Atharva Joshi- Architectural Portfolio

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倀刀䤀 䴀䄀刀夀 䔀䐀唀䌀䄀吀䤀 伀一 䰀漀礀 漀氀 愀 䠀椀 最栀 匀挀 栀漀漀氀 ㈀ ㄀ ㈀ⴀ ㄀ ㌀

匀䔀䌀伀一䐀䄀刀夀 䔀䐀唀䌀䄀吀䤀 伀一 䰀漀礀 漀氀 愀 䨀 爀 ⸀

䌀漀氀 氀 攀最攀

䄀吀䠀䄀刀嘀䄀 䨀 伀匀䠀䤀 䄀爀 挀 栀椀 琀 攀挀 琀

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愀氀 眀愀礀 猀

琀 爀 礀

琀 漀 猀 攀攀 䄀爀 挀 栀椀 琀 攀挀 琀 甀爀 攀 戀攀礀 漀渀搀 琀 栀攀 洀攀愀渀猀

琀 栀愀琀

䤀 ᤠ 瘀 攀 欀 渀漀眀渀 戀攀昀 漀爀 攀Ⰰ 昀 爀 漀洀 瀀爀 漀最爀 攀猀 猀 椀 渀最 攀瘀 攀渀琀 甀愀氀 椀 琀 椀 攀猀 琀 漀 搀漀椀 渀最 猀 漀洀攀琀 栀椀 渀最 愀猀

猀 椀 洀瀀氀 攀 愀猀

琀 漀 戀爀 椀 渀最 愀 猀 洀椀 氀 攀 漀渀 愀 昀 愀挀 攀 琀 栀愀琀

栀愀猀

氀 漀猀 琀

愀氀 氀

栀漀瀀攀⸀

䄀爀 挀 栀椀 琀 攀挀 琀 甀爀 攀 挀 愀渀 搀漀 椀 琀

愀氀 氀 ⸀

栀愀瘀 攀 渀漀琀

愀氀 眀愀礀 猀

戀攀攀渀 漀昀

琀 栀椀 猀

洀椀 渀搀猀 攀琀

戀甀琀

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ǻ渀愀氀 氀 礀

愀洀 愀戀氀 攀 琀 漀 䤀 甀渀搀攀爀 猀 琀 愀渀搀 眀栀愀琀 欀 攀攀瀀猀 洀攀 栀愀瀀瀀礀 ⸀ 䄀渀搀 琀 漀 栀愀瘀 攀 愀 搀攀攀瀀攀爀

甀渀搀攀爀 猀 琀 愀渀搀椀 渀最 漀昀 猀 漀挀 椀 愀氀 爀 攀猀 瀀漀渀猀 椀 戀椀 氀 椀 琀 椀 攀猀 Ⰰ 琀 栀攀爀 攀 挀 漀甀氀 搀渀ᤠ 琀 戀攀 愀 戀攀琀 琀 攀爀

