aoi mon, fans, pine branches and prunus blossom, nashiji interiors (37cms long)

Provenance: private collection West Wales

Comments: small chips to edges, minor dints and bumps to upper right and upper left of lids £200-300

Comments: small rim chips and cracks £150-250

796 796 JAPANESE IVORY NETSUKE, Meiji Period of a ferry boat with women and girls, one stirring large cauldron and bowl, one playing bamboo flute, another with fan, one with oar plunged in rolling waves, base with indistinct 2-character signature possibly reading Muneko between himotoshi (8.8cms long) Provenance: private collection North Wales Comments: overall good with minor wear consistent with age £250-350 797 JAPANESE MARINE IVORY OKIMONO OF A MAIDEN WITH BOY, base signed Omitsu, Meiji Period she with billowing scarf and short baton, he with fan, both standing on rockwork base with crashing waves and leaping carp, wood stand (overall 34.5cms high) Provenance: private collection Cardiff, consigned via our Cardiff office Comments: good overall £200-300 798 JAPANESE MARINE IVORY OKIMONO OF TWO MEN AND A BOY, signed Hakumitsu, Meiji Period

797

798

the boy held aloft, one man with scroll showing carp in waves, rockwork base spouting plants, wood stand (overall 32.5cms high) Provenance: private collection Cardiff, consigned via our Cardiff office Comments: good overall £200-300

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 799 JAPANESE BRONZE KORO & COVER Meiji Period bulbous tripod form with shishi mask handles, sides cast in releif with a monkey clasping a peach beneath a fruiting peach tree, reversed with a flowing tree, pierced cover, handle in the form of an arched dragon on rockwork (27cms high) Provenance: private collection West Wales, consigned via Carmarthen office

799

800

Comments: rim slightly impacted, cover with casting faults as holes £100-150 800 TWO SMALL JAPANESE BRONZE MODELS OF WILD ANIMALS Meiji Period the tiger by Genryusai Seiya, striding and roaring, abdomen with three character mark, 19cm long, the Asian elephant slowly walking with head turned slightly to sinister, abdomen with mon mark, 17cms long (2) Provenance: private collection West Wales, consigned via our Carmarthen Office Comments: £300-500 801 LARGE TOKYO SCHOOL BRONZE FIGURE OF A GIRL by Akasofu Gyokyu, Meiji Period eating fruits which she holds in her apron, wearing kimono and waraji, base with two character mark (48cms h.) Provenance: private collection South Wales Comments: cheek and wrist with scratches £1,000-1,500

801 802 LARGE TOKYO SCHOOL BRONZE FIGURE OF A BOY, Meiji Period feeding a treat to a puppy, another looking on hopefully at his feet, wearing kimono and geta, base with 4-character mark (47cms h.) Provenance: private collection South Wales Comments: wrist reattached, surface dirt £1,000-1,500

802

803

803 LARGE TOKYO SCHOOL BRONZE FIGURE OF MOTHER & CHILD, by Kaneda Kanjiro, Meiji Period the sleeping infant bound to her back, she wearing kimono and geta, circular base with 6-character mark (61cms high) Provenance: private collection South Wales. Auctioneer’s Note: Kaneda Kenjiro, who together with Ishikawa Komei co-founded the Kankokai Craft Company in 1877, later became the adoptive father of the eldest daughter of the renowned lacquerer Shibata Zeshin. Although he is best known for his ivory carvings, he also commissioned figures in bronze, as offered here. He exhibited at expos in Japan in the late 19th Century and at the Louisiana Purchase Exhibtion in 1904. Works can be seen at the Tokyo National Museum. Cf. J. Earle, Spendors of Imperial Japan, p. 381, no. 274. Comments: excellent £2,000-3,000

Selections & Collections • Rogers Jones & Co 804 ASSOCIATED CANTON FAMILLE ROSE PORCELAIN PART DESSERT SERVICE, 19th Century comprising large and small lozenge comports, 39 and 36.5cms diam., and five other shaped dishes (8) Provenance: private collection West Wales

804

805

Comments: one smaller comport cracked, square dish rim chips, shell dish small star crack £500-700