琀 椀 洀攀 琀 漀 挀 漀洀洀攀渀挀 攀⸀

伀爀 最愀渀椀 猀 攀搀 愀 䌀氀 攀愀渀椀 渀最 䐀爀 椀 瘀 攀

愀氀 漀渀最 琀 栀攀 戀愀渀欀

漀昀

䴀甀氀 愀ⴀ 䴀甀琀 栀愀 刀椀 瘀 攀爀 Ⰰ

䄀甀渀搀栀

䐀⸀ 伀⸀ 䈀⸀

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㌀ ⸀

㤀⸀

㄀ 㤀㤀㔀

㈀ ㄀ ㌀ⴀ ㄀ 㠀

䈀⸀

䄀刀䌀䠀

䐀爀 ⸀

䐀⸀ 夀⸀

倀愀琀 椀 氀

䌀漀氀 氀 攀最攀 漀昀 䄀爀 挀 栀椀 琀 攀挀 琀 甀爀 攀 䴀攀洀戀攀爀

漀昀

䜀ⴀ 匀攀渀 䄀渀渀甀愀氀

一䄀匀䄀 ㈀ ㄀ 㐀ⴀ ㄀ 㔀 吀伀倀 ㈀

圀漀爀 欀 攀搀 愀琀

愀渀 一䜀伀 昀 漀爀

㈀

洀漀渀琀 栀猀

䌀漀爀 攀 䴀攀洀戀攀爀

椀 渀 栀漀猀 琀 椀 渀最 琀 栀攀 䄀一䐀䌀 ㈀ ㄀ 㔀 䠀漀猀 琀

䌀漀氀 氀 攀最攀

䌀漀爀 攀 䴀攀洀戀攀爀

椀 渀 琀 栀攀 䴀愀椀 渀 䐀攀猀 椀 最渀

吀爀 漀瀀栀礀 娀漀渀愀氀

一䄀匀䄀 ㈀ ㄀ 㔀

匀伀䘀吀圀䄀刀䔀 匀䬀䤀 䰀䰀匀

䌀䤀 吀䄀吀䤀 伀一

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一䄀匀䄀 ㈀ ㄀ 㔀 䌀䤀 吀䄀吀䤀 伀一

䰀攀愀搀 琀 栀攀 䰀愀渀搀猀 挀 愀瀀攀 吀爀 漀瀀栀礀 䄀渀渀甀愀氀

一䄀匀䄀 ㈀ ㄀ 㔀 吀伀倀 ㈀

䌀漀洀瀀氀 攀琀 攀搀 琀 栀攀 䈀愀爀 挀 氀 愀礀 ᤠ 猀

挀 漀甀爀 猀 攀 漀渀 䰀椀 渀最甀椀 猀 琀 椀 挀

匀欀 椀 氀 氀 猀 倀愀爀 琀 椀 挀 椀 瀀愀琀 攀搀 椀 渀 䈀甀椀 氀 搀ⴀ 吀 攀挀 栀 䄀 氀 椀 昀 攀 猀 椀 稀 攀 吀 攀渀猀 椀 氀 攀 匀琀 爀 甀挀 琀 甀爀 攀 吀䠀䤀 刀䐀 倀䰀䄀䌀䔀

圀漀爀 欀 攀搀 眀椀 琀 栀 吀栀攀 吀栀椀 渀 䄀爀 挀 栀椀 琀 攀挀 琀 Ⰰ 䈀愀渀攀爀

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洀礀

䤀 渀琀 攀爀 渀猀 栀椀 瀀 ㈀ ㄀ 㜀 ㈀ ㄀ 㠀 䜀刀䄀䐀唀䄀吀䔀䐀

匀吀刀䔀一䜀吀䠀匀

䠀伀䈀䈀䤀 䔀匀

䠀愀爀 搀眀漀爀 欀椀 渀最

匀欀攀琀 挀 栀椀 渀最

刀攀氀 椀 愀戀氀 攀

倀愀椀 渀琀 椀 渀最

䌀爀 攀愀琀 椀 瘀攀

吀爀 愀瘀攀氀 氀 椀 渀最

䐀攀搀椀 挀 愀琀 攀搀

䌀漀氀 氀 攀挀 琀 椀 渀最 匀琀 漀渀攀猀

伀洀渀椀 瀀爀 攀猀 攀渀琀

倀攀琀 琀 椀 渀最 䤀 渀猀 攀挀 琀 猀

圀漀爀 欀 攀搀 漀渀 䌀漀洀瀀攀琀 椀 琀 椀 漀渀猀

眀椀 琀 栀 吀吀䄀 氀 愀琀 攀爀

愀猀

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昀 漀爀

愀 礀 攀愀爀 Ⰰ

䘀愀洀椀 氀 礀

䈀甀猀 椀 渀攀猀 猀

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㤀 ㈀㠀㠀 㔀㌀㈀ ㈀

Ar c hi t ec t ur ei snotaboutbui l di ngsorr at herj us tbui l di ngbet t erbuti t mor eov erapur pos et hatmak esadier enc e.