805 ASSOCIATED CANTON FAMILLE ROSE PORCELAIN PART DINNER SERVICE, 19th Century comprising graduated set of three meat platters, 15-18½in. wide, two 10in. plates, fifteen 9½ in. plates, seven 8½in. plates and two 8in. plates, butter dish, cover and stand, chamberstick, three various saucers and a vase cover (37) Provenance: private collection West Wales Comments: medium meat platter two rim chips, two plates and one saucer with cracks/chips/repairs £1,000-1,500

806

807

808

806 ASSOCIATED CANTON FAMILLE ROSE PORCELAIN PART TEA & COFFEE SERVICE, 19th Century comprising coffee pot and domed cover, cylindrical tea pot and cover, circular sucrier and cover, nine coffee cups and saucers, eight teacups and saucers (39) Provenance: private collection West Wales Comments: coffee pot with damages spout and rivetted handle, sucrier chips/cracks, one coffee saucer chips/cracks, three teacups chips/cracks, two teacup saucers chips/cracks £1,500-2,500

807 CANTON FAMILLE ROSE PORCELAIN VASE, 19th Century

808 TWO PAIRS OF CANTON FAMILLE ROSE PORCELAIN VASES, 19th Century

foliate everted rim, double dog of fo handles and applied chilong dragons to the shoulder, painted with two large panels of Manchu figures, on a foliate ground with birds

foliate everted rims, dog of fo handles and applied chilong dragons to the shoulders, painted with two large panels of Manchu figures, on a foliate ground with birds and landscape roundels (4) (35.2cms high)

Provenance: private collection West Wales Comments: large rim chip £400-600

Provenance: private collection West Wales Comments: one with restuck rim break, one with chip to underside of rim, one with fritted rim £1,000-1,500

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

809 809 CHINESE BLUE & WHITE PORCELAIN BOTTLE VASE, Transitional, mid 17th Century painted to the globular lower section with figures in courtly and military costume outside a pavilion in an ornamental garden, surmounted by a tall cylindrical garlic neck decorated with stylised tulip stems and precious objects (41cms high) Provenance: deceased estate, London Auctioneer’s Note: This type of globular vase, with a long neck featuring a swollen middle, was made in China only during the High Transitional period, in direct imitation of sixteenth century Turkish faience and specifically for the Dutch export market. In particular, the tulips on the neck imitate Iznik style ceramics and cater to the ‘mania’ for tulips in Holland at the time. Comments: excellent condition £8,000-12,000

Selections & Collections • Rogers Jones & Co

Books, Collectables & Memorabilia – Lots 810-812 810 TWO KELSBORO WARE BEATLES WALL MASKS, c.1964 of George Harrison (no. 2) and Ringo Star (no. 1), printed backstamps (2) (12cms high) Provenance: 1960s South Wales Showman, thence by descent Comments: good condition overall with good colour £250-350

810

811

812

811 CHURCHILL (WINSTON S.) The World Crisis: 1916-1918

812 JOYCE (JAMES), Ulysses

5 vol. in 6, errata strips in three vols. FIRST EDITION, black and white plates, maps and charts (some folding), full blue crushed morocco gilt by the Baynton (Riviere) Bindery, gilt panelled spines and facsimile signature to covers, a.e.g., 8vo, Thornton Butterworth, 1923-1931

London: numbered 766 of 900 copies, t.e.g., remainder untrimmed, printed on japon vellum paper, original green linen buckram with gilt Homeric bow design by Eric Gill to upper cover, 4to, John Lane, The Bodley Head, 1936

Provenance: Deceased estate, South Wales Comments: handsome set in very fine condition £1,000-2,000

Provenance: Charity bequest, Cardiff Comments: fading & browning to spine, corners bumped £600-800