As t r ongpur pos egr owsal ongwi t ht hei nv ol v ementi ndes i gn, i tbui l ds i ndi v i dual i t yf oral lbui l di ngst husdev el opi ng an i nc ompar abl e or r at herani nc r i t i c i s abl ebui l tenv i r onment .

Ar c hi t ec t ur ei saboutObs er v i ng,Lear ni ngandt henc omest hepar tofI mpl ement at i on

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02

The si t ei s l oc at ed i na pl ac ek nown as Punawal e al ong t he r i v erPawana wi t h a dam on i t ’ s l ef t andaBas k et br i dgeoni t ’ s r i ght .

Fr om t hebac k y ar d

t heCONCEPT Thec onc eptf ort hi spar t i c ul ars i t edev el opedaf t erabr i efunder s t andi ngofi t ’ sr ol ebef or et hedec i s i onofabungal owc amei nt oex i s t enc e.

Fr om t her oadt hes i t epl ay edamedi at orf ort hepas s erby ’ st ogetagl i mps eoft hebeaut i f ulr i v ermak i ngt hei rj our neyt hr ougha nar r owr oadmuc hwi der .

Thebungal owwoul dhenc ebeabl et ogetbeaut i f ulf r amesbutt hepas s erby ’ swoul dher eaf t ernot .

Thef or mat i onofax i iwast houghtofi nawayt omai nt ai nt hec onnec tf r om onedi mens i ont ot heot her .

Ax i spas s i ngt hr ought heO c e

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06

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1 6 05

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Par k i ng 01

02

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02 Vehi c ul arEnt r anc e

1 1 Bac kEnt r anc e( O c e)

03 Muk t i pur pos ear ea

1 2 Pr i nc i palAr c hi t ec t ’ sCabi n

04 CommonT oi l et

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06 Ki t c hen

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07 Dr yBal c ony

1 ept i onandWai t i ng 6 Rec

08 Tr ans i t i onSpac e

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09 Gues tBedr oom

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1 8

03

04

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+8400mm

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05

As pac ei snotc ons t r ai nedt oi t ’ swal l s /boundar i esbuts omet hi ngmuc hbey ondt hem.

MY

PURPOSE

Asani ndi v i dualIwasdeepl yt r oubl edbyt hei ns t anc esIgr ewupl ook i ngatandl i v i ngi nc ons t ant f ear ,l y i ng t omy s el f ,t r y i ng t ogetmy s el fs ome s l eepatni ght .A wat c hf ulboygaz i ngout s i dehi s wi ndow t r y i ng t o find s ome s i gn ofl i f e att he s t r ok e of 2: 00am l ook i ng f or t he c our age he neededt os l eep.

07

HOW DI D IGETHERE, l i k eev er y oneit oohav eas mal ls t or yt onar r at e.

Li k eev er yc r i mi nalIt oo hav ec i r c ums t anc est o hat e,i ti sas t or yl i k eanyot herbutwi t hac onc l us i onf oral lourl os tbr ot her s .

A Pr i s onwast heonl yt opi conmymi nd,butt hi s made t he t hi ng Iac t ual l y want ed t o do,f ar behi nd.

Ihadt odi gt hr oughmyheapoft hought st ofind, af t erwhi c hIunder s t oodwher eIf oundt hec our aget oc omet hi sf arbehi nd.

Thi si swher et het houghtofdes i gni ngf orc r i mi nal sc amet omynot i c e,andt henwast hec hanc e f ormymi ndt owanderf r om i t sat t ai neds ol s t i c e.

THEI NFLUENCE AND I T’ SREPERCUSSI ONS

I ti sapl ac eofdar k nes s ,adungeons of ari nt ot hegr oundt hati tc oul dnev erunder s t andt hewar mt hofac andl eunt i lt hatdr opofwaxhi tt hec r us tofhi shand.

AsBal k r i s hnaDos hihass ai dt hat ,“ t heLi ght ,t heSpac e,t heCol ouror whatwec al li nar c hi t ec t ur e,t heunmeas ur eabl e. ”Thi si ft houghtuponc an t el lav er yus ef ult al ef ort hef ut ur e.