* See page 3, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co

HAMMER PRICES FOR THE WELSH SALE 6 NOVEMBER 2021 TOTAL: £499,020 Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

£140

£600

127

£600

196

£650

260

£420

324

£300

394

£750

457

£3800

£140

£500

128

£120

197

£4000

261

£460

325

£1500

395

£360

458

£6500

£1000

£600

130

£550

198

£460

262

£140

326

£360

396

£200

459

£3600

£850

£340

131

£180

199

£2800

263

£140

327

£300

397

£320

460

£4400

£280

£220

132

£750

200

£750

264

£200

328

£850

398

£1500

461

£4400

£200

£90

133

£320

201

£140

265

£260

334

£4600

399

£80

464

£2200

£550

£240

135

£140

202

£140

266

£600

336

£2200

400

£100

465

£7000

£240

£220

136

£300

203

£260

267

£1200

337

£2400

401

£360

466

£600

£200

£160

138

£340

204

£300

268

£320

338

£7000

402

£280

467

£700

£200

£800

139

£360

205

£750

270

£340

339

£1200

403

£800

468

£7000

£90

£220

141

£140

210

£340

271

£220

340

£2600

404

£400

470

£2200

£100

£320

142

£120

211

£650

272

£750

341

£5000

405

£600

471

£1300

£220

£150

144

£120

212

£200

273

£160

342

£11000

406

£600

472

£3000

£100

£210

145

£160

213

£200

274

£400

343

£18000

407

£220

473

£4200

£240

£180

146

£160

214

£320

275

£4200

344

£4000

409

£1800

474

£200

£120

£180

147

£200

215

£420

276

£220

345

£3600

410

£160

475

£1300

£750

£600

148

£240

217

£380

277

£90

346

£2000

411

£2000

476

£240

£750

£600

149

£170

218

£500

278

£180

349

£37000

412

£1300

477

£950

£800

£1400

150

£180

219

£320

279

£100

350

£18000

413

£600

478

£260

£200

£160

154

£200

220

£120

280

£420

351

£19000

414

£320

479

£250

£120

£480

155

£320

221

£180

281

£100

352

£48000

415

£320

480

£250

£120

£220

156

£360

222

£360

282

£140

353

£40000

416

£900

481

£1500

£140

£400

157

£260

223

£180

283

£140

355

£2400

417

£500

485

£300

£180

£200

158

£140

224

£200

284

£220

356

£4000

418

£1800

487

£150

£110

£550

159

£140

226

£200

285

£60

358

£650

419

£460

488

£150

£190

£500

160

£120

227

£700

286

£90

359

£160

420

£200

490

£340

£1300

£120

161

£440

228

£600

287

£250

360

£550

422

£360

491

£400

£260

£380

162

£140

229

£500

288

£300

361

£1000

423

£1900

492

£400

£460

£110

164

£70

230

£280

289

£340

362

£400

424

£800

493

£200

£140

£160

165

£480

231

£160

290

£340

363

£360

425

£140

494

£280

£160

£130

166

£360

232

£260

293

£900

364

£650

426

£4000

495

£220

£120

£80

167

£550

233

£360

294

£100

365

£500

427

£1200

496

£300

£200

£950

168

£180

234

£240

296

£600

366

£220

429

£380

497

£160

£6400

£420

169

£180

235

£180

297

£1000

367

£380

430

£800

498

£240

£270

£180

170

£180

236

£1350

298

£1200

368

£420

431

£800

499

£300

£100

£300

171

£200

237

£850

299

£280

369

£500

433

£2600

500

£140

£80

100

£750

172

£140

238

£500

300

£3700

370

£2200

434

£340

502

£1500

£80

101

£240

175

£360

239

£320

301

£2100

373

£220

435

£200

503

£260

£200

102

£460

176

£200

240

£280

302

£500

374

£3000

436

£380

504

£320

£400

103

£460

177

£100

241

£320

303

£850

375

£2800

437

£11000

505

£500

£300

104

£550

178

£150

242

£300

305

£750

376

£200

438

£1600

506

£220

£460

105

£220

180

£220

243

£120

306

£340

377

£3000

441

£850

507

£200

£550

106

£400

181

£120

244

£300

308

£250

378

£2600

442

£360

508

£100

£90

112

£120

182

£280

246

£300

309

£280

379

£200

443

£200

509

£100

£120

113

£180

183

£420

247

£420

310

£100

380

£850

444

£500

510

£180

£160

114

£100

184

£380

248

£700

311

£800

381

£1200

445

£300

511

£260

£80

115

£350

185

£800

249

£340

312

£700

383

£410

446

£220

512