Myper c ept i onoft hats t at ementwast hatweal way shav eal otmor et o gi v et hanwhatt heus eri sdepr i v edof .

Somet i mest hes i t uat i onsmak ey our eac tonunf or t unat er eas onsi nunf or t unat eway sbutt her eal way si sal i ghtwhi c hs t andsr i ghtbyy ours i de,t hewai t i sj us tf ory out oex pl or e.

SI TEI DENTI FI CATI ON

Prisoners spinning yarn, Yerwada Jail.

Thepr oc es sofSi t ei dent i fic at i onwas t hemos tc r uc i alpoi ntf ort hec ont ex t orc onc er nt hatmyT opi cwi s hest o putf or t h.

Under s t andi ngt heneedoft heus er andt hes egr egat i onf r om t he unnec es s ar y .

Ev er yopt i onhasi t ’ sownper k s .

But final l yasi ti sal way ss ai dt hatal l t heans wer sar ewander i ngar ound y ouj us thav en’ tr eal i s edi ty et .

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Mul a-Mut ha

END USER

St ay i ngwi t hi nt hes i t el i mi t swoul dbeawi s erdec i s i oni n t er msofs ec ur i t y ,managi ng and bas i c al l y mak i ng t he s t r uc t ur eapar toft hei rr out i ne.

Theywoul dgetac hanc et ot hour oughl yabs or bwhatt he s t r uc t ur ehast ogi v et ot hem.

Thi swi l ldi f er ent i at e bet weenwhatt hey ’ v ehear dors eenwi t hwhatt hey ac t ual l yex per i enc ei ns i de, hel pi ngi nbui l di ngt hec ur i os i t y ofeac hi ndi v i dual .

END USER

21ST JUNE SUNSET

5 4

10

11

7 3a

12

MARCH SUNRISE

6 2 13

22ND DECEMBER SUNSET

THEMOVEMENT

11

9 MARCH SUNSET

THEMOVEMENT

21ST JUNE SUNRISE

11

Yer wadai sl oc at edi nPuneandal s o i soneoft hemos ti mpor t ants ec t or s f ort hedev el opmentoft hi sc i t y .

Al s ot hePr i s onhasav er yhi gh s t at ur et hr oughoutt hec ount r yand t hemos ts oughtPr i s onf ormos thi gh r ank edCr i mi nal s . ‘ Sobui l di ngat hi smodul ei nt hi s par t i c ul arPr i s onwoul dgi v emos tj us t i c et ot het opi cf oranel abbor at e ex ampl e.

T ar k al es hwar

T ogobey ondt hes i t el i mi t st hat si si nt hepubl i car easof t hec i t ywoul dwi denmyper s pec t i v eandgi v eaan oppor t uni t yt omoul dt het hought soft heupc omi ng gener at i on.

Al s o,i twoul dber eal l yr i s k yf ort hePr i s onaut hor i t i est o dr i v et hem t her eandbac kats c hedul edt i mesand ev ent ual l yt hes pac ewoul dl os ei t si mpor t anc e.

ABOUT

8 22ND DECEMBER SUNRISE

Ther ei snoheav enorhel l ,t her ei snor i ghtorwr ongi t ’ sj us taboutt hev oi c ewhi c hl i eswi t hi n.

55%

30%

I NFLUENCE

MONI TORI NG

85%

7 5%

I NFLUENCE

MONI TORI NG

Yer wada Cent r alJ ai l ,Pune i s s pr ead ov er a t ot al ar ea of ar ound51 2ac r esandi thous esa t ot alof5000+Pr i s oner ’ swhi c h i s muc h abov e i t ’ s hol di ng c apac i t y .I fs een c ar ef ul l yi t does ntev enj us t i f yt hemeani ng ofa j ai land s t i l li st hes ec ond bes tJ ai li n I ndi a. Thi sj ai l c ompr i s esofbar r ac k st ohol di t s Pr i s oner ’ s , al i br ar yf ors t udi es , a hos pi t alf oremer genc i esand a c oupl e of J ai l ’ si ni t s el f wi t h dier ent c ont ex t s .The j ai las ev er y ot herj ai lnow a day si s fil l edwi t hf ac i l i t i esand ameni t i es f or t he Pr i s oner s adapt i ngnew c onc ept st omak e t hei rl i f ebet t ert hanwhati thad got t endownt oFi nal l yaf t eral l t hes ee or t snott hatal lwenti n v ai n ar e we r eal l yabl et os ay t hatweal lar ei nabet t erpl ac e t hanbef or e?