£120

£300

116

£800

186

£320

250

£650

313

£320

384

£300

447

£320

513

£120

£600

117

£300

187

£600

251

£420

314

£120

385

£3200

448

£250

514

£300

£340

118

£340

188

£2600

252

£300

315

£380

386

£420

449

£180

515

£150

£300

119

£70

189

£950

253

£120

316

£660

387

£1300

450

£340

516

£200

£180

120

£500

190

£200

254

£100

317

£340

388

£240

451

£180

517

£550

£280

121

£150

191

£200

255

£460

318

£160

389

£440

452

£150

£90

122

£150

192

£380

256

£70

319

£260

390

£200

453

£180

£80

123

£180

193

£600

257

£120

320

£150

391

£260

454

£900

£140

124

£120

194

£380

258

£1300

321

£180

392

£220

455

£260

£240

125

£220

195

£320

259

£500

323

£1500

393

£420

456

£220

Rogers Jones & Co

HAMMER PRICES FOR THE SELECTIONS & COLLECTIONS AUCTION 6 NOVEMBER 2021 TOTAL: £150,130 Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

522

£1800

542

£260

559

£700

579

£100

597

£380

616

£1500

638

£200

655

£1100

523

£4200

543

£300

560

£650

580

£120

598

£750

619

£1200

639

£340

656

£1900

526

£600

544

£180

561

£280

581

£80

599

£400

620

£300

640

£80

657

£1200

527

£1500

545

£360

563

£2800

582

£220

600

£650

621

£440

641

£200

658

£1400

528

£280

546

£320

565

£500

583

£100

601

£650

622

£500

642

£7000

659

£8000

529

£380

547

£700

566

£1500

584

£240

602

£800

623

£3000

643

£200

664

£300

530

£1200

548

£2200

567

£500

585

£300

603

£750

626

£1700

644

£240

665

£2800

531

£4000

549

£300

568

£1200

586

£180

604

£260

627

£550

645

£550

666

£16000

532

£700

550

£380

569

£2000

587

£200

606

£320

629

£700

646

£1100

668

£1200

533

£500

551

£750

570

£5500

588

£220

607

£1400

630

£2800

647

£2400

669

£2500

535

£300

552

£220

571

£5200

589

£150

609

£600

631

£200

648

£750

670

£1500

536

£360

553

£1200

573

£240

590

£120

610

£500

632

£550

649

£1000

537

£320

554

£5400

574

£160

591

£240

611

£150

633

£500

650

£1500

538

£200

555

£300

575

£160

592

£180

612

£2000

634

£500

651

£1800

539

£300

556

£650

576

£160

593

£140

613

£950

635

£2600

652

£850

540

£260

557

£1300

577

£100

594

£240

614

£420

636

£2200

653

£1500

541

£360

558

£1000

578

£380

596

£750

615

£750

637

£460

654

£2400

ENSURE YOU’RE INSURED Valuations for insurance are different to auction values and our professional valuation service will support any claim. Competitive rates & comprehensive expertise. We can also value for probate & matrimonial division.

YOU CAN PHOTOGRAPH THE FULLY COMPLETED FORM AND EMAIL THE IMAGE TO US MAKE SURE YOUR PHOTO IS CLEAR & COMPLETE

TELEPHONE BIDDING FORM

You are required to read all conditions, tick all boxes and sign before your bids are placed Telephone bidding requests must be submitted by 1pm the day prior to the auction without exception. Telephone lines are available on a first-come, first served basis PLEASE NOTE: CALLS TO OUR OFFICE PHONES WILL NOT BE ANSWERED ON THE AUCTION DAY. IF YOU HAVE AN URGENT ENQUIRY ON AUCTION DAY PLEASE EMAIL cardiffinfo@rogersjones.co.uk Name �� Address �� Telephone: _____________________________________ Email: �� Bidding Telephone no:___________________________ Back up telephone no: �� LOT NO

LOT NO

continued overleaf

I wish to bid during the auction on telephone number supplied & agree to full terms and conditions as explained in the catalogue / on www.rogersjones.co.uk I will notify Rogers Jones & Co as soon as possible, if I am unable to bid as requested I am aware of the current rate of buyer’s premium (+VAT) and other charges which may be applicable I am prepared to bid above the lower estimate(s) If successful, I will either pay by bank transfer within 5 days of the auction

Signed: _________________________________ Date:___________________________ Sale Date: ��

For use by Rogers Jones & Co Bid Submission Date:______________________ Time:___________________________ Bidding No: ��

LOT NO

ABSENTEE / COMMISSION BIDDING FORM

YOU CAN PHOTOGRAPH THE FULLY COMPLETED FORM AND EMAIL THE IMAGE TO US MAKE SURE YOUR PHOTO IS CLEAR & COMPLETE

Bidding forms should be submitted by 4pm the day prior to the auctions. You are required to read all conditions, tick all boxes and sign before your bids are placed. PLEASE NOTE: CALLS TO OUR OFFICE PHONES WILL NOT BE ANSWERED ON THE AUCTION DAY. IF YOU HAVE AN URGENT ENQUIRY ON AUCTION DAY PLEASE EMAIL cardiffinfo@rogersjones.co.uk

I instruct Rogers Jones & Co to bid up to the values I have indicated below. No commission bids accepted under £30. Bids accepted in increments of £5 to £100 / £10 to £300 / £20 to £1000 / £100 at £1000+ Please ensure that your bids are not below estimates. Name �� Address �� Telephone: _____________________________________ Email: �� Bidding Telephone no:___________________________ Back up telephone no: �� LOT NO

BID UP TO

LOT NO

BID UP TO

LOT NO

BID UP TO

LOT NO

BID UP TO

£ continued overleaf

I am aware of, and agree to all bidding and purchase / payment terms for this auction (stated in catalogue or on website) I am aware that the onus is mine to ascertain the outcome of my bids I am aware of the current rate of buyer’s premium (+VAT) and other charges which may be applicable I am prepared to bid above the lower estimate(s) I am aware that saleroom bids and earlier commission bids take precedence when raised /left at the same price

Signed: _________________________________ Date:___________________________ Sale Date: ��

For use by Rogers Jones & Co Bid Submission Date:______________________ Time:___________________________ Bidding No: ��

LOT NO

BID UP TO

LOT NO

BID UP TO

LOT NO

BID UP TO

LOT NO

BID UP TO

NOTES

Rogers Jones & Co

COMPANY TERMS & CONDITIONS These conditions of business for auctions held at our premises consist of: (1)

Information for Buyers;

(2)

Terms of Sale (for bidders and buyers).

(1) INFORMATION FOR BUYERS AT AUCTIONS 1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand. Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale. 2. Methods of Payment. Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm within five working days following the sale. We accept cash to an upper limit of 1,000 euros equivalent. We do not accept credit card payments. We are unable to accept debit-card payments when the card holder is not present. Cheques will need to be cleared before you can take the goods away. 3. Collection and storage. All lots should be paid for and collected by 5pm within five working days following the auctions in this catalogue. Absentee bidders should check the success of their bids and arrange payment and collection within this time. Please note the Terms of Sale concerning collection and storage. Items not removed in the timescale stated will be removed at the purchaser’s expense and storage charges of £10 as an administration fee and £5 per lot per day may be charged (plus VAT). 4. Dispatch. We do not offer postage for lots sold at auction in this catalogue unless they can be packed within a Jiffy-bag. We can recommend agents who can undertake packing and postage. 5. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. 6. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive. 7. Buyer’s Premium. The Welsh Sale: The Terms of Sale oblige you to pay 24% + VAT (28.8%) on all lots up to a hammer price of £14,999, 20% + VAT (24%) on all lots of a hammer price £15,000 and over, 15% + VAT (18%) on all lots of a hammer price £20,000 and over, 10% + VAT (12%) on all lots of

a hammer price £25,000 and over, 5% + VAT (6%) on all lots of a hammer price £30,000 and over on each purchased lot in the auctions contained within this catalogue. Selections & Collections: The Terms of Sale oblige you to pay 24% + VAT (28.8%) on all lots. In addition, VAT is charged on the premium (see below). 8. VAT. VAT is payable by the buyer on the buyer’s premium at either the standard rate depending upon the legal requirements relating to that lot. 9. Artist’s Resale Right/Droit De Suite. EU & UK law states that the artist or artist’s estate are entitled to a royalty known as ‘artist’s resale right’ when any lot created by the artist is sold. We identify these lots with a ‡ symbol. If these laws apply to a lot, you must pay us an extra amount equal to the royalty. We will then pay the royalty to the appropriate authority on the seller’s behalf. The royalty applies if the hammer price of the lot is 1,000 euros (British Sterling equivalent) or more. The total royalty for any lot can not be more than 12,500 euros. The percentages are as follows: 4% up to 50,000 / 3% between 50,001 and 20,000. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4%