Soi nt ur nt hi sl edmet oas t at e i n whi c h ir eal i s ed t hi si sa c ommonpr obl em andi s n’ tonl y l i mi t edt oPune/Mahar as ht r a

08

CONCEPT

09

THEMASKOFSANI TY

TheUNKNOWN

TheCHOI CE

TheI NTELLECT

TheI NFLUENCE

TheCHOI CE

TheBRUTE

TheGROWNUP

TheTHRI LL

TheI NSANI TY

The CRI MI NAL

TheBELI TTLED SUBCONSCI OUS

TheALTERED PREMONI TI ON

I ti st hehor r orwi t hi nt heni ght sandf eart hatl i esdeepwi t hi neac hper s onwhi c hl edmet obr eakt hes y mmet r y ofmydes i gnt os howaunr ender edz onewhi c hneedst hehel pofev er yi ndi v i dualt os t i t c ht her emai ns .

Bar r ac k s

Bar r ac k s

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A +7.20M

+2.65M +1.20M ±0.00M

SECTI ON ATAA’

-3.00M -4.00M

+2.65M +1.20M ±0.00M

SECTI ON ATBB’

-3.00M -3.80M -4.20M

+7.20M

+2.65M +1.20M ±0.00M -3.00M

SECTI ON ATCC’ Enc ompas s i ngal lt hemaj ors ec t i onst ounder s t andt hephas esi ndes i gn.

-4.00M

t heNARRATI VE ( Par t1 ) Thei ndi genoushumanent er sanewper s pec t i v ef r om hi s /herr at herc r udel i f et oal i t t l emor egr i t t ys pac ewi t h ac l earmi ndwi t hal lt hes pac esands c ul pt ur est r y i ngt oes t abl i s hac onnec twi t hhi m/hers t ar t i ngwi t hhi s emer genc e.

Hei snowapar tofanewj our neyorar emi nderoft heonehehasal r eadybeent hr oughbef or ei nhi spas tl i f e whi c hi si nt endedt os t r i k ehi ml at er .

He/Shebr eak sopenhi s /hers hel lofc omf or tz oneandent er sanar eawi t hnotj us t2c har ac t er sbutmany bl ankc anv as esandar enow ar eanaddi t i ont ohi s /hermemor i es .Thebl ankc anv as esi ndi c at ehi spoweror abi l i t yt oc hoos et hec ompanyhe/s hewant st obewi t hordeem t r us t wor t hy .Si mul t aneous l yheobs er v est he di s c r et egr outont hefloorl eadi nghi m/heri nj us tonec ommondi r ec t i on.

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6

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t heNARRATI VE ( Par t2)

PLAN E

He/Shemi ghtnotr eal i s ebutt hec anv as esar enowbol derandhav egr owni npr opor t i ont oi t sLengt handwi dt hal s o hav egent l ys et t l edont hegr ounds t ar t i ngt odemandorr at heri nfluenc ehi s /herl i f ei nawayt hatnowhes t ar t sf ol l owi ngt hes amedi r ec t i oni r r es pec t i v eofhi sownwi l l .

Thei rv er yex i s t enc et r i est os t ophi m/herf r om t ak i nganyot her pat hbutt heonewhi c ht heyandt hev oi dar ei mpos i ng.

Mak i nghi m/herpas st hr oughawar pofs c ul pt ur esmi s l eadi ng hi m bac kt os quar ei nt os pac eshewoul dr es i s tt ogot oot her wi s e,wi t hanot herones t ar i ngathi m/heri nf r i ght ,hi nt i ngt obec ar ef ulwi t heac hs t epashe/s hei snowi namor es ens i t i v eenv i r onment .