Up to €50,000

€50,000.01 - 200,000

€200,000.01 - 350,000

0.5%

€350,000.01 - 500,000

0.25%

In excess of €500,000

Up to a maximum levy of €10,000 10. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods. You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale on our website and www.the-saleroom.com 11. Condition Reports. We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy. Intending buyers are strongly encouraged to view. Condition reports cannot be prepared on the day of the sale. In many cases condition reports are stated in the catalogue description but this does not act as a guarantee that the report is factually correct and it must not be taken as guaranteed that items without condition reports stated in the description are free from issues, such as damage, restoration or other problems. 12. Electrical goods. These are sold as “objects” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them. 13. Export of goods. If you intend to export goods you must find out: 1. whether an export licence is needed; and 2. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory. 14. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value

lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding. Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion. 15. Absentee bidding. You may leave absentee bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute absentee bids as economically as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical absentee bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving absentee bids online via our website. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute absentee bids received after this time. 16. Telephone Bidding. If you are unable to come to the auction it may be possible to bid on the telephone for some lots at our discretion. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance. Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason. 17. Online Bidding. Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with rates specified by the online service. If bidding through the-saleroom.com this will be charged at 5% plus VAT. The charges will be payable to us on top of the hammer price and the buyer’s premium. (2) TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request. Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions. 1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means, Rogers Jones & Co, a company registered in England and Wales registered office is located at 33 Abergele Road, Colwyn Bay, LL29 7RU or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer;

Rogers Jones & Co

“Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers; “Terms of Sale” means these terms of sale, as amended or updated from time to time; “Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale; “Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. 3.3 If you instruct us in writing, we may execute absentee bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable. Where two or more absentee bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9. 2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13. 2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale. 2.7 If you have any complaints, please send them to us directly at the address set out on our Website. 3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve. 3.7 We may refuse to accept any bid if it is reasonable for us to do so. 3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice). 4. The purchase price As Buyer, you will pay: 1. the Hammer Price; 2. a premium of 24% plus VAT on all lots up to a Hammer Price of £19,999, and 16% plus VAT on all lots of a hammer price £20,000 and over; 3. any artist’s resale right royalty payable on the sale of the Lot; and 4. any VAT due. 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

8. Title and collection of purchases

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 7 days following the auction.

5. VAT

2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

7.1.2 pay to us the Total Amount Due in any way that we agree to accept payment. Note there is an upper limit of 1,000 euros equivalent for payments in cash.

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

“Website” means our website available at www.rogersjones.co.uk

2. Information that we are required to give to Consumers

to us (and any other information that we require in order to comply with our anti-money laundering obligations); and

5.2 We will charge VAT at the current rate at the date of the auction. 6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. 6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim. 6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot.

8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us. 9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

Rogers Jones & Co 10. Health and safety

13. Deliberate Forgeries

15.3.2 by email:

Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 21 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

1. to us, by sending the notice to the following email address: info@rogersjones.co.uk

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2. 13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

2. to you, by sending the notice to any email address that you have given to us as your contact email address in writing. 15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 i f sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient). 15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

16. Data Protection

14. Our liability to you

17. General

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots. 11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded. 12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot). 12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. 12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law. 15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it. 15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient. 15.3 Notices must be sent: 15.3.1 by hand or registered post: 1. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and 2. to you, at the last postal address that you have given to us as your contact address in writing; or

We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them. 17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the British law and British courts. These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers.

BYE FOR NOW! SEE YOU IN THE SUMMER

NEXT WELSH SALE / SELECTIONS & COLLECTIONS JULY 2022 ENTRIES INVITED NOW

rogersjones.co.uk 17 Llandough Trading Estate, Penarth Road, Cardiff, CF11 8RR 17 Ystad Masnachu Llandochau, Ffordd Penarth, CF11 8RR Tel / FfÔn: 02920 708 125