He/Shes oar supt oapl ac ei nwhi c hhe/s henot i c esi dent i c als t epsonei t hers i deappr oac hi ngi napoolofwat erwi t h oner ec t angul arv oi doft hes ames i z es heddi ngl i ghtf r om r i ghtabov e.

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SECTI ON AT EE’

-3.00M

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He/ She appr oaches t he voi dl eadi ng t oa deadwal l t r yi ngt ogetacr os s ,bendi ngunderi t wonder i ng why? Pr obabl yt or epl ace t he f ear oft heunknownwi t hcur i os i t y.

Thi s next move t akes hi m t o a dus t yt unnel wi t ht he bar r i er of a s t r ong r et ai ni ng wal l hol di ngt hegr oundbehi ndf orhi mt opas s .Fol l owi ng t heaxi soft hewal li tl eadshi m/hert o t he s i ght of t he gr ound br eaki ng i nt ot he s t r uct ur ewi t hgl as si nt r us i onshel d wi t hi n.He/ s he fir s tcat ches gl ance of t he s i ghtof t he y pl ace he/s he des pi s es ,movi ng cl os eras ver t he angl e get ss t eeperhe cl ut cheson t ot he vi s ualoft hes kyr i s i ng f r om t hegr ungeoft he bar r acksatt he s ame t i me he not i cest he di s t or t i on caus ed by t he bar bed wi r ei nt er f er i ng wi t hhi sf r eedom.

I nvoked Thought

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The gr ound s t ar t ss i nki ng back i nt oi t ’ spl ace cl ear i ng outs ome s pace f ort wo s ubs equent l y l ar ge s cul pt ur es on benches and one l ef t empt y.

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t heNARRATI VE ( Par t4) Movi ng f or war d he/s he wi l lnow s ee i dent i cals t epswi t ht he exacts ame voi di nt he cei l i ng butj us twi t houtt he wat erunder neat h,put t i ng hi m/heri n a cur i os i t yt o under s t and wher e di dt hewat ergo?

Loki ng ar ound he/s hecat chesa gl i mps eofa gar goyl ewhi ch he/s he coul d hears i nce a qui t es ome t i me hel pi ng t hem t o r each wher et hey ar er i ght now.Hi s / her s i ght f ol l ows t he s t r eam l eadi ng s omewher e whi ch coul d be obs er ved t hr ough t hes l i t si n oppos i t ewal lwi t ht hefloor i ng compl ement i ng t he s ame.He/She not i cesa s l i ghtgl i mmeral ong wi t ht he bar s t r yi ng t o makehi m/herr eal i s et hatt hi si swher ei tends .The hopeoft hes t r eam t henhel pshi m/hermovef or war dt hr ough t hebar st oappr oach t hefinals t ep i nt hedes i gn.Ther oad t o whi chi sf ol l owedal ongt hes t r eam andgoi ngt oanat ur al l yl i t bal cony,t hel as tofwhi chcoul d beexper i enced t her e.

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He/s he now has ent er ed a humungous cour tcr os s i ng t hos e bar st or each outt ot he ot hers i de.Wi t h a domi nat i ng wat er body and an axe hi t t i ng t he s t one i ni twhi ch i s ata s cal e muchl ar gert hanonewoul d expect ,t r yi ng t obel i t t l ehi m/her maki ng t hem r eal i s et he s cal e oft he ges t ur et heyar e a par t of ,now.Endi ng hi sj our ney by r eent er i ng t he Ps ychol ogi s t ’ s o cet obeabl et oanal ys eand s har ehi sorherexper i ence.

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PLAN

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Phot ogr aphy ALear ni ngpr oc es s

Phot ogr aphy -Lands c ape,Ar c hi t ec t ur al Medi um: Mobi l ePhoneCamer a( OnePl us 5)

Phot ogr aphy -Mac r o,Ni ght ,Li ghtandShadow Medi um: Mobi l ePhoneCamer a( OnePl us5)